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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,374 --> 00:00:08,109 Natasha: I AM SO EXCITED. NOW, 2 00:00:08,109 --> 00:00:09,210 ARE YOU SURE THAT YOU DON'T MIND 3 00:00:09,210 --> 00:00:10,244 DOING THIS? 4 00:00:10,244 --> 00:00:11,379 Christian: AND PASS UP YET 5 00:00:11,379 --> 00:00:13,147 ANOTHER VACANT NIGHT OF A TIRED 6 00:00:13,147 --> 00:00:14,748 AND TRENDY CLUB THAT SMELLS LIKE 7 00:00:14,748 --> 00:00:16,417 SWEAT, DESPERATION, AND DRAKKAR 8 00:00:16,417 --> 00:00:17,418 NOIR? 9 00:00:17,418 --> 00:00:19,087 Natasha: HA HA. 10 00:00:19,087 --> 00:00:20,188 Christian: MOVIE NIGHT SOUNDS 11 00:00:20,188 --> 00:00:22,623 FANTASTIC. I JUST DON'T SEE HOW 12 00:00:22,623 --> 00:00:23,591 IT'S FUN FOR YOU. 13 00:00:23,591 --> 00:00:24,692 Natasha: BECAUSE YOU'LL BE MY 14 00:00:24,692 --> 00:00:26,560 EYES. WHEN YOU DESCRIBE TO ME 15 00:00:26,560 --> 00:00:27,828 WHAT'S HAPPENING, WE SEE THE 16 00:00:27,828 --> 00:00:29,863 SAME THING. WE EXPERIENCE IT 17 00:00:29,863 --> 00:00:31,699 TOGETHER. IT'S, UM, VERY 18 00:00:31,699 --> 00:00:32,733 ROMANTIC. 19 00:00:32,733 --> 00:00:34,102 Christian: THEN I'LL BE QUITE 20 00:00:34,102 --> 00:00:35,536 IMAGINATIVE AT DESCRIBING THE 21 00:00:35,536 --> 00:00:36,470 SEX SCENES. 22 00:00:36,470 --> 00:00:37,438 Natasha: OH? 23 00:00:37,438 --> 00:00:38,372 Christian: AND QUITE WILLING TO 24 00:00:38,372 --> 00:00:39,440 ACT OUT ANYTHING THAT YOU DON'T 25 00:00:39,440 --> 00:00:40,408 UNDERSTAND. 26 00:00:40,408 --> 00:00:42,042 Natasha: HA. 27 00:00:48,249 --> 00:00:49,283 Christian: ANYTHING YOU'RE DYING 28 00:00:49,283 --> 00:00:50,284 TO RENT? 29 00:00:50,284 --> 00:00:51,719 Natasha: UH, NO MIRACLE WORKER, 30 00:00:51,719 --> 00:00:53,454 NO SCENT OF A WOMAN, AND NO 31 00:00:53,454 --> 00:00:55,589 VAL KILMER MOVIES. 32 00:00:58,492 --> 00:00:59,860 Christian: I'LL BE RIGHT BACK. 33 00:00:59,860 --> 00:01:02,630 YOU CAN LISTEN TO THE XM RADIO. 34 00:01:02,630 --> 00:01:05,266 Natasha: OH, THANK YOU. 35 00:01:12,840 --> 00:01:15,143 Radio: * LOVE, 36 00:01:15,143 --> 00:01:18,146 LOVE WILL KEEP US TOGETHER * 37 00:01:22,916 --> 00:01:24,485 Clerk: AVOID BRITNEY SPEARS IN 38 00:01:24,485 --> 00:01:26,287 CROSSROADS AT ALL COSTS. IT'S 39 00:01:26,287 --> 00:01:27,455 BEEN KNOWN TO CAUSE SPONTANEOUS 40 00:01:27,455 --> 00:01:28,756 COMBUSTION. 41 00:01:28,756 --> 00:01:30,424 Christian: THANKS FOR THE TIP... 42 00:01:30,424 --> 00:01:31,359 NIGHTMARE. 43 00:01:31,359 --> 00:01:32,360 Nightmare: CAN I HELP YOU FIND 44 00:01:32,360 --> 00:01:33,394 ANYTHING? 45 00:01:33,394 --> 00:01:34,895 Christian: HERE'S MY SITUATION. 46 00:01:34,895 --> 00:01:36,164 I NEED TO FIND SOMETHING FOR 47 00:01:36,164 --> 00:01:39,800 MY GIRLFRIEND, BUT SHE'S BLIND. 48 00:01:39,800 --> 00:01:41,935 Nightmare: BUMMER. BUT IN THAT 49 00:01:41,935 --> 00:01:42,936 CASE, I GUESS SHE HASN'T SEEN 50 00:01:42,936 --> 00:01:44,505 MUCH, SO OUR WORLD OPENS UP. 51 00:01:44,505 --> 00:01:47,775 HOW ABOUT... ALL ABOUT EVE? 52 00:01:47,775 --> 00:01:48,776 Christian: I'M GONNA BE THERE, 53 00:01:48,776 --> 00:01:49,877 TOO. 54 00:01:49,877 --> 00:01:51,512 Clerk: RIGHT. YEAH. MIGHT BE 55 00:01:51,512 --> 00:01:53,447 A LITTLE...GAY. 56 00:01:53,447 --> 00:01:54,915 * THINK OF ME, BABE, 57 00:01:54,915 --> 00:01:59,453 WHENEVER SOME SWEET-TALKIN' GIRL 58 00:01:59,453 --> 00:02:02,723 COMES ALONG, SINGIN' A SONG, 59 00:02:02,723 --> 00:02:04,258 DON'T MESS AROUND, 60 00:02:04,258 --> 00:02:05,926 YOU JUST GOTTA BE STRONG, 61 00:02:05,926 --> 00:02:07,661 JUST STOP, 62 00:02:07,661 --> 00:02:09,797 'CAUSE I REALLY LOVE YOU... * 63 00:02:09,797 --> 00:02:11,399 [VAN DOOR CLOSES] 64 00:02:11,399 --> 00:02:13,967 * I'VE BEEN THINKIN' OF YOU * 65 00:02:13,967 --> 00:02:17,438 Man: DUDE, I THINK SHE'S BLIND. 66 00:02:17,438 --> 00:02:19,407 Second man: HEH. NO WAY. 67 00:02:23,211 --> 00:02:24,745 DUDE, CHECK THIS OUT. 68 00:02:24,745 --> 00:02:26,680 * YOU, YOU DO-DO-DO... * 69 00:02:26,680 --> 00:02:28,882 [MEN LAUGHING] 70 00:02:28,882 --> 00:02:30,818 Nightmare: WHAT ABOUT AMELIE? 71 00:02:33,321 --> 00:02:35,589 OK, BE A CYNIC. BUT IT MADE 72 00:02:35,589 --> 00:02:36,824 ME CRY, DUDE. 73 00:02:36,824 --> 00:02:40,628 Man: MAN, THIS IS A SWEET RIDE. 74 00:02:40,628 --> 00:02:41,829 SO IS HELEN KELLER. 75 00:02:41,829 --> 00:02:43,264 Second man: NOBODY DESERVES TO 76 00:02:43,264 --> 00:02:44,232 HAVE BOTH, YOU KNOW WHAT I'M 77 00:02:44,232 --> 00:02:44,965 SAYING? 78 00:02:44,965 --> 00:02:46,234 * STOP, 79 00:02:46,234 --> 00:02:48,536 I'VE BEEN THINKIN' OF YOU, 80 00:02:48,536 --> 00:02:51,439 LOOK IN MY HEART AND LET LOVE 81 00:02:51,439 --> 00:02:55,376 KEEP US TOGETHER, 82 00:02:55,376 --> 00:02:57,245 WHATEVER... * 83 00:02:59,480 --> 00:03:02,816 * YOUNG AND BEAUTIFUL, 84 00:03:02,816 --> 00:03:04,318 BUT SOMEDAY 85 00:03:04,318 --> 00:03:05,953 YOUR LOOKS'LL BE GONE... * 86 00:03:05,953 --> 00:03:07,688 Christian: WHAT ABOUT THIS? 87 00:03:07,688 --> 00:03:08,922 I LOVE BRANDO. 88 00:03:08,922 --> 00:03:10,691 Nightmare: LAST TANGO? ARE YOU 89 00:03:10,691 --> 00:03:12,860 SERIOUS? ARE YOU REALLY READY TO 90 00:03:12,860 --> 00:03:14,895 TELL YOUR GIRL, "OK, UM, NOW 91 00:03:14,895 --> 00:03:15,996 MARLON IS SHOVING A STICK OF 92 00:03:15,996 --> 00:03:17,865 BUTTER UP HIS GIRL'S BUTT"? 93 00:03:17,865 --> 00:03:19,733 * I WILL, I WILL, 94 00:03:19,733 --> 00:03:22,870 I WILL, 95 00:03:22,870 --> 00:03:26,607 DA-DA-DA-DA, 96 00:03:26,607 --> 00:03:30,278 DA-DA-DA-DA, 97 00:03:30,278 --> 00:03:32,413 DA-DA-DA-DA... * 98 00:03:32,413 --> 00:03:35,916 [CHRISTIAN SIGHS] 99 00:03:35,916 --> 00:03:38,819 Christian: WHAT ABOUT THIS? 100 00:03:38,819 --> 00:03:41,922 * DA-DA-DA-DA, 101 00:03:41,922 --> 00:03:45,359 DA-DA-DA-DA, 102 00:03:45,359 --> 00:03:48,829 DA-DA-DA-DA... * 103 00:03:53,066 --> 00:03:54,067 * YOU BETTER STOP, 104 00:03:54,067 --> 00:03:55,303 STOP, 105 00:03:55,303 --> 00:03:57,371 'CAUSE I REALLY LOVE YOU, 106 00:03:57,371 --> 00:03:58,306 STOP, 107 00:03:58,306 --> 00:03:59,072 STOP, 108 00:03:59,072 --> 00:04:01,041 I'VE BEEN THINKIN' OF YOU, 109 00:04:01,041 --> 00:04:03,911 LOOK IN MY HEART AND LET LOVE 110 00:04:03,911 --> 00:04:07,815 KEEP US TOGETHER, 111 00:04:07,815 --> 00:04:09,450 WHATEVER, 112 00:04:09,450 --> 00:04:10,784 A-BA-DA, WHATEVER, 113 00:04:10,784 --> 00:04:13,654 I WILL, I WILL, I WILL, 114 00:04:13,654 --> 00:04:15,356 I WILL-- * 115 00:04:15,356 --> 00:04:17,991 [TURNS OFF RADIO] 116 00:04:17,991 --> 00:04:19,793 Natasha: CAN I HELP YOU? 117 00:04:19,793 --> 00:04:20,761 Christian: WHAT THE HELL JUST 118 00:04:20,761 --> 00:04:21,762 HAPPENED? 119 00:04:21,762 --> 00:04:22,796 Natasha: WHAT? 120 00:04:22,796 --> 00:04:23,864 Christian: THE WHOLE FRONT END 121 00:04:23,864 --> 00:04:25,065 OF MY CAR IS GONE. THOSE RIMS 122 00:04:25,065 --> 00:04:27,100 ARE 7 GRAND APIECE. 123 00:04:27,100 --> 00:04:28,902 Natasha: CHRISTIAN, OH, MY GOD. 124 00:04:28,902 --> 00:04:30,738 I'M SO SORRY. 125 00:04:30,738 --> 00:04:32,005 Christian: WELL, DIDN'T YOU 126 00:04:32,005 --> 00:04:33,574 AT LEAST FEEL THE CAR MOVE? 127 00:04:33,574 --> 00:04:35,609 Natasha: I THOUGHT IT WAS 128 00:04:35,609 --> 00:04:40,881 THE BASS IN THE SONG. OHH. 129 00:04:48,689 --> 00:04:51,325 * AHH * 130 00:04:54,094 --> 00:05:00,534 * MAKE ME BEAUTIFUL * 131 00:05:03,103 --> 00:05:07,508 * MAKE ME 132 00:05:07,508 --> 00:05:10,611 A PERFECT SOUL, 133 00:05:10,611 --> 00:05:13,714 A PERFECT MIND, 134 00:05:13,714 --> 00:05:17,651 A PERFECT FACE, 135 00:05:17,651 --> 00:05:22,523 A PERFECT 136 00:05:22,523 --> 00:05:25,459 LIFE * 137 00:05:27,995 --> 00:05:30,598 Sean: MS. NYE, TELL US WHAT YOU 138 00:05:30,598 --> 00:05:31,799 DON'T LIKE ABOUT YOURSELF. 139 00:05:31,799 --> 00:05:35,469 Ms. Nye: MY PAST. I WANT TO 140 00:05:35,469 --> 00:05:37,605 FORGET MY LAST 25 YEARS. I WANT 141 00:05:37,605 --> 00:05:39,172 TO FORGET WHO I WAS AND WHAT 142 00:05:39,172 --> 00:05:41,909 HAPPENED IN MY LIFE. 143 00:05:41,909 --> 00:05:43,010 Christian: MS. NYE, WE'RE 144 00:05:43,010 --> 00:05:45,946 PLASTIC SURGEONS. WE WORK ON THE 145 00:05:45,946 --> 00:05:47,881 SURFACE, NOT WHAT'S UNDERNEATH. 146 00:05:47,881 --> 00:05:49,517 Nye: OH, I'M SORRY. I DID 147 00:05:49,517 --> 00:05:50,984 SORT OF SOUND LIKE A LOON 148 00:05:50,984 --> 00:05:52,185 JUST THEN, DIDN'T I? I'M SORRY. 149 00:05:52,185 --> 00:05:55,055 I'LL BE MORE SPECIFIC. UH, MY 150 00:05:55,055 --> 00:05:57,491 NOSE WAS BROKEN, UH, 16 YEARS 151 00:05:57,491 --> 00:05:59,159 AGO, AND I WOULD LIKE TO GET IT 152 00:05:59,159 --> 00:06:00,193 FIXED. 153 00:06:00,193 --> 00:06:01,662 Sean: YOU'VE BEEN LIVING WITH 154 00:06:01,662 --> 00:06:03,063 THIS FRACTURE ALL THIS TIME, 155 00:06:03,063 --> 00:06:04,798 AND NOW YOU WANT IT REPAIRED? 156 00:06:04,798 --> 00:06:06,534 MAY I ASK WHY? 157 00:06:06,534 --> 00:06:08,436 Nye: EVERY TIME I LOOK IN 158 00:06:08,436 --> 00:06:09,202 THE MIRROR, IT HELPS ME 159 00:06:09,202 --> 00:06:14,207 REMEMBER...TYLER. IT HELPS ME 160 00:06:14,207 --> 00:06:15,543 HOLD ON TO HIM IN SOME SMALL 161 00:06:15,543 --> 00:06:18,712 WAY. UH, SORRY. TYLER'S MY SON. 162 00:06:18,712 --> 00:06:21,582 HE'S, UM, OUR SON, STAN'S AND 163 00:06:21,582 --> 00:06:23,784 MINE. AND, UH, WELL, STAN WAS A 164 00:06:23,784 --> 00:06:28,221 NEATNIK, YOU KNOW. AND TYLER... 165 00:06:28,221 --> 00:06:32,660 WELL, TYLER WAS 5. AND HE WOULD 166 00:06:32,660 --> 00:06:34,562 ALWAYS PLAY WITH A TOY AND LEAVE 167 00:06:34,562 --> 00:06:35,696 IT AROUND THE KITCHEN FLOOR, AND 168 00:06:35,696 --> 00:06:37,164 NO MATTER HOW MANY TIMES STAN 169 00:06:37,164 --> 00:06:38,532 TOLD HIM TO PICK UP HIS THINGS, 170 00:06:38,532 --> 00:06:39,600 TYLER WOULD CONTINUE TO LEAVE 171 00:06:39,600 --> 00:06:40,668 THINGS AROUND FOR ONE OF US TO 172 00:06:40,668 --> 00:06:41,835 TRIP ON, AND THEN ONE DAY, STAN 173 00:06:41,835 --> 00:06:47,475 JUST...SNAPPED, AND, UH... 174 00:06:47,475 --> 00:06:49,843 WELL, HE HIT ME 'CAUSE, UM, 175 00:06:49,843 --> 00:06:50,911 I DIDN'T PICK UP THE TOYS, 176 00:06:50,911 --> 00:06:53,246 EITHER. AND THEN HE THREW ONE AT 177 00:06:53,246 --> 00:06:55,983 TYLER AND, UM, IT HIT HIM IN 178 00:06:55,983 --> 00:06:57,250 THE HEAD, AND IT KNOCKED HIM 179 00:06:57,250 --> 00:07:00,721 UNCONSCIOUS, AND HE...HE DIED IN 180 00:07:00,721 --> 00:07:03,724 MY ARMS FROM BLEEDING ON 181 00:07:03,724 --> 00:07:07,561 THE BRAIN. SORRY. 182 00:07:07,561 --> 00:07:09,262 Sean: WAS THIS THE FIRST TIME 183 00:07:09,262 --> 00:07:10,263 HE HIT YOU? 184 00:07:10,263 --> 00:07:15,035 Nye: OH, NO. NO. HE BROKE 185 00:07:15,035 --> 00:07:17,104 MY WRIST. THE BONES STICK OUT 186 00:07:17,104 --> 00:07:18,205 A LITTLE BIT RIGHT HERE. 187 00:07:18,205 --> 00:07:19,907 AND, UM, YOU KNOW, THEY REALLY 188 00:07:19,907 --> 00:07:21,008 SHOULD'VE PUT STAN AWAY FOR 189 00:07:21,008 --> 00:07:22,676 LIFE, BUT, UH, HE'S GETTING OUT 190 00:07:22,676 --> 00:07:23,611 IN A COUPLE OF WEEKS. AND YOU 191 00:07:23,611 --> 00:07:25,178 KNOW WHAT? HE BETTER NOT COME 192 00:07:25,178 --> 00:07:26,714 LOOKING FOR ME, BECAUSE I AM 193 00:07:26,714 --> 00:07:28,549 MUCH STRONGER NOW. I JUST 194 00:07:28,549 --> 00:07:29,750 WOULDN'T TAKE THAT NOW. 195 00:07:29,750 --> 00:07:31,619 Sean: ARE YOU WANTING THE 196 00:07:31,619 --> 00:07:33,086 SURGERY NOW, MS. NYE, TO LOOK 197 00:07:33,086 --> 00:07:34,287 DIFFERENT SO YOUR EX-HUSBAND-- 198 00:07:34,287 --> 00:07:35,255 Nye: OH, WE'RE NOT 199 00:07:35,255 --> 00:07:36,990 OFFICIALLY DIVORCED, BUT, UM, 200 00:07:36,990 --> 00:07:38,892 I'M--I'M GONNA FILE. 201 00:07:38,892 --> 00:07:40,561 Sean: SO YOUR CURRENT HUSBAND 202 00:07:40,561 --> 00:07:43,063 WON'T FIND YOU? 203 00:07:43,063 --> 00:07:44,164 Nye: NO. I'M DOING THIS 204 00:07:44,164 --> 00:07:46,199 FOR ME. I'VE LIVED WITH THIS 205 00:07:46,199 --> 00:07:47,768 PAIN LONG ENOUGH, AND IT'S TIME 206 00:07:47,768 --> 00:07:53,774 TO MOVE ON. FIXING MY FACE 207 00:07:53,774 --> 00:07:56,076 COMPLETES MY BREAKUP WITH THIS 208 00:07:56,076 --> 00:07:59,780 MAN. I WANT TO LOOK FORWARD, 209 00:07:59,780 --> 00:08:01,849 NOT BACK. 210 00:08:13,126 --> 00:08:16,129 Ava: PUT ON YOUR CLOTHES. 211 00:08:16,129 --> 00:08:17,197 Adrian: HOW ABOUT YOU TAKE 212 00:08:17,197 --> 00:08:18,165 YOURS OFF? 213 00:08:18,165 --> 00:08:20,133 Ava: STOP IT. 214 00:08:20,133 --> 00:08:21,802 I SAID, STOP IT! 215 00:08:21,802 --> 00:08:23,704 STOP HUMILIATING YOURSELF. 216 00:08:23,704 --> 00:08:25,205 IF YOU HAVE A SEXUAL URGE, 217 00:08:25,205 --> 00:08:29,242 MASTURBATE. 218 00:08:29,242 --> 00:08:30,644 Adrian: WHERE ARE YOU GOING? 219 00:08:30,644 --> 00:08:31,612 Ava: TAKING MATT TO THE SHORE 220 00:08:31,612 --> 00:08:33,246 CLUB. THERE'S 20 BUCKS ON 221 00:08:33,246 --> 00:08:34,347 THE KITCHEN COUNTER. ORDER 222 00:08:34,347 --> 00:08:37,350 YOURSELF A PIZZA OR SOMETHING. 223 00:08:37,350 --> 00:08:38,786 Adrian: HOW COULD YOU STILL BE 224 00:08:38,786 --> 00:08:39,853 SEEING THAT LITTLE SHIT? 225 00:08:39,853 --> 00:08:40,988 I THOUGHT WE-- 226 00:08:40,988 --> 00:08:43,356 Ava: YOU THOUGHT WRONG. 227 00:08:43,356 --> 00:08:46,093 WHAT HAPPENED WAS A...MOMENTARY 228 00:08:46,093 --> 00:08:47,895 WEAKNESS. 229 00:08:52,365 --> 00:08:53,333 Adrian: YOU'RE A HEARTLESS 230 00:08:53,333 --> 00:08:55,035 BITCH! 231 00:08:57,671 --> 00:08:58,872 Ava: VILIFY ME IF THAT HELPS 232 00:08:58,872 --> 00:08:59,840 WITH YOUR SEPARATION. 233 00:08:59,840 --> 00:09:01,809 Adrian: YOU TREAT ME LIKE A DOG. 234 00:09:01,809 --> 00:09:03,176 ONE DAY, YOU HAND-FEED ME SCRAPS 235 00:09:03,176 --> 00:09:04,144 FROM THE TABLE, AND THE NEXT 236 00:09:04,144 --> 00:09:05,378 DAY, YOU JUST LOCK ME UP IN THE 237 00:09:05,378 --> 00:09:08,248 BASEMENT?! YOU'RE THE GODDAMN 238 00:09:08,248 --> 00:09:10,317 MOTHER OF THE YEAR. 239 00:09:18,391 --> 00:09:19,960 Kimber: OH, THANKS. 240 00:09:24,031 --> 00:09:26,867 I'M SO SORRY. THERE WAS TERRIBLE 241 00:09:26,867 --> 00:09:28,301 TRAFFIC ON THE CAUSEWAY. 242 00:09:28,301 --> 00:09:30,804 Sean: OH, HONEY. WHAT'S WRONG? 243 00:09:30,804 --> 00:09:32,339 Kimber: SEAN, I HAVE TERRIBLE 244 00:09:32,339 --> 00:09:35,175 NEWS. [SIGHS] 245 00:09:35,175 --> 00:09:37,044 I WENT TO SEE ELMA TODAY, MY NEW 246 00:09:37,044 --> 00:09:40,313 PSYCHIC. 247 00:09:40,313 --> 00:09:43,083 [SIGHS] 248 00:09:43,083 --> 00:09:45,753 LOOK. MY HEART LINE, IT BREAKS 249 00:09:45,753 --> 00:09:47,387 RIGHT HERE. NOW, ELMA SAID IT'S 250 00:09:47,387 --> 00:09:49,022 NICE AND HIGH, MEANING VERY 251 00:09:49,022 --> 00:09:50,190 PASSIONATE, WHICH IS TRUE, 252 00:09:50,190 --> 00:09:51,358 BUT DO YOU SEE WHERE IT BREAKS 253 00:09:51,358 --> 00:09:53,026 INTO 2? 254 00:09:53,026 --> 00:09:56,129 Sean: YEAH, UH... 255 00:09:56,129 --> 00:09:57,765 Kimber: IT MEANS I'M GONNA HAVE 256 00:09:57,765 --> 00:09:59,132 A TERRIBLE TRAGEDY IN MY LOVE 257 00:09:59,132 --> 00:10:01,835 LIFE. IT MEANS WE'RE NOT GONNA 258 00:10:01,835 --> 00:10:03,336 MAKE IT AS A COUPLE, SEAN. 259 00:10:07,307 --> 00:10:08,942 Sean: DON'T SAY THAT, KIMBER. 260 00:10:08,942 --> 00:10:10,310 WE'RE HAVING A GREAT TIME, 261 00:10:10,310 --> 00:10:11,879 AREN'T WE? 262 00:10:11,879 --> 00:10:13,146 Kimber: WILL YOU MAKE MY LOVE 263 00:10:13,146 --> 00:10:16,116 LINES LONGER? I TOLD ELMA THAT 264 00:10:16,116 --> 00:10:17,250 MY BOYFRIEND'S A PLASTIC 265 00:10:17,250 --> 00:10:19,186 SURGEON, AND SHE SAID THAT IF 266 00:10:19,186 --> 00:10:20,788 I HAD MY HEART LINES CONNECTED 267 00:10:20,788 --> 00:10:22,389 AND EXTENDED, THEN WE WOULD 268 00:10:22,389 --> 00:10:24,024 ALWAYS BE TOGETHER, THAT 269 00:10:24,024 --> 00:10:26,293 THE PHYSICAL CAN DETERMINE FATE. 270 00:10:26,293 --> 00:10:28,796 Woman: HELLO, SEAN? 271 00:10:28,796 --> 00:10:32,800 Sean: JULIA. HI. 272 00:10:32,800 --> 00:10:34,267 Julia: UH, HELLO, KIMBER. 273 00:10:34,267 --> 00:10:36,937 Kimber: HI. 274 00:10:36,937 --> 00:10:39,206 Julia: KEVIN HOTCHKISS, THIS IS 275 00:10:39,206 --> 00:10:41,174 SEAN, WHO I'M SEPARATED FROM. 276 00:10:41,174 --> 00:10:42,209 Kevin: HI. 277 00:10:42,209 --> 00:10:43,243 Julia: AND THIS IS HIS FRIEND 278 00:10:43,243 --> 00:10:44,211 KIMBER. 279 00:10:44,211 --> 00:10:45,478 Kevin: HOW YOU DOING? 280 00:10:45,478 --> 00:10:47,080 Sean: OH. NICE TO MEET YOU. 281 00:10:47,080 --> 00:10:49,482 IS THIS YOUR FIRST DATE? 282 00:10:49,482 --> 00:10:51,084 Kevin: UH, NO, ACTUALLY, THIS IS 283 00:10:51,084 --> 00:10:53,987 OUR...THIRD DATE IN 3 DAYS. 284 00:10:53,987 --> 00:10:55,355 [KEVIN AND JULIA LAUGH] 285 00:10:55,355 --> 00:10:56,724 Kimber: SUCH A COINCIDENCE THAT 286 00:10:56,724 --> 00:10:57,758 YOU'RE AT THIS RESTAURANT. 287 00:10:57,758 --> 00:10:59,126 Kimber: NO, UH, ACTUALLY, SEAN 288 00:10:59,126 --> 00:11:01,161 BROUGHT ME HERE FOR VALENTINE'S 289 00:11:01,161 --> 00:11:03,130 DAY LAST YEAR, AND, UM, 290 00:11:03,130 --> 00:11:05,332 I ALWAYS WANTED TO COME BACK. 291 00:11:05,332 --> 00:11:07,467 Kevin: [LAUGHS] 292 00:11:07,467 --> 00:11:08,969 Sean: HOW DID THE TWO OF YOU 293 00:11:08,969 --> 00:11:09,970 MEET? 294 00:11:09,970 --> 00:11:11,238 Kimber: I STARTED TAKING ZENNIS 295 00:11:11,238 --> 00:11:13,306 LESSONS WITH KEVIN LAST WEEK. 296 00:11:13,306 --> 00:11:14,307 Sean: ZENNIS? 297 00:11:14,307 --> 00:11:15,442 Kevin: YEAH, IT'S A ZEN APPROACH 298 00:11:15,442 --> 00:11:17,377 TO TENNIS. IT'S--I FOUND THAT 299 00:11:17,377 --> 00:11:18,478 MOST PLAYERS OUT THERE AREN'T 300 00:11:18,478 --> 00:11:19,412 TAPPING INTO THEIR FULL 301 00:11:19,412 --> 00:11:20,447 POTENTIAL BECAUSE 302 00:11:20,447 --> 00:11:21,849 PSYCHOLOGICALLY, THEY'RE 303 00:11:21,849 --> 00:11:23,516 STANDING IN THEIR OWN WAY. 304 00:11:23,516 --> 00:11:25,986 I USE THE PHYSICAL TO ACCESS 305 00:11:25,986 --> 00:11:26,987 THE EMOTIONAL. 306 00:11:26,987 --> 00:11:28,789 Sean: I SEE. 307 00:11:28,789 --> 00:11:30,023 Julia: ALREADY IT'S MADE SUCH 308 00:11:30,023 --> 00:11:31,491 A DIFFERENCE TO MY GAME. 309 00:11:31,491 --> 00:11:32,993 Kevin: REALLY. TOOK A SET OFF ME 310 00:11:32,993 --> 00:11:34,261 THIS MORNING. CAN YOU BELIEVE 311 00:11:34,261 --> 00:11:35,863 THAT? YOU DID, TOO. YOU WERE IN 312 00:11:35,863 --> 00:11:36,864 THE ZONE. 313 00:11:36,864 --> 00:11:40,067 Sean: WELL, HAVE A NICE MEAL. 314 00:11:40,067 --> 00:11:42,402 Kevin: OK. UH, NICE TO MEET YOU. 315 00:11:42,402 --> 00:11:43,871 Julia: UM, I'LL SEE YOU IN 316 00:11:43,871 --> 00:11:45,138 THE MORNING WHEN I COME TO GET 317 00:11:45,138 --> 00:11:46,339 ANNIE. 318 00:11:51,478 --> 00:11:53,180 Kimber: I CAN'T BELIEVE 319 00:11:53,180 --> 00:11:54,147 THE NERVE. 320 00:11:54,147 --> 00:11:55,883 Sean: I KNOW. RIGHT? 321 00:11:55,883 --> 00:11:57,050 Kimber: THE NERVE OF YOU TO TAKE 322 00:11:57,050 --> 00:11:59,987 ME TO THIS PLACE, SEAN. IT'S 323 00:11:59,987 --> 00:12:01,221 KIND OF HARD FOR ME TO ENJOY 324 00:12:01,221 --> 00:12:02,555 A ROMANTIC NIGHT OUT FOR 2 AT 325 00:12:02,555 --> 00:12:04,357 A PLACE WHERE YOU AND YOUR WIFE 326 00:12:04,357 --> 00:12:05,558 SHARED A VALENTINE'S DAY 327 00:12:05,558 --> 00:12:06,960 CREME BRULEE. 328 00:12:06,960 --> 00:12:09,329 Sean: ZENNIS. PLEASE. WHAT A 329 00:12:09,329 --> 00:12:11,031 CROCK OF NEW AGE BULLSHIT. 330 00:12:11,031 --> 00:12:12,833 AND COULD YOU BELIEVE THAT TAN? 331 00:12:12,833 --> 00:12:13,901 HE'S A WALKING, TALKING 332 00:12:13,901 --> 00:12:16,804 MELANOMA, IF YOU ASK ME. 333 00:12:21,842 --> 00:12:23,043 Kimber: [SIGHS] 334 00:12:23,043 --> 00:12:25,378 [CHUCKLES] 335 00:12:27,314 --> 00:12:30,851 Kimber: DON'T BE UPSET, BABY. 336 00:12:30,851 --> 00:12:33,253 I'M SURE HE'S NOT AS GOOD IN BED 337 00:12:33,253 --> 00:12:35,455 AS YOU ARE. 338 00:12:35,455 --> 00:12:38,358 Woman: * YEAH, 339 00:12:38,358 --> 00:12:43,463 MM-MM-MM-MM, YEAH, 340 00:12:43,463 --> 00:12:44,564 THERE'S NO OTHER 341 00:12:44,564 --> 00:12:45,966 THAT CAN TREAT ME LIKE... * 342 00:12:45,966 --> 00:12:46,967 Sean: I WANT TO MAKE LOVE TO YOU 343 00:12:46,967 --> 00:12:47,935 FROM BEHIND. 344 00:12:47,935 --> 00:12:49,469 Kimber: I WANT YOU TO. BUT HOW 345 00:12:49,469 --> 00:12:51,872 ABOUT SOME FOREPLAY FIRST? 346 00:12:55,408 --> 00:12:57,244 MMM. 347 00:13:00,447 --> 00:13:03,083 [BOTH MOANING] 348 00:13:03,083 --> 00:13:04,284 Kimber: IT'S JUST A SIMPLE 349 00:13:04,284 --> 00:13:06,854 SURGERY. IT'S JUST SIMPLE. 350 00:13:06,854 --> 00:13:07,955 I WOULD HAVE SO MUCH MORE 351 00:13:07,955 --> 00:13:09,256 CONFIDENCE ABOUT US WITH LONGER 352 00:13:09,256 --> 00:13:10,390 LOVE LINES. 353 00:13:10,390 --> 00:13:12,125 Sean: THIS OPERATION IS CRAZY. 354 00:13:12,125 --> 00:13:13,460 I TOLD YOU, YOU HAVE NOTHING TO 355 00:13:13,460 --> 00:13:15,528 WORRY ABOUT. 356 00:13:15,528 --> 00:13:18,131 [BOTH MOAN] 357 00:13:24,237 --> 00:13:25,305 Kimber: BUT IF I HAD 358 00:13:25,305 --> 00:13:27,975 THE SURGERY, THEN I'D KNOW FOR 359 00:13:27,975 --> 00:13:30,010 SURE WE'D ALWAYS BE TOGETHER. 360 00:13:30,010 --> 00:13:33,413 Sean: WE DON'T NEED THAT. 361 00:13:33,413 --> 00:13:36,416 MAYBE I SHOULD BE MORE SECURE. 362 00:13:36,416 --> 00:13:41,421 AHH...OOH... 363 00:13:41,421 --> 00:13:42,956 Kimber: TELL ME YOU'LL DO IT. 364 00:13:42,956 --> 00:13:44,925 Sean: OH, KIMBER. 365 00:13:44,925 --> 00:13:46,259 Kimber: TELL ME... 366 00:13:46,259 --> 00:13:48,061 Sean: AHH... 367 00:13:48,061 --> 00:13:50,063 Kimber: YOU'LL DO IT TOMORROW. 368 00:13:50,063 --> 00:13:53,166 Sean: OK. OK. I'LL FIX YOUR 369 00:13:53,166 --> 00:13:55,435 HANDS IN THE MORNING. 370 00:13:55,435 --> 00:13:57,104 * CAN'T BE SHARIN', 371 00:13:57,104 --> 00:13:58,138 NO TIME FOR SECOND PLACE, 372 00:13:58,138 --> 00:14:00,140 I DON'T NEED A MAN, OH, NO, 373 00:14:00,140 --> 00:14:01,674 GOT TO BE MY LOVE, 374 00:14:01,674 --> 00:14:03,110 NOT A TWO-TIMIN' LOVER, 375 00:14:03,110 --> 00:14:05,312 NOT A ONE-DAY LOVER, BE GONE, 376 00:14:05,312 --> 00:14:06,914 YOU GOT TO BE MY LOVE, 377 00:14:06,914 --> 00:14:08,181 NOT A TWO-TIMIN' LOVER, 378 00:14:08,181 --> 00:14:11,118 JUST A LOVE I CAN CALL MY OWN * 379 00:14:13,220 --> 00:14:14,687 * MM-MMM, 380 00:14:14,687 --> 00:14:18,391 I CAN CALL MY OWN, BABY * 381 00:14:24,197 --> 00:14:25,298 Christian: MMM... 382 00:14:25,298 --> 00:14:28,168 Natasha: GOOD MORNING. 383 00:14:28,168 --> 00:14:31,038 Christian: MMM. THAT'S A NICE 384 00:14:31,038 --> 00:14:33,106 WAY TO START THE DAY. 385 00:14:33,106 --> 00:14:34,407 Natasha: I THINK I CAN MAKE IT 386 00:14:34,407 --> 00:14:36,944 EVEN BETTER. 387 00:14:38,578 --> 00:14:41,148 [SEAN MOANING AND SIGHING] 388 00:14:51,224 --> 00:14:52,625 I THINK I'VE FIGURED OUT HOW TO 389 00:14:52,625 --> 00:14:54,627 GET YOU UNDER MY THUMB. 390 00:14:54,627 --> 00:14:56,063 Christian: I THINK I WANT YOU TO 391 00:14:56,063 --> 00:14:58,265 USE ALL 5 FINGERS. 392 00:15:03,270 --> 00:15:06,573 MMM-- 393 00:15:06,573 --> 00:15:08,408 Natasha: WHAT'S THE MATTER? 394 00:15:12,545 --> 00:15:13,546 Sean: WHY DON'T YOU HAVE YOUR 395 00:15:13,546 --> 00:15:14,647 EYES IN? 396 00:15:14,647 --> 00:15:16,083 Natasha: YOU KNOW THAT I HAVE 397 00:15:16,083 --> 00:15:17,250 TROUBLE SLEEPING WITH THEM IN, 398 00:15:17,250 --> 00:15:19,052 CHRISTIAN. 399 00:15:19,052 --> 00:15:21,321 [CHRISTIAN SIGHS] 400 00:15:21,321 --> 00:15:28,061 DOES IT TURN YOU OFF? 401 00:15:28,061 --> 00:15:30,297 Christian: IT MIGHT HELP MAKE 402 00:15:30,297 --> 00:15:32,132 THE MOMENT MORE ROMANTIC IF 403 00:15:32,132 --> 00:15:33,200 I COULD SEE YOUR PRETTY BLUE 404 00:15:33,200 --> 00:15:35,235 EYES INSTEAD OF THE... 405 00:15:35,235 --> 00:15:36,669 VEINY VITREOUS. 406 00:15:45,678 --> 00:15:48,281 Natasha: [SIGHS] 407 00:15:48,281 --> 00:15:51,518 THAT'S INTERESTING. SO, I GUESS 408 00:15:51,518 --> 00:15:54,421 IT'S WHAT YOU SEE AND NOT WHAT 409 00:15:54,421 --> 00:15:56,423 YOU FEEL THAT TURNS YOU ON. 410 00:15:56,423 --> 00:15:58,258 Christian: WHAT I SEE IS WHAT 411 00:15:58,258 --> 00:16:01,061 I FEEL, NATASHA. THEY CAN'T 412 00:16:01,061 --> 00:16:04,297 BE SEPARATED. I THOUGHT YOU 413 00:16:04,297 --> 00:16:05,498 APPRECIATED MY HONESTY. 414 00:16:05,498 --> 00:16:09,036 Natasha: I DO. IT'S JUST THAT 415 00:16:09,036 --> 00:16:10,803 I DON'T THINK THAT WAY. 416 00:16:10,803 --> 00:16:12,472 Christian: OH. 417 00:16:12,472 --> 00:16:14,574 Natasha: I GUESS I'LL GO PUT 418 00:16:14,574 --> 00:16:17,310 MY...EYES IN, SINCE IT DISTURBS 419 00:16:17,310 --> 00:16:19,446 YOU SO MUCH. 420 00:16:27,054 --> 00:16:28,621 [SIGHS] 421 00:16:32,292 --> 00:16:33,226 Christian: WHICH ONE IS 422 00:16:33,226 --> 00:16:34,227 THE LOVE LINE? 423 00:16:34,227 --> 00:16:35,328 Sean: THE TOP ONE. THE OTHER 2 424 00:16:35,328 --> 00:16:36,329 ARE THE HEAD LINE AND THE LIFE 425 00:16:36,329 --> 00:16:37,330 LINE. 426 00:16:37,330 --> 00:16:38,465 Christian: THE HEAD LINE? 427 00:16:38,465 --> 00:16:39,666 Sean: YEAH. IT'S THE ONE THAT'S 428 00:16:39,666 --> 00:16:40,600 SUPPOSED TO SAY HOW SMART YOU 429 00:16:40,600 --> 00:16:41,601 ARE. 430 00:16:41,601 --> 00:16:43,603 Christian: GO FIGURE. KIMBER'S 431 00:16:43,603 --> 00:16:45,238 HEAD LINE IS REALLY LONG. 432 00:16:45,238 --> 00:16:46,273 Sean: I WANT TO THANK YOU FOR 433 00:16:46,273 --> 00:16:47,440 NOT DRAWING ANY CONCLUSIONS 434 00:16:47,440 --> 00:16:48,741 ABOUT THIS. 435 00:16:48,741 --> 00:16:49,776 Christian: DON'T WORRY ABOUT IT, 436 00:16:49,776 --> 00:16:51,478 PARTNER. IF THERE'S ANYBODY WHO 437 00:16:51,478 --> 00:16:52,712 UNDERSTANDS THE POWER OF 438 00:16:52,712 --> 00:16:54,814 THE PUSSY, IT'S ME. I'M THE ONE 439 00:16:54,814 --> 00:16:55,815 DATING THE BLIND CHICK WHO 440 00:16:55,815 --> 00:16:56,749 MISTOOK THE HALL CLOSET FOR THE 441 00:16:56,749 --> 00:16:58,751 BATHROOM LAST NIGHT. LUCKY THAT 442 00:16:58,751 --> 00:16:59,786 I STOPPED HER BEFORE SHE RUINED 443 00:16:59,786 --> 00:17:01,621 MY PRADA CROCODILE LOAFERS. 444 00:17:01,621 --> 00:17:03,223 Sean: NATASHA IS A BRIGHT, 445 00:17:03,223 --> 00:17:04,757 BEAUTIFUL GIRL. YOU COULD DO 446 00:17:04,757 --> 00:17:07,294 A LOT WORSE. YOU HAVE DONE A LOT 447 00:17:07,294 --> 00:17:09,229 WORSE. 448 00:17:11,498 --> 00:17:13,233 OH, THIS IS CRAZY. I SHOULDN'T 449 00:17:13,233 --> 00:17:14,234 BE ASSUAGING KIMBER'S 450 00:17:14,234 --> 00:17:15,368 INSECURITIES ABOUT OUR 451 00:17:15,368 --> 00:17:16,369 RELATIONSHIP. I SHOULD BE 452 00:17:16,369 --> 00:17:17,304 BREAKING UP WITH HER. 453 00:17:17,304 --> 00:17:18,238 Christian: BREAKING UP? 454 00:17:18,238 --> 00:17:19,239 I THOUGHT THINGS WERE GETTING 455 00:17:19,239 --> 00:17:20,173 SERIOUS. 456 00:17:20,173 --> 00:17:23,376 Sean: IT'S MOVING TOO FAST. 457 00:17:23,376 --> 00:17:27,414 FRANKLY, SHE'S SUPERFICIAL. 458 00:17:27,414 --> 00:17:28,681 HER SPIRITUAL GUIDE IS 459 00:17:28,681 --> 00:17:29,749 A PALM READER. 460 00:17:29,749 --> 00:17:31,351 Christian: HEH. 461 00:17:45,265 --> 00:17:46,533 Sean: WE RAN INTO JULIA LAST 462 00:17:46,533 --> 00:17:49,202 NIGHT ON A DATE WITH SOME GUY. 463 00:17:49,202 --> 00:17:50,503 IT BOTHERED ME MUCH MORE THAN 464 00:17:50,503 --> 00:17:51,671 I THOUGHT IT WOULD. 465 00:17:51,671 --> 00:17:52,672 Christian: JULIA'S DATING 466 00:17:52,672 --> 00:17:53,606 SOMEONE? WHO? 467 00:17:53,606 --> 00:17:55,142 Sean: HER ZENNIS COACH. IT'S 468 00:17:55,142 --> 00:17:56,343 SOME KIND OF NEW AGE APPROACH 469 00:17:56,343 --> 00:17:57,344 TO TENNIS. 470 00:17:57,344 --> 00:17:58,278 Christian: NEXT THING YOU KNOW, 471 00:17:58,278 --> 00:17:59,279 SHE'LL HAVE HAIRY ARMPITS 472 00:17:59,279 --> 00:18:00,480 AND SMELL LIKE PATCHOULI. 473 00:18:03,183 --> 00:18:04,551 Sean: I'M TRAPPED, CHRISTIAN. 474 00:18:04,551 --> 00:18:07,387 I CAN'T BREAK UP WITH KIMBER. 475 00:18:07,387 --> 00:18:10,357 SHE'S BEEN SO SWEET TO ME. 476 00:18:10,357 --> 00:18:11,458 Christian: THAT SUGAR TURNS TO 477 00:18:11,458 --> 00:18:13,160 ACID WHEN SHE'S CROSSED. 478 00:18:13,160 --> 00:18:14,261 REMEMBER WHEN I TRIED TO BREAK 479 00:18:14,261 --> 00:18:15,628 UP WITH HER? SHE TIED ME TO 480 00:18:15,628 --> 00:18:16,696 THE BED AND THREATENED TO 481 00:18:16,696 --> 00:18:19,166 RECIRCUMCISE ME. YOU WATCH OUT 482 00:18:19,166 --> 00:18:21,234 FOR HER, SEAN. KIMBER HENRY IS 483 00:18:21,234 --> 00:18:23,503 SLIPPERY WHEN WET AND UNSTABLE 484 00:18:23,503 --> 00:18:25,505 WHEN CROSSED. 485 00:18:52,399 --> 00:18:54,601 Adrian: HI, MRS. McNAMARA! 486 00:18:56,836 --> 00:18:57,904 MATT TOLD ME YOU WERE THE NEXT 487 00:18:57,904 --> 00:18:59,306 ANNA KOURNIKOVA. 488 00:18:59,306 --> 00:19:00,607 Julia: WHAT ARE YOU DOING HERE, 489 00:19:00,607 --> 00:19:03,243 ADRIAN? 490 00:19:03,243 --> 00:19:05,144 Adrian: I NEED TO HIT SOMETHING. 491 00:19:11,284 --> 00:19:12,552 Julia: I NEED TO HIT SOMETHING, 492 00:19:12,552 --> 00:19:13,820 TOO. 493 00:19:38,010 --> 00:19:40,980 NICE SHOT... 494 00:19:40,980 --> 00:19:43,550 BUT I'M DONE PLAYING WITH YOU. 495 00:19:47,820 --> 00:19:48,821 Adrian: WELL, I GUESS I WIN, 496 00:19:48,821 --> 00:19:50,590 THEN. 497 00:19:50,590 --> 00:19:51,958 Julia: EVERYTHING'S A GAME TO 498 00:19:51,958 --> 00:19:54,026 YOU, ADRIAN, ISN'T IT? 499 00:19:54,026 --> 00:19:57,464 Adrian: NOT EVERYTHING. I NEED 500 00:19:57,464 --> 00:19:58,498 TO TELL YOU SOMETHING. 501 00:19:58,498 --> 00:19:59,532 Julia, scoffing: WHAT, AM I 502 00:19:59,532 --> 00:20:00,767 GONNA GET TO MY CAR AND SEE 503 00:20:00,767 --> 00:20:02,302 YOU'VE SLASHED MY TIRES? 504 00:20:02,302 --> 00:20:03,403 Adrian: IT'S ABOUT ME AND 505 00:20:03,403 --> 00:20:07,006 MY MOM. SHE BROKE UP WITH ME. 506 00:20:07,006 --> 00:20:10,410 Julia: HEH. YOU CAN'T APPLY 507 00:20:10,410 --> 00:20:11,978 A ROMANTIC CONVENTION TO 508 00:20:11,978 --> 00:20:14,447 A PARENTAL RELATIONSHIP, ADRIAN. 509 00:20:14,447 --> 00:20:16,349 Adrian: GOOD POINT. I MEAN, 510 00:20:16,349 --> 00:20:17,550 WE DON'T HAVE SEX WITH CANDLES 511 00:20:17,550 --> 00:20:20,520 BLAZING OR ANYTHING. IN FACT, 512 00:20:20,520 --> 00:20:21,621 THE LAST TIME I WENT DOWN ON 513 00:20:21,621 --> 00:20:24,291 HER, THE ROOM WAS PITCH-BLACK. 514 00:20:24,291 --> 00:20:26,326 MOM HAS SHAME ISSUES. 515 00:20:32,732 --> 00:20:33,700 Christian: WHAT CAN WE DO FOR 516 00:20:33,700 --> 00:20:34,667 YOU? 517 00:20:34,667 --> 00:20:36,536 Man: WELL, UH, TRUDY'S NOSE 518 00:20:36,536 --> 00:20:38,371 TURNED OUT TERRIFIC. REALLY DID. 519 00:20:38,371 --> 00:20:40,039 YOU GUYS FIXED IT REAL GOOD. 520 00:20:40,039 --> 00:20:42,609 Trudy: I--I JUST LOVE IT. 521 00:20:42,609 --> 00:20:43,943 Man: SO, I THOUGHT I COULD COME 522 00:20:43,943 --> 00:20:44,877 IN AND TALK TO YOU ABOUT 523 00:20:44,877 --> 00:20:46,546 MY FACE. 524 00:20:46,546 --> 00:20:47,847 Sean: YOU'RE CONSIDERING PLASTIC 525 00:20:47,847 --> 00:20:49,015 SURGERY? 526 00:20:49,015 --> 00:20:50,016 Christian: A NEW CHIN TO GO WITH 527 00:20:50,016 --> 00:20:51,351 THOSE PRISON-YARD BICEPS, 528 00:20:51,351 --> 00:20:53,320 PERHAPS. 529 00:20:53,320 --> 00:20:54,554 Trudy: UM, THERE SEEMS TO BE 530 00:20:54,554 --> 00:20:55,622 A LOT OF ATTITUDE IN THIS ROOM 531 00:20:55,622 --> 00:20:57,690 RIGHT NOW. UM, I UNDERSTAND YOUR 532 00:20:57,690 --> 00:20:58,858 REACTION. 533 00:20:58,858 --> 00:20:59,992 Stan: WE GET IT EVERYWHERE. 534 00:20:59,992 --> 00:21:00,927 Trudy: BUT IT'S NOT WHAT YOU 535 00:21:00,927 --> 00:21:02,329 THINK. I'M NOT BEING MANIPULATED 536 00:21:02,329 --> 00:21:03,330 NOW. 537 00:21:03,330 --> 00:21:04,431 Sean: BUT YOU CAN UNDERSTAND HOW 538 00:21:04,431 --> 00:21:05,832 WE MIGHT HESITATE TO EVEN BE IN 539 00:21:05,832 --> 00:21:07,099 THE SAME ROOM AFTER YOU 540 00:21:07,099 --> 00:21:08,368 EXPLAINED THAT YOUR SON DIED AT 541 00:21:08,368 --> 00:21:09,402 THE HAND OF THIS MAN. 542 00:21:09,402 --> 00:21:10,737 Christian: AND HOW THOSE FISTS 543 00:21:10,737 --> 00:21:11,904 DESTROYED YOUR FACE. 544 00:21:11,904 --> 00:21:13,373 Trudy: HE'S A DIFFERENT PERSON 545 00:21:13,373 --> 00:21:15,908 NOW. I WAS AMAZED, TOO. AND WHEN 546 00:21:15,908 --> 00:21:18,645 HE SAW ME, HE--WELL, HE GOT DOWN 547 00:21:18,645 --> 00:21:20,913 ON HIS KNEES, AND HE LITERALLY 548 00:21:20,913 --> 00:21:22,882 BEGGED FOR FORGIVENESS. 549 00:21:22,882 --> 00:21:24,751 Stan: AND I REALLY MEANT IT. 550 00:21:24,751 --> 00:21:26,886 Sean: WHY ARE YOU THINKING ABOUT 551 00:21:26,886 --> 00:21:28,555 GETTING A FACIAL RECONSTRUCTION, 552 00:21:28,555 --> 00:21:29,622 MR. NYE? 553 00:21:29,622 --> 00:21:31,023 Stan: TRUDY'S FORGIVEN ME. 554 00:21:31,023 --> 00:21:33,125 NO ONE ELSE HAS. WE GO TO 555 00:21:33,125 --> 00:21:34,894 RESTAURANTS, A HUSH FALLS OVER 556 00:21:34,894 --> 00:21:36,095 THE PLACE. MANAGERS ASK US TO 557 00:21:36,095 --> 00:21:37,430 LEAVE. 558 00:21:37,430 --> 00:21:38,398 Christian: YES, IT'S A ROUGH 559 00:21:38,398 --> 00:21:39,366 WORLD OUT THERE FOR CHILD 560 00:21:39,366 --> 00:21:40,900 KILLERS. EVEN WORSE FOR 561 00:21:40,900 --> 00:21:42,101 THOSE CHILDREN THEY KILLED 562 00:21:42,101 --> 00:21:43,870 WHO CAN'T EAT OUT. 563 00:21:43,870 --> 00:21:46,038 Stan: LOOK, I'M REPENTANT FOR 564 00:21:46,038 --> 00:21:48,074 WHAT HAPPENED, BUT THIS FACE 565 00:21:48,074 --> 00:21:49,709 STILL SCARES A LOT OF PEOPLE, 566 00:21:49,709 --> 00:21:51,878 AND THEY WON'T LEAVE US ALONE. 567 00:21:51,878 --> 00:21:54,781 THE MEDIA, IT--I GET DEATH 568 00:21:54,781 --> 00:21:55,715 THREATS. 569 00:21:55,715 --> 00:21:56,783 Trudy: NO ONE RECOGNIZED ME 570 00:21:56,783 --> 00:21:59,386 AFTER MY NEW NOSE. IT TOTALLY 571 00:21:59,386 --> 00:22:00,787 CHANGED THE SHAPE OF MY FACE, 572 00:22:00,787 --> 00:22:02,088 SO WE WERE THINKING, UM, MAYBE 573 00:22:02,088 --> 00:22:03,456 YOU COULD CHANGE STAN'S NOSE 574 00:22:03,456 --> 00:22:05,658 OR MAYBE HIS CHEEKBONES. 575 00:22:05,658 --> 00:22:06,659 Stan: MAYBE YOU GIVE ME SOME 576 00:22:06,659 --> 00:22:07,594 HAIR PLUGS. I COULD DYE 577 00:22:07,594 --> 00:22:09,929 THE COLOR. LOOK, I JUST WANT TO 578 00:22:09,929 --> 00:22:12,732 START OVER. I WANT A QUIET, 579 00:22:12,732 --> 00:22:16,703 ANONYMOUS LIFE. I SERVED 580 00:22:16,703 --> 00:22:17,670 MY TIME. I DID MY SENTENCE 581 00:22:17,670 --> 00:22:18,738 LIKE A MAN. 582 00:22:18,738 --> 00:22:21,408 Christian: MR. NYE, AS A VICTIM 583 00:22:21,408 --> 00:22:23,109 MYSELF OF CHILDHOOD ABUSE, 584 00:22:23,109 --> 00:22:24,544 I HEARD THE SAME LAMENT FROM 585 00:22:24,544 --> 00:22:26,779 MY ABUSER. THE TRUTH IS, 586 00:22:26,779 --> 00:22:28,548 I BELIEVE YOU ARE SORRY, 587 00:22:28,548 --> 00:22:31,451 SORRY FOR YOURSELF, NOT FOR 588 00:22:31,451 --> 00:22:34,687 TYLER OR FOR YOUR WIFE. 589 00:22:34,687 --> 00:22:36,689 MRS. NYE, IF YOU WANT TO 590 00:22:36,689 --> 00:22:38,825 CONTINUE TO BE AN ACCOMPLICE IN 591 00:22:38,825 --> 00:22:40,660 YOUR HUSBAND'S CRIMES... 592 00:22:40,660 --> 00:22:44,697 THAT'S YOUR BUSINESS. BUT WE 593 00:22:44,697 --> 00:22:47,467 SIMPLY WON'T BE. 594 00:22:50,703 --> 00:22:51,971 GOOD AFTERNOON. 595 00:23:11,658 --> 00:23:13,660 Kimber: HI. UM, I HAVE AN 596 00:23:13,660 --> 00:23:15,595 APPOINTMENT WITH DR. McNAMARA. 597 00:23:15,595 --> 00:23:16,596 Christian: I'LL BE TAKING YOUR 598 00:23:16,596 --> 00:23:18,531 STITCHES OUT, KIMBER. 599 00:23:21,468 --> 00:23:22,702 Kimber: WHERE'S SEAN? 600 00:23:22,702 --> 00:23:23,703 Christian: HE'S AT THE HOSPITAL, 601 00:23:23,703 --> 00:23:25,171 DOING A CLEFT PALATE CONSULT 602 00:23:25,171 --> 00:23:26,873 ON A NEWBORN. YOU CAN WAIT FOR 603 00:23:26,873 --> 00:23:27,874 HIM IN THE LOBBY IF YOU LIKE, 604 00:23:27,874 --> 00:23:30,577 BUT, UH, IT MIGHT TAKE A WHILE. 605 00:23:30,577 --> 00:23:32,812 [TELEPHONE RINGS] 606 00:23:32,812 --> 00:23:33,913 SO, HOW'S EVERYTHING GOING 607 00:23:33,913 --> 00:23:35,114 BETWEEN YOU TWO? 608 00:23:35,114 --> 00:23:37,550 Kimber: FANTASTIC. SEAN'S BEEN 609 00:23:37,550 --> 00:23:38,618 TALKING ABOUT US MOVING IN 610 00:23:38,618 --> 00:23:40,086 TOGETHER. 611 00:23:40,086 --> 00:23:41,654 Christian: REALLY? 612 00:23:41,654 --> 00:23:42,755 Kimber: WELL, HE'S BEEN HINTING 613 00:23:42,755 --> 00:23:43,923 AT IT. I KNOW IT'S JUST A MATTER 614 00:23:43,923 --> 00:23:46,158 OF TIME. ANNIE AND I GET ALONG 615 00:23:46,158 --> 00:23:48,761 SO WELL. I THINK SEAN LIKES 616 00:23:48,761 --> 00:23:50,129 HAVING ANOTHER FEMALE INFLUENCE 617 00:23:50,129 --> 00:23:51,898 AROUND FOR HER. 618 00:23:54,166 --> 00:23:55,167 Christian: I'M HAPPY FOR YOU, 619 00:23:55,167 --> 00:23:57,604 KIMBER. 620 00:23:57,604 --> 00:24:00,807 Kimber: THANK YOU, CHRISTIAN. 621 00:24:00,807 --> 00:24:02,942 HOW'VE YOU BEEN? ARE YOU STILL 622 00:24:02,942 --> 00:24:04,043 WITH A DIFFERENT GIRL EVERY 623 00:24:04,043 --> 00:24:05,044 NIGHT OF THE WEEK? 624 00:24:05,044 --> 00:24:08,180 Christian: HEH. HARDLY. I'VE 625 00:24:08,180 --> 00:24:09,549 SLOWED DOWN A LOT SINCE I LOST 626 00:24:09,549 --> 00:24:12,251 CUSTODY OF WILBUR. BUT 627 00:24:12,251 --> 00:24:15,054 I APPRECIATE EVERY MOMENT 628 00:24:15,054 --> 00:24:17,757 I SHARED WITH THAT KID SO MUCH 629 00:24:17,757 --> 00:24:21,127 MORE NOW THAT HE'S GONE. 630 00:24:21,127 --> 00:24:23,630 Kimber: THAT MUST BE SO HARD. 631 00:24:30,202 --> 00:24:31,804 Christian: SO, YOU GUYS GOING 632 00:24:31,804 --> 00:24:32,672 OUT THIS WEEKEND? 633 00:24:32,672 --> 00:24:34,206 Kimber: WE'RE GOING SALSA 634 00:24:34,206 --> 00:24:35,307 DANCING. 635 00:24:35,307 --> 00:24:36,275 Christian: CAFE IGUANA? 636 00:24:36,275 --> 00:24:38,611 Kimber: YEAH. HA HA HA. 637 00:24:38,611 --> 00:24:39,846 Christian: REMEMBER WHEN WE WERE 638 00:24:39,846 --> 00:24:41,247 SWEATING SO MUCH FROM DANCING 639 00:24:41,247 --> 00:24:42,615 THERE THAT WE WENT DOWN TO THE 640 00:24:42,615 --> 00:24:43,950 BEACH, TOOK OFF ALL OUR CLOTHES, 641 00:24:43,950 --> 00:24:45,084 AND JUMPED IN THE OCEAN? 642 00:24:45,084 --> 00:24:46,553 Kimber: AND THEN THAT COP CAME 643 00:24:46,553 --> 00:24:47,720 WITH HIS FLASHLIGHT AND WAS 644 00:24:47,720 --> 00:24:49,121 SHINING IT ON US IN THE WATER. 645 00:24:49,121 --> 00:24:50,222 HA HA HA HA. 646 00:24:54,994 --> 00:24:55,962 Christian: YOU AND ME, WE HAD 647 00:24:55,962 --> 00:24:58,130 FUN TOGETHER, DIDN'T WE? 648 00:24:58,130 --> 00:24:59,932 Kimber: YEAH. THERE WERE SOME 649 00:24:59,932 --> 00:25:01,500 GOOD TIMES. 650 00:25:03,302 --> 00:25:04,904 BUT THERE WERE SOME PRETTY BAD 651 00:25:04,904 --> 00:25:06,706 TIMES, TOO, THOUGH. 652 00:25:06,706 --> 00:25:08,174 Christian: WELL, THE BAD TIMES 653 00:25:08,174 --> 00:25:11,243 WERE MOSTLY MY FAULT, BUT... 654 00:25:11,243 --> 00:25:13,045 WHEN IT WAS GOOD, IT WAS SO... 655 00:25:13,045 --> 00:25:14,614 EASY. 656 00:25:17,750 --> 00:25:19,051 SOMETIMES WITH THE PERSON I'M 657 00:25:19,051 --> 00:25:21,954 CURRENTLY SEEING, IT'S... 658 00:25:21,954 --> 00:25:25,658 WORK. HEH. 659 00:25:25,658 --> 00:25:26,993 [SIGHS] 660 00:25:33,833 --> 00:25:37,303 OK. YOUR NEW AND IMPROVED LONGER 661 00:25:37,303 --> 00:25:40,640 LOVE LINES ARE ALL SET. 662 00:25:40,640 --> 00:25:43,009 Kimber: OK. 663 00:25:43,009 --> 00:25:44,143 Christian: YOUR HANDS'LL BE 664 00:25:44,143 --> 00:25:45,177 TENDER FOR A COUPLE OF DAYS, 665 00:25:45,177 --> 00:25:46,813 BUT AFTER THAT, YOU-- 666 00:25:52,852 --> 00:25:55,054 [TELEPHONE RINGS] 667 00:25:55,054 --> 00:25:57,123 [HEAVY BREATHING AND MOANING] 668 00:26:05,397 --> 00:26:08,200 Sean: GOTTA GO TO MYERS' OFF-- 669 00:26:13,272 --> 00:26:15,341 Kimber: OH, GOD. 670 00:26:15,341 --> 00:26:16,342 Sean: I GUESS YOU CAN'T CHANGE 671 00:26:16,342 --> 00:26:17,677 YOUR HEART LINES, CAN YOU, 672 00:26:17,677 --> 00:26:18,645 KIMBER? 673 00:26:18,645 --> 00:26:19,646 Kimber: THIS ISN'T WHAT YOU 674 00:26:19,646 --> 00:26:21,080 THINK. THIS MEANS NOTHING. 675 00:26:21,080 --> 00:26:24,751 THIS IS JUST SEX. YOU'RE THE ONE 676 00:26:24,751 --> 00:26:27,353 I WANT, NOT HIM. 677 00:26:27,353 --> 00:26:29,055 Sean: I HAVE TO SHARE MY SON 678 00:26:29,055 --> 00:26:31,323 WITH YOU. I WON'T SHARE MY 679 00:26:31,323 --> 00:26:33,359 GIRLFRIEND. 680 00:26:58,417 --> 00:26:59,385 Christian: WE NEED TO TALK, 681 00:26:59,385 --> 00:27:01,954 SEAN. 682 00:27:01,954 --> 00:27:03,790 [CHRISTIAN SIGHS] 683 00:27:03,790 --> 00:27:05,758 Sean: NO NEED TO TALK. 684 00:27:05,758 --> 00:27:09,061 IT WORKED. THANK YOU. 685 00:27:13,933 --> 00:27:15,334 Christian: YOU'RE WELCOME. 686 00:27:15,334 --> 00:27:16,769 Sean: OBVIOUSLY, YOU PLANNED ON 687 00:27:16,769 --> 00:27:18,070 ME FINDING YOU SCREWING KIMBER 688 00:27:18,070 --> 00:27:19,405 IN YOUR OFFICE. 689 00:27:22,341 --> 00:27:23,475 Sean: I DID THINK THAT'S WHAT 690 00:27:23,475 --> 00:27:25,111 YOU WANTED. 691 00:27:25,111 --> 00:27:26,112 Sean: IF THAT WAS YOUR PLAN 692 00:27:26,112 --> 00:27:27,814 ALL ALONG, IT WAS RISKY, 693 00:27:27,814 --> 00:27:29,315 BUT BRILLIANT. 694 00:27:33,953 --> 00:27:35,154 Christian: SHE THREW HERSELF 695 00:27:35,154 --> 00:27:38,324 AT ME...LIKE I KNEW SHE WOULD. 696 00:27:38,324 --> 00:27:39,291 SHE PULLED MY DICK OUT OF MY 697 00:27:39,291 --> 00:27:40,392 PANTS, SEAN. 698 00:27:40,392 --> 00:27:41,994 Sean: I CAN ONLY IMAGINE. 699 00:27:41,994 --> 00:27:43,095 Christian: I TOLD YOU SHE WASN'T 700 00:27:43,095 --> 00:27:44,196 GOOD ENOUGH FOR YOU. 701 00:27:44,196 --> 00:27:45,297 Sean: WELL, THANK GOD YOU PROVED 702 00:27:45,297 --> 00:27:46,398 THAT TO ME BEFORE WE GOT ANY 703 00:27:46,398 --> 00:27:49,468 DEEPER. NOW, THIS WAY, THE ONUS 704 00:27:49,468 --> 00:27:51,904 OF THE BREAKUP IS ON HER. 705 00:27:57,910 --> 00:27:59,846 DON'T WORRY. I WON'T TELL 706 00:27:59,846 --> 00:28:02,314 NATASHA. 707 00:28:32,278 --> 00:28:34,346 [TELEPHONE RINGS] 708 00:28:34,346 --> 00:28:37,917 THIS IS SEAN. 709 00:28:37,917 --> 00:28:39,485 SHE WHAT? 710 00:28:39,485 --> 00:28:41,120 DO WE HAVE ANY IDEA IF MATT'S 711 00:28:41,120 --> 00:28:42,088 INSIDE? 712 00:28:42,088 --> 00:28:43,355 Julia: IF HE'S NOT, HE SHOULD BE 713 00:28:43,355 --> 00:28:45,224 BACK FROM SCHOOL AT ANY MOMENT. 714 00:28:45,224 --> 00:28:46,325 Sean: IF THIS REVELATION DOESN'T 715 00:28:46,325 --> 00:28:47,559 CAUSE HIM TO RUN OUT ON HER, 716 00:28:47,559 --> 00:28:49,095 I'M GONNA DRAG HIM OUT. 717 00:28:49,095 --> 00:28:50,262 Julia: ALL WE HAVE TO DO IS 718 00:28:50,262 --> 00:28:51,964 THREATEN POLICE ACTION. THIS IS 719 00:28:51,964 --> 00:28:53,232 SO FAR OUT-OF-BOUNDS, SHE HAS 720 00:28:53,232 --> 00:28:54,500 NO DEFENSE. 721 00:28:54,500 --> 00:28:57,236 Sean: WAIT, WAIT. BEFORE WE GO 722 00:28:57,236 --> 00:28:59,338 IN THERE, I'M SORRY I WAS COLD 723 00:28:59,338 --> 00:29:02,074 TO KEVIN THE OTHER NIGHT. 724 00:29:02,074 --> 00:29:04,543 I'M SURE HE'S A NICE GUY. 725 00:29:04,543 --> 00:29:06,512 Julia: IT'S OK, SEAN. 726 00:29:06,512 --> 00:29:08,380 Sean: I JUST HAVE VERY HIGH 727 00:29:08,380 --> 00:29:09,381 STANDARDS FOR WHO YOU GO OUT 728 00:29:09,381 --> 00:29:10,850 WITH. 729 00:29:14,353 --> 00:29:15,554 YOU READY? 730 00:29:15,554 --> 00:29:17,223 Julia: YEAH. 731 00:29:30,369 --> 00:29:32,171 Ava: JULIA, SEAN, WHAT A LOVELY 732 00:29:32,171 --> 00:29:34,040 SURPRISE. HERE FOR SOME COUPLES 733 00:29:34,040 --> 00:29:35,041 COUNSELING? 734 00:29:35,041 --> 00:29:36,442 Julia: ENOUGH OF YOUR BULLSHIT, 735 00:29:36,442 --> 00:29:37,910 AVA. YOU'RE NOT GONNA INFECT OUR 736 00:29:37,910 --> 00:29:39,611 SON WITH YOUR POISON ANYMORE. 737 00:29:39,611 --> 00:29:42,448 Sean: WHERE IS HE? MATT? 738 00:29:47,286 --> 00:29:48,287 MATT. 739 00:29:48,287 --> 00:29:49,956 Ava: SO, GEORGE AND MARTHA HAVE 740 00:29:49,956 --> 00:29:51,457 FINALLY REJOINED FORCES. 741 00:29:51,457 --> 00:29:53,025 WHAT A BREAKTHROUGH. 742 00:29:53,025 --> 00:29:54,226 Sean: WE KNOW WHAT'S BEEN GOING 743 00:29:54,226 --> 00:29:55,561 ON BETWEEN YOU AND ADRIAN, AVA. 744 00:29:55,561 --> 00:29:57,063 Ava: ADRIAN'S MY SON. 745 00:29:57,063 --> 00:29:58,597 WHAT BUSINESS IS THAT OF YOURS? 746 00:29:58,597 --> 00:29:59,565 Julia: IT'S OUR BUSINESS WHEN 747 00:29:59,565 --> 00:30:01,000 YOU'RE SLEEPING WITH OUR SON 748 00:30:01,000 --> 00:30:03,870 AND YOURS AT THE SAME TIME. 749 00:30:03,870 --> 00:30:05,304 Ava: THAT'S DISGUSTING. 750 00:30:05,304 --> 00:30:06,438 Julia: ADRIAN'S TOLD ME ALL 751 00:30:06,438 --> 00:30:08,407 ABOUT IT. 752 00:30:08,407 --> 00:30:10,476 Matt: ADRIAN'S TOLD YOU WHAT? 753 00:30:13,479 --> 00:30:16,248 Adrian: HELLO, EVERYONE. 754 00:30:16,248 --> 00:30:17,984 Sean: ADRIAN, TELL YOUR MOTHER 755 00:30:17,984 --> 00:30:18,985 AND MATT WHAT YOU TOLD JULIA 756 00:30:18,985 --> 00:30:20,186 EARLIER TODAY. 757 00:30:20,186 --> 00:30:22,922 Ava: YES, ADRIAN. TELL US ALL. 758 00:30:22,922 --> 00:30:25,057 WHAT DID YOU TELL JULIA? 759 00:30:25,057 --> 00:30:26,325 Adrian: I TOLD HER WE WERE 760 00:30:26,325 --> 00:30:30,462 HAVING SEX, MOM. I TOLD HER 761 00:30:30,462 --> 00:30:31,630 YOU GAVE THE BEST BLOW JOB IN 762 00:30:31,630 --> 00:30:33,099 TOWN. 763 00:30:37,937 --> 00:30:40,472 Ava: YOU'RE DISGUSTING, ADRIAN. 764 00:30:40,472 --> 00:30:42,408 AND VERY SAD. 765 00:30:42,408 --> 00:30:44,010 Matt: HOW COULD YOU SAY THAT 766 00:30:44,010 --> 00:30:45,177 ABOUT YOUR OWN MOTHER? 767 00:30:45,177 --> 00:30:47,346 THAT'S SICK. 768 00:30:47,346 --> 00:30:49,615 Ava: HE IS SICK, MATT. ADRIAN'S 769 00:30:49,615 --> 00:30:51,050 BEEN ON SEVERAL DRUG THERAPIES 770 00:30:51,050 --> 00:30:53,319 SINCE HIS EARLY TEENS. 771 00:30:53,319 --> 00:30:54,620 HE'S A GARDEN-VARIETY 772 00:30:54,620 --> 00:30:57,156 MANIC-DEPRESSIVE. 773 00:31:00,226 --> 00:31:01,693 CLEARLY, JULIA, ADRIAN SKIPPED 774 00:31:01,693 --> 00:31:03,095 A DOSE OF HIS MEDS WHEN HE TOLD 775 00:31:03,095 --> 00:31:04,563 YOU THIS HORRIBLE LIE. ISN'T 776 00:31:04,563 --> 00:31:05,531 THAT TRUE, ADRIAN? 777 00:31:05,531 --> 00:31:07,499 Adrian: YOU SHUT UP. YOU GAVE ME 778 00:31:07,499 --> 00:31:09,335 THOSE DRUGS TO SHUT ME UP. 779 00:31:09,335 --> 00:31:13,405 BUT I WON'T BE SILENCED ANYMORE! 780 00:31:13,405 --> 00:31:14,540 I MEAN, MOM, CAN'T YOU SEE WHAT 781 00:31:14,540 --> 00:31:17,243 WE'VE DONE? 782 00:31:17,243 --> 00:31:19,278 Ava: WE'VE DONE NOTHING. YOU 783 00:31:19,278 --> 00:31:21,380 NEED PROFESSIONAL HELP, ADRIAN. 784 00:31:21,380 --> 00:31:23,149 A SANITARIUM, PERHAPS. 785 00:31:23,149 --> 00:31:24,383 THE DOCTORS I'VE PROVIDED 786 00:31:24,383 --> 00:31:25,451 CLEARLY HAVEN'T MADE A DENT 787 00:31:25,451 --> 00:31:26,518 IN YOUR TWISTED PATHOLOGY. 788 00:31:26,518 --> 00:31:27,954 Adrian: NO! NO! YOU SCREWED ME 789 00:31:27,954 --> 00:31:29,088 WHEN I WAS 12, AND YOU SAID THAT 790 00:31:29,088 --> 00:31:30,222 YOU LOVED ME! 791 00:31:30,222 --> 00:31:31,190 Julia: IS THIS WHAT YOU WANT, 792 00:31:31,190 --> 00:31:32,191 MATT? TO BE A PART OF THEIR 793 00:31:32,191 --> 00:31:33,159 SICKNESS? 794 00:31:33,159 --> 00:31:36,262 Ava: IT DIDN'T HAPPEN, MATT. 795 00:31:36,262 --> 00:31:37,529 I'M SENDING ADRIAN AWAY TOMORROW 796 00:31:37,529 --> 00:31:38,597 TO GET HELP. 797 00:31:38,597 --> 00:31:39,631 Adrian: IT DID HAPPEN. IT DID 798 00:31:39,631 --> 00:31:42,434 HAPPEN! I SWEAR IT! WHY WOULD I 799 00:31:42,434 --> 00:31:43,970 EVER LIE ABOUT SOMETHING SO DARK 800 00:31:43,970 --> 00:31:46,172 AND SO EVIL AS INCEST? 801 00:31:48,440 --> 00:31:49,608 IT MAKES YOU SICK TO YOUR 802 00:31:49,608 --> 00:31:50,642 STOMACH TO HEAR THAT WORD, 803 00:31:50,642 --> 00:31:55,147 DOESN'T IT, MOM? SAY IT! 804 00:31:55,147 --> 00:31:57,483 SAY IT WITH ME! INCEST! 805 00:32:01,187 --> 00:32:02,654 Ava: I ONLY HELD YOU WHEN YOU 806 00:32:02,654 --> 00:32:04,590 WERE UNSTABLE AND UPSET TO CALM 807 00:32:04,590 --> 00:32:05,691 YOU DOWN. 808 00:32:05,691 --> 00:32:06,725 Adrian: MOTHER'S DON'T SCREW 809 00:32:06,725 --> 00:32:08,294 THEIR SONS! 810 00:32:13,032 --> 00:32:15,234 Ava: YOU'RE NOT MY SON, ADRIAN. 811 00:32:18,470 --> 00:32:19,705 Adrian: WHAT? 812 00:32:19,705 --> 00:32:21,940 Ava: [CRYING] 813 00:32:28,180 --> 00:32:31,183 YOU WERE ADOPTED. 814 00:32:36,722 --> 00:32:39,391 Adrian: THAT'S NOT TRUE. 815 00:32:42,794 --> 00:32:44,230 Ava: YOUR FATHER AND I COULDN'T 816 00:32:44,230 --> 00:32:45,664 CONCEIVE. 817 00:32:48,734 --> 00:32:51,337 Matt: W-WAIT A MINUTE. THIS IS 818 00:32:51,337 --> 00:32:54,606 NOT WHAT YOU TOLD ME, AVA. 819 00:32:54,606 --> 00:32:56,075 Ava: I'M TIRED OF LYING TO SPARE 820 00:32:56,075 --> 00:32:58,510 HIS FEELINGS WHEN HE ONLY HAS 821 00:32:58,510 --> 00:33:01,780 CONTEMPT FOR MINE. 822 00:33:01,780 --> 00:33:02,781 Adrian: MY--MY BIRTH PARENTS 823 00:33:02,781 --> 00:33:04,316 DIDN'T WANT ME? 824 00:33:08,054 --> 00:33:10,022 Ava: NO. 825 00:33:12,224 --> 00:33:14,293 Adrian: WHY NOT? 826 00:33:18,630 --> 00:33:20,699 WHY NOT?! 827 00:33:24,503 --> 00:33:25,637 Ava: THE DOCTORS SAID YOU WERE 828 00:33:25,637 --> 00:33:29,708 MENTALLY DAMAGED...A DIAGNOSIS 829 00:33:29,708 --> 00:33:31,677 THAT'S PROVEN CORRECT. 830 00:33:36,515 --> 00:33:38,484 Adrian: AAH! 831 00:33:47,726 --> 00:33:49,328 Ava: I'M SORRY I DIDN'T TELL YOU 832 00:33:49,328 --> 00:33:51,263 EARLIER, MATT. 833 00:33:57,169 --> 00:33:59,271 Sean: COME ON, MATT. LET'S GO 834 00:33:59,271 --> 00:34:00,572 HOME. 835 00:34:27,833 --> 00:34:29,768 [SOBBING] 836 00:34:35,241 --> 00:34:37,143 [DOOR OPENS AND CLOSES] 837 00:34:37,143 --> 00:34:40,179 [CANE TAPPING] 838 00:34:40,179 --> 00:34:42,448 Natasha: CHRISTIAN? 839 00:34:42,448 --> 00:34:43,915 Christian: IN HERE. 840 00:34:43,915 --> 00:34:47,686 Natasha: IN HERE WHERE? 841 00:34:47,686 --> 00:34:50,889 Christian: I'M IN HERE. 842 00:34:50,889 --> 00:34:54,693 Natasha: GUESS WHAT? WE GOT WORD 843 00:34:54,693 --> 00:34:55,861 THE TEST MARKETING ON MY NEW 844 00:34:55,861 --> 00:34:58,930 FRAGRANCE WAS SKY-HIGH. 845 00:34:58,930 --> 00:35:00,699 Christian: KEEN SENSE OF SMELL 846 00:35:00,699 --> 00:35:03,769 DOES COME IN HANDY. 847 00:35:11,610 --> 00:35:14,313 WHAT'S WRONG? 848 00:35:14,313 --> 00:35:17,716 Natasha: NOTHING. 849 00:35:17,716 --> 00:35:23,322 Christian: AM I A LITTLE RANK? 850 00:35:23,322 --> 00:35:26,458 Natasha: NO. 851 00:35:26,458 --> 00:35:30,596 BUT SHE IS. VAGINAL SECRETIONS 852 00:35:30,596 --> 00:35:33,599 ARE QUITE PUNGENT. YOU MUST 853 00:35:33,599 --> 00:35:38,204 KNOW THAT. WHY DIDN'T YOU TRY 854 00:35:38,204 --> 00:35:43,809 TO SHOWER OFF THE EVIDENCE? 855 00:35:43,809 --> 00:35:45,344 Christian: BECAUSE I WANTED YOU 856 00:35:45,344 --> 00:35:52,251 TO KNOW. 857 00:35:52,251 --> 00:36:00,526 Natasha: AND...HER NAME IS? 858 00:36:00,526 --> 00:36:04,696 Christian: KIMBER HENRY. SHE WAS 859 00:36:04,696 --> 00:36:06,798 SEAN'S GIRLFRIEND, AND BEFORE 860 00:36:06,798 --> 00:36:08,934 THAT, SHE WAS MINE. IT HAPPENED 861 00:36:08,934 --> 00:36:09,901 IN MY OFFICE. I WAS TAKING HER 862 00:36:09,901 --> 00:36:11,970 STITCHES OUT AFTER AN OPERATION. 863 00:36:11,970 --> 00:36:15,374 Natasha: SO IT WAS...AN IMPULSE 864 00:36:15,374 --> 00:36:21,012 INTERACTION. WELL, I APPRECIATE 865 00:36:21,012 --> 00:36:24,983 YOUR HONESTY. BUT IT'S GONNA BE 866 00:36:24,983 --> 00:36:27,786 OK, BECAUSE I KNOW THAT YOU 867 00:36:27,786 --> 00:36:31,523 DON'T LOVE HER. 868 00:36:31,523 --> 00:36:32,591 Christian: CHRIST. 869 00:36:32,591 --> 00:36:33,525 Natasha: I'M SORRY. 870 00:36:33,525 --> 00:36:34,526 Christian: SORRY'S AREN'T 871 00:36:34,526 --> 00:36:35,527 ENOUGH. I'M GONNA START BILLING 872 00:36:35,527 --> 00:36:36,362 YOU. 873 00:36:36,362 --> 00:36:37,263 Natasha: OK. WHY ARE YOU BEING 874 00:36:37,263 --> 00:36:37,929 SUCH A PRICK? 875 00:36:37,929 --> 00:36:38,897 Christian: WHAT, YOU'RE JUST 876 00:36:38,897 --> 00:36:40,031 NOTICING? THIS IS ME, 877 00:36:40,031 --> 00:36:41,833 SWEETHEART. I STINK OF STRAY 878 00:36:41,833 --> 00:36:43,302 PUSSY, I DON'T LIKE MOVIE 879 00:36:43,302 --> 00:36:44,270 NIGHTS, AND I THINK ABOUT 880 00:36:44,270 --> 00:36:45,571 BANGING EVERY GIRL I SEE. 881 00:36:45,571 --> 00:36:47,038 Natasha: YOU ARE VERY GENEROUS 882 00:36:47,038 --> 00:36:48,807 OF HEART. YOU'VE BEEN WONDERFUL 883 00:36:48,807 --> 00:36:49,675 WITH ME. 884 00:36:49,675 --> 00:36:52,944 Christian: I CHEATED ON YOU! I 885 00:36:52,944 --> 00:36:53,779 KEEP ON PUTTING MYSELF IN 886 00:36:53,779 --> 00:36:54,646 SITUATIONS WHERE I SHOULD BE 887 00:36:54,646 --> 00:36:55,947 BROKEN UP WITH, BUT NOBODY WILL 888 00:36:55,947 --> 00:36:57,015 CUT ME LOOSE. 889 00:36:57,015 --> 00:36:57,949 Natasha: BECAUSE WE SEE THE GOOD 890 00:36:57,949 --> 00:37:00,719 FIGHTING THE DARK. BECAUSE 891 00:37:00,719 --> 00:37:02,388 YOU'RE WORTH FIGHTING FOR. 892 00:37:02,388 --> 00:37:03,289 Christian: JUST SHUT UP WITH 893 00:37:03,289 --> 00:37:09,395 YOUR POETIC LARGESSE, OK? I 894 00:37:09,395 --> 00:37:11,430 CAN'T TAKE THE GUILT ANY LONGER. 895 00:37:11,430 --> 00:37:13,565 YOU'RE TOO GOOD TO ME. NOT TO 896 00:37:13,565 --> 00:37:14,433 MENTION YOUR INCREDIBLE 897 00:37:14,433 --> 00:37:15,901 HANDICAP, WHICH IF I HAD, I 898 00:37:15,901 --> 00:37:16,902 WOULD'VE THROWN MYSELF OUT THE 899 00:37:16,902 --> 00:37:20,038 WINDOW IN 10 SECONDS. I CAN'T 900 00:37:20,038 --> 00:37:21,573 TAKE THE HEROICS AND THE 901 00:37:21,573 --> 00:37:25,777 GOODNESS AND... 902 00:37:38,324 --> 00:37:40,792 I CAN'T DO THIS ANYMORE. IT'S 903 00:37:40,792 --> 00:37:41,993 STRANGLING ME. YOU'RE STRANGLING 904 00:37:41,993 --> 00:37:46,898 ME. YOUR HANDICAP RAMPS, AND 905 00:37:46,898 --> 00:37:49,601 YOUR SUPERHUMAN SENSE OF FREAKY 906 00:37:49,601 --> 00:37:51,637 SMELL, AND YOUR SCARY EYES-- 907 00:37:51,637 --> 00:37:57,876 Natasha: OK. STOP IT, CHRISTIAN! 908 00:37:57,876 --> 00:38:00,479 Christian: YOU'RE A HASSLE, OK, 909 00:38:00,479 --> 00:38:07,753 NATASHA? I SLEPT WITH KIMBER 910 00:38:07,753 --> 00:38:10,756 TODAY BECAUSE SHE IS FUN AND 911 00:38:10,756 --> 00:38:12,558 BREEZY, AND I DON'T HAVE TO HOLD 912 00:38:12,558 --> 00:38:14,426 HER HAND WHEN WE CROSS THE 913 00:38:14,426 --> 00:38:23,001 STREET. SO I'M NOT ASKING. I'M 914 00:38:23,001 --> 00:38:26,638 TELLING. THE BEST THING FOR BOTH 915 00:38:26,638 --> 00:38:28,607 OF US IS IF YOU WALK OUT THAT 916 00:38:28,607 --> 00:38:30,509 DOOR RIGHT NOW AND NEVER COME 917 00:38:30,509 --> 00:38:35,781 BACK. 918 00:38:35,781 --> 00:38:36,982 Natasha: CHRISTIAN, YOU'RE 919 00:38:36,982 --> 00:38:37,816 BETTER THAN THIS. 920 00:38:37,816 --> 00:38:40,085 Christian: NO, SWEETHEART. YOU 921 00:38:40,085 --> 00:38:45,056 ARE. AND I'M TIRED OF BEING 922 00:38:45,056 --> 00:38:47,559 REMINDED OF IT. 923 00:38:50,929 --> 00:38:54,666 GOOD-BYE. 924 00:39:27,533 --> 00:39:28,967 [DOOR CLOSES] 925 00:39:44,115 --> 00:39:46,084 Ava: IT'S RUDE NOT TO RETURN A 926 00:39:46,084 --> 00:39:48,119 DOZEN PHONE CALLS. 927 00:39:48,119 --> 00:39:49,855 Matt: I DON'T WANNA TALK TO YOU, 928 00:39:49,855 --> 00:39:50,856 AVA. JUST LET ME GET MY STUFF 929 00:39:50,856 --> 00:39:54,025 AND GET OUT OF HERE. 930 00:39:58,997 --> 00:40:02,000 Ava: ADRIAN'S RUN AWAY. 931 00:40:02,000 --> 00:40:04,603 Matt: GOOD FOR HIM. 932 00:40:04,603 --> 00:40:07,105 Ava: I'M WORRIED ABOUT HIM. HE'S 933 00:40:07,105 --> 00:40:13,044 UNSTABLE. HE COULD HURT HIMSELF. 934 00:40:13,044 --> 00:40:14,613 I'M WORRIED HE MIGHT WANT TO 935 00:40:14,613 --> 00:40:16,548 HURT YOU. 936 00:40:16,548 --> 00:40:22,921 Matt: I CAN DEFEND MYSELF. 937 00:40:22,921 --> 00:40:24,556 Ava: YOU CAN STOP ACTING MAD 938 00:40:24,556 --> 00:40:26,057 ABOUT YOUR PARENTS. I DON'T 939 00:40:26,057 --> 00:40:30,061 EXPECT AN IMAGE. I'VE SEEN THE 940 00:40:30,061 --> 00:40:35,166 REAL SOUL INSIDE. I KNOW YOU 941 00:40:35,166 --> 00:40:36,267 MISS ME JUST AS MUCH AS I MISS 942 00:40:36,267 --> 00:40:37,569 YOU. 943 00:40:37,569 --> 00:40:46,244 Matt: JUST DON'T. YOU LIED TO ME 944 00:40:46,244 --> 00:40:48,046 ABOUT ADRIAN. 945 00:40:48,046 --> 00:40:49,648 Ava: I WAS TRYING TO PROTECT HIM 946 00:40:49,648 --> 00:40:50,716 FROM A TRUTH HE CLEARLY COULDN'T 947 00:40:50,716 --> 00:40:54,119 ACCEPT. 948 00:40:54,119 --> 00:40:57,823 Matt: DID YOU SLEEP WITH HIM? 949 00:40:57,823 --> 00:40:59,791 Ava: THE ONLY MAN I'VE BEEN WITH 950 00:40:59,791 --> 00:41:06,765 SINCE I MET YOU IS YOU. 951 00:41:06,765 --> 00:41:08,266 Matt: WHY SHOULD I EVER BELIEVE 952 00:41:08,266 --> 00:41:11,803 YOU AGAIN? 953 00:41:11,803 --> 00:41:15,106 Ava: BECAUSE...EVEN WITH ALL I 954 00:41:15,106 --> 00:41:19,811 RISK BY DOING IT, I LOVE YOU, 955 00:41:19,811 --> 00:41:22,981 AND ONLY YOU. EVERYTHING ELSE 956 00:41:22,981 --> 00:41:26,652 BLOWS AWAY. 957 00:42:06,725 --> 00:42:08,760 Trudy: IT'S NOT WHAT YOU THINK. 958 00:42:08,760 --> 00:42:11,362 UM, STAN WASN'T EVEN HOME. HE 959 00:42:11,362 --> 00:42:12,831 WENT DOWN TO THE CORNER TO PICK 960 00:42:12,831 --> 00:42:15,233 UP SOME DINNER. OUR FREEZER WAS 961 00:42:15,233 --> 00:42:16,835 ON THE FRITZ, AND THERE WAS 962 00:42:16,835 --> 00:42:17,869 WATER ALL OVER THE KITCHEN 963 00:42:17,869 --> 00:42:19,838 FLOOR. AND IT WAS STUPID. YOU 964 00:42:19,838 --> 00:42:21,006 KNOW, I KNEW IT WAS THERE, AND I 965 00:42:21,006 --> 00:42:22,273 SLIPPED ON IT ANYWAY, AND I HIT 966 00:42:22,273 --> 00:42:23,609 MY NOSE ON THE CORNER OF THE 967 00:42:23,609 --> 00:42:24,743 TABLE. 968 00:42:24,743 --> 00:42:25,711 Sean: WHY DIDN'T HE COME WITH 969 00:42:25,711 --> 00:42:27,278 YOU? 970 00:42:27,278 --> 00:42:29,080 Trudy: HE WOULD'VE, BUT HE HAD 971 00:42:29,080 --> 00:42:32,017 TO BE AT HIS PAROLE OFFICER'S. 972 00:42:32,017 --> 00:42:32,984 Christian: TRUDY, IF STAN HIT 973 00:42:32,984 --> 00:42:34,052 YOU AGAIN, WHICH HE OBVIOUSLY 974 00:42:34,052 --> 00:42:35,921 DID, YOU CAN TELL US. WE'LL CALL 975 00:42:35,921 --> 00:42:37,288 D.H.S., AND THEY'LL PUT YOU 976 00:42:37,288 --> 00:42:38,724 IN A SAFE SPACE TONIGHT. 977 00:42:38,724 --> 00:42:39,658 Trudy: I'M TELLING YOU, HE 978 00:42:39,658 --> 00:42:41,059 DIDN'T DO IT! IT WAS MY 979 00:42:41,059 --> 00:42:43,929 STUPIDITY, AND THAT IS ALL. STAN 980 00:42:43,929 --> 00:42:46,798 LOVES ME, AND I LOVE STAN, AND 981 00:42:46,798 --> 00:42:48,166 WE NEED EACH OTHER, AND WHAT WE 982 00:42:48,166 --> 00:42:49,901 DON'T NEED IS ANYONE TELLING US 983 00:42:49,901 --> 00:42:58,309 HOW TO LIVE OUR LIVES. SO...CAN 984 00:42:58,309 --> 00:43:01,747 YOU PLEASE FIX MY NOSE? BECAUSE 985 00:43:01,747 --> 00:43:05,083 I'M HAVING TROUBLE BREATHING. 986 00:43:09,087 --> 00:43:10,155 Sean: WE DO HAVE AN OPENING THIS 987 00:43:10,155 --> 00:43:12,958 AFTERNOON. WE COULD DO THE 988 00:43:12,958 --> 00:43:18,664 OPERATION TODAY IF YOU LIKE. 989 00:43:18,664 --> 00:43:21,733 Trudy: I--I WAS WONDERING, DO 990 00:43:21,733 --> 00:43:22,433 YOU HAVE TO PUT ME UNDER 991 00:43:22,433 --> 00:43:23,802 ANESTHESIA LIKE YOU DID LAST 992 00:43:23,802 --> 00:43:25,136 TIME? 993 00:43:25,136 --> 00:43:27,105 Sean: WHY DO YOU ASK? 994 00:43:27,105 --> 00:43:29,841 Trudy: I'M PREGNANT. I DON'T 995 00:43:29,841 --> 00:43:33,311 WANNA HURT MY BABY. 996 00:43:33,311 --> 00:43:34,345 * YOU TELL ME 997 00:43:34,345 --> 00:43:37,348 THAT YOU'RE LEAVIN', 998 00:43:37,348 --> 00:43:43,088 I CAN'T BELIEVE IT'S TRUE, 999 00:43:43,088 --> 00:43:46,958 GIRL, THERE'S JUST NO LIVING 1000 00:43:46,958 --> 00:43:49,327 WITHOUT YOU * 1001 00:43:49,327 --> 00:43:51,096 Sean: SAD, ISN'T IT? AFTER ALL 1002 00:43:51,096 --> 00:43:52,998 THAT'S HAPPENED, STAN NYE'S 1003 00:43:52,998 --> 00:43:54,700 POWER OVER TRUDY IS STILL TOO 1004 00:43:54,700 --> 00:43:56,267 STRONG FOR HER TO ESCAPE. 1005 00:43:56,267 --> 00:43:57,302 Christian: I DON'T SEE A HAPPILY 1006 00:43:57,302 --> 00:44:01,339 EVER AFTER IN THEIR FUTURE. 1007 00:44:01,339 --> 00:44:05,443 * WAIT FOR ME, 1008 00:44:05,443 --> 00:44:09,114 DON'T YOU LEAVE MY HEART 1009 00:44:09,114 --> 00:44:13,251 IN MISERY, 1010 00:44:13,251 --> 00:44:16,988 'CAUSE IF YOU GO 1011 00:44:16,988 --> 00:44:20,491 THEN I'LL BE BLUE, 1012 00:44:20,491 --> 00:44:22,761 BREAKIN' UP IS HARD TO DO * 1013 00:44:22,761 --> 00:44:25,731 Sean: SO, I GUESS WE'RE JUST 2 1014 00:44:25,731 --> 00:44:28,133 AVAILABLE BACHELORS NOW. 1015 00:44:28,133 --> 00:44:29,735 Christian: I GUESS. 1016 00:44:29,735 --> 00:44:32,070 Sean: WHAT DO YOU SAY WE GRAB A 1017 00:44:32,070 --> 00:44:35,273 FEW BEERS, GET SOME STEAKS, AND 1018 00:44:35,273 --> 00:44:36,341 HAVE A RIP-ROARING GUYS ON THE 1019 00:44:36,341 --> 00:44:40,078 TOWN NIGHT? 1020 00:44:40,078 --> 00:44:44,015 Christian: I CAN'T. I GOT PLANS. 1021 00:44:44,015 --> 00:44:47,452 Sean: WOW. A NEW GIRL ALREADY? 1022 00:44:47,452 --> 00:44:50,288 IMPRESSIVE, EVEN FOR YOU. WHEN'D 1023 00:44:50,288 --> 00:44:53,024 YOU HAVE TIME TO EVEN MEET HER? 1024 00:44:53,024 --> 00:44:53,992 Christian: I'M HAVING DINNER 1025 00:44:53,992 --> 00:45:00,932 WITH KIMBER TONIGHT. 1026 00:45:00,932 --> 00:45:01,900 Sean: WHY ARE YOU GOING OUT WITH 1027 00:45:01,900 --> 00:45:05,103 HER? 1028 00:45:09,841 --> 00:45:10,909 Christian: YOU KNOW WHAT? YOU'RE 1029 00:45:10,909 --> 00:45:12,377 RIGHT? I SHOULDN'T JUST USE HER 1030 00:45:12,377 --> 00:45:14,412 SEXUALLY. YOU SHOULD. I'LL 1031 00:45:14,412 --> 00:45:16,047 CANCEL, AND THEN YOU CAN PLAY 1032 00:45:16,047 --> 00:45:16,982 HIDE THE PICKLE WITH HER 1033 00:45:16,982 --> 00:45:19,184 TONIGHT. 1034 00:45:19,184 --> 00:45:22,153 Sean: I DON'T WANT THAT. I'M 1035 00:45:22,153 --> 00:45:24,455 RELIEVED IT'S OVER. LET'S BE 1036 00:45:24,455 --> 00:45:25,857 HONEST. THE ONLY REASON SHE 1037 00:45:25,857 --> 00:45:27,058 JUMPED IN THE SACK WITH ME AT 1038 00:45:27,058 --> 00:45:28,059 ALL IS BECAUSE OF MY PROXIMITY 1039 00:45:28,059 --> 00:45:29,094 TO YOU. 1040 00:45:29,094 --> 00:45:30,128 Christian: SHE CAN'T BE TRUSTED. 1041 00:45:30,128 --> 00:45:33,564 Sean: NO. 1042 00:45:33,564 --> 00:45:35,033 Christian: YOU DON'T BELONG WITH 1043 00:45:35,033 --> 00:45:37,268 KIMBER ANYWAY, SEAN. YOU BELONG 1044 00:45:37,268 --> 00:45:39,004 WITH SOMEONE LIKE JULIA. 1045 00:45:39,004 --> 00:45:41,406 Sean: YEAH. WELL, JULIA IS NOT 1046 00:45:41,406 --> 00:45:45,443 AVAILABLE ANY LONGER. 1047 00:46:03,294 --> 00:46:04,295 [CAPTIONED BY THE NATIONAL 1048 00:46:04,295 --> 00:46:06,297 CAPTIONING INSTITUTE 1049 00:46:06,297 --> 00:46:09,234 --www.ncicap.org--] 66981

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