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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:11,145 --> 00:00:13,145 WHAT'S THE BIG NEWS STORY OF THE DAY, LES? 2 00:00:13,213 --> 00:00:16,915 BILLY CARTER THREW UP ON PRINCE CIANOOK. 3 00:00:17,918 --> 00:00:20,719 THAT'S NEWS? NO. 4 00:00:20,787 --> 00:00:23,155 BUT THIS IS. WHAT IS IT? 5 00:00:23,224 --> 00:00:25,791 A SPECIAL REPORT ON CIVIL DEFENSE. 6 00:00:25,860 --> 00:00:28,426 AH, NOBODY CARES ABOUT THAT JUNK. 7 00:00:28,495 --> 00:00:32,731 HERB, I'VE ASKED YOU A THOUSAND TIMES TO USE THE DOOR. 8 00:00:32,799 --> 00:00:35,700 THIS IS NUTS. TILL MR. CARLSON GETS ME MY PRIVATE OFFICE, 9 00:00:35,769 --> 00:00:37,849 THOSE YELLOW LINES ARE WALLS. 10 00:00:37,905 --> 00:00:39,838 ALL RIGHT. OKAY, FINE. 11 00:00:39,907 --> 00:00:42,607 WHAT DO YOU GOT HERE? 12 00:00:42,676 --> 00:00:46,478 "WHAT TO DO IN CASE OF AN ENEMY ATTACK IN CINCINNATI." RIGHT. 13 00:00:46,547 --> 00:00:49,714 WHO'S GONNA ATTACK US, DAYTON? MAYBE. 14 00:00:49,783 --> 00:00:52,484 WELL, IF THEY COME DOWN HERE, WE'LL KICK THEIR BUTTS. 15 00:00:54,488 --> 00:00:58,289 YOU MAY NOT REALIZE THIS, HERB, BUT CIVIL DEFENSE IN THIS COUNTRY HAS BECOME A JOKE. 16 00:00:58,358 --> 00:01:00,625 YEAH. 17 00:01:00,694 --> 00:01:04,128 AT THE VERY TIME THE GODLESS COMMUNISTS HAVE CREATED A WAR ARSENAL... 18 00:01:04,197 --> 00:01:07,231 OF INDETERMINATE DOOM AND DESTRUCTION. 19 00:01:07,300 --> 00:01:11,135 OH. YOU SURE ARE FUN TO HANG AROUND WITH, LES. 20 00:01:11,204 --> 00:01:13,939 WELL, SOMEBODY'S GOTTA THINK ABOUT THESE THINGS, HERB. 21 00:01:14,007 --> 00:01:16,475 PEOPLE ARE SO CONCERNED WITH THEIR OWN LIVES, 22 00:01:16,543 --> 00:01:20,545 THEIR OWN DAY-TO-DAY AFFAIRS, THEIR OWN PETTY INTERESTS, 23 00:01:20,614 --> 00:01:25,083 THEY NEVER TAKE TIME TO THINK ABOUT THE REALLY IMPORTANT THINGS. 24 00:01:25,151 --> 00:01:27,519 YOU SEE WHAT I'M GETTING AT? 25 00:01:28,522 --> 00:01:30,588 OH. SORRY, LES. I WASN'T LISTENING. 26 00:01:30,657 --> 00:01:35,893 HERB, DO YOU REALIZE THAT BECAUSE OF SOME PETTY THIEVES IN THIS BUILDING, 27 00:01:35,962 --> 00:01:38,002 SOMEBODY'S LOCKED THE DOOR TO THE STAIRWELL? 28 00:01:38,031 --> 00:01:39,965 HOLY COW. 29 00:01:40,033 --> 00:01:42,244 WELL, THOSE STAIRS ARE IMPORTANT, HERB. 30 00:01:42,268 --> 00:01:44,314 WHAT WOULD YOU DO IN CASE OF AN EMERGENCY? 31 00:01:44,338 --> 00:01:47,239 TAKE THE ELEVATOR. 32 00:01:47,307 --> 00:01:51,009 NOBODY CARES. NOBODY IS PREPARED. 33 00:01:54,848 --> 00:01:57,515 MORNING, HERB, LES. GOOD MORNING, BIG GUY. 34 00:01:57,584 --> 00:01:59,795 OH, MR. CARLSON, I'VE GOT SOMETHING YOU'LL BE INTERESTED IN. 35 00:01:59,819 --> 00:02:03,521 I'VE JUST COMPLETED A DETAILED PLAN OF "WHAT TO DO IN CASE OF AN ENEMY ATTACK." 36 00:02:03,590 --> 00:02:06,191 YEAH, FINE. UH... 37 00:02:07,995 --> 00:02:11,074 GENTLEMEN, UH, THIS MORNING I'M EXPECTING A GROUP OF JAPANESE RADIO EXECUTIVES... 38 00:02:11,098 --> 00:02:13,031 TO TAKE A TOUR OF OUR STATION. 39 00:02:13,100 --> 00:02:15,166 MORE RUBBERNECKERS? 40 00:02:15,235 --> 00:02:18,570 AH, COME ON, HERB. I'M EXPECTING YOU GUYS TO BE ON YOUR BEST BEHAVIOR. 41 00:02:18,639 --> 00:02:20,872 JAPANESE, EH? 42 00:02:20,941 --> 00:02:24,208 LES, THE JAPANESE ARE OUR ALLIES NOW. 43 00:02:24,277 --> 00:02:28,045 I MEAN, AS NEWS DIRECTOR, I KIND OF EXPECT YOU TO PICK UP ON LITTLE THINGS LIKE THAT. 44 00:02:28,114 --> 00:02:30,048 DON'T WORRY ABOUT ME, BIG GUY. 45 00:02:30,117 --> 00:02:32,050 I KNOW HOW TO HANDLE THESE FOREIGNERS. 46 00:02:32,119 --> 00:02:35,053 OUR MAID'S A KRAUT. 47 00:02:36,890 --> 00:02:40,437 I'M GOING DOWNSTAIRS TO SEE THE BUILDING SUPERINTENDENT ABOUT THAT LOCKED STAIRWELL. 48 00:02:40,461 --> 00:02:43,761 WELL, IF HE GIVES YOU ANY TROUBLE, LES, PUNCH HIM OUT. 49 00:02:59,512 --> 00:03:03,414 HEY, LES! YOUR DUMB MACHINE'S BROKEN! 50 00:03:05,586 --> 00:03:07,852 I GOTTA FIX EVERYTHING MYSELF. 51 00:03:21,201 --> 00:03:23,735 THE MACHINE'S WORTHLESS. 52 00:03:23,804 --> 00:03:26,071 ♪♪ 53 00:03:30,344 --> 00:03:34,379 ♪ BABY IF YOU'VE EVER WONDERED ♪ 54 00:03:34,448 --> 00:03:38,516 ♪ WONDERED WHATEVER BECAME OF ME ♪ 55 00:03:38,585 --> 00:03:41,920 ♪ I'M LIVING ON THE AIR IN CINCINNATI ♪ 56 00:03:43,323 --> 00:03:47,559 ♪ CINCINNATI, WKRP ♪ 57 00:03:47,628 --> 00:03:51,195 ♪ GOT KIND OF TIRED OF PACKING AND UNPACKING ♪ 58 00:03:51,264 --> 00:03:54,732 ♪ TOWN TO TOWN UP AND DOWN THE DIAL ♪ 59 00:03:56,603 --> 00:03:59,738 ♪ MAYBE YOU AND ME WERE NEVER MEANT TO BE ♪ 60 00:03:59,806 --> 00:04:03,909 ♪ JUST MAYBE THINK OF ME ONCE IN A WHILE ♪ 61 00:04:03,977 --> 00:04:06,511 ♪ I'M AT WKRP ♪ 62 00:04:06,579 --> 00:04:10,482 ♪ IN CINCINNATI ♪♪ 63 00:04:11,885 --> 00:04:13,863 LOOK, WE'LL JUST GO OUT TOGETHER. WRONG. 64 00:04:13,887 --> 00:04:17,021 IT'LL BE NICE. WE CAN LEAVE RIGHT AFTER WORK. WRONG. WRONG. 65 00:04:17,091 --> 00:04:19,069 AND I WON'T EVEN TOUCH YOU. RIGHT. 66 00:04:19,093 --> 00:04:21,192 YEAH. 67 00:04:22,228 --> 00:04:24,162 JENNIFER, WHAT TIME YOU GOT? 68 00:04:24,230 --> 00:04:26,831 9:35 A.M. 69 00:04:26,900 --> 00:04:30,220 YEAH. BOY, IT SURE IS DARK OUTSIDE. THIS IS STRANGE WEATHER WE'RE HAVING. 70 00:04:30,270 --> 00:04:32,615 I KNOW. I THINK WE'RE IN FOR A GOOD THUNDERSTORM. 71 00:04:32,639 --> 00:04:34,320 OH, UH, HEY, LISTEN, ANDY. I'VE WRITTEN A 72 00:04:34,344 --> 00:04:36,174 FEW WORDS OF WELCOME TO OUR JAPANESE GUESTS. 73 00:04:36,243 --> 00:04:38,176 NOW HOW DOES THIS SOUND TO YOU? 74 00:04:38,245 --> 00:04:42,814 "WE AT WKRP ARE HAPPY TO EXTEND OUR HANDS... 75 00:04:42,882 --> 00:04:44,983 ACROSS THE BORDER TO GREET YOU." 76 00:04:45,051 --> 00:04:48,086 - HUH? - VERY GOOD. 77 00:04:48,155 --> 00:04:51,189 AW. SOMEBODY HELPED YOU WRITE THAT. 78 00:04:51,258 --> 00:04:53,191 NO. UH-UH. HONEST. 79 00:04:53,260 --> 00:04:55,271 WELL, THAT'S VERY NICE, MR. CARLSON. VERY NICE. 80 00:04:55,295 --> 00:04:57,034 EXCEPT, YOU SEE, JAPAN IS NOT ACROSS THE 81 00:04:57,058 --> 00:04:58,997 BORDER. IT'S ON THE OTHER SIDE OF THE WORLD. 82 00:05:00,267 --> 00:05:03,402 OH, YEAH. WELL, IT'S JUST, YOU KNOW, A ROUGH DRAFT. 83 00:05:04,904 --> 00:05:07,350 YOU IRON OUT THE FACTS, BIG GUY, AND YOU GOT IT. 84 00:05:07,374 --> 00:05:09,574 I MEAN, THE FEELING IS TERRIFIC. 85 00:05:09,643 --> 00:05:12,443 YEAH? AW, THANKS, HERB. YEAH. SURELY. 86 00:05:14,347 --> 00:05:16,280 GOTTA GIVE HIM ENCOURAGEMENT FROM TIME TO TIME. 87 00:05:16,349 --> 00:05:19,117 YOU KNOW, BUILDS UP HIS CONFIDENCE. 88 00:05:19,185 --> 00:05:22,487 YEAH, WE'D... WE'D BE LOST WITHOUT YOU, HERB. TELL ME ABOUT IT. 89 00:05:22,556 --> 00:05:24,923 HELLO. 90 00:05:24,992 --> 00:05:29,093 I AM MR. JOSE JORGE RODRIGUEZ, THE INTERPRETER. 91 00:05:35,369 --> 00:05:39,671 HELLO. I'M JENNIFER ELIZABETH MARLOWE, THE RECEPTIONIST. 92 00:05:39,739 --> 00:05:42,941 AND I'M, UH... I'M ANDY TRAVIS, THE PROGRAM DIRECTOR. 93 00:05:43,009 --> 00:05:47,546 AH, SENORITA. IT IS A GREAT PLEASURE. OH. 94 00:05:52,152 --> 00:05:55,219 WHAT ARE THEY SAYING? I DON'T KNOW. 95 00:05:55,288 --> 00:05:59,524 I WAS HIRED TO TRANSLATE FOR A GROUP OF SPANISH-SPEAKING VISITORS. 96 00:05:59,593 --> 00:06:04,195 IN MY OPINION, THESE PEOPLE ARE NOT SPANISH. 97 00:06:06,866 --> 00:06:09,867 WATCH THIS. 98 00:06:09,936 --> 00:06:12,037 TU MADRE... 99 00:06:12,105 --> 00:06:15,774 SEE? IN MY COUNTRY, THERE WOULD BE A FISTFIGHT. 100 00:06:17,510 --> 00:06:20,612 I GUESS I'D BETTER CALL MR. CARLSON. 101 00:06:22,683 --> 00:06:24,950 MR. CARLSON? 102 00:06:27,988 --> 00:06:31,155 OUR JAPANESE GUESTS ARE HERE. 103 00:06:36,663 --> 00:06:39,264 OUR STATION MANAGER WILL BE RIGHT WITH YOU. 104 00:06:39,332 --> 00:06:42,667 EXCUSE ME. EXCUSE ME. 105 00:06:42,735 --> 00:06:47,071 IT'S VERY NICE TO HAVE YOU HERE. 106 00:06:50,410 --> 00:06:53,311 WELL, IT IS. 107 00:06:54,815 --> 00:06:58,383 MR. CARLSON, THIS IS MR. RODRIGUEZ, THE INTERPRETER. 108 00:06:58,452 --> 00:07:00,596 WELL, HOW DO YOU DO, SIR? HELLO. 109 00:07:00,620 --> 00:07:02,854 SEÑORES, THIS IS MR. CARLSON. 110 00:07:02,922 --> 00:07:05,223 OH, YEAH. UH, GENTLEMEN, 111 00:07:05,291 --> 00:07:08,092 IT'S OUR PLEASURE TO WELCOME YOU TO WKRP. 112 00:07:08,161 --> 00:07:10,306 THEY DON'T SPEAK ENGLISH. WE... HMM? 113 00:07:10,330 --> 00:07:12,797 NO ENGLISH. OH. 114 00:07:12,866 --> 00:07:14,844 UH, WELL, M-MAYBE HE COULD INTERPRET. 115 00:07:14,868 --> 00:07:18,203 SURE, SURE. SEÑORES... 116 00:07:21,674 --> 00:07:24,309 WKRP. 117 00:07:25,378 --> 00:07:28,579 IS THAT JAPANESE? SPANISH. 118 00:07:30,650 --> 00:07:33,296 MAYBE YOU COULD FILL ME IN. THERE'S BEEN A MISTAKE. 119 00:07:33,320 --> 00:07:36,287 UH-HUH. SOMEWHERE IN CINCINNATI... 120 00:07:36,356 --> 00:07:38,723 A BUNCH OF CHIROPRACTORS FROM ECUADOR... 121 00:07:38,792 --> 00:07:42,560 ARE BEING TAKEN AROUND BY AKIRA YAMAGUCHI. 122 00:07:42,629 --> 00:07:44,963 PERHAPS WE SHOULD POSTPONE THIS. WHAT DO YOU SAY? 123 00:07:45,031 --> 00:07:47,298 NOW-NOW WAIT-WAIT-WAIT A MINUTE. 124 00:07:47,366 --> 00:07:50,368 I LEARNED A LITTLE JAPANESE WHEN I WAS IN THE MARINES. 125 00:07:50,437 --> 00:07:54,205 UH, LET ME THINK ABOUT THIS. UH... 126 00:07:54,274 --> 00:07:58,042 THE, UH... THE ACCENT MAY BE OFF, BUT, UH... 127 00:08:11,758 --> 00:08:14,625 OH, BOY. 128 00:08:14,694 --> 00:08:17,562 UH, G-G-G-GUYS, UH, HANDS DOWN. 129 00:08:17,630 --> 00:08:20,698 H-HANDS DOWN. UH... UH... BR-BRING... BR-BRING THE HANDS DOWN, GUYS. 130 00:08:20,767 --> 00:08:24,435 UH... H-HANDS... AH, THAT'S-THAT'S GREAT. 131 00:08:29,643 --> 00:08:31,910 GENTLEMEN, UH... THAT'S YOU. 132 00:08:33,646 --> 00:08:35,580 IT GIVES US A GREAT PLEASURE. 133 00:08:35,649 --> 00:08:38,160 SEE? UH... PLEASURE? 134 00:08:38,184 --> 00:08:40,752 FOR US... WE'RE-WE'RE US. 135 00:08:40,821 --> 00:08:44,723 UH... UH, TO WELCOME YOU, UH, HERE. 136 00:08:44,791 --> 00:08:49,494 UH, NO. IN-IN CINCINNATI, OHIO. 137 00:08:49,563 --> 00:08:52,129 OHIO! OHIO! 138 00:08:52,198 --> 00:08:55,800 - OH-OHIO? - OHIO! OHIO! 139 00:08:55,869 --> 00:08:57,802 HEY, WHAT-WHAT-WHAT'S GOING ON HERE? 140 00:08:57,871 --> 00:09:01,606 I'M NO EXPERT, OF COURSE, BUT I THINK "HELLO" IN JAPANESE IS "OHIO." 141 00:09:01,675 --> 00:09:03,508 OHIO! OHIO! 142 00:09:03,576 --> 00:09:06,110 OHIO! OHIO! ♪♪ 143 00:09:06,179 --> 00:09:09,814 ♪♪ GENTLEMEN, THIS IS A DISC JOCKEY. 144 00:09:11,851 --> 00:09:14,519 A DISC JOCKEY. 145 00:09:16,255 --> 00:09:19,791 "DISC-A" JOCKEY? RIGHT. YOU GOT IT. DISC JOCKEY. 146 00:09:19,859 --> 00:09:22,126 DISC JOCKEY. 147 00:09:27,000 --> 00:09:31,202 OOH. "DISC-A" JOCKEY. AH. 148 00:09:33,807 --> 00:09:37,075 UH, I GUESS WE'VE SEEN ALL WE NEED TO SEE HERE IN THE BOOTH, GENTLEMEN. 149 00:09:37,144 --> 00:09:40,045 UH, IF YOU'LL FOLLOW ME, UH... 150 00:09:52,225 --> 00:09:53,892 SAYONARA, GUYS. 151 00:09:56,763 --> 00:09:58,930 SAME HERE. 152 00:09:58,999 --> 00:10:01,544 THERE YOU GUYS ARE. THOUGHT I LOST YOU THERE FOR A MINUTE. 153 00:10:01,568 --> 00:10:05,937 ANYWAY, FELLAS, THIS IS THE HALL. THE HALL. 154 00:10:08,208 --> 00:10:11,276 WHAT? HUH? WHAT DO YOU SEE OUT THERE? WHAT? WAIT. LET ME TAKE A LOOK. 155 00:10:11,345 --> 00:10:14,578 PROBABLY THINKS HE SPOTS A FOTOMAT. 156 00:10:14,647 --> 00:10:18,382 OH, OH. THAT'S A TORNADO. UH, CAN YOU SAY THAT? 157 00:10:18,451 --> 00:10:22,087 A TORNADO. A TORNADO? 158 00:10:25,758 --> 00:10:28,326 ♪♪ 159 00:10:29,529 --> 00:10:32,664 ♪♪ 160 00:10:36,303 --> 00:10:39,870 HEY, ANDY, SOMETHING'S WRONG WITH THE LIGHTS. THEY JUST FLICKERED. 161 00:10:39,939 --> 00:10:41,984 WHERE IN THE HELL IS THE DISASTER FILE? 162 00:10:42,008 --> 00:10:45,376 WHAT'S THE MATTER? TROUBLE WITH THE JAPANESE? 163 00:10:45,445 --> 00:10:48,424 - JENNIFER, SEE IF YOU CAN FIND THE DISASTER FILE. WHERE'S LES? - DOWNSTAIRS. 164 00:10:48,448 --> 00:10:51,849 OH, THAT'S JUST GREAT. BOY, YOU GUYS SURE GET RUFFLED EASILY. 165 00:10:51,918 --> 00:10:53,896 WE'RE NOT AS COURAGEOUS AS YOU ARE, HERB. 166 00:10:53,920 --> 00:10:56,454 YEAH. HERE. PICK A CARD. 167 00:10:56,523 --> 00:10:59,757 I JUST CRAWLED OFF THE ELEVATOR. IT'S STUCK UNDERNEATH THIS FLOOR. 168 00:10:59,826 --> 00:11:02,226 LES! THERE IS A TORNADO OUT THERE! 169 00:11:02,295 --> 00:11:04,495 - TORNADO? - THAT'S RIGHT. 170 00:11:04,563 --> 00:11:06,731 WE'RE ALL GONNA DIE! 171 00:11:06,799 --> 00:11:10,001 ANDY, THERE CAN'T BE A TORNADO. I'M THE NEWS DIRECTOR. I'D KNOW ABOUT IT. 172 00:11:10,070 --> 00:11:13,237 THERE'S THIS LITTLE BELL ON MY TELETYPE MACHINE THAT GOES OFF... 173 00:11:14,307 --> 00:11:17,442 IT STOPPED. WHO UNPLUGGED MY MACHINE? 174 00:11:17,511 --> 00:11:19,576 WE DON'T KNOW! 175 00:11:19,645 --> 00:11:22,758 ALL RIGHT, HERB. GET UP FROM UNDERNEATH THERE. COME ON! GET UP! 176 00:11:22,782 --> 00:11:24,742 LES! LES! GET 'EM UP! COME ON! 177 00:11:24,784 --> 00:11:28,286 LES! WHERE IS THE EMERGENCY FILE? IN THE CABINET, I GUESS, ANDY. 178 00:11:28,355 --> 00:11:31,956 WHERE IN THE CABINET, LES? TRY "APOCALYPSE." 179 00:11:32,024 --> 00:11:34,425 BIGGEST NEWS STORY OF THE YEAR, AND I MISS IT? 180 00:11:35,428 --> 00:11:37,362 COME ON OUT. 181 00:11:37,430 --> 00:11:39,430 LES. I'M GONNA WANT YOU TO GO ON AIR. 182 00:11:39,499 --> 00:11:41,780 WHAT FOR, ANDY? IT'S ALL OVER NOW. 183 00:11:44,470 --> 00:11:46,738 ANDY. ANDY, WE CAN'T GET OFF THIS FLOOR. 184 00:11:46,806 --> 00:11:48,784 YEAH, I KNOW THAT. WHAT ARE WE GONNA DO? 185 00:11:48,808 --> 00:11:51,286 LISTEN, TAKE EVERYONE TO THE LOBBY. THAT'S THE SAFEST PLACE. 186 00:11:51,310 --> 00:11:53,288 RIGHT, THE LOBBY. WE'RE ALL GONNA DIE! 187 00:11:53,312 --> 00:11:55,479 WHO SAID THAT? HERB. HERB! 188 00:11:55,548 --> 00:11:58,227 COME ON OUT OF THERE! WHAT'RE YOU DOING UNDER THERE, HERB? GET OUT. 189 00:11:58,251 --> 00:12:01,263 WHAT ARE WE GONNA DO? GO TO THE LOBBY WITH MR. CARLSON. 190 00:12:01,287 --> 00:12:03,398 WHAT'RE WE GONNA DO, BIG GUY? GO TO THE LOBBY! 191 00:12:03,422 --> 00:12:05,768 WHAT? GO TO THE LOB... PULL YOURSELF TOGETHER, HERB! 192 00:12:05,792 --> 00:12:08,559 HEY. 193 00:12:08,628 --> 00:12:12,130 I'M SORRY. I SAW THAT IN A WAR FILM. 194 00:12:15,268 --> 00:12:17,469 UH, HI. UH... 195 00:12:17,537 --> 00:12:20,104 ANDY, MAN, UH, I HAVE TO GO HOME NOW. 196 00:12:20,172 --> 00:12:23,808 UH, MY SHIFT'S ALMOST OVER, AND I WANNA WATER MY PLANTS, OKAY? 197 00:12:23,876 --> 00:12:26,344 - YEAH, OKAY. GOOD-BYE. - UH, 198 00:12:26,412 --> 00:12:29,247 GOOD-BYE, EVERYONE, AND GOOD LUCK FOREVER. 199 00:12:29,316 --> 00:12:31,393 HOLD-HOLD... WAIT A MINUTE. WHAT ARE YOU TALKING ABOUT? 200 00:12:31,417 --> 00:12:34,585 I HAVE TO GET OUT, ANDY. I PUT ON A LONG RECORD. LET IT PLAY. 201 00:12:34,654 --> 00:12:36,921 I NEED YOU. I NEED YOU ON THE AIR. 202 00:12:36,990 --> 00:12:40,091 OKAY, LOOK. I'M GONNA TRY TO BE CALM AND TELL YOU SOMETHING, OKAY? 203 00:12:40,160 --> 00:12:44,162 JOHNNY, WE'RE TRYING TO... AND YOU JUST TRY TO BE CALM AND LISTEN TO ME, HMM? 204 00:12:44,230 --> 00:12:46,364 OKAY. OKAY. 205 00:12:46,433 --> 00:12:50,601 UH, LOOK, MAN, I'VE BEEN IN JAIL IN MEXICO. 206 00:12:50,669 --> 00:12:54,272 UH, MY FATHER CALLED ME "WHAT'S-HIS-FACE"... 207 00:12:54,340 --> 00:12:57,441 FOR 17 HORRIFYING YEARS. 208 00:12:57,510 --> 00:13:01,979 UH, MY SECOND WIFE TRIED TO KILL ME WITH A RONCO VEG-O-MATIC. 209 00:13:02,048 --> 00:13:04,482 WE ARE VERY BUSY HERE. 210 00:13:05,719 --> 00:13:08,118 MY MOTHER AND I WERE IN A TORNADO ONCE. 211 00:13:08,187 --> 00:13:11,722 UH, WE WERE IN A MOBILE HOME. 212 00:13:11,791 --> 00:13:15,693 AND, UH, I THINK GOD MUST REALLY HATE MOBILE HOMES, ANDY, 213 00:13:15,762 --> 00:13:19,430 'CAUSE TORNADOES ALWAYS ATTACK THEM FIRST. 214 00:13:20,467 --> 00:13:23,635 THEY GET VERY MOBILE. UH... 215 00:13:23,703 --> 00:13:25,881 HOLD IT. HOLD. I UNDERSTAND. I-I DON'T... 216 00:13:25,905 --> 00:13:29,240 NOW LISTEN TO ME. WE CAN'T GET OFF THE FLOOR. OH, GOOD. 217 00:13:29,309 --> 00:13:31,609 THE ELEVATOR IS STUCK. STUCK. GOOD. 218 00:13:31,678 --> 00:13:34,979 RIGHT. WHAT I WANT YOU TO DO IS GO TO THE LOBBY. GO TO THE LOBBY. 219 00:13:35,048 --> 00:13:37,026 THAT'S THE SAFEST PLACE. IT'S THE SAFEST PLACE. 220 00:13:37,050 --> 00:13:39,583 RIGHT. GO TO THE LOBBY. 221 00:13:39,653 --> 00:13:41,864 I'LL GO TO THE LOBBY. IT'S THE SAFEST PLACE. RIGHT. 222 00:13:41,888 --> 00:13:43,821 OKAY. 223 00:13:43,890 --> 00:13:46,891 UH, LISTEN, JENNIFER, I-I'M NOT A COWARD. 224 00:13:46,960 --> 00:13:48,960 I KNOW. 225 00:13:49,963 --> 00:13:51,896 THE WALLS MOVED! THE WALLS MOVED! 226 00:13:51,965 --> 00:13:54,085 JOHNNY, THE OTHER WAY! 227 00:13:54,134 --> 00:13:56,134 OH, RIGHT. 228 00:13:57,671 --> 00:13:59,704 I CAN'T FIND A DISASTER FILE. 229 00:13:59,773 --> 00:14:01,973 ALL RIGHT, LOOK. GO HELP JOHNNY, ALL RIGHT? OKAY. 230 00:14:02,976 --> 00:14:05,443 LES. LES. 231 00:14:05,511 --> 00:14:07,545 LES, PLEASE, GO ON THE AIR. 232 00:14:07,613 --> 00:14:09,959 WHAT FOR, ANDY? IT'S ALL OVER. 233 00:14:09,983 --> 00:14:12,950 BIGGEST NEWS STORY OF THE YEAR, AND I MISS IT. 234 00:14:13,019 --> 00:14:14,997 TORNADO'S GONE, AND I MISS IT. 235 00:14:15,021 --> 00:14:19,757 LES! SOMETIMES THESE THINGS COME IN CLUSTERS. OH, SURE, SURE. 236 00:14:19,826 --> 00:14:21,993 THIS MIGHT NOT BE OVER WITH YET, LES. 237 00:14:22,061 --> 00:14:25,440 YOU'RE JUST SAYING THAT TO MAKE ME FEEL BETTER. LES, I'M NOT JUST SAYING THAT... 238 00:14:28,301 --> 00:14:31,113 WHAT IS THAT? IT SOUNDS LIKE A TRAIN. MAYBE IT'S ANOTHER TWISTER. 239 00:14:31,137 --> 00:14:33,749 UNDER YOUR DESK, LES. NO, LES, DON'T DO THAT! NO, LES! 240 00:14:33,773 --> 00:14:36,274 OH, HOT DOG! WE'RE IN BUSINESS! GET AWAY FROM THE WINDOW! 241 00:14:36,342 --> 00:14:38,275 OH, THIS IS NEWS! 242 00:14:49,021 --> 00:14:52,289 DY, ARE YOU ALL RIGHT? 243 00:14:52,358 --> 00:14:54,759 ANDY, SPEAK TO ME. ANDY. 244 00:14:54,828 --> 00:14:56,620 ANDY? ANDY, THAT TORNADO, IT CAME RIGHT PAST 245 00:14:56,644 --> 00:14:58,295 THE BUILDING. WE GOTTA GET OUT. COME ON. 246 00:14:58,364 --> 00:15:01,276 OH, NO. HE'S UNCONSCIOUS. HE WAS STANDING BESIDE THE WINDOW. 247 00:15:01,300 --> 00:15:03,935 COME ON. LET'S GET HIM OUT OF HERE, AWAY FROM THAT WINDOW. 248 00:15:04,003 --> 00:15:07,171 I GOT YA. GO AHEAD. GOT HIM. FINE. RIGHT OVER HERE. GOT HIM. 249 00:15:08,641 --> 00:15:11,843 YOU ARE NOT SUPPOSED TO MOVE AN INJURED PERSON. 250 00:15:11,911 --> 00:15:14,779 SON OF A GUN, SHE'S RIGHT. RIGHT. LET'S GET HIM BACK. 251 00:15:18,818 --> 00:15:21,618 ANYBODY KNOW... ANYBODY KNOW FIRST AID? 252 00:15:21,687 --> 00:15:24,432 UH, YEAH. I-I TOOK THE ADVANCED COURSE, BIG GUY. OH, GREAT. 253 00:15:24,456 --> 00:15:26,769 - WH-WHAT'S THE PROBLEM? - WHAT'S THE PROBLEM? YOU IDIOT. 254 00:15:26,793 --> 00:15:30,528 THIS MAN NEEDS MOUTH-TO-MOUTH RESUSCITATION. 255 00:15:30,597 --> 00:15:32,663 MOUTH-TO-MOUTH WITH ANOTHER GUY? 256 00:15:32,732 --> 00:15:36,167 - HERB! - I LIKE ANDY AND ALL, BUT I DON'T THINK I SHOULD... 257 00:15:36,236 --> 00:15:40,471 HERB, I'M ORDERING YOU TO GET THIS JOB DONE. HERE. JUST A MINUTE. I'LL DO IT. 258 00:15:40,540 --> 00:15:44,409 - YOU KNOW MOUTH-TO-MOUTH? - I KNOW ALL SORTS OF THINGS. 259 00:15:50,349 --> 00:15:52,850 GET THE FEELING THEY'VE DONE THIS BEFORE? 260 00:15:52,919 --> 00:15:54,930 SHUT UP, HERB. THIS IS AN EMERGENCY. 261 00:15:54,954 --> 00:15:56,933 WE'VE ALL GOTTA PITCH IN. 262 00:15:56,957 --> 00:15:59,824 WHY HIM? 263 00:15:59,893 --> 00:16:02,260 WHY COULDN'T THAT BE ME? 264 00:16:03,797 --> 00:16:07,064 UH, NOW WAIT-WAIT-WAIT A MINUTE. I THINK HE'S COMING AROUND. 265 00:16:07,133 --> 00:16:09,733 ARE YOU OKAY, ANDY? YOU OKAY? S-S-SAY SOMETHING. 266 00:16:09,803 --> 00:16:11,735 OH. 267 00:16:11,805 --> 00:16:15,506 WHAT'D HE SAY? DON'T STOP. 268 00:16:15,575 --> 00:16:19,644 I THINK HE'S GONNA BE ALL RIGHT. COME ON. SIT UP. COME ON. COME ON. COME ON. 269 00:16:19,712 --> 00:16:21,979 HUH? YOU OKAY, HUH? YOU OKAY? 270 00:16:24,150 --> 00:16:28,085 I-I SAID ARE YOU OKAY? THERE'S NO PLACE LIKE HOME. 271 00:16:29,188 --> 00:16:31,222 THERE'S NO PLACE LIKE... 272 00:16:31,291 --> 00:16:34,625 ALL RIGHT. I'M IN CHARGE HERE NOW. 273 00:16:34,694 --> 00:16:38,095 LES, YOU GET THAT EMERGENCY FILE AND YOU GET ON THE AIR RIGHT AWAY. 274 00:16:38,164 --> 00:16:41,377 ALL RIGHT, MR. CARLSON, BUT WE'VE GOT A PROBLEM WITH THIS PLAN. 275 00:16:41,401 --> 00:16:44,401 I DON'T WANNA HEAR ABOUT YOUR PROBLEMS. I WANT YOU ON THE AIR NOW. 276 00:16:44,470 --> 00:16:46,170 YES, SIR. 277 00:16:46,239 --> 00:16:48,817 JENNIFER, I WANT YOU TO STAY HERE AND TAKE CARE OF ANDY. 278 00:16:48,841 --> 00:16:51,186 RIGHT. 'CAUSE I'M GOING TO THE BRIDGE. 279 00:16:51,210 --> 00:16:53,730 BRIDGE? UH, THE BOOTH. 280 00:16:57,183 --> 00:17:00,618 I THINK THE BIG GUY SAID HE WAS FINE. 281 00:17:00,687 --> 00:17:02,854 I-I THINK HE'S OKAY NOW. 282 00:17:08,428 --> 00:17:10,961 WHAT THE DEVIL ARE YOU DOING? WHY AREN'T WE ON THE AIR? 283 00:17:11,030 --> 00:17:14,231 I'M GONNA PLAY A RECORD, MR. CARLSON. WE DON'T HAVE TIME FOR RECORDS. 284 00:17:14,300 --> 00:17:17,701 I DON'T KNOW WHAT TO DO. I TOLD YOU THERE WAS A PROBLEM WITH THIS PLAN. 285 00:17:17,770 --> 00:17:20,704 WHAT PROBLEM? IT DOESN'T COVER TORNADOES. 286 00:17:20,773 --> 00:17:22,706 IT'S FOR WHAT TO DO WHEN THE RUSSIANS ATTACK. 287 00:17:22,775 --> 00:17:25,042 THE RUSSIANS? OR CHINESE. 288 00:17:25,110 --> 00:17:27,822 LES, YOU TAKE THAT EMERGENCY FILE AND GET ON THE AIR. 289 00:17:27,846 --> 00:17:30,625 AND WHEN YOU SEE THE WORD "RUSSIANS" YOU SUBSTITUTE THE WORD "TORNADO." 290 00:17:30,649 --> 00:17:33,183 OOH. THAT'S A GOOD IDEA. 291 00:17:36,356 --> 00:17:41,826 THIS IS A SPECIAL EMERGENCY REPORT FROM WKRP IN CINCINNATI. 292 00:17:41,894 --> 00:17:45,362 NOW HERE WITH THAT REPORT IS LES NESSMAN. 293 00:17:45,431 --> 00:17:49,233 SOMEBODY ELSE IS SUPPOSED TO READ THAT LINE. JUST GET BACK ON THE AIR. 294 00:17:49,302 --> 00:17:54,905 THE CITY OF CINCINNATI HAS JUST BEEN ATTACKED BY THE GODLESS TORNADOES. 295 00:17:56,309 --> 00:17:59,109 CITIZENS ARE ADVISED TO ARM THEMSELVES IMMEDIATELY. 296 00:17:59,178 --> 00:18:02,713 GIVE ME THAT THING. LADIES AND GENTLEMEN, THERE'S BEEN A REPORT OF TWO TORNADOES... 297 00:18:02,781 --> 00:18:05,249 IN THE IMMEDIATE AREA AND THERE COULD BE OTHERS. 298 00:18:05,318 --> 00:18:07,170 NOW, WE'RE ASKING YOU TO TAKE COVER... WHATEVER 299 00:18:07,194 --> 00:18:08,831 COVER YOU CAN... AND AS SOON AS POSSIBLE, 300 00:18:08,855 --> 00:18:12,356 EVEN IF YOU'RE LIVING IN AN AREA THAT SEEMS CLEAR AT THE PRESENT TIME. 301 00:18:12,424 --> 00:18:15,370 STAY OUT OF THOSE STREETS SO THAT EMERGENCY VEHICLES AND THEIR STAFF CAN GET... 302 00:18:15,394 --> 00:18:18,540 IF YOU SPOT AN ENEMY TORNADO IN YOUR AREA, PLEASE CALL US IMMEDIATELY. 303 00:18:18,564 --> 00:18:21,765 OUR NUMBER IS 555-WKRP. 304 00:18:21,834 --> 00:18:25,903 NOW, THIS IS THE BEST WAY FOR US TO KEEP ADVISED OF ANY ENEMY TORNADO MOVEMENTS. 305 00:18:25,972 --> 00:18:28,339 THAT'S GREAT, LES. NOW THAT NUMBER TO CALL ONCE AGAIN. 306 00:18:28,407 --> 00:18:31,909 NOW I'M GOING READ YOU A LIST OF HOSPITALS AND EMERGENCY... GET THAT PHONE, PLEASE. 307 00:18:31,978 --> 00:18:36,546 LISTEN CLOSELY. GENERAL HOSPITAL ON THE UNIVERSITY CAMPUS. UH, HELLO. WKRP. 308 00:18:36,615 --> 00:18:40,885 PLEASE, CALM-CALM DOWN. CALM DOWN. WHERE DID YOU SEE THE FUNNEL CLOUD? 309 00:18:40,954 --> 00:18:44,021 WHAT DIRECTION DO YOU THINK IT WAS HEADING? CHRIST HOSPITAL IN MT. AUBURN. 310 00:18:44,089 --> 00:18:47,369 - GOT IT. FINE. THANKS A LOT. - GOOD SAMARITAN HOSPITAL NEAR THE UNIVERSITY OF CINCINNATI. 311 00:18:47,393 --> 00:18:49,753 GOOD SAMARITAN NEAR THE UNIVERSITY OF CINC... 312 00:18:49,795 --> 00:18:52,363 ALL RIGHT! WE HAVE A SIGHTING! 313 00:18:52,431 --> 00:18:54,732 THERE IS A TORNADO IN THE HAMILTON AREA. 314 00:18:54,801 --> 00:18:56,968 IF YOU ARE IN THAT AREA, TAKE SHELTER NOW. 315 00:18:57,036 --> 00:18:59,370 I REPEAT, THE HAMILTON AREA. 316 00:18:59,438 --> 00:19:03,608 NOW HERE ARE SOME HELPFUL TIPS ON HOW TO CARE FOR THE INJURED OR IN SHOCK. 317 00:19:03,676 --> 00:19:05,876 HELLO? DO NOT MOVE THE VICTIM. 318 00:19:05,945 --> 00:19:08,224 PLEASE, PLEASE. SWEETHEART, JUST CALM DOWN. DO NOT MOVE THE VICTIM. 319 00:19:08,248 --> 00:19:10,982 TELL ME HOW OLD YOU ARE. KEEP THE VICTIM LYING FLAT. 320 00:19:11,050 --> 00:19:13,261 KEEP THAT VICTIM LYING FLAT. SEVEN YEARS OLD? 321 00:19:13,285 --> 00:19:15,497 I'VE GOT A GIRL. COVER TO AVOID LOSS OF HEAT. 322 00:19:15,521 --> 00:19:18,066 COME ON. COME ON. COME ON. GIVE NO FLUIDS. 323 00:19:18,090 --> 00:19:21,136 LADIES AND GENTLEMEN, I AM TALKING TO A LITTLE SEVEN-YEAR-OLD GIRL... 324 00:19:21,160 --> 00:19:23,093 WHOSE MOMMY'S NOT AT HOME. 325 00:19:23,162 --> 00:19:26,008 IF THERE ARE OTHER KIDS OUT THERE ALONE, UH, LISTEN CLOSELY TOO. 326 00:19:26,032 --> 00:19:29,066 OKAY? UH, NOW, SWEETHEART, 327 00:19:29,134 --> 00:19:32,269 UNCLE ARTHUR WANTS YOU TO KNOW THAT EVERYTHING'S GONNA BE ALL RIGHT. 328 00:19:32,337 --> 00:19:36,907 Y-YOUR MOMMY'S FINE. YOU SEE, SHE'S JUST TAKEN SHELTER WHERE SHE IS. 329 00:19:36,976 --> 00:19:42,345 YES. AND SHE KNOWS THAT SHE MUST STAY THERE UNTIL THIS WHOLE THING'S BLOWN OVER. 330 00:19:42,414 --> 00:19:45,983 UH, NO. N-NO, NO, NO, NO. D-DON'T... DON'T TRY TO GO OUT AND FIND HER. 331 00:19:46,052 --> 00:19:48,285 STAY WHERE YOU ARE. SHE'S GONNA BE HOME SOON. 332 00:19:48,353 --> 00:19:52,056 AW. PLEASE. SHE'S CRYING. 333 00:19:52,125 --> 00:19:56,327 SWEETHEART. SHH, SHH, SHH, SHH. CALM DOWN, NOW. 334 00:19:56,396 --> 00:20:00,898 I KNOW IT'S TERRIBLE TO BE ALONE, AND TORNADOES ARE SCARY THINGS. 335 00:20:00,967 --> 00:20:02,900 BUT, YOU KNOW, SOMETIMES... 336 00:20:02,969 --> 00:20:05,602 SOMETIMES WE GOTTA BE BRAVE, EVEN WHEN WE'RE NOT. 337 00:20:05,671 --> 00:20:10,241 OH, UH, LES NESSMAN WANTS TO KNOW IF YOU KNOW WHERE YOUR BASEMENT IS. 338 00:20:10,309 --> 00:20:12,243 YOU DO? GOOD! 339 00:20:12,311 --> 00:20:15,813 NOW, I'LL BET EVERYBODY OUT THERE KNOWS WHERE HIS OR HER BASEMENT IS, RIGHT? 340 00:20:15,882 --> 00:20:18,715 WELL, UNCLE ARTHUR WANTS YOU TO GO THERE RIGHT NOW. 341 00:20:18,785 --> 00:20:21,118 YEAH. YES, YOU TOO, DEAR. 342 00:20:21,187 --> 00:20:24,789 WHAT? YEAH, I-I KNOW IT'S DARK DOWN THERE. 343 00:20:26,225 --> 00:20:29,794 BUT UNCLE ARTHUR WANTS YOU TO GO THERE RIGHT NOW, SWEETHEART. 344 00:20:31,864 --> 00:20:35,700 OH, ALL RIGHT. IF-IF YOU GO THERE, I'LL SEND YOU FIVE DOLLARS THROUGH THE MAIL. 345 00:20:35,768 --> 00:20:37,902 KIDS. WHAT? 346 00:20:37,970 --> 00:20:39,968 YEAH, PLEASE, JUST PUT THE PHONE ON THE TABLE, 347 00:20:39,992 --> 00:20:41,839 AND I WANNA HEAR YOU WALK TO THE BASEMENT. 348 00:20:41,908 --> 00:20:45,342 AND THEN WHEN YOU GET THERE, SLAM THE DOOR REAL LOUD. 349 00:20:45,411 --> 00:20:47,344 SHE'S GOING. GOOD. 350 00:20:47,413 --> 00:20:50,948 I CAN HEAR HER WALKING. HUH. I HEARD THE DOOR. 351 00:20:51,017 --> 00:20:53,884 SHE'S GONNA BE SAFE. 352 00:20:56,055 --> 00:20:58,089 AT LEAST I HOPE SO. 353 00:20:59,192 --> 00:21:01,425 THE PHONE JUST WENT DEAD. 354 00:21:01,494 --> 00:21:04,361 MR. CARLSON, YOU SAVED THAT CHILD'S LIFE. 355 00:21:04,430 --> 00:21:07,030 HUH? OH! 356 00:21:08,668 --> 00:21:12,169 THAT-THAT'S ENOUGH, LES. NOW GET BACK ON THE AIR. RIGHT. RIGHT. 357 00:21:12,238 --> 00:21:16,907 THIS IS LES NESSMAN AGAIN, PART OF YOUR GUTSY WKRP EMERGENCY NEWS TEAM. 358 00:21:16,976 --> 00:21:19,076 NOW I WANNA SEE THE PHONES IN HERE LIGHT UP. 359 00:21:19,145 --> 00:21:21,061 I WANNA SEE THIS CITY GET OFF THE CANVAS AND 360 00:21:21,085 --> 00:21:22,980 START FIGHTING THE WAY ONLY CINCINNATI CAN. 361 00:21:23,049 --> 00:21:25,249 WE'RE NOT GONNA LET THOSE GODLESS AGGRESSORS FROM THE... 362 00:21:25,284 --> 00:21:28,085 I MEAN, THOSE TORNADOES... GET THE BEST OF US, ARE WE? 363 00:21:28,154 --> 00:21:33,490 HECK, NO, BOY. NOT WITH MEN LIKE ARTHUR "BIG GUY" CARLSON ON OUR SIDE. 364 00:21:35,762 --> 00:21:40,030 WE'LL BE RIGHT BACK ON WITH MORE NEWS AND INFORMATION THE MOMENT WE GET IT. 365 00:21:40,099 --> 00:21:45,169 RIGHT NOW, UM, I'M GOING TO, UH, UM, UH, PLAY A RECORD. 366 00:21:45,238 --> 00:21:49,873 YEAH, SURE. WHY NOT? ♪♪ 367 00:21:49,942 --> 00:21:52,943 ♪♪ 368 00:22:07,993 --> 00:22:10,060 LES NESSMAN SPEAKING. 369 00:22:12,932 --> 00:22:15,265 LISTEN, TRANSLATE THAT, JOSE. THEY'LL LOVE IT. 370 00:22:23,776 --> 00:22:26,043 AH, BUT SERIOUSLY, GUYS. 371 00:22:26,112 --> 00:22:30,848 SEE, I AM TERRIFIED BY TORNADOES. 372 00:22:30,916 --> 00:22:33,016 I MEAN, THEY PARALYZE ME. 373 00:22:33,085 --> 00:22:37,921 AND, UH, WELL, YOU GUYS SHOW UP HERE TODAY AND YOU... 374 00:22:37,990 --> 00:22:40,324 YOU LISTENED TO ALL MY PROBLEMS. 375 00:22:40,393 --> 00:22:44,928 SO, UH, GOD BLESS EVERY ONE OF YOU. 376 00:22:44,997 --> 00:22:50,233 AND I HOPE THAT YOU SELL A BILLION TV SETS. 377 00:22:53,072 --> 00:22:55,573 ANDY, WHAT HAPPENED? 378 00:22:55,641 --> 00:22:59,243 OH, HE HAD A LITTLE ACCIDENT, BUT HE'S JUST FINE NOW. AREN'T YOU, ANDY? 379 00:22:59,312 --> 00:23:03,247 SURE. LISTEN, HAS ANYBODY SEEN MY LITTLE DOG? 380 00:23:09,955 --> 00:23:13,190 WELL, ANDY, IT'S ALL OVER. NOBODY WAS KILLED. ISN'T THAT WONDERFUL? 381 00:23:13,259 --> 00:23:15,960 HELLO. 382 00:23:16,028 --> 00:23:19,496 OVER? DAMN! I'M READY NOW. 383 00:23:19,565 --> 00:23:23,133 WHY, I GOTTA GO ON THE AIR. I'M NOT AFRAID OF ANYTHING. 384 00:23:28,407 --> 00:23:30,407 THE BOOTH IS GONE. 385 00:24:05,644 --> 00:24:07,678 ♪♪ 386 00:24:11,750 --> 00:24:15,686 ♪♪ 387 00:24:24,263 --> 00:24:26,430 ♪♪ 388 00:24:40,613 --> 00:24:42,780 ♪♪ 31829

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