Original subtitles

That's my favorite. - An ice cream truck?

Come on. What tour has an ice cream truck?

Thanks, hi. - Oh, my God! This is great.

So let's see what you have.

Pumpkin pie ice cream? - It's awesome. It's really good.

Carrot cake. Honey, you love... - They just ran out.

They told me they just ran out. - No.

All I have is bottled water now. - Wait. Chocolate covered pretzels?

What a pushover you are. - I wanna taste the mocha-java.

The mocha-java? - I'm trying to lose weight though.

But I'm gonna go for it anyway.

Hi.

Hi, girls. - Hi, Barbra.

Hi, guys. Hi, everybody.

Every time Barbra hits the road, she wants to say,

"What can I bring the audience? What can be special?"

Sit, Sammie.

And as her distinctive and instinctive musical tastes go to work,

Barbra finds it.

Somebody crowd me with love

Was that the... - That was the slowdown.

But the drum was still going fast.

Right. You need to go to the new tempo after that.

There's always a reluctance on her part to dive into one of these things.

Because it is such an enormous undertaking.

She really customizes the show.

Not only for the audience, but to keep herself interested.

Don't you do it

That's a good thing.

You never think, "My God, she doesn't know what she's singing about."

You always feel there's a truth in what she's singing.

But I need that tremolo strings.

It's like, I want to feel like Papa is coming here.

Yeah, like that. That's beautiful.

Watch me fly

I don't put on that much makeup really.

I just make it a little bit more dramatic.

I've done it from the beginning.

When I was doing Funny Girl, they said, "We're gonna make you up."

I said, "What?"

I said, "Well, let's do a test. Let's do two tests.

You make me up for one and I'll make myself up for one."

And they did agree with me that mine was better.

That's that.

Okay.

Ladies and gentlemen, please be reminded the lights will dim promptly.

Only think about Act I. Do not worry about anything else.

Act I. - One song at a time and enjoy it.

Take your seats. The show is about to begin. Thank you.

One more time.

Okay. Stand by, house lights. Stand by, Pro Tools and video.

House lights out. Go.

Pro Tools and video. Go.

There's a nervousness that she's had all of her life.

Primarily because she likes to really be in control.

And when you're performing, you're not in control.

"I always could do better," she'll say.

"Why did I go for that note instead of that note?

Why did I wear this dress instead of that dress?"

It's always a continual frustration on her part

that something else could've been done to make it better.

Whoo!

Oh, that's so nice. Thank you.

Whoo!

So sweet, so sweet.

Thank you and welcome.

Oh.

And this is what the evening is all about.

You can close your mouth now.

Ooh, it's about mem'ries

Light the corners of my mind

Misty watercolor mem'ries

Of the way we were

Yes, those scattered pictures

Ooh, of the smiles we left behind

Smiles we gave to one another

For the way we were

Can it be that it was all So simple then?

Can it be?

Or has time rewritten every line?

If we had the chance To do it all again

So tell me, would we?

Yes!

Could we?

Yes!

Mem'ries

May be beautiful and yet

What's too painful to remember

We simply choose to forget

So it's the laughter

The laughter we'll remember

Whenever we remember

The way we were

The way we were

Mem'ries

My gosh!

Thank you. Thank you so much. Thank you.

You know, it's been a very interesting time in the news recently.

But I'm not going there.

'Cause we'd be here all night, you know.

Uh, let me just say that music transcends politics.

And for me, in between planning this show and rehearsals,

I've been writing a book,

an autobiography this time.

And I thought I'd better do it now

before my memory gets any more misty and watercolored, you know.

So anyway, and writing this book reminded me

of how much I've enjoyed making records all these years.

And one of the reasons is that-

One of the reasons is that I'm in control of my own work.

And my brilliant manager, Marty Erlichman,

who's been with me since I was 19 years old...

negotiated a fantastic contract, a first contract with a record label,

that allowed me to have full creative control,

even down to the artwork of my album covers.

And it was good because the record company came up with a title for my first album,

Sweet and Saucy Streisand.

Sounds like a barbecue sauce, you know?

But Marty is here tonight. He's been my manager for over 50 years and, uh-

Hey, Marty!

And to give you an idea of how long that was,

it was when a tweet was what a bird did,

and the only people who had cell numbers were in jail.

So when we were putting this show together,

Marty told me something that gave me an idea for the first act.

He told me that I had 10 number-one albums

in, uh- over six decades, he said.

It's okay. I didn't mean to have applause there, but it's just a fact.

And I thought, "My God, have I been around that long?"

I guess so. So tonight I'm going to do a song

from each one of those albums.

And the next song is from A Star is Born.

And if you're wondering what I was wearing during that shoot...

it was Musk.

I loved making this movie in the 1970s

when women were beginning to really assert their need for equality.

And I wanted the female character to own that feminist spirit.

And this was my philosophy then,

and it still is now.

I want to learn

What life is for

I don't want much

I just want more

Ask what I want

And I will sing

I want everything

Everything

I'd cure the cold

And the traffic jam

Now, if there were floods

I'd give a damn

I'd never sleep

I'd only sing

Let me do everything

Everything

I'd like to plan a city

And play the cello

Play at Monte Carlo

Yes!

Play Othello

Move into the White House

Paint it yellow

Speak Portuguese and Dutch

And if it's not too much

I'd like to have the perfect twin

One who'd go out as I came in

I've got to grab the big brass ring

So I'll have everything

Everything

I'm like a child who's set free

At the fun fair

Every ride invites me

And it's unfair

Saying that I only

Get my one share

Doesn't seem just

I could live as I must

If they'd give me the time

To turn the tide

And always save room

For hope inside

I only know that love can bring

More of everything

Much more of everything

Then I'll have everything

Then I'll have everything

Everything

And then I'll have

Everything

Oh, good. Thank you.

Thank you so much.

I think we all want everything, don't we? Right?

Family life, work.

I've been blessed that so many of my dreams have come true.

So all you little girls out there,

even if you want to be president of the United States,

don't stop dreaming.

Nothing's impossible.

Now, back to history.

In 1974, there was a lot of social unrest in the country.

And songwriters were writing about it.

Carole King wrote this one that spoke to the times.

And sadly, it still kind of does.

Everyone comes from

One father one mother

So why do we complicate Our lives so much?

By being at war with each other

Maybe I'm crazy

But I don't understand it

Why do we seem to vote To dig more holes

It's such a waste of a planet

There must be a reason

That I can't see

Maybe somebody else knows

Knows better than me

All I know is

Everyone else is

A sister or brother

So we've got to look around again And stop

Being at war with each other

Being at war

With each other

Maybe I'm crazy

But I don't No, I don't understand it

There must be a reason

There must be a reason

There must be a reason

There must be a reason

That I can't see

Maybe somebody else knows

Better than me

All I know is

Everyone else is

A sister or brother

So we've got to look around again And stop

Being at war with each other

Being at war

With each other

I sang this one when I was trying to be hip, you know, in the '70s.

I love Donna Summer.

Don't put up with his stuff Don't you do it

Don't you do it

Now if you've had your fill Get the check pay the bill

You can do it

Tell him to just get out

Nothing left to talk about

Pack his raincoat, show him out

Just look him in the eye And simply shout

Enough is enough, is enough

I can't go on I can't go on no more, no

Enough is enough, is enough

I want him out I want him out that door now

I always dreamed I'd find the perfect lover

But he turned out to be

Like every other man I've loved

I had no choice from the start - I've loved

I've loved

I have to listen, but my heart - I've loved

Tearing us apart

I've loved

Enough is enough, is enough

I can't go on I can't go on no more, no

Enough is enough, is enough

I want him out I want him out that door now

Enough is enough, is enough

Is enough, is enough, is enough

Is enough, is enough, is enough

Like this?

Wow!

I'm so glad you like that.

How about my girls, right? I always wanted to sing with backup girls.

Meet Andrea, Stevvi, and Amy.

Oh, my God.

Thank you, girls.

Now, for my next song.

Oh, yes.

Yes, uh, it's funny. When I wrote the melody to this song,

I had no idea it would become a hit.

It actually was Marty who said, when I played it for him,

"That's gonna be a hit." I thought he was kidding, you know.

But it took me, gosh, almost a year, to learn how to play the guitar

for a scene in A Star is Born.

And I cut it out, stupidly, actually,

because I wanted to move the picture along, you know, so--

I'll show you a little bit more of it, okay?

If you don't like it, I'd like you to tell me, okay?

Mm-hmm. I will tell you.

If you laugh, I'll kill you.

I promise I won't laugh.

Okay.

Take a breath, Barbra. That's right.

So that was... of course before it had words.

Love - Sing it, Barbra!

Thank you.

Soft as an easy chair

Love

Fresh as the morning air

One love

That is shared by two

I have found with you

Like a rose

Under the April snow

I was always certain love would grow

Love

Ageless and evergreen

Evergreen

Seldom seen by two

You and I

Will make each night a first

And every day a beginning

Ooh, spirits rise

Spirits rise

And their dance is unrehearsed

They warm and excite us

'Cause we have the brightest love

Two lights that shine as one

Morning glory

And the midnight sun

Time, we've learned to sail above

Time - Time won't change

The meaning of

One love

Ageless and ever

Evergreen

So evergreen

I'm so glad you like that. Thank you.

We love you, Barbra!

Thank you. Thank you. I'm feeling the love. I am, I am, I am.

It's wonderful.

Wonderful to feel it.

Thank you, thank you.

I've known songwriters Marilyn and Alan Bergman for, oh, my gosh,

since I was 18 years old.

And over the years, I've recorded, I'd say,

well, at least 60 songs of theirs.

And when they wrote "You Don't Bring Me Flowers," uh...

Neil Diamond and I each recorded it on our own solo albums.

And here's the interesting part.

There was a deejay in Kentucky

who was going through a divorce

and the lyrics really moved him.

And he discovered that both of our versions were in the same key.

So he decided to splice them together,

kind of like a dialogue between him and his wife, I think,

and it's been good for florists ever since.

You don't bring me flowers

You don't sing me love songs

You hardly talk to me anymore

When I come through the door At the end of the day

I remember when

You couldn't wait to love me

You used to hate to leave me

Now after lovin' me late at night

When it's good for you

And you're feeling all right

Well, you just roll over

And turn out the light

And you don't bring me flowers

Anymore

It used to be so natural

To talk about forever

But used-to-bes don't count anymore

They just lay on the floor Till we sweep them away

And baby, I remember

All the things you taught me

I learned how to laugh

And I learned how to cry

Well, I learned how to love

I, I even learned how to lie

So you'd think I could learn

How to tell you

Good-bye

'Cause you don't say you need me

You don't sing me love songs

And you don't

Bring me flowers

Anymore

Thank you, what a great audience.

Thank you so much.

Thank you.

This next one is The Broadway Album, right, behind me?

Well, this cover has a little story behind it too.

The chair that I'm sitting in

is a reference to the fact that in my first Broadway show,

I Can Get It for You Wholesale,

I played a character named Miss Marmelstein.

Some of you saw it?

Really?

Whoa.

She was a secretary who sang about her plight, you know,

while seated in a rolling secretarial chair.

And if you wanna know more about that chair,

you're gonna have to wait to read about it in my book.

Because the chair actually has its own chapter.

In 1986, I said that I wanted to do an album of Broadway songs.

They said, "Why would you do that? You know,

your last pop albums, Guilty, Superman, they were hits.

Why do you want to do something different?"

They said, "Nobody wants to hear old"-- How did they say? "Show tunes."

"Old show tunes. They won't sell. They're out of date."

But I loved the idea

of going back to my theatrical roots.

So I made the record anyway.

And I have to admit,

it was a really good feeling when it went to number one.

Because in my opinion, this kind of music will never be out of date.

And thank God, most of you agree.

And recording The Broadway Album

gave me a chance to work closely with Stephen Sondheim,

who wrote this next song from Company.

It takes place in New York City.

It's the main character's birthday.

And he's surrounded by his friends, but he still feels alone.

And he realizes that he's never really been in love, you know.

And he's at a point in his life where

he'd just like to feel something, anything.

And his friends say, "Bobby, what you need is..."

Someone to hold you too close

Someone to hurt you too deep

Someone to sit in your chair

And ruin your sleep

And make you aware

Of being alive

Someone to need you too much

Someone to know you too well

Someone to pull you up short

And put you through hell

And give you support for being alive

Being alive

Make me alive

Make me confused

Mock me with praise

Let me be used

Oh, vary my days

But alone is alone

Not alive

Somebody crowd me with love

Somebody force me to care

Somebody make me come through I'll always be there

As frightened as you To help us survive

Being alive

Being alive

Being alive

Yes, being alive

Whoo!

You're wonderful.

Thank you. Thank you so much.

I love directing movies.

To be a director, you know, you have to have a vision. You have to...

Well, you have to like telling people what to do.

That's actually your job.

Your job is telling people what to do and that suits me fine.

Seriously, I'm eternally grateful as an actress

that my first movie

was directed by one of the world's greatest directors, William Wyler.

I adored Willy.

Willy guided his films with a firm hand and a clear vision.

But he also encouraged me to express my ideas.

Some he liked, some he didn't.

But he was always willing to listen.

And over the years, with every film I made as an actress,

I got more and more interested in the technical aspects of filmmaking.

Especially cinematography, actually.

'Cause I had a wonderful cameraman named Harry Stradling.

And he lit my first four films.

And he loved what he did and always encouraged me to direct.

But it took 14 years to get my first film on the screen as a director.

But I loved the challenge of how to tell a story.

Most of all, getting the best performances out of the actors.

This was Sydney Pollack from The Way We Were.

That was during Nuts.

Interesting movie, wasn't it?

That's Andrzej Bartkowiak, my wonderful cameraman.

And this was on the set of The Prince of Tides.

With my son, my dear son, Jason, who was so good.

And Nick Nolte and Blythe Danner, who were so great to work with.

You should've got an Oscar.

This is Nick, always trying to make me laugh.

And this is my dear Pat Conroy teaching me the shag.

And this is, uh, The Mirror Has Two Faces with the great Jeff Bridges.

And my dear friend Marvin Hamlisch, who scored the movie.

But...

Wow, that's so nice.

But the movies that I've directed were all labors of love for me.

But I have a special fondness for Yentl, of course, because...

It was a movie set in 1904.

And it's the story of a woman who didn't want to get married.

She wanted to get an education,

which was denied to her simply because of her gender.

Directing Yentl was a very gratifying experience for me in so many ways.

I guess it's true what they say too. "There's nothing like your first time."

In this song...

Yentl's father has just died.

She sets off to pursue her dream.

And it's her first night alone in a forest.

God

Our heavenly father

Oh, God

And my father

Who's also in heaven

May the light Of this flickering candle

Illuminate the night

The way your spirit

Illuminates my soul

Papa, can you hear me?

Papa, can you see me?

Papa, can you find me in the night?

Papa, are you near me?

Papa, can you hear me?

Papa, can you help me Not be frightened?

Looking at the skies

I seem to see a million eyes

Which ones are yours?

Where are you now that yesterday Has waved good-bye

And closed its doors?

The night is so much darker

The wind is so much colder

The world I see is so much bigger

Now that I'm alone

Papa, please forgive me

Try to understand me

Papa, don't you know I had no choice?

Can you hear me praying?

Anything I'm saying?

Even though the night Is filled with voices

I remember everything you taught me

Every book I've ever read

Can all the words in all the books

Help me to face what lies ahead?

The trees are so much taller

And I feel so much smaller

The moon is twice as lonely

And the stars are half as bright

Papa, how I love you

Papa, how I need you

Papa, how I miss you

Kissing me

Good night

Papa, I can hear you

Papa, I can feel you

Papa, how I love you

Papa

Watch me fly

Thank you for calling Joe's Stone Crab takeaway. Can I help you?

Hi, it's Barbra.

Oh, Ms. Streisand. How are you? I didn't realize it was you on the phone.

I'm in between acts, Charlie,

but I wanna make sure you got my order for after the show.

Yes, five orders of large stone crabs.

Mustard sauce, one of Joe's famous coleslaw.

You know that fried chicken you have on the kids' menu?

A few orders of that too, okay? - Great.

Can you deliver it to the hotel?

Not a problem. We'll have the order set up and ready for you very shortly.

Perfect. - Yes.

Enjoy your stay in Miami and we always look forward to seeing you here at Joe's.

Take care, Charlie. - You too.

Thank you.

You like it?

You got it.

Oh.

Thank you, thank you, thank you. - Hello, gorgeous!

Hello, gorgeous! - "Hello, gorgeous" to you too.

So, does the world ever frighten you?

It frightens me sometimes.

Especially what's happening to our planet.

We're experiencing the hottest temperatures on record.

But you know that already.

Our lakes are drying up.

The bees that are responsible for our food supply,

beautiful butterflies are disappearing.

The glaciers are melting.

Polar bears are stranded.

Our marine life is dying.

Storms are becoming more extreme.

The oceans are filling up with garbage.

We're tampering with the very gentle balance of nature.

But I think change starts from within.

So when I'm feeling anxious...

what I do is I just close my eyes...

make a wish...

I go into my mind

and create the world the way I want it to be.

Come with me

And you'll be

In a world of pure imagination

Take a look

And you'll see

Into your imagination

We'll begin

With a spin

Traveling in the world of my creation

What we'll see

Will defy

Explanation

If you wanna view paradise

Simply look around and view it

Anything you want to, do it

You wanna change the world

There's nothing to it

There is no life I know

To compare with pure imagination

Living there you'll be free

If you truly wish

To be

If you want to see magic lands

Close your eyes and you will see one

You wanna be a dreamer, be one

Anytime you please

And please save me one

There is no place to go

To compare with pure imagination

So go there to be free

If you truly wish to be

So go there

To be free

If you truly wish

To be

Yes, yes, it's true.

I recently learned that,

uh, 375 scientists,

the world's leading scientists, I mean, including 30 Nobel Prize winners,

have stated that climate change is very real. And--

Even the Pentagon says that it poses immediate risks

to our national security.

So attention must be paid.

Now, earlier this year, I released an album called Encore,

which...

which is a collection of Broadway duets with movie actors who sing.

And some of the songs have dialogue,

and I was really thrilled when it opened at number one on the chart,

which makes it 11, but who's counting?

And that's why I needed, you know, great actors

like Alec Baldwin, Anne Hathaway,

Melissa McCarthy, Hugh Jackman.

Yeah, I got to sing with Wolverine.

I thought I had long nails, you know.

But what a cast. It was so much fun.

I mean, I thought I would show you a little behind-the-scenes video

so you can see what I mean, okay?

Surprise!

Hey.

When I heard Barbra Streisand wanted to work with me,

it honestly shocked the hell out of me, it still shocks me.

I thought, "Oh, God. This must be some mistake." But here I am.

At first, I thought she wanted to make an album just with me, which I-

As flattered as I was, I knew there must be a mistake there somewhere.

I tell you what, man. She's on top of it, baby.

Quincy. - Yeah, man.

All right. - That's right.

Man, you got to be on point, man.

I can't wait for my mom to see this. 'Cause my mom's straight hood.

"Ooh, Barbra. Ooh, you was at Barbra Streisand's.

Ooh, I love her."

The voice of Barbra is extraordinary.

It's just velvet.

[Barbra] Anne, you look beautiful.

Thank you. - Beautiful.

When I got the e-mail about it, my wife, who's the biggest Streisand fan.

She read it and she screamed.

I was like, "I don't know how on earth this has happened."

And she goes, "But you're doing it!" I said, "Of course I'm doing it."

Once I got over the shock, I was so, so thrilled.

You know, maybe try one a little bit more exasperated.

Takes you a long time to figure it out. - Yeah. She's a little... you know.

Barbra, you have to stop riding me. Jesus!

This is my friend, Melissa. - Crazy.

I'm Barbra, and, uh-

I don't know if you really have to introduce yourself to anyone.

Well, I'm humble. - I'm just saying.

You know, I heard you had a Starbucks in your house.

You heard what? - All the employees have to wear cashmere.

I absolutely loved having her direct me.

It feels fun, and yet you know that what she's saying, you're in good hands.

Beautiful, a thing of beauty.

I think I was as nervous being directed by her as I was singing with her.

But she was great. I went from being like, "I can't do it."

To like, "Yeah, okay. I fit here somehow."

And it worked out.

Any part you can play I can play better

Whoo, good. - Now you sing-

Yeah? - Yeah, that was good.

Let me just have this moment.

[Barbra] Oh, she was so cute. Thank you, thank you.

The next song from the new album is very personal to me.

Uh, my duet partner, Anthony Newley,

was a close friend, a great entertainer

and he performed this song in a Broadway show that he cowrote

called The Roar of the Greasepaint, the Smell of the Crowd.

Who can I turn to?

When nobody needs me

My heart wants to know

And so I must go

Where destiny leads me

With no star to guide me

And no one beside me

I'll go on my way and after the day

The darkness will hide me

And maybe tomorrow

I'll find what I'm after

He had such a great voice.

I'll throw off my sorrow

Beg, steal, or borrow My share of laughter

With you I could learn to

With you on a new day

But who can I turn to If you turn away?

Tony had many layers.

He was a complex man,

but yet he could be very childlike.

He was extremely sensitive

and he was someone who felt deeply.

With no star to guide me

And no one beside me

I'll go on my way and after the day

The darkness will hide me

And maybe tomorrow - Maybe tomorrow

I'll find what I'm after - Will I find it?

I'll throw off my sorrow

I may have to borrow

My share of laughter

With you I could learn to

With you I could learn to

With you on a new day - With you on a new day

But who can I turn to If you turn away?

Don't turn away

Who can I turn to

If you turn

Away?

Don't turn away

Who can I turn to?

I'm glad you like that.

Did you ever carry a torch, anybody here?

I'm not talking about the one like they light at the Olympics.

I mean in the heart.

Yeah. That's for you, Barbra. - Yeah, see?

Oh, that's nice.

Uh, but it's one that continues to burn

for that person who got away.

And that's the kind of heartburn you can't get rid of with a Zantac, you know.

Let me tell you.

This next song is from a show called Follies and...

the character is carrying one of those torches

for someone that she just can't get out of her head.

The sun comes up

I think about you

The coffee cup

I think about you

I want you so

It's like I'm losing my mind

The morning ends

I think about you

I talk to friends

And think about you

And do they know?

It's like I'm losing my mind

All afternoon doing every little chore

The thought of you stays bright

Sometimes I stand In the middle of the floor

Not going left

Not going right

I dim the lights

And think about you

Spend sleepless nights

To think about you

You said you loved me

Or were you just being kind?

Or am I losing my mind?

All afternoon doing every little chore

The thought of you stays bright

Sometimes I stand In the middle of the floor

Not going left

Not going right

I dim the lights

And think about you

Spend sleepless nights

To think about you

You said you loved me

Or were you just

Being kind?

Or am I losing

My mind

Thank you.

Thank you. Thank you so much.

A few years ago,

I went to Lincoln Center for this lovely tribute event.

I kind of enjoyed it. Well, it was a tribute to me.

So, uh...

It was, uh, the Charlie Chaplin Award, which I really love.

And my friend, Liza Minnelli, performed a song there for me.

It was so beautiful, the song.

But I couldn't place where it was from, you know, or why she was singing it.

I just didn't recognize it.

So I asked her after the show. I said, "Liza, why did you sing that song?

I mean, it was familiar, but why?"

She said, "Barbra, you sang it in Funny Lady."

Hello.

So as you may know, in the story of Funny Girl, uh,

Nicky leaves Fanny, right?

At the end of Funny Girl.

And in Funny Lady, she meets this guy called Billy Rose,

a theatrical kind of impresario of sorts.

He's funny, brash, kind of like Fanny herself.

And in her own words,

Fanny said she was in love, madly in love with Nick.

But she was just "in like" with, uh, Billy Rose, you know.

And out of loneliness, trying to forget the elegant Nicky Arnstein,

she marries Billy anyway.

And this scene, uh...

where this song comes from, is on a train and it's their honeymoon.

He leaves the compartment for a moment

and she's trying to convince herself that she's made the right decision.

I loved a man

Truly I did

You must be big fans.

When he would touch me I'd act like a love-hungry kid

Isn't this better?

He's somebody nice

Somebody new

Someone who lets me react As I normally do

Isn't this better, better?

Passion is fine

But passion burns fast

Passion's design seems never to last

Better a match

Better a blend

Who needs a lover?

I need a friend

And now I am calm

Safe and serene

Heartache and hurt Are no longer a part of the scene

Isn't this better?

The way it should be

Better for him

And oh, so much better

For me

Nick Arnstein actually appears again in Funny Lady.

He's come backstage after seeing her show.

And Fanny thinks, "Oh, my God.

Maybe he wants to get back together again."

There's a scene in her dressing room

where he puts his hand on her shoulder and...

she sees a wedding ring...

on his finger and, uh...

she realizes he's never coming back.

But Fanny wasn't the type of gal to, uh,

to wallow in misery.

So she will go on.

She'll do another show and another show after that,

as she tries to forget him.

Ain't she got fun?

She's the luckiest one

Oh, every night's a party Where the fun never ends

You can circle the globe With my circle of friends

Someone I am crazy for is crazy for me

I'm his personal pet

Wow, how lucky can you get?

Ain't she got fun?

Yeah, yeah

She's the luck- the luck- the luck-

You sound like a broken record, girls.

The luck, the luck!

You think it's fun being famous?

Having a big career?

Everybody recognizing you?

Having people ask you for autographs when you're eating spare ribs?

Well, let me tell you what it's really like.

It's "fan-fucking-tastic."

Hey, there, gorgeous

Big success

What's your secret, gorgeous?

Just lucky, I guess

Satin on my shoulder And a smile on my lips

Money in my pocket Right at my fingertips

Wrap it up and charge it That's my favorite phrase

When I see the chauffeur Think I'll give him a raise

How lucky

Life's a bed of roses Whirling perfume on me

You can spare me the blues

I don't sing in that key

And if there's a man who'd leave me

I am happy to say

I haven't run into him yet

Gee, wee, wow

How lucky

How lucky can you

Get

I'm so lucky

[cheering continues]

Thank you.

Thank you so much.

Wow, don't fall out of those chairs.

Yeah.

Going back to the younger Fanny,

before she married Nicky.

Boy, was she in love with him.

But everybody told her, even her family, her friends, her girlfriends, you know,

that he was undependable,

he was a gambler, he was a womanizer.

Ever think about what it meant to him?

Stop it! Don't tell me.

Don't tell me not to live Just sit and putter

Life's candy And the sun's a ball of butter

Don't bring around a cloud To rain on my parade

Don't tell me not to fly I've simply got to

If someone takes a spill It's me, not you

Who told you you're allowed To rain on my parade?

I'll march my band out

I'll beat my drum

And if I'm fanned out

Your turn at bat, sir

At least I didn't fake it

Hat, sir, I guess I didn't make it

Get ready for me, love

'Cause I'm a comer

I simply gotta march My heart's a drummer

Don't bring around a cloud To rain on my parade

I'm gonna live and live now

Get what I want, I know how

One roll for the whole shebang

One throw, that bell will go clang

Eye on the target and wham

One shot, one rim shot, and bam

Hey, Mr. Arnstein

Here I am

Oh, no. No.

The ship sailed?

No, it can't be.

No.

My lucky number, 24!

Yeah!

I'll march my band out

I'll beat my drum

And if I'm fanned out

Your turn at bat, sir

At least I didn't fake it

Hat, sir, I guess I didn't make it

Get ready for me, love 'Cause I'm a comer

I simply gotta march My heart's a drummer

Nobody, no, nobody

Is gonna rain on my

Parade

You bet your ass!

Thank you, thank you.

So a few years ago,

I hosted a fund-raiser at my home.

Thank you.

Uh, to raise awareness about women's heart disease.

And President Clinton was there and he spoke.

I'd like to share something interesting that he told us about our human DNA.

This study showed that no matter what the color of your skin is,

or where you were born, Cuba, China, Malaysia, Madagascar,

our genetic makeup is 99.9% identical

to every person on the face of the earth.

We are so alike, every one of us.

So it's simply a fact that we're all really just...

People

People who need people

Look at all the people.

Are the luckiest people

In the world

You know, we're children

Just needing other children

And yet letting our grown-up pride

Hide all the need inside

Acting more like children

Than children

Lovers

Are very special people

They're the luckiest people

In the world

With one person

One very special person

A feeling deep in your soul

Says you were half, now you're whole

No more hunger and thirst

First be a person who needs people

People who need people

Are the luckiest people

In the world

A feeling deep in your soul

Says you were half, now you're whole

No more hunger and thirst

First be a person who needs people

People who need people

Are the luckiest people

In the world

Thank you.

Thank you so much.

Oh, that's so sweet.

Thank you. Gosh, thank you.

Thank you so much. That's really lovely.

And now I have a surprise for you.

'Cause you're such a wonderful audience.

Uh,

when I first heard Jamie Foxx sing in the movie Ray...

about Ray Charles, I was blown away, and I'm sure you were too.

His performance won him the Academy Award.

And I was just absolutely thrilled when he sang with me on my new album.

So, folks, please welcome Jamie Foxx.

How we doing, Miami, Miami, Miami, Miami?

Miami!

Please, please keep it going for the greatest...

the most beautiful, blessed voice in the world, please.

Jamie.

Yes, keep... Come on. Come on. Come on!

Barbra, Barbra, Barbra, Barbra!

Thank you. Thank you so much, Jamie. I'm so happy that you're here.

It's an amazing moment for me, because to be able to be in front of you,

to be able to watch you growing up as a kid and-

I used to do impersonations of you. - No way.

No, I used to imperson- - No way. Way?

I used to do Sammy Davis Jr... - Come on.

...and you singing "The Way We Were."

Wait, you did both parts? - Both of 'em.

Mem'ries light the corners of my mind

Misty watercolored mem'ries

Of the way we were

I got three for one with him, right?

So to be here in front of you now is absolutely amazing.

People are so excited and I'm just- I'm blown away and thank you.

Please, thank you so much. - Thank you.

And you look fanta- you look good too. - Oh, God. You're the best, Jamie.

Ravishing. - That's why I want the best.

And I got it. I got you, baby. - Well, I'm here for you.

Well...

I mean, you know, hey. I said I'm here for you.

Oh, I thought you said, "I'm affordable."

Well, I know I ain't got no money for that, but...

I'll take up a collection.

You're beautiful.

So here's what we did on the record, okay?

Starts with a little dialogue.

Everyone has a dream, don't you think, Jamie?

Yes, but the question is, how do you make it happen?

Well, first of all, if you can imagine it, then you can achieve it.

Yeah, yeah, yeah.

But it might take a long time.

It might take a lot of hard work. - I agree.

If you want something you've never had,

you have to do something you've never done, right?

Mmm, I like that. - Yeah.

You have to have patience. - One day at a time.

Little by little. - Step by step.

And with a little love in your heart. - Oh, yes, indeed.

Take chances too, don't you think?

And then...

Climb every mountain

Whoo!

Search high and low

Follow every byway

Every path you know

Oh, yeah

It's a thing of beauty.

Climb every mountain

Ford every stream

Follow every rainbow

Till you find your dream

A dream that will need - That will need

All the love you can give

Oh

Every day of your life

Of your life

For as long as we live

As you live

So climb every mountain

Ford every stream

Follow every rainbow

Till you find

Your dream

A dream that will need - That will need

All the love we can give

I agree.

Every day of your life - Of your life

For as long as we live

Hey, oh

Climb every mountain

Ford every stream

Follow every rainbow

Till you find

Till you find

Follow every rainbow

Till you find your

Dream

Till you find your

Dream

I love you too, Jamie. Thank you.

Thank you, Jamie.

Jamie Foxx. - Thank you. I love you.

Thank you so much. The greatest. Thank you so much.

Thank you, Jamie.

I've sung this next song since I was 19 years old.

And I sang it for three presidents.

Uh, John Fitzgerald Kennedy,

Lyndon Baines Johnson,

and William Jefferson Clinton.

And-

It was written in 1929 at the height of the Great Depression.

I've sung it through good times and bad times, so...

Democrats, Republicans, red states, blue states,

may we all come together in these United States...

and be able to say...

and mean it...

Happy days are here again

The skies above are clear again

So let's sing a song of cheer again

Happy days are here again

Please sing along if you'd like.

All together shout it now

There is no one

No one who can doubt it now

So let's tell the world about it now

Happy days are here again

Yes!

Your cares and troubles are gone

Good-bye, cares.

There'll be no more from now on

Oh, nice.

From now on

Happy days are here again

The skies above are so clear again

So let's sing a song of cheer again

Happy times

Happy times

Happy nights

Happy nights

Happy days - Days

Are - Are

Here - Here

Again

Those days are here

Again

Oh, thank you, thank you.

You know, it is the month of December.

So it's beginning to look a lot like Christmas,

and Hanukkah, by the way.

So the times have changed.

Santa doesn't ride a sleigh anymore.

You know, he takes an Uber.

Kids don't write him letters, you know. They just text him.

And anyway, since the holidays are upon us,

I thought it might be fun, uh, to sing a classic Christmas song.

And we've been talking a lot about record covers

and this one has a little story too.

When they needed a cover for this album,

I chose one from my Central Park concert.

Actually, it was taken the night before the concert during rehearsal.

I liked how the light accidentally happened to hit the microphone

you know, at the perfect moment, giving a kind of celestial glow.

And sometimes I like taking a familiar song

and sort of turning it upside down,

you know, with an unexpected kind of arrangement.

So if you're familiar with this next song and have the impulse to sing along,

please don't.

No, I'm just kidding, but if you can keep up-

I can barely keep up with it now.

Uh, feel free to sing along.

I dare you.

Jingle bells, jingle bells Jingle all the way

Oh, what fun it is to ride In a one-horse open sleigh, hey

Jingle bells, jingle bells Jingle all the way

Oh, what fun it is to ride In a one-horse open sleigh

We're dashing through the snow In a one-horse open sleigh

O'er the fields we go Laughing all the way, hey, hey, hey

Bells on bobtail ring Making spirits bright

Oh, what fun it is to sing A sleighing song tonight, oh

Jingle bells, jingle bells Jingle all the way

Oh, what fun it is to ride In a one-horse open sleigh, hey

Jingle bells, jingle bells Jingle all the way

Oh, what fun it is to ride In a one-horse open sleigh

A day or two ago

I thought I'd take a ride

And soon Miss Fanny Bright

Was seated by my side

The horse was lean and lank

Misfortune seemed his lot

He got into a drifting bank

And then we got "upsot"

"Upsot"? Well, it has to rhyme, you know.

Jingle bells, jingle bells Jingle all the way

Oh, what fun it is to ride In a one-horse open sleigh, hey

Jingle bells, jingle bells Jingle all the way

Oh, what fun it is to ride In a one-horse open sleigh

Ooh, I love that.

Jingle bells, jingle bells Jing, jangle

Jingle bells, jingle bells Jing, jangle

Jingle bells, jingle bells Jing, jangle

Jingle bells, jingle bells Jing, jangle

Ji-Ji-Ji-Ji-Ji-Ji- Jingle bells

Ji-Ji-Ji-Ji-Ji-Ji- Jangle bells

Ji-Ji-Ji-Ji-Ji-Ji- All the way

On a one-horse

Open

Sleigh

"Happy Days Are Here Again"

Thank you. Thank you so much.

Thank you. I'm-

I usually walk off here and come back for my encore

and let you applaud more.

But I'm not gonna do that tonight.

I don't know.

Okay.

You know which? You know which one?

The one with the film. With the film behind it. You got it?

Oh, Randy, you didn't know I was gonna do this?

Oh, my God.

Is everybody ready with the video?

You know which one I mean?

This is-

Because A Star is Born seems to be

kind of one of your favorite films of mine,

I think you'll... I think you'll like this.

Okay?

Okay.

With one more look at you

I could learn to tame the clouds

And let the sun shine through

Leave a troubled past

And I might start anew

I'll solve the mysteries

If you're the prize

Refresh these tired eyes

With one more look at you

I might overcome the anger

That I've learned to know

Find a piece of mind

I lost so long ago

Your gentle touch

Has made me strong again

And I belong again

For when you look at me

I'm everything and more

Than I had dreamed I'd be

My spirit feels a promise

I won't be alone

We'll love and live more now

And live

Forever

With one more look at you

I'd learn to change the stars

And change our fortunes too

I'd have the constellations

Paint your portrait too

So all the world

Might share this wondrous sight

Ooh, the world could end each night

With one more look at you

With one more look at you

I want one more

Look

At you

Ooh

One more look at you, baby

I wish you a wonderful holiday season

full of love and light and peace and good health.

Thank you all for coming.

Thank you so much.

Thank you.

Yay, Sammie!

Sammie, Sammie!

More?

What?

Yeah, okay.

All right, you asked for it.

Oh, my God.

I can't believe you.

Lord, have mercy.

I'm gonna do a great song from the new album, by Rodgers and Hart.

And I'll leave you with that.

Oh, my gosh.

Love you, Barbra!

And so this song-

"The Way We Were"! - Love you, Barbra!

I started with "The Way We Were." What do you mean?

You want me to start again?

No way, Jose.

"Cry Me a River."

"Cry Me a River." Oh, my God.

No. I think you'll like this song.

Once I was young

Yesterday, perhaps

I danced with Jim and Paul

And kissed some other chaps

Yes, once I was young

But never was naive

I thought I had a trick or two

Up my imaginary sleeve

But now I know

I was

Naive

I didn't know what time it was

Then I met you

Oh, what a lovely time it was

How sublime it was too

Oh, I

Didn't know what day it was

Till you held my hand

Mmm, warm

Like the month of May it was

And I'll say it was grand

Grand to be alive

To be young

To be mad

To be yours alone

Yes, grand to see your face

Feel your touch

Hear your voice say

I'm yours alone

I didn't know what

What year it was

My life was no prize

Yes, I wanted love

And here it was

Shining out of your eyes

I'm wise

And I know what time it is

Now

You know it now

Thank you again.

What a wonderful audience.

Thank you.

Good. - Nice audience.

Great show. - My voice opened up on the last song.

Hey, you were terrific. Your voice was pure.

The 2:00 a.m. show starts soon. Let's go rest.

Yeah, right.

Watch your step.

Oh, my God. Come here, come here.

You have to see my baby.

She knows when the act ends. She knows and she waits for me.

She comes out of her little, uh, hole.

Come here, sweetheart.

Come here, my love.

My little baby girl.

My little beautiful girl.

There you go, sweetheart. Yes.

Come, precious. We can go home now.

We can go home now.

Thank you.

Joe's Stone Crab waiting for us, Sam.

Hey, Tom. - We got crabs.

Oh, my God. Look at that.

Where's that from? - That crab joint.

I haven't eaten all day, so this is my one meal I'm eating

'cause I'm trying to diet.

We get this delivered all the time.

From Florida. They send it to LA for us.

Tommy, pull up a chair.

You need forks.

Somehow we couldn't even wait to get the forks.

Barney, how's the shop doing? - I'll just eat with my hands.

'Cause it's a whole 'nother medium. If you can't understand it visually-

This is real key lime pie. Barbra, if you would do the honors.

Bring it over here.

Okay, shake it good. - Okay.

Give it a good spray.

Come on.

Come on. Fill it up.

Now it's a pie.

Whoo!

This is not good for my diet.

Oh, my God.

This is my new little baby.

Oh, my God. Look at this face.

Look at this face. Could you die?

As close as the sea is To the seashore

The tide still rises twice a day

That's just the ocean's way Of getting closer

Closer

As close as today is to tomorrow

At midnight they can finally touch

'Cause every minute brings them That much closer

Closer

I see your face in firelight

I hold you close in memory

And even though I know you're gone

I know you're here

As sure as there's snowfall

In December

Your love lives on in everything

Summer Winter Fall or Spring

Every thought of you

Will bring us closer

Closer

The distance may be large or small

Someday I pray that we may all be

Closer

Closer