Original subtitles

One passenger never wakes up. What he

was carrying will destroy everyone else.

Not a good night to miss a train friend.

You have your ticket?

Hey, your ticket.

You speak English?

English?

Okay, pay me later. We got to move out.

Bad storm up ahead. It's only going to

get worse. Okay.

All right, Walter, get us out of here.

Hi. Merry Christmas.

Kalishnikov vodka from Moscow.

Same people make the guns.

Do me a favor. Here. Go ahead. Take it.

Never blows your hair back, man.

Who's winning now?

Hey,

rather be somewhere warm.

Um,

>> yeah. Um, how much did I owe you for the

ticket?

>> You already paid for it two hours ago.

Didn't say where you going, so I just

charge you the full fair.

>> Uh, yeah. Just little too much eggnog at

the office party.

>> Yeah.

All right, sir. Time to take care of

that ticket.

Rise and shine, buddy. No free naps on

my train.

>> God damn.

>> A stroke maybe.

What

>> you mean? He's dead.

>> Yeah, heart attack's possible. Maybe

from all that running in a cold.

>> Hey, you know what? He swallowed a bunch

of pills when he first sat down. He

threw him back like peanuts and then

washed it down with a slug of vodka.

>> Yeah, he took a fruit puff before he

boarded the train.

>> You think it was cyanide?

>> Senolina

would have killed him right away.

Secondol reds. If you take too much,

it'll stop your blood flow and cut off

the oxygen supply to the brain. You

think you're going to sleep and then you

never wake up.

>> Alcohol speeds up the process.

>> Wait a minute. How was I supposed to

know what he was taking?

>> I would have offered him a drop if I had

known.

>> Where are you going?

>> I'm going radio here to the next

station. Unless you want to ride with

him till morning.

Merry Christmas.

>> Oh god. Hey, he's still alive.

>> It's just a reflex.

>> Reflex? My ass. He He He jumped like he

was struck by lightning.

>> He's dead.

>> Hey, ain't it ain't it bad luck if a

dead man looks you in the eyes? I I I

read that once where um it means that uh

death has seen you and

track or something.

I don't know where I I saw them.

>> This is a funny looking thing.

>> Put it back. It's not yours.

>> Hey,

you hear what I said?

>> Yeah.

But there's a corpse right next to us.

And you go back to reading

What are you doing?

The conductor told you to leave it

alone.

What is it?

What do you see?

Harry, this is Miles on the Night and

Gale.

>> Yeah, we're headed up to Maple Creek and

I I need to

>> Hang on. Just come back to the rear car.

You better get back to your seat before

I put my foot up your butt.

>> Trust me.

>> Go ahead. See for yourself.

This

I thought I'd just look inside

real.

Yeah.

See how the light reflects?

No imitations can do that. I had an

uncle once who taught me how to tell the

difference between reals and fakes. And

if he were here right now, he would say

that they were realer than a nun's tits.

>> How much was she thinking?

>> Oh, I'd say at least five

>> thousand.

>> Million.

>> Million.

>> Yeah.

depending on the latest pricing tables.

>> Yeah, I already tried that. They're

locked in place.

Um, hey, do you got a hammer or

something?

That might work.

Oh, wait a minute. What are you doing?

>> I still got a dead man to report.

>> Wait a minute. Maybe we should think

about this first before we do something

we regret later. All right. I mean, I'm

not talking about stealing it. I'm just

All right. Maybe we could keep half and

then give the other half to charity.

Huh? How about the Boys and Girls Club?

That's a good group, huh?

Look. Look. This is a lot of money in

front of us right now. That doesn't mean

anything to you, huh? Miles,

>> chances are someone else knows he's

carrying it. What happens when they come

looking for it?

>> We'll be long gone by then.

>> I won't. You and her get off this train.

I don't.

>> So, quit. Quit your job. Retire. Huh?

You got a wife? Well, maybe she'd like

to live in a warmer climate for a

change, huh?

I can take care of my wife without your

help or a dead man.

>> What if no one knows he's dead?

>> What did you say, miss?

>> If the body isn't reported, no one will

know he's dead.

He He didn't buy a ticket. That's why

you came back here in the first place.

No one will know he was ever on this

train. But he's on this train. My train.

What am I supposed to do? Let him rot to

New Year's.

One second.

So, we left Fbrook and we're headed

toward Maple Creek, correct? How much

time till we get there?

>> 29 minutes 16 seconds.

>> You know that down to the second.

>> Know everything about this train except

his favorite color.

>> This is a river.

>> This is Sturgeon River.

>> How much time until we cross that?

>> Cross every 19 minutes.

>> Is it wide enough that it doesn't freeze

over in winter?

>> I suppose.

>> Strong rapids,

>> I guess. So why?

>> That's where we can dump the body. Even

with the rapids, there won't be any

connection to the train cuz it's winter.

It'll probably get stuck under the ice

and found sometime in spring. All

decompose down to the bone.

>> I don't know. Maybe maybe she's on to

something here.

>> Yeah, a prison sentence when I'm not

serving.

>> You won't be connected. You're just the

conductor. You've just been doing your

job.

He was passed out drunk the entire time.

He doesn't know anything.

>> I was and I usually am, which is it's

true.

>> I'm getting off at the next stop.

>> So, it's as if we're strangers and we've

never met.

>> Yeah. And it's staying that way.

>> Follow me. It's your ass going to be

dumped. Not him.

11 years in sales and I can't convince a

working stiff conductor to keep a

fortune for his retirement.

Oh, did I mention I suck at my job?

>> Maybe you should try convincing him

again.

Well,

>> he's made the call by now.

>> How can you be so sure what he's doing

up there?

>> Well, what the hell else would he be

doing?

>> What?

You think he lied?

Huh? He's keeping it all for himself.

Stay here.

>> The only way to get in and out is with

my key.

>> I'll grab a wheelchair we use for

handicapped passengers.

>> Right now we're talking. We should put

him into something though so that nobody

sees him floating down the river.

>> We got suitcases, a trunk, and a baggage

car.

>> Is the package car far from here?

>> At the other end of the train.

>> Well, we just need to wheel him over

there without anybody on the train

noticing.

>> I'll lead the way. Clear path for you,

too.

>> How you going to do that?

>> Diversion, charm.

>> I'm a salesman, aren't I?

It's a good game.

>> Too close to the edge.

>> You can't attack him effectively. It

leaves you weak in your defenses. Okay,

don't worry. I'm I'm going to help you

out, too.

>> Uh, are you all uh covered with

travelers insurance on your stay here?

My company uh we uh specialize in uh um

covering tours such as yourself here.

Check it out. Travel delays.

>> Uh medical expenses, in hospital

indemnity, you got rental car

collisions, uh accidental death happens,

and uh that's that's supposed to be in

there. So, right, let's go.

>> What?

Marcesus Islands.

>> Yeah. Yeah. Yeah. you like

>> it's in the South Pacific right by y'all

here. Let me show you. It's uh Yeah, you

got you got Japan.

And this is only one island in the whole

chain. All of them created by volcanoes.

>> Did you all see me back there kicking

ass? I mean, what am I doing in

>> God? There's an old lady sitting in

there.

>> No worries. Okay, Miles. I'm just going

to sweet talk her like I did. No worry,

honey. It's all under control. You know

what? In my line of work, you got to

improvise all the time.

>> Is that how you ended up drunk on the

train with no idea what stop you were

getting off?

>> Come on. We get delayed. We missed the

bridge.

>> Relax. Okay. I got it under control.

Come on.

The door supposed to be stuck.

How could he have this?

stuck in heaven rest.

Thanks for that.

>> There we go. My clever little boy.

>> How are you and poochie doing?

>> Well, between you and me, we are

suffering from a bit of gas, but we're

still waiting to have our midnight meal.

>> Oh,

what's he doing in my car? I guess he

wanted to take a nap.

>> That's what he certainly does look dead

to the world.

>> A bit too much holiday cheer, I'm

afraid.

>> Oh dear. That's why I left my second

husband, Alfred. He was having too much

holiday cheer seven days a week.

>> Piece.

Stop.

Oh jeee, leave the poor old so alone.

>> Would you like to switch cars now?

>> Well, perhaps I better have Buchi

certainly doesn't care for him. I really

trust his tasting people.

>> I'll get your things.

>> Oh, thank you, dear.

>> Call me Miles.

Okay. How much time are we out?

>> 11 minutes.

>> This one's the biggest.

>> Incoming.

Miles,

>> tell me you have a bigger trunk than

this.

>> No.

>> What?

>> No.

>> No.

>> No.

>> You said that he was going to fit into

something. That's why we brought him all

the way back here.

>> There's luggage in the back and maybe it

was unloaded five stops ago. I don't

know.

>> Think you know all you know all the

train routes down to the second, but you

can't seem to figure this out.

>> Attacking dead bodies was not part of my

job training.

>> This is ridiculous.

>> Damn it.

>> It's not going to work,

>> Vicki. Okay. All right. Sorry. I'm

sorry. New plan. New plan. When we

arrive at the next station, I'm going to

take him off myself. All right. Yeah.

Yeah. I'm gonna put his arm around my

shoulder. I'm going just walk him out

like he's drunk, like he's my buddy. And

I'm going to take him off into the woods

or

by the garbage dumper.

Excuse me.

Steph only in here.

>> I was just looking for a washcloth.

>> A washcloth.

>> My lenses are dirty.

>> Thanks.

Hey, if she doesn't come back, does that

mean she loses her share?

>> We're taking him back to his seat.

>> What?

>> We're going to forget this madness.

Kevin,

>> wait. Sorry it took me so long.

>> Yeah,

>> I had to leave the kitchen car with some

gopher.

>> Wait, what were you doing?

Well,

improvising.

Got to

>> be quick.

>> All right.

We have approximately

7 minutes before we cross the bridge.

All right.

Okay.

>> Stop.

>> What's wrong, Miles?

>> What's wrong?

>> This is all we have to do. You're about

to carve in that fella like he's a

Christmas turkey.

>> I took an autopsy class last semester. I

know exactly where to make

>> straight. Miss,

you got to clear your head.

>> My head's never been more clear.

>> Hey, put down that knife.

>> It's a meat cleaver.

>> We're taking him back to his seat. I'm

calling in the authorities. It's already

been decided.

>> Do you agree to this? Uh well, we it's

not we didn't take a vote. I mean

>> Okay. Well, let's take a vote,

>> right? Okay. Uh raise our hands. Secret

B. There's no vote. No democracy. My

train is a damn dictatorship and I'm the

damn dictator. So, put down that knife,

cleaver, or whatever the hell you call

it, and return to your damn seat and

your damn senses.

>> All right, Miles.

You're in charge.

I'm sorry, Miles.

We agreed upon a plan.

Not his, not yours, mine.

That's what we're going to carry out.

Can't call the cops now unless you can

explain how he got his head chopped off

from having a heart attack. We don't

have that much time before we cross the

bridge. I'm going to take care of his

arms and legs.

>> You're going to fit him into the trunk.

>> I guess this would be the downside to

working with strangers. The possibility

that one of them turns out to be a

psychotic.

She's crazy, but she may be right about

one thing. We can't call the cops.

There's no way to explain this. You

know, she's put us in one hell of a

corner, you know.

You know what? I think it might be a

good idea if I take him off at the next

station. You know, find a nice safe

place to bury him. Done. You know, I

mean, now that we know that she's not in

her right mind.

Are you

>> what?

>> In your right mind.

>> Cure.

>> I've seen a lot of bad things in my

life.

>> Even in my worst moments, I always knew

who I was.

>> Well, come on. You're still the same man

that you were before.

>> Everything changed

when we looked out of that thing.

>> Yeah. I mean, we're talking about a lot

of money here.

[panting]

It's not about the money.

>> When I looked inside, I

>> I felt

what

different

Hey, I'm taking him off the train at the

next station.

>> What?

>> Yeah. Go home to your family. Sit back

and I'll roast chestnuts. Put some

carrots out for Santa's reindeer. Okay.

>> Miles.

>> Nope. Miles is out of commission. Okay.

I'm in charge now.

>> Almost at the bridge.

>> Forget about the bridge. We're on a new

route and I'm behind the wheel. Okay,

now I'm going to be taking a higher cut.

Only fair, right? Of course, because now

I'm taking a greater risk.

>> I think we both know who took the

greater risk. We're taking it off the

train right now.

>> What are you going to do? Chop me into

little pieces if I do?

>> Well, I could take something and I could

just jam it into your cared artery. You

wouldn't feel anything. And then you'd

go to pull it out and then you'd lose

all blood flow to your brain in under 5

seconds.

>> Got 3 minutes to the bridge.

>> We're finishing what we started.

Where's the bridge? Did we cross it

already?

>> I can't see yet.

>> This is crazy.

>> Where's the bridge, Miles?

Hey, here come

>> the damn thing.

Super rank.

Hi

M

where are you? Give me 20 over.

Open the door. Open the door.

>> Hey, hey, hey. No one's going to hear

you. Hey, no one. Come on. Don't waste

your breath. Don't waste your energy. No

one can hear you.

>> We got free [ __ ] out here.

>> Out here.

I'll be coming right back.

>> What are you doing?

>> I'm coming back. I'm coming back. Stay

here.

>> What are you crazy?

[groaning and screaming]

Where is you?

Oh my god, it is so cold in here.

>> What are you doing here?

>> Stole these.

I was heading back to the baggage car to

save the two of you.

>> Give me the keys.

Hey, the moment you get warm, get back

to your seat. You two.

>> I'm going to go take this.

>> I'll take that. I got it.

>> Who do you see?

>> Oh, God.

All right.

Back to sleep, baby. Just wanted to know

you'd be moving into the nice wing of

the hospital soon.

Yeah. You know, get your your own room

there. That's doctors and don't worry

what those goddamn HMO people said.

What?

I'm okay. A little tired. Why you ask?

Hey, sweetie. Don't worry. Really? Why

would anything be wrong with me?

You're imagining things. Guess

you think I'm a lunatic for what I did

back there.

>> Uh,

who hasn't sliced and diced a corpse

from time to time?

Miles would have reported him to the

cops if I hadn't done it.

>> Look, you don't need to morally justify

yourself to me. Okay. I'm in sales,

remember?

>> Although, I can say I've never cut off a

man's head for a commission before.

>> It's not like I've ever done anything

like that before. I'm not a bad person

or anything.

>> I'm not a bad person.

>> I know. It's okay.

It's all Hey, it's all right.

Hey, you know what?

You did try to save me, right?

I mean, if you were truly rotten soul,

you wouldn't even made the effort.

How many got a hammer in there? Smash

the mother.

[panting]

All right, step back.

>> Hit it harder. I'm hitting it pretty

damn hard. [ __ ]

This one is so damn solid.

>> Come on.

>> Not even a scratch. Give me that.

Merry Christmas.

>> Hey, we're pulling it to the station.

Come on. We're going to have to open

this later. Okay.

>> That's my stuff. My parents are waiting

for me at the station.

>> All right. Well, give us your address

and we'll send your share in the mail.

Hey. Hey.

No one's taking it.

All right.

The box is staying. I'm staying.

>> What about mommy and daddy waiting at

the station?

>> My problem.

As far as you're concerned, I got off

this train like my ticket says.

>> What are you doing?

>> I'm keeping both of you out of you, so

I'm locking up this car. You're locking

me in here with her now. What's the

point of that?

My sanity.

What are you going to tell your parents?

nothing.

>> Aren't they going to wonder where their

daughter is?

>> I just don't care.

>> And I'm not going to go back to med

school.

>> Where's life take you from here?

somewhere far away.

>> Yeah, I heard that.

>> Pretty quick 10 years ago.

>> That's where you got to stop when you're

young, kid.

>> Miles, baggage car was open. I mean, w

was wide open. Yeah.

>> Here's your keys.

>> You want me to check their hoses?

I put this train out the past to make

sure you may as well just let it rot in

peace.

>> You okay, mom?

>> Yeah. Let's get out of here. I want to

see my wife on Christmas morning.

Hey, you know where I'm headed?

Arasus Island, South Pacific. It's where

Paul Goan spent the last years of his

life.

You know, French painter.

>> I've heard of him.

>> Yeah. Well, he left his wife and kids

life he knew totally rejected

civilization.

>> Sounds perfect.

>> Yeah.

You're more than welcome to come with me

if you'd like.

>> You started drinking again?

>> No. Nope. No. I I haven't had a drop

here. See?

Look at that.

>> And you know what?

>> What?

>> I don't even want any.

>> For the first time since I was 15.

>> Congratulations.

>> I really do need a promotion. You know

how it is taking care of a family. And

>> you got to get another job, kid.

>> Huh?

>> You can't take care of wife and baby

working on a train. Go back to school.

Learn about computers, airplanes,

something with the future.

>> What you mean? You're not going to

recommend me?

>> The train is a dead end. It's a relic.

Okay.

>> I don't want to be conductor.

>> You don't want to be anything like me.

>> I want to be.

>> Are you [ __ ] death?

>> You're not going to be like me. You're

not going to work on a train. Never.

So, what do you say? It's all coming

together.

I'm free of the booze. You're off your

folks.

What do you say to a warm climate and a

a new beginning?

Thanks. But

I spent enough of my life following

somebody [music] else's dreams.

Do you know what I mean?

I'm frightfully sorry. I haven't got a

ticket. The ticket office appears to be

closed. You could pay later. Oh, no. No,

my good man. I shall I shall pay

immediately. Um, tell me, is the uh bar

on board still open by any chance

>> on that for holidays?

>> Some dark Jamaican rum would be just the

ticket. Perhaps you'd be kind enough to

send it down to the rear car.

Please keep the change.

Merry Christmas.

We car.

Oh dear.

I was supposed to [music] meet a friend

there.

Short fellow. Mr. Cairo got on the last

stop. Couldn't miss him.

>> You don't know where he's sitting by

chance?

>> No. You mean you don't know which car he

moved to? I mean, I haven't seen anyone

on this train by that description.

>> And uh no one has left a message or

asked me. My name is Mr. Gutman.

Well, well, I shall just have to find

him myself. Never mind.

Come on, Miles. Where the hell are you?

>> So, he was staying. Was he on the

camera?

>> Miles, um, this gentleman's looking for

a friend. Uh, short guy.

What happened to that man who got on

four broke?

All nervous taking pills.

>> Oh, him.

He's who you're looking for.

>> So, he did get on this train.

>> Yes. Uh, no. I mean, he got on board.

Uh, but he got off again.

>> He got off again.

>> He did? No. Why? I didn't see that. He

>> said he couldn't pay for his ticket, so

he left before we pulled out of the

station.

>> Why didn't you tell me this before?

I didn't make the connection. I go

through so many passages around the

holidays.

>> Well, since it was my mistake.

I apologize.

>> Damn it.

>> Can't you call your friend and find out

where he is?

>> I shall never see him again.

He betrayed me.

He couldn't help it.

>> Don't you have his phone number?

>> Just packing everything in the kitchen.

>> Okay.

>> Anything else, sir?

>> I'm here if you need anything.

Oh, Miles, a very merry Christmas to

you.

>> Merry Christmas to you.

>> Oh, Poochie is really looking forward to

his breakfast. And I'm going to have

apricot brandy instead indeed. Well, I

think it's perfectly acceptable to raise

a a toast to Jesus on his birthday.

>> Oh, how lovely. Both elegant and

festive. Oh, wouldn't look poochy.

Bacon, especially for you, just the way

you like it. Who's a lucky boy? Oh,

Miles, by the way, that man's gone. You

know, the little drunken fellow that

Buchi didn't like. Well, he's not in his

seat anymore. Do you think perhaps he

got off at the last station? Because if

he did, I'd really like my old seat back

again. The car you put me in's got such

a dreadful draft.

Miles, you better have brought a

chainsaw with you this time.

>> Where is it?

Give it to me. We'll be cleaning up both

of their brains from the floor.

Just reaching for my keys.

>> Don't try anything clever.

>> No, sir. I like my brains just where

they are.

We got to move to the back, though.

>> Well, then move.

>> All of you.

>> Okay, it's all good.

Stop.

Is it hot?

The sides, are they hot?

>> No.

Put it over on the seat.

Who else on the train knows that it's

here?

No one. No one else knows. My partner

said he was being followed. He asked me

to meet him on the train because he

feared for his life.

>> I didn't know him. He overdosed on pills

and vodka.

>> She still knows the truth. Well, he was

more with pills than vodka, but

[screaming]

>> move back. You're not taking it. It's

ours.

>> That's why you must let me have it. We

mustn't waste any more time.

>> Just get out of here.

>> You don't understand. There are others.

I'm not alone.

>> What others? Who?

>> Competitors, rivals, enemies. We pursue

each other, work together, betray each

other, travel around the world following

rumors of his latest sighting. Your

lives are at stake.

>> Please, just go. Go.

>> Anyone who looks inside it will be dead

by sunrise. No exceptions.

>> Look, the only one who's going to be

dead is you. If you don't get your ass

out of here,

>> the worst possible kind of death, death

from the inside, the corruption of the

soul. If you want to avoid this fate,

you've got to let me destroy it. And I

know how to do it, too. I have a key.

I'll open it and then smash it into

oblivion.

>> Fine, take it. Destroy it. All we want

are the gems inside.

>> Gems?

>> Yeah.

>> Is that what you saw?

>> Yeah. [laughter]

>> How ordinary?

>> Pick up. Pick up. Pass. Pick up.

>> No. I

No, no, no, no.

[panting]

That was that was self-defense. He was

self he was trying to kill us. That was

self-defense cuz he was trying to kill

us, right? It's going to bleed.

>> Going to be quicker this time.

>> What's up? What's off the fence?

>> We'll dump him.

>> Is there a lake or river coming up?

Okay.

>> Where are you? I've got a G20. Do you

read G20?

>> What's a G20?

>> Unscheduled stop.

>> Why are we making an unscheduled stop?

Oh god.

>> Going to go front install them and

unlock the sleeper the second door.

>> What is he going on about

death by sunrise corrupting our soul?

>> He was just trying to scare us.

>> Yeah, well, he did a pretty good job.

>> I wish I had never seen those goddamn

diamonds. [clears throat]

>> Diamonds? What? Are you color blind?

They're emeralds.

You ever heard of green diamonds before?

>> They're diamonds. White diamonds.

>> No.

No, that's not what I saw.

How could you not see the emeralds? They

were so Beautiful. They were

magnificent. They

>> want to see them again. You're going to

come over here and help me move his

goddamn arms.

>> The trunk hit the ice just as he passed

over the bridge.

>> Who fellas out ice fishing? Said it

split open upon impact, spilling body

parts out all over the place.

Arms,

legs, and a head.

>> What kind of sick would have done such a

thing?

Miles, I'm going to need to see the

passenger list.

[groaning]

>> Okay, wait here.

>> Where are you going?

Nobody's in the sleepers. Yeah,

>> they've been locked up all night.

Hey, why are you throwing my stuff up

there with Got to go up there.

>> What?

>> Get up there right now.

>> No. No. Not a chance in hell. Why?

>> Is the invitation still open?

>> What?

>> More case of silence. You and me.

>> You and me.

So, who joins Kalesnikov?

>> I can't trust Miles anymore. He's going

to crack with those cops on board. He's

not like the two of us. He doesn't want

it badly enough.

It's going to be you and me from now on.

Well,

>> what do we want so badly? We all saw

different things inside.

>> You don't want it anymore.

>> No, I just

Just what? I'm trying to figure out what

the hell's going on here. I'm It's just

also confusing.

>> Doesn't have to be confusing.

>> Go up there and I'll handle everything.

Okay.

How you going to save us? You going to

pay it all on Miles?

>> Somebody has to take the phone.

>> How you going to do it?

When you trust me,

>> why should I?

>> You know why?

You have to stop.

Okay.

Now,

two of you left out of the apartment

this morning.

None of the passengers are stay in

India.

Miss.

Miss,

I'm Detective Melville.

I take it you're not Peter Dobs.

I'd

>> be pretty upset if my parents named me

that. This compartment's supposed to be

unoccupied

and locked.

>> I was really tired, so I picked a lock.

Didn't know it was such a crime you'd

stop a whole train over it.

>> What's your name, man?

>> Chloe White

>> says here, Miss White, that you were

supposed to get off at Maple Creek.

>> Supposed to get off?

>> You mean I lost my stop?

My parents are going to go berserk.

My mom was cooking this brisket.

Just going to go nuts.

>> You've been alone in here the whole

time?

>> Of course.

>> So, uh,

you always sleep naked in beds that

don't belong to you.

>> Bugs on the bed.

I didn't want to wrinkle my Christmas

dress.

We'll take the interrogations in the

dining car.

>> The interrogations.

>> You got 2 minutes to get dressed, man.

So, Peter Dobs is on this train for two

hours and you don't get a look at his

face. Well, he's passed out the whole

time. I just didn't get a good look at

his face.

>> No, we didn't get a good look at his

face, did we, Pooie? Well, he was

asleep, you see, when he was my car. And

Miles, that's our conduct. Charming man.

He said he thought he'd had too much

Christmas chair.

>> He was really drunk. Wasted. All these

little u mini liquor bottles.

>> Did you happen to notice a luggage

trunk?

Yeah, it was an oldfashioned kind of

thing.

>> And did you see if he went to the front

of the train at all with a luggage

trunk? Miss White,

>> he left to the front of the train right

before I went to the sleeper car.

>> When I went into the baggage car, the

loading door was wide open. Thought it

was a screw up at the last station, but

this uh Peter Dopps is missing.

Well, maybe he was the one who opened

the door so he could have the body. So,

where is his Peter Dobs now? If he's not

on a train,

>> Marquez has islands.

He wants to go to these islands,

>> right?

Made by volcano.

Hello.

Hey, what's going on?

Make sure you take

I'm going to be staying on board the

night and girl

pull into the station. The train will be

impounded as evidence.

I have a loose air hose. I'm out of

tape.

Get me out of this sardine can.

Hey.

Hey.

Hey. What are you doing?

Hey,

what are you doing?

Hey, I can't breathe.

I can't [ __ ] breathe.

I give

it.

I need you to go to the package car,

>> take all the suitcases, and bring them

back to the sleeper.

>> All the suitcases

>> for both bodies.

>> Wait a minute.

>> He's dead.

Depends on how much oxygen he has left.

It's just you and me now.

Come on, Miles. It's the perfect plan.

They're looking for his body. They're on

a manh hunt for him. And when they don't

find it,

I'll close the case and be in the clear.

So, you can go get the luggage.

I'm not going to have anything to do

with this.

>> You want to see your wife again?

>> You're completely gone.

I know they're touch.

>> I'm all you've got. So, go get the

luggage.

No.

Back up, old man. Back

on your knees.

I confess.

I'll confess to everything.

>> I said get on your [ __ ] knees.

>> No.

>> Great, Miles.

Now we have three dead bodies instead of

two.

The man was right. We got to destroy it

before it destroys us. We'll both be

dead by sunrise if we don't

>> open the floor.

>> It's gone.

>> Move.

>> Where is it? Where did you put it? Maybe

>> Maybe it's it slid to the back.

The rear car is closed.

Where is it, Frankie?

>> Huh?

>> Where did you put it? You took it.

>> I don't know what you're talking about.

>> Hey, hey, hey, I know you have it.

You're the only one else with a key.

>> Mine?

>> Hey, where is it?

>> It's mine now.

I'm keeping the gold for myself.

Hey, this is the kid.

>> I got locked out.

What you saw was the real.

>> Yeah. Why?

The gold's fake. That's why you threw a

dead body off the train and lied to the

cops to keep it.

>> It was all a trick in your head. There

is no gold, no diamonds, no rubies or

emeralds, nothing. Not a goddamn

>> stop. Don't screw up your life over

this. Trust me.

>> Trust you.

>> Is that a joke?

You don't trust me to watch over [music]

your precious train, but you trust a

bunch of strangers. No problem. I tell

you, I got a baby on the way and I need

help. And what do you say to me? Get a

better job. Well, my [ __ ] you. [ __ ] you.

>> This This isn't you talking kid. When

you look inside,

>> don't call me kid anymore.

>> Don't call me kid anymore.

>> You're nothing but an old man who's

injected with his life.

You're a loser.

You can't even take care of your own

while dying in the hospital.

I'm not going to be anything like you.

I'll be able to provide for my

>> Get away from him.

[groaning]

>> Stop this train right now.

>> Stop it. [screaming]

>> Stop the goddamn train. I can't from

this car.

>> Stop the train in the next 60 seconds or

I'm going to start digging into final

>> emergency breakers in the other car.

>> That's the right.

>> Shut up.

>> And you better tell me where you hid

what belongs to me.

>> Stop the goddamn train.

you.

Please, please help me.

Thank you.

Come on.

What? What? What is

>> We got to go destroy it now.

Miles, what are you doing in here? Shh.

>> We got to be quiet. Those men out there

kill us.

>> Oh, Miles, you want to stay?

>> Take that [ __ ] Be quiet.

That kill.

>> They both had to be killed because they

were both in my way.

The legend is true. It heats up when

somebody has to die.

[clears throat]

He'd been searching for it for years,

obsessed just like those others.

He'd never used the same disguise twice.

Don't worry,

I won't kill you unless

I looked inside it, right?

That should cool it down.

What is it?

Where did it come from?

>> Depends on who you ask.

>> The man who came on board, Mr. Cotton,

he said that anyone who looked inside of

it would be dead by sunrise.

>> That's what everyone says.

I looked inside.

>> What are you doing?

>> I'm going to destroy it. What else?

This government said there's a key to

open it. And once it's open, it can be

smashed into oblivion.

>> Step away from the sink.

>> This damn body is still in the sleeper

car. The key must be on it somewhere.

Unlike you, Mouse. I do my job.

>> But don't you want to destroy it?

>> I want my government to check it if I

do.

>> Don't shoot. It's my engineer.

>> Why'd you come back here?

>> Walkies are out. Controls are dead. The

train can't stop.

>> It seems to run on its own.

>> Call dispatch.

>> There's no radio, no phones.

We're being diverted

to a dead end track. We're going to

crash

>> over here.

>> We got to separate the wheel car. They

attach the coupler with a crowbar. We

got to do it now fast.

Oh, Miles.

That old lady should have known better.

When you fire at someone, you should hit

a vital organ. Preferably the brain.

Get that out of here.

>> It wants us to kill each other.

>> Why should we let it win?

>> It'll kill you maybe, but never me.

I'm the one it's been searching for for

all these years. I'm the only one that

it really wants.

Why do you think it protected me from

that bullet? Huh?

It loves me.

Really loves me.

And I love it.

I'm getting

Heat.

Heat.

Okay.

Okay.

Heat. Heat.

Heat.

Heat.

No, no, no.

[groaning]

[screaming] Ah,

come on. Get out.

[screaming]

>> Come on. Take my hand.

Oh no.

Take my hands. [screaming]

Come on.

Grab my hand. [screaming]

Grab my hand.

Grab my head. [screaming]

Where am

Hallelujah.

>> [music]

>> Did you

Not

A tight, claustrophobic thriller that

uses its single setting brilliantly.

Every corridor and cabin feels like a

trap closing in. The tension builds

slowly and never lets go. Strong

performances carry the whole story,

especially in the quieter moments where

paranoia does more damage than violence.

A moody atmospheric mystery worth

discovering.