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(Přepsáno pomocí TurboScribe. Upgradovat na Neomezený pro odstranění této zprávy.) It's Fred Astaire's third Emmy award-winning television
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special, Astaire Time.
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Part of our special tribute, hats off to
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Fred Astaire.
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The following program is brought to you in
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living color on NBC.
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Astaire Time, with Fred Astaire, Mary Chase, Count
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Basie and his band, Joan Williams, these pan
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dancers, and David Rose and his orchestra.
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When Cole Porter writes the words of music,
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they stay written and remembered and played.
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Here's one in particular.
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Miss Otis regrets she's unable to lunch today.
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Madam?
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Maxwell, what did you say?
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I said Miss Otis regrets she's unable to
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lunch today.
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And why can't she?
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She's sorry to be delayed.
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But last evening down in Lover's Lane she
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strayed.
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Madam?
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Lover's Lane?
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What on earth was she doing there?
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I don't know, Madam, but Miss Otis regrets
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she's unable to lunch today.
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Maxwell?
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Yes, Madam?
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What happened?
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When she woke up and found that her
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dream of love was gone, Madam, she ran
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to the man who led her so far
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astray.
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Silly girl.
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And from under her velvet gown, she drew
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a gun and shot her lover down.
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Madam?
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She should never wear velvet.
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Nevertheless, Miss Otis regrets she's unable to lunch
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today.
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Maxwell?
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Please don't snap, Madam.
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Sorry.
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Thank you.
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Were there any repercussions?
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When the mob came and got her and
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dragged her from the jail, Madam.
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The mob?
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The jail?
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How common.
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They strung her up on the old willow
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across the way.
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Frightening message.
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And the moment before she died.
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Died?
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She lifted up her lovely head and cried,
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Madam.
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What did she say?
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Miss Otis regrets she's unable to lunch today.
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Oh, oh, oh, oh, oh.
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Madam.
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Maxwell.
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Madam.
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And now, Count Basie.
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I'm
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sorry,
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Count Basie.
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I'm mighty
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proud to have you here, Count.
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Thanks.
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Say, what was the name of that last
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tune you played?
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Not now, I'll tell you when.
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Oh, yeah, I like that one.
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You know, I've been dying to dance to
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your music.
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And I've been dying to play for you,
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too.
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Oh, that's fine.
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Well, I guess there's nothing else to do
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but just get at it.
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I guess we should start.
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All right.
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You play and I'll dance.
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No, you dance and I'll play.
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Oh, that's better yet.
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Isn't that sweet, Georgia Brown?
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Crazy.
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All right.
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Now?
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No, not now, I'll tell you when.
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Now?
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No, not now, I'll tell you when.
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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Now?
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choreography that gives us a change as cowboy
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dancers on the western range exhausted
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and we're due for a nap we find
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that it's time to do some tap I'm
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sorry I missed the first part would you
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mind doing the whole thing over for me
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especially when you're falling down there's one thing
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I'd like to do if you don't mind
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I'll make a little suggestion there's there's one
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place there I think it's the Tahitian punch
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bit now when you when you drop to
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your right knee you drop you drop your
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right knee and then count four and then
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everybody left see right knee count four and
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everybody left that's what I said everybody left
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hello Jenny hi Mr. A that's quite a
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thing you're doing this must be good for
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limbering up yes it is I used to
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know a lot of those things but I
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don't know lately I've been lazy or something
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I've forgotten all the movements say I wonder
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would you show me something it'd be good
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for stretching and you know getting limbered up
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quickly all right try this aren't you
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gonna try it later much later I can
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do it too after all doesn't everybody do
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that you know dancing certainly has changed in
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recent years hasn't it yes it has I
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must say I like a lot of the
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new things but I'm still loyal to that
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old time step oh so am I it's
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it's it's comfortable you know let's let's do
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a couple shall we did
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you do a turn then no I didn't
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oh my imagination let's do it this time
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and and do it with the turn it's
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a good idea now you
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you didn't do a turn that time did
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you why yes I did maybe I'm not
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getting enough sleep lately or something don't pay
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any attention to me
10488
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