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ABOUT YOURSELF, MRS. HARKNESS.
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>> MY HUSBAND TREATS ME LIKE A
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STRANGER.
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>> WE DO GOOD WORK HERE, BUT WE
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CAN'T PROMISE TO SAVE OUR
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PATIENTS FROM INSENSITIVE
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SPOUSES.
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>> NO, I MEAN IT LITERALLY. MY
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HUSBAND HAS ALZHEIMER'S. HE
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DOESN'T RECOGNIZE ME ANYMORE.
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[SIGHS] DO YOU THINK YOU COULD
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MAKE ME LOOK LIKE THIS? THIS IS
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THE WOMAN HE REMEMBERS, THE
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WOMAN HE LOVES. HE TOOK THAT
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PHOTO ON OUR 20th WEDDING
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ANNIVERSARY. DO YOU THINK YOU
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COULD MAKE ME LOOK LIKE THIS
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AGAIN? MAYBE IT WOULD JOG HIS
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MEMORY.
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>> HERE'S MY PROBLEM. IT WOULD
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TAKE SEVERAL SURGERIES TO
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RECREATE THIS FACE, AND THEY'D
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ALL HAVE TO BE DONE AT ONCE IF
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YOU'RE RACING AGAINST YOUR
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HUSBAND'S MENTAL DETERIORATION.
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WE'D HAVE TO PUT YOU OUT FOR
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MANY HOURS, AND, FRANKLY, WE
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DON'T LIKE TO KEEP PATIENTS YOUR
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AGE UNDER ANESTHESIA FOR THAT
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LONG. ADDITIONALLY, AFTER ALL
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THAT WORK, YOU STILL RUN THE
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RISK OF HIS--
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>> OH, I KNOW. I KNOW. HE MIGHT
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NOT RECOGNIZE ME. I'VE BEEN ALL
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THROUGH THAT. IT'S WORTH THE
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RISK. I NEVER SAID THIS OUT LOUD
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BEFORE, BUT IT'S MY FAULT. I
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KNOW IT IS. HE'S FORGOTTEN ME
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BECAUSE I ABANDONED HIM. MOST OF
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OUR MARRIAGE, I WAS ALL ABOUT
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CARL. AND THEN, AFTER MENOPAUSE,
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I GOT THIS SUDDEN SURGE OF
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ENERGY, AND I JUST STARTED
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WRITING THESE LITTLE MURDER
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MYSTERIES. AND CARL WAS VERY
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SUPPORTIVE OF ME. HE EVEN READ
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MY DRAFTS FOR ME, BUT THEN WHEN
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HE EXPRESSED FEELINGS OF MISSING
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ME, I WAS PRETTY MUCH, "DON'T
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RAIN ON MY PARADE." AND THEN I
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CALLED HOME ONE NIGHT I WAS ON A
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BOOK TOUR IN LONDON, AND HE
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CLAIMED NOT TO KNOW WHO I WAS.
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HE SAID HIS WIFE HAD RUN AWAY,
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AND I BECAME ANGRY, AND I TOLD
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HIM HIS SENSE OF HUMOR WAS VERY
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PASSIVE AGGRESSIVE. AND THEN, 3
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DAYS LATER, MY SON CALLED AND
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TOLD ME THAT THEY FOUND HIM
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WANDERING IN THE NEIGHBORHOOD IN
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HIS PAJAMA BOTTOMS, FILTHY AND
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DEHYDRATED, AND HE COULDN'T
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REMEMBER WHICH HOUSE WAS HIS.
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AND, BASICALLY, HE'S NEVER
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RECOGNIZED ME AGAIN.
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>> I AM SO SORRY.
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>> DOCTOR, HAVE YOU EVER HURT
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ANYONE YOU LOVED IN SUCH A WAY
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THAT DOESN'T EVEN SEEM LIKE YOU?
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BUT THEN YOU CAN'T GO BACK AND
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MAKE IT DIFFERENT.
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IT'S A KIND OF PAIN I NEVER
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COULD'VE IMAGINED.
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I DON'T SUPPOSE THERE'S ANY WAY
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I CAN CONVINCE YOU TO COME WITH
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ME AND MEET HIM, AND SEE HOW IT
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IS WITH US?
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>> MRS. HARKNESS, YOU SEEM LIKE
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A LOVELY WOMAN, AND I'M MOVED BY
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YOUR SITUATION. IF I COULD
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CONVINCE MYSELF IT WAS MEDICALLY
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SOUND, I'D DO THE WORK IN A
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HEARTBEAT. BUT I CAN'T JUSTIFY
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TAKING THAT BIG A RISK WITH SO
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LITTLE CERTAINTY.
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>> WELL...THANK YOU FOR YOUR
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TIME AND YOUR HONESTY.
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>> DR. McNAMARA?
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>> YEAH?
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>> YOU GOT SERVED.
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>> CAN WE JUST ORDER IN? I'M NOT
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FEELING VERY SOCIAL TONIGHT. LET
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ME CALL YOU BACK. WHAT'S GOING
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ON?
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>> MATT JUST SERVED ME WITH A
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RESTRAINING ORDER. I'M NOT TO
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CONTACT HIM OR COME WITHIN 200
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YARDS OF HIM.
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[DOORBELL RINGS]
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>> COMING!
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>> WHERE'S MATT?
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>> I'VE ASKED YOU TO CALL FIRST,
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SEAN.
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>> WHAT DO YOU KNOW ABOUT THIS
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RESTRAINING ORDER?
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>> RESTRAINING ORDER?
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>> HE TOOK OUT A GODDAMN
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RESTRAINING ORDER AGAINST ME.
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DON'T ACT SURPRISED.
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>> HE DIDN'T SAY A WORD TO ME.
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BUT, I MEAN, FRANKLY, SEAN, I'M
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NOT THAT SURPRISED.
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>> YOU'RE BREAKING THE LAW.
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>> MATT, WE GOT TO TALK. WE'RE
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FAMILY. WE DON'T TREAT EACH
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OTHER LIKE CRIMINALS.
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>> YOU SHOULD'VE THOUGHT OF THAT
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BEFORE YOU ACTED LIKE ONE. OR
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DIDN'T YOU KNOW IT WAS AGAINST
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THE LAW TO BEAT YOUR CHILDREN.
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>> I CAME TO APOLOGIZE. MATT, I
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LIE IN BED AT NIGHT RELIVING
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THAT MOMENT WHEN I HIT YOU.
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>> SOCIAL SERVICES TOLD ME YOU'D
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PROBABLY SHOW UP AND TRY TO
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MANIPULATE ME INTO DROPPING THE
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CHARGES. THEY ALSO SAID THAT IF
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YOU DO THAT, I SHOULD REPORT
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YOU. THEY SAID THESE EVENTS ARE
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NEVER ISOLATED, AND YOU KNOW
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WHAT? THEY'RE RIGHT. I TOLD THEM
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HOW YOU ALMOST CHOKED MOM WHEN
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SHE TOLD YOU ABOUT CHRISTIAN
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BEING MY FATHER.
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>> HOW DO YOU KNOW ABOUT THAT?
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WHY WOULD YOU DO THAT? DID YOU
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TELL THEM ABOUT YOUR OWN
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VIOLENCE, MATT? YOU THINK YOU
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CAN IGNORE YOUR OWN BEHAVIOR BY
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DEMONIZING ME? CUTTING ME OUT OF
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YOUR LIFE?
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>> THAT'S ANOTHER THING THEY
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SAID. ABUSERS ALWAYS TRY TO MAKE
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YOU THINK THAT THEY'RE THE
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VICTIM. YEAH, HI. I'D LIKE TO
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REPORT SOMEBODY WHO'S IN VIOLA--
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>> I THINK YOU SHOULD GO NOW,
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SEAN.
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>> I'M HERE TO...PLEASE--
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>> IT DOESN'T MATTER WHY YOU
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CAME HERE. THIS IS ABOUT MATT.
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YOU NEED TO LEAVE NOW, SEAN.
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>> THIS IS VINDICTIVE.
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>> LOOK, I UNDERSTAND YOUR PAIN.
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BUT UNTIL YOU CAN EXPRESS IT
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WITHOUT FRIGHTENING US, YOU'RE
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NOT WELCOME HERE.
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>> THIS IS MACHIAVELLIAN
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BULLSHIT! YOU'RE SETTING ME UP
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TO GET SOLE CUSTODY OF THE KIDS.
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>> YOU SHOULD HAVE TOLD ME ABOUT
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THE RESTRAINING ORDER.
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>> REMIND ME, WHY DO WE BOTHER
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TO REPAIR HER WHEN SHE'S ONLY
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GONNA DO IT TO HERSELF ALL OVER
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AGAIN WHEN BIKINI SEASON IS
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OVER?
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>> I DATED A WOMAN WHO WAS INTO
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SELF-INJURY. SHE SAID SHE FELT
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SOME KIND OF RELEASE AFTERWARDS.
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>> RELEASE FROM WHAT?
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>> EMOTIONAL PAIN, IN HER CASE.
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HER FATHER WAS AN ABUSIVE
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BASTARD. IT MAKES A WEIRD POETIC
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KIND OF SENSE TO ME. YOU TREAT
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ONE KIND OF PAIN WITH ANOTHER.
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EXTERNAL INJURIES ARE
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MANAGEABLE. I MEAN, THEY CAN BE
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SEEN AND TREATED, WHEREAS
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EMOTIONAL PAIN IS ELUSIVE AND
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SHAPELESS.
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>> IS THIS SURGERY OR OPEN MIC
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NIGHT AT THE LESBIAN COFFEE BAR?
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[KNOCK ON DOOR]
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>> UM, I THOUGHT YOU SHOULD
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KNOW. THERE'S BEEN ANOTHER
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CARVER VICTIM. SHE JUST CALLED.
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I PUT HER ON THE BOOKS.
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[KNOCK ON DOOR]
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>> I REFERRED THE CARVER VICTIM
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TO IAN SAKS. I POLITELY
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EXPLAINED THAT WE HAD HANDLED
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OUR SHARE OF CASES, AND THAT HE
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DOES VERY GOOD WORK.
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>> THAT'S PROBABLY FOR THE BEST.
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>> YOU KNOW, IT'S OCCURRED TO ME
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THAT WE HAVEN'T REALLY TALKED
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SINCE THE BEACH. HOW'S THE
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COUNSELING GOING?
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>> HOW ARE YOU FEELING ABOUT
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THAT RESTRAINING ORDER?
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>> I FEEL SHITTY AND PRETTY
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GODDAMN HOPELESS. YOUR TURN.
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>> I DIDN'T TAKE THE COUNSELING
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ROUTE, SEAN. I'VE BEEN FINE.
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EXCEPT FOR SOME PHYSICAL ISSUES
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I THOUGHT WOULD ABATE OVER TIME.
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ANYWAY, I HOPE THEY FIND HIM
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SOON.
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>> WHAT KIND OF PHYSICAL ISSUES?
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>> DON'T WE HAVE A BRACHIOPLASTY
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IN 30 MINUTES?
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>> YOU HAVEN'T ANSWERED THE
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QUESTION.
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>> MY ASSHOLE IS KILLING ME, OK?
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IT HURTS WHEN I STAND, WHEN I
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SIT, WHEN I SHIT. IN FACT, IT
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HURTS JUST ABOUT ALL THE TIME.
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GLAD YOU ASKED?
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>> HAVE YOU SEEN A PROCTOLOGIST?
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>> YOU'RE STILL THE ONLY ONE
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THAT KNOWS, SEAN.
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>> THEN LET ME EXAMINE YOU.
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>> I THINK THAT PRETTY MUCH
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DEFINES THE WORD
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"INAPPROPRIATE."
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>> WHAT'S THE BIG DEAL? WHAT
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PART OF YOU BEING OR HAVING AN
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ASSHOLE COULD SHOCK ME?
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>> BREATHE OUT, CHRISTIAN.
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I DON'T SEE ANYTHING AT ALL.
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>> NO FISSURES? NO...NOT EVEN
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HEMORRHOIDS?
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>> NOTHING.
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I'M NOT AN EXPERT, BUT MY GUESS
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IS THAT THIS IS SOME KIND OF
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PHANTOM PAIN.
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>> WHO DO YOU CALL FOR PHANTOM
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PAIN? GHOSTBUSTERS?
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>> EMOTIONAL TRAUMA CAN BE
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EXPERIENCED AS PHYSICAL PAIN.
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THAT'S NOT JUST NEW AGE MUMBO
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JUMBO.
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>> IN OTHER WORDS, IF I EMBRACE
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MY INNER PAIN, MY PAIN IN THE
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ASS WILL GO AWAY.
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I'VE BEEN DREADING THE
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INEVITABLE MOMENT WHEN I'D HEAR
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ABOUT THE NEXT VICTIM. HOW WOULD
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I FEEL? WOULD I COME APART? AND
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NOW HERE SHE IS, NEEDING TO BE
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HEALED JUST LIKE ME. AND I'M
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AVOIDING IT. I THINK THIS IS AN
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OPPORTUNITY. I WANT TO TREAT
255
00:12:33,854 --> 00:12:36,990
HER.
256
00:12:36,990 --> 00:12:38,458
>> I DON'T KNOW ABOUT THAT.
257
00:12:38,458 --> 00:12:40,060
>> IT'S EXACTLY WHAT I NEED. IF
258
00:12:40,060 --> 00:12:42,095
I HELP HER THROUGH HER PAIN, I
259
00:12:42,095 --> 00:12:44,197
CAN EXPERIENCE MY OWN. LET IT
260
00:12:44,197 --> 00:12:48,601
GO. I THINK THAT'S SOMETHING WE
261
00:12:48,601 --> 00:12:51,872
BOTH NEED TO WORK ON, SEAN.
262
00:13:00,981 --> 00:13:03,283
>> PICK UP THE PHONE, MATT.
263
00:13:03,283 --> 00:13:06,219
PLEASE. DON'T PRETEND I'M NOT
264
00:13:06,219 --> 00:13:11,024
HERE. WE HAVE TO TALK. THIS IS
265
00:13:11,024 --> 00:13:15,095
THE WRONG WAY TO--
266
00:13:15,095 --> 00:13:16,496
>> I'VE BEEN TO SEE 3 OTHER
267
00:13:16,496 --> 00:13:17,931
SURGEONS. THEY ALL TURNED ME
268
00:13:17,931 --> 00:13:20,100
DOWN. I CAME BACK TO YOU BECAUSE
269
00:13:20,100 --> 00:13:21,501
I KNOW YOU'RE AN UNDERSTANDING
270
00:13:21,501 --> 00:13:23,036
SOUL.
271
00:13:23,036 --> 00:13:24,437
>> I AM VERY SYMPATHETIC, MRS.
272
00:13:24,437 --> 00:13:25,238
HARKNESS--
273
00:13:25,238 --> 00:13:27,374
>> COME WITH ME TO MEET CARL. NO
274
00:13:27,374 --> 00:13:29,943
PROMISES. JUST AN HOUR OUT OF
275
00:13:29,943 --> 00:13:31,411
YOUR LIFE THAT MIGHT CHANGE MINE
276
00:13:31,411 --> 00:13:34,147
COMPLETELY.
277
00:13:44,591 --> 00:13:47,094
>> CARL? YOU HAVE VISITORS.
278
00:13:47,094 --> 00:13:48,661
>> HI, SWEETHEART. I BROUGHT
279
00:13:48,661 --> 00:13:51,064
SOMEBODY TO MEET YOU. THIS IS
280
00:13:51,064 --> 00:13:55,035
DR. SEAN McNAMARA. THIS IS CARL.
281
00:13:55,035 --> 00:14:00,007
>> GOOD TO MEET YOU, CARL.
282
00:14:00,007 --> 00:14:02,442
>> WOULD YOU JOIN US OVER HERE?
283
00:14:06,079 --> 00:14:07,580
HAS HE EATEN ANYTHING TODAY?
284
00:14:07,580 --> 00:14:09,149
>> NO, AND IF HE DOESN'T START
285
00:14:09,149 --> 00:14:10,150
EATING SOON, WE'RE GONNA HAVE TO
286
00:14:10,150 --> 00:14:12,285
PUT HIM ON AN I.V. WE DON'T
287
00:14:12,285 --> 00:14:22,229
WANNA DO THAT, DO WE CARL?
288
00:14:22,229 --> 00:14:25,498
>> CARL? I BROUGHT YOU A GUAVA
289
00:14:25,498 --> 00:14:28,936
PASTRY.
290
00:14:28,936 --> 00:14:31,338
>> YOU LOOK WORRIED, CARL.
291
00:14:31,338 --> 00:14:33,706
>> I DON'T KNOW HER.
292
00:14:33,706 --> 00:14:36,443
>> CARL, I'M YOUR WIFE ELLIE,
293
00:14:36,443 --> 00:14:38,245
AND I COME EVERY DAY, AND TODAY
294
00:14:38,245 --> 00:14:39,712
I'VE BROUGHT YOU YOUR FAVORITE
295
00:14:39,712 --> 00:14:41,982
PASTRY FROM ALBA'S. REMEMBER
296
00:14:41,982 --> 00:14:43,650
ALBA'S? WE USED TO WALK THERE
297
00:14:43,650 --> 00:14:44,684
EVERY DAY, AND WE'D GET A
298
00:14:44,684 --> 00:14:48,455
CORTADITO AND A GUAVA PASTRY.
299
00:14:53,493 --> 00:14:55,963
I JUST KEEP TRYING. I DON'T
300
00:14:55,963 --> 00:14:59,166
KNOW WHAT ELSE TO DO.
301
00:14:59,166 --> 00:15:02,135
>> CARL, YOUR WIFE WORRIES ABOUT
302
00:15:02,135 --> 00:15:03,736
YOU. SHE WANTS YOU TO EAT MORE
303
00:15:03,736 --> 00:15:05,672
SO YOU KEEP YOUR STRENGTH UP.
304
00:15:05,672 --> 00:15:14,547
>> DO YOU KNOW MY WIFE? SHE'S
305
00:15:14,547 --> 00:15:22,389
THE LOVE OF MY LIFE. SHE NEVER
306
00:15:22,389 --> 00:15:25,292
COMES TO SEE ME.
307
00:15:30,097 --> 00:15:32,299
>> YOU MUST BE VERY LONELY
308
00:15:32,299 --> 00:15:35,268
WITHOUT YOUR FAMILY, CARL.
309
00:15:40,340 --> 00:15:41,641
>> JUST ONE LITTLE BITE,
310
00:15:41,641 --> 00:15:42,709
SWEETHEART. COME ON.
311
00:15:42,709 --> 00:15:45,078
>> IF YOU'LL EXCUSE ME, YOU TWO.
312
00:15:45,078 --> 00:15:47,547
I'M IN THE MIDDLE OF A MOVIE.
313
00:15:57,057 --> 00:15:58,225
>> I'M SO GRATEFUL YOU TOOK ME
314
00:15:58,225 --> 00:15:59,392
ON.
315
00:15:59,392 --> 00:16:00,760
>> IT'S THE LEAST WE COULD DO,
316
00:16:00,760 --> 00:16:03,430
MS. REYNOLDS.
317
00:16:03,430 --> 00:16:06,066
>> SORRY. DR. McNAMARA HAD
318
00:16:06,066 --> 00:16:08,068
ANOTHER APPOINTMENT, AND HE
319
00:16:08,068 --> 00:16:13,540
ASKED ME TO SIT IN. HI, I'M DR.
320
00:16:13,540 --> 00:16:14,607
COSTA.
321
00:16:14,607 --> 00:16:15,742
>> I WAS JUST TELLING DR. TROY
322
00:16:15,742 --> 00:16:17,410
HOW YOU'VE ALL BEEN SO AMAZING
323
00:16:17,410 --> 00:16:18,611
IN THE WORK YOU'VE DONE ON THE
324
00:16:18,611 --> 00:16:19,612
VICTIMS.
325
00:16:19,612 --> 00:16:22,249
>> OH, WELL, THAT IS THE DIRTY
326
00:16:22,249 --> 00:16:23,316
LITTLE SECRET WE DOCTORS SHARE.
327
00:16:23,316 --> 00:16:25,518
IT FEELS GOOD TO HELP OTHERS.
328
00:16:25,518 --> 00:16:28,555
>> OH, I COULDN'T AGREE MORE.
329
00:16:28,555 --> 00:16:30,623
AFTER I GAVE MY STATEMENT TO THE
330
00:16:30,623 --> 00:16:32,425
POLICE, I PICKED UP THE PHONE
331
00:16:32,425 --> 00:16:34,327
AND I CALLED STAND UP. YOU KNOW,
332
00:16:34,327 --> 00:16:35,828
THE VICTIMS' RIGHTS GROUP?
333
00:16:35,828 --> 00:16:37,664
YOU'VE HEARD OF THEM?
334
00:16:37,664 --> 00:16:40,133
>> YES, OF COURSE.
335
00:16:40,133 --> 00:16:41,801
>> THEY DO SUCH GOOD WORK.
336
00:16:41,801 --> 00:16:44,271
ANYWAY, A LADY CAME RIGHT OVER.
337
00:16:44,271 --> 00:16:45,372
SHE STAYED WITH ME ALL NIGHT.
338
00:16:45,372 --> 00:16:47,207
SHE HERSELF HAD BEEN BRUTALLY
339
00:16:47,207 --> 00:16:49,376
STABBED BY HER HUSBAND 16 TIMES,
340
00:16:49,376 --> 00:16:51,444
SO SHE KNEW HOW TO RELATE TO ME.
341
00:16:51,444 --> 00:16:53,513
>> HOW FORTUNATE.
342
00:16:53,513 --> 00:16:55,382
>> SHE TOLD ME THIS QUOTE.
343
00:16:55,382 --> 00:16:58,385
"VICTIMS ARE BUT LITTLE LOWER
344
00:16:58,385 --> 00:17:00,287
THAN THE ANGELS." SHE WAS SAYING
345
00:17:00,287 --> 00:17:02,255
WE DON'T NEED TO BE DESTROYED
346
00:17:02,255 --> 00:17:04,357
SOULS, THAT GOD HAS CHOSEN US,
347
00:17:04,357 --> 00:17:06,426
GIVEN US AN OPPORTUNITY TO COME
348
00:17:06,426 --> 00:17:08,828
BACK STRONGER, MORE
349
00:17:08,828 --> 00:17:12,432
COMPASSIONATE THAN EVER BEFORE.
350
00:17:12,432 --> 00:17:14,101
I THINK THIS ATTACK MAY HAVE
351
00:17:14,101 --> 00:17:15,768
BEEN THE MIRACLE I'VE BEEN
352
00:17:15,768 --> 00:17:20,273
LOOKING FOR ALL MY LIFE.
353
00:17:20,273 --> 00:17:21,308
>> MIRACLE?
354
00:17:21,308 --> 00:17:22,775
>> IT GAVE ME PURPOSE. AFTER YOU
355
00:17:22,775 --> 00:17:24,744
FIX ME, I'M GOING TO TAKE THE
356
00:17:24,744 --> 00:17:26,213
TRAINING PROGRAM, AND DEDICATE
357
00:17:26,213 --> 00:17:28,248
MY LIFE TO HELPING OTHER PEOPLE.
358
00:17:28,248 --> 00:17:29,849
>> A WORD OF ADVICE, MS.
359
00:17:29,849 --> 00:17:31,684
REYNOLDS. DON'T QUIT YOUR JOB
360
00:17:31,684 --> 00:17:32,885
BEFORE YOU'VE LANDED BACK ON
361
00:17:32,885 --> 00:17:37,657
PLANET EARTH.
362
00:17:37,657 --> 00:17:39,659
>> I'M SORRY. HAVE I OFFENDED
363
00:17:39,659 --> 00:17:41,328
YOU, DR. TROY?
364
00:17:41,328 --> 00:17:44,331
>> NO, I'M JUST UNCOMFORTABLE
365
00:17:44,331 --> 00:17:46,433
WITH ALL THIS TRANSFORMATIONAL
366
00:17:46,433 --> 00:17:47,867
RHETORIC. IT FEELS LIKE YOU'RE
367
00:17:47,867 --> 00:17:49,869
AVOIDING SOMETHING.
368
00:17:49,869 --> 00:17:51,671
>> I'M AVOIDING HELPLESSNESS.
369
00:17:51,671 --> 00:17:53,240
>> I'M AFRAID MY COLLEAGUE
370
00:17:53,240 --> 00:17:54,741
PLAYED HOOKY DURING THE BEDSIDE
371
00:17:54,741 --> 00:18:00,680
MANNER COURSE IN MED SCHOOL. MS.
372
00:18:00,680 --> 00:18:02,715
REYNOLDS, SHALL WE MOVE ON TO
373
00:18:02,715 --> 00:18:05,385
THE SURGERY?
374
00:18:09,322 --> 00:18:10,757
>> BASED ON YOUR CARDIO WORK-UP,
375
00:18:10,757 --> 00:18:12,525
5 HOURS IS THE MAXIMUM TIME I
376
00:18:12,525 --> 00:18:14,761
WANT YOU UNDER. SO I'VE CHOSEN
377
00:18:14,761 --> 00:18:16,229
THESE PROCEDURES FOR OPTIMUM
378
00:18:16,229 --> 00:18:17,930
RESULTS IN A LIMITED TIME FRAME.
379
00:18:17,930 --> 00:18:19,599
ARE YOU SURE YOU WANT TO HEAR
380
00:18:19,599 --> 00:18:20,900
ALL THIS? I'D SAY 90% OF OUR
381
00:18:20,900 --> 00:18:22,302
PATIENTS PREFER TO REMAIN IN THE
382
00:18:22,302 --> 00:18:23,336
DARK.
383
00:18:23,336 --> 00:18:24,904
>> THIS SURGERY IS MY LIFE NOW.
384
00:18:24,904 --> 00:18:26,706
I THRIVE ON EVERY DETAIL.
385
00:18:26,706 --> 00:18:30,643
>> OK. WE START WITH THE FAT
386
00:18:30,643 --> 00:18:31,911
DEPOSITS AND SKIN OVER THE
387
00:18:31,911 --> 00:18:34,447
EYELIDS.
388
00:18:41,721 --> 00:18:42,822
WE WON'T TAKE OUT ALL OF IT
389
00:18:42,822 --> 00:18:44,491
SINCE WE KNOW FROM THE PHOTO
390
00:18:44,491 --> 00:18:45,525
YOU'VE ALWAYS HAD SLIGHTLY
391
00:18:45,525 --> 00:18:48,261
HOODED EYES.
392
00:18:53,500 --> 00:18:54,934
WE'LL JUST CUT ALONG THE LOOSE
393
00:18:54,934 --> 00:18:56,403
SKIN HERE.
394
00:18:56,403 --> 00:18:57,637
>> MY PRADA BAGS, AS MY
395
00:18:57,637 --> 00:19:00,740
DAUGHTER-IN-LAW CALLS THEM.
396
00:19:16,989 --> 00:19:18,725
>> THAT LEAVES US ABOUT 3 HOURS
397
00:19:18,725 --> 00:19:19,926
AND 15 MINUTES FOR YOUR
398
00:19:19,926 --> 00:19:22,362
RHYTIDECTOMY.
399
00:19:32,339 --> 00:19:33,973
>> RHYTIDECTOMY SOUNDS LIKE A
400
00:19:33,973 --> 00:19:35,742
WILD ANIMAL IN AFRICA.
401
00:19:35,742 --> 00:19:37,444
>> NOT QUITE. IT'S YOUR FACE
402
00:19:37,444 --> 00:19:39,312
LIFT.
403
00:19:57,397 --> 00:19:59,699
AFTER THE INCISION, WE USE A
404
00:19:59,699 --> 00:20:01,634
TISSUE EXPANDER TO MAKE THE SKIN
405
00:20:01,634 --> 00:20:04,304
MORE SUPPLE.
406
00:20:08,875 --> 00:20:10,810
AND THEN, MY FAVORITE PART OF
407
00:20:10,810 --> 00:20:12,545
THE PROCEDURE, WE USE BLOOD
408
00:20:12,545 --> 00:20:13,746
WE'VE TAKEN FROM YOU EARLIER,
409
00:20:13,746 --> 00:20:17,517
AND TURN IT INTO A NATURAL GLUE.
410
00:20:23,290 --> 00:20:25,024
I HOLD IT IN PLACE FOR 3
411
00:20:25,024 --> 00:20:26,859
MINUTES. IT CLOSES ALL THE DEAD
412
00:20:26,859 --> 00:20:28,461
SPACE, AND AIDS IN NATURAL
413
00:20:28,461 --> 00:20:29,762
TISSUE HEALING BECAUSE IT'S FROM
414
00:20:29,762 --> 00:20:32,699
YOUR OWN BODY.
415
00:20:35,368 --> 00:20:38,371
ANY QUESTIONS?
416
00:20:38,371 --> 00:20:42,041
>> JUST ONE. ARE YOU THIS KIND
417
00:20:42,041 --> 00:20:45,412
TO ALL YOUR PATIENTS?
418
00:20:45,412 --> 00:20:46,979
>> YOU ASKED ME IF I EVER HURT
419
00:20:46,979 --> 00:20:48,915
SOMEONE CLOSE TO ME IN A WAY I
420
00:20:48,915 --> 00:20:55,655
DEEPLY REGRET. I'M LIKE YOU. I
421
00:20:55,655 --> 00:20:58,791
WANNA BELIEVE IN SECOND CHANCES.
422
00:20:58,791 --> 00:21:00,860
>> * LA LA LA,
423
00:21:00,860 --> 00:21:03,363
LA-LA LA-LA LA-LA,
424
00:21:03,363 --> 00:21:07,734
LA-LA-LA LA-LA-LA *
425
00:21:14,974 --> 00:21:17,810
>> MS. REYNOLDS, BEFORE I SEND
426
00:21:17,810 --> 00:21:20,880
YOU OFF TO SURGERY, I OWE YOU AN
427
00:21:20,880 --> 00:21:22,482
APOLOGY.
428
00:21:22,482 --> 00:21:24,684
>> BECAUSE YOU DON'T LIKE ME?
429
00:21:24,684 --> 00:21:25,752
>> I HAVE NOTHING AGAINST YOU.
430
00:21:25,752 --> 00:21:26,986
YOU NEED TO KNOW THAT. I'D LIKE
431
00:21:26,986 --> 00:21:28,355
TO MAKE A CONTRIBUTION TO YOUR
432
00:21:28,355 --> 00:21:30,457
VICTIMS' RIGHTS ORGANIZATION.
433
00:21:30,457 --> 00:21:35,862
>> THANK YOU.
434
00:21:35,862 --> 00:21:39,366
>> I ALSO FEEL AN OBLIGATION TO
435
00:21:39,366 --> 00:21:41,368
TELL YOU THE TRUTH ABOUT
436
00:21:41,368 --> 00:21:43,870
SOMETHING. I WAS ALSO A VICTIM
437
00:21:43,870 --> 00:21:45,838
OF THE CARVER.
438
00:21:45,838 --> 00:21:52,011
>> OH, GOD. I HAD NO IDEA.
439
00:21:52,011 --> 00:21:54,981
>> LISTENING TO YOUR STORY WAS
440
00:21:54,981 --> 00:21:59,386
DIFFICULT FOR ME. IT WAS HARD
441
00:21:59,386 --> 00:22:03,623
FOR ME TO ACCEPT HOW REMARKABLY
442
00:22:03,623 --> 00:22:05,858
YOU'VE DEALT WITH YOUR ATTACK,
443
00:22:05,858 --> 00:22:07,727
WHEN I'M STILL RESENTFUL AND
444
00:22:07,727 --> 00:22:09,762
STRUGGLING WITH RESIDUAL ISSUES.
445
00:22:09,762 --> 00:22:13,633
I WAS HARSH, AND I'M SORRY.
446
00:22:16,669 --> 00:22:18,438
ARE YOU ALL RIGHT?
447
00:22:18,438 --> 00:22:19,606
>> I DON'T THINK I CAN TALK
448
00:22:19,606 --> 00:22:22,509
ABOUT IT. WOULD YOU MIND IF WE
449
00:22:22,509 --> 00:22:25,011
DON'T TALK ABOUT IT?
450
00:22:25,011 --> 00:22:26,746
>> I'M SORRY, I THOUGHT YOU SAID
451
00:22:26,746 --> 00:22:28,615
TALKING ABOUT IT MADE YOU FEEL
452
00:22:28,615 --> 00:22:29,682
BETTER.
453
00:22:29,682 --> 00:22:30,883
>> IT'S JUST WHEN I START TO
454
00:22:30,883 --> 00:22:33,720
TALK ABOUT IT, I FEEL...REALLY
455
00:22:33,720 --> 00:22:37,156
SICK. UM, I FEEL FOR YOUR PAIN,
456
00:22:37,156 --> 00:22:41,093
YOU KNOW? BUT I HAVE TO TAKE
457
00:22:41,093 --> 00:22:42,729
CARE OF MYSELF. I'M ABOUT TO GO
458
00:22:42,729 --> 00:22:44,030
INTO SURGERY HERE. I CAN'T GET
459
00:22:44,030 --> 00:22:46,933
ALL EMOTIONAL.
460
00:22:46,933 --> 00:22:49,802
>> OF COURSE.
461
00:22:55,642 --> 00:22:58,210
>> NOW, ABOUT MY FACE, I WANTED
462
00:22:58,210 --> 00:22:59,512
TO ASK YOU SOMETHING ABOUT MY
463
00:22:59,512 --> 00:23:02,515
NOSE. I'VE ALWAYS HATED IT. DO
464
00:23:02,515 --> 00:23:03,616
YOU THINK YOU COULD MAKE IT
465
00:23:03,616 --> 00:23:04,651
PRETTIER, SINCE I'M GONNA BE
466
00:23:04,651 --> 00:23:06,919
UNDER ANYWAY?
467
00:23:06,919 --> 00:23:07,920
>> AFTER EVERYTHING YOU'VE BEEN
468
00:23:07,920 --> 00:23:09,556
THROUGH, I'D SAY RHINOPLASTY IS
469
00:23:09,556 --> 00:23:11,157
THE LAST THING YOU NEED.
470
00:23:11,157 --> 00:23:12,124
>> WHAT ABOUT MY LIPS? COULD WE
471
00:23:12,124 --> 00:23:14,827
PLUMP THEM UP OR SOMETHING
472
00:23:17,063 --> 00:23:19,666
>> MS. REYNOLDS, I THINK WE
473
00:23:19,666 --> 00:23:22,769
SHOULD DISCUSS ELECTIVE SURGERY
474
00:23:22,769 --> 00:23:25,872
AT A LATER DATE.
475
00:23:34,213 --> 00:23:35,815
>> DADDY, WHY DO THEY CALL IT
476
00:23:35,815 --> 00:23:38,685
"HIGH TEA"?
477
00:23:38,685 --> 00:23:40,587
>> I DON'T KNOW, SWEETHEART.
478
00:23:40,587 --> 00:23:44,023
WE'LL HAVE TO ASK THE WAITER.
479
00:23:44,023 --> 00:23:45,492
>> GOOD AFTERNOON. WE'RE FROM
480
00:23:45,492 --> 00:23:47,126
FAMILY SERVICES. I'M MS. JAMES,
481
00:23:47,126 --> 00:23:48,828
THIS IS MR. RISKIN. ARE YOU MR.
482
00:23:48,828 --> 00:23:49,896
McNAMARA?
483
00:23:49,896 --> 00:23:51,764
>> DR. McNAMARA. HOW CAN I HELP
484
00:23:51,764 --> 00:23:52,832
YOU?
485
00:23:52,832 --> 00:23:53,866
>> WELL, WE RECEIVED A CALL FROM
486
00:23:53,866 --> 00:23:54,967
ONE OF OUR DOMESTIC VIOLENCE
487
00:23:54,967 --> 00:23:56,569
CENTERS REPORTING AN INCIDENT
488
00:23:56,569 --> 00:23:58,705
INVOLVING YOU AND YOUR SON.
489
00:23:58,705 --> 00:24:01,574
>> THIS ISN'T A GOOD TIME. MY
490
00:24:01,574 --> 00:24:02,842
DAUGHTER AND I ARE ON OUR WAY
491
00:24:02,842 --> 00:24:04,076
OUT.
492
00:24:04,076 --> 00:24:05,211
>> WHEN ONE OF THESE REPORTS
493
00:24:05,211 --> 00:24:06,646
COME IN, WE'RE REQUIRED BY LAW
494
00:24:06,646 --> 00:24:07,814
TO QUESTION OTHER FAMILY
495
00:24:07,814 --> 00:24:08,948
CHILDREN. WE'LL NEED TO SPEAK
496
00:24:08,948 --> 00:24:10,883
WITH YOUR DAUGHTER. WHAT'S YOUR
497
00:24:10,883 --> 00:24:12,184
NAME?
498
00:24:12,184 --> 00:24:14,554
>> ANNE KATHERINE McNAMARA.
499
00:24:14,554 --> 00:24:16,756
>> HOW'S YOUR HEARING? NOW'S NOT
500
00:24:16,756 --> 00:24:17,957
A GOOD TIME.
501
00:24:17,957 --> 00:24:19,225
>> NOW'S THE ONLY TIME, MISTER--
502
00:24:19,225 --> 00:24:21,127
DR. McNAMARA.
503
00:24:21,127 --> 00:24:22,595
>> WE NEED TO DETERMINE WHETHER
504
00:24:22,595 --> 00:24:24,631
OR NOT ACTION HAS TO BE TAKEN.
505
00:24:24,631 --> 00:24:25,565
>> ACTION? WHAT ARE YOU TALKING
506
00:24:25,565 --> 00:24:26,666
ABOUT? WHAT ACTION?
507
00:24:26,666 --> 00:24:27,600
>> WE NEED TO DETERMINE WHETHER
508
00:24:27,600 --> 00:24:28,735
OR NOT YOUR DAUGHTER IS AT RISK
509
00:24:28,735 --> 00:24:29,836
BY STAYING WITH YOU, SO IT WOULD
510
00:24:29,836 --> 00:24:32,672
BE HELPFUL IF YOU COOPERATE.
511
00:24:38,711 --> 00:24:40,112
WHERE IS A GOOD PLACE FOR YOUR
512
00:24:40,112 --> 00:24:41,280
DAUGHTER AND I TO SPEAK
513
00:24:41,280 --> 00:24:43,850
PRIVATELY?
514
00:24:43,850 --> 00:24:45,151
>> SWEETHEART, YOU AND MS. JAMES
515
00:24:45,151 --> 00:24:48,588
GO INTO MY BEDROOM. IT'S OK.
516
00:24:54,761 --> 00:24:55,928
>> DOES YOUR DADDY EVER GET MAD,
517
00:24:55,928 --> 00:24:58,197
ANNE?
518
00:25:01,167 --> 00:25:05,772
DOES IT FRIGHTEN YOU?
519
00:25:05,772 --> 00:25:07,073
>> OF COURSE, I GET ANGRY. DON'T
520
00:25:07,073 --> 00:25:08,708
YOU? IS GETTING ANGRY AGAINST
521
00:25:08,708 --> 00:25:10,943
THE LAW?
522
00:25:10,943 --> 00:25:12,144
>> ANNE, I'M GONNA HAVE TO CHECK
523
00:25:12,144 --> 00:25:14,146
YOUR BODY FOR BRUISES NOW.
524
00:25:14,146 --> 00:25:16,315
>> I TOLD YOU HE NEVER HIT ME!
525
00:25:16,315 --> 00:25:17,617
NEVER!
526
00:25:17,617 --> 00:25:18,350
>> YOUR SON SAID YOU ALMOST
527
00:25:18,350 --> 00:25:20,119
KILLED YOUR WIFE. HE SAYS
528
00:25:20,119 --> 00:25:21,588
THERE'S A DENT IN THE
529
00:25:21,588 --> 00:25:22,922
REFRIGERATOR DOOR WHERE HER HEAD
530
00:25:22,922 --> 00:25:25,324
HIT IT. TELL ME ABOUT THAT.
531
00:25:25,324 --> 00:25:26,358
>> WHAT ARE YOU TRYING TO PROVE
532
00:25:26,358 --> 00:25:27,359
HERE?
533
00:25:27,359 --> 00:25:28,327
>> HOW'D YOU GET THIS BRUISE,
534
00:25:28,327 --> 00:25:29,228
ANNE?
535
00:25:29,228 --> 00:25:32,665
>> PLAYING SOCCER. DON'T! THAT
536
00:25:32,665 --> 00:25:37,704
HURTS! OW! STOP!
537
00:25:37,704 --> 00:25:38,938
>> WHAT ARE YOU DOING TO MY
538
00:25:38,938 --> 00:25:40,339
DAUGHTER?!
539
00:25:40,339 --> 00:25:41,641
>> I TOLD HER YOU DIDN'T HIT ME,
540
00:25:41,641 --> 00:25:42,709
DADDY.
541
00:25:42,709 --> 00:25:43,776
>> SHE HAS A CONTUSION ON HER
542
00:25:43,776 --> 00:25:45,144
LEFT THIGH, HER RIGHT SHIN, AND
543
00:25:45,144 --> 00:25:46,746
A SCAB BY HER RIGHT ELBOW.
544
00:25:46,746 --> 00:25:48,214
>> SHE PLAYS SOCCER, YOU MORON!
545
00:25:48,214 --> 00:25:49,616
YOU GET YOUR HANDS OFF MY
546
00:25:49,616 --> 00:25:50,382
DAUGHTER, YOU GET OUT OF MY
547
00:25:50,382 --> 00:25:52,018
HOUSE! BOTH OF YOU!
548
00:25:52,018 --> 00:25:53,620
>> I'M AFRAID IT'S NOT GONNA BE
549
00:25:53,620 --> 00:25:56,555
THAT EASY, DR. McNAMARA.
550
00:26:08,000 --> 00:26:10,402
>> HOW'D THE APOLOGY GO?
551
00:26:10,402 --> 00:26:12,371
>> SHE'S LYING. SHE MADE THE
552
00:26:12,371 --> 00:26:14,006
WHOLE THING UP. RHEA REYNOLDS IS
553
00:26:14,006 --> 00:26:17,176
NOT A VICTIM OF THE CARVER.
554
00:26:17,176 --> 00:26:18,310
>> WHAT ARE YOU SUGGESTING, HER
555
00:26:18,310 --> 00:26:19,746
CAT DID IT?
556
00:26:19,746 --> 00:26:22,782
>> MY BEST GUESS? IT'S A UNIQUE
557
00:26:22,782 --> 00:26:24,150
PRESENTATION OF MUNCHAUSEN'S
558
00:26:24,150 --> 00:26:26,085
SYNDROME. SHE DID IT TO HERSELF
559
00:26:26,085 --> 00:26:27,820
TO GET ATTENTION.
560
00:26:27,820 --> 00:26:30,857
>> MUNCHAUSEN'S. AND YOU WOULD
561
00:26:30,857 --> 00:26:32,224
KNOW THIS BECAUSE...
562
00:26:32,224 --> 00:26:33,125
>> BECAUSE SHE ASKED ME TO DO
563
00:26:33,125 --> 00:26:35,962
HER NOSE.
564
00:26:35,962 --> 00:26:37,429
>> WELL, I WOULDN'T CALL THAT
565
00:26:37,429 --> 00:26:38,731
MUNCHAUSEN'S. I WOULD CALL THAT
566
00:26:38,731 --> 00:26:40,299
REALISTIC SELF-ASSESSMENT. I
567
00:26:40,299 --> 00:26:41,734
THINK WE SHOULD DO IT.
568
00:26:41,734 --> 00:26:43,269
>> YOU DON'T GET IT. "BEAUTY IS
569
00:26:43,269 --> 00:26:44,971
A CURSE ON THE WORLD." THAT'S
570
00:26:44,971 --> 00:26:46,138
WHAT THE CARVER SAYS TO HIS
571
00:26:46,138 --> 00:26:47,840
VICTIMS. HE'S LOOKING TO DEFACE
572
00:26:47,840 --> 00:26:49,742
BEAUTY. SHE DOESN'T HAVE AN
573
00:26:49,742 --> 00:26:51,177
ATTRACTIVE FEATURE ANYWHERE.
574
00:26:51,177 --> 00:26:52,845
>> HAVE YOU CALLED KIT ABOUT
575
00:26:52,845 --> 00:26:54,046
YOUR THEORY?
576
00:26:54,046 --> 00:26:55,915
>> DETECTIVE McGRAW IS NO LONGER
577
00:26:55,915 --> 00:26:59,418
ON MY SPEED DIAL.
578
00:26:59,418 --> 00:27:02,755
>> CHRISTIAN, JUST BECAUSE SHE
579
00:27:02,755 --> 00:27:04,023
ISN'T FEELING THE SAME PAIN AS
580
00:27:04,023 --> 00:27:05,958
YOURS DOESN'T MEAN HERS ISN'T
581
00:27:05,958 --> 00:27:08,928
LEGITIMATE.
582
00:27:32,351 --> 00:27:34,854
[DOORBELL RINGS]
583
00:27:39,325 --> 00:27:40,459
>> WHAT'S GOING ON HERE?
584
00:27:40,459 --> 00:27:41,794
>> I'LL LET FRIC AND FRAC FILL
585
00:27:41,794 --> 00:27:42,962
YOU IN.
586
00:27:42,962 --> 00:27:44,296
>> HELLO, MRS. McNAMARA. LYNN
587
00:27:44,296 --> 00:27:45,497
JAMES, CHILD PROTECTIVE
588
00:27:45,497 --> 00:27:46,933
SERVICES. AS YOUR HUSBAND
589
00:27:46,933 --> 00:27:48,067
MENTIONED TO YOU ON THE PHONE,
590
00:27:48,067 --> 00:27:49,068
WE CAME BY TODAY TO TALK TO YOUR
591
00:27:49,068 --> 00:27:50,436
DAUGHTER. IT'S MANDATED BY YOUR
592
00:27:50,436 --> 00:27:52,839
SON'S RESTRAINING ORDER. WHERE
593
00:27:52,839 --> 00:27:53,840
THERE'S BEEN VIOLENCE IN A HOME,
594
00:27:53,840 --> 00:27:54,941
WE WANNA MAKE SURE THERE AREN'T
595
00:27:54,941 --> 00:27:55,908
ANY OTHER CHILDREN WHO ARE BEING
596
00:27:55,908 --> 00:27:56,943
VICTIMIZED.
597
00:27:56,943 --> 00:27:58,077
>> BUT YOU DIDN'T FIND ANY
598
00:27:58,077 --> 00:27:59,145
VICTIMS HERE, SO WHAT'S THIS
599
00:27:59,145 --> 00:28:00,747
ABOUT?
600
00:28:00,747 --> 00:28:01,814
>> WELL, WE DETERMINED THAT YOUR
601
00:28:01,814 --> 00:28:02,915
DAUGHTER'S SIGNIFICANTLY
602
00:28:02,915 --> 00:28:04,216
AFFECTED BY HER FATHER'S ANGER
603
00:28:04,216 --> 00:28:05,451
PROBLEM.
604
00:28:05,451 --> 00:28:07,186
>> I NEVER SAID THAT!
605
00:28:07,186 --> 00:28:09,055
>> I ASSURE YOU, MRS. McNAMARA,
606
00:28:09,055 --> 00:28:10,156
WE ARE TRAINED TO DETECT
607
00:28:10,156 --> 00:28:14,360
SUBTLETIES AND UNSPOKEN FEARS.
608
00:28:14,360 --> 00:28:15,962
>> UH, GO GET YOUR STUFF,
609
00:28:15,962 --> 00:28:18,364
SWEETHEART.
610
00:28:23,235 --> 00:28:25,171
YOU HAVE NO RIGHT TO PUT OUR
611
00:28:25,171 --> 00:28:27,039
DAUGHTER THROUGH THIS. SHE HAS
612
00:28:27,039 --> 00:28:29,108
NO FEARS, UNSPOKEN OR OTHERWISE.
613
00:28:29,108 --> 00:28:30,376
>> SOMETIMES IT'S HARD TO SEE
614
00:28:30,376 --> 00:28:31,811
THESE THINGS WHEN YOU'RE CLOSE
615
00:28:31,811 --> 00:28:33,179
TO THEM. IT'S OUR JOB TO PROTECT
616
00:28:33,179 --> 00:28:34,513
THE CHILDREN.
617
00:28:34,513 --> 00:28:35,547
>> YOU ALREADY SAID THAT.
618
00:28:35,547 --> 00:28:36,849
>> EXCUSE ME, BUT DO EITHER OF
619
00:28:36,849 --> 00:28:38,284
YOU EVEN HAVE CHILDREN?
620
00:28:38,284 --> 00:28:40,019
>> HERE'S THE BOTTOM LINE. UNTIL
621
00:28:40,019 --> 00:28:41,821
MR. McNAMARA COMPLETES A COURSE
622
00:28:41,821 --> 00:28:43,355
IN ANGER MANAGEMENT, OR THE
623
00:28:43,355 --> 00:28:44,957
RESTRAINING ORDER IS MAGICALLY
624
00:28:44,957 --> 00:28:46,993
RESCINDED, ANNE MUST NOT BE LEFT
625
00:28:46,993 --> 00:28:48,227
ALONE WITH HIM.
626
00:28:48,227 --> 00:28:51,297
>> I REALLY CAN'T BELIEVE THIS!
627
00:28:51,297 --> 00:28:52,832
>> EASY, JULIA. CAN'T HAVE 2
628
00:28:52,832 --> 00:28:58,805
VIOLENT PARENTS.
629
00:28:58,805 --> 00:29:00,006
>> SAY GOOD-BYE TO DADDY,
630
00:29:00,006 --> 00:29:02,408
SWEETHEART.
631
00:29:09,115 --> 00:29:10,817
>> I DIDN'T SAY ANYTHING BAD,
632
00:29:10,817 --> 00:29:20,159
DADDY. YOU BELIEVE ME, RIGHT?
633
00:29:20,159 --> 00:29:23,830
>> IT'S NOT YOUR FAULT, BABY.
634
00:29:41,080 --> 00:29:42,148
>> WILL THERE BE MUCH PAIN
635
00:29:42,148 --> 00:29:43,449
AFTERWARDS? 'CAUSE AFTER WHAT
636
00:29:43,449 --> 00:29:46,152
THAT MONSTER DID TO ME...I DON'T
637
00:29:46,152 --> 00:29:48,120
KNOW HOW MUCH MORE I CAN STAND.
638
00:29:48,120 --> 00:29:49,588
>> I THINK IT'S SAFE TO SAY THAT
639
00:29:49,588 --> 00:29:51,090
YOU'LL ONLY BE MILDLY
640
00:29:51,090 --> 00:29:54,360
UNCOMFORTABLE, OK?
641
00:30:02,902 --> 00:30:04,636
COUNT BACKWARDS FROM 10 FOR ME,
642
00:30:04,636 --> 00:30:06,138
OK, RHEA?
643
00:30:06,138 --> 00:30:10,877
>> 10, 9, 8--
644
00:30:15,614 --> 00:30:17,483
>> CHANGE OF HEART, DOCTOR?
645
00:30:17,483 --> 00:30:19,151
>> THIS IS STILL McNAMARA/TROY.
646
00:30:19,151 --> 00:30:21,487
HOWEVER THEY WERE CAUSED, THIS
647
00:30:21,487 --> 00:30:23,222
PATIENT'S SCARS NEED TO BE
648
00:30:23,222 --> 00:30:25,224
ADDRESSED.
649
00:30:46,245 --> 00:30:48,147
>> AAH!
650
00:30:48,147 --> 00:30:50,649
>> ELLIE? WHAT ARE YOU DOING?
651
00:30:50,649 --> 00:30:52,919
>> I GOT ANXIOUS.
652
00:30:52,919 --> 00:30:54,120
>> WHAT WERE YOU THINKING?
653
00:30:54,120 --> 00:30:56,055
>> I DON'T KNOW. I JUST WOKE
654
00:30:56,055 --> 00:30:58,557
UP AND ALL I COULD THINK ABOUT
655
00:30:58,557 --> 00:30:59,992
WAS HOW MANY DAYS I'D HAVE
656
00:30:59,992 --> 00:31:01,393
TO BE AWAY FROM CARL.
657
00:31:01,393 --> 00:31:03,062
>> SO YOU THOUGHT YOU'D MAKE
658
00:31:03,062 --> 00:31:04,196
TIME FLY BY RIPPING OUT
659
00:31:04,196 --> 00:31:06,365
YOUR JUT? YOU'VE TORN SOME
660
00:31:06,365 --> 00:31:07,967
OF YOUR STITCHES OUT.
661
00:31:07,967 --> 00:31:10,569
THERE'S A HEALING PHASE.
662
00:31:10,569 --> 00:31:12,071
IT'S CRUCIAL. YOU CAN'T
663
00:31:12,071 --> 00:31:13,372
JUST SKIP TO THE GOOD PART.
664
00:31:13,372 --> 00:31:15,274
LIFE ISN'T LIKE THAT.
665
00:31:15,274 --> 00:31:16,275
>> I'VE BEEN FIGHTING TIME
666
00:31:16,275 --> 00:31:19,411
SO LONG. IT JUST SUDDENLY GOT
667
00:31:19,411 --> 00:31:21,113
THE BEST OF ME.
668
00:31:28,420 --> 00:31:30,256
OH, I'M SO EMBARRASSED.
669
00:31:30,256 --> 00:31:31,523
HOW BADLY HAVE I SCREWED UP
670
00:31:31,523 --> 00:31:33,259
YOUR BEAUTIFUL WORK?
671
00:31:33,259 --> 00:31:35,061
>> I CAN FIX IT.
672
00:31:35,061 --> 00:31:36,162
BUT AM I GONNA HAVE TO
673
00:31:36,162 --> 00:31:39,098
PUT YOU ON A 24-HOUR WATCH?
674
00:31:39,098 --> 00:31:43,635
>> AM I JUST FULL OF DRUGS,
675
00:31:43,635 --> 00:31:46,338
OR DIDN'T YOU TELL ME
676
00:31:46,338 --> 00:31:47,406
YOU WERE GONNA SPEND TODAY
677
00:31:47,406 --> 00:31:49,508
WITH YOUR DAUGHTER?
678
00:31:49,508 --> 00:31:51,443
>> IT'S, UM...
679
00:31:51,443 --> 00:31:55,381
DIFFICULT WITH MY FAMILY
680
00:31:55,381 --> 00:31:59,718
AT THE MOMENT.
681
00:31:59,718 --> 00:32:01,453
>> I GUESS IT'LL TAKE A WHILE
682
00:32:01,453 --> 00:32:06,192
TO HEAL. THE REAL PAIN IS
683
00:32:06,192 --> 00:32:08,460
IN THE WAITING, ISN'T IT?
684
00:32:08,460 --> 00:32:13,365
>> THAT LOOKS THAT WAY.
685
00:32:28,147 --> 00:32:29,181
Rhea, thinking: MY TOES
686
00:32:29,181 --> 00:32:31,750
ARE COLD. I CAN FEEL 'EM.
687
00:32:31,750 --> 00:32:33,019
WHEN DOES THE ANESTHESIA
688
00:32:33,019 --> 00:32:33,952
KICK IN?
689
00:32:41,493 --> 00:32:44,730
W-W-WAIT! WAIT A MINUTE!
690
00:32:44,730 --> 00:32:46,765
THAT BURNS.
691
00:32:46,765 --> 00:32:48,767
[RHEA GASPING]
692
00:32:48,767 --> 00:32:51,503
WHY AM I FEELING THIS?
693
00:32:51,503 --> 00:32:54,040
>> CHECK IT OUT.
694
00:32:59,145 --> 00:33:00,346
Rhea, thinking: AHH, OH, MY GOD!
695
00:33:00,346 --> 00:33:02,348
WHAT ARE YOU DOING?!
696
00:33:02,348 --> 00:33:03,782
STOP! PLEASE!
697
00:33:03,782 --> 00:33:05,051
>> IT ISN'T A CLEAN CUT.
698
00:33:05,051 --> 00:33:06,185
THERE'S AVULSION OF
699
00:33:06,185 --> 00:33:07,253
THE UNDERLYING TISSUE
700
00:33:07,253 --> 00:33:08,454
AND MACERATION.
701
00:33:08,454 --> 00:33:09,588
>> I CAN FEEL THIS!
702
00:33:09,588 --> 00:33:12,258
>> JESUS. THIS MUST'VE BEEN DONE
703
00:33:12,258 --> 00:33:13,825
WITH A SERRATED KNIFE.
704
00:33:13,825 --> 00:33:16,128
>> STOP! PLEASE!
705
00:33:16,128 --> 00:33:17,129
Quentin: YOU'LL HAVE TO EXCISE
706
00:33:17,129 --> 00:33:18,464
A WIDER MARGIN OF TISSUE TO
707
00:33:18,464 --> 00:33:20,532
GET RID OF THOSE JAGGED EDGES.
708
00:33:20,532 --> 00:33:23,069
>> THE CARVER NEVER USED
709
00:33:23,069 --> 00:33:24,603
A SERRATED KNIFE BEFORE, DID HE?
710
00:33:24,603 --> 00:33:26,272
I THOUGHT HE LIKED PRECISION.
711
00:33:26,272 --> 00:33:27,273
>> I TOLD YOU,
712
00:33:27,273 --> 00:33:28,807
SHE DID THIS TO HERSELF.
713
00:33:28,807 --> 00:33:30,309
LOOKS LIKE SHE USED
714
00:33:30,309 --> 00:33:31,710
A GRAPEFRUIT KNIFE.
715
00:33:31,710 --> 00:33:32,644
>> WHO CARES WHAT IT WAS,
716
00:33:32,644 --> 00:33:34,080
SHITHEAD?!
717
00:33:34,080 --> 00:33:38,016
[RHEA GASPING]
718
00:33:49,295 --> 00:33:51,430
STOP! I CAN FEEL IT!
719
00:33:51,430 --> 00:33:53,165
I CAN FEEL THE PAIN!
720
00:33:53,165 --> 00:33:54,400
I CAN'T TAKE IT!
721
00:33:54,400 --> 00:33:58,804
I CAN'T TAKE IT ANYMORE!
722
00:33:58,804 --> 00:34:03,109
STOP! PLEASE!
723
00:34:03,109 --> 00:34:05,677
I CAN FEEL THIS!
724
00:34:05,677 --> 00:34:08,414
[GASPING]
725
00:34:08,414 --> 00:34:11,383
I CAN--STOP! I CAN FEEL IT!
726
00:34:11,383 --> 00:34:13,452
I CAN FEEL THE PAIN!
727
00:34:13,452 --> 00:34:18,824
AAAAHH! AAAAAAH!
728
00:34:18,824 --> 00:34:22,394
AAAAAAH!
729
00:34:22,394 --> 00:34:26,598
[GASPING]
730
00:34:26,598 --> 00:34:27,533
[RHEA'S THOUGHTS STOP]
731
00:34:32,238 --> 00:34:33,272
>> I'M REPRESENTING MS. REYNOLDS
732
00:34:33,272 --> 00:34:33,805
IN HER SUIT AGAINST
733
00:34:33,805 --> 00:34:35,274
McNAMARA/TROY. SHE WAS
734
00:34:35,274 --> 00:34:36,675
TRAUMATIZED DURING HER SURGERY,
735
00:34:36,675 --> 00:34:37,576
AND SHE CALLED ME. I DO
736
00:34:37,576 --> 00:34:39,278
PRO BONO WORK FOR STAND UP.
737
00:34:39,278 --> 00:34:40,879
>> TRAUMATIZED IN WHAT SENSE?
738
00:34:40,879 --> 00:34:41,813
>> I TOLD YOU, I FELT
739
00:34:41,813 --> 00:34:43,815
THE WHOLE THING. EVERY SECOND.
740
00:34:43,815 --> 00:34:44,783
>> MY CLIENT DIDN'T RECEIVE
741
00:34:44,783 --> 00:34:45,684
PROPER ANESTHESIA
742
00:34:45,684 --> 00:34:46,852
DURING HER PROCEDURE.
743
00:34:46,852 --> 00:34:48,187
SHE WAS AWAKE DURING
744
00:34:48,187 --> 00:34:49,155
THE OPERATION.
745
00:34:49,155 --> 00:34:49,855
>> THAT'S NOT POSSIBLE.
746
00:34:49,855 --> 00:34:50,789
>> SHE CLAIMS SHE WAS PARALYZED
747
00:34:50,789 --> 00:34:51,690
AND UNABLE TO COMMUNICATE
748
00:34:51,690 --> 00:34:52,424
WITH YOU.
749
00:34:52,424 --> 00:34:53,425
>> SHE'S LYING. SHE DOES THAT
750
00:34:53,425 --> 00:34:54,226
A LOT.
751
00:34:54,226 --> 00:34:55,161
>> MY CLIENT HAS NO REASON TO
752
00:34:55,161 --> 00:34:56,262
LIE, DR. TROY. SHE'S CLEARLY
753
00:34:56,262 --> 00:34:57,396
SUFFERING FROM POST TRAUMATIC
754
00:34:57,396 --> 00:34:58,564
STRESS DISORDER AND IS THUS
755
00:34:58,564 --> 00:34:59,431
ENTITLED TO FINANCIAL
756
00:34:59,431 --> 00:35:00,466
RESTITUTION FOR THE PAIN
757
00:35:00,466 --> 00:35:01,533
AND SUFFERING INFLICTED ON HER
758
00:35:01,533 --> 00:35:02,601
ON THESE PREMISES.
759
00:35:02,601 --> 00:35:03,669
>> YOUR CLIENT IS NOT JUST
760
00:35:03,669 --> 00:35:04,670
A LIAR, MR. BAERWITZ,
761
00:35:04,670 --> 00:35:05,837
SHE IS A FOUNTAIN
762
00:35:05,837 --> 00:35:07,673
OF GRISLY, INSANE FABRICATIONS.
763
00:35:07,673 --> 00:35:08,774
I AM ONTO YOU.
764
00:35:08,774 --> 00:35:10,176
YOU JUST WANT OUR MONEY
765
00:35:10,176 --> 00:35:11,543
SO YOU CAN RUN OFF
766
00:35:11,543 --> 00:35:12,478
AND BOOK THAT NOSE JOB
767
00:35:12,478 --> 00:35:13,645
AND THAT BREAST AUGMENTATION
768
00:35:13,645 --> 00:35:14,780
THAT YOU'VE BEEN DYING FOR.
769
00:35:14,780 --> 00:35:15,947
LET ME BE CLEAR.
770
00:35:15,947 --> 00:35:19,385
WE WILL NOT GIVE YOU ONE DIME.
771
00:35:19,385 --> 00:35:20,586
>> YOU HATE ME.
772
00:35:20,586 --> 00:35:22,754
YOU'VE ALWAYS HATED ME.
773
00:35:22,754 --> 00:35:23,889
>> EXCUSE ME. MS. REYNOLDS,
774
00:35:23,889 --> 00:35:24,756
WHY DON'T YOU--
775
00:35:24,756 --> 00:35:25,957
PLEASE, JUST TELL US IN YOUR
776
00:35:25,957 --> 00:35:26,858
OWN WORDS WHAT YOU EXPERIENCED
777
00:35:26,858 --> 00:35:28,194
DURING THE SURGERY.
778
00:35:28,194 --> 00:35:29,328
>> HE DID IT TO ME BECAUSE HE
779
00:35:29,328 --> 00:35:30,496
WANTS EVERYONE TO SUFFER
780
00:35:30,496 --> 00:35:31,563
JUST LIKE HE DID.
781
00:35:31,563 --> 00:35:32,864
HE ADMITTED IT.
782
00:35:32,864 --> 00:35:33,865
>> ALL RIGHT, LET'S JUST TRY
783
00:35:33,865 --> 00:35:34,666
TO REMAIN AS RATIONAL
784
00:35:34,666 --> 00:35:35,334
AS WE CAN HERE.
785
00:35:35,334 --> 00:35:35,967
LET'S JUST STICK WITH
786
00:35:35,967 --> 00:35:37,569
THE FACTS. ALL OF US.
787
00:35:37,569 --> 00:35:38,737
>> HERE ARE THE FACTS, DOCTOR.
788
00:35:38,737 --> 00:35:42,208
I WAS LYING THERE AWAKE
789
00:35:42,208 --> 00:35:44,676
AND COMPLETELY PARALYZED
790
00:35:44,676 --> 00:35:47,579
WHILE YOU TWO EXCISED A WIDER
791
00:35:47,579 --> 00:35:49,481
MARGIN OF TISSUE.
792
00:35:49,481 --> 00:35:51,917
DOES THAT SOUND FAMILIAR?
793
00:35:51,917 --> 00:35:54,753
IT FELT LIKE YOU WERE
794
00:35:54,753 --> 00:35:56,588
TEARING MY FACE APART.
795
00:35:56,588 --> 00:36:00,626
>> WE'LL CHECK THE STATS
796
00:36:00,626 --> 00:36:01,793
WITH OUR ANESTHESIOLOGIST,
797
00:36:01,793 --> 00:36:02,761
CONFER WITH OUR LAWYER,
798
00:36:02,761 --> 00:36:03,495
AND GET BACK TO YOU.
799
00:36:03,495 --> 00:36:04,430
>> THIS ISN'T GOING AWAY
800
00:36:04,430 --> 00:36:05,731
BECAUSE YOU WANT IT TO, DOCTOR.
801
00:36:05,731 --> 00:36:06,798
YOU WILL BE HELD ACCOUNTABLE.
802
00:36:06,798 --> 00:36:07,699
>> AND WHAT ABOUT YOUR CLIENT?
803
00:36:07,699 --> 00:36:09,235
BRAYING TO THE MEDIA ABOUT
804
00:36:09,235 --> 00:36:10,569
WOUNDS SHE INFLICTED ON HERSELF,
805
00:36:10,569 --> 00:36:12,238
MOCKING THE PAIN
806
00:36:12,238 --> 00:36:13,405
OF THE REAL VICTIMS.
807
00:36:13,405 --> 00:36:14,640
>> I WAS A VICTIM HERE.
808
00:36:14,640 --> 00:36:15,907
I FELT MY SURGERY.
809
00:36:15,907 --> 00:36:16,975
>> TO DO WHAT YOU'VE DONE,
810
00:36:16,975 --> 00:36:18,009
YOU COULDN'T FEEL ANYTHING.
811
00:36:18,009 --> 00:36:18,777
>> CHRISTIAN. CHRIS--
812
00:36:18,777 --> 00:36:19,645
>> I FELT IT.
813
00:36:19,645 --> 00:36:20,546
>> THE ONLY THING YOU FEEL IS
814
00:36:20,546 --> 00:36:21,647
THE GLARE OF THE LIMELIGHT
815
00:36:21,647 --> 00:36:22,781
YOU THINK WILL VALIDATE
816
00:36:22,781 --> 00:36:23,915
YOUR OWN EXISTENCE!
817
00:36:23,915 --> 00:36:24,916
>> YOU SAID I USED A GRAPEFRUIT
818
00:36:24,916 --> 00:36:26,418
KNIFE, BUT I DIDN'T!
819
00:36:26,418 --> 00:36:27,353
I USED A BREAD KNIFE.
820
00:36:27,353 --> 00:36:28,019
AND THAT PAIN WAS NOTHING
821
00:36:28,019 --> 00:36:29,288
COMPARED TO HOW I FELT
822
00:36:29,288 --> 00:36:30,222
ON YOUR TABLE.
823
00:36:37,996 --> 00:36:41,367
I COULDN'T TAKE IT ANYMORE.
824
00:36:41,367 --> 00:36:44,736
BEING INVISIBLE, LIKE A GHOST.
825
00:36:44,736 --> 00:36:46,805
I COULDN'T STAND WALKING
826
00:36:46,805 --> 00:36:47,973
INTO A BAR ONE MORE TIME
827
00:36:47,973 --> 00:36:49,275
AND SITTING DOWN AND HAVING
828
00:36:49,275 --> 00:36:50,542
NO ONE EVEN LOOK AT ME.
829
00:36:50,542 --> 00:36:51,743
IT'S NOT LIKE THEY
830
00:36:51,743 --> 00:36:52,811
THINK I'M UGLY.
831
00:36:52,811 --> 00:36:55,581
IT'S LIKE I'M JUST NOT THERE.
832
00:36:55,581 --> 00:36:57,683
THAT'S WHAT REALLY HURTS
833
00:36:57,683 --> 00:36:59,951
MORE THAN ANYTHING.
834
00:36:59,951 --> 00:37:03,555
SO, YEAH. CUTTING
835
00:37:03,555 --> 00:37:07,426
MY FACE DID HURT...
836
00:37:07,426 --> 00:37:10,996
BUT IT ALSO FELT SO GOOD LATER,
837
00:37:10,996 --> 00:37:13,064
ON THIS OTHER LEVEL.
838
00:37:13,064 --> 00:37:14,533
PEOPLE WERE SO UNBELIEVABLY
839
00:37:14,533 --> 00:37:15,734
KIND TO ME WHEN THEY THOUGHT I
840
00:37:15,734 --> 00:37:16,968
WAS A CARVER VICTIM.
841
00:37:16,968 --> 00:37:20,372
EXCEPT FOR YOU. WHY WOULD YOU
842
00:37:20,372 --> 00:37:21,039
WANT TO MAKE ME
843
00:37:21,039 --> 00:37:24,676
SUFFER LIKE THAT?
844
00:37:47,633 --> 00:37:50,336
>> WE'LL WALK OVER TOGETHER.
845
00:37:50,336 --> 00:37:51,837
AND IF THINGS GO AS WE HOPE,
846
00:37:51,837 --> 00:37:53,505
I WILL DISAPPEAR.
847
00:37:53,505 --> 00:37:58,477
>> THE HAIR'S NOT TOO MUCH?
848
00:37:58,477 --> 00:38:01,413
>> ELLIE, YOU LOOK BEAUTIFUL.
849
00:38:01,413 --> 00:38:03,281
INSIDE AND OUT.
850
00:38:32,110 --> 00:38:33,044
>> HELLO, CARL.
851
00:38:41,387 --> 00:38:45,624
>> HELLO.
852
00:38:45,624 --> 00:38:52,531
YOU'RE VERY PRETTY.
853
00:38:52,531 --> 00:38:55,934
DO I KNOW YOU?
854
00:38:55,934 --> 00:38:59,871
MY MEMORY'S NOT VERY GOOD.
855
00:38:59,871 --> 00:39:01,907
WHAT'S YOUR NAME AGAIN?
856
00:39:01,907 --> 00:39:06,812
>> I'M ELLIE.
857
00:39:06,812 --> 00:39:11,349
>> ELLIE?
858
00:39:26,865 --> 00:39:32,804
THIS IS MY GIRLFRIEND, TRUDY.
859
00:39:42,481 --> 00:39:44,983
>> PLEASED TO MEET YOU, TRUDY.
860
00:39:44,983 --> 00:39:46,918
Trudy: HELLO.
861
00:39:58,864 --> 00:40:00,699
>> IF IT WOULD BE ANY COMFORT
862
00:40:00,699 --> 00:40:04,202
AT ALL, I WOULD BE TRULY
863
00:40:04,202 --> 00:40:07,573
HONORED TO HAVE DINNER WITH YOU.
864
00:40:16,815 --> 00:40:21,487
>> THANK YOU.
865
00:40:21,487 --> 00:40:24,556
BUT I'M GONNA STAY HERE AND...
866
00:40:24,556 --> 00:40:29,961
VISIT WITH CARL AND TRUDY.
867
00:40:48,514 --> 00:40:52,918
>> JESUS, MATT, YOU SCARED THE--
868
00:40:52,918 --> 00:40:53,785
>> I CAME BY TO TELL YOU
869
00:40:53,785 --> 00:40:54,586
THAT I STOPPED BY
870
00:40:54,586 --> 00:40:55,687
THE COURTHOUSE TODAY AND
871
00:40:55,687 --> 00:40:57,723
RESCINDED THE RESTRAINING ORDER.
872
00:41:05,163 --> 00:41:06,765
>> THANK YOU, MATT.
873
00:41:06,765 --> 00:41:12,270
YOU MADE THE RIGHT DECISION.
874
00:41:12,270 --> 00:41:17,075
YOU WON'T BE SORRY,
875
00:41:17,075 --> 00:41:18,677
I PROMISE YOU.
876
00:41:20,812 --> 00:41:29,955
A TOAST... TO DETENTE?
877
00:41:29,955 --> 00:41:32,824
>> I DID IT FOR MOM.
878
00:41:32,824 --> 00:41:35,727
YOU AND ME...
879
00:41:35,727 --> 00:41:39,497
WE'RE PRETTY MUCH DONE.
880
00:41:50,041 --> 00:41:53,679
>> COME BACK HERE, MATT.
881
00:41:53,679 --> 00:42:00,118
>> WHY? SO YOU CAN HIT ME AGAIN?
882
00:42:00,118 --> 00:42:10,896
>> NO. YOU HIT ME.
883
00:42:10,896 --> 00:42:15,300
COME ON. COME BACK HERE
884
00:42:15,300 --> 00:42:19,004
AND GIVE ME YOUR BEST SHOT.
885
00:42:19,004 --> 00:42:22,207
PAIN FOR PAIN.
886
00:42:22,207 --> 00:42:26,845
THEN WE'LL BE EVEN. COME ON.
887
00:42:26,845 --> 00:42:41,292
HIT ME. I'M BEGGING YOU.
888
00:42:41,292 --> 00:42:54,906
>> YOU'RE VERY SAD.
889
00:42:54,906 --> 00:42:57,108
[DOOR CLOSES]
890
00:43:15,827 --> 00:43:16,928
>> I THOUGHT I MIGHT
891
00:43:16,928 --> 00:43:17,996
FIND YOU HERE.
892
00:43:17,996 --> 00:43:20,398
>> THE BOTTLE OF DIPRIVAN
893
00:43:20,398 --> 00:43:21,800
I USED ON RHEA REYNOLDS
894
00:43:21,800 --> 00:43:22,734
HAS DISAPPEARED
895
00:43:22,734 --> 00:43:24,770
INTO THE GREATER DADE COUNTY
896
00:43:24,770 --> 00:43:25,871
SANITATION SYSTEM,
897
00:43:25,871 --> 00:43:27,105
BUT I AM SENDING THE BATCH
898
00:43:27,105 --> 00:43:28,674
THAT IT'S FROM TO THE LAB
899
00:43:28,674 --> 00:43:29,440
FOR ANALYSIS.
900
00:43:29,440 --> 00:43:30,408
>> WE'LL FIGURE IT OUT, LIZ.
901
00:43:30,408 --> 00:43:32,844
>> BEFORE OR AFTER SHE GOES
902
00:43:32,844 --> 00:43:34,212
TO THE MEDIA, AND MY MISTAKE
903
00:43:34,212 --> 00:43:35,714
BANKRUPTS WHAT YOU AND SEAN HAVE
904
00:43:35,714 --> 00:43:38,950
SPENT A LIFETIME BUILDING?
905
00:43:38,950 --> 00:43:42,387
I WANT YOU TO SUSPEND ME
906
00:43:42,387 --> 00:43:44,355
UNTIL THE LAB TESTS COME BACK.
907
00:43:44,355 --> 00:43:46,124
>> WHY?
908
00:43:46,124 --> 00:43:47,693
>> BECAUSE THEN AT LEAST
909
00:43:47,693 --> 00:43:48,694
IT APPEARS WE'RE TAKING
910
00:43:48,694 --> 00:43:49,695
SOME ACTION. IT GIVES
911
00:43:49,695 --> 00:43:51,262
THE APPEARANCE OF A RESPONSIBLE
912
00:43:51,262 --> 00:43:52,831
INTERNAL INVESTIGATION,
913
00:43:52,831 --> 00:43:53,699
WHICH IS WHAT WE NEED
914
00:43:53,699 --> 00:43:55,400
TO DO, CHRISTIAN.
915
00:43:55,400 --> 00:43:57,736
>> YOU WANT TO HELP
916
00:43:57,736 --> 00:44:01,973
BOTH OF US? TEST IT ON ME.
917
00:44:01,973 --> 00:44:03,408
IF ANYBODY KNOWS WHAT IT'S LIKE
918
00:44:03,408 --> 00:44:04,275
TO BE PARALYZED AND STILL
919
00:44:04,275 --> 00:44:07,779
HAVE FEELINGS, IT'S ME.
920
00:44:07,779 --> 00:44:10,215
>> I CAN'T DO THAT, CHRISTIAN.
921
00:44:10,215 --> 00:44:15,386
>> YES, YOU CAN. I COULD USE
922
00:44:15,386 --> 00:44:18,189
A FEW MOMENTS OF OBLIVION.
923
00:44:54,760 --> 00:44:56,227
>> COUNT BACKWARDS FROM 10
924
00:44:56,227 --> 00:44:57,228
FOR ME.
925
00:45:45,811 --> 00:45:51,282
>> 7...6...
926
00:45:51,282 --> 00:45:55,486
5...
927
00:45:55,486 --> 00:45:57,388
4--
928
00:46:19,978 --> 00:46:20,979
[GASPS]
929
00:46:20,979 --> 00:46:28,386
[WHEEZING]
930
00:46:28,386 --> 00:46:30,621
>> YOU'VE MADE A MESS, RHEA.
931
00:46:30,621 --> 00:46:35,526
THAT'S ALL RIGHT. DON'T WORRY.
932
00:46:35,526 --> 00:46:36,561
'CAUSE I'M GONNA GIVE YOU
933
00:46:36,561 --> 00:46:37,963
WHAT YOU'VE BEEN WANTING
934
00:46:37,963 --> 00:46:40,866
ALL ALONG. REAL PAIN.
935
00:46:40,866 --> 00:46:41,799
[RHEA WHEEZING]
936
00:46:59,417 --> 00:47:00,418
[CAPTIONED BY THE NATIONAL
937
00:47:00,418 --> 00:47:01,419
CAPTIONING INSTITUTE
938
00:47:01,419 --> 00:47:04,055
--www.ncicap.org--]
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