All language subtitles for STRAIT JACKET 1964

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:18,501 --> 00:00:20,668 [Woman Screaming] 2 00:00:20,736 --> 00:00:23,904 OH! OH! 3 00:00:23,972 --> 00:00:27,475 NO! NO! 4 00:00:27,543 --> 00:00:30,195 [Man] EXTRA, EXTRA! 5 00:00:30,262 --> 00:00:35,166 READ ALL ABOUT IT! LOVE SLAYER INSANE! 6 00:00:35,234 --> 00:00:38,403 [Woman Narrating] LUCY HARBIN WAS DECLARED LEGALLY INSANE TODAY. 7 00:00:38,471 --> 00:00:41,772 ¶ [Brass Fanfare] 8 00:00:45,677 --> 00:00:49,046 IT ALL STARTED ON A HOT, STICKY SATURDAY NIGHT. 9 00:00:49,115 --> 00:00:52,883 LUCY'S HUSBAND, FRANK HARBIN, HAD GONE TO A ROADSIDE TAVERN... 10 00:00:52,951 --> 00:00:55,886 TO MEET A FORMER GIRLFRIEND, STELLA FULTON. 11 00:00:55,954 --> 00:00:59,857 HIS WIFE WAS AWAY. FRANK WAS SEVEN YEARS YOUNGER THAN HIS WIFE. 12 00:00:59,925 --> 00:01:02,427 HE'D MARRIED HER BECAUSE SHE OWNED PROPERTY. 13 00:01:02,495 --> 00:01:07,599 BUT SHE DIDN'T OWN HIM-- AT LEAST, THAT'S WHAT HE KEPT TELLING STELLA. 14 00:01:07,666 --> 00:01:09,700 HE PERSUADED THE GIRL TO LEAVE WITH HIM. 15 00:01:09,768 --> 00:01:11,769 ¶ [Swing On Jukebox] 16 00:01:32,191 --> 00:01:35,726 HARBIN'S FARM WAS JUST A SHORT DISTANCE. 17 00:01:35,794 --> 00:01:39,063 HE TOOK STELLA THERE, KNOWING HIS WIFE WAS AWAY-- 18 00:01:39,131 --> 00:01:42,167 AND NOT EXPECTED TO RETURN UNTIL THE FOLLOWING DAY. 19 00:01:43,536 --> 00:01:45,670 COME ON, BABY. 20 00:01:45,737 --> 00:01:48,906 COME ON! COME ON. 21 00:01:48,974 --> 00:01:51,242 [Train Whistle Blowing] LET'S GO IN THE HOUSE. 22 00:01:51,310 --> 00:01:53,244 I DON'T WANT TO. HEY, COME ON. 23 00:01:53,312 --> 00:01:55,580 [Both Muttering] 24 00:01:55,648 --> 00:01:57,582 IT'LL BE ALL RIGHT. COME ON. 25 00:02:00,419 --> 00:02:03,588 [Woman Narrating] THERE WAS NO ONE ELSE IN THE HOUSE BUT YOUNG CAROL, 26 00:02:03,656 --> 00:02:05,590 DAUGHTER OF FRANK AND LUCY HARBIN. 27 00:02:05,658 --> 00:02:08,025 [Stella Giggling] 28 00:02:20,739 --> 00:02:24,141 THEY MADE ONE MISTAKE-- IN THINKING THAT THE CHILD WAS ASLEEP. 29 00:02:24,210 --> 00:02:27,345 [Stella Chuckling] 30 00:02:31,483 --> 00:02:33,718 [Moaning] [Train Whistle Blowing] 31 00:02:36,322 --> 00:02:39,790 THEY MADE ANOTHER MISTAKE, TOO: FRANK'S WIFE, LUCY, 32 00:02:39,858 --> 00:02:42,727 HAD DECIDED TO COME HOME ON THE EVENING TRAIN. 33 00:02:45,331 --> 00:02:48,700 LUCY HARBIN. BORN AND RAISED ON A FARM. 34 00:02:48,767 --> 00:02:52,002 PARENTS, POOR. EDUCATION, MEAGER. 35 00:02:52,070 --> 00:02:55,573 VERY MUCH A WOMAN, AND VERY MUCH AWARE OF THE FACT. 36 00:02:55,641 --> 00:02:57,709 [Conductor] ALL ABOARD! 37 00:02:59,345 --> 00:03:01,279 LUCY'S FIRST HUSBAND HAD BEEN AN OLDER MAN, 38 00:03:01,347 --> 00:03:05,250 CHOSEN BY HER PARENTS; WHEN HE DIED, SHE PICKED FRANK. 39 00:03:05,317 --> 00:03:08,720 HERSELF. AT LAST, SHE HAD WHAT SHE WANTED OUT OF LIFE. 40 00:03:57,503 --> 00:04:00,405 [Tinkling] 41 00:04:00,472 --> 00:04:02,707 [Door Creaking] 42 00:04:28,900 --> 00:04:31,769 [Lucy] LEAVE ME ALONE! LEAVE ME ALONE! 43 00:04:31,837 --> 00:04:34,439 LEAVE ME ALONE! I'M NOT GUILTY! I'M NOT GUILTY! 44 00:04:34,506 --> 00:04:39,009 I'M NOT GUILTY! I'M NOT! IT WAS A MISTAKE! 45 00:04:39,077 --> 00:04:42,246 [Screaming] 46 00:04:42,314 --> 00:04:45,783 NO! NO! 47 00:04:45,851 --> 00:04:48,152 OH, GOD, NO! 48 00:04:49,521 --> 00:04:52,657 [Screaming, Pounding Of Ax Continue] 49 00:04:52,725 --> 00:04:56,927 NO! NO-O-O! 50 00:04:56,995 --> 00:04:59,296 NO! 51 00:05:00,899 --> 00:05:04,168 MY MOTHER, A MURDERESS. 52 00:05:04,236 --> 00:05:05,970 AND NOW YOU KNOW. 53 00:05:09,207 --> 00:05:13,277 CAROL, DON'T YOU SEE? IT DOESN'T MATTER. 54 00:05:16,448 --> 00:05:19,617 UNCLE BILL AND AUNT EMILY ADOPTED ME, AND THEY MOVED OUT HERE-- 55 00:05:19,685 --> 00:05:22,353 WHERE NOBODY KNOWS WHO I AM. 56 00:05:22,421 --> 00:05:26,724 MICHAEL, DO YOU REALIZE I HAVEN'T SEEN MY MOTHER FOR TWENTY YEARS? 57 00:05:26,792 --> 00:05:30,027 - THE DOCTORS WOULDN'T LET ME. - CAROL? CAROL. 58 00:05:30,095 --> 00:05:32,029 YES, AUNT EMILY? BILL JUST CALLED FROM THE STATION. 59 00:05:32,097 --> 00:05:34,298 THEY'LL BE HERE IN A FEW MINUTES. WHAT'S ALL THIS ABOUT? 60 00:05:34,366 --> 00:05:40,004 YOU SAY BILL'S AT THE STATION? IT'S ALL RIGHT. HE KNOWS. 61 00:05:40,071 --> 00:05:43,908 BILL WENT BACK TO THE MIDWEST, TO TALK TO THE DOCTORS AT THE INSTITUTION. 62 00:05:43,975 --> 00:05:46,644 THEY ASKED HIM TO COME. THEY'D BEEN SENDING REPORTS. 63 00:05:46,712 --> 00:05:48,646 ABOUT CAROL'S MOTHER? YES. 64 00:05:48,714 --> 00:05:51,616 THEY'VE BEEN USING SOME-- SOME NEW METHODS OF TREATMENT. 65 00:05:51,683 --> 00:05:55,119 AND THEY THOUGHT PERHAPS SHE WAS READY TO-TO FACE THE OUTSIDE WORLD AGAIN. 66 00:05:56,588 --> 00:06:01,158 THE OUTSIDE WORLD? YOU SEE, THAT'S WHY I HAD TO TELL YOU. 67 00:06:01,226 --> 00:06:04,295 MY-MY MOTHER HAS BEEN RELEASED. 68 00:06:04,362 --> 00:06:06,798 FROM AN ASYLUM. 69 00:06:06,865 --> 00:06:10,100 SHE'S COMING HOME... TODAY. 70 00:06:10,168 --> 00:06:13,237 [Locomotive Bell Ringing] 71 00:08:32,444 --> 00:08:34,979 THERE THEY ARE! 72 00:08:36,548 --> 00:08:39,917 NOW, CAROL, DON'T YOU WORRY. 73 00:08:39,985 --> 00:08:43,220 EVERYTHING'S GOING TO WORK OUT JUST FINE. I HOPE SO. 74 00:08:43,288 --> 00:08:45,222 OF COURSE IT WILL. WHY, AFTER ALL THESE YEARS, 75 00:08:45,290 --> 00:08:47,224 IT'LL BE JUST LIKE MEETING A STRANGER. 76 00:09:05,844 --> 00:09:08,312 [Doorbell Ringing] I'LL GET IT. 77 00:09:12,718 --> 00:09:15,086 I'LL, UH, PUT THESE BAGS IN YOUR ROOM. 78 00:09:16,454 --> 00:09:19,657 RIGHT IN HERE. I KNOW SHE'S DYING TO SEE YOU. 79 00:09:19,725 --> 00:09:21,792 COME IN, DEAR. 80 00:09:23,361 --> 00:09:25,830 [Door Closing] 81 00:10:03,501 --> 00:10:06,737 [Gasping, Sniffling] 82 00:10:49,380 --> 00:10:51,949 YOU SEE? NOW YOU KNOW WHERE YOUR EGGS CAME FROM AT BREAKFAST. 83 00:10:52,017 --> 00:10:56,453 [Rooster Crowing] I NEVER THOUGHT MY BROTHER WOULD END UP RUNNING A FARM. 84 00:10:56,521 --> 00:10:59,090 HE STARTED IT RIGHT AFTER WE MOVED OUT HERE. 85 00:10:59,157 --> 00:11:01,658 TWENTY YEARS AGO. 86 00:11:05,263 --> 00:11:09,834 WHAT'S THE MATTER? NOTHING. 87 00:11:09,901 --> 00:11:12,937 I JUST HATE TO SEE ANYTHING CAGED. 88 00:11:13,004 --> 00:11:16,907 OH, IT'S NOT FOR LONG. WE BUTCHER THEM AT SUN-- 89 00:11:16,975 --> 00:11:18,976 COME ON. THERE'S MORE TO SEE. 90 00:11:34,359 --> 00:11:37,094 THAT'S LEO KRAUSE. HE'S THE HIRED HAND. 91 00:11:40,732 --> 00:11:42,666 NOT VERY TIDY, IS IT? 92 00:11:42,734 --> 00:11:46,070 BUT NECESSARY. YOU FATTEN THEM UP FOR THE SLAUGHTER. 93 00:11:49,674 --> 00:11:52,009 LET'S-LET'S LOOK AT THE LOCKER-PLANT, SHALL WE? 94 00:11:57,849 --> 00:12:01,986 NO-NO SENSE GOING INSIDE. IT'S JUST A BIG OLD DEEP FREEZE. 95 00:12:02,053 --> 00:12:04,822 YOU SURE ARE PRETTY. 96 00:12:04,890 --> 00:12:07,825 MUST BE VERY LONELY AROUND HERE FOR SOMEONE LIKE YOU. 97 00:12:07,893 --> 00:12:10,928 NOT AT ALL. I'VE LOTS OF FRIENDS. 98 00:12:10,996 --> 00:12:12,930 COME ON. I'LL SHOW YOU. 99 00:12:23,641 --> 00:12:25,575 WON'T YOU COME IN? 100 00:12:32,951 --> 00:12:36,753 [Sighs] WELL, WHAT DO YOU THINK? 101 00:12:38,756 --> 00:12:42,559 THIS IS WHAT YOU DO: A SCULPTOR. 102 00:12:42,627 --> 00:12:45,196 SCULPTRESS. [Chuckles] 103 00:12:47,199 --> 00:12:50,734 YOU LIKE IT? OH, YES. 104 00:12:50,802 --> 00:12:53,270 I'VE BEEN PUTTERING AROUND HERE FOR YEARS. 105 00:12:53,338 --> 00:12:56,807 UNCLE BILL TURNED THIS GUEST HOUSE INTO A STUDIO WHEN I GOT OUT OF SCHOOL. 106 00:12:58,210 --> 00:13:01,045 DO YOU SELL YOU WORK? MM-HMM. WHEN I'M LUCKY. 107 00:13:01,112 --> 00:13:03,314 SOME OF THE ART SHOPS ALONG THE COAST TAKE MY PIECES, 108 00:13:03,381 --> 00:13:06,016 AND MICHAEL SAYS I SHOULD HAVE AN EXHIBITION. 109 00:13:07,719 --> 00:13:10,821 MICHAEL? YOU HAVE A YOUNG MAN? 110 00:13:10,889 --> 00:13:13,924 YES. I DIDN'T HAVE A CHANCE TO TELL YOU, BUT-- 111 00:13:13,992 --> 00:13:16,393 WELL, WE'RE PRACTICALLY ENGAGED. 112 00:13:17,863 --> 00:13:21,932 OH. DON'T WORRY. I'M NOT RUSHING INTO ANYTHING. 113 00:13:22,000 --> 00:13:24,335 WE HAVEN'T EVEN TOLD HIS PARENTS YET. 114 00:13:24,402 --> 00:13:27,037 YOU'LL LIKE THE FIELDS. YOU'LL MEET THEM SOON, AND-- 115 00:13:27,105 --> 00:13:29,706 MICHAEL IS COMING TO DINNER TONIGHT. 116 00:13:29,774 --> 00:13:32,409 I'M NOT READY TO MEET STRANGERS! 117 00:13:35,180 --> 00:13:37,647 NO-NOT JUST YET. 118 00:13:37,715 --> 00:13:39,984 H-HE'S NO STRANGER. 119 00:13:48,860 --> 00:13:51,561 EVERYONE'S A STRANGER. 120 00:13:59,604 --> 00:14:01,939 I ALMOST FORGOT. I HAVE A SURPRISE FOR YOU. 121 00:14:05,911 --> 00:14:08,245 I HOPE YOU LIKE IT. 122 00:14:20,992 --> 00:14:23,727 YOU MADE THIS? 123 00:14:23,795 --> 00:14:26,964 YOU SEE, MOTHER? I'VE NEVER FORGOTTEN. 124 00:14:28,699 --> 00:14:30,968 [Laughing] 125 00:14:33,871 --> 00:14:37,474 - IS SOMETHING THE MATTER? - MM-MM. 126 00:14:37,542 --> 00:14:40,945 NO, I-IT'S JUST SUCH A WONDERFUL SURPRISE. 127 00:14:42,948 --> 00:14:45,515 I THINK IT'S THE BEST THING I'VE EVER DONE. 128 00:14:47,919 --> 00:14:50,087 OH, I AM SO PROUD OF YOU. 129 00:14:50,155 --> 00:14:52,823 AND I'M PROUD OF YOU. 130 00:14:59,331 --> 00:15:01,465 I'VE CHANGED, HAVEN'T I? 131 00:15:01,532 --> 00:15:04,969 TWENTY YEARS. 132 00:15:05,036 --> 00:15:06,971 IT'S A HELL OF A LONG TIME. 133 00:15:07,038 --> 00:15:11,508 WE ALL CHANGE, MOTHER. LOOK WHAT TWENTY YEARS HAS DONE TO ME. 134 00:15:13,611 --> 00:15:16,347 [Chuckles] PRETTY SWELL, I'D SAY. 135 00:15:18,049 --> 00:15:20,217 I-I HAVE SOMETHING ELSE I WANT TO SHOW YOU. 136 00:15:30,695 --> 00:15:33,263 [Jangling] 137 00:15:38,769 --> 00:15:42,039 - DO YOU REMEMBER? - WHERE DID YOU GET THOSE? 138 00:15:44,109 --> 00:15:46,043 I-I SAVED THEM. 139 00:15:47,879 --> 00:15:50,847 I STILL REMEMBER HOW THEY USED TO JANGLE... 140 00:15:50,915 --> 00:15:53,650 WHEN YOU'D PICK ME UP TO KISS ME GOOD NIGHT. 141 00:16:06,331 --> 00:16:08,899 AND I SAVED THIS, TOO. 142 00:16:14,472 --> 00:16:17,674 PHOTOGRAPH ALBUM. WOULD YOU LIKE TO LOOK AT IT? 143 00:16:22,380 --> 00:16:25,582 AFTER A WHILE. ALL RIGHT. 144 00:16:25,650 --> 00:16:28,985 YOU KNOW, I DID SOME MODELING, TOO. 145 00:16:29,054 --> 00:16:31,255 DOCTOR ANDERSON LET ME WORK WITH SOME CLAY IN THE HOSPITAL. 146 00:16:31,322 --> 00:16:33,323 HE SAYS IT'S GOOD THERAPY. 147 00:16:34,759 --> 00:16:37,227 MOTHER! 148 00:16:46,271 --> 00:16:48,405 MAYBE WE'D BETTER GO BACK TO THE HOUSE. 149 00:16:50,041 --> 00:16:52,409 COME ON. 150 00:16:59,784 --> 00:17:02,186 MICHAEL WILL BE COMING SOON. 151 00:17:03,821 --> 00:17:06,323 I WON'T BE LONG. 152 00:17:36,921 --> 00:17:38,922 LOOKS GOOD, DOESN'T IT? 153 00:17:39,991 --> 00:17:41,958 OH, BILL? 154 00:17:42,026 --> 00:17:44,728 DID YOU GET OUT THE ICE CUBES? ALL SET! 155 00:17:44,795 --> 00:17:47,531 BILL? ALL RIGHT? THAT'S PERFECT. 156 00:17:47,599 --> 00:17:51,067 - [Bill Chuckles] - MOTHER, WHAT DO YOU THINK? 157 00:17:51,136 --> 00:17:53,237 YOU LOOK WONDERFUL. 158 00:17:53,304 --> 00:17:55,405 [Chuckling] I'M TALKING ABOUT THE FLOWERS. 159 00:17:56,774 --> 00:17:59,209 OH, I FORGOT ABOUT THE NAPKINS. 160 00:17:59,277 --> 00:18:01,512 OH, THE GOOD ONES. THEY MUST BE IN THE LINEN CLOSET. YEAH. 161 00:18:01,579 --> 00:18:04,148 I'LL GET 'EM, IF I CAN FIGHT OFF THE MOTHS! 162 00:18:07,185 --> 00:18:10,354 ISN'T THERE SOMETHING I CAN DO TO HELP? NO, THANKS-- 163 00:18:10,421 --> 00:18:12,589 I'LL TELL YOU WHAT YOU CAN DO! 164 00:18:12,657 --> 00:18:14,591 YOU COULD FILL THE WATER GLASSES. 165 00:18:14,659 --> 00:18:17,027 I'LL GET THE PITCHER FOR YOU. 166 00:18:17,094 --> 00:18:19,996 WHERE'S AUNT EMILY? FIXING HER HAIR. 167 00:18:20,064 --> 00:18:22,166 HERE, NOW JUST FILL IT FROM THE TAP. 168 00:18:24,001 --> 00:18:26,470 WE'LL GET THE ICE CUBES FROM BILL. 169 00:18:26,538 --> 00:18:28,872 [Doorbell Rings] THERE'S MICHAEL! 170 00:18:30,041 --> 00:18:32,042 [Tap Running] 171 00:18:36,347 --> 00:18:39,149 - [Sighing With Pleasure] - [Tap Continues Running] 172 00:18:39,217 --> 00:18:41,251 EVERYTHING ALL RIGHT? OF COURSE. 173 00:18:41,319 --> 00:18:45,255 COME ON. I'VE TOLD HER ALL ABOUT YOU. 174 00:18:45,323 --> 00:18:47,391 SHE'S DYING TO MEET YOU. 175 00:18:47,458 --> 00:18:50,927 [Tap Continues] MOTHER, I WANT YOU TO MEET MI-- 176 00:18:52,530 --> 00:18:54,764 WELL, SHE WAS JUST HERE. 177 00:18:59,770 --> 00:19:02,606 [Shuts Off Tap] IT'S ALL RIGHT, DARLING. 178 00:19:02,674 --> 00:19:05,442 MOTHER'S JUST A LITTLE SHY. YOU UNDERSTAND, DON'T YOU? 179 00:19:05,510 --> 00:19:07,444 WELL, PERHAPS SHE JUST STEPPED OUT FOR A MOMENT. 180 00:19:10,515 --> 00:19:12,449 I THINK I KNOW WHERE SHE IS. 181 00:19:21,259 --> 00:19:23,327 SHE'S NOT HERE. 182 00:19:30,000 --> 00:19:34,137 WHAT IS IT? NOTHING. JUST AN OLD PHOTOGRAPH ALBUM. 183 00:19:34,205 --> 00:19:37,107 I GAVE IT TO MOTHER-- CAROL, LET ME HAVE IT. 184 00:20:07,988 --> 00:20:11,925 I'M SORRY ABOUT LAST NIGHT. BUT YOU WERE SO RIGHT. 185 00:20:11,992 --> 00:20:14,928 I UNDERSTAND WHY YOU DIDN'T WANT TO MEET MICHAEL. 186 00:20:14,995 --> 00:20:18,699 AFTER ALL, WE GIRLS HAVE TO LOOK OUR BEST. 187 00:20:18,766 --> 00:20:22,569 I'M NOT A GIRL ANYMORE. BUT YOU WILL BE, AS SOON AS WE FINISH SHOPPING. 188 00:20:22,637 --> 00:20:24,871 JUST WAIT AND SEE. 189 00:20:24,939 --> 00:20:27,574 IT'S BEEN SO LONG SINCE I BOUGHT ANYTHING NEW. 190 00:20:27,642 --> 00:20:30,444 THEN IT'S ABOUT TIME YOU HAD A CHANCE. 191 00:20:31,612 --> 00:20:33,814 WE REALLY HAVE SOME NICE LITTLE SHOPS HERE. 192 00:20:35,282 --> 00:20:37,417 COME ON. WE'RE GOING TO HAVE SOME FUN. 193 00:20:53,668 --> 00:20:56,737 DID IT LOOK ALL RIGHT? IT LOOKED WONDERFUL ON YOU. 194 00:20:59,540 --> 00:21:01,541 WELL, SHALL I WRAP THEM UP? 195 00:21:01,609 --> 00:21:05,245 DO YOU REALLY THINK I SHOULD? DEFINITELY. I THINK THEY'RE LOVELY. 196 00:21:05,312 --> 00:21:07,947 YES, BUT NOT VERY PRACTICAL. 197 00:21:09,049 --> 00:21:10,984 LOOK. JUST WHAT I WANTED. 198 00:21:11,051 --> 00:21:14,220 I THOUGHT YOU'D LIKE IT. 199 00:21:14,288 --> 00:21:16,823 DO YOU THINK THESE WOULD GO WITH MY BRAND-NEW OUTFIT? 200 00:21:16,891 --> 00:21:20,126 NOT THAT PAIR, THIS. AREN'T THEY PRETTY? I THINK THEY'RE PERFECT. 201 00:21:21,228 --> 00:21:23,162 WE'RE SPENDING AN AWFUL LOT OF MONEY. 202 00:21:23,230 --> 00:21:26,833 [Laughs] DON'T BE SILLY. WE SAID, "HEAD TO TOE," REMEMBER? 203 00:21:26,901 --> 00:21:31,237 WHICH REMINDS ME-- WE'VE GOT ONE MORE STOP TO MAKE. HURRY, WILL YA? 204 00:21:31,305 --> 00:21:35,909 I DON'T KNOW. DON'T YOU HAVE TO HAVE AN APPOINTMENT TO GO TO A BEAUTY PARLOR? 205 00:21:35,976 --> 00:21:39,546 IT'S ALL ARRANGED, MOM. YOU DON'T REALLY THINK THEY CAN DO ANYTHING WITH ME. 206 00:21:39,614 --> 00:21:42,382 OF COURSE THEY CAN. MY HAIR'S SUCH A MESS. 207 00:21:42,450 --> 00:21:44,418 WELL, I-I WASN'T THINKING OF A PERMANENT. 208 00:21:50,725 --> 00:21:56,262 - OH, NO, I-I COULDN'T. - BUT MOTHER, IT'S THE LATEST THING. EVERYBODY WEARS THEM. 209 00:21:56,330 --> 00:22:00,400 - BUT I FEEL SO FOOLISH. - [Chuckles] LET'S TRY IT. JUST FOR FUN. 210 00:22:02,970 --> 00:22:05,605 I JUST KNOW IT WOULDN'T BE RIGHT FOR ME. 211 00:22:16,818 --> 00:22:19,486 [Lucy] ARE YOU READY? [Carol] HURRY UP. I CAN'T WAIT. 212 00:22:24,325 --> 00:22:28,394 - HOW DO YOU LIKE IT? - YOU LOOK LOVELY. 213 00:22:30,130 --> 00:22:32,632 ISN'T SHE BEAUTIFUL? 214 00:22:36,303 --> 00:22:38,805 IF YOU'RE SURE IT DOESN'T MAKE ME LOOK TOO YOUNG-- 215 00:22:38,873 --> 00:22:41,708 YOU LOOK JUST LIKE YOU DID TWENTY YEARS AGO. 216 00:22:41,776 --> 00:22:44,277 JUST AS I'VE ALWAYS DREAMED OF YOU. 217 00:22:44,345 --> 00:22:46,646 IS THAT WHAT YOU WANT? 218 00:22:49,416 --> 00:22:51,317 THAT'S WHAT I'VE ALWAYS WANTED. 219 00:22:51,385 --> 00:22:55,455 THINGS ARE GOING TO BE SO WONDERFUL FOR US FROM NOW ON. 220 00:22:55,523 --> 00:22:57,791 YOU'LL SEE. 221 00:22:57,859 --> 00:23:00,660 [Girl's Voice] "LUCY HARDIN TOOK AN AX, 222 00:23:00,728 --> 00:23:03,429 "GAVE HER HUSBAND 40 WHACKS. 223 00:23:03,498 --> 00:23:06,199 "WHEN SHE SAW WHAT SHE HAD DONE, 224 00:23:06,266 --> 00:23:08,768 SHE GAVE HIS GIRLFRIEND 41." 225 00:23:08,836 --> 00:23:12,506 [Girls Playing Skip Rope] ¶ LONDON BRIDGE IS FALLING DOWN ¶ 226 00:23:12,573 --> 00:23:15,008 ¶ FALLING DOWN, FALLING DOWN-- IS THERE SOMETHING WRONG? 227 00:23:15,075 --> 00:23:17,410 I HEARD THEM. HEARD WHAT? 228 00:23:17,478 --> 00:23:19,980 [Singing Continues] THOSE KIDS. 229 00:23:20,047 --> 00:23:22,315 [Together] ¶ MY FAIR LADY 230 00:23:22,383 --> 00:23:25,552 ¶ LONDON BRIDGE IS FALLING DOWN-- ¶ 231 00:23:25,620 --> 00:23:27,554 [Chuckles] IT'S ONLY A NURSERY RHYME. 232 00:23:28,923 --> 00:23:31,925 YOU'RE TIRED. I'LL GET YOUR THINGS AND WE'LL GO HOME. 233 00:23:31,993 --> 00:23:35,361 ¶ MY FAIR LADY 234 00:23:35,429 --> 00:23:38,431 ¶ TAKE A KEY AND LOCK HER UP 235 00:23:38,499 --> 00:23:42,368 ¶ LOCK HER UP, LOCK HER UP 236 00:23:42,436 --> 00:23:45,839 ¶ TAKE A KEY AND LOCK HER UP ¶ 237 00:23:45,907 --> 00:23:48,708 ¶ MY FAIR LADY 238 00:23:51,979 --> 00:23:54,848 [Girl's Voice] "LUCY HARDIN TOOK AN AX, 239 00:23:54,916 --> 00:23:57,951 "GAVE HER HUSBAND 40 WHACKS. 240 00:23:58,019 --> 00:24:00,386 "WHEN SHE SAW WHAT SHE HAD DONE, 241 00:24:00,454 --> 00:24:03,322 "SHE GAVE HIS GIRLFRIEND 41. NO. 242 00:24:03,390 --> 00:24:07,093 "LUCY HARDIN TOOK AN AX, NO! 243 00:24:07,161 --> 00:24:09,128 "GAVE HER HUSBAND 40 WHACKS. 244 00:24:09,196 --> 00:24:11,865 "WHEN SHE SAW WHAT SHE HAD DONE, [Breathing Heavily] 245 00:24:11,933 --> 00:24:14,601 "SHE GAVE HIS GIRLFRIEND 41. 246 00:24:14,669 --> 00:24:17,336 [Continues, Louder] "LUCY HARDIN TOOK AN AX, 247 00:24:17,404 --> 00:24:19,806 "GAVE HER HUSBAND 40 WHACKS. 248 00:24:19,874 --> 00:24:22,241 "WHEN SHE SAW WHAT SHE HAD DONE, 249 00:24:22,309 --> 00:24:25,045 "SHE GAVE HIS GIRLFRIEND 41. NO! 250 00:24:25,112 --> 00:24:28,548 LUCY HARDIN TOOK--" [Screams] 251 00:24:28,616 --> 00:24:30,550 [Girls' Voices Continue, Relentlessly] 252 00:24:30,618 --> 00:24:34,020 "...WHAT SHE HAD DONE, SHE GAVE HIS GIRLFRIEND 41. 253 00:24:34,088 --> 00:24:38,625 TOOK AN AX. TOOK AN AX. TOOK AN AX!" 254 00:24:38,693 --> 00:24:40,627 BILL! 255 00:24:42,863 --> 00:24:46,066 BILL! BILL! 256 00:24:48,168 --> 00:24:50,303 [Lucy] BILL! BILL! 257 00:24:50,370 --> 00:24:53,439 BILL, BILL, BILL! [Cries] WHAT? WHAT? 258 00:24:53,507 --> 00:24:56,142 LUCY, LUCY. NOW, CALM DOWN. WHAT HAPPENED? 259 00:24:56,210 --> 00:24:58,144 HELP ME, PLEASE! LUCY-- 260 00:24:58,212 --> 00:25:00,880 LUCY, TELL US WHAT HAPPENED. OH. BILL. 261 00:25:00,948 --> 00:25:03,917 I-I SAW THEM IN MY BEDROOM. I REALLY DID. 262 00:25:03,985 --> 00:25:06,653 BUT THERE'S NOTHING TO BE AFRAID OF. [Sobbing] 263 00:25:06,721 --> 00:25:09,689 MOTHER! ARE-ARE YOU ALL RIGHT? 264 00:25:09,757 --> 00:25:12,458 THAT'S WHAT WE'RE TRYING TO FIND OUT. 265 00:25:12,526 --> 00:25:17,063 TH-THERE WAS SOMETHING IN MY BEDROOM. 266 00:25:17,131 --> 00:25:19,265 LE-LET'S GO LOOK. NO! 267 00:25:19,333 --> 00:25:22,902 NOT YOU, YOU MUSTN'T. WE'LL ALL GO. 268 00:25:24,105 --> 00:25:27,573 COME ON. COME ON, LUCY. 269 00:25:27,642 --> 00:25:30,143 [Whimpering] NOW, COME ON. 270 00:25:31,846 --> 00:25:34,814 [Lucy Sobbing] 271 00:25:36,784 --> 00:25:40,253 [Screaming] CAROL! DON'T YOU GO IN THAT ROOM. LUCY! 272 00:25:40,320 --> 00:25:43,089 NO, SHE'S RIGHT. I'LL GO. 273 00:25:51,899 --> 00:25:54,901 THERE IS NOTHING HERE. 274 00:25:54,969 --> 00:25:59,105 COME ON. COME ON, AND SEE FOR YOURSELF. 275 00:26:05,880 --> 00:26:08,614 THERE'S NOTHING WRONG. 276 00:26:08,683 --> 00:26:11,885 BU-BU-BUT I SAW-- 277 00:26:11,952 --> 00:26:14,587 JUST WHAT DID YOU SEE, DEAR? 278 00:26:17,291 --> 00:26:19,926 IT-IT WAS LIKE A DREAM. 279 00:26:19,994 --> 00:26:21,928 OH, MOTHER-- 280 00:26:40,114 --> 00:26:44,050 [Chuckles Softly] YES. 281 00:26:45,519 --> 00:26:48,554 I-IT MUST HAVE BEEN A NIGHTMARE. 282 00:26:49,957 --> 00:26:52,558 YEAH. 283 00:26:53,594 --> 00:26:55,795 [Laughs] 284 00:27:08,192 --> 00:27:11,227 BILL, I DON'T KNOW. MAYBE YOU SHOULD PUT THROUGH... 285 00:27:11,295 --> 00:27:13,663 A LONG-DISTANCE CALL TO DR. ANDERSON. 286 00:27:13,731 --> 00:27:15,965 THERE'S NO REASON TO MAKE SUCH A FUSS ABOUT IT. 287 00:27:16,033 --> 00:27:18,001 JUST BECAUSE MOTHER HAD A BAD DREAM. 288 00:27:18,069 --> 00:27:21,237 OH, EVERYBODY DREAMS, EMILY. REMEMBER WHEN CAROL WAS A LITTLE GIRL, 289 00:27:21,305 --> 00:27:23,239 THE WAY SHE USED TO WAKE UP SCREAMING? 290 00:27:23,307 --> 00:27:25,809 THAT'S RIGHT. YOU'RE FORGETTING ONE THING. 291 00:27:25,876 --> 00:27:28,411 LUCY IS NOT A CHILD. PLEASE. 292 00:27:28,478 --> 00:27:32,548 IF YOU ONLY KNOW HOW MUCH IT MEANS TO ME TO HAVE MY MOTHER HERE WITH ME AGAIN-- 293 00:27:32,616 --> 00:27:35,585 I KNOW I CAN HELP HER. WE CAN ALL HELP HER. 294 00:27:37,254 --> 00:27:40,690 CAROL, ARE YOU SURE YOU'RE DOING THE RIGHT THING? 295 00:27:40,758 --> 00:27:44,260 [Sighs] PLEASE, LET'S TRY IT. JUST FOR HER SAKE. 296 00:27:44,328 --> 00:27:48,264 ALL RIGHT. ALL RIGHT. YOU ARE THE DOCTOR. 297 00:27:48,332 --> 00:27:50,900 AND LET'S NOT HAVE ANY MORE TALK ABOUT DOCTORS. 298 00:27:50,968 --> 00:27:54,204 ALL MOTHER NEEDS IS JUST A LITTLE PATIENCE AND UNDERSTANDING. 299 00:27:55,773 --> 00:27:58,374 BILL, I CAN'T HELP WORRYING. 300 00:27:58,442 --> 00:28:02,678 YOU CAN JUST STOP WORRYING, BECAUSE IT'S OVER AND DONE WITH. 301 00:28:02,747 --> 00:28:05,181 [Emily, Sighing] I WISH I COULD BE SURE OF THAT. 302 00:28:18,829 --> 00:28:20,964 [Clucking] 303 00:28:24,334 --> 00:28:26,669 GOOD MORNIN'. 304 00:28:27,938 --> 00:28:29,906 WHAT'S THE MATTER? WHAT YOU LOOKIN' AT? 305 00:28:32,743 --> 00:28:34,978 [Windmill Turning Rhythmically] 306 00:28:40,417 --> 00:28:42,786 I'M JUST BUTCHERIN' A CHICKEN, THAT'S ALL. 307 00:28:47,158 --> 00:28:49,392 SORRY IF I DISTURBED YOU, LADY. 308 00:28:49,459 --> 00:28:53,396 YOU DIDN'T DISTURB ME. I WAS RAISED ON A FARM. 309 00:28:57,134 --> 00:28:59,635 MAYBE YOU'D LIKE TO... TRY IT YOURSELF? 310 00:29:12,716 --> 00:29:14,684 [Windmill Grows Louder] 311 00:29:25,562 --> 00:29:27,797 [Windmill Continues] 312 00:29:41,278 --> 00:29:44,380 [Chicken Flapping Wings, Screeching] 313 00:29:44,448 --> 00:29:47,350 [Screaming] 314 00:29:51,088 --> 00:29:53,656 [Windmill Continues Rhythmic Rumbling] 315 00:30:27,624 --> 00:30:30,994 MICHAEL! 316 00:30:35,832 --> 00:30:38,268 DARLING! MICHAEL! 317 00:30:41,805 --> 00:30:44,307 MM. WELL, THIS IS A SWITCH. 318 00:30:44,375 --> 00:30:46,409 WHAT? USUALLY, THE BOY CALLS FOR THE GIRL... 319 00:30:46,476 --> 00:30:49,612 WHEN THEY HAVE A DATE. DON'T YOU WORRY, WE'RE GOING IN MY CAR. 320 00:30:49,679 --> 00:30:51,948 THEN WHY DID YOU LURE ME OUT HERE? 321 00:30:52,016 --> 00:30:54,217 I WAS HOPING YOU'D STOP IN FOR A MOMENT, AND SAY HELLO. 322 00:30:54,285 --> 00:30:56,752 MOM AND DAD HAVEN'T SEEN YOU FOR WEEKS. ALL RIGHT. 323 00:31:06,096 --> 00:31:08,798 WELL, CAROL. HOW'S MY GIRL? FINE. 324 00:31:08,865 --> 00:31:11,867 WHAT DO YOU MEAN, YOUR GIRL? IT'S ALL IN THE FAMILY. 325 00:31:14,738 --> 00:31:17,606 CAROL, HOW GOOD TO SEE YOU. GOOD TO SEE YOU. 326 00:31:17,674 --> 00:31:20,476 WELL, COME IN. SIT DOWN. 327 00:31:20,544 --> 00:31:23,379 CAN I GET YOU SOMETHING? NO, THANKS. WE'RE ON OUR WAY TO THE MOVIES. 328 00:31:23,447 --> 00:31:25,881 WE'LL HAVE DINNER LATER. GLASS OF MILK? 329 00:31:25,950 --> 00:31:28,017 OH! YOU AND YOUR MILK! 330 00:31:28,085 --> 00:31:31,020 WHY NOT? I GET IT WHOLESALE. 331 00:31:31,088 --> 00:31:33,556 AFTER ALL, IT'S MY DAIRY. 332 00:31:33,623 --> 00:31:35,524 WHAT MOVIE ARE YOU GOING TO SEE? 333 00:31:35,592 --> 00:31:38,127 WE HADN'T DECIDED YET. THERE'S A MURDER MYSTERY DOWN AT THE DRIVE-IN. 334 00:31:38,195 --> 00:31:43,099 NICE AND GORY. PAY NO ATTENTION TO HIM. HE HAS THE INSTINCTS OF A KILLER. 335 00:31:43,167 --> 00:31:45,935 INHERITED FROM HIS MOTHER, NO DOUBT. OH, RAYMOND! 336 00:31:46,003 --> 00:31:49,372 AND SPEAKING OF MOTHERS-- DIDN'T I HEAR YOU HAD A VISITOR, CAROL? 337 00:31:49,440 --> 00:31:52,575 IT'S NOT A VISIT, REALLY. 338 00:31:52,642 --> 00:31:54,944 MY MOTHER HAS COME HOME TO STAY. 339 00:31:55,012 --> 00:31:57,313 SHE LIVED BACK EAST, DIDN'T SHE? THAT'S RIGHT. 340 00:31:57,381 --> 00:31:59,315 I HADN'T SEEN HER FOR TWENTY YEARS. 341 00:31:59,383 --> 00:32:03,552 TWENTY YEARS, MY. CAROL'S MOTHER'S BEEN AN INVALID. 342 00:32:03,620 --> 00:32:06,990 OH! I'M SO SORRY. I DIDN'T KNOW. 343 00:32:07,057 --> 00:32:09,025 SHE'S COMPLETELY RECOVERED NOW. 344 00:32:09,093 --> 00:32:11,361 JUST, UH, WHAT WAS HER ILLNESS? 345 00:32:15,265 --> 00:32:17,266 DAD, I HATE TO INTERRUPT, BUT WE BETTER BE GOING. 346 00:32:17,334 --> 00:32:20,236 RIGHT, DARLING? YES, IF YOU'LL EXCUSE US. 347 00:32:20,304 --> 00:32:23,206 NOW, YOU PROMISE TO BRING YOUR MOTHER OVER FOR DINNER. WE'D LOVE TO MEET HER. 348 00:32:23,273 --> 00:32:25,208 OF COURSE. THANK YOU. 349 00:32:25,275 --> 00:32:27,210 GOOD-BYE. 350 00:32:27,277 --> 00:32:29,379 SEE YOU SOON. 351 00:32:36,086 --> 00:32:38,988 [Door Closing] 352 00:32:39,056 --> 00:32:41,457 MICHAEL'S REALLY SERIOUS ABOUT HER, ISN'T HE? 353 00:32:41,525 --> 00:32:43,592 IF YOU ASK ME, THEY MAKE A VERY HANDSOME COUPLE. 354 00:32:43,660 --> 00:32:45,594 DID YOU NOTICE HOW NERVOUS SHE SEEMED... 355 00:32:45,662 --> 00:32:47,663 WHEN YOU STARTED ASKING QUESTIONS ABOUT HER MOTHER? 356 00:32:47,731 --> 00:32:50,099 WHY NOT? IT REALLY ISN'T ANY OF OUR BUSINESS. 357 00:32:50,167 --> 00:32:53,436 ANYTHING THAT CONCERNS MICHAEL IS OUR BUSINESS. 358 00:32:53,504 --> 00:32:55,571 WHY DON'T YOU HAVE SOME MILK? CALM YOU DOWN. 359 00:32:55,639 --> 00:32:59,542 I'LL FEEL A LOT CALMER AFTER I FIND OUT A FEW THINGS ABOUT CAROL'S MOTHER. 360 00:33:02,012 --> 00:33:05,114 ¶ [Classical] 361 00:33:06,417 --> 00:33:08,851 YOU'VE BEEN AWFULLY QUIET THIS EVENING. MAD AT ME? 362 00:33:08,919 --> 00:33:11,354 NOT REALLY. 363 00:33:11,422 --> 00:33:13,956 I STILL THINK YOU SHOULD HAVE LET ME TELL THEM. 364 00:33:14,024 --> 00:33:16,625 LET THEM MEET YOUR MOTHER FIRST-- THEN WE CAN TELL THEM. 365 00:33:16,693 --> 00:33:19,728 AFTER THEY GET TO KNOW HER AND SEE SHE'S ALL RIGHT. 366 00:33:19,796 --> 00:33:23,466 SHE IS ALL RIGHT, ISN'T SHE? WHY DON'T YOU SEE FOR YOURSELF? 367 00:33:24,668 --> 00:33:28,137 I'M SORRY. MICHAEL-- 368 00:33:28,205 --> 00:33:31,207 WHY DON'T YOU STOP BY FOR A DRINK TOMORROW AFTERNOON? 369 00:33:31,275 --> 00:33:33,943 ¶ [Ending] 370 00:33:34,010 --> 00:33:37,046 ¶ [Big Band] 371 00:33:40,484 --> 00:33:43,786 [Door Banging] 372 00:33:43,853 --> 00:33:47,423 - [Chuckling Nervously] HE'S LATE. - ARE YOU SURE I LOOK OKAY? 373 00:33:47,491 --> 00:33:49,825 OF COURSE YOU DO. 374 00:33:49,893 --> 00:33:51,961 MOTHER, I'M-I'M SO PROUD OF YOU. 375 00:33:52,028 --> 00:33:55,431 YOU'VE NO IDEA HOW DIFFERENT YOU LOOK. 376 00:33:55,499 --> 00:33:57,433 ¶ [Continues] 377 00:34:05,842 --> 00:34:08,411 TH-THERE'S NOTHING TO BE NERVOUS ABOUT. 378 00:34:08,479 --> 00:34:10,413 [Sighs Deeply] 379 00:34:12,549 --> 00:34:16,852 I GUESS IT'S THE-- THE RECORD, AND-- OH, I DON'T KNOW! 380 00:34:17,988 --> 00:34:19,922 IT'S JUST LIKE IT WAS TWENTY YEARS AGO. 381 00:34:19,990 --> 00:34:22,558 LOOK. YOU PROMISED, REMEMBER? 382 00:34:22,626 --> 00:34:25,561 YOU DON'T TALK ABOUT THE PAST. ONLY THE FUTURE. 383 00:34:25,629 --> 00:34:28,631 [Doorbell Ringing] 384 00:34:28,698 --> 00:34:31,834 AND I THINK MY FUTURE HAS JUST ARRIVED. 385 00:34:33,337 --> 00:34:36,172 ¶ [Continues] 386 00:34:37,974 --> 00:34:39,908 HI, SWEET. DARLING. 387 00:34:44,381 --> 00:34:47,617 BILL AND EMILY WON'T BE JOINING US. THEY'RE GETTING READY TO GO OUT FOR DINNER. 388 00:34:49,286 --> 00:34:51,220 COME ALONG. SHE'S WAITING. 389 00:34:56,993 --> 00:34:58,927 WELL! 390 00:35:05,202 --> 00:35:08,804 ¶ [Trumpet, Brassy Solo] 391 00:35:14,044 --> 00:35:18,181 HMM. YOU DIDN'T TELL ME HE WAS THAT GOOD-LOOKING. 392 00:35:19,416 --> 00:35:22,218 COME ON. I BET YOU COULD USE A DRINK. 393 00:35:22,286 --> 00:35:25,488 NOW, DON'T TELL ME. LET ME GUESS. UMM-- 394 00:35:25,556 --> 00:35:29,492 BOURBON AND WATER. SCOTCH ON THE ROCKS, PLEASE. 395 00:35:29,560 --> 00:35:31,960 OH, ONE OF THOSE! 396 00:35:32,028 --> 00:35:34,530 ¶ [Clarinet] 397 00:35:34,598 --> 00:35:36,732 THAT'LL BE FINE, THANK YOU. YEAH? 398 00:35:37,934 --> 00:35:39,868 JUST A MINUTE. 399 00:35:48,878 --> 00:35:51,714 OH, CAROL, I'D ALMOST FORGOTTEN ABOUT YOU. 400 00:35:51,781 --> 00:35:55,150 YOUR YOUNG MAN IS QUITE A CHARMER. 401 00:36:00,990 --> 00:36:03,626 REALLY, MRS. HARBIN, I'M JUST A... COUNTRY BOY. 402 00:36:05,295 --> 00:36:07,963 AND I'M JUST A COUNTRY GIRL. 403 00:36:09,233 --> 00:36:11,601 YOU DON'T HAVE TO BE SO FORMAL WITH ME. 404 00:36:13,036 --> 00:36:14,970 WHY DON'T YOU JUST CALL ME LUCY? 405 00:36:21,311 --> 00:36:23,246 [Ice Tinkling In Glass] MOTHER! 406 00:36:27,984 --> 00:36:31,520 - CAROL. YOU WANT A DRINK? - NOTHING FOR ME, THANKS. 407 00:36:31,588 --> 00:36:35,358 - BUT THIS IS A CELEBRATION! - NO, THANK YOU, MOTHER! 408 00:36:46,970 --> 00:36:50,239 I'LL TELL YOU WHAT: 409 00:36:50,307 --> 00:36:53,108 YOU JUST COME RIGHT OVER HERE... 410 00:36:53,176 --> 00:36:56,445 AND YOU SIT RIGHT DOWN THERE WITH CAROL, BECAUSE, YOU SEE... 411 00:36:56,513 --> 00:37:00,249 I WOULDN'T LIKE MY LITTLE GIRL TO THINK I WAS TRYING TO TAKE HER FELLOW AWAY. 412 00:37:03,487 --> 00:37:05,954 ¶ [Continues] 413 00:37:18,702 --> 00:37:20,636 MICHAEL, 414 00:37:20,704 --> 00:37:23,539 IF YOU'D HAVE SEEN HER WHEN SHE ARRIVED, YOU WOULDN'T BELIEVE IT. 415 00:37:24,708 --> 00:37:27,777 WHY, UH, SHE'S LIKE A DIFFERENT PERSON NOW. 416 00:37:34,083 --> 00:37:35,584 [Phone Ringing] 417 00:37:38,121 --> 00:37:40,055 [Ringing] 418 00:37:40,123 --> 00:37:44,092 HELLO? IS THIS... [Indistinct] 419 00:37:44,160 --> 00:37:46,995 WHO? [Indistinct] 420 00:37:50,334 --> 00:37:53,569 - ¶ [Stops] - YES SHE IS. JUST A MINUTE. 421 00:37:53,637 --> 00:37:57,005 - MOTHER, IT'S FOR YOU. - WHO ON EARTH-- 422 00:37:57,073 --> 00:38:00,376 HE DIDN'T GIVE HIS NAME. 423 00:38:02,779 --> 00:38:05,247 PROBABLY ONE OF MY SECRET ADMIRERS. 424 00:38:06,950 --> 00:38:11,387 HELLO? YES-- [Man] LUCY? 425 00:38:11,455 --> 00:38:15,725 WHO IS THIS? DR. ANDERSON. 426 00:38:15,792 --> 00:38:18,060 WHERE ARE YOU? IN TOWN. 427 00:38:18,127 --> 00:38:21,797 I'D LIKE TO COME AND SEE YOU, LUCY. 428 00:38:21,865 --> 00:38:23,799 YOU MEAN, NOW? 429 00:38:23,867 --> 00:38:25,968 YES, I'LL BE RIGHT OUT. [Line Clicks] 430 00:38:30,574 --> 00:38:32,341 MOTHER, WHAT IS IT? 431 00:38:35,512 --> 00:38:38,481 - WHY DID YOU SEND FOR HIM? - WHO? 432 00:38:40,116 --> 00:38:42,785 HE JUST CALLED FROM TOWN. HE'S ON HIS WAY HERE, NOW. 433 00:38:42,853 --> 00:38:45,988 MOTHER, WHAT ARE YOU TALKING ABOUT? 434 00:38:46,055 --> 00:38:48,257 BILL! 435 00:38:50,460 --> 00:38:52,928 BILL! 436 00:38:52,996 --> 00:38:55,598 [Door Slamming] 437 00:38:57,200 --> 00:38:59,568 [Sighs] MICHAEL, I DON'T KNOW WHAT THIS IS ALL ABOUT, 438 00:38:59,636 --> 00:39:02,104 BUT PLEASE BELIEVE ME-- SHE ISN'T LIKE THIS. 439 00:39:02,171 --> 00:39:05,875 SOMETHING'S UPSET HER. PERHAPS IT WOULD BE BETTER IF I STOPPED BACK ANOTHER TIME. 440 00:39:05,942 --> 00:39:08,277 NO, MICHAEL. I'M SURE IT'S NOTHING SERIOUS. 441 00:39:08,344 --> 00:39:10,479 I THINK IT WOULD BE BETTER FOR YOU IF I GO. 442 00:39:12,315 --> 00:39:14,249 MICHAEL. 443 00:39:16,787 --> 00:39:18,954 YOU DO UNDERSTAND, DON'T YOU? 444 00:39:19,890 --> 00:39:21,824 OF COURSE, DARLING. 445 00:39:24,394 --> 00:39:26,762 I'LL CALL YOU LATER. 446 00:39:26,830 --> 00:39:30,098 [Door Opens, Closes] 447 00:39:35,472 --> 00:39:37,740 DID EMILY SEND FOR HIM? 448 00:39:37,808 --> 00:39:41,510 LUCY, PLEASE BELIEVE ME, NOBODY SENT FOR HIM. 449 00:39:41,578 --> 00:39:44,680 WELL, THEN, WHAT'S HE DOING HERE? I DON'T KNOW! 450 00:39:44,748 --> 00:39:47,817 LOOK, ARE YOU SURE THAT IT WAS DR. ANDERSON THAT YOU SPOKE TO? 451 00:39:49,920 --> 00:39:54,590 DON'T YOU THINK I'D RECOGNIZE THAT VOICE AFTER LISTENING TO IT FOR TWENTY YEARS? 452 00:40:02,165 --> 00:40:04,567 [Rooster Crows] 453 00:40:15,778 --> 00:40:18,280 [Doorbell Ringing] 454 00:40:18,348 --> 00:40:20,449 WELL, STOP WORRYING. 455 00:40:20,517 --> 00:40:23,385 I'M GOING TO TRY TO FIND OUT WHAT THIS IS ALL ABOUT. 456 00:40:23,453 --> 00:40:26,855 YOU PROMISE, BILL? I PROMISE. 457 00:40:26,923 --> 00:40:29,125 THERE. THAT'S A GIRL. 458 00:40:37,467 --> 00:40:40,603 GOOD AFTERNOON. WHY-- DR. ANDERSON. 459 00:40:40,670 --> 00:40:43,472 YOU'LL HAVE TO EXCUSE MY APPEARANCE. I'M PLAYING HOOKEY. 460 00:40:43,540 --> 00:40:45,474 WELL, YOU COME RIGHT IN. THANK YOU. 461 00:40:45,542 --> 00:40:47,943 DRIVING UP TO OREGON ON A FISHING TRIP. 462 00:40:49,513 --> 00:40:52,581 THOUGHT I'D STOP IN ON MY WAY AND SAY HELLO. 463 00:40:52,649 --> 00:40:56,852 OH, THEN THE, UH-- THE INSTITUTION DIDN'T SEND YOU. 464 00:40:56,919 --> 00:40:59,087 OH, NO. NO, IT'S NOT AN OFFICIAL VISIT. 465 00:40:59,156 --> 00:41:01,657 AS LONG AS I WAS IN THE NEIGHBORHOOD, I WANTED... 466 00:41:01,724 --> 00:41:04,126 TO SEE HOW THINGS ARE GOING. 467 00:41:04,194 --> 00:41:06,362 WELL, THEY'RE UH-- THEY'RE ALL RIGHT, I GUESS. 468 00:41:06,429 --> 00:41:09,998 THEN IT WAS YOU THAT LUCY SPOKE TO ON THE TELEPHONE. 469 00:41:10,066 --> 00:41:12,901 YES, SHE SEEMED A LITTLE-- 470 00:41:14,804 --> 00:41:18,407 LUCY! IT'S GOOD TO SEE YOU. 471 00:41:24,281 --> 00:41:26,215 WHY DID YOU COME HERE? 472 00:41:26,283 --> 00:41:30,252 OH, IT'S JUST A COINCIDENCE, REALLY. I WAS TELLING YOUR BROTHER. 473 00:41:30,320 --> 00:41:32,854 YES, I KNOW. I HEARD. 474 00:41:32,922 --> 00:41:36,592 [Pouring Liquor] I HAVE NO SECRETS FROM YOU. 475 00:41:37,860 --> 00:41:40,229 - DO I, DOCTOR? - I HOPE NOT. 476 00:41:41,964 --> 00:41:44,700 BILL? I'M ALL READY. WHERE ARE YOU? 477 00:41:44,767 --> 00:41:47,703 WE'RE GOING TO BE LATE IF YOU DON'T-- OH, I'M SORRY. 478 00:41:47,770 --> 00:41:51,574 - EMILY, THIS IS DR. ANDERSON. - OH, DR. ANDERSON. 479 00:41:51,641 --> 00:41:54,710 FROM-FROM LUCY'S HOSPITAL. 480 00:41:57,180 --> 00:41:59,448 I HOPE I'M NOT INTRUDING. OH, NO. 481 00:41:59,516 --> 00:42:01,850 NO, NOT AT ALL. 482 00:42:01,918 --> 00:42:04,786 BILL AND I HAVE A DINNER ENGAGEMENT IN RIVERSIDE. 483 00:42:04,854 --> 00:42:08,056 I'LL JUST GO AND CANCEL IT. [Anderson] PLEASE, NOT ON MY ACCOUNT. 484 00:42:08,124 --> 00:42:10,626 I'LL BE RUNNING ALONG IN A FEW MINUTES, ANYWAY. 485 00:42:10,694 --> 00:42:13,429 ¶ [Big Band Blaring] 486 00:42:20,069 --> 00:42:23,272 DOCTOR, PERHAPS WE SHOULD-- NO, NO. YOU TWO GO AHEAD. 487 00:42:23,340 --> 00:42:25,407 LUCY AND I WILL VISIT. 488 00:42:27,877 --> 00:42:30,479 WELL, IF YOU INSIST. 489 00:42:30,547 --> 00:42:33,148 I DO. NICE SEEING YOU, MRS. CUTLER. 490 00:42:33,216 --> 00:42:35,984 GOOD-BYE, DOCTOR. HAVE A GOOD TRIP. 491 00:42:36,052 --> 00:42:38,420 THANK YOU, BILL. EMILY. 492 00:42:40,590 --> 00:42:42,891 ¶ [Continues] 493 00:42:44,994 --> 00:42:47,529 I HOPE YOU'LL BE ALL RIGHT, LUCY. 494 00:42:55,104 --> 00:42:57,205 [Door Closes] 495 00:43:10,119 --> 00:43:12,187 NERVOUS? 496 00:43:22,098 --> 00:43:24,533 ¶ [Match Scratches Record, Music Stops] 497 00:43:29,339 --> 00:43:31,973 WHY DON'T YOU SIT DOWN? 498 00:43:47,524 --> 00:43:50,693 ALL RIGHT, LUCY. 499 00:43:50,760 --> 00:43:52,795 HOW ARE YOU? 500 00:44:04,974 --> 00:44:07,810 - HOW DO I LOOK? - QUITE DIFFERENT. 501 00:44:09,312 --> 00:44:11,413 FEEL DIFFERENT, TOO. 502 00:44:11,481 --> 00:44:13,982 WHEN I LOOK IN THE MIRROR... 503 00:44:14,050 --> 00:44:17,118 IT'S HARD FOR ME TO BELIEVE THAT 20 YEARS HAVE PASSED. 504 00:44:17,186 --> 00:44:20,823 BUT THEY HAVE PASSED, LUCY. YOU'VE GOT TO REMEMBER THAT. 505 00:44:20,890 --> 00:44:24,660 I DON'T WANT TO THINK ABOUT IT. 506 00:44:24,728 --> 00:44:26,762 ALL THAT MATTERS TO ME IS NOW. 507 00:44:26,830 --> 00:44:30,165 THAT'S JUST WHAT I'M TALKING ABOUT. YOU CAN'T TURN BACK THE CLOCK. 508 00:44:35,204 --> 00:44:37,138 DON'T YOU APPROVE OF THE WAY I LOOK? 509 00:44:37,206 --> 00:44:40,242 IT'S THE WAY YOU FEEL... THAT'S IMPORTANT. 510 00:44:48,418 --> 00:44:50,352 THE PLACE IS IN SUCH A MESS. 511 00:44:50,420 --> 00:44:52,354 WE WERE ENTERTAINING HERE THIS AFTERNOON. 512 00:44:52,422 --> 00:44:54,690 USUALLY, IT'S VERY QUIET. 513 00:44:54,758 --> 00:44:57,493 LUCY? 514 00:44:59,228 --> 00:45:01,497 HOW DO YOU SPEND YOUR TIME? 515 00:45:03,132 --> 00:45:05,133 KNITTING. 516 00:45:08,104 --> 00:45:10,238 I-I-I DO A LOT OF KNITTING. 517 00:45:10,306 --> 00:45:13,308 REMEMBER, THEY TAUGHT ME THAT IN THERAPY. 518 00:45:13,376 --> 00:45:18,146 - WHAT ARE YOU MAKING? - I DON'T KNOW YET. 519 00:45:18,214 --> 00:45:20,649 I HAVE TO FIND A PATTERN. 520 00:45:20,717 --> 00:45:23,051 LUCY-- 521 00:45:25,021 --> 00:45:27,856 EVER FEEL LONELY? 522 00:45:30,993 --> 00:45:33,929 NO. MM-MM. 523 00:45:33,996 --> 00:45:38,333 UM, YOU SEE, THERE'S BILL AND EMILY AND KRAUSE. HE WORKS HERE. 524 00:45:38,401 --> 00:45:40,636 I SOMETIMES HELP HIM IN THE YARD. 525 00:45:44,607 --> 00:45:48,777 WHAT ABOUT YOUR DAUGHTER? OH, SHE'S OUT BACK. 526 00:45:48,845 --> 00:45:51,547 YOU TWO GET ALONG WELL TOGETHER? 527 00:45:51,614 --> 00:45:53,549 OH, YES, SHE'S BEEN WONDERFUL. 528 00:45:53,616 --> 00:45:56,284 SHE BROUGHT HER FIANCEE OVER TO MEET ME THIS AFTERNOON. 529 00:45:59,689 --> 00:46:01,690 WHY ARE YOU ASKING ME ALL THESE QUESTIONS? 530 00:46:03,793 --> 00:46:05,794 DON'T YOU BELIEVE ME? 531 00:46:05,862 --> 00:46:09,998 I JUST WANT TO BE SURE. SURE OF WHAT? 532 00:46:10,066 --> 00:46:12,100 YOU CAN SEE I'M ALL RIGHT. 533 00:46:15,839 --> 00:46:18,607 LUCY. 534 00:46:22,745 --> 00:46:26,582 OH, MY KNITTING. 535 00:46:26,649 --> 00:46:29,217 IT'S ALL UNRAVELLED. 536 00:46:30,453 --> 00:46:32,888 IT'S COMING APART. 537 00:46:34,791 --> 00:46:37,626 LUCY-- 538 00:46:37,694 --> 00:46:40,395 HAVE YOU HAD ANY DREAMS? 539 00:46:53,109 --> 00:46:55,744 WHO TOLD YOU ABOUT MY DREAMS? 540 00:46:58,414 --> 00:47:02,017 WHO TOLD YOU ABOUT MY NIGHTMARES? 541 00:47:02,084 --> 00:47:06,287 WHO TOLD YOU? NO! LEAVE ME ALONE! 542 00:47:08,858 --> 00:47:10,893 [Door Slamming] 543 00:47:23,239 --> 00:47:27,009 LOOKING FOR SOMEBODY? DID LUCY-- UH, MRS. HARBIN... 544 00:47:27,076 --> 00:47:29,011 HAPPEN TO COME OUT HERE JUST NOW? 545 00:47:29,078 --> 00:47:31,013 I AIN'T SEEN HER. THANK YOU. 546 00:47:32,081 --> 00:47:34,249 WHERE COULD I FIND HER DAUGHTER? 547 00:47:34,316 --> 00:47:37,619 CAROL? I SAW HER GO INTO HER PLACE A LITTLE WHILE AGO. 548 00:47:37,687 --> 00:47:39,688 OVER THERE. THANK YOU. 549 00:47:58,107 --> 00:48:00,726 [Carol] DOCTOR, HOW IS MY MOTHER? 550 00:48:02,361 --> 00:48:05,397 I WAS HOPING YOU MIGHT BE ABLE TO ANSWER THAT QUESTION. 551 00:48:05,464 --> 00:48:09,234 [Sighs] THAT'S VERY LOVELY. 552 00:48:11,871 --> 00:48:15,607 HAVE YOU FINISHED WITH IT? NO, NO. NOT QUITE. 553 00:48:15,675 --> 00:48:18,577 IT'S HARD FOR AN ARTIST TO TELL WHEN ANYTHING IS FINISHED. 554 00:48:18,645 --> 00:48:21,813 IT'S HARD FOR A DOCTOR TO TELL, TOO. 555 00:48:21,881 --> 00:48:26,484 CAROL, I'VE KNOWN YOUR MOTHER FOR MORE THAN TWENTY YEARS. 556 00:48:26,553 --> 00:48:31,122 SO HAVE I. YOU WERE ONLY A LITTLE GIRL WHEN SHE WAS SENT AWAY. 557 00:48:31,190 --> 00:48:34,660 BUT YOU'RE WRONG, DOCTOR. THERE ARE SOME THINGS YOU JUST DON'T FORGET. 558 00:48:34,727 --> 00:48:36,795 THAT'S TRUE. 559 00:48:36,863 --> 00:48:39,598 BUT, THAT DOESN'T AFFECT OUR RELATIONSHIP NOW. 560 00:48:39,666 --> 00:48:42,000 IT'S JUST THAT, WELL, I'VE NEVER FORGOTTEN. 561 00:48:42,068 --> 00:48:44,870 - NEITHER HAS YOUR MOTHER. - WHAT DO YOU MEAN? 562 00:48:44,938 --> 00:48:47,706 SHE'S PERFECTLY ALL RIGHT. YOU RELEASED HER. 563 00:48:47,774 --> 00:48:51,376 TODAY I SAW A DIFFERENT LUCY, A WOMAN WHO'S TRYING... 564 00:48:51,444 --> 00:48:54,546 TO LOOK AND ACT AS IF THOSE 20 YEARS HAD NEVER EXISTED. 565 00:48:54,614 --> 00:48:57,182 A WOMAN WHO'S TRYING TO RECAPTURE HER PAST. 566 00:48:57,249 --> 00:49:00,018 BUT FOR HER, THE PAST IS DANGEROUS. 567 00:49:00,086 --> 00:49:03,922 DOCTOR, I-I WANTED TO TELL YOU. 568 00:49:03,990 --> 00:49:06,024 [Exhales] IT'S PROBABLY ALL MY FAULT. 569 00:49:06,092 --> 00:49:08,894 SH-SHE DID IT TO PLEASE ME. 570 00:49:10,396 --> 00:49:13,431 I'M THE ONE WHO SUGGESTED THE CLOTHES, AND THE WIG, AND-- 571 00:49:13,499 --> 00:49:17,102 - OH? - WELL, YOU SEE, AT FIRST, WHEN SHE CAME HERE... 572 00:49:17,169 --> 00:49:19,204 SHE WAS SO DEPRESSED. 573 00:49:19,271 --> 00:49:21,339 SHE DIDN'T WANT TO MEET ANYONE. 574 00:49:21,407 --> 00:49:24,476 EVERYTHING BOTHERED HER. 575 00:49:24,543 --> 00:49:28,046 AND I THOUGHT, IF-- WELL, IF SHE WAS MORE CONFIDENT ABOUT HER APPEARANCE-- 576 00:49:28,114 --> 00:49:31,917 - PERHAPS YOU MADE A MISTAKE. - BUT SHE IS SANE NOW. 577 00:49:31,985 --> 00:49:36,454 ISN'T SHE? SANITY'S A RELATIVE TERM. 578 00:49:36,522 --> 00:49:38,924 THE BOARD RECOMMENDED YOUR MOTHER'S RELEASE. 579 00:49:38,992 --> 00:49:42,928 FRANKLY, I HAD MY DOUBTS. SO WE DECIDED TO PUT HER ON PROBATION. 580 00:49:42,996 --> 00:49:45,931 WHEN I TOOK THIS VACATION, THE BOARD SUGGESTED I LOOK IN ON HER. 581 00:49:45,999 --> 00:49:48,767 I WANTED TO TEST HER REACTIONS UNDER STRESS. 582 00:49:50,536 --> 00:49:54,239 ARE YOU SAYING THAT... MY MOTHER MIGHT-- 583 00:49:54,306 --> 00:49:58,409 WITH WHAT I'VE SEEN TODAY, I FEEL THERE IS A DANGER. 584 00:49:58,477 --> 00:50:01,479 SOMETHING COULD HAPPEN THAT WOULD TRIGGER HER. 585 00:50:03,215 --> 00:50:05,884 PLEASE DON'T. YOU'RE RIGHT. 586 00:50:10,256 --> 00:50:13,625 IF THE INSTITUTION SENT SOMEONE OUT, IT WOULD ONLY UPSET HER. 587 00:50:13,693 --> 00:50:18,163 I'LL TAKE HER BACK MYSELF. BUT YOU'RE ON A VACATION! 588 00:50:18,230 --> 00:50:20,598 THAT CAN WAIT. I'D BETTER TELL HER. 589 00:50:20,667 --> 00:50:25,503 DOCTOR? YES? 590 00:50:25,571 --> 00:50:29,074 YOU WILL MAKE HER UNDERSTAND, WON'T YOU? 591 00:50:29,142 --> 00:50:31,076 I'LL TRY. 592 00:50:33,345 --> 00:50:36,247 [Door Opens, Closes] 593 00:50:36,315 --> 00:50:38,884 [Chickens Clucking] 594 00:51:03,676 --> 00:51:05,977 [Jangling Sound] 595 00:51:30,369 --> 00:51:34,239 - [Screams] - [Thumping] 596 00:51:34,306 --> 00:51:36,007 [Crowing] 597 00:51:38,344 --> 00:51:40,278 MOTHER? 598 00:51:41,814 --> 00:51:43,882 MOTHER? 599 00:51:50,356 --> 00:51:52,523 MOTHER? 600 00:52:09,208 --> 00:52:11,209 [Gasps] 601 00:52:11,277 --> 00:52:13,812 GIVE IT TO ME. 602 00:52:13,880 --> 00:52:16,547 MY KNITTING. I DROPPED IT. 603 00:52:19,418 --> 00:52:21,452 I'VE BEEN LOOKING EVERYWHERE FOR YOU. 604 00:52:23,055 --> 00:52:26,357 WHERE WERE YOU? RIGHT HERE IN THIS CHAIR. 605 00:52:26,425 --> 00:52:28,726 SITTING IN THE DARK? 606 00:52:30,629 --> 00:52:33,498 I MUST HAVE FALLEN ASLEEP. 607 00:52:33,565 --> 00:52:36,001 Y-YOU'VE CHANGED YOUR CLOTHES. 608 00:52:39,471 --> 00:52:42,274 I CAN'T WEAR THEM. 609 00:52:44,143 --> 00:52:48,880 I'VE TRIED TO DO IT. JUST TO PLEASE YOU. 610 00:52:48,948 --> 00:52:54,219 CAROL, I'D DO ANYTHING IN THE WORLD FOR YOU, YOU MUST KNOW THAT. 611 00:52:55,922 --> 00:52:59,324 BUT I CAN'T GO BACK TWENTY YEARS. IT'S WRONG. 612 00:53:01,861 --> 00:53:04,830 YOU'VE GOT TO UNDERSTAND. 613 00:53:04,897 --> 00:53:07,966 WHEN I PUT THOSE CLOTHES ON, 614 00:53:08,034 --> 00:53:10,836 SOMETHING HAPPENS TO ME. 615 00:53:13,306 --> 00:53:17,642 SOMETHING... FRIGHTENING. 616 00:53:19,411 --> 00:53:22,547 - Y-YOU SAW THE DOCTOR? - YES. 617 00:53:22,614 --> 00:53:27,819 - WHAT DID HE SAY? - NOTHING. 618 00:53:27,887 --> 00:53:30,121 YOU MEAN, HE DIDN'T TELL YOU? 619 00:53:32,791 --> 00:53:34,726 TELL ME WHAT? 620 00:53:36,395 --> 00:53:40,498 WHERE-- WHERE IS THE DOCTOR? 621 00:53:42,935 --> 00:53:44,870 WELL, HE MUST HAVE LEFT HOURS AGO. 622 00:53:58,450 --> 00:54:01,452 H-HIS CAR! 623 00:54:01,520 --> 00:54:06,791 - SOMETHING WRONG? - IT-IT'S STILL OUTSIDE. 624 00:54:11,597 --> 00:54:13,731 WHERE IS HE? 625 00:54:16,035 --> 00:54:19,470 WHERE IS HE? THE DOCTOR'S GONE. 626 00:54:20,973 --> 00:54:23,942 MOTHER-- THE DOCTOR'S GONE. 627 00:54:25,544 --> 00:54:28,079 MOTHER! 628 00:54:28,147 --> 00:54:30,916 THE DOCTOR'S GONE. TELL ME! 629 00:54:33,185 --> 00:54:35,686 OH, MY GOD! 630 00:54:57,009 --> 00:54:59,177 [Starts Engine] 631 00:55:43,289 --> 00:55:45,857 [Car Door Opens, Closes] 632 00:56:16,255 --> 00:56:19,290 [Horn Beeping Insistently] 633 00:56:23,795 --> 00:56:26,031 OKAY, OKAY. I'M ALL SET. 634 00:56:26,098 --> 00:56:29,700 HURRY UP, BILL. THIS LOAD HAS TO BE IN THE FREIGHT OFFICE IN 20 MINUTES. 635 00:56:29,768 --> 00:56:33,071 THE WAY EGG PRICES ARE DROPPING, IT HARDLY PAYS TO BRING 'EM IN. 636 00:56:34,373 --> 00:56:37,308 TALK TO THE HENS. MAYBE THEY'LL ORGANIZE A UNION. 637 00:56:37,376 --> 00:56:39,344 [Laughing] OH, IS CAROL UP YET? 638 00:56:39,412 --> 00:56:42,547 [Chuckling] SHE'S HAVING COFFEE. 639 00:56:42,614 --> 00:56:46,117 [Starting Engine] DRIVE CAREFULLY, BILL. THEY'RE NOT BUYING SCRAMBLED EGGS. 640 00:56:54,193 --> 00:56:56,127 CAROL? 641 00:56:58,197 --> 00:57:00,798 CAROL? 642 00:57:03,602 --> 00:57:06,971 THE DOCTOR'S CAR IS GONE. YES, I KNOW. 643 00:57:07,039 --> 00:57:09,507 BUT THAT MEANS EVERYTHING'S ALL RIGHT, ISN'T IT? 644 00:57:09,575 --> 00:57:11,509 PLEASE. WE'RE NOT GOING TO TALK ABOUT IT. 645 00:57:11,577 --> 00:57:13,644 BUT WE'VE GOT TO TALK ABOUT IT. I HAVE TO TELL YOU SOMETHING. 646 00:57:13,712 --> 00:57:17,082 I DON'T WANT TO HEAR IT! BUT YOU'VE GOT TO LISTEN TO ME. 647 00:57:17,149 --> 00:57:19,551 PLEASE! YOU LET GO OF ME! 648 00:57:19,618 --> 00:57:23,455 LISTEN TO ME! IT'S ABOUT THE DOCTOR! 649 00:57:24,856 --> 00:57:27,825 I LIED TO YOU LAST NIGHT. 650 00:57:27,893 --> 00:57:30,795 I DIDN'T REALLY SEE HIM GO. 651 00:57:30,862 --> 00:57:33,331 I WAS TALKING TO HIM... 652 00:57:33,399 --> 00:57:35,700 AND I RAN OUTSIDE. 653 00:57:38,237 --> 00:57:40,738 HE GOT ME SO UPSET. 654 00:57:42,808 --> 00:57:44,809 I DON'T KNOW. 655 00:57:47,246 --> 00:57:49,180 THE NEXT THING I REMEMBER WAS... 656 00:57:51,383 --> 00:57:54,119 SITTING THERE IN THE DARKNESS, WHEN YOU CAME IN. 657 00:57:56,155 --> 00:57:59,790 I THOUGHT IT WAS THE DOCTOR, COMING TO TAKE ME BACK TO THE HOSPITAL. 658 00:58:01,460 --> 00:58:04,195 SO I HID IN THE CORNER. [Telephone Ringing] 659 00:58:08,066 --> 00:58:11,002 HELLO? YES, THIS IS THE CUTLER RESIDENCE. THE CUTLER RESIDENCE? 660 00:58:11,069 --> 00:58:14,405 LONG DISTANCE CALLING. LONG DISTANCE? 661 00:58:16,808 --> 00:58:18,843 WHAT HOSPITAL? 662 00:58:21,113 --> 00:58:24,249 OH. 663 00:58:24,316 --> 00:58:27,418 AND YOU COULDN'T REACH HIM AT THE FISHING CAMP THIS MORNING? 664 00:58:27,486 --> 00:58:30,121 WELL, WHY DID YOU CALL HERE? 665 00:58:37,296 --> 00:58:39,531 OH, I SEE. 666 00:58:41,167 --> 00:58:43,468 HE SAID HE MIGHT STOP HERE? 667 00:58:44,903 --> 00:58:48,173 WELL, PERHAPS HE MEANT HE'D STOP ON HIS WAY BACK. 668 00:58:48,240 --> 00:58:50,875 NO, I'M SORRY. DR. ANDERSON IS NOT HERE. 669 00:59:03,222 --> 00:59:08,159 DON'T WORRY, MOTHER. I WON'T LET THEM TAKE YOU BACK. 670 00:59:14,700 --> 00:59:17,468 [Sobs] THAT'S OKAY. 671 00:59:23,209 --> 00:59:25,276 [Snorting, Squealing] 672 00:59:26,345 --> 00:59:30,248 ¶ [Whistling] 673 00:59:46,732 --> 00:59:49,166 WHAT ARE YOU DOING? 674 00:59:49,235 --> 00:59:51,902 WHAT DOES IT LOOK LIKE? I'M PAINTING MY CAR. 675 00:59:51,970 --> 00:59:55,940 YOUR CAR? IT'S NICE, HUH? 676 00:59:56,007 --> 00:59:58,243 WHERE DID YOU GET IT? 677 00:59:58,310 --> 01:00:02,179 WELL, LET'S JUST SAY I PICKED IT UP... 678 01:00:02,248 --> 01:00:05,483 - LAST NIGHT. - LAST NIGHT? 679 01:00:05,551 --> 01:00:08,052 AIN'T NO LAW AGAINST A FELLA OWNIN' A CAR, IS THERE? 680 01:00:11,957 --> 01:00:14,592 COURSE THERE'S LAWS AGAINST OTHER THINGS. 681 01:00:14,660 --> 01:00:16,927 WHAT ARE YOU TALKING ABOUT? 682 01:00:21,099 --> 01:00:24,034 YOU ASK TOO MANY QUESTIONS. I WANT THE TRUTH! 683 01:00:24,102 --> 01:00:28,172 [Blows Air] HMPH. OKAY. 684 01:00:28,240 --> 01:00:30,441 [Chuckles] 685 01:00:30,509 --> 01:00:33,344 OKAY. 686 01:00:34,747 --> 01:00:37,715 THIS THE KIND OF TRUTH YOU'RE LOOKING FOR? 687 01:00:40,319 --> 01:00:45,790 YOU'RE FIRED. [Laughs] SURE. 688 01:00:45,857 --> 01:00:48,192 TAKE THE CAR AND GO. YOU'D LIKE THAT, WOULDN'T YOU. 689 01:00:48,260 --> 01:00:50,561 GET OUT OF HERE! 690 01:00:50,629 --> 01:00:54,165 YOU WANT TO TELL ME ABOUT THE DOCTOR FIRST? 691 01:00:55,934 --> 01:00:59,404 NEVER MIND. YOU DON'T HAVE TO. 692 01:01:00,372 --> 01:01:03,908 I CAN GUESS. 693 01:01:05,277 --> 01:01:07,779 YOUR MOTHER'S A LOONEY, AIN'T SHE? 694 01:01:10,616 --> 01:01:12,950 [Horn Honks] COME ON, HONEY. LET'S GO! 695 01:01:13,018 --> 01:01:16,688 YOU BETTER RUN ALONG, "HONEY." 696 01:01:18,524 --> 01:01:20,792 I WANT YOU OUT OF HERE BEFORE TONIGHT. 697 01:01:20,859 --> 01:01:25,863 NO. I'M GOING TO STAY AROUND A WHILE... 698 01:01:25,931 --> 01:01:29,334 "HONEY." 699 01:01:31,770 --> 01:01:34,339 HERE. WANT TO HELP ME? 700 01:01:42,147 --> 01:01:44,349 ¶ [Whistling] 701 01:01:44,416 --> 01:01:47,552 ¶ [Continues] 702 01:01:55,828 --> 01:01:58,463 WISH YOU'D TELL ME WHY YOU'RE SO UPSET. I'M NOT UPSET. 703 01:02:00,031 --> 01:02:04,068 IT'S JUST THAT I REALIZE WE MUSTN'T ANNOUNCE OUR ENGAGEMENT NOW. 704 01:02:04,135 --> 01:02:07,137 IT WOULDN'T BE FAIR. 705 01:02:07,205 --> 01:02:10,608 - FAIR TO WHOM? - MICHAEL, YOU'VE GOT TO THINK OF YOUR PARENTS. 706 01:02:10,676 --> 01:02:14,211 THEY'VE GOT SUCH A BIG FUTURE PLANNED FOR YOU. 707 01:02:14,279 --> 01:02:17,682 - I'M THINKING OF OUR FUTURE. - SO AM I. 708 01:02:17,750 --> 01:02:20,885 BUT WE'VE GOT TO CONSIDER THE WAY THEY FEEL. 709 01:02:20,952 --> 01:02:26,023 MICHAEL, YOUR FATHER'S WEALTHY. HE'S GOT HIS POSITION IN THE COMMUNITY TO CONSIDER. 710 01:02:26,091 --> 01:02:28,593 IS THAT THE REAL REASON? 711 01:02:29,595 --> 01:02:31,829 PART OF IT. 712 01:02:31,897 --> 01:02:34,365 YOU'D BETTER TELL ME THE REST. 713 01:02:34,433 --> 01:02:39,404 HEY, YOU STILL LOVE ME? 714 01:02:39,471 --> 01:02:41,506 YES, I LOVE YOU. 715 01:02:41,573 --> 01:02:47,111 THEN, WHAT'S THE MATTER? JUST THAT I LOVE MY MOTHER TOO. 716 01:02:47,178 --> 01:02:50,915 WHEN WE MADE OUR PLANS WE DIDN'T KNOW SHE WAS COMING BACK. 717 01:02:50,982 --> 01:02:54,184 MICHAEL, I'VE GOT TO HELP HER. 718 01:02:54,252 --> 01:02:57,488 SHE NEEDS SO MUCH LOVE AND AFFECTION. 719 01:02:57,556 --> 01:02:59,690 IT'S GOING TO TAKE TIME. 720 01:02:59,758 --> 01:03:03,994 IF I DESERTED HER NOW, I'D NEVER FORGIVE MYSELF. 721 01:03:04,062 --> 01:03:07,998 YOU SAW HOW SHE WAS YESTERDAY. SHE DID SEEM A LITTLE-- 722 01:03:08,066 --> 01:03:10,902 YOU DON'T HAVE TO SAY IT. YOUR PARENTS WILL. 723 01:03:10,969 --> 01:03:12,937 BELIEVE ME, MICHAEL. THEY'LL NEVER ACCEPT HER. 724 01:03:13,004 --> 01:03:16,006 IF THEY DON'T, WE'LL RUN OFF AND ELOPE. 725 01:03:16,074 --> 01:03:18,142 RUNNING AWAY WON'T SOLVE ANYTHING. I KNOW. 726 01:03:18,209 --> 01:03:20,578 I'VE BEEN RUNNING AWAY ALL MY LIFE-- 727 01:03:20,646 --> 01:03:25,382 FROM THAT TOWN WE USED TO LIVE IN, KIDS WHO USED... 728 01:03:25,451 --> 01:03:27,518 TO MAKE FUN OF ME AT SCHOOL. 729 01:03:27,586 --> 01:03:29,587 THAT'S WHY WE MOVED OUT HERE. 730 01:03:29,655 --> 01:03:33,023 I CAN'T RUN ANYMORE, NOT NOW. 731 01:03:33,091 --> 01:03:36,694 DON'T YOU SEE? I'D BE-- I'D BE RUNNING AWAY FROM MY MOTHER... 732 01:03:36,762 --> 01:03:40,565 - JUST WHEN SHE NEEDS ME THE MOST. - SHE NEEDS TO FEEL AT EASE. 733 01:03:40,632 --> 01:03:43,701 LET ME HELP YOU WHEN YOU BRING HER TO DINNER TONIGHT. NO. 734 01:03:43,769 --> 01:03:46,370 I DON'T THINK IT WOULD BE WISE FOR US TO COME. 735 01:03:46,438 --> 01:03:49,974 MY FOLKS ARE EXPECTING YOU. MICHAEL, IT-IT-IT'D JUST BE EMBARRASSING-- 736 01:03:50,041 --> 01:03:51,976 FOR THEM, FOR MOTHER. 737 01:03:52,043 --> 01:03:57,314 IF ANYTHING WENT WRONG, I'D-I'D BLAME MYSELF FOREVER. 738 01:03:57,382 --> 01:04:00,184 IT'S ONLY A SIMPLE DINNER JUST FOR THE FAMILY. 739 01:04:00,251 --> 01:04:05,623 I WANT TO HELP YOUR MOTHER TOO. THE BEST WAY IS TO SHOW HER SHE IS ACCEPTED. 740 01:04:08,159 --> 01:04:12,162 DO-DO YOU REALLY THINK WE COULD? I'M SURE OF IT. 741 01:04:14,032 --> 01:04:17,067 THEN YOU'D BETTER TAKE ME HOME. WE'LL HAVE TO GET READY. 742 01:04:24,442 --> 01:04:27,812 REMEMBER, DARLING, WE'RE EXPECTING YOU AT 6:00. 743 01:04:27,880 --> 01:04:30,447 BILL AND EMILY ARE COMING TOO. SO DON'T YOU WORRY ABOUT A THING. 744 01:04:57,142 --> 01:04:59,877 [Rooster Crowing] 745 01:05:38,750 --> 01:05:41,085 [Blows Air] 746 01:07:42,107 --> 01:07:45,609 [Pigs Squealing] 747 01:07:53,018 --> 01:07:55,385 [Shaver Buzzing] ¶ [Humming] 748 01:07:55,453 --> 01:07:58,723 BILL, FOR HEAVEN'S SAKE, GET OUT OF THE WAY. 749 01:07:58,790 --> 01:08:01,458 AW, COME ON, EMILY. WE'VE GOT PLENTY OF TIME. 750 01:08:01,526 --> 01:08:03,828 WHERE ARE CAROL AND LUCY? WHAT? 751 01:08:03,895 --> 01:08:05,930 WHAT WRONG WITH YOUR EARS? I ASKED WHERE-- 752 01:08:05,997 --> 01:08:07,998 WHAT'S WRONG WITH YOUR EYES? 753 01:08:08,066 --> 01:08:10,101 WAS THAT MY NAME I HEARD DROPPING JUST NOW? 754 01:08:10,168 --> 01:08:12,103 YES. JUST WONDERING IF YOU READY. 755 01:08:12,170 --> 01:08:15,039 I WAS JUST ABOUT TO GET DRESSED. IS YOUR MOTHER READY YET? 756 01:08:15,107 --> 01:08:17,407 I DON'T KNOW. I WAS OUT WITH MICHAEL. HAVEN'T YOU SEEN HER? 757 01:08:17,475 --> 01:08:19,777 NO. WE JUST GOT BACK A LITTLE WHILE AGO. 758 01:08:19,845 --> 01:08:23,781 HEY, UH, CAROL. NOW THAT WE'RE ALONE, HOW IS LUCY? 759 01:08:23,849 --> 01:08:26,450 WELL, SHE SEEMS PERFECTLY ALL RIGHT. 760 01:08:26,517 --> 01:08:28,418 UH, WHAT DID THE DOCTOR SAY YESTERDAY? 761 01:08:28,486 --> 01:08:31,421 HE SAID SHE'S GOING TO BE JUST FINE. 762 01:08:31,489 --> 01:08:35,259 GOOD. LUCY! WHERE HAVE YOU BEEN? 763 01:08:35,326 --> 01:08:39,964 I WENT FOR A WALK. BUT YOU KNEW WE HAD A DATE TONIGHT. 764 01:08:40,031 --> 01:08:43,333 I'M NOT GOING. WHAT? 765 01:08:44,669 --> 01:08:47,972 I WON'T GO. I'VE MADE UP MY MIND. 766 01:08:48,039 --> 01:08:49,974 PERHAPS SHE'S RIGHT, CAROL. 767 01:08:50,041 --> 01:08:52,243 IF YOUR MOTHER FEELS SHE WON'T BE COMFORTABLE-- BUT THEY'RE EXPECTING US. 768 01:08:52,310 --> 01:08:54,344 WHY DON'T WE TAKE A RAIN CHECK ON THIS WHOLE DEAL? 769 01:08:54,412 --> 01:08:56,647 YOU RUN OVER THERE ALONE. BUT IT'S MOTHER THEY WANT TO MEET. 770 01:08:56,714 --> 01:08:59,216 THAT'S THE WHOLE REASON FOR GOING, AND MICHAEL AND I HAD IT ALL PLANNED. 771 01:08:59,284 --> 01:09:03,687 I DON'T WANT TO MAKE A SPECTACLE OF MYSELF AGAIN IN FRONT OF YOUR YOUNG MAN. 772 01:09:03,755 --> 01:09:07,792 HOW LONG DO YOU THINK HE'LL BE MY YOUNG MAN IF YOU KEEP ACTING LIKE THIS... 773 01:09:07,859 --> 01:09:10,027 HIDING IN CORNERS AS IF YOU WERE ASHAMED? 774 01:09:20,705 --> 01:09:23,908 I'M NOT ASHAMED, MOTHER. DON'T YOU REALIZE THAT? 775 01:09:25,610 --> 01:09:28,078 DON'T YOU REALIZE HOW MUCH TONIGHT MEANS TO ME? 776 01:09:30,182 --> 01:09:32,582 OH, HONEY, I-- PLEASE, SAY YOU'LL COME... 777 01:09:32,650 --> 01:09:35,286 FOR MY SAKE. 778 01:09:51,920 --> 01:09:55,489 EMILY, QUIT SQUIRMING. I CAN'T HELP IT. 779 01:09:55,557 --> 01:09:58,258 WHAT'S THE MATTER? YOUR GIRDLE TOO TIGHT? [Chuckles] 780 01:09:58,326 --> 01:10:01,829 BILL. I THINK IT'S EXCITING. 781 01:10:01,897 --> 01:10:06,467 WE'RE GOING TO HAVE SUCH RICH RELATIVES. OH. 782 01:10:06,534 --> 01:10:09,536 HEY, YOU TWO, WHY ALL THE SILENCE BACK THERE? 783 01:10:09,605 --> 01:10:14,041 WELL, JUST REMEMBER. WE'RE GOING TO A PARTY, NOT A FUNERAL. 784 01:10:35,897 --> 01:10:39,767 BILL, DO I LOOK ALL RIGHT? YEAH, YOU LOOK GREAT. 785 01:10:39,835 --> 01:10:42,937 MOTHER? 786 01:10:43,005 --> 01:10:48,575 - MOTHER? - I'M SORRY, CAROL, 787 01:10:48,644 --> 01:10:53,447 - I-- I JUST CAN'T. - PLEASE, I NEED YOU NOW. 788 01:11:35,590 --> 01:11:39,359 LET ME OUT! COME ON, LET ME OUT OF HERE! 789 01:11:39,427 --> 01:11:42,897 I GOTTA GET OUT! I GOTTA GET OUT! 790 01:11:42,964 --> 01:11:45,966 LET ME OUT! LET ME OUT! 791 01:11:46,034 --> 01:11:49,403 LET ME OUT. LET ME OUT! 792 01:11:51,239 --> 01:11:55,475 HERE YOU ARE. I THINK I GOT MOST OF IT OUT. 793 01:12:02,718 --> 01:12:07,088 THANK YOU. YOU NEVER CAN BE SURE ABOUT COFFEE STAINS. 794 01:12:07,155 --> 01:12:09,724 PUT IT ON. I'M SURE IT WON'T SHOW. 795 01:12:09,791 --> 01:12:12,392 I'M SORRY I MADE SUCH A FOOL OF MYSELF. 796 01:12:12,460 --> 01:12:15,062 HOW CAN EVER GO BACK IN THERE AND FACE THEM? 797 01:12:15,130 --> 01:12:17,297 NOW, MOTHER, REALLY. THERE'S NO HARM DONE. 798 01:12:17,365 --> 01:12:19,399 PEOPLE SPILL COFFEE EVERY DAY. 799 01:12:19,467 --> 01:12:22,269 COME ON. PUT IT ON. BUT I'M SO EMBARRASSED. 800 01:12:26,775 --> 01:12:29,676 I WANT SO TO MAKE A GOOD IMPRESSION FOR YOUR SAKE. 801 01:12:29,745 --> 01:12:33,313 MOTHER, THEY REALIZE IT WAS JUST AN ACCIDENT. 802 01:12:35,150 --> 01:12:40,755 THEY'RE SUCH NICE PEOPLE. THEY CAN TELL I DON'T BELONG IN A PLACE LIKE THIS. 803 01:12:40,822 --> 01:12:43,423 I KNEW I SHOULDN'T HAVE COME UP HERE TONIGHT. 804 01:12:43,491 --> 01:12:47,628 MOTHER, IT'S JUST YOUR IMAGINATION. YOU'RE DOING FINE. 805 01:12:50,365 --> 01:12:53,500 JUST KEEP ON TALKING, HONEY, WILL YOU? 806 01:12:53,568 --> 01:12:58,005 [Chuckles] COME ON. 807 01:13:01,576 --> 01:13:06,480 AHH. HOW DO YOU LIKE THIS LIQUEUR? 808 01:13:06,547 --> 01:13:09,349 WELL, IT TASTES DIFFERENT. YES, IT PROBABLY DOES. [Laughs] 809 01:13:09,417 --> 01:13:12,619 OH, HERE YOU ARE. 810 01:13:15,223 --> 01:13:18,592 WE WERE GETTING WORRIED ABOUT YOU. IS EVERYTHING ALL RIGHT NOW? 811 01:13:18,660 --> 01:13:21,195 YES, THANK YOU. I WANT TO APOLOGIZE. 812 01:13:21,263 --> 01:13:23,530 - NONSENSE, IT WAS NOTHING. - WELL, NOW, YOU'RE JUST IN TIME. 813 01:13:23,598 --> 01:13:27,601 YES, MICHAEL'S GOING TO SHOW THE NEW ADDITION TO THE DAIRY. 814 01:13:27,669 --> 01:13:29,770 I THOUGHT BILL AND EMILY WOULD LIKE TO SEE IT. 815 01:13:29,838 --> 01:13:34,641 - UH, CAROL, WOULD YOU LIKE TO COME ALONG TOO? - SURE. 816 01:13:34,709 --> 01:13:37,878 I'LL, UH-- I'LL COME WITH YOU. 817 01:13:37,946 --> 01:13:40,181 WHY DON'T YOU JUST STAY HERE AND BE COMFORTABLE. 818 01:13:40,248 --> 01:13:44,118 NOTHING EXCITING ABOUT VISITING A COW BARN. GOOD. 819 01:13:44,186 --> 01:13:46,553 THIS WILL GIVE US A CHANCE TO GET ACQUAINTED. 820 01:13:51,226 --> 01:13:54,795 HAVE FUN. [Chuckles] 821 01:13:56,597 --> 01:13:59,200 DO SIT DOWN. 822 01:14:04,505 --> 01:14:07,141 IS THERE SOMETHING I CAN GET YOU? 823 01:14:08,676 --> 01:14:13,780 NO, THANK YOU. I-I WAS JUST LOOKING TO SEE IF THIS SPOT SHOWED. 824 01:14:13,849 --> 01:14:17,484 YOUR DAUGHTER DID AN EXCELLENT JOB. 825 01:14:17,552 --> 01:14:22,689 THEY SAY COLD WATER IS VERY GOOD IF YOU USE IT RIGHT AWAY. IT EVEN WORKS WITH BLOODSTAINS. 826 01:14:22,757 --> 01:14:25,226 NOW, THERE'S A MORBID LITTLE HOUSEHOLD HINT FOR YOU. 827 01:14:25,293 --> 01:14:29,196 RAYMOND-- MM. YES, DEAR. 828 01:14:31,333 --> 01:14:35,202 THERE. NOW, WE CAN TALK. 829 01:14:35,270 --> 01:14:37,872 MICHAEL HAS TOLD US QUITE A BIT ABOUT YOU, MRS. HARBIN. 830 01:14:37,939 --> 01:14:39,874 - HAS HE? - MM-HMM. 831 01:14:39,941 --> 01:14:42,843 - HE'S A CHARMING BOY. - WELL, WE THINK SO. 832 01:14:42,911 --> 01:14:47,814 YOU KNOW, I LIKED HIM THE MOMENT I SAW HIM. 833 01:14:47,883 --> 01:14:52,987 I'M SO GLAD HE AND CAROL ARE GOING TO BE MARRIED. 834 01:14:54,890 --> 01:15:00,660 OH. OH, I-I'M SORRY. I-I THOUGHT YOU KNEW. 835 01:15:00,728 --> 01:15:03,563 I WASN'T AWARE ANY DECISION HAD BEEN MADE IN THE MATTER. 836 01:15:03,631 --> 01:15:06,433 - BUT THEY LOVE EACH OTHER. - OH? 837 01:15:06,501 --> 01:15:09,270 SURE. ANYBODY CAN SEE. 838 01:15:09,337 --> 01:15:12,873 CAROL'S A VERY UNUSUAL GIRL. DON'T YOU THINK SO? 839 01:15:14,276 --> 01:15:18,279 OH, I'M SO PROUD OF HER. SHE'S A VERY FINE ARTIST. 840 01:15:18,346 --> 01:15:21,315 OH, I'M-I'M SURE WE'RE BOTH VERY FOND OF YOUR DAUGHTER. 841 01:15:21,383 --> 01:15:25,219 BUT, UH, WHEN IT COMES TOCONSIDERING MARRIAGE-- 842 01:15:25,287 --> 01:15:27,687 IT'S ABSOLUTELY OUT OF THE QUESTION. 843 01:15:28,723 --> 01:15:32,859 BUT WHY? I DON'T UNDERSTAND! 844 01:15:36,298 --> 01:15:38,365 I THINK YOU DO. 845 01:15:42,938 --> 01:15:46,206 I SEE. 846 01:15:49,510 --> 01:15:51,946 YOU'RE ASHAMED, AREN'T YOU? 847 01:15:52,013 --> 01:15:55,950 - BECAUSE I WAS IN THE SANATORIUM. - SANATORIUM? 848 01:15:56,017 --> 01:16:01,021 - IS THAT WHERE YOU WERE? - NO REASON FOR US TO GO INTO THAT NOW, IS THERE? 849 01:16:02,991 --> 01:16:06,160 SUPPOSE I FIX US ALL A LITTLE DRINK? WAIT A MINUTE. 850 01:16:06,227 --> 01:16:09,196 I WANT TO HEAR THE TRUTH. WHY WERE YOU IN A SANATORIUM? 851 01:16:11,466 --> 01:16:14,301 WELL-WELL, I WAS-- IT-IT WAS-- ANSWER ME! WHY? 852 01:16:14,369 --> 01:16:17,938 I-I WAS ILL. ALICE, DON'T YOU SEE YOU'RE UPSETTING HER? 853 01:16:18,006 --> 01:16:21,375 IT WASN'T JUST A SANATORIUM, WAS IT? 854 01:16:21,443 --> 01:16:24,711 - WAS IT! - NO! 855 01:16:24,779 --> 01:16:26,780 NO, IT WASN'T! 856 01:16:26,848 --> 01:16:31,218 IT WAS AN ASYLUM! AND IT WAS HELL! 857 01:16:31,286 --> 01:16:35,456 TWENTY YEARS OF PURE HELL! 858 01:16:37,792 --> 01:16:40,527 BUT I'M NOT ASHAMED. 859 01:16:40,595 --> 01:16:44,131 I PAID FOR ANYTHING I DID. 860 01:16:45,533 --> 01:16:49,236 YOU'LL NEVER KNOW HOW MUCH I PAID. 861 01:16:54,175 --> 01:16:58,578 I'M ALL RIGHT NOW. I'M ALL RIGHT. 862 01:17:01,383 --> 01:17:04,218 YOU SEE, IT-IT'S ALL OVER WITH. 863 01:17:04,285 --> 01:17:06,653 THAT'S-THAT'S WHY THEY LET ME GO. 864 01:17:06,721 --> 01:17:09,089 I'M ALL RIGHT. LET ME GO. 865 01:17:09,157 --> 01:17:11,191 I-I'M ALL RIGHT, I TELL YOU. YOU MUST LISTEN. LET ME GO. 866 01:17:11,259 --> 01:17:14,694 CAROL AND MICHAEL CAN BE MARRIED. I'M ALL RIGHT! RAYMOND! YOU'RE INSANE! 867 01:17:14,762 --> 01:17:16,897 STOP IT, BOTH OF YOU! 868 01:17:26,674 --> 01:17:31,111 MY GIRL IS GOING TO HAVE WHAT SHE WANTS OUT OF LIFE. 869 01:17:32,980 --> 01:17:36,850 SHE IS. I WAS CHEATED. 870 01:17:36,918 --> 01:17:41,422 BUT SHE'S NOT GOING TO BE. NOT MY GIRL, NOT CAROL! 871 01:17:44,892 --> 01:17:48,495 CAROL AND MICHAEL ARE GOING TO BE MARRIED! 872 01:17:48,563 --> 01:17:51,631 AND NOBODY'S GOING TO STOP IT! 873 01:17:51,699 --> 01:17:56,203 YOU'LL SEE! NOW, NOW, NOW, NOW. 874 01:17:56,271 --> 01:17:58,372 LET ME GO CALL BILL. PERHAPS, HE OUGHT TO DRIVE YOU HOME-- 875 01:17:58,440 --> 01:18:01,141 LET ME ALONE! 876 01:18:01,209 --> 01:18:04,311 I DON'T NEED BILL. I DON'T ANYBODY! 877 01:18:09,617 --> 01:18:11,618 PERHAPS I'D BETTER GO AFTER HER. 878 01:18:11,620 --> 01:18:14,921 ANYTHING WRONG? WE HEARD SOME SHOUTING. 879 01:18:14,989 --> 01:18:16,923 WHERE-WHERE'S LUCY? SHE LEFT. 880 01:18:16,991 --> 01:18:20,160 I'M AFRAID SHE WAS UPSET. SHE RAN OUT BEFORE WE COULD STOP HER. 881 01:18:22,630 --> 01:18:26,300 MOTHER? MOTHER! 882 01:18:26,367 --> 01:18:29,836 WHERE DID SHE GO? MICHAEL, WE'VE GOT TO FIND HER. 883 01:18:29,904 --> 01:18:31,805 DON'T WORRY. WE'LL FIND HER. SHE CAN'T HAVE GOTTEN FAR. 884 01:18:31,872 --> 01:18:33,807 I'LL TAKE MY CAR. RIGHT, I'LL GET MINE. 885 01:18:33,874 --> 01:18:36,343 NO. NOW, THERE'S NO SENSE IN BOTH OF US GOING. YOU OUGHT TO TAKE THE GIRLS. 886 01:18:36,411 --> 01:18:39,513 NO! HE'S RIGHT. I'LL BRING THE CAR AROUND. 887 01:18:39,581 --> 01:18:41,648 DON'T YOU WORRY. I'LL FIND HER. 888 01:18:41,716 --> 01:18:44,818 BUT I WANT YOU TWO AT HOME WHEN I BRING HER BACK. 889 01:18:44,885 --> 01:18:46,953 BE CAREFUL, NOW, BILL. 890 01:19:02,237 --> 01:19:04,938 [Sobbing] 891 01:19:53,588 --> 01:19:55,989 YOU SURE YOU'LL BE ALL RIGHT? OF COURSE. 892 01:19:56,057 --> 01:19:58,325 I'M SORRY I MADE SUCH A FUSS. 893 01:19:58,393 --> 01:20:00,760 I'LL HEAD BACK AND CONTACT BILL. HE'S PROBABLY ALREADY FOUND HER. 894 01:20:00,828 --> 01:20:03,664 THANK YOU, MICHAEL. DON'T YOU WORRY. 895 01:20:03,731 --> 01:20:06,066 WE'LL BRING HER HOME SAFE AND SOUND. 896 01:20:06,133 --> 01:20:08,602 GOOD NIGHT. 897 01:20:15,677 --> 01:20:17,777 WHY HAVEN'T WE HEARD ANYTHING? 898 01:20:17,845 --> 01:20:20,614 WHERE COULD SHE BE? NOW, JUST CALM DOWN. 899 01:20:20,682 --> 01:20:22,616 I'M SURE EVERYTHING'S GONNA BE ALL RIGHT. 900 01:20:22,684 --> 01:20:25,285 I SHOULD BE OUT LOOKING FOR HER MYSELF. CAROL! 901 01:20:25,353 --> 01:20:27,588 YOU'LL DO NO SUCH THING. 902 01:20:27,655 --> 01:20:29,623 NOW, YOU JUST LISTEN TO ME. 903 01:20:29,691 --> 01:20:31,958 YOU'RE GOING TO GET UNDRESSED AND GO TO BED. 904 01:20:32,026 --> 01:20:35,662 B-BUT I'VE GOT TO SEE HER. I DON'T THINK ANYONE SHOULD SEE HER TONIGHT. 905 01:20:35,730 --> 01:20:39,700 SHE'LL BE UPSET TOO. LET BILL BRING HER HOME AND PUT HER TO BED. 906 01:20:39,767 --> 01:20:41,901 WE CAN TALK THINGS OVER SENSIBLY IN THE MORNING. 907 01:20:41,969 --> 01:20:45,138 NOW, I WANT YOU TO GET INTO YOUR PAJAMAS AND GO STRAIGHT TO BED. 908 01:20:45,206 --> 01:20:47,407 PROMISE? 909 01:20:47,475 --> 01:20:51,612 IF YOU NEED ME JUST CALL. I'LL BE RIGHT HERE. ALL RIGHT. 910 01:20:51,679 --> 01:20:53,680 GOOD NIGHT, DEAR. 911 01:21:20,642 --> 01:21:23,744 OH, RAYMOND, HOW CAN YOU AT A TIME LIKE THIS? 912 01:21:23,811 --> 01:21:26,780 WHAT'S WRONG WITH THE TIME? I ALWAYS EAT BEFORE I GO TO BED. 913 01:21:26,847 --> 01:21:29,650 THE WAY I FEEL NOW. I COULDN'T SLEEP A WINK. 914 01:21:29,717 --> 01:21:34,421 WELL, STOP PACING. YOU'RE WEARING OUT THE CARPET. OH, REALLY. 915 01:21:34,489 --> 01:21:37,524 [Clinking] RAYMOND. 916 01:21:37,592 --> 01:21:39,593 YES, DARLING, I'M LISTENING. DID YOU HEAR THAT? 917 01:21:41,529 --> 01:21:44,164 HEAR WHAT? THERE WAS A NOISE. 918 01:21:44,231 --> 01:21:46,166 OH, YOU'RE IMAGINING THINGS. [Clinking] 919 01:21:46,233 --> 01:21:48,168 THERE IT IS AGAIN! 920 01:21:48,235 --> 01:21:50,704 RAYMOND, THERE'S SOMEONE OUTSIDE THAT FRONT DOOR. 921 01:21:50,772 --> 01:21:54,508 WHY DON'T YOU OPEN IT AND LET THAT IN? OH, RAYMOND. 922 01:21:56,644 --> 01:21:59,646 ALL RIGHT, DEAR. I'LL GO. 923 01:22:02,650 --> 01:22:04,751 BE CAREFUL. 924 01:22:09,256 --> 01:22:14,194 WHAT IS IT? NOTHING. 925 01:22:14,261 --> 01:22:16,196 NOTHING BUT YOUR IMAGINATION. 926 01:22:16,263 --> 01:22:18,231 WELL, MAYBE IT'S SOMEONE AT THE BACK DOOR. 927 01:22:18,299 --> 01:22:21,301 MICHAEL MIGHT HAVE LEFT IT OPEN WHEN HE TOOK THEM OUT TO SEE THE DAIRY. 928 01:22:21,369 --> 01:22:23,637 WHERE ARE YOU GOING? IT'S BEDTIME. 929 01:22:23,705 --> 01:22:25,639 WELL, PLEASE DON'T LEAVE ME. THEN, COME ALONG. 930 01:22:25,707 --> 01:22:28,742 NOT UNTIL MICHAEL COMES HOME. OH, HE'S A BIG BOY NOW. 931 01:22:28,810 --> 01:22:32,045 I DON'T CARE. I WON'T REST UNTIL HE'S HOME. 932 01:22:32,112 --> 01:22:35,749 I WANT TO KNOW WHAT HAPPENED. RAYMOND, AREN'T YOU EVEN INTERESTED? 933 01:22:35,817 --> 01:22:40,754 ALL RIGHT. I'LL WAIT WITH YOU. JUST LET ME GET INTO MY PAJAMAS FIRST, HUH? 934 01:22:40,822 --> 01:22:43,857 PROMISE ME YOU'LL COME RIGHT DOWN. ONLY TAKE ME A MINUTE. 935 01:23:04,412 --> 01:23:06,413 [Sighs] 936 01:23:20,895 --> 01:23:22,896 [Sighs] 937 01:24:09,043 --> 01:24:11,077 [Chuckles] 938 01:24:39,941 --> 01:24:42,909 - [Yells] - [Clock Tolling] 939 01:24:52,286 --> 01:24:54,821 RAYMOND? [Tolling Continues] 940 01:25:00,327 --> 01:25:02,996 RAYMOND? 941 01:25:25,653 --> 01:25:27,721 RAYMOND, WHAT ARE YOU DOING IN THE STUDY? 942 01:25:29,056 --> 01:25:31,357 [Gasps] 943 01:25:38,198 --> 01:25:40,767 [Relieved Sigh] 944 01:26:09,329 --> 01:26:11,397 [Sighs] 945 01:26:14,468 --> 01:26:16,469 RAYMOND? 946 01:27:04,415 --> 01:27:07,150 OPERATOR, I WANT THE POLICE! 947 01:27:07,218 --> 01:27:09,285 THIS IS AN EMERGENCY! 948 01:27:44,255 --> 01:27:46,756 MRS. HARBIN. 949 01:27:46,823 --> 01:27:49,058 WHERE HAVE YOU BEEN? WE'VE BEEN LOOKING EVERYWHERE FOR YOU. 950 01:27:49,126 --> 01:27:52,895 THANK GOD YOU'RE HERE, MICHAEL. YOU'VE GOT TO STOP HER. 951 01:27:52,963 --> 01:27:55,731 SHE TRIED TO KILL ME! SHE TRIED TO KILL US ALL! 952 01:27:55,799 --> 01:27:57,933 YOU'VE GOT TO STOP HER! 953 01:28:11,715 --> 01:28:15,218 [Sobbing] 954 01:28:18,656 --> 01:28:20,657 IT DOESN'T MATTER, DARLING. 955 01:28:20,724 --> 01:28:23,793 DON'T YOU UNDERSTAND? WE CAN BE MARRIED! 956 01:28:23,860 --> 01:28:26,696 THEY CAN'T STOP US NOW! 957 01:28:26,763 --> 01:28:29,165 WE'LL HAVE THE MONEY! WE'LL HAVE EVERYTHING! 958 01:28:29,233 --> 01:28:31,501 [Sobbing] I PLANNED THIS FROM THE BEGINNING... 959 01:28:31,569 --> 01:28:33,803 WHEN I KNEW SHE WAS COMING BACK. YOU PLANNED? 960 01:28:33,870 --> 01:28:36,972 OF COURSE, I KNEW YOUR PARENTS WOULD OBJECT TO THE MARRIAGE. 961 01:28:37,040 --> 01:28:39,676 BUT WE'RE RID OF THEM NOW. 962 01:28:39,743 --> 01:28:43,913 EVERYONE WILL THINK LUCY IS THE MURDERESS. 963 01:28:43,980 --> 01:28:47,783 DON'T YOU SEE? SHE'S INSANE! 964 01:28:49,420 --> 01:28:51,754 SHE'S INSANE! 965 01:28:51,822 --> 01:28:57,093 SHE'S INSANE! SHE'S INSANE! SHE'S INSANE! 966 01:28:57,160 --> 01:29:00,663 I HATE HER! I'M SANE! [Sobbing] 967 01:29:01,932 --> 01:29:05,835 I HATE HER! OH, OH, I'M SORRY. 968 01:29:05,902 --> 01:29:08,471 PLEASE-- NO, I DIDN'T MEAN TO HURT YOU. 969 01:29:08,539 --> 01:29:11,874 PLEASE, I LOVE YOU. I HATE YOU! 970 01:29:11,942 --> 01:29:15,678 [Sobbing] I LOVE YOU. I LOVE YOU. 971 01:29:15,746 --> 01:29:20,516 I LOVE YOU. I LOVE YOU. 972 01:29:20,584 --> 01:29:22,518 I HATE YOU! 973 01:29:22,586 --> 01:29:25,955 GODDAMN IT, I HATE YOU! 974 01:29:26,022 --> 01:29:29,125 I HATE YOU! I'M SANE! 975 01:29:29,192 --> 01:29:33,028 INSANE! ALL I DID WAS INSANE! 976 01:29:33,096 --> 01:29:37,900 [Overlapping Screams] 977 01:29:39,870 --> 01:29:43,306 YOU SEE, THIS WAS ALL PART OF CAROL'S PLAN-- 978 01:29:43,374 --> 01:29:47,143 THE HEADS ON MY PILLOW, THE AX. 979 01:29:47,210 --> 01:29:50,513 SHE PROBABLY MADE THESE HEADS RIGHT HERE IN HER STUDIO. 980 01:29:50,581 --> 01:29:52,715 WELL, SHE MUST HAVE PUT THESE IN YOUR ROOM. 981 01:29:52,783 --> 01:29:55,251 WHEN YOU RAN OUT, SHE REMOVED THEM. 982 01:29:55,319 --> 01:29:59,355 SHE ALSO SLASHED ALL THE HEADS OFF THE PHOTOGRAPHS IN THE ALBUM... 983 01:29:59,423 --> 01:30:02,258 AND MADE SURE MICHAEL SAW THEM. 984 01:30:02,326 --> 01:30:04,594 I REMEMBER STARING THROUGH THE WINDOW. 985 01:30:04,662 --> 01:30:08,097 I COULDN'T UNDERSTAND WHY MICHAEL WAS SO UPSET. 986 01:30:08,165 --> 01:30:12,435 WELL, SHE-- SHE HAD TO CONVINCE EVERYONE... 987 01:30:12,503 --> 01:30:16,272 THAT YOU WERE STILL... UNBALANCED. 988 01:30:18,208 --> 01:30:22,077 SHE ALMOST CONVINCED ME TOO. 989 01:30:22,145 --> 01:30:26,783 BILL, SHE MUST HAVE STARTED THE DAY I CAME BACK. 990 01:30:28,485 --> 01:30:32,922 EVEN WHEN SHE TOOK ME TO THE BEAUTY SHOP, IT WAS ALL PART OF THE PLAN. 991 01:30:32,989 --> 01:30:36,091 [Girl's Voice] LUCY HARBIN TOOK AN AX, 992 01:30:36,159 --> 01:30:39,128 AND GAVE HER HUSBAND 40 WHACKS. 993 01:30:39,196 --> 01:30:41,631 WHEN SHE SAW-- [Recorder Clicks Off] 994 01:30:41,699 --> 01:30:44,434 I THOUGHT I WAS HEARING VOICES. 995 01:30:46,637 --> 01:30:49,339 SHE HAD TO HAVE HIDDEN THIS IN HER PURSE. 996 01:30:49,406 --> 01:30:52,174 BOY, SHE HAD EVERYTHING WORKED OUT, DIDN'T SHE? 997 01:30:52,242 --> 01:30:57,714 MODELING YOUR HEAD, SO SHE COULD MAKE A MASK FROM IT THAT LOOKED LIKE YOU. 998 01:30:57,781 --> 01:31:00,650 EVEN DRESSING LIKE YOU. 999 01:31:00,718 --> 01:31:02,652 CAROL'S WHOLE PLAN DEPENDED ON KEEPING ME HERE... 1000 01:31:02,720 --> 01:31:05,455 UNTIL SHE COULD KILL THE FIELDS, SO I COULD TAKE THE BLAME. 1001 01:31:05,522 --> 01:31:08,691 THEN WHEN THE DOCTOR CAME TO TAKE ME BACK, 1002 01:31:08,759 --> 01:31:10,926 SHE KILLED HIM TO PREVENT IT. 1003 01:31:10,994 --> 01:31:15,398 WHEN KRAUSE BEGAN TO SUSPECT, SHE MURDERED HIM TOO. 1004 01:31:15,466 --> 01:31:18,300 WELL, WHEN DID YOU REALIZE WHAT CAROL WAS DOING? 1005 01:31:18,369 --> 01:31:22,572 I DIDN'T. I JUST WENT BACK TO THE FIELDS' TO APOLOGIZE. 1006 01:31:24,140 --> 01:31:29,912 BILL, HOW SHE MUST'VE HATED ME ALL THOSE YEARS. 1007 01:31:34,485 --> 01:31:39,555 OH, THOSE FIGURINES, YOU'RE SENDING THEM TO CAROL. 1008 01:31:41,592 --> 01:31:44,594 NO... 1009 01:31:44,661 --> 01:31:47,563 I'M PUTTING THEM AWAY FOREVER. 1010 01:31:47,631 --> 01:31:53,202 I'M GOING TO CAROL. YOU'RE-- YOU'RE GOING TO CAROL? 1011 01:31:53,270 --> 01:31:58,040 LUCY, CAROL IS IN A PLACE LIKE YOU WERE. I KNOW. 1012 01:32:01,779 --> 01:32:07,116 CAROL NEEDS ME. SHE'S NEEDED ME FOR A LONG TIME, 1013 01:32:07,183 --> 01:32:09,619 BUT I WAS NEVER THERE TO HELP HER. 1014 01:32:20,764 --> 01:32:24,266 MAYBE NOW, I CAN HELP HER. 73455

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