Original subtitles

Beverly Hills. It was around here that

Max Sennet used to hold his Sunday

morning wild boar hunts on horseback.

Most of these homes were built and paid

for during the great silent days of

movies before taxes were a fact of life

when people could afford to live like

kings and queens. Here left, ladies and

gentlemen, is the Lorna Love Estate, a

36 room mansion built at a cost of over

$3 million for the beautiful and world

famous actress whose tragic death in

1935

saddened her millions of fans across the

globe.

The day after Lawler's funeral, a shrine

was built directly behind the trees up

there. Folks, use your imagination.

Think of Lorna as beautiful as ever. As

you remember her, her body imbalmed up

there in her shrine, lying up there

forever.

>> Excuse me.

>> Huh?

>> We'd like to get off here.

>> Sorry. As company rules, no one's

allowed to get off the bus insurance,

you know.

>> Well, my wife is pregnant.

>> Congratulations, but that don't mean a

thing to me. And

>> I'm feeling a little sick.

>> [laughter]

>> Oh, Joel. Joel, stop. I really don't

feel well.

>> Are you serious?

>> No.

>> Now that's not fair. This is the first

time for me I've never been. I mean,

you've never We've never been pregnant.

Oscar,

>> why'd you come up in that thing? If it

was a tour you wanted, I could have

arranged something with the studio.

>> Sure, you could have, Oscar, but that's

not what we were interested in. We

wanted to look at their faces and look

at the dreams and see how much of Laura

Love is still alive.

>> And believe me, she is alive and well.

>> What do you say I drive you in and kiss

you goodbye? Got to get out of here. I

got things to do.

Hey, the wind's starting to blow. The

radio said there'd be a storm tonight.

[music]

Hey, [music]

[music]

[music]

[music]

great. [music]

Heat. Heat.

[music]

[music]

[music]

[music]

>> [music]

[music]

[music]

>> I'll never understand you writers. You

could write the same thing in a nice,

clean, modern office in Beverly Hills as

you can here. If you ask me, you're all

nuts.

There's supposed to be a housekeeper of

Clara Joseph's. At least that's what the

studio said. I'm glad they gave me a

key.

>> Sorry, honey. It must have been the

wind. I don't know where it came from.

>> You bought a wicket from New York.

Hello. Anybody home?

Mrs. Joseph's.

Mrs. Joseph's.

That housekeeper should be here. I'd

feel a lot better if she'd show up.

The door is locked.

>> Mrs. Joseph,

this is Mr. and Mrs. Gregory. How do you

do?

>> I didn't expect you this early. [music]

>> [music]

>> I'd seen photographs of it when I saw

some preliminary sketches my father did.

I thought I knew what to expect,

but I never thought it would be like

this.

It's [music] magnificent.

>> Your father was a great artist, Joel.

But you're right. There's really

something special [music] about that

painting.

>> Sure. It's the model. Yeah. The most

beautiful model in the world.

>> No, it's not it, Oscar.

It's not all of it, anyway.

Something else.

>> It's love.

There was great love between you.

[music]

[music]

He was like you.

The same face,

the father and the son.

>> [music]

>> Did you know him? Were you working here

when they were living together?

>> Your rooms are upstairs to [music] the

left. I'll open the rest of the house

for you.

You know, the book you're going to write

should be a love story about a great

artist and the equally great actress

that opened up the world to him.

I mean, she worshiped him and he

worshiped her.

The romance that the whole world talked

about. Fantastic love story. Bigger than

Fcott Fitzgerald and Zelda. Bigger than

that. Bigger than that. Bigger than

life.

>> All right, Oscar, you can stop selling.

We've already signed your contracts.

Wait a minute. Did Mrs. Joseph say right

or left? I think she said left.

It's locked.

Fascinating. It's always fascinating me

what's behind locked doors.

>> Come on. You'll find out soon enough.

Mrs. Johnson say she's going to open up

the house.

>> Oh, wow.

>> Hey, look what's here to meet us.

>> Hey, thanks, Oscar.

I'll tell you what. I'll give you a call

at the office when we get all the

research together.

>> Research? What research? It's a love

story. Boy meets girl. Boy gets girl.

Boy loses girl. What more is there?

>> Well, there's a little bit more, Oscar,

because in this case, the girl's Lorna

to Love and the boy is Joel Gregory

Senior, who just happens to be the

father of one of the authors.

>> I never really knew him, Oscar. I hardly

ever saw him when I was a kid. By the

time I was a man,

he died. So, you can understand there's

a lot I want to find out about him.

Besides, Oscar, you know the way we

work. We're more journalists than we are

novelists. So, the research is

everything.

>> Okay. Okay. Okay. Have it your way.

You'll do the research, you'll write a

great book, but it means nothing if

nobody knows about it. So, talking about

publicity,

>> what publicity?

>> There's a shot the studio wants to use

other pair of you.

>> Uh-oh. Can I see you, sweetheart?

>> They want to release it. They want to

let the public know about the book. Let

them start talking about who's going to

play the part in the movie.

It's scared of you.

Look, Joe.

>> Yeah, that's really beautiful, isn't it?

>> Say, Oscar,

where is the shrine to the goddess of

love?

>> Can't miss it. Any road you take on this

place leads to the monument of that

broad's ego.

>> Joel, come here. There's somebody out

here. [music]

Come on. Come on. I just saw a lady all

in white with a white chiffon scar. She

looked like something out of a 1930s

bald magazine. She ran right down that

walkway.

>> Let's talk the shrine.

>> Yeah.

>> Let's go take a look.

>> You go. I got to get off these hills

before the rain hits. It can be

treacherous.

[music]

>> I'll see you later.

>> Hey, come on, Oscar. It's not going to

rain.

>> I want to see the shrine. When you get a

few pages written, give me a call.

[music]

Heat. Heat.

[music]

[music]

[music]

>> [music]

[music]

[music]

>> Amen.

Hallelujah.

>> [music]

[music]

>> Can you believe that?

>> Incredible.

>> She's even more beautiful than I

imagined.

>> She's not as beautiful as your father

painted her, Joe. [music]

He gave her a soul.

Spooky.

Hey, come on. Let's get out of here.

[music]

To millions of her fans all over the

world, it seems incredible that Lorna

Love is dead.

But the funeral of the beloved star of

My Love Lies Sleeping and The Blue Moth,

to name only a few for films, was viewed

by thousands of grieving filmgoers in

Hollywood's Grotto of Life channel.

Miss Love died quietly in her home

Friday night. But to all of us who knew

her, Lorna Love did not leave us. She

was and is a legend, and legends never

die.

>> Mom, don't even fade away.

>> Colin Carol, the man who directed Lorna

in her first hit, Garden of Desire.

Denise Christian, Lorna's only rival in

Filland. but no serious contender for

the goddess of love.

[music]

>> Who's a character with a cat?

>> You tell me.

>> Conan Carol, born's first director. Any

chance he might still be alive?

>> Well, we'll find out.

>> He was one of the biggies, wasn't he?

>> He was up there with DW Griffith and

Deil.

Now, there's uh Denise Christian. What

about her?

>> Put her on the list. When she's alive,

she's going to have some juicy tales to

tell about Laura and dying to tell.

>> Well, hello, cat. Hello.

Oh my god.

Joel.

Joel. This thing is stuff. What stuffed

>> this cat stuff?

>> Thought it was the same cat we found

upstairs in the bedroom.

>> Look at that.

It certainly could be one of its

ancestors.

Nose Feratu

Mona was certainly a lady of singular

taste.

Malas

Malifacarium

witch's hammer.

>> Life beyond a grave.

>> Well, I don't know what we're going to

find out about you, Lorna. But I have a

feeling you're not going to be my kind

of lady.

Hey, that cat must have really spooked

you. It's just someone at the front

door.

>> Mrs. Joseph will get it.

>> What are we going to bet on, Mrs.

Joseph's or our nerves?

>> Come on,

Mrs. Joseph.

>> My name is Conan Cow.

Carl, sorry I didn't recognize you.

>> Your Gregory is dead.

>> I'm his son. Come here.

>> My wife, John.

>> I'm writing a book about my father and

Lord.

>> That's why I'm here. I suppose the

studios hired you because they think you

know the story, but you don't. You know

nothing of a love. That's why I'm here

to tell you I want the world to know the

evil ugly witch that Lorna love really

was and not to see her again.

>> Um Mr. Carol, could I take your coat?

You must be soaking wet.

>> I created her. I mold her out of clay

and dirt and made her what the world

thought she was. Right then. Tell them

that and then tell the world what she

did to me. How she repaid me. Anna

wasn't even a shadow on the screen till

I took hold of her. I showed her how to

walk, how to smile, how to use those

hypnotic eyes. They were beautiful eyes.

When she tried to look at a man with

passion, they were empty

because there wasn't anything inside

her.

I gave her everything.

I made the gods in the heavens bow down

to her. She believed all the lies they

wrote about her.

>> She was obsessed with that father

eternal fire.

>> Who's that?

>> A faith healer of some sort.

>> Could that be the guy in the funeral

film?

>> That's when she turned on everyone. She

ruined me. She destroyed me. She smashed

me. The way George Gregory smashed all

those mirrors of hers.

>> Mr. Carol,

my father,

>> he was the only one that had the

strength to walk away from her while he

was still a whole human being. You know,

when he told her

and she had no soul except the one he

gave her when he did that painting of

her

cuz she was empty inside,

lifeless.

Oh, there's more. Much more that nobody

knows about Lana.

Things no one else would ever believe.

Things no one but I knew.

I can't tell you here.

>> Mr. Carol, it's awfully late. Why don't

you stay tonight and then we can talk

some more in the morning.

>> I wouldn't sleep from the her house one

night. I'd rather be dead.

>> Mr. Carol, it is raining pretty heavily

on set. I think it' be best way to stay.

>> I'll call you tomorrow. The things you

ought to know.

>> Mr. Carol, it really isn't safe to

drive. You sure you don't want to spend

the night?

>> I'll call your mother.

Don't go.

[music] Heat. Heat.

Heat. Heat.

Heat. [music]

Heat.

[cheering]

>> [music]

[music]

>> Come here. [music]

According

to the doctor, it was like a heart

attack.

>> Well, last night I saw him drive away.

It's the last time I saw him. I didn't

think he'd come back.

>> It's funny. The last thing I would have

thought he'd come back for would be to

see the shrine.

>> You see, that path leads to the shrine

of Lona Love. That's the only reason

he'd be on it.

>> Excuse me, ma'am. Is there anything you

might be able to tell me?

>> I went to bed early.

I didn't see him come. I didn't see him

go.

>> If there's anything else, we'll be in

touch.

>> I'm frightened.

>> You're also pregnant.

>> Yeah, you shed.

I know the difference between fear and

pregnancy.

I need a sweater.

>> [music]

>> Hey,

[music]

>> [music]

>> These are all autographed pictures from

friends of Miss Loves

>> to beauty from the beast on Cheney.

If jealousy is a cardinal sin, I'd

rather be in hell. Clarab,

[music]

marry me and take me to heaven.

Come and Carol,

let my eyes be your mirrors. Joe,

did he love her as much as they say?

>> More. Much more.

>> Tell me about them.

>> There's too much. I don't know.

Too much. which I can only guess at.

>> Well,

guess for me.

Tell me about them.

>> S will tell you the story.

Shoot.

Learn from the house.

Stay here.

>> What about the uh doors that are locked

across from our bedroom? Why can't I get

in there?

It

>> was her room, hers, and your father's.

How can anybody talk about their love?

Something you feel, not talk about.

They loved.

Go on.

This was your father's studio.

It's exactly as it was when he left it.

Nothing's been changed. Nothing.

All of this work,

it's worth a great deal of money today.

Why didn't

Lona sell it after he left?

>> For what? Money?

She's up to you.

>> Did you like him, Mrs. Joseph?

Did you like my father?

>> I was the housekeeper here. I did my

job.

I liked people who were pleased with my

work.

>> Did he like you?

>> Yes.

At least he said he did.

>> May I talk to you again?

May I count on you to help?

What's the matter?

>> Look at this.

>> You know what that is?

>> No.

>> That's an a thing. It's a ritual knife

used in witchcraft. See the pentagram?

And that's the divine crystal.

>> Well, yeah, whatever it is. It was used

to cut this picture. I found it in the

same bureau drawer.

>> Where's the other half?

>> I don't know. Oh, I looked all through

the drawer. I couldn't find it.

>> Well, honey, don't get so upset. I mean,

if it's the picture you're worried

about, we can call the studio and get

another copy.

>> Joel, it's not the picture, and you know

it now. Come on, don't make fun of me.

And you better not tell me I'm

overreacting because I'm pregnant

either.

>> All right, sweetheart.

Take it easy. I know you're upset about

Mr. Carol. And And look, maybe doing the

book is getting to you. I

>> Yeah, it's not the book. It's this

house.

This house has been the scene of too

many strong emotions, too many

tragedies, and too many secrets.

It's like the way the sin of flowers

stays in a room long after they're gone.

You remember we wrote that. Only these

flowers have been dead a long time, and

they don't smell so sweet.

>> All right, honey. Okay. I mean, maybe we

started the book at the wrong time.

Maybe we're here at the wrong time, but

we're stuck with it. So, let's do our

thing. Wrap it up and finish it. All

right. Now, what's on for today?

>> Hey, come on.

>> Denise Christian.

>> Denise Christian.

>> How were you able to find Lorna's only

rival in Filmland?

>> I called the Actor's Guild. That was

before I found myself cut out of the

picture, literally speaking, I might

add.

>> Well, I guess that's the best place to

call to find an actor. Where is she?

This brand of coffee has been around a

long time. It's pleased a lot of people

because it knows how to please. Maybe

that's why I like it so well. Because

we've got something in common. Why don't

you drop by and share a pot with me

sometime?

>> Okay. And cut. That's nice to feel right

on the button. Okay, that's a sprint.

Uh, let's get ready for the insert.

>> Excuse me. Excuse me, Miss Christian.

>> I'm Joel Gregory.

>> All right. Come on.

>> This is my wife, Donna.

>> How do you do,

>> Miss Christian? We're writing a book

about my father and about Lorna Love.

Can we talk to you about that?

>> You look like him. You've got the same

kind of intensity.

I bet they tell you that all the time,

don't they, Joel Gregory?

>> Yes, they they have.

>> Oh, why don't you run along and mix us a

drink? I want to talk to these people

about old times. It'll make me very sad.

>> So, you want to know about Lorna Love?

>> Yes, we'd like to know

what you thought about.

>> I hated the witch.

Why?

>> There were a lot of reasons to hate

Lorna Love. Person didn't have to look

too long or too far to find them. We

started at the same studio together. I

got all of her leftover parts. You know,

the one she didn't want. Then one of

them made me almost as big a star as she

was. That was reason enough to get me

thrown off the payroll. She tried to

blackball me with every studio, but she

couldn't. She couldn't do to me what she

did to poor Conan Carol. God bless his

soul. Then there was your father. I met

him first. I found him.

>> I didn't know that.

>> How? He was in the art department at the

studio. He was good. I fell head over

heels in love with him. I showed some of

his paintings around to help him. And

then Lorna got wind of him. I think at

first she did it just to tear me apart.

She went after him and she got him. She

opened a whole world for him. something

I couldn't do. I was very happy for him.

But the happier I was for him, the more

I found myself hating her.

>> There was something about um

a healer, some kind of a faith healer.

Do you know anything about that?

>> Father, eternal fire. He taught her all

about hypnotic drugs and she still

couldn't get a night's sleep. She gave

him a fortune because he promised her

she would never grow old, that she would

never lose her beauty. After your father

smashed all the mirrors and left, she

lived in a spiritual world, the world of

father eternal fire.

>> Miss Christian,

do you know why my father would have

left Lorna?

>> One morning, I guess he woke up and

found out that he really wanted to live.

This was impossible with Lorna.

>> Why? because she destroyed everything

she touched.

>> Excuse me, Miss Christian. I'm sorry to

interrupt, but uh we need your hands in

the insert.

>> Well, can we talk again soon? How long

will you be here? Where are you staying?

>> Love house. Thank you very much, Miss

Christian. I enjoy talking to you. Bye.

>> Thanks very much. Wait a minute. You

look like a nice couple. Do yourselves a

favor. Get out of love house. There's

nothing [music] but death there.

[music]

Okay, that's it. I've had it. Come on,

let's go up.

>> Start with up, will you, sweetheart?

>> Give me a few minutes. I'll be right up.

Okay.

>> All right.

>> [music]

[music]

[music]

[music]

[music]

>> Kisses will I give thee, chill as the

moon,

and caresses shuddering and slow as a

writhing serpent uncoiling a tomb.

[music]

>> [music]

[music]

>> Heat. Heat. [music]

control.

>> [music]

>> Hallelujah.

[music]

>> [music]

[music]

[music]

[music]

>> Heat. Heat.

Yeah. [music]

[music]

Heat.

[music]

Heat. Heat.

[music]

[music]

>> [music]

>> John. [music]

[music]

Hey. Hey.

Go.

[music]

[music]

[music]

Yeah.

[music]

Y'all

y

Go. [music]

[music]

[screaming]

[music]

Yeah.

>> [music]

[music]

[music]

>> Oh.

Oh.

Donna,

Donna,

Donna,

>> Donna,

>> I heard screaming.

>> What's wrong?

>> Got a key.

>> Key to gas.

>> What's wrong? What's happening?

>> No, there's [music] there's gas in

there.

>> Gas.

>> Oh, the

heater. The gas need to turn it off.

>> Fresh air. She needs fresh air. I'll

open the window.

>> All right. Come here.

Breathe. Breathe. Breathe in. Breathe.

Breathe. Okay.

Okay.

Light up.

She'll be all right. She'll be just fine

now.

>> The gas heater.

>> It's an old house. An old heater. You

must learn to be careful.

>> I couldn't close the gas.

>> It's all over now. It's all over.

>> I'll make her a nice cup of hot tea.

She'll feel better now.

>> Thanks, Mr. Joseph. I don't know what I

would have done without you. I would

never have been able to get in there.

>> I'll get that tea now.

>> Oh, sweet.

Lie down.

>> It's okay now, honey. Everything is

under control.

>> I couldn't open the door.

>> All you had to do was turn the lock.

>> I didn't lock it, Joel. I didn't lock

the door.

>> It's a delay reaction or something.

>> No, Joel. I didn't lock the door.

>> I didn't lock it. I didn't lock it. I

didn't lock it. I didn't lock it. I

didn't

>> [music]

>> What did you find?

>> What did you find in history?

>> What in Laura's collection of

recordings? What's the matter,

sweetheart?

>> Lona love walls.

I heard this before

last night when you went upstairs to

take a shower. I fell asleep down here

and I had a dream. And in the dream,

I heard that music.

I heard

that before I heard you call.

I was Lorna

and there were mirrors

and there was that music and that very

same music.

Now, people don't

dream about music. Note for note, I

mean, I just never heard about that

before.

>> Well, sweetheart, it could be the same

thing that happens to you when you go

into a place and you feel like you've

been there before.

>> No, it's nothing like that.

I saw my father in a dream.

>> [music]

>> I saw my father and I saw

I saw him with her. [music]

>> I saw the way it was with them both.

>> Tell me about it. Joe,

>> I can't.

I mean, it just isn't words that fit it,

[music]

but I know it.

I can feel it.

>> Joel,

let's get out of this house. Oh,

>> I don't want to leave the house.

>> Look, Oscar was right. We can do our

writing in town.

>> I don't want to go to town to write. We

need this place for research. I mean, my

father's paintings are here. Lorna's old

movies, her publicity books, and he's

here. Donna, believe me, I know he's

here. I can feel him. I can feel my

father like I've never felt him before.

I can't leave now.

You can leave if you want to. I mean,

there's no reason for both of us to

stay, but I can't.

>> No.

>> No. We'll stay together.

>> Are you hungry?

>> Uh, no, I'm not.

>> Okay, then we'll skip breakfast

and we'll get going cuz we got places to

go and people to meet. Look what I

found.

Cella Geffenhart,

president of Alona Love Fan Club.

>> Right. I called her. She'll see us

anytime we want.

>> How about now?

Huh? Now. Come on.

[music]

>> [music]

>> Dorna gave me this house. Did you know

that? For she was wonderful to people.

She just gave this house to me and

didn't even ask for a penny. I have her

pictures still. I loved her. The whole

wide world did. But they didn't know her

like me. I knew how wonderful she really

was. I can't wait to see the movie.

Who's going to play Lorna's part? Do you

get your pick?

>> Well, we're just writing the book, Miss

Geffenheart. Other people decide that.

There you are.

>> Well, whatever you want to know, you

just ask me. Cuz me and her were close.

Very close.

I was like a little sister to her.

That's what she called me, little

sister.

>> Marcela, in the photograph, there's you

and Lorna. Who's the man in the middle

in the black rose?

Oh, that's um that's father eternal

fire. He was a very spiritual man. He

he believed in certain things like

people should love one another.

>> And uh the thing,

you know what that is?

>> More or less. The one at love house,

Laura's a thing has a has a pentagram on

it. This one seems to be a little

different.

>> No, it isn't. Marcela, do you visit

Lorna Shrine very often?

>> I think we've had enough for today,

>> sweetheart. I've got a few more

questions.

>> Come back and see you another time.

>> Oh, yeah. Please come back. And then

>> we'll go now.

>> You will come back, won't you? Because

uh I'd like to talk about Lorna. Nobody

else seems to want to anymore. They they

forget. And I think it's awful.

>> Well, I don't forget, and I never will.

>> Goodbye.

>> Goodbye.

>> Thank you.

>> Thank you. [music]

You will hurry back, won't you?

[music]

[music]

>> Okay, sweetheart. You want to tell me

why you did that?

>> Did what?

>> Well, you practically threw me out of

the house.

You uh were beginning to lean on her a

bit. You were getting a little heavy.

>> Joel, she's the woman I saw outside the

window the first day we were at Lorna's

house.

>> What woman? What do you mean?

>> You remember I told you the woman in the

white chiffon scarf? I saw her and then

she ran down the walkway. Look, I'm sure

it was her.

>> Well, even if it was her, what

difference does it make? Will you tell

me that?

>> Okay. Why was she running? What was she

doing there?

>> Look, why are you getting so upset? You

saw the ethane and suddenly something

has snapped inside of you.

>> Snapped Joel. Look, there are things

going on in that house that I don't

understand. I think Marcela Geffen can

tell me about them.

>> She doesn't have to tell you anything.

And maybe, just maybe, you don't have a

right to ask. It was Lorna's house. The

way she loved her, maybe she has more of

a right to be there than you do.

>> You sound like you're choosing up sides.

>> And you sound like you're a jealous

woman. [music]

>> [music]

>> What's this one called?

>> My love lies sleeping. A silent film.

Last thing Lorna did for Con and Carol.

No.

>> Last thing Lan ever did for Con and

Carol was to ruin him.

It's really pretty good, isn't she?

>> She's wonderful.

>> She had magic.

>> Hey, come on. All you've been doing all

evening is watching her old movies.

Don't you think it's enough?

>> Now, watch this.

Go ahead.

Just don't take a shower tonight.

Jo,

[music]

I want to be alone with you, Joe.

Just you.

I love you,

Joel.

I need you.

>> Where are we headed?

>> Doesn't matter.

[music]

Self

>> [music]

[music]

[music]

[music]

[music]

[music]

[music]

>> Joe, darling, you know we're out of

tempe.

Oh,

there's Conan Carol's replacement. I

can't say I like him any better.

>> So, at last I have a chance to meet

Queen Lorna's new consort.

>> Joe, I'd like you to meet Eric Herman, a

director I want to meet.

>> Oh, you damn. Well, I may ask.

>> Go away, Eric. Before I tell everybody

what a miserable lover you really were,

>> the lady said to go away listen.

>> Joe, I want to go someplace else. I want

to be alone with you.

>> [music]

>> We'll be together always. I'll never let

you go.

[music]

[music]

>> [music]

[music]

[music]

>> Hallelujah. [music]

[music]

Heat. Heat.

[music]

[music]

[music]

Heat. Heat.

[music]

>> [music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

>> John

>> [music]

>> Joel. Joel. I saw the woman again. The

woman in white.

[music]

[music]

>> [music]

[music]

[music]

>> And he shall come flinging wide the

portals of the tomb.

With living breath to breathe on the

mirrors like tarnished

to fan the flames cold ashes

and to our death

give eternal resurrection.

There is nothing left in the world but

us.

>> Nothing but us.

>> Chill.

I couldn't go on if you ever went away.

>> I'll never leave you.

I swear I'll never

[music]

>> [music]

[music]

>> Moana.

[music]

[music]

[music]

Sure.

Joel.

Joel. Sweetheart, wake up. Lana.

>> Joel.

>> Lana.

>> Joel.

Lana.

>> Where did you get this key?

>> Where did you find this key? Joel. Joel.

It's me.

>> Donna.

>> Come on.

>> Come on. Let's get out of here. Come on.

Let's get out of here. Come on.

>> [music]

>> Joel.

What's happening? What are you doing?

>> I'm leaving. I want you to come with me.

>> What are you talking about? We've got

work to do. Can't leave.

>> Joel, please talk to me. At least talk

to me.

>> About what? Honey?

>> About last night?

About this house?

About you and me?

>> Look, we ain't got time for that. I've

got to see footage on Lorna. I want to

go over the scrapbooks again.

>> Joel, we've got to stop long enough to

talk about what's happening to us.

>> Nothing is happening to us.

>> Do you call last night nothing?

Do you call finding you on her bed out

of your mind calling her name? Nothing.

Joel,

something's happening that I don't

understand. Something that you don't

understand.

>> She's evil.

>> Stop it.

>> And this house is rotten with her

memory.

>> Stop it. All you've done since we've

been here is make fun of her, ridicule

her. You've done nothing but dirty her

memory from the beginning. You keep

attacking her.

>> You are. You attack her.

>> Joel, please come with me to town. We

can finish the book there. We can work

there.

>> It has to be written here. Written here

where it happened.

>> But you're not writing that you haven't

put one word on paper since we've been

here. You've gotten so wrapped up in

Lorna's legend and a whole Hollywood

pack of lies about her, you can't even

recognize the truth.

>> Oh, and you know the truth. In a few

days research, you know the truth about

Lorna Love. I don't think so. Now, let

me tell you something. Lorna was no

two-dimensional figure of evil. No

Lilith. She was

she was a very special lady. Now I know

why my father was in love with her.

>> He had the strength to walk away from

her.

>> And maybe that's the only mistake that

he ever made in his life.

>> Joel, can you hear yourself?

Just listen to what you're saying.

>> I know what I'm saying.

Go away from this house, Donna.

You don't belong here.

She doesn't want you here and I don't

want you here.

[bell]

[music]

[music]

I was just a kid in the agency when

Lorna was alive. Oh, she was something.

All right. Everyone jumped when she

walked in. A star.

A star.

Me?

I never even liked her. I mean, she was

a weirdo to begin with. They talked

about orgies and all that up at her

place. I don't know.

I was never even invited.

Okay, Oscar, just go on, please.

>> I don't really know that much. Just what

I heard. After Joel's father left, she

in this crazy nut in a black cape.

>> Yes. Father, eternal fire.

>> Yeah. Yeah. Father, whoever he was, he

suggested to Lorna some kind of uh

ceremony to bring Joel Senior back. She

paid him a fortune for it. It involved

fire. Crazy.

Well, they tried it

and something went wrong and Lorna got

badly burnt and she never left the house

after that.

But Oscar, Lorna's body doesn't have any

burns on it. Doesn't have any scars.

>> In this town, you don't have to look far

for skillful cosmetic people, plastic

surgeons, anything you want.

Oh, Oscar.

You know what I am?

I'm a three- room apartment in New York

or an unbalanced budget.

I'm just a lady who wants her husband

and her baby

with all the trips to the lingerette and

the mortgages that go with it.

Really?

But Lorna's eternal.

Lorna is eternal.

She's like

champagne that never goes flat or

moonlight

or a walls.

How do I fight that, Oscar?

Please help me get my husband back.

>> Okay.

If you want him back,

go get him. If you have to pull him out

of there kicking and screaming, go get

him.

[music]

Come

>> [music]

[music]

>> on.

[music] Come on.

Heat. Heat.

[music]

[music]

>> [music]

>> Marcela, come on. Come on. Come on. I

know what hurts.

Why are you harm? What are you doing?

Why are you afraid of this murder? Why

are you afraid of this murder? And

eternal fires.

>> Why did you run from me?

>> They wanted me to leave.

Come back.

Marcella, please.

[screaming]

Heat.

[music]

[music]

Heat.

[music]

Oh my [music] god.

>> [music]

>> Is this Joseph's? [music]

Is this Joseph's?

[music]

Oh my god.

This is Joseph. This is Lorna.

She's not dead.

[music]

Lord is not dead. She's not dead.

[music]

Yo,

Joel. Joel. Joel.

Joel. Joel. [screaming]

Stop. It's me. Stop.

>> Who are you? What do you want?

>> [music]

[music]

[music]

>> Job.

Job. [music]

Job.

>> Loyal.

order

[music]

[music]

Joe.

We'll be together forever now.

Wait.

[music] And now

forever.

[music]

>> [music]

>> Y

go.

[music]

John, come on. Joel, hurry.

Come on. Get out. Heat.

[music]

[music]

Heat.

[music]

>> [music]

[music]

>> She was beautiful.

I can understand some of it after the

fire and what happened to her face.

Well, you said it, Oscar. She didn't

want the world to know. She didn't want

to be remembered as anything but

beautiful.

I guess it's a happy ending for Lorna

after all.

[music]

>> [music]

>> All she wanted was to be adored,

to be worshiped forever. Well, she'll

have that now for sure. [music]

Heat. Heat.

[music]

[music]

Yeah.

[music]

[music] Heat.