Original subtitles

(Přepsáno pomocí TurboScribe. Upgradovat na Neomezený pro odstranění této zprávy.) Hello, Jenny.

Hi, Mr. A.

Hey, that's quite a thing you're doing there.

Must be good for limbering up, huh?

Yes, it is.

I used to know a lot of those

things, but I don't know, lately, I've been

lazy or something.

I've forgotten all the movements.

Say, I wonder, would you show me something

that would be good for stretching and, you

know, getting limbered up quickly?

Oh, right.

Try this.

Aren't you going to try it?

Later.

Much later.

Oh, I like it.

It's fine.

It's fine.

I can do it, too.

After all, doesn't everybody do that?

You know, dancing certainly has changed in recent

years, hasn't it?

Yes, it has.

I must say, I like a lot of

the new things, but I'm still loyal to

that old-time stuff.

Oh, so am I.

It's comfortable, you know.

Let's do a couple, shall we?

All righty.

All right.

Did you do a turn then?

No, I didn't.

That's funny.

I thought you did.

Oh, it's my imagination.

Let's do it this time, and do it

with the turn.

It's a good idea.

Now.

Come here, honey.

You didn't do a turn that time, did

you?

Why, yes, I did.

Maybe I'm not getting enough sleep lately or

something.

Oh, don't pay any attention to me.

I like it that way.

Let's do it again with the turn.

Ma!

Did you do a turn that time?

Why, no, you didn't tell me to.

I still insist I like the time step.

Why?

It's relaxing, and there's so many different ways

you can do it.

Oh, stand over here, honey.

Look.

I want to explain something.

There's something I'd like to show you kids.

There's a way of interlocking the time step.

Yeah, now look.

I take the first one.

And then we come in one beat later,

and each add a beat alternately as we

go on.

And it gets wilder and wilder.

You've never heard of it before, have you?

All this music you used to use for

it.

Oh, yes, the Sheik of Araby.

Oh, David.

Ladies and gentlemen, these are the Earl Twins.

This is Ruthie, and this is Jamie.

And next, Count Basie, but this time with

Joe Williams.

And I was on my way to school.

It was early one morning.

Baby, that was the morning when I broke

my mother's rule.

I was in love with you, baby, before

I learned to call your name.

I was in love with

someone else.

And I know that's gonna drive me insane.

She's my baby, and she lives next door.

Every morning for the...

It is a low-down, dirty shame.

And don't mean no one man, no.

She don't mean no one man, no.

It'd be the same way if I only

could.

Pretty baby.

Going to Chicago.

Sorry, but I can't take you.

Like I'm gonna die.

Shut down.

Come back to my town.

Going to Chicago.

Sorry, but I can't take you.

Like I'm gonna die.

Like I'm gonna die.

There ain't nothing in Chicago that a monkey

woman can do.

My soul,

you're the devil in a nylon hole.

Faster, my money go.

Oh, shake, rattle, and roll.

Shake, rattle, and roll.

My soul.

For those who may be familiar with this

annual onslaught of ours, an evening where, another

evening where, this is about the spot where

I go into nostalgia, Bill.

I mean, a sequence of songs I've been

identified with through the years.

People have kindly asked me to do some

more of these, which we didn't have time

for in previous evenings with, and I'm very

happy to do that.

But tonight, first, I'd like to try a

number I'm not identified with.

This one, simply because I like it so

much.

Another one of Cole Porter's.

Mrs. Lousborough Goodby gives weekends, and her weekends

are not a success.

But she asks you so often, you finally

soften, and end by answering yes.

When I left Mrs. Lousborough Goodby's, the letter

I wrote was polite.

But it would have been bliss had I

dared write her this, the letter I wanted

to write.

Thank you so much, Mrs. Lousborough Goodby.

Thank you so much.

Thank you so much for that infinite weekend

with you.

Thank you a lot, Mrs. Lousborough Goodby.

Thank you a lot.

And don't be surprised if you suddenly should

be, quietly, shocked.

For the clinging perfume, and that damp little

room, for those cocktails so hot, and the

bath that was not, for those guests so

amusing, and mentally bracing, who talked about racing,

and racing, and racing, for the tomane I

got from your famous pink salmon, for the

fortune I lost when you taught me backgammon,

for those mornings I spent with your talkative

mother, and those evenings I passed with that

bounder, your brother, and for making me swear

to myself, there and then, never to go

for a weekend again.

Thank you so much, Mrs. Lousborough Goodby.

Thank you, thank you so much.

Now, now for the ones I've been fortunate

enough to have been associated with since my

early youth.

My, my, do we have to go way

back there?

Here I go, starting with one I did

with my little sister Adele.

Hi, Adele.

Broadway show, and subsequently with the lovely Audrey

Hepburn in the picture of the same name.

The Gershwins' Funny Face.

I love your funny face.

Your funny, funny face.

You're not exotic, but so hypnotic.

You're much too much.

If you could cook the way you look,

I'd swim the ocean wide, just to have

you by my side.

Though you're no queen of Sheba, four worlds

I've not replaced.

Your sunny, funny face.

I love Louisa, Louisa loves me.

When we hold on together, we go round

like this.

Louisa, oh, then Louisa.

Gosh, but she's a beautiful Louisa.

Ah, when I choose him, I never want

to lose him.

Someday, Louisa, Louisa will be more than just

a friend to me.

Oh, twirl

that old propeller, got to get to Rio,

and we've got to make time.

I'm putting all my eggs in one basket.

I'm telling him,

help me if my baby don't come through.

I've got a great honey, and I've decided,

love divided in two won't do.

So I'm putting all my eggs in one.

I'm telling Christopher

Columbus when he said, They

all said we'd never get together.

They laughed at us and how.

Lovely to look at, delightful to know.

And heaven, a combination like this is quite

my most impossible scheme come true.

Imagine finding a dream like you.

You're lovely to look at.

It's thrilling to hold you terribly tight.

For we're together, the moon is new.

And oh, it's lovely to look at you

tonight.

You say ether, and I say either.

You say neither, and I say neither.

You say either, and I say neither.

Oh, let's call the whole thing off.

Now, you like potatoes, and I like potatoes.

You like tomatoes, and I like tomatoes.

Potatoes, potatoes, tomatoes, tomatoes.

Oh, let's call the whole thing off in

your Easter bonnet.

With all the praise upon you.

In Easter parade.

Oh, I'll be all.

And when they look you over.

In Easter parade.

Uh-oh, uh-oh, you're back, huh?

You ham.

You just can't stay out of the act,

can you?

All right, all right.

When there's a shine on your shoe.

There's a melody in your heart.

With the singer at your feet.

Face the world every day.

With the dee-da-dum-dum-dee-dah.

There's a melody that is making the worrying

world go by.

Thank you.

Thank you.

Well, I want to thank you for watching

us, and also to express my sincere appreciation

to the...

for their many kindnesses and cooperation in presenting

these shows on the air.

Good night.