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These are the user uploaded subtitles that are being translated: 1 00:00:16,384 --> 00:00:22,054 ♪ I'LL FOLLOW THE BOYS ♪ 2 00:00:22,123 --> 00:00:26,892 ♪ WHEREVER THEY GO ♪ 3 00:00:30,131 --> 00:00:34,566 ♪ I'LL FOLLOW THE BOYS ♪ 4 00:00:34,635 --> 00:00:40,372 ♪ 'CAUSE IN MY HEART I KNOW ♪ 5 00:00:42,843 --> 00:00:46,412 ♪ I KNOW THAT SOMEWHERE ♪ 6 00:00:46,480 --> 00:00:51,950 ♪ SOMEWHERE ALONG THE WAY ♪ 7 00:00:55,423 --> 00:00:58,624 ♪ I'LL FIND MY LOVE ♪ 8 00:00:58,692 --> 00:01:02,261 ♪ MY OWN TRUE LOVE ♪ 9 00:01:02,329 --> 00:01:06,365 ♪ SOMEDAY ♪ 10 00:01:06,434 --> 00:01:11,837 ♪ THERE WILL BE NO PLACE TOO FAR ♪ 11 00:01:12,740 --> 00:01:17,810 ♪ NO OCEAN TOO WIDE ♪ 12 00:01:20,381 --> 00:01:24,316 ♪ WHEREVER HE GOES ♪ 13 00:01:24,385 --> 00:01:29,988 ♪ I'LL BE RIGHT BY HIS SIDE ♪ 14 00:01:32,593 --> 00:01:36,528 ♪ I'LL FOLLOW THE BOYS ♪ 15 00:01:36,597 --> 00:01:41,934 ♪ AND WAIT UNTIL THE TIME ♪ 16 00:01:45,039 --> 00:01:48,240 ♪ TILL THE BOY ♪ 17 00:01:48,309 --> 00:01:52,211 ♪ THAT I'M FOLLOWING ♪ 18 00:01:52,279 --> 00:01:56,381 ♪ IS MINE ♪ 19 00:01:56,450 --> 00:02:01,620 ♪ THERE WILL BE NO PLACE TOO FAR ♪ 20 00:02:02,590 --> 00:02:07,793 ♪ NO OCEAN TOO WIDE ♪ 21 00:02:10,464 --> 00:02:14,399 ♪ WHEREVER HE GOES ♪ 22 00:02:14,468 --> 00:02:20,005 ♪ I'LL BE RIGHT BY HIS SIDE ♪ 23 00:02:22,610 --> 00:02:26,411 ♪ I'LL FOLLOW THE BOYS ♪ 24 00:02:26,480 --> 00:02:31,984 ♪ AND WAIT UNTIL THE TIME ♪ 25 00:02:34,155 --> 00:02:40,893 ♪ TILL THAT WONDERFUL BOY THAT I'M FOLLOWING ♪ 26 00:02:42,463 --> 00:02:49,168 ♪ IS MINE ♪♪ 27 00:03:02,550 --> 00:03:05,417 SEA GULLS-- A GREGARIOUS, NOISY BIRD 28 00:03:05,486 --> 00:03:07,286 GIVEN TO FOLLOWING SHIPS. 29 00:03:07,354 --> 00:03:09,454 THERE ARE OTHER VARIETIES OF SEA GULLS. 30 00:03:09,523 --> 00:03:12,424 SOME FLY, SOME COME BY TRAIN OR BUS. 31 00:03:12,493 --> 00:03:13,992 HERE IN THE MEDITERRANEAN 32 00:03:14,061 --> 00:03:15,093 THIS FLOCK OF SEA GULLS 33 00:03:15,162 --> 00:03:17,596 IS FOLLOWING ONE PARTICULAR U.S. DESTROYER. 34 00:03:17,665 --> 00:03:18,931 THERE ARE MANY OTHERS 35 00:03:18,999 --> 00:03:20,799 FOR THESE ARE THE WIVES AND SWEETHEARTS 36 00:03:20,868 --> 00:03:23,402 OF MEN SERVING ON THE AMERICAN SIXTH FLEET. 37 00:03:23,470 --> 00:03:26,038 THIS IS YOUR MAN ON THE SPOT REPORTING TO YOU 38 00:03:26,106 --> 00:03:27,673 FROM THE WATERFRONT AT CANNES, FRANCE 39 00:03:27,741 --> 00:03:29,775 AND BRINGING INTO FOCUS FOR ALLIED TELEVISION 40 00:03:29,843 --> 00:03:31,577 THE HEARTACHES, JOYS, AND TEARS 41 00:03:31,645 --> 00:03:33,245 OF THIS GALLANT BAND OF WOMEN. 42 00:03:33,314 --> 00:03:36,982 -PARDON ME. -WHOA! 43 00:03:37,051 --> 00:03:39,818 NO SHIP'S TO ANCHOR HERE. DON'T KNOW WHY IT'S PULLING UP. 44 00:03:39,887 --> 00:03:42,721 NOBODY'S TOLD ME YET. WHAT TIME WILL THE BOAT GET IN? 45 00:03:42,790 --> 00:03:44,923 WHAT? WHAT TIME WILL THE BOAT GET IN? 46 00:03:44,992 --> 00:03:47,492 WHAT? [SHOUTING] WHAT TIME WILL THE BOAT-- 47 00:03:47,561 --> 00:03:48,694 [TURNS MUSIC OFF] 48 00:03:48,762 --> 00:03:51,663 THESHIP IS GOING OUT. 49 00:03:51,732 --> 00:03:54,633 HOW DO YOU MEAN GOING OUT? 50 00:03:54,702 --> 00:03:56,134 LOOK, THE SHIP CAME IN 51 00:03:56,203 --> 00:03:57,603 AND THEN IT JUST SWUNG AROUND 52 00:03:57,671 --> 00:03:59,304 AND IT WENT RIGHT OUT AGAIN. 53 00:03:59,373 --> 00:04:00,739 WHY? 54 00:04:00,808 --> 00:04:02,074 I'VE BEEN TRYING TO EXPLAIN. 55 00:04:02,142 --> 00:04:04,343 I DON'T KNOW. I JUST DON'T KNOW. 56 00:04:04,411 --> 00:04:07,846 THE ADMIRAL HASN'T LET ME IN ON IT. 57 00:04:17,725 --> 00:04:20,425 READING FROM STERN TO BOW, I QUOTE 58 00:04:20,494 --> 00:04:26,531 "MARILYN, I'LL BE TRUE. HOW ABOUT YOU? 59 00:04:27,668 --> 00:04:30,035 "JOSEPHINE... 60 00:04:30,771 --> 00:04:34,673 NOT TONIGHT, JOSEPHINE." 61 00:04:35,709 --> 00:04:38,877 OH, PARDON. THIS ONE'S FOR ME. 62 00:04:39,847 --> 00:04:43,782 "DIVERTED FOR EXERCISE ALERT. 63 00:04:44,918 --> 00:04:48,654 "ON COMPLETION, SHIP WILL PUT IN 64 00:04:48,722 --> 00:04:51,890 AT SANTA MARGHERITA." 65 00:04:53,594 --> 00:04:54,793 WELL, THAT'S IT. 66 00:04:54,862 --> 00:04:57,929 NEXT STOP-- SANTA MARGHERITA. 67 00:04:57,998 --> 00:05:00,198 WELL, THAT'S ALL, LADIES. 68 00:05:02,102 --> 00:05:05,070 BUT I'VE COME ALL THE WAY FROM PIERRE, SOUTH DAKOTA. 69 00:05:05,139 --> 00:05:07,139 WELL, WE'RE ALL IN THE SAME BOAT. 70 00:05:07,207 --> 00:05:08,507 I MEAN SHIP. 71 00:05:08,575 --> 00:05:09,708 BUT HE'S SO NEAR... 72 00:05:09,777 --> 00:05:12,144 AND I'VE COME SO FAR. 73 00:05:12,212 --> 00:05:13,445 YOUR HUSBAND? 74 00:05:13,514 --> 00:05:15,947 MM-HMM. SORT OF. 75 00:05:16,016 --> 00:05:17,582 WELL, THAT'S NEW. HOW SORT OF? 76 00:05:17,651 --> 00:05:21,253 WE GOT MARRIED AT 9:00 AND HE GOT HIS ORDERS AT 10:00-- 77 00:05:21,322 --> 00:05:24,289 RIGHT IN THE MIDDLE OF THE WEDDING BREAKFAST. 78 00:05:24,358 --> 00:05:26,658 AND ALL WAS LOST, SAVE HONOR. 79 00:05:26,727 --> 00:05:29,594 WELL, BETTER LUCK IN SANTA MARGHERITA. 80 00:05:32,866 --> 00:05:34,599 HEY! 81 00:05:36,537 --> 00:05:38,270 WHERE IS THIS PLACE? 82 00:05:38,339 --> 00:05:40,405 THE ITALIAN RIVIERA. 83 00:05:40,474 --> 00:05:44,109 ITALY! I JUST GOT TO FRANCE. 84 00:05:44,178 --> 00:05:47,612 YOU JOIN THE NAVY, YOU SEE THE WORLD WHETHER YOU LIKE IT OR NOT. 85 00:05:47,681 --> 00:05:51,683 HOW DO YOU GET THERE? IN THIS CASE, WE TAKE A TRAIN-- 647. 86 00:05:51,752 --> 00:05:53,752 SURE. THE TRAIN. 87 00:05:53,821 --> 00:05:55,587 THAT COSTS MONEY. 88 00:05:55,656 --> 00:05:57,889 AND YOU... 89 00:05:57,958 --> 00:05:59,424 DON'T HAVE ANY MONEY? 90 00:05:59,493 --> 00:06:01,993 SURE, I DO. I HAVE 54 FRANCS. 91 00:06:02,062 --> 00:06:03,862 OH. 54 FRANCS. 92 00:06:03,931 --> 00:06:05,697 YOU KNOW HOW MUCH THAT IS? 93 00:06:05,766 --> 00:06:07,165 THAT'S ABOUT $10. 94 00:06:07,234 --> 00:06:08,367 OH, IS IT? 95 00:06:10,437 --> 00:06:11,603 WELL, LOOK... 96 00:06:11,672 --> 00:06:14,139 I CAN'T STAKE YOU TO THE FARE HOME 97 00:06:14,208 --> 00:06:16,808 BUT I'LL STAKE YOU TO THE FARE TO SANTA MARGHERITA. 98 00:06:16,877 --> 00:06:20,178 IN PIERRE, SOUTH DAKOTA, WE NEVER BORROW. 99 00:06:20,247 --> 00:06:21,747 LOOK... 100 00:06:21,815 --> 00:06:23,715 I HAVE TO MAKE A SUGGESTION, THEN. 101 00:06:23,784 --> 00:06:26,118 GO TO THE U.S. CONSULATE IN NICE. 102 00:06:26,186 --> 00:06:28,887 TELL THEM AND LET THEM HELP YOU, HUH? 103 00:06:28,956 --> 00:06:31,423 YOU MEAN CON THE STATE DEPARTMENT? 104 00:06:31,492 --> 00:06:33,191 I DON'T MEAN CON ANYBODY. 105 00:06:33,260 --> 00:06:36,495 I MEAN, JUST GO TO THE U.S. CONSULATE AND TELL THEM. 106 00:06:36,563 --> 00:06:38,296 WILL YOU DO THAT? YEAH. 107 00:06:38,365 --> 00:06:39,765 O.K.? 108 00:06:41,201 --> 00:06:44,136 OH! BUT THE SHIP DID NOT COME IN. 109 00:06:44,204 --> 00:06:46,671 IT HAS GONE TO SANTA MARGHERITA. 110 00:06:46,740 --> 00:06:49,141 OH, NO, NO, NO! I'M DETERMINED. 111 00:06:49,209 --> 00:06:53,378 THE UNITED STATES NAVY CANNOT PROTECT HIM FROM EVERYTHING. 112 00:06:54,715 --> 00:06:57,315 I WILL MANAGE IT... SOMEHOW. 113 00:06:57,384 --> 00:06:58,517 AU REVOIR. 114 00:06:58,585 --> 00:07:00,018 [MAN] GOOD-BYE. 115 00:07:06,560 --> 00:07:09,461 OH! MADEMOISELLE! 116 00:07:09,530 --> 00:07:13,265 ARE YOU GOING TO SANTA MARGHERITA? 117 00:07:13,333 --> 00:07:14,633 YES. 118 00:07:14,701 --> 00:07:18,470 I WONDER IF YOU CARE TO GO BY CAR? YOU HAVE A CAR? 119 00:07:18,539 --> 00:07:21,740 WELL...ALMOST. 120 00:07:22,676 --> 00:07:25,243 WAIT A MINUTE. THAT? 121 00:07:25,312 --> 00:07:30,081 OH, YOU UNDERSTAND THAT APPEARANCES ARE OFTEN DECEPTIVE. 122 00:07:30,150 --> 00:07:31,349 OH, SURE. 123 00:07:31,418 --> 00:07:32,851 BENEATH THAT ROUGH EXTERIOR 124 00:07:32,920 --> 00:07:34,853 BEATS A HEART OF PURE RUST. 125 00:07:34,922 --> 00:07:38,824 THAT IS THE CRAZIEST- LOOKING HOT ROD I EVER SAW. 126 00:07:38,892 --> 00:07:40,826 AS A MATTER OF ACADEMIC INTEREST ONLY 127 00:07:40,894 --> 00:07:42,861 ARE YOU BUYING, OR ARE YOU SELLING? 128 00:07:42,930 --> 00:07:44,863 OH, BUYING. AT LEAST A SHARE. 129 00:07:44,932 --> 00:07:47,132 YOU SEE, I CAN ONLY AFFORD 50 FRANCS 130 00:07:47,201 --> 00:07:48,533 AND IT IS FOR 200. 131 00:07:48,602 --> 00:07:52,370 IF THERE CAN BE FOUR OF US, IT'S A CHEAP WAY TO TRAVEL. 132 00:07:52,439 --> 00:07:53,572 THAT'S FOR ME. 133 00:07:53,640 --> 00:07:54,873 AND YOU, MADAME? 134 00:07:54,942 --> 00:07:56,074 OH, NO, THANKS. 135 00:07:56,143 --> 00:07:58,009 THAT THING'S AS OLD AS I AM. 136 00:07:58,078 --> 00:08:01,313 AND PROBABLY IN JUST AS GOOD CONDITION, TOO. 137 00:08:01,381 --> 00:08:02,881 THANKS. 138 00:08:04,351 --> 00:08:05,784 HEY, LOOK! 139 00:08:09,456 --> 00:08:10,922 LET'S TRY HER. 140 00:08:10,991 --> 00:08:12,524 I DON'T THINK SO. 141 00:08:12,593 --> 00:08:13,825 STRICTLY THOROUGHBRED. 142 00:08:13,894 --> 00:08:15,861 OUT OF BLUE BLOOD BY SOCIAL REGISTER. 143 00:08:15,929 --> 00:08:17,295 I'LL ASK HER. 144 00:08:17,364 --> 00:08:18,630 GOOD LUCK. 145 00:08:18,699 --> 00:08:20,732 FOR THE PRICE OF THE DRESS ALONE 146 00:08:20,801 --> 00:08:22,968 THAT ONE COULD HIRE A PRIVATE PLANE. 147 00:08:29,309 --> 00:08:30,842 SHE'S INTERESTED. 148 00:08:30,911 --> 00:08:32,344 GO ON. GET WITH IT. 149 00:08:32,412 --> 00:08:33,545 PARDON? 150 00:08:33,614 --> 00:08:35,547 THE SALES TALK. 151 00:08:35,616 --> 00:08:37,148 [MOANS] 152 00:08:39,653 --> 00:08:41,620 LISTEN TO THOSE SPRINGS. 153 00:08:41,688 --> 00:08:44,055 YOU SEE? THE CAR HAS RHYTHM. 154 00:08:44,124 --> 00:08:46,858 TAKE A LOOK AT THIS POWERFUL MOTOR. 155 00:08:48,428 --> 00:08:51,696 THEY SURE DON'T MAKE MOTORS LIKE THAT ANYMORE. 156 00:08:51,765 --> 00:08:53,565 IT'S A LOVELY CONTRAST, TOO. 157 00:08:53,634 --> 00:08:56,501 WHY DON'T YOU SHOP AROUND FOR A CHEAP ROLLS ROYCE? 158 00:08:56,570 --> 00:09:00,572 THERE IS NO SUCH THING AS ACHEAPROLLS ROYCE. 159 00:09:00,641 --> 00:09:01,940 HOWEVER, I'M ALWAYS INTERESTED 160 00:09:02,009 --> 00:09:03,441 IN A SOUND INVESTMENT. 161 00:09:03,510 --> 00:09:06,578 WELL, IN THAT CASE, YOU CAN PICK UP MY SHARE. 162 00:09:06,647 --> 00:09:08,146 SOLD. 163 00:09:08,682 --> 00:09:09,848 THANK YOU. 164 00:09:09,917 --> 00:09:11,616 YOU'RE O.K. 165 00:09:11,685 --> 00:09:12,884 THANKYOU. 166 00:09:12,953 --> 00:09:15,220 AFTER ALL, IT'S MORE EXPENSIVE ON THE TRAIN. 167 00:09:15,289 --> 00:09:17,622 100 FRANCS. 168 00:09:17,691 --> 00:09:19,991 I'LL GO GET MY 50 FRANCS. 169 00:09:26,433 --> 00:09:27,632 A LITTLE ONE FOR YOU. 170 00:09:27,701 --> 00:09:29,200 RIGHT. 171 00:09:31,605 --> 00:09:32,904 SHALL WE GO? MM-HMM. 172 00:09:32,973 --> 00:09:35,073 WHO'S DRIVING? 173 00:09:39,012 --> 00:09:41,179 OH, I'M GETTING MY MONEY BACK. 174 00:09:50,924 --> 00:09:53,525 I'M SORRY, HONEY. 175 00:09:53,594 --> 00:09:55,961 WELL, THAT'S THAT, HUH? 176 00:09:58,065 --> 00:10:01,800 THAT CONSULATE IN NICE... 177 00:10:01,868 --> 00:10:05,837 COULD--COULD I GET THERE ON FOUR FRANCS? 178 00:10:07,841 --> 00:10:09,341 WELL, THAT DOES IT. 179 00:10:09,409 --> 00:10:11,376 SANTA MARGHERITA, HERE WE COME. 180 00:10:11,445 --> 00:10:13,912 ATTA GIRL!■ MERVEILLEUX! 181 00:10:16,717 --> 00:10:19,451 WILL SOMEBODY PLEASE TELL ME WHY I'M EVERYBODY'S BIG SISTER? 182 00:10:19,519 --> 00:10:22,420 I'M MY MOTHER'S BIG SISTER. I'M MY BIG SISTER'S BIG SISTER. 183 00:10:22,489 --> 00:10:25,423 AND YOU OWE ME 50 FRANCS. OH, SURE. 184 00:10:25,492 --> 00:10:27,859 HERE WE GO. 185 00:10:33,300 --> 00:10:34,699 ♪ CLANG, CLANG, CLANG ♪ 186 00:10:34,768 --> 00:10:37,802 ♪ WENT THE TROLLEY, CLANG-- ♪♪ 187 00:10:37,871 --> 00:10:40,105 GOOD MORNING, SIR. 188 00:10:40,173 --> 00:10:42,874 AH, IT'S GREAT TO BE ALIVE, ISN'T IT? 189 00:10:43,677 --> 00:10:45,110 YES, IT IS. 190 00:10:45,178 --> 00:10:46,678 WHAT'S YOUR REASON? 191 00:10:46,747 --> 00:10:48,647 WELL, I... 192 00:10:48,715 --> 00:10:51,116 I, UH, JUST LIKE BEING AT SEA. 193 00:10:51,184 --> 00:10:53,685 DON'T TELL ME YOU BELIEVE IN THE RECRUITING POSTERS. 194 00:10:53,754 --> 00:10:54,886 OH, ABSOLUTELY. 195 00:10:54,955 --> 00:10:56,521 THAT'S FUNNY. 196 00:10:56,590 --> 00:11:00,091 I MUST HAVE MISSED THE ONE THAT GUARANTEED A GIRL IN EVERY PORT. 197 00:11:00,160 --> 00:11:02,961 SURELY YOU DON'T THINK THAT'S THE REASON I JOINED THE NAVY. 198 00:11:03,030 --> 00:11:06,097 ISN'T IT? I HEARD THAT THE MINUTE YOU HIT THE SHORE 199 00:11:06,166 --> 00:11:09,401 YOU BECAME A ONE-MAN MARSHALL PLAN. 200 00:11:09,469 --> 00:11:10,869 WELL, NOT BY CHOICE. 201 00:11:10,937 --> 00:11:14,372 I'VE TO KEEP RUNNING UP BILLS BECAUSE THE MORE BILLS I RUN UP 202 00:11:14,441 --> 00:11:17,008 THE MORE MY FATHER THREATENS TO CUT OFF MY ALLOWANCE. 203 00:11:17,077 --> 00:11:18,843 HOW'S THAT AGAIN, LIEUTENANT? 204 00:11:18,912 --> 00:11:23,181 IF I STOP RUNNING UP BILLS, MY PARENTS MIGHT GET THE IDEA THAT 205 00:11:23,250 --> 00:11:26,017 I'M READY TO SETTLE DOWN AND, UH, GET MARRIED. 206 00:11:26,086 --> 00:11:28,486 EITHER WAY, YOU'RE A DEAD DUCK. IS THAT IT? 207 00:11:28,555 --> 00:11:29,788 SAD BUT TRUE. 208 00:11:29,856 --> 00:11:32,991 THE SPOT I'M IN, I ALMOSTHADTO JOIN THE NAVY. 209 00:11:33,060 --> 00:11:36,061 WELL, THAT'S ONE EVEN THE RECRUITING OFFICE HASN'T THOUGHT OF. 210 00:11:36,129 --> 00:11:37,662 BUT I HOPE YOU REALIZE, SIR 211 00:11:37,731 --> 00:11:40,231 THAT ALL THOSE RUMORS ABOUT MY ACTUAL ACTIVITIES ASHORE 212 00:11:40,300 --> 00:11:44,169 ARE THE MERE FABRICATIONS OF CERTAIN JEALOUS MINDS. 213 00:11:44,237 --> 00:11:45,937 [FOOTSTEPS APPROACHING] 214 00:11:48,308 --> 00:11:51,743 WELL, WHAT IS IT, SMITH? A MESSAGE TO GARCIA? 215 00:11:51,812 --> 00:11:53,311 OH, NO, SIR. LIEUTENANT LANGLEY. 216 00:11:53,380 --> 00:11:56,181 I, UH, I JUST WANTED A FEW WORDS WITH HIM. 217 00:11:56,249 --> 00:11:58,516 ALRIGHT. HAVE A FEW. 218 00:12:01,888 --> 00:12:03,021 YOU... 219 00:12:03,090 --> 00:12:06,791 YOU'RE A LOW, MISERABLE, 220 00:12:06,860 --> 00:12:11,229 DOUBLE-CROSSING, SHIFTY-EYED CRUMB. 221 00:12:12,933 --> 00:12:14,966 THANK YOU, SIR. 222 00:12:17,370 --> 00:12:19,070 SIR, DID THE MAIL COME ABOARD 223 00:12:19,139 --> 00:12:21,940 WHEN WE MADE THE TURN? 224 00:12:22,008 --> 00:12:23,308 YES. 225 00:12:23,376 --> 00:12:25,276 AH. I'M AFRAID LIEUTENANT SMITH 226 00:12:25,345 --> 00:12:27,912 HAS JUST FOUND OUT THAT A CERTAIN BEAUTIFUL FRIENDSHIP 227 00:12:27,981 --> 00:12:30,248 HAS BECOME MUTUAL. 228 00:12:33,320 --> 00:12:35,487 CARRY ON, LIEUTENANT. YES, SIR. 229 00:12:35,555 --> 00:12:39,190 AS I RECALL, YOU WERE IN THE MIDDLE OF THE TROLLEY SONG. 230 00:12:39,259 --> 00:12:40,692 ♪ CLANG, CLANG, CLANG ♪ 231 00:12:40,761 --> 00:12:42,994 ♪ WENT THE TROLLEY... ♪♪ 232 00:12:46,299 --> 00:12:48,500 JUST IN CASE ONE OF US SURVIVES THIS TRIP 233 00:12:48,568 --> 00:12:51,136 I THINK THE NEXT OF KIN SHOULD BE NOTIFIED. 234 00:12:51,204 --> 00:12:53,338 I'M LIZ BRADVILLE. MICHELE PERRIER. 235 00:12:53,406 --> 00:12:56,207 TONI DENHAM. I'M BONNIE PULASKI. 236 00:12:56,276 --> 00:12:58,610 HEY, THERE'S A FELLOW CALLED BRADVILLE 237 00:12:58,678 --> 00:12:59,811 ON MY BILLY'S BOAT 238 00:12:59,880 --> 00:13:01,880 THEUSS MAITLAND-- 239 00:13:01,948 --> 00:13:04,249 A LIEUTENANT COMMANDER. 240 00:13:04,317 --> 00:13:07,318 I KNOW THE GUY. HE'S MY HUSBAND. 241 00:13:08,855 --> 00:13:10,688 BILLY'S RADARMAN... 242 00:13:10,757 --> 00:13:12,423 THIRD CLASS. OH. 243 00:13:12,492 --> 00:13:15,927 I DOUBT IF YOUR MEN ARE GOING TO MAKE IT INTO SANTA MARGHERITA. 244 00:13:15,996 --> 00:13:17,595 HOW'S THAT? 245 00:13:17,664 --> 00:13:20,198 I KNOW THE ASSISTANT NAVIGATION OFFICER ON THEMAITLAND. 246 00:13:20,267 --> 00:13:22,834 HE COULD LOSE A BATTLESHIP IN A BATHTUB. 247 00:13:22,903 --> 00:13:24,068 PETE LANGLEY? 248 00:13:24,137 --> 00:13:26,070 MY FIANCE. 249 00:13:27,707 --> 00:13:29,674 WELL, CONGRATULATIONS. 250 00:13:29,743 --> 00:13:31,276 WHEN'S IT GOING TO BE? 251 00:13:31,344 --> 00:13:33,311 I HAVE TO AGREE WITH BOTH OUR FAMILIES 252 00:13:33,380 --> 00:13:35,146 THAT THE SOONER WE MERGE, THE BETTER-- 253 00:13:35,215 --> 00:13:37,115 FROM A BUSINESS VIEWPOINT, OF COURSE. 254 00:13:37,184 --> 00:13:38,683 SOUNDS ROMANTIC. 255 00:13:38,752 --> 00:13:41,953 THE RESULT OF OUR UNION WILL BE DENHAM/LANGLEY CONSOLIDATED-- 256 00:13:42,022 --> 00:13:43,888 ONE OF THE BIGGEST MEAT CANNING COMBINES 257 00:13:43,957 --> 00:13:45,590 IN THE STATE OF ILLINOIS. 258 00:13:45,659 --> 00:13:46,958 HALLELUJAH. 259 00:13:47,027 --> 00:13:49,494 WHO ARE YOU FOLLOWING? 260 00:13:49,563 --> 00:13:51,095 OH, LIEU-- 261 00:13:51,164 --> 00:13:53,398 LIEUTENANT, UH, LIEUTENANT SMITH. 262 00:13:53,466 --> 00:13:56,134 -WHAT BOAT'S HE ON? -SHIP. 263 00:13:56,203 --> 00:13:58,870 HE'S ON, UM... 264 00:13:58,939 --> 00:14:01,206 YOU...YOU WOULDN'T HAPPEN TO MEAN 265 00:14:01,274 --> 00:14:04,442 LIEUTENANT WADSWORTH SMITH, J.G.? 266 00:14:04,511 --> 00:14:05,710 WELL, YES. 267 00:14:05,779 --> 00:14:07,579 DON'T SAY HE'S ON THEMAITLAND,TOO. 268 00:14:07,647 --> 00:14:09,247 HONEY, THERE'S ONLY ONE WADSWORTH SMITH 269 00:14:09,316 --> 00:14:11,182 IN THE WHOLE UNITED STATES NAVY. 270 00:14:11,251 --> 00:14:13,685 HEY, YOU ENGAGED? 271 00:14:13,753 --> 00:14:14,886 WELL... 272 00:14:14,955 --> 00:14:17,121 I KNOW. SORT OF. 273 00:14:22,295 --> 00:14:24,562 THIS IS THE EXEC. WHO'S DOWN THERE? 274 00:14:24,631 --> 00:14:27,031 RADARMAN THIRD CLASS BILLY PULASKI, SIR. 275 00:14:27,100 --> 00:14:29,334 JUST THE LAST NAME WILL DO FINE, PULASKI. 276 00:14:29,402 --> 00:14:31,603 WE ONLY HAVE ONE OF YOU ABOARD... 277 00:14:31,671 --> 00:14:33,571 I'M HAPPY TO SAY. 278 00:14:33,640 --> 00:14:36,841 YES, SIR. WE'RE DUE TO RENDEZVOUS WITH A CARRIER AT 1500. 279 00:14:36,910 --> 00:14:40,378 LET ME KNOW WHEN WE MAKE CONTACT. AYE, AYE, SIR. 280 00:14:42,349 --> 00:14:44,315 HEY, HOW COME HE'S SO HAPPY 281 00:14:44,384 --> 00:14:45,850 I'M THE ONLY ONE ABOARD? 282 00:14:45,919 --> 00:14:47,252 DON'T FIGHT IT, BOY. 283 00:14:47,320 --> 00:14:50,421 YOU'RE ONE OF TROUBLE'S CHOSEN HANDMAIDENS. 284 00:14:50,490 --> 00:14:52,257 YEAH? 285 00:14:52,325 --> 00:14:54,425 FOR INSTANCE, YOU GOT THE RADAR SWITCHED OFF 286 00:14:54,494 --> 00:14:56,527 AND YOU'RE STILL STANDING THERE STARING AT IT. 287 00:14:56,596 --> 00:14:59,097 SHUT UP. ME AND BONNIE ARE WATCHING TELEVISION. 288 00:14:59,165 --> 00:15:00,598 YOU AND WHO ARE WHAT? 289 00:15:00,667 --> 00:15:02,000 WATCHING TELEVISION. 290 00:15:02,068 --> 00:15:03,334 SO WHAT'S WRONG WITH PRACTICING? 291 00:15:03,403 --> 00:15:06,004 -PRACTICING? -YEAH, TO BE A HUSBAND. 292 00:15:06,072 --> 00:15:09,107 THAT'S WHAT YOUNG MARRIED PEOPLE DO THESE DAYS. THEY WATCH TV. 293 00:15:09,175 --> 00:15:10,775 I WANT TO BE READY, THAT'S ALL. 294 00:15:10,844 --> 00:15:13,378 PULASKI, MAYBE YOU'D BETTER SEND FOR YOUR WIFE. 295 00:15:13,446 --> 00:15:15,413 WHAT, MY BONNIE A SEA GULL? 296 00:15:15,482 --> 00:15:16,414 OH, NO. 297 00:15:16,483 --> 00:15:18,049 MY NORA'S A SEA GULL. 298 00:15:18,118 --> 00:15:19,417 EVERY PORT WE PUT INTO 299 00:15:19,486 --> 00:15:22,053 THERE SHE IS STANDING ON THE DOCK WAITING FOR ME 300 00:15:22,122 --> 00:15:25,690 HER ARMS OUTSTRETCHED, CALLING MY NAME. 301 00:15:30,063 --> 00:15:33,531 O.K. YOU WANT ME TO TAKE YOUR DUTY AT SANTA MARGHERITA? 302 00:15:33,600 --> 00:15:34,532 YEAH, THANKS. 303 00:15:34,601 --> 00:15:36,067 YOU KNOW WHAT YOUR PROBLEM IS? 304 00:15:36,136 --> 00:15:39,137 YOU DIDN'T LAY THE LAW DOWN LIKE I DID WITH BONNIE. 305 00:15:39,205 --> 00:15:41,639 RIGHT NOW I KNOW EXACTLY WHERE SHE IS-- 306 00:15:41,708 --> 00:15:43,141 PIERRE, SOUTH DAKOTA 307 00:15:43,209 --> 00:15:45,476 WITH MY MOTHER AND MY MOTHER'S MOTHER. 308 00:15:45,545 --> 00:15:47,145 AND YOU KNOW WHAT SHE'S DOING? 309 00:15:47,213 --> 00:15:50,782 SHE IS PLANNING A HOME FOR ME TO COME HOME TO. 310 00:15:50,850 --> 00:15:52,717 YOU IDIOT. 311 00:15:57,223 --> 00:16:00,458 100 KILOMETERS. JUST FREEWHEELING. 312 00:16:00,527 --> 00:16:02,694 THINK OF THE GAS WE DON'T HAVE TO BUY. 313 00:16:02,762 --> 00:16:06,230 SAY, A DOLLAR A GALLON-- ABOUT $3.60. 314 00:16:06,299 --> 00:16:08,967 YOU SAVING UP FOR YOUR OLD AGE OR SOMETHING? 315 00:16:19,479 --> 00:16:21,679 MERCI! MERCI! 316 00:16:21,748 --> 00:16:24,248 BYE! 317 00:16:29,956 --> 00:16:32,623 HEY, NOT SO FAST. 318 00:16:34,394 --> 00:16:35,960 PUT YOUR FOOT ON THE BRAKE. 319 00:16:36,029 --> 00:16:39,664 I HAVE MY FOOT ON THE BRAKE, CLEAR DOWN TO THE FLOOR. 320 00:16:44,971 --> 00:16:47,271 -PUT IT IN GEAR. -IT IS. 321 00:16:59,085 --> 00:17:01,285 [SHOUTING IN FRENCH] 322 00:17:12,632 --> 00:17:15,066 OH, DOESN'T ANYTHING WORK? 323 00:17:15,135 --> 00:17:18,302 WILL YOU TURN THAT RADIO UP LOUD? 324 00:17:25,612 --> 00:17:27,612 [MUSIC GETTING LOUDER] 325 00:17:32,185 --> 00:17:35,319 [MEN SHOUTING IN ITALIAN] 326 00:18:03,483 --> 00:18:05,650 [SPEAKING ITALIAN] 327 00:18:13,159 --> 00:18:14,659 [TURNS OFF MUSIC] 328 00:18:17,931 --> 00:18:19,363 BUON GIORNO. 329 00:18:28,274 --> 00:18:30,341 OH! 330 00:18:32,011 --> 00:18:33,878 ARGH! 331 00:18:35,181 --> 00:18:36,681 [SPEAKING FRENCH] 332 00:18:46,192 --> 00:18:47,692 [SPEAKING ITALIAN] 333 00:18:52,065 --> 00:18:53,831 [SPEAKING ITALIAN] 334 00:19:04,978 --> 00:19:07,712 [SPEAKING ITALIAN] 335 00:19:10,984 --> 00:19:15,419 MAYBE HE'S GOT A FEW ODD JOBS HE WANTS US TO DO. COME ON. 336 00:19:30,370 --> 00:19:33,271 [SPEAKING ITALIAN] 337 00:19:33,339 --> 00:19:35,740 OH! OH! 338 00:19:38,178 --> 00:19:39,744 GRAZIE. 339 00:19:46,386 --> 00:19:48,853 [SPEAKING ITALIAN] 340 00:20:00,466 --> 00:20:02,133 [SPEAKING ITALIAN] 341 00:20:02,202 --> 00:20:04,468 OH!SI! SI! 342 00:20:07,574 --> 00:20:09,941 [SPEAKING ITALIAN] 343 00:20:12,645 --> 00:20:14,512 I HOPE HE DOESN'T SNEEZE. 344 00:20:14,581 --> 00:20:16,781 [SPEAKING ITALIAN] 345 00:20:24,257 --> 00:20:26,724 [BANGING] 346 00:20:33,099 --> 00:20:35,800 NOW, THAT'S WHAT I CALL A PAIR OF LUNGS. 347 00:20:38,605 --> 00:20:40,271 WHAT IF HE CANNOT FIX IT? 348 00:20:40,340 --> 00:20:42,640 WELL, WE MISS THE PROVERBIAL BOAT. 349 00:20:42,709 --> 00:20:45,743 NO, NO, NO. WE MUST NOT. 350 00:20:45,812 --> 00:20:47,511 WHY NOT? 351 00:20:48,615 --> 00:20:50,581 I HAVE SO LITTLE MONEY. 352 00:20:50,650 --> 00:20:54,752 I TELEPHONED A FRIEND TO BORROW JUST 500 FRANCS. 353 00:20:54,821 --> 00:20:56,954 ALAS! 354 00:20:57,023 --> 00:20:58,389 MICHELE... 355 00:20:58,458 --> 00:21:01,292 YOU NEVER EVEN HEARD OF A LIEUTENANT WADSWORTH SMITH 356 00:21:01,361 --> 00:21:02,960 UNTIL I COVERED FOR YOU. 357 00:21:03,029 --> 00:21:05,529 BUT WHEN TONI MENTIONED PETER LANGLEY... 358 00:21:05,598 --> 00:21:06,864 IT WAS A SHOCK. 359 00:21:06,933 --> 00:21:10,067 I'M VERY-- A LONG FRIEND OF HIS. 360 00:21:10,136 --> 00:21:12,403 PETER LANGLEY DOESN'T HAVE ANY LONG GIRLFRIENDS 361 00:21:12,472 --> 00:21:14,272 ONLY DOZENS OF SHORT ONES. 362 00:21:14,340 --> 00:21:15,606 OH, YES, I KNOW THAT 363 00:21:15,675 --> 00:21:18,075 BUT TO HEAR THAT HE'S ACTUALLY ENGAGED 364 00:21:18,144 --> 00:21:19,277 AND TO TONI. 365 00:21:19,345 --> 00:21:20,778 [LUIGI SNEEZES] 366 00:21:20,847 --> 00:21:22,246 -GESUNDHEIT. -GRAZIE. 367 00:21:22,315 --> 00:21:24,282 PREGO. 368 00:21:24,350 --> 00:21:26,017 WELL, NOW THAT YOU KNOW 369 00:21:26,085 --> 00:21:28,953 DO YOU THINK THERE'S ANY POINT IN GOING ON? 370 00:21:29,022 --> 00:21:30,288 PLEASE. 371 00:21:30,356 --> 00:21:32,089 I THINK YOU MUST UNDERSTAND. 372 00:21:32,158 --> 00:21:35,059 I CANNOT JUST TURN AND WALK AWAY AND... 373 00:21:35,128 --> 00:21:39,230 IF I COULD SEE PETE FOR EVEN A FEW MINUTES ALONE. 374 00:21:39,299 --> 00:21:40,898 AND THIS LIEUTENANT SMITH 375 00:21:40,967 --> 00:21:43,034 IF HE WOULD PRETEND TO KNOW ME... 376 00:21:43,102 --> 00:21:45,036 PERHAPS BEFORE THE NIGHT WAS THROUGH... 377 00:21:45,104 --> 00:21:47,071 OH, THERE'S NO PERHAPS ABOUT IT. 378 00:21:47,140 --> 00:21:51,876 OH, I MEAN, AT LEAST I MIGHT HAVE A CHANCE TO SEE PETE. 379 00:21:52,679 --> 00:21:54,245 YOU LEAVE IT TO ME. 380 00:21:54,314 --> 00:21:56,080 HOW DO YOU ARRANGE THIS? 381 00:21:56,149 --> 00:21:59,617 YOU FORGET. I'M THE LIEUTENANT COMMANDER'S WIFE. 382 00:22:00,687 --> 00:22:02,253 HE'S DEAD. 383 00:22:13,733 --> 00:22:15,833 IS IT FIXED? NO? 384 00:22:15,902 --> 00:22:18,235 HOW DO YOU SAY, UM... 385 00:22:18,304 --> 00:22:19,503 -SI. -OUI! 386 00:22:19,572 --> 00:22:20,938 YES! 387 00:22:21,007 --> 00:22:22,606 NO. 388 00:22:24,377 --> 00:22:27,378 YOU THINK THEY'D HAVE A MACHINE FOR THIS SORT OF THING. 389 00:22:27,447 --> 00:22:29,580 THEY HAVE--US. 390 00:22:29,649 --> 00:22:32,149 [BABY CRYING] 391 00:22:32,218 --> 00:22:34,418 OH, I'LL GET IT. 392 00:22:34,487 --> 00:22:36,654 IT'S A BABY, NOT A TELEPHONE. 393 00:22:51,270 --> 00:22:53,337 OH, YEAH. 394 00:22:57,744 --> 00:22:59,810 WHAT'LL I DO NOW? 395 00:22:59,879 --> 00:23:01,712 I UNDERSTAND SOME PEOPLE SING TO THEM. 396 00:23:01,781 --> 00:23:04,815 MY MOTHER USED TO SING AN ITALIAN SONG. 397 00:23:04,884 --> 00:23:08,853 I WONDER IF SHE'LL-- IT'LL UNDERSTAND IT. 398 00:23:08,921 --> 00:23:11,355 TRY IT. IT'S AN ITALIAN BABY. 399 00:23:12,358 --> 00:23:15,359 [SINGING IN ITALIAN] 400 00:23:16,863 --> 00:23:19,063 [BABY STOPS CRYING] 401 00:24:45,685 --> 00:24:48,152 [SINGING IN ITALIAN] 402 00:25:24,156 --> 00:25:26,957 HEY, LANGLEY, YOU SPOTTED THE ENEMY YET? 403 00:25:27,927 --> 00:25:29,360 NOT UNTIL NOW. 404 00:25:29,428 --> 00:25:30,561 HO HO HO. 405 00:25:30,630 --> 00:25:32,363 HAVE SOME COFFEE. 406 00:25:32,431 --> 00:25:34,031 WHY, THANK YOU, SMITH. 407 00:25:34,100 --> 00:25:37,034 HOW YOU FIXED FOR, AH, SANTA MARGHERITA? 408 00:25:38,237 --> 00:25:40,204 AS A MATTER OF FACT, NOT TOO GOOD. 409 00:25:40,273 --> 00:25:43,674 I GOT A LETTER FROM SOFIA. SHE GOT MARRIED. HMM. 410 00:25:43,743 --> 00:25:45,543 I'LL ASK MARISSA IF SHE'S GOT A FRIEND. 411 00:25:45,611 --> 00:25:49,313 SOFIA ALSO SAID THAT MARISSA MARRIED THE BROTHER. 412 00:25:49,382 --> 00:25:51,515 YOU KNOW SOMETHING, I DON'T EVEN CARE. 413 00:25:51,584 --> 00:25:52,883 I MUST BE GETTING OLD. 414 00:25:52,952 --> 00:25:54,552 YEAH. WHO NEEDS THEM? 415 00:25:54,620 --> 00:25:56,053 SMITTY, I'VE BEEN THINKING. 416 00:25:56,122 --> 00:25:57,588 THERE'S NOTHING IN NAVAL REGULATIONS 417 00:25:57,657 --> 00:26:01,158 THAT SAYS WE HAVE TO SPEND OUR LIBERTY CHASING GIRLS. 418 00:26:05,731 --> 00:26:08,198 WHAT HAVE YOU GOT IN MIND? 419 00:26:08,267 --> 00:26:11,335 WELL, WE COULD, UH, WE COULD GO SEE STATUES 420 00:26:11,404 --> 00:26:13,170 VISIT MUSEUMS, SEE SOME CATHEDRALS 421 00:26:13,239 --> 00:26:16,173 SOAK UP A LITTLE CULTURE FOR A CHANGE. 422 00:26:16,242 --> 00:26:19,009 -AND JUST FORGET ABOUT GIRLS? -EXACTLY. 423 00:26:21,013 --> 00:26:23,180 WHAT IF WE GET TO ONE OF THESE MUSEUMS 424 00:26:23,249 --> 00:26:26,517 AND SEE A COUPLE OF DAMES? WE IGNORE THEM. 425 00:26:27,753 --> 00:26:29,954 O.K. YOU GOT YOURSELF A DEAL. 426 00:26:30,022 --> 00:26:31,956 PUT HER THERE. 427 00:26:33,626 --> 00:26:36,961 AH, BUT WE SURE USED TO BE A GOOD TEAM, DIDN'T WE? 428 00:26:37,029 --> 00:26:39,697 YEAH. YOU WITH THE MONEY, ME WITH THE BRAINS. 429 00:26:39,765 --> 00:26:41,365 NOW, WAIT A MINUTE, WADSWORTH. 430 00:26:41,434 --> 00:26:44,935 ARE YOU SUGGESTING THAT I COULDN'T OPERATE WITHOUT MONEY? 431 00:26:45,004 --> 00:26:46,537 NO, NO. I DIDN'T MEAN THAT. 432 00:26:46,606 --> 00:26:51,208 I THINK THAT, UH, WELL, WE'VE HAD THE BEST OF BOTH WORLDS. 433 00:26:51,277 --> 00:26:53,444 YES, SIR. WHEN LANGLEY AND SMITH 434 00:26:53,512 --> 00:26:54,945 ZEROED IN ON TARGET... 435 00:26:55,014 --> 00:26:56,914 BULL'S-EYE EVERY TIME. 436 00:26:58,517 --> 00:27:02,953 WELL, I...THINK I'LL GO FIND THAT BOOK ON ITALIAN ARCHITECTURE 437 00:27:03,022 --> 00:27:04,488 I'VE ALWAYS WANTED TO READ. 438 00:27:04,557 --> 00:27:05,756 VERY CULTURAL. 439 00:27:05,825 --> 00:27:07,491 [BUZZ] 440 00:27:08,928 --> 00:27:11,128 BRIDGE. LIEUTENANT LANGLEY. 441 00:27:12,398 --> 00:27:14,298 YES, SIR. 442 00:27:14,367 --> 00:27:17,267 -THE EXEC WANTS TO SEE YOU. -ME? 443 00:27:17,336 --> 00:27:19,370 HAVE YOU DONE SOMETHING I DON'T KNOW ABOUT? 444 00:27:19,438 --> 00:27:22,339 I HAVEN'T EVEN DONE ANYTHING I DON'T KNOW ABOUT. 445 00:27:27,380 --> 00:27:28,612 [KNOCK ON DOOR] 446 00:27:28,681 --> 00:27:30,180 COME IN. 447 00:27:30,716 --> 00:27:32,249 YES, SIR? 448 00:27:33,686 --> 00:27:37,621 LIEUTENANT, WHAT ARE YOUR PLANS FOR SHORE LEAVE? 449 00:27:39,225 --> 00:27:42,026 WELL, SIR, LIEUTENANT LANGLEY AND I HAVE DECIDED 450 00:27:42,094 --> 00:27:45,829 TO SPEND OUR TIME STUDYING ITALIAN ARCHITECTURE. 451 00:27:45,898 --> 00:27:47,831 THAT'S ONE WAY OF PUTTING IT. 452 00:27:47,900 --> 00:27:49,600 ANY PARTICULAR RUIN IN MIND? 453 00:27:49,669 --> 00:27:50,801 SIR? 454 00:27:50,870 --> 00:27:52,469 OH, NO, SIR. 455 00:27:52,538 --> 00:27:56,507 GOOD. I WANT YOU TO TAKE ON A RATHER UNUSUAL ASSIGNMENT. 456 00:27:56,575 --> 00:27:57,941 YES, SIR. 457 00:27:58,010 --> 00:27:59,843 THERE'S A GIRL ASHORE NAMED MICHELE PERRIER. 458 00:27:59,912 --> 00:28:01,645 SHE'LL BE WITH MY WIFE. 459 00:28:01,714 --> 00:28:04,081 YOU THINK YOU COULD PRETEND THAT YOU KNOW HER 460 00:28:04,150 --> 00:28:06,950 -REAL WELL? -SIR? 461 00:28:07,019 --> 00:28:09,253 I CAN'T GIVE YOU AN ORDER HERE, OF COURSE, 462 00:28:09,321 --> 00:28:11,188 BUT IF YOU HANDLE THE ASSIGNMENT WELL 463 00:28:11,257 --> 00:28:15,459 YOU'LL BE UNSELFISHLY ASSISTING A FELLOW OFFICER. 464 00:28:15,528 --> 00:28:17,461 -SIR? -YOU SEE, LIEUTENANT. 465 00:28:17,530 --> 00:28:20,798 MA'AMSELLE PERRIER WILL BE WAITING FOR THE OFFICER 466 00:28:20,866 --> 00:28:22,866 IN QUESTION ON THE DOCK. 467 00:28:22,935 --> 00:28:26,870 ALSO WAITING FOR THE OFFICER IN QUESTION 468 00:28:26,939 --> 00:28:28,472 IS HIS FIANCEE. 469 00:28:31,277 --> 00:28:34,978 MAY I QUESTION WHO THIS OFFICER IN QUESTION IS? 470 00:28:35,047 --> 00:28:36,380 LIEUTENANT LANGLEY. 471 00:28:36,449 --> 00:28:37,881 PETE? 472 00:28:37,950 --> 00:28:40,451 BUT, SIR, HE'S MY BEST FRIEND. 473 00:28:42,254 --> 00:28:43,620 MA'AMSELLE, YOU SAY? 474 00:28:43,689 --> 00:28:45,255 THAT'S RIGHT, LIEUTENANT 475 00:28:45,324 --> 00:28:48,292 AND I UNDERSTAND THAT MA'AMSELLE IS QUITE A DISH. 476 00:28:49,962 --> 00:28:52,730 AND THERE HE WAS, SENDING ME OFF TO MUSEUMS 477 00:28:52,798 --> 00:28:56,200 WHILE HE HAS A FIANCEE AND A MA'AMSELLE WAITING FOR HIM. 478 00:28:56,268 --> 00:28:59,970 IN ALL FAIRNESS, HE'S NOT EXPECTING EITHER ONE. 479 00:29:01,273 --> 00:29:03,507 WELL, SIR, IN ALL FAIRNESS 480 00:29:03,576 --> 00:29:07,845 I THINK IT'S MY DUTY TO UNSELFISHLY ASSIST THIS FELLOW OFFICER 481 00:29:07,913 --> 00:29:09,480 IN HIS TIME OF NEED. 482 00:29:34,540 --> 00:29:35,672 BILLY. 483 00:29:35,741 --> 00:29:37,207 YOU SURE IT'S ALL ARRANGED? 484 00:29:37,276 --> 00:29:38,442 OH, IT'S ALL ARRANGED. 485 00:29:38,511 --> 00:29:40,110 YOU'VE PROBABLY BEEN PICKED UP 486 00:29:40,179 --> 00:29:42,446 ON SMITTY'S BUILT-IN RADAR. 487 00:29:42,515 --> 00:29:44,348 BILLY. 488 00:29:47,019 --> 00:29:49,019 [BONNIE] BILLY. 489 00:29:52,358 --> 00:29:53,690 SEE YOU LATER, BUDDY. 490 00:29:53,759 --> 00:29:55,526 MICHELE! 491 00:29:58,397 --> 00:29:59,963 OH, PLEASE, LIEUTENANT. 492 00:30:00,032 --> 00:30:02,232 I'M JUST FOLLOWING ORDERS, MA'AM. 493 00:30:05,905 --> 00:30:07,437 PETE. 494 00:30:09,008 --> 00:30:10,808 WELL, TONI. 495 00:30:10,876 --> 00:30:12,943 AH, BUT YOU'RE IN CHICAGO. 496 00:30:13,012 --> 00:30:14,278 WANT TO BET? 497 00:30:14,346 --> 00:30:16,980 WELL, AH, WHY? I MEAN... 498 00:30:17,049 --> 00:30:18,182 LET'S FACE IT. 499 00:30:18,250 --> 00:30:19,750 I'M CANNES. YOU'RE BEEF. 500 00:30:19,819 --> 00:30:21,985 TOGETHER-- CANNED BEEF. 501 00:30:22,054 --> 00:30:23,287 THAT'S VERY COZY 502 00:30:23,355 --> 00:30:25,322 BUT WHAT'S THAT GOT TO DO WITH ME? 503 00:30:25,391 --> 00:30:27,191 OH, DID I FORGET TO TELL YOU? 504 00:30:27,259 --> 00:30:28,592 I'M GETTING MARRIED. 505 00:30:28,661 --> 00:30:29,793 MARRIED? 506 00:30:29,862 --> 00:30:30,994 WELL, CONGRATULATIONS, DARLING. 507 00:30:31,063 --> 00:30:32,629 WHO'S THE LUCKY MAN? 508 00:30:32,698 --> 00:30:34,565 YOU. 509 00:30:34,633 --> 00:30:35,833 ME. 510 00:30:35,901 --> 00:30:38,268 AFTER ALL, YOU DID PROPOSE TO ME. 511 00:30:38,337 --> 00:30:40,270 AH...YES, I KNOW, BUT I-- 512 00:30:40,339 --> 00:30:42,506 I WAS ONLY 7 YEARS OLD AT THE TIME. 513 00:30:42,575 --> 00:30:44,741 NOW, DARLING, YOU KNOW IT'S INEVITABLE. 514 00:30:44,810 --> 00:30:46,376 OUR PARENTS HAVE MADE PERFECT ARRANGEMENTS. 515 00:30:46,445 --> 00:30:47,578 [SMITTY] LIEUTENANT LANGLEY, 516 00:30:47,646 --> 00:30:50,080 I'D LIKE YOU TO MEET A FRIEND OF MINE. 517 00:30:50,149 --> 00:30:52,015 THIS IS MADEMOISELLE MICHELE PERRIER. 518 00:30:52,084 --> 00:30:54,017 A PLEASURE, I ASSURE YOU, MADEMOISELLE. 519 00:30:54,086 --> 00:30:56,420 -HELLO, MRS. BRADVILLE. -HELLO, PETE. 520 00:30:56,488 --> 00:30:59,089 AND THIS, I HAVE NO DOUBT, IS YOUR, AH, FIANCEE. 521 00:30:59,158 --> 00:31:00,991 -HUH? -FIANCEE. 522 00:31:01,060 --> 00:31:03,260 OH, AH, TONI DENHAM, LIEUTENANT SMITH. 523 00:31:03,329 --> 00:31:05,729 IT'S A PLEASURE. HE NEVER EVEN TOLD ME ABOUT YOU. 524 00:31:05,798 --> 00:31:08,732 PETE'S NOT THE TYPE WHO WEARS HIS HEART ON HIS SLEEVE. 525 00:31:08,801 --> 00:31:12,236 HOW ABOUT ALL OF US GOING TO HAVE A DRINK? 526 00:31:12,304 --> 00:31:14,338 UH, MAYBE EVEN A COUPLE OF DRINKS. 527 00:31:14,406 --> 00:31:16,440 -WE CAN TAKE ANNABELLE. -ANNABELLE? 528 00:31:16,508 --> 00:31:19,509 A REAL SCARLET WOMAN. YOU'LL LOVE HER. 529 00:31:19,578 --> 00:31:22,412 ANY FRIEND OF YOURS IS A FRIEND OF MINE. 530 00:31:25,918 --> 00:31:27,651 HEY. 531 00:31:27,720 --> 00:31:29,152 WHERE IS HE? 532 00:31:29,221 --> 00:31:31,722 I GUESS HE'S JUST NOT COMING ASHORE. 533 00:31:31,790 --> 00:31:33,290 WHAT? 534 00:31:33,359 --> 00:31:35,792 I'M ON MY HONEYMOON, BUT HE DOESN'T KNOW IT. 535 00:31:35,861 --> 00:31:37,394 BONNIE 536 00:31:37,463 --> 00:31:40,264 DON'T YOU THINK YOU SHOULD HAVE TOLD HIM YOU WERE COMING? 537 00:31:40,332 --> 00:31:43,166 OH, BILLY'S GOT A THING ABOUT THIS KIND OF THING. 538 00:31:43,235 --> 00:31:45,802 HE DOESN'T DIG THIS WHOLE SEA GULL ROUTINE. 539 00:31:45,871 --> 00:31:49,439 HE SAYS, "IT'S UNETHICAL AND UNMORAL." 540 00:31:49,508 --> 00:31:52,009 WELL, I WOULDN'T GO EXACTLY THAT FAR, 541 00:31:52,077 --> 00:31:54,778 BUT, WELL, MAYBE HE HAS A POINT. 542 00:31:54,847 --> 00:31:56,013 I, UH... 543 00:31:56,081 --> 00:31:58,982 I GUESS YOU BETTER COME ABOARD WITH ME. 544 00:31:59,051 --> 00:32:00,183 COULD I DO THAT? 545 00:32:00,252 --> 00:32:01,818 YOU'RE A TAXPAYER, AREN'T YOU? 546 00:32:01,887 --> 00:32:03,587 COME ON. BE MY GUEST. 547 00:32:03,656 --> 00:32:06,456 GOSH, I'M EXCITED. AREN'T YOU? 548 00:32:06,525 --> 00:32:09,493 I WISH I WERE THE WAY YOU ARE. 549 00:32:09,561 --> 00:32:11,628 AREN'T YOU ANXIOUS TO SEE YOUR HUSBAND? 550 00:32:11,697 --> 00:32:14,431 I'M ANXIOUS TO SEE MORE OF HIM. 551 00:32:14,500 --> 00:32:15,866 I WASN'T KIDDING WHEN I SAID 552 00:32:15,935 --> 00:32:18,568 THIS WAS MY LAST TIME AROUND THE SEA GULL CIRCUIT. 553 00:32:18,637 --> 00:32:21,038 10 YEARS' WORTH, AND I'VE HAD IT. 554 00:32:21,106 --> 00:32:23,340 I WANT A HOME AND SOME KIDS 555 00:32:23,409 --> 00:32:25,442 AND A MAN AROUND THE HOUSE. 556 00:32:25,511 --> 00:32:27,411 WELL, HOW DOES HE FEEL ABOUT IT? 557 00:32:27,479 --> 00:32:30,347 OH, ALL HE WANTS IS A PROMOTION TO FULL COMMANDER 558 00:32:30,416 --> 00:32:31,882 AND A LIFE AT SEA. 559 00:32:31,951 --> 00:32:34,918 WELL, JUST TELL HIM. 560 00:32:34,987 --> 00:32:37,054 THAT'S WHAT I'M HERE FOR 561 00:32:37,122 --> 00:32:38,388 BUT IT'S NOT EASY 562 00:32:38,457 --> 00:32:42,092 TO SAY THAT IT'S ME OR THE NAVY. 563 00:32:42,161 --> 00:32:43,627 COME ON. LET'S GO. 564 00:33:13,792 --> 00:33:16,460 -PARK IT, MY GOOD MAN. -SIGNORE. 565 00:33:24,203 --> 00:33:26,636 -IT'S RATHER NICE HERE. -WHOO HOO HOO. 566 00:33:26,705 --> 00:33:29,906 WELL, WHEN YOU'RE WITH US, FIRST CLASS ALL THE WAY, RIGHT, PETE? 567 00:33:29,975 --> 00:33:31,108 THAT'S RIGHT, WADSWORTH. 568 00:33:31,176 --> 00:33:33,176 LET'S CUT THE WADSWORTH JAZZ, HUH? 569 00:33:33,245 --> 00:33:35,946 OH. SORRY. I'LL GET THE AMMUNITION. 570 00:33:44,990 --> 00:33:46,923 -BUON GIORNO. -BUON GIORNO. 571 00:33:46,992 --> 00:33:50,193 OH, NO. NO. PLEASE, LIEUTENANT, DON'T ASK ME TO MAKE ONE OF THOSE. 572 00:33:50,262 --> 00:33:55,599 FOUR. FOUR TORPEDOES ON THE WING AND FLY THEM OVER TO THE TABLE. 573 00:33:55,667 --> 00:33:57,134 TORPEDOES. 574 00:33:57,202 --> 00:33:58,435 YOU KNOW, THE NAVY DRINK. 575 00:33:58,504 --> 00:34:00,537 YES, LIEUTENANT, I KNOW 576 00:34:00,606 --> 00:34:02,906 BUT ME, I'M ALCOHOLIC ARTIST. 577 00:34:02,975 --> 00:34:06,143 NO, NO, NO. I MEAN, I'M ARTIST WITH ALCOHOL. 578 00:34:06,211 --> 00:34:08,145 MYSELF, I CANNOT COMMIT SUCH SACRILEGE 579 00:34:08,213 --> 00:34:10,147 BUT YOU, PLEASE. 580 00:34:10,215 --> 00:34:12,716 AH! THANKS, PAL. 581 00:34:17,256 --> 00:34:19,322 SO I TOLD THE ADMIRAL 582 00:34:19,391 --> 00:34:21,291 I SAID, UH, "ADMIRAL--" 583 00:34:21,360 --> 00:34:23,527 OH, EXCUSE ME. MY HAIR IS A MESS. 584 00:34:23,595 --> 00:34:24,728 HMM. 585 00:34:24,797 --> 00:34:25,796 HA HA HA! 586 00:34:25,864 --> 00:34:28,165 OH, WELL. THE ADMIRAL DIDN'T LISTEN EITHER. 587 00:34:28,233 --> 00:34:33,336 I'VE BEEN DYING TO KNOW WHAT IT IS YOU LUG AROUND IN THAT BRIEFCASE. 588 00:34:33,405 --> 00:34:36,106 IT'S, UH, IT'S TOP SECRET. 589 00:34:36,175 --> 00:34:38,909 -IT'S THE NAVY'S NEWEST WEAPON. -OH. 590 00:34:38,977 --> 00:34:42,379 DID YOU KNOW THAT IF AN ENEMY AGENT GOT AHOLD OF THIS... 591 00:34:44,817 --> 00:34:48,418 HOW DO YOU KNOW THAT I'M NOT A SPY? 592 00:34:48,487 --> 00:34:50,987 WELL, I CAN HOPE, CAN'T I? 593 00:34:53,592 --> 00:34:56,393 PLEASE, DON'T LET ME DISCONCERT YOU. 594 00:34:56,462 --> 00:34:58,995 MY PLEASURE, I ASSURE YOU. 595 00:34:59,064 --> 00:35:01,565 -WHAT ARE YOU MAKING? -TORPEDOES. 596 00:35:01,633 --> 00:35:04,734 POSITIVELY GUARANTEED TO PUT HAIR ON YOUR-- 597 00:35:04,803 --> 00:35:07,471 I MEAN, TO MAKE A MAN OUT OF YOU. 598 00:35:08,607 --> 00:35:10,407 NO. THAT ISN'T QUITE RIGHT EITHER 599 00:35:10,476 --> 00:35:14,044 BECAUSE WHO WOULD WANT TO MAKE A MAN OUT OF YOU? 600 00:35:14,113 --> 00:35:15,378 WELL, NOW, THAT'S THE RUM. 601 00:35:15,447 --> 00:35:16,580 NOW, LET'S SEE. 602 00:35:16,648 --> 00:35:18,748 OOH, MARASCHINO CHERRIES? 603 00:35:18,817 --> 00:35:20,217 VERY GOOD. 604 00:35:20,285 --> 00:35:22,185 SAY, WE MAKE QUITE A TEAM. 605 00:35:22,254 --> 00:35:23,787 VODKA. 606 00:35:25,524 --> 00:35:26,857 CUCUMBER SLICES. 607 00:35:26,925 --> 00:35:28,425 EXCELLENT. 608 00:35:28,494 --> 00:35:32,028 I WAS HOPING FOR SOME TIME WITH YOU ALONE. 609 00:35:36,802 --> 00:35:38,602 BRANDY. 610 00:35:38,670 --> 00:35:41,838 WELL, ANYTIME, ANY...PLACE. 611 00:35:42,441 --> 00:35:44,407 A LEMON PEEL. 612 00:35:46,445 --> 00:35:48,845 I LEAVE THAT TO YOU. 613 00:35:48,914 --> 00:35:52,816 OH, YEAH. THAT'S, AH, THAT'S KIND OF A PROBLEM. 614 00:35:55,621 --> 00:35:58,355 AH, CREME DE MENTHE. 615 00:35:58,423 --> 00:36:01,024 PERHAPS YOU'RE NOT UP TO THE PROBLEM. 616 00:36:01,093 --> 00:36:03,827 OH, THE DASH OF BITTERS. 617 00:36:07,432 --> 00:36:08,832 STIR. 618 00:36:13,639 --> 00:36:16,873 NOW, YOU TAKE THESE TO THAT YOUNG COUPLE OVER THERE. 619 00:36:16,942 --> 00:36:18,108 YES, SIR. 620 00:36:18,177 --> 00:36:20,243 AND, AH... 621 00:36:20,312 --> 00:36:24,047 LEAVE THE PROBLEM TO ME. 622 00:36:29,588 --> 00:36:31,955 THAT WILL BE 25,000 LIRA, SIR. 623 00:36:32,024 --> 00:36:34,591 -25,000. -SI. 624 00:36:34,660 --> 00:36:37,160 AH, THAT'S $40. 625 00:36:37,229 --> 00:36:38,361 FOR FOUR DRINKS? 626 00:36:38,430 --> 00:36:40,363 $40 WILL COVER IT, SIGNORE. 627 00:36:40,432 --> 00:36:41,932 UH-HUH. 628 00:36:42,000 --> 00:36:43,733 UH, O.K. 629 00:36:43,802 --> 00:36:47,370 JUST CHARGE IT TO MY HOTEL BILL. 630 00:36:47,439 --> 00:36:50,473 OH, AND ADD A FIVE FOR YOURSELF. 631 00:36:50,542 --> 00:36:54,311 GRAZIE. AH, MOMENTO, SIGNORE. 632 00:36:54,379 --> 00:36:56,012 YOU HAVE A ROOM IN THE HOTEL? 633 00:36:56,081 --> 00:36:59,449 OH. OH, YEAH. THAT'S NECESSARY, ISN'T IT? 634 00:36:59,518 --> 00:37:01,451 WELL, JUST CALL THE DESK 635 00:37:01,520 --> 00:37:03,153 AND GET A ROOM FOR ME. 636 00:37:03,222 --> 00:37:05,021 SI, SIGNORE. 637 00:37:08,126 --> 00:37:09,726 [SPEAKING ITALIAN] 638 00:37:13,865 --> 00:37:16,266 THERE IS ONLY THE BRIDAL SUITE, SIGNORE. 639 00:37:16,335 --> 00:37:18,802 THE BRI-- 640 00:37:18,870 --> 00:37:21,238 WELL, THAT'S VERY APPROPRIATE. 641 00:37:21,306 --> 00:37:23,173 I'LL TAKE IT. LIEUTENANT LANGLEY. 642 00:37:23,242 --> 00:37:25,842 SI. 643 00:37:25,911 --> 00:37:28,712 YOU SAY TO CHARGE THE DRINKS TO YOUR ROOM, EH? 644 00:37:28,780 --> 00:37:32,282 BUT YOU HAVE NO ROOM IN THE HOTEL 645 00:37:32,351 --> 00:37:34,117 SO I BOOK YOU THE BRIDAL SUITE. 646 00:37:34,186 --> 00:37:36,553 AND CHARGE THE HOTEL BILL TO THE BAR BILL. 647 00:37:36,622 --> 00:37:39,122 IT'S ALL VERY SIMPLE. 648 00:37:39,191 --> 00:37:40,824 SI. 649 00:37:44,563 --> 00:37:47,264 LUIGI?SI. 650 00:37:47,332 --> 00:37:49,032 LIEUTENANT LANGLEY. 651 00:37:49,101 --> 00:37:51,768 -HERE YOU ARE, SMITTY. -THANK YOU. 652 00:37:53,705 --> 00:37:56,239 -WOW! -HA HA HA! 653 00:37:56,308 --> 00:38:00,443 SHALL WE THROW THESE LITTLE GEMS DOWN AND MEET AT THE BAR AT 8:30? 654 00:38:00,512 --> 00:38:02,145 -YEAH. GOOD IDEA. -GREAT. 655 00:38:02,214 --> 00:38:03,847 DOWN THE HATCH. 656 00:38:17,696 --> 00:38:21,831 RANGE-- 1800. 657 00:38:26,171 --> 00:38:27,804 BLUEBIRD OUT. 658 00:38:42,421 --> 00:38:44,087 IT'S BONNIE! 659 00:38:44,156 --> 00:38:45,655 IT'S HER! 660 00:38:45,724 --> 00:38:48,425 I TUNED HER IN ALL THE WAY FROM SOUTH DAKOTA. 661 00:38:48,493 --> 00:38:50,627 WHO SAID ANYTHING ABOUT SOUTH DAKOTA? 662 00:38:56,234 --> 00:38:57,667 BONNIE. 663 00:39:07,145 --> 00:39:08,745 HONEY? 664 00:39:10,382 --> 00:39:13,149 -HI, LIZ. WHAT TOOK YOU SO LONG? -OH, I LIKE THAT. 665 00:39:13,218 --> 00:39:17,654 I COME ALL THE WAY, AND WHAT DO I GET? "HI, LIZ. WHAT TOOK YOU SO LONG?" 666 00:39:17,723 --> 00:39:19,589 WELL, UM, UM, WHAT DID YOU EXPECT? 667 00:39:19,658 --> 00:39:22,392 OH, A LITTLE EXCITEMENT, A LITTLE SURPRISE. 668 00:39:22,461 --> 00:39:24,427 A LITTLE HINT YOU'RE GLAD TO SEE ME. 669 00:39:24,496 --> 00:39:27,097 GLAD TO SEE YOU? 670 00:39:27,165 --> 00:39:29,332 YES, SIR. 671 00:39:37,542 --> 00:39:38,975 ANY DOUBTS LEFT? 672 00:39:39,044 --> 00:39:41,611 NOT FOR THE TIME BEING, NO. 673 00:39:44,883 --> 00:39:46,983 HEY! YOU'RE SUPPOSED TO BE HOME 674 00:39:47,052 --> 00:39:49,419 MAKING A HOME FOR ME TO COME HOME TO. 675 00:39:49,488 --> 00:39:50,687 AREN'T YOU GLAD I'M HERE? 676 00:39:50,756 --> 00:39:52,489 WELL, YEAH, YEAH, BUT...WELL... 677 00:39:52,557 --> 00:39:54,524 GO ON. 678 00:39:54,593 --> 00:39:58,428 I THOUGHT WE TALKED THIS WHOLE THING OVER. IT'S A MATTER OF PRINCIPLE. 679 00:39:58,497 --> 00:39:59,896 I THOUGHT IT WAS A PRINCIPLE 680 00:39:59,965 --> 00:40:02,532 THAT A HUSBAND AND WIFE GET TO SEE EACH OTHER 681 00:40:02,601 --> 00:40:05,935 YOU KNOW, ONCE IN A WHILE. 682 00:40:06,004 --> 00:40:08,104 IT IS, BUT I JUST WANTED OUR MARRIAGE 683 00:40:08,173 --> 00:40:10,774 TO GET OFF TO THE RIGHT START. 684 00:40:10,842 --> 00:40:12,809 I'M NOT SO SURE I WANT TO START 685 00:40:12,878 --> 00:40:15,812 WHAT I CAME ALL THIS WAY TO START. 686 00:40:15,881 --> 00:40:18,248 WHAT KIND OF A THING IS THAT TO SAY? 687 00:40:18,316 --> 00:40:20,517 I DON'T KNOW. 688 00:40:20,585 --> 00:40:22,452 I DON'T EVEN KNOW WHAT I'M DOING HERE. 689 00:40:22,521 --> 00:40:26,055 WAIT A MINUTE. WHERE DID YOU GET THE MONEY TO GET HERE? 690 00:40:26,124 --> 00:40:28,925 I DIDN'T GO INTO OUR SAVINGS, IF THAT'S WHAT'S WORRYING YOU. 691 00:40:28,994 --> 00:40:31,327 ALRIGHT. WHERE DID YOU GET IT? 692 00:40:31,396 --> 00:40:33,630 COME ON. WHERE? 693 00:40:33,698 --> 00:40:35,398 BONNIE. 694 00:40:35,467 --> 00:40:38,735 I DID A FEW DATES WITH A BAND. 695 00:40:38,804 --> 00:40:40,770 OH, FOR CRYING OUT LOUD. 696 00:40:40,839 --> 00:40:43,273 THE MINUTE I LET YOU ALONE--NIGHTCLUBS 697 00:40:43,341 --> 00:40:45,942 AND HANGING AROUND WITH A BUNCH OF HIPSTERS. 698 00:40:46,011 --> 00:40:47,744 WELL, IT'S UNETHICAL. 699 00:40:47,813 --> 00:40:49,112 CHURCH SOCIABLES 700 00:40:49,181 --> 00:40:52,182 AND DANCES IN THE BASEMENT IN THE OLD YMCA. 701 00:40:52,250 --> 00:40:57,020 YMCA. WHAT DOES THE "M" STAND FOR? MEN! 702 00:40:57,088 --> 00:40:58,354 BILLY. 703 00:40:58,423 --> 00:41:00,223 YOU DON'T TRUST ME, DO YOU? 704 00:41:00,292 --> 00:41:03,860 WHAT WILL MY MOTHER AND MY GRANDMOTHER SAY ABOUT THIS? 705 00:41:03,929 --> 00:41:06,229 I'LL TELL YOU WHAT THEY'LL SAY. 706 00:41:06,298 --> 00:41:08,498 THEY GAVE ME THE REST OF THE MONEY. 707 00:41:08,567 --> 00:41:12,068 TH-THEY WHAT? WHY? 708 00:41:12,137 --> 00:41:13,903 BECAUSE YOUR MOTHER WANTED TO BE 709 00:41:13,972 --> 00:41:17,273 THE YOUNGEST GRANDMOTHER IN SOUTH DAKOTA 710 00:41:17,342 --> 00:41:21,110 AND YOUR GRANDMOTHER WANTED TO BE THE YOUNGEST GREAT-GRANDMOTHER. 711 00:41:21,179 --> 00:41:23,179 -WAIT A MINUTE. -LET ME OUT OF HERE! 712 00:41:23,248 --> 00:41:26,049 -BONNIE, WAIT A MINUTE. -I DON'T WANT TO TALK TO YOU. 713 00:41:26,117 --> 00:41:28,084 WHAT ARE YOU DOING TO THIS GIRL, PULASKI? 714 00:41:28,153 --> 00:41:30,920 -I'M NOT DOING ANYTHING. -HOW DO I GET OFF THIS BOAT? 715 00:41:30,989 --> 00:41:32,989 JUST GO STRAIGHT AHEAD AND TURN LEFT. 716 00:41:33,058 --> 00:41:35,425 YOU OUGHT TO BE ASHAMED, A MARRIED MAN. 717 00:41:35,494 --> 00:41:37,026 WHAT WOULD YOUR WIFE SAY? 718 00:41:37,095 --> 00:41:39,662 -THIS IS MY WIFE! -OH, SURE. 719 00:41:39,731 --> 00:41:42,732 -SHE IS! -I AM. 720 00:41:42,801 --> 00:41:45,001 AW, HONEY, COME ON, LET ME TAKE YOU ASHORE. 721 00:41:45,070 --> 00:41:47,203 YOU'RE NOT TAKING HER ANYWHERE. 722 00:41:47,272 --> 00:41:49,272 YOU'RE STANDBY. 723 00:41:49,341 --> 00:41:52,642 -FOR HULLDOWN, REMEMBER? -WHAT? HULLDOWN? 724 00:41:52,711 --> 00:41:53,877 OH, MY GOSH. 725 00:41:53,945 --> 00:41:55,979 HONEY, WAIT FOR ME. 726 00:41:56,047 --> 00:41:57,981 I'LL BE ASHORE. I'LL GET THERE SOMEHOW. 727 00:41:58,049 --> 00:41:59,649 I'LL WAIT FOR YOU, BILLY. 728 00:41:59,718 --> 00:42:01,251 I'LL BE THERE. 729 00:42:07,526 --> 00:42:10,293 TSK TSK TSK. 730 00:42:10,362 --> 00:42:14,964 GUESS WHO IS ABOUT TO GET COMMAND OF HIS OWN SHIP. 731 00:42:16,334 --> 00:42:18,935 ISN'T THAT THE GREATEST NEWS YOU EVER HEARD? ISN'T IT? 732 00:42:19,004 --> 00:42:21,371 IT'S NOT OFFICIAL YET. WES TOLD ME OFF THE RECORD 733 00:42:21,439 --> 00:42:25,608 SO DON'T GO AROUND LOOKING LIKE THE CAT WHO SWALLOWED THE MOUSE. 734 00:42:25,677 --> 00:42:27,977 NO, I, UH... 735 00:42:28,046 --> 00:42:33,283 I THINK I'LL BE ABLE TO RESTRAIN MY ENTHUSIASM. 736 00:42:33,351 --> 00:42:36,686 BEN-- YOU KNOW HOW LONG I'VE WANTED THIS, LIZ... 737 00:42:36,755 --> 00:42:38,655 HOW BADLY? 738 00:42:38,723 --> 00:42:40,623 NOW IT'S ABOUT TO COME THROUGH. 739 00:42:40,692 --> 00:42:43,660 SKIPPER OF MY OWN SHIP. 740 00:42:43,728 --> 00:42:45,795 ISN'T THAT THE GREATEST? ISN'T IT? 741 00:42:45,864 --> 00:42:49,966 OH, YES. THAT'S... THAT'S GREAT. 742 00:42:50,035 --> 00:42:52,335 YOU'RE RIGHT, AS USUAL 743 00:42:52,404 --> 00:42:56,472 AND TONIGHT, WE'RE GOING TO HAVE US A REAL WINGDING CELEBRATION 744 00:42:56,541 --> 00:42:57,840 JUST THE TWO OF US. 745 00:42:57,909 --> 00:43:00,343 THE WORKS. 746 00:43:22,000 --> 00:43:27,003 ♪ I'M WAITING FOR BILLY ♪ 747 00:43:28,273 --> 00:43:35,244 ♪ WITH LOVE IN MY HEART ♪ 748 00:43:35,313 --> 00:43:42,552 ♪ WITH LOVE IN MY HEART ♪ 749 00:43:42,621 --> 00:43:46,556 ♪ MY BILLY ♪ 750 00:43:49,160 --> 00:43:54,430 ♪ AND I'M LONELY ♪ 751 00:43:54,499 --> 00:43:58,301 ♪ SO LONELY ♪ 752 00:43:58,370 --> 00:44:04,707 ♪ SINCE WE'VE BEEN APART ♪ 753 00:44:04,776 --> 00:44:10,947 ♪ HE'S PART OF MY HEART ♪ 754 00:44:11,016 --> 00:44:14,717 ♪ MY BILLY ♪ 755 00:44:14,786 --> 00:44:19,255 ♪ MY BILLY ♪ 756 00:44:19,324 --> 00:44:24,794 ♪ THE MOMENT I SEE HIM ♪ 757 00:44:24,863 --> 00:44:31,668 ♪ I'LL KISS HIM TENDERLY ♪ 758 00:44:31,736 --> 00:44:36,039 ♪ I STILL NEED HIM ♪ 759 00:44:36,107 --> 00:44:38,441 ♪ AND I KNOW ♪ 760 00:44:38,510 --> 00:44:44,280 ♪ HE NEEDS ME ♪ 761 00:44:45,650 --> 00:44:52,288 ♪ HE'S WORTH ALL THE WAITING ♪ 762 00:44:53,892 --> 00:45:00,063 ♪ AH, HEAVEN'S ABOVE ♪ 763 00:45:00,131 --> 00:45:06,803 ♪ I'M WAITING FOR BILLY ♪ 764 00:45:06,871 --> 00:45:09,772 ♪ WITH LOVE ♪ 765 00:45:09,841 --> 00:45:13,209 ♪ SWEET LOVE ♪ 766 00:45:13,278 --> 00:45:21,651 ♪ YES, I'M WAITING FOR BILLY ♪ 767 00:45:21,720 --> 00:45:27,657 ♪ WITH LOVE ♪♪ 768 00:45:39,904 --> 00:45:41,537 ♪ A WANDERING MINSTREL, I ♪ 769 00:45:41,606 --> 00:45:46,209 ♪ A THING OF THREADS AND PATCHES ♪ 770 00:45:46,277 --> 00:45:49,412 ♪ LA DEE DA DA ♪♪ 771 00:45:49,481 --> 00:45:51,013 [DOORBELL BUZZES] 772 00:45:58,623 --> 00:46:00,356 [BUZZ] 773 00:46:12,604 --> 00:46:14,637 [BUZZ BUZZ] 774 00:46:24,549 --> 00:46:26,215 [BUZZ BUZZ BUZZ] 775 00:46:33,625 --> 00:46:35,792 MICHELE. COME IN. 776 00:46:37,495 --> 00:46:41,130 WELL, I... CERTAINLY LIKE GIRLS WHO ARE PROMPT. 777 00:46:41,199 --> 00:46:44,200 I'M NOT PROMPT. I'M EARLY. 778 00:46:45,470 --> 00:46:48,538 WELL, YOU COULD NEVER BE TOO EARLY. 779 00:46:49,808 --> 00:46:52,441 I WAS AFRAID YOU MIGHT CHANGE YOUR MIND. 780 00:46:52,510 --> 00:46:56,279 CHANGE MY MIND? OH, NEVER. 781 00:46:56,347 --> 00:47:00,650 MMM, IT'S MUCH NICER HERE THAN IN A RESTAURANT. 782 00:47:00,718 --> 00:47:02,151 YOU ARE SO RIGHT. 783 00:47:02,220 --> 00:47:04,720 OH, HERE. LET ME TAKE YOUR THINGS. 784 00:47:07,225 --> 00:47:10,159 OOH, I NEED THAT. 785 00:47:10,228 --> 00:47:12,728 AH, MICHELE, YOU LOOK, AH... 786 00:47:12,797 --> 00:47:14,664 UH! 787 00:47:14,732 --> 00:47:16,666 THANK YOU. 788 00:47:16,734 --> 00:47:19,669 OH, AH, IF YOU'LL EXCUSE ME FOR JUST ONE SECOND. 789 00:47:19,737 --> 00:47:20,870 POUR YOURSELF A DRINK 790 00:47:20,939 --> 00:47:22,405 AND I'LL SLIP INTO SOMETHING 791 00:47:22,473 --> 00:47:24,774 A LITTLE LESS COMFORTABLE. 792 00:47:24,843 --> 00:47:26,609 OH, DON'T BOTHER. 793 00:47:26,678 --> 00:47:28,444 YOU CAN DRESS LATER. 794 00:47:41,459 --> 00:47:43,860 THIS SHOULDN'T TAKE LONG, I THINK. 795 00:47:43,928 --> 00:47:47,096 AH, WELL, HONEY, LET'S NOT RUSH RIGHT INTO ANYTHING. 796 00:47:47,165 --> 00:47:49,365 FIRST WE'LL HAVE SOMETHING TO EAT 797 00:47:49,434 --> 00:47:50,867 TO DRINK, A FEW LAUGHS 798 00:47:50,935 --> 00:47:53,836 AND...THAT WAY, WE'LL GET TO KNOW EACH OTHER 799 00:47:53,905 --> 00:47:55,471 A LITTLE BETTER. 800 00:47:55,540 --> 00:47:57,673 YOU WILL FEEL MORE KINDLY DISPOSED TO MICHELE 801 00:47:57,742 --> 00:47:59,942 IF SHE HAS SOMETHING TO EAT AND DRINK 802 00:48:00,011 --> 00:48:02,511 BEFORE WE GET DOWN TO BUSINESS? 803 00:48:02,580 --> 00:48:05,381 MORE KINDLY DISPOSED. 804 00:48:05,450 --> 00:48:08,851 HONEY, IF I FELT ANY MORE KINDLY DISPOSED, I'D-- 805 00:48:08,920 --> 00:48:10,486 [CLEARS THROAT] 806 00:48:10,555 --> 00:48:13,022 BUT I ALSO LIKE A GIRL WHO ENJOYS 807 00:48:13,091 --> 00:48:14,891 ALL THE BASIC THINGS OF LIFE 808 00:48:14,959 --> 00:48:17,059 LIKE EATING, DRINKING. 809 00:48:17,128 --> 00:48:19,562 THEN I WILL EAT AND DRINK. 810 00:48:20,765 --> 00:48:22,531 GOOD. 811 00:48:26,938 --> 00:48:29,839 CHICKEN. 812 00:48:29,908 --> 00:48:32,208 LOBSTER. 813 00:48:32,277 --> 00:48:34,644 COLD CUTS. 814 00:48:34,712 --> 00:48:36,212 BROCHETTE. 815 00:48:36,281 --> 00:48:38,681 SALAD AND CHAMPAGNE. 816 00:48:38,750 --> 00:48:41,217 OH, YES. 817 00:48:41,286 --> 00:48:43,252 AH, YES WHAT? 818 00:48:43,321 --> 00:48:48,124 YES. CHICKEN, LOBSTERS, COLD CUTS 819 00:48:48,192 --> 00:48:51,494 BROCHETTE, SALAD, AND CHAMPAGNE. 820 00:48:58,436 --> 00:49:01,504 I WOULD LIKE YOU TO LIKE ME VERY MUCH. 821 00:49:14,919 --> 00:49:19,889 DO YOU REALIZE THIS TOOTHPICK WAS ONCE A GIANT OAK? 822 00:49:21,592 --> 00:49:25,394 AND THIS... A NOBLE REDWOOD. 823 00:49:25,463 --> 00:49:28,297 DO YOU THINK IF WE TOOK THEM OUT AND PLANTED THEM... 824 00:49:28,366 --> 00:49:31,267 -TOOTHPICK TREES. -RIGHT. OUR FORTUNE IS MADE. 825 00:49:31,336 --> 00:49:32,735 LET'S HAVE ANOTHER DRINK. 826 00:49:32,804 --> 00:49:34,837 AT THESE PRICES? 827 00:49:34,906 --> 00:49:38,607 I MEAN, I'M STILL UNDER SEDATION FROM THAT TORPEDO. 828 00:49:42,413 --> 00:49:45,614 IS THIS THING RIGHT? 829 00:49:45,683 --> 00:49:48,150 YEP. 9:15. 830 00:49:48,219 --> 00:49:49,685 WHEN DID YOU LAST SEE PETE? 831 00:49:49,754 --> 00:49:52,855 COUPLE OF HOURS AGO. HOW ABOUT MICHELE? 832 00:49:52,924 --> 00:49:54,924 HMM...WELL, LET'S SEE NOW. 833 00:49:54,993 --> 00:49:56,659 I FELL ASLEEP-- 834 00:49:56,728 --> 00:50:01,330 WELL, LET'S FACE IT. I PASSED RIGHT OUT ABOUT 7:00 835 00:50:01,399 --> 00:50:03,466 AND THEN I WOKE UP. 836 00:50:03,534 --> 00:50:06,235 I CAME TO ABOUT 8:00 837 00:50:06,304 --> 00:50:08,170 AND SHE WASN'T THERE. 838 00:50:08,239 --> 00:50:09,905 HMM. 839 00:50:09,974 --> 00:50:14,210 WELL, PETE WILL COME UP WITH SOME EXPLANATION. 840 00:50:14,278 --> 00:50:16,345 HMM, YOU CAN FORGET THE LOYALTY BIT. 841 00:50:16,414 --> 00:50:18,481 OH, NO, NO. IT WASN'T LOYALTY. 842 00:50:18,549 --> 00:50:21,150 IT'S JUST THAT I CAN'T FIGURE THIS GUY OUT-- 843 00:50:21,219 --> 00:50:23,219 STANDING UP A GIRL LIKE... 844 00:50:23,287 --> 00:50:26,455 WELL, WHAT I MEANT WAS, UH... 845 00:50:26,524 --> 00:50:28,824 UH, DIDN'T MEAN THAT AT ALL. 846 00:50:28,893 --> 00:50:30,226 WELL, THAT'S ALRIGHT. 847 00:50:30,294 --> 00:50:32,395 I LIKED IT THE WAY IT WAS. 848 00:50:32,463 --> 00:50:33,963 LIEUTENANT SMITH 849 00:50:34,032 --> 00:50:37,199 YOU'VE JUST TALKED YOURSELF INTO A DATE FOR THIS EVENING. 850 00:50:37,268 --> 00:50:38,534 YEAH? YOU, ME? 851 00:50:38,603 --> 00:50:41,137 LISTEN, WE'LL TAKE A LITTLE WALK ON THE BEACH 852 00:50:41,205 --> 00:50:42,738 UNTIL WE FIND SOME LITTLE PLACE 853 00:50:42,807 --> 00:50:45,041 AND THEN WE'LL HAVE SOME LITTLE SOFT MUSIC 854 00:50:45,109 --> 00:50:49,278 A LITTLE LOW LIGHT, A LITTLE BREAD AND WINE. 855 00:50:49,347 --> 00:50:51,047 YEAH. WHY NOT? 856 00:50:51,115 --> 00:50:54,617 YOU KNOW, UH, BACHELORS HAVE PARTIES BEFORE THEY GET MARRIED. 857 00:50:54,685 --> 00:50:58,354 I MEAN, I DON'T SEE ANY REASON WHY A GIRL CAN'T, UH... 858 00:50:58,423 --> 00:50:59,588 HEY, WHAT WOULD YOU-- 859 00:50:59,657 --> 00:51:03,225 WHAT WOULD YOU CALL A FEMALE BACHELOR? 860 00:51:03,294 --> 00:51:04,894 TONI. 861 00:51:04,962 --> 00:51:06,996 YEAH. TONI. 862 00:51:08,166 --> 00:51:09,498 BARTENDER! 863 00:51:12,904 --> 00:51:14,103 IS IT REFUELED? 864 00:51:14,172 --> 00:51:15,504 SI. 865 00:51:30,121 --> 00:51:31,253 WHAT? 866 00:51:31,322 --> 00:51:32,755 HOW ABOUT THAT? 867 00:51:32,824 --> 00:51:36,525 CHAMPAGNE. THE BEST. KEEP IT FLOWING. 868 00:51:38,096 --> 00:51:41,297 NOTHING'S TOO GOOD FOR THE WIFE OF A FULL COMMANDER, YOU KNOW? 869 00:51:41,365 --> 00:51:43,332 OH, NO. NOTHING. 870 00:51:50,708 --> 00:51:52,541 FROM NOW ON, IT'S WINE, WOMEN, AND-- 871 00:51:52,610 --> 00:51:54,944 OH, SPEAKING OF WINE 872 00:51:55,012 --> 00:51:59,415 SOME OF THE OFFICERS AND MEN OF THEMAITLANDAND THEIR SEA GULLS, OF COURSE 873 00:51:59,484 --> 00:52:03,419 HAVE BEEN INVITED TO A WINE FESTIVAL IN OUR NEXT PORT OF CALL, LARETO. 874 00:52:03,488 --> 00:52:07,189 SO WE'LL START THE CELEBRATION HERE... 875 00:52:07,258 --> 00:52:11,127 AND FINISH IT... 876 00:52:11,195 --> 00:52:13,596 THERE. 877 00:52:13,664 --> 00:52:15,865 YES, WE WILL FINISH IT THERE. 878 00:52:19,337 --> 00:52:22,338 WELL, HOW ABOUT THIS, HUH? 879 00:52:22,406 --> 00:52:23,539 WHAT, HERE? 880 00:52:23,608 --> 00:52:25,141 SURE. IT'S COZY, ISN'T IT? 881 00:52:25,209 --> 00:52:29,712 SURE, IT IS, BUT IT'S TOO BAD THERE'S NOTHING TO SIT ON. 882 00:52:29,780 --> 00:52:31,614 WELL, UH... 883 00:52:31,682 --> 00:52:34,083 YOU'RE RIGHT. IT'S TOO BAD. 884 00:52:34,152 --> 00:52:38,020 YOU DON'T THINK WE COULD RUMMAGE AROUND IN THERE AND FIND SOMETHING THAT MIGHT DO? 885 00:52:38,089 --> 00:52:42,091 IN THERE? DON'T BE SILLY. THERE'S ABSOLUTELY NOTHING IN THERE. 886 00:52:42,160 --> 00:52:45,261 WELL, WHAT DO YOU KNOW? 887 00:52:45,329 --> 00:52:47,229 IT LOOKS LIKE SOMETHING TO SIT ON. 888 00:52:47,298 --> 00:52:48,931 HMM. WONDER HOW THAT GOT IN THERE. 889 00:52:49,000 --> 00:52:51,400 I DON'T KNOW. I WONDER WHAT ELSE IS IN THERE. 890 00:52:51,469 --> 00:52:55,704 NOTHING. TAKE MY WORD FOR IT, WILL YOU? THERE'S NOTHING ELSE. 891 00:52:55,773 --> 00:52:58,641 O.K., WADSWORTH, WHAT IS IT? I GIVE UP. 892 00:52:58,709 --> 00:53:01,377 NOW, LOOK, NOT WADSWORTH. SMITTY, HUH? 893 00:53:01,445 --> 00:53:04,914 ALRIGHT, SMITTY. I STILL GIVE UP. 894 00:53:04,982 --> 00:53:07,416 GIVE ME THOSE THINGS, WILL YOU? 895 00:53:07,485 --> 00:53:08,951 JUST REMEMBER YOU'RE AN ENGAGED WOMAN. 896 00:53:09,020 --> 00:53:10,986 WELL, MAYBE YOU CAN PRETEND THAT I'M NOT. 897 00:53:11,055 --> 00:53:14,657 I MEAN, WITH A ROUTINE LIKE THIS, I GOT TO SEE IT. 898 00:53:17,161 --> 00:53:19,395 O.K. 899 00:53:19,463 --> 00:53:21,163 ALRIGHTY. 900 00:53:22,567 --> 00:53:24,500 [INFLATING PILLOW] 901 00:53:31,475 --> 00:53:33,142 PILLOWS. 902 00:53:33,211 --> 00:53:35,411 IT'S VERY THOUGHTFUL. 903 00:53:35,479 --> 00:53:39,315 GO ON. SHOW ME MORE. 904 00:53:39,383 --> 00:53:41,684 JUST REMEMBER, IT'S YOUR IDEA. 905 00:53:55,933 --> 00:54:00,803 I, UH, I BELIEVE YOU MENTIONED... SOFT LIGHTS? 906 00:54:17,488 --> 00:54:19,121 YOU WANTED MUSIC. 907 00:54:20,625 --> 00:54:22,024 [SOFT MUSIC PLAYING] 908 00:54:22,093 --> 00:54:23,392 MUSIC. 909 00:54:23,461 --> 00:54:25,394 I THINK YOU BETTER STOP RIGHT NOW. 910 00:54:25,463 --> 00:54:27,563 OH, AND BREAD. YOU ASKED FOR BREAD. 911 00:54:27,632 --> 00:54:30,833 -WELL, SANDWICHES? -OH. 912 00:54:33,638 --> 00:54:36,572 AND, UH, WINE OF A SORT. 913 00:54:36,641 --> 00:54:39,074 WHAT DO YOU WANT? VODKA, GIN, SCOTCH? 914 00:54:39,143 --> 00:54:40,843 ANYTHING. 915 00:54:43,381 --> 00:54:45,848 SOME ICE CUBES. 916 00:54:49,520 --> 00:54:53,355 YOU KNOW, I HOPE YOU NEVER DECIDE TO PUT THIS THING ON THE OPEN MARKET 917 00:54:53,424 --> 00:54:56,258 ALTHOUGH I MUST ADMIT THAT IT IS RATHER EFFECTIVE. 918 00:55:01,966 --> 00:55:03,098 THERE. 919 00:55:03,167 --> 00:55:05,467 TO US. 920 00:55:05,536 --> 00:55:07,936 YOU KNOW, THE WAY I FEEL RIGHT NOW 921 00:55:08,005 --> 00:55:11,173 I COULD ALMOST BELIEVE IN THOSE TOOTHPICK TREES. 922 00:55:14,045 --> 00:55:18,347 NOW, YOU FEEL KINDLY DISPOSED TOWARD ME? 923 00:55:18,416 --> 00:55:21,750 HONEY, I'VE BEEN HAVING THE MOST BEAUTIFUL THOUGHTS ABOUT YOU 924 00:55:21,819 --> 00:55:23,919 FOR THE LAST HALF-HOUR. 925 00:55:23,988 --> 00:55:25,821 GOOD. 926 00:55:25,890 --> 00:55:30,626 THEN THAT WILL MAKE WHAT IS TO FOLLOW 927 00:55:30,695 --> 00:55:34,596 MUCH MORE PLEASANT. 928 00:55:34,665 --> 00:55:38,167 WELL, WHAT ARE WE WAITING FOR? 929 00:55:40,671 --> 00:55:45,174 SHALL WE ADJOURN TO THE SCENE OF OPERATIONS? 930 00:55:53,684 --> 00:55:56,952 NOW, UH, JUST LIE BACK... 931 00:55:58,989 --> 00:56:00,189 COMFORTABLE? 932 00:56:02,460 --> 00:56:06,462 WELL, AS YOU SO CHARMINGLY PUT IT 933 00:56:06,530 --> 00:56:08,931 SHALL WE GET DOWN TO BUSINESS? 934 00:56:08,999 --> 00:56:11,900 YES. LET'S. 935 00:56:24,215 --> 00:56:26,281 BILLS? 936 00:56:26,350 --> 00:56:28,684 UNPAID BILLS. 937 00:56:30,087 --> 00:56:31,520 THEY'RE MINE. 938 00:56:31,589 --> 00:56:33,122 MMM. 939 00:56:34,125 --> 00:56:35,657 OH, NO. 940 00:56:35,726 --> 00:56:37,493 NO. I DON'T BELIEVE IT. 941 00:56:37,561 --> 00:56:40,062 YOU'RE NOT A BILL COLLECTOR. 942 00:56:42,066 --> 00:56:45,234 YOU MEAN THAT'S WHY YOU CAME HERE? 943 00:56:46,737 --> 00:56:49,171 WHAT DO YOU THINK? 944 00:56:49,240 --> 00:56:53,275 ASK A SILLY QUESTION, GET A SILLY ANSWER. 945 00:56:53,344 --> 00:56:55,677 WELL, WHAT DO YOU KNOW? 946 00:56:55,746 --> 00:56:57,913 SO, THAT'S WHY YOU WANTED ME TO FEEL 947 00:56:57,982 --> 00:56:59,982 A LITTLE MORE KINDLY DISPOSED TOWARD YOU, HUH? 948 00:57:00,050 --> 00:57:02,651 SO I'D BE CHEERFUL ABOUT PAYING THE BILLS? 949 00:57:02,720 --> 00:57:05,053 -OF COURSE. -OF COURSE. 950 00:57:06,323 --> 00:57:10,092 YOU DID SAY BUSINESS, DIDN'T YOU? 951 00:57:10,161 --> 00:57:13,662 WELL, YOU CAN HARDLY BLAME ME FOR NOT SUSPECTING. 952 00:57:13,731 --> 00:57:15,764 AFTER ALL, YOU'RE NOT THE USUAL FELLOW 953 00:57:15,833 --> 00:57:18,100 WITH THE DERBY AND CIGAR. 954 00:57:18,169 --> 00:57:20,102 NO. I'M NOT. 955 00:57:20,171 --> 00:57:24,072 I'M NOT REALLY A BILL COLLECTOR. 956 00:57:24,141 --> 00:57:25,674 I'M AN ACTRESS 957 00:57:25,743 --> 00:57:30,879 BUT DURING THE SUMMER, THERE ARE NOT MANY THEATERS OPEN IN PARIS 958 00:57:30,948 --> 00:57:33,148 AND--AND A GIRL MUST EAT. 959 00:57:33,217 --> 00:57:37,519 SO I TAKE THE JOB WITH FRISENAI, FRISENAI, AND FRISENAI. 960 00:57:37,588 --> 00:57:39,455 YOU WOULD HAVE RECOGNIZED THEM-- 961 00:57:39,523 --> 00:57:42,090 THREE DERBIES AND THREE CIGARS. 962 00:57:42,159 --> 00:57:45,360 I RECEIVE A COMMISSION ON WHATEVER I COLLECT. 963 00:57:45,429 --> 00:57:49,198 IT KEEPS ME UNTIL THE THEATERS ARE OPEN AGAIN. 964 00:57:49,266 --> 00:57:51,467 I SEE. 965 00:57:51,535 --> 00:57:54,002 YOU KNOW, MICHELE, I'M NOT A DEADBEAT EITHER. 966 00:57:54,071 --> 00:57:55,904 WHEN I WROTE CHECKS FOR THESE THINGS 967 00:57:55,973 --> 00:57:58,140 I DID SO IN GOOD FAITH. 968 00:57:58,209 --> 00:58:01,543 I GUESS HE'S FINALLY DONE IT. 969 00:58:01,612 --> 00:58:03,212 WHO? 970 00:58:03,280 --> 00:58:04,880 THE OLD BOY. 971 00:58:04,949 --> 00:58:07,182 HE'S BEEN THREATENING TO CUT OFF MY ALLOWANCE 972 00:58:07,251 --> 00:58:09,218 UNLESS I... 973 00:58:12,556 --> 00:58:17,426 WELL, MICHELE, YOU'LL GET YOUR MONEY AND YOUR COMMISSION. 974 00:58:17,495 --> 00:58:18,660 GOOD. 975 00:58:18,729 --> 00:58:20,362 THANK YOU. 976 00:58:20,431 --> 00:58:21,930 YOU'RE WELCOME. 977 00:58:25,436 --> 00:58:27,636 UH, TELL ME ONE THING. 978 00:58:27,705 --> 00:58:30,939 WHY DID YOU DECIDE TO DO IT THIS WAY? 979 00:58:31,008 --> 00:58:32,841 BECAUSE I WAS INTERESTED. 980 00:58:32,910 --> 00:58:34,343 INTERESTED? 981 00:58:34,411 --> 00:58:38,881 MMM. A MAN WHO BUYS A PICASSO-- THE SAILOR. 982 00:58:38,949 --> 00:58:40,849 ONLY A LITTLE ONE. 983 00:58:40,918 --> 00:58:43,552 AND BECAUSE IT IS THE SAME MAN 984 00:58:43,621 --> 00:58:47,923 WHO BUYS AN AUSTRIAN PORCELAIN STOVE 985 00:58:47,992 --> 00:58:50,292 30 DOZEN ROSES-- 986 00:58:50,361 --> 00:58:51,960 10 DOZEN AT A TIME. 987 00:58:52,029 --> 00:58:54,730 AND 50 CHILDREN'S FOOTBALLS 988 00:58:54,798 --> 00:59:00,068 AND A 1,200-FRANC BLACK NEGLIGEE. 989 00:59:00,137 --> 00:59:02,638 THAT, I SAY TO MYSELF 990 00:59:02,706 --> 00:59:04,940 THAT IS A MAN I WOULD LIKE TO SEE. 991 00:59:05,009 --> 00:59:06,775 THAT REMINDS ME. 992 00:59:06,844 --> 00:59:10,979 I'LL HAVE TO WIRE MY FATHER AND THANK HIM FOR CUTTING OFF MY ALLOWANCE. 993 00:59:13,083 --> 00:59:16,418 I THINK IT WOULD BE BETTER IF I GO NOW. 994 00:59:16,487 --> 00:59:19,087 MY THINGS ARE THERE, NO? 995 00:59:27,164 --> 00:59:28,864 MICHELE... 996 00:59:28,933 --> 00:59:33,368 THOSE BILLS-- YOU'RE NOT GOING TO LET ME OFF THE HOOK SO EASILY, ARE YOU? 997 00:59:33,437 --> 00:59:36,471 -I THINK YOU WILL PAY. -AREN'T YOU GOING TO HOUND ME? 998 00:59:36,540 --> 00:59:40,576 THREATEN ME, NEVER LET ME OUT OF YOUR SIGHT? YOU'LL GIVE BILL COLLECTORS A BAD NAME. 999 00:59:40,644 --> 00:59:44,079 I'LL GO RIGHT OUT AND BUY A DERBY AND A CIGAR. 1000 00:59:46,216 --> 00:59:48,550 -IT'S ROUND. -HMM? 1001 00:59:49,753 --> 00:59:53,889 -THE BED--IT'S ROUND. -YEAH. 1002 00:59:55,392 --> 01:00:00,195 YES, BUT WHERE DO YOU PUT THE PILLOW? 1003 01:00:00,264 --> 01:00:02,531 WELL, YOU... 1004 01:00:02,600 --> 01:00:06,969 PUT IT RIGHT NEXT TO WHERE THE OTHER PERSON PUTS THEIR PILLOW. 1005 01:00:09,473 --> 01:00:10,772 OH. 1006 01:00:10,841 --> 01:00:14,009 YES, BUT HOW WOULD THE OTHER PERSON 1007 01:00:14,078 --> 01:00:16,912 KNOW THE CORRECT PLACE? 1008 01:00:16,981 --> 01:00:20,182 UH, NEXT TO THE OTHER PERSON'S PILLOW 1009 01:00:20,250 --> 01:00:23,085 IS ALWAYS THE CORRECT PLACE. 1010 01:00:28,859 --> 01:00:31,526 I'VE NEVER SEEN A ROUND BED BEFORE. 1011 01:00:31,595 --> 01:00:33,762 WELL, UH... 1012 01:00:33,831 --> 01:00:35,230 WOULDN'T YOU LIKE TO STAY 1013 01:00:35,299 --> 01:00:38,533 AND SORT OF LOOK AT IT FOR A LITTLE WHILE? 1014 01:00:40,504 --> 01:00:42,170 NO. 1015 01:00:42,239 --> 01:00:45,741 I DON'T THINK THAT WOULD BE SUCH A GOOD IDEA. 1016 01:00:45,809 --> 01:00:46,942 OH. 1017 01:00:47,011 --> 01:00:48,577 YEAH, MAYBE YOU'RE RIGHT-- 1018 01:00:48,646 --> 01:00:50,012 WOULDN'T BE. 1019 01:01:01,625 --> 01:01:03,992 TELL ME I'M OUT OF MY MIND. 1020 01:01:04,061 --> 01:01:06,261 YOU'RE OUT OF YOUR MIND. 1021 01:01:06,330 --> 01:01:07,763 WHAT? 1022 01:01:07,831 --> 01:01:10,565 YOU SAID TO SAY THAT. 1023 01:01:12,936 --> 01:01:13,935 IT'S ALRIGHT, THOUGH. 1024 01:01:14,004 --> 01:01:15,570 I THINK IT'S CATCHING. 1025 01:01:15,639 --> 01:01:18,874 I THINK IT'S THE GENIE. 1026 01:01:18,942 --> 01:01:20,842 WHAT GENIE? 1027 01:01:20,911 --> 01:01:23,078 THE ONE THAT CAME OUT OF THAT BAG. 1028 01:01:24,181 --> 01:01:26,682 OH, YES, THAT... THAT GENIE. 1029 01:01:26,750 --> 01:01:28,884 HE'S A... 1030 01:01:28,952 --> 01:01:32,521 HE'S A CLEVER LITTLE FELLOW, THAT ONE. 1031 01:01:32,589 --> 01:01:34,589 HE'S BRILLIANT. 1032 01:01:36,894 --> 01:01:39,161 DO YOU THINK HE'S THE ONE 1033 01:01:39,229 --> 01:01:41,697 THAT MADE ME ASK YOU TO MARRY ME? 1034 01:01:41,765 --> 01:01:44,232 I DON'T KNOW. 1035 01:01:44,301 --> 01:01:46,935 I THINK HE'S THE ONE THAT MADE ME SAY YES. 1036 01:01:47,004 --> 01:01:48,603 [ALARM RINGING] 1037 01:01:50,274 --> 01:01:52,441 WHAT IN THE WORLD IS THAT? 1038 01:01:52,509 --> 01:01:54,109 NO, IT CAN'T BE. 1039 01:01:56,847 --> 01:01:58,380 [SHUTS OFF ALARM] 1040 01:01:58,449 --> 01:02:02,384 THE NAVY JUST DOESN'T LIKE ITS PERSONNEL OVERSTAYING LIBERTY. 1041 01:02:04,054 --> 01:02:07,622 WELL, I GUESS IT'S TIME TO PUT THE GENIE BACK. 1042 01:02:07,691 --> 01:02:08,890 HMM? 1043 01:02:08,959 --> 01:02:11,126 YEAH. 1044 01:02:19,903 --> 01:02:21,870 THIS GENIE ISN'T GOING TO FIT IN HERE. 1045 01:02:21,939 --> 01:02:22,904 DEFLATE. 1046 01:02:22,973 --> 01:02:23,972 HOW? 1047 01:02:24,041 --> 01:02:26,475 JUST... 1048 01:02:26,543 --> 01:02:28,510 [RUSHING AIR] 1049 01:02:57,040 --> 01:03:00,175 MICHELE, BACK SO SOON? 1050 01:03:00,244 --> 01:03:02,844 DID YOU HAVE A NICE EVENING? 1051 01:03:02,913 --> 01:03:04,479 VERY NICE. 1052 01:03:10,988 --> 01:03:13,588 YOU WERE ON THE BEACH? 1053 01:03:13,657 --> 01:03:16,625 UM...YES. 1054 01:03:16,693 --> 01:03:18,960 IN FACT, WITH SMITTY. 1055 01:03:19,029 --> 01:03:20,195 OH. 1056 01:03:20,264 --> 01:03:21,930 YOU DON'T MIND? 1057 01:03:21,999 --> 01:03:23,365 NO. 1058 01:03:23,433 --> 01:03:29,204 AND BECAUSE I CAN TELL YOU I WAS WITH PETE TONIGHT. 1059 01:03:29,273 --> 01:03:31,640 YOU DON'T MIND? 1060 01:03:31,708 --> 01:03:33,208 NO. 1061 01:03:49,026 --> 01:03:50,725 [MUSIC PLAYING] 1062 01:04:00,103 --> 01:04:02,237 [MUSIC GROWS LOUDER] 1063 01:04:19,056 --> 01:04:20,989 HEY, MONKEY. 1064 01:04:21,058 --> 01:04:23,358 O.K., MONKEY, COME ON DOWN. 1065 01:04:25,929 --> 01:04:28,263 YES, YOU. 1066 01:04:44,081 --> 01:04:46,281 [MUSIC PLAYING LOUDLY] 1067 01:04:57,794 --> 01:04:59,794 [KNOCKING ON DOOR] 1068 01:05:03,400 --> 01:05:05,300 SCUSI, SIGNORA! 1069 01:05:06,203 --> 01:05:08,003 [SHUTS OFF MUSIC] 1070 01:05:08,071 --> 01:05:09,804 GRAZIE. 1071 01:05:18,115 --> 01:05:19,814 AAH! 1072 01:05:28,926 --> 01:05:30,292 REFILL. 1073 01:05:31,495 --> 01:05:33,028 WHAT HAPPENED TO YOU? 1074 01:05:33,096 --> 01:05:38,133 ME? UH, I WAITED FOR YOU FOR OVER AN HOUR AT THE MARGUTTA BAR. 1075 01:05:38,201 --> 01:05:40,001 OH. 1076 01:05:40,070 --> 01:05:41,670 BUT I SAID HERE AT THE DORIA. 1077 01:05:41,738 --> 01:05:44,739 OH. SORRY. I MUST HAVE MISUNDERSTOOD. 1078 01:05:44,808 --> 01:05:45,974 YEAH. 1079 01:05:46,043 --> 01:05:48,176 YOU, UH, MISSED THE GIRLS, HUH? 1080 01:05:48,245 --> 01:05:49,911 YEAH. 1081 01:05:51,515 --> 01:05:54,282 NO RUSH, SIR. LIBERTY BOAT'S DELAYED A HALF AN HOUR. 1082 01:05:54,351 --> 01:05:57,285 HALF AN HOUR? THAT'S RIGHT. 1083 01:05:57,354 --> 01:05:59,220 EXCUSE ME A MINUTE, WILL YOU, SMITTY? 1084 01:05:59,289 --> 01:06:00,855 YEAH, YEAH. 1085 01:06:07,331 --> 01:06:09,531 GET ME THE MARGUTTA HOTEL, PLEASE. 1086 01:06:09,599 --> 01:06:12,367 GET ME THE MARGUTTA HOTEL QUICKLY, PLEASE. 1087 01:06:14,871 --> 01:06:16,304 GOOD NIGHT, TONI. 1088 01:06:16,373 --> 01:06:18,273 BONNE NUIT, MICHELE. 1089 01:06:18,342 --> 01:06:19,874 [TELEPHONE RINGS] 1090 01:06:22,946 --> 01:06:24,112 HELLO? 1091 01:06:24,181 --> 01:06:25,146 MICHELE? 1092 01:06:25,215 --> 01:06:26,514 OH, PETE! 1093 01:06:26,583 --> 01:06:28,216 MICHELE, IS THAT YOU? 1094 01:06:28,285 --> 01:06:30,151 OH, PETE, IS THAT YOU? 1095 01:06:30,220 --> 01:06:32,287 I GUESS IT MUST BE US, ISN'T IT? 1096 01:06:32,356 --> 01:06:34,022 YES, I GUESS IT IS. 1097 01:06:34,091 --> 01:06:35,323 THE BOAT'S LATE. 1098 01:06:35,392 --> 01:06:37,759 I'VE GOT A WHOLE HALF-HOUR. CAN I COME OVER? 1099 01:06:37,828 --> 01:06:40,228 OH, YES. NO! 1100 01:06:40,297 --> 01:06:41,529 YOU CAN'T. 1101 01:06:41,598 --> 01:06:42,464 WHY NOT? 1102 01:06:42,532 --> 01:06:45,233 WELL, BECAUSE OF... 1103 01:06:45,302 --> 01:06:49,371 OH, YOU GOT A ROOMMATE, HUH? 1104 01:06:49,439 --> 01:06:51,039 I GOT IT-- THE BRIDAL SUITE. 1105 01:06:51,108 --> 01:06:52,173 THE BRI-- 1106 01:06:52,242 --> 01:06:53,608 SURE. MY SUITE AT THE HOTEL. 1107 01:06:53,677 --> 01:06:55,276 IT'S PAID FOR TILL NOON TOMORROW. 1108 01:06:55,345 --> 01:06:56,711 WILL YOU BE THERE? 1109 01:06:56,780 --> 01:06:58,913 I'LL BE THERE. 1110 01:07:15,465 --> 01:07:18,433 I HAVE SOME LAST-MINUTE SHOPPING TO DO. 1111 01:07:19,236 --> 01:07:20,935 [TELEPHONE RINGS] 1112 01:07:24,074 --> 01:07:25,040 HELLO? 1113 01:07:25,108 --> 01:07:26,307 TONI? 1114 01:07:26,376 --> 01:07:27,876 IS THAT YOU, SMITTY? 1115 01:07:27,944 --> 01:07:29,044 IN PERSON. 1116 01:07:29,112 --> 01:07:31,079 I MEAN, I'D LIKE TO BE IN PERSON. 1117 01:07:31,148 --> 01:07:32,714 THE BOAT'S LATE. CAN I COME OVER? 1118 01:07:32,783 --> 01:07:35,450 I'LL GIVE YOU FIVE SECONDS. GOOD-BYE. 1119 01:07:58,275 --> 01:08:00,008 [FOOTSTEPS] 1120 01:08:00,077 --> 01:08:01,443 [KNOCKING ON DOOR] 1121 01:08:03,914 --> 01:08:05,480 [KNOCKING] 1122 01:08:17,894 --> 01:08:18,927 FOR YOU. 1123 01:08:24,835 --> 01:08:27,836 OH, NO, DARLING. IT'S ONE OF THOSE ARTIFICIAL ONES. 1124 01:08:27,904 --> 01:08:29,637 IT... 1125 01:08:29,706 --> 01:08:32,740 WELL, IT'S STILL VERY NICE. 1126 01:08:32,809 --> 01:08:35,243 I, UH...I DIDN'T KNOW IT WAS ARTIFICIAL 1127 01:08:35,312 --> 01:08:39,080 WHEN I STOLE IT FROM THE HOTEL LOBBY. 1128 01:08:39,149 --> 01:08:40,348 NO ONE'S EVER GIVEN ME 1129 01:08:40,417 --> 01:08:43,518 A STOLEN ARTIFICIAL ROSE BEFORE. 1130 01:08:44,988 --> 01:08:46,321 TONI? 1131 01:08:46,389 --> 01:08:49,924 I--YOU KNOW I'VE FALLEN IN LOVE WITH YOU. 1132 01:08:49,993 --> 01:08:51,259 ME, TOO... 1133 01:08:51,328 --> 01:08:53,528 WITH YOU. 1134 01:09:02,572 --> 01:09:04,839 I'VE NEVER BEEN IN LOVE BEFORE. 1135 01:09:04,908 --> 01:09:06,307 NEITHER HAVE I. 1136 01:09:06,376 --> 01:09:08,109 JUST ENGAGED. 1137 01:09:08,178 --> 01:09:10,545 YEAH, TO ME. NOW. 1138 01:09:10,614 --> 01:09:15,416 YOU KNOW, UH, SHIP PULLS IN AT LARETO ON TUESDAY. 1139 01:09:15,485 --> 01:09:18,019 WE COULD BE MARRIED THERE. 1140 01:09:18,088 --> 01:09:20,388 WHY NOT HERE? 1141 01:09:20,457 --> 01:09:21,823 WELL, I'D LIKE TO, DARLING, BUT... 1142 01:09:21,892 --> 01:09:24,058 I'VE GOT TO BE BACK IN A FEW MINUTES. 1143 01:09:24,127 --> 01:09:28,096 NONSENSE. YOU CAN WRITE A LETTER TO THE ADMIRAL OR SOMEBODY. 1144 01:09:28,165 --> 01:09:29,664 EXPLAIN THE SITUATION 1145 01:09:29,733 --> 01:09:31,933 AND TELL THEM YOU'RE RESIGNING. 1146 01:09:32,002 --> 01:09:37,238 BUT, DARLING, I PLAN TO STAY IN THE NAVY UNTIL I RETIRE. 1147 01:09:37,307 --> 01:09:38,740 UNTIL YOU RETIRE. 1148 01:09:38,808 --> 01:09:40,575 THE NAVY CAN'T KEEP US APART, DARLING. 1149 01:09:40,644 --> 01:09:42,443 WHEREVER THE FLEET PULLS IN, 1150 01:09:42,512 --> 01:09:44,479 YOU'LL BE THERE WAITING FOR ME. 1151 01:09:44,548 --> 01:09:46,548 I WILL? JUST THINK OF IT, DARLING-- 1152 01:09:46,616 --> 01:09:48,750 ISTANBUL, TANGIER, MAJORCA-- 1153 01:09:48,818 --> 01:09:51,085 AND THEN WHEN I'M TRANSFERRED TO THE PACIFIC-- 1154 01:09:51,154 --> 01:09:52,587 HONG KONG. 1155 01:09:52,656 --> 01:09:56,491 BUT, DARLING, YOU CAN'T EXPECT ME TO BECOME A SEA GULL. 1156 01:09:56,560 --> 01:09:58,159 OH, BUT OF COURSE, DARLING. 1157 01:09:58,228 --> 01:10:00,061 I MEAN, WELL, AFTER ALL, 1158 01:10:00,130 --> 01:10:01,763 WHEN A WOMAN LOVES A MAN... 1159 01:10:01,831 --> 01:10:04,966 OH, BUT, DARLING... MY PARENTS. 1160 01:10:05,035 --> 01:10:08,336 OH, O.K. UH, IF THAT'S THE WAY YOU FEEL, 1161 01:10:08,405 --> 01:10:10,071 THEY CAN COME ALONG, TOO. 1162 01:10:10,140 --> 01:10:13,741 WELL, NO, DARLING, THAT'S NOT WHAT I MEANT. 1163 01:10:13,810 --> 01:10:17,679 WELL, UH, JUST WHAT DO YOU MEAN, DARLING? 1164 01:10:17,747 --> 01:10:20,782 WELL, I MEAN, DARLING, THAT IF YOU EXPECT ME 1165 01:10:20,850 --> 01:10:22,617 TO SPEND THE REST OF MY LIFE 1166 01:10:22,686 --> 01:10:24,352 TRAMPING ALL OVER THE WORLD... 1167 01:10:24,421 --> 01:10:25,920 THIS SEEMS TO BE TURNING INTO 1168 01:10:25,989 --> 01:10:27,855 THE SHORTEST ENGAGEMENT IN HISTORY. 1169 01:10:27,924 --> 01:10:30,258 WELL, MAYBE YOU SHOULD HAVE LOOKED 1170 01:10:30,327 --> 01:10:32,160 BEFORE YOU LEAPED, DARLING. 1171 01:10:32,229 --> 01:10:34,295 OH, OH, OH. 1172 01:10:34,364 --> 01:10:37,799 LISTEN, DARLING, I MEAN, IF YOU THINK THAT I'M GOING TO MARRY 1173 01:10:37,867 --> 01:10:41,769 A STUCK-UP FEMALE WHO'S TOO PROUD TO FOLLOW THE FLEET... 1174 01:10:41,838 --> 01:10:43,938 YOU DON'T WANT A WOMAN, DARLING. 1175 01:10:44,007 --> 01:10:45,273 YOU WANT A SEA GULL. 1176 01:10:45,342 --> 01:10:48,409 THAT'S RIGHT, AND IF THAT'S THE WAY YOU FEEL ABOUT IT-- 1177 01:10:48,478 --> 01:10:50,511 WELL, THAT'S EXACTLY THE WAY I FEEL. 1178 01:10:50,580 --> 01:10:51,779 I SHOULD HAVE KNOWN. 1179 01:10:51,848 --> 01:10:53,881 I MEAN, ANY MAN WHO CARRIES AROUND 1180 01:10:53,950 --> 01:10:57,452 A DO-IT-YOURSELF INSTANT SEDUCTION KIT... 1181 01:10:57,520 --> 01:10:59,187 AND AS FOR THIS... 1182 01:11:03,093 --> 01:11:05,560 THANK YOU. IT'S A PERFECT ADDITION. 1183 01:11:06,830 --> 01:11:08,196 OUT! 1184 01:11:08,265 --> 01:11:10,832 YOU KNOW, I UNDERSTAND THAT QUITE A FEW WOMEN-- 1185 01:11:10,900 --> 01:11:12,834 WELL, THEY'RE ABSOLUTELY MAD ABOUT DANCING AROUND 1186 01:11:12,902 --> 01:11:14,902 WITH A ROSE CLAMPED IN THEIR TEETH. 1187 01:11:14,971 --> 01:11:18,206 YES, SIR. QUITE A FEW WOMEN. 1188 01:11:29,052 --> 01:11:30,585 [DOORBELL BUZZES] 1189 01:11:34,024 --> 01:11:35,456 HELLO, MICHELE. 1190 01:11:35,525 --> 01:11:37,659 HELLO. 1191 01:11:37,727 --> 01:11:39,360 I'M, UH... 1192 01:11:39,429 --> 01:11:40,962 I'M GLAD YOU CAME. 1193 01:11:41,031 --> 01:11:41,929 THANK YOU. 1194 01:11:41,998 --> 01:11:44,132 YOU'RE SURE YOU DIDN'T MIND MY PHONING? 1195 01:11:44,200 --> 01:11:45,533 I DIDN'T MIND. 1196 01:11:45,602 --> 01:11:47,502 I SORT OF HAD TO. 1197 01:11:47,570 --> 01:11:49,737 I'M GLAD YOU DID. 1198 01:11:49,806 --> 01:11:53,574 OH, HERE, LET ME TAKE YOUR COAT. 1199 01:11:53,643 --> 01:11:56,577 OH, I WAS IN BED. 1200 01:11:58,882 --> 01:12:01,182 DID YOU FINALLY FIGURE IT OUT? 1201 01:12:01,251 --> 01:12:02,583 FIGURE WHAT OUT? 1202 01:12:02,652 --> 01:12:05,053 WHERE THE PILLOWS GO. 1203 01:12:05,121 --> 01:12:07,355 OH, UH, YEAH. 1204 01:12:07,424 --> 01:12:09,157 I THOUGHT ABOUT THAT LITTLE PROBLEM. 1205 01:12:09,225 --> 01:12:10,425 SO HAVE I, 1206 01:12:10,493 --> 01:12:12,493 BUT AT SCHOOL IN GEOMETRY-- 1207 01:12:12,562 --> 01:12:14,529 THAT'S WHAT YOU STUDIED IN GEOMETRY? 1208 01:12:14,597 --> 01:12:17,131 YES, WHEN I WAS A GIRL. 1209 01:12:17,200 --> 01:12:19,434 DIDN'T YOU WHEN YOU WERE A SCHOOLBOY? 1210 01:12:19,502 --> 01:12:22,270 NOT EXACTLY. NO. 1211 01:12:22,339 --> 01:12:24,472 BUT I'M GROWN-UP NOW. 1212 01:12:24,541 --> 01:12:26,674 OH. YES. 1213 01:12:26,743 --> 01:12:29,577 AND SO ARE YOU. 1214 01:12:30,814 --> 01:12:33,414 UH, SO, MICHELE... 1215 01:12:33,483 --> 01:12:35,883 IT'S DIFFERENT NOW, ISN'T IT? 1216 01:12:35,952 --> 01:12:37,452 IS IT? 1217 01:12:37,520 --> 01:12:39,387 YOU KNOW IT IS, 1218 01:12:39,456 --> 01:12:41,656 AND THAT'S WHY WE HAVE TO BE SENSIBLE 1219 01:12:41,725 --> 01:12:43,324 ABOUT THIS WHOLE THING. 1220 01:12:43,393 --> 01:12:45,193 SENSIBLE? 1221 01:12:45,261 --> 01:12:46,227 OF COURSE. 1222 01:12:46,296 --> 01:12:48,529 AFTER ALL, WE'RE NOT KIDS ANYMORE, ARE WE? 1223 01:12:48,598 --> 01:12:50,398 OH, NO, WE ARE NOT KIDS. 1224 01:12:50,467 --> 01:12:51,799 THAT'S RIGHT. 1225 01:12:51,868 --> 01:12:54,268 WE'RE TWO MATURE, INTELLIGENT ADULTS, AREN'T WE? 1226 01:12:54,337 --> 01:12:55,536 WE ARE? 1227 01:12:55,605 --> 01:12:56,637 OF COURSE. 1228 01:12:56,706 --> 01:12:58,673 AND THAT'S WHY WE HAVE TO ACT LIKE 1229 01:12:58,742 --> 01:13:00,441 TWO MATURE, INTELLIGENT ADULTS, RIGHT? 1230 01:13:00,510 --> 01:13:03,911 OH. ALRIGHT. 1231 01:13:03,980 --> 01:13:06,481 RIGHT. 1232 01:13:06,549 --> 01:13:09,951 YOU KNOW, YOU'RE THE LOVELIEST THING I'VE EVER SEEN. 1233 01:13:12,922 --> 01:13:15,723 AHEM. 1234 01:13:15,792 --> 01:13:18,025 THAT WOULD NOT HAVE BEEN SENSIBLE, NO? 1235 01:13:18,094 --> 01:13:19,293 NO, NO. 1236 01:13:19,362 --> 01:13:21,429 ALRIGHT. 1237 01:13:21,498 --> 01:13:24,432 LET US BE SENSIBLE. 1238 01:13:24,501 --> 01:13:26,234 YEAH. 1239 01:13:28,171 --> 01:13:29,404 AH, AH, AH, AH. 1240 01:13:29,472 --> 01:13:31,672 OVER HERE. 1241 01:13:33,276 --> 01:13:34,375 NOW... 1242 01:13:34,444 --> 01:13:36,411 NOW LET'S BE PRACTICAL ABOUT THIS THING. 1243 01:13:36,479 --> 01:13:37,678 LET'S--LET'S NOT GET CARRIED AWAY. 1244 01:13:37,747 --> 01:13:40,181 THE POINT IS, MICHELE... 1245 01:13:40,250 --> 01:13:43,217 THE POINT IS... 1246 01:13:43,286 --> 01:13:44,752 YES? 1247 01:13:44,821 --> 01:13:47,555 THE POINT IS YOU'VE GOT THE MOST MARVELOUS EYES 1248 01:13:47,624 --> 01:13:49,690 IN THE WORLD. 1249 01:13:52,495 --> 01:13:54,061 WHERE ARE YOU GOING? 1250 01:13:54,130 --> 01:13:55,296 TO SMOKE. 1251 01:13:55,365 --> 01:13:57,598 WHY? 1252 01:13:57,667 --> 01:13:58,833 BECAUSE IF I DON'T SMOKE, 1253 01:13:58,902 --> 01:14:00,101 GOOD-BYE SENSIBLE ADULT 1254 01:14:00,170 --> 01:14:04,071 AND HELLO DROOLING GEOMETRY STUDENT. 1255 01:14:04,140 --> 01:14:07,475 IT'S REALLY SO IMPORTANT TO BE SENSIBLE? 1256 01:14:07,544 --> 01:14:09,243 IT'S NOT ENOUGH TO... 1257 01:14:09,312 --> 01:14:11,312 TO JUST FEEL? 1258 01:14:11,381 --> 01:14:13,114 WELL--WELL, YOU SEE, THAT'S--THAT'S WHAT'S DANGEROUS 1259 01:14:13,183 --> 01:14:16,284 BECAUSE, UH, WELL, THERE'S SO MUCH INVOLVED. 1260 01:14:16,352 --> 01:14:17,518 I KNOW. 1261 01:14:17,587 --> 01:14:19,287 THERE IS TONI AND YOUR FATHER-- 1262 01:14:19,355 --> 01:14:23,191 YEAH. HER FATHER AND THE WHOLE...MESS. 1263 01:14:23,259 --> 01:14:27,228 OH. THAT IS WHY YOU CALLED ME TO MEET YOU HERE-- 1264 01:14:27,297 --> 01:14:29,764 TO EXPLAIN ABOUT TONI AND YOUR FATHER 1265 01:14:29,833 --> 01:14:32,300 AND TO BE SENSIBLE? 1266 01:14:32,368 --> 01:14:34,135 WELL, YES. 1267 01:14:34,204 --> 01:14:35,470 I UNDERSTAND. 1268 01:14:35,538 --> 01:14:37,572 I MUST BE SENSIBLE, TOO. 1269 01:14:37,640 --> 01:14:39,974 GOOD-BYE, MY SENSIBLE FRIEND. 1270 01:14:54,858 --> 01:14:56,457 HULLDOWN, HAVE YOU SEEN PULASKI? 1271 01:14:56,526 --> 01:14:57,825 HE'S IN THE BRIG. 1272 01:14:57,894 --> 01:15:00,361 YOU KNOW WHAT HE DID, SIR? HE DESERTED MY POST. 1273 01:15:00,430 --> 01:15:03,397 NOT ONLY THAT, HE DID IT TO CHASE AFTER A DAME. 1274 01:15:03,466 --> 01:15:04,732 NOT ONLY THAT, 1275 01:15:04,801 --> 01:15:06,968 THE DAME HE WAS CHASING AFTER WAS HIS WIFE. 1276 01:15:07,036 --> 01:15:08,836 I WANT YOU TO SEND A MESSAGE 1277 01:15:08,905 --> 01:15:12,273 TO SOMEONE AT, UH, SANTA MARGHERITA. 1278 01:15:12,342 --> 01:15:14,208 SHOOT. 1279 01:15:14,277 --> 01:15:16,344 IT'S TO... 1280 01:15:16,412 --> 01:15:19,447 COMMANDER M. PERRIER... 1281 01:15:19,516 --> 01:15:21,983 UH, MARGUTTA HOTEL... 1282 01:15:22,051 --> 01:15:24,418 BETTER SCRATCH COMMANDER. 1283 01:15:24,487 --> 01:15:25,953 SAVE A WORD, YOU KNOW. 1284 01:15:26,022 --> 01:15:30,591 MESSAGE READS-- DARLING, I... 1285 01:15:30,660 --> 01:15:32,727 UH, I MEAN, DEAR SIR, 1286 01:15:32,795 --> 01:15:35,129 LOOK, LET'S HAVE IT, HUH, LIEUTENANT? 1287 01:15:35,198 --> 01:15:36,531 [SIGH] 1288 01:15:36,599 --> 01:15:37,698 OKAY. 1289 01:15:37,767 --> 01:15:39,133 IT'S TO A MISS MICHELE PERRIER. 1290 01:15:39,202 --> 01:15:41,569 MESSAGE READS-- DARLING, 1291 01:15:41,638 --> 01:15:44,038 REGRET NOT MEETING YOU THIS EVENING 1292 01:15:44,107 --> 01:15:49,544 DUE TO UNAVOIDABLE SNAFU. 1293 01:15:49,612 --> 01:15:51,546 LONGING TO SEE YOU AT LARETO 1294 01:15:51,614 --> 01:15:55,283 TO UNTANGLE OUR AFFAIRS. 1295 01:15:55,351 --> 01:15:57,285 [WHISTLE] 1296 01:15:57,353 --> 01:16:01,822 BETTER MAKE THAT UNTANGLE ENTIRE SITUATION. 1297 01:16:01,891 --> 01:16:03,124 LOVE, SMITTY. 1298 01:16:03,192 --> 01:16:05,326 I'LL PUT IT RIGHT THROUGH, SIR. 1299 01:16:05,395 --> 01:16:07,828 THANKS, HULLDOWN. 1300 01:16:15,438 --> 01:16:17,672 HULLDOWN? 1301 01:16:17,740 --> 01:16:19,707 YEAH? 1302 01:16:19,776 --> 01:16:22,143 I, UH, WANT YOU TO DO ME A LITTLE FAVOR. 1303 01:16:22,211 --> 01:16:24,779 I WANT TO SEND A MESSAGE TOCOMMANDERTONI DENHAM 1304 01:16:24,847 --> 01:16:25,846 AT THE MARGUTTA HOTEL. 1305 01:16:25,915 --> 01:16:27,081 I KNOW-- SCRATCH COMMANDER. 1306 01:16:27,150 --> 01:16:28,883 MESSAGE READS-- "DEAR TONI, 1307 01:16:28,952 --> 01:16:30,551 "REGRET NOT MEETING YOU THIS EVENING 1308 01:16:30,620 --> 01:16:32,153 "DUE TO UNAVOIDABLE SNAFU. 1309 01:16:32,221 --> 01:16:33,788 "LONGING TO SEE YOU AT LARETO 1310 01:16:33,856 --> 01:16:36,157 "TO UNTANGLE ENTIRE SITUATION. 1311 01:16:36,225 --> 01:16:37,692 LOVE, PETE." 1312 01:16:37,760 --> 01:16:39,827 SIR. 1313 01:16:54,978 --> 01:16:58,479 SOMEBODY SAY SOMETHING. 1314 01:16:58,548 --> 01:17:00,247 MICHELE? 1315 01:17:00,316 --> 01:17:05,553 OH, I'M SORRY, LIZ, BUT I HAVE A PROBLEM. 1316 01:17:05,622 --> 01:17:07,588 TONI, TALK. 1317 01:17:07,657 --> 01:17:10,825 NOT ME. I'VE GOT A PROBLEM, TOO. 1318 01:17:10,893 --> 01:17:13,127 BONNIE, YOU SAY SOMETHING FUNNY. 1319 01:17:13,196 --> 01:17:16,631 WE'RE PASSING A WHEEL GOING ALL BY ITSELF. 1320 01:17:16,699 --> 01:17:18,899 THAT'S FUNNY. 1321 01:17:23,573 --> 01:17:25,473 IT'S OURS! 1322 01:17:48,865 --> 01:17:50,865 ON MY HONOR, I WILL DO MY BEST 1323 01:17:50,933 --> 01:17:52,500 NOT TO SLIT MY THROAT. 1324 01:18:06,549 --> 01:18:10,418 WE BETTER PAY OUR RESPECTS TO THE MAYOR. 1325 01:18:10,486 --> 01:18:12,486 YOU THINK HE'S DRESSED FOR THE SPORT? 1326 01:18:12,555 --> 01:18:14,055 SEEMS APPROPRIATE, SIR. 1327 01:18:29,639 --> 01:18:31,672 GOOD LUCK. 1328 01:18:31,741 --> 01:18:33,774 [CHEERING] 1329 01:18:33,843 --> 01:18:35,476 [MUSIC STARTS PLAYING] 1330 01:18:39,782 --> 01:18:41,148 HEY, YOU, PULASKI. 1331 01:18:41,217 --> 01:18:43,050 YOU'RE ENJOYING YOURSELF, SEE? 1332 01:18:43,119 --> 01:18:45,486 OR WOULD YOU RATHER BE BACK IN THE BRIG? 1333 01:18:45,555 --> 01:18:46,721 ALRIGHT, CHIEF. 1334 01:18:46,789 --> 01:18:48,255 THEN SMILE, PULASKI. 1335 01:18:48,324 --> 01:18:51,392 SHOW EVERYBODY HOW HAPPY YOU ARE. 1336 01:18:51,461 --> 01:18:53,094 YES, CHIEF. 1337 01:19:09,912 --> 01:19:11,412 HEY, LOOK. 1338 01:19:11,481 --> 01:19:14,048 I FEEL AS IF I'VE SPENT THE LAST 24 HOURS 1339 01:19:14,117 --> 01:19:15,783 IN ONE OF THOSE HEALTH CLUBS. 1340 01:19:15,852 --> 01:19:17,485 OH! 1341 01:19:17,553 --> 01:19:19,053 OH! 1342 01:19:20,757 --> 01:19:22,256 OH. UH... 1343 01:19:22,325 --> 01:19:23,457 OH. 1344 01:19:23,526 --> 01:19:25,493 I WAS BEGINNING TO THINK YOU WEREN'T COMING. 1345 01:19:25,561 --> 01:19:27,528 I'M SURE YOU'RE GOING TO ENJOY IT. 1346 01:19:27,597 --> 01:19:28,829 I'M SURE I WILL, 1347 01:19:28,898 --> 01:19:30,931 BUT FIRST I MUST PHONE FRISENAI, FRISENAI, FRISENAI. 1348 01:19:31,000 --> 01:19:33,968 I DON'T THINK YOU'LL BE ABLE TO FIND ANY TELEPHONES HERE. 1349 01:19:34,036 --> 01:19:36,537 WE CAN LOOK. 1350 01:19:38,274 --> 01:19:39,273 WELL, I'LL, UH... 1351 01:19:39,342 --> 01:19:40,808 I'LL SHOW YOU AROUND. 1352 01:19:40,877 --> 01:19:42,576 SURE. WHY NOT? 1353 01:19:45,815 --> 01:19:47,047 HEY... 1354 01:19:47,116 --> 01:19:48,783 HAVE YOU TOLD HIM YET? 1355 01:19:48,851 --> 01:19:49,917 WHO AND WHAT? 1356 01:19:49,986 --> 01:19:51,218 YOUR HUSBAND-- 1357 01:19:51,287 --> 01:19:54,355 HOW HE'S GOT TO CHOOSE BETWEEN YOU AND THE SEA. 1358 01:19:54,423 --> 01:19:56,357 NO, NOT YET. 1359 01:19:56,425 --> 01:20:00,828 BUT THIS TIME I'M GOING TO TELL HIM THE MINUTE I SEE HIM. 1360 01:20:00,897 --> 01:20:02,930 HEY! THERE HE IS! 1361 01:20:02,999 --> 01:20:05,599 LIZ! 1362 01:20:05,668 --> 01:20:07,268 LIZ! 1363 01:20:07,336 --> 01:20:09,270 I'VE BEEN LOOKING EVERYWHERE FOR YOU! 1364 01:20:09,338 --> 01:20:11,438 I'VE BEEN LOOKING FOR YOU, TOO. 1365 01:20:11,507 --> 01:20:14,108 WE'VE GOT A FEW THINGS TO TALK ABOUT, YOU KNOW. 1366 01:20:14,177 --> 01:20:15,543 WE SURE DO. 1367 01:20:23,152 --> 01:20:24,752 YOU MISSED THE CURTAIN RAISER. 1368 01:20:24,821 --> 01:20:25,820 OH? 1369 01:20:25,888 --> 01:20:28,122 GUESS HOW I GOT HERE? 1370 01:20:28,191 --> 01:20:30,090 BY BOAT. I MEAN, SHIP. 1371 01:20:30,159 --> 01:20:32,026 HELICOPTER. 1372 01:20:32,094 --> 01:20:34,795 THE ADMIRAL SENT IT OVER FROM THE FLAGSHIP. 1373 01:20:34,864 --> 01:20:38,632 WELL...THAT SOUNDS VERY V.I.P. 1374 01:20:38,701 --> 01:20:40,534 DON'T TELL ME YOU'VE FORGOTTEN ALREADY. 1375 01:20:40,603 --> 01:20:43,437 YOUR OLD MAN'S ALMOST A FULL COMMANDER NOW. 1376 01:20:43,506 --> 01:20:45,706 NO, I HAVEN'T FORGOTTEN. 1377 01:20:47,310 --> 01:20:48,342 YOU KNOW IT'S ILLEGAL 1378 01:20:48,411 --> 01:20:51,445 TO BE SERIOUS AT A WINE FESTIVAL? 1379 01:20:51,514 --> 01:20:53,380 YOU'RE A VERY HAPPY BOY, AREN'T YOU? 1380 01:20:53,449 --> 01:20:57,451 UH-HUH. I GOT AS MUCH AS ANY MAN COULD ASK FOR. 1381 01:20:57,520 --> 01:21:01,455 CERTAINLY MORE THAN I DESERVE. 1382 01:21:01,524 --> 01:21:04,391 WELL, YOU HAVEN'T GIVEN ME A MOMENT TO SAY... 1383 01:21:04,460 --> 01:21:06,160 HMM? 1384 01:21:06,229 --> 01:21:07,695 CONGRATULATIONS, COMMANDER. 1385 01:21:07,763 --> 01:21:09,096 THANK YOU. 1386 01:21:09,165 --> 01:21:11,131 AND I'M WITH YOU ALL THE WAY. 1387 01:21:14,737 --> 01:21:17,238 I'D BE NOTHING WITHOUT KNOWING THAT. 1388 01:21:19,742 --> 01:21:21,408 LET'S NOT DRAG THE FESTIVITIES DOWN. 1389 01:21:21,477 --> 01:21:24,144 YOU WAIT HERE, AND I'LL GET US SOME WINE. 1390 01:21:26,282 --> 01:21:27,848 EXCUSE ME, SIR. 1391 01:21:27,917 --> 01:21:31,118 COULD YOU TELL ME WHERE RADARMAN THIRD CLASS BILLY PULASKI IS? 1392 01:21:31,187 --> 01:21:32,987 NO, I'M AFRAID NOT. 1393 01:21:33,055 --> 01:21:34,622 WELL, THAT'S A FINE THING. 1394 01:21:34,690 --> 01:21:36,457 SUPPOSING AN EMERGENCY SUDDENLY HAPPENED 1395 01:21:36,525 --> 01:21:39,760 AND YOU REALLY NEEDED HIM? 1396 01:21:39,829 --> 01:21:42,296 WE CALL THEM SEA GULLS. 1397 01:21:42,365 --> 01:21:43,964 HI. HI, BONNIE. 1398 01:21:44,033 --> 01:21:45,232 I DON'T SUPPOSE YOU'VE SEEN 1399 01:21:45,301 --> 01:21:47,234 RADARMAN THIRD CLASS BILLY PULASKI, HAVE YOU? 1400 01:21:47,303 --> 01:21:49,904 UM, NOT LATELY. 1401 01:21:49,972 --> 01:21:52,606 OKAY I'LL JUST KEEP LOOKING. 1402 01:21:55,678 --> 01:21:57,511 HEY... 1403 01:21:57,580 --> 01:22:00,314 BET YOU'RE SURE GOING TO MISS IT, HUH? 1404 01:22:00,383 --> 01:22:01,949 WHAT AM I GOING TO MISS? 1405 01:22:02,018 --> 01:22:03,284 THE SEA... 1406 01:22:03,352 --> 01:22:05,786 ALL THAT SALT AIR. 1407 01:22:05,855 --> 01:22:07,087 SALT AIR? 1408 01:22:07,156 --> 01:22:10,691 YEAH, BUT YOU REALLY CAN'T BLAME LIZ-- MRS. BRADVILLE. 1409 01:22:10,760 --> 01:22:13,427 I MEAN, FOR WANTING TO SETTLE DOWN WITH YOU SOMEWHERE 1410 01:22:13,496 --> 01:22:15,429 AND GIVE UP SEA GULLING 1411 01:22:15,498 --> 01:22:17,865 AND HAVE LITTLE KIDS. 1412 01:22:20,069 --> 01:22:22,636 NO, NO. CAN'T BLAME HER AT ALL. 1413 01:22:22,705 --> 01:22:25,539 GOSH! BILLY MUST BE AROUND HERE SOMEPLACE. 1414 01:22:46,062 --> 01:22:48,295 WELL, NOW WHO'S LOOKING SERIOUS? 1415 01:22:48,364 --> 01:22:49,964 OH, IT'S JUST THAT... 1416 01:22:50,032 --> 01:22:54,401 WHEN I TOLD YOU MY PROMOTION WASN'T ACTUALLY OFFICIAL... 1417 01:22:54,470 --> 01:22:56,937 I KNOW. YOUR PHYSICAL HADN'T COME THROUGH YET. 1418 01:22:57,006 --> 01:22:58,372 NOW, YOU WON'T BELIEVE THIS, LIZ, 1419 01:22:58,441 --> 01:23:01,709 BUT I'VE JUST TALKED TO A SIGNALMAN. 1420 01:23:01,777 --> 01:23:04,578 WELL, I'VE DEVELOPED AN ALLERGY. 1421 01:23:06,983 --> 01:23:08,282 WHAT? 1422 01:23:08,351 --> 01:23:09,817 TO SALT AIR. 1423 01:23:09,885 --> 01:23:10,951 [CHUCKLES] 1424 01:23:11,020 --> 01:23:12,586 HOW DO YOU LIKE THAT? 1425 01:23:17,426 --> 01:23:19,994 BEN, YOU MUST BE TERRIBLY DISAPPOINTED. 1426 01:23:20,062 --> 01:23:21,428 WELL, THAT'S A FUNNY THING, TOO. 1427 01:23:21,497 --> 01:23:22,963 I SHOULD BE, BUT... 1428 01:23:23,032 --> 01:23:24,398 IN A WAY, IT'S A RELIEF. 1429 01:23:24,467 --> 01:23:26,600 WONDERFUL DESK JOB IN WASHINGTON. 1430 01:23:29,839 --> 01:23:31,271 YOU REALLY FEEL THAT? 1431 01:23:31,340 --> 01:23:33,507 I KNOW IT'S A BIG DISAPPOINTMENT TO YOU, HONEY. 1432 01:23:33,576 --> 01:23:35,876 YOU'LL MISS TRAVELING AROUND, SEEING THE WORLD, 1433 01:23:35,945 --> 01:23:38,679 NO RESPONSIBILITIES. 1434 01:23:38,748 --> 01:23:41,281 BUT, UH, WELL... 1435 01:23:41,350 --> 01:23:44,585 GOT TO SETTLE DOWN SOMETIME. 1436 01:23:44,653 --> 01:23:46,487 HAVE US A COUPLE OF KIDS. 1437 01:23:48,190 --> 01:23:49,990 IT'S NOT THE END OF THE WORLD. 1438 01:23:53,429 --> 01:23:55,029 LIKE YOU SAY, 1439 01:23:55,097 --> 01:23:57,031 IT'S NOT THE END OF THE WORLD. 1440 01:24:01,604 --> 01:24:03,370 BONNIE! 1441 01:24:03,439 --> 01:24:06,673 BONNIE! HERE I AM! 1442 01:24:12,314 --> 01:24:13,881 YOU AGAIN! 1443 01:24:13,949 --> 01:24:15,916 WHY DON'T YOU GET LOST? 1444 01:24:15,985 --> 01:24:17,217 WHAT? 1445 01:24:17,286 --> 01:24:18,719 SHE SAID SHE GOT LOST, CHIEF. 1446 01:24:18,788 --> 01:24:21,055 WHAT ARE YOU DOING IN THERE, BILLY? 1447 01:24:21,123 --> 01:24:24,158 TELL THE LADY, PULASKI. 1448 01:24:24,226 --> 01:24:25,826 I'M TRAMPLING GRAPES. 1449 01:24:25,895 --> 01:24:27,094 WHY? 1450 01:24:27,163 --> 01:24:28,796 WELL, TELL THE LADY, PULASKI. 1451 01:24:28,864 --> 01:24:31,565 'CAUSE I LIKE TO TRAMPLE GRAPES. 1452 01:24:35,971 --> 01:24:37,171 LISTEN. HONEY, HONEY... 1453 01:24:37,239 --> 01:24:39,239 I'M SORRY ABOUT ALL THOSE THINGS I SAID. 1454 01:24:39,308 --> 01:24:40,841 I KNOW YOU DIDN'T MEAN THEM. 1455 01:24:40,910 --> 01:24:43,077 AND I PROMISE NEVER TO LOSE MY TEMPER AGAIN. 1456 01:24:43,145 --> 01:24:46,146 AND I'LL NEVER BE JEALOUS, AND I'LL NEVER QUESTION YOU. 1457 01:24:46,215 --> 01:24:48,115 WHY DON'T YOU COME OUT OF THERE? 1458 01:24:48,184 --> 01:24:51,785 BECAUSE HE DOESN'T WANT TO COME OUT OF THERE, NOW, DO YOU, PULASKI? 1459 01:24:53,122 --> 01:24:54,354 NO, CHIEF. 1460 01:24:54,423 --> 01:24:56,523 SOME FIESTA. 1461 01:24:57,626 --> 01:24:59,960 UH, YOU ARE BONNIE PULASKI, EH? 1462 01:25:00,029 --> 01:25:00,994 UH-HUH. 1463 01:25:01,063 --> 01:25:02,029 AH! 1464 01:25:02,098 --> 01:25:03,097 OH! 1465 01:25:03,165 --> 01:25:05,766 YOUR FRIENDS TELL ME YOU SING. 1466 01:25:05,835 --> 01:25:06,800 I USED TO. 1467 01:25:06,869 --> 01:25:07,634 SHE GAVE IT UP. 1468 01:25:07,703 --> 01:25:09,336 YOU WILL SING FOR US, THEN. 1469 01:25:09,405 --> 01:25:10,704 HEY, WAIT A MINUTE! 1470 01:25:12,308 --> 01:25:14,108 HEY, WAIT A MINUTE. WAIT A MINUTE. 1471 01:25:14,176 --> 01:25:15,342 BACK INSIDE. 1472 01:25:15,411 --> 01:25:18,345 AW, FOR CRYING OUT LOUD. 1473 01:25:33,262 --> 01:25:35,162 THERE'S SMITTY. 1474 01:25:35,231 --> 01:25:38,398 AND...MICHELE. 1475 01:25:49,478 --> 01:25:53,814 DID YOU GET AHOLD OF MESSIEURS FRISENAI, FRISENAI, AND FRISENAI? 1476 01:25:59,255 --> 01:26:00,354 WHAT HAPPENED? 1477 01:26:00,422 --> 01:26:01,889 ARE YOU ALRIGHT? 1478 01:26:01,957 --> 01:26:03,323 I TH-THINK SO. 1479 01:26:03,392 --> 01:26:04,625 I--I HURT... 1480 01:26:04,693 --> 01:26:06,293 OH! 1481 01:26:06,362 --> 01:26:08,095 THAT--THAT FEELS MUCH BETTER. 1482 01:26:08,164 --> 01:26:09,630 GOOD. 1483 01:26:09,698 --> 01:26:12,466 I MEAN, IF I'M GOING TO TAKE THE MERCHANDISE ON APPROVAL, 1484 01:26:12,535 --> 01:26:14,935 I DON'T WANT IT ALL BROKEN UP, DO I? 1485 01:26:15,004 --> 01:26:16,937 UH-UH. 1486 01:26:17,006 --> 01:26:20,340 LISTEN, YOU WAIT HERE JUST A MINUTE. 1487 01:26:20,409 --> 01:26:21,642 WAIT JUST A MINUTE. 1488 01:26:21,710 --> 01:26:23,777 TONI, WE'VE GOT TO HAVE A LITTLE TALK. 1489 01:26:23,846 --> 01:26:25,612 WE'VE GOT TO GET SOMETHING STRAIGHTENED OUT. 1490 01:26:25,681 --> 01:26:27,047 EXACTLY. OUR ENGAGEMENT... 1491 01:26:27,116 --> 01:26:28,182 IS OFF. 1492 01:26:35,724 --> 01:26:37,357 ♪ LA LA LA LA ♪ 1493 01:26:37,426 --> 01:26:39,393 ♪ LA LA LA LA LA LA ♪ 1494 01:26:39,461 --> 01:26:41,562 ♪ LA LA LA LA LA LA ♪ 1495 01:26:41,630 --> 01:26:43,530 ♪ LA LA LA LA ♪ 1496 01:26:43,599 --> 01:26:45,365 ♪ LA LA LA LA ♪ 1497 01:26:45,434 --> 01:26:47,568 ♪ LA LA LA LA LA LA ♪ 1498 01:26:47,636 --> 01:26:51,371 ♪ LA LA LA LA LA LA LA ♪ 1499 01:26:51,440 --> 01:26:53,373 ♪ TONIGHT'S MY NIGHT ♪ 1500 01:26:53,442 --> 01:26:55,576 ♪ WANT TO SING, WANT TO DANCE ♪ 1501 01:26:55,644 --> 01:26:59,379 ♪ WANT TO HEAR THE MUSIC PLAY ♪ 1502 01:26:59,448 --> 01:27:01,315 ♪ TONIGHT'S MY NIGHT ♪ 1503 01:27:01,383 --> 01:27:03,350 ♪ WANT TO LAUGH, WANT TO LOVE ♪ 1504 01:27:03,419 --> 01:27:06,887 ♪ WANT TO THROW MY CARES AWAY ♪ 1505 01:27:06,956 --> 01:27:12,359 ♪ ALL OF THE JOY AND HAPPINESS TONIGHT ♪ 1506 01:27:12,428 --> 01:27:14,795 ♪ I BORROW ♪ 1507 01:27:14,863 --> 01:27:17,998 ♪ I MAY PAY BACK WITH TEARS ♪ 1508 01:27:18,067 --> 01:27:22,703 ♪ WITH TEARS I'LL CRY TOMORROW ♪ 1509 01:27:22,771 --> 01:27:24,771 ♪ TONIGHT, MY LOVE ♪ 1510 01:27:24,840 --> 01:27:30,310 ♪ EVERY STAR IN THE SKY NEVER HAD A BRIGHTER SHINE ♪ 1511 01:27:30,379 --> 01:27:34,715 ♪ I'M BUBBLIN' OVER LIKE CHAMPAGNE AND WINE ♪ 1512 01:27:34,783 --> 01:27:38,752 ♪ TONIGHT IS MINE ♪ 1513 01:27:48,163 --> 01:27:50,530 [SINGING IN ITALIAN] 1514 01:28:18,661 --> 01:28:20,160 ♪ LA ♪ 1515 01:28:20,229 --> 01:28:21,528 ♪ LA ♪ 1516 01:28:21,597 --> 01:28:23,096 ♪ LA ♪ 1517 01:28:23,165 --> 01:28:25,599 ♪ LA LA LA LA ♪ 1518 01:28:25,668 --> 01:28:29,803 ♪ LA LA LA LA LA LA LA LA LA LA ♪ 1519 01:28:29,872 --> 01:28:31,438 ♪ LA LA LA LA ♪ 1520 01:28:31,507 --> 01:28:34,441 ♪ LA LA LA LA LA LA ♪ 1521 01:28:34,510 --> 01:28:37,678 ♪ LA LA LA LA LA LA LA ♪ 1522 01:28:37,746 --> 01:28:39,746 ♪ TONIGHT'S MY NIGHT ♪ 1523 01:28:39,815 --> 01:28:41,848 ♪ WANT TO SING, WANT TO DANCE ♪ 1524 01:28:41,917 --> 01:28:45,619 ♪ WANT TO HEAR THE MUSIC PLAY ♪ 1525 01:28:45,688 --> 01:28:47,654 ♪ TONIGHT'S MY NIGHT ♪ 1526 01:28:47,723 --> 01:28:49,823 ♪ WANT TO LAUGH, WANT TO LOVE ♪ 1527 01:28:49,892 --> 01:28:56,763 ♪ TONIGHT IS MINE ♪♪ 1528 01:28:58,334 --> 01:29:01,601 [CHEERING] 1529 01:29:06,608 --> 01:29:09,409 [SPEAKING ITALIAN] 1530 01:29:09,478 --> 01:29:10,944 [MUSIC STARTS] 1531 01:29:11,013 --> 01:29:12,079 YOU DANCE? 1532 01:29:30,499 --> 01:29:32,232 THAT'S ALL, BROTHER. 1533 01:29:35,704 --> 01:29:38,672 I-I-I THINK THAT'S ENOUGH FOR NOW, VITTORIO. 1534 01:29:38,741 --> 01:29:40,640 IT HAS BEEN A GREAT PLEASURE. 1535 01:29:40,709 --> 01:29:41,708 THANK YOU. 1536 01:29:41,777 --> 01:29:43,610 HEY, YOU! CUT THAT OUT! 1537 01:29:45,080 --> 01:29:46,012 BONNIE! 1538 01:29:46,081 --> 01:29:48,648 I'VE HAD ENOUGH OF YOUR TEMPER, PULASKI! 1539 01:29:48,717 --> 01:29:50,784 GET YOUR BIG, BLUE FEET OUT OF HERE 1540 01:29:50,853 --> 01:29:52,819 AND...AND TAKE YOUR HANDS OFF ME, TOO! 1541 01:29:52,888 --> 01:29:55,055 I'M NOT TAKING ANYTHING OFF, BUT HE IS. 1542 01:29:55,124 --> 01:29:56,123 ME? TAKING OFF? 1543 01:29:56,191 --> 01:29:57,524 AW, SHUT UP! 1544 01:29:57,593 --> 01:29:59,559 DON'T YOU DARE TALK TO VITTORIO THAT WAY! 1545 01:29:59,628 --> 01:30:01,628 HE'S A NICE GUY AND A PERFECT GENTLEMAN. 1546 01:30:01,697 --> 01:30:03,363 OH, SO IT'S VITTORIO ALREADY, HUH? 1547 01:30:03,432 --> 01:30:04,598 SI.VITTORIO-- 1548 01:30:04,666 --> 01:30:06,900 HELLO. SEE, YOUR NAME'S PULASKI. 1549 01:30:06,969 --> 01:30:08,668 NOT MUCH LONGER IT WON'T BE. 1550 01:30:08,737 --> 01:30:10,036 OH, IS THAT-- 1551 01:30:10,105 --> 01:30:11,638 HUH? 1552 01:30:11,707 --> 01:30:12,773 VITTORIO GIUSEPPE-- 1553 01:30:12,841 --> 01:30:15,409 AW, YOU BIG CIVILIAN CREEP! 1554 01:30:15,477 --> 01:30:16,910 YOU LOOK TIRED, PULASKI. 1555 01:30:16,979 --> 01:30:18,612 ALL THAT TRAMPING AROUND. 1556 01:30:18,680 --> 01:30:21,281 YOU BETTER HAVE A NICE REST IN THE BRIG. 1557 01:30:22,518 --> 01:30:24,050 BILLY? 1558 01:30:25,821 --> 01:30:27,621 SIGNORINA, ARRIVEDERCI. 1559 01:30:27,689 --> 01:30:30,190 OH! BILLY! 1560 01:30:30,259 --> 01:30:32,159 [SPEAKING ITALIAN] 1561 01:30:35,497 --> 01:30:36,730 MRS. BRADVILLE? 1562 01:30:36,799 --> 01:30:38,832 OH! THANK YOU. 1563 01:30:40,302 --> 01:30:44,671 THIS IS ADDRESSED TO ALL OF US. 1564 01:30:44,740 --> 01:30:47,407 "JUST TO SAY THANKS FOR EVERYTHING AND GOOD-BYE. 1565 01:30:47,476 --> 01:30:51,211 "P.S. TONI, I'LL SEND YOU THE LIRE I BORROWED. 1566 01:30:51,280 --> 01:30:54,114 LOVE, BONNIE-- EX-SEA GULL." 1567 01:30:56,852 --> 01:30:58,018 WELL, IF I KNOW BONNIE, 1568 01:30:58,086 --> 01:30:59,352 SHE HAS BORROWED JUST ENOUGH 1569 01:30:59,421 --> 01:31:02,856 TO GET TO THE NEAREST AMERICAN CONSULATE. 1570 01:31:02,925 --> 01:31:04,724 THE LAST BUS LEFT AT 2:30. 1571 01:31:04,793 --> 01:31:06,092 WHAT TIME IS IT? 1572 01:31:06,161 --> 01:31:07,394 UH, 3:00. 1573 01:31:07,463 --> 01:31:09,796 OH! LITTLE IDIOT! 1574 01:31:09,865 --> 01:31:11,698 BEN, YOU JUST HAVE TO DO SOMETHING. 1575 01:31:11,767 --> 01:31:12,899 SHE'S ABSOLUTELY RIGHT. 1576 01:31:12,968 --> 01:31:15,202 [BOTH TALKING AT ONCE] 1577 01:31:19,775 --> 01:31:21,174 HOLD IT! GIRLS! 1578 01:32:06,989 --> 01:32:08,555 HEY, THERE SHE IS! 1579 01:32:08,624 --> 01:32:10,056 OH, YEAH! 1580 01:32:13,095 --> 01:32:14,895 HEY, STOP THE BUS! 1581 01:32:14,963 --> 01:32:16,630 LIKE...LIKE HOW? 1582 01:32:16,698 --> 01:32:18,598 LIKE...ANY WAY YOU DO IT. 1583 01:32:18,667 --> 01:32:19,633 PRESS A BUTTON. 1584 01:32:19,701 --> 01:32:20,901 GOOD! 1585 01:32:30,045 --> 01:32:33,313 [SPEAKING ITALIAN] 1586 01:32:49,197 --> 01:32:51,097 BLUEBIRD TO COMMANDER HUSBAND. 1587 01:32:51,166 --> 01:32:53,633 CONTACT ESTABLISHED. I LOVE YOU. 1588 01:32:53,702 --> 01:32:55,035 [KISS] 1589 01:32:57,673 --> 01:33:00,173 WHAT IS IT? WHAT'S THE MATTER? 1590 01:33:00,242 --> 01:33:03,243 SOMETHING'S HAPPENED TO MY BILLY. 1591 01:33:03,312 --> 01:33:04,744 I KNOW IT. 1592 01:33:04,813 --> 01:33:06,379 WHAT HAPPENED? 1593 01:33:06,448 --> 01:33:07,547 IS HE HURT? 1594 01:33:07,616 --> 01:33:09,149 NOT YET. 1595 01:33:09,217 --> 01:33:10,183 NOT YET? 1596 01:33:10,252 --> 01:33:12,319 YOU MEAN HE'S GOING TO BE? WHEN? 1597 01:33:12,387 --> 01:33:16,189 WHEN HE FINDS OUT THAT YOU DIDN'T LOVE HIM ENOUGH TO STICK IT OUT. 1598 01:33:16,258 --> 01:33:17,490 NO. 1599 01:33:17,559 --> 01:33:19,059 UH-UH. I'VE TRIED ENOUGH. 1600 01:33:19,127 --> 01:33:21,094 IF THAT'S WHAT YOU CAME AFTER ME FOR, 1601 01:33:21,163 --> 01:33:23,096 TO GET ME TO SEA GULL AGAIN, 1602 01:33:23,165 --> 01:33:25,265 YOU'VE ALL WASTED YOUR TIME. 1603 01:33:27,469 --> 01:33:30,670 YOU'RE NOT GOING TO LET ME GET AWAY WITH THAT, ARE YOU? 1604 01:33:30,739 --> 01:33:31,938 EH! 1605 01:33:32,007 --> 01:33:33,206 [MAN SPEAKING ITALIAN] 1606 01:33:33,275 --> 01:33:35,942 TAKE IT EASY, MAN. JUST RELAX. 1607 01:33:36,011 --> 01:33:37,744 IT'S AN EMERGENCY, SEE? 1608 01:33:37,813 --> 01:33:39,512 PRESTO! PRESTO! 1609 01:34:12,514 --> 01:34:17,717 ♪ THERE WILL BE NO PLACE TOO FAR ♪ 1610 01:34:17,786 --> 01:34:23,923 ♪ NO OCEAN TOO WIDE ♪ 1611 01:34:26,028 --> 01:34:29,329 ♪ WHEREVER HE GOES ♪ 1612 01:34:29,398 --> 01:34:35,402 ♪ I'LL BE RIGHT BY HIS SIDE ♪ 1613 01:34:37,039 --> 01:34:40,674 ♪ I'LL FOLLOW THE BOYS ♪ 1614 01:34:40,742 --> 01:34:47,480 ♪ AND WAIT UNTIL THE TIME ♪ 1615 01:34:47,549 --> 01:34:54,688 ♪ 'TILL THAT WONDERFUL BOY THAT I'M FOLLOWING ♪ 1616 01:34:56,491 --> 01:35:03,430 ♪ IS MINE ♪♪ 129056

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