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1
00:00:12,208 --> 00:00:13,959
WHAT'S DONE IS DONE.
2
00:00:13,959 --> 00:00:16,041
YOU SLEPT WITH MORNING.
I SLEPT WITH ROB.
3
00:00:16,041 --> 00:00:18,792
IT WOULD BE ONE THING
IF HE WAS THE ONLY ONE.
4
00:00:18,792 --> 00:00:20,375
CHRIST.
WHO ELSE?
5
00:00:21,208 --> 00:00:22,959
YES. YES.
6
00:00:22,959 --> 00:00:25,291
I DON'T CARE IF WE FAIL.
FAILING'S FINE.
7
00:00:25,291 --> 00:00:29,500
IF WE GO DOWN IN FLAMES,
AT LEAST THERE WERE FLAMES!
8
00:00:29,500 --> 00:00:31,834
I'M HAPPY
JUST TO BE AROUND HIM.
9
00:00:31,834 --> 00:00:34,750
HE IS AMAZING.
10
00:00:34,750 --> 00:00:38,667
NO ONE SEEMS TO NOTICE
I'M SO FULL OF SHIT.
11
00:00:38,667 --> 00:00:41,083
AND I CAN HEAR THE FURNITURE
WHISPERING.
12
00:00:41,083 --> 00:00:43,542
MAYBE WE SHOULD TRY ADJUSTING
YOUR MEDICATION AGAIN.
13
00:00:43,542 --> 00:00:44,500
MAYBE.
14
00:00:46,709 --> 00:00:49,417
[ TYPEWRITER CLICKING,
BELL CHIMES ]
15
00:00:52,542 --> 00:00:54,375
[ WIND WHISTLING ]
16
00:01:00,000 --> 00:01:02,583
[ MID-TEMPO MUSIC PLAYS ]
17
00:01:27,291 --> 00:01:29,125
[ GUNSHOT ]
18
00:01:36,417 --> 00:01:38,750
[ KNOCK ON DOOR ]
YEAH?
19
00:01:38,750 --> 00:01:41,291
HEY.
IS NOW A GOOD TIME?
20
00:01:41,291 --> 00:01:42,417
NO.
21
00:01:42,417 --> 00:01:44,041
REALLY?
YEP.
22
00:01:44,041 --> 00:01:46,375
OH.
23
00:01:48,792 --> 00:01:50,750
YOU'RE STILL THERE.
24
00:01:50,750 --> 00:01:51,834
UH, YEAH, I KNOW.
25
00:01:51,834 --> 00:01:53,959
UH...
26
00:01:53,959 --> 00:01:57,500
I JUST...
I KIND OF NEED A LITTLE ADVICE.
27
00:01:57,500 --> 00:01:59,250
ADVICE?
28
00:01:59,250 --> 00:02:00,208
CAREER STUFF.
29
00:02:00,208 --> 00:02:01,875
I'M REALLY BAD
AT THAT SHIT,
30
00:02:01,875 --> 00:02:04,542
AND I DON'T KNOW
WHO ELSE TO GO TO.
31
00:02:04,542 --> 00:02:07,333
I SWEAR IT WILL JUST TAKE
LIKE A MINUTE.
32
00:02:09,000 --> 00:02:10,125
A MINUTE.
33
00:02:10,125 --> 00:02:11,500
THANKS.
34
00:02:11,500 --> 00:02:13,583
[ SIGHS ]
35
00:02:14,625 --> 00:02:16,917
I FEEL LIKE AN ASSHOLE
EVEN TALKING ABOUT THIS.
36
00:02:16,917 --> 00:02:19,250
BUT, YOU KNOW,
I'M JUST STARTING OUT,
37
00:02:19,250 --> 00:02:22,750
AND I DON'T WANT TO MAKE
A MISTAKE AND FUCK IT ALL UP.
38
00:02:24,625 --> 00:02:28,250
OKAY. LOOK.
FIRST OF ALL, YOU GOT TO RELAX.
39
00:02:28,250 --> 00:02:29,875
YOU'RE FREAKING YOURSELF OUT
HERE.
40
00:02:29,875 --> 00:02:31,125
[ SIGHS ]
YOU THINK?
41
00:02:31,125 --> 00:02:32,875
THIS IS THE GOOD PART.
42
00:02:32,875 --> 00:02:34,709
YOU GOT A JOB.
YOU'RE ON A SHOW.
43
00:02:34,709 --> 00:02:37,291
ENJOY IT.
NO. I KNOW.
44
00:02:37,291 --> 00:02:40,333
IT'S JUST -- IT'S ALL THIS STUFF
COMING AT ME.
45
00:02:40,333 --> 00:02:42,083
WHAT KIND OF STUFF?
46
00:02:42,083 --> 00:02:43,208
YOU KNOW,
LIKE MOVIE STUFF.
47
00:02:43,208 --> 00:02:45,125
MOVIE STUFF?
YEAH.
48
00:02:45,125 --> 00:02:47,125
I'M STARTING TO GET
ALL THESE OFFERS,
49
00:02:47,125 --> 00:02:48,667
LIKE THIS BIG
MICHAEL BAY THING.
50
00:02:48,667 --> 00:02:50,041
MICHAEL BAY?
51
00:02:50,041 --> 00:02:51,709
[ SIGHS ]
IT'S CALLED "TSUNAMI."
52
00:02:51,709 --> 00:02:53,000
DO YOU DROWN?
53
00:02:53,000 --> 00:02:54,291
NO.
54
00:02:56,083 --> 00:02:58,000
SO WHAT'S YOUR QUESTION
FOR ME?
55
00:02:58,000 --> 00:03:01,125
OKAY. LIKE, HOW DO YOU KNOW
WHICH ONES TO PICK?
56
00:03:01,125 --> 00:03:04,166
I MEAN,
BACK WHEN YOU WERE HOT,
57
00:03:04,166 --> 00:03:06,667
YOU DID A BUNCH OF MOVIES,
RIGHT?
58
00:03:06,667 --> 00:03:08,125
MM-HMM.
59
00:03:08,125 --> 00:03:10,959
AND IT'S NOT LIKE YOU READ THEM
AND THOUGHT,
60
00:03:10,959 --> 00:03:12,667
"WELL, THIS IS
A PIECE OF CRAP."
61
00:03:12,667 --> 00:03:15,667
YOU THOUGHT THEY WERE GONNA BE
GOOD, YOU KNOW?
62
00:03:15,667 --> 00:03:16,667
MM-HMM.
63
00:03:16,667 --> 00:03:18,750
IT'S SCARY,
64
00:03:18,750 --> 00:03:21,166
'CAUSE, LIKE,
YOU MAKE A BUNCH OF SHITTY ONES,
65
00:03:21,166 --> 00:03:23,166
AND SUDDENLY THEY DON'T WANT YOU
ANYMORE.
66
00:03:23,166 --> 00:03:25,333
YOU KNOW WHAT I MEAN.
MM-HMM.
67
00:03:25,333 --> 00:03:29,333
I DO NOT WANT TO BE 50
AND STILL DOING SITCOMS.
68
00:03:29,333 --> 00:03:31,458
DID YOU JUST POINT TO ME
ON "50"?
69
00:03:31,458 --> 00:03:32,709
UH...
70
00:03:32,709 --> 00:03:35,291
YOU THINK I'M 50?
YOU THINK I'M FUCKING 50?!
71
00:03:35,291 --> 00:03:37,917
NO.
I DON'T KNOW HOW OLD YOU ARE.
72
00:03:37,917 --> 00:03:39,875
WELL, I'M NOT FUCKING 50!
73
00:03:39,875 --> 00:03:42,041
DUDE, YOU LOOK GREAT.
74
00:03:42,041 --> 00:03:44,709
I HOPE I LOOK THIS GOOD
WHEN I'M --
75
00:03:44,709 --> 00:03:46,542
WHEN YOU'RE WHAT?
76
00:03:47,875 --> 00:03:52,208
SAY A NUMBER!
77
00:03:52,208 --> 00:03:53,166
TH...
78
00:03:53,166 --> 00:03:54,750
YOUR MINUTE'S UP!
79
00:03:54,750 --> 00:03:55,917
MINUTE'S UP!
80
00:03:55,917 --> 00:03:57,542
THANK YOU.
81
00:03:57,542 --> 00:03:59,166
THIS WAS GREAT.
OPEN OR CLOSED?
82
00:03:59,166 --> 00:04:01,000
MINUTE'S UP!
83
00:04:02,875 --> 00:04:06,542
Woman:
CAROL RANCE ON 2!
84
00:04:06,542 --> 00:04:10,333
IS IT ACTUALLY CAROL OR SOMEONE
WHO'S THEN GONNA SUMMON CAROL?
85
00:04:10,333 --> 00:04:11,250
WHAT?
86
00:04:11,250 --> 00:04:14,041
I'M JUST SAYING,
IF SHE'S GOT --
87
00:04:15,083 --> 00:04:16,417
IF SHE'S CALLING US,
88
00:04:16,417 --> 00:04:18,542
WE SHOULDN'T HAVE TO WAIT
FOR HER TO PICK UP.
89
00:04:18,542 --> 00:04:19,709
SO I'M ASKING --
90
00:04:19,709 --> 00:04:25,917
IS THIS ACTUALLY CAROL...
ON THE PHONE?
91
00:04:25,917 --> 00:04:27,417
YES.
92
00:04:27,417 --> 00:04:28,875
THANK YOU.
93
00:04:33,625 --> 00:04:35,166
HI, CAROL.
HI, CAROL.
94
00:04:35,166 --> 00:04:37,125
Man:
HOLD FOR CAROL.
95
00:04:37,125 --> 00:04:38,417
OH, I SEE.
96
00:04:38,417 --> 00:04:40,125
[ CLICK ]
CAROL: Hey there.
97
00:04:40,125 --> 00:04:42,709
Beverly: HI.
98
00:04:42,709 --> 00:04:44,291
SO, I JUST GOT A CALL
FROM STOKE'S AGENT.
99
00:04:44,291 --> 00:04:45,500
SHE'S NOT HAPPY.
100
00:04:45,500 --> 00:04:47,166
OH, NO!
101
00:04:47,166 --> 00:04:48,875
WHY?
102
00:04:48,875 --> 00:04:50,250
Apparently,
Stoke's been offered
103
00:04:50,250 --> 00:04:54,000
FOUR DAYS
ON SOME MICHAEL BAY MOVIE,
104
00:04:54,000 --> 00:04:55,917
but you guys won't let him out.
105
00:04:57,250 --> 00:05:00,291
AS I TOLD HER, IT WOULD
TOTALLY MESS UP OUR SCHEDULE.
106
00:05:00,291 --> 00:05:02,959
AND WHILE WE ALWAYS
WANT TO ACCOMMODATE
107
00:05:02,959 --> 00:05:04,792
OUR LITTLE ENEMY
OF COMEDY,
108
00:05:04,792 --> 00:05:08,041
WE'RE NOT PREPARED TO REARRANGE
EVERYTHING JUST FOR STOKE.
109
00:05:08,041 --> 00:05:09,667
THAT TOTALLY MAKES SENSE.
110
00:05:09,667 --> 00:05:10,667
THANK YOU.
111
00:05:10,667 --> 00:05:12,208
BUT I NEED YOU TO DO IT ANYWAY.
112
00:05:12,208 --> 00:05:14,792
[ GROANS ]
I'm sorry!
113
00:05:14,792 --> 00:05:18,792
STOKE DOING A HOT MOVIE
CAN ONLY BE GOOD FOR THE SHOW,
114
00:05:18,792 --> 00:05:21,834
AND WE NEED ANYTHING
THAT'S GOOD FOR THE SHOW.
115
00:05:24,000 --> 00:05:26,291
FINE.
Thank you.
116
00:05:26,291 --> 00:05:29,500
ALSO, TODAY IS CASTOR'S
FIRST DAY,
117
00:05:29,500 --> 00:05:32,625
SO BETTER NOT TO START
WITH ANY "PUCKS" DRAMA.
118
00:05:32,625 --> 00:05:33,667
HOW IS IT SO FAR?
119
00:05:33,667 --> 00:05:35,709
OH, MY GOD.
120
00:05:35,709 --> 00:05:39,500
I CAN SEE HIS ABS
THROUGH HIS T-SHIRT.
121
00:05:39,500 --> 00:05:42,709
DIDN'T WE AGREE
YOU WEREN'T GONNA GO THERE?
122
00:05:42,709 --> 00:05:44,125
HEY!
123
00:05:44,125 --> 00:05:47,000
YOU WEREN'T SLEEPING WITH MERC
FOR THE LAST FIVE YEARS.
124
00:05:47,000 --> 00:05:51,625
WE'RE TALKING TOO FAST,
TOO DAMP...OFTEN FARTY.
125
00:05:51,625 --> 00:05:53,750
Oh, God.
126
00:05:53,750 --> 00:05:55,500
I miss good sex.
127
00:05:55,500 --> 00:05:58,000
I DESERVE GOOD SEX,
DON'T I?
128
00:05:58,000 --> 00:05:59,625
NO ONE MORE THAN YOU.
129
00:05:59,625 --> 00:06:01,208
Oh. Sorry.
130
00:06:01,208 --> 00:06:03,166
YOU DESERVE IT, TOO.
131
00:06:03,166 --> 00:06:05,500
ANYTHING HAPPENING
WITH YOU GUYS?
132
00:06:07,583 --> 00:06:13,458
UH, ACTUALLY, WE GUYS ARE...
BOTH HERE...
133
00:06:14,458 --> 00:06:15,709
...ON SPEAKER.
134
00:06:15,709 --> 00:06:16,667
OH!
135
00:06:16,667 --> 00:06:17,875
HA!
136
00:06:17,875 --> 00:06:19,709
HI, SEAN!
137
00:06:19,709 --> 00:06:21,375
HELLO, CAROL.
138
00:06:26,750 --> 00:06:28,583
[ SIGHS ]
139
00:06:30,834 --> 00:06:33,375
WHAT?
NOTHING.
140
00:06:33,375 --> 00:06:35,291
I'M SORRY.
SHE'S MY FRIEND.
141
00:06:35,291 --> 00:06:37,500
FRIENDS TALK.
I JUST DON'T UNDERSTAND.
142
00:06:37,500 --> 00:06:39,542
HEY!
HI.
HI.
143
00:06:51,834 --> 00:06:53,166
SEE YOU GUYS LATER.
144
00:06:53,166 --> 00:06:55,041
YEP. YEP.
OKAY.
145
00:06:55,041 --> 00:06:57,583
THEY FUCKING HATE ME.
146
00:06:57,583 --> 00:06:59,667
I JUST DON'T UNDERSTAND
THIS NEED TO DIVULGE
147
00:06:59,667 --> 00:07:01,917
THE MOST INTIMATE SECRETS
OF OUR RELATIONSHIP.
148
00:07:01,917 --> 00:07:04,083
I MEAN, SERIOUSLY.
149
00:07:04,083 --> 00:07:07,250
THAT YOU WOULD TALK TO CAROL,
OF ALL PEOPLE,
150
00:07:07,250 --> 00:07:10,458
ABOUT WHETHER OR NOT
WE'RE...
151
00:07:10,458 --> 00:07:13,041
WHEN WE DON'T EVEN TALK
ABOUT IT.
152
00:07:13,041 --> 00:07:17,542
MAYBE I TALK TO CAROL
BECAUSE WE DON'T TALK ABOUT IT.
153
00:07:26,542 --> 00:07:29,041
KNOCK, KNOCK!
YEAH.
154
00:07:29,041 --> 00:07:32,208
[ Laughing ]
OH, MY GOD.
155
00:07:32,208 --> 00:07:34,583
THIS IS AMAZING.
156
00:07:34,583 --> 00:07:36,542
I HATE IT.
ALL RIGHTY.
157
00:07:36,542 --> 00:07:38,125
DOES THAT LOOK LIKE WEIMARANER
TO YOU?
158
00:07:38,125 --> 00:07:40,417
DOES WHAT
LOOK LIKE WEIMARANER?
159
00:07:40,417 --> 00:07:41,750
THE WALLS.
WHAT COLOR IS THAT?
160
00:07:41,750 --> 00:07:44,000
NOT WEIMARANER?
161
00:07:44,000 --> 00:07:46,083
EXACTLY.
ASSHOLES.
162
00:07:46,083 --> 00:07:48,375
DON'T ASK ME WHAT COLOR I WANT
AND THEN GIVE ME THIS.
163
00:07:48,375 --> 00:07:50,417
OH, I KNOW.
IT'S THE WORST.
164
00:07:50,417 --> 00:07:53,500
I HAD MY BATHROOM REDONE
ABOUT A YEAR AGO,
165
00:07:53,500 --> 00:07:56,083
AND I ORDERED
THESE LITTLE GLASS TILES.
166
00:07:56,083 --> 00:07:57,208
AND WHEN THEY CAME --
167
00:07:57,208 --> 00:07:58,291
SO, WHAT'S UP?
OKAY.
168
00:07:58,291 --> 00:08:00,625
UH, I JUST WANTED TO SAY
GOOD NIGHT
169
00:08:00,625 --> 00:08:04,500
AND MAKE SURE YOU SURVIVED
YOUR FIRST DAY.
BARELY.
170
00:08:04,500 --> 00:08:06,959
I'M JUST LOOKING
AT LAST WEEK'S NUMBERS. JESUS.
171
00:08:06,959 --> 00:08:09,291
WHAT HAPPENED TO
"IT'S NOT ABOUT THE NUMBERS"?
172
00:08:09,291 --> 00:08:10,917
THAT WAS BEFORE I SAW
THE NUMBERS.
173
00:08:10,917 --> 00:08:13,291
I'M SO FUCKED.
174
00:08:13,291 --> 00:08:14,583
OKAY.
175
00:08:14,583 --> 00:08:16,792
TOMORROW, 6:00 A.M.,
SADDLE UP THE TROOPS.
176
00:08:16,792 --> 00:08:18,792
I WANT EVERYONE HERE.
NO EXCUSES.
177
00:08:18,792 --> 00:08:20,166
YIKES.
178
00:08:20,166 --> 00:08:21,625
6:00 A.M.?
YEAH.
179
00:08:21,625 --> 00:08:23,458
WHAT TIME DO THESE PUSSIES
NORMALLY START?
180
00:08:23,458 --> 00:08:27,667
UH...THE PUSSIES NORMALLY START
A LITTLE BIT LATER.
181
00:08:27,667 --> 00:08:30,792
BUT IF YOU WANT 6:00,
WE WILL DO 6:00.
GOOD.
182
00:08:30,792 --> 00:08:33,125
I WANT TO RIP THIS WHOLE
GODDAMN SCHEDULE APART.
183
00:08:33,125 --> 00:08:35,625
I WANT IDEAS.
I WANT OPINIONS.
184
00:08:35,625 --> 00:08:38,792
TELL PEOPLE I EXPECT THEM
TO BRING THEIR TRUTH.
185
00:08:38,792 --> 00:08:42,333
MM.
I'M NOT SURE EVERYONE HAS TRUTH.
186
00:08:42,333 --> 00:08:44,291
THEN THEY CAN BRING BAGELS.
187
00:08:52,041 --> 00:08:54,583
HEY, HAVE YOU SEEN
THE CALL SHEET?
188
00:08:54,583 --> 00:08:57,750
WHY AM I DOING NIGHT SHOOTS
IF IT'S ALL INTERIORS?
189
00:08:57,750 --> 00:08:58,917
RIGHT.
190
00:08:58,917 --> 00:09:02,500
UM...STOKE IS DOING FOUR DAYS
ON A MOVIE,
191
00:09:02,500 --> 00:09:06,208
SO WE KIND OF HAVE TO WORK
AROUND HIS SCHEDULE.
192
00:09:06,208 --> 00:09:07,500
YOU'RE KIDDING ME.
193
00:09:07,500 --> 00:09:09,041
I HAVE TO WORK AROUND
THAT DOUCHE NOZZLE?
194
00:09:09,041 --> 00:09:10,542
AFRAID SO.
THAT'S...
NAUSEATING?
195
00:09:10,542 --> 00:09:12,417
YEAH, IT'S CRIMINAL.
CRIME AGAINST HUMANITY.
196
00:09:12,417 --> 00:09:13,959
AND HE'S GETTING MOVIES?
197
00:09:13,959 --> 00:09:15,375
MOVIES?!
HE CAN'T ACT!
198
00:09:15,375 --> 00:09:16,458
HE'S...
BLOCK OF WORDS.
199
00:09:16,458 --> 00:09:17,417
TALENT VACUUM.
200
00:09:17,417 --> 00:09:19,041
NEGATIVE ACTING SPACE.
201
00:09:19,041 --> 00:09:20,709
[ SIGHS ]
I HATE THIS GODDAMN BUSINESS.
202
00:09:20,709 --> 00:09:22,375
I DON'T BLAME YOU.
WHO DOESN'T? YEAH.
203
00:09:22,375 --> 00:09:24,250
SEE YOU TOMORROW.
YEAH, YEAH.
BYE.
204
00:09:24,250 --> 00:09:26,250
"DOUCHE NOZZLE."
[ CHUCKLES ]
205
00:09:26,250 --> 00:09:28,500
YEAH, IT'S THE PART OF THE
DOUCHE THAT GOES INTO THE --
206
00:09:28,500 --> 00:09:29,959
GOT IT.
YOU KNOW, THE NOZZLE.
207
00:09:29,959 --> 00:09:31,250
THANK YOU.
THANK YOU.
208
00:09:31,250 --> 00:09:32,333
YEAH.
209
00:09:37,750 --> 00:09:39,792
WHICH ONE'S STOKE AGAIN?
210
00:09:39,792 --> 00:09:40,875
HE PLAYS HOWIE.
211
00:09:40,875 --> 00:09:42,542
IS HE THE REALLY
GOOD-LOOKING ONE?
212
00:09:42,542 --> 00:09:44,625
HOW DO YOU KNOW
HE'S REALLY GOOD-LOOKING?
213
00:09:44,625 --> 00:09:45,750
ARE YOU KIDDING?
214
00:09:45,750 --> 00:09:47,750
HE'S A SHITTY ENOUGH ACTOR.
HE'D HAVE TO BE.
215
00:09:47,750 --> 00:09:49,959
[ CHUCKLES ]
216
00:09:49,959 --> 00:09:51,291
OH, JESUS.
217
00:09:51,291 --> 00:09:52,625
WHAT?
218
00:09:52,625 --> 00:09:54,709
IT'S SEAN AND BEVERLY'S
OLD ASSISTANT.
219
00:09:55,917 --> 00:09:57,583
FUCK ME.
220
00:09:57,583 --> 00:09:59,250
MATT!
221
00:09:59,250 --> 00:10:02,083
[ CHUCKLES ]
IT'S ANDREW -- ANDREW LESLEY.
222
00:10:02,083 --> 00:10:03,709
HOW ARE YOU?
223
00:10:03,709 --> 00:10:04,959
NO.
NO?
224
00:10:04,959 --> 00:10:06,625
NO.
OKAY.
225
00:10:06,625 --> 00:10:09,125
SO, NEW TOPIC.
226
00:10:09,125 --> 00:10:11,375
WHY AREN'T YOU DOING
MY PILOT?
WHAT?
227
00:10:11,375 --> 00:10:13,625
I'M DOING THIS PILOT --
WELL, ACTUALLY, TWO PILOTS
228
00:10:13,625 --> 00:10:17,333
AND A SCREENPLAY FOR FOX.
[ LAUGHS ]
229
00:10:17,333 --> 00:10:20,583
I HAVE SO MUCH ON MY PLATE,
I NEED ANOTHER PLATE.
230
00:10:20,583 --> 00:10:23,917
ANYWAY,
THERE'S THIS ONE AT NBC.
231
00:10:23,917 --> 00:10:25,041
IT'S A DRAMA.
232
00:10:25,041 --> 00:10:27,667
I'M AFRAID I DIDN'T EVEN
THINK OF YOU FOR IT.
233
00:10:27,667 --> 00:10:30,625
THAT'S OKAY.
I NEVER THINK OF YOU.
234
00:10:30,625 --> 00:10:33,083
BUT THEN I SAW YOU SITTING HERE,
AND IT WAS LIKE,
235
00:10:33,083 --> 00:10:34,458
"HOW PERFECT WOULD HE BE?"
236
00:10:34,458 --> 00:10:35,792
EXCEPT I'VE ALREADY GOT
A SHOW.
237
00:10:35,792 --> 00:10:38,542
OH, WHAT ARE YOU DOING?
UH, "PUCKS"?
238
00:10:38,542 --> 00:10:40,750
IS THAT STILL ON?
239
00:10:41,792 --> 00:10:43,709
YEAH.
240
00:10:43,709 --> 00:10:45,333
[ SIGHS ]
POOR SEAN AND BEV.
241
00:10:45,333 --> 00:10:47,417
I MEAN, BACK HOME,
THEY'RE THE FLAVOR OF THE MONTH.
242
00:10:47,417 --> 00:10:49,417
THEN THEY COME HERE,
AND NO ONE WANTS TO EAT THEM.
243
00:10:49,417 --> 00:10:50,792
YOU KNOW,
SPEAKING OF EATING --
OH, ABSOLUTELY.
244
00:10:50,792 --> 00:10:53,792
I'LL LET YOU GET BACK TO IT.
LOOKS SCRUMMY.
245
00:10:53,792 --> 00:10:56,834
BUT YOU'RE SURE THERE'S NO WAY
YOU CAN DO MY SHOW?
246
00:10:56,834 --> 00:10:58,792
YOU'D BE SO RIGHT FOR IT.
247
00:10:58,792 --> 00:11:00,083
I'M SURE.
248
00:11:00,083 --> 00:11:01,834
YOU'RE BREAKING MY HEART.
249
00:11:01,834 --> 00:11:03,041
I'M HEARTBROKEN.
250
00:11:03,041 --> 00:11:05,166
MM, MM, MM!
251
00:11:06,375 --> 00:11:08,000
MAYBE JUST GIVE IT A READ.
252
00:11:08,000 --> 00:11:09,125
NO.
THAT'S OKAY.
253
00:11:09,125 --> 00:11:11,083
OH, COME ON.
JUST FOR SHITS AND GIGGLES.
254
00:11:11,083 --> 00:11:12,667
I PROMISE YOU'LL LOVE IT.
255
00:11:15,000 --> 00:11:17,166
ANYWAY, BON APPéTIT.
256
00:11:25,208 --> 00:11:27,750
OKAY.
LET'S TALK.
257
00:11:27,750 --> 00:11:29,458
REALLY?
258
00:11:29,458 --> 00:11:31,333
YOU WERE RIGHT.
259
00:11:31,333 --> 00:11:34,750
IF WE'RE HAVING A PROBLEM...
FORNICATIONALLY,
260
00:11:34,750 --> 00:11:36,625
THEN WE SHOULD DISCUSS IT.
261
00:11:37,542 --> 00:11:39,125
I'D LIKE THAT.
262
00:11:39,125 --> 00:11:40,083
GOOD.
263
00:11:40,083 --> 00:11:41,959
[ CLEARS THROAT ]
264
00:11:43,500 --> 00:11:45,125
YOU FIRST.
265
00:11:45,125 --> 00:11:47,125
ALL RIGHT.
266
00:11:47,125 --> 00:11:49,000
WELL, OBVIOUSLY,
267
00:11:49,000 --> 00:11:52,417
THE FACT THAT WE HAVEN'T HAD SEX
SINCE WE GOT BACK TOGETHER
268
00:11:52,417 --> 00:11:54,542
IS TROUBLING
FOR BOTH OF US.
269
00:11:54,542 --> 00:11:55,375
AGREED.
270
00:11:55,375 --> 00:11:57,625
OVER THE LAST FEW MONTHS,
271
00:11:57,625 --> 00:12:02,542
WE HAVE BOTH MADE CHOICES...
FORNICATIONALLY
272
00:12:02,542 --> 00:12:05,542
THAT ARE DIFFICULT
TO RECOVER FROM.
273
00:12:05,542 --> 00:12:07,792
ALREADY REGRETTING
THAT WORD.
274
00:12:07,792 --> 00:12:14,875
WE BOTH HAVE, UH...
GHOSTS TO CONTEND WITH.
275
00:12:14,875 --> 00:12:17,542
I FEEL LIKE YOU'RE ABOUT TO SNAP
THAT WINE STEM.
276
00:12:17,542 --> 00:12:18,709
COULD HAPPEN.
[ CHUCKLES ]
277
00:12:18,709 --> 00:12:22,083
SO I SEE TWO CHOICES.
278
00:12:22,083 --> 00:12:23,000
GO.
279
00:12:23,000 --> 00:12:25,542
ONE,
WE NEVER HAVE SEX AGAIN.
280
00:12:25,542 --> 00:12:26,667
PLEASE LET TWO BE BETTER.
281
00:12:26,667 --> 00:12:28,208
SERIOUSLY,
PUT DOWN THE GLASS.
282
00:12:29,417 --> 00:12:32,709
TWO, WE SUCK IT UP
AND POWER THROUGH.
283
00:12:32,709 --> 00:12:34,625
OH, YEAH.
284
00:12:34,625 --> 00:12:36,333
WE'VE GOT TO
GET OVER THIS.
285
00:12:36,333 --> 00:12:38,542
YES. WELL, IT'S A LOT EASIER
FOR YOU TO GET OVER IT.
286
00:12:38,542 --> 00:12:42,000
I'VE GOT TO GET UP AND OVER IT,
IF YOU KNOW WHAT I MEAN.
287
00:12:42,000 --> 00:12:43,583
I DO KNOW WHAT YOU MEAN.
288
00:12:43,583 --> 00:12:45,709
NO OFFENSE,
BUT PHYSIOLOGICALLY,
289
00:12:45,709 --> 00:12:47,750
I'M THE ONE WHO HAS TO DELIVER
THE GOODS.
290
00:12:47,750 --> 00:12:49,583
ALL YOU HAVE TO DO
IS LIE THERE.
291
00:12:49,583 --> 00:12:51,250
JUST LIE THERE?
292
00:12:51,250 --> 00:12:53,583
YOU REALLY THINK...
NO. NO. NO.
THAT'S NOT WHAT I --
293
00:12:53,583 --> 00:12:55,417
I'M JUST TALKING --
IF THAT'S THE CASE,
294
00:12:55,417 --> 00:12:57,125
I-I DON'T KNOW WHY YOU EVEN
BOTHER WAKING ME UP.
I'M JUST TALKING ABOUT
ANATOMY.
295
00:12:57,125 --> 00:13:01,375
BY THE WAY...THIS IS WHY
I DON'T LIKE TO TALK.
296
00:13:01,375 --> 00:13:02,875
[ SIGHS ]
297
00:13:07,500 --> 00:13:08,792
ALL I'M SAYING IS --
298
00:13:10,291 --> 00:13:11,667
KEEP GOING.
299
00:13:11,667 --> 00:13:14,959
ALL I'M SAYING IS WHEN YOU'VE
GOT OTHER PEOPLE IN YOUR HEAD,
300
00:13:14,959 --> 00:13:16,208
IT'S A DISTRACTION.
301
00:13:16,208 --> 00:13:19,041
WHEN I'VE GOT THEM,
IT'S PRETTY MUCH GAME OVER.
302
00:13:19,041 --> 00:13:23,333
I GET IT, BUT THOSE PEOPLE
ARE ALWAYS GONNA BE IN THERE.
303
00:13:23,333 --> 00:13:27,583
WE CAN'T UNFUCK THEM,
AS YOUR FRIEND MATT WOULD SAY.
304
00:13:27,583 --> 00:13:30,709
WHEN DID HE SAY THAT?
YOU DON'T WANT TO KNOW.
305
00:13:30,709 --> 00:13:32,917
[ SIGHS ]
[ CLEARS THROAT ]
306
00:13:32,917 --> 00:13:37,750
SO WE JUST HAVE TO DO
EVERYTHING IN OUR POWER
307
00:13:37,750 --> 00:13:40,333
TO MAKE EACH OTHER
FORGET THEM.
308
00:13:40,333 --> 00:13:43,000
FOR EXAMPLE...
309
00:14:00,709 --> 00:14:03,250
OHH!
310
00:14:03,250 --> 00:14:04,625
"JUST LIE THERE."
311
00:14:04,625 --> 00:14:07,166
I SHOULD NEVER SAY
ANYTHING.
GOOD IDEA.
312
00:14:19,667 --> 00:14:21,500
WHAT ARE YOU READING?
313
00:14:21,500 --> 00:14:24,083
THAT ASSHOLE'S SCRIPT.
WHY?
314
00:14:24,083 --> 00:14:26,834
SO I CAN TELL SEAN AND BEVERLY
HOW SHITTY IT IS.
315
00:14:26,834 --> 00:14:27,583
AND?
316
00:14:27,583 --> 00:14:29,500
IT'S FUCKING BRILLIANT.
317
00:14:29,500 --> 00:14:31,333
HUH.
318
00:14:31,333 --> 00:14:33,875
GUESS SOMETIMES ASSHOLES
DON'T MAKE SHIT.
319
00:14:35,542 --> 00:14:37,041
WHAT?
320
00:14:37,041 --> 00:14:38,875
I LIKE YOU.
321
00:14:46,083 --> 00:14:48,500
I HATE MY DICK.
322
00:14:48,500 --> 00:14:50,750
DON'T SAY THAT.
323
00:14:53,333 --> 00:14:58,208
IF THIS WERE A MOVIE,
MY DICK WOULD BE THE VILLAIN.
324
00:15:00,083 --> 00:15:03,875
HE'S THE BEST FRIEND
THAT JUST ABANDONS THE HERO.
325
00:15:03,875 --> 00:15:05,500
IF THIS WERE A MOVIE,
326
00:15:05,500 --> 00:15:08,458
YOUR DICK WOULD TOTALLY
COME THROUGH FOR YOU IN THE END.
327
00:15:08,458 --> 00:15:09,667
WHEN?
THE MOVIE'S ALMOST OVER.
328
00:15:09,667 --> 00:15:12,875
NO, IT'S NOT.
YOU'LL SEE.
329
00:15:12,875 --> 00:15:14,834
OH, HE'LL BE THERE
FOR YOU.
330
00:15:14,834 --> 00:15:18,542
HE'S JUST CREATING...
DRAMATIC TENSION.
331
00:15:18,542 --> 00:15:20,417
BECAUSE I'M NOT
TENSE ENOUGH?
332
00:15:20,417 --> 00:15:22,083
JUST WAIT.
333
00:15:22,083 --> 00:15:24,083
WHEN EVERYONE HAS WRITTEN
YOUR DICK OFF,
334
00:15:24,083 --> 00:15:27,750
SUDDENLY THERE HE'LL BE...
COMING OVER THE HILL.
335
00:15:27,750 --> 00:15:29,291
MY DICK IS COMING OVER
A HILL?
336
00:15:29,291 --> 00:15:32,083
MM-HMM.
WITH REINFORCEMENTS.
337
00:15:32,083 --> 00:15:34,500
SO IT'S NOT JUST HIM.
NO.
338
00:15:34,500 --> 00:15:35,875
THERE ARE MANY DICKS...
RIGHT.
339
00:15:35,875 --> 00:15:38,041
...COMING OVER THIS HILL.
[ LAUGHS ]
340
00:15:39,709 --> 00:15:41,792
HOW WILL I KNOW
WHICH ONE'S MINE?
OH, YOU'LL KNOW.
341
00:15:41,792 --> 00:15:45,750
YOURS...IS THE ONE RIDING
IN FRONT.
342
00:15:47,542 --> 00:15:49,417
SO THESE ARE
EQUESTRIAN DICKS?
343
00:15:49,417 --> 00:15:50,875
APPARENTLY SO.
344
00:15:50,875 --> 00:15:55,458
AND THEY RIDE TO YOUR RESCUE,
TALL IN THE SADDLE,
345
00:15:55,458 --> 00:15:58,625
AND THERE IS MUCH CELEBRATING,
WITH...
346
00:15:58,625 --> 00:16:02,041
ERECTIONS AND ORGASMS
347
00:16:02,041 --> 00:16:04,834
AND A BIG FESTIVAL OF...
348
00:16:04,834 --> 00:16:07,083
WHAT?
...SPLOOGE.
349
00:16:07,083 --> 00:16:10,125
I AM SO NOT SEEING
THIS MOVIE.
350
00:16:10,125 --> 00:16:11,583
[ LAUGHS ]
351
00:16:19,333 --> 00:16:21,625
ARE YOU SURE HE SAID
6:00 A.M.?
352
00:16:21,625 --> 00:16:23,333
THAT'S WHAT HE SAID.
353
00:16:24,750 --> 00:16:27,834
I GOT CAUGHT SPEEDING 'CAUSE I
WAS AFRAID I WAS GONNA BE LATE.
354
00:16:27,834 --> 00:16:28,834
[ LAUGHS ]
355
00:16:28,834 --> 00:16:32,291
I CANCELED
A DENTIST APPOINTMENT.
356
00:16:32,291 --> 00:16:34,500
I WANT TO GET VENEERS.
357
00:16:34,500 --> 00:16:35,917
LET'S SEE.
SMILE.
358
00:16:37,458 --> 00:16:38,667
MM-HMM.
359
00:16:42,500 --> 00:16:43,875
HOW LONG
DO WE HAVE TO SIT HERE?
360
00:16:43,875 --> 00:16:46,375
I DON'T KNOW
WHAT TO TELL YOU.
361
00:16:46,375 --> 00:16:48,542
[ CHUCKLES ]
362
00:16:54,625 --> 00:16:56,458
WHAT DID YOU SAY?
363
00:17:00,667 --> 00:17:02,875
WHAT DID YOU SAY?
364
00:17:04,625 --> 00:17:06,166
YOU GOT TO GET ME THIS.
365
00:17:06,166 --> 00:17:08,166
I'M AN AGENT.
I'M NOT A MAGICIAN.
366
00:17:08,166 --> 00:17:10,667
COME ON. IT'S FUCKING AMAZING.
HAVE YOU READ IT?
367
00:17:10,667 --> 00:17:12,041
YEAH.
EVERYBODY'S READ IT.
368
00:17:12,041 --> 00:17:13,166
THAT'S WHY EVERYBODY
WANTS TO DO IT.
369
00:17:13,166 --> 00:17:15,208
YEAH.
WELL, HE SAID HE WANTS ME.
370
00:17:15,208 --> 00:17:16,875
IT DOESN'T MATTER WHAT HE WANTS.
YOU'RE ON A SHOW.
371
00:17:16,875 --> 00:17:18,500
I'LL QUIT.
You can't quit.
372
00:17:18,500 --> 00:17:19,667
I COULD QUIT.
373
00:17:19,667 --> 00:17:20,792
YOU HAVE A CONTRACT.
374
00:17:20,792 --> 00:17:22,375
FUCK THE CONTRACT.
375
00:17:22,375 --> 00:17:24,166
YOU CAN'T FUCK
THE CONTRACT.
376
00:17:24,166 --> 00:17:26,792
IT'S UNFUCKABLE,
LIKE A DISNEY CHARACTER.
377
00:17:26,792 --> 00:17:28,208
SO WHAT AM I
SUPPOSED TO DO?
378
00:17:28,208 --> 00:17:30,542
YOU SMILE AND CASH YOUR CHECK.
THAT'S WHAT YOU DO.
379
00:17:30,542 --> 00:17:32,208
THEY'RE PAYING YOU
A SHITLOAD OF MONEY.
380
00:17:32,208 --> 00:17:33,667
SO I'LL GIVE THEM BACK
THE MONEY.
381
00:17:33,667 --> 00:17:35,333
YOU NEVER GIVE BACK
THE MONEY!
382
00:17:35,333 --> 00:17:37,041
OKAY.
383
00:17:37,041 --> 00:17:39,709
[ SIGHS ]
LISTEN.
384
00:17:40,583 --> 00:17:42,875
"Pucks," uh,
isn't gonna last forever.
385
00:17:42,875 --> 00:17:44,166
THEN WE'LL FIND YOU
SOMETHING GREAT.
386
00:17:44,166 --> 00:17:46,875
I promise.
It's all good. All right?
387
00:17:46,875 --> 00:17:49,917
[ SIGHS ]
ALL RIGHT.
388
00:17:49,917 --> 00:17:51,875
ALL RIGHT.
I LOVE YOU, BUD.
389
00:17:51,875 --> 00:17:53,583
FUCKING ACTORS.
390
00:17:53,583 --> 00:17:54,834
Still here.
391
00:17:54,834 --> 00:17:56,125
I KNEW THAT.
392
00:17:56,125 --> 00:17:57,291
FUCK ME.
393
00:17:57,291 --> 00:17:58,542
Still here.
394
00:17:58,542 --> 00:18:01,166
JESUS.
[ CLICKING ]
395
00:18:03,375 --> 00:18:05,834
Matt:
HEY. UH, YOU GUYS GOT A SEC?
396
00:18:05,834 --> 00:18:07,583
WHAT'S UP?
UH...
397
00:18:08,875 --> 00:18:09,917
I GOT A FAVOR.
398
00:18:09,917 --> 00:18:11,750
SURE. ANYTHING.
NO.
399
00:18:11,750 --> 00:18:12,709
FIRST, WHAT IS IT?
400
00:18:12,709 --> 00:18:14,333
RIGHT.
WHAT IS IT?
401
00:18:14,333 --> 00:18:15,917
KILL ME.
402
00:18:15,917 --> 00:18:17,542
I'M SORRY.
WHAT?
403
00:18:17,542 --> 00:18:19,959
YOU GOT TO KILL LYMAN.
PLEASE.
404
00:18:19,959 --> 00:18:20,959
W-WHAT...
SORRY.
WHAT DO YOU MEAN?
405
00:18:20,959 --> 00:18:24,041
I GOT TO GET OFF THE SHOW.
I'M SORRY.
406
00:18:24,041 --> 00:18:25,750
I CAN'T QUIT.
BUT IF YOU KILL ME --
407
00:18:25,750 --> 00:18:27,583
WE CAN'T KILL YOU.
408
00:18:27,583 --> 00:18:29,542
SURE, YOU CAN.
YOU CREATED ME.
409
00:18:29,542 --> 00:18:31,917
DON'T YOU THINK
IF WE COULD KILL YOU,
410
00:18:31,917 --> 00:18:33,125
WE'D HAVE DONE IT BY NOW?
411
00:18:37,917 --> 00:18:40,250
THERE'S THIS PILOT
AT NBC.
412
00:18:40,250 --> 00:18:42,458
IT'S FUCKING GENIUS.
413
00:18:42,458 --> 00:18:45,166
IT'S A ONE-HOUR LIKE NOTHING
I'VE EVER DONE BEFORE,
414
00:18:45,166 --> 00:18:48,125
AND I KNOW I COULD PLAY THE SHIT
OUT OF THIS GUY.
415
00:18:48,125 --> 00:18:51,166
BUT I CAN'T DO IT
IF I'M DOING THIS,
416
00:18:51,166 --> 00:18:53,625
AND YOU'RE BARELY
EVEN USING ME NOW.
417
00:18:53,625 --> 00:18:56,458
PLEASE?
JUST THINK ABOUT IT.
418
00:18:56,458 --> 00:18:58,291
[ SIGHS ]
I DON'T KNOW.
419
00:18:58,291 --> 00:18:59,583
KILL LYMAN?
420
00:18:59,583 --> 00:19:01,709
CAN'T IMAGINE THE NETWORK
GOING FOR IT.
421
00:19:01,709 --> 00:19:04,291
AT LEAST FIND OUT?
ISN'T THIS
A LITTLE PREMATURE?
422
00:19:04,291 --> 00:19:06,125
HAS NBC EVEN OFFERED IT
TO YOU?
423
00:19:06,125 --> 00:19:08,125
NO, BUT THE WRITER
REALLY WANTS ME.
424
00:19:08,125 --> 00:19:09,792
OH. WHO'S THE WRITER?
425
00:19:09,792 --> 00:19:11,875
UH...I'M NOT SURE.
426
00:19:11,875 --> 00:19:15,125
THIS GENIUS WRITER WANTS YOU
FOR THE ROLE OF A LIFETIME,
427
00:19:15,125 --> 00:19:16,959
BUT YOU'RE NOT SURE.
428
00:19:16,959 --> 00:19:19,083
[ CHUCKLES ]
429
00:19:25,500 --> 00:19:27,750
ANDREW LESLEY.
430
00:19:30,458 --> 00:19:31,333
SORRY. WHAT?
431
00:19:32,583 --> 00:19:34,000
ANDREW LESLEY?
432
00:19:34,000 --> 00:19:36,625
OUR ANDREW LESLEY?
433
00:19:36,625 --> 00:19:38,834
M-MAYBE.
434
00:19:38,834 --> 00:19:41,208
YOU WANT TO LEAVE US...
435
00:19:41,208 --> 00:19:44,125
TO DO A SHOW
WITH ANDREW FUCKING LESLEY?
436
00:19:44,125 --> 00:19:46,208
LOOK, I-I KNOW.
I KNOW.
437
00:19:46,208 --> 00:19:48,542
BUT HIS SCRIPT IS AMAZING.
438
00:19:48,542 --> 00:19:49,875
MY EARS ARE BLEEDING.
439
00:19:49,875 --> 00:19:51,542
HOW DID THIS
EVEN HAPPEN?
440
00:19:51,542 --> 00:19:52,875
WERE YOU AT SOME PARTY
441
00:19:52,875 --> 00:19:55,166
WITH HIM AND HITLER
AND THE MANSON FAMILY?
442
00:19:55,166 --> 00:19:57,041
NO. NO. HE CAME UP TO ME
AT A RESTAURANT.
443
00:19:57,041 --> 00:20:00,333
THE BLOODY NERVE.
TRYING TO POACH YOU FROM US.
444
00:20:00,333 --> 00:20:02,709
AND THAT YOU WOULD
EVEN CONSIDER --
445
00:20:02,709 --> 00:20:04,500
THAT LITTLE SHIT WEASEL,
446
00:20:04,500 --> 00:20:09,333
WITH HIS STUPID...SCARVES
AND HIS OBSEQUIOUS MEWLING.
447
00:20:09,333 --> 00:20:10,792
EVEN WHEN HE FIRST STARTED
WORKING FOR US --
448
00:20:10,792 --> 00:20:12,125
"BEV, DARLING!
449
00:20:12,125 --> 00:20:14,000
CAN I GET YOU
A LITTLE CAPPUCCINO?
450
00:20:14,000 --> 00:20:15,625
HOW DO YOU LIKE
YOUR FOAM?"
451
00:20:15,625 --> 00:20:17,208
FUCKER!
452
00:20:17,208 --> 00:20:19,041
HEY, DO YOU THINK I LIKE
COMING TO YOU GUYS LIKE THIS?
453
00:20:19,041 --> 00:20:21,208
BUT JUST READ IT.
454
00:20:21,208 --> 00:20:22,667
YOU'LL SEE.
OH, MY GOD.
455
00:20:22,667 --> 00:20:24,875
ARE YOU ACTUALLY ASKING US
456
00:20:24,875 --> 00:20:27,917
TO READ THAT DOUCHE NOZZLE'S
SCRIPT?
457
00:20:27,917 --> 00:20:29,375
HEY.
458
00:20:29,375 --> 00:20:32,125
YOU EXPECT US TO VALIDATE
HIS WONDERFULNESS?!
459
00:20:32,125 --> 00:20:34,250
I JUST --
OF ALL THE APPALLING,
460
00:20:34,250 --> 00:20:37,500
OFFENSIVE, TRULY GALLING THINGS
YOU HAVE DONE
461
00:20:37,500 --> 00:20:40,542
IN THE SHORT TIME
THAT WE HAVE KNOWN YOU --
OW! OW! OW!
462
00:20:40,542 --> 00:20:43,208
SO YOU HAVE NO SELF-AWARENESS!
HIT HIM HARDER!
463
00:20:43,208 --> 00:20:44,291
ALL RIGHT!
464
00:20:44,291 --> 00:20:45,583
NO, MY FRIEND.
465
00:20:45,583 --> 00:20:48,333
WE WILL NOT KILL YOU OFF
FOR ANDREW LESLEY.
466
00:20:48,333 --> 00:20:50,083
IT'S BAD ENOUGH
YOU WRECKED OUR LITTLE SHOW
467
00:20:50,083 --> 00:20:51,333
BY GRAFTING A HOCKEY STICK
ONTO IT.
468
00:20:51,333 --> 00:20:53,083
YOU DO NOT
GET TO WALK AWAY.
469
00:20:53,083 --> 00:20:56,875
YOU WILL STAY HERE IN THE SHIT
WITH THE REST OF US.
470
00:21:09,417 --> 00:21:10,959
[ KNOCK ON DOOR ]
471
00:21:10,959 --> 00:21:12,583
Carol:
MORNING!
472
00:21:14,291 --> 00:21:17,792
SO, UH,
WE MISSED YOU YESTERDAY.
473
00:21:17,792 --> 00:21:19,458
HMM?
6:00 A.M.?
474
00:21:19,458 --> 00:21:20,750
SADDLE UP THE TROOPS?
475
00:21:20,750 --> 00:21:23,417
SHIT.
YEP. [ CHUCKLES ]
476
00:21:23,417 --> 00:21:27,583
EVERYBODY WAS HERE.
THEY ALL BROUGHT THEIR TRUTH.
477
00:21:27,583 --> 00:21:28,625
JESUS. RIGHT.
478
00:21:28,625 --> 00:21:30,083
UH, I, UH...
479
00:21:30,083 --> 00:21:34,375
YEAH, I SHOULD HAVE CALLED,
BUT -- BUT I, UH...
480
00:21:34,375 --> 00:21:35,458
WHAT?
481
00:21:35,458 --> 00:21:37,917
I...
482
00:21:37,917 --> 00:21:40,208
I HAD TO PUT MY DOG DOWN.
483
00:21:40,208 --> 00:21:41,917
OH, MY GOD.
484
00:21:41,917 --> 00:21:43,458
YEAH.
IT WAS PRETTY HORRIBLE.
485
00:21:43,458 --> 00:21:45,333
I'M SO SORRY.
486
00:21:45,333 --> 00:21:47,792
I DIDN'T KNOW
YOU HAD A DOG.
487
00:21:47,792 --> 00:21:51,083
YEAH.
HE WAS A...WEIMARANER.
488
00:21:51,083 --> 00:21:53,458
I'VE HAD HIM
SINCE I WAS LIKE 12.
489
00:21:53,458 --> 00:21:55,250
WOW.
490
00:21:56,625 --> 00:21:58,417
HOW OLD WAS HE?
491
00:21:59,667 --> 00:22:01,625
27.
492
00:22:01,625 --> 00:22:03,417
27?
493
00:22:03,417 --> 00:22:06,917
I'VE NEVER HEARD OF A DOG
LIVING THAT LONG.
494
00:22:06,917 --> 00:22:09,083
WELL, NOW YOU HAVE.
495
00:22:09,834 --> 00:22:11,041
WHAT WAS WRONG WITH HIM?
496
00:22:11,041 --> 00:22:13,583
HE WAS FUCKING OLD.
SURE.
497
00:22:14,625 --> 00:22:17,083
DO YOU HAVE
ANY OTHER PETS?
498
00:22:17,083 --> 00:22:19,458
NO.
JUST THE, UH, DOG.
499
00:22:19,458 --> 00:22:21,250
WOW.
YEAH. WOW.
500
00:22:21,250 --> 00:22:24,959
NOW HE'S GONE,
AND IT'S JUST ME, ALONE.
501
00:22:26,041 --> 00:22:28,291
GONNA COME HOME TONIGHT
TO NOBODY.
502
00:22:31,500 --> 00:22:33,125
NOBODY.
503
00:22:36,625 --> 00:22:38,125
I'M ALL ALONE.
504
00:22:40,750 --> 00:22:42,208
I'M SO ALONE.
505
00:22:42,208 --> 00:22:44,291
OH, YOU'RE NOT ALONE.
506
00:22:44,291 --> 00:22:46,000
I SAID I'M ALONE!
OKAY.
507
00:22:46,000 --> 00:22:49,041
NOW I'VE LOST COUNT, AND I'VE
GOT TO START ALL OVER AGAIN.
508
00:22:51,000 --> 00:22:53,125
YOU KNOW...
509
00:22:53,125 --> 00:22:56,709
SOMETIMES IT'S NICE TO HAVE
A LITTLE ALONE TIME --
510
00:22:56,709 --> 00:23:00,208
SOAK IN A TUB,
FINISH THAT STEPHEN KING BOOK.
511
00:23:00,208 --> 00:23:02,041
PLEASE STOP TALKING.
SURE.
512
00:23:02,041 --> 00:23:04,417
[ SIGHS ]
NO. I'M FINE.
513
00:23:04,417 --> 00:23:05,500
I'M FINE.
514
00:23:05,500 --> 00:23:07,000
I KNOW YOU ARE.
515
00:23:07,000 --> 00:23:08,291
SORRY.
516
00:23:08,291 --> 00:23:10,375
[ SIGHS ] OKAY.
DO ME A FAVOR.
517
00:23:10,375 --> 00:23:12,500
GET ME EVERYONE'S NAME
WHO WAS THERE YESTERDAY.
518
00:23:12,500 --> 00:23:14,041
I WANT TO APOLOGIZE TO THEM
PERSONALLY.
519
00:23:14,041 --> 00:23:16,000
THAT'S SO NOT NECESSARY.
520
00:23:16,000 --> 00:23:18,250
NO, NO. THEY DESERVE THAT.
THEY'RE GOOD PEOPLE.
521
00:23:18,250 --> 00:23:19,709
WELL, ALL RIGHT.
522
00:23:19,709 --> 00:23:21,208
GREAT.
523
00:23:21,208 --> 00:23:22,834
AND WE'LL JUST RESCHEDULE.
524
00:23:22,834 --> 00:23:24,041
WHEN DO YOU WANT TO DO IT?
525
00:23:24,041 --> 00:23:25,625
NOW.
N-NOW?
526
00:23:25,625 --> 00:23:28,208
I WANT TO DO IT
RIGHT NOW.
527
00:23:28,208 --> 00:23:30,375
I DON'T KNOW
IF EVERYONE'S AVAILABLE.
528
00:23:30,375 --> 00:23:32,291
THEN WE'LL DO IT OURSELVES.
WE DON'T NEED THEM.
529
00:23:32,291 --> 00:23:33,917
FUCK THEM.
FUCK THEM!
530
00:23:33,917 --> 00:23:36,709
OKAY.
CONSIDER THEM FUCKED.
531
00:23:36,709 --> 00:23:38,375
[ CHUCKLES ]
532
00:23:38,375 --> 00:23:40,125
[ TYPEWRITER CLICKING,
BELL CHIMES ]
533
00:23:40,125 --> 00:23:41,375
KNOCK, KNOCK.
534
00:23:41,375 --> 00:23:42,750
HELLO.
535
00:23:42,750 --> 00:23:45,834
SO, MATT JUST TOLD ME ABOUT
WANTING TO LEAVE THE SHOW.
536
00:23:45,834 --> 00:23:47,208
HE'S NOT GOING ANYWHERE.
537
00:23:47,208 --> 00:23:49,125
I HOPE NOT.
I CAN'T IMAGINE IT WITHOUT HIM.
538
00:23:49,125 --> 00:23:50,583
GOOD,
'CAUSE YOU WON'T HAVE TO.
539
00:23:50,583 --> 00:23:53,333
SURE.
BUT SAY IT DOES COME TO THAT.
540
00:23:53,333 --> 00:23:55,375
GOD FORBID.
WHICH IT'S NOT GOING TO.
541
00:23:55,375 --> 00:23:58,417
NO. I KNOW.
BUT SAY IT DOES.
542
00:23:58,417 --> 00:24:01,875
I JUST WANT YOU GUYS TO KNOW --
I CAN SKATE.
543
00:24:02,917 --> 00:24:04,417
WHAT?
544
00:24:04,417 --> 00:24:06,291
I COULD TOTALLY COACH
THAT TEAM.
545
00:24:06,291 --> 00:24:08,000
I COULD PLAY HIS PART
IN MY SLEEP.
546
00:24:08,000 --> 00:24:10,291
ARE YOU SUGGESTING
YOU REPLACE MATT?
547
00:24:10,291 --> 00:24:11,875
IT COULD TOTALLY WORK!
548
00:24:11,875 --> 00:24:13,583
YOU'D GET A TON OF STORIES
FROM IT.
549
00:24:13,583 --> 00:24:16,583
THE LIBRARIAN BECOMES THE COACH?
I'D WATCH THAT.
550
00:24:16,583 --> 00:24:17,959
R-RIGHT.
551
00:24:17,959 --> 00:24:23,291
WELL, UH, WHY DON'T YOU LET US
DISCUSS THIS?
552
00:24:23,291 --> 00:24:24,500
ABSOLUTELY.
553
00:24:24,500 --> 00:24:26,166
AND -- JUST SAYING --
I THINK IT MAKES
554
00:24:26,166 --> 00:24:28,250
A STRONG FEMINIST STATEMENT
HAVING A FEMALE COACH.
555
00:24:28,250 --> 00:24:31,333
PLUS, IMAGINE THESE
ON ICE.
556
00:24:37,458 --> 00:24:39,208
ALL RIGHT.
LET'S DO SOME DAMAGE HERE.
557
00:24:39,208 --> 00:24:41,417
READY!
MONDAY, 8:00.
558
00:24:42,375 --> 00:24:44,500
"PUCKS."
BYE-BYE!
559
00:24:45,250 --> 00:24:46,375
8:30 --
560
00:24:46,375 --> 00:24:51,166
UM...CAN WE BACK UP TO 8:00
FOR A SEC?
561
00:24:51,166 --> 00:24:53,041
WHAT ARE YOU DOING?
WHAT...
562
00:24:53,041 --> 00:24:54,792
[ SIGHS ]
I LIKE "PUCKS."
563
00:24:54,792 --> 00:24:55,959
NO.
I'M SORRY.
564
00:24:55,959 --> 00:24:58,166
I KNOW IT DOESN'T REINVENT
THE WHEEL.
565
00:24:58,166 --> 00:25:00,542
BUT I BELIEVE
IN THESE WRITERS,
566
00:25:00,542 --> 00:25:02,834
AND THE SHOW HAS NEVER GOTTEN
A FAIR SHAKE.
567
00:25:02,834 --> 00:25:05,458
I SAY WE GIVE IT
ONE MORE CHANCE.
568
00:25:05,458 --> 00:25:08,500
THAT'S MY TRUTH.
569
00:25:09,375 --> 00:25:11,750
AND IT NEVER GOT
A FAIR SHAKE WHY?
570
00:25:11,750 --> 00:25:15,750
BECAUSE IT'S -- IT'S OPPOSITE
THAT STUPID TALKING DOG.
571
00:25:15,750 --> 00:25:17,792
ANYTHING AGAINST IT
IS GONNA GET BURIED.
572
00:25:17,792 --> 00:25:20,750
EXPLAIN TO ME WHY THAT'S A HIT.
SERIOUSLY, WHAT THE FUCK?
573
00:25:20,750 --> 00:25:22,291
SO IT'S A DOG THAT TALKS.
574
00:25:22,291 --> 00:25:23,750
IT SAYS FUNNY THINGS.
575
00:25:23,750 --> 00:25:25,750
[ SIGHS ] I SO SHOULDN'T BE
IN THIS BUSINESS.
576
00:25:25,750 --> 00:25:27,792
I LOOK AT THAT SHOW.
I THINK IT'S INSIPID.
577
00:25:27,792 --> 00:25:31,250
IT DOESN'T MAKE ME LAUGH.
I DON'T EVEN LIKE DOGS.
578
00:25:31,250 --> 00:25:34,333
EXCEPT, OBVIOUSLY, FOR...
579
00:25:36,125 --> 00:25:37,542
...ZOLOFT.
580
00:25:37,542 --> 00:25:39,834
MM.
581
00:25:39,834 --> 00:25:42,959
[ INDISTINCT CONVERSATIONS ]
582
00:25:44,542 --> 00:25:46,166
HEY.
583
00:25:46,166 --> 00:25:48,125
WE HAVE TO TALK.
584
00:25:48,125 --> 00:25:50,000
UH-OH.
NO. IT'S GOOD.
585
00:25:50,000 --> 00:25:51,500
REALLY GOOD.
586
00:25:52,500 --> 00:25:53,959
YOU SLEPT WITH HIM.
587
00:25:53,959 --> 00:25:55,458
WHO? OH!
588
00:25:55,458 --> 00:25:56,917
NO, NO.
589
00:25:56,917 --> 00:25:58,750
[ SIGHS ]
NO.
590
00:25:59,291 --> 00:26:01,542
BUT IT'S STILL GOOD.
591
00:26:01,542 --> 00:26:04,583
CASTOR WANTED TO CANCEL
"PUCKS."
592
00:26:04,583 --> 00:26:07,166
OH, MY GOD.
WAIT. WAIT.
593
00:26:07,166 --> 00:26:11,542
BEFORE YOU FREAK OUT --
I MANAGED TO TALK HIM OUT OF IT.
594
00:26:11,542 --> 00:26:14,500
AND WE'RE MOVING THE SHOW
TO A NEW NIGHT
595
00:26:14,500 --> 00:26:17,792
SO YOU'RE NOT OPPOSITE
THE TALKING DOG.
596
00:26:17,792 --> 00:26:19,542
[ LAUGHS ]
TA-DA!
597
00:26:19,542 --> 00:26:21,458
OH. GREAT.
NO, NO, NO.
598
00:26:21,458 --> 00:26:22,875
IT'S A GOOD THING.
599
00:26:22,875 --> 00:26:25,625
AND NOT LIKE SOMETIMES
WHEN I SAY IT'S A GOOD THING.
600
00:26:25,625 --> 00:26:28,291
IT'S ACTUALLY A GOOD THING.
601
00:26:28,291 --> 00:26:29,875
MM...
602
00:26:29,875 --> 00:26:31,417
WHAT?
603
00:26:31,417 --> 00:26:32,875
IT'S JUST...
604
00:26:37,083 --> 00:26:40,083
Sean and I are having
a very tough time with it.
605
00:26:40,083 --> 00:26:43,208
WE WOULD DO SO MUCH BETTER
IF THE SHOW WENT AWAY
606
00:26:43,208 --> 00:26:47,417
AND WE COULD GO HOME,
WHERE THERE AREN'T AS MANY...
607
00:26:47,417 --> 00:26:49,542
GHOSTS.
608
00:26:52,417 --> 00:26:56,834
SO YOU COULD JUST, LIKE,
PACK UP AND GO HOME?
609
00:26:56,834 --> 00:26:59,625
SERIOUSLY.
WITHOUT LOOKING BACK.
610
00:27:00,667 --> 00:27:02,000
WOW.
611
00:27:02,000 --> 00:27:03,333
WHAT?
612
00:27:03,333 --> 00:27:04,917
IT'S...
613
00:27:04,917 --> 00:27:07,417
IT'S...NOTHING.
614
00:27:12,208 --> 00:27:13,291
WHAT --
I JUST...
615
00:27:13,291 --> 00:27:15,166
I GUESS
I JUST DIDN'T REALIZE
616
00:27:15,166 --> 00:27:17,125
THERE WAS SO LITTLE HERE
FOR --
617
00:27:17,125 --> 00:27:20,166
BUT THAT'S FINE.
REALLY.
618
00:27:20,166 --> 00:27:22,041
I GET IT.
[ LAUGHS ]
619
00:27:22,041 --> 00:27:24,709
I JUST -- I WOULD HAVE THOUGHT
THAT THERE WERE --
620
00:27:24,709 --> 00:27:27,208
THERE WERE...THINGS,
PEOPLE.
621
00:27:27,208 --> 00:27:29,792
BUT CLEARLY...
622
00:27:29,792 --> 00:27:32,250
YOU KNOW, I DON'T EVEN LIKE
"PUCKS" THAT MUCH.
623
00:27:32,250 --> 00:27:33,875
I JUST DID THIS FOR YOU.
624
00:27:33,875 --> 00:27:34,834
WHAT'S GOING ON?
625
00:27:37,083 --> 00:27:38,792
[ CLEARS THROAT ]
626
00:27:38,792 --> 00:27:41,500
CASTOR WANTED TO CANCEL
"PUCKS."
627
00:27:41,500 --> 00:27:43,333
WHAT?!
IT'S OKAY. RELAX.
628
00:27:43,333 --> 00:27:45,125
I TALKED HIM OUT OF IT.
629
00:27:45,125 --> 00:27:48,667
YOU -- JESUS CHRIST.
YOU TALKED HIM OUT OF IT?!
630
00:27:48,667 --> 00:27:51,667
GOD DAMN IT.
FUCK YOU, CAROL!
631
00:27:55,834 --> 00:27:58,041
AT LEAST HE KNEW
YOUR NAME.
632
00:27:58,041 --> 00:27:59,709
WHAT JUST HAPPENED?
633
00:27:59,709 --> 00:28:02,792
CASTOR WANTS TO CANCEL "PUCKS."
CAROL CONVINCED HIM NOT TO.
634
00:28:02,792 --> 00:28:04,041
THEY'RE GONNA TRY US
ON A DIFFERENT NIGHT
635
00:28:04,041 --> 00:28:05,208
SO WE'RE NOT OPPOSITE
THE DOG.
636
00:28:05,208 --> 00:28:07,500
OH, MY GOD!
THAT'S FANTASTIC!
637
00:28:07,500 --> 00:28:09,792
YOU'RE AMAZING!
THANK YOU SO MUCH!
638
00:28:09,792 --> 00:28:11,834
TOO LATE!
43292
