Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:01:23,630 --> 00:01:25,680
There he lies.
2
00:01:25,700 --> 00:01:28,960
God rest his soul,
and his rudeness.
3
00:01:33,500 --> 00:01:38,010
A devouring public can now share
the remains of his sickness,
4
00:01:38,030 --> 00:01:40,630
and his phone numbers.
5
00:01:42,600 --> 00:01:44,640
There he lay...
6
00:01:44,670 --> 00:01:46,080
poet,
7
00:01:46,100 --> 00:01:47,580
prophet,
8
00:01:47,600 --> 00:01:49,080
outlaw,
9
00:01:49,100 --> 00:01:50,740
fake.
10
00:01:50,770 --> 00:01:53,640
Star of electricity.
11
00:01:53,670 --> 00:01:56,580
Nailed by a peeping Tom
12
00:01:56,600 --> 00:01:58,340
who would soon discover...
13
00:01:58,370 --> 00:02:02,180
A poem is like a naked person.
14
00:02:02,200 --> 00:02:04,240
Even the ghost...
15
00:02:04,270 --> 00:02:06,200
was more than one person.
16
00:02:13,500 --> 00:02:16,690
But a song is something
that walks by itself.
17
00:02:23,600 --> 00:02:27,440
♪ Aw, the ragman draws circles ♪
18
00:02:27,470 --> 00:02:30,810
♪ Up and down the block ♪
19
00:02:30,830 --> 00:02:34,310
♪ I'd ask him what the matter was ♪
20
00:02:34,330 --> 00:02:37,440
♪ But I know that he don't talk ♪
21
00:02:37,470 --> 00:02:41,180
♪ And the ladies treat me kindly ♪
22
00:02:41,200 --> 00:02:44,910
♪ And they furnish me with tape ♪
23
00:02:44,930 --> 00:02:48,440
♪ But deep inside my heart ♪
24
00:02:48,470 --> 00:02:52,010
♪ I know I can't escape ♪
25
00:02:52,030 --> 00:02:55,140
♪ Oh, Mama ♪
26
00:02:55,170 --> 00:02:58,580
♪ Can this really be the end ♪
27
00:02:58,600 --> 00:03:02,110
♪ To be stuck inside of Mobile ♪
28
00:03:02,130 --> 00:03:05,690
♪ With the Memphis blues again? ♪
29
00:03:08,200 --> 00:03:11,610
♪ Well, Shakespeare, he's in the alley ♪
30
00:03:11,630 --> 00:03:15,140
♪ With his pointed shoes and his bells ♪
31
00:03:15,170 --> 00:03:18,640
♪ Speaking to some French girl ♪
32
00:03:18,670 --> 00:03:22,040
♪ Who says she knows me well ♪
33
00:03:22,070 --> 00:03:25,840
♪ And I would send a message ♪
34
00:03:25,870 --> 00:03:29,210
♪ To find out if she's talked ♪
35
00:03:29,230 --> 00:03:33,010
♪ But the post office has been stolen ♪
36
00:03:33,030 --> 00:03:36,580
♪ And the mailbox is locked ♪
37
00:03:36,600 --> 00:03:40,040
♪ Oh, Mama ♪
38
00:03:40,070 --> 00:03:43,040
♪ Can this really be the end ♪
39
00:03:43,070 --> 00:03:46,610
♪ To be stuck inside of Mobile ♪
40
00:03:46,630 --> 00:03:49,900
♪ With the Memphis blues again? ♪
41
00:03:52,670 --> 00:03:56,380
♪ Now the rain man gave me two cures ♪
42
00:03:56,400 --> 00:03:59,640
♪ Then he said, "Jump right in" ♪
43
00:03:59,670 --> 00:04:03,340
♪ The one was Texas medicine ♪
44
00:04:03,370 --> 00:04:06,710
♪ The other was just railroad gin ♪
45
00:04:06,730 --> 00:04:10,110
♪ And like a fool I mixed them ♪
46
00:04:10,130 --> 00:04:13,610
♪ And it strangled up my mind ♪
47
00:04:13,630 --> 00:04:17,040
♪ And now people just get uglier ♪
48
00:04:17,070 --> 00:04:20,810
♪ And I have no sense of time ♪
49
00:04:20,830 --> 00:04:24,280
♪ Oh, Mama ♪
50
00:04:24,300 --> 00:04:27,610
♪ Can this really be the end ♪
51
00:04:27,630 --> 00:04:31,080
♪ To be stuck here inside of Mobile ♪
52
00:04:31,100 --> 00:04:34,900
♪ With the Memphis blues again? ♪
53
00:04:56,100 --> 00:04:59,580
Hey. How old are you, boy?
54
00:04:59,600 --> 00:05:02,380
Eleven years old.
55
00:05:02,400 --> 00:05:03,800
Oh.
56
00:05:04,800 --> 00:05:06,410
What's your name, son?
57
00:05:06,440 --> 00:05:08,710
Woody.
58
00:05:08,730 --> 00:05:10,010
Woody Guthrie.
59
00:05:10,030 --> 00:05:12,500
Just like the singer.
60
00:05:13,670 --> 00:05:14,810
Way I see it,
61
00:05:14,830 --> 00:05:18,100
singin's kept me right in this world
more than any Bible's ever done.
62
00:05:19,900 --> 00:05:21,940
And somethin' else I learned?
63
00:05:21,970 --> 00:05:25,060
Takes just about a fountain pen
to get yourself robbed.
64
00:05:26,470 --> 00:05:29,230
Hey, Joe. What do you
make about that?
65
00:05:31,400 --> 00:05:33,380
Uh, son...
66
00:05:33,400 --> 00:05:37,310
you wouldn't be stashin' no weapons
in that case of yours?
67
00:05:37,330 --> 00:05:40,320
No, sir. Not in any literalized way.
68
00:05:41,930 --> 00:05:44,880
What'd you say his name was?
69
00:05:44,900 --> 00:05:47,080
A- R-T-H.
70
00:05:47,100 --> 00:05:49,120
Please sit down.
71
00:05:54,430 --> 00:05:58,240
"A-R-T-H-U-R...
72
00:05:58,270 --> 00:06:01,830
R-I-M-B-A-U-D."
73
00:06:03,070 --> 00:06:05,210
Born October 20th.
74
00:06:05,230 --> 00:06:08,510
That makes you 19, nearly 20.
75
00:06:08,530 --> 00:06:09,880
Is that correct?
76
00:06:09,900 --> 00:06:11,390
That's correct.
77
00:06:13,570 --> 00:06:15,110
So what's all this about?
78
00:06:15,130 --> 00:06:17,380
Well, Missouri, originally.
79
00:06:17,400 --> 00:06:19,310
A little town called Riddle.
80
00:06:19,330 --> 00:06:22,380
But all over, really.
81
00:06:22,400 --> 00:06:25,380
Been to Gallup, Phillipsburg,
Sioux Falls...
82
00:06:25,400 --> 00:06:27,740
I got me a cousin in Sioux Falls.
83
00:06:27,770 --> 00:06:30,610
Yeah! That's right.
84
00:06:30,630 --> 00:06:33,410
Uh, is there really
a town called Riddle?
85
00:06:33,430 --> 00:06:37,240
Tell you the flat truth,
that's sort of a... a whatchamacallit.
86
00:06:37,270 --> 00:06:38,480
A, uh...
87
00:06:38,500 --> 00:06:40,040
A composite.
88
00:06:40,070 --> 00:06:42,860
A compost heap is more like it.
89
00:06:46,670 --> 00:06:49,980
Truth is, my mind
got mixed with ramblin'
90
00:06:50,000 --> 00:06:51,380
when I was, oh, so young.
91
00:06:51,400 --> 00:06:54,240
I reckon it was Arvella Gray,
92
00:06:54,270 --> 00:06:57,110
the blind protest singer from Chicago.
93
00:06:57,130 --> 00:06:59,610
She first taught me the blues
94
00:06:59,630 --> 00:07:00,840
four...
95
00:07:00,870 --> 00:07:02,940
about five years back.
96
00:07:02,970 --> 00:07:05,980
That's also when I first started
writin' songs on my own.
97
00:07:06,000 --> 00:07:07,510
I've written some hillbilly songs.
98
00:07:07,530 --> 00:07:09,340
You know Carl Perkins,
from Nashville?
99
00:07:09,370 --> 00:07:10,340
Yeah, yeah.
100
00:07:10,370 --> 00:07:12,780
He sings some of my songs.
101
00:07:12,800 --> 00:07:15,040
Yep. Talkin' blues kind
of stuff, you know?
102
00:07:15,070 --> 00:07:17,180
Union songs.
103
00:07:17,200 --> 00:07:20,410
I also played piano with Bobby Vee.
104
00:07:20,430 --> 00:07:23,830
I would've been a millionaire
if I stayed with him.
105
00:07:25,700 --> 00:07:29,060
Well, what brings you
around these parts?
106
00:07:32,770 --> 00:07:34,630
Carelessness.
107
00:07:40,100 --> 00:07:42,580
I lost my one true love.
108
00:07:42,600 --> 00:07:45,030
And I started drinking.
109
00:07:48,770 --> 00:07:51,710
Next thing I know, I'm in a crap game.
110
00:07:51,740 --> 00:07:53,480
I wake up in a pool hall.
111
00:07:53,500 --> 00:07:55,580
One night, I meet up with a Chinaman
112
00:07:55,600 --> 00:07:59,610
working at a dime store
who says he loves my sound.
113
00:07:59,630 --> 00:08:01,510
And next thing I know,
114
00:08:01,530 --> 00:08:04,680
I'm all booked up
at his boss's establishment.
115
00:08:04,700 --> 00:08:06,780
The Tiny Troubadour!
116
00:08:06,800 --> 00:08:11,740
♪ I've been a... ♪
117
00:08:11,770 --> 00:08:14,630
♪ Moonshiner ♪
118
00:08:17,600 --> 00:08:23,500
♪ For 17 long years ♪
119
00:08:27,130 --> 00:08:28,790
There you go, boy.
120
00:08:32,000 --> 00:08:33,240
Of course, success ain't all
121
00:08:33,270 --> 00:08:35,610
it's cracked up to be, now.
122
00:08:35,630 --> 00:08:38,140
There's something
sort of freakish, I suppose,
123
00:08:38,170 --> 00:08:41,880
setting someone up on stage
apart from all the rest,
124
00:08:41,900 --> 00:08:46,510
when down in every boxcar there's men
of all ranges bouncing together.
125
00:08:46,530 --> 00:08:49,380
You got hobos, nobos,
gentlemen loafers.
126
00:08:49,400 --> 00:08:52,580
One or all-time losers.
127
00:08:52,600 --> 00:08:55,610
Call us what you will.
128
00:08:55,630 --> 00:08:57,810
Deep down, we're all getting ready
129
00:08:57,830 --> 00:09:01,240
to tuck our heads
under our wings for sleep.
130
00:09:01,270 --> 00:09:03,740
We of the Pullman side-car
and the sunburned thumb.
131
00:09:03,770 --> 00:09:07,510
We ain't kidding ourselves.
132
00:09:07,530 --> 00:09:09,330
It's lonesome roads we shall walk.
133
00:09:12,800 --> 00:09:15,230
Till I joined the Union cause!
134
00:09:17,930 --> 00:09:20,940
Don't he know it's 1959?
135
00:09:20,970 --> 00:09:23,980
We done unionized 20 years ago.
136
00:09:24,000 --> 00:09:28,110
Records indicate that you've been away,
137
00:09:28,130 --> 00:09:30,040
that you've stopped writing.
138
00:09:30,070 --> 00:09:31,340
I've been on too many streets
139
00:09:31,370 --> 00:09:33,380
to be doing the same thing
over and over.
140
00:09:33,400 --> 00:09:34,980
Can I smoke in here?
141
00:09:35,000 --> 00:09:36,340
You sound,
142
00:09:36,370 --> 00:09:38,140
for someone so widely known,
143
00:09:38,170 --> 00:09:39,140
a bit fatalistic.
144
00:09:39,170 --> 00:09:42,240
I'm not fatalistic.
145
00:09:42,270 --> 00:09:43,840
Bank tellers are fatalistic.
146
00:09:43,870 --> 00:09:45,110
Clerks are fatalistic.
147
00:09:45,130 --> 00:09:47,210
I'm a farmer.
148
00:09:47,230 --> 00:09:50,260
Who ever heard
of a fatalistic farmer?
149
00:09:53,800 --> 00:09:57,640
♪ The sweet, pretty things
are in bed now, of course ♪
150
00:09:57,670 --> 00:10:01,480
♪ The city fathers,
they're trying to endorse ♪
151
00:10:01,500 --> 00:10:05,240
♪ The reincarnation
of Paul Revere's horse ♪
152
00:10:05,270 --> 00:10:09,180
♪ But the town has no need
to be nervous ♪
153
00:10:09,200 --> 00:10:13,380
♪ The hysterical bride
in the penny arcade ♪
154
00:10:13,400 --> 00:10:17,080
♪ Screaming, she moans,
"I've just been made" ♪
155
00:10:17,100 --> 00:10:20,680
♪ Then sends out for the doctor
who pulls down the shade ♪
156
00:10:20,700 --> 00:10:24,580
♪ Says, "My advice
is to not let the boys in" ♪
157
00:10:24,600 --> 00:10:29,080
♪ Where Ma Raney and Beethoven
once unwrapped their bed roll ♪
158
00:10:29,100 --> 00:10:32,780
♪ Tuba players now rehearse
around the flagpole ♪
159
00:10:32,800 --> 00:10:34,710
♪ And the national bank for a profit ♪
160
00:10:34,730 --> 00:10:36,710
♪ Sells road maps for the soul ♪
161
00:10:36,730 --> 00:10:41,180
♪ To the old folks home
and the college ♪
162
00:10:41,200 --> 00:10:42,540
♪ Mama's in the factory ♪
163
00:10:42,570 --> 00:10:44,880
♪ She ain't got no shoes ♪
164
00:10:44,900 --> 00:10:46,680
♪ Daddy's in the alley ♪
165
00:10:46,700 --> 00:10:48,840
♪ He's lookin' for food ♪
166
00:10:48,870 --> 00:10:50,510
♪ I'm in the kitchen ♪
167
00:10:50,530 --> 00:10:54,240
♪ With the tombstone blues ♪
168
00:10:54,270 --> 00:10:57,440
♪ Hey, hey, yeah ♪
169
00:10:57,470 --> 00:10:58,590
Whoo!
170
00:11:00,300 --> 00:11:01,990
Oh!
171
00:11:04,370 --> 00:11:07,810
Boy, look like you found...
you found your freedom
172
00:11:07,830 --> 00:11:09,540
before you found your technique.
173
00:11:09,570 --> 00:11:12,340
Now, real American music
come from the bottom up.
174
00:11:12,370 --> 00:11:14,410
You take Blind Willie McTell.
175
00:11:14,430 --> 00:11:16,740
He's the best blues singer
east of Cannery Row.
176
00:11:16,770 --> 00:11:19,080
He say, "Son, if you can
sing these songs
177
00:11:19,100 --> 00:11:23,310
and understand them,
ain't no place you can't go.
178
00:11:23,330 --> 00:11:24,980
Ah, thank you very much, ma'am.
179
00:11:25,000 --> 00:11:26,080
You're welcome.
180
00:11:26,100 --> 00:11:27,510
I reckon I come out the womb
181
00:11:27,530 --> 00:11:29,680
singing and picking
and playing and all that mess.
182
00:11:29,700 --> 00:11:30,910
So where your people at?
183
00:11:30,930 --> 00:11:32,840
Your kinfolk?
184
00:11:32,870 --> 00:11:34,210
Oh, they back in Stockton, ma'am.
185
00:11:34,230 --> 00:11:36,310
California.
That's where I was raised.
186
00:11:36,330 --> 00:11:39,340
I figured they got plenty
of mouths to feed as it is.
187
00:11:39,370 --> 00:11:41,840
Not that I care a fig
about material things,
188
00:11:41,870 --> 00:11:44,980
you know, except for
maybe a decent car.
189
00:11:45,000 --> 00:11:46,910
See, us thumb-slummers
and box-jumpers,
190
00:11:46,930 --> 00:11:49,180
we get a little peckish
when it comes to cars, you know?
191
00:11:49,200 --> 00:11:51,640
That boy sound just like Doughboy Hawkins,
192
00:11:51,670 --> 00:11:53,310
a fella I met in the Dust Bowl.
193
00:11:53,330 --> 00:11:55,540
Tell you what I think.
I think it's 1959,
194
00:11:55,570 --> 00:11:57,480
and this boy's singing
songs about the boxcar?
195
00:11:57,500 --> 00:12:00,080
Hmm. What a boxcar
gonna mean to him?
196
00:12:00,100 --> 00:12:03,980
Right here, we got race riots,
folks with no food.
197
00:12:04,000 --> 00:12:05,580
Why ain't he out there
singing about that?
198
00:12:05,600 --> 00:12:07,010
The boy a guest in our house.
199
00:12:07,030 --> 00:12:09,510
I know he's a guest.
I'm just trying to speak what's in my mind.
200
00:12:09,530 --> 00:12:10,760
No!
201
00:12:13,300 --> 00:12:15,130
Say it.
202
00:12:20,930 --> 00:12:24,810
Live your own time, child.
203
00:12:24,830 --> 00:12:26,800
Sing about your own time.
204
00:12:36,030 --> 00:12:37,480
Greenwich Village,
205
00:12:37,500 --> 00:12:40,210
once the in spot
for beatnik jazz and bebop,
206
00:12:40,230 --> 00:12:43,410
is today home
to the popular folk music fad,
207
00:12:43,430 --> 00:12:45,210
a do-it-yourself musical expression
208
00:12:45,230 --> 00:12:48,480
that's attracted youngsters
from all across the nation.
209
00:12:48,500 --> 00:12:51,510
For them,
these homespun songs of the working man
210
00:12:51,540 --> 00:12:53,080
express a truth and candor
211
00:12:53,100 --> 00:12:57,040
sorely lacking in today's
growing consumer society.
212
00:12:57,070 --> 00:13:00,310
Why do you prefer folk music
to other types of music?
213
00:13:00,330 --> 00:13:02,910
Because it's honest.
214
00:13:02,930 --> 00:13:05,810
Commercial songs,
pop music can't be honest.
215
00:13:05,830 --> 00:13:09,110
It's controlled and censored
by the people who run society
216
00:13:09,130 --> 00:13:10,510
and make the rules.
217
00:13:10,530 --> 00:13:11,980
Yet, among the many new
218
00:13:12,000 --> 00:13:13,810
and talented artists to emerge,
219
00:13:13,830 --> 00:13:16,410
one name stands alone
as the heart and soul
220
00:13:16,430 --> 00:13:18,680
of this growing musical trend.
221
00:13:18,700 --> 00:13:21,740
A young individual
who both writes and performs
222
00:13:21,770 --> 00:13:23,960
some of his era's finest tunes,
223
00:13:24,230 --> 00:13:25,780
and hailed by the New York Times
224
00:13:25,800 --> 00:13:29,080
as folk music's
Troubadour of Conscience.
225
00:13:29,100 --> 00:13:33,010
His name is Jack Rollins.
226
00:13:33,030 --> 00:13:34,940
Jack Rollins,
227
00:13:34,970 --> 00:13:37,340
folk sensation of the early '60s,
228
00:13:37,370 --> 00:13:39,840
was the promise of a new generation.
229
00:13:39,870 --> 00:13:41,910
So what was it that made him run
230
00:13:41,930 --> 00:13:44,580
at the height of his career
and throw it all away,
231
00:13:44,600 --> 00:13:48,640
trading in the limelight
for a different kind of light altogether?
232
00:13:48,670 --> 00:13:51,510
He saw what was going on
in the world,
233
00:13:51,540 --> 00:13:55,340
and he had the ability
to distill it into a song.
234
00:13:55,370 --> 00:13:57,440
He could do a funny thing.
235
00:13:57,470 --> 00:13:59,980
He could do a pathos thing.
He was sensational.
236
00:14:00,000 --> 00:14:04,020
♪ For the times, they are a-changin' ♪
237
00:14:07,470 --> 00:14:10,580
Now, this young man has
taken to the hearts of young people
238
00:14:10,600 --> 00:14:15,610
who seem to somehow identify with, uh...
239
00:14:15,630 --> 00:14:18,440
Jack, why do you think that is?
240
00:14:18,470 --> 00:14:20,410
Well, I don't know.
241
00:14:20,430 --> 00:14:23,280
I... I guess...
242
00:14:23,300 --> 00:14:26,610
I got a lot of thoughts inside of me,
243
00:14:26,630 --> 00:14:29,480
and most people, they...
244
00:14:29,500 --> 00:14:32,980
they... keep them all inside.
245
00:14:33,000 --> 00:14:36,510
And I guess it's for them
that I do what I do.
246
00:14:36,530 --> 00:14:38,510
Today, the name Jack Rollins
247
00:14:38,530 --> 00:14:40,740
might best be remembered
as the tortured singer
248
00:14:40,770 --> 00:14:44,040
battling his conscience
in the 1965 drama,
249
00:14:44,070 --> 00:14:45,440
Grain of Sand.
250
00:14:45,470 --> 00:14:47,210
The role, of course,
that launched the career
251
00:14:47,230 --> 00:14:49,310
of Hollywood rebel Robbie Clark.
252
00:14:49,330 --> 00:14:50,780
Hell, I don't pick what I sing.
253
00:14:50,800 --> 00:14:52,880
It picks me.
254
00:14:52,900 --> 00:14:54,240
Some of it ain't pretty.
255
00:14:54,270 --> 00:14:55,810
I mean, how you ever
gonna change anything
256
00:14:55,830 --> 00:14:57,680
if you only wanna show what's pretty?
257
00:14:57,700 --> 00:15:00,600
In his first exclusive
interview in 20 years...
258
00:15:00,730 --> 00:15:06,360
Tonight, we bring you face-to-face
with the real Jack Rollins.
259
00:15:11,000 --> 00:15:14,910
♪ William Zanzinger
killed poor Hattie Carroll ♪
260
00:15:14,930 --> 00:15:17,240
♪ With a cane that he twirled ♪
261
00:15:17,270 --> 00:15:19,580
♪ 'Round his diamond ring finger ♪
262
00:15:19,600 --> 00:15:22,240
He saw what was going on
in the world,
263
00:15:22,270 --> 00:15:25,980
and he had the ability
to distill it into a song.
264
00:15:26,000 --> 00:15:27,840
And this elevated the discussion.
265
00:15:27,870 --> 00:15:29,880
I mean, certainly
within the folk world,
266
00:15:29,900 --> 00:15:33,740
but all through popular music,
the bar had risen.
267
00:15:33,770 --> 00:15:35,140
Alice Fabian
268
00:15:35,170 --> 00:15:38,140
was herself a leading figure
in the folk revival,
269
00:15:38,170 --> 00:15:40,180
achieving international success
270
00:15:40,200 --> 00:15:43,580
a few years before
their first meeting in 1962.
271
00:15:43,600 --> 00:15:47,050
Hey, you're in my chair.
272
00:15:48,500 --> 00:15:50,280
I was at a party in the Village,
273
00:15:50,300 --> 00:15:53,210
and this twerpy little kid
who'd been hanging around,
274
00:15:53,230 --> 00:15:55,840
kind of flirting with my baby sister
and kissing up to me,
275
00:15:55,870 --> 00:15:58,210
starts playing these songs
that he'd written on guitar.
276
00:15:58,230 --> 00:16:01,680
Now, this was '61, '62,
277
00:16:01,700 --> 00:16:04,240
and all anybody sang were traditionals,
278
00:16:04,270 --> 00:16:09,110
and here's this kid, applying traditional
form to contemporary concerns,
279
00:16:09,130 --> 00:16:11,180
but with such insight, you know?
280
00:16:11,200 --> 00:16:12,680
It was devastating.
281
00:16:12,700 --> 00:16:15,810
You couldn't believe
this was coming out of this little toad.
282
00:16:15,830 --> 00:16:19,810
Nobody was writing songs like that.
283
00:16:19,830 --> 00:16:21,640
It was as if he was giving voice to ideas
284
00:16:21,670 --> 00:16:25,140
that I wanted to express
but didn't know how.
285
00:16:25,170 --> 00:16:27,810
Um, his finger-pointing songs,
he called 'em.
286
00:16:27,830 --> 00:16:31,840
He was churning them out
like ticker tape.
287
00:16:31,870 --> 00:16:35,310
Well, folk music has always
been a political music,
288
00:16:35,330 --> 00:16:38,780
but he was really expressing
it as an art form
289
00:16:38,800 --> 00:16:42,710
in a way that was
multileveled and very deep.
290
00:16:42,730 --> 00:16:46,740
♪ Hattie Carroll
was a maid of the kitchen ♪
291
00:16:46,770 --> 00:16:49,280
♪ She was 51 years old ♪
292
00:16:49,300 --> 00:16:51,580
♪ And gave birth to ten children ♪
293
00:16:51,600 --> 00:16:56,180
♪ Who carried the dishes
and took out the garbage ♪
294
00:16:56,200 --> 00:17:00,810
♪ And never sat once
at the head of the table ♪
295
00:17:00,830 --> 00:17:05,040
♪ And didn't even talk
to the people at the table ♪
296
00:17:05,070 --> 00:17:09,780
♪ She just cleaned up
all the food from the table ♪
297
00:17:09,800 --> 00:17:14,340
♪ And emptied the ashtrays
on a whole other level ♪
298
00:17:14,370 --> 00:17:19,480
♪ Got killed by a blow,
lay slain by a cane ♪
299
00:17:19,500 --> 00:17:20,540
Every night,
300
00:17:20,570 --> 00:17:22,910
I would call this ragamuffin on stage
301
00:17:22,930 --> 00:17:27,110
and introduce America
to Jack Rollins.
302
00:17:27,130 --> 00:17:29,440
I'd say, you know,
that he has something to say,
303
00:17:29,470 --> 00:17:33,310
you know, and that he is...
he is speaking for me
304
00:17:33,330 --> 00:17:35,880
and everybody who wants
a better world.
305
00:17:35,900 --> 00:17:41,210
♪ Oh, but you who
philosophize disgrace ♪
306
00:17:41,230 --> 00:17:45,580
♪ And criticize all fears ♪
307
00:17:45,600 --> 00:17:50,810
♪ Bury the rag deep in your face ♪
308
00:17:50,830 --> 00:17:54,380
♪ Now is the time for your tears ♪
309
00:17:54,400 --> 00:17:56,080
He knows how to peel the surface
310
00:17:56,100 --> 00:17:57,240
from what he sees.
311
00:17:57,270 --> 00:18:00,610
His songs are like a true vision
of how things really are.
312
00:18:00,630 --> 00:18:03,180
Well, I just find
he's the most piercing
313
00:18:03,200 --> 00:18:06,810
and aware insight working today.
314
00:18:06,830 --> 00:18:07,980
You'd have thought we invented it,
315
00:18:08,000 --> 00:18:10,190
we were so pleased and proud.
316
00:18:14,830 --> 00:18:18,280
Sure, there was a certain tendency
in the folk movement
317
00:18:18,300 --> 00:18:21,080
for nostalgia about the Depression
318
00:18:21,100 --> 00:18:24,110
and the radicalism
that came out of it.
319
00:18:24,130 --> 00:18:25,680
They were coming out
of a shitty time...
320
00:18:25,700 --> 00:18:28,110
the McCarthy era, Eisenhower era.
321
00:18:28,130 --> 00:18:31,940
So, as long as folk remained
strictly a minority taste,
322
00:18:31,970 --> 00:18:35,140
it would always be us against the big, bad
commercial tastelessness.
323
00:18:35,170 --> 00:18:37,640
But when the big, bad commercial
tastelessness
324
00:18:37,670 --> 00:18:40,680
finally caught on to Jack,
325
00:18:40,700 --> 00:18:44,140
then, well, all of a sudden,
326
00:18:44,170 --> 00:18:46,580
the race was on.
327
00:18:46,600 --> 00:18:48,880
And this time,
somebody was going to win.
328
00:18:48,900 --> 00:18:49,910
He was a rebel.
329
00:18:49,930 --> 00:18:51,840
I wanted to record protest.
330
00:18:51,870 --> 00:18:53,380
Of course, that's right
when we were getting
331
00:18:53,400 --> 00:18:55,390
into that whole Nam business.
332
00:18:55,570 --> 00:19:00,010
Jack really stopped protesting after 1963.
333
00:19:00,030 --> 00:19:04,340
He said that you couldn't
effect change with a song.
334
00:19:04,370 --> 00:19:07,080
You could only write
about what was inside you,
335
00:19:07,100 --> 00:19:10,380
and folk music, he said, was, um...
336
00:19:10,400 --> 00:19:12,540
was fat people.
337
00:19:12,570 --> 00:19:15,340
He said it made him feel
like the Establishment,
338
00:19:15,370 --> 00:19:18,710
you know, and he always
fought the Establishment.
339
00:19:18,730 --> 00:19:22,980
♪ You will search, babe ♪
340
00:19:23,000 --> 00:19:26,930
♪ At any cost ♪
341
00:19:31,000 --> 00:19:35,300
♪ Everybody will help you ♪
342
00:19:36,900 --> 00:19:42,210
♪ Some people are very kind ♪
343
00:19:42,230 --> 00:19:45,880
♪ And if I... ♪
344
00:19:45,900 --> 00:19:50,490
♪ Can save you any time ♪
345
00:19:53,230 --> 00:19:57,210
♪ Come on, give it to me ♪
346
00:19:57,230 --> 00:20:00,040
♪ I'll keep it with mine ♪
347
00:20:00,070 --> 00:20:01,710
You don't have to write anything down
348
00:20:01,730 --> 00:20:03,080
to be a poet.
349
00:20:03,100 --> 00:20:04,580
Some work in gas stations.
350
00:20:04,600 --> 00:20:06,760
Some shine shoes.
351
00:20:09,270 --> 00:20:12,630
I don't really call myself one,
'cause I don't like the word.
352
00:20:14,130 --> 00:20:16,780
Me, I'm a trapeze artist.
353
00:20:16,800 --> 00:20:22,310
Sighting it and hearing it
and breathing it in,
354
00:20:22,330 --> 00:20:24,480
rubbing it all in the pores of my skin.
355
00:20:24,500 --> 00:20:27,210
And the wind between my eyes
356
00:20:27,230 --> 00:20:30,100
knocking honey in my comb.
357
00:20:31,430 --> 00:20:34,240
You reckon he's some kind of midget?
358
00:20:34,270 --> 00:20:36,340
Get off of there, grunt!
359
00:20:36,370 --> 00:20:37,990
I ain't doing nothing!
360
00:20:39,870 --> 00:20:42,280
Now look what you done!
361
00:20:42,300 --> 00:20:43,990
You talk English?
362
00:20:45,370 --> 00:20:46,540
Yes, sir.
363
00:20:46,570 --> 00:20:48,140
You carrying money, boy?
364
00:20:48,170 --> 00:20:49,140
Weapons?
365
00:20:49,170 --> 00:20:50,280
N-No, sir.
366
00:20:50,300 --> 00:20:52,040
He's lying.
367
00:20:52,070 --> 00:20:53,440
What's that?
368
00:20:53,470 --> 00:20:55,540
That your fiddle? Huh?
369
00:20:55,570 --> 00:20:56,810
Give it back. Huh?
370
00:20:56,830 --> 00:20:59,940
What's it say on that thing?
371
00:20:59,970 --> 00:21:02,210
What you got stashed in here?
372
00:21:02,230 --> 00:21:03,440
Nothing!
373
00:21:03,470 --> 00:21:04,810
Get him, boys!
374
00:21:04,830 --> 00:21:06,600
Ahh!
375
00:21:09,630 --> 00:21:12,340
Ah, you little...
376
00:21:12,370 --> 00:21:14,160
Give me...
377
00:21:24,230 --> 00:21:27,710
This here young'un,
the Tiny Troubadour,
378
00:21:27,730 --> 00:21:29,780
is going to sing a little song.
379
00:21:29,800 --> 00:21:32,280
So what bring you around these parts?
380
00:21:32,300 --> 00:21:34,310
Could've sworn he was an older man.
381
00:21:34,330 --> 00:21:35,880
Live your own time, child.
382
00:21:35,900 --> 00:21:36,880
Get him, boys!
383
00:21:36,900 --> 00:21:38,980
You reckon he's
some kind of midget?
384
00:21:39,000 --> 00:21:41,520
He's lying!
385
00:21:43,130 --> 00:21:46,510
I dreamed of the Crusades.
386
00:21:46,530 --> 00:21:49,810
Republics without history.
387
00:21:49,830 --> 00:21:53,010
Secret religious wars.
388
00:21:53,030 --> 00:21:56,740
I believed in every kind
of witchcraft.
389
00:21:56,770 --> 00:21:59,580
At first it was a study.
390
00:21:59,600 --> 00:22:02,710
I wrote out silences and nights.
391
00:22:02,730 --> 00:22:05,530
Later I determined vertigos.
392
00:22:34,600 --> 00:22:36,810
Here's the boot camps, with tanks, jeeps,
393
00:22:36,830 --> 00:22:39,300
bullet-shooting machine guns,
and 80 soldiers.
394
00:22:48,100 --> 00:22:51,210
I just don't want to go.
395
00:22:51,230 --> 00:22:55,000
Oh, my poor, sad little thing.
396
00:22:56,630 --> 00:22:59,910
Do you know what a wonderful time
you're going to have...
397
00:22:59,930 --> 00:23:02,680
on a boat with the water?
398
00:23:02,700 --> 00:23:04,910
Sounds pretty neat
what your daddy's planned.
399
00:23:04,930 --> 00:23:07,090
Me, too!
400
00:23:08,830 --> 00:23:11,280
Why can't you come?
401
00:23:11,300 --> 00:23:14,480
Molly, you know I can't come.
402
00:23:14,500 --> 00:23:16,110
Is that why...
403
00:23:16,130 --> 00:23:18,840
you think you're feeling
nervous about the boat?
404
00:23:18,870 --> 00:23:20,080
Hmm?
405
00:23:20,100 --> 00:23:22,740
When's Daddy coming?
406
00:23:22,770 --> 00:23:25,040
Uh, Saturday, I think.
407
00:23:25,070 --> 00:23:27,310
I only spoke to Sally
because it's impossible
408
00:23:27,330 --> 00:23:28,610
to get your father on the phone.
409
00:23:30,330 --> 00:23:32,040
It's Emily.
410
00:23:32,070 --> 00:23:33,620
Molly, you didn't eat a thing.
411
00:23:41,430 --> 00:23:42,980
Bonjour, Hotel Georges V.
412
00:23:43,000 --> 00:23:44,330
How may I direct your call?
413
00:23:58,900 --> 00:24:03,410
Robbie... how can you whistle?
414
00:24:03,430 --> 00:24:05,740
Who was that on the phone?
415
00:24:05,770 --> 00:24:07,140
President Nixon
416
00:24:07,170 --> 00:24:08,510
has already given advanced word
417
00:24:08,530 --> 00:24:11,280
of what he will say
to Vice President Agnew,
418
00:24:11,300 --> 00:24:14,510
to the Cabinet,
and to the leaders of Congress.
419
00:24:14,530 --> 00:24:17,210
Now, here is the president.
420
00:24:17,230 --> 00:24:19,810
I have asked for this radio
421
00:24:19,830 --> 00:24:21,340
and television time tonight
422
00:24:21,370 --> 00:24:22,940
for the purpose of announcing
423
00:24:22,970 --> 00:24:27,810
that we today have concluded
an agreement to end the war
424
00:24:27,830 --> 00:24:32,980
and bring peace with honor in Vietnam
and in southeast Asia.
425
00:24:33,000 --> 00:24:35,440
The following statement
is being issued at this moment
426
00:24:35,470 --> 00:24:37,410
in Washington and Hanoi.
427
00:24:37,430 --> 00:24:42,110
At 12:30 Paris time today,
January 23, 1973...
428
00:24:42,130 --> 00:24:46,540
♪ Ain't it just like
the night to play tricks ♪
429
00:24:46,570 --> 00:24:50,910
♪ When you're trying to be so quiet? ♪
430
00:24:50,930 --> 00:24:55,110
That's when she knew it was over for good.
431
00:24:55,130 --> 00:24:58,190
The longest-running war
in television history.
432
00:25:01,370 --> 00:25:03,040
The war that hung like a shadow
433
00:25:03,070 --> 00:25:05,710
over the same nine years
as her marriage.
434
00:25:05,730 --> 00:25:07,980
Throughout the years
of negotiations,
435
00:25:08,000 --> 00:25:11,630
we have insisted
on peace with honor.
436
00:25:13,270 --> 00:25:17,510
♪ Lights flicker from the opposite loft ♪
437
00:25:17,530 --> 00:25:19,340
So why was it suddenly so hard to breathe?
438
00:25:19,370 --> 00:25:24,410
♪ In this room,
the heat pipes just cough ♪
439
00:25:24,430 --> 00:25:27,780
♪ The country music
station plays soft ♪
440
00:25:27,800 --> 00:25:31,460
♪ But there's nothing,
really nothing to turn off ♪
441
00:25:34,270 --> 00:25:38,810
♪ Just Louise and her lover ♪
442
00:25:38,830 --> 00:25:42,100
♪ So entwined ♪
443
00:25:44,670 --> 00:25:47,640
- ♪ And these visions ♪
- Thanks.
444
00:25:47,670 --> 00:25:49,840
♪ Of Johanna ♪
445
00:25:49,870 --> 00:25:55,320
♪ That conquer my mind ♪
446
00:25:59,630 --> 00:26:01,640
More menacing, Gladys.
447
00:26:01,670 --> 00:26:03,480
And... cut!
448
00:26:03,500 --> 00:26:04,580
Check the gate.
449
00:26:04,600 --> 00:26:06,040
Ladies and gentlemen,
450
00:26:06,070 --> 00:26:08,510
I wish to thank each and every one of you.
451
00:26:08,530 --> 00:26:11,040
You made it marvelous for me.
452
00:26:11,070 --> 00:26:12,090
Cheers to all of you.
453
00:26:13,630 --> 00:26:16,680
Hey, Louise! Louise!
454
00:26:16,700 --> 00:26:20,840
♪ So this is what
salvation must be like ♪
455
00:26:20,870 --> 00:26:23,040
♪ After a while ♪
456
00:26:23,070 --> 00:26:24,310
In entertainment news,
457
00:26:24,330 --> 00:26:26,640
actor Robbie Clark
is finally heading home
458
00:26:26,670 --> 00:26:29,640
after four months abroad
during the filming of Gangplank,
459
00:26:29,670 --> 00:26:31,280
his upcoming thriller.
460
00:26:31,300 --> 00:26:34,040
Rumors linking Clark
to his London co-star,
461
00:26:34,070 --> 00:26:36,080
the lovely newcomer Louise Pickering,
462
00:26:36,100 --> 00:26:37,380
have been brewing for some time.
463
00:26:37,400 --> 00:26:41,980
♪ She's all right,
she's just near ♪
464
00:26:42,000 --> 00:26:46,640
♪ She's delicate
and seems like the mirror ♪
465
00:26:46,670 --> 00:26:48,010
♪ But she just makes it ♪
466
00:26:48,030 --> 00:26:50,610
♪ All too concise and too clear ♪
467
00:26:50,630 --> 00:26:53,660
♪ That Johanna's not here ♪
468
00:26:56,570 --> 00:27:00,380
♪ Oh, the ghost of electricity ♪
469
00:27:00,400 --> 00:27:04,590
♪ Howls in the bones of her face ♪
470
00:27:07,170 --> 00:27:12,380
♪ Where these visions
of Johanna ♪
471
00:27:12,400 --> 00:27:17,420
♪ Have now taken my place ♪
472
00:27:29,970 --> 00:27:32,910
Don't you see, Alice?
They took it all away.
473
00:27:32,930 --> 00:27:36,810
It's not about me anymore;
it's all about him.
474
00:27:36,830 --> 00:27:38,310
Your guaranteed,
475
00:27:38,330 --> 00:27:41,210
double-your-money-back
voice of the people.
476
00:27:41,230 --> 00:27:44,040
You didn't answer my question.
477
00:27:44,070 --> 00:27:45,880
Once, maybe, you could sing
478
00:27:45,900 --> 00:27:47,640
about Mary Hamilton and lemon trees,
479
00:27:47,670 --> 00:27:52,100
or you can step out like me
and try and shake this flytrap.
480
00:27:53,330 --> 00:27:57,340
But they took away the meaning, Alice.
481
00:27:57,370 --> 00:28:00,040
I was a pawn in their game.
482
00:28:00,070 --> 00:28:01,220
And cut!
483
00:28:19,800 --> 00:28:22,140
We first met in New York,
484
00:28:22,170 --> 00:28:26,410
in January of '64 in the Village.
485
00:28:26,430 --> 00:28:28,520
They'd just buried their president.
486
00:28:31,130 --> 00:28:33,340
Love was in the air.
487
00:28:33,370 --> 00:28:35,680
- Wait, you're French?
- Yeah, so?
488
00:28:35,700 --> 00:28:38,240
- Well, you gotta be kidding me.
- Why?
489
00:28:38,270 --> 00:28:39,540
No, nothing. It's perfect.
490
00:28:39,570 --> 00:28:41,260
You kidding?
491
00:28:43,170 --> 00:28:44,840
I think you're making a joke.
492
00:28:44,870 --> 00:28:46,310
Oh, no. No, no, no.
493
00:28:46,330 --> 00:28:48,540
No joke.
494
00:28:48,570 --> 00:28:50,580
Then what else
aside from being French
495
00:28:50,600 --> 00:28:51,880
you like so much about me?
496
00:28:51,900 --> 00:28:55,490
Your hair, your mouth,
your eyes, your lips.
497
00:29:00,370 --> 00:29:02,010
I see.
498
00:29:02,030 --> 00:29:05,010
So, um...
499
00:29:05,030 --> 00:29:06,380
You're an actor.
500
00:29:06,400 --> 00:29:08,760
Yeah, yeah. So?
501
00:29:10,700 --> 00:29:13,610
I like what you said in that scene.
502
00:29:13,630 --> 00:29:15,140
Uh, what scene?
503
00:29:15,170 --> 00:29:17,280
But they were just lines from a movie.
504
00:29:17,300 --> 00:29:18,910
- They were not...
- Wait, wait, wait. What scene?
505
00:29:18,930 --> 00:29:21,210
- What did you see?
- The scene in the lane.
506
00:29:21,230 --> 00:29:23,410
Hmm.
507
00:29:23,430 --> 00:29:27,610
I would like to know
what is at the center of your world.
508
00:29:27,630 --> 00:29:28,910
The center of my world?
509
00:29:28,930 --> 00:29:32,440
Uh...
510
00:29:32,470 --> 00:29:33,980
Well, you're no monkeying around.
511
00:29:34,000 --> 00:29:36,110
Why?
512
00:29:36,130 --> 00:29:37,840
It's very simple, this question.
513
00:29:37,870 --> 00:29:41,340
Um... hmm.
514
00:29:41,370 --> 00:29:44,490
Well, I'm 22.
I guess I would say me.
515
00:29:48,030 --> 00:29:49,780
I suppose you're honest.
516
00:29:49,800 --> 00:29:51,510
Well, don't you think
that you're the center
517
00:29:51,530 --> 00:29:53,910
or that you should be the center,
518
00:29:53,930 --> 00:29:57,110
thinking with your own head,
talking with your own mouth?
519
00:29:57,130 --> 00:29:58,240
Yeah.
520
00:29:58,270 --> 00:30:01,380
But there are things in the world, too,
that are important.
521
00:30:01,400 --> 00:30:03,010
I'm not denying that.
522
00:30:03,030 --> 00:30:04,790
That's not what I'm saying.
523
00:30:06,730 --> 00:30:10,790
Okay, thank you.
524
00:30:17,570 --> 00:30:20,940
New York, August 7, 1964.
525
00:30:20,970 --> 00:30:22,940
Congress grants President Johnson
526
00:30:22,970 --> 00:30:25,010
complete authority
over the war in Vietnam
527
00:30:25,030 --> 00:30:26,840
while she studies painting
at Cooper Union
528
00:30:26,870 --> 00:30:30,320
and he completes dubbing
on his first major film.
529
00:30:32,430 --> 00:30:35,190
She tells him she's sure it'll be a hit.
530
00:30:38,700 --> 00:30:42,180
And the cats cross the roof,
mad in love,
531
00:30:42,200 --> 00:30:45,380
scream into drainpipes,
532
00:30:45,400 --> 00:30:47,340
and it's I who am ready.
533
00:30:47,370 --> 00:30:49,110
Ready to listen.
534
00:30:49,130 --> 00:30:52,640
Never tired, never sad, never guilty.
535
00:30:52,670 --> 00:30:55,410
♪ The guilty undertaker sighs ♪
536
00:30:55,430 --> 00:30:57,680
♪ The lonesome
organ-grinder cries ♪
537
00:30:57,700 --> 00:31:02,480
♪ The silver saxophones
say I should refuse you ♪
538
00:31:02,500 --> 00:31:05,010
♪ The cracked bells and washed out horns ♪
539
00:31:05,030 --> 00:31:07,280
♪ Blow into my face with scorn ♪
540
00:31:07,300 --> 00:31:08,680
♪ But it's not that way ♪
541
00:31:08,700 --> 00:31:12,010
♪ I wasn't born to lose you ♪
542
00:31:12,030 --> 00:31:14,510
♪ I want you ♪
543
00:31:14,530 --> 00:31:16,940
♪ I want you ♪
544
00:31:16,970 --> 00:31:21,210
♪ I want you so bad ♪
545
00:31:21,230 --> 00:31:23,360
♪ Honey, I want you ♪
546
00:31:26,270 --> 00:31:29,040
♪ The drunken politician leaps ♪
547
00:31:29,070 --> 00:31:31,440
♪ Upon the street
where mothers weep ♪
548
00:31:31,470 --> 00:31:33,840
♪ And the saviors
who are fast asleep ♪
549
00:31:33,870 --> 00:31:36,280
♪ They wait for you ♪
550
00:31:36,300 --> 00:31:38,680
♪ And I wait for them to interrupt ♪
551
00:31:38,700 --> 00:31:41,210
♪ Me drinking
from my broken cup ♪
552
00:31:41,230 --> 00:31:45,780
♪ And ask me to open up
the gate for you ♪
553
00:31:45,800 --> 00:31:48,340
♪ I want you ♪
554
00:31:48,370 --> 00:31:50,280
♪ I want you ♪
555
00:31:50,300 --> 00:31:54,740
♪ Yes, I want you so bad ♪
556
00:31:54,770 --> 00:31:57,130
♪ Honey, I want you ♪
557
00:31:59,830 --> 00:32:02,840
♪ Now all my fathers,
they've gone down ♪
558
00:32:02,870 --> 00:32:05,040
♪ True love, they've been without it ♪
559
00:32:05,070 --> 00:32:07,440
♪ But all their daughters
put me down ♪
560
00:32:07,470 --> 00:32:10,020
♪ 'Cause I don't think about it ♪
561
00:32:11,730 --> 00:32:15,980
♪ Well, I return
to the Queen of Spades ♪
562
00:32:16,000 --> 00:32:18,340
♪ And talk with
my chambermaid ♪
563
00:32:18,370 --> 00:32:22,140
♪ She knows and she's
not afraid to look at her ♪
564
00:32:22,170 --> 00:32:23,580
Shit! You all right?
565
00:32:23,600 --> 00:32:26,810
♪ She is good to me
and there's nothing she... ♪
566
00:32:26,830 --> 00:32:27,940
Watch it!
567
00:32:27,970 --> 00:32:29,780
It's not a fucking can of tomatoes.
568
00:32:29,800 --> 00:32:32,580
♪ But it doesn't matter ♪
569
00:32:32,600 --> 00:32:34,980
♪ I want you ♪
570
00:32:35,000 --> 00:32:36,640
♪ I want you ♪
571
00:32:36,670 --> 00:32:41,510
♪ Yes, I want you so bad ♪
572
00:32:41,530 --> 00:32:44,260
♪ Honey, I want you ♪
573
00:32:46,300 --> 00:32:49,410
♪ Now, your dancing child
with his Chinese suit ♪
574
00:32:49,430 --> 00:32:51,940
♪ He spoke to me, I took his flute ♪
575
00:32:51,970 --> 00:32:55,080
♪ No, I wasn't very cute
to him, was I? ♪
576
00:32:55,100 --> 00:32:56,510
Okay, come on, let's go.
577
00:32:56,530 --> 00:32:59,010
♪ But I did it
because you lied ♪
578
00:32:59,030 --> 00:33:01,480
♪ And because
he took you for a ride ♪
579
00:33:01,500 --> 00:33:03,410
It is my bike, you know.
580
00:33:03,430 --> 00:33:04,580
Of course it is.
581
00:33:04,600 --> 00:33:08,440
♪ Because I want you ♪
582
00:33:08,470 --> 00:33:10,240
♪ I want you ♪
583
00:33:10,270 --> 00:33:13,010
♪ Yes, I want you so bad ♪
584
00:33:13,030 --> 00:33:14,740
All right, here we go.
585
00:33:14,770 --> 00:33:16,360
Watch your leg.
586
00:33:19,730 --> 00:33:21,610
- Change the gear!
- I am, I am!
587
00:33:21,630 --> 00:33:23,760
- Change the gear!
- Yeah, I know, I know.
588
00:33:35,830 --> 00:33:38,880
"It's wrong to say, 'I think. '
589
00:33:38,900 --> 00:33:41,490
"One should say, 'I am thought. '
590
00:33:43,730 --> 00:33:46,430
"I is someone else.
591
00:33:48,430 --> 00:33:51,740
"I am present at the birth
of my thought.
592
00:33:51,770 --> 00:33:54,740
"I watch and I listen.
593
00:33:54,770 --> 00:33:57,880
"I draw a stroke of the bow.
594
00:33:57,900 --> 00:34:01,180
"A symphony stirs in the depths,
595
00:34:01,200 --> 00:34:04,510
"or comes with a leap
to the stage.
596
00:34:04,530 --> 00:34:07,410
"It began with waves of disgust
597
00:34:07,430 --> 00:34:12,340
and it ends... as we can't
immediately seize this eternity...
598
00:34:12,370 --> 00:34:15,990
it ends with a riot of perfumes. "
599
00:34:28,600 --> 00:34:30,410
Grain of Sand had become
600
00:34:30,430 --> 00:34:31,980
the underground hit of 1965,
601
00:34:32,000 --> 00:34:33,810
and Robbie Clark
the new James Dean,
602
00:34:33,830 --> 00:34:37,840
Marlon Brando, and Jack Kerouac
all rolled into one.
603
00:34:37,870 --> 00:34:39,840
But the movie disappointed her.
604
00:34:39,870 --> 00:34:41,410
The more they tried
to make it youthful,
605
00:34:41,430 --> 00:34:44,540
the more the images on screen
seemed out of date.
606
00:34:44,570 --> 00:34:46,610
It wasn't the film they had dreamed,
607
00:34:46,630 --> 00:34:49,280
the film they had
imagined and discussed,
608
00:34:49,300 --> 00:34:51,960
the film they each wanted to live.
609
00:34:58,670 --> 00:35:01,110
Intriguing specimen, really.
610
00:35:01,130 --> 00:35:03,210
Amazing endocrine system.
611
00:35:03,230 --> 00:35:05,410
So, he'll be all right, then?
612
00:35:05,430 --> 00:35:07,080
Oh, he'll be fine.
613
00:35:07,100 --> 00:35:08,610
Just a little water in the lungs.
614
00:35:08,630 --> 00:35:10,810
Oh, my.
615
00:35:10,830 --> 00:35:12,840
Well, what do you know?
616
00:35:12,870 --> 00:35:15,800
Looks like somebody might be able
to thank you in person.
617
00:35:18,930 --> 00:35:22,610
Son? Can you hear me?
618
00:35:22,630 --> 00:35:23,740
I'm Dr. Field.
619
00:35:23,770 --> 00:35:27,610
And this here lady
pretty near saved your life.
620
00:35:27,630 --> 00:35:29,740
Hello there.
621
00:35:29,770 --> 00:35:32,080
I-I'm Mrs. Peacock.
622
00:35:32,100 --> 00:35:36,180
My husband and I,
we're the ones that found you.
623
00:35:36,200 --> 00:35:41,210
♪ Oh, the time will come up
when the winds will stop ♪
624
00:35:41,230 --> 00:35:45,440
♪ And the breeze will cease
to be breathin' ♪
625
00:35:45,470 --> 00:35:47,680
♪ Like the stillness in the wind ♪
626
00:35:47,700 --> 00:35:50,380
♪ Before the hurricane begins ♪
627
00:35:50,400 --> 00:35:54,340
♪ The hour that
the ship comes in ♪
628
00:35:54,370 --> 00:35:58,910
♪ And the sea will split
and the ships will hit ♪
629
00:35:58,930 --> 00:36:01,140
♪ And the sands on the shoreline ♪
630
00:36:01,170 --> 00:36:03,210
♪ Will be shaken ♪
631
00:36:03,230 --> 00:36:07,740
♪ And the tide will pound
and the waves will sound ♪
632
00:36:07,770 --> 00:36:13,210
♪ And the mornin' will be a-breakin' ♪
633
00:36:13,230 --> 00:36:16,080
And no formal training?
Remarkable.
634
00:36:16,100 --> 00:36:18,810
♪ Sayin' we'll meet
all your demands ♪
635
00:36:18,830 --> 00:36:23,040
♪ But we'll shout from the bow
"Your days are numbered" ♪
636
00:36:23,070 --> 00:36:25,440
♪ And like Pharaoh's tribe ♪
637
00:36:25,470 --> 00:36:27,410
♪ They'll be drownin' in the tide ♪
638
00:36:27,430 --> 00:36:29,210
♪ And like Goliath ♪
639
00:36:29,230 --> 00:36:34,290
♪ They'll be conquered ♪
640
00:36:39,200 --> 00:36:40,780
- Just terrific!
- Fantastic!
641
00:36:40,800 --> 00:36:41,980
That was a fine job.
642
00:36:42,000 --> 00:36:43,710
- Thank you, thank you.
- That's just wonderful.
643
00:36:43,730 --> 00:36:45,580
How about another helping?
644
00:36:45,600 --> 00:36:47,680
- Woody?
- Yes, ma'am.
645
00:36:47,700 --> 00:36:48,940
More wine, Woody?
646
00:36:48,970 --> 00:36:50,240
Yes, sir. Thank you, sir.
647
00:36:50,270 --> 00:36:52,140
Do you know
what your plans are from here?
648
00:36:52,170 --> 00:36:54,980
My only real plan
is to become a singer,
649
00:36:55,000 --> 00:36:56,910
a real singer on television,
650
00:36:56,930 --> 00:36:59,410
either that or a kind of voice
of the people, you know?
651
00:36:59,430 --> 00:37:00,610
Interesting.
652
00:37:00,630 --> 00:37:02,840
Because I've been
writing me some songs,
653
00:37:02,870 --> 00:37:05,910
songs about what's going on.
654
00:37:05,930 --> 00:37:07,210
And I'm going
to take these songs,
655
00:37:07,230 --> 00:37:09,840
and I'm going to head
straight to Hollywood.
656
00:37:09,870 --> 00:37:12,510
Going to make it big
just like Elvis Presley.
657
00:37:12,530 --> 00:37:14,480
Well, Woody, I wouldn't be surprised
658
00:37:14,500 --> 00:37:15,670
if you did just that.
659
00:37:15,700 --> 00:37:17,440
- There you are, Woody.
- Thank you.
660
00:37:17,470 --> 00:37:22,010
And don't you go rushing off anyplace
until you feel 1000/0, you hear?
661
00:37:22,030 --> 00:37:23,180
Yes, ma'am.
662
00:37:23,200 --> 00:37:26,030
Have to mother you while you still have
a roof over your head.
663
00:37:27,930 --> 00:37:29,740
Who on earth?
664
00:37:29,770 --> 00:37:31,990
- Are you expecting a call?
- No.
665
00:37:33,870 --> 00:37:34,840
So, Hollywood?
666
00:37:34,870 --> 00:37:37,110
- Hello?
- Not Tin Pan Alley?
667
00:37:37,130 --> 00:37:40,410
Yes, it is. Who's calling?
668
00:37:40,430 --> 00:37:42,180
Minnesota?
669
00:37:42,200 --> 00:37:44,940
Well, how could...
670
00:37:44,970 --> 00:37:47,140
Dr. Field, yes.
671
00:37:47,170 --> 00:37:50,010
Would you hold on
just a moment, please?
672
00:37:50,030 --> 00:37:51,180
Esther?
673
00:37:51,200 --> 00:37:54,140
It's a juvenile center in Minnesota.
674
00:37:54,170 --> 00:37:55,140
A what?
675
00:37:55,170 --> 00:37:57,570
Something... Corrections.
676
00:37:57,600 --> 00:38:00,140
You talk to 'em, Jack.
677
00:38:00,170 --> 00:38:02,310
They think it's Woody.
678
00:38:02,330 --> 00:38:04,310
What do they know about Woody?
679
00:38:04,330 --> 00:38:06,640
They said they're looking for some...
680
00:38:06,670 --> 00:38:08,480
a juvenile, but...
681
00:38:08,500 --> 00:38:13,910
some state, you know, fugitive.
682
00:38:13,930 --> 00:38:16,520
Certainly not Woody.
683
00:38:21,870 --> 00:38:26,360
♪ Seen the arrow on the doorpost ♪
684
00:38:28,000 --> 00:38:32,180
♪ Sayin' this land is condemned ♪
685
00:38:32,200 --> 00:38:36,410
Now, I'm just one walker
that's stood way up
686
00:38:36,430 --> 00:38:40,040
and looked way down
across plenty o' sights
687
00:38:40,070 --> 00:38:44,110
in all their veiled
and nakedest seasons.
688
00:38:44,130 --> 00:38:47,840
Sighting it, hearing it,
689
00:38:47,870 --> 00:38:51,160
seeing and feeling
and breathing it in.
690
00:38:53,330 --> 00:38:55,640
Sucking down on it.
691
00:38:55,670 --> 00:38:57,810
Rubbing it all
in the pores of my skin,
692
00:38:57,830 --> 00:39:00,680
and the wind between my eyes
693
00:39:00,700 --> 00:39:03,100
knocking honey in my comb.
694
00:39:04,870 --> 00:39:05,910
Whoa.
695
00:39:05,930 --> 00:39:09,700
♪ Blind Willie Mc Tell ♪
696
00:39:15,100 --> 00:39:19,160
♪ See them big plantations burnin' ♪
697
00:39:21,100 --> 00:39:24,730
♪ Hear the crackin' of the whips ♪
698
00:39:26,330 --> 00:39:31,480
♪ Smell that sweet
magnolia bloomin' ♪
699
00:39:31,500 --> 00:39:37,090
♪ See the ghost of slavery ships ♪
700
00:39:46,300 --> 00:39:47,510
May I help you?
701
00:39:47,530 --> 00:39:50,180
Flowers for Mr. Guthrie.
702
00:39:50,200 --> 00:39:52,240
Room 300. Just set 'em inside.
703
00:39:52,270 --> 00:39:54,160
Thank you, ma'am.
704
00:40:08,470 --> 00:40:12,990
♪ Well, God is in His heaven ♪
705
00:40:15,700 --> 00:40:19,720
♪ And we all want what's His ♪
706
00:40:21,600 --> 00:40:27,180
♪ But power and greed
and corruptible seed ♪
707
00:40:27,200 --> 00:40:32,220
♪ Seem to be all that there is ♪
708
00:40:33,900 --> 00:40:37,800
♪ I'm gazin' out the window ♪
709
00:40:39,900 --> 00:40:45,880
♪ Of the St. James Hotel ♪
710
00:40:45,900 --> 00:40:51,780
♪ And I know no one
can sing the blues ♪
711
00:40:51,800 --> 00:40:56,730
♪ Like Blind Willie Mc Tell ♪
712
00:41:16,030 --> 00:41:18,280
I remember, uh,
713
00:41:18,300 --> 00:41:22,340
Kennedy's funeral was on TV,
and we were sitting outside.
714
00:41:22,370 --> 00:41:23,680
You could hear it.
715
00:41:23,700 --> 00:41:26,610
I was pulling up
chunks of grass with my fist
716
00:41:26,630 --> 00:41:29,380
and feeling like we were splitting apart.
717
00:41:29,400 --> 00:41:32,010
And... And, yeah, I asked him
718
00:41:32,030 --> 00:41:34,140
what did he think
made us so different?
719
00:41:34,170 --> 00:41:37,140
And he said it was simple.
720
00:41:37,170 --> 00:41:39,740
You know, I thought
that I could change things,
721
00:41:39,770 --> 00:41:41,410
and he knew that no one could.
722
00:41:41,430 --> 00:41:43,830
You know, look at Kennedy.
723
00:41:46,400 --> 00:41:50,440
Then there was the fiasco
at the Civil Liberties Union,
724
00:41:50,470 --> 00:41:52,540
where Jack received
the Civil Rights Award
725
00:41:52,570 --> 00:41:56,140
and drank three vats of wine
for the trouble.
726
00:41:56,170 --> 00:41:57,470
Thank you.
727
00:41:57,500 --> 00:41:59,510
I wanna accept this
on behalf of, uh,
728
00:41:59,530 --> 00:42:02,190
everybody that
went down to Cuba.
729
00:42:03,800 --> 00:42:06,710
First of all,
because you're all young, you know?
730
00:42:06,730 --> 00:42:08,540
And it's took me
a long time to get young,
731
00:42:08,570 --> 00:42:11,610
and now I consider myself young.
732
00:42:11,630 --> 00:42:14,740
And I'm proud of it.
733
00:42:14,770 --> 00:42:17,340
It ain't old people's world out there.
734
00:42:17,370 --> 00:42:21,420
I mean, you all
shouldn't even be here.
735
00:42:24,470 --> 00:42:27,680
I mean... it's not like before.
736
00:42:27,700 --> 00:42:29,380
There's no black or white,
737
00:42:29,400 --> 00:42:31,880
no more left wing,
right wing, you know?
738
00:42:31,900 --> 00:42:34,880
There's up wing
and there's down wing,
739
00:42:34,900 --> 00:42:36,340
which is why I think that, you know,
740
00:42:36,370 --> 00:42:40,740
this man who shot President Kennedy,
741
00:42:40,770 --> 00:42:43,880
this Lee Oswald,
742
00:42:43,900 --> 00:42:49,830
I think I saw something
that... that he felt... in me.
743
00:42:53,270 --> 00:42:56,040
Hey, but I'm just saying...
744
00:42:56,070 --> 00:42:59,370
You can boo, but booing's
got nothing to do with it!
745
00:42:59,400 --> 00:43:01,040
They didn't understand me,
you know,
746
00:43:01,070 --> 00:43:02,640
because they got mind blinders on.
747
00:43:02,670 --> 00:43:03,740
All they see is the cause
748
00:43:03,770 --> 00:43:05,280
and how they use people
for their cause.
749
00:43:05,300 --> 00:43:06,940
And now they're trying
to use me for something.
750
00:43:06,970 --> 00:43:09,010
The want me to... want me
to carry a picket sign
751
00:43:09,030 --> 00:43:12,510
and have my picture taken,
752
00:43:12,530 --> 00:43:14,310
be a good little nigger, you know,
753
00:43:14,330 --> 00:43:16,380
and not mess up their little game.
754
00:43:16,400 --> 00:43:20,380
All they want from me
is finger-pointing songs.
755
00:43:20,400 --> 00:43:22,840
I only got ten fingers.
756
00:43:22,870 --> 00:43:24,710
Anybody who lent that kid a dime
757
00:43:24,730 --> 00:43:27,380
was sitting in that room that night.
758
00:43:27,400 --> 00:43:30,510
A week later, he issued
a formal apology.
759
00:43:30,530 --> 00:43:32,510
It's a fierce, heavy feeling,
760
00:43:32,530 --> 00:43:34,610
thinking that something's expected of you,
761
00:43:34,630 --> 00:43:38,910
but you don't know exactly what it is.
762
00:43:38,930 --> 00:43:42,420
Brings forth a weird kind of guilt.
763
00:43:57,870 --> 00:44:01,340
Woody Guthrie was dead.
764
00:44:01,370 --> 00:44:03,980
Little Richard
was becoming a preacher.
765
00:44:04,000 --> 00:44:08,010
So, whether you were
a folk singer or a Christian,
766
00:44:08,030 --> 00:44:10,190
rock and roll was the devil.
767
00:44:13,670 --> 00:44:15,880
Me, I was in a ditch, up a cliff,
768
00:44:15,900 --> 00:44:18,090
out of step, ready to quit.
769
00:44:20,230 --> 00:44:22,940
I wrote the kind of stuff
you write when you have no place to live
770
00:44:22,970 --> 00:44:24,830
and you're wrapped up
in the fire pump.
771
00:44:28,500 --> 00:44:32,160
I nearly killed myself
with pity and despair.
772
00:44:34,700 --> 00:44:36,320
And then I wrote it.
773
00:44:38,100 --> 00:44:41,310
It was like swimming in lava.
774
00:44:41,330 --> 00:44:44,580
Skipping, kicking,
775
00:44:44,600 --> 00:44:48,480
catching a nail with your foot,
776
00:44:48,500 --> 00:44:51,690
seeing your victim
hanging from a tree.
777
00:44:59,130 --> 00:45:02,310
The person who's coming out now
778
00:45:02,330 --> 00:45:05,680
is a person who has, in a sense,
779
00:45:05,700 --> 00:45:09,030
changed the face
of American folk music...
780
00:45:15,670 --> 00:45:17,510
Ladies and gentlemen,
781
00:45:17,530 --> 00:45:18,900
the person
who's coming out now...
782
00:45:20,970 --> 00:45:23,440
is a legend in his time.
783
00:45:23,470 --> 00:45:26,490
And his name is Jude Quinn!
784
00:45:36,200 --> 00:45:41,110
♪ Well, I try my best
to be just like I am ♪
785
00:45:41,130 --> 00:45:44,810
♪ But everybody wants you
to be just like them ♪
786
00:45:44,830 --> 00:45:48,840
♪ They say sing while you slave
but I just get bored ♪
787
00:45:48,870 --> 00:45:53,420
♪ Well, I ain't gonna work
on Maggie's farm no more ♪
788
00:46:00,470 --> 00:46:02,140
I want that volume down now!
789
00:46:02,170 --> 00:46:03,440
I can't turn the volume down!
790
00:46:03,470 --> 00:46:04,980
- I can't even hear the words!
- Hey, man...
791
00:46:05,000 --> 00:46:06,540
Hey what's wrong?
792
00:46:06,570 --> 00:46:07,880
Man, what are you going to do?
793
00:46:07,900 --> 00:46:09,180
What are you going to do up there?
794
00:46:09,200 --> 00:46:11,960
I'm going to cut
the goddamn... lead!
795
00:46:45,900 --> 00:46:47,710
Sorry for everything I've done,
796
00:46:47,730 --> 00:46:50,810
and, uh, I hope
to remedy it soon.
797
00:46:50,830 --> 00:46:52,010
- Shit!
- Crap!
798
00:46:52,030 --> 00:46:53,540
Garbage! J'accuse!
799
00:46:53,570 --> 00:46:56,180
Ah, it's just like
he's trying to conform
800
00:46:56,200 --> 00:46:58,880
to some sort of popular taste
801
00:46:58,900 --> 00:47:01,810
with this incredibly
corny group behind him,
802
00:47:01,830 --> 00:47:05,840
but he's just... he's just
prostituting himself.
803
00:47:05,870 --> 00:47:08,980
He's... He's just
changed completely.
804
00:47:09,000 --> 00:47:11,710
He's changed from what he was.
805
00:47:11,730 --> 00:47:14,410
He's not the same
as he was at first.
806
00:47:14,430 --> 00:47:16,640
Nothing but a fake neurotic
807
00:47:16,670 --> 00:47:17,940
crawling through the gutter.
808
00:47:17,970 --> 00:47:19,810
If that is the way
he walks through a gutter,
809
00:47:19,830 --> 00:47:22,810
I would rather walk with my head up
through a gutter than like him,
810
00:47:22,830 --> 00:47:24,340
crawling through the bloody gutter,
811
00:47:24,370 --> 00:47:25,710
just making a pile out of it!
812
00:47:25,730 --> 00:47:27,180
That's what he is doing!
813
00:47:27,200 --> 00:47:30,080
He is just making a pile out of it!
814
00:47:30,100 --> 00:47:33,860
I kinda liked getting
blasted out of my skin.
815
00:47:35,000 --> 00:47:37,710
I think he's evil.
816
00:47:37,730 --> 00:47:40,260
And we were his biggest fans.
817
00:47:50,170 --> 00:47:53,780
♪ You've got a lot of nerve ♪
818
00:47:53,800 --> 00:47:58,540
♪ To say you are my friend ♪
819
00:47:58,570 --> 00:48:00,640
♪ When I was down ♪
820
00:48:00,670 --> 00:48:05,330
♪ You just stood there grinning ♪
821
00:48:07,900 --> 00:48:10,980
♪ You've got a lot of nerve ♪
822
00:48:11,000 --> 00:48:16,010
♪ To say you got
a helping hand to lend ♪
823
00:48:16,030 --> 00:48:18,380
♪ You just want to be ♪
824
00:48:18,400 --> 00:48:22,810
♪ On the side that's winning ♪
825
00:48:22,830 --> 00:48:24,570
It's not folk, it's not rock,
826
00:48:24,600 --> 00:48:26,410
but a brand-new way
of telling it like it is.
827
00:48:26,430 --> 00:48:28,580
And Jude Quinn is definitely
what's happening.
828
00:48:28,600 --> 00:48:29,840
Here he comes now.
829
00:48:29,870 --> 00:48:31,180
Mr. Quinn! Mr. Quinn!
830
00:48:31,200 --> 00:48:33,040
Have you got a word
for your fans?
831
00:48:33,070 --> 00:48:34,710
Uh, astronaut.
832
00:48:34,730 --> 00:48:37,610
♪ What a drag it is ♪
833
00:48:37,630 --> 00:48:41,890
♪ To see you ♪
834
00:48:50,230 --> 00:48:51,980
- Mr. Quinn!
- Mr. Quinn!
835
00:48:52,000 --> 00:48:54,570
- Over here!
- Mr. Quinn!
836
00:48:54,600 --> 00:48:55,740
- Yes?
- Look over here, Jude!
837
00:48:55,770 --> 00:48:56,740
Thank you.
838
00:48:56,770 --> 00:48:58,080
Why do you think you were booed
839
00:48:58,100 --> 00:49:00,570
at your recent appearance
in New England?
840
00:49:00,600 --> 00:49:04,380
Well, um, I f...
841
00:49:04,400 --> 00:49:07,140
I figure there's
a little boo in all of us.
842
00:49:07,170 --> 00:49:08,310
- Jude!
- Mr. Quinn, Mr. Quinn!
843
00:49:08,330 --> 00:49:10,180
Is it true you no longer
sing protest songs?
844
00:49:10,200 --> 00:49:11,510
Who said that?
845
00:49:11,530 --> 00:49:12,510
I didn't say that.
846
00:49:12,530 --> 00:49:16,400
I was just, uh... I read somewhere
that you no longer do the protesting.
847
00:49:17,830 --> 00:49:22,840
Well, that's all I ever do is protest.
848
00:49:22,870 --> 00:49:24,630
Do you have a message?
849
00:49:25,800 --> 00:49:27,180
Do you?
850
00:49:27,200 --> 00:49:29,210
I mean, are you trying
to accomplish anything?
851
00:49:29,230 --> 00:49:31,310
Am I trying to accomplish anything?
852
00:49:31,330 --> 00:49:33,540
Are you trying to change
the world or anything?
853
00:49:33,570 --> 00:49:35,910
What am I trying to change
the word, did you say? Is...
854
00:49:35,930 --> 00:49:39,440
You know, are you trying
to push your idealism to the people?
855
00:49:39,470 --> 00:49:41,840
- No.
- Excuse me, Mr. Quinn.
856
00:49:41,870 --> 00:49:43,610
Perhaps you could tell us...
857
00:49:43,630 --> 00:49:45,180
Do you have a match?
858
00:49:45,200 --> 00:49:48,210
How many people who labor
in the same musical vineyards
859
00:49:48,230 --> 00:49:49,210
in which you toil...
860
00:49:49,230 --> 00:49:50,940
That's very pretty.
861
00:49:50,970 --> 00:49:53,370
How many would you say
are protest singers today?
862
00:49:53,400 --> 00:49:59,080
That is, people who protest
against the social state we live in?
863
00:49:59,100 --> 00:50:00,710
Uh, how many?
864
00:50:00,730 --> 00:50:03,180
Yes. Are there many?
865
00:50:03,200 --> 00:50:06,810
Yeah, um...
866
00:50:06,830 --> 00:50:10,210
I-I think there's about 136.
867
00:50:10,230 --> 00:50:13,270
Mr. Quinn, Keenan Jones
from Culture Beat.
868
00:50:13,300 --> 00:50:18,140
As someone symbolic of the protest
movement among young people,
869
00:50:18,170 --> 00:50:20,440
some have questioned,
given your latest recordings,
870
00:50:20,470 --> 00:50:23,490
whether or not you still care
about people as you once did.
871
00:50:24,600 --> 00:50:27,780
Yeah, but, you know,
872
00:50:27,800 --> 00:50:30,880
we all have our own definitions
of all those words.
873
00:50:30,900 --> 00:50:35,240
"Care" and "people..."
874
00:50:35,270 --> 00:50:37,880
Well, I think we all know
the definition of people.
875
00:50:37,900 --> 00:50:40,340
Yeah.
876
00:50:40,370 --> 00:50:42,210
Do we?
877
00:50:42,230 --> 00:50:43,880
Well, is it your belief,
then, that folk music
878
00:50:43,900 --> 00:50:47,010
has, perchance, failed to achieve
its goals with the Negro cause
879
00:50:47,030 --> 00:50:48,680
or the cause of peace?
880
00:50:48,700 --> 00:50:52,140
You know, saying "cause of peace"
881
00:50:52,170 --> 00:50:56,140
is just like saying...
like a hunk of butter.
882
00:50:56,170 --> 00:50:58,610
You know, I don't know
how you can listen to anybody
883
00:50:58,630 --> 00:51:00,910
who wants you to believe
is dedicated to the hunk
884
00:51:00,930 --> 00:51:02,180
and not the butter.
885
00:51:02,200 --> 00:51:03,980
I'm not sure I follow.
886
00:51:04,000 --> 00:51:09,080
You know, I didn't come
out of some cereal box.
887
00:51:09,100 --> 00:51:10,810
There's... There's no one out there
888
00:51:10,830 --> 00:51:12,540
who's ever going to be
converted by a song.
889
00:51:12,570 --> 00:51:16,940
There's no Phil Ochs song
that's going to keep
890
00:51:16,970 --> 00:51:20,470
a movement moving
nor the picket line picketing.
891
00:51:20,500 --> 00:51:23,510
His songs are acts
of personal conscience,
892
00:51:23,530 --> 00:51:27,480
like burning a draft card
or burning yourself.
893
00:51:27,500 --> 00:51:31,340
Doesn't do a damn thing
except disassociate you
894
00:51:31,370 --> 00:51:34,110
and your audience from
all the evils of the world.
895
00:51:34,130 --> 00:51:37,460
I refuse to be
disassociated from that.
896
00:51:39,730 --> 00:51:42,010
All these people, you know,
897
00:51:42,030 --> 00:51:43,940
sitting around being offended
by their own meaninglessness.
898
00:51:43,970 --> 00:51:45,180
What am I asking?
899
00:51:45,200 --> 00:51:47,980
I'm asking for your
goddamn hotel security
900
00:51:48,000 --> 00:51:49,540
to keep these assholes out of the lobby.
901
00:51:49,570 --> 00:51:52,610
What? What?
902
00:51:52,630 --> 00:51:56,040
And you, sir, are one of the dumbest
assholes and most stupid persons
903
00:51:56,070 --> 00:51:58,470
I've ever spoken to
in my life, understand?
904
00:51:58,500 --> 00:52:00,210
What?
905
00:52:00,230 --> 00:52:02,180
Well, I certainly hope so.
906
00:52:02,200 --> 00:52:03,940
Son of a bitch English bastard.
907
00:52:03,970 --> 00:52:05,210
Meaningless is right.
908
00:52:05,230 --> 00:52:07,380
Do you think the average cat
who works eight hours a day
909
00:52:07,400 --> 00:52:10,140
gives a tit what I do?
910
00:52:10,170 --> 00:52:13,010
Anyway, it's not going
to keep me in heaven
911
00:52:13,030 --> 00:52:16,310
or out of the fiery
furnace, that's for sure.
912
00:52:16,330 --> 00:52:18,010
Not gonna make me happy.
913
00:52:18,030 --> 00:52:19,790
Let me see that.
914
00:52:24,630 --> 00:52:26,940
Whoa, there she is again,
your little debutante.
915
00:52:26,970 --> 00:52:28,880
No way, man.
916
00:52:28,900 --> 00:52:31,810
Is that Andy's new bird?
Coco something?
917
00:52:31,830 --> 00:52:33,010
Rivington.
918
00:52:33,030 --> 00:52:37,010
Coco Rivington Rockefeller,
Mrs. Howell III.
919
00:52:37,030 --> 00:52:40,410
She's queen of the underground,
and I don't mean tube.
920
00:52:40,430 --> 00:52:43,780
She's got good style.
921
00:52:43,800 --> 00:52:46,010
- I'd ball her.
- Be my guest.
922
00:52:46,030 --> 00:52:48,980
I think she's even here in, uh, London.
923
00:52:49,000 --> 00:52:50,680
She's here?
924
00:52:50,700 --> 00:52:52,040
So you dated her, did you?
925
00:52:52,070 --> 00:52:54,380
Never. That girl's trouble.
926
00:52:54,400 --> 00:52:56,110
Will you invite her to the party?
927
00:52:56,130 --> 00:52:58,890
Sure. I always invite trouble.
928
00:53:21,570 --> 00:53:24,900
♪ I'm beginning to hear voices ♪
929
00:53:29,530 --> 00:53:32,260
♪ And there's no one around ♪
930
00:53:37,500 --> 00:53:40,330
♪ Well, I'm all used up ♪
931
00:53:42,170 --> 00:53:43,720
♪ Yeah ♪
932
00:53:45,830 --> 00:53:48,420
♪ And the fields
have turned brown ♪
933
00:53:50,570 --> 00:53:52,570
Hold on a sec. There's someone at the door.
934
00:53:52,600 --> 00:53:53,910
If it's that fucking concierge again,
935
00:53:53,930 --> 00:53:54,980
I swear to God...
936
00:53:55,000 --> 00:53:57,810
Yeah, who is it?
937
00:53:57,830 --> 00:53:59,170
They're going to have to come up
938
00:53:59,200 --> 00:54:01,580
with some different numbers
if they want this to work.
939
00:54:01,600 --> 00:54:03,410
No. Stu...
940
00:54:03,430 --> 00:54:05,780
I'm not going to talk
about this all goddamn day.
941
00:54:05,800 --> 00:54:07,740
"Puffing heavily on his cigarette,
942
00:54:07,770 --> 00:54:09,140
he smokes 80 a day."
943
00:54:09,170 --> 00:54:10,810
Sinatra wants it.
944
00:54:10,830 --> 00:54:14,710
God. I'm glad I'm not me.
945
00:54:14,730 --> 00:54:17,040
Hey! I've got something to say to you.
946
00:54:17,060 --> 00:54:19,240
- Whoa!
- Hey, fuck off!
947
00:54:19,270 --> 00:54:20,910
- It's him I'm talkin' at.
- Yeah, I'm listenin', man.
948
00:54:20,930 --> 00:54:23,240
- Traitor! You wanker!
- Listen, pal.
949
00:54:23,270 --> 00:54:25,640
If you know what's good for you, you'll turn
right around and get the fuck out of here.
950
00:54:25,670 --> 00:54:28,240
Come on. Hey!
951
00:54:28,270 --> 00:54:29,540
Hurry up.
952
00:54:29,570 --> 00:54:32,310
Jason! You got to get in here, man.
You better hurry.
953
00:54:32,330 --> 00:54:35,260
- It's your boy I want.
- Put that knife down. You hear me?
954
00:54:36,270 --> 00:54:38,140
- Hey, man.
- Jesus Christ.
955
00:54:38,170 --> 00:54:40,910
Are you out of your fuckin' mind?
What are you gonna do? Stab us all?
956
00:54:40,930 --> 00:54:43,380
It's his fault! He's the one.
957
00:54:43,400 --> 00:54:44,640
Stabbing truth in the eye.
958
00:54:44,670 --> 00:54:46,340
I'm listening.
What's the truth, man?
959
00:54:46,370 --> 00:54:49,080
Easy, easy, easy.
Now just put that down...
960
00:54:49,100 --> 00:54:50,940
No! Walk away.
961
00:54:50,970 --> 00:54:53,210
- Just relax.
- Hey, back up.
962
00:54:53,230 --> 00:54:54,820
Either be groovy or leave, man.
963
00:55:02,570 --> 00:55:03,940
- Is he okay?
- Yeah.
964
00:55:03,970 --> 00:55:05,410
Everybody all right?
965
00:55:05,430 --> 00:55:08,840
- Thanks for steppin' in.
- My pleasure.
966
00:55:08,870 --> 00:55:11,490
Just like a woman.
967
00:55:37,830 --> 00:55:41,240
♪ They sat together in the park ♪
968
00:55:41,270 --> 00:55:44,780
♪ As the evening sky grew dark ♪
969
00:55:44,800 --> 00:55:48,040
♪ She looked at him
and he felt a spark ♪
970
00:55:48,070 --> 00:55:51,000
♪ Tingle to his bones ♪
971
00:55:52,100 --> 00:55:54,570
♪ 'Twas then he felt alone ♪
972
00:55:54,600 --> 00:55:58,840
♪ And wished that he'd gone straight ♪
973
00:55:58,870 --> 00:56:02,760
♪ And watched out
for a simple twist of fate ♪
974
00:56:06,230 --> 00:56:09,810
♪ They walked along
by the old canal ♪
975
00:56:09,830 --> 00:56:12,340
♪ A little confused, I remember well ♪
976
00:56:12,370 --> 00:56:14,540
Claire! Claire, honey,
you got to meet someone.
977
00:56:14,570 --> 00:56:17,410
Hang on a second. Am I shitting you?
978
00:56:17,430 --> 00:56:20,880
- Dirty son of a gun.
- Claire, this is Sidney Green.
979
00:56:20,900 --> 00:56:22,910
A very bad old friend of mine.
980
00:56:22,930 --> 00:56:24,470
Hello.
981
00:56:24,500 --> 00:56:26,270
She's a doll. Actress.
982
00:56:26,300 --> 00:56:28,910
Uh, no, a painter. She's unbelievable.
983
00:56:28,930 --> 00:56:30,310
And Sid's a collector.
984
00:56:30,330 --> 00:56:32,340
What do you paint, honey?
985
00:56:32,370 --> 00:56:35,740
Oh, they're... They're abstracts,
986
00:56:35,770 --> 00:56:37,780
- most of what I do.
- She's French?
987
00:56:37,800 --> 00:56:40,270
Aw, for cryin' out loud.
988
00:56:40,300 --> 00:56:43,440
Oh, oh. It's Mailer.
989
00:56:43,470 --> 00:56:46,090
Norman Mailer?
990
00:56:49,230 --> 00:56:51,390
Abstracts, huh?
991
00:56:59,000 --> 00:57:02,540
♪ People tell me it's a sin ♪
992
00:57:02,570 --> 00:57:05,840
♪ To know and feel too much within ♪
993
00:57:05,870 --> 00:57:09,080
♪ I still believe she was my twin ♪
994
00:57:09,100 --> 00:57:11,840
♪ But I lost the ring ♪
995
00:57:11,870 --> 00:57:15,440
♪ She was born in the spring ♪
996
00:57:15,470 --> 00:57:19,480
♪ But I was born too late ♪
997
00:57:19,500 --> 00:57:23,190
♪ Blame it on a simple twist of fate ♪
998
00:57:36,030 --> 00:57:40,330
Silence, experience shows,
999
00:57:40,360 --> 00:57:44,050
is what terrifies people most.
1000
00:58:01,860 --> 00:58:04,100
If he said he'll be here, he'll be here.
1001
00:58:04,130 --> 00:58:06,870
It's just such a terribly
important booking.
1002
00:58:06,890 --> 00:58:08,500
Keenan seldom interviews.
1003
00:58:08,530 --> 00:58:10,100
He's really more of
an opinion maker really,
1004
00:58:10,130 --> 00:58:13,700
on the telly, so, there's
apt to be no time at all.
1005
00:58:13,720 --> 00:58:16,400
Is there a handler?
Someone who looks after him?
1006
00:58:16,420 --> 00:58:19,200
I told you, he and John
and Paul and George...
1007
00:58:19,230 --> 00:58:22,230
Yes, but did he ever get back?
1008
00:58:22,260 --> 00:58:24,170
- Pardon me.
- What?
1009
00:58:24,190 --> 00:58:26,770
Do you know if Jude
Quinn is in attendance?
1010
00:58:26,790 --> 00:58:27,870
The country-western singer?
1011
00:58:27,890 --> 00:58:30,290
No time for autographs, dearie.
1012
00:58:31,720 --> 00:58:33,990
- What's that over there?
- Where?
1013
00:58:37,920 --> 00:58:39,820
Do the Watusi, John!
1014
00:58:42,520 --> 00:58:45,700
Whoa!
1015
00:58:45,720 --> 00:58:47,330
Mr. Quinn?
1016
00:58:47,360 --> 00:58:49,220
Mr. Quinn, yoo-hoo.
1017
00:58:50,990 --> 00:58:54,860
Yes, Mr. Quinn, hello!
We're all just here at the car. No worries.
1018
00:58:55,860 --> 00:58:58,650
Good. Sayonara.
1019
00:59:05,390 --> 00:59:06,700
Mother. Mother.
1020
00:59:06,730 --> 00:59:08,770
Oh, Mr. Quinn! What a privilege
1021
00:59:08,790 --> 00:59:10,400
to have in our midst...
1022
00:59:10,430 --> 00:59:14,470
a true visionary, and such a splendid
example to the youth.
1023
00:59:14,490 --> 00:59:18,070
And such marvelous songs.
So truly wonderful.
1024
00:59:18,090 --> 00:59:19,430
- Howdy.
- Our dear friend,
1025
00:59:19,460 --> 00:59:21,530
Carolyn Hester, the folk singer?
1026
00:59:21,560 --> 00:59:24,030
She was saying,
just the other day, how liberating
1027
00:59:24,060 --> 00:59:26,840
what you're doing really is
for all... Mr. Quinn, hello!
1028
00:59:26,860 --> 00:59:29,030
Ma'am, I'm terribly sorry.
1029
00:59:29,060 --> 00:59:31,930
Carolyn said that? You tell Carolyn
to come see me anytime,
1030
00:59:31,960 --> 00:59:33,900
now that she's, uh, liberated.
1031
00:59:33,920 --> 00:59:37,000
Jude, you know, like in the song
"Generation Dungeon,"
1032
00:59:37,020 --> 00:59:38,930
when you say "he has the eyes of a camel
1033
00:59:38,960 --> 00:59:41,670
- and sleeps on a hook..." That's Victor, right?
- Mr. Quinn!
1034
00:59:41,690 --> 00:59:45,030
'Cause I saw a picture of him once
in a magazine, smoking Camels,
1035
00:59:45,060 --> 00:59:46,900
which I know
Danny Ronk used to smoke,
1036
00:59:46,920 --> 00:59:48,900
but then he switched
to Lucky Strikes in '64.
1037
00:59:48,920 --> 00:59:51,600
Mr. Quinn, we really ought to hurry.
Everyone's at the car!
1038
00:59:51,620 --> 00:59:53,170
Till early '65.
- Norman, Mona, Sammy...
1039
00:59:53,190 --> 00:59:55,830
Sammy? Who's Sammy?
1040
00:59:55,860 --> 00:59:58,400
Sonny. Sonny Dover.
1041
00:59:58,420 --> 01:00:00,530
The central doyen of the inner circle,
1042
01:00:00,560 --> 01:00:02,670
and Jude's oldest ally.
1043
01:00:02,690 --> 01:00:05,030
He plays maracas
on "Medicine Sunday."
1044
01:00:05,060 --> 01:00:07,770
Judey! Lover boy! Ah!
1045
01:00:07,790 --> 01:00:12,400
Two words on Shakespeare,
Mr. Quinn, for our listeners.
1046
01:00:12,420 --> 01:00:14,530
Two words?
1047
01:00:14,560 --> 01:00:16,400
Raving queen,
1048
01:00:16,420 --> 01:00:18,670
and cosmic amphetamine brain.
1049
01:00:18,690 --> 01:00:20,930
I dig Shakespeare.
1050
01:00:20,960 --> 01:00:22,330
I have a question for Mr. Quinn.
1051
01:00:22,360 --> 01:00:24,330
Oh, Keenan, please
forgive us. Mr. Quinn,
1052
01:00:24,360 --> 01:00:26,630
allow me to introduce to you
Mr. Keenan Jones,
1053
01:00:26,660 --> 01:00:28,670
arts editor and host of the BBC.
1054
01:00:28,690 --> 01:00:29,870
I remember you.
1055
01:00:29,890 --> 01:00:32,230
Yes, I was going to ask
Mr. Quinn why he insists
1056
01:00:32,260 --> 01:00:35,770
on putting us and the rest
of the world on so?
1057
01:00:35,790 --> 01:00:38,430
Some might be persuaded
to doubt his sincerity.
1058
01:00:38,460 --> 01:00:41,730
Well, who said I was sincere?
1059
01:00:41,760 --> 01:00:45,170
Are you saying you're not sincere?
1060
01:00:45,190 --> 01:00:48,130
No more than you, you know?
1061
01:00:48,160 --> 01:00:49,710
No more sincere than you are.
1062
01:00:51,590 --> 01:00:55,520
See, you just want me to say
what you want me to say.
1063
01:01:02,820 --> 01:01:04,230
You might think
1064
01:01:04,260 --> 01:01:06,530
nothing can reach
those tens of thousands,
1065
01:01:06,560 --> 01:01:09,080
living by the dollar.
1066
01:01:11,390 --> 01:01:13,450
But you'd be wrong.
1067
01:01:19,490 --> 01:01:23,290
Hey. What are you doin' here?
1068
01:01:26,560 --> 01:01:28,930
You alone?
1069
01:01:28,960 --> 01:01:32,070
Now, why would that be
any concern of yours?
1070
01:01:32,090 --> 01:01:36,100
Look, I'm sorry about what happened.
1071
01:01:36,130 --> 01:01:38,990
- Nothing happened.
- Fine. Nothing happened.
1072
01:01:40,820 --> 01:01:43,770
Oh, come on.
I was straight with you.
1073
01:01:43,790 --> 01:01:46,130
I thought you had no recollection.
1074
01:01:46,160 --> 01:01:50,330
Look, I can't recall
San Francisco at all.
1075
01:01:50,360 --> 01:01:52,300
And I can't really
remember El Paso,
1076
01:01:52,320 --> 01:01:54,670
but you shouldn't take
it all so personal.
1077
01:01:54,690 --> 01:01:57,470
I don't, believe me.
1078
01:01:57,490 --> 01:02:00,850
My current situation far precedes
anything from the past.
1079
01:02:02,090 --> 01:02:04,670
But you never know how
the past will turn out.
1080
01:02:04,690 --> 01:02:07,170
Sorry.
1081
01:02:07,190 --> 01:02:09,370
But your kisses are nothing like his.
1082
01:02:09,390 --> 01:02:11,300
I bet.
1083
01:02:11,330 --> 01:02:14,500
- Anyone I know?
- Good one.
1084
01:02:14,520 --> 01:02:18,100
No, your lucky tongue will not decay me.
1085
01:02:18,120 --> 01:02:20,700
Fine, you take your glands,
and your medallions,
1086
01:02:20,720 --> 01:02:22,930
and make love for once, freely.
1087
01:02:22,960 --> 01:02:26,130
So that's what you think
you have over everyone.
1088
01:02:26,160 --> 01:02:31,150
Freedom.
1089
01:02:33,520 --> 01:02:36,320
I just got to clean up a little bit.
1090
01:02:38,290 --> 01:02:39,970
And I'll be fine.
1091
01:02:39,990 --> 01:02:42,550
Here's a tip: Use your fists.
1092
01:02:43,560 --> 01:02:45,520
Very funny, Coco.
1093
01:02:49,190 --> 01:02:52,030
Hey, Coco!
1094
01:02:52,060 --> 01:02:55,050
Coco!
1095
01:03:02,020 --> 01:03:04,530
You look and sound very tired, very ill.
1096
01:03:04,560 --> 01:03:06,230
Is this your normal state?
1097
01:03:06,260 --> 01:03:08,070
I take that as an insult.
1098
01:03:08,090 --> 01:03:12,670
Do you suffer from sore eyes,
groovy foreheads, and curly hair?
1099
01:03:12,690 --> 01:03:14,670
Take Zoomdom!
1100
01:03:14,690 --> 01:03:19,130
Hey. Hey, isn't that
what's-his-name, the poet?
1101
01:03:19,160 --> 01:03:22,000
- Ginsberg?
- Allen Ginsberg?
1102
01:03:22,020 --> 01:03:24,290
Oh, my God! It is!
1103
01:03:25,460 --> 01:03:27,010
Wait a minute.
1104
01:03:33,860 --> 01:03:36,730
Hey! Allen thought
that was you in there!
1105
01:03:36,760 --> 01:03:39,000
I don't think you two have met.
1106
01:03:39,020 --> 01:03:42,570
- Hi.
- Hey.
1107
01:03:42,590 --> 01:03:44,470
Allen, tell him what you
said to that reporter,
1108
01:03:44,490 --> 01:03:47,230
the one that asked
if you thought that Jude had sold out.
1109
01:03:47,260 --> 01:03:48,630
What, they're asking you?
1110
01:03:48,660 --> 01:03:53,300
I said I didn't know.
Perhaps you sold out to God.
1111
01:03:53,320 --> 01:03:56,800
What's that even mean?
1112
01:03:56,820 --> 01:04:00,030
Well, if your mission
was to see whether
1113
01:04:00,060 --> 01:04:02,800
you could do great art on a juke box,
1114
01:04:02,820 --> 01:04:04,800
well, you know, then we all benefited.
1115
01:04:04,820 --> 01:04:09,200
Profited, you said, by his coercion.
1116
01:04:09,230 --> 01:04:13,230
That was it. So. What now?
1117
01:04:13,260 --> 01:04:16,930
Now? What's left?
1118
01:04:16,960 --> 01:04:20,730
Oh, my salvation?
1119
01:04:20,760 --> 01:04:23,850
Well, see what we could do.
1120
01:04:29,960 --> 01:04:32,120
Oh, he'll give it to you!
1121
01:04:34,520 --> 01:04:38,430
That was Allen Ginsberg, man!
1122
01:04:38,460 --> 01:04:41,750
See ya later, Allen Ginsberg.
1123
01:04:44,290 --> 01:04:45,800
Would you say, then,
1124
01:04:45,820 --> 01:04:46,830
that the collective struggles
1125
01:04:46,860 --> 01:04:49,170
of the color discrimination
or the war have failed,
1126
01:04:49,190 --> 01:04:51,300
or as I believe you inferred earlier,
1127
01:04:51,330 --> 01:04:53,400
do you think it's the process
itself that's at fault?
1128
01:04:53,420 --> 01:04:57,200
Who cares what I think?
I'm not the president.
1129
01:04:57,230 --> 01:05:00,630
I'm not some shepherd.
I'm just a storyteller, man.
1130
01:05:00,660 --> 01:05:02,970
- It's all I am.
- Well, certainly.
1131
01:05:02,990 --> 01:05:05,470
But as someone
who once cared deeply,
1132
01:05:05,490 --> 01:05:08,430
as a storyteller, as...
1133
01:05:08,460 --> 01:05:12,290
for social justice, equality...
certainly you still care as a human being.
1134
01:05:14,060 --> 01:05:17,490
Well, why? Why?
1135
01:05:19,420 --> 01:05:21,070
I mean, what do you care?
1136
01:05:21,090 --> 01:05:24,060
If I care, or I don't
care, what's it to you?
1137
01:05:25,790 --> 01:05:29,330
All right, what if I said
I never cared about, you know, folk music?
1138
01:05:29,360 --> 01:05:31,300
About, you know, protest songs?
1139
01:05:31,330 --> 01:05:33,150
It was all about jumping into a scene.
1140
01:05:35,260 --> 01:05:38,830
You know, I was never
gonna stay there. I mean, I just...
1141
01:05:38,860 --> 01:05:41,730
I knew I could do it
better than anybody else.
1142
01:05:41,760 --> 01:05:43,770
Well, I don't believe you.
1143
01:05:43,790 --> 01:05:46,230
No, I mean, you know,
what matters to me...
1144
01:05:46,260 --> 01:05:48,900
you know, it matters
what's happening now.
1145
01:05:48,920 --> 01:05:51,370
Does it matter to you when
songs you're writing now
1146
01:05:51,390 --> 01:05:53,470
are being used as recruitment tools
1147
01:05:53,490 --> 01:05:56,370
for militant street gangs, like the
all-Negro faction in the United States?
1148
01:05:56,390 --> 01:05:57,470
Oh, yeah.
1149
01:05:57,490 --> 01:05:59,230
A group that promotes precisely
the kind of violence
1150
01:05:59,260 --> 01:06:00,770
your earlier songs oppose?
1151
01:06:00,790 --> 01:06:03,300
If you're asking me, man, am I a member
of the Black Panther Party,
1152
01:06:03,330 --> 01:06:06,310
the answer's no.
1153
01:06:08,390 --> 01:06:12,230
Man, I can't really tell you how I care.
1154
01:06:12,260 --> 01:06:14,200
Well, I presume at the very least
1155
01:06:14,220 --> 01:06:17,800
that you care something
about what you sing every night.
1156
01:06:17,820 --> 01:06:21,200
What are you...
How can I answer that,
1157
01:06:21,230 --> 01:06:23,930
if you got the nerve to ask me?
1158
01:06:23,960 --> 01:06:26,800
I mean, you've got a lot of nerve,
asking me a question like that.
1159
01:06:26,820 --> 01:06:29,630
- Do you ask the Beatles that?
- Do I...
1160
01:06:29,660 --> 01:06:32,500
- Or Mr. Eve of Destruction?
- Would you ask Barry McGuire that?
1161
01:06:32,520 --> 01:06:35,200
I have to ask, because you have the nerve
to question whether I care.
1162
01:06:35,220 --> 01:06:37,470
I'm not questioning you because I don't
expect any answers from you.
1163
01:06:37,490 --> 01:06:39,570
Maybe Victor Mature.
He looks like Victor Mature.
1164
01:06:39,590 --> 01:06:42,800
More like Elsa Lanchester,
man, with a North Mexican kind of thing.
1165
01:06:42,820 --> 01:06:45,400
That's very protest-y, man.
You know, it's very very protest-y.
1166
01:06:45,420 --> 01:06:48,800
You know, I am convinced of one thing.
You either do care about nothing at all,
1167
01:06:48,820 --> 01:06:50,920
or tremendously much
that people think so.
1168
01:06:51,060 --> 01:06:54,080
And you ask for my time?
1169
01:06:55,890 --> 01:06:58,400
Mr. Quinn, we really do need you in...
1170
01:06:58,420 --> 01:07:02,030
Listen, I know more about you, right,
than you will ever know about me.
1171
01:07:02,060 --> 01:07:05,230
You think I give a crumpet
what you write in your lousy paper?
1172
01:07:05,260 --> 01:07:08,170
Now, I don't need to look to someone else,
man, to tell me I'm good.
1173
01:07:08,190 --> 01:07:10,330
Slaughter me, for all I care.
1174
01:07:10,360 --> 01:07:12,030
I refuse to be hurt.
1175
01:07:12,060 --> 01:07:14,100
Mr. Quinn, we really
do need you in the car.
1176
01:07:14,120 --> 01:07:15,470
Hey, man.
1177
01:07:15,490 --> 01:07:17,730
You refuse feeling deeply about anything.
1178
01:07:17,760 --> 01:07:20,630
It's clear to anyone
how entirely self-conscious you are,
1179
01:07:20,660 --> 01:07:22,100
in everything you do.
1180
01:07:22,120 --> 01:07:24,000
- That's enough!
- Feeling deeply?
1181
01:07:24,020 --> 01:07:26,730
That's what this is about?
1182
01:07:26,760 --> 01:07:30,170
What precisely, please do tell,
am I supposed to be feeling, huh?
1183
01:07:30,190 --> 01:07:32,500
I'm simply referring
to standard emotions:
1184
01:07:32,520 --> 01:07:35,770
Pain, remorse, love.
1185
01:07:35,790 --> 01:07:38,620
Yeah, I have none of those feelings.
1186
01:08:22,120 --> 01:08:25,000
♪ You walk into the room ♪
1187
01:08:25,020 --> 01:08:28,900
♪ With a pencil in your hand ♪
1188
01:08:28,920 --> 01:08:32,670
♪ You see somebody naked
and you say ♪
1189
01:08:32,690 --> 01:08:35,470
♪ "Who is that man?" ♪
1190
01:08:35,490 --> 01:08:38,300
♪ You try so hard ♪
1191
01:08:38,320 --> 01:08:42,000
♪ But you don't understand ♪
1192
01:08:42,020 --> 01:08:46,790
♪ Just what you will say
when you get home ♪
1193
01:08:48,660 --> 01:08:52,300
♪ But there's something
happening here ♪
1194
01:08:52,320 --> 01:08:56,000
♪ And you don't know what it is ♪
1195
01:08:56,020 --> 01:09:00,320
♪ Do you, Mr. Jones? ♪
1196
01:09:06,690 --> 01:09:10,330
♪ So you hand in your ticket ♪
1197
01:09:10,360 --> 01:09:14,200
♪ And you go watch the geek ♪
1198
01:09:14,220 --> 01:09:16,370
♪ Who immediately walks up to you ♪
1199
01:09:16,390 --> 01:09:19,170
♪ When he hears you speak ♪
1200
01:09:19,190 --> 01:09:20,830
♪ And he says ♪
1201
01:09:20,860 --> 01:09:23,400
♪ "Well, how does it feel, my friend ♪
1202
01:09:23,420 --> 01:09:26,800
♪ To be such a freak?" ♪
1203
01:09:26,820 --> 01:09:29,430
♪ You say, "Impossiblel" ♪
1204
01:09:29,460 --> 01:09:33,630
♪ As he hands you a bone ♪
1205
01:09:33,660 --> 01:09:37,330
♪ And you're positive that
something's happening here ♪
1206
01:09:37,360 --> 01:09:39,870
♪ But you don't know what it is ♪
1207
01:09:39,890 --> 01:09:41,320
♪ Do you ♪
1208
01:09:43,020 --> 01:09:45,390
♪ Mr. Jones? ♪
1209
01:09:51,520 --> 01:09:54,770
♪ You have so many contacts ♪
1210
01:09:54,790 --> 01:09:57,970
♪ Out there among the lumberjacks ♪
1211
01:09:57,990 --> 01:10:00,700
♪ To get you the facts
when someone attacks ♪
1212
01:10:00,720 --> 01:10:03,380
♪ Your imagination ♪
1213
01:10:04,890 --> 01:10:08,130
♪ No one has any respect ♪
1214
01:10:08,160 --> 01:10:10,530
♪ Anyway, they always expect ♪
1215
01:10:10,560 --> 01:10:13,570
♪ You'll just give a check ♪
1216
01:10:13,590 --> 01:10:19,220
♪ To tax-deductible
charity organizations ♪
1217
01:10:22,190 --> 01:10:24,770
♪ Well ♪
1218
01:10:24,790 --> 01:10:27,770
♪ You been with the professors ♪
1219
01:10:27,790 --> 01:10:31,570
♪ And they all like your looks ♪
1220
01:10:31,590 --> 01:10:34,770
♪ And with great lawyers you have ♪
1221
01:10:34,790 --> 01:10:37,900
♪ Discussed lepers and crooks ♪
1222
01:10:37,920 --> 01:10:41,100
♪ You've been through all of ♪
1223
01:10:41,130 --> 01:10:44,470
♪ F. Scott Fitzgerald's books ♪
1224
01:10:44,490 --> 01:10:48,920
♪ You're very well read,
yeah, it's well known ♪
1225
01:10:50,690 --> 01:10:54,270
♪ Because something
is still happening here ♪
1226
01:10:54,290 --> 01:10:57,000
♪ You don't know what it is ♪
1227
01:10:57,020 --> 01:10:59,630
♪ Do you ♪
1228
01:10:59,660 --> 01:11:02,250
♪ Mr. Jones? ♪
1229
01:11:08,330 --> 01:11:11,400
♪ Well, the sword swallower ♪
1230
01:11:11,420 --> 01:11:15,070
♪ He comes up to you
and then he kneels ♪
1231
01:11:15,090 --> 01:11:18,200
♪ He crosses himself ♪
1232
01:11:18,220 --> 01:11:21,670
♪ And then he clicks his high heels ♪
1233
01:11:21,690 --> 01:11:24,400
♪ Without further notice ♪
1234
01:11:24,430 --> 01:11:27,130
♪ He tells you how it feels ♪
1235
01:11:27,160 --> 01:11:30,570
♪ Then he says,
"Here's your mouth back ♪
1236
01:11:30,590 --> 01:11:32,130
♪ Thanks for the loan" ♪
1237
01:11:32,160 --> 01:11:33,970
Stop. Stop the song.
1238
01:11:33,990 --> 01:11:36,230
♪ And you kno... ♪
1239
01:11:36,260 --> 01:11:38,900
Well, I missed it. I missed it again.
1240
01:11:38,920 --> 01:11:40,330
I missed it.
1241
01:11:40,360 --> 01:11:41,630
Bobby, now you ain't hearin' me, man.
1242
01:11:41,660 --> 01:11:44,000
No, we are the geeks. You dig?
1243
01:11:44,020 --> 01:11:45,670
But then why is that cool?
1244
01:11:45,690 --> 01:11:48,170
No, man, we are the ones
being paraded around
1245
01:11:48,190 --> 01:11:50,070
like some sort of circus freaks.
1246
01:11:50,090 --> 01:11:51,600
"Come on up and see Harlem,
Mr. Jones,
1247
01:11:51,620 --> 01:11:53,730
but make sure your window's
rolled up tight."
1248
01:11:53,760 --> 01:11:55,970
This song is hell, man.
You've got to understand,
1249
01:11:55,990 --> 01:11:59,900
this song is saying
a hell of a lot about society.
1250
01:11:59,920 --> 01:12:02,000
All power to all people,
man, that's what it's saying.
1251
01:12:02,020 --> 01:12:03,330
- I missed it again.
- Bobby.
1252
01:12:03,360 --> 01:12:05,200
Aw, Bobby nothing.
Just play it again, Huey.
1253
01:12:05,220 --> 01:12:07,620
Let's play it one more time.
1254
01:12:08,760 --> 01:12:11,800
♪ Because something
is happenin' here ♪
1255
01:12:11,820 --> 01:12:15,000
♪ And you don't know what it is ♪
1256
01:12:15,020 --> 01:12:17,970
♪ Do you ♪
1257
01:12:17,990 --> 01:12:20,480
♪ Mr. Jones? ♪
1258
01:12:40,760 --> 01:12:44,530
You know, this is music.
1259
01:12:44,560 --> 01:12:48,490
You know, what you're hearing
is not English music, all right?
1260
01:12:49,560 --> 01:12:51,440
You've never really heard
American music before.
1261
01:12:52,990 --> 01:12:55,900
And what you hear, obviously, right now,
doesn't have a name.
1262
01:12:55,920 --> 01:12:59,430
It's words, all right? And sounds.
1263
01:12:59,460 --> 01:13:02,360
If it's something
you disagree with, that's great.
1264
01:13:03,660 --> 01:13:05,620
Judas!
1265
01:13:10,520 --> 01:13:13,100
I don't believe you.
1266
01:13:13,120 --> 01:13:15,150
Judas!
1267
01:13:18,260 --> 01:13:20,550
Come up here and say that.
1268
01:13:22,720 --> 01:13:24,950
You're liars, all of you.
1269
01:13:36,060 --> 01:13:39,290
I accept chaos.
1270
01:13:42,490 --> 01:13:44,390
I'm not sure whether it accepts me.
1271
01:13:52,520 --> 01:13:56,430
We hadn't spoken in a long while.
1272
01:13:56,460 --> 01:14:01,130
I think he was involved
with someone, actually...
1273
01:14:01,160 --> 01:14:02,970
He said something to me on the phone
1274
01:14:02,990 --> 01:14:05,730
about angels hanging off of buildings,
1275
01:14:05,760 --> 01:14:08,330
which was frightening.
1276
01:14:08,360 --> 01:14:10,380
I thought he was hallucinating.
1277
01:14:11,820 --> 01:14:14,730
That was the last I heard.
1278
01:14:14,760 --> 01:14:19,330
It was like what people say
about Billy the Kid...
1279
01:14:19,360 --> 01:14:21,980
that he really just dodged
a bullet and went into hiding.
1280
01:14:23,590 --> 01:14:27,470
And Jack, he always
loved Billy the Kid.
1281
01:14:27,490 --> 01:14:30,390
Whoo!
1282
01:14:33,860 --> 01:14:35,820
Henry.
1283
01:14:45,520 --> 01:14:47,080
What the hell's wrong with you?
1284
01:14:51,360 --> 01:14:54,270
Paper said Pat Garrett tracked me down.
1285
01:14:54,290 --> 01:14:56,170
Stopped me dead.
1286
01:14:56,190 --> 01:14:59,530
That outlaws always die.
1287
01:14:59,560 --> 01:15:02,390
Only a fool would believe
what they read in the papers.
1288
01:15:03,920 --> 01:15:05,410
Come on.
1289
01:15:13,960 --> 01:15:17,910
Here, I'm invisible.
1290
01:15:19,490 --> 01:15:21,390
Come on, now.
1291
01:15:27,690 --> 01:15:29,590
Even to myself.
1292
01:15:55,890 --> 01:15:58,500
Henry! Calm yourself down.
1293
01:15:58,520 --> 01:15:59,760
Gettin' everybody zigaboo here.
1294
01:16:01,520 --> 01:16:03,370
Henry. Henry! Henry!
1295
01:16:03,390 --> 01:16:06,300
Come on back here! Henry!
1296
01:16:06,330 --> 01:16:08,310
You get back here!
1297
01:16:09,660 --> 01:16:13,000
And here, by the road
where nobody goes,
1298
01:16:13,020 --> 01:16:14,600
where it causes no worry,
1299
01:16:14,620 --> 01:16:18,400
where the show must go on,
1300
01:16:18,420 --> 01:16:20,390
is where I'll die.
1301
01:16:34,860 --> 01:16:37,600
Henry! Come back here!
1302
01:16:37,620 --> 01:16:39,850
Henry! Come back here!
1303
01:17:37,660 --> 01:17:41,230
♪ There must be some kind
of way out of here ♪
1304
01:17:41,260 --> 01:17:45,130
♪ Said the joker to the thief ♪
1305
01:17:45,160 --> 01:17:48,800
♪ There's too much confusion ♪
1306
01:17:48,820 --> 01:17:52,870
♪ I can't get no relief ♪
1307
01:17:52,890 --> 01:17:55,600
♪ Two riders are approaching ♪
1308
01:17:55,620 --> 01:17:59,350
♪ And the wind began to howl ♪
1309
01:18:14,160 --> 01:18:16,800
Henry! Henry!
1310
01:18:16,820 --> 01:18:18,500
God damn it, get back here!
1311
01:18:18,520 --> 01:18:20,830
Hey! Come back, Henry!
1312
01:18:20,860 --> 01:18:22,290
Come on, now.
1313
01:18:25,120 --> 01:18:27,100
How long had it been?
1314
01:18:27,120 --> 01:18:28,420
I couldn't even say.
1315
01:18:30,660 --> 01:18:33,880
The day I arrived looks a lot like today.
1316
01:18:37,420 --> 01:18:39,690
Least, that's how it seemed at the time.
1317
01:19:05,520 --> 01:19:07,870
Homer, is that you?
1318
01:19:07,890 --> 01:19:10,360
Mr. B.
1319
01:19:14,320 --> 01:19:16,300
What's the trouble, there?
1320
01:19:16,320 --> 01:19:18,520
A useless bag of thumbs what I am.
1321
01:19:20,460 --> 01:19:23,200
There you go.
1322
01:19:23,220 --> 01:19:26,370
Sellin' off whatnot.
1323
01:19:26,390 --> 01:19:28,600
Mm-hmm.
1324
01:19:28,620 --> 01:19:32,870
Well, ain't seen no
yellow dog runnin' loose
1325
01:19:32,890 --> 01:19:34,550
by any chance, have you?
1326
01:19:35,590 --> 01:19:37,530
Old Henry tore off on me.
1327
01:19:37,560 --> 01:19:39,930
- What, she get spooked?
- Seemed to.
1328
01:19:39,960 --> 01:19:41,770
Why? Critters know what's goin' on.
1329
01:19:41,790 --> 01:19:44,970
- What do they know?
- Well, for one, they know
1330
01:19:44,990 --> 01:19:46,870
Shadow Valley's gettin'
blown to kingdom come.
1331
01:19:46,890 --> 01:19:51,500
What, that old highway plan?
No, never had a chance.
1332
01:19:51,520 --> 01:19:53,730
You mean, you really ain't heard?
1333
01:19:53,760 --> 01:19:56,170
Heard what?
1334
01:19:56,190 --> 01:19:59,170
Mr. B, that plan's official.
It's gone through.
1335
01:19:59,190 --> 01:20:01,470
Last Tuesday, they all come.
Old Man Garrett and them bunch?
1336
01:20:01,490 --> 01:20:03,000
Wavin' all sorts of papers?
1337
01:20:03,020 --> 01:20:05,000
- I never seen such a stupor.
- What are you talkin' about?
1338
01:20:05,020 --> 01:20:07,100
- Wh-What's official?
- Six-laner headed
1339
01:20:07,120 --> 01:20:08,730
straight through
the heart of Shadow Valley.
1340
01:20:08,760 --> 01:20:11,270
Commissioner Garrett done
give us 30 days come November.
1341
01:20:11,290 --> 01:20:13,800
Why haven't I heard
nothing about this?
1342
01:20:13,820 --> 01:20:16,570
Mr. B, you don't get out much.
1343
01:20:16,590 --> 01:20:19,950
Don't sound credible to me, Homer.
1344
01:20:21,920 --> 01:20:24,870
What have people been saying?
They been doin' anything?
1345
01:20:24,890 --> 01:20:27,300
Well, first Charley Harper,
the zookeeper?
1346
01:20:27,320 --> 01:20:29,770
Shot hisself in the face in front of them
1347
01:20:29,790 --> 01:20:31,800
three maiden sisters
and two bachelor brothers.
1348
01:20:31,820 --> 01:20:33,800
Them all went insane on account.
1349
01:20:33,820 --> 01:20:35,670
Been five hangings, six Phenobarbitals,
1350
01:20:35,690 --> 01:20:38,030
and, well...
1351
01:20:38,060 --> 01:20:39,930
you familiar with young Clarice Henry?
1352
01:20:39,960 --> 01:20:41,670
Mrs. Henry, the Captain's girl?
1353
01:20:41,690 --> 01:20:44,100
Of course I am.
1354
01:20:44,130 --> 01:20:47,560
Well, what?
1355
01:20:47,560 --> 01:20:49,370
The Captain found her.
1356
01:20:49,390 --> 01:20:51,820
Throat cut.
By her own hand, they say.
1357
01:20:54,690 --> 01:20:57,500
Well, where you fixin' to?
1358
01:20:57,520 --> 01:21:00,870
Well, if it's true,
1359
01:21:00,890 --> 01:21:03,930
gonna pay my respects
to Captain and Mrs. Henry.
1360
01:21:03,960 --> 01:21:06,470
This whole thing's sounds
fishy to me. You comin'?
1361
01:21:06,490 --> 01:21:08,480
Oh, no. No, not today.
1362
01:21:09,790 --> 01:21:13,630
- Shameful day.
- Suit yourself.
1363
01:21:13,660 --> 01:21:18,400
Anyway, Charley gone,
and all of his brothers,
1364
01:21:18,420 --> 01:21:20,010
who's mindin' the zoo?
1365
01:21:22,420 --> 01:21:24,250
Homer?
1366
01:21:27,290 --> 01:21:28,700
1968.
1367
01:21:28,720 --> 01:21:31,000
America watched its war plan collapse,
1368
01:21:31,020 --> 01:21:33,000
its cities burn, its youth erupt,
1369
01:21:33,020 --> 01:21:36,570
its president crumble,
its greatest leaders fall slain.
1370
01:21:36,590 --> 01:21:38,800
And there we were.
1371
01:21:38,820 --> 01:21:40,590
All alone with Richard Nixon.
1372
01:21:43,160 --> 01:21:44,430
No. No. Not at all.
1373
01:21:44,460 --> 01:21:47,700
Come on, face it. Face it, it's over.
1374
01:21:47,720 --> 01:21:50,030
All these groups
promoting the movement
1375
01:21:50,060 --> 01:21:53,100
are so full of their own
president, vice president,
1376
01:21:53,120 --> 01:21:55,500
- and secretary bullshit.
- Not at all.
1377
01:21:55,520 --> 01:21:57,130
They just think
it's all about them, man.
1378
01:21:57,160 --> 01:21:59,270
All these right-wing corporate hawks
1379
01:21:59,290 --> 01:22:01,670
plotting to invade the world,
and drug us to death
1380
01:22:01,690 --> 01:22:04,000
with happy pills and the Bible.
1381
01:22:04,020 --> 01:22:06,900
- It ain't gonna happen.
- I never said that.
1382
01:22:06,920 --> 01:22:10,200
What are you talking about?
You say it all the time.
1383
01:22:10,220 --> 01:22:13,130
I don't know. I think we all agree
1384
01:22:13,160 --> 01:22:15,200
that the world is
a terribly fucked-up place,
1385
01:22:15,220 --> 01:22:18,300
but I happen to feel that
there's something to be done
1386
01:22:18,320 --> 01:22:21,400
to change the situation, and you...
1387
01:22:21,420 --> 01:22:23,000
don't really sound like you...
1388
01:22:23,020 --> 01:22:26,500
He doesn't. Well...
1389
01:22:26,520 --> 01:22:30,400
Well, you want to know
why you think that?
1390
01:22:30,420 --> 01:22:33,430
That, uh, something can
be done to change things?
1391
01:22:33,460 --> 01:22:35,800
Why?
1392
01:22:35,820 --> 01:22:38,500
- Because you're a chick.
- Oh, Jesus, Robbie.
1393
01:22:38,520 --> 01:22:40,500
What's that supposed to mean?
1394
01:22:40,520 --> 01:22:42,220
Oh, forget it.
1395
01:22:44,660 --> 01:22:47,600
Son of a bitch.
1396
01:22:47,620 --> 01:22:50,170
So you're basically a chauvinist.
1397
01:22:50,190 --> 01:22:53,470
Why? Because I think guys
and chicks are different?
1398
01:22:53,490 --> 01:22:55,000
Come on, that's all I'm saying.
1399
01:22:55,020 --> 01:22:56,530
And they are.
1400
01:22:56,560 --> 01:22:59,200
They each have access
to different kinds of pain,
1401
01:22:59,220 --> 01:23:01,430
which is pretty much
why chicks can never be poets.
1402
01:23:01,460 --> 01:23:03,700
- Jesus!
- What?
1403
01:23:03,720 --> 01:23:05,270
Robbie, please,
you're not serious.
1404
01:23:05,290 --> 01:23:07,200
That's the most
preposterous thing I've ever heard.
1405
01:23:07,220 --> 01:23:08,200
Emily Dickinson.
1406
01:23:08,220 --> 01:23:09,930
No, that's not the same.
1407
01:23:09,960 --> 01:23:11,270
As what?
1408
01:23:11,290 --> 01:23:13,370
Whitman, Rimbaud, Shakespeare.
1409
01:23:13,390 --> 01:23:17,200
Grace is...
she's really big into Women's Lib.
1410
01:23:17,220 --> 01:23:19,270
Guys and chicks
are different, I'm sorry.
1411
01:23:19,290 --> 01:23:22,830
I cannot believe you're actually
saying these things.
1412
01:23:22,860 --> 01:23:26,930
I cannot believe you actually think
that women are incapable of...
1413
01:23:26,960 --> 01:23:28,230
Okay, okay, okay.
1414
01:23:28,260 --> 01:23:30,280
Let's try something, huh?
1415
01:23:31,960 --> 01:23:33,830
You write down the nastiest thing
you can think of,
1416
01:23:33,860 --> 01:23:37,900
and I'll write down the nastiest thing
I can think of, and...
1417
01:23:37,920 --> 01:23:40,000
- What?
- We'll compare.
1418
01:23:40,020 --> 01:23:42,570
- But what does that prove?
- Just do it.
1419
01:23:42,590 --> 01:23:44,200
- No.
- Claire, sit down.
1420
01:23:44,220 --> 01:23:45,330
No!
1421
01:23:45,360 --> 01:23:46,900
- No, no, no! I want to know...
- Come on, honey.
1422
01:23:46,920 --> 01:23:48,400
Play the game!
1423
01:23:48,420 --> 01:23:51,670
I want to know what this thing is
that women cannot experience or...
1424
01:23:51,690 --> 01:23:53,200
Cut the fucking snaps!
1425
01:23:53,220 --> 01:23:56,830
Or write about or talk about
or what, put on paper?
1426
01:23:56,860 --> 01:23:59,200
What is this place?
1427
01:23:59,220 --> 01:24:01,270
Do you own this place?
1428
01:24:01,290 --> 01:24:02,800
Did you invent it?
1429
01:24:02,820 --> 01:24:04,430
Uh, no, honey, I don't.
1430
01:24:04,460 --> 01:24:06,100
Claire, come on,
you're missing the point completely.
1431
01:24:06,120 --> 01:24:08,000
I-I worship women.
1432
01:24:08,020 --> 01:24:09,430
Everybody should have one.
1433
01:24:09,460 --> 01:24:11,200
- Yeah, fine.
- Claire!
1434
01:24:11,220 --> 01:24:14,630
Claire, come on. I was kidding.
1435
01:24:14,660 --> 01:24:15,950
Hey, God's a woman.
1436
01:24:17,320 --> 01:24:18,420
Claire.
1437
01:24:19,860 --> 01:24:20,830
Hey!
1438
01:24:20,860 --> 01:24:22,630
Fuck you, man!
1439
01:24:22,660 --> 01:24:24,030
What are you, fucking deaf?
1440
01:24:24,060 --> 01:24:26,220
I told you to stop fucking doing that.
1441
01:24:27,220 --> 01:24:28,490
Fuck.
1442
01:24:32,620 --> 01:24:34,210
What?
1443
01:24:36,190 --> 01:24:37,170
What?
1444
01:24:37,190 --> 01:24:38,660
Nothing.
1445
01:24:41,160 --> 01:24:43,230
You've changed.
1446
01:24:43,260 --> 01:24:44,270
Yeah. Fuck right, I've changed.
1447
01:24:44,290 --> 01:24:46,130
All of this... these new clothes,
1448
01:24:46,160 --> 01:24:47,870
new car, these shades.
1449
01:24:47,890 --> 01:24:49,270
You'd never wear shit like that before.
1450
01:24:49,290 --> 01:24:51,170
Man, you tell me I've changed
1451
01:24:51,190 --> 01:24:53,270
as if that's all there is to say,
you know,
1452
01:24:53,290 --> 01:24:54,330
in this completely different voice
1453
01:24:54,360 --> 01:24:56,870
than the one you had
ten minutes ago.
1454
01:24:56,890 --> 01:24:59,130
You know, kids shooting craps
in an L.A. Garage pot,
1455
01:24:59,160 --> 01:25:01,330
and you say nothing's perfect.
1456
01:25:01,360 --> 01:25:04,620
I say it again: There are no politics.
1457
01:25:06,060 --> 01:25:08,670
Right.
1458
01:25:08,690 --> 01:25:10,800
Well, then, what the fuck is there?
1459
01:25:10,820 --> 01:25:12,020
Huh?
1460
01:25:13,620 --> 01:25:14,990
Sign language.
1461
01:25:38,260 --> 01:25:40,300
No town ever loved Halloween
1462
01:25:40,320 --> 01:25:42,530
like the town of Riddle.
1463
01:25:42,560 --> 01:25:46,280
So who a fellow really was never really
mattered.
1464
01:25:48,020 --> 01:25:51,670
Not with what pretending had to offer.
1465
01:25:51,690 --> 01:25:53,770
It was my kind of town.
1466
01:25:53,790 --> 01:25:55,870
Hey, guys!
You should've seen me.
1467
01:25:55,890 --> 01:25:59,670
I come in like a Ferris wheel,
and, boys, I sure was slick.
1468
01:25:59,690 --> 01:26:02,800
What the heck
are you supposed to be?
1469
01:26:02,820 --> 01:26:05,000
Well, if you don't know,
I'm not gonna tell you.
1470
01:26:05,020 --> 01:26:07,600
♪ Your back is straight,
your hair is smooth ♪
1471
01:26:07,620 --> 01:26:10,520
♪ On the pillow where you lie ♪
1472
01:26:12,160 --> 01:26:15,370
♪ But I don't sense affection ♪
1473
01:26:15,390 --> 01:26:18,870
♪ No gratitude or love ♪
1474
01:26:18,890 --> 01:26:21,700
♪ Your loyalty is not to me ♪
1475
01:26:21,720 --> 01:26:25,570
♪ But to the stars above ♪
1476
01:26:25,590 --> 01:26:30,750
♪ One more cup of coffee 'fore I go ♪
1477
01:26:32,460 --> 01:26:38,330
♪ One more cup of coffee 'fore I go ♪
1478
01:26:38,360 --> 01:26:40,880
♪ To the valley below ♪
1479
01:26:43,090 --> 01:26:44,420
Chester?
1480
01:26:46,790 --> 01:26:48,770
- Billy.
- Mr. McCarty.
1481
01:26:48,790 --> 01:26:51,430
Ma'am.
1482
01:26:51,460 --> 01:26:55,630
So what's with all this
doomsday hocus-pocus going on?
1483
01:26:55,660 --> 01:27:00,300
♪ One more cup of coffee for the road ♪
1484
01:27:00,320 --> 01:27:03,670
♪ One more cup of coffee 'fore I go ♪
1485
01:27:03,690 --> 01:27:06,070
You two taking a trip?
1486
01:27:06,090 --> 01:27:08,820
♪ To the valley below ♪
1487
01:27:11,360 --> 01:27:14,620
Seven simple rules for life in hiding.
1488
01:27:17,520 --> 01:27:19,570
One...
1489
01:27:19,590 --> 01:27:23,030
never trust a cop in a raincoat.
1490
01:27:23,060 --> 01:27:24,770
Two...
1491
01:27:24,790 --> 01:27:28,370
beware of enthusiasm and of love.
1492
01:27:28,390 --> 01:27:32,770
Each is temporary and quick to sway.
1493
01:27:32,790 --> 01:27:35,230
Three...
1494
01:27:35,260 --> 01:27:38,770
when asked if you care
about the world's problems,
1495
01:27:38,790 --> 01:27:42,500
look deep into the eyes of he who asks.
1496
01:27:42,520 --> 01:27:45,470
He will not ask you again.
1497
01:27:45,490 --> 01:27:47,230
Pack up the meat, sweet.
1498
01:27:47,260 --> 01:27:50,500
It's king for king
and queen for queen.
1499
01:27:50,520 --> 01:27:51,900
Afternoon, Mr. McCarty.
1500
01:27:51,920 --> 01:27:53,430
George, Delia.
1501
01:27:53,460 --> 01:27:54,830
Number four and five...
1502
01:27:54,860 --> 01:27:56,570
- Good afternoon, Billy.
- Howdy, Mr. B.
1503
01:27:56,590 --> 01:27:58,200
- Good morning.
Never give your real name.
1504
01:27:58,220 --> 01:28:00,800
Afternoon,
Mr. Gladstone, sir.
1505
01:28:00,820 --> 01:28:02,430
Hey. Hey, hey.
1506
01:28:02,460 --> 01:28:03,930
What are you doing?
What are you doing?
1507
01:28:03,960 --> 01:28:05,620
Hey!
1508
01:28:06,660 --> 01:28:08,570
Hey, you all right, son?
1509
01:28:08,590 --> 01:28:10,530
Please, dear man,
you gotta get me outta here.
1510
01:28:10,560 --> 01:28:11,730
This here's chicken town.
1511
01:28:11,760 --> 01:28:13,480
And if ever told to look at yourself...
1512
01:28:17,560 --> 01:28:19,350
never look.
1513
01:28:24,420 --> 01:28:28,170
His singing voice, asthmatic and whiny,
1514
01:28:28,190 --> 01:28:31,730
makes his success
at first seem inconceivable,
1515
01:28:31,760 --> 01:28:34,230
but for so many
of his ardent admirers,
1516
01:28:34,260 --> 01:28:36,330
- Quinn's simple raggedness...
- Here we go.
1517
01:28:36,360 --> 01:28:38,700
Was always the sound of his truth.
Could you pass me that?
1518
01:28:38,720 --> 01:28:41,530
In it, they could conjure
all the hard knocks
1519
01:28:41,560 --> 01:28:44,530
his rough and tumble story implies,
1520
01:28:44,560 --> 01:28:46,700
all the honest struggles
1521
01:28:46,720 --> 01:28:48,930
their far more conventional backgrounds
deny them.
1522
01:28:48,960 --> 01:28:50,400
Jesus.
1523
01:28:50,420 --> 01:28:52,530
- On the other hand...
- This guy's an asshole.
1524
01:28:52,560 --> 01:28:54,830
If Quinn's recent foray
into electronic music
1525
01:28:54,860 --> 01:28:58,470
has raised doubts concerning
his sincerity in the past,
1526
01:28:58,490 --> 01:29:02,100
the startling truth behind
his famously clouded origins
1527
01:29:02,120 --> 01:29:04,100
is sure to close the book
once and for all
1528
01:29:04,120 --> 01:29:05,230
on his future.
1529
01:29:05,260 --> 01:29:06,530
Six...
1530
01:29:06,560 --> 01:29:09,200
never say or do anything
1531
01:29:09,230 --> 01:29:12,570
the person standing in front of you
cannot understand.
1532
01:29:12,590 --> 01:29:16,600
For, despite his unwashed, freewheelin'
credentials,
1533
01:29:16,620 --> 01:29:19,370
and contrary to anything he's ever stated,
1534
01:29:19,390 --> 01:29:20,930
the real Jude Quinn...
1535
01:29:20,960 --> 01:29:24,430
suburban, middle class, educated...
1536
01:29:24,460 --> 01:29:26,300
is as conventional as they come.
1537
01:29:26,320 --> 01:29:29,330
The eldest son
of a Brookline, Massachusetts,
1538
01:29:29,360 --> 01:29:32,600
department store owner,
the real name of America's
1539
01:29:32,620 --> 01:29:36,200
backwoods vagabond
turned rock-and-roll martyr
1540
01:29:36,220 --> 01:29:40,120
is Aaron Jacob Edelstein.
1541
01:29:43,090 --> 01:29:44,950
And seven...
1542
01:29:47,320 --> 01:29:48,880
never create anything.
1543
01:29:53,290 --> 01:29:55,020
It will be misinterpreted.
1544
01:29:58,020 --> 01:30:00,000
It will chain you and follow you
1545
01:30:00,020 --> 01:30:01,110
for the rest of your life.
1546
01:30:04,460 --> 01:30:07,450
And it will never change.
1547
01:30:18,890 --> 01:30:20,830
♪ Hollis Brown ♪
1548
01:30:20,860 --> 01:30:24,520
♪ He lived on the outside of town ♪
1549
01:30:28,620 --> 01:30:30,430
♪ Hollis Brown ♪
1550
01:30:30,460 --> 01:30:34,200
♪ He lived on the outside of town ♪
1551
01:30:34,220 --> 01:30:37,230
Behold the hole of the tarantula.
1552
01:30:37,260 --> 01:30:40,270
Revenge sits black on your back.
1553
01:30:40,290 --> 01:30:43,930
And wherever you bite,
black scabs grow.
1554
01:30:43,960 --> 01:30:49,230
♪ He lived with his wife
and five children ♪
1555
01:30:49,260 --> 01:30:52,530
♪ And his cabin ♪
1556
01:30:52,560 --> 01:30:55,500
♪ Broken ♪
1557
01:30:55,520 --> 01:30:57,930
♪ Down ♪
1558
01:30:57,960 --> 01:31:00,600
♪ Down ♪
1559
01:31:00,620 --> 01:31:03,170
♪ Down ♪
1560
01:31:03,190 --> 01:31:05,870
♪ Down ♪
1561
01:31:05,890 --> 01:31:08,120
♪ Down ♪
1562
01:31:12,860 --> 01:31:15,930
For that man
be delivered from revenge,
1563
01:31:15,960 --> 01:31:18,770
that for me is the highest hope.
1564
01:31:18,790 --> 01:31:21,720
A rainbow after a storm.
1565
01:31:28,120 --> 01:31:30,130
Girls, Molly...
1566
01:31:30,160 --> 01:31:32,770
I want you to take everything
up to your room, okay?
1567
01:31:32,790 --> 01:31:34,830
I'll be up in two minutes for your baths.
1568
01:31:34,860 --> 01:31:35,830
Yes?
1569
01:31:35,860 --> 01:31:37,790
You sound out of breath.
1570
01:31:38,890 --> 01:31:40,900
Oh, so you're back?
1571
01:31:40,920 --> 01:31:42,130
Today.
1572
01:31:42,160 --> 01:31:43,800
How are the girls?
1573
01:31:43,820 --> 01:31:45,270
They're great.
1574
01:31:45,290 --> 01:31:47,070
Busy. Enjoying school.
1575
01:31:47,090 --> 01:31:49,100
That's great.
1576
01:31:49,130 --> 01:31:50,670
And you?
1577
01:31:50,690 --> 01:31:52,870
Fine. We're all fine.
1578
01:31:52,890 --> 01:31:58,050
So, um, which night is boat night?
1579
01:31:59,790 --> 01:32:01,620
Saturday?
1580
01:32:03,220 --> 01:32:05,270
- Hello?
- Uh, yeah.
1581
01:32:05,290 --> 01:32:08,200
Saturday, that's, um...
1582
01:32:08,220 --> 01:32:10,570
day after tomorrow.
1583
01:32:10,590 --> 01:32:12,300
Yep.
1584
01:32:12,320 --> 01:32:13,330
That's fine.
1585
01:32:13,360 --> 01:32:16,400
Mommy, who are you talking to?
1586
01:32:16,420 --> 01:32:18,530
All right, so what time?
1587
01:32:18,560 --> 01:32:21,400
Uh, 11:00?
1588
01:32:21,420 --> 01:32:24,330
Fine.
1589
01:32:24,360 --> 01:32:26,230
Mommy, who are you talking to?
1590
01:32:26,260 --> 01:32:27,930
Molly, what did I tell you about pickup?
1591
01:32:27,960 --> 01:32:29,500
- Upstairs...
- Or I can get 'em earlier, just...
1592
01:32:29,520 --> 01:32:32,030
No, no, no, it's fine, fine.
1593
01:32:32,060 --> 01:32:34,500
But please bring those boxes, okay?
1594
01:32:34,520 --> 01:32:37,230
- I've asked you, like...
- Wait, what boxes?
1595
01:32:37,260 --> 01:32:40,370
The photos. My photos?
1596
01:32:40,390 --> 01:32:41,730
- I've asked you, like...
- Yeah, yeah, yeah.
1597
01:32:41,760 --> 01:32:42,870
Fine. Fine, fine.
1598
01:32:42,890 --> 01:32:45,270
Molly!
1599
01:32:45,290 --> 01:32:46,330
Okay, I gotta go.
1600
01:32:46,360 --> 01:32:47,370
Uh, welcome back.
1601
01:32:47,390 --> 01:32:49,520
Thanks...
1602
01:32:59,690 --> 01:33:01,270
That's right, my friends.
1603
01:33:01,290 --> 01:33:03,900
I am holding the only true account,
1604
01:33:03,920 --> 01:33:07,030
so buy it here, read it there.
1605
01:33:07,060 --> 01:33:09,870
Buy it here, read it there.
1606
01:33:09,890 --> 01:33:12,330
Buy it here, read it there.
1607
01:33:12,360 --> 01:33:15,670
An epic tale of blunder and despair,
1608
01:33:15,690 --> 01:33:18,970
a withering saga
of mystery unveiled,
1609
01:33:18,990 --> 01:33:23,070
a swan song to America
before Chaplin set sail
1610
01:33:23,090 --> 01:33:26,030
or the children of dawn in crazy duress
1611
01:33:26,060 --> 01:33:29,900
ever watched the red sun
without bothering to dress.
1612
01:33:29,920 --> 01:33:32,430
Buy it here, read it there!
1613
01:33:32,460 --> 01:33:35,700
An epic tale of blunder and despair,
1614
01:33:35,720 --> 01:33:39,470
a withering saga of mystery unveiled,
1615
01:33:39,490 --> 01:33:43,570
a swan song to America
before Chaplin set sail
1616
01:33:43,590 --> 01:33:46,320
and the children of dawn
in crazy duress...
1617
01:33:47,390 --> 01:33:50,100
Thief! Somebody stop that man!
1618
01:33:50,120 --> 01:33:52,210
Stop!
1619
01:33:53,790 --> 01:33:56,260
No!
1620
01:34:10,990 --> 01:34:14,030
♪ I'm goin' down ♪
1621
01:34:14,060 --> 01:34:17,530
♪ To Rose Marie ♪
1622
01:34:17,560 --> 01:34:22,390
♪ She never does me wrong ♪
1623
01:34:23,920 --> 01:34:28,030
♪ She puts it to me ♪
1624
01:34:28,060 --> 01:34:31,300
♪ Plain as day ♪
1625
01:34:31,320 --> 01:34:36,200
♪ And gives it to me for a song ♪
1626
01:34:36,220 --> 01:34:40,300
♪ It's a wicked lie ♪
1627
01:34:40,320 --> 01:34:43,830
♪ But what the hell ♪
1628
01:34:43,860 --> 01:34:48,650
♪ Don't everybody got to eat? ♪
1629
01:34:50,190 --> 01:34:53,730
♪ And I'm just the same ♪
1630
01:34:53,760 --> 01:34:56,300
♪ As anyone else ♪
1631
01:34:56,320 --> 01:34:59,400
♪ When it comes to scratchin' ♪
1632
01:34:59,420 --> 01:35:01,790
♪ For my meat ♪
1633
01:35:03,690 --> 01:35:09,680
♪ Goin' to Acapulco ♪
1634
01:35:11,220 --> 01:35:15,550
♪ Goin' on the run ♪
1635
01:35:17,260 --> 01:35:19,370
♪ Goin' down ♪
1636
01:35:19,390 --> 01:35:24,100
♪ To see that girl ♪
1637
01:35:24,120 --> 01:35:28,220
♪ Gonna have some fun ♪
1638
01:35:29,990 --> 01:35:34,820
♪ It's not a bad way to make a livin' ♪
1639
01:35:36,190 --> 01:35:42,170
♪ And I ain't complainin' none ♪
1640
01:35:42,190 --> 01:35:45,800
♪ Well, I can blow my plum ♪
1641
01:35:45,820 --> 01:35:48,370
♪ And drink my rum ♪
1642
01:35:48,390 --> 01:35:50,730
♪ And then go on home ♪
1643
01:35:50,760 --> 01:35:53,950
♪ And have my fun ♪
1644
01:35:55,760 --> 01:36:01,750
♪ Goin' to Acapulco ♪
1645
01:36:02,860 --> 01:36:06,650
♪ Goin' on the run ♪
1646
01:36:08,390 --> 01:36:13,950
♪ Goin' down to see that girl ♪
1647
01:36:15,420 --> 01:36:18,950
♪ Gonna have some fun ♪
1648
01:36:20,690 --> 01:36:26,680
♪ Yeah ♪
1649
01:36:27,890 --> 01:36:32,020
♪ Gonna have some fun ♪
1650
01:36:34,890 --> 01:36:38,000
Trouble was, I'd grown
partial to the place...
1651
01:36:38,020 --> 01:36:41,170
that sudden smell of fear
1652
01:36:41,190 --> 01:36:42,870
and the thrill of waiting up
1653
01:36:42,890 --> 01:36:45,150
for the end of the world.
1654
01:36:58,720 --> 01:37:03,590
♪ I'm not your stepping stone ♪
1655
01:37:05,720 --> 01:37:09,370
♪ You're trying to make
your mark in society ♪
1656
01:37:09,390 --> 01:37:10,530
♪ You're losin' all the friends... ♪
1657
01:37:10,560 --> 01:37:12,730
Congratulations, you're a millionaire.
1658
01:37:12,760 --> 01:37:14,700
- Huh?
- They agreed to everything.
1659
01:37:14,720 --> 01:37:17,200
- Full guarantees.
- How many dates?
1660
01:37:17,220 --> 01:37:19,670
There's 55 additional, I think it was.
1661
01:37:19,690 --> 01:37:21,130
Plus the 30?
1662
01:37:21,160 --> 01:37:23,200
Well, 29, minus tonight is 28.
1663
01:37:23,220 --> 01:37:24,530
That's 83 total.
1664
01:37:24,560 --> 01:37:26,130
83 shows?
1665
01:37:26,160 --> 01:37:27,270
Well, it's not really 83 shows...
1666
01:37:27,290 --> 01:37:30,570
Man, I can't do 83 more shows.
1667
01:37:30,590 --> 01:37:33,430
It's going to fucking kill me
doing 83 more shows.
1668
01:37:33,460 --> 01:37:36,070
Who the fuck said I ever
wanted to be a millionaire?
1669
01:37:36,090 --> 01:37:38,070
Jude!
1670
01:37:38,090 --> 01:37:39,070
Hey.
1671
01:37:39,090 --> 01:37:40,330
Far out show.
1672
01:37:40,360 --> 01:37:41,370
Thanks, man.
1673
01:37:41,390 --> 01:37:43,170
Grab a throne.
1674
01:37:43,190 --> 01:37:44,330
Really?
1675
01:37:44,360 --> 01:37:46,000
Far out.
1676
01:37:46,020 --> 01:37:49,670
You know Norman, my executioner.
1677
01:37:49,690 --> 01:37:55,500
Norman, this is Brian Jones
from that groovy covers band.
1678
01:37:55,520 --> 01:37:59,000
♪ Now you're walkin' round
like you're front page news ♪
1679
01:37:59,020 --> 01:38:02,500
♪ You've been awful careful
'bout the friends you choose ♪
1680
01:38:02,520 --> 01:38:05,730
♪ But you won't find my name
in your book of Who's Who ♪
1681
01:38:05,760 --> 01:38:11,370
♪ I said I'm not your stepping stone ♪
1682
01:38:11,390 --> 01:38:13,290
Find the drinks.
1683
01:38:14,790 --> 01:38:17,970
Look at all these medicines.
1684
01:38:17,990 --> 01:38:20,770
Hey, man, what... what are those?
1685
01:38:20,790 --> 01:38:22,200
Mandies.
1686
01:38:22,220 --> 01:38:23,330
They make you sleep.
1687
01:38:23,360 --> 01:38:26,830
Sleep! I ain't sleepin'.
1688
01:38:26,860 --> 01:38:28,500
Sleep's for dreamers.
1689
01:38:28,520 --> 01:38:31,400
I haven't slept in 30 days, man.
1690
01:38:31,420 --> 01:38:34,320
Takes a lot of medicine
to keep up this pace.
1691
01:38:38,360 --> 01:38:39,500
Coco!
1692
01:38:39,520 --> 01:38:42,700
Norman, darling.
1693
01:38:42,720 --> 01:38:44,770
I know I'm a wretch for being late.
1694
01:38:44,790 --> 01:38:48,670
And it was entirely my fault.
1695
01:38:48,690 --> 01:38:50,680
Hey, what's happening?
1696
01:38:52,120 --> 01:38:54,530
I feel like complete shit
is what's happening.
1697
01:38:54,560 --> 01:38:56,550
Well, you don't look it.
1698
01:39:02,820 --> 01:39:05,370
Aw, true love...
1699
01:39:05,390 --> 01:39:08,070
here in the land
of Charles Atlas and the bomb.
1700
01:39:08,090 --> 01:39:10,470
Oh, fuck off.
1701
01:39:10,490 --> 01:39:14,630
She's been kinda... uptight lately.
1702
01:39:14,660 --> 01:39:16,000
Oh, she has.
1703
01:39:16,020 --> 01:39:17,170
Oh, I see.
1704
01:39:17,190 --> 01:39:20,600
Yes, in fact, if you'd like to know,
it's been complete shit.
1705
01:39:20,620 --> 01:39:23,180
- Angelina's been missing for four days.
- Her cat.
1706
01:39:24,560 --> 01:39:26,830
Judey knows who Angelina is,
don't you, Judey?
1707
01:39:26,860 --> 01:39:30,950
If you're asking if I remember
your little pussy, of course I do.
1708
01:39:34,290 --> 01:39:35,800
Charming.
1709
01:39:35,820 --> 01:39:39,130
She has the sweetest little pussy.
1710
01:39:39,160 --> 01:39:40,230
If you don't count the teeth.
1711
01:39:40,260 --> 01:39:41,330
Okay, man.
1712
01:39:41,360 --> 01:39:43,820
Oh, but properly protected.
1713
01:39:46,260 --> 01:39:48,070
Meow!
1714
01:39:48,090 --> 01:39:49,930
- Baby!
- Don't call me that!
1715
01:39:49,960 --> 01:39:52,030
Slow down, slow down, slow down.
1716
01:39:52,060 --> 01:39:56,200
I tell you, love and sex are two things
1717
01:39:56,220 --> 01:39:59,160
that really hang people up.
1718
01:40:00,520 --> 01:40:03,430
Why that is...
1719
01:40:03,460 --> 01:40:06,480
I'Il... I'll never fully understand.
1720
01:40:09,460 --> 01:40:14,770
Death to all those
who would whimper and cry.
1721
01:40:14,790 --> 01:40:18,230
Did she... Do you think she...
1722
01:40:18,260 --> 01:40:19,930
Don't worry, man.
1723
01:40:19,960 --> 01:40:22,600
She'll be back.
1724
01:40:22,620 --> 01:40:25,770
Chick's gotta shit on something.
1725
01:40:25,790 --> 01:40:27,100
What do you mean?
1726
01:40:27,120 --> 01:40:30,000
What do I mean?
1727
01:40:30,020 --> 01:40:33,170
Who are you?
1728
01:40:33,190 --> 01:40:34,500
I mean...
1729
01:40:34,520 --> 01:40:38,850
who gave you permission
to even be here?
1730
01:40:41,990 --> 01:40:45,830
You're... You're like a shadow, man.
1731
01:40:45,860 --> 01:40:48,530
Maybe you were hip once,
1732
01:40:48,560 --> 01:40:50,900
but that trick got old, man,
1733
01:40:50,920 --> 01:40:53,000
a long time ago.
1734
01:40:53,020 --> 01:40:54,970
Now, every time
you open your mouth,
1735
01:40:54,990 --> 01:40:59,100
it's like, how long is this gonna take?
1736
01:40:59,120 --> 01:41:02,700
It's not like anyone's
gonna tell you to your face.
1737
01:41:02,720 --> 01:41:04,630
No one wants to deal,
you know, with, like,
1738
01:41:04,660 --> 01:41:08,200
a pathetic situation.
1739
01:41:08,220 --> 01:41:09,800
Guess I'm the asshole, right?
1740
01:41:09,820 --> 01:41:13,450
Because I'm the only one
with any balls.
1741
01:41:20,560 --> 01:41:24,320
Oh, man, it's sad.
1742
01:41:26,060 --> 01:41:28,530
You used to be funny.
1743
01:41:28,560 --> 01:41:30,770
And you honestly think
that chick sees you
1744
01:41:30,790 --> 01:41:34,250
as anything but a... as a tool?
1745
01:41:39,420 --> 01:41:41,730
Oh, no, you're kidding me.
1746
01:41:41,760 --> 01:41:43,530
I can't even watch this.
1747
01:41:43,560 --> 01:41:45,300
The sky isn't yellow.
1748
01:41:45,320 --> 01:41:46,910
It's chicken.
1749
01:41:49,060 --> 01:41:52,730
You know, people said
you could be a real cocksucker.
1750
01:41:52,760 --> 01:41:56,570
Well, it's not what goes
into a man's mouth, babe,
1751
01:41:56,590 --> 01:41:57,570
that defiles it.
1752
01:41:57,590 --> 01:42:00,570
No, it's what comes out.
1753
01:42:00,590 --> 01:42:05,850
Good and evil were invented
by people trapped in scenes.
1754
01:42:09,360 --> 01:42:10,800
Uh!
1755
01:42:10,820 --> 01:42:12,000
Oh, damn it.
1756
01:42:12,020 --> 01:42:13,900
Come on, let's get him outta here.
1757
01:42:13,920 --> 01:42:16,150
Get that door!
1758
01:42:30,660 --> 01:42:34,700
♪ I'm beginning to hear voices ♪
1759
01:42:34,720 --> 01:42:37,970
♪ And there's no one around ♪
1760
01:42:37,990 --> 01:42:41,570
♪ Now I'm all used up ♪
1761
01:42:41,590 --> 01:42:45,500
♪ And the fields have turned brown ♪
1762
01:42:45,520 --> 01:42:47,930
♪ 20 miles out of town ♪
1763
01:42:47,960 --> 01:42:50,750
♪ Cold irons bound ♪
1764
01:43:11,190 --> 01:43:14,330
Son, you better get down
off of that thing.
1765
01:43:14,360 --> 01:43:17,120
You're liable to get yourself killed!
1766
01:43:18,790 --> 01:43:21,470
How does it feel?
1767
01:43:21,490 --> 01:43:23,600
♪ I got to know, Lord ♪
1768
01:43:23,620 --> 01:43:26,670
♪ When to pull back on the reins ♪
1769
01:43:26,690 --> 01:43:29,400
♪ Death can be the result of the most
underrated things ♪
1770
01:43:29,420 --> 01:43:33,130
Man that is born of woman
is of few days...
1771
01:43:33,160 --> 01:43:35,570
and full of trouble.
1772
01:43:35,590 --> 01:43:37,230
Why don't you do your early stuff?
1773
01:43:37,260 --> 01:43:39,230
♪ Satan whispers to ya ♪
1774
01:43:39,260 --> 01:43:41,870
♪ Well, I don't wanna bore ya ♪
1775
01:43:41,890 --> 01:43:44,670
♪ But when you get tired
of that Miss So-and-So ♪
1776
01:43:44,690 --> 01:43:46,300
♪ I got another woman for ya ♪
1777
01:43:46,320 --> 01:43:48,800
Why, when nations rage
1778
01:43:48,820 --> 01:43:50,330
and kingdoms totter,
1779
01:43:50,360 --> 01:43:53,070
when disaster follows hard upon disaster
1780
01:43:53,090 --> 01:43:55,020
and terror hangs on every side...
1781
01:43:59,360 --> 01:44:02,300
Why hast Thou made me Thy mark?
1782
01:44:02,320 --> 01:44:05,430
♪ Trouble in mind, Lord ♪
1783
01:44:05,460 --> 01:44:07,830
♪ Trouble in mind ♪
1784
01:44:07,860 --> 01:44:11,430
♪ Lord, take away this trouble in mind ♪
1785
01:44:11,460 --> 01:44:14,830
It's hard not to go to hell.
1786
01:44:14,860 --> 01:44:19,030
There's so many distractions,
so many influences.
1787
01:44:19,060 --> 01:44:21,470
Start walking right,
and pretty soon,
1788
01:44:21,490 --> 01:44:23,600
there's someone
gonna drag you down.
1789
01:44:23,620 --> 01:44:27,070
Sure as we're living, sure as we're born,
1790
01:44:27,090 --> 01:44:29,630
look up, look up.
1791
01:44:29,660 --> 01:44:33,230
Gabriel blows his horn.
1792
01:44:33,260 --> 01:44:35,500
He was having a lot of worries,
1793
01:44:35,520 --> 01:44:38,370
telling me things.
1794
01:44:38,390 --> 01:44:42,430
I just asked him one day,
I said, "Have you ever prayed?"
1795
01:44:42,460 --> 01:44:46,970
And he said, "Pray?"
1796
01:44:46,990 --> 01:44:49,530
You know, like that.
1797
01:44:49,560 --> 01:44:52,430
And he started asking
a lot of questions.
1798
01:44:52,460 --> 01:44:54,970
I didn't know him then,
1799
01:44:54,990 --> 01:44:57,870
but I sure knew who he was.
1800
01:44:57,890 --> 01:45:00,000
People worshipped him.
1801
01:45:00,020 --> 01:45:02,570
Maybe only Jesus
could've unburdened
1802
01:45:02,590 --> 01:45:06,500
someone like that
from such omnipotence.
1803
01:45:06,520 --> 01:45:09,100
In spring of 1974,
1804
01:45:09,120 --> 01:45:12,100
Jack Rollins followed
girlfriend Angela Reeves
1805
01:45:12,120 --> 01:45:13,900
to Stockton, California,
1806
01:45:13,920 --> 01:45:16,200
and enrolled in a course in Bible study
1807
01:45:16,220 --> 01:45:19,870
here at the California
Gateway Brotherhood Church,
1808
01:45:19,890 --> 01:45:23,170
a Pentecostal assembly
just outside Stockton.
1809
01:45:23,190 --> 01:45:24,700
Six months later,
1810
01:45:24,720 --> 01:45:27,970
Rollins accepted Jesus into his heart.
1811
01:45:27,990 --> 01:45:30,530
Today, the one-time '60s folk hero
1812
01:45:30,560 --> 01:45:33,230
is a fully ordained member
of the Gateway Ministry
1813
01:45:33,260 --> 01:45:36,530
and an active figure in the state's
evangelical community.
1814
01:45:36,560 --> 01:45:39,130
And yet, for the past two decades,
1815
01:45:39,160 --> 01:45:41,970
Father John has remained
silent about his past.
1816
01:45:41,990 --> 01:45:43,470
I asked him why.
1817
01:45:43,490 --> 01:45:47,870
Old things are passed away.
1818
01:45:47,890 --> 01:45:50,270
All things are made anew.
1819
01:45:50,290 --> 01:45:52,550
It doesn't matter what I did before.
1820
01:45:53,560 --> 01:45:56,400
I've never lied to you.
1821
01:45:56,420 --> 01:45:59,330
Never told you who to vote for
or to follow anybody,
1822
01:45:59,360 --> 01:46:02,570
back then when
I was selling my records.
1823
01:46:02,590 --> 01:46:04,200
What I didn't know
is that it didn't matter
1824
01:46:04,220 --> 01:46:07,030
what kind of music you were playing.
1825
01:46:07,060 --> 01:46:12,430
Folk, pop, rock 'n roll...
1826
01:46:12,460 --> 01:46:14,430
we're all rolled up
in the devil's pocket.
1827
01:46:14,460 --> 01:46:20,600
Now, I'm not talking about a devil
with the pitchfork and horns.
1828
01:46:20,620 --> 01:46:26,470
I'm talking about a spiritual devil
in the midnight hour.
1829
01:46:26,490 --> 01:46:29,900
He's gotta be overcome.
1830
01:46:29,920 --> 01:46:35,230
And we here in America,
we shall overcome.
1831
01:46:35,260 --> 01:46:39,100
What greater honor for a nation
1832
01:46:39,120 --> 01:46:41,610
than to speak for God?
1833
01:46:41,760 --> 01:46:43,970
For some say that the war
to end all wars
1834
01:46:43,990 --> 01:46:46,330
has already begun
right now in the Middle East,
1835
01:46:46,360 --> 01:46:50,120
where it is prophesized
that the weak will fall.
1836
01:46:52,520 --> 01:46:55,600
And that Jesus will set up
His kingdom in Jerusalem.
1837
01:46:55,620 --> 01:46:59,570
So why should we worry
when we're already free,
1838
01:46:59,590 --> 01:47:01,000
right here, right now?
1839
01:47:01,020 --> 01:47:02,300
And why are you free?
1840
01:47:02,320 --> 01:47:04,170
You're free because Jesus
paid for you to be.
1841
01:47:04,190 --> 01:47:05,670
That's why you're free.
1842
01:47:05,690 --> 01:47:10,090
You're free to seek
the higher calling of the Lord.
1843
01:47:11,660 --> 01:47:15,870
Now pick up your bed and walk.
1844
01:47:15,890 --> 01:47:18,880
♪ I'm pressin' on ♪
1845
01:47:22,760 --> 01:47:26,480
♪ I keep pressin' on ♪
1846
01:47:29,260 --> 01:47:33,030
♪ Yes, I'm pressin' on ♪
1847
01:47:33,060 --> 01:47:38,680
♪ To the higher calling of my Lord ♪
1848
01:47:43,190 --> 01:47:45,520
♪ Pressin' on ♪
1849
01:47:49,360 --> 01:47:52,840
♪ I keep pressin' on ♪
1850
01:47:55,590 --> 01:47:59,830
♪ I'm pressin' on ♪
1851
01:47:59,860 --> 01:48:05,760
♪ To the higher calling of my Lord ♪
1852
01:48:10,720 --> 01:48:13,800
♪ Shake the dust off your feet ♪
1853
01:48:13,820 --> 01:48:17,630
♪ Don't look back ♪
1854
01:48:17,660 --> 01:48:20,600
♪ Nothing can hold you down ♪
1855
01:48:20,620 --> 01:48:24,400
- ♪ There's nothing you lack ♪
- ♪ Nothin' that you lack ♪
1856
01:48:24,420 --> 01:48:27,330
♪ Temptation, not an easy thing ♪
1857
01:48:27,360 --> 01:48:31,130
♪ Given the devil's reign ♪
1858
01:48:31,160 --> 01:48:33,930
♪ 'Cause he sinned I got no choice ♪
1859
01:48:33,960 --> 01:48:36,700
♪ It runs in my veins ♪
1860
01:48:36,720 --> 01:48:39,250
♪ I'm pressin' on ♪
1861
01:48:41,020 --> 01:48:44,230
♪ Goin', and goin', and goin' and goin' ♪
1862
01:48:44,260 --> 01:48:48,330
♪ Pressin' on ♪
1863
01:48:48,360 --> 01:48:50,500
♪ Can't hold me back ♪
1864
01:48:50,520 --> 01:48:54,000
♪ I'm pressin' on ♪
1865
01:48:54,020 --> 01:48:59,650
♪ To the higher calling of my Lord ♪
1866
01:49:01,390 --> 01:49:03,300
- ♪ Pressin' on ♪
- ♪ Pressin on ♪
1867
01:49:03,320 --> 01:49:04,670
♪ Hey ♪
1868
01:49:04,690 --> 01:49:07,570
♪ On and on and on ♪
1869
01:49:07,590 --> 01:49:11,220
- ♪ Pressin' on ♪
- ♪ Pressin' on ♪
1870
01:49:13,020 --> 01:49:15,870
♪ Yeah, I'm pressing on ♪
1871
01:49:15,890 --> 01:49:17,730
Fuck!
1872
01:49:17,760 --> 01:49:23,730
♪ To the higher calling of my Lord ♪
1873
01:49:23,760 --> 01:49:27,210
♪ Ooh, my Lord, yeah ♪
1874
01:49:28,320 --> 01:49:31,730
♪ Pressin' on ♪
1875
01:49:31,760 --> 01:49:34,870
♪ On and on and on and on ♪
1876
01:49:34,890 --> 01:49:38,870
♪ Pressin' on ♪
1877
01:49:38,890 --> 01:49:44,700
♪ Gotta, gotta keep pressin' on ♪
1878
01:49:44,720 --> 01:49:49,770
♪ To the higher calling of my Lord ♪
1879
01:49:49,790 --> 01:49:52,570
♪ Hey, gonna keep... ♪
1880
01:49:52,590 --> 01:49:56,230
"Because relations are always ambiguous
1881
01:49:56,260 --> 01:50:02,230
"and I continually fail to communicate
1882
01:50:02,260 --> 01:50:04,100
"because I continue
to blame myself
1883
01:50:04,120 --> 01:50:05,380
"even when I'm not to blame.
1884
01:50:07,360 --> 01:50:10,000
"Because each failing
has made me more remote
1885
01:50:10,020 --> 01:50:11,930
"from myself,
1886
01:50:11,960 --> 01:50:15,630
"from my babies, and from you...
1887
01:50:15,660 --> 01:50:18,870
"For all these reasons
1888
01:50:18,890 --> 01:50:23,170
"and many more still unknown...
1889
01:50:23,190 --> 01:50:26,400
"I must listen.
1890
01:50:26,420 --> 01:50:30,830
"I must look around more than ever.
1891
01:50:30,860 --> 01:50:33,020
I must leave."
1892
01:50:58,390 --> 01:50:59,580
All right.
1893
01:51:04,320 --> 01:51:06,650
Thank you.
1894
01:51:11,360 --> 01:51:13,360
Not with the girls.
1895
01:51:13,390 --> 01:51:15,870
- Yes, Robbie.
- No.
1896
01:51:15,890 --> 01:51:16,870
Robbie!
1897
01:51:16,890 --> 01:51:19,200
You're not taking my kids!
1898
01:51:19,220 --> 01:51:21,000
What are you going to do?
1899
01:51:21,020 --> 01:51:23,370
What would you do?
1900
01:51:23,390 --> 01:51:25,230
Because I would, you know?
1901
01:51:25,260 --> 01:51:27,200
Perhaps I even would.
1902
01:51:27,220 --> 01:51:29,490
If you actually could, who knows?
1903
01:51:32,460 --> 01:51:35,770
But I'm not going to take your children
away from you, Robbie,
1904
01:51:35,790 --> 01:51:39,750
so you don't have to...
to try and threaten me.
1905
01:51:51,760 --> 01:51:54,370
♪ Someone's got it in for me ♪
1906
01:51:54,390 --> 01:51:58,380
♪ They're planting
stories in the press ♪
1907
01:52:00,190 --> 01:52:03,200
♪ Whoever it is,
I wish they'd cut it out ♪
1908
01:52:03,220 --> 01:52:06,590
♪ But when they will, I can only guess ♪
1909
01:52:08,560 --> 01:52:11,730
♪ They say I shot
a man named Gray ♪
1910
01:52:11,760 --> 01:52:15,130
♪ And took his wife to Italy ♪
1911
01:52:15,160 --> 01:52:17,600
♪ She inherited a million bucks ♪
1912
01:52:17,620 --> 01:52:20,270
♪ And when she died,
it came to me ♪
1913
01:52:20,290 --> 01:52:24,050
♪ I can't help it if I'm lucky ♪
1914
01:52:25,920 --> 01:52:28,000
♪ People see me all the time ♪
1915
01:52:28,020 --> 01:52:32,610
♪ And they just can't
remember how to act ♪
1916
01:52:34,660 --> 01:52:37,330
♪ Their minds are filled with big ideas ♪
1917
01:52:37,360 --> 01:52:38,870
♪ Images ♪
1918
01:52:38,890 --> 01:52:41,650
♪ And distorted facts ♪
1919
01:52:43,660 --> 01:52:46,070
♪ Even you, yesterday ♪
1920
01:52:46,090 --> 01:52:49,200
♪ You had to ask me where it was at ♪
1921
01:52:49,220 --> 01:52:52,370
♪ I couldn't believe
after all these years ♪
1922
01:52:52,390 --> 01:52:56,030
♪ You didn't know me
any better than that ♪
1923
01:52:56,060 --> 01:52:58,780
♪ Sweet lady ♪
1924
01:53:00,190 --> 01:53:03,030
♪ Idiot wind ♪
1925
01:53:03,060 --> 01:53:07,220
♪ Blowing every time
you move your mouth ♪
1926
01:53:09,360 --> 01:53:13,450
♪ Going down the back roads,
headin' south ♪
1927
01:53:15,220 --> 01:53:18,270
♪ Idiot wind ♪
1928
01:53:18,290 --> 01:53:22,480
♪ Blowing every time
you move your teeth ♪
1929
01:53:23,490 --> 01:53:26,270
♪ You're an idiot, babe ♪
1930
01:53:26,290 --> 01:53:32,220
♪ It's a wonder that you
still know how to breathe ♪
1931
01:53:41,090 --> 01:53:43,700
♪ It was gravity which pulled us in ♪
1932
01:53:43,720 --> 01:53:49,000
♪ And destiny
which broke us apart ♪
1933
01:53:49,020 --> 01:53:51,830
♪ You tamed the lion in my cage ♪
1934
01:53:51,860 --> 01:53:56,670
♪ But it just wasn't enough
to change my heart ♪
1935
01:53:56,690 --> 01:53:59,600
♪ Now everything's a little upside-down ♪
1936
01:53:59,620 --> 01:54:02,330
♪ As a matter of fact,
the wheels have stopped ♪
1937
01:54:02,360 --> 01:54:05,100
♪ What's good is bad,
what's bad is good ♪
1938
01:54:05,120 --> 01:54:08,170
♪ You find out
when you reach the top ♪
1939
01:54:08,190 --> 01:54:11,310
♪ You're on the bottom ♪
1940
01:54:34,120 --> 01:54:37,100
Some people have a deep...
1941
01:54:37,120 --> 01:54:40,530
and try and shake this flytrap.
1942
01:54:40,560 --> 01:54:42,570
But they took away
the meaning, Alice,
1943
01:54:42,590 --> 01:54:45,100
and I was a pawn in their game.
1944
01:54:45,120 --> 01:54:48,170
I'm telling you, if I don't
bust out of here quick,
1945
01:54:48,190 --> 01:54:49,850
try and dope things out...
1946
01:54:53,420 --> 01:54:56,170
so long, Alice.
1947
01:54:56,190 --> 01:54:58,020
Jack, where are you gonna go?
1948
01:55:00,120 --> 01:55:02,680
First place that
doesn't know my name.
1949
01:55:09,820 --> 01:55:12,130
So, good people of Riddle,
1950
01:55:12,160 --> 01:55:15,530
we come here with no intent to disrupt,
1951
01:55:15,560 --> 01:55:18,900
but only to commend you
for your patient courage
1952
01:55:18,920 --> 01:55:20,900
in this time of change.
1953
01:55:20,920 --> 01:55:23,930
And in addition,
we are pleased to announce
1954
01:55:23,960 --> 01:55:27,370
the evacuation fund has been established
by the state of Missouri
1955
01:55:27,390 --> 01:55:29,020
as I pledged to you it would be.
1956
01:55:32,760 --> 01:55:36,300
Exactly what does that do
for the common folk like myself?
1957
01:55:36,320 --> 01:55:38,130
Dollar compensation
1958
01:55:38,160 --> 01:55:41,700
will be made available to, uh, uh...
1959
01:55:41,720 --> 01:55:43,630
Eligible evacuees.
1960
01:55:43,660 --> 01:55:45,470
So what you want to do
is throw some pennies
1961
01:55:45,490 --> 01:55:46,980
after you done took our lives!
1962
01:55:48,060 --> 01:55:50,030
I assure you, boy,
1963
01:55:50,060 --> 01:55:52,530
nobody here in the business
of taking lives.
1964
01:55:52,560 --> 01:55:56,700
Might wanna explain that
to Ms. Henry up there.
1965
01:55:56,720 --> 01:55:59,370
Yeah, or Ms. Montgomery.
1966
01:55:59,390 --> 01:56:01,700
Or how about Old Man Sykes?
1967
01:56:01,720 --> 01:56:03,100
Yeah, well, the way I see it,
1968
01:56:03,120 --> 01:56:05,600
you can either go through Riddle,
or you can go around them,
1969
01:56:05,620 --> 01:56:07,070
so why are you going
through our town?
1970
01:56:07,090 --> 01:56:09,200
Yeah, that's right,
that's right, he said it.
1971
01:56:09,220 --> 01:56:10,830
Who is that talking?
1972
01:56:10,860 --> 01:56:13,160
You there.
1973
01:56:13,190 --> 01:56:15,030
- What's your name?
- My name?
1974
01:56:15,060 --> 01:56:17,870
- Mm.
- William.
1975
01:56:17,890 --> 01:56:20,360
William, did you say?
Show your face.
1976
01:56:22,190 --> 01:56:23,850
Yes, sir.
1977
01:56:25,520 --> 01:56:28,180
I had... I had a friend...
1978
01:56:30,560 --> 01:56:33,000
However, thing is, sir, truly,
1979
01:56:33,020 --> 01:56:36,030
you got us hanging by a thread here.
1980
01:56:36,060 --> 01:56:38,830
Who are you? I know you.
1981
01:56:38,860 --> 01:56:41,300
I don't reckon so.
1982
01:56:41,320 --> 01:56:43,170
You ever live in Dallas County?
1983
01:56:43,190 --> 01:56:45,730
- Can't say I have.
- New Mexico?
1984
01:56:45,760 --> 01:56:47,370
No!
1985
01:56:47,390 --> 01:56:51,200
You were talented.
Boy, you could shoot.
1986
01:56:51,220 --> 01:56:53,830
You could sing a ditty
like nobody I ever seen.
1987
01:56:53,860 --> 01:56:56,250
You got... You got any musical strain?
1988
01:56:58,060 --> 01:57:00,370
I never had the knack.
1989
01:57:00,390 --> 01:57:03,730
What we're saying
is that you and your boys,
1990
01:57:03,760 --> 01:57:05,030
you go do as you please,
1991
01:57:05,060 --> 01:57:07,580
just so long as you stay clear
of Riddle County.
1992
01:57:10,760 --> 01:57:12,800
Do you think you're speaking
for the people, sir?
1993
01:57:12,820 --> 01:57:15,870
You are just stirring up lies
and getting folks agitated.
1994
01:57:15,890 --> 01:57:17,030
Now, we have methods
1995
01:57:17,060 --> 01:57:19,110
for dealing with
scoundrels like yourself.
1996
01:57:28,990 --> 01:57:30,670
Boys, bring him in!
1997
01:57:30,690 --> 01:57:32,780
Hey, hey, what do you
think you're doing?
1998
01:57:35,120 --> 01:57:36,530
Quiet down!
1999
01:57:36,560 --> 01:57:39,520
No need to get off to cause
another insurgence...
2000
01:57:41,020 --> 01:57:43,180
Take care of my horse!
Take care of my horse!
2001
01:57:52,660 --> 01:57:54,730
Takes a thief to catch a thief.
2002
01:57:54,760 --> 01:57:56,430
♪ She cried both day and night ♪
2003
01:57:56,460 --> 01:58:01,320
♪ I know it because it was there ♪
2004
01:58:03,360 --> 01:58:06,470
♪ It's a milestone ♪
2005
01:58:06,490 --> 01:58:09,470
♪ But she's down on her luck ♪
2006
01:58:09,490 --> 01:58:13,100
♪ And she mainly so lonely ♪
2007
01:58:13,120 --> 01:58:16,430
♪ But to make him hard to buck ♪
2008
01:58:16,460 --> 01:58:19,010
♪ I was there ♪
2009
01:58:21,560 --> 01:58:23,530
I know I have a sickness...
2010
01:58:23,560 --> 01:58:26,330
festering somewhere.
2011
01:58:26,360 --> 01:58:28,000
I don't mean like Woody Guthrie,
2012
01:58:28,020 --> 01:58:29,730
wasting away in some hospital.
2013
01:58:29,760 --> 01:58:32,430
His vitals are stable.
2014
01:58:32,460 --> 01:58:34,130
What he needs is sleep.
2015
01:58:34,160 --> 01:58:35,600
I couldn't do that.
2016
01:58:35,620 --> 01:58:37,570
Decay like that.
2017
01:58:37,590 --> 01:58:41,150
That's nature's will,
and I'm against nature.
2018
01:58:42,720 --> 01:58:45,570
I don't dig nature at all.
2019
01:58:45,590 --> 01:58:48,730
I don't think he can get back on stage.
2020
01:58:48,760 --> 01:58:51,530
He's gotten inside so many psyches,
2021
01:58:51,560 --> 01:58:55,700
and death is just such a part
of the American scene right now.
2022
01:58:55,720 --> 01:58:58,200
It's the reds that make him mean.
2023
01:58:58,220 --> 01:59:01,170
He's already gone.
2024
01:59:01,190 --> 01:59:05,400
The only truly natural things are dreams,
2025
01:59:05,420 --> 01:59:08,300
which nature cannot
touch with decay.
2026
01:59:08,320 --> 01:59:11,470
♪ When I'm there, she's all right ♪
2027
01:59:11,490 --> 01:59:14,920
♪ But she's not when I'm gone ♪
2028
01:59:17,490 --> 01:59:21,070
♪ Heaven knows that the answer ♪
2029
01:59:21,090 --> 01:59:24,330
♪ She don't call no one ♪
2030
01:59:24,360 --> 01:59:25,670
♪ She's the way ♪
2031
01:59:25,690 --> 01:59:27,630
♪ For sailing beautiful ♪
2032
01:59:27,660 --> 01:59:30,600
♪ She's mine for the one ♪
2033
01:59:30,620 --> 01:59:33,930
♪ And I lost a heavy tension ♪
2034
01:59:33,960 --> 01:59:37,030
♪ By temptation as it runs ♪
2035
01:59:37,060 --> 01:59:39,600
♪ But she don't follow me ♪
2036
01:59:39,620 --> 01:59:41,630
♪ But I'm not there ♪
2037
01:59:41,660 --> 01:59:43,380
♪ I'm gone ♪
2038
01:59:49,490 --> 01:59:52,800
♪ Now I'll cry tonight ♪
2039
01:59:52,820 --> 01:59:55,500
♪ Like I cried the night before ♪
2040
01:59:55,520 --> 01:59:58,970
♪ And I'll feast on the highs ♪
2041
01:59:58,990 --> 02:00:02,200
♪ But I'll dream about the door ♪
2042
02:00:02,220 --> 02:00:05,270
♪ So long, Jesus, savior ♪
2043
02:00:05,290 --> 02:00:06,530
♪ Blind faith ♪
2044
02:00:06,560 --> 02:00:08,400
♪ Is the tale ♪
2045
02:00:08,420 --> 02:00:11,630
♪ It don't have confirmation ♪
2046
02:00:11,660 --> 02:00:15,250
♪ She smiles fairly well ♪
2047
02:00:17,660 --> 02:00:21,000
♪ Now, when I choose to live it ♪
2048
02:00:21,020 --> 02:00:24,070
♪ I was born to love her ♪
2049
02:00:24,090 --> 02:00:26,300
♪ But she knows that ♪
2050
02:00:26,320 --> 02:00:27,630
♪ The kingdom waits ♪
2051
02:00:27,660 --> 02:00:30,530
♪ So high above her ♪
2052
02:00:30,560 --> 02:00:32,030
♪ And I run ♪
2053
02:00:32,060 --> 02:00:33,700
♪ Then I race ♪
2054
02:00:33,720 --> 02:00:37,130
♪ But it's not too fast to stand ♪
2055
02:00:37,160 --> 02:00:38,800
♪ But I don't perceive her ♪
2056
02:00:38,820 --> 02:00:39,900
♪ I'm not there ♪
2057
02:00:39,920 --> 02:00:41,130
Don't worry, Mr. B.
2058
02:00:41,160 --> 02:00:43,930
Your secret's safe with me.
2059
02:00:43,960 --> 02:00:46,290
God save the secrets.
2060
02:00:49,560 --> 02:00:50,730
And you too, Homer.
2061
02:00:50,760 --> 02:00:52,880
Come on.
2062
02:00:55,660 --> 02:00:59,060
♪ I don't need anybody now ♪
2063
02:00:59,090 --> 02:01:01,830
♪ Beside me to tell ♪
2064
02:01:01,860 --> 02:01:04,970
♪ And it's all revelation ♪
2065
02:01:04,990 --> 02:01:06,530
♪ I recede ♪
2066
02:01:06,560 --> 02:01:07,770
♪ Good night ♪
2067
02:01:07,790 --> 02:01:11,000
♪ She's a long-bodied beauty ♪
2068
02:01:11,020 --> 02:01:14,300
♪ But she's gone like a smile ♪
2069
02:01:14,320 --> 02:01:16,290
♪ And she's gone ♪
2070
02:01:20,190 --> 02:01:23,930
♪ Yeah, she's gone like the rainbow ♪
2071
02:01:23,960 --> 02:01:26,900
♪ That was shinin' yesterday ♪
2072
02:01:26,920 --> 02:01:30,000
♪ But now she's old beside me ♪
2073
02:01:30,020 --> 02:01:31,700
♪ And I'd like to hear... ♪
2074
02:01:31,720 --> 02:01:33,530
Henry!
2075
02:01:33,560 --> 02:01:35,530
Henry!
2076
02:01:35,560 --> 02:01:36,870
Come on, Henry. Come on, girl.
2077
02:01:36,890 --> 02:01:37,870
Come on.
2078
02:01:37,890 --> 02:01:39,570
Come on!
2079
02:01:39,590 --> 02:01:41,270
Henry!
2080
02:01:41,290 --> 02:01:43,150
Come on!
2081
02:01:44,820 --> 02:01:47,350
Bye, Henry!
2082
02:01:53,060 --> 02:01:55,210
Good-bye, my lady.
2083
02:02:28,520 --> 02:02:33,030
♪ With your mercury mouth ♪
2084
02:02:33,060 --> 02:02:37,400
♪ In the missionary times ♪
2085
02:02:37,420 --> 02:02:41,370
♪ And your eyes like smoke ♪
2086
02:02:41,390 --> 02:02:46,130
♪ And your prayers like rhymes ♪
2087
02:02:46,160 --> 02:02:49,730
♪ And your silver cross ♪
2088
02:02:49,760 --> 02:02:54,800
♪ And your voice
like chimes ♪
2089
02:02:54,820 --> 02:02:56,500
Doesn't really matter, you know,
2090
02:02:56,520 --> 02:03:01,300
what kind of nasty names
people invent for the music.
2091
02:03:01,320 --> 02:03:05,170
But, uh, folk music
is just a word, you know,
2092
02:03:05,190 --> 02:03:08,930
that I can't use anymore.
2093
02:03:08,960 --> 02:03:12,100
What I'm talking about
is traditional music,
2094
02:03:12,120 --> 02:03:14,630
right, which is to say
it's mathematical music,
2095
02:03:14,660 --> 02:03:17,370
it's based on hexagons.
2096
02:03:17,390 --> 02:03:21,130
But all these songs
about, you know,
2097
02:03:21,160 --> 02:03:23,300
roses growing
out of people's brains
2098
02:03:23,320 --> 02:03:25,470
and lovers who are
really geese and swans
2099
02:03:25,490 --> 02:03:27,100
are turning into angels...
2100
02:03:27,120 --> 02:03:29,800
I mean, you know,
they're not going to die.
2101
02:03:29,820 --> 02:03:31,660
They're not folk music songs.
2102
02:03:31,690 --> 02:03:34,570
They're political songs.
2103
02:03:34,590 --> 02:03:36,350
They're already dead.
2104
02:03:37,620 --> 02:03:41,570
You'd think that these
traditional music people
2105
02:03:41,590 --> 02:03:44,770
would... would gather
that mystery, you know,
2106
02:03:44,790 --> 02:03:46,770
is a traditional fact, you know,
2107
02:03:46,790 --> 02:03:49,470
seeing as they're
all so full of mystery.
2108
02:03:49,490 --> 02:03:51,000
And contradictions.
2109
02:03:51,020 --> 02:03:53,300
Yeah, contradictions.
2110
02:03:53,320 --> 02:03:55,900
And chaos.
2111
02:03:55,920 --> 02:03:58,730
Yes, it's chaos, clocks,
and watermelons...
2112
02:03:58,760 --> 02:04:00,280
You know, it's... it's everything.
2113
02:04:06,290 --> 02:04:09,120
These people actually think
I have some kind of, uh...
2114
02:04:11,090 --> 02:04:15,100
fantastic imagination.
2115
02:04:15,120 --> 02:04:17,020
It gets very, uh, lonesome.
2116
02:04:19,320 --> 02:04:21,500
But traditional music
2117
02:04:21,520 --> 02:04:23,070
is just, uh...
2118
02:04:23,090 --> 02:04:24,830
It's too unreal to die.
2119
02:04:24,860 --> 02:04:27,400
It doesn't need to be protected.
2120
02:04:27,420 --> 02:04:29,300
You know, I mean,
in that music is the only
2121
02:04:29,320 --> 02:04:31,200
true valid death
you can feel today,
2122
02:04:31,220 --> 02:04:34,730
you know, off a record player.
2123
02:04:34,760 --> 02:04:38,150
But like everything else in great demand,
people try to own it.
2124
02:04:42,560 --> 02:04:46,110
Has to do with, like,
uh, the purity thing.
2125
02:04:48,160 --> 02:04:50,640
I think its meaninglessness is holy.
2126
02:04:53,520 --> 02:04:56,110
Everybody knows I'm not a folk singer.
2127
02:05:46,960 --> 02:05:49,500
People are always talking about freedom.
2128
02:05:49,520 --> 02:05:52,330
Freedom to live a certain way
2129
02:05:52,360 --> 02:05:54,450
without being kicked around.
2130
02:06:00,690 --> 02:06:03,630
Course, the more
you live a certain way,
2131
02:06:03,660 --> 02:06:05,350
the less it feels like freedom.
2132
02:06:12,690 --> 02:06:16,330
Me? I can change during
the course of a day.
2133
02:06:16,360 --> 02:06:18,500
I wake and I'm one person,
2134
02:06:18,520 --> 02:06:20,330
and when I go to sleep, I know for certain
2135
02:06:20,360 --> 02:06:23,100
I'm somebody else.
2136
02:06:23,120 --> 02:06:25,180
I don't know who I am,
most of the time.
2137
02:06:39,660 --> 02:06:42,260
It's like you got yesterday,
2138
02:06:42,290 --> 02:06:45,580
today, and tomorrow,
all in the same room.
2139
02:06:50,660 --> 02:06:53,020
There's no tellin' what can happen.
2140
02:08:28,220 --> 02:08:30,700
♪ Once upon a time,
you dressed so fine ♪
2141
02:08:30,720 --> 02:08:32,910
♪ Threw the bums a dime
in your prime ♪
2142
02:08:34,360 --> 02:08:36,450
♪ Didn't you? ♪
2143
02:08:38,390 --> 02:08:40,400
♪ People call, say beware, doll ♪
2144
02:08:40,420 --> 02:08:42,890
♪ You're bound to fall
You thought they were all ♪
2145
02:08:44,090 --> 02:08:46,350
♪ Kiddin' you ♪
2146
02:08:49,020 --> 02:08:52,510
♪ You used to laugh about ♪
2147
02:08:54,090 --> 02:08:58,330
♪ Everybody that was hangin' out ♪
2148
02:08:58,360 --> 02:09:01,720
♪ Now you don't talk so loud ♪
2149
02:09:03,260 --> 02:09:07,630
♪ Now you don't seem so proud ♪
2150
02:09:07,660 --> 02:09:11,360
♪ About havin' to be scrounging ♪
2151
02:09:11,390 --> 02:09:16,430
♪ Your next meal ♪
2152
02:09:16,460 --> 02:09:18,510
♪ How does it feel? ♪
2153
02:09:21,560 --> 02:09:23,280
♪ How does it feel ♪
2154
02:09:26,060 --> 02:09:28,350
♪ To be without a home ♪
2155
02:09:31,120 --> 02:09:33,850
♪ Like a complete unknown ♪
2156
02:09:35,890 --> 02:09:38,410
♪ Like a rolling stone? ♪
2157
02:09:59,090 --> 02:10:01,900
♪ Things are crashing better ♪
2158
02:10:01,920 --> 02:10:05,530
♪ She's all too tight ♪
2159
02:10:05,560 --> 02:10:07,400
♪ In my neighborhood ♪
2160
02:10:07,420 --> 02:10:10,830
♪ She cried both day and night ♪
2161
02:10:10,860 --> 02:10:14,100
♪ She's a lone-hearted mystic ♪
2162
02:10:14,120 --> 02:10:17,170
♪ And she can't carry on ♪
2163
02:10:17,190 --> 02:10:20,400
♪ When I'm there, she's all right ♪
2164
02:10:20,420 --> 02:10:23,680
♪ Then she's not when I'm gone ♪
2165
02:10:26,590 --> 02:10:29,730
♪ Heaven knows that the answer ♪
2166
02:10:29,760 --> 02:10:32,900
♪ She don't call no one ♪
2167
02:10:32,920 --> 02:10:35,900
♪ She's the way forsaken beauty ♪
2168
02:10:35,920 --> 02:10:39,170
♪ She's mine for the one ♪
2169
02:10:39,190 --> 02:10:42,330
♪ And I've asked her hesitating ♪
2170
02:10:42,360 --> 02:10:45,130
♪ About temptation as it runs ♪
2171
02:10:45,160 --> 02:10:48,500
♪ She don't follow me ♪
2172
02:10:48,520 --> 02:10:50,230
♪ I'm leaving ♪
2173
02:10:50,260 --> 02:10:51,550
♪ I'm gone ♪
2174
02:10:54,690 --> 02:10:57,670
♪ Now, I'll cry tonight ♪
2175
02:10:57,690 --> 02:11:01,030
♪ Like I cried the night before ♪
2176
02:11:01,060 --> 02:11:04,030
♪ And I'll feast on the highway ♪
2177
02:11:04,060 --> 02:11:07,170
♪ But I'll dream about the door ♪
2178
02:11:07,190 --> 02:11:08,530
♪ It's alone ♪
2179
02:11:08,560 --> 02:11:10,330
♪ She's forsaken ♪
2180
02:11:10,360 --> 02:11:11,700
♪ By her fate ♪
2181
02:11:11,720 --> 02:11:13,400
♪ Words to tell ♪
2182
02:11:13,420 --> 02:11:16,470
♪ It don't have approximation ♪
2183
02:11:16,490 --> 02:11:20,110
♪ She smiles fairly well ♪
2184
02:11:23,060 --> 02:11:25,830
♪ Her smile is contagious ♪
2185
02:11:25,860 --> 02:11:28,870
♪ I was born to love her ♪
2186
02:11:28,890 --> 02:11:31,900
♪ But she knows that the kingdom ♪
2187
02:11:31,920 --> 02:11:35,100
♪ Waits so high above her ♪
2188
02:11:35,120 --> 02:11:36,470
♪ And I run ♪
2189
02:11:36,490 --> 02:11:38,100
♪ But I race ♪
2190
02:11:38,120 --> 02:11:41,170
♪ But it's not too fast to stand ♪
2191
02:11:41,190 --> 02:11:44,270
♪ But I've got to be free ♪
2192
02:11:44,290 --> 02:11:46,270
♪ And I'm not there ♪
2193
02:11:46,290 --> 02:11:48,080
♪ I'm gone ♪
2194
02:11:50,360 --> 02:11:53,830
♪ Well, it's too hard to stay here ♪
2195
02:11:53,860 --> 02:11:56,400
♪ And I don't want to leave ♪
2196
02:11:56,420 --> 02:11:59,500
♪ It's so hard for so few ♪
2197
02:11:59,520 --> 02:12:00,700
♪ Sleep, but she's hard ♪
2198
02:12:00,720 --> 02:12:02,830
♪ Too hard to breathe ♪
2199
02:12:02,860 --> 02:12:04,160
♪ It's a load ♪
2200
02:12:04,190 --> 02:12:05,630
♪ It's a crime ♪
2201
02:12:05,660 --> 02:12:08,700
♪ The way she mauls me around ♪
2202
02:12:08,720 --> 02:12:11,770
♪ But she don't phone to hate me ♪
2203
02:12:11,790 --> 02:12:14,950
♪ But it's time to make the clown ♪
2204
02:12:17,720 --> 02:12:20,930
♪ Yes, I believe that it's rightful ♪
2205
02:12:20,960 --> 02:12:24,060
♪ I believe it in my mind ♪
2206
02:12:24,090 --> 02:12:25,500
♪ I been told ♪
2207
02:12:25,520 --> 02:12:26,830
♪ Like I slept ♪
2208
02:12:26,860 --> 02:12:30,130
♪ Before I carry on the grind ♪
2209
02:12:30,160 --> 02:12:33,000
♪ Yes, the soul judge had told her ♪
2210
02:12:33,020 --> 02:12:36,970
♪ That I should carry on ♪
2211
02:12:36,990 --> 02:12:41,360
♪ The child's been hurt and alone ♪
2212
02:12:41,390 --> 02:12:43,910
♪ Then I'm gone ♪
2213
02:12:49,760 --> 02:12:53,280
♪ Mama, take this badge off of me ♪
2214
02:12:57,760 --> 02:13:00,740
♪ I can't use it anymore ♪
2215
02:13:05,520 --> 02:13:07,070
♪ It's gettin' dark ♪
2216
02:13:07,090 --> 02:13:09,450
♪ Much too dark to see ♪
2217
02:13:13,260 --> 02:13:16,980
♪ Feel I'm knocking on heaven's door ♪
2218
02:13:20,960 --> 02:13:24,720
♪ Knock, knock, knocking
on heaven's door ♪
2219
02:13:28,660 --> 02:13:32,490
♪ Knock, knock, knocking
on heaven's door ♪
2220
02:13:36,390 --> 02:13:40,980
♪ Knock, knock, knocking
on heaven's door ♪
2221
02:13:44,260 --> 02:13:48,090
♪ Knock, knock, knocking
on heaven's door ♪
2222
02:13:52,060 --> 02:13:55,920
♪ Mama, wipe this blood from my face ♪
2223
02:13:59,790 --> 02:14:03,350
♪ I'm sick and tired of the war ♪
2224
02:14:07,820 --> 02:14:09,500
♪ Don't know if it's night ♪
2225
02:14:09,520 --> 02:14:11,300
♪ Or if it's the sun ♪
2226
02:14:11,320 --> 02:14:15,600
♪ Rising higher ♪
2227
02:14:15,620 --> 02:14:19,380
♪ Scared I'm knockin'
on heaven's door ♪
2228
02:14:23,620 --> 02:14:27,150
♪ Ooh, ooh, ooh-ooh ♪
2229
02:14:39,590 --> 02:14:43,520
♪ Ooh, ooh, ooh-ooh ♪
163202
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Swahili
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
