All language subtitles for 11 - Flying to Oblivion
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1
00:00:06,540 --> 00:00:07,600
Thank you.
2
00:00:51,310 --> 00:00:54,990
While the chief pilot's men attack Hop's
airport in an attempt to recapture Dr.
3
00:00:55,170 --> 00:00:59,510
Tober, the mysterious Ballard trails the
car in which Gale is escaping with the
4
00:00:59,510 --> 00:01:03,010
inventor. Jackie helps rescue Hop and
Tank from Hunter's men.
5
00:01:03,210 --> 00:01:07,470
But now, as they attempt to flee, they
find themselves surrounded and...
6
00:01:22,190 --> 00:01:23,650
in that big packing case down there.
7
00:01:23,910 --> 00:01:25,830
Let's blast them out. That's too risky.
8
00:01:26,250 --> 00:01:28,490
They've got cover. We haven't. So what?
9
00:01:30,730 --> 00:01:32,790
You keep them pinned down. I've got an
idea.
10
00:01:46,230 --> 00:01:47,710
Sounds like we're scaring them off.
11
00:02:20,910 --> 00:02:23,990
cannon in there. We'd better get out of
here. All this shooting's going to bring
12
00:02:23,990 --> 00:02:24,990
people.
13
00:02:34,390 --> 00:02:35,390
There's the car.
14
00:02:35,990 --> 00:02:37,230
Sounds like they're coming back.
15
00:02:40,530 --> 00:02:42,450
No. No, they're going away.
16
00:02:42,850 --> 00:02:44,170
I think we scared them off.
17
00:02:44,650 --> 00:02:45,790
I guess we did, Jackie.
18
00:02:46,210 --> 00:02:48,050
We'd better check on Gail and Dr. Tobor.
19
00:02:51,600 --> 00:02:53,960
Dr. Tobor, I want you to come with me.
20
00:02:54,480 --> 00:02:55,480
What do you want of me?
21
00:02:55,880 --> 00:02:57,200
Never mind, I'll tell you later.
22
00:02:57,620 --> 00:02:58,820
My car is back there.
23
00:03:05,380 --> 00:03:07,400
Miss Nolan, please don't try to follow
us.
24
00:03:07,800 --> 00:03:09,060
What are you going to do with him?
25
00:03:09,380 --> 00:03:11,580
Oh, don't worry about him. He'll be all
right.
26
00:03:33,100 --> 00:03:34,180
Calling Palmdale Sheriff's Office.
27
00:03:34,440 --> 00:03:37,140
Calling Palmdale Sheriff's Office. Come
in please, emergency.
28
00:03:41,600 --> 00:03:43,360
Calling Palmdale Sheriff's Office.
29
00:03:43,680 --> 00:03:46,200
Calling Palmdale Sheriff's Office. Come
in please, emergency.
30
00:04:23,150 --> 00:04:26,510
Miss Nolan, I requested you not to
follow me.
31
00:04:27,330 --> 00:04:29,490
Now I'm going to make sure that you
don't.
32
00:04:30,250 --> 00:04:31,310
Your keys, please.
33
00:04:33,310 --> 00:04:34,730
You still have your radio.
34
00:04:35,370 --> 00:04:36,370
You're not helpless.
35
00:04:36,990 --> 00:04:38,650
Otherwise, I wouldn't leave you here
alone.
36
00:04:39,050 --> 00:04:40,670
Oh, it's awfully nice of you.
37
00:04:40,890 --> 00:04:41,890
I think it is, too.
38
00:05:03,240 --> 00:05:04,920
they've gone. Let's have some light,
Jackie.
39
00:05:09,860 --> 00:05:13,400
I'm going to call the sheriff even if
Mr. Arnold doesn't want me to. I'm tired
40
00:05:13,400 --> 00:05:15,200
of being shoved around by Hunter's
crowd.
41
00:05:15,540 --> 00:05:17,420
Well, now you're cooking on the front
burner.
42
00:05:17,880 --> 00:05:19,580
GN calling WHH6.
43
00:05:19,920 --> 00:05:22,580
This is Gail calling Hop Harrigan. Come
in, Hop.
44
00:05:23,260 --> 00:05:24,900
Hello, Gail. Where are you?
45
00:05:25,100 --> 00:05:26,460
Are you and Dr. Tobar okay?
46
00:05:26,700 --> 00:05:29,020
Over. I'm out on the country road.
47
00:05:29,240 --> 00:05:30,740
And no, Tobar's not okay.
48
00:05:31,340 --> 00:05:33,760
Mr. Ballard appeared from nowhere and
made him get in his car.
49
00:05:34,920 --> 00:05:36,880
Where did they go? Can you trail them?
Over.
50
00:05:37,720 --> 00:05:39,700
Well, Ballard took the keys. I'm
stranded here.
51
00:05:40,840 --> 00:05:42,740
Listen, Gail, I'll tell you how to start
the car.
52
00:05:43,400 --> 00:05:46,300
Look in the glove compartment, and
you'll find a little brown envelope.
53
00:05:46,860 --> 00:05:47,860
Now, in that envelope...
54
00:06:15,190 --> 00:06:16,890
G.N. calling W.H.H. 6.
55
00:06:17,610 --> 00:06:19,370
G.N. calling W.H.H. 6.
56
00:06:19,610 --> 00:06:20,610
Come in, Hoff.
57
00:06:21,150 --> 00:06:22,410
Go ahead, Kale. Over.
58
00:06:23,010 --> 00:06:24,010
I got it fixed.
59
00:06:25,110 --> 00:06:26,110
Good work.
60
00:06:26,570 --> 00:06:29,950
Now, if you can spot Ballard, keep him
in sight and call us. We'll be standing
61
00:06:29,950 --> 00:06:30,950
by. Over.
62
00:06:32,290 --> 00:06:33,290
Okay.
63
00:06:41,570 --> 00:06:44,070
Where does this fellow Ballard fit into
this thing?
64
00:06:44,480 --> 00:06:46,700
Oh, he says he wants to buy Tobar's
invention.
65
00:06:47,140 --> 00:06:49,200
Sure goes about it in a funny way.
66
00:06:49,920 --> 00:06:53,400
Maybe he's the one that tied me up and
put me under that carpet in the hangar.
67
00:06:54,240 --> 00:06:55,820
But I never got a look at him.
68
00:06:56,300 --> 00:06:57,960
Anyway, he's not working for Hunter.
69
00:06:58,160 --> 00:07:01,720
That's one thing in his favor. That's
the only thing in his favor.
70
00:07:28,330 --> 00:07:30,190
What do you intend to do with me? Quiet.
71
00:07:30,550 --> 00:07:32,810
Why? I thought I heard a car.
72
00:07:35,210 --> 00:07:36,210
Come with me.
73
00:07:58,860 --> 00:08:00,080
how she started that car.
74
00:08:01,820 --> 00:08:02,860
She's a clever girl.
75
00:08:05,600 --> 00:08:07,880
You asked me what I intended to do with
you.
76
00:08:08,680 --> 00:08:11,100
I want you to take me to your secret
laboratory.
77
00:08:11,680 --> 00:08:14,140
There is but one way to get there, by
plane.
78
00:08:15,140 --> 00:08:16,520
Well, that can be arranged.
79
00:08:18,280 --> 00:08:19,500
I have a better idea.
80
00:08:19,980 --> 00:08:24,160
If you let me call my assistant on the
radio, he'll come for us in my own
81
00:08:24,160 --> 00:08:25,160
plane.
82
00:08:26,060 --> 00:08:27,120
Where are you going to call from?
83
00:08:27,840 --> 00:08:28,840
I have another place.
84
00:08:28,900 --> 00:08:30,460
A house on the side of a hill.
85
00:08:31,340 --> 00:08:32,339
Uh-uh.
86
00:08:32,799 --> 00:08:35,039
I don't intend to walk into any trap.
87
00:08:35,440 --> 00:08:38,640
If you're concerned about your safety, I
assure you there's no one there.
88
00:08:38,880 --> 00:08:41,460
I'm more concerned about your trickery,
Dr. Tobor.
89
00:08:42,039 --> 00:08:43,620
I've heard a lot about it.
90
00:08:43,880 --> 00:08:45,140
I intend no tricks.
91
00:08:45,580 --> 00:08:47,100
You wish to purchase my invention?
92
00:08:47,700 --> 00:08:49,060
I want to give you a demonstration.
93
00:08:52,160 --> 00:08:53,580
Is the place far from here?
94
00:08:53,920 --> 00:08:55,820
No, it can easily be reached by morning.
95
00:08:57,770 --> 00:08:58,709
All right.
96
00:08:58,710 --> 00:08:59,710
We'll try it.
97
00:09:13,930 --> 00:09:15,130
WHH6 calling GN.
98
00:09:27,290 --> 00:09:28,450
WHH6 calling GN.
99
00:09:29,250 --> 00:09:30,970
Hop Harrigan calling Gail Nolan.
100
00:09:31,730 --> 00:09:32,730
Come in, Gail.
101
00:09:33,070 --> 00:09:34,070
Over.
102
00:09:47,770 --> 00:09:49,830
I can call my assistant on this.
103
00:10:11,280 --> 00:10:13,400
It must be out of order. Perhaps I can
fix it.
104
00:10:14,100 --> 00:10:15,100
Take your time.
105
00:10:15,880 --> 00:10:16,880
I'm in no hurry.
106
00:10:25,720 --> 00:10:27,300
Hello. Hop Harrigan speaking.
107
00:10:29,000 --> 00:10:30,000
Who's this?
108
00:10:30,720 --> 00:10:31,760
Oh, Lieutenant Riley.
109
00:10:32,740 --> 00:10:34,080
Say, how is Mr. Arnold?
110
00:10:34,420 --> 00:10:37,900
Oh, he's doing fine. The injury was very
slight. He'll be up and around as quick
111
00:10:37,900 --> 00:10:38,900
as a shock for his own.
112
00:10:39,360 --> 00:10:40,460
How's everything out there?
113
00:10:40,860 --> 00:10:41,860
Not so good.
114
00:10:42,060 --> 00:10:44,440
Uh, can I talk without anyone else
hearing?
115
00:10:44,740 --> 00:10:47,600
Well, if it's about that matter we were
discussing, you'd better not.
116
00:10:47,880 --> 00:10:49,760
Is that party still there you went out
to meet?
117
00:10:49,980 --> 00:10:50,980
No, that's the trouble.
118
00:10:51,380 --> 00:10:52,900
Uh, remember this fellow Ballard?
119
00:10:53,200 --> 00:10:54,200
Yeah, what about him?
120
00:10:54,460 --> 00:10:56,500
I thought perhaps you might want to
check on him.
121
00:10:56,720 --> 00:10:57,539
Oh, I had.
122
00:10:57,540 --> 00:10:59,120
Waste of time. He's just a playboy.
123
00:10:59,420 --> 00:11:03,360
Oh, hold on a minute. Mr. Smith wants to
speak to you. Mr. Smith? Who's he? He's
124
00:11:03,360 --> 00:11:05,180
chairman of the board of directors for
Mr. Arnold.
125
00:11:05,660 --> 00:11:07,560
Oh, I remember. Yes, put him on.
126
00:11:10,910 --> 00:11:13,430
Harrigan, we feel that Tober may come to
your place.
127
00:11:13,870 --> 00:11:17,750
Just an idea, because he's been there
before and seems to trust you.
128
00:11:18,210 --> 00:11:19,710
Have you seen anything of him?
129
00:11:20,430 --> 00:11:22,050
All I know is he's not here now.
130
00:11:22,990 --> 00:11:24,290
I didn't suppose he was.
131
00:11:24,610 --> 00:11:28,270
But if he comes there, or you hear from
him, let me know at once.
132
00:11:28,750 --> 00:11:31,550
He must be turned over to the
authorities for shooting Arnold.
133
00:11:32,110 --> 00:11:36,070
I'm personally going to see that he's
prosecuted for that, even though it
134
00:11:36,070 --> 00:11:37,610
means we may never see his invention.
135
00:11:40,670 --> 00:11:42,390
Yes, yes, of course. Here's Riley.
136
00:11:43,790 --> 00:11:44,790
Yeah, huh?
137
00:11:46,250 --> 00:11:49,430
No, I can't come out there now. Things
are developing too fast here.
138
00:11:49,650 --> 00:11:50,990
I wish you could because we're stuck.
139
00:11:51,970 --> 00:11:52,970
Okay, I'll call you.
140
00:11:53,630 --> 00:11:54,630
Goodbye.
141
00:12:12,170 --> 00:12:14,110
Who was it, Gale? No, Riley.
142
00:12:14,330 --> 00:12:15,530
And he wasn't much help.
143
00:12:15,950 --> 00:12:18,850
We have reason to believe that the man
Ballard may have picked up Tolbert
144
00:12:18,850 --> 00:12:20,090
somewhere near Harrigan's airport.
145
00:12:20,470 --> 00:12:22,450
Check on this at once with all available
men.
146
00:12:22,890 --> 00:12:25,050
News travels fast, doesn't it?
147
00:12:25,810 --> 00:12:26,810
They'll catch me.
148
00:12:27,410 --> 00:12:28,910
I've got to get registered at once.
149
00:12:29,130 --> 00:12:31,070
Then do it. That's what we came for.
150
00:13:02,090 --> 00:13:03,090
Why don't you answer me?
151
00:13:39,920 --> 00:13:40,920
W-H-H-6.
152
00:13:41,060 --> 00:13:43,580
G-N calling W-H-H-6. Come in, Hop.
153
00:13:44,600 --> 00:13:46,200
W-H-H-6 to G-N.
154
00:13:46,480 --> 00:13:48,440
This is Hop, Gale. Where are you? Over.
155
00:13:50,400 --> 00:13:52,140
I'm out in the desert by that old adobe
house.
156
00:13:52,580 --> 00:13:55,760
Tobin and Ballard did it, but I've got
their car, so they can't get away. But
157
00:13:55,760 --> 00:13:56,760
hurry.
158
00:13:57,420 --> 00:14:00,380
We'll fly on Arnold's plane. The
clearing goes by where we can land.
159
00:14:01,080 --> 00:14:03,320
Be careful, Gale. Don't let them see
you. Over.
160
00:14:04,840 --> 00:14:06,260
I won't, but please hurry.
161
00:14:25,290 --> 00:14:26,290
Why don't you come in?
162
00:14:34,110 --> 00:14:35,370
I can't get Rettner.
163
00:14:35,590 --> 00:14:37,790
Either he doesn't answer or the radio's
been damaged.
164
00:14:38,990 --> 00:14:39,990
Doesn't matter now.
165
00:14:40,510 --> 00:14:41,590
Doesn't matter? Why?
166
00:14:42,090 --> 00:14:44,110
I've arranged for another plane.
167
00:14:45,150 --> 00:14:46,150
Another plane?
168
00:14:46,810 --> 00:14:47,810
Where? How?
169
00:14:48,050 --> 00:14:49,050
You'll see.
170
00:14:49,510 --> 00:14:50,790
I've seen your plane.
171
00:14:51,310 --> 00:14:53,090
Three of us could never get into it.
172
00:14:54,600 --> 00:14:56,780
I'm sorry I upset your little scheme,
Doctor.
173
00:14:57,780 --> 00:15:01,160
But you must remember I warned you I was
looking for trickery.
174
00:15:02,320 --> 00:15:03,320
Now shall we go?
175
00:15:04,020 --> 00:15:05,020
Go where?
176
00:15:05,580 --> 00:15:06,580
Out.
177
00:15:29,770 --> 00:15:31,150
I told you I saw a plane. There it is.
178
00:15:35,550 --> 00:15:36,449
So what?
179
00:15:36,450 --> 00:15:40,270
We've been seeing planes all morning.
Not that one you haven't. It's Arnold's.
180
00:15:40,750 --> 00:15:41,850
It's Arnold's, all right.
181
00:15:42,810 --> 00:15:45,570
Paragon is probably flying it. Looks
like it's heading for the old Adobe
182
00:15:45,570 --> 00:15:47,010
hideout. Could be.
183
00:15:47,230 --> 00:15:48,230
Let's get moving.
184
00:15:59,470 --> 00:16:02,450
We'll land in the clearing near that
house, and we'll sneak up on him.
185
00:16:16,070 --> 00:16:18,250
Good work, Gail. Oh, you sure had us
scared.
186
00:16:18,570 --> 00:16:20,630
Tober and Ballard are in the house. Come
on, I'll show you where it is. We've
187
00:16:20,630 --> 00:16:21,850
been there before, but go ahead.
188
00:16:22,090 --> 00:16:24,110
Oh, but this time it's going to be
different.
189
00:16:24,450 --> 00:16:25,490
Lead me to them.
190
00:16:25,970 --> 00:16:27,150
You better stand by the plane.
191
00:18:01,230 --> 00:18:02,230
We'll start the engine.
192
00:18:51,530 --> 00:18:54,650
What can Hop and Tank do to counter this
seeming treachery on the part of the
193
00:18:54,650 --> 00:18:55,650
mysterious Valor?
194
00:18:55,770 --> 00:18:59,010
And what will they say when Kraven
demands an accounting from them?
195
00:18:59,350 --> 00:19:05,030
You can't afford to miss Lost in the
Sky, Chapter 12 of Hop Harrigan, at this
196
00:19:05,030 --> 00:19:06,030
theater next week.
13910
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