Original subtitles

Heat.

Heat.

Thank you.

Perfect.

Oh,

maybe not just across but also the

likelihood of self harm by the kidnapper

and the development of Stockholm

syndrome named after a 1973 bank robbery

that went wrong where the hostages ended

up helping their kidnappers against the

police.

In extreme circumstances, victims can

develop an emotional empathy and an

understanding with the people with the

person that's harming them.

>> Examples to back up that theory.

>> Patty Hurst, originally kidnapped,

locked in a cupboard, and raped by

members of the Symbian Liberation Army,

ended up robbing banks with them.

>> Good.

But why is it we do that?

What drives people like Paddyy to that

position?

Well, isn't it victimization to the

point of compliance? Don't we all do

what it takes not to be the victim?

>> Is that how you approach the Angelica

Bane case?

>> I hadn't thought.

I was just prepared to do anything

rather than end up dead.

>> So, your motivation was

self-preservation.

So, why do you still see her?

Such a unique opportunity. My torture is

now my patient.

>> Oh, Tony Hill.

>> What state is the body in?

>> Not good. We've recovered some bones,

but identification is going to be

difficult.

>> Of course. I've asked Tony Hill to take

a look. The last time I felt we could

have done with him much sooner.

An early opinion could prove useful.

>> Two of you had a chance to catch up.

Carol.

>> Carol?

>> Uh, no. No, we haven't spoken.

Did he say how he felt about coming back

to us?

>> I wonder what he went through last time.

>> Yeah.

>> Never mentioned it.

Can I tempt you, Jack?

>> I No, no, no, no. Too early for me.

>> Oh, he always says that.

>> Just the weekend.

>> How am I doing? Am I a bit um

>> uh a we bit flaky as usual, D?

>> Oh gosh. Speak for yourself, Granddad.

Right. Next week we will be doing the

battle of the chef. to join us

>> and Ecstatics performed their new hit

single

>> and we will discover the sex secrets of

Hollywood. We'll see you then. Bye-bye.

>> Bye. Just now.

>> That's it. Thank you very much. Studio

off air.

>> Well, don't worry about it. Three times

a week is a major opportunity. You

become the show to be seen on. Now,

Jack, I need you to enor. So, if Jason

is ready for you at half three.

>> Yeah, no problem. I just want to avoid

overexposure and overkill. H

>> what was it? Ignore it again.

>> You're opening a charity football match.

Jason will be there. You just turn up

and be you. That's why they love you.

>> Wake up.

>> Well, I don't know. That's Beth. I mean,

she's in charge.

>> Oh, and sign this. We leave the hospital

one to auction users at their charity

ball.

>> Uh uh. Wait a minute. This is the new

strip, not the one I wore when I played.

It

>> says Scotland. It's got your name and

number. Does it really matter?

>> Yeah, it does matter. I mean, that's the

sort of thing the fans notice. Well, the

real fans may be, but not to those who

pay 250 quid for black tie dinner.

>> Thank you.

>> Right, folks. Best behavior.

>> Okay, tits and teeth.

Right. Thanks.

>> Rachel.

>> Jack.

>> Don't push. We'll get to everyone.

>> Hi. Who's that too?

>> Right.

Jack.

>> Yeah.

>> Just yours.

>> Hey, Jason. Let's go. Bye. Cheers.

6 weeks.

>> Mhm.

>> And the network don't mind me being

away?

>> No. No. In fact, they're all for it.

Good publicity for going three times a

week.

>> But I thought I was promoting the book.

Cuz you will be. It just gives you an

added angle for the local radio

interviews. You know how much time they

have to fill. Anyway, the publishers

have come through with places and dates.

It's comprehensive and exhausting.

>> What if that starts next Thursday?

>> Whilst you're away, Jack, I need you to

do a couple of interviews that I've

sorted.

>> God,

it's the same person.

>> What's it say this time?

I thought we were reading these out.

>> Sorry, I must have missed it.

>> You okay?

I

>> think you get used to them.

Why should people think like that? Why

should they feel the need to be so

Beth Morris?

>> Yes. Hello.

Yeah. Yes.

Hello.

>> Hi.

>> I did want to call see how you were.

>> Why didn't you?

>> I did.

>> Really? I didn't get your message. I'm

sorry.

>> I didn't leave one.

Not very good at that sort of thing.

>> Yeah, me neither.

You still seeing her,

>> Angelica?

>> Yeah,

we all have to face our demons sometime.

>> It's not very pleasant.

>> There's no need to protect me. I've

seen.

I don't know how much hell I can be, but

we only know by confronting the

situation.

>> So, shall we?

>> Yeah.

female, dark-haired, 5'4,

15, 16,

been dead a while, six, maybe even seven

years. Tests on spores from the gut

should narrow it down a bit.

On those parts of the body, not

decomposed, no distinguishing marks,

some missing hand bones again due to

decomposition. How did she die?

>> Difficult to tell. The water was deep

and very cold, but my guess is that her

throat was cut.

>> This also seems to tally with some marks

in the muscle tissue still present

around the neck, but don't quote me on

that.

She'd also received a compound fracture

of the cheekbone prior to death.

>> Obviously, you can't tell if she was

raped. Sorry.

>> Uh, no. No, no clothes to identify. No,

>> I photographed and imprinted the teeth.

>> So, dark-haired missing teenager.

>> Not the shortest list in the world.

>> She hadn't had any children. That might

narrow it down a bit.

She was wrapped, preserved, protected.

But apart from that, until you know more

about evicting,

there's not a lot more I can tell.

Great.

>> What about the other ones?

>> What other one?

>> The other bones you found? Well, they

were metacarpals from her missing

fingers. Unless she had three thumbs.

One of them's from another body.

>> I'm going to grab a shower. Okay.

>> Right. What is everyone for lunch?

>> Hello. Whatever's in the fridge.

>> Oh, thanks for calling back.

>> Pasta it is then.

>> Oh, not too spicy.

>> Shut it.

>> Oh no, the dog hasn't gone out again,

has he? Haven't you seen him? Chester.

Chester.

>> I'll call you back.

AMANDA,

WHAT IS IT?

Oh my god.

Yes, it's her. She's your victim.

>> Her name's Louise Lockach. Age 15 when

she went missing in 1996. Never turned

up to school one day. Was seen on a

train with an overnight bag. The feeling

was she'd run away.

>> Where's she from?

>> Last dress we got for the family's up in

M.

>> All right, we better get up there.

Where's Tony?

>> He's gone. We have to see a patient.

>> Well, we better get on to him. I don't

want to have to brief him later.

>> Good. You're still here?

>> Not for much longer, sir. We've just had

an ID on the girl in the town.

>> You have? Well, that means the

investigation should be able to carry on

without you.

>> I'm sorry.

>> I need you on another inquiry, Carol.

Jack and Amanda Vance. They've been

receiving hate mail, but it's developed

into something different. They came home

to find their dog with its throat cut.

>> Amanda Vance, our comforter.

>> Well, now you can see why you were the

only man for the job.

>> Thank you, sir. That's so reassuring.

Don't know why you're smiling. We've got

Tony Hill.

>> You got any cigarettes?

>> You can't smoke in here.

>> Afraid I'll die of cancer before my

trial.

The [ __ ] was a [ __ ] you [ __ ]

>> Wouldn't want to lose you, Angelica.

>> Of course not. I'm the torturing freak,

a celebrity.

You said you wanted to be part of me.

>> Well, now you've got me. I hope I don't

disappoint.

>> Is it confined that that makes you

angry?

>> You tell me.

I like a captive audience.

>> You're the one who gave me the most

pleasure.

>> You still take the most bang,

>> but now our roles are reversed.

You're the one being held against your

will.

You're not the only person in my life,

Angelica.

And you got this today

>> in the um mail I opened off the show

>> and it came here. Yeah. Usually Jason

weeds them out. Today was a studio day.

It didn't happen.

>> How long's this been going on?

>> Um five or 6 months.

It comes with the territory of being on

television. People let you into their

homes. Not all of them like you.

Normally you don't think anything of it.

>> They'd become increasingly more

disturbing. Jack and I decided it was

best if Amanda didn't see them.

>> I'd like to see them if you still got

them.

>> I'll have them sent over

>> as soon as you can. At the moment,

they're all we've got to go on. Have you

noticed anyone loitering outside the

house?

>> We get the odd person walk up the drive

out of curiosity.

>> And did you know that the alarm was

switched off?

>> When we're late, we sometimes forget to

switch it on. And when you came back,

there was no sign of a break-in. It was

just you two and Jack. Yeah.

>> And Jason.

>> And where's he now?

>> With Jack in Norwich. Jack didn't want

to go, but we felt it was too late to

cancel it if I stayed.

>> Have all these letters been targeted at

you, Mrs. Vance?

>> I don't know. I've only seen him.

>> Yes.

>> Yes, they have.

>> Mr. Vance hasn't received any letters.

>> Not of the threatening kind. No. His are

mostly from teenage girls and

housewives.

>> I'll arrange for an officer to stay with

you.

>> Would you uh can we discuss it with

Jack? We might want to increase our own

security.

>> Yeah, of course.

>> Mrs. Lock.

>> Yes.

>> Detective Sergeant Don Merrick Bradfield

Police. This is Dr. Tony Hill. Please.

>> I'm sorry.

>> What do you remember about that morning?

Mrs. Long.

Mrs. Long,

>> it was ordinary.

That's what I'll always remember.

How an ordinary day can suddenly change

your life.

We got up. I got up

that day. I didn't have to wait cuz you

were already in the bathroom.

She had breakfast.

I came down. She reminded me that she

were going to Laura's after school

and then she left.

Not the last time.

And I hate it

that

the last things she told me were a lie.

She didn't go to Laura's.

She got on a train.

>> But she was a bridegirl, wasn't she?

>> Yes.

She was doing GCSEs.

>> Well, hard worker.

Usually home on time. You didn't row.

So, she was a lovely girl.

>> She was a good girl.

>> And maybe we shouldn't hold that one lie

against her.

Her clothes. She took a toothbrush and

one change of clothes.

>> Skirt and top.

>> When would she normally have worn those?

>> They were her best.

girl from a one parent family, no real

pressures at home,

not a drug taker, never been in care,

and loved her mother, who one day hides

a bag from her with the best clothes in

it. I don't think she ran away. She left

here to meet someone.

Beth.

>> Oh, good. You sorted them out.

>> Yeah. You know, Amanda should never have

gone.

>> I know, but Jason's northeast.

>> No excuses.

>> No, it won't.

>> Especially after what happened to

Chester, bet.

>> Yeah.

>> Keep an eye on Jason, though. He's a

good lad, but he's still learning. And

it is your responsibility.

>> Yes, I am.

Security. Okay.

sleep. Okay.

>> Both gave me some tablets.

>> I didn't even hear you come back.

>> Yeah, it was late getting off too. How

you feeling?

>> Police seems certain it's this bastard

who sends the letters. Yeah, I heard

>> spoke with Beth.

Listen, Amanda,

don't think we can take any risks. We

need to get in some outside security

until it's all over.

>> And when is it over? When he kills me,

>> when they arrest him, and they will. Try

not to think about it. All right.

>> Try not to think about somebody breaking

in and murdering our dog. Try not to

think about somebody hating me,

despising me, wanting me dead.

What sort of person is this, Jack?

>> Someone who's sick and nothing's going

to happen. All right.

>> Well, I'm not hiding.

>> Don't think I'm going to stay locked

inside this house cuz I'm not giving

this weirdo the satisfaction of

controlling how I behave.

>> Okay.

Okay, that's fine. It's absolutely fine.

All I'm asking is don't do anything

reckless. Yeah.

Okay.

Hey, what's up? You

>> hi

>> for Detective Inspector Jordan from Jack

and Amanda Vance.

>> Yeah, Jordan.

>> Uh, I'll take it. I'm uh I'm going past.

>> All right, Kev.

>> Cheers, mate.

>> Got one body, Louise, and one part of

another body.

>> Yeah,

>> we know Louise got on the train.

>> We also know she had a fractured cheek

then and we know where her body was

found. Louise left home to meet someone.

Now, whoever she met, it was illicit.

Otherwise, why lie to her mother?

>> Well, maybe her mom didn't approve.

>> When I was her age, I did loads of stuff

my mom wouldn't have approved of.

>> But your mother didn't approve because

she had knowledge of the person you were

going to meet. Louise's mom didn't.

Now, Louise lied to protect the person

she was going to meet. My guess is if we

find this other body, it's female, same

age, and died in exactly the same way.

You sure? Well,

>> the chain of events that led to Louisa's

death are already very distinctive. She

changed her habits. Someone influenced

her behavior.

>> So, it's a reasonable assumption that if

the killer follows the same pattern,

>> the victims do, too.

>> We just need to know where they died.

>> Yeah, the town's a dump site.

So, where was the sighting on the train

and where was she going?

>> And did she get there?

Excuse me a moment.

>> Kevin,

talk to me over this pleasure.

>> Uh, from Jack and Amanda Vance.

>> Supposed they couldn't afford a pigeon,

so they used the nearest life form.

>> So, a month's salary must have been

quite a setback.

>> Well, could have been worse. Could have

been fired and put back into uniform.

>> Thank you for speaking for me.

I'd hate to see a good officer go to

waste. Hopefully, you'll never do

anything quite so stupid again.

>> Well, I'll see you around.

>> What's that?

>> Vance case.

>> Who?

>> Amanda Vance from television.

Married to Jack Vance, also on

television. Excolotland football player.

>> Oh, yes.

>> She's got a stalker who's killed a dog.

This is a hate man.

>> Oh, why didn't you say you want me to

have a look?

The divers's found a pelvis. It's from a

young female.

Anything

else you want to go through? Oh,

>> sorry. It's a weakness I have when

people leave the room.

Remind me not to do it again. I know how

obsessive you can be.

>> I don't think I'm obsessive.

>> No.

>> Okay. Apart from your work, your

patience, and Angelica, what else is in

your life?

>> Why? What else is in yours?

>> Come on then. What did you make of these

letters?

>> They come from all over the country.

>> Well, obviously.

So, they either travel with work or they

stalk Jack and Amanda as they move

around the country.

I'll get a copy of their schedule.

There's no doubt that these are from the

same person.

>> None at all. Same handwriting, same

language strands.

[ __ ] die

[ __ ]

What we have here is a delusional

stalker.

Get out of our lives.

We hate you.

We want you to die.

Us.

>> Two people.

>> I know.

Stalker's fixation is singular. It's

theirs alone. You know, they perceive a

relationship where none exists.

It's stalker and victim.

But he has a third party. We, ours, us.

Amanda is the object of hate and the

stalker's fixation is with someone else

entirely.

>> So Amanda is not the person being

stalked. She is the person being hated.

>> Exactly. The stalker believes they're in

love with someone and feels they're

being kept apart. And for that they're

blaming Amanda.

>> So who's this other person then?

>> Well, it could be anybody.

>> John Hinckley shot Ronald Reagan to show

his love for Jodie Foster, who he'd

never met. So, she's in that much

danger.

>> If a mana worked in a close society like

a school or an office, it would be

easier. But because she's on television

and available to millions,

well, violence stems from a perceived

snowball rejection. The stalkers felt

that that killed the dog.

Any more rejections? Yes, she's in

danger.

Heat.

Heat.

You all right?

>> No.

>> Has to be the same person. It could also

have been a simple road traffic accident

that happens to coincide with these

threats. She did a U-turn in the middle

of the road. Someone could have just hit

her and then drove off.

>> But whichever it is, I promise you we'll

get the person responsible.

>> Look, yesterday they were in here

killing our dog. Today they're ramming

Amanda's car. What do you think they've

got planned for tomorrow?

>> We're doing all we can.

>> All right. Well, let's just hope it's

enough. Eh,

>> have you ever seen anyone following her?

>> Well, people follow us all the time.

It's part of the job. We get the usual

faces, but they're enough problem.

>> We'll be in touch as soon as we have

something.

Go

What are you after?

>> I know what I did was wrong. I know it's

down to me and I'm prepared to carry the

can. But if you could just give me

something,

you know, anything to prove to you to

upstairs that

I'm better than this.

>> Okay.

Some B's driven into Amanda Vance's car

and then just driven off. Check the

street cameras. It's already been done,

but they may have missed something.

>> The uh local businesses have cameras.

>> Good. I want that car found. Understood.

>> And you'll have a word with Brandon for

me.

>> One step at a time, Kevin.

>> You'll notice that we've got exactly the

same type of compound fracture of the

cheekbone that Louise Lock had.

Not done with a sharp instrument,

something flatter, but with considerable

force.

Is it from the same body as the pelvis

and a handbone?

>> They're the same age, in the same

condition, and look to have been there

the same amount of time. Also, it's

female like the pelvis. The hunch is

yes, they belong to the same body.

wrapped, preserved, protected.

>> If we knew who she was, we'd compare

characteristics with Louise's. This

gives us the killer's method. And with

the meth, we have personality.

>> And with the personality, we have a

profile. We're doing what we can, Tony.

There are no shortcuts.

>> I think there's something else with this

girl, Louise. Same age, same fracture to

the left hand side of the cheekbone. And

I don't think it ends there.

We need to know what she looked like.

>> And for that, we need an ID.

>> Can we reconstruct her? You know, her

face from a skull.

>> Well, usually we wouldn't do that until

after we've done the lists. TV, press

appeals.

>> In the meantime, he's out there. He's

selecting. He's choosing and killing.

>> What she looks like. It's all I need.

>> Okay.

This type of stalker will repeatedly

visit sites of special importance to the

object of their fixation.

Know where they live, where they work,

where they go on holiday.

>> So even before they'd killed the dog,

they would have been to that house.

>> They'll have been in the house, in the

garden, they'll have been everywhere.

They're a walking encyclopedia of

knowledge of this person.

And he's not afraid of taking risks.

He believes they have to be together.

>> He Oh, the language is definitely male.

Certainly known to the police. previous

convictions, ABH, assault on men and

women.

>> So, he's sexually confused.

>> Well, sex, it's got nothing to do with

it. He's delusional about a relationship

and not sex.

>> So, if Amanda is the person who's

preventing this relationship, who's he

fixated with

Jack?

She's his wife.

Could be.

>> So this skull, you said you had

something on it.

>> Cheekbone fracture always on the left

side.

>> So he's right-handed.

>> They're facing him when he hits them.

Try it. Try hitting two people in

exactly the same place, inflicting

exactly the same injury.

>> Well, that's virtually impossible.

Unless you're restrained, tied up.

>> And these similarities between the girls

you keep talking about.

>> We'll know when we see the face.

>> We've only got the first four digits of

the number plate, but when you cross

reference those with the paint residue

results, which belong to a flame red

Ford Fiesta, I've I've come up with

these.

>> Good.

>> What's going on?

>> Three possibles. Don, check these names

out against previous convictions.

>> I already did that. Graham Ian Dowling,

previous convictions for burglary,

indecent exposure, and assault on a

woman.

>> Danny

It's the police. Mr. Darling.

Mr. Dowling.

Ladies and gentlemen, will you please

give a big warm welcome to Mr. Jack?

Put your name down.

Donna, don't. That's my mother's name.

Ya,

>> I want to be a boyfriend. Hey,

>> I haven't got a boyfriend.

>> Hey, no problem.

>> Okay, sweetheart.

>> Easy me. Easy. Easy. Easy. Move up. Move

up. Move up.

>> Stop pushing.

No manners, Jack.

There you go. There you go. Thank you

very much.

How accurate is it likely to be?

>> Oh, fairly accurate. Bone structure is

everything. I adjusted the plaster cast

of the skull to eliminate the fracture

to the cheekbone.

>> It's incredible, Sandra.

>> Thank you.

Just didn't want to say it.

>> Say what?

>> It's the same girl.

>> No, it's a different girl.

>> A woman who looked like these two girls

was once important to our killer and

probably rejected him. The way he

injures them, I think, is revenge for

the pain and suffering he felt.

>> And they're about the same age, late

teens, early 20s.

>> I think the age of the victim is only

relevant because girls of this age,

they're impressionable and malleable.

>> And the fractured cheekbones that's

bound up with rejection.

>> We think we've got an idea on the second

victim. She matches the description of a

Sonia Wilson, 16, from Devon.

>> Left home to go to school one day and

never showed up. Took one change of

clothing.

>> Presumed run away. Yeah.

>> Went missing in 1995.

If she died shortly afterwards, Tony,

then you're right. She was the first

victim

>> of those we found.

With each of these victims, he's refined

his method of disposal. With Sonia

simply waited down in the water, but

with Louise, he shown more care. He

wrapped her and he preserved her. And in

six years, there's no way this killer

has not been active. Learning with each

victim, he'll have found a new method of

disposal.

Might even keep them close to home to

minimize the risk. These killings are

planned.

We're looking at a male from mid20s

upwards.

>> Okay, listen. Time's of the essence.

Cross check any disappearances in

similar circumstances. See if anything

matches up with Sonia or Louise.

>> Oh, they trusted him.

You don't travel to meet someone if you

don't trust them.

>> Okay, listen. How are we doing on

finding Dowling?

That was exactly what I needed. Sleep,

sleep, and not sleep.

And you were taken to hospital. I was so

frightened. I thought the

>> Oh, James, don't think both. I feel

fine. I am fine. They didn't get me.

The police reckon they've got a suspect.

They know where he lives and it'll only

be a matter of time.

>> Well, then we can just carry on, can't

we? As though nothing's happen. There's

no need to cancel the book tour. There's

no need to change anything. Just carry

on.

Exactly as before.

Go. Two other missing girls on the list

disappeared in similar circumstances to

Louise and Sonia. Mley Pearson from

Liverpool and Karen Lloyd from Newport.

>> Virtually identical.

>> Similar backgrounds, similar

disappearance.

>> Certainly similar deaths. I've got four.

>> Six. You missed out on Hull and Cardiff.

Suzanne Mills and Rachel Bowman, also

presumed runaways. Rachel was four

months ago.

>> How did you get onto these?

>> Well, you know, I'm fond of the press.

I've got a friend on one of the

Nationals.

>> Crime desk?

>> No, entertainment. Cuz there's another

link. Apart from the fact that they all

look similar.

It was on one of the desks here, right

under our nose.

Jack and Amanda Vance's appointment

diaries.

The stalker cut the dog's throat with a

knife and Vernon said that's how the

girls were killed.

>> Sorry, but I don't see the connection

between these women and Amanda Vantis

stalker.

>> Each of the girls has gone missing just

after Jack and Amanda had been in town.

>> I'm thinking I'm thinking

I've highlighted all the appointments

after which the girls went missing.

It's all here. All six regular

intervals.

Do we have proof that they actually met

them?

>> Well, no. But if you were their age and

Jack Vances in your area, wouldn't you?

>> Not enough.

Could it be this bloke Darling that's

killed them?

Tony.

>> Tony.

>> Yes, it's possible. Use of knife, use of

water. The stalk is fixated with Jack.

He wants Jack to himself. He wants

Amanda out of the way. These girls meet

Jack. And if Darling sees this, and

let's remember, this is a man who's

reading signals that aren't there, he

could easily misinterpret the attention

Jack gives them for affection

and believes they have to be got rid of.

>> I want this guy Dowling found and

arrested.

>> Is he injured or disabled in any way?

>> If he isn't, he will be by hold of him.

>> Does it matter? Doesn't explain the

cheat.

>> He's proved himself to be a vicious

bastard. That's enough for me.

>> Did you give the police the letters?

>> Yes.

>> All of them? Most those they needed to

see

>> and those they didn't.

>> Safe. Why was that wrong?

>> No. No, I don't think so. Do you?

Scares me that that creep knows about

us. How?

>> I don't think we should complicate

things.

>> No,

I just wish we could be honest about us.

So do I. It's just it wouldn't achieve

anything.

We've worked so hard for this.

Think of what it would do to Jack.

It was your idea I married him in the

first place.

You're not thinking he's saying

anything, are you?

No.

Just once in a while, it would be nice

to walk beside you and not behind you.

So,

I'm going to make some calls.

What is it?

It's nothing.

It's nothing at all. Come on.

>> Hi, Mr. V. I am

Hi, Jack.

>> Hi.

>> Didn't I just meet you at the uh at the

sports store?

>> That's me.

>> Uh what was your name again? Um

>> don't you remember?

>> Ah, I've headed too many footballs. Bad

for the memory.

>> You uh

you want me to spell it out for you?

Um, you shouldn't be here, you know.

>> Don't always do what I'm told.

>> Right.

Jason, could you uh could you get this

young lady a cab home, please?

>> No problem. Come on.

>> Where abouts do you live?

>> Here in Delton.

>> Then how about I give you a lift on Mr.

Vance?

>> Dan

Darling. Any information?

Yes.

>> No. Good now.

>> It's very important.

>> Yeah.

If you're killing them, what you done

with the bodies? If you're not afraid of

risk, why haven't we found them?

Graham water wrapped and hidden in

water. Put a dog in a bath.

>> Yes.

>> What's up? His name is

>> just trying to make sense of it.

>> Got him. He works for a security

company. Hold fast security. They

haven't seen him for a day or so. But

guess what he's wrote to be doing? He's

meant to be protecting Amanda Vance at a

book signing this afternoon.

Oh my god.

Excuse

me. Nice to meet you.

Come on.

Stay close.

What's going on?

>> Don't look into your car.

>> Have you seen him?

>> No. Look at him.

>> He's here. He's meant to be protected.

>> Are you sure?

>> Are you sure?

>> You're not in the building.

Really, there's no need. Beth's here.

>> Are you sure?

>> Night then.

What?

>> Bear.

>> Bear.

>> My interest in it is strictly

professional.

>> Yeah. Yeah.

>> What's going on,

>> darling? Don't piss about. I'm not in

the mood.

No.

Beth Morris, Jack and Amanda's manager,

single, lives alone. It appears no one

else was in the house.

>> Had she had sex?

>> Not as far as we know. No,

>> I think she just got out of the shower.

Towel was still wet.

The fatal wound occurred at the front of

the bed.

>> Multiple stab wounds and explosion of

anger, but calm and precise after death.

So, a killer surprises her, kills her,

then takes her to a chair and widens her

legs,

gets him clothes, leaves them, drapes

them, creates a scene,

legs a part facing the door.

She didn't have sex. Why didn't the

killer just leave her?

Why sit her in a chair and let her legs

apart? No, this was meant to shock.

That's all.

>> Where'd you find the dog?

>> Bathroom.

>> His name's Graeme D. He's lived here for

6 months. Are you sure he

Don,

>> take a look at this.

>> Oh [ __ ]

More hate mail.

>> Only getting sent.

>> Neighbors haven't seen him for the past

few days. Not since the crash. He hasn't

shown up at his brothers and he hasn't

shown his face at work.

Find his bank details.

See if he'll tell us where he's drawing

cash.

Yeah, it's Merrick. Listen, can you put

out a description for a Graeme Ian

Darling of his car details? Wanted on

suspicion of murder. Make sure the boys

know to be careful if they find this

guy. He's extremely dangerous.

Kevin

>> G diver found these in the town. We

think they're from the girls.

>> Identical. Look.

Clasp's broken on that one. Give it to

forensics. See if it was ripped from her

neck in a struggle.

>> I'm sorry to have to bring you in like

this.

I just thought we could talk more

freely.

Hotels can be a bit public. No,

>> that's that's fine by us. It seems it's

good to get out.

>> Coffee, Mrs. Vance.

>> Okay. Right. I apologize in advance.

Some of the questions I'm going to have

to ask you might seem quite insensitive,

but it's my job to put them to you.

Okay.

Have you ever seen this man?

>> Is this him?

I'm afraid I can't tell you that. I just

need to know if you've seen him.

>> Yeah, I've seen him. He was in Delilton

yesterday.

>> You're positive?

>> Absolutely. He knocked this girl out the

way.

>> What girl?

>> She's about 18, I guess. I was doing a

photograph with her. This guy just

practically threw himself at us, pushed

her out the way. Ask Jason. He was

there.

>> Yeah, I will. And did you see him leave?

>> No, just remember the incident. I don't

know what happened afterwards.

>> You can only draw the conclusion that

different crimes have different

perpetrators once it's established that

underlying the murder that

>> Thank you, Jenny.

That underlying the murder, the reason,

the drive behind it is different.

>> And what do we call this?

>> The signature.

>> That's right. The signature is different

when we have different killers.

What happens if the same person kills

but has a different motive?

>> Won't the signature be different? No,

>> the motus operandi will be different.

But if you've killed before, your

previous experience will override the

motive and somewhere amongst it, you

will leave a trademark.

>> Excellent.

Excellent.

Go on.

>> And you don't know the girl's name?

>> No. I mean, I probably did ask her, but

Jason might know he got her a cab home.

Is this relevant?

>> Well, there was no sign of a forced

entrance, so either Beth let her kill

her in or he had keys.

Who else has keys?

>> It's just ourselves, Beth and Jason.

Yeah.

>> And he was with you yesterday.

>> Yeah. Yeah. I mean, he always comes with

me. I mean, I do a lot of traveling and

it helps to have someone drive.

>> Okay.

Right. Was Beth in a relationship?

>> I don't see where all this is getting

us. Beth is dead. You know who killed

her? He tried to kill me. Why are you

trying to find him?

>> We are, Mrs. Vance. I'm just trying to

fill in the background.

Was Beth in a relationship?

>> No.

>> Had she recently split up with anyone?

>> No. I've never known her be involved

with anyone.

>> What about you, Mrs. Vance?

Me neither,

>> Dr. Hill.

>> No, no, keep going. You're doing really

well.

>> Let's apply that to the hypothetical

model.

>> Okay. Well, in the hypothetical model,

I'd be worried that the the killer of

the girls hides their bodies, but the

killer of the woman left her exposed so

graphically. But

>> what are the common factors apart from

the slit throats?

>> The care taken with the bodies after

death.

the the killer of the woman is

definitely a previous killer. They've

had previous experience with the body.

But but in the case of the missing

girls, you have a developing learning

experience in how they're disposed of.

>> And central to all this is that the same

people link all the deaths.

>> So even though it's a different type of

death and discovery, they're very

probably linked,

>> but with a different role,

>> revenge against the person represented

by the girls

>> and anger directly with the woman.

>> It's very good. Thank you.

I'm still not sure about the dog.

>> Mom, I'll see you later.

>> All right, love. Take care.

effect.

Hey

Forensic have come back on the

crucifixes.

>> Good. Carol,

>> hang on. Hang on.

>> One of them is consistent with having

been torn from round neck. There's no

direct link to the girls.

>> Well, do we know where you buy them?

>> Most cheap accessory shops.

>> Don, have you found anything down there?

>> There's nothing. We're still waiting for

his bank to get back to us, but there's

no sightings. He's just disappeared.

>> Well, he must be somewhere. Get on to

the ports. Airport. Try the passport

office.

>> Yes, Tony.

>> I don't think he'll have done that. He's

never going to be too far away from

Jack. He wants to be close to him.

>> Why would he leave the country?

>> Okay. How close is close?

Well,

>> he needs to be with him or feel he's

with him when driven by the compulsion.

So, I'd say

>> an hour.

>> 40 mi.

>> Great. A circle with an 80 mile

diameter.

>> Easy to say somewhere in the north,

isn't it? Probably.

>> At least you're not looking into it.

>> The fact of statements, but in the last

week, Darl has twice used the cash

machine in Seafford.

>> Great. Get round the hotel. Circulate

his description. He must be staying

somewhere. What is it you wanted?

Heat. Heat.

Heat. Heat.

Go on. You'll be late.

I'll see you tomorrow.

Where have you kept the letters?

Three. Three. Three. Three, three,

three, three. One.

Obsessional delusional stalkers. Three.

Three. Three. Three. Two. Three. None.

But sometimes one, two, none.

Some of these are missing.

And this switch is here.

Ow.

Wow.

>> What do you think?

>> It's perfect.

>> How long are you going to keep me

waiting here?

>> I can't do it. Someone understand the

urgency. My daughter is missing.

>> Mrs. Perry, I'm sorry. Can you

>> I know. Take a seat.

>> Can I help?

>> Are you a policeman?

>> Sort of. This your daughter?

>> Yes,

Donna.

She's 17.

It's this recent.

>> Yes. Last month at Dilton College.

>> You're from Dilden?

>> Yes.

Well, she left for college this morning,

but she never got there.

I looked in her room. She taken her bag.

It's not like her to do that.

>> Same age, same appearance, and she's

from Dilton. She went to see Jack Vance

open store there yesterday.

>> She looks like the others

>> and went missing in the same way.

Darling was there yesterday.

>> Mrs. Perry,

I'm Detective Inspector Jordan.

>> For me?

>> Yeah.

Moment I saw it,

I thought of you.

to remind you.

It's here.

>> Do you think she's still alive?

I

>> think there's a strong possibility.

>> Okay. She was seeing buying a train

ticket to Five Walls Halt. That's 3

miles from Seafford.

>> It's a buildup. It's like a romance.

He makes them travel. He takes them

somewhere. He gives them a trinket.

Crucifix to talking of his affection.

Then they have sex.

And then he turns.

>> How long do we have before he kills her?

>> Well, let's be old fashioned and say

they have sex tonight.

At the earliest, he'll kill her in the

morning. at the latest a week.

>> If he treats her differently, might we

have longer?

>> Well, the only time he's departed from

this pattern, he kills swiftly,

ruthlessly, and in anger. There's no

anger, no affection, just pure hate.

The one thing I don't understand, if

it's darling,

why is he treating them kindly? Now,

Beth and the dog, I can understand that

is pure dowling.

The girls and Beth buy the same person.

That makes sense.

But all three together.

>> What are you saying?

>> There's inconsistencies. Like Beth would

have given you all the letters.

>> Are you sure about that?

Yes.

>> Good.

I found Darling.

We're going to do it.

>> GET

this [ __ ] done.

>> Bag it. We'll have it tested.

>> BASTARD. WHAT HAVE YOU DONE WITH THAT?

[ __ ] [ __ ] SON.

LET ME GO, PLEASE.

How do you know Jack Vance?

>> I'm friends.

Quite close friends. We talk.

>> Do you write?

>> Uh to each other? Yeah. All the time. He

likes it when I write. He looks forward

to my letters every day.

>> Every day.

every other day.

No delivery Sunday. Three times a week.

>> I always leave a gap so he has time to

write back.

>> Always. Three times a week.

>> Always.

>> Told you.

>> And um does Mr. Vance write back to you?

>> Of course.

Um

he he tells me

what he's been doing and um

>> that's okay. He's just lying to protect

his own self image. Try and keep the

conversation on Jack.

>> My advice.

>> Oh, really? I'd like to see those

letters.

>> Careful, Carol. That's threatening.

>> And um when did your relationship with

Mr. Vance start?

>> Eight years ago.

>> How did you meet?

>> He looked at me while I was watching him

on television.

He waved to me.

>> Do you write to anyone else in the

house?

>> No.

>> What about Mrs. Vance? Ever write to

Mrs. Vance?

>> Uh, only when Jack wants me to.

>> Does he ask you to?

>> He doesn't have to ask. I know what he

wants me to.

>> Does Mrs. Vance write back?

>> She has never replied or acted on my

advice.

>> Oh, really? What advice do you give her?

>> Not so direct. Carol,

>> have you ever asked her to get out of

Jack's life?

>> She has to go.

>> You've been to the house, haven't you,

Mr. Darling?

>> Carol, you're doing this on purpose.

Does this thing work?

>> You've been inside their house, haven't

you, Mr.

>> You're pushing him too far, Carol?

>> [ __ ] [ __ ] [ __ ] You know, you know,

you you know what she does to Jack. A

[ __ ]

>> Behind Jack's back. [ __ ] [ __ ] SHE'S

A [ __ ] Oh [ __ ]

>> Get off.

Get off. She's

calm down. Listen. Listen. Calm down.

Just Just calm down.

>> How do you and Jack come not being

together?

>> It's hard for both of us.

But nothing we can't overcome.

>> Would you ever do anything to hurt him?

>> Of course not. I love him like a

brother.

>> Could you prove your love if I tested

you?

>> You see, I'm not sure how else to

believe you. I mean, if you were really

close, you'd know a lot about him.

>> Well, like what?

>> Okay. Um, tell me something about the

house. How many toilets downstairs?

>> Um, uh, two. Note three

>> in Beth's room. Is it curtains or

blinds?

>> Curtains.

>> Covered a lineup.

>> I don't know.

>> Jack's given you the key.

>> Not yet. That's when I move in.

>> How do you get in?

>> There's a faulty catch in the utility

room window.

>> How long's Jason worked for them?

>> Oh, since he uh since he left Oh, don't

tell me. Um, Gatoring College.

>> How many women live in the house? Two.

How many dogs are there?

Of

>> course, he killed a dog. You saw his

reaction, but he does know best dead. He

still thinks there's two women in the

house. Well,

>> why would he get that wrong? He's an

obsessive. You said he prides himself on

knowing

>> the utility room window at a security

lock fitted after the dog attack.

>> I don't care. I still think he's a

credible suspect.

>> Okay.

Why

is his post offense behavior different

from his pre-offense behavior?

>> Is he violent within a stable

relationship? I mean, does he have any

relationships? You're

>> joking, honey. Our

killer's intelligent, Carol, has a

handicap and outwardly maintains normal

relationship, but there's violence and

it's sexual violence. Best murder was a

sexual warning.

>> Abduction and the murder of the girls

and the murder death was carried out by

the same person, but with different

motives and that person, it wasn't

daily.

>> So, who are we looking for then?

>> Someone close to the house who didn't

need to break in. Just walked in through

the front door.

We found a bloodstain knife at the Vance

house. It's got Jason's fingerprints on

it.

>> Look, I'm not a fool, so don't treat me

like one.

>> Please, just let me go.

>> No,

>> I can't do that. See, that's what they

all do. You know, suddenly they just

leave me.

>> I just want to go home.

I was originally going to do this room

in blue.

I thought it wouldn't be warm enough,

you know.

Um,

I think this works, don't you?

What color is your bedroom?

>> Purple.

>> Purple.

Is it

just like ours? Yeah,

that's nice.

Tell me you love me.

>> I love you.

>> Okay, we know that she was heading for

five walls halt. What we don't know is

did she get there? The fact that two

bodies have already been found in the

town near five walls hold suggests that

somewhere in that area is the killing

ground.

>> We know that she's been with him or

imprisoned by him for 19 hours. She's

out there hopefully still alive. We've

just got to find her. Okay.

>> Don't just assume it's Jason Carol.

Okay.

>> Look, Tony, what was missing with

Darling was hard evidence. You were

right. I was wrong.

But undeniably, your fingerprints were

found on the knife. Jason,

>> why did you kill her?

>> I didn't.

>> The knife was covered in Beth's blood.

The blade matches the wounds inflicted

on her body. How did your fingerprints

get there if you didn't hold the knife?

>> I don't know.

>> What were you doing before you joined

Mr. and Mrs. Vance?

>> I was at college,

>> studying,

>> catering. And when you enrolled on the

course, aren't you supposed to provide

yourself with a set of professional

kitchen knives, the make of which is

stipulated by the college?

The answer is, Jason, yes, you are.

The knife that killed Bethle, the knife

with your fingerprints on it, is one of

those knives. Are any of yours missing?

>> I don't know.

>> All I want from you is for you to tell

me the truth.

>> I am. I have done

>> honey.

>> I've got some gaps I need. Got some

gaps.

Got some gaps I need to fill in. Jack

play football for Scotland.

>> You know he did.

>> No, I don't. I'm not a fan.

>> Oh, 65 caps, 27 goals.

>> Sounds good.

>> Oh, hi. He He was the best player of his

generation.

>> We found the knives, Jason, in your

wardrobe.

>> I haven't used them for years.

>> And Donna Perry's address and phone

number written by you in your room.

>> Then he messed it all up by marrying

Amanda, didn't he?

>> No, she came later. Really?

>> Maybe you were jealous. She was seeing

someone else.

>> I wasn't jealous. How could I be

jealous?

>> So, she was seeing someone?

>> Yeah. Who?

>> So until Amanda came along, he was

single.

>> No, he already had me.

>> Oh, yeah.

>> But before you,

>> who was she seeing, Jason?

>> A woman,

>> right? So, your justification for her

not finding you attractive is she didn't

fancy me. She's a lesbian.

>> She was a lesbian.

Ask Amanda.

They were lovers.

>> Wasn't he married before?

That's right. To um Oh, what's her name

now? Don't tell me. Don't tell me.

>> Jilly.

>> Jilly. That's right. Yeah. Jilly.

They got divorced, didn't they? She

lives in that place. Uh, where is it

now? Don't Don't tell. Don't tell me.

Yes,

>> I'm Dr. Hill. I telephoned.

>> Oh, yes. Please come in.

I know how difficult this is going to

be. So, um,

why don't I tell you what I think I

know, and you can tell me if I'm wrong?

>> You okay?

>> To the world, you and Jack were a very

happy couple.

Privately though, I think things were

less happy.

He was demanding,

controlling, manipulative.

Everything was your fault. Then one day,

he hid you.

He said he was sorry. You forgave him.

and to the world you're still Mr. and

Mrs. Perfect,

but now he's violent on a regular basis.

Then he raped you.

The rapes became more frequent.

>> Oh, go away.

>> And then there was no such thing as a

rape between a husband and wife.

>> No. No. Help me.

>> Help me.

>> No one will believe that Jag Vance was

capable of such a thing.

>> Help me.

HELP ME.

HELP ME.

>> Then 7 years ago, he was injured.

It ended his career.

That was your chance to leave.

>> Yes.

I left him while he was in the hospital.

He was elbowed in the face. He suffered

a a compound fracture of the cheekbone.

>> But that sort of injury, it wouldn't end

a career though, would it?

>> Uh, no.

But, uh, what wasn't reported was that

when the cheekbone shattered, he lost an

eye.

and he's been blaming you ever since.

>> Amanda Vance is a lesbian. That is

ridiculous. He's just grasping at

something. Anything that'll get him off

the hook. It's complete fabrication.

>> No, it isn't. It makes sense. Some of

the letters from Darling have been

withheld. Why? Because they would have

revealed the truth about the affair.

>> Come on, Tony. Get with it. Jason's

fingerprints were the only ones found on

that knife. He had Donna's address and

phone number in his room. It's obvious.

Beth found out about the girl, so he

killed her.

>> Jason is too young to have committed the

murders. Our killer's older, confident,

charismatic.

>> Our killer is Jack Vance.

>> Jack Vance.

>> You ask his first wife.

>> He sexually abused her. He beat her up,

Carol. His cheekbone had been shattered.

Ended his career. His cheekbone.

He takes Jason everywhere with him. He

used Jason just like he uses his

marriage to Amanda.

>> So why did he kill Beth?

>> Was he jealous of her?

>> No.

He knew about Amanda and Beth just as

Amanda knows Jack sees other women. But

what she doesn't know is that he kills

them.

It's a marriage of convenience for the

both of them.

>> So Beth threatened to destabilize Jack's

world.

>> Yes.

>> If Beth hands over the letters, the

affairs exposed. Jack, he couldn't allow

that to happen. The veneer of his

marriage protected him.

>> So he set Jason up.

He used Jason's knife to kill Beth.

And all the girls

looked exactly like his first wife.

>> To him, that's who they represent. He

abused his wife

until she had the strength to walk out.

And that was the trigger to kill.

>> Okay.

Okay.

So, the only way to prove all of this is

to find Donna

>> if she's still alive.

>> Do you think Amanda knows where he takes

them?

>> I think you're going to have to tell

Amanda where you know first.

>> I'm sorry, Mrs. Vance. We know you

didn't give us all of the letters.

We're also aware of your relationship

with Beth.

This is a murder inquiry.

It's an offense to withhold or destroy

evidence.

>> Everyone would have known.

I didn't want that.

Beth did. She didn't. She didn't

understand that I couldn't do that to

Jack.

Jason didn't kill Beth.

>> What do you mean?

I thought you'd arrested him.

>> Beth wanted to be honest about her

relationship with you. The man who

killed her could never allow that to

happen.

>> Who?

>> Jack.

No,

no, he couldn't.

>> He raped his first wife. If he never

touched you because you weren't having a

sexual relationship. Mrs. Vance, your

husband is picking up and murdering

young women.

>> So far, the count's up to eight with

Beth. Nine. He's holding a school girl,

Donna Perry, somewhere near five walls.

Halt. She could already be dead.

>> We have to find her now. Where's his

house, Mrs. Vance?

>> He's never told me where it is. I I

don't ask. We've got separate lives.

I think he's to call it his

uh his retreat. I That's all I know.

Amanda,

finding Donna is our only way of

stopping him. If you know, don't protect

him.

>> If I knew, I would tell you.

>> Hi, darling.

>> I heard about Jason. Have you charged

him?

>> Uh, no, not yet.

>> Never worked yet.

>> I'd like you to come in.

>> Yeah, sure. If I can be of any help.

>> I need to advise the police on interview

technique, and you can help with

background.

Yeah, Jason's denying everything even

though we've got his fingerprints. Also

need you to identify his handwriting. He

had Donna's address and phone number.

Uh,

>> who's Donna?

>> It's a girl he met in Dilden. She's gone

missing.

>> Can't believe it.

>> Right. Well, I'll uh I'll just get my

car. I'll come with you.

>> Bring ahead. We'll put him under

pressure,

confront him with every photograph of

every girl.

>> Right. I need this room cleared now.

Maps of where they disappeared and where

they were last seen. There's a huge map

of seafood and five walls hold.

All the evidence in bags on the desk.

The crucifix.

Oh, and Mark the files as if Jason's a

suspect to remind him of his crimes.

Come through.

>> Please take a seat.

Mir, it's very impressive.

>> Please sit down.

Is this what an investigation usually

looks like?

>> Only when we're close to catching the

perpetrator. That's when we gather all

the stuff. Then we're able to quite

easily see the strengths, weaknesses of

the case. This is particularly strong.

We're just missing one thing that'll

convict our man.

>> Carol, sorry. Want me to say? Can I have

a word?

>> Yeah. Sorry.

How long should we leave him for?

>> Just let him take it in.

Kev, let's go. Get over to Dings. Take

his flat apart again.

>> Let's go.

>> How did you and Jason first meet?

Um

I was at a college somewhere. We were

doing a piece on educational

opportunities. Sort of thing we do every

August after the exam results.

Not sure what he was studying but um

something to do with catering. I think

it was always very easy with people.

I would have trusted him with my life.

Foolish as that now seems.

Have you ever seen any of these girls

before?

>> No. No. I meet uh so many people.

>> Why?

>> Well, he lured them with promises of

getting closer to you.

>> That's sick.

>> He then kills them.

He's got a place near Five Walls. Halt.

>> Where's that?

>> Near Seafford.

Do you recognize that handwriting?

>> Yes. Yes, I do. That's Jason's.

>> It's the address of the girl who went

missing the other day.

>> The one you told me about. What's he

done with her? Now, if his pattern's

anything to go by, he's incarcerated

her, restrained her,

probably raped and starved her, and

smashed her cheekbone to pieces with a

rock.

>> He does that to all his victims.

>> And all his victims, as you can see,

almost identical.

He takes out on them a rejection he had

early in his life.

>> His mother

>> could be a girlfriend.

I've seen it happen with first wives.

He also gives them cheap crucifixes

before killing them.

>> How many bodies have you discovered?

>> Two.

>> We're looking for six.

>> Luckily, when we pick Donna up, she'll

be able to identify him.

>> We should be with Donna within the hour.

We've got people closing in on various

locations now.

>> Your footballing career ended early,

didn't it? Yeah. Do you know much about

football?

>> No, but I know a lot about compound

fractures to the cheekbone and damage to

the optic nerve.

>> You're very well informed.

>> Go.

>> Excuse me.

Ch.

>> Tony,

>> excuse me.

How old was that map, Carol?

>> I don't know.

>> He could have converted it.

>> Converted what?

>> He's got a chapel.

Don in the chapel. Amanda said he called

it his retreat. It's religious to home.

Chris's religious iconography.

>> Do you know why we haven't found any

more bodies?

>> Why?

>> Because I think he buries them in the

graves.

>> Sorry about that.

Where is he?

ANDY. VICKI, DON'T MOVE.

Hidden in water.

Heat.

Heat.

Hi.

Wow.

YEAH.

>> Can't move.

>> Go.

>> All right, everyone. Shh.

Andy Vicki out there. Barry upstairs.

Don't Kevin.

Okay. Leave this.

Dear God,

>> how is Donna?

>> She'll be fine.

>> If Dowling hadn't stalked Jack, you

know, we'd never have got on to him.

Donna would be dead. God knows how many

others.

>> What about the other girls? In their

graves close to home,

>> Jack Vance, the housewives's favorite,

>> could never let himself get caught. To

him, this was a victory. The killers and

victims both do what it takes to

survive.

>> Why do you always sound like something

out of a textbook?

>> Did I? I didn't mean to. Something I

learned from Angelica. It's why I'm

alive.

Heat.

Heat.