Original subtitles

Created by Ramnia(IR.021)

>> WELL HELLO!

IT'S A BEAUTIFUL DAY IN THIS NEIGHBORHOOD

A BEAUTIFUL DAY FOR A NEIGHBOR

WOULD YOU BE MINE? COULD YOU BE MINE?

IT'S A NEIGHBORLY DAY IN THIS BEAUTY WOOD

A NEIGHBORLY DAY FOR A BEAUTY

WOULD YOU BE MINE? COULD YOU BE MINE?

I HAVE ALWAYS WANTED TO HAVE A NEIGHBOR

JUST LIKE YOU I'VE ALWAYS WANTED TO

LIVE IN A NEIGHBORHOOD WITH YOU SO

LET'S MAKE THE MOST OF THIS

BEAUTIFUL DAY AND WE'RE HERE

AT THE OSCARS SO WE MIGHT

AS WELL STAY WOULD YOU BE MINE?

COULD YOU BE MINE? WON'T YOU BE MY NEIGHBOR

WON'T YOU PLEASE? WON'T YOU PLEASE?

PLEASE WON'T YOU BE MY NEIGHBOR?

HELLO NEIGHBORS! TONIGHT, WE CELEBRATE THE ART OF

STORYTELLING. OH, THE MISFITS, THE OUTCASTS,

THE MISUNDERSTOOD. THOSE VOICES WHO ARE LONG

DEPRIVED. BE LOUD, BE SEEN, BE LIT, BE

HEARD. BECAUSE TONIGHT, WE COME ALIVE.

WELCOME TO THE BIGGEST NIGHT OF YOUR LIVES

YOU'RE ALL DRESSED UP IN YOUR SUIT AND YOUR TIE

TRYING TO GET RID OF ALL THOSE BUTTERFLIES

SO IT'S TIME TO COME ALIVE

AT THE OSCARS SUNDAY NIGHT IT'S TIME TO COME ALIVE

NOW LET'S GO WILD COME ON.

LET'S GO! THE LOVERS ON THE RUN

AND THE QUEENS AND THE SLIMS

THE HUSTLERS WITH THEIR GUNS

AND THE LITTLE WOMEN THE DOLEMITES

THE PARASITES IT'S TIME TO SHINE

AND IT'S TIME TO COME ALIVE

WE'RE AT THE OSCARS SUNDAY NIGHT

IT'S TIME TO COME ALIVE

NOW LET'S GO WILD I'M STILL STANDING

BETTER THAN I EVER DID LOOKIN' LIKE A

TRUE SURVIVOR FEELIN' LIKE A LITTLE KID

OH, I'M STILL STANDING AFTER ALL THIS TIME

PICKING UP THE PIECES OF MY LIFE

WITHOUT YOU ON MY MIND YOU'RE LOOKING

AT YOUR NEIGHBOR WITH SWEAT ON YOUR PALMS

THE CAMERA TURNS TO YOU AND YOU TRY TO STAY CALM

BETTA KEEP YOUR SMILE ON JUST IN CASE YOU WON

IT'S TIME TO COME ALIVE COME ALIVE

COME ALIVE WOO

>> NOW, Y'ALL KNOW THIS IS MY HOUSE.

SO, THAT MEANS YOU MUST DO AS I SAY.

SNAP YOUR FINGERS JUST LIKE THIS.

SNAP THEM. AND REPEAT AFTER ME.

>> LA, LA, LA, LA, LA, LA, LA, LA, LA, LA.

>> LA, LA, LA, LA, LA, LA, LA, LA, LA, LA.

>> LA, LA, LA, LA, LA, LA, LA, LA, LA, LA.

>> LA, LA, LA, LA, LA, LA, LA, LA, LA, LA.

>> LA, LA, LA, LA, LA, LA, LA, LA, LA, LA.

>> LA, LA, LA, LA, LA, LA, LA, LA, LA, LA.

>> TONIGHT, WE CELEBRATE ALL THE AMAZING TALENT IN THIS ROOM.

WE CELEBRATE ALL THE WOMEN WHO DIRECTED PHENOMENAL FILMS AND

I'M SO PROUD TO STAND HERE AS A BLACK, QUEER ARTIST, TELLING

STORIES. HAPPY BLACK HISTORY MONTH.

WE'RE GOING TO GET LOW. WE'RE GOING TO TAKE IT TO THE

UNDERGROUND. >> LA, LA, LA, LA, LA, LA, LA,

LA, LA, LA. >> LA, LA, LA, LA, LA, LA, LA,

LA, LA, LA. >> LA, LA, LA, LA, LA, LA, LA,

LA, LA, LA. >> LA, LA, LA, LA, LA, LA, LA,

LA, LA, LA. LA, LA, LA, LA, LA, LA, LA, LA,

LA, LA. LA, LA, LA, LA, LA, LA, LA, LA,

LA, LA. EVERYBODY COME ALIVE

IT'S TIME TO COME ALIVE EVERYBODY COME ALIVE

YOU'VE GOT TO COME ALIVE ALIVE, ALIVE, ALIVE, ALIVE

WOO COME ALIVE YEAH

COME ALIVE, YEAH COME ALIVE

OH

OH WOO

EVERYBODY -- JUST COME ALIVE

ALIVE OH OH OH

WELCOME TO THE 2020 OSCARS!

>> Announcer: PLEASE WELCOME

STEVE MARTIN AND CHRIS ROCK. >> THANK YOU.

>> WOW. JANELLE MONAE.

INCREDIBLE. THAT WAS INCREDIBLE.

THAT WAS INCREDIBLE. WHILE WE WERE BACKSTAGE WATCHING

IT, STEVE SAYS TO ME, J. LO'S KILLING IT TWO WEEKS IN A ROW!

>> YOU KNOW, I WAS THINKING TODAY, CHRIS, THAT WE BOTH HAVE

HOSTED THE OSCARS BEFORE AND THIS IS SUCH AN INCREDIBLE

DEMOTION. THEY DON'T REALLY HAVE HOSTS

ANYMORE. WHY IS THAT?

>> TWITTER. EVERYBODY'S GOT AN EMBARRASSING

TWEET SOMEWHERE. I KNOW I DO.

>> A COUPLE OF YEARS AGO, THERE WAS A BIG DISASTER WHERE THEY

ACCIDENTALLY READ OUT THE WRONG NAME, BUT THEY HAVE GUARANTEED

THIS WILL NOT HAPPEN THIS YEAR, BECAUSE THE ACADEMY HAS SWITCHED

TO THE NEW IOWA CAUCUS APP. BUT WHAT A NIGHT!

>> I DON'T KNOW, STEVE. I'M A LITTLE CONFLICTED, YOU

KNOW? I WAS DRIVING HERE TONIGHT AND

SEEING THE TERRIBLE HOMELESS PROBLEM IN L.A. --

>> THANK YOU, CHRIS. SO MANY STARS!

OH, MY GOD, THERE'S BRAD PITT. IT'S LIKE LOOKING IN A MIRROR.

>> MAHERSHALA ALI IS HERE TONIGHT.

HE HAS TWO OSCARS. YOU KNOW WHAT THAT MEANS WHEN

THE COPS PULL HIM OVER? NOTHING.

JEFF BEZOS IS HERE. >> OH, WOW, GREAT ACTOR.

>> HE'S GOT CASH, WHEN HE WRITES THE CASH, THE BANK BOUNCES.

JEFF IS SO RICH, HE GOT DIVORCED AND HE'S STILL THE RICHEST MAN

IN THE WORLD. HE SAW "MARRIAGE STORY" AND

THOUGHT IT WAS A COMEDY. STEVE, DO YOU HAVE ANYTHING YOU

WANT TO ADD ABOUT MR. BEZOS? >> NO, I LIKE GETTING MY

PACKAGES ON TIME. AND MARTY SCORSESE IS HERE,

WHERE IS HE? GENIUS, WOW.

>> MARTY SCORSESE. MARTY, I GOT TO TELL YOU, I

LOVED THE FIRST SEASON OF "THE IRISHMAN."

>> OH, "THE IRISHMAN." THAT'S THAT NEW RAY ROMANO

MOVIE. SUCH A GREAT SUPPORTING CAST.

>> STEVE, DID YOU SEE "THE JOKER?"

>> I CAN'T WAIT TO SEE IT. IT SOUNDS SO FUNNY.

I'M LAUGHING ALREADY. JOKER.

>> THERE'S SO MANY -- SO MANY GREAT DIRECTORS NOMINATED THIS

YEAR. >> I DON'T KNOW, CHRIS, I

THOUGHT THERE WAS SOMETHING MISSING FROM THE LIST THIS YEAR.

>> VAGINAS? >> YES, YES.

>> THERE YOU GO. >> HEY, THERE YOU GO.

"FORD V FERRARI" IS NOMINATED. I GOT TO TELL YOU, I GOT A FORD,

I GOT A FERRARI, IT AIN'T EVEN CLOSE.

IT'S LIKE HALLE BERRY VERSUS GUM DISEASE.

>> CYNTHIA ERIVO IS HERE TONIGHT.

>> YES, CYNTHIA IS HERE TONIGHT. CYNTHIA DID SUCH A GREAT JOB IN

"HARRIET" HIDING BLACK PEOPLE THAT THE ACADEMY GOT HER TO HIDE

ALL THE BLACK NOMINEES. CYNTHIA, IS EDDIE MURPHY UNDER

THIS STAGE? >> EDDIE, I LOVED YOU IN

"DOLEMITE." >> WELL, YOU KNOW, CHRIS, THINK

HOW MUCH THE OSCARS HAVE CHANGED IN THE PAST 92 YEARS.

>> YEAH, THEY CHANGED A LOT, STEVE.

>> YEAH, THEY HAVE. IN 1929, THERE WAS NO BLACK

ACTING NOMINEES. >> NOW, IN 2020, WE GOT ONE.

>> YEAH. AMAZING GROWTH!

WELL, WE'VE HAD A GREAT TIME NOT HOSTING TONIGHT.

>> YES. WE HAD AN AMAZING TIME.

NOW, HERE TO PRESENT THE FIRST AWARD OF THE NIGHT, PLEASE

WELCOME ACADEMY AWARD-WINNER AND 15-TIME SOUL TRAIN AWARD WINNER,

REGINA KING.

>> HOW DO WE MEASURE THE IMPACT OF A FILM?

SOME MEASURE IT BY ITS BOX OFFICE.

BUT FOR ME, THE TRUE IMPACT OF A FILM CAN BE AS SIMPLE AS A

MEMORABLE LINE, OR A SEARING PERFORMANCE.

OVER THE DECADES, SO MANY ACTORS IN SUPPORTING ROLES GAVE US

MOMENTS WE WILL NEVER FORGET. I AM IN AWE OF LOUIS GOSSETT JR.

AS SERGEANT FOLEY IN "AN OFFICER AND A GENTLEMEN," JOEL GREY'S

PLAYFULLY MENACING WILKOMMEN IN "CABARET," DENZEL'S

HEARTBREAKING PERFORMANCE IN "GLORY."

THE FIVE MEN NOMINATED THIS YEAR AS BEST SUPPORTING ACTOR HAVE

ALL MADE A SIGNIFICANT IMPACT, WITH VIVID MOMENTS THAT WILL

LINGER FOR MANY YEARS TO COME. >> HELLO, NEIGHBOR.

SO GOOD TO SEE YOU AGAIN TODAY. >> DON'T YOU UNDERSTAND, YOU

WERE ALMOST ELECTED POPE. IF YOU RESIGN, IT WILL LOOK LIKE

A CRITICISM. >> BIG BUSINESS AND THE

GOVERNMENT ARE TRYING TO SEW THE SEEDS OF DISSENT AMONG OUR

RANKS, AT A TIME WHEN WE NEED UNITY.

WE NEED SOLIDARITY. >> I ASKED SOMEBODY TO TAKE CARE

OF SOMETHING FOR ME, I EXPECT THEM TO TAKE CARE OF IT

THEMSELVES. I DON'T NEED TWO ROADS COMING

BACK TO ME. >> YOU KNOW, THAT'S NOT MY CAR.

THAT'S MY BOSS'S CAR. AND IF SOMETHING WERE TO HAPPEN

TO MY BOSS'S CAR, WELL, I'D GET IN TROUBLE.

>> YOU SAY YOU NO LONGER WISH TO BE CARDINAL AND ARCHBISHOP.

ARE YOU SURE YOU STILL WISH TO BE A PRIEST?

>> I HAD TO PUT YOU INTO THIS THING, OR YOU WOULD THEY EVER

LET IT HAPPEN. BUT IT'S GOING TO HAPPEN.

>> HEY! >> YOU DON'T CONSIDER YOURSELF

FAMOUS? >> FAME IS A FOUR-LETTER WORD

BUT ULTIMATELY WHAT MATTERS IS WHAT WE DO WITH IT.

>> WHOA, WHOA. >> YOU MIGHT BE DEMONSTRATING A

FAILURE TO SHOW APPRECIATION. >> I'M NOT SHOWING APPRECIATION?

I WENT TO SCHOOL FOR FIVE YEARS. I DIDN'T NAME ONE NAME.

>> YOU DID THE RIGHT THING. >> I ASKED HIM TO PRAY FOR ME.

I FIGURED, ANYONE WHO IS GOING THROUGH WHAT HE IS GOING THROUGH

MUST BE AWFULLY CLOSE TO GOD. >> I'M NOT GOING TO DIE.

IT'S NOT MY TIME YET, MAN. >> YOU'RE NOT GOD.

YOU'RE ONLY HUMAN. >> HERE ARE THE NOMINEES FOR

PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE.

TOM HANKS. "A BEAUTIFUL DAY IN THE

NEIGHBORHOOD." ANTHONY HOPKINS.

"THE TWO POPES." AL PACINO.

"THE IRISHMAN." JOE PESCI.

"THE IRISHMAN." BRAD PITT.

"ONCE UPON A TIME IN HOLLYWOOD." AND THE OSCAR GOES TO --

BRAD PITT. "ONCE UPON A TIME IN HOLLYWOOD."

>> Announcer: THIS IS THE SECOND OSCAR FOR BRAD PITT.

HIS FIRST FOR ACTING.

>> WOW. THANK YOU.

THIS IS INCREDIBLE. REALLY INCREDIBLE.

THANK YOU TO THE ACADEMY FOR THIS HONOR OF HONORS.

THEY TOLD ME I ONLY HAVE 45 SECONDS UP HERE, WHICH IS 45

SECONDS MORE THAN THE SENATE GAVE JOHN BOLTON THIS WEEK.

I'M THINKING MAYBE QUENTIN DOES A MOVIE ABOUT IT, IN THE END,

THE ADULTS DO THE RIGHT THING. THIS REALLY IS ABOUT QUENTIN'S

ROOM. TARANTINO, YOU ARE ORIGINAL, YOU

ARE ONE OF A KIND -- THE FILM INDUSTRY WOULD BE A MUCH DRIER

PLACE WITHOUT YOU AND I LOVE THE ETHOS YOU GAVE CLIFF BOOTH, LOOK

FOR THE BEST IN PEOPLE, EXPECT THE WORST, BUT LOOK FOR THE

BEST. LEO -- I'LL RIDE ON YOUR COAT

TAILS ANY DAY, MAN. THE VIEW'S FANTASTIC.

AND TO THE REST OF THE CAST AND CREW, BIG BAD BOB RICHARDSON,

ROBERT GARCIA, RICHIE, MY MAN MIKE MOW, I ALSO WANT TO SAY,

YOU KNOW, WHILE WE'RE DOING ALL THIS, I THINK IT'S TIME WE GIVE

A LITTLE LOVE TO OUR STUNT COORDINATORS AND OUR STUNT

CREWS. LISTEN.

I'M A BIT GOBSMACKED. I'M NOT ONE TO LOOK BACK, BUT

THIS HAS MADE ME DO SO. I THINK ABOUT LOADING UP MY CAR

AND MOVING OUT HERE, GINA AND RIDLEY GIVING ME MY FIRST SHOT,

ALL THE WONDERFUL PEOPLE I'VE MET ALONG THE WAY, TO STAND HERE

NOW -- "ONCE UPON A TIME IN HOLLYWOOD," AIN'T THAT THE

TRUTH. THIS IS FOR MY KIDS WHO COLOR

EVERYTHING I DO. I ADORE YOU.

THANK YOU. >> Announcer: COMING UP,

MINDY KALING, KEANU REEVES AND DIANE KEATON.

PLUS, A ONCE IN A LIFETIME GLOBAL PERFORMANCE FROM "FROZEN

2" BY IDINA MENZEL.

>>> WELCOME BACK TO THE OSCARS. I'M BEANIE FELDSTEIN.

REGARDLESS OF WHERE THEY'RE FROM, WHEN THEY WERE FILMED OR

THEIR STYLE, ALL TYPES OF MOVIES HAVE AN EFFECT ON US.

HERE TO HONOR THE ANIMATED ONES IS MY QUEEN, MINDY KALING.

>> AS A SHY LITTLE GIRL, A DAUGHTER OF IMMIGRANT PARENTS,

ANIMATED FILM INTRODUCED ME TO WORDS BEYOND MY HOME AND MY

CLASSROOM. THEN, AS I GOT OLDER, I BEGAN TO

REALIZE THAT THOSE FILMS CONTAIN SOME OF THE MOST SOPHISTICATED

STORYTELLING IN ALL OF CINEMA. AIR

THEIR IMPACT IS EXTRAORDINARY, AND I CAN'T WAIT TO INTRODUCE MY

DAUGHTER TO THIS WORLD, KNOWING IT WILL TAKE HER IMAGINATION IN

DIRECTIONS THAT NO ONE'S EVEN DREAMED UP YET.

LET'S LOOK AT THE NOMINEES FOR BEST ANIMATED FEATURE FILM.

>> "HOW TO TRAIN YOUR DRAGON: THE

HIDDEN WORLD." DEAN DEBLOIS, BRADFORD LEWIS,

AND BONNIE ARNOLD. "I LOST MY BODY."

JEREMY CLAPIN AND MARC DU PONTAVICE.

"KLAUS." SERGIO PABLOS, JINKO GOTOH, AND

MARISA ROMAN. "MISSING LINK."

CHRIS BUTLER, ARIANNE SUTNER, AND TRAVIS KNIGHT.

"TOY STORY 4." JOSH COOLEY, MARK NIELSEN AND

JONAS RIVERA. AND THE OSCAR GOES TO --

"TOY STORY 4." JOSH COOLEY, MARK NIELSEN AND

JONAS RIVERA. >> Announcer: THIS IS THE FIRST

OSCAR AND NOMINATION FOR MARK NIELSEN, THE FIRST OSCAR AND

SECOND NOMINATION FOR JOSH COOLEY, THE SECOND OSCAR AND

THIRD NOMINATION FOR JONAS RIVERA.

>> WE ARE -- WE ARE SO, SO GRATEFUL FOR THIS HONOR.

WE JUST WANT ON BEHALF OF OUR INCREDIBLE CAST AND OUR CREW UP

AT PIXAR ANIMATION STUDIOS, WE JUST WANT TO THANK THE ACADEMY

FOR HONORING OUR FILM ALONGSIDE SO MANY BEAUTIFUL ANIMATED FILMS

THIS YEAR. WE'RE JUST PROUD TO BE AMONG

THEM. >> LISTEN, WE TAKE GREAT PRIDE

IN THE FACT THAT WE GET TO MAKE FAMILY FILMS AND "TOY STORY 4"

IS A LOVE LETTER TO OUR FAMILIES.

THIS IS FOR OUR PARENTS, OUR WIVES, OUR KIDS.

WE LOVE YOU. >> WE WANT TO THANK THE

MOVIE-GOING AUDIENCE SO MUCH, ESPECIALLY THOSE THAT GREW UP

WITH "TOY STORY." WE HOPE THAT YOUR ADVENTURES

WITH WOODY AND BUZZ MADE GROWING UP A LITTLE BIT EASIER.

MY WIFE, I LOVE YOU SO MUCH. >> THANK YOU.

>> THANK YOU.

>> AND NOW, HERE ARE THE NOMINEES FOR BEST ANIMATED SHORT

FILM. "DCERA."

DARIA KASHCHEEVA. "HAIR LOVE."

MATTHEW A. CHERRY AND KAREN RUPERT TOLIVER.

"KITBULL." ROSANA SULLIVAN AND

KATHRYN HENDRICKSON. "MEMORABLE."

BRUNO COLLET AND JEAN-FRANCOIS LE CORRE.

"SISTER." SIQI SONG.

AND THE OSCAR GOES TO -- "HAIR LOVE."

MATTHEW A. CHERRY AND KAREN RUPERT TOLIVER.

>> Announcer: THIS IS THE FIRST OSCAR AND NOMINATION FOR MATTHEW

A. CHERRY AND KAREN RUPERT TOLIVER.

>> THANK YOU SO MUCH TO THE ACADEMY AND EVERYBODY OUT THERE

THAT SUPPORTED THIS FILM. THERE WERE LOTS OF YOU.

WE SHARE THIS AWARD WITH YOU. THERE WERE SO MANY FILMMAKERS

THAT WORKED SO HARD ON THIS AND IT WAS A LABOR OF LOVE AND IT

WAS BECAUSE WE HAVE A FIRM BELIEF THAT REPRESENTATION

MATTERS DEEPLY. ESPECIALLY IN CARTOONS.

BECAUSE IN CARTOONS, THAT'S WHEN WE FIRST SEE OUR MOVIES AND HOW

WE SHAPE OUR LIVES. SO, THANK YOU TO SONY PICTURES

ANIMATION, THE PROGRESSIVE PEOPLE THAT BELIEVED IN US FROM

THE BEGINNING. THANK YOU SO LION FORGE

ANIMATION, TO SIX-POINT HARNESS AND TO MATTHEW CHERRY, THANK YOU

TO MY BEAUTIFUL HUSBAND, MY SON CHASE AND MILES FOR BELIEVES IN

ME. THANK YOU SO MUCH.

>> SO, WE HAVE A BIG TEAM THAT WE HAVE TO THANK BUT TIME IS

RUNNING SHORT, SO, I JUST WANT TO SAY THAT "HAIR LOVE" WAS DONE

BECAUSE WE WANTED TO SEE MORE REPRESENTATION IN ANIMATION.

THERE'S A VERY IMPORTANT ISSUE THAT'S OUT THERE, THE CROWN ACT

AND IF WE CAN HELP TO GET THIS PASSED IN ALL 50 STATES, IT WILL

HELP STORY LIKE DEANDRE ARNOLD'S WHO IS OUR GUEST TONIGHT, STOP

HAPPENING. THIS AWARD IS DEDICATED TO KOBE

BRYANT. MAY WE ALL HAVE A SECOND ACT AS

GREAT AS HIS WAS. THANK YOU.

>> Announcer: PLEASE WELCOME JOSH GAD.

>> AS MINDY NOTED, ANIMATED MOVIES ARE LOVED EVERYWHERE.

IN FACT, "FROZEN 2," OR AS CLIMATE CHANGE DENIERS CALL IT,

NOT "FROZEN 2," HAS BEEN DUBBED IN 45 DIFFERENT LANGUAGES, WHICH

MEANS I NOW HAVE 44 BLOOD RIVALS AROUND THE WORLD.

THESE DUBBED VERSIONS PROVIDE KIDS AND ADULTS EVERYWHERE THEIR

OWN SPECIAL CONNECTION TO THE STORY AND ITS CHARACTERS.

WHICH MEANS THERE ARE SO MANY GREAT VERSIONS OF ELSA.

FOR INSTANCE, CANADIAN EL ISA I BASICALLY THE SAME, BUT WITH

HEALTH CARE. BUT AS DAD TO TWO GIRLS AND THE

VOICE OF THE AMERICAN OLAF, IDINA MENZEL, PRONOUNCED EXACTLY

HOW IT IS SPELLED, IS OUR ELSA. AND SHE'S HERE TONIGHT, JOINED

BY AURORA AND ELSAS FROM AROUND THE WORLD WITH A SPECIAL GLOBAL

PERFORMANCE. COMPOSED BY ACADEMY AWARD

WINNERS KRISTEN ANDERSON-LOPEZ AND ROBERT LOPEZ.

HERE IS "INTO THE UNKNOWN."

AH-AH

OH, OH AH, AH

OH, OH AH, AH

OH, OH, OH I CAN HEAR YOU

BUT I WON'T SOME LOOK FOR TROUBLE

WHILE OTHERS DON'T THERE'S A THOUSAND REASONS

I SHOULD GO ABOUT MY DAY AND IGNORE YOUR WHISPERS

WHICH I WISH WOULD GO AWAY

OH AH, AH

OH, OH WHOA

AH, AH OH, OH

YOU'RE NOT A VOICE YOU'RE JUST A RINGING

IN MY EAR AND IF I HEARD YOU

WHICH I DON'T I'M SPOKEN FOR I FEAR

EVERYONE I'VE EVER LOVED IS HERE WITHIN THESE WALLS

I'M SORRY, SECRET SIREN BUT I'M BLOCKING OUT

YOUR CALLS I'VE HAD MY ADVENTURE

I DON'T NEED SOMETHING NEW I'M AFRAID OF WHAT

I'M RISKING IF I FOLLOW YOU

INTO THE UNKNOWN INTO THE UNKNOWN

INTO THE UNKNOWN INTO THE UNKNOWN

AH, AH OH, OH

AH, AH OH, OH

ARE YOU OUT THERE?

DO YOU KNOW ME? CAN YOU FEEL ME?

CAN YOU SHOW ME? OH, OH

OH, OH OH, OH

OH, OH OH, OH

OH, OH OH, OH

OH, OH WHERE ARE YOU GOING?

DON'T LEAVE ME ALONE HOW DO I FOLLOW YOU?

OH, OH INTO THE UNKNOWN

OH, OH

>> Announcer: KELLY MARIE TRAN IS NEXT.

PLUS, KEANU REEVES JOINS DIANE KEATON, AND

NATALIE PORTMAN TEAMS UP WITH TIMOTHEE CHALAMET.

THEN LATER, PERFORMANCES FROM BILLIE EILISH, CHRISSY METZ AND

ELTON JOHN.

ZB

>>> AND WE'RE BACK AT THE OSCARS.

I'M KELLY MARIE TRAN. WITH ME IS QUESTLOVE, FREAKING

QUESTLOVE, THIS IS CRAZY. ALL RIGHT, I NEED TO CALM DOWN

BECAUSE IT'S TIME FOR ANOTHER AWARD.

HERE ARE OSCAR-WINNING ACTRESS DIANE KEATON AND A MAN

WHOSE MATRIX WE'D ALL LIKE TO RELOAD, KEANU REEVES.

>> THANK YOU SO MUCH.

OKAY. >> HELLO, DIANE.

>> HELLO. HELLO THERE, KEANU.

WELL -- ANYWAY, AH, YOU KNOW, IT'S BEEN A LONG TIME SINCE WE

MADE THAT MOVIE, "SOMETHING'S GOT TO GIVE."

YOU REMEMBER ME IN IT? >> YOU WERE AMAZING.

>> YOU WERE AMAZING. >> I'LL NEVER FORGET READING

THAT NANCY MEYERS SCREENPLAY FOR THE FIRST TIME.

>> YEAH, I KNOW, YEAH. NO, NO, I MEAN, OBVIOUSLY ME,

NEITHER, I MEAN, THAT WAS A LOT OF CRYING IN THERE, KEANU, LOTS

OF LAUGHING AND CRYING AND WE HAD SOME REALLY, WELL, LET'S BE

FRANK. >> IT WAS A GOOD TIME.

>> YOU AND JACK. >> I WOULDN'T GO THAT FAR.

BUT ANYWAY. >> SO POWERFUL.

SO MTHAT WAS SURPRISING, EXCITING.

>> RIGHT. >> IT WAS.

IT'S TRUE. I MEAN, THAT'S REALLY THE POWER

OF A GOOD SCRIPT, AM I RIGHT ABOUT THAT?

>> ABSOLUTELY RIGHT. >> I AM, OKAY.

SO -- >> HERE ARE THE NOMINEES FOR

BEST ORIGINAL SCREENPLAY. >> I'M GOING TO OPEN THIS FOR

YOU -- >> NOT YET.

NOT YET, THAT'S WHAT I MEAN. NOT YET.

>> "KNIVES OUT" WRITTEN BY RIAN JOHNSON.

>> ALL EYES TURN TO BLANK. >> DETECTIVE BLANC.

YOU SAID THAT THE INVESTIGATION IS ONGOING.

YOU MADE A POINT OF THAT. DO YOU SUSPECT FOUL PLAY?

>> MR. BLANC. >> "MARRIAGE STORY" WRITTEN BY

NOAH BAUMBACH. >> DO NOT COMPARE ME TO MY

FATHER. >> I DIDN'T COMPARE YOU TO HIM.

I SAID YOU WERE ACTING LIKE HIM. >> YOU'RE EXACTLY LIKE YOUR

MOTHER! EVERYTHING YOU'RE COMPLAINING

ABOUT HER, YOU'RE DOING. YOU'RE SUFFOCATING HENRY.

>> FIRST OF ALL, I LOVE MY MOTHER, SHE WAS A WONDERFUL

MOTHER! >> I'M JUST REPEATING WHAT

YOU TOLD ME. >> SECONDLY, HOW DARE YOU

COMPARE MY MOTHERING TO MY MOTHER?

>> "1917," WRITTEN BY SAM MENDES AND KRYSTY WILSON-CAIRNS.

>> WE SEE THE BURNING TOWN RECEDING BEHIND HIM.

BULLETS CRACK OFF THE COBBLES JUST IN FRONT OF HIM.

HE DROPS 40 FEET AND SMASHES INTO THE WATER.

>> "ONCE UPON A TIME IN HOLLYWOOD," WRITTEN BY

QUENTIN TARANTINO. >> I DON'T REMEMBER YOUR NAME

BUT I REMEMBER THAT HAIR. AND YOU, I REMEMBER YOUR WHITE

LITTLE FACE. AND YOU WERE ON A HORSEY.

>> "PARASITE." SCREENPLAY BY BONG JOON-HO AND

T HAN JIN WON.

STORY BY BONG JOON HO. KI-TEK DIVES AFTER THE PHONE

WHILE MUN-KWANG TRIES TO RETRIEVE IT.

THEN KI-WOO LUNGES TOWARD MUN-KWANG.

THEN KUN-SAE AFTER HIM. AND OF COURSE KI-JUNG HAS TO

JUMP AFTER KUN-SAE. >> WHOA!

WHOA! OKAY.

AND SO, THE -- THE OSCAR, IT GOES TO -- OH, MY GOD.

WHY DON'T YOU READ THIS? >> ALL RIGHT.

BONG JOON-HO AND HAN JIN WON. "PARASITE."

>> Announcer: THIS IS THE FIRST OSCAR AND THE THIRD NOMINATION

THIS YEAR FOR BONG JOON-HO. THE FIRST OSCAR AND NOMINATION

FOR HAN JIN WON.

>> AH -- THANK YOU, GREAT HONOR. YEAH.

THANK YOU.

>> Translator: WRITING A SCRIPT IS ALWAYS SUCH A LONELY PROCESS.

WE NEVER WRITE TO REPRESENT OUR COUNTRIES.

>> BUT THIS IS VERY PERSONAL TO SOUTH KOREA.

THANK YOU.

>> Translator: I THANK MY WIFE FOR ALWAYS BEING AN INSPIRATION

TO ME. I THANK ALL THE ACTORS WHO ARE

HERE WITH ME TODAY FOR BRINGING THIS FILM TO LIFE.

THANK YOU. >> THANK YOU, DIRECTOR BOON AND

THANK YOU MY MOM AND THANK ALL --

>> Translator: AS THERE'S HOLLYWOOD IN THE U.S., IN KOREA,

WE HAVE -- I'D LIKE TO SHARE THIS HONOR WITH ALL THE

STORYTELLERS AND FILMMAKERS THERE.

>> THANK YOU, ACADEMY. >> THANK YOU.

>> Announcer: PLEASE WELCOME

ACADEMY AWARD-NOMINEE TIMOTHY C

CHALAMET AND ACADEMY AWARD-WINNING ACTRESS NATALIE

PORTMAN. >> "EVERYBODY COMES TO RICKS."

>> "SHOELESS JOE." >> "Q&A."

>> "DIVERSION." >> BUT YOU MAY KNOW THEM BETTER

AS THE FILMS THEY BECAME, "CASABLANCA," "FIELD OF DREAMS,"

"SLUMDOG MILLIONAIRE" AND "FATAL ATTRACTION."

>> LIKE THE WRITERS OF THOSE CLASSIC FILMS, THIS YEAR'S

NOMINATED WRITERS HAVE MANAGED TO CAPTURE THE ESSENCE OF THEIR

SOURCE MATERIAL IN A WAY THAT IS ENTIRELY UNIQUE AND ORIGINAL.

HERE ARE THIS YEAR'S NOMINEES FOR BEST ADAPTED SCREENPLAY.

>> "THE IRISHMAN" SCREENPLAY BY STEVEN ZAILLIAN.

BASED ON THE BOOK "I HEARD YOU PAINT HOUSES" BY CHARLES BRANDT.

>> YOU KNOW WHO OWNS THE CADILLAC LINEN SERVICE?

>> SOME JEWS IN THE LAUNDRY BUSINESS.

THAT'S WHAT THEY TOLD ME. >> THEY OWN A PART OF IT.

SOMEBODY ELSE GOT AN INTEREST IN THAT.

YOU KNOW WHO? >> NO.

>> I DO. >> WHO?

>> NO. I DO.

I OWN THE OTHER PART. NOT I KNOW SOMEBODY WHO OWNS THE

OTHER PART. >> "LITTLE WOMEN" WRITTEN FOR

THE SCREEN BY GRETA GERWIG, BASED ON

THE NOVEL BY LOUISA MAY ALCOTT. >> WHO WILL BE INTERESTED IN A

STORY OF DOMESTIC STRUGGLES AND JOYS?

IT DOESN'T HAVE ANY REAL IMPORTANCE, DOES IT?

>> MAYBE IT DOESN'T SEEM IMPORTANT, BECAUSE PEOPLE DON'T

WRITE ABOUT THEM. >> NO, WRITING DOESN'T CONFER

IMPORTANCE, IT REFLECTS IT. >> I DON'T THINK SO.

WRITING THEM WILL MAKE THEM MORE IMPORTANT.

>> "JOKER" WRITTEN BY TODD PHILLIPS AND SCOTT SILVER.

BASED ON CHARACTERS CREATED BY BOB KANE, BILL FINGER AND

JERRY ROBINSON. AS THE DOOR CLOSES ON HIS NEW

FACE, ARTHUR, NOW "JOKER" DANCING HIS WAY DOWN THE LONG

STAIRCASE, DOING HIS OWN BILL "BOJANGLES" ROBINSON STAIR DANCE

SKIPPING AND TWIRLING DOWN STEPS, DANCING AND SINGING ALONG

TO THE MUSIC IN HIS HEAD. >> "JOJO RABBIT" SCREENPLAY BY

TAIKA WAITITI, BASED ON THE BOOK "CAGING SKIES" BY CHRISTINE

LEUNENS. >> EXCUSE ME?

LITTLE GIRL? UM, JEW GIRL IN THE WALL?

YOOHOO, JEW? >> ADOLF ENCOURAGES JOJO TO

CONTINUE. >> "THE TWO POPES" WRITTEN BY

ANTHONY McCARTEN BASED ON HIS PLAY "THE POPE."

>> YOU'RE MISTAKEN. YOU'RE MISTAKEN.

>> I CANNOT FEEL THE PRESENCE OF GOD!

I DO NOT HEAR HIS VOICE, DO YOU UNDERSTAND ME?

>> NO, YOU ARE MISTAKEN, YOU ARE --

>> I BELIEVE IN GOD! I PRAY TO GOD.

SILENCE! >> AND THE OSCAR GOES TO --

DAY KAWHI DAY KAWHI TEE TEE, "JOJO RABBIT."

>> Announcer: THIS IS THE FIRST OSCAR AND NOMINATION FOR DTAIKA

WAITITI. >> THANK YOU.

AMAZING. THANK YOU.

AH, THIS THIS IS REALLY LIGHT. THIS ONE'S LIGHT.

SUPPOSED TO BE HEAVY. I'D LIKE TO THANK MY MOTHER, I

DON'T KNOW WHERE YOU ARE, MOM, I LOST YOU, HOURS AGO.

OH, THERE. THANK YOU FOR -- FOR BEING MY

MOTHER AND FOR, I MEAN, MANY OTHER REASONS, BUT FOR GIVING ME

THE BOOK THAT I ADAPTED AND THIS FILM WOULDN'T HAVE EXISTED

WITHOUT YOU DOING THAT. CHRISTINE FOR WRITING THE BOOK,

THANK YOU. FOR THE PRODUCERS OF THE FILM,

KATHY AND CHELSEA, WHO WERE THERE RIGHT FROM THE BEGINNING,

THANK YOU GUYS. MANY OTHER PEOPLE THAT I WANT TO

THANK, BUT I WON'T, BECAUSE I CAN'T REMEMBER THEM.

THAT'S IT. THIS IS REALLY GREAT.

I DEDICATE THIS TO ALL THE INDIGENOUS KIDS IN THE WORLD WHO

WANT TO DO ART AND DANCE AND WRITE STORIES, WE ARE THE

ORIGINAL STORYTELLERS AND WE CAN MAKE IT HERE, AS WELL.

THANK YOU.

>> Announcer: PLEASE WELCOME

SHIA LABEOUF AND ZACK GOTTSAGEN.

>> SHORT FILMS ALLOW NEW VOICES TO BE SEEN AND HEARD WITHOUT THE

CONSTRAINTS OF BUDGET OR PERMISSION.

I'VE SEEN THESE FILMS, AND THEY ARE BEAUTIFUL.

>> AND IF YOU HAVEN'T SEEN IT, COME SEE IT.

>> BANG. HERE ARE THE NOMINEES FOR

BEST LIVE ACTION SHORT FILM. >> "BROTHERHOOD," MERYAM JOOBEUR

AND MARIA GRACIA TURGEON. "NEFTA FOOTBALL CLUB," YVES PIAT

AND DAMIEN MEGHERBI. "THE NEIGHBORS' WINDOW,"

MARSHALL CURRY. "SARIA," BRYAN BUCKLEY AND MATT

LEFEBVRE. "A SISTER," DELPHINE GIRARD.

>> THE OSCAR GOES TO -- >> "THE NEIGHBORS' WINDOW."

>> Announcer: THIS IS THE FIRST OSCAR AND FOURTH NOMINATION FOR

MARSHALL CURRY.

>> WOW. I'M SO GRATEFUL TO ALL THE

PEOPLE WHO MADE THIS FILM WITH ME.

INCLUDING MARIA DISEA, JULIA, JOHN, WOLFGANG, ELIZABETH, MY

WIFE AND PRODUCING PARTNER, OUR KIDS.

JANE AND RIVERS. I WANT TO DEDICATE THIS TO MY

MOM WHO GREW UP ON A PEACH FARM IN CHESTERFIELD, SOUTH CAROLINA,

WAS THE BEST STORYTELLER I EVER KNEW.

SHE -- SHE ALWAYS HAD A STORY ABOUT SOME CRAZY THING THAT

HAPPENED, YOU KNOW, WITH HER SIBLINGS WHEN SHE WAS GROWING UP

OR SOME WEIRD DOG THAT SHE HAD SEEN OR -- OR SOMETHING THAT THE

TAXI DRIVER HAD TOLD HER ABOUT HIS LIFE THAT WOULD BREAK YOU

HEART. AND I LEARNED FROM WATCHING HER

THAT A WELL-TOLD STORY IS -- IT'S A POWERFUL THING.

AND IT CAN -- IT CAN CHANGE THE WAY WE SEE THE WORLD AND IT CAN

HELP US TO NOTICE OTHER PEOPLE AND CARE ABOUT THOSE OTHER

PEOPLE AND MAYBE LOVE EACH OTHER A LITTLE BIT MORE, SO THIS IS

FOR HER AND FOR ALL THE STORYTELLERS.

THANK YOU.

>> Announcer: COMING UP, MAYA RUDOLPH AND KRISTEN WIIG.

PLUS, MAHERSHALA ALI PRESENTS >> ANNOUNCER GETS THE LAST WORD.

"THE CONNERS LIVE" TUESDAY ON ABC.

>> Announcer: PLEASE WELCOME MAYA RUDOLPH AND ACADEMY AWARD

NOMINEE, KRISTEN WIIG.

>> HI. >> HI, HOW ARE YOU?

>> TONIGHT, WE WILL BE HONORING THE WORK -- YOU KNOW WHAT?

I CAN'T DO IT. >> NO.

>> BECAUSE WE'RE UPSET. >> OH, ARE WE UPSET.

>> YOU KNOW WHAT, YOU GUYS DON'T WANT TO KNOW.

>> WE'RE P.O..ED. FRANKLY, I'M SEEING RED.

>> I'M TICKED OFF, YOU KNOW? YOU GUYS DON'T WANT TO KNOW

WHAT'S GOING ON. >> NO.

I'M T-ED OFF. I'M STEAMED.

>> I -- YOU KNOW WHAT? I CAN'T DO THIS.

>> WE'RE SORRY, WE'RE TOO UPSET. WE'RE TOO UPSET TO DO THIS.

SORRY. >> GUYS?

>> GUYS. >> WE'RE NOT MAD.

>> NUH-HUH. >> THAT WAS AN ACT.

>> YEAH. WE WERE ACTING.

>> YEAH. >> WE JUST KNOW THERE ARE A LOT

OF DIRECTORS HERE TONIGHT AND -- >> WE JUST WANTED THEM TO KNOW

WE DO MORE THAN COMEDY. >> OH, THAT WAS MY LINE.

>> WELL, I GUESS IT'S MINE NOW, SON.

>> HOW WOULD YOU KNOW, YOU WERE ALWAYS GONE WHEN I WAS A KID.

SEE? ACTING.

>> SOMETHING OTHER THAN ACTING THAT WE'RE PASSIONATE ABOUT

IS -- >> PRODUCTION DESIGN.

>> THE LOOK AND FEEL OF A F FILM -- I'M SORRY, I CAN'T DO

THIS. >> SEE?

>> WE CRY, TOO. >> CRYING.

>> HERE ARE THE NOMINEES FOR ACHIEVEMENT IN PRODUCTION

DESIGN. >> "THE IRISHMAN" PRODUCTION

DESIGN BY BOB SHAW. SET DECORATION BY REGINA GRAVES.

"JOJO RABBIT" PRODUCTION DESIGN BY RA VINCENT.

SET DECORATION BY NORA SOPKOVA. "1917" PRODUCTION DESIGN BY

DENNIS GASSNER. SET DECORATION BY LEE SANDALES.

"ONCE UPON A TIME IN HOLLYWOOD" PRODUCTION DESIGN BY

BARBARA LING. SET DECORATION BY NANCY HAIGH.

"PARASITE" PRODUCTION DESIGN BY LEE HA JUN.

SET DECORATION BY CHO WON WOO. >> AND THE OSCAR GOES TO --

OH, BOY. "ONCE UPON A TIME IN HOLLYWOOD."

BARBARA LING, NANCY HAIGH. >> Announcer: THIS IS THE FIRST

OSCAR AND NOMINATION FOR BARBARA LING.

THE SECOND OSCAR AND EIGHTH NOMINATION FOR NANCY HAIGH.

>> THANK YOU TO THE ACADEMY AND THANK YOU AND WE SHARE THIS WITH

OUR INCREDIBLE ART DEPARTMENT AND MY PARTNER IN CRIME,

DECORATOR NANCY HAIGH AND MOSTLY TO QUENTIN TARANTINO, FOR

WRITING AN EPIC MASTERPIECE. AND LETTING US TAKE THIS WILD

RIDE WITH HIM. THANK YOU.

>> A HUGE SHOUTOUT TO ALL THE PEOPLE THAT HELPED PUT US HERE

TONIGHT. THE CRAFTSMEN, THE CONSTRUCTION

GUYS, THE PAINTERS, OUR PROP MASTER, CHRIS CALL, AND OF

COURSE, MY GANG, MARK AND SARAH AND JONESY AND ADAM AND

EVERYBODY. I APPRECIATE IT SO MUCH.

THANK YOU. >> OH, OKAY.

I GUESS WE'RE DOING ANOTHER ONE. >> WELL, I HAVE A DOCTOR'S

APPOINTMENT. OH WELL.

>> OKAY. THE NOMINEES FOR BEST COSTUME

DESIGN ARE -- >> WAIT, THAT'S IT?

WE CAN'T JUST SKIP RIGHT TO THE AWARD.

>> YOU'RE RIGHT. SO MUCH GOES INTO COSTUME

DESIGN. WHAT ELSE SHOULD WE SAY?

>> WELL -- MAYBE WE DON'T SAY IT.

MAYBE WE SING IT. THESE BOOTS ARE MADE FOR

WALKING AND THAT'S JUST WHAT THEY'LL

DO AND ONE OF THESE DAYS THESE

BOOTS ARE GONNA WALK ALL OVER YOU'VE GOT THE LOOK

OH DEVIL WITH A BLUE DRESS DEVIL WITH A BLUE DRESS ON

BLUEBERRY HILL VOGUE VOGUE VOGUE VOGUE

LADY IN RED IS DANCING WITH ME

CHEEK TO CHEEK IN A THONG THONG THONG THONG

YOU CAN LEAVE YOUR HAT ON >> HERE ARE THE NOMINEES FOR

ACHIEVEMENT IN COSTUME DESIGN. >> "THE IRISHMAN" COSTUME DESIGN

BY SANDY POWELL AND CHRISTOPHER PETERSON.

"JOJO RABBIT" COSTUME DESIGN BY MAYES C. RUBEO.

"JOKER" COSTUME DESIGN BY MARK BRIDGES.

"LITTLE WOMEN" COSTUME DESIGN BY JACQUELINE DURRAN.

"ONCE UPON A TIME IN HOLLYWOOD" COSTUME DESIGN BY

ARIANNE PHILLIPS. >> AND THE OSCAR GOES TO --

JACQUELINE DURRAN, "LITTLE WOMEN."

>> Announcer: THIS IS THE SECOND OSCAR AND SEVENTH NOMINATION FOR

JACQUELINE DURRAN.

>> THANK YOU. THANK SO THE ACADEMY.

I'M IN DEALTED TO A LOT OF PEOPLE, TO A WONDERFUL TEAM, TO

AN AMAZING CAST, TO PRODUCER AY PASCAL, TO MY FAMILY, WHO ENABLE

ME TO BE A WORKING MOTHER AND FIRST AND LAST, TO GRETA GERWIG.

SHE WAS AN INSPIRATION TO ALL OF US WITH HER COURAGE AND HER

BRILLIANCE. THANK YOU.

WHEN YOU'RE HURTING I WANT YOU TO KNOW

THAT YOU'LL NEVER HAVE TO HURT ALONE

WHEN YOUR FAITH IS FAITH IS RUNNING LOW

I'LL NEVER LOSE FAITH IN YOU

WHEN THE NIGHT SURROUNDS YOU

AND YOU THINK THAT NO ONE CARES ABOUT YOU

I WILL GO AND THROW MY ARMS AROUND YOU

I'LL BE THERE THROUGH WHATEVER

YOU GO THROUGH I'M STANDING WITH YOU

AND WHEREVER YOU GO TO I'LL STAND BESIDE YOU

AND WHEN YOU THINK THAT ALL THE ODDS ARE

ALL AGAINST YOU AND YOU JUST FEEL LIKE

GIVING UP WELL I WON'T LET YOU

THROUGH WHATEVER YOU GO THROUGH

I'M STANDING WITH YOU I'M STANDING WITH YOU

NOTHING YOU CAN DO CAN MOVE ME

YOU CAN TRY BUT YOU CAN'T LOSE ME

YOU CAN'T LOSE ME THROUGH WHATEVER

YOU GO THROUGH I'M STANDING WITH YOU

AND WHEREVER YOU GO TO I'LL STAND BESIDE YOU

AND WHEN YOU THINK THAT ALL THE ODDS ARE

ALL AGAINST YOU AND YOU JUST FEEL LIKE

GIVING UP WELL I WON'T LET YOU

THROUGH WHATEVER YOU GO THROUGH

I'M STANDING WITH YOU I'M STANDING WITH YOU

I'M STANDING WITH YOU I'M STANDING WITH YOU

I'M STANDING WITH YOU I LOVE YOU, MOM.

>> Announcer: MARK RUFFALO IS

NEXT AND WE'LL FIND OUT WHO WINS FOR SUPPORTING ACTRESS.

THEN LATER, TOM HANKS, WILL FERRELL JOINS

JOHN PERFORMS HIS NOMINATED SONG

>>> THE THING THAT'S MADE ME

OPEN W HAPPENING WITH THE ENVIRONMENT

AND THE CLIMATE WAS FILMS AND DOCUMENTARIES, SO, THANK YOU FOR

THAT. THAT WAS WHAT MADE ME DECIDE TO

DO SOMETHING ABOUT IT. >> DOCUMENTARIES AND THE FILM T

ALWAYS HAD AN EXTRAORDINA >> FROM MY COLD, DEAD HANDS.

>> IT HAS THE POWER TO PLANT QUESTIONS IN PEOPLE'S MINDS.

>> WHY IS IT ALWAYS THE POOR THAT HAVE TO SUFFER THE MISERY?

>> IT'S SO CONFUSING FOR PEOPLE TO KNOW WHAT IS AND ISN'T

TRUTHFUL IN THE END. >> THERE'S THE TRUTH OF WHAT

ACTUALLY HAPPENED. >> IT IS POWERFUL TO COME OUT

AND BE, LIKE, LOOK, I'M NOT AFRAID.

>> PEOPLE NEED A HUMAN BEING THAT CAN LEAD THEM.

>> ONE CHILD CAN CHANGE THE WORLD.

>> DOCUMENTARY FILMS CAPTURE TH GENERATIONS AND BRING US CLOSER

TOGETHER. >> Announcer: PLEASE WELCOME

ACADEMY AWARD NOMINATED ACTOR MARK RUFFALO.

>> THIS YEAR'S NOMINATED DOCUMENTARIES TOOK US OUT OF OUR

EVERYDAY LIVES AND GAVE US THE CHANCE TO WALK IN SOMEONE ELSE'S

SHOES. IT WASN'T ALWAYS A COMFORTABLE

WALK, BUT IT'S A JOURNEY WE WOULD HAVE OTHERWISE NEVER

TRAVELED. AS A RESULT, THESE FILMS, FOUR

OF WHICH ARE DIRECTED OR CO-DIRECTED BY WOMEN -- HAVE AN

IMPACT NOT JUST FOR TODAY, BUT WILL RESONATE WITH US FOR YEARS

TO COME. HERE ARE THE NOMINEES FOR BEST

DOCUMENTARY FEATURE. "AMERICAN FACTORY."

STEVEN BOGNAR, JULIA REICHERT AND JEFF REICHERT.

>> WHAT WE'RE DOING IS WE'RE MELDING TWO CULTURES TOGETHER.

THE CHINESE CULTURE AND THE U.S. CULTURE.

>> "THE CAVE." FERAS FAYYAD,

KIRSTINE BARFOD AND SIGRID DYEKJER.

"THE EDGE OF DEMOCRACY" PETRA COSTA, JOANNA NATASEGARA,

SHANE BORIS AND TIAGO PAVAN. >> I FEAR DEMOCRACY WAS NOTHING

BUT A SHORT-LIVED DREAM. >> "FOR SAMA."

WAAD AL KATEAB AND EDWARD WATTS.

"HONEYLAND" LJUBO STEFANOV, TAMARA KOTEVSKA AND

ATANAS GEORGIEV. AND THE OSCAR GOES TO --

"AMERICAN FACTORY." >> Announcer: THIS IS THE FIRST

OSCAR AND SECOND NOMINATION FOR STEPHEN BOGNAR, THE FIRST WIN

AND NOMINATION FOR JULIA AND JEFF REICHERT.

>> WOW. THANK YOU.

WELL, EVEN BEFORE THAT ENVELOPE GOT OPENED, JUST BEING IN THE

PRESENCE, IN THE COMPANY OF OUR SISTER AND BROTHER

DOCUMENTARIANS, WHO -- WHO RISKED THEIR LIVES MAKING

STORIES, BRINGING STORIES TO US ABOUT HOSPITALS BEING BOMBED IN

SYRIA, ABOUT BRAZIL, ABOUT MACEDONIA, WE WERE SO PROUD, WE

ARE INSPIRED BY YOU GUYS. OUR FILM IS FROM OHIO AND CHINA.

GO BUCKEYES. AND -- SORRY.

AND -- BUT IT REALLY COULD BE FROM ANYWHERE THAT PEOPLE PUT ON

A UNIFORM, PUNCH A CLOCK, TRYING TO MAKE THEIR FAMILIES HAVE A

BETTER LIFE. WORKING PEOPLE HAVE IT HARDER

AND HARDER THESE DAYS AND WE BELIEVE THAT THINGS WILL GET

BETTER WHEN WORKERS OF THE WORLD UNITE.

>> THANK YOU, ACADEMY, THANK YOU TO EVERYONE WHO TRUSTED US TO

TELL YOUR STORY. THANK YOU TO OUR UNSTOPPABLE

CREW, OUR BELOVED FRIENDS AND FAMILY, OUR UNSTOPPABLE EDITOR,

AND TO THOSE BIG-HEARTED PEOPLE AT NETFLIX, PARTICIPANT MEDIA,

HIGHER GROUND PRODUCTIONS AND THE TOUGH PEOPLE OF DAYTON,

OHIO.

>> AND NOW, HERE ARE THE NOMINEES FOR BEST DOCUMENTARY

SHORT SUBJECT. "IN THE ABSENCE" YI SEUNG-JUN

AND GARY BYUNG-SEOK KAM. "LEARNING TO SKATEBOARD IN A

WARZONE (IF YOU'RE A GIRL)" CAROL DYSINGER AND

ELENA ANDREICHEVA. "LIFE OVERTAKES ME" JOHN HAPTAS

AND KRISTINE SAMUELSON. "ST. LOUIS SUPERMAN" SMRITI

MUNDHRA AND SAMI KHAN. "WALK RUN CHA-CHA" LAURA NIX AND

COLETTE SANDSTEDT. AND THE WINNER IS -- "LEARNING

TO SKATEBOARD IN A WAR ZONE IF YOU'RE A GIRL."

>> Announcer: THIS IS THE FIRST OSCAR AND NOMINATION FOR CAROL

DYSINGER AND ELENA ANDREICHEVA. >> OH, MY GOD.

>> OH, MY GOSH. >> I KNOW.

>> ARE YOU GOING TO SAY SOMETHING?

>> I AM. RANK CAPRA, YOU REMEMBER FRANK

CAPRA HANDED ME A STUDENT ACADEMY AWARD IN 1977, AND I

THOUGHT I'D SKIPPED THE HARD PART.

I SHOULD I WOULD THEN GO ON TO MAKE MOVIES.

AND IF I HADN'T HAD THAT ENCOURAGEMENT AT MY BACK BACK

THEN, I WOULDN'T HAVE BEEN ABLE TO WITHSTAND THE LAST FOUR

DECADES IN THIS BUSINESS. I WANT TO THANK MOLLY THOMPSON,

GRAIN MEDIA, TO ADAM, THE MAN BEHIND THE WOMEN.

THE BRILLIANCE MY CINEMATOGRAPHER AND EDITOR.

TO ZAMA AND TAM, OUR NUMBER ONE GIRL CREW.

I'VE BEEN WORKING IN AFGHANISTAN SINCE 2005 AND THIS MOVIE IS MY

LOVE LETTER TO THE BRAVE GIRLS OF THAT COUNTRY.

TO GET TO CAPRA FROM HERE TOOK A WHOLE LOT OF NOT QUITTING AND

TEACHERS, THE KIND I STRIVE TO BE AT NYU FILM SCHOOL AND THE

KIND OF TEACHERS AT THE SCHOOL AT THE HEART OF THE FILM, THEY

TEACH GIRLS COURAGE, TO RAISE YOUR HAND, TO SAY, "I AM HERE, I

HAVE SOMETHING TO SAY AND I'M GOING TO TAKE THAT RAMP, DON'T

TRY TO STOP ME." THANK YOU VERY MUCH.

>> THANK YOU. KEEP SKATERS ROLLING.

>> Announcer: PLEASE WELCOME TWO-TIME ACADEMY AWARD-WINK NIN

ACTOR, MAHERSHALA ALI.

>> MOST EVERY ACTRESS AND ACTOR I KNOW WANTS TO BUILD A LASTING

BODY OF WORK, CHOOSING ROLES THAT DO MORE THAN JUST SPEAK TO

THEM PERSONALLY, BUT WITH THE HOPE THAT THEIR PERFORMANCE WILL

RESONATE WITH OTHERS. THE FIVE WOMEN NOMINATED AS BEST

SUPPORTING ACTRESS HAVE DONE JUST THAT.

>> THE IDEA OF A GOOD FATHER WAS ONLY INVENTED LIKE 30 YEARS AGO.

WE LOVE THEM FOR THEIR FALLIBILITIES BUT PEOPLE

ABSOLUTELY DON'T ACCEPT THOSE SAME FEELINGS IN MOTHERS.

>> YOU WANT YOUR DADDY? >> YEAH, I DO.

>> YEAH? >> YEAH.

>> YEAH? >> YEAH.

>> DON'T YOU EVER TALK TO YOUR MOTHER LIKE THAT.

>> RICHARD IS NOT A MURDERER. HE SAVED PEOPLE'S LIVES.

MR. PRESIDENT, PLEASE CLEAR MY SON'S NAME.

>> AS A WOMAN, THERE'S NO WAY FOR ME TO MAKE MY OWN MONEY.

NOT ENOUGH TO EARN A LIVING OR TO SUPPORT MY FAMILY AND IF WE

HAD CHILDREN, THEY WOULD BE HIS, NOT MINE.

SO, DON'T SIT THERE AND TELL ME THAT MARRIAGE ISN'T AN ECONOMIC

PROPOSITION, BECAUSE IT IS. >> I -- I CAN'T CALL ANYONE ELSE

AND I JUST -- I NEED SOMEONE RIGHT NOW TO TELL ME THAT THAT'S

WHAT I SHOULD DO. >> WHY DO YOU KEEP DEFENDING

THESE PEOPLE? >> I'M NOT DEFENDING, I'M JUST

EXPLAINING. >> WELL, STOP IT.

>> I FEEL SORRY FOR YOU, I REALLY DO.

>> YOU DON'T HAVE TO FEEL SORRY FOR ME, AMY, YOU'LL FEEL THE

SAME WAY ONE DAY. >> NO, I'D BE RESPECTED IF I

WASN'T LOVED. >> YOU LOOK A TIGER IN THE EYE

AND TRUST WITHOUT FEAR, THAT IS WHAT IT'S LIKE TO BE A WOMAN.

>> IT WOULD HAVE BEEN NICE IF SOMEBODY TOLD US THAT HE'S AFTER

MORE THAN LEGS. >> IT'S NOBODY'S JOB TO PROTECT

YOU, KAYLA. >> THAT'S ALL OF OUR JOB.

>> HERE ARE THE NOMINEES FOR PERFORMANCE BY AN ACTRESS IN A

SUPPORTING ROLE. BEATES, "RICHA" LAURA DERN, "MARRIAGE STORY."

SCARLETT JOHANSSON, "JOJO RABBIT."

FLORENCE PUGH, "LITTLE WOMEN." MARGOT ROBBIE, "BOMBSHELL."

AND THE OSCAR GOES TO -- LAURA DERN, "MARRIAGE STORY."

>> Announcer: THIS IS THE FIRST OSCAR AND THIRD NOMINATION FOR

LAURA DERN.

>> THANK YOU TO THE ACADEMY FOR THIS HONOR.

JUST TO BE IN THIS ROOM WITH SUCH REMARKABLE ARTISTS,

INCLUDING MY FELLOW NOMINEES, MY SISTERS AND COLLEAGUES.

THANK YOU NETFLIX, MY FRIEND TED SCOTT, EVERYONE FOR THEIR

SUPPORT AND LOVE. TO NOAH, HIS VISION, HIS MAGIC,

THANK YOU, NOAH, FOR YOUR WORDS AND FOR YOUR FRIENDSHIP IN ART

AND LIFE WITH YOU AND GRETA. THANK YOU TO THIS CAST, THE

MAJESTIC ADAM, SCARLETT, ALLEN, RAY, OUR AMAZING CREW, DAVID,

NOAH WROTE A MOVIE ABOUT LOVE AND ABOUT BRIEFING DIVISIONS IN

THE NAME AND IN THE HONOR OF FAMILY AND HOME AND HOPEFULLY

FOR ALL OF US, IN THE NAME OF OUR PLANET, AND I WOULD LIKE TO

SAY A SPECIAL THANK YOU TO THE GIFTS OF THE LOVE STORIES IN MY

LIFE, MY STEP-CHILDREN, C.J. AND HARRIS, MY HEART AND

INSPIRATION, ELLERY AND GIA, AND YOU KNOW, SOME SAY NEVER MEET

YOUR HEROES, BUT I SAY, IF YOU ARE REALLY BLESSED, YOU GET THEM

AS YOUR PARENTS. I SHARE THIS WITH MY ACTING

HEROES, MY LEGENDS, DIANE LADD AND BRUCE DERN.

YOU GOT GAME. I LOVE YOU.

THANK YOU ALL FOR THIS GIFT. THIS IS THE BEST BIRTHDAY

PRESENT EVER. I LOVE YOU.

I LOVE MY FRIENDS. YOU LIFT ME UP EVERY DAY.

THANK YOU. >> Announcer: COMING UP,

LIN-MANUEL MIRANDA, JAMES CORDEN AND REBEL WILSON.

THEN, LATER, OSCAR WINNERS SPIKE LEE, RAMI

>>> HELLO, EVERYONE.

I'M ANTHONY RAMOS AND -- OH, THANKS.

WOW. THANKS.

AND THIS IS MY FIRST TIME AT THE OSCARS.

YEAH. SO THAT'S PRETTY DOPE.

AND CONGRATULATIONS TO LAURA DERN ON HER WIN FOR SUPPORTING

ACTRESS, I MEAN, COME ON. YEAH.

MY JOURNEY HERE TONIGHT TRULY FEELS LIKE A DREAM COME TRUE.

THIS BUSINESS IS ABOUT TAKING RISKS AND CHANCES, AND THE MAN

THAT IS ABOUT TO COME TO THE STAGE TOOK A CHANCE ON ME.

HE GAVE ME THE INCREDIBLE OPPORTUNITY TO BE IN THE SMASH

HIT "HAMILTON" -- THANK YOU. SO, LET'S GO AND GIVE IT UP FOR

ONE OF MY PERSONAL HEROES, OSCAR NOMINATED SONGWRITER LIN-MANUEL

MIRANDA.

>> THAT YOUNG MAN'S A MOVIE STAR.

IN A SHOW CELEBRATING THE IMPACT OF STORYTELLING, WE'D BE CRAZY

TO MISS OUT ON HIGHLIGHTING THOSE SONGS THAT HAVE BEEN

ATTACHED TO MOVIES AND THAT HAVE FOREVER IMPACTED OUR COLLECTIVE

MEMORY. IT ONLY TAKES HEARING A FEW

NOTES OF THESE SONGS AND I'M IMMEDIATELY TRANSPORTED TO THE

VISUALS OF THE MOVIES ETCHED INTO MY MIND.

AS JOHN HUGHES ONCE SAID ABOUT SIMPLE MINDS, "DON'T YOU FORGET

ABOUT ME," YOU COULDN'T TAKE THE SONG OUT OF THE MOVIE AND YOU

COULDN'T TAKE THE MOVIE OUT OF THE SONG.

LET'S HAVE A LOOK AND LISTEN AT JUST A FEW EXAMPLES OF WHERE A

SONG HAS TRANSFORMED A FILM AND THE FILM HAS TRANSFORMED THE

SONG.

YOU KNOW IT'S HARD OUT HERE

FOR A PIMP HEY HEY HEY HEY

OH IN YOUR EYES

THE LIGHT THE HEAT YOUR EYES

I AM COMPLETE YOUR EYES

PURPLE RAIN PURPLE RAIN

AND I KNOW THAT MY HEART WILL GO ON

AND I WILL ALWAYS LOVE YOU

WHOA MY LOVE LA BAMBA

LA BAMBA HOLD ME CLOSER TINY DANCER

CUT LOOSE SHOES

AND HERE'S TO YOU MRS. ROBINSON LADY MARMALAD

FIGHT THE POWER FIGHT THE POWER ER

OF LOVE FEEL THE POWER OF LOVE

I DON'T KNOW WHY I CAME HERE TONIGHT

I GOT THE FEELING THAT SOMETHING AIN'T RIGHT

>> SOMETIMES YOU HAVE TO LOSE

YOURSELF BEFORE YOU CAN FIND ANYTHING.

>> ONE SHOT. ONE OPPORTUNITY.

PALMS ARE SWEATY KNEES WEAK

ARMS ARE HEAVY THERE'S VOMIT ON HIS SWEATER

ALREADY MOM'S SPAGHETTI

HE'S NERVOUS BUT ON THE SURFACE HE LOOKS

CALM AND READY TO DROP BOMB

BUT HE KEEPS ON FORGETTING WHAT HE WROTE DOWN

THE WHOLE CROWD GOES SO LOUD HE OPENS HIS MOUTH

BUT THE WORDS WON'T COME OUT HE'S CHOKING HOW

EVERYBODY'S JOKING NOW THE CLOCKS RUN OUT

TIME'S UP OVER SNAP BACK TO REALITY

OH THERE GOES GRAVITY OH THERE GOES RABBIT

HE CHOKED HE'S SO MAD

BUT HE WON'T GIVE UP THAT EASY NO

HE WON'T HAVE IT HE KNOWS HIS WHOLE BACK'S TO

THESE ROPES IT DON'T MATTER, HE'S HOPE

HE KNOWS THAT BUT HE'S BROKE HE'S SO STAGNANT

HE KNOWS WHEN HE GOES BACK TO THIS MOBILE HOME

THAT'S WHEN IT'S BACK TO THE LAB AGAIN

THIS WHOLE RHAPSODY BETTER GO CAPTURE THIS

MOMENT AND HOPE IT DON'T PASS HIM

YOU BETTER LOSE YOURSELF IN THE MUSIC

THE MOMENT YOU OWN IT

YOU BETTER NEVER LET IT GO YOU ONLY GET ONE SHOT

DO NOT MISS YOUR CHANCE TO BLOW

THIS OPPORTUNITY COMES ONE IN A LIFETIME

YOU BETTER LOSE YOURSELF IN THE MUSIC

THE MOMENT YOU OWN IT

YOU BETTER NEVER LET IT GO YOU ONLY GET ONE SHOT

DO NOT MISS YOUR CHANCE TO BLOW

THIS OPPORTUNITY COMES ONE IN A LIFETIME

YOU BETTER HIS SOUL'S ESCAPING THROUGH

THIS WHOLE THAT IS GAPING THERE'S NO MOVIE

THIS IS MY LIFE AND THESE TIMES ARE SO HARD

AND IT'S GETTING EVE HARDER TRY TO

CAUGHT UP BETWEEN BEING A FATHER AND A

STAND IN ONE SPOT I'M LIKE A SNAIL I'VE GOT TO

FORM LATE A PLOT OR END UP IN JAIL OR SHOT

SUCCESS IS MY ONLY OPTION MOM I LOVE YOU

BUT THIS TRAIL'S GOT TO GO HERE'S MY GO IT'S MY SHOT

FEET FAIL ME NOT THIS MAY BE THE ONLY

OPPORTUNITY THAT I GOT YOU BETTER LOSE YOURSELF IN

THE MUSIC THE MOMENT

YOU OWN IT YOU BETTER NEVER LET IT GO

YOU ONLY GET ONE SHOT DO NOT MISS YOUR CHANCE TO

BLOW THIS OPPORTUNITY COMES IN ONCE

IN A LIFETIME YOU BETTER LOSE YOURSELF IN

THE MUSIC THE MOMENT YOU ONLY GET ONE SHOT

DO NOT MISS YOUR CHANCE TO BLOW

THIS OPPORTUNITY COMES ONCE IN IN A LIFETIME

YOU BETTER LOSE YOURSELF

>> THANK YOU.

>> Announcer: PLEASE WELCOME

OSCAR ISAAC AND ACADEMY AWARD NOMINEE SALMA HAYEK-PINAULT.

>> I CAN NOW OFFICIALLY SAY THAT I'VE HELD AN OSCAR ON THIS

STAGE. >> CONGRATULATIONS.

OSCARS NOT TO WHITE NOW. >> I WIN.

>> THE SEEMINGLY IMPOSSIBLE TASK OF SOUND EDITORS IS TO IMMERSE

THE VIEWER IN A WORLD WE, AND THEY, HAVE LIKELY NEVER HEARD

FIRSTHAND. >> THIS YEAR'S NOMINEES HAVE

VIVIDLY BROUGHT TO LIFE FIRST WORLD WAR TRENCHES.

>> THE MANSON RANCH AND THE CITY OF GOTHAM.

>> THE LEMANS RACETRACK. >> AND EVEN A GALAXY FAR, FAR

AWAY. >> AND YET SO CLOSE.

>> HERE ARE THE NOMINEES FOR ACHIEVEMENT IN SOUND EDITING.

"FORD V FERRARI" DONALD SYLVESTER.

"1917" OLIVER TARNEY AND RACHAEL TATE.

"ONCE UPON A TIME IN HOLLYWOOD" WYLIE STATEMAN.

"STAR WARS: THE RISE OF SKYWALKER" MATTHEW WOOD AND

DAVID ACORD.

>> AND THE OSCAR GOES TO -- "FORD V FERRARI," DONALD

SYLVESTER. >> Announcer: THIS IS THE FIRST

OSCAR AND NOMINATION FOR DONALD SYLVESTER.

>> "FORD V FERRARI" IS A MARRIAGE OF SOUND AND PICTURE,

SO, WHILE I WANT TO THANK THE FANTASTIC SOUND TEAM, I WANT TO

INCLUDE THE PICTURE TEAM AND THE MIXERS.

IN FACT, "FORD V FERRARI" IS PROBABLY THE LAST FILM EVER MADE

BY 20th CENTURY FOX, SO, I WANT TO THANK -- I WANT TO THANK

AARON DOWNING AND TED GALIANO AND EMMA WATTS, BUT THE REAL

SUPPORT COMES FROM HOME, SO, I WANT TO THANK MY WONDERFUL WIFE

OF 34 YEARS, WHO GAVE UP HER EDITING CAREER FOR ME TO PURSUE

MY CAREER. BUT SHE RAISED OUR KIDS AND SHE

DID A GREAT JOB BECAUSE EITHER ONE OF THEM ARE POLITICIANS.

BUT THE REAL REASON I'M STANDING HERE IS JAMES MANGOLD.

HE IS THE REASON I'M HERE. HE SHOULD HAVE BEEN NOMINATED

FOR BEST DIRECTOR, SO, IF I COULD, I'D BREAK THIS STATUE

OFF, GIVE HIM THE HEAD SO YOU CAN PUT IT IN A JAR, JIM.

THANK YOU, ACADEMY. >> AND NOW, HERE ARE THE

NOMINEES FOR ACHIEVEMENT IN SOUND MIXING.

"AD ASTRA" GARY RYDSTROM, TOM JOHNSON, AND MARK ULANO.

"FORD V FERRARI" PAUL MASSEY, DAVID GIAMMARCO, AND

"JOKER" TOM OZANICH, DEAN ZUPANCIC, AND TOD MAITLAND.

"1917" MARK TAYLOR AND STUART WILSON.

"ONCE UPON A TIME IN HOLLYWOOD" MICHAEL MINKLER, CHRISTIAN P.

MINKLER AND MARK ULANO. >> AND THE OSCAR GOES TO --

"1917," MARK TAYLOR AND STUART WILSON.

>> Announcer: THIS IS THE FIRST OSCAR AND THIRD NOMINATION FOR

MARK TAYLOR. THIS IS THE FIRST OSCAR WIN AND

SIXTH NOMINATION FOR STUART WILSON.

>> I'D LIKE TO ACCEPT THIS AWARD ON BEHALF OF THE ENTIRE "1917"

EACH ONE OF WHOM DID OUTSTANDING WORK ON THIS FILM, FROM MY GUYS

IN THE TRENCHES TO MARK'S TEAM IN THE STUDIO, FOR THEIR

INCREDIBLE SUPPORT. THANKS TO OUR FAMILIES,

VICTORIA, AVA AND TO OUR PRODUCERS, CALLUM, JANE ANN AND

PIPPA. SAM MENDES, NONE OF US WOULD BE

HERE WITHOUT YOU. THANK YOU.

>> I'D LIKE TO THANK THE GREAT TEAM, RACHEL, MIKE FENTON, LEE

SMITH, OUR EDITOR, ALL THE GUYS WHO GAVE US SUCH A GREAT SCORE

TO WORK WITH. ROBBIE AND THE GUYS AT GOLD

CREST. ROB CARLSON AND BITTY BEE.

THANK YOU SO MUCH.

I CAN'T LET YOU

I CAN'T LET YOU I CAN'T LET YOU

THROW YOURSELF AWAY I CAN'T LET YOU

I CAN'T LET YOU I CAN'T LET YOU

I CAN'T LET YOU I CAN'T LET YOU

THROW YOURSELF AWAY THROW YOURSELF AWAY

DON'T YOU WANNA SEE THE SUN

COME UP EACH MORNING DON'T YOU WANNA

SEE THE SUN GO DOWN EACH DAY

DON'T YOU WANNA SEE THAT LITTLE GIRL

WHO LOVES YOU SO HER HEART WOULD BREAK

IF YOU SHOULD GO I CAN'T LET YOU

I CAN'T LET YOU I CAN'T LET YOU

THROW YOURSELF AWAY I CAN'T LET YOU

I CAN'T LET YOU I CAN'T LET YOU

I CAN'T LET YOU I CAN'T LET YOU

THROW YOURSELF AWAY SON, IT SEEMS TO ME

LIKE YOU'RE NEVER GON' BEHAVE YOURSELF

SINCE I'M NOT GONNA DO THIS EVERYDAY

COME TOMORROW YOU'RE GONNA HAVE TO

SAVE YOURSELF GOT NOTHIN' MORE TO SAY

YOU'RE NOT LISTENING ANYWAY

I CAN'T LET YOU I CAN'T LET YOU

I CAN'T LET YOU I CAN'T LET YOU

I CAN'T LET YOU THROW YOURSELF AWAY

I CAN'T LET YOU I CAN'T LET YOU

I CAN'T LET YOU I CAN'T LET YOU

I CAN'T LET YOU THROW YOURSELF AWAY

I CAN'T LET YOU I CAN'T LET YOU

I CAN'T LET YOU THROW YOURSELF AWAY

I CAN'T LET YOU I CAN'T LET YOU

I CAN'T LET YOU I CAN'T LET YOU

I CAN'T LET YOU THROW YOURSELF AWAY

>> Announcer: WILL FERRELL AND JULIA LOUIS-DREYFUS ARE NEXT.

AND CYNTHIA ERIVO PERFORMS THE NOMINATED SONG "STAND UP" FROM

THE FILM "HARRIET." IT'S ALL COMING UP AT THE DOLBY

THEATRE.

>>> THIS IS INCREDIBLE.

I DO NOT BELONG HERE. WELCOME BACK TO THE OSCARS.

QUESTLOVE, HIT IT. ALL RIGHT.

WE'RE GOING TO DO SOMETHING FUN. WE'RE GOING TO BREAK DOWN WHAT'S

HAPPENED IN THE SHOW SO FAR. HERE WE GO.

YOU DON'T KNOW ME. MOVIES I'VE BEEN IN A FEW

YOU STILL MIGHT CONSIDER ME NEW

I'M HERE TO RECAP THE SHOW AND MC

FOR A BUNCH OF NOMINEES THAT DON'T LOOK LIKE ME

FIRST UP, WHO WE BEEN COASTING

CHRIS ROCK DROPPING BECAUSE HE AIN'T HOSTING

MR. PITT CONGRATS ON WINNING THE

TROPHY MINDY HERE

SHE REPPING FOR SOUTH ASIANS HAIR LOVE WON FOR BEST

ANIMATION HER NAME IS IDINA MENZEL

MR. TRAVOLTA WON FOR SCREENPLAY

BRIDESMAID CREW STANDING WITH YOU

AND WAS THAT YOU LIGHTS UP ON ANTHONY AND MIGHT

TWIN LIN NEXT YEAR IN THE HEIGHTS IS

GUARANTEED TO WIN WHAT YOU SEEING RIGHT IN FRONT

OF YOU IS A SIGN OF THE TIMES

QUESTLOVE ON THE BEAT AND THAT'S HOW YOU RECAP THE

SHOW IN A RHYME KEEP AN OPEN MIND

I'M SURE WE'LL FIND THERE'S PLENTY OF LIGHT HERE

FOR US ALL TO SHINE US ALL TO SHINE

THANK YOU GUYS VERY MUCH. NOW, PLEASE WELCOME TO THE SHAJ,

WILL FERRELL AND JULIA LOUIS-DREYFUS.

>> BECAUSE JULIA LOUIS-DREYFUS AND I HAVE MADE MULTIPLE FILMS

AND HAVE AN ENORMOUS AMOUNT OF EXPERIENCE ON FILM SETS, WE

CERTAINLY UNDERSTAND THE IMPORTANCE, INDEED THE PRIMACY

OF THE ROLE OF THE CINEMATOGRAPHER TO FILM.

>> NOT ONLY DOES THE CINEMATOGRAPHER PREPARE THE

MEALS FOR THE CREW AND CAST, IT IS ALSO THE CINEMATOGRAPHER WHO

KNOCKS ON YOUR TRAILER DOOR TO LET YOU KNOW THAT IT IS TIME TO

GET TO THE SET TO CREATE MAGIC. >> AND IT IS THE

CINEMATOGRAPHER, AND ONLY THE CINEMATOGRAPHER, WHO IS WAITING

PATIENTLY FOR YOU IN THAT GOLF CART TO "TRAVEL" YOU TO SET.

>> OH, HOW SPLENDID, THEN, TO HONOR THESE UNSUNG CINEMATIC

HEROES. >> WAIT, I'M BEING TOLD THAT

THAT -- >> WHAT?

>> THAT IS NOT THE ROLE OF THE CINEMATOGRAPHER.

>> OH. >> AND IT HAS SOMETHING TO DO

WITH CAMERA. >> AH.

WHO THE TALKING TO YOU? >> I HAVE NO IDEA.

>> OH. >> THEY JUST GAVE ME AN EERS

PIECE BACKSTAGE. DO YOU NOT HAVE AN EAR PIECE?

>> UM -- HELLO? HELLO?

NO, I -- I DON'T THINK ANYTHING IS IN THERE.

>> OH. OKAY.

>> OKAY. HERE ARE THE NOMINEES FOR

ACHIEVEMENT IN CINEMATOGRAPHY. "THE IRISHMAN" RODRIGO PRIETO.

"JOKER" LAWRENCE SHER. "THE LIGHTHOUSE" JARIN BLASCHKE.

"1917" ROGER DEAKINS. "ONCE UPON A TIME IN HOLLYWOOD"

ROBERT RICHARDSON. >> AND THE OSCAR GOES TO --

ROGER DEAKINS, "1917." >> Announcer: THIS IS THE SECOND

OSCAR AND 15th NOMINATION FOR ROGER DEAKINS.

>> THANK YOU, WOW. I WANT TO THANK MY FELLOW -- I

WANT TO THANK MY FELLOW NOMINEES FOR THEIR WONDERFULLY INSPIRING

WORK, BUT MORE THAN THAT, I WANT TO THANK THEM FOR THEIR

FRIENDSHIP, TOO. I'M PRETTY GOOD COOK, ACTUALLY,

BUT -- THIS BELONGS TO A LOT OF PEOPLE THAT WORKED ON THIS

MOVIE. MY WIFE WHO WORKED ON IT WITH

ME. IT BELONGS TO MY ASSISTANT, ANDY

HARRIS, WHO IS SOMEWHERE UP THERE.

WHO IS THE PINBALL WIZARD OF FOCUS PULLING, AND YOU'LL NEVER

KNOW WHAT HE DOES, BECAUSE HE -- HE ONLY NOTICES IT IF HE MAKES A

MISTAKE, AND HE NEVER DOES. IT'S TO PETER AND CHARLIE, TWO

FANTASTIC OPERATORS. IT'S TO GARY, GRIP CREW AND

JOHN, WHO HAS BEEN MY FRIEND FOR ABOUT 30-ODD YEARS, WHO IS A

GAFFER. SO, IT'S TO THEM AND ALL THEIR

WONDERFUL TEAM AND I THINK THEY WOULD ALL WANT ME TO SAY THANK

YOU, SAM MENDES, FOR MOST WONDERFUL EXPERIENCE.

THANK YOU. WE'LL NEVER FORGET IT.

>> OKAY, SO THAT WAS CINEMATOGRAPHER.

>> YES. >> YES.

OUR NEXT CATEGORY IS FILM EDITING.

>> OH, WE KNOW ALL ABOUT FILM EDITORS.

THEY'RE THE ONES WHO LIKE TO CUT OUT A LOT OF MY LINES.

>> OH, YEAH. >> YEAH.

>> THEY DID A REAL NUMBER ON ME THIS YEAR.

DID YOU KNOW I WAS ORIGINALLY IN "1917"?

>> NO. >> YEAH.

YEAH. AND "PARASITE"?

>> OH, MY GOD. YOU HAD A WONDERFUL YEAR.

>> I KNOW. >> WELL, LISTEN TO THIS.

IT WAS ORIGINALLY "FORD V FERRARI V FERRELL."

>> WHAT? >> YES.

AND I'M STILL IN A LOT OF THE KEY ART.

>> UNBELIEVABLE. >> I'M JUST GOING TO SAY IT.

I HATE THIS AWARD. >> IT'S AWFUL.

>> IT'S AN AWFUL AWARD. OH, HELLO?

HELLO? OH, YES, I'M HERE.

YEAH, NO, NO -- >> SO, YOU DO HAVE ONE?

>> OH, NO, HE IS, HE'S ABOUT TO SAY THE NOMINEES.

HE'S SAYING IT. JUST SAY IT.

>> HERE ARE THE NOMINEES FOR ACHIEVEMENT IN FILM EDITING.

>> HE JUST DID IT. >> "FORD V FERRARI" MICHAEL

McCUSKER AND ANDREW BUCKLAND. "THE IRISHMAN"

THELMA SCHOONMAKER. "JOJO RABBIT" TOM EAGLES.

"JOKER" JEFF GROTH. "PARASITE" YANG JINMO.

>> AND THE OSCAR GOES TO -- MICHAEL McCUSTER AND ANDREW

BUCKLAND. >> Announcer: THIS IS THE FIRST

OSCAR AND NOMINATION FOR ANDREW BUCKLAND.

THIS IS ALSO THE FIRST WIN AND SECOND NOMINATION FOR MICHAEL

McCUSKER.

>> WOW. HELLO.

LIKE TO THANK THE ACADEMY AND TO THE FELLOW NOMINEES.

INCREDIBLE WORK. WE WOULDN'T BE HERE WITHOUT OUR

STELLAR PICTURE CREW AND OUR OUTSTANDING SOUND TEAM, AS WELL.

TO MY AMAZING AND BEAUTIFUL WIFE, MARIA AND OUR SON, LUCAS,

I LOVE YOU SO MUCH. AND TO MY SISTER CLAIRE AND JOE

AND TO OUR ARMANDO, TO MY MOM AND DAD WHO SUPPORTED ME FROM

THE VERY BEGINNING, I LOVE YOU SO MUCH.

AND MY FAMILY IN ARGENTINA -- >> JAMES MANGOLD.

JAMES MANGOLD, I JUST -- IT'S MY GREAT, GREAT PLEASURE TO HAVE

SAT AND WATCHED YOU BECOME ONE OF THE BEST DIRECTORS IN THIS

BUSINESS IN THE LAST 15 YEARS. THANK YOU SO MUCH.

TO OUR GREAT CAST LED BY MATT AND CHRISTIAN, OUR DP, OUR

PRODUCERS, TO EVERYONE AT 20th CENTURY.

THE TIRELESS AARON DOWNING, TED GALIANO, STEVE AND EMMA WATTS.

AND FINALLY, TO MY DAUGHTER, I LOVE YOU SO MUCH.

I LOVE YOU, BABA. THANK YOU SO MUCH FOR THIS.

THANK YOU.

>> Announcer: PLEASE WELCOME CASTING DIRECTOR AND ACADEMY

PRESIDENT, DAVID RUBIN. >> THOUGH THIS EVENT IS THE

HIGHLIGHT OF THE ACADEMY'S YEAR, THERE'S ANOTHER MILESTONE COMING

UP IN THE VERY NEAR FUTURE. AND HERE'S SOME HISTORY FOR YOU.

IN 1929, THE ACADEMY'S LEADERS DECIDED TO OPEN UP A MUSEUM.

THAT WAS UNDER THE LEADERSHIP OF MY PRESIDENTIAL PREDECESSOR,

DOUGLAS FAIRBANKS. AS YOU CAN IMAGINE, ONLY ONE OF

A MILLION WAYS I'VE BEEN LINKED TO DOUGLAS FAIRBANKS.

WELL, NOW AFTER A MERE NINE DECADES, WE'RE ABOUT TO DO MR.

FAIRBANKS PROUD WITH A SPECIAL ANNOUNCEMENT.

SO MANY WONDERFUL PEOPLE HAVE PUT IN THEIR TIME AND EFFORT TO

MAKE A REALITY OF THIS STATE OF THE ART SHOWCASE OF

MOVIE-MAKING. AND HERE'S ONE OF THE MUSEUM'S

GREATEST CHAMPIONS, TWO-TIME OSCAR WINNER TOM HANKS.

>> THANK YOU. THANK YOU.

THANK YOU. THANK YOU, DAVID.

OR AS WE REFER TO HIM AROUND THE OFFICE AS MR. EXCITEMENT.

THERE IS PLENTY OF CULTURE TO BE FOUND HERE IN THE CITY OF

ANGELS. THERE ARE MUSEUMS DEDICATED TO

ART AND MUSIC AND HISTORY AND SCIENCE AND WE EVEN HAVE A

MUSEUM DEDICATED TO SELFIES. I'M NOT SURE WHY.

BUT THERE IT IS. LOOK IT UP AND ENJOY, I GUESS.

BUT THERE'S NEVER BEEN A MUSEUM DEDICATED TO THE ART AND

SCIENCES OF MOTION PICTURES. BUT IT IS BEING BORN, THIS LABOR

OF LOVE. WE WERE OVER THERE JUST THIS

MORNING. I WAS PUTTING UP SOME DRYWALL.

SCARLETT JOHANSSON HAD BROUGHT HER ORBITAL SANDER.

BRAD PITT WAS ON THE ROOF WORKING WITH HIS SHIRT OFF.

AS WAS COLIN JOST. AND DUDE, THAT WAS NO CONTEST.

WE'RE ALL VERY PROUD OF WHAT HAS BEEN ACCOMPLISHED SO FAR IN THE

LANDMARK THAT IS TAKING SHAPE AT FAIRFAX AND WILESHIRE, THAT IS

FAIRFAX AND WILLSHIRE AND IT IS MY PLEASURE TO ANNOUNCE THAT THE

ACADEMY MUSEUM OF MOTION PICTURES WILL OPEN ITS DOORS ON

DECEMBER 14th, 2020. IT'S GOING TO BE A VERY BIG

DEAL. WE'LL SEE YOU THERE.

AND I AM SPARTACUS.

>>> HELLO, EVERYBODY.

WE ARE AT THE OSCARS. I'M ZAZIE BEETZ AND DOWN IN

FRONT OF ME IN THE ORCHESTRA PIT IS RICKEY MINOR, OUR MUSIC

DIRECTOR. I'M VERY NERVOUS.

I'M SORRY. HOW ARE YOU DOING TONIGHT?

>> I HAVE THAT EFFECT ON PEOPLE. DON'T FEEL BAD ABOUT IT.

>> THANK YOU, I NKNOW. I THINK YOU ACTUALLY KNOW OUR

NEXT PERFORMER, CYNTHIA ERIVO. >> OKAY, CYNTHIA IS JUST AMAZING

ACTRESS, SINGER AND A GREAT PERFORMER.

BUT SHE'S MY DEAREST FRIEND, AS WELL, AND I LOVE HER.

>> I LOVE THAT. WELL, HERE TO PERFORM "STAND

UP," A NOMINATED ORIGINAL SONG FROM THE MOVIE "HARRIET" IS

CYNTHIA ERIVO.

I BEEN WALKIN'

WITH MY FACE TURNED TO THE SUN

WEIGHT ON MY SHOULDERS A BULLET IN MY GUN

OH, I GOT EYES IN THE BACK OF MY HEAD

JUST IN CASE I HAVE

TO RUN I DO WHAT I CAN

WHEN I CAN WHILE I CAN

FOR MY PEOPLE WHILE THE CLOUDS ROLL BACK

AND THE STARS FILL THE NIGHT THAT'S WHEN I'M

GONNA STAND UP TAKE MY PEOPLE WITH ME

TOGETHER WE ARE GOING TO A BRAND NEW HOME

FAR ACROSS THE RIVER CAN YOU HEAR FREEDOM CALLING

CALLING ME TO ANSWER GONNA KEEP ON KEEPIN' ON

I CAN FEEL IT IN MY BONES EARLY IN THE MORNIN

BEFORE THE SUN BEGINS TO SHINE

WE'RE GONNA START MOVIN' TOWARDS THAT

SEPARATING LINE I'M WADIN'

THROUGH MUDDY WATERS YOU KNOW I GOT

A MADE UP MIND I MADE UP MY MIND

AND I DON'T MIND IF I LOSE ANY BLOOD

ON THE WAY TO SALVATION AND I'LL FIGHT

WITH THE STRENGTH THAT I GOT UNTIL I DIE

SO I'M GONNA STAND UP TAKE MY PEOPLE WITH ME

TOGETHER WE ARE GOING TO A BRAND NEW HOME

FAR ACROSS THE RIVER CAN YOU HEAR FREEDOM CALLING

CALLING ME TO ANSWER GONNA KEEP ON KEEPIN' ON

AND I KNOW WHAT'S AROUND THE BEND

MIGHT BE HARD TO FACE 'CAUSE I'M ALONE

AND I JUST MIGHT FAIL BUT LORD KNOWS I TRIED

SURE AS STARS FILL UP THE SKY

STAND UP TAKE MY PEOPLE WITH ME

TOGETHER WE ARE GOING TO A BRAND NEW HOME

FAR ACROSS THE RIVER I HEAR FREEDOM CALLING

CALLING ME TO ANSWER GONNA KEEP ON KEEPIN' ON

I CAN FEEL IT IN MY BONES I GO

TO PREPARE A PLACE FOR YOU I GO

TO PREPARE A PLACE FOR YOU

>> Announcer: JAMES CORDEN AND REBEL WILSON ARE NEXT.

THEN LATER, THE OSCAR FOR BEST ACTOR.

KEEP WATCHING.

>> Announcer: PLEASE WELCOME REBEL WILSON AND JAMES CORDEN.

>> AS CAST MEMBERS OF THE MOTION PICTURE "CATS" --

>> NOBODY MORE THAN US UNDERSTANDS THE IMPORTANCE OF --

>> GOOD VISUAL EFFECTS. >> HERE ARE THE NOMINEES FOR

ACHIEVEMENT IN VISUAL EFFECTS. >> "AVENGERS: ENDGAME" DAN

DELEEUW, RUSSELL EARL, MATT AITKEN AND DAN SUDICK.

"THE IRISHMAN" PABLO HELMAN, LEANDRO ESTEBECORENA, NELSON

SEPULVEDA-FAUSER AND STEPHANE GRABLI.

"THE LION KING" ROBERT LEGATO, ADAM VALDEZ, ANDREW R. JONES AND

ELLIOT NEWMAN. "1917" GUILLAUME ROCHERON, GREG

BUTLER AND DOMINIC TUOHY. "STAR WARS: THE RISE OF

SKYWALKER" ROGER GUYETT, NEAL SCANLAN, PATRICK TUBACH

AND DOMINIC TUOHY. AND THE --

>> AND THE OSCAR GOES TO --

>> "1917." >> Announcer: THIS IS THE SECOND

OSCAR AND SECOND NOMINATION FOR GUILLAUME ROCHERON AND FIRST WIN

AND SECOND NOMINATION FOR GREG BUTLER AND THE FIRST WIN AND

THIRD NOMINATION FOR DOMINICK T

TUOHY.

>> WOW. THANK YOU FOR THE ACADEMY FOR

THIS TREMENDOUS HONOR. "1917" IS WHAT YOU CALL A DREAM

PROJECT. A CHANCE TO COLLABORATE WITH

SOME TRULY FANTASTIC PEOPLE. THANK YOU TO SAM MENDES FOR

BEING SO INSPIRATIONAL AND LEADING US THROUGH, YOU KNOW,

THIS EPIC JOURNEY. I WANT TO THANK OUR PRODUCERS,

EVERYBODY AT UNIVERSAL FOR YOUR COLLABORATION AND SUPPORT.

THANK YOU TO MY BEAUTIFUL WIFE KATE, FOR STANDING RIGHT BY ME

IN EVERY STEP OF THE WAY AND I WANT TO THANK THE TEAM OF 600

ARTISTS AT MPC AND OUR FANTASTIC SPECIAL EFFECTS TEAM , WE SHARE

THIS AWARD, THANK YOU. >> THANK YOU, KIDS AT HOME,

THANK YOU TO THE TEAM, THANK YOU.

>> THANK YOU. >> Announcer: PLEASE WELCOME RAY

ROMANO AND SANDRA OH.

>> GOOD EVENING.

WE'RE HERE TO PRESENT THE AWARD FOR MAKEUP AND HAIRSTYLING.

IT'S IMPOSSIBLE TO OVERSTATE THE ROLE THAT AIR AND MAKEUP PLAY IN

THE CRAFT OF FILMMAKING. CASE IN POINT, I'M 87 YEARS OLD.

>> AND I'M CHARLIZE THERON. >> AS ACTORS, OUR TRANSFORMATION

STARTS IN THE MAKEUP AND HAIR TRAILER.

>> LISTEN, ALL JOKING ASIDE, I SAW FIRST-HAND HOW TALENTED HAIR

AND MAKEUP PEOPLE ARE. IN "THE IRISHMAN," THEY WOULD

TRANSFORM US EVERY DAY. I WOULD JUST SIT THERE AND BE

AMAZED. AND PESCI WOULD COME IN AND

SAY -- >> I THINK -- THEY'RE GOING TO

BLEEP THAT. NOT EVERYTHING IS NETFLIX, RAY.

>> SORRY. I GOT CARRIED AWAY.

>> EVERYONE WOKE UP THERE. >> HERE ARE THE WONDERFULLY

TALENTED ARTISTS NOMINATED THIS YEAR FOR ACHIEVEMENT IN MAKEUP

AND HAIRSTYLING. "BOMBSHELL" KAZU HIRO, ANNE

MORGAN AND VIVIAN BAKER. "JOKER" NICKI LEDERMANN AND KAY

GEORGIOU. "JUDY" JEREMY WOODHEAD.

"MALEFICENT: MISTRESS OF EVIL" PAUL GOOCH, ARJEN TUITEN AND

DAVID WHITE. "1917" NAOMI DONNE, TRISTAN

VERSLUIS AND REBECCA COLE. >> AND THE OSCAR GOES TO --

"BOMBSHELL." KAZU HIRO, ANNE MORGAN AND

VIVIAN BAKER. >> Announcer: THIS IS THE SECOND

OSCAR AND FOURTH NOMINATION FOR KAZU HIRO.

THE FIRST OSCAR AND NOMINATION FOR ANNE MORGAN AND VIVIAN

BAKER. >> THANK YOU VERY MUCH.

IT IS A GREAT HONOR AND WE WOULD LIKE TO THANK MEMBERS OF THE

ACADEMY AND DIRECTOR JAY ROACH AND CHARLES, BOB GRAF, DAVE

JOHNSON AND THE ENTIRE TEAM AT THE STUDIO AND LIONSGATE.

AND THE CAST AND CREW AND FRIENDS AND FAMILY FOR THEIR

AMAZING SUPPORT AND MY MENTORS, RICK BAKER AND DICK SMITH.

AND WE WOULD LIKE TO GIVE OUR HEARTFELT THANKS TO CHARLIZE

THERON. YOU ARE AMAZING.

YOU ARE AMAZING ACTOR AND PRODUCER AND YOUR COMPASSION AND

LOVE AND CARE MADE THIS FILM POSSIBLE.

AND BECAUSE OF YOUR BRAVERY AND PASSION, WE ARE ABLE TO SET THE

NEW BAR IN MAKEUP INDUSTRY AND CREATE A NEW WAY TO TELL

STORIES. THANK YOU VERY MUCH AND -- WE

WOULDN'T BE GETTING THIS AWARD WITHOUT YOU.

>> Announcer: COMING UP, PENELOPE CRUZ AND ELTON JOHN

PERFORMS "ROCKETMAN'S" "(I'M GONNA) LOVE ME AGAIN."

THEN LATER, THE OSCARS FOR DIRECTING, BEST ACTOR AND

>>> GROWING UP, I WAS REALLY

INFLUENCED BY THE WORK OF PEDRO ALMODOVAR.

EVEN AS A TEENAGER, I FELT A VERY DEEP CONNECTION WITH HIS

VISION. HIS FILMS ARE THE REASON WHY I

WANTED TO BE AN ACTRESS. EVERY NATION, EVERY CULTURE, HAS

ITS OWN ICONIC FILMS. AND OVER TIME, I BEGAN TO FALL

IN LOV DIFFERENT DIRECTORS FROM AROUND

THE WORLD. NAMES LIKE FELLINI, CHABROL, RH.

LIFE HAS SO MUCH MORE TO SHOW US THAN WHAT WE SEE EVERY DAY.

FILMS FROM AROUND THE WORLD NOT ONLY PROVIDE A VIVID WINDOW INTO

PLACES AND CULTURES UNLIKE OUR OWN.

THEY OPEN A DOORWAY INTO OUR MINDS AND HEARTS.

THE MORE WE WATCH, THE MORE WE KNOW.

THE MORE WE KNOW, THE MORE WE CARE.

NO MATTER WHERE WE ARE FROM, WE ALL ASK OURSELVES THE

QUESTIONS, AND SOMETIMES THE ANSWER COULD BE HIDDEN IN A FILM

THAT REPRESENTS OUR GLOBAL LANGUAGE OF CINEMA.

>> Announcer: PLEASE WELCOME ACADEMY AWARD-WINNING ACTRESS

PENELOPE CRUZ. >> GOOD EVENING.

AND HERE ARE THE NOMINEES FOR BEST INTERNATIONAL FEE DHATURE .

FROM POLAND, " DIRECTED BY LJUBO STEFANOV AND

TAMARA KOTEVSKA. FROM FRANCE, "LES MISRABLES"

DIRECTED BY LADJ LY. FROM SPAIN, "PAIN AND GLORY."

DIRECTED BY PEDRO ALMODVAR. FROM SOUTH KOREA, "PARASITE."

DIRECTED BY BONG JOON HO. AND THE OSCAR GOES TO --

"PARASITE." >> Announcer: THIS IS THE FIRST

MOVIE FROM SOUTH KOREA TO BE NOMINATED AND TO WIN THE OSCAR.

>> THANK YOU. GREAT HONOR.

>> Translator: THE CATEGORY HAS A NEW NAME NOW, FROM BEST

FOREIGN LANGUAGE TO BEST INTERNATIONAL FEATURE FILM.

I'M SO HAPPY TO BE ITS FIRST RECIPIENT UNDER THE NEW NAME.

I APPLAUD AND SUPPORT THE NEW DIRECTION THAT THIS CHANGE

SYMBOLIZES. ALL OUR LOVING CREW MEMBERS AND

CAST MEMBERS ARE HERE WITH US TODAY.

PLEASE SEND A ROUND OF APPLAUSE TO THE ACTORS AND CREW MEMBERS

OF "PARASITE." >> AND OUR GREAT PRODUCTION

DESIGNER AND WONDERFUL -- >> Translator: I CONGRATULATE

ALL THE GREAT ARTISTS HERE TONIGHT.

I ALSO THANK EVERYONE WHO ALLOWED ME TO ACTUALIZE MY

VISION. THANK YOU AND -- YEAH.

I'M READY TO DRINK TONIGHT. UNTIL NEXT MORNING.

THANK YOU.

OH THE JOKE

WAS NEVER HARD TO TELL THREW MY SPARE CHANGE

IN THE WISHING WELL THE DREAM ALONE

IS ALWAYS IN YOUR HANDS IF THAT DON'T FILL THE BOY

AND BUILD THE MAN A HEART HAS MANY SECRETS

SO I'M TOLD THROUGH THE YEARS A THEORY

CAN GROW COLD I'M UP TO BE THE KING

IT'S GOTTEN CLEAR THE VOICE INSIDE MY HEAD

IS THE ONE I HEAR SINGING I'M GONNA

LOVE ME AGAIN CHECK IN ON MY

VERY BEST FRIEND FIND THE WIND TO

FILL MY SAILS RISE ABOVE THE

BROKEN RAILS UNBOUNDANY TIES

THAT BREAK OR BEND I'M FREE

AND DON'T YOU KNOW NO CLOWN TO CLAIM

HE USED TO KNOW ME THEN I'M FREE

AND DON'T YOU KNOW AND OH OH OH

I'M GONNA LOVE ME AGAIN THE GOLDEN AGE WAS

SOMEHOW BITTERSWEET BUT NOW THE PAST LIES

SLEEPING IN THE DEEP THE PEACEFUL DAYS THAT

FOLLOWED HOLLOW NIGHTS A KISS OR TOUCH COULD

FEEL LIKE KRYPTONITE PRAISE THE SAINTS THAT

HUNG UP ON MY WALL FOR TRUST IS LEFT IN

LOVERS AFTER ALL A WHISPERED WORD

EMERGING FROM A TALE MY WAKE-UP CALL

TO CLAIM THE CURSED SPELL AND I'M GONNA

LOVE ME AGAIN CHECK IN ON MY

VERY BEST FRIEND FIND THE WIND TO

FILL MY SAILS RISE ABOVE THE

BROKEN RAILS UNBOUND BY ANY TIES

THAT BREAK OR BEND I'M FREE

AND DON'T YOU KNOW NO CLOWN TO CLAIM

HE USED TO KNOW ME THEN I'M FREE

AND DON'T YOU KNOW AND OH OH OH

I'M GONNA LOVE ME AGAIN

SING I'M GONNA

LOVE ME AGAIN CHECK IN ON MY

VERY BEST FRIEND FIND THE WIND TO

FILL MY SAILS RISE ABOVE THE

BROKEN RAILS UNBOUND BY ANY TIES

THAT BREAK OR BEND I'M FREE

AND DON'T YOU KNOW NO CLOWN TO CLAIM

HE USED TO KNOW ME THEN I'M FREE

AND DON'T YOU KNOW AND OH OH OH

OH OH OH OH OH OH

I'M GONNA LOVE ME AGAIN

>> Announcer: TAIKA WAITITI, SIGOURNEY WEAVER, GAL GADOT AND

BRIE LARSON ARE NEXT. PLUS RAMI MALEK, SPIKE LEE,

OLIVIA COLMAN AND THE OSCAR FOR BEST PICTURE.

IT'S ALL HERE LIVE AT THE DOLBY THEATRE AT

HOLLYWOOD AND HI

>> Announcer: PLEASE WELCOME

ACADEMY AWARD-WINNING WRITER, TAIKA WAITITI.

>> THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES WOULD LIKE TO

ACKNOWLEDGE THAT TONIGHT WE HAVE GATHERED ON THE ANCESTRAL LANDS

OF THE TONGVA, THE TATAVIAM AND THE CHUMASH.

WE ACKNOWLEDGE THEM AS THE FIRST PEOPLES OF THIS LAND ON WHICH

OUR MOTION PICTURE COMMUNITY LIVES AND WORKS.

AND NOW, IT IS MY HONOR TO RECOGNIZE THIS PAST YEAR'S

RECIPIENTS AT THE GOVERNORS AWARDS.

AND THAT CEREMONY, HONORARY OSCARS WERE PRESENTED TO ACTOR

WES STUDI AND DIRECTORS DAVID LYNCH AND LINA WERTMULLER.

THE JEAN HERSHOLT HUMANITARIAN AWARD WENT TO ACTRESS

GEENA DAVIS. WITH US TONIGHT ARE WES STUDI

AND GEENA DAVIS. RIGHT THERE.

AND NOW, PLEASE WELCOME GAL GADOT, ACADEMY AWARD

NOMINATED ACTRESS SIGOURNEY WEAVER AND ACADEMY

AWARD-WINNER BRIE LARSON.

>> IT IS AN ABSOLUTE HONOR TO STAND BESIDE MY FELLOW SUPER

HERO GAL AND THE WOMAN WHO PAVED THE WAY FOR US, SIGOURNEY

WEAVER. YES, YES.

WE ARE SO GRATEFUL. >> WE ARE SO GRATEFUL FOR YOU

AND IT IS SUCH AN HONOR TO BE STANDING HERE WITH YOU.

>> OH, GUYS. GOSH.

YEAH, THE THREE OF US MAKE A POWERFUL COMBINATION, AND IN

FACT, JUST NOW BACKSTAGE, WE DECIDED THAT AFTER THE SHOW,

WE'RE GOING TO START A FIGHT CLUB.

AND IF ANYONE WANTS IN -- >> MEN ARE ALL INVITED, BUT NO

SHIRTS ALLOWED. >> YEAH.

I'M SORRY, IT'S HOLLYWOOD, GUYS. >> THE WINNER WILL GET A

LIFETIME SUPPLY OF DEODORANT, SUSHI AND TEQUILA.

>> YEAH. AND THE LOSER GETS TO ANSWER

QUESTIONS FROM JOURNALISTS ABOUT HOW IT FEELS TO BE A WOMAN IN

HOLLYWOOD. YES.

>> YOU DON'T WANT TO LOSE. KIDDING ASIDE, WE WANT TO STAND

HERE TOGETHER AND SAY THAT ALL WOMEN ARE SUPER HEROES.

>> TRUE. >> YES.

>> AND TONIGHT, ESPECIALLY, WE WANT TO CELEBRATE THAT FOR THE

FIRST TIME IN THE 92-YEAR HISTORY OF THE ACADEMY AWARDS, A

FEMALE CONDUCTOR WILL BE LEADING THE ORCHESTRA FOR THIS

PERFORMANCE. >> FINALLY.

>> SO HERE IS MAESTRO EIMEAR NOONE TO CONDUCT THIS YEAR'S

NOMINATED BEST ORIGINAL SCORES.

>> AND THE -- AND THE OSCAR GOES TO -- HILDUR GUONADOTTIR FOR

"JOKER." >> Announcer: IN IS THE FIRST

OSCAR AND NOMINATION FOR HILDUR

GUONADOTTIR.

>> WOW. WOW.

THIS IS SO TOUCHING. THANK YOU, THE ACADEMY FOR

WELCOMING ME SO WARMLY. IT'S JUST -- I DON'T KNOW WHAT

TO SAY. MY FELLOW NOMINEES, MASTERS OF

THE CRAFT, IT'S BEEN SUCH AN HONOR TO GET TO KNOW YOU ALL.

IT'S SO SPECIAL. A FILM COMPOSER IS ONLY AS

CREATIVE AS THE DIALOGUE WITH THE DIRECTOR.

TODD PHILLIPS, YOU WERE SO GENEROUS TO INVITE ME ON THIS

JOURNEY AND LISTEN TO ME THE WHOLE WAY.

SO ATTENTIVE. I THANK YOU FOR THAT SO DEEPLY.

AND BRADLEY, AS WELL. THANK YOU, BRADLEY, AS WELL.

MY FAMILY, MY BEAUTIFUL FAMILY, WHO ARE HERE WITH ME TONIGHT.

MY INCREDIBLE HUSBAND, SAM, MY LOVE, MY BEST FRIEND, MY OTHER

SET OF EARS, I'D BE LOST WITHOUT YOU.

MY MOTHER, MY SON, I CAN'T SEE YOU BUT I LOVE YOU SO MUCH.

I LOVE YOU. TO THE GIRLS, TO THE WOMEN, TO

THE MOTHERS, TO THE DAUGHTERS, WHO HEAR THE MUSIC BUBBLING

WITHIN, PLEASE SPEAK UP. WE NEED TO HEAR YOUR VOICES.

>> OH, MAN, THAT'S COOL. OVER THE COURSE OF THE EVENING,

YOU'VE SEEN PERFORMANCES OF THE YEAR'S FIVE BEST ORIGINAL SONGS.

ONCE AGAIN, HERE ARE THE NOMINEES.

"I CAN'T LET YOU THROW YOURSELF AWAY" FROM "TOY STORY 4," MUSIC

AND LYRICS BY RANDY NEWMAN. "I'M GOING TO LOVE ME AGAIN"

FROM "ROCKETMAN," MUSIC BY ELTON JOHN, LYRICS BY BERNIE TAUPIN.

"I'M STANDING WITH YOU" FROM "BREAKTHROUGH."

MUSIC AND LYRICS BY DIANE WARREN.

"INTO THE UNKNOWN" FROM FROZEN 2, MUSIC AND LYRICS BY KRISTEN

ANDERSON-LOPEZ AND ROBERT LOPEZ. STAND UP FROM "HART RIET," MUSI

AND LYRICS BY JOSHUAH BRIAN CAMPBELL AND CYNTHIA ERIVO.

>> AND THE OSCAR GOES TO -- SIR ELTON JOHN AND BERNIE TAUPIN FOR

"I'M GONNA LOVE ME AGAIN" FROM "RO

"ROCKETMAN." >> Announcer: THIS IS THE FIRST

OSCAR AND NOMINATION FOR BERNIE TAUPIN.

THIS IS THE SECOND OSCAR AND FOURTH NOMINATION FOR ELTON

JOHN.

>> WOW, THIS DOESN'T SUCK. I'LL BE BRIEF.

OKAY, THANK YOU, ACADEMY, FELLOW NOMINEES.

BLESS YOU ALL. CONGRATULATIONS.

PARAMOUNT PICTURES, JIM, YOU GUYS HAVE BEEN FIRST CLASS ALL

THE WAY THROUGH THIS. THIS, NEEDLESS TO SAY, MOST OF

THIS GOES TO THE PEOPLE THAT WERE INVOLVED IN "ROCKETMAN."

A LITTLE BIT OF THIS IS IN EVERY ONE OF THEIR HEARTS.

DAVID, YOUR TENACITY AND DEDICATION HAS DRIVEN THIS TRAIN

ALL THE WAY HERE. HEATHER, YOU HAVE MY BACK 24

HOURS ADDAE, YOUR BEAUTY, GRACE, GOOD HUMOR, JUST, I LOVE YOU,

ALL RIGHT? AND BEING HERE WITH THIS GUY --

I DON'T EVEN KNOW -- I DON'T HAVE WORDS FOR IT, I MEAN, THIS

IS -- THIS IS JUST -- JUSTIFICATION FOR 53 YEARS OF

JUST HAMMERING IT OUT AND DOING WHAT WE DO AND -- SO, THANK YOU

ALL. CHARLIE, GEORGIE, I LOVE YOU.

>> I HAVE TO BE VERY QUICK, WE'RE GOING OVER TIME.

THANK YOU TO BERNIE WHO HAS BEEN THE CONSTANT THING IN MY LIFE

WHEN I WAS SCREWED UP, WHEN I WAS NORMAL.

HE'S ALWAYS BEEN THERE FOR ME. DAVID, I LOVE YOU SO MUCH.

MATTHEW VAUGHN, TARON, WHAT A PERFORMANCE.

GILES MARTIN, FOR THE MUSIC. MATT STILL, GREG, EVERYBODY

INVOLVED IN "ROCKETMAN." PARAMOUNT PICTURES, JIM, I MEAN,

JUST AMAZING. I'M GOING TO LEAVE SOMEBODY OUT,

WHO HAVE I LEFT OUT? ANYWAY, I'M TAKING TOO MUCH TIME

THIS IS A DREAM FOR US. WE'VE NEVER BEEN NOMINATED

BEFORE FOR ANYTHING LIKE THIS. THANK YOU TO THE ACADEMY.

THANK YOU TO MY FELLOW NOMINEES FOR ALL THE GREAT WORK YOU DO,

THERE'S SOME AMAZING TALENT IN THIS ROOM TONIGHT AND -- WOW.

AND TO MY BEAUTIFUL BOYS WHO ARE WATCHING THIS IN SYDNEY, ZACHARY

AND ELIJAH, HOW MUCH DO I LOVE YOU?

LOVE YOU. DADDY LOVE YOU.

BYE.

>> Announcer COMING UP, SPIKE LEE AND OLIVIA COLMAN.

RAMI MALEK REVEALS WHO BRINGS HOME THE AWARD FOR BEST ACTRESS.

KEEP WATCHING.

>>> WHEN WE RETURN, THE AWARD FOR BEST DIRECTOR.

BUT FIRST, A SPECIAL LOOK AT THE TIMELESS ART OF FILMMAKING.

.

>> Announcer: WE'RE BACK AT THE OSCARS.

AND NOW, PLEASE WELCOME ACADEMY AWARD WINNER SPIKE LEE.

>> LAST TIME I WAS ON THIS STAGE, I HAD THE HONOR OF

JUMPING INTO SAMUEL L. JACKSON'S ARMS.

AND THANK GOD HE DIDN'T DROP ME. SAME HONOR HERE TONIGHT, HERE

ARE THE NOMINEES FOR ACHIEVEMENT IN DIRECTING.

MARTIN SCORSESE "THE IRISHMAN" TODD PHILLIPS "JOKER"

SAM MENDES "1917" QUENTIN TARANTINO "ONCE UPON A

TIME IN HOLLYWOOD" BONG JOON HO "PARASITE"

BONG JOON-HO. >> Announcer: THIS IS THE SECOND

OSCAR TONIGHT AND THE THIRD NOMINATION FOR BONG JOON-HO.

>> THANK YOU. >> Translator: AFTER WINNING

BEST INTERNATIONAL FEATURE, I THOUGHT I WAS DONE FOR THE DAY

AND WAS READY TO RELAX.

THANK YOU SO MUCH. WHEN I WAS YOUNG AND STUDYING

CINEMA, THERE WAS A SAYING THAT I CARVED DEEP INTO MY HEART,

WHICH IS, THE MOST PERSONAL IS THE MOST CREATIVE.

>> THAT QUOTE IS FROM OUR GREAT MARTIN SCORSESE, SO --

>> Translator: WHEN I WAS IN SCHOOL, I STUDIED MARTIN

SCORSESE'S FILMS. JUST TO BE NOMINATED WAS A HUGE

HONOR. I NEVER THOUGHT I WOULD WIN.

WHEN PEOPLE IN THE U.S. WERE NOT FAMILIAR WITH MY FILM, QUENTIN

ALWAYS PUT MY FILMS ON HIS LIST. HE'S HERE, THANK YOU SO MUCH.

>> QUENTIN, I LOVE YOU.

>> Translator: AND TODD AND SAM, GREAT DIRECTORS THAT I ADMIRE.

IF THE ACADEMY ALLOWS, I WOULD LIKE TO GET A TEXAS CHAINSAW,

SPLIT THE OSCAR TROPHY INTO FIVE AND SHARE IT WITH ALL OF YOU.

>> THANK YOU. I WILL DRINK UNTIL NEXT MORNING.

THANK YOU. >> Announcer: PLEASE WELCOME

THREE-TIME ACADEMY AWARD WINNER AND RECIPIENT OF THE ACADEMY'S

THALBERG AWARD, STEVEN SPIELBERG.

>> THIS EVENING, AS WE CELEBRATE THE ARTISTIC HIGHLIGHTS OF THE

PAST YEAR, WE ALSO PAUSE T REMEMBER THOSE FROM OUR

COMMUNITY WHO WE LOST. LEGENDS AND ICONS, OUR FRIENDS

AND FELLOW ARTISTS, ALL WHO INSPIRED AND TOUCHED US.

THEY HAVE LEFT AN INDELIBLE IMPACT ON OUR INDUSTRY, OUR

IMAGINATIONS, AND OUR UNDERSTANDING OF THE WORLD.

AND NOW, AS BILLIE EILISH AND FINNEAS PERFORM IN THEIR HONOR,

LET US REMEMBER THEIR LIVES AND THEIR LEGACY.

YESTERDAY

ALL MY TROUBLES SEEMED SO FAR AWAY

NOW IT LOOKS AS THOUGH THEY'RE HERE TO STAY

OH, I BELIEVE IN YESTERDAY

SUDDENLY I'M NOT HALF THE MAN

I USED TO BE THERE'S A SHADOW

HANGING OVER ME OH, YESTERDAY

CAME SUDDENLY WHY SHE HAD TO GO

I DON'T KNOW SHE WOULDN'T SAY

I SAID SOMETHING WRONG NOW I LONG

FOR YESTERDAY YESTERDAY

LOVE WAS SUCH AN EASY GAME TO PLAY

NOW I NEED A PLACE TO HIDE AWAY

OH, I BELIEVE IN YESTERDAY

MMM

MMM MMM

WHY SHE HAD TO GO I DON'T KNOW

SHE WOULDN'T SAY I SAID SOMETHING WRONG

NOW I LONG FOR YESTERDAY

YESTERDAY LOVE WAS SUCH

AN EASY GAME TO PLAY NOW I NEED A PLACE

TO HIDE AWAY OH, I BELIEVE

IN YESTERDAY OH, I BELIEVE

IN YESTERDAY MMM

MMM

>>> WELCOME BACK.

I'M GEORGE MACKAY. AND I'M HANGING UP HERE IN THE

BALCONY. IS EVERYONE HAVING A GOOD TIME?

WELL, WE'RE COMING TO THE FINAL THREE AWARDS OF THE EVENING, AND

TIME IS OF THE ESSENCE, WHICH IS WHY I'M HERE TO INTRODUCE MYSELF

BEFORE INTRODUCING SOMEONE ELSE WHO WILL IN TURN INTRODUCE

SOMEONE ELSE. SO, PLEASE WELCOME ACTING

ROY ROYALTY.

THE TRULY BRILLIANT AND WONDERFUL, ACADEMY AWARD WINNER

OLIVIA COLEMAN.

>> WINNING AN OSCAR AGES YOU.

HELLO THERE. THANK YOU FOR HAVING ME BACK.

IT'S SUCH A PLEASURE TO BE HERE. LAST YEAR WAS THE BEST NIGHT OF

MY HUSBAND'S LIFE. HE ACTUALLY SAYS THAT.

AND I'VE GIVEN BIRTH THREE TIMES.

SO, I HOPE YOU'RE ALL HAVING AS GOOD A TIME AS HE DID.

AND AS I DID. I DON'T WANT TO KEEP YOU FROM

THE BAR MUCH LONGER. I KNOW I'M SUPPOSED TO TALK

ABOUT ACTING AND FIND SOME CLEVER THREAD CONNECTING THESE

PERFORMANCES, BUT THEIR BEAUTY AND BRILLIANCE SURELY LIES IN

THE FACT THAT THERE ISN'T ONE AND I'M SORRY, BUT ALL THESE MEN

CAN'T WIN. >> YOU DON'T LISTEN, DO YOU?

YOU JUST ASK THE SAME QUESTIONS EVERY WEEK.

HOW'S YOUR JOB? ARE YOU HAVING ANY NEGATIVE

THOUGHTS? DO I HAVE NEGATIVE THOUGHTS?

>> THERE ARE NO OTHER FRONTS. THIS IS THE THING.

HE NEEDS TO KNOW THAT I FOUGHT FOR HIM.

>> LOOK, FACE-TO-FACE WITH THE FAILURE THAT IS YOUR CAREER

AIN'T WORTH CRYINN'KNOW WHAT IS. >> DID JESUS BUILD WALLS?

THIS PLACE IS A PLACE OF MERCY. MERCY IS THE DYNAMITE THAT BLOWS

DOWN WALLS. >> WHAT'S HAPPENING TO EASY

BREEZY NOW. >> HE'S COMING TO TERMS TO WHAT

IT'S LIKE TO BE MORE USELESS. >> I DON'T KNOW WHY EVERYONE IS

SO RUDE. I DON'T KNOW WHY YOU ARE.

I DON'T WANT ANYTHING FROM YOU. MAYBE A LITTLE BIT OF WARMTH,

MAYBE A HUG, DAD. WHAT IS IT WITH YOU PEOPLE?

>> EVERY DAY I WAKE UP AND I HOPE YOU'RE DEAD.

IF I COULD GUARANTEE HENRY WOULD BE OKAY, I'D HOPE YOU'LL GET AN

ILLNESS, GET HIT BY A CAR AND DIE.

>> I REMIND YOU THE TRUTH MAY BE VITAL, BUT WITHOUT LOVE, IT IS

UNBEARABLE.

>> HERE ARE THE NOMINEES FOR PERFORMANCE BY AN ACTOR IN A

IS LEADING ROLE. ANTONIO BANDERAS, "PAIN AND

GLORY." LEONARDO DICAPRIO, "ONCE UPON A

TIME IN HOLLYWOOD" ADAM DRIVER, "MARRIAGE STORY"

JOAQUIN PHOENIX, "JOKER" JONATHAN PRYCE, "THE TWO POPES"

AND THE OSCAR GOES TO -- JOAQUIN PHOENIX, "JOKER."

>> Announcer: THIS IS THE FIRST OSCAR AND FOURTH NOMINATION FOR

JOAQUIN PHOENIX. >> HI.

WHAT'S UP? HI.

GOD, I'M FULL OF SO MUCH GRATITUDE RIGHT NOW AND I DO NOT

FEEL ELEVATED ABOVE ANY OF MY FELLOW NOMINEES OR ANYONE IN

THIS ROOM, BECAUSE WE SHARE THE SAME LOVE, THE LOVE OF FILM AND

THIS FORM OF EXPRESSION HAS GIVEN ME THE MOST EXTRAORDINARY

LIFE. I DON'T KNOW WHAT I'D BE WITHOUT

IT. BUT I THINK THE GREATEST GIFT

THAT IT HAS GIVEN ME, AND MANY OF US IN THIS ROOM, IS THE

OPPORTUNITY TO USE OUR VOICE FOR THE VOICELESS.

I'VE BEEN THINKING A LOT ABOUT SOME OF THE DISTRESSING ISSUES

THAT WE ARE FACING COLLECTIVELY AND I THINK AT TIMES WE FEEL OR

ARE MADE TO FEEL THAT WE CHAMPION DIFFERENT CAUSES.

BUT FOR ME, I SEE COMMONALITY. I THINK WHETHER WE'RE TALKING

ABOUT GENDER INEQUALITY OR RACISM OR QUEER RIGHTS OR

INDIGENOUS RIGHTS OR ANIMAL RIGHTS, WE'RE TALKING ABOUT THE

FIGHT AGAINST THE BELIEF, ONE NATION, ONE RACE, ONE GENDER OR

ONE SPECIES HAS THE RIGHT TO DOMINATE, CONTROL AND USE AND

EXPLOIT ANOTHER WITH IMPIMPUNIT. I THINK THAT WE'VE BECOME VERY

DISCONNECTED FROM THE NATURAL WORLD AND MANY OF US, WHAT WE'RE

GUILTY OF IS AN EGO CENTRIC WORLD VIEW, THE BELIEF THAT

WE'RE THE CENTER OF THE UNIVERSE.

WE GO INTO THE NATURAL WORLD AND WE PLUNDER IT FOR ITS RESOURCES.

WE FEEL ENTITLED TO ARTIFICIALLY INSEMINATE A COW AND WHEN SHE

GIVES BIRTH, WE STEAL HER BABY. EVEN THOUGH HER CRIES OF ANGUISH

ARE UNMISTAKABLE. AND THEN WE TAKE HER MILK THAT'S

INTENDED FOR HER CALF AND WE PUT IT IN OUR COFFEE AND OUR CEREAL.

AND I THINK WE FEAR THE IDEA OF PERSONAL CHANGE BECAUSE WE THINK

THAT WE HAVE TO SACRIFICE SOMETHING TO GIVE SOMETHING UP

BUT HUMAN BEINGS, AT OUR BEST, ARE SO INVENTIVE AND CREATIVE

AND INGENIOUS AND I THINK THAT WHEN WE USE LOVE AND COMPASSION

AS OUR GUIDING PRINCIPLES, WE CAN CREATE, DEVELOP AND

IMPLEMENT SYSTEMS OF CHANGE THAT ARE BENEFICIAL TO ALL SENT YENT

BEINGS AND TO THE ENVIRONMENT. NOW, I HAVE BEEN -- I'VE BEEN A

SCOUNDREL IN MY LIFE. I'VE BEEN SELFISH, I'VE BEEN

CRUEL AT TIMES, HARD TO WORK WITH AND I'M GRATEFUL, BUT SO

MANY OF YOU IN THIS ROOM HAVE GIVEN ME A SECOND CHANCE AND I

THINK THAT'S WHEN WE'RE AT OUR BEST, WHEN WE SUPPORT EACH

OTHER, NOT WHEN WE CANCEL EACH OTHER OUT FOR PAST MISTAKES, BUT

WHEN WE HELP EACH OTHER TO GROW, WHEN WE EDUCATE EACH OTHER, WHEN

WE GUIDE EACH OTHER TOWARD REDEMPTION.

THAT IS THE BEST OF HUMANITY. I JUST -- I WANT TO -- WHEN

YOU -- WHEN HE WAS 17, MY BROTHER WROTE THIS LYRIC, HE

SAID, "RUN TO THE RESCUE WITH LOVE AND PEACE WILL FOLLOW."

THANK YOU. >> Announcer: LADIES AND

GENTLEMEN, PLEASE WELCOME ACADEMY AWARD WINNING ACTOR

RAMI MALEK.

>> IT IS TRULY AN HONOR AND PRIVILEGE TO BE HERE CELEBRATING

THE TRANSFORMATIVE PERFORMANCES AS DISPLAYED BY THESE FIVE

NOMINEES. INDELIBLY ETCHED IN OUR HISTORY

AND IN OUR HEARTS. >> I'M LIVE FREE OR DIE.

>> IT'S LIKE WE'RE TELLING WOMEN, GO ON, SPEAK UP FOR

YOURSELF, JUST KNOW THE ENTIRE NETWORK IS WITH ROGER.

>> I DON'T BELIEVE I WILL EVER MARRY.

I'M HAPPY AS I AM AND I LOVE MY LIBERTY TOO WELL TO BE IN ANY

HURRY TO GIVE IT UP. >> THIS IS WHO I AM AND THIS IS

WHAT I'M WORTH AND MAYBE IT'S STUPID, BUT AT LEAST IT'S MINE.

>> YOU'RE JUST LIKE ALL THE OTHER ONES.

YOU SIT ON THE SIDELINES AND YOU WATCH THE SHOW.

WHAT HAVE YOU EVER DONE THAT WOULD MAKE ANYBODY WANT TO

LISTEN TO YOU? >> I NEED YOU TO UNDERSTAND, I

HAVE TO BE ABOVE THIS, RIGHT? I HAVE TO BE AN ANCHOR FIRST,

THEN A WOMAN. >> HE TRULY DIDN'T SEE ME.

HE DIDN'T SEE ME SEPARATE FROM HIMSELF.

>> I MADE THIS FOR ALL MY OWN. GOD WAS WATCHING BUT MY FEET WAS

MY OWN, RUNNING, BLEEDING, NEARLY DROWNED.

NOTHING TO EAT FOR DAYS AND DAYS.

I MADE IT. SO DON'T YOU TELL ME WHAT I

CAN'T DO. >> AND YOU WILL ALWAYS BE A

CRITIC AND NEVER AN AUTHOR AND THE WORLD WILL FORGET THAT YOU

EVER EVEN LIVED. NO ONE WILL FORGET JO MARCH.

>> YOU WON'T FORGET ME, WILL YOU?

>> HERE ARE THE NOMINEES FOR PERFORMANCE BY AN ACTRESS IN A

LEADING ROLE. CYNTHIA ERIVO, "HARRIET"

SCARLETT JOHANSSON, "MARRIAGE STORY"

SAOIRSE RONAN, "LITTLE WOMEN" CHARLIZE THERON, "BOMBSHELL"

RENEE ZELLWEGER, "JUDY" AND THE OSCAR GOES TO -- RENEE

ZELLWEGER. >> Announcer: THIS IS THE SECOND

OSCAR AND FOURTH NOMINATION FOR RENEE ZELLWEGER.

>> THANK YOU TO THE ACADEMY. THANK YOU FOR INVITING ME HERE

ALONGSIDE ONE OF THE MOST SPECIAL COLLABORATIONS AND

MEANINGFUL EXPERIENCES OF MY LIFE.

I'VE SAID IT BEFORE AND I'M GOING TO SAY IT AGAIN, CYNTHIA,

SCARLETT, CHARLIZE, SAOIRSE, IT IS AN HONOR TO BE CONSIDERED IN

YOUR COMPANY. DAVID LIVINGSTONE, CAMERON

McCRACKEN, DIRECTOR RUPERT GOULD, BOY, IT WAS A PRIVILEGE

TO WORK WITH YOU AND I AM -- I FEEL SO PROUD TO BE IN YOUR

BEAUTIFUL MOVIE. I GOT TO THANK MY STAGE MOM,

MATT AND JEFF AND ERIC VITRO, PAUL, GARY, JESSE BUCKLEY,

RUFUS, ALL THE CAST AND THE CREW WHO WORKED SO HARD ON THIS FILM

TO CELEBRATE JUDY GARLAND. MY EXTENDED FAMILY AT CAA,

PETER, BRIAN, KEVIN. IMPRINT.

NICOLE AND DOM. NANCY RYDER.

THANK YOU FOR THE 25 YEARS. JOHN CARRABINO, MY HANDSOME DATE

OF 25 YEARS. THANK YOU FOR ALWAYS DREAMING

BIGGER THAN I WOULD DARE. AND FOR BRINGING IT BACK TO THE

WORK AND JOY AND GRATITUDE. MY IMMIGRANT FOLKS WHO CAME HERE

WITH NOTHING BUT EACH OTHER AND A BELIEF IN THE AMERICAN DREAM,

HOW ABOUT THIS? THANK YOU TO YOU, BIG BROTHER

DREW, RANDY, JUDY, STONE AND AVA FOR ALL THE LOVE.

ALL THE LOVE AND SUPPORT POSSIBLE THAT MAKES YOU BELIEVE

ANYTHING IS POSSIBLE. AND I HAVE TO SAY THAT THIS PAST

YEAR OF CONVERSATIONS CELEBRATING JUDY GARLAND ACROSS

GENDERS AND -- I'M SORRY, ACROSS GENERATIONS AND ACROSS CULTURES

HAS BEEN A REALLY COOL REMINDER THAT IT'S -- THAT OUR HEROES

UNITE US. THE BEST AMONG US, WHO INSPIRE

US TO FIND THE BEST IN OUR OURSELVES, YOU KNOW, WHEN THEY

UNITE US, WHEN WE LOOK TO OUR HEROES, WE AGREE, YOU KNOW?

AND THAT MATTERS. NEIL ARMSTRONG, SALLY RIDE.

VENUS AND SERENA AND SELENA, BOB DYLAN, SCORSESE, FRED ROGERS.

HARRIET TUBMAN. WE AGREE ON OUR TEACHERS.

AND WE AGREE ON OUR COURAGEOUS MEN AND WOMEN IN UNIFORM WHO

SERVE, WE AGREE ON OUR FIRST RESPONDERS AND FIREFIGHTERS.

WHEN WE CELEBRATE OUR HEROES, WE -- YOU KNOW, WE'RE REMINDED

OF WHO WE ARE AS ONE PEOPLE, UNITED.

AND NO, JUDY GARLAND DID NOT RECEIVE THIS HONOR IN HER TIME.

I AM CERTAIN THAT THIS MOMENT IS AN EXTENSION OF THE CELEBRATION

OF HER LEGACY THAT BEGAN ON OUR FILM SET AND IS ALSO

REPRESENTATIVE OF THE FACT THAT HER LEGACY OF UNIQUE

EXCEPTIONALISM AND INCLUSIVITY AND GENEROSITY OF SPIRIT, IT

TRAN TRANSCENDS ANY ONE ARTISTIC

ACHIEVEMENT. MS. GARLAND, YOU ARE CERTAINLY

AMONG THE HEROES WHO UNITE AND DEFINE US AND THIS IS CERTAINLY

FOR YOU. I AM SO GRATEFUL.

THANK YOU SO MUCH, EVERYBODY. GOOD NIGHT.

THANK YOU. >> Announcer: COMING UP NEXT,

THE FINAL AWARD OF THE EVENING, THE ACADEMY AWARD FOR BEST

PICTURE. >> Announcer: PLEASE WELCOME

TWO-TIME ACADEMY AWARD-WINK ACTRESS JANE FONDA.

>> THANK YOU VERY MUCH. NOTHING IS MORE IMPORTANT THAN

RAISING AWARENESS, RIGHT? TONIGHT, WE'VE HOPEFULLY BROUGHT

TO LIGHT THE IMPACT THAT FILMS HAVE MADE AND CAN MAKE ON OUR

LIVES AS INDIVIDUALS AND ON SOCIETY AS A WHOLE.

FOR THE ACADEMY, HERE ARE THE FILMS THAT MADE THE GREATEST

IMPACT THIS YEAR. >> YOU READY?

>> HIT IT. ATTA BOY.

>> THERE ARE A FEW PEOPLE WHO FIND SOMETHING THEY HAVE TO DO.

SOMETHING THEY CAN'T DO IT, IT'S GOING TO DRIVE THEM CLEAN OUT OF

THEIR MIND. >> YOU CAN'T MAKE EVERY LAP

PERFECT. >> BUT I CAN TRY.

>> "FORD V FERRARI," PETER CHERNIN, JENNO TOPPING AND JAMES

MANGOLD, PRODUCERS. >> THINGS HAVE GOTTEN OUT OF

HAND WITH OUR FRIEND.RIS PROBLEMS WITH HIM.

>> WE'RE GOING AT WAR WITH THESE PEOPLE.

WAR. >> TRYING TO HELP YOU, JIM.

>> I KNOW YOU ARE. BUT NOBODY THREATENS HOFFA.

>> "THE IRISHMAN." MARTIN SCORSESE, ROBERT DE NIRO,

JANE ROSENTHAL AND EMMA TILLINGER KOSKOFF, PRODUCERS.

>> YOU'RE NOT A NAZI. >> DO NOT LET YOUR --

>> I WON'T LET HER BUST MY GERMAN BRAIN AROUND.

>> TRY NOT TO. >> DEFINITELY NOT A GOOD TIME TO

BE A NAZI. >> "JOJO RABBIT," CARTHEW NEAL,

DAY TAIKA WAITITI, PRODUCERS.

>> CALL THE POLICE. >> I'LL TELL YOU WHAT YOU GET.

YOU GET WHAT YOU DESERVE. >> "JOKER."

TODD PHILLIPS, BRADLEY COOPER AND EMMA TILLINGER KOS FOF,

PROP PRODUCERS.

>> WOMEN, THEY HAVE MINDS AND THEY HAVE SOULS, AS WELL AS JUST

HEARTS AND THEY'VE GOT AMBITION AND TALENT, AS WELL AS JUST

BEAUTY AND I'M SO SICK OF PEOPLE SAYING THAT LOVE IS JUST ALL A

WOMAN IS FIT FOR. I'M SO SICK OF IT.

>> "LITTLE WOMEN." AMY PASCAL, PRODUCER.

>> YOU DON'T WANT TO BE MARRIED. >> BUT I DON'T WANT THIS.

I'LL NEVER GET TO REALLY BE HIS PARENT AGAIN.

>> IT WILL BE DIFFERENT. >> IT WON'T EXIST.

>> YOU DIDN'T LOVE ME AS MUCH AS I LOVE YOU.

>> WHAT DOES THAT HAVE TO DO WITH L.A.?

>> YOU'RE SO MERGED WITH YOUR OWN SELFISHNESS, YOU DON'T EVEN

IDENTIFY IT'S SELFISHNESS ANYMORE.

>> "MARRIAGE STORY." NOAH BAUMBACH AND DAVID HEYMAN,

PRODUCERS. >> NO.

NO, NO, NO, NO! >> "1917."

SAM MENDES, PIPPA HARRIS, JAYNE-ANN TENGGREN AND CALLUM

McDOUGAL, PRODUCERS. >> THIS WHOLE EUROPEAN JOURNEY

IS OVER. I THINK WE'VE REACHED THE END OF

THE TRAIL, CLIFF. >> YOU ARE --

>> I'M THE DEVIL AND I'M HERE TO DO THE DEVIL'S BUSINESS.

>> NO, IT'S DUMBER THAN THAT. >> "ONCE UPON A TIME IN

HOLLYWOOD." DAVID HEYMAN,NTIN TARANTINO,

PRODUCERS.

>> "PARASITE." KWAK SIN AE AND BONG JOON-HO,

PRODUCERS. AND THE OSCAR GOES TO --

"PARASITE." >> Announcer: "PARASITE" HAS SIX

ACADEMY AWARD NOMINATIONS AND IS THE FIRST FILM NOT IN THE

ENGLISH LANGUAGE TO WIN BEST PICTURE.

WINK WINNING FOUR OSCARS TONIGHT.

>> Translator: I'M SPEECHLESS.

WE NEVER IMAGINED THIS TO EVER HAPPEN.

WE ARE SO HAPPY.

I FEEL LIKE A VERY OPPORTUNE MOMENT IN HISTORY IS HAPPENING

RIGHT NOW. I EXPRESS MY DEEPEST GRATITUDE

AND RESPECT FOR ALL THE MEMBERS OF THE ACADEMY FOR MAKING THIS

DECISION. >> THANK YOU.

>> HI, EVERYBODY. I REALLY LIKE TO THANK DIRECTOR

BONG. I LIKE EVERYTHING ABOUT HIM.

HIS SMILE, HIS CRAZY HAIR. THE WAY HE TALKS.

THE WAY HE WALKS. AND ESPECIALLY THE WAY HE

DIRECTS. AND WHAT I REALLY LIKE ABOUT HIM

IS HIS SENSE OF HUMOR AND HE CAN BE REALLY MAKING FUN OF HIMSELF

AND HE NEVER TAKES HIMSELF SERIOUSLY.

THANK YOU. THANK YOU VERY MUCH.

AND I'D LIKE TO THANK EVERYBODY WHO HAS BEEN SUPPORTING

"PARASITE" AND WHO HAS BEEN WORKING WITH "PARASITE" AND WHO

HAS BEEN LOVING "PARASITE." AND I'D LIKE TO THANK MY

BROTHER, WHO HAS BEEN ALWAYS SUPPORTING OUR BUILDING OUR

DREAMS, EVEN WHEN IT LOOKED IMPOSSIBLE DREAM.

THANK YOU, JAY. I WANT TO THANK MY BROTHER, JAY.

AND ESPECIALLY I REALLY, REALLY, REALLY WANT TO THANK OUR KOREAN

FILM AUDIENCE, OUR MOVIE-GOERS, WHO HAS BEEN REALLY SUPPORTING

ALL OUR MOVIES AND NEVER HESITATED TO GIVE US

STRAIGHT-FORWARD OPINION ON WHAT THEY FEEL LIKE THEIR MOVIES.

AND THAT MADE US REALLY NEVER BE ABLE TO BE COMPLACENT AND KEEP

PUSHING THE DIRECTORS, THE CREATORS, KEEP PUSHING THE

ENVELOPES AND WITHOUT YOU, OUR KOREAN FILM AUDIENCE, WE ARE NOT

HERE. THANK YOU VERY MUCH.

THANK YOU.

>> AND THAT WRAPS UP THE 92nd ACADEMY AWARDS.

CONGRATULATIONS TO ALL THE NOMINEES AND WINNERS.

GOOD NIGHT AND THANK YOU FOR WATCHING.

>> Announcer: HOTEL ACCOMMODATIONS PROVIDED BY

MAR MARRIOTT BONVOY.

AIR TRANSPORTATION FOR THE ACADEMY AWARDS PROVIDED BY DELTA

AIRLINES. LED AND PROJECTION SERVICES

PROVIDED IN PART BY SENOVVA.