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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,210 --> 00:00:06,256 [CHILDREN LAUGHING] 2 00:00:06,339 --> 00:00:08,633 [INDISTINCT CHATTER] 3 00:00:11,720 --> 00:00:14,597 GARCIA: OH. THANK YOU FOR PICKING ME UP. 4 00:00:14,681 --> 00:00:16,433 YEAH. OF COURSE. 5 00:00:16,516 --> 00:00:18,476 OH, I DON'T KNOW HOW LONG ESTHER'S GONNA BE IN THE SHOP. 6 00:00:18,560 --> 00:00:20,645 THE MECHANIC, SHE SAYS THEY HAVE TO GET A SPECIAL PART 7 00:00:20,729 --> 00:00:22,480 FROM CALIFORNIA BECAUSE, YOU KNOW, ESTHER RUNS ON BIODIESEL, 8 00:00:22,564 --> 00:00:24,023 BUT WHEN THAT PART IS INSIDE ESTHER, 9 00:00:24,107 --> 00:00:25,483 SHE'S GONNA RUN LIKE A DREAM. 10 00:00:25,567 --> 00:00:27,569 SHE MIGHT RUN FOR ANOTHER 100,000 MILES. 11 00:00:27,652 --> 00:00:29,404 ISN'T THIS PLACE GREAT? 12 00:00:29,487 --> 00:00:30,655 IT IS. YEAH. I'VE NEVER BEEN HERE BEFORE, 13 00:00:30,739 --> 00:00:32,282 BUT I ORDERED EXACTLY WHAT YOU TOLD ME. 14 00:00:32,365 --> 00:00:33,658 YES! USUALLY, I'M A TEA GAL, 15 00:00:33,742 --> 00:00:35,285 BUT THEIR NITRO COLD BREW HERE IS EVERYTHING. 16 00:00:35,368 --> 00:00:36,494 WOMAN: ORDER FOR EMILY. 17 00:00:36,578 --> 00:00:37,746 OH. THIS IS US. 18 00:00:36,578 --> 00:00:37,746 OOH! 19 00:00:37,829 --> 00:00:39,080 UH, QUESTION. 20 00:00:39,164 --> 00:00:40,915 DID YOU WATCH THE SHOW LAST NIGHT? 21 00:00:40,999 --> 00:00:42,417 NO. I'M BEHIND. 22 00:00:42,500 --> 00:00:43,585 SPOILER ALERT. MAY I? 23 00:00:43,668 --> 00:00:45,462 GO AHEAD. 24 00:00:43,668 --> 00:00:45,462 OK. THE BLOND ONE, 25 00:00:45,545 --> 00:00:48,006 SHE DIED TWICE LAST WEEK! 26 00:00:48,089 --> 00:00:49,966 IT WAS CRAZY WITH A "K"! 27 00:00:50,049 --> 00:00:51,593 ALL RIGHT. SO THERE WAS THAT BATTLE, RIGHT, 28 00:00:51,676 --> 00:00:53,136 AND THEY NEEDED HER TO HAVE A SECRET IDENTITY. 29 00:00:53,219 --> 00:00:55,013 WELL, AFTER THAT RACECAR THING, 30 00:00:55,096 --> 00:00:56,639 AND THEN THIS WEEK, SHE'S BACK AT WORK. 31 00:00:56,723 --> 00:00:58,475 WAIT. SHE'S ALREADY BACK AT WORK? 32 00:00:58,558 --> 00:01:00,351 YES, BECAUSE SHE HAS SPECIAL HEALING POWERS, REMEMBER? 33 00:01:00,435 --> 00:01:01,811 SHE GETS BACK TO WORK, AND SHE PROFESSES 34 00:01:01,895 --> 00:01:04,022 HER UNDYING LOVE TO HER BOSS STEFFI, 35 00:01:04,105 --> 00:01:05,607 AND I, LIKE, SCREAMED, 36 00:01:05,690 --> 00:01:07,984 "THEY'RE GONNA DO THAT NOW? NOW?" 37 00:01:08,067 --> 00:01:10,278 I MEAN, SHE HAS LOVED HER FOR YEARS AND YEARS. 38 00:01:10,361 --> 00:01:11,696 REMEMBER THAT ONE CASE THEY HAD, 39 00:01:11,780 --> 00:01:13,114 AND THEY WENT ON THE DATE AFTERWARDS-- 40 00:01:13,198 --> 00:01:14,365 NOT A DATE. IT WAS A NON-DATE DATE, BUT STILL-- 41 00:01:14,449 --> 00:01:16,117 AND THEN SERGIO, HE PUKED UP A FUR BALL 42 00:01:16,201 --> 00:01:17,827 ON SOME CLEAN LAUNDRY BECAUSE HE'S DIABOLICAL, 43 00:01:17,911 --> 00:01:19,162 BUT YOU'RE HERE, AND I'M HERE, 44 00:01:19,245 --> 00:01:20,705 AND IT'S A BEAUTIFUL WEDNESDAY MORNING-- 45 00:01:20,789 --> 00:01:23,708 PENELOPE, THAT ISN'T YOUR FIRST COFFEE, IS IT? 46 00:01:23,792 --> 00:01:26,336 WELL, IT DOESN'T COUNT IF YOU BREW IT YOURSELF. 47 00:01:26,419 --> 00:01:29,005 I'M CUTTING YOU OFF NOW. 48 00:01:29,088 --> 00:01:30,507 FAIR PLAY. 49 00:01:44,062 --> 00:01:46,648 [CELL PHONE RINGING] 50 00:01:49,943 --> 00:01:51,444 [SIGHS] 51 00:01:57,158 --> 00:01:58,493 [KNOCK ON DOOR] 52 00:01:58,576 --> 00:01:59,702 MORNING. HEY. 53 00:01:59,786 --> 00:02:01,371 ANOTHER DAY, ANOTHER DOLLAR. 54 00:02:01,454 --> 00:02:03,540 YEP. GOOD OLD-FASHIONED GOVERNMENT DOLLAR. 55 00:02:03,623 --> 00:02:06,543 I CAN TELL GARCIA HIT UP HER FAVORITE COFFEE TRUCK 56 00:02:06,626 --> 00:02:07,836 ON HER WAY TO WORK. 57 00:02:07,919 --> 00:02:09,879 I HAD TO CUT HER OFF. 58 00:02:09,963 --> 00:02:12,006 WAIT. DON'T YOU HAVE A BUDGET MEETING THIS MORNING? 59 00:02:12,090 --> 00:02:13,925 UH, YES, I DO. 60 00:02:14,008 --> 00:02:15,552 EMILY. 61 00:02:15,635 --> 00:02:18,054 YEAH? 62 00:02:18,137 --> 00:02:20,056 YOU BURIED THE LEDE. 63 00:02:20,139 --> 00:02:21,724 FLOWERS? 64 00:02:21,808 --> 00:02:24,435 THAT ANDREW MENDOZA'S A KEEPER. 65 00:02:24,519 --> 00:02:27,856 MM-HMM. 66 00:02:27,939 --> 00:02:29,899 CAN'T BE LATE FOR THAT MEETING. 67 00:02:27,939 --> 00:02:29,899 MM-HMM. 68 00:02:32,485 --> 00:02:34,529 MAN: THIS FISCAL YEAR, THE BUREAU SAW 69 00:02:34,612 --> 00:02:37,615 A $46 MILLION REDUCTION. 70 00:02:37,699 --> 00:02:40,243 THE BAU WAS FIRST AGAINST ALL OTHER UNITS 71 00:02:40,326 --> 00:02:43,413 IN DIRECT AND INDIRECT COSTS FOR YOUR TRAVEL. 72 00:02:43,496 --> 00:02:45,707 I THINK UNIT CHIEF PRENTISS CAN BETTER SPEAK 73 00:02:45,790 --> 00:02:47,625 TO THEIR NEEDS. 74 00:02:47,709 --> 00:02:49,794 YES, OF COURSE. 75 00:02:49,878 --> 00:02:53,798 UH, THIS FISCAL YEAR, THE BAU's COSTS HAVE INCREASED... 76 00:03:04,809 --> 00:03:06,561 MAN: PRENTISS. 77 00:03:06,644 --> 00:03:09,105 YOU HAVE A SECOND TO GO OVER WITH REQUESTS WITH THE DIRECTOR? 78 00:03:09,188 --> 00:03:10,607 ABSOLUTELY. 79 00:03:09,188 --> 00:03:10,607 MAYBE GRAB SOME LUNCH. 80 00:03:10,690 --> 00:03:12,400 I KNOW HE'S BEEN WANTING TO SPEAK WITH YOU. 81 00:03:12,483 --> 00:03:13,818 I'D LOVE TO. 82 00:03:15,361 --> 00:03:16,738 I THOUGHT THAT WENT WELL. 83 00:03:15,361 --> 00:03:16,738 YEAH! 84 00:03:16,821 --> 00:03:18,406 DO YOU THINK SHE'LL GET TO SCHOOL ON TIME? 85 00:03:18,489 --> 00:03:19,824 IT'S NOT FAR, RIGHT? 86 00:03:19,908 --> 00:03:21,284 NO. THEY'LL MAKE IT. 87 00:03:21,367 --> 00:03:22,744 KARA'S A GREAT KID. 88 00:03:22,827 --> 00:03:25,496 HER FOSTER MOM'S TAKING REALLY GOOD CARE OF HER. 89 00:03:25,580 --> 00:03:27,582 SHE ADORES YOU. 90 00:03:27,665 --> 00:03:29,500 BECOMING AN UNCLE 5 YEARS AGO WAS A BIG SURPRISE, 91 00:03:29,584 --> 00:03:32,629 BUT NOW, MAN, I CAN'T IMAGINE MY LIFE WITHOUT HER. 92 00:03:32,712 --> 00:03:34,339 YOU'RE GONNA BE A GREAT DAD. 93 00:03:36,674 --> 00:03:40,094 THANKS. UM, HOW LONG DOES THIS USUALLY TAKE? 94 00:03:40,178 --> 00:03:44,682 A WHILE, SO JUST HANG IN THERE. 95 00:03:44,766 --> 00:03:45,975 BRENDA, I CAN'T THANK YOU ENOUGH. 96 00:03:46,059 --> 00:03:47,435 IT'S MY PLEASURE. 97 00:03:47,518 --> 00:03:48,770 I'LL BE IN TOUCH. 98 00:03:47,518 --> 00:03:48,770 GREAT. 99 00:03:53,733 --> 00:03:55,944 OH. YOU'RE FOLLOWING ME NOW. 100 00:03:56,027 --> 00:03:57,362 IT'S SO AWKWARD WHEN THIS HAPPENS 101 00:03:57,445 --> 00:03:58,613 BECAUSE WE ALREADY SAID GOOD-BYE. 102 00:03:58,696 --> 00:04:00,031 NO. I GET IT. YOU WANTED TO SPEND 103 00:04:00,114 --> 00:04:01,324 A FEW EXTRA MINUTES WITH ME. 104 00:04:01,407 --> 00:04:02,659 YOU COULD HAVE JUST ASKED, SEAN. 105 00:04:02,742 --> 00:04:04,327 OH. I WISH I HAD THE TIME, BUT ACTUALLY, 106 00:04:04,410 --> 00:04:06,454 I'M RUNNING LATE FOR A MEETING. 107 00:04:06,537 --> 00:04:08,247 MAYBE NEXT TIME. 108 00:04:08,331 --> 00:04:09,874 THIS IS ME. 109 00:04:08,331 --> 00:04:09,874 OH. 110 00:04:09,958 --> 00:04:11,668 BYE, SEAN. 111 00:04:09,958 --> 00:04:11,668 BYE. 112 00:04:31,437 --> 00:04:32,855 [CAR STARTS] 113 00:04:43,908 --> 00:04:46,452 [LIQUID GUSHING] 114 00:05:03,011 --> 00:05:05,013 EVERYTHING IS WRONG! 115 00:05:05,096 --> 00:05:08,558 EVERYTHING YOU KNOW IS WRONG... 116 00:05:08,641 --> 00:05:10,101 AND THIS IS PROOF! 117 00:05:13,813 --> 00:05:16,399 PRETTY GRUESOME STUFF. 118 00:05:16,482 --> 00:05:19,736 YEAH. THIS IS THE THIRD KILLING IN THE LAST TWO MONTHS? 119 00:05:19,819 --> 00:05:21,612 YES. THE DENVER DIVISION INVITED US IN. 120 00:05:21,696 --> 00:05:23,698 THEY'VE GOT 3 MEN DEAD. 121 00:05:23,781 --> 00:05:25,033 EACH WAS DECAPITATED. 122 00:05:25,116 --> 00:05:26,325 HEADS NOWHERE TO BE FOUND. 123 00:05:26,409 --> 00:05:28,202 GARCIA: THE FIRST TWO WERE KILLED IN PUBLIC YET SECLUDED AREAS, 124 00:05:28,286 --> 00:05:30,705 ONE ON A BIKE PATH, THE OTHER AT A PARK. 125 00:05:30,788 --> 00:05:32,582 THIS THE FIRST TIME THIS GUY'S LEFT A MESSAGE? 126 00:05:32,665 --> 00:05:34,375 PRENTISS: YEAH. NOTHING LIKE THIS WAS FOUND AT THE OTHER CRIME SCENES. 127 00:05:34,459 --> 00:05:35,877 GARCIA: YEAH, AND SPEAKING OF THIS MESSAGE, 128 00:05:35,960 --> 00:05:37,754 IT WAS FILMED ON THE VICTIM'S PHONE, 129 00:05:37,837 --> 00:05:38,921 SO THERE'S NO WAY TO TRACK IT. 130 00:05:39,005 --> 00:05:40,423 THE UNSUB's NOT AFRAID OF BEING SEEN. 131 00:05:40,506 --> 00:05:41,758 WE SHOULD TAKE THE PARTIAL WE HAVE OF HIS FACE, 132 00:05:41,841 --> 00:05:43,259 RUN IT THROUGH VICAP, AND SEE IF IT HITS. 133 00:05:43,342 --> 00:05:45,136 AND WHAT DID HE MEAN BY "EVERYTHING YOU KNOW IS WRONG 134 00:05:45,219 --> 00:05:47,388 AND THIS IS PROOF"? 135 00:05:47,472 --> 00:05:48,431 PROOF OF WHAT? 136 00:05:48,514 --> 00:05:51,476 POWER, CONTROL, HIS DOMINANCE OVER THE VICTIMS. 137 00:05:51,559 --> 00:05:53,603 WELL, HIS WORD CHOICE PLUS THAT HEAD, IT FEELS LIKE A TAUNT 138 00:05:53,686 --> 00:05:55,438 DIRECTED AT HE VIEWER, NOT THE VICTIM. 139 00:05:55,521 --> 00:05:57,231 IF IT WAS A TAUNT DIRECTED AT THE GENERAL PUBLIC, 140 00:05:57,315 --> 00:05:58,816 HE WOULD HAVE UPLOADED IT SOMEWHERE. 141 00:05:58,900 --> 00:06:00,276 THEN IT MUST BE LAW ENFORCEMENT. 142 00:06:00,359 --> 00:06:01,944 EITHER WAY, THE DISTINCT LACK OF EMPATHY 143 00:06:02,028 --> 00:06:03,279 AND REMORSE IN HIS VOICE 144 00:06:03,362 --> 00:06:04,614 PLUS HIS GENERAL DEMEANOR 145 00:06:04,697 --> 00:06:06,115 AND THE NATURE OF HIS CRIMES TELLS US 146 00:06:06,199 --> 00:06:07,533 THAT HE'S AN ORGANIZED OFFENDER 147 00:06:07,617 --> 00:06:09,118 WITH A SPECIFIC PSYCHOPATHOLOGY. 148 00:06:09,202 --> 00:06:11,245 ONE THAT INCLUDES TAKING HIS VICTIM'S HEADS. 149 00:06:11,329 --> 00:06:12,830 NOTHING HERE SAYS HE'S CLOSE TO BEING DONE. 150 00:06:12,914 --> 00:06:14,665 WHEELS UP IN 10. 151 00:06:23,132 --> 00:06:24,759 DENVER, HUH? 152 00:06:24,842 --> 00:06:26,761 YEAH. 153 00:06:26,844 --> 00:06:29,680 MENDOZA CALL YOU DIRECTLY? 154 00:06:29,764 --> 00:06:32,600 UH, NO ACTUALLY. IT CAME THROUGH OFFICIAL CHANNELS. 155 00:06:32,683 --> 00:06:36,145 SO...YOU AND ANDREW LONG DISTANCE-- 156 00:06:36,229 --> 00:06:37,814 HOW'S THAT BEEN GOING? 157 00:07:02,588 --> 00:07:05,174 VOICE: KYLE! 158 00:07:05,258 --> 00:07:06,801 YOU'RE GETTING CLOSER. 159 00:07:38,249 --> 00:07:41,460 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC AND CBS, INC. 160 00:07:48,134 --> 00:07:50,344 PRENTISS: "HISTORY HAS A WAY OF ALTERING VILLAINS 161 00:07:50,428 --> 00:07:53,431 SO THAT WE CAN NO LONGER SEE OURSELVES IN THEM." 162 00:07:53,514 --> 00:07:55,892 ADAM SERWER. 163 00:07:55,975 --> 00:07:57,518 GO AHEAD, GARCIA. 164 00:07:57,602 --> 00:08:00,021 GARCIA: OK, FAM. WE GOT DOSSIERS ON TOP OF DOSSIERS. 165 00:08:00,104 --> 00:08:01,564 OUR FIRST VICTIM IS MANNY RODRIGUEZ-- 166 00:08:01,647 --> 00:08:03,608 LATE THIRTIES, DIVORCED, NO KIDS. 167 00:08:03,691 --> 00:08:05,526 HE WAS A TWICE-ELECTED CITY COUNCILPERSON. 168 00:08:05,610 --> 00:08:08,779 POLITICS CAN BE MESSY. HE MAY HAVE RUFFLED SOME FEATHERS. 169 00:08:08,863 --> 00:08:10,615 JAREAU: PERHAPS, BUT OUR SECOND VICTIM 170 00:08:10,698 --> 00:08:12,533 ISAAC WILEY WAS IN HIS LATE 20s. 171 00:08:12,617 --> 00:08:14,076 HE WORKED FOR A TECH FIRM. 172 00:08:14,160 --> 00:08:15,453 THERE'S NOTHING IN HIS FILE 173 00:08:15,536 --> 00:08:17,038 THAT COULD BE CONSIDERED CONTROVERSIAL 174 00:08:17,121 --> 00:08:18,414 OR POLITICAL. 175 00:08:18,497 --> 00:08:20,708 OUR LATEST VICTIM SEAN McAFEE WAS AN ARCHITECT, 176 00:08:20,791 --> 00:08:23,502 EARLY 30s, SINGLE, NEVER MARRIED, NO KIDS. 177 00:08:23,586 --> 00:08:25,087 SO ALL 3 HAD DIFFERENT JOBS 178 00:08:25,171 --> 00:08:26,881 AND LIVED IN DIFFERENT PARTS OF TOWN. 179 00:08:26,964 --> 00:08:29,592 ALVEZ: GARCIA, HAVE YOU FOUND ANY OVERLAP SOCIALLY? 180 00:08:29,675 --> 00:08:31,886 DO I HAVE TO START CALLING YOU NEWBIE AGAIN? 181 00:08:31,969 --> 00:08:34,889 OK. SO YOU WOULD HAVE LED WITH THAT. 182 00:08:34,972 --> 00:08:36,432 SHUT THE FRONT DOOR. 183 00:08:36,515 --> 00:08:38,893 ANDREW MENDOZA SIGNED THIS REPORT. 184 00:08:38,976 --> 00:08:41,437 ANDREW MENDOZA IS PRENTISS' BOYFRIEND. 185 00:08:41,520 --> 00:08:43,272 HE'S THE HEAD OF THE DENVER FIELD OFFICE? 186 00:08:43,356 --> 00:08:47,985 UH, YES. HE HAS BEEN FOR THE PAST, UH, TWO MONTHS. 187 00:08:48,069 --> 00:08:50,279 UM, HIS DAUGHTER AND EX-WIFE MOVED 188 00:08:50,363 --> 00:08:51,656 TO COLORADO A YEAR AGO, 189 00:08:51,739 --> 00:08:53,241 AND HE'D BEEN WAITING FOR A TRANSFER 190 00:08:53,324 --> 00:08:54,951 SO HE COULD BE CLOSER TO KEELY. 191 00:08:55,034 --> 00:08:57,036 SHE STARTS HIGH SCHOOL SOON, SO... 192 00:09:00,331 --> 00:09:03,543 ALVEZ: BUT YOU GUYS ARE, UM-- YOU'RE GOOD? 193 00:09:03,626 --> 00:09:05,795 YEAH. YEAH. IT'S ALL GOOD. 194 00:09:05,878 --> 00:09:07,838 ANYWAY, WE HAVE BIGGER FISH TO FRY 195 00:09:07,922 --> 00:09:09,840 THAN MY PERSONAL LIFE, SO WHEN WE LAND, 196 00:09:09,924 --> 00:09:11,509 SIMMONS, ROSSI, AND I WILL SET UP 197 00:09:11,592 --> 00:09:12,468 AT THE DENVER DIVISION. 198 00:09:12,551 --> 00:09:16,180 JJ, REID, CHECK OUT THE LATEST CRIME SCENE. 199 00:09:16,264 --> 00:09:18,975 TARA AND LUKE, YOU WILL GO TO THE M.E.'s OFFICE. 200 00:09:19,058 --> 00:09:20,351 GARCIA: SO WE'RE JUST NOT GONNA TALK 201 00:09:20,434 --> 00:09:22,311 ABOUT THAT TALL HUNK OF WATER YOU CALL YOUR BAE? 202 00:09:22,395 --> 00:09:23,312 NO. 203 00:09:23,396 --> 00:09:24,313 I HAVE SO MANY QUESTIONS. 204 00:09:24,397 --> 00:09:26,482 LIKE, IS HE LEFT-HANDED? WHAT DOES HE SLEEP IN? 205 00:09:26,565 --> 00:09:27,441 IS HE ALLERGIC TO CATS? 206 00:09:27,525 --> 00:09:28,609 PRENTISS: BYE, PENELOPE. 207 00:09:28,693 --> 00:09:29,902 WAS HE EVER IN BAND? 208 00:09:37,576 --> 00:09:40,705 HEY. I GOT TO GO, ALL RIGHT? 209 00:09:40,788 --> 00:09:42,540 DAVE, GOOD TO SEE YOU. 210 00:09:42,623 --> 00:09:43,332 SAME HERE. 211 00:09:43,416 --> 00:09:44,667 HOW YOU DOING? 212 00:09:43,416 --> 00:09:44,667 HOW ARE YOU, BROTHER? 213 00:09:44,750 --> 00:09:46,377 GOOD TO SEE YOU. 214 00:09:44,750 --> 00:09:46,377 YOU, TOO. YOU, TOO. 215 00:09:46,460 --> 00:09:47,670 AND CHIEF PRENTISS. 216 00:09:47,753 --> 00:09:50,673 OH, HI. YEAH. 217 00:09:50,756 --> 00:09:53,009 ANDREW, UH, WHAT HAVE YOU GOT FOR US? 218 00:09:53,092 --> 00:09:55,136 WELL, FIRST OFF, WE GOT YOU GUYS SET UP OVER HERE, 219 00:09:55,219 --> 00:09:57,013 AND WAITING TO BE INTERVIEWED ARE 220 00:09:57,096 --> 00:09:58,764 THE FRIENDS AND FAMILY OF THE FIRST TWO VICTIMS. 221 00:09:58,848 --> 00:10:01,350 ALSO A WOMAN NAMED ALICE CLARKE IS COMING IN. 222 00:10:01,434 --> 00:10:03,728 SHE'S THE LAST KNOWN PERSON TO SPEAK TO SEAN McAFEE. 223 00:10:03,811 --> 00:10:06,188 GREAT. WE'LL JUST NEED A FEW MINUTES TO SET UP. 224 00:10:06,272 --> 00:10:08,107 ALL RIGHT. 225 00:10:08,190 --> 00:10:09,608 HEY. 226 00:10:11,277 --> 00:10:13,404 I MISSED YOU. 227 00:10:13,487 --> 00:10:14,989 IT'S GOOD TO SEE YOU. 228 00:10:15,072 --> 00:10:17,491 UH-HUH. THINK WE NEED TO TALK. 229 00:10:17,575 --> 00:10:20,161 WE WILL WHEN THE CASE IS OVER. 230 00:10:25,583 --> 00:10:27,209 JAREAU: ALL RIGHT. THANKS. 231 00:10:27,293 --> 00:10:29,378 SO, UH, NEIGHBORS REPORTED SEEING 232 00:10:29,462 --> 00:10:31,422 AN OLDER FORD STATION WAGON IN THE AREA. 233 00:10:31,505 --> 00:10:32,923 HOPEFULLY WE CAN GET PLATES. 234 00:10:33,007 --> 00:10:35,259 DID YOU SEE THE ADDITIONAL HOME SURVEILLANCE? 235 00:10:35,343 --> 00:10:37,053 I DID. I JUST WATCHED ALL THE FOOTAGE. 236 00:10:37,136 --> 00:10:38,387 HOPEFULLY, THE EXTRA ANGLES CAN HELP GARCIA 237 00:10:38,471 --> 00:10:40,056 WITH HER FACIAL RECOGNITION SEARCH. 238 00:10:40,139 --> 00:10:41,724 SEAN HAD CAMERAS ALL OVER HIS HOUSE, 239 00:10:41,807 --> 00:10:43,559 BUT BASED ON THE UNSUB's BEHAVIOR, 240 00:10:43,642 --> 00:10:44,644 HE HAD NO IDEA HE WAS BEING FILMED. 241 00:10:44,727 --> 00:10:46,562 THAT MEANS THE UNSUB PROBABLY WASN'T STALKING HIM. 242 00:10:46,645 --> 00:10:48,356 THIS WAS ALL IMPULSE. 243 00:10:48,439 --> 00:10:50,358 HE RANSACKED THE PLACE AFTER KILLING SEAN. 244 00:10:50,441 --> 00:10:52,777 IN THE VIDEO WE SAW, HE CLEARLY WASN'T LOOKING FOR ANYTHING. 245 00:10:52,860 --> 00:10:54,403 HE JUST LOST IT. 246 00:10:54,487 --> 00:10:55,613 DID YOU SEE THE WAY THAT HE KEPT SQUINTING 247 00:10:55,696 --> 00:10:57,239 AND SHIELDING HIS EYES EVEN THOUGH 248 00:10:57,323 --> 00:10:59,533 THERE WAS NO LIGHT ABOVE HIM? 249 00:10:59,617 --> 00:11:00,785 LIGHT SENSITIVITY. 250 00:11:00,868 --> 00:11:02,203 PLUS EMOTIONAL OUTBURSTS. 251 00:11:02,286 --> 00:11:03,454 PRETTY CLEAR HE'S GOING THROUGH SOME KIND 252 00:11:03,537 --> 00:11:04,914 OF PSYCHOTIC BREAK. 253 00:11:04,997 --> 00:11:06,415 THAT COULD MAKE HIM EASIER TO SPOT. 254 00:11:06,499 --> 00:11:08,709 WE SHOULD ASK EYEWITNESSES ABOUT STRANGERS 255 00:11:08,793 --> 00:11:12,546 EXHIBITING ANY INNOCUOUS, REPETITIVE BEHAVIORS. 256 00:11:12,630 --> 00:11:14,256 THERE WERE NO DEFENSIVE WOUNDS, 257 00:11:14,340 --> 00:11:16,217 NO SIGNS OF TORTURE OR LIGATURE MARKS, 258 00:11:16,300 --> 00:11:18,552 SO IT'S UNLIKELY HE WAS HELD. 259 00:11:18,636 --> 00:11:20,137 DID YOU RUN A TOX SCREEN? 260 00:11:20,221 --> 00:11:22,098 CAME UP CLEAN JUST AS IN THE PREVIOUS TWO MURDERS. 261 00:11:22,181 --> 00:11:23,891 ALVEZ: WELL, IF OUR UNSUB DIDN'T DRUG SEAN 262 00:11:23,974 --> 00:11:25,601 AND HE DIDN'T FIGHT BACK, THEN HE MUST HAVE 263 00:11:25,684 --> 00:11:27,478 INCAPACITATED HIM SOMEHOW. 264 00:11:27,561 --> 00:11:29,480 YEAH. PERHAPS WITH A SHARP BUMP TO THE BACK OF THE HEAD. 265 00:11:29,563 --> 00:11:31,565 WAS THE C.O.D. DECAPITATION? 266 00:11:31,649 --> 00:11:33,025 I BELIEVE SO. 267 00:11:35,778 --> 00:11:38,572 HE MOST LIKELY USED SOME KIND OF A HEAVY BLADE, 268 00:11:38,656 --> 00:11:40,116 A BROAD OR A FELLING AX. 269 00:11:40,199 --> 00:11:41,450 THAT WAS MY THINKING, AS WELL, 270 00:11:41,534 --> 00:11:43,577 AND IT WAS DONE PERIMORTEM. 271 00:11:43,661 --> 00:11:45,287 SEAN WAS ALIVE WHEN THIS HAPPENED? 272 00:11:45,371 --> 00:11:46,997 YEAH, AND THIS KILLER KNEW WHAT HE WAS DOING. 273 00:11:47,081 --> 00:11:48,624 A COUPLE OF CLEAN STRIKES, AND--KKTT-- 274 00:11:48,707 --> 00:11:50,334 HE WAS FINISHED. 275 00:11:50,418 --> 00:11:52,420 THAT FEELS QUICK, ALMOST TRANSACTIONAL. 276 00:11:52,503 --> 00:11:54,463 YEAH. HE DIDN'T WANT TO PROLONG THE EXPERIENCE. 277 00:11:54,547 --> 00:11:56,757 HE WAS FOCUSED. HE WANTED TO GET IT DONE WITH. 278 00:11:56,841 --> 00:11:58,592 AND CHECK OUT THIS LATENT BRUISING. 279 00:11:58,676 --> 00:12:00,803 AT FIRST, I WASN'T SURE IF IT HAPPENED DURING THE ATTACK 280 00:12:00,886 --> 00:12:04,014 OR WHEN HE FELL, BUT IT APPEARS TO BE SOME KIND OF MARKING. 281 00:12:04,098 --> 00:12:07,143 THE UNSUB MUST HAVE PRESSED IT INTO HIS CHEST. 282 00:12:07,226 --> 00:12:10,479 DR. MARTINEZ, DID YOU FIND ANYTHING SIMILAR ON THE OTHER VICTIMS? 283 00:12:10,563 --> 00:12:12,815 THERE WAS SOME LATENT BRUISING IN THE SAME VICINITY, 284 00:12:12,898 --> 00:12:15,109 BUT I'M NOT SURE ABOUT SYMBOLS OR MARKINGS. 285 00:12:15,192 --> 00:12:16,318 ARE THE BODIES STILL HERE? 286 00:12:16,402 --> 00:12:17,486 YES, THEY ARE. 287 00:12:17,570 --> 00:12:19,363 WELL, LET'S TAKE A LOOK. 288 00:12:17,570 --> 00:12:19,363 OK. 289 00:12:26,287 --> 00:12:28,581 MENDOZA: MS. CLARKE, THANK YOU FOR COMING IN. 290 00:12:28,664 --> 00:12:31,375 HAVE A SEAT. 291 00:12:31,459 --> 00:12:34,044 I UNDERSTAND YOU WORKED WITH SEAN McAFEE. 292 00:12:34,128 --> 00:12:36,464 YES, THAT'S RIGHT. WE'RE WORKING-- 293 00:12:36,547 --> 00:12:38,466 WE WORKED ON THE SAME PROJECT TOGETHER, 294 00:12:38,549 --> 00:12:40,176 THIS HIGH RISE GOING UP DOWNTOWN. 295 00:12:40,259 --> 00:12:42,344 AND HE CALLED YOU YESTERDAY AFTERNOON? 296 00:12:42,428 --> 00:12:44,263 YES. HE WAS RUNNING LATE. 297 00:12:44,346 --> 00:12:45,848 HE JUST WANTED TO LET ME KNOW THAT I SHOULD 298 00:12:45,931 --> 00:12:47,725 START THE MEETING BY MYSELF. 299 00:12:47,808 --> 00:12:49,852 I WAS SURPRISED, BUT HE ALSO HAS A LOT 300 00:12:49,935 --> 00:12:52,354 OF PERSONAL THINGS GOING ON IN HIS LIFE, SO-- 301 00:12:52,438 --> 00:12:54,607 OH, YEAH? LIKE WHAT? 302 00:12:54,690 --> 00:12:56,859 HE HAS A SISTER THAT JUST WENT TO JAIL FOR 10 YEARS-- 303 00:12:56,942 --> 00:12:58,319 DRUGS OR SOMETHING. 304 00:12:58,402 --> 00:13:01,530 SEAN WAS FILING FOR CUSTODY OF HER DAUGHTER KARA. 305 00:13:01,614 --> 00:13:03,032 HE WANTED TO RAISE HER. 306 00:13:03,115 --> 00:13:04,867 THAT'S WHY HE WAS LATE 307 00:13:04,950 --> 00:13:08,370 BECAUSE HE WAS HAVING LUNCH WITH HIS NIECE AND THE CASE WORKER. 308 00:13:08,454 --> 00:13:09,413 IT WAS THEIR FIRST SIT-DOWN. 309 00:13:09,497 --> 00:13:11,165 SEAN WAS GONNA BE A FATHER. 310 00:13:15,252 --> 00:13:17,046 WE GOT TO BRING THAT CASE WORKER IN. 311 00:13:17,129 --> 00:13:19,548 YES, AND LIKE OUR OTHER TWO VICTIMS, 312 00:13:19,632 --> 00:13:23,052 SEAN WAS LAST SEEN WITH OR AROUND A CHILD. 313 00:13:23,135 --> 00:13:25,262 THEY'RE FATHERS OR FATHER FIGURES. 314 00:13:25,346 --> 00:13:26,889 THAT'S WHY THE UNSUB IS TARGETING THEM. 315 00:13:26,972 --> 00:13:28,390 YEAH. 316 00:13:28,474 --> 00:13:29,600 MAN: WATCH YOUR HEAD! 317 00:13:29,683 --> 00:13:31,810 [INDISTINCT CHATTER] 318 00:13:34,605 --> 00:13:38,734 HEY, HEY. I GOT IT. I GOT IT. THANK YOU. 319 00:13:38,817 --> 00:13:40,236 HEY. COME ON, BUD. LET'S GO. 320 00:13:40,319 --> 00:13:42,905 EVEN LIONEL MESSI HAS TO PRACTICE. 321 00:13:42,988 --> 00:13:44,657 COMING! 322 00:13:51,497 --> 00:13:54,542 LEWIS: SO IT TURNS OUT THAT THERE WAS LATENT BRUISING 323 00:13:54,625 --> 00:13:57,753 ON THE TORSOS AND CHESTS OF ALL 3 VICTIMS. 324 00:13:57,836 --> 00:14:00,589 A CLOSER ANALYSIS OF THE CONTUSIONS REVEALED 325 00:14:00,673 --> 00:14:03,342 THAT THEY'RE SOME KIND OF CHARACTERS. 326 00:14:03,425 --> 00:14:06,595 NOW TAKEN TOGETHER, WE THINK THEY MAY BE MATHEMATICAL SYMBOLS, 327 00:14:06,679 --> 00:14:08,597 PERHAPS PART OF A LARGER EXPRESSION. 328 00:14:08,681 --> 00:14:12,434 SCHRODINGER'S EQUATION. THEY FORM THE BASIS OF SCHRODINGER'S EQUATION. 329 00:14:14,645 --> 00:14:17,606 PRENTISS: WELL, I'VE HEARD OF SCHRODINGER'S CAT. 330 00:14:17,690 --> 00:14:19,775 BOTH DESCRIBE POTENTIAL ENERGY. 331 00:14:19,858 --> 00:14:22,820 SCHRODINGER'S EQUATION IS THE BASIS OF QUANTUM MECHANICS. 332 00:14:22,903 --> 00:14:24,321 IT DESCRIBES THE PROBABILITY THAT 333 00:14:24,405 --> 00:14:25,990 A PARTICLE WILL BEHAVE IN A CERTAIN WAY 334 00:14:26,073 --> 00:14:28,033 IN A CERTAIN PLACE IN A CERTAIN TIME. 335 00:14:28,117 --> 00:14:30,411 THE IMPLICATIONS OF THIS GAVE RISE TO THE MANY WORLDS THEORY 336 00:14:30,494 --> 00:14:31,328 OF THE UNIVERSE. 337 00:14:31,412 --> 00:14:33,581 MENDOZA: WHICH IS THAT REALITY AS WE KNOW IT 338 00:14:33,664 --> 00:14:36,208 IS ONLY ONE OF MANY POSSIBLE UNIVERSES. 339 00:14:36,292 --> 00:14:39,003 YEAH. YEAH. I'M WITH YOU. 340 00:14:39,086 --> 00:14:40,546 I WATCH "DOCTOR WHO." 341 00:14:40,629 --> 00:14:42,464 JAREAU: OK. SO DOES OUR UNSUB THINK HE'S 342 00:14:42,548 --> 00:14:44,300 IN A PARALLEL UNIVERSE? 343 00:14:44,383 --> 00:14:45,884 ALVEZ: WHAT DOES KILLING DADS HAVE TO DO 344 00:14:45,968 --> 00:14:47,595 WITH PARALLEL UNIVERSES? 345 00:14:47,678 --> 00:14:49,597 I MEAN, MAYBE HE'S MAD AT HIS OWN? 346 00:14:49,680 --> 00:14:51,682 EVEN IF HE IS, WHY TAKE THEIR HEADS? 347 00:14:51,765 --> 00:14:53,017 IT DOESN'T LINE UP. 348 00:14:53,100 --> 00:14:54,935 YOU KNOW, WE SAID THESE KILLS ARE TRANSACTIONAL. 349 00:14:55,019 --> 00:14:58,272 MAYBE THE HEADS ARE SACRIFICES OR TOKENS OF SOME SORT, 350 00:14:58,355 --> 00:15:00,357 SOMETHING THE UNSUB NEEDS TO DO 351 00:15:00,441 --> 00:15:04,153 IN ORDER TO PASS BETWEEN REALITIES. 352 00:15:04,236 --> 00:15:05,863 I MEAN, IT ONLY HAS TO MAKE SENSE TO HIM. 353 00:15:05,946 --> 00:15:07,781 YEAH. MATT'S RIGHT. 354 00:15:07,865 --> 00:15:10,034 MOST SERIAL KILLERS ENGAGE IN SOME KIND 355 00:15:10,117 --> 00:15:11,493 OF FANTASTICAL THINKING, RIGHT-- 356 00:15:11,577 --> 00:15:13,370 BUNDY, DAHMER. 357 00:15:13,454 --> 00:15:15,372 SON OF SAM THOUGHT HE SAW A TALKING DOG, 358 00:15:15,456 --> 00:15:17,458 BUT THIS PARTICULAR DELUSION THAT 359 00:15:17,541 --> 00:15:19,376 THIS UNSUB IS EXPERIENCING, 360 00:15:19,460 --> 00:15:21,170 IT COMES FROM SOMEWHERE. 361 00:15:21,253 --> 00:15:23,213 NOT TO MENTION, OUTSIDE OF OUR BOY GENIUS, 362 00:15:23,297 --> 00:15:25,507 MOST PEOPLE DON'T KNOW THAT EQUATION. 363 00:15:25,591 --> 00:15:27,676 YEAH. WE SHOULD BE LOOKING FOR PEOPLE WITH A BACKGROUND 364 00:15:27,760 --> 00:15:29,970 IN THEORETICAL PHYSICS AND QUANTUM MECHANICS. 365 00:15:30,054 --> 00:15:33,015 AND FAST BECAUSE BASED ON THE MARKINGS ON THOSE BODIES, 366 00:15:33,098 --> 00:15:35,184 HIS EQUATION ISN'T COMPLETE. 367 00:15:35,267 --> 00:15:37,311 HE HASN'T FINISHED HIS PROOF YET. 368 00:15:39,438 --> 00:15:41,732 YES, HONEY. I GOT THE ONION PAKORA 369 00:15:41,815 --> 00:15:45,069 AND THE MANGO CHUTNEY, TOO, EXTRA HOT. 370 00:15:45,152 --> 00:15:47,655 OK. ALL RIGHT. THEN SHE CAN HAVE MY BUTTER CHICKEN. 371 00:15:47,738 --> 00:15:50,574 ALL RIGHT. SEE YOU SOON. LOVE YOU. 372 00:15:55,579 --> 00:15:57,164 UNH! 373 00:15:59,333 --> 00:16:02,586 [THUD] 374 00:16:02,670 --> 00:16:04,171 [SPLAT] 375 00:16:04,254 --> 00:16:06,006 CREATURE: HA HA HA! 376 00:16:10,469 --> 00:16:14,640 YOU HAVE TO MARK HIM, KYLE. 377 00:16:22,106 --> 00:16:24,775 THANKS. VICTIM'S NAME WAS DAN MONTGOMERY. 378 00:16:24,858 --> 00:16:26,735 HE WAS PICKING UP FOOD FOR HIS WIFE AND SON. 379 00:16:26,819 --> 00:16:28,237 DID HE HAVE THE SAME KIND OF LATENT BRUISING 380 00:16:28,320 --> 00:16:29,780 ON HIS CHEST AS THE OTHERS? 381 00:16:29,863 --> 00:16:31,907 YEAH. THE NEXT SYMBOLS IN THE EQUATION. 382 00:16:31,990 --> 00:16:34,243 OK. THANKS. 383 00:16:34,326 --> 00:16:35,953 MAN: LOOK. I'M NOT SAYING IT WAS A WALK OF SHAME OR ANYTHING, 384 00:16:36,036 --> 00:16:39,707 BUT, UH, THESE ARE YESTERDAY'S CLOTHES. 385 00:16:39,790 --> 00:16:40,958 OH. SOUNDS LIKE A HELL OF A NIGHT. 386 00:16:41,041 --> 00:16:41,834 THIS IS KEVIN PATTERSON. 387 00:16:41,917 --> 00:16:43,460 HE WAS IN THE BAR NEXT DOOR LAST NIGHT. 388 00:16:43,544 --> 00:16:45,087 WHAT'D YOU SEE? 389 00:16:43,544 --> 00:16:45,087 I HAD A FEW DRINKS, 390 00:16:45,170 --> 00:16:46,755 UH, MET A WOMAN. 391 00:16:46,839 --> 00:16:47,881 WE GOT TO CHATTING. 392 00:16:47,965 --> 00:16:49,591 THINGS WERE GOING WELL. 393 00:16:49,675 --> 00:16:51,218 I WAS PRETTY SURE SHE LIKED ME. 394 00:16:51,301 --> 00:16:53,512 ANYWAY, I STEPPED OUTSIDE WHILE SHE WAS IN THE RESTROOM. 395 00:16:53,595 --> 00:16:55,806 THEN I SAW THIS GUY ACROSS THE WAY. 396 00:16:55,889 --> 00:16:59,768 HE, UH, HAD SOMETHING IN HIS HAND, I THINK, A LARGE STICK, 397 00:16:59,852 --> 00:17:02,855 BUT I HEARD HIM SAY, "ISN'T THIS ENOUGH? 398 00:17:02,938 --> 00:17:04,773 WHY ISN'T THIS ENOUGH?" 399 00:17:04,857 --> 00:17:06,483 WHO WAS HE TALKING TO? 400 00:17:06,567 --> 00:17:10,028 NOBODY. I JUST FIGURED HE WAS SOME HOMELESS DRUNK, 401 00:17:10,112 --> 00:17:12,614 BUT THEN HE TURNED TO ME STONE-COLD SOBER 402 00:17:12,698 --> 00:17:16,326 AND SAID, "I NEED TO GET BACK." 403 00:17:16,410 --> 00:17:19,788 FREAKED ME OUT, AND THE GIRL I MET CAME OUT OF THE BAR. 404 00:17:19,872 --> 00:17:21,290 WE LEFT TOGETHER. 405 00:17:21,373 --> 00:17:22,958 UH, I NEVER SAW A BODY OR ANYTHING. 406 00:17:23,041 --> 00:17:24,126 I DIDN'T THINK ABOUT IT AGAIN TILL THIS MORNING 407 00:17:24,209 --> 00:17:25,919 WHEN I SAW THE NEWS. 408 00:17:26,003 --> 00:17:27,629 ALL RIGHT. WE'RE GONNA NEED THE NAME OF THE WOMAN YOU LEFT WITH. 409 00:17:27,713 --> 00:17:29,465 AND, KEVIN, I'D LIKE YOU TO WORK WITH ONE OF OUR SKETCH ARTISTS. 410 00:17:29,548 --> 00:17:30,841 IS THAT ALL RIGHT? 411 00:17:30,924 --> 00:17:32,009 OH, YEAH. YEAH. OF COURSE. 412 00:17:32,092 --> 00:17:33,427 GREAT. 413 00:17:33,510 --> 00:17:36,013 RIGHT THIS WAY. 414 00:17:36,096 --> 00:17:38,766 OUR UNSUB's PSYCHOSIS IS GETTING WORSE. 415 00:17:38,849 --> 00:17:40,476 HE'S HALLUCINATING NOW. 416 00:17:40,559 --> 00:17:42,144 YEAH. HE'S NOT EVEN CONCERNED ABOUT A POTENTIAL WITNESS 417 00:17:42,227 --> 00:17:43,604 SEEING HIM EITHER. 418 00:17:43,687 --> 00:17:45,314 WELL, WHAT WAS THE LAST THING KEVIN HEARD HIM SAY? 419 00:17:45,397 --> 00:17:47,816 HE NEEDS TO GET BACK. 420 00:17:47,900 --> 00:17:49,860 SO LET'S PUT THIS ALL TOGETHER. 421 00:17:49,943 --> 00:17:53,822 PARALLEL UNIVERSES, WRONG TIMELINE, 422 00:17:53,906 --> 00:17:57,159 GET BACK AS IN CROSS OVER. 423 00:17:57,242 --> 00:17:58,827 I THINK I KNOW HOW THIS IS ALL CONNECTED. 424 00:17:58,911 --> 00:18:00,954 WE NEED TO DELIVER THE PROFILE. 425 00:18:03,081 --> 00:18:06,293 WE'RE LOOKING FOR A MALE IN HIS LATE 30s OR EARLY 40S, 426 00:18:06,376 --> 00:18:08,670 WHO WE BELIEVE IS KILLING IN ORDER 427 00:18:08,754 --> 00:18:11,006 TO CROSS OVER INTO A PARALLEL UNIVERSE. 428 00:18:11,089 --> 00:18:13,342 SIMMONS: THIS UNSUB IS A MAN LIVING INSIDE A DELUSION, 429 00:18:13,425 --> 00:18:15,969 A FRACTURED REALITY THAT HE BELIEVES IS WRONG. 430 00:18:16,053 --> 00:18:17,846 ROSSI: THE IDEA THAT WE'RE LIVING IN THE WRONG TIMELINE 431 00:18:17,930 --> 00:18:21,850 IS MOST COMMONLY DESCRIBED AS THE MANDELA EFFECT. 432 00:18:21,934 --> 00:18:25,020 LEWIS: THE MANDELA EFFECT IS A PSYCHOLOGICAL PHENOMENON SIMILAR 433 00:18:25,103 --> 00:18:27,356 TO FALSE MEMORY SYNDROME. 434 00:18:27,439 --> 00:18:29,566 IT'S SO CALLED BECAUSE A SIGNIFICANT NUMBER OF PEOPLE HAVE 435 00:18:29,650 --> 00:18:31,485 A VERY CLEAR MEMORY OF NELSON MANDELA 436 00:18:31,568 --> 00:18:33,362 DYING IN PRISON IN THE 1980s 437 00:18:33,445 --> 00:18:35,322 WHEN WE KNOW THAT NOT TO BE TRUE. 438 00:18:35,405 --> 00:18:36,990 HE DID, IN FACT, SURVIVE, WAS RELEASED, 439 00:18:37,074 --> 00:18:38,242 AND MADE PRESIDENT OF SOUTH AFRICA 440 00:18:38,325 --> 00:18:40,077 UNTIL HE PASSED AWAY IN 2013. 441 00:18:40,160 --> 00:18:42,496 SCIENTISTS AND PSYCHOLOGISTS HAVEN'T FIGURED OUT 442 00:18:42,579 --> 00:18:43,705 THIS PHENOMENON YET. 443 00:18:43,789 --> 00:18:44,790 REID: BUT A POPULAR THEORY ON LINE IS 444 00:18:44,873 --> 00:18:47,835 THAT WE ARE CURRENTLY LIVING IN A PARALLEL REALITY, 445 00:18:47,918 --> 00:18:49,378 THAT AT SOME POINT IN THE RECENT PAST 446 00:18:49,461 --> 00:18:51,213 OUR WORLD OR TIMELINE SHIFTED, 447 00:18:51,296 --> 00:18:53,048 AND THE EVIDENCE IS ALL AROUND US. 448 00:18:53,131 --> 00:18:57,427 THINGS WE COLLECTIVELY REMEMBER TO BE ONE WAY ARE ACTUALLY ANOTHER. 449 00:18:57,511 --> 00:19:00,514 NAMES OF CHILDHOOD BOOKS, AUTHORS, 450 00:19:00,597 --> 00:19:02,599 CERTAIN PHRASES, EVEN BRANDS. 451 00:19:02,683 --> 00:19:06,728 "THE BERENSTEIN BEARS" WHILE OTHERS RECALL "THE BERENSTAIN BEARS." 452 00:19:06,812 --> 00:19:08,522 UNH! 453 00:19:08,605 --> 00:19:10,649 UNH! UNH! 454 00:19:10,732 --> 00:19:13,735 REID: OR CURIOUS GEORGE-- DO YOU GUYS REMEMBER A TAIL OR NO TAIL? 455 00:19:13,819 --> 00:19:15,070 A TAIL. 456 00:19:15,153 --> 00:19:16,530 GOT TO HAVE A TAIL, RIGHT? 457 00:19:16,613 --> 00:19:18,073 HE'S A MONKEY. 458 00:19:18,156 --> 00:19:19,867 NO TAIL. 459 00:19:19,950 --> 00:19:21,118 SIMMONS: WE DON'T KNOW WHAT SPARKED OUR UNSUB's 460 00:19:21,201 --> 00:19:22,578 INTEREST IN THE MANDELA EFFECT, 461 00:19:22,661 --> 00:19:23,620 BUT WHEN WE FIND THAT, WE FIND HIM. 462 00:19:23,704 --> 00:19:25,747 MENDOZA: DO WE HAVE A THEORY ON WHY HE'S TARGETING 463 00:19:25,831 --> 00:19:27,833 FATHERS OR FATHER FIGURES? 464 00:19:27,916 --> 00:19:29,751 WELL, AS OF RIGHT NOW, GIVEN THE VIOLENCE, 465 00:19:29,835 --> 00:19:33,797 HE SEEMS DRIVEN BY A HATRED PERHAPS TOWARDS HIS OWN FATHER. 466 00:19:33,881 --> 00:19:35,382 ALVEZ: THIS MAN IS DANGEROUS. 467 00:19:35,465 --> 00:19:37,968 HE'S ISOLATED, AND HE'S MISSION-ORIENTED. 468 00:19:38,051 --> 00:19:40,888 [GRUNTING] 469 00:19:40,971 --> 00:19:43,432 ALVEZ: WE HAVE TO ISSUE A WARNING TO THE PUBLIC NOT TO CONFRONT HIM. 470 00:19:43,515 --> 00:19:45,309 [SCREAMING] 471 00:19:45,392 --> 00:19:47,311 HE'S OUT THERE. LET'S GET TO WORK. 472 00:19:47,394 --> 00:19:49,980 THANK YOU. 473 00:19:50,063 --> 00:19:51,815 AAH! 474 00:19:51,899 --> 00:19:54,359 [BREATHING HEAVILY] 475 00:19:58,405 --> 00:20:00,490 WHY WON'T YOU LET ME SEE HIM? 476 00:20:00,574 --> 00:20:05,329 YOU CAN'T SEE WHAT YOU REFUSE TO LOOK AT, KYLE. 477 00:20:05,412 --> 00:20:07,039 YOU'RE RUNNING OUT OF TIME. 478 00:20:16,715 --> 00:20:17,799 COFFEE? 479 00:20:17,883 --> 00:20:19,843 LEWIS: YES. THANK YOU. 480 00:20:19,927 --> 00:20:21,845 LOOK, GUYS. WE ARE BANGING OUR HEADS 481 00:20:21,929 --> 00:20:23,138 AGAINST A WALL HERE. 482 00:20:23,221 --> 00:20:24,640 I MEAN, DENVER IS LITTERED WITH COLLEGES, 483 00:20:24,723 --> 00:20:25,933 AND WE'VE ALREADY WORKED OUR WAY 484 00:20:26,016 --> 00:20:27,517 THROUGH MOST OF THE ACADEMICS AND SCIENTISTS. 485 00:20:27,601 --> 00:20:28,894 WELL, YOU KNOW WHAT? WE JUST NEED TO STEP BACK 486 00:20:28,977 --> 00:20:30,771 AND LOOK AT THINGS DIFFERENTLY. 487 00:20:30,854 --> 00:20:34,983 THE MANDELA EFFECT IS A UNIQUE PSYCHOLOGICAL CONSTRUCT, RIGHT? 488 00:20:35,067 --> 00:20:36,985 I MEAN, THERE'S GOT TO BE A GOOD REASON 489 00:20:37,069 --> 00:20:39,154 WHY HE LATCHED ONTO IT IN PARTICULAR. 490 00:20:39,237 --> 00:20:41,156 WELL, CREATION OF DISSOCIATIVE REALITIES 491 00:20:41,240 --> 00:20:45,494 CAN OFTEN BE A CRUTCH FOR PEOPLE WHO'VE SUFFERED EXTREME TRAUMA. 492 00:20:45,577 --> 00:20:47,371 OK. LET'S RUN WITH THAT. 493 00:20:47,454 --> 00:20:50,165 WE'RE LOOKING FOR A LOSS TRIGGERED BY AN EVENT 494 00:20:50,249 --> 00:20:53,168 LIKELY CAUSED BY THE UNSUB HIMSELF, 495 00:20:53,251 --> 00:20:55,963 AND THEN THIS INABILITY TO ACCEPT THIS REALITY 496 00:20:56,046 --> 00:20:58,966 WOULD BE A DEFENSE MECHANISM FOR A MIND RACKED WITH GUILT. 497 00:20:59,049 --> 00:21:02,511 ALVEZ: SO UNABLE TO FACE REALITY, OUR UNSUB HAS CREATED HIS OWN. 498 00:21:02,594 --> 00:21:05,472 STILL DOESN'T EXPLAIN WHY HE'S KILLING FATHER FIGURES, THOUGH. 499 00:21:05,555 --> 00:21:08,016 UNLESS IT DOES. SAY HIS OWN GUILT 500 00:21:08,100 --> 00:21:10,018 IS A MAJOR FACTOR IN A BREAK LIKE THIS. 501 00:21:10,102 --> 00:21:12,229 THAT WOULD MEAN THAT HE'S PICKING OUT DADS 502 00:21:12,312 --> 00:21:13,897 OUT OF SOME KIND OF SELF-LOATHING. 503 00:21:13,981 --> 00:21:18,902 THIS ISN'T ABOUT HIS HATRED TOWARD HIS OWN DAD. 504 00:21:18,986 --> 00:21:20,487 THESE MEN ARE SURROGATES FOR HIM. 505 00:21:20,570 --> 00:21:22,823 HE'S ANGRY AT HIMSELF. 506 00:21:22,906 --> 00:21:24,533 OUR UNSUB's THE FATHER HERE. 507 00:21:37,629 --> 00:21:40,090 HEY. 508 00:21:40,173 --> 00:21:41,758 WHAT HAPPENED TO YOU LAST NIGHT? 509 00:21:41,842 --> 00:21:43,010 I THOUGHT YOU'D COME BY. 510 00:21:43,093 --> 00:21:44,094 I TEXTED YOU. 511 00:21:44,177 --> 00:21:46,888 UM... 512 00:21:46,972 --> 00:21:49,016 OH. HERE. COME WITH ME. 513 00:21:59,067 --> 00:22:00,902 TALK TO ME. 514 00:22:00,986 --> 00:22:02,404 I DON'T KNOW WHAT TO SAY. 515 00:22:02,487 --> 00:22:04,531 WELL, MAYBE YOU START WITH WHY YOU CANCELED 516 00:22:04,614 --> 00:22:06,575 YOUR TRIP A COUPLE WEEKS AGO. 517 00:22:06,658 --> 00:22:07,951 LIKE I SAID, THERE WAS AN ABDUCTION. 518 00:22:08,035 --> 00:22:10,787 EMILY, THERE'S ALWAYS GONNA BE A CASE, 519 00:22:10,871 --> 00:22:12,748 AND YOU KNOW I KNOW, OK, 520 00:22:12,831 --> 00:22:14,458 BUT YOU WERE SUPPOSED TO COME FOR THE WEEKEND, 521 00:22:14,541 --> 00:22:15,917 FINALLY MEET KEELY. 522 00:22:16,001 --> 00:22:16,960 MM-HMM. 523 00:22:17,044 --> 00:22:20,589 AND NOW YOU'RE BACK TO DODGING MY CALLS AND TEXTS. 524 00:22:20,672 --> 00:22:22,049 DID I DO SOMETHING WRONG? 525 00:22:22,132 --> 00:22:25,469 NO, AND THANK YOU FOR THE FLOWERS. 526 00:22:25,552 --> 00:22:30,265 OH, YOU'RE WELCOME, BUT IF NOT, THEN WHAT IS IT? 527 00:22:30,348 --> 00:22:36,772 THIS HAS JUST BEEN HARDER THAN I THOUGHT IT WAS GONNA BE. 528 00:22:36,855 --> 00:22:40,776 YOU KNOW, I NEVER WANTED MOVING HERE TO CHANGE ANYTHING BETWEEN US. 529 00:22:40,859 --> 00:22:45,906 WHAT I WANT...IS YOU. 530 00:22:45,989 --> 00:22:47,949 I WANT US, 531 00:22:48,033 --> 00:22:49,284 BUT RIGHT NOW, IT FEELS LIKE 532 00:22:49,367 --> 00:22:51,995 YOU'RE...PULLING AWAY. 533 00:22:52,079 --> 00:22:53,914 OHH. 534 00:22:53,997 --> 00:22:57,125 ARE WE BREAKING UP? 535 00:22:57,209 --> 00:23:00,337 NO. THAT'S NOT WHAT I WANT. 536 00:23:00,420 --> 00:23:02,089 WELL, THEN WHAT DO YOU WANT? TELL ME. 537 00:23:02,172 --> 00:23:03,799 I'LL DO IT. 538 00:23:17,896 --> 00:23:20,023 WE'RE AT WORK. 539 00:23:23,777 --> 00:23:26,613 BEFORE YOU GO BACK TO D.C., 540 00:23:26,696 --> 00:23:28,782 I JUST WANT TO KNOW WHERE WE STAND, OK? 541 00:23:36,832 --> 00:23:37,958 [SIGHS] 542 00:23:40,252 --> 00:23:41,837 OH, HEY. I WAS JUST LOOKING FOR YOU. 543 00:23:41,920 --> 00:23:42,963 WHAT'S UP? 544 00:23:43,046 --> 00:23:44,506 PENELOPE FOUND SOMETHING HINKY 545 00:23:44,589 --> 00:23:45,841 IN REGARDS TO THE SOCIAL WORKER 546 00:23:45,924 --> 00:23:47,467 WHO WAS HELPING SEAN McAFEE. 547 00:23:47,551 --> 00:23:48,844 SHE'S BRINGING THE OTHERS UP TO SPEED NOW. 548 00:23:48,927 --> 00:23:51,263 OK. GREAT. 549 00:23:55,767 --> 00:23:57,477 GO AHEAD, GARCIA. 550 00:23:57,561 --> 00:23:58,687 OK. SO OUR INITIAL INTERVIEW WITH SEAN'S CASE WORKER 551 00:23:58,770 --> 00:24:00,856 BRENDA HACKER DIDN'T RAISE ANY RED FLAGS, 552 00:24:00,939 --> 00:24:02,732 BUT SHE WAS THE LAST PERSON TO SEE HIM ALIVE, 553 00:24:02,816 --> 00:24:04,860 SO I DID SOME ADDITIONAL SPELUNKING. 554 00:24:04,943 --> 00:24:05,986 AND? 555 00:24:06,069 --> 00:24:06,820 WELCOME TO THE THUNDERDOME. 556 00:24:06,903 --> 00:24:07,612 I LOOKED AT BRENDA'S FINANCIAL RECORDS, 557 00:24:07,696 --> 00:24:11,032 HER PHONE RECORDS, HER CASE RECORDS. 558 00:24:11,116 --> 00:24:14,119 SHE SPECIALIZES IN A VERY SPECIFIC CLIENTELE, 559 00:24:14,202 --> 00:24:16,580 SINGLE DADS WHO ARE FIGHTING FOR CUSTODY 560 00:24:16,663 --> 00:24:18,039 OF THEIR CHILD OR CHILDREN, 561 00:24:18,123 --> 00:24:21,418 AND SHE HAS AN UNUSUALLY HIGH SUCCESS/PLACEMENT RATE. 562 00:24:21,501 --> 00:24:22,377 HOW UNUSUAL? 563 00:24:22,460 --> 00:24:24,337 LIKE, GET YOURSELF TO VEGAS, CALL YOUR BOOKIE, 564 00:24:24,421 --> 00:24:25,505 THE FIX IS IN UNUSUAL. 565 00:24:25,589 --> 00:24:26,882 YOU THINK SHE'S GREASING THE WHEELS? 566 00:24:26,965 --> 00:24:29,551 OH, SHE'S LUBING THEM UP BIG TIME. 567 00:24:29,634 --> 00:24:30,886 UH, STOP SMILING, LUKE ALVEZ. 568 00:24:30,969 --> 00:24:32,596 I CAN FEEL IT. THAT JOKE WAS NOT FOR YOU. 569 00:24:32,679 --> 00:24:34,556 WHAT I'M SAYING IS HER TESTIMONY HOLDS 570 00:24:34,639 --> 00:24:35,724 A SPECIAL KIND OF WEIGHT WITH THE JUDGE. 571 00:24:35,807 --> 00:24:37,684 SHE'S GOT HER FINGER IN THE COOKIE JAR SOMEHOW OR ANOTHER. 572 00:24:37,767 --> 00:24:39,269 WE SHOULD BRING HER BACK IN. 573 00:24:39,352 --> 00:24:41,062 DOESN'T SEEM LIKE A COINCIDENCE THAT SHE WORKS WITH FATHERS 574 00:24:41,146 --> 00:24:42,439 AND OUR UNSUB MIGHT BE ONE. 575 00:24:42,522 --> 00:24:44,399 LEWIS: GOOD WORK, GARCIA. 576 00:24:44,482 --> 00:24:45,609 ALVEZ: PENELOPE. 577 00:24:45,692 --> 00:24:48,069 NEW PHONE. WHO DIS? 578 00:24:48,153 --> 00:24:50,238 THANK YOU. 579 00:24:50,322 --> 00:24:52,449 YOU SHOULD WORSHIP AT MY THRONE, LUKE ALVEZ. 580 00:24:52,532 --> 00:24:58,121 OH, BUT I DO. I DO. YOU KNOW I DO. 581 00:24:58,205 --> 00:24:59,706 WHAT DOES THAT EVEN MEAN? 582 00:25:01,458 --> 00:25:02,542 MAN: ANOTHER TIME. 583 00:25:02,626 --> 00:25:04,127 COME ON, DAD. 584 00:25:04,211 --> 00:25:05,378 MO WOULD LET ME DRIVE. 585 00:25:05,462 --> 00:25:06,880 I HAVE MY LEARNER'S PERMIT. 586 00:25:06,963 --> 00:25:08,048 BOY: YEAH. LET HER, DAD. 587 00:25:08,131 --> 00:25:08,965 HERE. YOU CAN START THE CAR, 588 00:25:09,049 --> 00:25:10,634 BUT THAT'S IT. 589 00:25:10,717 --> 00:25:12,677 GIRL: DAD, THAT'S SO LAME. 590 00:25:12,761 --> 00:25:14,221 MAN: THAT'S ALL YOU'RE GONNA GET FOR NOW. 591 00:25:14,304 --> 00:25:16,473 I'LL TAKE YOU OUT LATER WHEN IT'S JUST THE TWO OF US. 592 00:25:18,058 --> 00:25:20,685 [SIGHS] 593 00:25:20,769 --> 00:25:23,104 [CAR STARTS] 594 00:25:23,188 --> 00:25:26,066 KYLE: UNH! 595 00:25:26,149 --> 00:25:27,275 UNH! 596 00:25:27,359 --> 00:25:28,568 OHH! 597 00:25:28,652 --> 00:25:30,195 DAD?! 598 00:25:32,155 --> 00:25:33,240 AAH! AAH! 599 00:25:33,323 --> 00:25:35,825 OH, NO! 600 00:25:35,909 --> 00:25:38,119 AAH! AAH! AAH! 601 00:25:38,203 --> 00:25:40,622 BOY: DAD! 602 00:25:38,203 --> 00:25:40,622 KYLE: DRIVE, DRIVE! 603 00:25:40,705 --> 00:25:42,457 DRIVE NOW! 604 00:25:40,705 --> 00:25:42,457 NO, NO! 605 00:25:42,540 --> 00:25:44,960 GO! 606 00:25:45,043 --> 00:25:48,004 GIRL: AAH! 607 00:25:45,043 --> 00:25:48,004 DRIVE! 608 00:25:48,088 --> 00:25:49,881 [TIRES SQUEALING] 609 00:26:01,059 --> 00:26:02,978 WOW. THIS PLACE REALLY CLEARS OUT AT LUNCH. 610 00:26:03,061 --> 00:26:05,105 YEAH. THIS GRANOLA BAR WILL DO IT FOR ME. 611 00:26:05,188 --> 00:26:08,275 HMM. ME, TOO. 612 00:26:08,358 --> 00:26:10,318 SO YOU'RE NOT HAVING LUNCH WITH ANDREW? 613 00:26:14,197 --> 00:26:16,366 3 MONTHS AGO, 614 00:26:16,449 --> 00:26:19,494 ANDREW ASKED ME TO MOVE TO DENVER WITH HIM, 615 00:26:19,577 --> 00:26:22,038 BUT I'M HAPPY WHERE I AM. 616 00:26:22,122 --> 00:26:23,707 I'M NOT READY TO LEAVE THE BAU. 617 00:26:23,790 --> 00:26:26,293 I HAVEN'T EVEN MET HIS DAUGHTER YET. 618 00:26:26,376 --> 00:26:28,628 WHY? YOU'VE BEEN SEEING HIM FOR OVER A YEAR. 619 00:26:28,712 --> 00:26:31,298 KEELY WAS ALREADY IN COLORADO, 620 00:26:31,381 --> 00:26:33,300 AND THE COUPLE OF TIMES SHE VISITED LAST YEAR, 621 00:26:33,383 --> 00:26:35,135 THE TIMING JUST DIDN'T WORK OUT. 622 00:26:35,218 --> 00:26:37,512 HEY. YOU'RE PUTTING UP WALLS. 623 00:26:37,595 --> 00:26:40,140 I KNOW BECAUSE I'VE PUT UP PLENTY MYSELF. 624 00:26:40,223 --> 00:26:42,183 UPROOTING MY WHOLE LIFE? 625 00:26:42,267 --> 00:26:44,519 MOVING HALFWAY ACROSS THE COUNTRY? 626 00:26:44,602 --> 00:26:46,980 THAT'S JUST NOT SOMETHING THAT I EVER HAD IN MY PLANS, 627 00:26:47,063 --> 00:26:48,481 AND WHAT IF IT DOESN'T WORK OUT? 628 00:26:48,565 --> 00:26:51,192 TAKE IT FROM A GUY WHO JUST MARRIED HIS THIRD EX-WIFE 629 00:26:51,276 --> 00:26:53,320 FOR THE SECOND TIME. 630 00:26:53,403 --> 00:26:57,198 ALL OF THIS WORK IS WORTH IT. 631 00:26:57,282 --> 00:27:00,577 YOU DESERVE THIS. BE HONEST WITH HIM. 632 00:27:00,660 --> 00:27:03,580 TELL HIM HOW YOU FEEL. 633 00:27:03,663 --> 00:27:05,582 SIMMONS: SORRY TO INTERRUPT. DENVER PD JUST FOUND 634 00:27:05,665 --> 00:27:07,042 ANOTHER DECAPITATED BODY. 635 00:27:07,125 --> 00:27:09,252 THE HEAD IS MISSING, AND SO ARE THE MAN'S TWO KIDS. 636 00:27:09,336 --> 00:27:11,338 JJ AND REID ARE EN ROUTE. 637 00:27:11,421 --> 00:27:12,297 [CAMERA SHUTTER CLICKS] 638 00:27:16,301 --> 00:27:18,136 THE FACT THAT HE LEFT HIS VEHICLE BEHIND 639 00:27:18,219 --> 00:27:20,221 MEANS HE HAS NO INTENTION OF COMING BACK. 640 00:27:20,305 --> 00:27:21,639 HE'S NEVER REALLY HIDDEN FROM US, 641 00:27:21,723 --> 00:27:23,892 BUT THIS JUST FEELS LIKE THE FINAL STRAW. 642 00:27:23,975 --> 00:27:24,976 HE'S FINISHED ONE WAY OR ANOTHER. 643 00:27:25,060 --> 00:27:27,395 BASED ON HIS EQUATION, THESE ARE HIS FINAL 3 VICTIMS. 644 00:27:27,479 --> 00:27:29,064 OK, BUT THEN WHY THE CHANGE IN M.O.? 645 00:27:29,147 --> 00:27:30,732 WHY ABDUCT TWO TEENAGERS? 646 00:27:30,815 --> 00:27:33,401 PROBABLY HAS SOMETHING TO DO WITH THE LOSS THAT HE SUFFERED. 647 00:27:36,363 --> 00:27:38,198 JAREAU: OH. 648 00:27:38,281 --> 00:27:39,407 LOOK AT THIS. 649 00:27:42,535 --> 00:27:46,081 OH, ETHAN. I'VE BEEN LEAVING YOU MESSAGES. 650 00:27:46,164 --> 00:27:47,415 I HOPE YOU'RE GETTING THEM. 651 00:27:47,499 --> 00:27:49,084 I'VE BEEN TRYING TO EXPLAIN TO YOU 652 00:27:49,167 --> 00:27:52,253 THAT THERE ARE AN INFINITE NUMBER OF REALITIES, 653 00:27:52,337 --> 00:27:55,590 BRANCHES, AND 7 YEARS AGO, 654 00:27:55,673 --> 00:27:59,094 OUR UNIVERSE, IT BRANCHED INTO ANOTHER ONE. 655 00:27:59,177 --> 00:28:01,596 IT--IT WAS ANOTHER TIMELINE. 656 00:28:01,679 --> 00:28:05,100 IT WAS THE WRONG ONE BECAUSE YOU AREN'T HERE, 657 00:28:05,183 --> 00:28:10,563 BUT I'VE FIGURED OUT A WAY TO CROSS OVER TO GET BACK TO YOU. 658 00:28:10,647 --> 00:28:12,273 I'M COMING FOR YOU. 659 00:28:12,357 --> 00:28:14,109 IT'S ALL GONNA BE OK. 660 00:28:14,192 --> 00:28:16,611 DON'T BE SCARED. 661 00:28:16,694 --> 00:28:18,279 DAD IS COMING. 662 00:28:18,363 --> 00:28:19,948 SO IT WAS HIS SON THAT HE LOST. 663 00:28:20,031 --> 00:28:21,991 HE'LL DO ANYTHING TO GET BACK TO HIM, EVEN KILL, 664 00:28:22,075 --> 00:28:23,243 MAYBE EVEN TRADE ONE KID'S LIFE 665 00:28:23,326 --> 00:28:25,036 FOR ANOTHER. 666 00:28:25,120 --> 00:28:27,956 SON'S NAME IS ETHAN, RIGHT? 667 00:28:28,039 --> 00:28:29,499 ETHAN WAS THE FINAL PIECE OF THE PUZZLE. 668 00:28:29,582 --> 00:28:31,543 OUR UNSUB's NAME IS GEORGE KYLE PETERS. 669 00:28:31,626 --> 00:28:33,294 HE GOES BY KYLE. HE'S A FORMER 670 00:28:33,378 --> 00:28:34,629 HIGH SCHOOL PHYSICS TEACHER, 671 00:28:34,712 --> 00:28:37,132 AND HIS SON ETHAN DIED WHEN HE WAS 7 YEARS OLD 672 00:28:37,215 --> 00:28:39,008 IN A HORRIFIC CAR CRASH. 673 00:28:39,092 --> 00:28:41,177 I'M SENDING YOU THE INFO NOW. 674 00:28:41,261 --> 00:28:43,263 IT SAYS HERE THAT KYLE WAS DRIVING 675 00:28:43,346 --> 00:28:45,473 HIS 7-YEAR-OLD SON HOME FROM A MOVIE 676 00:28:45,557 --> 00:28:48,476 WHEN HE STRUCK A PATCH OF BLACK ICE AND LOST CONTROL. 677 00:28:48,560 --> 00:28:51,104 ETHAN WAS... DECAPITATED. 678 00:28:58,236 --> 00:29:00,196 RUSTY! 679 00:29:00,280 --> 00:29:03,950 GARCIA: TWO MONTHS AGO WAS THE 7-YEAR ANNIVERSARY OF THIS DEATH. 680 00:29:04,033 --> 00:29:05,368 THE ANNIVERSARY WAS HIS TRIGGER. 681 00:29:05,452 --> 00:29:08,288 KYLE WAS IN A COMA FOR MONTHS FOLLOWING THE ACCIDENT. 682 00:29:08,371 --> 00:29:11,291 WHEN HE WOKE UP, HIS SON WAS GONE. 683 00:29:11,374 --> 00:29:12,459 WELL, THAT'S A HELL OF A STRESSOR. 684 00:29:12,542 --> 00:29:15,795 LEWIS: KYLE'S MIND WOULD NOT LET HIM PROCESS THIS GRIEF. 685 00:29:15,879 --> 00:29:18,298 [SCREAMING] 686 00:29:18,381 --> 00:29:20,717 NO MATTER WHAT KIND OF SUPPORT HE MIGHT HAVE GOTTEN, 687 00:29:20,800 --> 00:29:22,677 HE COULD NOT CONCEIVE OF A WORLD THAT DID NOT HAVE HIS SON IN IT, 688 00:29:22,760 --> 00:29:25,346 SO HE CREATED A NEW ONE, 689 00:29:25,430 --> 00:29:27,557 ONE WHERE ETHAN WAS STILL ALIVE. 690 00:29:27,640 --> 00:29:29,642 WHERE'S KYLE BEEN THE LAST 7 YEARS? 691 00:29:29,726 --> 00:29:31,186 IN AND OUT OF INSTITUTIONS. 692 00:29:31,269 --> 00:29:32,353 HE WAS RELEASED 4 MONTHS AGO. 693 00:29:32,437 --> 00:29:34,481 [KYLE SCREAMING] 694 00:29:34,564 --> 00:29:37,317 I DID EVERYTHING YOU ASKED! 695 00:29:37,400 --> 00:29:39,194 I BROUGHT YOU THEIR HEADS AS PROOF. 696 00:29:39,277 --> 00:29:41,738 7 LIVES FOR THE 7 YEARS THAT HAVE PASSED. 697 00:29:41,821 --> 00:29:43,364 ALVEZ: THE TWO TEENS THAT HE KIDNAPPED, 698 00:29:43,448 --> 00:29:46,534 EMMA AND COLIN CHOI, COLIN'S 14. 699 00:29:46,618 --> 00:29:49,662 THAT'S THE SAME AGE HIS SON WOULD HAVE BEEN IF HE SURVIVED. 700 00:29:49,746 --> 00:29:52,123 MENDOZA: LOOKS LIKE WE CAUGHT A BREAK. 701 00:29:52,207 --> 00:29:54,042 GARCIA WANTED US TO PULL HARD COPIES 702 00:29:54,125 --> 00:29:55,418 OF ALL OF BRENDA HACKER'S FILES, 703 00:29:55,502 --> 00:29:57,212 THE ONES THAT HADN'T BEEN DIGITIZED. 704 00:29:57,295 --> 00:29:59,255 TURNS OUT 12 YEARS AGO BRENDA WAS ASSIGNED 705 00:29:59,339 --> 00:30:00,882 TO HELP KYLE PETERS GET CUSTODY 706 00:30:00,965 --> 00:30:02,509 OF HIS SON ETHAN. 707 00:30:02,592 --> 00:30:04,886 WAIT A MINUTE. THE SAME PERSON WAS THE CASE WORKER 708 00:30:04,969 --> 00:30:07,222 FOR OUR THIRD VICTIM SEAN AND OUR UNSUB? 709 00:30:07,305 --> 00:30:08,765 WE THINKING THAT'S JUST AS COINCIDENCE? 710 00:30:08,848 --> 00:30:10,433 WELL, ACTUALLY, IT MIGHT BE. 711 00:30:10,517 --> 00:30:12,393 SOCIAL WORKERS HERE, THEY'RE FORCED TO SEE A LOT OF CLIENTS, 712 00:30:12,477 --> 00:30:14,020 COVER A LOT OF GROUND, 713 00:30:14,103 --> 00:30:15,563 AND WE HAVEN'T SEEN ANY CONNECTION 714 00:30:15,647 --> 00:30:17,273 BETWEEN HER AND OUR OTHER VICTIMS, SO-- 715 00:30:17,357 --> 00:30:18,816 HOLD ON. IT SAYS HERE KYLE WAS ARRESTED 716 00:30:18,900 --> 00:30:21,486 ON TWO DUI CHARGES IN COLLEGE. 717 00:30:21,569 --> 00:30:23,530 HE SOUGHT HELP FOR A DRINKING PROBLEM. 718 00:30:23,613 --> 00:30:26,282 AND YET BRENDA STILL MANAGED TO GET HIM CUSTODY. 719 00:30:26,366 --> 00:30:27,492 LIKE I SAID, CALL YOUR BOOKIES. 720 00:30:27,575 --> 00:30:30,328 THAT WOULD INDICATE A CLASSIC NARCISSISTIC SAVIOR COMPLEX. 721 00:30:30,411 --> 00:30:32,413 BRENDA LIKES THAT THESE MEN NEED HER, 722 00:30:32,497 --> 00:30:33,957 AND SHE USES IT AGAINST THEM. 723 00:30:34,040 --> 00:30:36,251 PENELOPE, I NEED EVERYTHING YOU'VE FOUND ON HER SO FAR. 724 00:30:36,334 --> 00:30:37,794 GOT IT. COMING, COMING. 725 00:30:37,877 --> 00:30:39,254 IS BRENDA HERE? 726 00:30:39,337 --> 00:30:40,880 JUST ARRIVED. PUT HER IN MY OFFICE. 727 00:30:40,964 --> 00:30:43,967 OK. WE NEED TO CHECK OUT KYLE'S HOME AND LAST KNOWNS. 728 00:30:44,050 --> 00:30:46,427 TALK TO HIS FORMER CO-WORKERS AND NEIGHBORS. 729 00:30:46,511 --> 00:30:48,263 HE'S TAKEN THESE KIDS SOMEPLACE, 730 00:30:48,346 --> 00:30:50,181 LIKELY SOMEWHERE PERSONAL. 731 00:30:56,729 --> 00:30:59,649 I DID EVERYTHING YOU ASKED! 732 00:30:59,732 --> 00:31:02,235 NOW IT'S TIME TO MAKE THE TRADE! 733 00:31:02,318 --> 00:31:04,070 WHO'S HE TALKING TO? 734 00:31:04,153 --> 00:31:07,282 COLIN: HE'S CRAZY. THERE'S NO ONE THERE. 735 00:31:07,365 --> 00:31:08,783 WE'VE GOT TO GET OUT OF HERE. 736 00:31:08,866 --> 00:31:10,159 HOW? 737 00:31:10,243 --> 00:31:11,452 HELP ME WITH MY TAPE. 738 00:31:11,536 --> 00:31:12,996 KYLE: THAT'S NOT WHAT WE AGREED TO! 739 00:31:13,079 --> 00:31:16,291 YOU TOLD ME THAT THIS WOULD BE OVER WITH! 740 00:31:16,374 --> 00:31:18,626 WAIT A MINUTE. SHE WAS MAKING MONEY OFF THESE GUYS? 741 00:31:18,710 --> 00:31:20,295 YEP. EXTORTION PLAIN AS DAY. 742 00:31:20,378 --> 00:31:22,797 WHAT? ALL THESE CALLS, ALL THIS TIME TOGETHER. 743 00:31:22,880 --> 00:31:24,799 MAYBE IT DIDN'T STOP THERE. 744 00:31:24,882 --> 00:31:27,260 WELL, BRENDA'S SMART. SHE'S NOT GONNA INCRIMINATE HERSELF. 745 00:31:27,343 --> 00:31:28,595 WELL, WE CAN'T GIVE HER AN OUT. 746 00:31:28,678 --> 00:31:30,305 BRENDA KNOWS OUR UNSUB AND WELL. 747 00:31:30,388 --> 00:31:32,390 RIGHT NOW, SHE'S OUR BEST BET AT FINDING THOSE KIDS. 748 00:31:33,891 --> 00:31:36,352 BRENDA, WHEN WAS THE LAST TIME YOU SAW KYLE PETERS? 749 00:31:36,436 --> 00:31:38,980 10, 12 YEARS AGO. 750 00:31:39,063 --> 00:31:41,149 BUT YOU WERE AWARE THAT HIS SON PASSED AWAY? 751 00:31:41,232 --> 00:31:43,192 YEAH. I HEARD. I DIDN'T KNOW HIM VERY WELL. 752 00:31:43,276 --> 00:31:45,486 I WAS JUST HIS CASE WORKER. 753 00:31:45,570 --> 00:31:47,113 ACCORDING TO CELL PHONE RECORDS, YOU CALLED KYLE 754 00:31:47,196 --> 00:31:49,824 7 YEARS AGO. 755 00:31:49,907 --> 00:31:51,284 I DON'T REALLY REMEMBER. 756 00:31:51,367 --> 00:31:53,786 AND PRIOR TO THAT WHEN YOU WERE HANDLING HIS CASE, 757 00:31:53,870 --> 00:31:56,331 YOU CALLED HIM 4 OR 5 TIMES A DAY 758 00:31:56,414 --> 00:31:58,291 FROM YOUR PERSONAL PHONE, 759 00:31:58,374 --> 00:31:59,626 SOMETIMES AFTER HOURS. 760 00:31:59,709 --> 00:32:01,002 THAT SOUND LIKE WORK TO YOU? 761 00:32:01,085 --> 00:32:02,211 UH, IT DOES NOT. 762 00:32:02,295 --> 00:32:04,672 I THINK YOU KNEW KYLE A LOT BETTER THAN YOU'RE LETTING ON. 763 00:32:04,756 --> 00:32:07,800 PERHAPS YOU SAW EACH OTHER SOCIALLY. 764 00:32:07,884 --> 00:32:09,886 I'M NOT COMFORTABLE WITH THIS CONVERSATION. 765 00:32:09,969 --> 00:32:14,015 BRENDA, THESE ARE FINANCIAL RECORDS, YOURS. 766 00:32:14,098 --> 00:32:16,851 UH, YOU'LL SEE THAT THERE ARE A LARGE NUMBER OF CASH DEPOSITS 767 00:32:16,934 --> 00:32:18,478 DURING THE TIME PERIOD IN QUESTION, 768 00:32:18,561 --> 00:32:20,855 AND WHAT'S INTERESTING IS THAT THEY MATCH UP 769 00:32:20,938 --> 00:32:23,816 WITH THESE RECORDS HERE, WHICH ARE KYLE'S BANK RECORDS. 770 00:32:23,900 --> 00:32:26,653 THEY SHOW WITHDRAWALS FROM THE SAME TIME PERIOD. 771 00:32:26,736 --> 00:32:28,696 I DON'T LIKE WHAT YOU'RE IMPLYING. 772 00:32:28,780 --> 00:32:31,574 PRENTISS: MS. HACKER, KYLE HAS KILLED 5 PEOPLE. 773 00:32:31,658 --> 00:32:33,242 HE'S ABDUCTED TWO TEENAGERS, 774 00:32:33,326 --> 00:32:35,328 MOST LIKELY WITH THE INTENT TO KILL THEM, TOO. 775 00:32:35,411 --> 00:32:37,330 I DON'T KNOW ANYTHING ABOUT THAT. 776 00:32:37,413 --> 00:32:39,874 I HAVEN'T DONE ANYTHING WRONG. 777 00:32:39,957 --> 00:32:42,752 WELL, NOW THAT'S NOT ENTIRELY TRUE, BRENDA, IS IT? 778 00:32:42,835 --> 00:32:45,046 YOU TARGET SINGLE MEN, LIKE SEAN, 779 00:32:45,129 --> 00:32:48,383 FATHERS WHO ARE DESPERATE TO RETAIN CUSTODY OF THEIR CHILDREN. 780 00:32:48,466 --> 00:32:50,593 YOU GET THEM TO SLIP YOU A LITTLE CASH UNDER THE TABLE, 781 00:32:50,677 --> 00:32:53,388 AND IN EXCHANGE, YOU DOCTOR THEIR FILES. 782 00:32:53,471 --> 00:32:55,598 YOU CAN'T PROVE THAT. 783 00:32:55,682 --> 00:32:57,266 NOT YET. 784 00:32:57,350 --> 00:33:00,228 YOU CONVINCED A JUDGE THAT KYLE SHOULD GET CUSTODY OF HIS SON 785 00:33:00,311 --> 00:33:03,231 DESPITE HIS HISTORY WITH ALCOHOL ABUSE. 786 00:33:03,314 --> 00:33:06,067 MY GUESS IS HE WAS DRUNK ON THE NIGHT OF THE ACCIDENT, 787 00:33:06,150 --> 00:33:07,735 AND WHEN HE WOKE UP FROM HIS COMA, 788 00:33:07,819 --> 00:33:10,238 YOU CALLED HIM, AND YOU HELPED HIM FIX HIS STORY. 789 00:33:10,321 --> 00:33:12,365 YOU ADDED IN THAT BIT ABOUT THE BLACK ICE. 790 00:33:12,448 --> 00:33:16,077 NOW IT'S PRETTY CLEAR THAT STORY WAS TO PROTECT YOU, NOT HIM. 791 00:33:16,160 --> 00:33:18,413 YOU DIDN'T WANT ANYBODY DIGGING INTO KYLE'S PAST 792 00:33:18,496 --> 00:33:21,749 AND FINDING SOMETHING THAT YOU WORKED SO HARD TO HIDE. 793 00:33:21,833 --> 00:33:24,919 THE WAY I SEE IT, THAT'S CHILD ENDANGERMENT. 794 00:33:25,002 --> 00:33:26,421 SO, BRENDA, DO YOURSELF A FAVOR. 795 00:33:26,504 --> 00:33:28,423 SIT BACK DOWN AND TELL US 796 00:33:28,506 --> 00:33:30,174 ABOUT YOUR RELATIONSHIP WITH KYLE, 797 00:33:30,258 --> 00:33:32,885 AND WE'LL TAKE YOUR COOPERATION INTO CONSIDERATION. 798 00:33:39,183 --> 00:33:40,309 WHAT DO YOU WANT TO KNOW? 799 00:33:40,393 --> 00:33:42,729 EVERYTHING THAT WASN'T IN HIS CASE FILE. 800 00:33:42,812 --> 00:33:44,272 [GRUNTING] 801 00:33:44,355 --> 00:33:47,066 KYLE: NOW WE AGREED, RUSTY. 802 00:33:47,150 --> 00:33:48,943 IT HAD TO BE. 803 00:33:49,026 --> 00:33:50,945 THAT'S WHAT YOU SAID! 804 00:33:51,028 --> 00:33:53,281 AAH! 805 00:33:53,364 --> 00:33:55,408 [GROANING] 806 00:34:00,329 --> 00:34:02,373 [WHIMPERING] 807 00:34:04,375 --> 00:34:06,002 UGH. 808 00:34:21,058 --> 00:34:22,101 PRENTISS: BRENDA TOLD US THAT KYLE AND HIS SON 809 00:34:22,185 --> 00:34:23,895 LOVED TO EXPLORE AN AREA AROUND AN ABANDONED GOLD MINE 810 00:34:23,978 --> 00:34:25,354 IN THE FOOTHILLS. 811 00:34:25,438 --> 00:34:26,939 YEAH. THEY WENT EVERY WEEKEND. 812 00:34:27,023 --> 00:34:28,608 SIMMONS: THAT MAKES SENSE. KYLE WAS A SCIENTIST. 813 00:34:28,691 --> 00:34:30,318 HE WANTED TO FOSTER A SIMILAR LOVE IN HIS SON. 814 00:34:30,401 --> 00:34:32,612 ALVEZ: WE'RE SURE THIS IS WHERE HE WOULD TAKE EMMA AND COLIN? 815 00:34:32,695 --> 00:34:34,655 IT'S IDEAL. THE MINE'S SECLUDED. 816 00:34:34,739 --> 00:34:35,656 IT'S BEEN VACANT FOR DECADES. 817 00:34:35,740 --> 00:34:38,618 WE NEED TO BE CAREFUL. WE'RE GONNA BE ON HIS TURF. 818 00:34:43,539 --> 00:34:45,208 RUSTY: THIS IS IT, KYLE. 819 00:34:45,291 --> 00:34:48,503 THIS CHILD FOR YOURS. 820 00:34:48,586 --> 00:34:51,339 PLEASE DON'T HURT ME. 821 00:34:51,422 --> 00:34:54,008 [CRYING] 822 00:34:54,091 --> 00:34:56,636 I JUST--I--I CAN'T. 823 00:34:56,719 --> 00:34:58,638 I'M SORRY. I CAN'T. 824 00:34:58,721 --> 00:35:01,015 DON'T YOU WANT TO SEE YOUR SON AGAIN? 825 00:35:01,098 --> 00:35:02,725 OHH, OHH. 826 00:35:02,809 --> 00:35:04,519 PLEASE. 827 00:35:04,602 --> 00:35:06,395 THIS CHILD FOR YOURS. 828 00:35:06,479 --> 00:35:07,897 PLEASE. 829 00:35:12,944 --> 00:35:16,030 I'M SORRY. 830 00:35:16,114 --> 00:35:17,824 I'M SO SORRY, ETHAN. 831 00:35:20,743 --> 00:35:24,539 I'M SORRY. I'M SORRY. 832 00:35:24,622 --> 00:35:27,083 I'M SORRY. 833 00:35:27,166 --> 00:35:28,793 I'M SO SORRY, ETHAN. 834 00:35:45,476 --> 00:35:47,728 OHH! I'M SO SORRY! 835 00:35:49,480 --> 00:35:51,732 I'M SO SORRY, ETHAN. 836 00:35:53,860 --> 00:35:55,903 I'M SORRY. I'M SORRY. 837 00:35:57,613 --> 00:35:59,615 SIMMONS: THESE TRACKS LEAD INSIDE. 838 00:35:59,699 --> 00:36:01,117 LEWIS: THIS HAS GOT TO BE IT. 839 00:36:01,200 --> 00:36:02,618 ALVEZ: ACCORDING TO THE MAP, THERE'S ANOTHER ENTRANCE 840 00:36:02,702 --> 00:36:03,744 AT THE NORTH. 841 00:36:03,828 --> 00:36:05,246 ROSSI: WE SHOULD SPLIT UP. 842 00:36:05,329 --> 00:36:09,250 LEWIS, ALVEZ, SIMMONS, SEE IF THERE'S ANOTHER WAY IN. 843 00:36:09,333 --> 00:36:11,586 KYLE: I'M SORRY. 844 00:36:11,669 --> 00:36:14,213 ROSSI: KYLE PETERS, FBI! 845 00:36:14,297 --> 00:36:17,133 DROP THE AX! PUT IT DOWN! 846 00:36:17,216 --> 00:36:18,759 PRENTISS: KYLE, LOOK AT ME. 847 00:36:20,803 --> 00:36:22,471 YOU DON'T UNDERSTAND! 848 00:36:22,555 --> 00:36:24,724 HE IS ON THE OTHER SIDE, HE IS TRAPPED ON THE OTHER SIDE. 849 00:36:24,807 --> 00:36:26,559 HE NEEDS ME! I AM HIS FATHER! 850 00:36:26,642 --> 00:36:28,936 I DO UNDERSTAND. 851 00:36:29,020 --> 00:36:30,938 I KNOW WHAT IT'S LIKE TO HAVE 852 00:36:31,022 --> 00:36:34,108 SOMEONE YOU LOVE STUCK IN ANOTHER WORLD, 853 00:36:34,192 --> 00:36:36,444 WANTING ONE THING, HAVING ANOTHER, 854 00:36:36,527 --> 00:36:38,613 BUT REALLY HAVING NEITHER, 855 00:36:38,696 --> 00:36:40,573 AFRAID TO FACE THE TRUTH. 856 00:36:40,656 --> 00:36:44,243 YOU HAVE TO FACE IT, KYLE. 857 00:36:44,327 --> 00:36:46,370 RUSTY: KYLE. 858 00:36:46,454 --> 00:36:49,457 NO. HE SAID THIS THE ONLY WAY TO GET HIM BACK. 859 00:36:49,540 --> 00:36:51,250 HE SAID A BOY FOR A BOY. 860 00:36:51,334 --> 00:36:54,003 PRENTISS: IT'S NOT. EVERYTHING IS WRONG. 861 00:36:54,086 --> 00:36:55,296 NO. 862 00:36:55,379 --> 00:36:56,839 THAT'S WHAT YOU THINK, RIGHT? 863 00:36:56,923 --> 00:36:58,257 ERR! 864 00:36:58,341 --> 00:36:59,467 THAT THESE SACRIFICES YOU'VE BEEN MAKING 865 00:36:59,550 --> 00:37:00,927 WILL HELP YOU GET YOUR SON BACK, 866 00:37:01,010 --> 00:37:02,970 BUT THEY WON'T. 867 00:37:03,054 --> 00:37:04,972 IT'S NOT REAL. 868 00:37:03,054 --> 00:37:04,972 ERR! 869 00:37:05,056 --> 00:37:06,599 LOOK AGAIN. 870 00:37:09,769 --> 00:37:11,812 KYLE, YOU HAVE TO FACE THE TRUTH. 871 00:37:22,198 --> 00:37:24,700 [KYLE SOBBING] 872 00:37:36,045 --> 00:37:37,546 OH, NO. 873 00:37:43,761 --> 00:37:46,138 WHAT IS THE TRUTH? 874 00:37:46,222 --> 00:37:47,473 HE'S GONE. 875 00:37:47,556 --> 00:37:48,849 OHH! 876 00:37:48,933 --> 00:37:50,601 ETHAN IS GONE. 877 00:37:52,061 --> 00:37:53,896 [SQUEALS] 878 00:37:53,980 --> 00:37:57,024 I JUST WANTED TO SEE HIM AGAIN. 879 00:37:57,108 --> 00:37:59,443 [SOBBING] 880 00:37:59,527 --> 00:38:01,654 [AX CLATTERS] 881 00:38:01,737 --> 00:38:03,531 WE NEED MEDICS ASAP. 882 00:38:06,575 --> 00:38:08,202 COME ON. 883 00:38:08,286 --> 00:38:11,831 OH, GOD. I'M SORRY. I'M SORRY! 884 00:38:11,914 --> 00:38:14,417 I'M SORRY. I'M SORRY. 885 00:38:33,936 --> 00:38:34,895 MOM! MOM! 886 00:38:34,979 --> 00:38:36,731 MOM! 887 00:38:41,736 --> 00:38:44,989 JAREAU: ALL THIS TALK OF ALTERNATE REALITIES. 888 00:38:45,072 --> 00:38:48,743 WHO DO YOU THINK YOU'D BE IN A PARALLEL UNIVERSE, 889 00:38:48,826 --> 00:38:51,078 YOU KNOW, IN ONE OF YOUR IMAGINED FUTURES? 890 00:38:51,162 --> 00:38:52,288 REID: I DON'T KNOW. 891 00:38:52,371 --> 00:38:53,539 COME ON. 892 00:38:53,622 --> 00:38:56,083 IF YOU WEREN'T AN FBI AGENT, 893 00:38:56,167 --> 00:38:58,919 WHAT WOULD YOU DO? 894 00:38:59,003 --> 00:39:00,755 YOU PROMISE NOT TO LAUGH? 895 00:39:05,676 --> 00:39:08,429 A COWBOY. 896 00:39:08,512 --> 00:39:10,598 A COWBOY? 897 00:39:08,512 --> 00:39:10,598 MM-HMM. YEAH. 898 00:39:10,681 --> 00:39:13,434 I'D, UM, YOU KNOW, HAVE SOME HORSES, 899 00:39:13,517 --> 00:39:14,894 A FEW CATTLE, 900 00:39:14,977 --> 00:39:18,397 BE SURROUNDED BY NATURE. 901 00:39:18,481 --> 00:39:20,775 AND WHAT WOULD YOU DO WITH CATTLE? 902 00:39:20,858 --> 00:39:23,944 WELL, YOU KNOW, LOOK AT THEM, PET THEM. 903 00:39:24,028 --> 00:39:25,946 I--I HADN'T REALLY THOUGHT ABOUT THAT, 904 00:39:26,030 --> 00:39:28,491 BUT I'LL--I'LL FIGURE IT OUT. 905 00:39:28,574 --> 00:39:32,620 WOW. I WAS--WAS NOT EXPECTING THAT. 906 00:39:32,703 --> 00:39:35,498 AHEM. AND, UH, YOU'RE THERE 907 00:39:35,581 --> 00:39:36,957 WITH WILL AND THE BOYS. 908 00:39:37,041 --> 00:39:40,836 YOU RUN THE FLOWER SHOP ON HICKORY STREET. 909 00:39:40,920 --> 00:39:43,005 IT'S THIS CUTE, LITTLE STREET IN A TINY TOWN 910 00:39:43,089 --> 00:39:44,799 IN THE MIDDLE OF NOWHERE, 911 00:39:44,882 --> 00:39:46,467 AND ROSSI'S THERE. 912 00:39:46,550 --> 00:39:49,095 HE RUNS A SALOON, WHICH HE LIVES ABOVE, 913 00:39:49,178 --> 00:39:53,641 AND GARCIA HAS A SANCTUARY FOR WOUNDED ANIMALS. 914 00:39:53,724 --> 00:39:56,435 ROSSI: MAY I INTEREST ANYONE IN A BEVERAGE? 915 00:39:56,519 --> 00:39:59,605 WOW. THAT'S TIMING. 916 00:39:59,688 --> 00:40:03,442 SO, UH, DAVE, IN ANOTHER LIFE, 917 00:40:03,526 --> 00:40:05,444 WHAT WOULD YOU BE? 918 00:40:05,528 --> 00:40:07,822 OH, THAT'S EASY. A BOXER. 919 00:40:07,905 --> 00:40:09,281 JAREAU: HMM. 920 00:40:09,365 --> 00:40:11,534 IN FACT, THERE WAS A TIME I WAS HAVING DINNER 921 00:40:11,617 --> 00:40:14,078 WITH MUHAMMAD ALI, AND WE WERE HAVING A DISCUSSION 922 00:40:14,161 --> 00:40:16,455 JUST ON THIS SUBJECT-- 923 00:40:16,539 --> 00:40:20,543 ROADS TAKEN OR NOT TAKEN IN THIS LIFE. 924 00:40:20,626 --> 00:40:23,212 AND WHAT DID HE SAY? 925 00:40:23,295 --> 00:40:28,676 I DON'T QUITE REMEMBER BECAUSE I WAS DRINKING FOR THE TWO OF US, 926 00:40:28,759 --> 00:40:30,845 AND IT WAS THE BEST SCOTCH I'D EVER HAD, 927 00:40:30,928 --> 00:40:33,848 AND THAT'S SAYING... A LOT. 928 00:40:33,931 --> 00:40:37,226 SO TO PATHS NOT TAKEN. 929 00:40:39,478 --> 00:40:40,938 TO PATHS NOT TAKEN. 930 00:40:45,693 --> 00:40:47,027 [DOORBELL RINGS] 931 00:40:47,111 --> 00:40:48,362 MENDOZA: GET THE STOVE, ALL RIGHT? 932 00:40:48,445 --> 00:40:51,031 YOU KNOW DADDY LIKES TO BURN STUFF. 933 00:40:51,115 --> 00:40:52,825 HI. 934 00:40:52,908 --> 00:40:55,327 I THOUGHT YOU LEFT. 935 00:40:55,411 --> 00:40:56,495 THE TEAM DID, 936 00:40:56,579 --> 00:40:59,498 BUT, UH, I WASN'T READY TO GO. 937 00:40:59,582 --> 00:41:02,418 IN FACT, I WAS HOPING WE COULD HAVE DINNER TONIGHT. 938 00:41:02,501 --> 00:41:05,671 UH, WELL, MY DAUGHTER AND I ARE JUST ABOUT TO EAT. 939 00:41:05,754 --> 00:41:09,466 OH, OF COURSE. I--I'M SORRY. 940 00:41:09,550 --> 00:41:12,928 I DIDN'T MEAN TO INTRUDE. 941 00:41:13,012 --> 00:41:14,597 HEY. 942 00:41:16,974 --> 00:41:19,059 I'D LOVE IT IF YOU'D JOIN US. 943 00:41:19,143 --> 00:41:22,104 HEH. I WOULD LOVE TO. 944 00:41:24,857 --> 00:41:26,692 THANK YOU. 945 00:41:37,494 --> 00:41:39,038 [MENDOZA SIGHS] 946 00:41:39,121 --> 00:41:42,583 KEELY, THIS IS EMILY. 947 00:41:42,666 --> 00:41:46,212 EMILY, THIS IS KEELY. 948 00:41:46,295 --> 00:41:49,590 HI. I HAVE HEARD SO MUCH ABOUT YOU. 949 00:41:49,673 --> 00:41:52,092 AND I'VE HEARD SO MUCH ABOUT YOU. 950 00:41:52,176 --> 00:41:54,595 YOU DID NOT OVERSELL IT, DAD. 951 00:41:54,678 --> 00:41:58,432 KEELY. 952 00:41:54,678 --> 00:41:58,432 DAD. 953 00:41:58,515 --> 00:42:01,435 OH! HA HA HA! 954 00:42:01,518 --> 00:42:04,855 UH, I WOULD ACTUALLY REALLY LIKE TO HEAR 955 00:42:04,939 --> 00:42:06,732 MORE ABOUT THAT. 956 00:42:06,815 --> 00:42:10,486 WHAT EXACTLY DID YOUR DAD NOT OVERSELL? 957 00:42:10,569 --> 00:42:12,446 MAYBE WE SHOULD COMPARE NOTES. 958 00:42:12,529 --> 00:42:13,948 I LIKE HER. 959 00:42:14,031 --> 00:42:15,783 MAYBE WE SHOULDN'T COMPARE NOTES. HOW ABOUT THAT? 960 00:42:15,866 --> 00:42:17,618 NO. I THINK THAT'S ACTUALLY A PERFECT IDEA. 961 00:42:17,701 --> 00:42:19,620 HERE YOU GO. THERE WE ARE. 962 00:42:19,703 --> 00:42:21,455 PRENTISS, VOICE-OVER: "WE MUST BE WILLING TO LET GO 963 00:42:21,538 --> 00:42:23,457 "OF THE LIFE WE'VE PLANNED 964 00:42:23,540 --> 00:42:26,794 SO AS TO HAVE THE LIFE THAT IS WAITING FOR US." 965 00:42:26,877 --> 00:42:28,462 JOSEPH CAMPBELL. 966 00:42:28,545 --> 00:42:30,631 THE FACT THAT HE SAID YOU'RE ABSOLUTELY GORGEOUS. 967 00:42:49,567 --> 00:42:50,943 CAPTIONING MADE POSSIBLE BY ABC STUDIOS, LLC 968 00:42:51,026 --> 00:42:52,486 AND CBS, INC. 969 00:42:52,569 --> 00:42:54,488 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE 970 00:42:54,571 --> 00:42:56,115 --WWW.NCICAP.ORG-- 70235

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