All language subtitles for Death at Love House (Mystery Thriller) ¦ Kate Jackson & Robert Wagner in a Hollywood Secret Full HD (1080p_24fps_H264-128kbit_AAC-inglés).inglés

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,840 --> 00:00:10,000 Beverly Hills. It was around here that Max Senate  used to hold his Sunday morning wild boar hunts   2 00:00:10,000 --> 00:00:16,720 on horseback. Most of these homes were built and  paid for during the great silent days of movies   3 00:00:16,720 --> 00:00:23,440 before taxes were a fact of life when people  could afford to live like kings and queens.   4 00:00:23,440 --> 00:00:29,920 To your left, ladies and gentlemen, is the  Lorna Love Estate, a 36 room mansion built   5 00:00:29,920 --> 00:00:36,960 at a cost of over $3 million for the beautiful  and world famous actress whose tragic death in   6 00:00:36,960 --> 00:00:45,440 1935 saddened her millions of fans across  the globe. The day after Lawler's funeral,   7 00:00:45,440 --> 00:00:52,720 a shrine was built directly behind the  trees up there. Folks, use your imagination.   8 00:00:53,280 --> 00:01:01,600 Think of Lorna as beautiful as ever. As you  remember her, her body imbalmed up there in   9 00:01:01,600 --> 00:01:10,080 her shrine, lying up there forever. Excuse  me. Huh? We'd like to get off here. Sorry.   10 00:01:10,080 --> 00:01:14,720 It's company rules. No one's allowed to get off  the bus insurance, you know. Well, my wife is   11 00:01:14,720 --> 00:01:21,040 pregnant. Congratulations, but that don't mean  a thing to me. And I'm feeling a little sick. 12 00:01:26,840 --> 00:01:27,840 [laughter]   13 00:01:27,840 --> 00:01:36,960 Oh, George. George. Now, I really don't feel  well. Are you serious? No. Now, that's not fair.   14 00:01:36,960 --> 00:01:50,320 This is the first time for me. I've never been  I mean, you've never We've never been pregnant. 15 00:01:54,240 --> 00:01:59,840 Oscar, why'd you come up in that  thing? If it was a tour you wanted,   16 00:01:59,840 --> 00:02:02,800 I could have arranged something with  the studio. Sure, you could have, Oscar,   17 00:02:02,800 --> 00:02:06,720 but that's not what we were interested in. We  wanted to look at their faces and look at the   18 00:02:06,720 --> 00:02:12,960 dreams and see how much of Laura Love is still  alive. And believe me, she is alive and well. What   19 00:02:12,960 --> 00:02:18,880 do you say I drive you in and kiss you goodbye?  Got to get out of here. I got things to do. Hey,   20 00:02:18,880 --> 00:02:34,880 the wind's starting to blow. Well, the  radio said it'd be a storm tonight. [music] 21 00:02:34,880 --> 00:02:53,738 [music] Oh, 22 00:02:53,738 --> 00:02:53,752 [music] [music] 23 00:02:53,752 --> 00:02:57,760 [music] heat. 24 00:02:57,760 --> 00:03:01,760 [music] 25 00:03:01,760 --> 00:03:29,467 Heat. Heat. [music] 26 00:03:29,467 --> 00:03:33,413 [music] 27 00:03:33,413 --> 00:03:37,360 [music] 28 00:03:37,360 --> 00:03:41,307 [music] 29 00:03:41,307 --> 00:03:45,253 [music] 30 00:03:45,253 --> 00:03:49,200 [music] 31 00:03:49,200 --> 00:03:53,120 I'll never understand you writers.  You can write the same thing in a   32 00:03:53,120 --> 00:04:02,800 nice clean modern office in Beverly Hills as  you can hear. If you ask me, you're all nuts. 33 00:04:02,800 --> 00:04:06,480 There's supposed to be a housekeeper  of Clara Joseph's. At least that's   34 00:04:06,480 --> 00:04:16,640 what the studio said. I'm glad they gave me a key. 35 00:04:24,160 --> 00:04:26,000 Sorry, honey. It must have been  the wind. I don't know where it   36 00:04:26,000 --> 00:04:30,640 came from. You brought it with you from New York. 37 00:04:30,640 --> 00:04:35,280 Hello? Anybody home? 38 00:04:35,280 --> 00:04:43,280 Mrs. Joseph's. 39 00:04:43,280 --> 00:04:47,600 Mrs. Joseph, 40 00:04:47,600 --> 00:05:08,160 the housekeeper should be here. I'd  feel a lot better if she'd show up. 41 00:05:14,080 --> 00:05:19,840 The door is locked. 42 00:05:19,840 --> 00:05:32,080 Mrs. Joseph, this is Mr. and  Mrs. Gregory. How do you do? 43 00:05:32,080 --> 00:05:42,960 I didn't expect you this early. [music] 44 00:05:42,960 --> 00:05:50,080 [music] 45 00:05:50,080 --> 00:06:02,240 I'd seen photographs of it when I saw some  preliminary sketches my father did. [music] 46 00:06:02,240 --> 00:06:10,640 I thought I knew what to expect. [music]  But I never thought it would be like this. 47 00:06:10,640 --> 00:06:19,840 [music] It's magnificent. Your father was a great  artist, Joel, but you're right. There's really   48 00:06:19,840 --> 00:06:25,280 something special about that painting. Sure, it's  the model. Yeah, the most beautiful model in the   49 00:06:25,280 --> 00:06:40,480 world. No, it's not it, Oscar. It's not all  of it, anyway. It's something else. It's love. 50 00:06:40,480 --> 00:06:48,680 There was great love between you. 51 00:06:48,680 --> 00:06:55,520 [music] 52 00:06:55,520 --> 00:07:03,560 He was like you. Same face,  the father and the son. [music] 53 00:07:06,240 --> 00:07:11,520 Did you know him? Were you working here  when they were living together? Your   54 00:07:11,520 --> 00:07:22,320 rooms are upstairs to the left. I'll  open the rest of the house for you. 55 00:07:22,320 --> 00:07:26,160 You know, the book you're going to write  should be a love story about a great artist   56 00:07:26,160 --> 00:07:32,000 and the equally great actress that opened up  the world to him. I mean, she worshiped him.   57 00:07:32,720 --> 00:07:40,480 and he worshiped her. The romance that the  whole world talked about. Fantastic love story.   58 00:07:40,480 --> 00:07:45,360 Bigger than Epsile and Zelda. Bigger than that.  Bigger than that. Bigger than life. All right,   59 00:07:45,360 --> 00:07:59,440 Oscar. You can stop selling. We've  already signed your contracts. 60 00:07:59,440 --> 00:08:16,160 Wait a minute. Mrs. Joe say right  or left? I think she said left. 61 00:08:16,160 --> 00:08:21,120 It's locked. Fascinating. It's always  fascinating me what's behind locked   62 00:08:21,120 --> 00:08:28,480 doors. Come on. You'll find out soon enough. Mrs.  Johnson says she was going to open up the house. 63 00:08:32,640 --> 00:08:41,120 Oh, wow. Hey, look what's here to meet us. 64 00:08:41,120 --> 00:08:47,200 Hey, thanks, Oscar. I'll tell you what. I'll  give you a call at the office when we get all   65 00:08:47,200 --> 00:08:53,920 the research together. Research? What research?  It's a love story. Boy meets girl, boy gets girl,   66 00:08:53,920 --> 00:08:58,720 boy loses girl. What more is there? Well, there's  a little bit more, Oscar, because in this case,   67 00:08:58,720 --> 00:09:04,160 the girl's Laura Love and the boy is Joel Gregory  Senior, who just happens to be the father of one   68 00:09:04,160 --> 00:09:11,200 of the authors. I never really knew him,  Oscar. I hardly ever saw him when I was a   69 00:09:11,200 --> 00:09:18,240 kid. By the time I was a man, he died, so you can  understand there's a lot I want to find out about   70 00:09:18,240 --> 00:09:22,880 him. Besides, Oscar, you know the way we work.  We're more journalists than we are novelists,   71 00:09:22,880 --> 00:09:27,520 so the research is everything. Okay. Okay. Okay.  have it your way. You'll do the research. You'll   72 00:09:27,520 --> 00:09:32,080 write a great book, but it means nothing if nobody  knows about it. So, talking about publicity,   73 00:09:32,080 --> 00:09:38,880 what publicity? There's a shot the studio wants  to use of the pair of you. Uh-oh. Can I see you,   74 00:09:38,880 --> 00:09:44,000 sweetheart? They want to release it. They want  to let the public know about the book. Let them   75 00:09:44,000 --> 00:09:50,720 start talking about who's going to play  the part in the movie. Scar of you. Look,   76 00:09:50,720 --> 00:10:01,120 Joe. Yeah. That's really beautiful, isn't it? So,  Oscar, where is the shrine to the goddess of love?   77 00:10:01,120 --> 00:10:07,680 Can't miss it. Any road you take on this place  leads to the monument of that broad's ego. Jolo,   78 00:10:07,680 --> 00:10:11,360 come here. There's somebody out here.  [music] Come on. Come on. I just saw   79 00:10:11,360 --> 00:10:14,560 a lady all in white with a white chiffon  scar. She looked like something out of a   80 00:10:14,560 --> 00:10:20,240 1930s World magazine. She ran right down that  walk. That's the fry. Yeah. Let's go take a   81 00:10:20,240 --> 00:10:31,360 look. You go. I got to get off these hills  before the rain hits. They'll be treacherous. 82 00:10:31,360 --> 00:10:35,760 I'll see you later. Hey, come on, Oscar.  It's not going to rain. I want to see the   83 00:10:35,760 --> 00:10:54,200 shrine. When you get a few pages  written, give me a call. [music] 84 00:10:54,200 --> 00:10:58,560 [music] 85 00:10:58,560 --> 00:11:02,920 [music] 86 00:11:02,920 --> 00:11:07,280 [music] 87 00:11:07,280 --> 00:11:18,592 Heat. Heat. [music] 88 00:11:18,592 --> 00:11:23,744 [music] 89 00:11:23,744 --> 00:11:28,896 [music] 90 00:11:28,896 --> 00:11:34,048 [music] 91 00:11:34,048 --> 00:11:39,200 [music] 92 00:11:39,200 --> 00:11:49,600 Can you believe that? Incredible. [music]  She's even more beautiful than I imagined.   93 00:11:49,600 --> 00:11:59,520 She's not as beautiful as your father  painted her to. He gave her a soul. 94 00:11:59,520 --> 00:12:04,640 Spooky. 95 00:12:04,640 --> 00:12:20,960 Hey, come on. Let's get out of here. 96 00:12:20,960 --> 00:12:22,920 [music] 97 00:12:22,920 --> 00:12:24,880 [music] 98 00:12:24,880 --> 00:12:31,840 To millions of her fans all over the world,  it seems incredible that Laura Love is dead.   99 00:12:31,840 --> 00:12:37,040 But the funeral of the beloved star of My Love  Lies Sleeping and The Blue Moth, to name only   100 00:12:37,040 --> 00:12:42,320 a few of her films, was viewed by thousands  of grieving filmgoers in Hollywood's Grotto   101 00:12:42,320 --> 00:12:49,200 of Light channel. Miss Love died quietly in her  home Friday night. But to all of us who knew her,   102 00:12:49,200 --> 00:12:56,000 Luna Love did not leave us. She was and is a  legend, and legends never die. Some of them   103 00:12:56,000 --> 00:13:09,200 don't even fade away. Colin Carol, the man who  directed Lorna in her first hit, Garden of Desire. 104 00:13:09,200 --> 00:13:16,800 Denise Christian, Lorna's only rival in Filland,  but no serious contender for the goddess of love. 105 00:13:21,640 --> 00:13:22,640 [music] 106 00:13:22,640 --> 00:13:30,560 Who's a character with a cat? You tell me.  [music] Corin Carol. Born's first director.   107 00:13:30,560 --> 00:13:35,360 Any chance he might still be alive? Yeah.  We'll find out. He was one of the biggies,   108 00:13:35,360 --> 00:13:40,800 wasn't [music] he? He was up  there with DW Griffith and Deil. 109 00:13:40,800 --> 00:13:45,840 Now, there's uh Denise Christian. What  about her? Put her on the list. She's   110 00:13:45,840 --> 00:13:57,600 alive. She probably has some juicy tales  to tell about Laura and dying to tell. 111 00:13:57,600 --> 00:14:04,320 Well, hello cat. Hello. 112 00:14:04,320 --> 00:14:14,320 Oh my god. Joel. Joel. This thing is  stuff. What's stuff? This cat. Stop.   113 00:14:15,840 --> 00:14:21,680 Thought it was the same cat we  found upstairs in the bedroom. 114 00:14:21,680 --> 00:14:25,680 Look at that. 115 00:14:25,680 --> 00:14:30,480 It certainly could be one of its ancestors 116 00:14:30,480 --> 00:14:35,040 nose feratu. 117 00:14:35,040 --> 00:14:40,720 Mona was certainly a lady of singular taste. 118 00:14:40,720 --> 00:14:55,120 Malas, Malifacarium, Witch's  Hammer, Q. Life beyond a grave. 119 00:14:55,120 --> 00:14:57,840 Well, I don't know what we're  going to find out about you,   120 00:14:57,840 --> 00:15:06,160 Lorna, but I have a feeling you're  not going to be my kind of lady. 121 00:15:32,560 --> 00:15:42,240 Hey, that cat must have really spooked you as just  someone at the front for Mrs. Joseph. I get it. 122 00:15:42,240 --> 00:15:47,680 What are we going to bet on,  Mrs. Josephs? Or our nerves? 123 00:15:47,680 --> 00:15:51,520 Come on, 124 00:15:51,520 --> 00:16:01,600 Joseph. 125 00:16:01,600 --> 00:16:09,360 My name is Conan Cow. Carl, sorry  I didn't recognize you. Gregory,   126 00:16:09,360 --> 00:16:19,760 are you just kid? I'm his son. Come here.  My wife, John. How'd you get? I'm writing   127 00:16:19,760 --> 00:16:26,960 a book about my father and daughter. That's  why I'm here. I suppose the studios hired   128 00:16:26,960 --> 00:16:33,200 you because they think you know the story,  but you don't. You know nothing of her love.   129 00:16:33,840 --> 00:16:42,240 That's why I'm here to tell you I want the world  to know the evil ugly witch that I love really was   130 00:16:42,240 --> 00:16:50,320 and not to see her again. Um, Mr. Carol, could  I take your coat? You must be self. I created   131 00:16:50,320 --> 00:16:57,760 her. I mold her out of clay and dirt and made  her what the world thought she was. Write that.   132 00:16:57,760 --> 00:17:05,280 Tell them that. And then tell the world what she  did to me. how she repaid me. Anna wasn't even a   133 00:17:05,280 --> 00:17:11,840 shadow on the screen till I took hold of her. I  showed her how to walk, how to smile, how to use   134 00:17:11,840 --> 00:17:18,720 those hypnotic eyes. They were beautiful eyes.  When she tried to look at a man with passion,   135 00:17:18,720 --> 00:17:28,640 they were empty because there wasn't anything  inside her. I gave her everything. I made the gods   136 00:17:28,640 --> 00:17:35,120 in the heavens bow down to her. She believed all  the lies they wrote about her. She was obsessed   137 00:17:35,120 --> 00:17:43,840 with that father eternal fire. Who's that? A faith  healer of some sort. Could that be the guy in the   138 00:17:43,840 --> 00:17:51,680 funeral film? That's when she turned on everyone.  She ruined me. She destroyed me. She smashed me.   139 00:17:51,680 --> 00:18:01,760 The way Joe Gregory smashed all those mirrors of  hers. Mr. Cal, my father. He was the only one that   140 00:18:01,760 --> 00:18:06,000 had the strength to walk away from her while he  was still a whole human being. You know what he   141 00:18:06,000 --> 00:18:14,720 told her? She had no soul except the one he gave  her when he did that painting of her because she   142 00:18:14,720 --> 00:18:24,800 was empty inside, lifeless. Oh, there's more, much  more that nobody knows about Lana. things no one   143 00:18:24,800 --> 00:18:34,080 else would ever believe. Things no one but I  knew. I can't tell you here. Mr. Carol, it's   144 00:18:34,080 --> 00:18:39,280 awfully late. Why don't you stay tonight and then  we can talk some more in the morning. I wouldn't   145 00:18:39,280 --> 00:18:44,880 sleep from her house one night. I'd rather be  dead. Mr. Carol, it is raining pretty heavily   146 00:18:44,880 --> 00:18:53,200 on set. I think it would be best way to stay. I'll  call you tomorrow. The things you ought to know. 147 00:18:53,200 --> 00:18:56,480 Mr. Carol, it really isn't safe to drive. You   148 00:18:56,480 --> 00:19:17,600 sure you don't want to spend the  night? I'll call you tomorrow. 149 00:19:17,600 --> 00:19:43,760 Down. 150 00:19:43,760 --> 00:20:06,280 Heat. Heat. Heat. [music] 151 00:20:07,040 --> 00:20:17,680 Fire 152 00:20:17,680 --> 00:20:28,320 [music] 153 00:20:28,320 --> 00:20:31,680 heat. 154 00:20:31,680 --> 00:20:41,173 [music] 155 00:20:41,173 --> 00:20:50,666 [music] 156 00:20:50,667 --> 00:21:00,160 [music] 157 00:21:00,160 --> 00:21:04,640 According 158 00:21:04,640 --> 00:21:08,640 to the doctor, it was like a heart attack.  Well, last night I saw him drive away. It's   159 00:21:08,640 --> 00:21:14,400 the last time I saw it. I didn't think he'd come  back. It's funny. The last thing I would have   160 00:21:14,400 --> 00:21:19,200 thought he'd come back for would be to see the  shrine. You see, that path leads to the shrine   161 00:21:19,200 --> 00:21:25,920 I've blown love. That's the only reason he'd be  on it. Excuse me, ma'am. Is there anything you   162 00:21:25,920 --> 00:21:37,280 might be able to tell me? I went to bed early.  I didn't see him come. I didn't see him go. 163 00:21:37,280 --> 00:21:44,880 If there's anything else, we'll be 164 00:21:44,880 --> 00:21:48,800 I'm frightened. 165 00:21:48,800 --> 00:21:57,360 You're also pregnant. Yeah, you're sh I know  the difference between fear and pregnancy. 166 00:21:59,200 --> 00:22:18,960 I need a sweater. 167 00:22:18,960 --> 00:22:19,418 [music] 168 00:22:19,418 --> 00:22:19,876 [music] 169 00:22:19,876 --> 00:22:43,920 [music] Don't 170 00:22:43,920 --> 00:22:48,160 let high 171 00:23:00,160 --> 00:23:06,800 These are all autographed  pictures from friends of mis love 172 00:23:06,800 --> 00:23:14,000 to beauty from the beast on the journey. 173 00:23:18,360 --> 00:23:19,360 [music] 174 00:23:19,360 --> 00:23:36,466 If jealousy is a cardinal sin,  I'd rather be in hell. Clara Bau, 175 00:23:36,466 --> 00:23:36,480 [music] [music] 176 00:23:36,480 --> 00:23:47,280 marry me and take me to heaven. Come and Carol, 177 00:23:47,280 --> 00:23:51,920 let my eyes be your mirrors. Joe,   178 00:23:51,920 --> 00:24:03,120 did he love her as much as they say?  More. Much more. Tell me about them. 179 00:24:03,120 --> 00:24:11,840 There's too much. I don't know. Too  much. I can only guess it. Well,   180 00:24:11,840 --> 00:24:18,000 guess for me. Tell me about them. 181 00:24:18,000 --> 00:24:25,920 Souse will tell you the story. Shoot. 182 00:24:25,920 --> 00:24:32,800 Learn from the house. Stay here. 183 00:24:32,800 --> 00:24:37,200 What about the uh doors that are  locked across from our bedroom?   184 00:24:37,200 --> 00:24:46,640 Why can't I get in there? It was  her room, hers, and your father's. 185 00:24:46,640 --> 00:24:56,640 How can anybody talk about their love?  Something you feel, not talk about. 186 00:24:56,640 --> 00:25:00,560 They loved 187 00:25:00,560 --> 00:25:03,760 then. 188 00:25:03,760 --> 00:25:05,360 Go on. 189 00:25:07,840 --> 00:25:18,160 This was your father's studio. 190 00:25:18,160 --> 00:25:31,200 It's exactly as it was when he left  it. Nothing's been changed. Nothing. 191 00:25:31,200 --> 00:25:33,600 All of this work 192 00:25:35,520 --> 00:25:42,640 It's worth a great deal of money  today. Why didn't Lona sell it   193 00:25:42,640 --> 00:25:51,440 after he left? For what? Money? She loved you. 194 00:25:51,440 --> 00:26:00,640 Did you like him, Mrs. Joseph? Did you like my  father? I was the housekeeper here. I did my job.   195 00:26:01,440 --> 00:26:18,000 I liked people who were pleased with my work.  Did he like you? Yes. At least he said he did. 196 00:26:18,000 --> 00:26:26,240 May I talk to you again?  May I count on you to help? 197 00:26:35,200 --> 00:26:42,800 What's the matter? Look at this. You know what  that is? No. That's an a thing. It's a ritual   198 00:26:42,800 --> 00:26:49,200 knife used in witchcraft. See the pentagram? And  that's the divine crystal. Well, yeah. Whatever   199 00:26:49,200 --> 00:26:54,880 it is, it was used to cut this picture. I found it  in the same bureau drawer. Where's the other half?   200 00:26:54,880 --> 00:26:58,560 I don't know. Oh, I looked all through the drawer.  I couldn't find it. But honey, don't get so upset.   201 00:26:58,560 --> 00:27:02,000 I mean, if it's the picture you're worried about,  we can call the studio and get another copy. Joel,   202 00:27:02,000 --> 00:27:06,000 it's not the picture, and you know it now.  Come on, don't make fun of me. You better not   203 00:27:06,000 --> 00:27:10,880 tell me I'm overreacting because I'm pregnant  either. All right, sweetheart. Take it easy. I   204 00:27:10,880 --> 00:27:16,560 know you're upset about Mr. Carol. And And look,  maybe doing the book is getting to you. I Yeah,   205 00:27:16,560 --> 00:27:25,760 it's not the book. It's this house. This house  has been a scene of too many strong emotions,   206 00:27:25,760 --> 00:27:31,120 too many tragedies, and too many secrets.  It's like the way the sin of flowers stays   207 00:27:31,120 --> 00:27:35,520 in a room long after they're gone. You remember  we wrote that. Only these flowers have been dead   208 00:27:35,520 --> 00:27:42,480 a long time, and they don't smell so sweet. All  right, honey. Okay. I mean, maybe we started the   209 00:27:42,480 --> 00:27:47,040 book at the wrong time. Maybe we're here at  the wrong time, but we're stuck with it. So,   210 00:27:47,040 --> 00:27:57,760 let's do our thing. Wrap it up and finish it. All  right. Now, what's on for today? Hey, come on. 211 00:27:57,760 --> 00:28:06,720 Denise Christian. Denise Christian. How were you  able to find Lorna's only rival in Filmland? I   212 00:28:06,720 --> 00:28:12,080 called the actor's guilt. That was before I found  myself cut out of the picture. Literally speaking,   213 00:28:12,080 --> 00:28:18,480 I might add. Well, I guess that's the best  place to call to find an actor. Where is she? 214 00:28:20,720 --> 00:28:24,880 This brand of coffee has been around  a long time. It's pleased a lot of   215 00:28:24,880 --> 00:28:29,760 people because it knows how to please.  Maybe that's why I like it so well,   216 00:28:29,760 --> 00:28:41,040 because we've got something in common. Why don't  you drop by and share a pot with me sometime? 217 00:28:41,040 --> 00:28:46,800 And cut. That's nice of you. Right on  the button. Okay, that's a friend. Uh,   218 00:28:46,800 --> 00:28:57,760 let's get ready for the insert. Excuse me.  Excuse me, Miss Christian. I'm Joel Gregory. 219 00:28:57,760 --> 00:29:03,200 This is my wife, Donna. How do you do,  Miss Christian? We're writing a book   220 00:29:03,200 --> 00:29:11,280 about my father and about Lorna Love. Can we  talk to you about that? You look like him.   221 00:29:11,280 --> 00:29:16,880 You've got the same kind of intensity.  I bet they tell you that all the time,   222 00:29:16,880 --> 00:29:23,680 don't they, Joel Gregory? Yes, they they  have. Oh, why don't you run along and mix   223 00:29:23,680 --> 00:29:32,560 us a drink? I want to talk to these people  about old times. It'll make me very sad. So,   224 00:29:32,560 --> 00:29:43,520 you want to know about Lorna Love? Yes. We'd like  to know what you thought about I hated the witch.   225 00:29:44,080 --> 00:29:49,120 Why? There were a lot of reasons to hate Lorna  Love. Person didn't have to look too long or too   226 00:29:49,120 --> 00:29:54,560 far to find them. We started at the same studio  together. I got all of her leftover parts. You   227 00:29:54,560 --> 00:30:00,160 know, the one she didn't want. Then one of them  made me almost as big a star as she was. That was   228 00:30:00,160 --> 00:30:05,920 reason enough to get me thrown off the payroll.  She tried to blackball me with every studio,   229 00:30:05,920 --> 00:30:12,160 but she couldn't. She couldn't do to me what  she did to poor Conan Carol. God bless his soul.   230 00:30:12,160 --> 00:30:21,680 Then there was your father. I met him first. I  found him. I didn't know that. How? He was in the   231 00:30:21,680 --> 00:30:28,400 art department at the studio. He was good. I fell  head over heels in love with him. I showed some of   232 00:30:28,400 --> 00:30:33,840 his paintings around to help him. And then Lorna  got wind of him. I think at first she did it just   233 00:30:33,840 --> 00:30:41,600 to tear me apart. She went after him and she got  it. She opened a whole world for him. something I   234 00:30:41,600 --> 00:30:49,840 couldn't do. I was very happy for him. But the  happier I was for him, the more I found myself   235 00:30:49,840 --> 00:30:57,440 hating her. There was something about um a healer,  something of a faith healer. Do you know anything   236 00:30:57,440 --> 00:31:03,760 about that? Father, eternal fire. He taught her  all about hypnotic drugs, and she still couldn't   237 00:31:03,760 --> 00:31:09,200 get a night's sleep. She gave him a fortune  because he promised her she would never grow old,   238 00:31:09,200 --> 00:31:14,560 that she would never lose her beauty. After  your father smashed all the mirrors and left,   239 00:31:14,560 --> 00:31:23,840 she lived in a spiritual world, the world of  father eternal fire. Miss Christian, do you know   240 00:31:23,840 --> 00:31:29,120 why my father would have left Lorna? One morning,  I guess he woke up and found out that he really   241 00:31:29,120 --> 00:31:40,960 wanted to live. This was impossible with Lorna.  Why? because she destroyed everything she touched. 242 00:31:40,960 --> 00:31:46,800 Excuse me, Miss Christian. I'm sorry to interrupt,  but uh we need your hands in the insert. Well,   243 00:31:46,800 --> 00:31:52,320 can we talk again soon? How long will you  be here? Where are you staying? Love house.   244 00:31:52,320 --> 00:31:56,960 Thank you very much, Miss Christian. I  enjoy talking to you. Bye. Thanks very   245 00:31:56,960 --> 00:32:02,080 much. Wait a minute. You look like a  nice couple. Do yourselves a favor.   246 00:32:02,080 --> 00:32:28,310 Get out of love house. There's  nothing but death there. [music] 247 00:32:28,310 --> 00:32:28,320 [laughter] 248 00:32:28,320 --> 00:32:35,200 Okay, that's it. I've had it. Come on,  let's go up. Start with up, will you,   249 00:32:35,200 --> 00:32:53,520 sweetheart? Give me a few minutes.  I'll be right up. Okay. All right. 250 00:32:53,520 --> 00:33:06,470 [music] 251 00:33:06,470 --> 00:33:19,420 [music] 252 00:33:19,420 --> 00:33:32,370 [music] 253 00:33:32,370 --> 00:33:45,320 [music] 254 00:33:45,320 --> 00:33:58,270 [music] 255 00:33:58,270 --> 00:34:11,220 [music] 256 00:34:11,220 --> 00:34:24,170 [music] 257 00:34:24,170 --> 00:34:37,120 [music] 258 00:34:37,120 --> 00:34:42,720 kisses while I ly chill as the moon and caresses,   259 00:34:42,720 --> 00:35:08,240 shuddering and slow as a riding  serpent uncoiling a tomb. [music] 260 00:35:08,240 --> 00:35:11,680 [music] 261 00:35:11,680 --> 00:35:15,120 [music] 262 00:35:15,120 --> 00:35:18,560 [music] 263 00:35:18,560 --> 00:35:22,000 [music] 264 00:35:22,000 --> 00:35:25,440 [music] 265 00:35:25,440 --> 00:35:31,040 I'm [music] going to 266 00:35:40,960 --> 00:35:50,640 Come on. 267 00:35:50,640 --> 00:35:55,840 Come on. 268 00:35:55,840 --> 00:36:16,880 Hallelujah. [music] 269 00:36:50,480 --> 00:36:59,920 Heat. Heat. 270 00:36:59,920 --> 00:37:18,452 [music] 271 00:37:18,452 --> 00:37:18,466 [music] [music] 272 00:37:18,466 --> 00:37:18,480 [music] [music] 273 00:37:18,480 --> 00:37:25,403 Heat. Heat. 274 00:37:25,403 --> 00:37:25,413 [music] Oh, 275 00:37:25,413 --> 00:37:25,427 [music] [music] 276 00:37:25,427 --> 00:37:27,440 heat, [music] heat. 277 00:37:31,120 --> 00:37:41,200 Heat. Heat. 278 00:37:41,200 --> 00:37:53,040 [music] 279 00:37:53,040 --> 00:38:04,880 [music] 280 00:38:04,880 --> 00:38:14,880 Good job. [music] 281 00:38:14,880 --> 00:38:21,520 [music] 282 00:38:21,520 --> 00:38:37,520 God. 283 00:38:37,520 --> 00:38:39,760 [music] 284 00:38:39,760 --> 00:38:41,800 [music] 285 00:38:41,800 --> 00:39:03,100 Yeah. Yeah. [music] 286 00:39:03,100 --> 00:39:06,000 Yeah. 287 00:39:06,000 --> 00:39:26,320 Go. [screaming] 288 00:39:26,320 --> 00:39:29,240 Okay. [music] 289 00:39:48,640 --> 00:39:55,440 Donna, [music] Donna, 290 00:39:55,440 --> 00:40:00,560 Donna. Huh? 291 00:40:00,560 --> 00:40:06,960 I heard screaming. What's wrong? 292 00:40:06,960 --> 00:40:17,640 What's happened? Gas. 293 00:40:17,640 --> 00:40:25,040 [laughter] 294 00:40:25,040 --> 00:40:31,920 Fresh air. She needs fresh  air. I'll open the window. 295 00:40:31,920 --> 00:40:45,840 All right, [laughter] come in. Breathe.  Breathe. Breathe in. Breathe. Breathe. Okay. 296 00:40:45,840 --> 00:40:50,720 She'll be all right. She'll be just fine  now. The gas heater. It's an old house.   297 00:40:50,720 --> 00:40:56,320 An old heater. You must learn to be careful.  I couldn't close the gas. It's all over now.   298 00:40:56,320 --> 00:41:02,080 It's all over. I'll make her a nice cup of  hot tea. She'll feel better then. Thanks,   299 00:41:02,080 --> 00:41:04,880 Mr. Joseph. [laughter] I don't know what  I would have done without you. I would   300 00:41:04,880 --> 00:41:19,440 never been able to get in there.  I'll get that tea now. Oh, sweet. 301 00:41:23,120 --> 00:41:30,560 It's okay now, honey. Everything is under  control. I couldn't open the door. All you   302 00:41:30,560 --> 00:41:39,440 had to do was turn the lock. I didn't  lock it, Joel. I didn't lock the door. 303 00:41:39,440 --> 00:41:42,480 The light reactions. No, Joel. I didn't lock the   304 00:41:42,480 --> 00:41:48,320 door. I didn't lock it. I didn't lock  it. I didn't lock it. I didn't lock it. 305 00:41:48,320 --> 00:42:02,360 [music] 306 00:42:02,360 --> 00:42:16,400 [music] 307 00:42:16,400 --> 00:42:17,760 What did you find? 308 00:42:19,840 --> 00:42:22,960 Where did you find that?  What? In Lorna's collection   309 00:42:22,960 --> 00:42:29,120 of roles? What's the matter, sweetheart? 310 00:42:29,120 --> 00:42:36,240 Lorna loved Walts. Yeah, 311 00:42:36,240 --> 00:42:44,000 I heard this before last night when you went  upstairs to take a shower. I fell asleep down   312 00:42:44,000 --> 00:42:54,080 here and I had a dream. Even in the dream, I  heard that music. I heard that before I heard   313 00:42:54,080 --> 00:43:07,280 you call it that was Lorna and there were mirrors  and it was that music and that very same music.   314 00:43:07,280 --> 00:43:13,120 Now people don't dream about music. Note for note  I mean I just never heard about that before. Well,   315 00:43:13,120 --> 00:43:16,320 sweetheart, it could be the same thing that  happens to you when you go into a place   316 00:43:16,320 --> 00:43:23,440 and you feel like you've been there  before. No, it's nothing like that. 317 00:43:23,440 --> 00:43:28,720 I saw my father in the dream. [music] 318 00:43:28,720 --> 00:43:39,440 I saw my father and I saw I saw him with  her. I saw the way it was with them both. 319 00:43:41,280 --> 00:43:48,720 Tell me about it, Joe. [music] I can't. I mean,   320 00:43:48,720 --> 00:44:00,640 it just isn't words that fit it.  I know it. [music] I can feel it. 321 00:44:00,640 --> 00:44:05,040 Joel, let's get out of this house. No,  I don't want to leave the house. Look,   322 00:44:05,040 --> 00:44:08,720 Oscar was right. We can do our writing in town.  I don't want to go to town of Reich. We need this   323 00:44:08,720 --> 00:44:15,040 place for research. I mean, my father's paintings  are here. Lorna's old movies, her publicity books,   324 00:44:15,040 --> 00:44:19,600 and he's here. Donna, believe me, I know he's  here. I can feel him. I can feel my father like   325 00:44:19,600 --> 00:44:26,400 I've never felt him before. I can't leave.  Well, you can leave if you want to. I mean,   326 00:44:26,400 --> 00:44:36,720 there's no reason for both of us to stay,  but I can't. No. No. We'll stay together. 327 00:44:36,720 --> 00:44:45,600 Are you hungry? Uh, no I'm not. Okay,  then we'll skip breakfast and we'll   328 00:44:45,600 --> 00:44:53,680 get going cuz we got places to go,  people to meet. Look what I found. 329 00:44:53,680 --> 00:44:58,560 Cella Geffenhart, president of the  Lona Love fan club. Right. I called   330 00:44:58,560 --> 00:45:12,107 her. She'll see us anytime we want. How  about now? Huh? Now. Come on. [music] 331 00:45:12,107 --> 00:45:17,973 [music] 332 00:45:17,973 --> 00:45:23,840 [music] 333 00:45:23,840 --> 00:45:31,360 Dorna gave me this house. Did you know that? Oh,  she was wonderful to people. She just gave this   334 00:45:31,360 --> 00:45:38,720 house to me and didn't even ask for a penny. I  have her pictures still. I loved her. The whole   335 00:45:38,720 --> 00:45:46,000 wide world did, but they didn't know her like  me. I knew how wonderful she really was. I can't   336 00:45:46,000 --> 00:45:52,080 wait to see the movie. Who's going to play Lorna's  part? Do you get your pick? We're just writing the   337 00:45:52,080 --> 00:45:57,200 book, Miss Geffenheart. Other people decide that.  There you are. Well, whatever you want to know,   338 00:45:57,200 --> 00:46:05,920 you just ask me. Cuz me and her were close. Very  close. I was like a little sister to her. That's   339 00:46:05,920 --> 00:46:11,760 what she called me, little sister. Marcella,  in the photograph, there's you and Lorna. Who's   340 00:46:11,760 --> 00:46:19,680 the man in the middle in the black robes? Oh,  that's um that's father eternal fire. He was   341 00:46:19,680 --> 00:46:29,680 a very spiritual man. He he believed in certain  things like people should love one another. And   342 00:46:29,680 --> 00:46:38,320 uh do you think You know what that is? More or  less. The one at love house, Laura's a thing,   343 00:46:38,320 --> 00:46:44,080 has a has a pentagram on it. This one seems to  be a little different. No, it isn't. Marcela,   344 00:46:44,080 --> 00:46:48,000 do you visit Laura Shrine very often? I think  we've heard enough for today, sweetheart. I've   345 00:46:48,000 --> 00:46:53,760 got a few more. Come back and see another time.  Oh, yeah. Please come back. Then we'll go now.   346 00:46:53,760 --> 00:46:58,800 You will come back, won't you? Because uh I'd  like to talk about Lauren. Nobody else seems   347 00:46:58,800 --> 00:47:08,320 to want to anymore. They they forget. And I think  it's awful. Well, I don't forget and I never will. 348 00:47:08,320 --> 00:47:23,600 Goodbye. Goodbye. Thank you. Thank  you. You'll hurry back, won't you? 349 00:47:23,600 --> 00:47:26,731 [music] 350 00:47:26,731 --> 00:47:29,862 [music] 351 00:47:29,862 --> 00:47:33,440 [music]   352 00:47:33,440 --> 00:47:38,320 Okay, sweetheart. You want to tell me why you did  that? Said what? Well, you practically threw me   353 00:47:38,320 --> 00:47:45,760 out of the house. You uh were beginning to lean on  her a bit. You were getting a little heavy. Joel,   354 00:47:45,760 --> 00:47:50,480 she's the woman I saw outside the window the first  day we were at Lorna's house. What woman? What do   355 00:47:50,480 --> 00:47:54,880 you mean? You remember I told you the woman in  the white chiffon scarf? I saw her and then she   356 00:47:54,880 --> 00:47:58,560 ran down the walkway. Look, I'm sure it was her.  Well, even if it was her, what difference does   357 00:47:58,560 --> 00:48:03,200 it make? Will you tell me that? Okay. Why was  she running? What was she doing there? Look,   358 00:48:03,200 --> 00:48:07,840 why are you getting so upset? You saw the ethane  and suddenly something has snapped inside of you.   359 00:48:07,840 --> 00:48:12,320 Snapped. Joel, look, there's things going on  in that house that I don't understand. I think   360 00:48:12,320 --> 00:48:18,560 Marcela Geffinhar can tell me about them. She  doesn't have to tell you anything. And maybe,   361 00:48:18,560 --> 00:48:22,880 just maybe, you don't have a right to ask.  It was Laura's house. The way she loved her,   362 00:48:22,880 --> 00:48:25,520 maybe she has more of a right to be  there than you do. You sound like   363 00:48:25,520 --> 00:48:42,640 you're choosing up sides. And you  sound like you're a jealous woman. 364 00:48:42,640 --> 00:48:45,600 [music] 365 00:48:45,600 --> 00:48:48,560 [music] 366 00:48:48,560 --> 00:48:57,440 What's this one called? My love lies sleeping.  A silent film. The last thing Lona did for   367 00:48:57,440 --> 00:49:05,600 Con and Carol. Oh, last thing Lan ever  did for Con and Carol was to ruin him. 368 00:49:05,600 --> 00:49:11,360 It's really pretty good,  isn't she? She's wonderful. 369 00:49:13,280 --> 00:49:18,000 She had magic. Hey, come on. All you've been doing   370 00:49:18,000 --> 00:49:27,600 all evening is watching her old movies.  You think it's enough? Now watch this. 371 00:49:27,600 --> 00:49:37,280 Go ahead. Just don't take a shower tonight. 372 00:50:14,880 --> 00:50:28,146 Jo, 373 00:50:28,146 --> 00:50:28,160 [music] [music] 374 00:50:28,160 --> 00:50:32,080 I want to be alone with you, Joe. 375 00:50:33,400 --> 00:50:41,280 [music] Just you. I love you, [music] 376 00:50:41,280 --> 00:50:47,760 Joel. I need you. [music] 377 00:50:47,760 --> 00:50:57,280 Where are we headed? Doesn't matter. 378 00:50:57,280 --> 00:51:17,986 out. 379 00:51:17,986 --> 00:51:18,000 [music] [music] 380 00:51:18,000 --> 00:51:22,480 Heat. 381 00:51:22,480 --> 00:51:28,800 [music] 382 00:51:28,800 --> 00:51:35,120 [music] 383 00:51:35,120 --> 00:51:51,200 I'm not trying to wonder. 384 00:51:51,200 --> 00:51:53,120 [music] 385 00:51:53,120 --> 00:51:55,040 [music] 386 00:51:55,040 --> 00:52:00,800 Joe, darling, you know we're out of champagne. 387 00:52:00,800 --> 00:52:14,400 [music] Oh, there's Conan Carol's replacement.  I can't say I like him any better. So,   388 00:52:14,400 --> 00:52:21,920 at last I have a chance to meet Queen Lorna's new  consort. So, I'd like you to meet Eric Herman,   389 00:52:21,920 --> 00:52:29,920 a director I want to meet. Oh, you damn.  Well, I may ask. Go away, Eric. Before   390 00:52:29,920 --> 00:52:44,640 I tell everybody what a miserable lover you  really were, the lady said to go away, listen. 391 00:52:48,720 --> 00:53:03,520 Joe, I want to go someplace else.  I want to be alone with you. 392 00:53:03,520 --> 00:53:10,560 We'll be together always. I'll never let you go. 393 00:53:10,560 --> 00:53:26,176 [music] 394 00:53:26,176 --> 00:53:41,792 [music] 395 00:53:41,792 --> 00:53:57,408 [music] 396 00:53:57,408 --> 00:54:13,024 [music] 397 00:54:13,024 --> 00:54:28,640 [music] 398 00:54:28,640 --> 00:54:34,840 Heat. 399 00:54:34,840 --> 00:54:41,040 [music] 400 00:54:41,040 --> 00:54:49,680 Heat. [music] 401 00:54:49,680 --> 00:55:10,480 Heat. Heat. 402 00:55:10,480 --> 00:55:11,040 [music] 403 00:55:11,040 --> 00:55:11,600 [music] 404 00:55:11,600 --> 00:55:28,960 Thank [music] you. 405 00:55:28,960 --> 00:55:33,120 [music] 406 00:55:33,120 --> 00:55:37,280 [music] 407 00:55:37,280 --> 00:55:41,440 [music] 408 00:55:41,440 --> 00:55:45,600 [music] 409 00:55:45,600 --> 00:55:52,880 Hallelujah. 410 00:55:52,880 --> 00:55:57,823 [music] 411 00:55:57,823 --> 00:56:02,766 [music] 412 00:56:02,767 --> 00:56:07,710 [music] 413 00:56:07,710 --> 00:56:13,360 [music]   414 00:56:13,360 --> 00:56:35,586 Oh, 415 00:56:35,586 --> 00:56:35,600 [music] [music] 416 00:56:35,600 --> 00:56:42,640 hey. 417 00:57:00,800 --> 00:57:02,700 [music] 418 00:57:02,700 --> 00:57:05,550 [music] 419 00:57:05,550 --> 00:57:08,400 [music] 420 00:57:08,400 --> 00:57:12,520 Y'all, [music] 421 00:57:12,520 --> 00:57:16,011 y'all [music] 422 00:57:16,011 --> 00:57:18,160 [music]   423 00:57:18,160 --> 00:57:33,680 Joel. Joel. I saw the woman  again. The woman in white. 424 00:57:33,680 --> 00:57:39,860 [music] 425 00:57:39,860 --> 00:57:46,040 [music] 426 00:57:46,040 --> 00:57:52,220 [music] 427 00:57:52,220 --> 00:57:58,400 [music] 428 00:57:58,400 --> 00:58:03,600 And he [music] shall come flinging  wide the portals of the tomb With   429 00:58:03,600 --> 00:58:09,600 living breath to breathe on the  mirrors like tarnished to fan the   430 00:58:09,600 --> 00:58:19,840 flames called ashes and to our  death give eternal resurrection. 431 00:58:19,840 --> 00:58:25,600 There is nothing left in the world but us. 432 00:58:25,600 --> 00:58:29,920 Nothing but us. 433 00:58:29,920 --> 00:58:38,080 Jill, I couldn't go on if you ever went away. 434 00:58:38,080 --> 00:58:47,200 I'll never leave you. [music] 435 00:58:47,200 --> 00:58:51,680 I swear. 436 00:58:51,680 --> 00:58:56,000 [music] 437 00:58:56,000 --> 00:59:02,309 Come [music] 438 00:59:02,309 --> 00:59:09,520 [music]   439 00:59:09,520 --> 00:59:17,920 on. 440 00:59:17,920 --> 00:59:21,560 [music] 441 00:59:21,560 --> 00:59:25,200 [music] 442 00:59:25,200 --> 00:59:28,560 Jo. 443 00:59:28,560 --> 00:59:37,280 Jo. Joel. Wake up. Lana. Joel. Lana. Joel. Lana.   444 00:59:37,280 --> 00:59:45,200 Where did you get this key? Where  did you find this key? Joel. Joel. 445 00:59:45,200 --> 00:59:59,280 Come on. Sweet. Come on. Let's get out  of here. Come on, let's get out of here. 446 00:59:59,280 --> 01:00:05,173 [music] 447 01:00:05,173 --> 01:00:16,960 [bell] [music] 448 01:00:16,960 --> 01:00:23,600 Joel, 449 01:00:23,600 --> 01:00:28,640 what's happening? What are you doing?  I'm leaving. I want you to come with   450 01:00:28,640 --> 01:00:34,800 me. What are you talking about? We've  got work to do. Can't leave. Joel,   451 01:00:34,800 --> 01:00:46,720 please talk to me. At least talk to me. About  what, honey? About last night, about this house,   452 01:00:46,720 --> 01:00:52,400 about you and me. Look, we haven't got  time for that. I I've got to see footage   453 01:00:52,400 --> 01:00:58,160 on Lorna. I want to go over the scrapbooks  again. Joel, we've got to stop long enough   454 01:00:58,160 --> 01:01:08,480 to talk about what's happening to us. Nothing is  happening to us. Do you call last night nothing? 455 01:01:08,480 --> 01:01:19,680 Do you call finding you on her bed out  of your mind calling her name? Nothing. 456 01:01:19,680 --> 01:01:23,280 Joe, 457 01:01:23,280 --> 01:01:31,280 something's happening that I don't understand.  Something that you don't understand. She's evil.   458 01:01:31,280 --> 01:01:37,760 Stop it. And this house is rotten with her memory.  Stop it. All you've done since we've been here is   459 01:01:37,760 --> 01:01:41,920 make fun of her, ridicule her. You've done nothing  but dirty her memory from the beginning. You keep   460 01:01:41,920 --> 01:01:47,920 attacking her. You are. You attack her. Joel,  please come with me to town. We can finish the   461 01:01:47,920 --> 01:01:52,480 book there. We can work there. It has to be  written here. Written here where it happened.   462 01:01:52,480 --> 01:01:55,920 But you're not writing it. You haven't put  one word on paper since we've been here.   463 01:01:55,920 --> 01:02:00,000 You've gotten so wrapped up in Lorna's legend  and a whole Hollywood pack of lies about her,   464 01:02:00,000 --> 01:02:06,960 you can't even recognize the truth. Oh, and  you know the truth. In a few days research,   465 01:02:06,960 --> 01:02:12,000 you know the truth about Lorna Love. I don't  think so. Now, let me tell you something. Lorna   466 01:02:12,000 --> 01:02:20,000 was no two-dimensional figure of evil. No, Lilith.  She was she was a very special lady. Now I know   467 01:02:20,000 --> 01:02:26,560 why my father was in love with her. He had the  strength to walk away from her. And maybe that's   468 01:02:26,560 --> 01:02:35,520 the only mistake that he ever made in his life.  Joel, can you hear yourself? Just listen to what   469 01:02:35,520 --> 01:02:44,000 you're saying. I know what I'm saying. Go away  from this house. Donna, you don't belong here.   470 01:02:44,720 --> 01:03:04,800 She doesn't want you here  and I don't want you here. 471 01:03:04,800 --> 01:03:08,320 [music] 472 01:03:08,320 --> 01:03:11,840 [music] 473 01:03:11,840 --> 01:03:19,280 I was just a kid in the agency when Lorna was  alive. Oh, she was something. All right. Everyone   474 01:03:19,280 --> 01:03:30,400 jumped when she walked in. A star. A star. Me? I  never even liked her. I mean, she was a weirdo to   475 01:03:30,400 --> 01:03:39,280 begin with. They talked about orgs and all that  up at our place. I don't know. I was never even   476 01:03:39,280 --> 01:03:47,200 invited. Okay, Oscar, just go on, please. I don't  really know that much. Just what I heard. After   477 01:03:47,200 --> 01:03:53,360 Joel's father left, she and this crazy nut in a  black cape. It's Father Eternal Fire. Yeah. Yeah.   478 01:03:53,360 --> 01:04:00,880 Father, whoever he was, he suggested to Lorna some  kind of uh ceremony to bring Joel Senior back.   479 01:04:00,880 --> 01:04:10,080 She paid him a fortune for it. It involved  fire. Crazy. Well, they tried it and something   480 01:04:10,080 --> 01:04:17,840 went wrong and Lorna got badly burnt and  she never left the house after that. But   481 01:04:17,840 --> 01:04:24,240 Oscar Lorna's body doesn't have any burns on it.  Doesn't have any scars. In this town, you don't   482 01:04:24,240 --> 01:04:29,520 have to look far off for skillful cosmetic  people, plastic surgeons, anything you want. 483 01:04:37,360 --> 01:04:43,600 Oscar, 484 01:04:43,600 --> 01:04:49,920 you know what I am? I'm a three-  room apartment in New York or an   485 01:04:49,920 --> 01:04:57,760 unbalanced budget. I'm just a lady  who wants her husband and her baby.   486 01:04:57,760 --> 01:05:09,440 with all the trips to the laundette and  the mortgages that go with it. Really? 487 01:05:09,440 --> 01:05:13,760 But Laura's eternal. 488 01:05:13,760 --> 01:05:29,920 Lorna is eternal. It's like champagne that  never goes flat or moonlight or a walls. 489 01:05:29,920 --> 01:05:35,520 How do I fight that, Oscar? 490 01:05:35,520 --> 01:05:39,920 Please help me get my husband back. 491 01:05:39,920 --> 01:05:46,000 Okay, if you want him back, go get him. If   492 01:05:46,000 --> 01:06:07,200 you have to pull them out of there  kicking and screaming, go get him. 493 01:06:07,200 --> 01:06:11,280 [music] 494 01:06:11,280 --> 01:06:15,360 [music] 495 01:06:15,360 --> 01:06:19,440 [music] 496 01:06:19,440 --> 01:06:23,520 [music] 497 01:06:23,520 --> 01:06:27,600 [music] 498 01:06:27,600 --> 01:06:34,880 bye-bye. 499 01:06:34,880 --> 01:06:59,912 Heat. Heat. [music] 500 01:06:59,912 --> 01:07:03,025 [music] 501 01:07:03,025 --> 01:07:06,138 [music] 502 01:07:06,138 --> 01:07:09,250 [music] 503 01:07:09,250 --> 01:07:12,363 [music] 504 01:07:12,363 --> 01:07:15,920 [gasps]   505 01:07:15,920 --> 01:07:20,160 Marcela, come on. Come on. Come  on. That would hurt. Marcela,   506 01:07:20,160 --> 01:07:25,040 why are you doing any harm? Are you doing  this wrong? Why are you afraid of this?   507 01:07:25,040 --> 01:07:34,720 Why are you afraid of the Lord and eternal fires?  Why did you run from me? They want to be something 508 01:07:34,720 --> 01:07:52,080 [screaming] ever. 509 01:07:52,080 --> 01:07:59,440 [music] 510 01:07:59,440 --> 01:08:06,800 [music] 511 01:08:06,800 --> 01:08:14,160 [music] 512 01:08:14,160 --> 01:08:14,640 Go 513 01:08:14,640 --> 01:08:27,080 [music] 514 01:08:27,080 --> 01:08:39,520 [music] 515 01:08:39,520 --> 01:08:42,400 Is this Joseph's? 516 01:08:45,240 --> 01:08:49,880 [music] Is this still 517 01:08:49,880 --> 01:08:58,160 [music] my god? 518 01:08:58,160 --> 01:09:03,680 This is Joseph. This is Lorna. 519 01:09:03,680 --> 01:09:08,800 She's not [screaming] dead. 520 01:09:12,840 --> 01:09:13,840 [music] 521 01:09:13,840 --> 01:09:30,360 Lord is not dead. She's not dead. [music] 522 01:09:30,360 --> 01:09:36,960 [music] 523 01:09:36,960 --> 01:09:50,880 Joel, Joel, Joel, Joel, Joel, stop. It's  me. Stop. Who are you? What do you want? 524 01:09:50,880 --> 01:09:57,065 [music] 525 01:09:57,065 --> 01:10:03,250 [music] 526 01:10:03,251 --> 01:10:10,320 [music]   527 01:10:10,320 --> 01:10:18,400 Job 528 01:10:18,400 --> 01:10:20,240 loyal honor. 529 01:10:31,320 --> 01:10:32,320 [music] 530 01:10:32,320 --> 01:10:43,600 Joel, we'll be together forever now. Wait. 531 01:10:43,600 --> 01:10:49,520 [music] 532 01:10:49,520 --> 01:11:15,280 Even [music] now forever 533 01:11:15,280 --> 01:11:15,440 [music] [music] 534 01:11:15,440 --> 01:11:28,946 No, 535 01:11:28,946 --> 01:11:28,960 [music] [music] 536 01:11:28,960 --> 01:11:39,280 John. Come on. Don't worry.  [music] Come on. Get out. 537 01:11:39,280 --> 01:11:44,240 [music] 538 01:11:44,240 --> 01:11:49,200 [music] 539 01:11:49,200 --> 01:12:12,040 Heat. Heat. [music] 540 01:12:12,040 --> 01:12:23,520 [music] 541 01:12:23,520 --> 01:12:27,360 She was beautiful. 542 01:12:27,360 --> 01:12:33,360 I can understand some of it. after the  fire and what happened to her face. Well,   543 01:12:33,360 --> 01:12:38,800 you said it, Oscar. She didn't want the world  to know. She didn't want to be remembered as   544 01:12:38,800 --> 01:12:49,920 anything but beautiful. I guess it's  a happy ending for Lorna after all. 545 01:12:54,040 --> 01:12:55,040 [music] 546 01:12:55,040 --> 01:13:00,800 All she wanted was to be adored,  to be worshiped forever. Oh,   547 01:13:00,800 --> 01:13:17,973 she'll have that now for sure. [music] 548 01:13:17,973 --> 01:13:21,306 [music] 549 01:13:21,307 --> 01:13:24,640 [music] 550 01:13:24,640 --> 01:13:29,320 Yeah. 551 01:13:29,320 --> 01:13:34,000 [music] 552 01:13:34,000 --> 01:13:39,904 Heat. [music] 49951

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