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Who has feathers, smokes a cigar, and
carries the fate of the world on his
shoulders?
His name is Howard the Duck and he's the
lead in the new movie produced by Star Wars
creator George Lucas and directed by
Willard Pike.
Howard is a superhero.
He's a little guy.
He's a stranger in a strange land.
He's quackers.
He's nuts.
He's nuts.
I love him.
What a guy.
The real Howard was zapped from his home
planet to Earth.
He thought his incredible adventure would
make an exciting film.
He just wrote us a fan letter and
asked that essentially we listen to his
story because he thought it was pretty
amazing.
It's the first film that actually we have
cast with a creature from another world.
The screen's newest superhero is elusive
off camera, but his co-stars had plenty to
say about Howard.
I just think he's really cool. And
sometimes his feathers, like,
go up on his head like that.
And
I just get the chills all over when I see that.
Let's put it this way.
All the girls love him.
He's a real sexy duck. It's
hard to keep Leah off of him.
Howard is a force to be reckoned with.
Whether he's fighting evil or making movie
history, this duck is here to stay.
Howard is going to
be a major trendsetter, probably bigger
than Madonna.
He's a tough little duck.
I've never met a tougher duck.
He's our leader.
In Universal's new movie, Howard the Duck,
the main character spends a lot of time up
in the air.
But his most daring moments came when he
had to get behind the wheel of an
ultralight aircraft.
This scene involves some very complex stunt
flight.
Death from the skies to all duck hunters!
All the big stars have stunt doubles, you know?
I almost wound up a dead duck.
My biggest challenge in playing this role
was surviving it.
I'm
just learning here.
Howard, in prehistoric times you flew.
Fly, Howard.
Find your instincts.
Trust your birdness.
Fly!
I
would kind of be moving it all the time a
little bit.
Helping Howard accomplish all the elaborate
aerial stunts is veteran pilot Lyle Byron.
We have 12 difficult stunts in the movie,
and one of the most difficult is we have to
simulate a loop around a bridge.
So we're going to fly the aircraft under a
bridge, and
we have a 100-foot hole that we have to hit.
I'm going to loop the aircraft,
and the aircraft's going to be upside down.
Uh-oh.
Then we're going to simulate come back
under the bridge
and go under it.
Felsy,
I did
a loop-de-loop.
When Howard heard that
Burt Reynolds, Clint Eastwood, they do
their own stunts, he said immediately,
forget it.
We were trying to find stunt people to do it.
And he said, if Burt and Clint can do
stunts, I can do stunts.
OK, clear, please.
Clear.
Every now and then, I'll tease Howard,
though.
I'll reach up and I say, OK, Howard, I'm
letting go.
It's all yours.
We have very exciting, difficult stunts in
the movie.
And one of the most difficult is we have
to land on a truck
The difficulty in the stunts is trying to
take an aircraft that's moving 40 miles an
hour and land it on a space that's 8 by 20
feet that's also moving at 40 miles per hour.
It's like landing on the world's smallest
aircraft carrier.
Touchdown!
Great landing, Howard! The problem with
this stunt is
a big truck like that going 33 miles an
hour is creating a tremendous amount of
turbulent air.
When I go off the front of the truck, the
logistical problem is the air moving will
kick my tail up and could nose dive me in
front of the truck.
It does look out of control, but this is a movie.
And that means our job is to give action, and
that's what we're doing.
Whoa!
Big,
big,
cho-cho, big
deal!
Cameras ready. OK,
we'll go again right away.
Here we go.
Filming the many complex scenes in the new
Universal film Howard the Duck
required the highly skilled work of the
special effects experts at Industrial Light
and Magic
near San Francisco. Oh
no, it's a quake.
At the start of the movie, the main
character, Howard, is rudely jettisoned
from his home on Duck World, curled across
the galaxy and plunked down on the planet Earth.
The life-size Howard was shot through
walls, but a miniature model was used to
transport him through space.
When combined with other film elements, it
created the illusion of Howard falling from
the sky.
Joining Howard from outer space is the evil
dark overlord,
played by actor Jeffrey Jones.
When I become the dark overlord, or at
least in the latter stages of becoming the
dark overlord, it involves being in makeup
for five hours.
It happens
slowly over a period of time.
Toward the end, the changes get grosser
until
the dark overlord then appears, and that's
pretty gross.
Boy, are
you ugly.
This character's evil powers include the
ability to move objects with his mind.
In one scene, he prevents the hero's escape
by dramatically blocking the exit.
The special effects team achieved this
illusion by building a slanted set and
letting gravity do the work.
OK, ready,
and
action.
Actress Leah Thompson had her own view on
what it was like to act surrounded by
special effects.
Well, when we did the final battle, we had
to imagine that we were disintegrating, Tim
Robbins and I,
and we were getting disintegrated by this
huge monster.
After a certain point, you know, you feel a
little foolish, but
you just got to go for it and just go,
ay-ay-ay-ay.
I couldn't do it for more than like five
seconds without cracking up.
I mean, you just gotta hope that ILM is
making some great monster, which they
assure me they are.
This creature stands, in reality, close to
15 inches tall,
and on screen, he'll be close to 15 feet tall.
Essentially, this is a computerized rod puppet
that is being enhanced with manual
stop-motion animation.
We call him Alan.
Howard the Duck is a triumph of special
effects teamwork.
The months involved in bringing it all
together have paid off in an action-packed
fun-filled adventure that will long be
remembered.
The new film, Howard the Duck, is an
Earthmound adventure with an outer space
influence.
Creating a title track for the film
required a unique imagination.
Musician Thomas Dolby fit the film.
The song,
How the Duck, it's got to have that slight
unearthly edge to it.
That was an interesting
possibility to try and find music that
wasn't really from here, you know.
It's like from outer space.
Dolby experimented with a variety of
synthesizing techniques to build the
instrumentals.
Hickory dickory duck.
Writing lyrics about a duck posed an
additional challenge.
We just sat down and wrote some lyrics, and
they're pretty out there.
They're pretty wacky.
Hickory dickory duck.
He ain't about to be plucked.
Too groovy for gravy.
Too precious for pantay.
Performing the lyrics is Cherry Bomb, an
all-girl band created specially for the
film and supervised by Dolby.
In order to write songs which could be sung by
four actresses who are admittedly very good
singers, but at the same time
inexperienced,
I had to be here to
keep hauling them in and checking that I
was writing within their limitations.
Happily, the vocals would turn out really good.
And a lot of people are going to think that
we dubbed him professional singers, which
is not actually the case.
It was all
Cherry Bomb themselves that did it.
Dolby also worked with the girls on
choreographing the song,
the goal being to create a completely
believable band.
Ain't
no way from feeling
The months of rehearsals prepared the group
for the most anticipated night of
production.
Power the dark Power the dark Power the
dark
It was for the film's finale.
The Cherry Bomb performed for a crowd of
thousands.
putting the song to the true test.
Judging from the audience response, Howard
the Duck is destined to be a major hit.
The song's creator feels it just may
inspire a new trend in rock.
Interplanetary fun.
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