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(Přepsáno pomocí TurboScribe. Upgradovat na Neomezený pro odstranění této zprávy.) It's Fred Astaire's third Emmy award-winning television
special, Astaire Time.
Part of our special tribute, hats off to
Fred Astaire.
The following program is brought to you in
living color on NBC.
Astaire Time, with Fred Astaire, Mary Chase, Count
Basie and his band, Joan Williams, these pan
dancers, and David Rose and his orchestra.
When Cole Porter writes the words of music,
they stay written and remembered and played.
Here's one in particular.
Miss Otis regrets she's unable to lunch today.
Madam?
Maxwell, what did you say?
I said Miss Otis regrets she's unable to
lunch today.
And why can't she?
She's sorry to be delayed.
But last evening down in Lover's Lane she
strayed.
Madam?
Lover's Lane?
What on earth was she doing there?
I don't know, Madam, but Miss Otis regrets
she's unable to lunch today.
Maxwell?
Yes, Madam?
What happened?
When she woke up and found that her
dream of love was gone, Madam, she ran
to the man who led her so far
astray.
Silly girl.
And from under her velvet gown, she drew
a gun and shot her lover down.
Madam?
She should never wear velvet.
Nevertheless, Miss Otis regrets she's unable to lunch
today.
Maxwell?
Please don't snap, Madam.
Sorry.
Thank you.
Were there any repercussions?
When the mob came and got her and
dragged her from the jail, Madam.
The mob?
The jail?
How common.
They strung her up on the old willow
across the way.
Frightening message.
And the moment before she died.
Died?
She lifted up her lovely head and cried,
Madam.
What did she say?
Miss Otis regrets she's unable to lunch today.
Oh, oh, oh, oh, oh.
Madam.
Maxwell.
Madam.
And now, Count Basie.
I'm
sorry,
Count Basie.
I'm mighty
proud to have you here, Count.
Thanks.
Say, what was the name of that last
tune you played?
Not now, I'll tell you when.
Oh, yeah, I like that one.
You know, I've been dying to dance to
your music.
And I've been dying to play for you,
too.
Oh, that's fine.
Well, I guess there's nothing else to do
but just get at it.
I guess we should start.
All right.
You play and I'll dance.
No, you dance and I'll play.
Oh, that's better yet.
Isn't that sweet, Georgia Brown?
Crazy.
All right.
Now?
No, not now, I'll tell you when.
Now?
No, not now, I'll tell you when.
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
Now?
choreography that gives us a change as cowboy
dancers on the western range exhausted
and we're due for a nap we find
that it's time to do some tap I'm
sorry I missed the first part would you
mind doing the whole thing over for me
especially when you're falling down there's one thing
I'd like to do if you don't mind
I'll make a little suggestion there's there's one
place there I think it's the Tahitian punch
bit now when you when you drop to
your right knee you drop you drop your
right knee and then count four and then
everybody left see right knee count four and
everybody left that's what I said everybody left
hello Jenny hi Mr. A that's quite a
thing you're doing this must be good for
limbering up yes it is I used to
know a lot of those things but I
don't know lately I've been lazy or something
I've forgotten all the movements say I wonder
would you show me something it'd be good
for stretching and you know getting limbered up
quickly all right try this aren't you
gonna try it later much later I can
do it too after all doesn't everybody do
that you know dancing certainly has changed in
recent years hasn't it yes it has I
must say I like a lot of the
new things but I'm still loyal to that
old time step oh so am I it's
it's it's comfortable you know let's let's do
a couple shall we did
you do a turn then no I didn't
oh my imagination let's do it this time
and and do it with the turn it's
a good idea now you
you didn't do a turn that time did
you why yes I did maybe I'm not
getting enough sleep lately or something don't pay
any attention to me
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