All language subtitles for The Hunger (1983) (1080p BluRay x265 10bit Tigole)_Track04-eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:13,013 --> 00:00:14,674 [Fast-paced '80s music] 2 00:01:17,160 --> 00:01:19,242 [Fast-paced '80s music continues] 3 00:01:54,698 --> 00:01:56,564 [Fast-paced '80s music continues] 4 00:02:35,906 --> 00:02:38,113 [Fast-paced '80s music intensifies] 5 00:03:15,779 --> 00:03:17,941 [Suspenseful instrumental music] 6 00:03:50,147 --> 00:03:52,889 [Suspenseful instrumental music continues] 7 00:04:11,543 --> 00:04:12,749 No ice. 8 00:05:13,104 --> 00:05:14,686 [Monkey screeching] 9 00:05:58,567 --> 00:05:59,523 [Screaming] 10 00:06:00,735 --> 00:06:02,191 [Woman screaming] 11 00:06:05,407 --> 00:06:06,693 WOMAN: Stop it! 12 00:06:30,140 --> 00:06:31,722 [Slow instrumental music] 13 00:06:37,606 --> 00:06:40,098 I don't know what's got into him. He's gone crazy. 14 00:06:49,784 --> 00:06:51,149 Oh, my God. 15 00:07:05,008 --> 00:07:07,249 [Slow instrumental music continues] 16 00:07:39,334 --> 00:07:41,496 [Slow instrumental music continues] 17 00:07:49,761 --> 00:07:51,001 Forever. 18 00:07:52,722 --> 00:07:54,554 [Soft instrumental music] 19 00:07:54,766 --> 00:07:55,927 MIRIAM: What? 20 00:07:57,602 --> 00:07:59,309 Forever and ever. 21 00:08:32,053 --> 00:08:33,839 [Soft instrumental music continues] 22 00:10:11,152 --> 00:10:12,563 [Monkey screeching] 23 00:10:14,239 --> 00:10:15,695 TOM: Big Macs. 24 00:10:17,700 --> 00:10:18,986 TOM: Hello. 25 00:10:21,871 --> 00:10:24,283 He's manic. That's what's so strange. 26 00:10:25,667 --> 00:10:27,783 After all these hours... 27 00:10:28,044 --> 00:10:31,958 there's no falloff in activity, no drop in his blood pressure. 28 00:10:32,507 --> 00:10:35,670 TOM: Okay, so what went wrong? SARAH: His temperature's still way up. 29 00:10:35,885 --> 00:10:38,627 - Phyl? - Night before last, he didn't sleep a wink. 30 00:10:39,013 --> 00:10:42,222 He hasn't slept now for 50-some hours. 31 00:10:42,433 --> 00:10:44,015 Fifty-six. 32 00:10:45,145 --> 00:10:47,637 PHYLLIS: All day yesterday, he got uglier and uglier. 33 00:10:47,856 --> 00:10:50,188 Last night, he turned on Betty. 34 00:10:51,568 --> 00:10:54,481 PHYLLIS: He loved Betty. TOM: You thought he loved Betty. 35 00:10:55,655 --> 00:10:58,317 He tore her apart and then he ate her. 36 00:11:05,540 --> 00:11:08,248 Okay, let's get the old video equipment in here. 37 00:11:08,459 --> 00:11:10,291 SARAH: I want to record every move he makes. 38 00:11:10,503 --> 00:11:12,540 I could kill him. I could, really. 39 00:11:13,381 --> 00:11:17,170 TOM: Careful, Phyl. That's a $2,000 monkey you're talking about. 40 00:11:17,427 --> 00:11:20,260 Don't you snarl at me, you evil son of a bitch. 41 00:11:20,471 --> 00:11:22,257 [Soft instrumental music] 42 00:11:42,744 --> 00:11:44,655 [Soft instrumental music continues] 43 00:12:07,810 --> 00:12:10,973 Forever and ever. 44 00:12:11,940 --> 00:12:14,307 [Soft instrumental music continues] 45 00:12:29,374 --> 00:12:30,239 [Projector running] 46 00:12:30,458 --> 00:12:32,870 SARAH: These children are all 8, 9, and 10 years old... 47 00:12:33,086 --> 00:12:35,168 though they have the physical characteristics... 48 00:12:35,380 --> 00:12:37,917 of someone in their 70s or even older. 49 00:12:38,341 --> 00:12:41,129 They all suffer from a disease called progeria. 50 00:12:42,345 --> 00:12:45,758 We don't know exactly what itis, but what it amounts to... 51 00:12:45,974 --> 00:12:49,092 is a premature degeneration comparable to that of aging. 52 00:12:49,644 --> 00:12:52,011 What we call the internal clock... 53 00:12:52,230 --> 00:12:55,222 begins to speed up at about the age of five. 54 00:12:55,650 --> 00:13:00,440 It's a terminal disease. The average life expectancy is about 16. 55 00:13:01,155 --> 00:13:02,520 INTERVIEWER: Tragic. SARAH: Yes... 56 00:13:02,740 --> 00:13:05,653 and the main focus of our work at Park West... 57 00:13:05,868 --> 00:13:10,283 is to try to reverse this process and actually slow down this internal clock. 58 00:13:11,582 --> 00:13:14,040 INTERVIEWER: I won't use that magic word "immortality"... 59 00:13:14,252 --> 00:13:17,119 but longevity is something that's got to be.... 60 00:13:17,338 --> 00:13:18,248 Sleep well? 61 00:13:18,464 --> 00:13:21,047 INTERVIEWER: Today with all our fantastic technology.... 62 00:13:21,259 --> 00:13:23,216 Come here. Sit here. 63 00:13:23,428 --> 00:13:25,795 INTERVIEWER: ...if only I'd been born 50 years later.... 64 00:13:31,853 --> 00:13:33,514 [Doorbell ringing] 65 00:13:36,816 --> 00:13:37,806 [Buzzer] 66 00:13:43,573 --> 00:13:46,156 Gotcha. You look awful. 67 00:13:46,367 --> 00:13:49,485 - What have you been doing? - None of your business. 68 00:13:50,621 --> 00:13:52,487 SARAH: We have a woman who's into her 90s... 69 00:13:52,707 --> 00:13:55,290 she only sleeps about two or three hours a night... 70 00:13:55,501 --> 00:13:59,540 and believe me, she has far more energy and enthusiasm than any of us. 71 00:13:59,756 --> 00:14:02,214 That's fantastic. What's her secret? 72 00:14:02,425 --> 00:14:04,792 When I find out the answer to that... 73 00:14:05,011 --> 00:14:06,922 I certainly hope you'll invite me back. 74 00:14:07,138 --> 00:14:09,129 INTERVIEWER: My guest is Dr. Sarah Roberts. 75 00:14:09,349 --> 00:14:12,683 And the book is called Sleep and Longevity. 76 00:14:12,894 --> 00:14:15,056 It's about mankind's flirtation with immortality. 77 00:14:15,271 --> 00:14:16,511 ALICE: Say salami. 78 00:14:17,065 --> 00:14:18,851 MIRIAM: What? ALICE: Say it. 79 00:14:19,359 --> 00:14:20,520 Salami. 80 00:14:22,070 --> 00:14:24,232 That's what all big-time photographers say. 81 00:14:24,447 --> 00:14:25,858 Beats "cheese." 82 00:14:27,241 --> 00:14:30,905 My dad got it for me in Hong Kong. Neat, huh? 83 00:14:33,790 --> 00:14:35,827 [Classical music playing] 84 00:15:28,469 --> 00:15:29,880 Forgive me. 85 00:15:39,647 --> 00:15:42,435 - Poor darling. - What's wrong with him? 86 00:15:44,360 --> 00:15:47,352 He'll be all right. He's having trouble sleeping. 87 00:15:47,572 --> 00:15:49,939 You want some ludes? I've got some in my case. 88 00:15:50,158 --> 00:15:51,774 What? - Quaaludes. 89 00:15:52,326 --> 00:15:54,317 - Alice. - l stole them from my stepmother. 90 00:15:54,537 --> 00:15:55,447 Alice! 91 00:15:55,663 --> 00:15:57,825 She doesn't care. She gets them by the gross. 92 00:15:58,040 --> 00:16:00,998 She's got every pill ever invented. She collects them. 93 00:16:01,210 --> 00:16:02,541 MIRIAM: Poor woman. 94 00:16:02,962 --> 00:16:06,626 ALICE: That's what my dad says. He says she's scared of getting old. 95 00:16:07,675 --> 00:16:09,541 [Eerie instrumental music] 96 00:16:24,609 --> 00:16:25,940 CLERK: Thank you. 97 00:16:46,088 --> 00:16:47,670 [Eerie instrumental music] 98 00:16:53,387 --> 00:16:55,503 I'm sorry, what did you say? 99 00:16:55,890 --> 00:16:58,473 Nothing, but I would like to talk to you. 100 00:16:59,310 --> 00:17:01,597 All right. Yes, I'd like that. 101 00:17:02,063 --> 00:17:04,851 Excuse me. Make it to Lillybelle. 102 00:17:12,073 --> 00:17:13,609 [Machine guns firing on TV] 103 00:17:31,092 --> 00:17:34,801 MIRIAM: The research center, please. CLERK: Dr. Humphries, 11th floor. 104 00:17:46,065 --> 00:17:47,772 [Eerie instrumental music] 105 00:17:50,570 --> 00:17:53,062 MIRIAM: What exactly is your position here? 106 00:17:53,281 --> 00:17:55,113 CHARLIE: I'm a blood analyst. 107 00:17:56,158 --> 00:18:00,322 MIRIAM: Have you found there's a relation between blood type and aging? 108 00:18:00,538 --> 00:18:03,121 CHARLIE: We're looking at it. We're looking at everything. 109 00:18:03,332 --> 00:18:05,118 That's why we're here. 110 00:18:05,334 --> 00:18:08,167 But my suspicion would be what kind of blood you have... 111 00:18:08,379 --> 00:18:10,620 affects how much you sleep, how deeply... 112 00:18:10,840 --> 00:18:13,582 and how you sleep affects how you age. 113 00:18:13,968 --> 00:18:15,550 Excuse me. 114 00:18:15,970 --> 00:18:19,634 - Excuse me. Dr. Humphries. - Straight ahead. 115 00:18:20,141 --> 00:18:22,223 CHARLIE: We can guess... MIRIAM: No, thank you. 116 00:18:22,435 --> 00:18:24,176 ...hypothesize that... 117 00:18:24,395 --> 00:18:27,558 certain blood disorders and tissue deficiencies... 118 00:18:27,773 --> 00:18:29,730 result in a rapid degeneration... 119 00:18:29,942 --> 00:18:32,730 similar to the symptoms of accelerated aging. 120 00:18:32,945 --> 00:18:37,030 CHARLIE: We've even had results here with monkeys in speeding up the clock... 121 00:18:37,241 --> 00:18:39,983 but we are a long way from turning it back. 122 00:18:40,202 --> 00:18:43,115 We can't quite promise you everlasting life. 123 00:18:44,165 --> 00:18:45,621 [Slow instrumental music] 124 00:18:53,883 --> 00:18:57,626 MIRIAM: You all right? JOHN: My hair comes out in my hand. 125 00:19:01,265 --> 00:19:03,472 JOHN: I've been reading this book. 126 00:19:04,769 --> 00:19:08,012 Why are these books always so badly written, I wonder? 127 00:19:08,230 --> 00:19:09,812 I've been there. 128 00:19:10,733 --> 00:19:13,316 They know nothing. They're guessing. 129 00:19:15,071 --> 00:19:17,233 How long is it going to take? 130 00:19:18,699 --> 00:19:20,861 How long did the others take? 131 00:19:21,535 --> 00:19:24,368 MIRIAM: I don't know. JOHN: You must remember, Miriam. 132 00:19:25,039 --> 00:19:26,120 I know it's a long time... 133 00:19:26,332 --> 00:19:29,290 but it's not the kind of thing that you forget. 134 00:19:29,502 --> 00:19:33,416 - Lollia, how long did she take? - A week. 135 00:19:35,257 --> 00:19:37,089 A few days. I don't remember. 136 00:19:37,301 --> 00:19:41,010 - She couldn't sleep? - No. She fed, but she couldn't sleep. 137 00:19:43,599 --> 00:19:45,510 JOHN: And the one before that? 138 00:19:47,103 --> 00:19:49,140 The same. Always the same. 139 00:19:53,401 --> 00:19:57,690 I prayed I'd never lose you. I know what's happening to you. 140 00:19:59,198 --> 00:20:02,031 I live with your suffering again and again. 141 00:20:04,328 --> 00:20:08,447 I had hoped that this time was just, somehow, some miracle. 142 00:20:09,500 --> 00:20:11,286 I've never stopped hoping that. 143 00:20:13,838 --> 00:20:15,169 Come here. 144 00:20:19,593 --> 00:20:22,585 And who's next? Have you thought about that? 145 00:20:25,266 --> 00:20:28,054 Who's to keep you company when I'm gone? 146 00:20:28,269 --> 00:20:30,886 I'm sure you have thought about that. 147 00:20:32,857 --> 00:20:34,973 Who's it to be? Alice? 148 00:20:35,192 --> 00:20:37,183 - Stop it. - Look at me. 149 00:20:39,989 --> 00:20:41,445 JOHN: Look at me! 150 00:20:44,285 --> 00:20:45,275 Miriam! 151 00:20:47,496 --> 00:20:49,203 [Echoing] What am I going to do? 152 00:20:53,627 --> 00:20:55,584 [Eerie instrumental music] 153 00:21:36,337 --> 00:21:38,499 [Announcement on PA system] 154 00:21:44,512 --> 00:21:46,298 [Monkey chattering] 155 00:21:50,684 --> 00:21:52,174 [Telephone ringing] 156 00:21:55,022 --> 00:21:56,558 SARAH: Barbara. BARBARA: Yes? 157 00:21:56,774 --> 00:21:59,766 Listen, I'm going to the boardroom to see the finance committee. 158 00:21:59,985 --> 00:22:01,817 If anyone calls, don't put them through... 159 00:22:02,029 --> 00:22:03,986 SARAH: unless it's an emergency. BARBARA: Okay. 160 00:22:05,699 --> 00:22:07,736 JOHN: Don't be alarmed. SARAH: How did you get in? 161 00:22:07,952 --> 00:22:09,033 It's John Blaylock. 162 00:22:09,245 --> 00:22:11,703 SARAH: This is a restricted area. You're not allowed in. 163 00:22:11,914 --> 00:22:14,872 I've been reading your book. I won't lie, I've not read it all. 164 00:22:15,084 --> 00:22:16,324 I'm just on my way out. 165 00:22:16,544 --> 00:22:20,458 It says somewhere that age is a disease, a disease that can be cured. 166 00:22:20,673 --> 00:22:23,586 SARAH: Yes. JOHN: Do you seriously believe that? 167 00:22:23,801 --> 00:22:25,883 SARAH: It's possible but, Mr.... JOHN: Blaylock. 168 00:22:26,095 --> 00:22:28,962 Yes. I'm very late right now for a meeting on another floor. 169 00:22:29,181 --> 00:22:33,345 Look at me. Look at my hands. How old am I? 170 00:22:34,228 --> 00:22:36,720 - They're waiting. - How old? 171 00:22:37,439 --> 00:22:40,397 - l don't know. - These are liver spots, aren't they? 172 00:22:41,569 --> 00:22:45,312 SARAH: They look like it, yes. JOHN: I didn't have them yesterday. 173 00:22:46,073 --> 00:22:48,360 Yesterday, I was 30 years old. 174 00:22:49,785 --> 00:22:52,698 - That's remarkable. - I'm a young man. 175 00:22:54,164 --> 00:22:57,828 Do you understand? I'm a young man. 176 00:23:01,255 --> 00:23:05,624 Yes. All right. I want you to wait for me... 177 00:23:05,885 --> 00:23:10,095 and I'll be back in 15 minutes, and then we'll do some tests, okay? 178 00:23:15,311 --> 00:23:16,972 [Announcement on PA system] 179 00:23:20,649 --> 00:23:24,893 Why don't you have a seat, Mr. Blaylock, and I'll be with you as soon as I can. 180 00:23:25,279 --> 00:23:26,861 Fifteen minutes. 181 00:23:28,657 --> 00:23:29,897 I'll try. 182 00:23:31,535 --> 00:23:34,072 You must think that I'm quite crazy. 183 00:23:36,707 --> 00:23:39,574 - I really.... I have to go. - Of course. 184 00:23:46,467 --> 00:23:48,083 [Tense instrumental music] 185 00:24:07,821 --> 00:24:09,937 SARAH: Hi, Fred. This is Dr. Roberts. 186 00:24:10,699 --> 00:24:14,693 SARAH: Hi. Listen, I just had another nut wander into my office. 187 00:24:15,496 --> 00:24:19,114 Yeah, I'm fine. I left him in the patients' lounge on 8. 188 00:24:20,000 --> 00:24:21,911 Great, thank you. Fred? 189 00:24:22,503 --> 00:24:25,996 Look, don't break his legs or anything, okay? He's quite harmless. 190 00:24:26,215 --> 00:24:30,709 Just let him sit there for a while, and he'll probably get tired and leave. 191 00:24:31,470 --> 00:24:32,551 Thanks. 192 00:24:39,103 --> 00:24:42,516 Mr. Rosenfeld? Hi, how are you? 193 00:24:43,232 --> 00:24:44,973 NURSE: You're looking fine. 194 00:24:50,489 --> 00:24:52,571 [Tense instrumental music continues] 195 00:25:01,208 --> 00:25:04,166 RECEPTIONIST: Excuse me. Sir? 196 00:25:05,546 --> 00:25:07,002 Excuse me, sir. 197 00:25:08,632 --> 00:25:11,750 Sir, smoking is not permitted. 198 00:25:18,767 --> 00:25:21,259 PHYLLIS: The effective age at this point: 55. 199 00:25:22,271 --> 00:25:26,390 TOM: And what's that in human terms? PHYLLIS: Equivalent to around 92. 200 00:25:28,402 --> 00:25:30,234 [Tense instrumental music continues] 201 00:25:43,625 --> 00:25:46,117 SARAH: Right here, he's in his 70th hour. 202 00:25:46,920 --> 00:25:49,628 That's where the first degenerative changes were visible. 203 00:25:56,346 --> 00:25:58,804 CHARLIE: Decay starts accelerating here. 204 00:26:01,143 --> 00:26:05,057 PHYLLIS: He's aging at a rate of approximately five years per minute. 205 00:26:05,773 --> 00:26:07,559 TOM: Jesus Christ. 206 00:26:13,113 --> 00:26:14,945 [Tense instrumental music continues] 207 00:26:26,293 --> 00:26:28,580 What was the result of that test then, Charlie? 208 00:26:28,796 --> 00:26:32,585 His blood cells gradually lost their ability to obtain oxygen. 209 00:26:33,801 --> 00:26:36,259 PHYLLIS: The effective age now: 85. 210 00:26:37,096 --> 00:26:40,088 Human equivalent: 129. 211 00:26:44,186 --> 00:26:46,928 And life signs terminate right... 212 00:26:47,648 --> 00:26:48,763 here. 213 00:26:54,988 --> 00:26:56,820 CHARLIE: Now watch this. 214 00:26:57,491 --> 00:26:59,949 [Eerie instrumental music] 215 00:27:32,401 --> 00:27:35,484 RECEPTIONIST: Sir? Excuse me, sir. 216 00:27:36,530 --> 00:27:38,817 Would you like a cup of coffee? 217 00:27:45,247 --> 00:27:46,988 [Telephone ringing] 218 00:27:52,379 --> 00:27:56,213 SARAH: It is your job. Just show them the tapes. 219 00:27:56,425 --> 00:27:57,506 TOM: You think so? 220 00:27:57,718 --> 00:28:00,130 TOM: I think Mandelstam will have a heart attack. 221 00:28:00,345 --> 00:28:04,589 Tom, these tapes are worth a fortune. I mean, we have made history here. 222 00:28:04,808 --> 00:28:07,266 We have actually shown that there is a clock. 223 00:28:07,477 --> 00:28:10,060 We have actually shown that it can be tampered with. 224 00:28:10,272 --> 00:28:12,604 Okay, so I don't understand exactly how it works... 225 00:28:12,816 --> 00:28:15,023 but I'm going to find out, if it kills me. 226 00:28:15,485 --> 00:28:18,318 We're talking about the secret of life and death here. 227 00:28:18,530 --> 00:28:21,238 That's good. They'll like that. Mandelstam will like that. 228 00:28:21,450 --> 00:28:23,441 - He's an idiot. - No. You're wrong, darling. 229 00:28:23,660 --> 00:28:26,527 Nobody with $500,000 to give away is an idiot. 230 00:28:27,581 --> 00:28:31,870 We have got to get our funding. We're so close. 231 00:28:36,924 --> 00:28:39,256 - I'll show him the tapes. - Thanks. 232 00:28:41,428 --> 00:28:43,169 [Eerie instrumental music] 233 00:28:58,445 --> 00:29:00,231 [Heart beating] 234 00:29:24,137 --> 00:29:25,719 [Heartbeat continues] 235 00:29:57,838 --> 00:29:59,499 [Women chattering] 236 00:29:59,881 --> 00:30:01,622 [Eerie instrumental music] 237 00:30:07,848 --> 00:30:09,634 [Heart beating quickly] 238 00:30:32,372 --> 00:30:34,079 SARAH: It wasn't as much as we hoped... 239 00:30:34,291 --> 00:30:36,908 SARAH: but we'll get through next year. PHYLLIS: Good old Tom. 240 00:30:37,127 --> 00:30:38,663 SARAH: He was great-- JOHN: Dr. Roberts. 241 00:30:38,879 --> 00:30:39,869 Yeah. 242 00:30:40,380 --> 00:30:42,417 - You let me down. - Beg your pardon? 243 00:30:42,632 --> 00:30:46,091 You didn't believe me. You made me sit here for over two hours. 244 00:30:46,303 --> 00:30:48,670 SARAH: Mr. Blaylock? JOHN: You had your meeting. 245 00:30:48,889 --> 00:30:50,596 Fifteen minutes, you said. You lied. 246 00:30:50,807 --> 00:30:52,764 JOHN: Just thought I was some ridiculous old crank. 247 00:30:52,976 --> 00:30:55,843 SARAH: Mr. Blaylock, wait, please. JOHN: Wait? I can't wait. 248 00:30:56,063 --> 00:30:58,395 I'm urgently required elsewhere. 249 00:30:58,899 --> 00:31:01,311 Mr. Blaylock, please come into my office-- 250 00:31:01,526 --> 00:31:03,733 Why don't you take a seat in the patients' lounge? 251 00:31:03,945 --> 00:31:05,686 SARAH: Mr. Blaylock, please wait. 252 00:31:09,076 --> 00:31:10,566 You can't leave. 253 00:31:23,882 --> 00:31:25,088 [Car horn honking] 254 00:31:26,593 --> 00:31:28,209 You stupid old fuck! 255 00:31:28,887 --> 00:31:30,469 [Rock music playing] 256 00:32:12,806 --> 00:32:14,296 [Man screaming] 257 00:32:15,350 --> 00:32:18,138 Fuck! You fucking cut me! 258 00:32:19,646 --> 00:32:20,932 You cut me! 259 00:32:26,194 --> 00:32:27,605 [Doorbell ringing] 260 00:32:43,503 --> 00:32:45,414 JOHN: Yes? ALICE: Hi. 261 00:32:46,590 --> 00:32:50,504 JOHN: What do you want? ALICE: Is Miriam here? Mrs. Blaylock. 262 00:32:51,887 --> 00:32:53,298 JOHN: There's nobody here. 263 00:32:54,973 --> 00:32:57,556 My name is Alice Cavender. I live across the street. 264 00:32:57,767 --> 00:33:01,305 I do music with the Blaylocks every Monday, Wednesday, and Friday. 265 00:33:01,521 --> 00:33:03,228 JOHN: It's Tuesday. ALICE: I know. 266 00:33:03,440 --> 00:33:07,479 Il just wanted to tell Miriam I can't come tomorrow. Mrs. Blaylock. 267 00:33:07,903 --> 00:33:10,861 On account of some dumb lecture I got suckered into at school. 268 00:33:11,072 --> 00:33:14,815 JOHN: She's not here. I told you, there's nobody here. 269 00:33:15,368 --> 00:33:17,359 Maybe I could leave a note. 270 00:33:17,579 --> 00:33:19,069 [Intercom disconnecting] 271 00:33:19,372 --> 00:33:20,737 [Buzzer] 272 00:33:22,709 --> 00:33:24,199 [Eerie instrumental music] 273 00:33:27,047 --> 00:33:31,382 I'll leave it on the piano, okay? I've got some music she wants back. 274 00:34:04,251 --> 00:34:06,037 Are you a friend of theirs? 275 00:34:07,254 --> 00:34:10,292 ALICE: You're the first friend of theirs I ever met. 276 00:34:10,674 --> 00:34:13,211 JOHN: They don't entertain a great deal. 277 00:34:14,052 --> 00:34:17,261 Wait a minute. You're not John's father, are you? 278 00:34:18,431 --> 00:34:19,466 What? 279 00:34:19,683 --> 00:34:22,050 ALICE: Mr. Blaylock, John's father. JOHN: No. 280 00:34:22,978 --> 00:34:26,061 No, I'm just a friend. Why? 281 00:34:26,773 --> 00:34:28,730 You've got the same eyes. 282 00:34:30,652 --> 00:34:35,021 Strange. I've never noticed. I've known him all these years. 283 00:34:35,949 --> 00:34:37,110 ALICE: Really? 284 00:34:39,077 --> 00:34:40,238 Really. 285 00:34:43,790 --> 00:34:45,406 [Eerie instrumental music] 286 00:35:15,363 --> 00:35:17,821 JOHN: Play something. ALICE: Now? 287 00:35:18,158 --> 00:35:22,117 JOHN: Yes. Miriam tells me you have great promise. 288 00:35:23,121 --> 00:35:24,657 ALICE: Miriam said that? 289 00:35:25,999 --> 00:35:29,583 JOHN: I used to play a little myself when I was a young man. 290 00:35:30,879 --> 00:35:34,463 ALICE: Well, if you really want me to. JOHN: Please. 291 00:35:34,924 --> 00:35:37,507 I've got this Lalo trio I've been working on. 292 00:35:37,719 --> 00:35:40,962 Probably going to make a fool of myself, but you asked for it. 293 00:35:41,181 --> 00:35:44,139 JOHN: C minor. ALICE: That's right. 294 00:35:44,392 --> 00:35:47,510 JOHN: A little saccharine. ALICE: That's what John says. 295 00:35:49,356 --> 00:35:52,314 You know, John speaks before he thinks. 296 00:35:53,026 --> 00:35:55,859 Is that what he does? I can't figure him out. 297 00:35:56,071 --> 00:35:58,233 I've been coming here for a year practically. 298 00:35:58,448 --> 00:36:01,566 Miriam's fantastic. She's my best friend, but John-- 299 00:36:01,785 --> 00:36:03,401 JOHN: You don't like John? 300 00:36:03,620 --> 00:36:06,829 I didn't say that. I love him. I love them both. 301 00:36:07,207 --> 00:36:10,120 He's just hard to figure out, that's all. 302 00:36:14,214 --> 00:36:17,172 Please play the Lalo for me... 303 00:36:17,926 --> 00:36:20,338 even if it is a little saccharine. 304 00:36:22,472 --> 00:36:26,056 - Are you sure you're not John's father? - Quite sure. 305 00:36:30,313 --> 00:36:32,520 [Sentimental music playing] 306 00:37:26,453 --> 00:37:28,410 [Ominous instrumental music] 307 00:38:01,029 --> 00:38:02,110 Forgive me. 308 00:38:02,363 --> 00:38:03,945 [Alice screaming] 309 00:38:31,184 --> 00:38:32,845 [Eerie instrumental music] 310 00:38:40,527 --> 00:38:41,983 [Rain pattering] 311 00:39:00,713 --> 00:39:02,374 MIRIAM: John. 312 00:39:13,977 --> 00:39:15,012 John. 313 00:39:42,505 --> 00:39:44,121 [Slow instrumental music] 314 00:40:06,779 --> 00:40:08,736 MIRIAM: I got caught in the rain. 315 00:40:15,455 --> 00:40:17,071 JOHN: You said forever. 316 00:40:19,542 --> 00:40:23,251 JOHN: Never-ending. Do you remember? 317 00:40:26,341 --> 00:40:27,627 MIRIAM: Every day. 318 00:40:29,302 --> 00:40:30,918 JOHN: Forever, you said. 319 00:40:32,430 --> 00:40:34,888 Forever and ever. 320 00:40:36,851 --> 00:40:38,467 JOHN: Never growing old. 321 00:40:40,730 --> 00:40:43,097 JOHN: Do you remember? 322 00:40:45,151 --> 00:40:46,437 Stop it. 323 00:40:48,947 --> 00:40:50,403 JOHN: Forever young. 324 00:40:54,994 --> 00:40:56,200 MIRIAM: Stop it. 325 00:41:04,170 --> 00:41:05,501 A kiss. 326 00:41:08,967 --> 00:41:10,128 Kiss me. 327 00:41:12,595 --> 00:41:14,461 Think of me as I was. 328 00:41:17,058 --> 00:41:18,719 Kiss me like that. 329 00:41:38,621 --> 00:41:41,329 [Slow instrumental music continues] 330 00:41:47,797 --> 00:41:49,003 JOHN: Miriam. 331 00:41:52,552 --> 00:41:53,838 I can't. 332 00:41:55,221 --> 00:41:56,177 I can't. 333 00:41:57,223 --> 00:41:59,180 JOHN: Give me a little longer. 334 00:42:01,144 --> 00:42:02,475 [Crying] I can't. 335 00:42:14,240 --> 00:42:16,026 [Miriam sobbing] 336 00:42:20,413 --> 00:42:21,869 Then kill me. 337 00:42:23,791 --> 00:42:25,202 Release me. 338 00:42:26,419 --> 00:42:27,705 MIRIAM: I can't. 339 00:42:36,471 --> 00:42:37,927 [Eerie instrumental music] 340 00:43:11,214 --> 00:43:12,921 What have you done? 341 00:43:25,520 --> 00:43:26,760 Kill me. 342 00:43:28,815 --> 00:43:30,101 I can't. 343 00:43:30,858 --> 00:43:32,940 Kill me, Miriam. 344 00:43:37,615 --> 00:43:38,946 Release me. 345 00:43:44,330 --> 00:43:46,116 You don't understand. 346 00:43:48,000 --> 00:43:49,991 [Eerie instrumental music] 347 00:43:59,345 --> 00:44:00,835 Please, Miriam. 348 00:44:07,436 --> 00:44:08,471 John? 349 00:44:29,041 --> 00:44:31,408 There is no release, my darling. 350 00:44:33,963 --> 00:44:35,249 No rest. 351 00:44:37,466 --> 00:44:38,922 No letting go. 352 00:44:44,891 --> 00:44:46,723 [Miriam sobbing] 353 00:44:51,189 --> 00:44:54,853 Humankind die one way, we another. 354 00:44:56,444 --> 00:44:59,186 Their end is final. Ours is not. 355 00:45:00,406 --> 00:45:03,524 In the earth, in the rotting wood... 356 00:45:05,244 --> 00:45:07,360 in the eternal darkness... 357 00:45:08,122 --> 00:45:09,578 we will see... 358 00:45:09,916 --> 00:45:12,783 and hear and feel. 359 00:45:20,468 --> 00:45:22,084 [Elevator clanks] 360 00:45:41,614 --> 00:45:43,571 [Eerie instrumental music continues] 361 00:46:14,689 --> 00:46:16,771 [Somber instrumental music] 362 00:47:46,238 --> 00:47:48,570 [Somber instrumental music continues] 363 00:47:59,668 --> 00:48:01,033 MIRIAM: Lollia... 364 00:48:02,088 --> 00:48:03,544 this is John. 365 00:48:04,423 --> 00:48:05,754 Comfort him. 366 00:48:07,009 --> 00:48:09,216 All of you, all my loves... 367 00:48:10,763 --> 00:48:12,720 be kind to him tonight. 368 00:48:21,440 --> 00:48:22,851 [Doorbell ringing] 369 00:48:58,185 --> 00:48:59,471 MIRIAM: Who is it? 370 00:49:00,980 --> 00:49:03,438 - Mrs. Blaylock? - Yes? 371 00:49:04,442 --> 00:49:07,355 I had to go to great lengths to get your number. 372 00:49:07,570 --> 00:49:10,278 SARAH: I've been trying you all day. MIRIAM: Yes? 373 00:49:12,158 --> 00:49:15,651 My name is Roberts. I'm a doctor. I'm from the Park West Medical Center. 374 00:49:15,870 --> 00:49:16,985 I know. 375 00:49:21,333 --> 00:49:22,289 Oh. 376 00:49:23,252 --> 00:49:24,458 Hello. 377 00:49:25,087 --> 00:49:26,828 [Eerie instrumental music] 378 00:49:30,593 --> 00:49:34,211 Mr. Blaylock came to see me at the hospital yesterday... 379 00:49:34,763 --> 00:49:37,346 and I'm afraid we had a terrible misunderstanding. 380 00:49:37,558 --> 00:49:39,515 My husband is not here. 381 00:49:39,852 --> 00:49:41,684 When will he be back? 382 00:49:42,104 --> 00:49:44,846 MIRIAM: He's gone to Switzerland. SARAH: Switzerland? 383 00:49:48,611 --> 00:49:50,477 Look, Mrs. Blaylock... 384 00:49:51,614 --> 00:49:55,824 I'm sure your husband's furious with me and I don't blame him, really. 385 00:49:56,035 --> 00:49:59,573 To be honest with you, I didn't believe him yesterday. 386 00:49:59,872 --> 00:50:03,490 I mean, we get so many cranks at the hospital, you know. 387 00:50:04,001 --> 00:50:06,368 Anyway, I feel terrible about it. 388 00:50:06,587 --> 00:50:09,249 I'm very sorry, and I'd like the chance to talk to him... 389 00:50:09,465 --> 00:50:11,627 and see if there's something that I couldn't do. 390 00:50:11,842 --> 00:50:14,880 Maybe in a day or two when I know a little more... 391 00:50:15,095 --> 00:50:17,336 when we know each other better. 392 00:50:17,556 --> 00:50:20,765 Sure. I guess this probably isn't a very good time for you, either. 393 00:50:20,976 --> 00:50:24,389 I'm going to give you my home phone and my office number. 394 00:50:24,605 --> 00:50:25,561 MIRIAM: Very well. 395 00:50:25,773 --> 00:50:29,186 If you need anything, please call me. And I'd appreciate it... 396 00:50:29,401 --> 00:50:32,519 if you could keep me posted on what's going on. 397 00:50:33,072 --> 00:50:34,358 Thank you. 398 00:50:39,078 --> 00:50:40,910 ALLEGREZZA: Good morning. MIRIAM: Good morning. 399 00:50:41,121 --> 00:50:43,613 ALLEGREZZA: I'm inquiring about Alice Cavender. 400 00:50:43,832 --> 00:50:44,913 Yes? 401 00:50:46,919 --> 00:50:48,409 ALLEGREZZA: Lt. Allegrezza. 402 00:50:51,799 --> 00:50:53,881 I don't usually get a smile on that. 403 00:50:54,093 --> 00:50:57,552 MIRIAM: It means "good cheer." ALLEGREZZA: That's right. 404 00:51:04,270 --> 00:51:06,762 ALLEGREZZA: Alice Cavender didn't come home last night... 405 00:51:06,981 --> 00:51:08,767 and she didn't show up at school today. 406 00:51:08,983 --> 00:51:12,101 You don't have any idea where she might be, do you, Mrs. Blaylock? 407 00:51:12,319 --> 00:51:13,730 MIRIAM: No, I'm afraid not. 408 00:51:17,116 --> 00:51:19,608 She didn't say anything about any problems at home... 409 00:51:19,827 --> 00:51:22,444 or with any boyfriends or anything like that, did she? 410 00:51:22,663 --> 00:51:23,653 No. 411 00:51:26,792 --> 00:51:28,533 Like I say, nine times out of ten... 412 00:51:28,752 --> 00:51:32,165 there's nothing to worry about with things like this. 413 00:51:34,008 --> 00:51:37,626 But if you or Mr. Blaylock should think of anything... 414 00:51:40,014 --> 00:51:41,925 you might give me a call. 415 00:51:42,141 --> 00:51:43,176 Of course. 416 00:51:43,517 --> 00:51:45,178 [Suspenseful instrumental music] 417 00:51:48,897 --> 00:51:52,106 ALLEGREZZA: New York isn't heaven, is it? MIRIAM: No. 418 00:51:53,819 --> 00:51:55,184 Not exactly. 419 00:51:56,238 --> 00:51:59,947 ALLEGREZZA: Except on a day like today, in a spot like this. 420 00:52:00,618 --> 00:52:01,858 Beautiful. 421 00:52:05,539 --> 00:52:07,780 [Suspenseful instrumental music continues] 422 00:52:16,842 --> 00:52:18,458 [Truck horn honking] 423 00:52:26,393 --> 00:52:28,134 [Telephone ringing] 424 00:52:30,230 --> 00:52:32,312 Are you getting the phone? 425 00:52:35,361 --> 00:52:37,978 SARAH: Was that the phone? TOM: Nope. 426 00:52:43,952 --> 00:52:45,659 [Telephone ringing] 427 00:52:54,713 --> 00:52:56,374 [Ominous instrumental music] 428 00:53:12,606 --> 00:53:14,517 [Soft classical music playing] 429 00:54:18,297 --> 00:54:19,958 [Soft classical music continues] 430 00:55:18,607 --> 00:55:20,974 SARAH: Yeah? Hello? 431 00:55:21,193 --> 00:55:22,649 [Suspenseful instrumental music] 432 00:55:24,738 --> 00:55:25,978 It didn't ring. 433 00:55:26,198 --> 00:55:28,485 SARAH: Are you sure? PHYLLIS: Yeah, I'm sure. 434 00:55:32,120 --> 00:55:34,407 Barbara, did you just buzz me? 435 00:55:36,708 --> 00:55:39,416 Okay. No, everything's all right. 436 00:55:43,257 --> 00:55:47,171 PHYLLIS: No, really. It didn't ring. SARAH: I could have sworn I heard it. 437 00:55:52,266 --> 00:55:55,179 I don't mean to intrude but I didn't hear from you... 438 00:55:55,394 --> 00:55:57,726 I was wondering if you'd heard from your husband... 439 00:55:57,938 --> 00:55:59,679 and how he was doing. 440 00:56:04,903 --> 00:56:06,814 I don't know why I'm here. 441 00:56:07,030 --> 00:56:08,236 Come in. 442 00:56:14,246 --> 00:56:18,535 I don't know how much he told you about himself, about us. 443 00:56:18,917 --> 00:56:20,328 SARAH: Very little. 444 00:56:21,128 --> 00:56:23,369 That is perhaps for the best. 445 00:56:23,922 --> 00:56:26,755 MIRIAM: Sherry? SARAH: No, thank you. I don't like sherry. 446 00:56:26,967 --> 00:56:29,208 MIRIAM: I think you'll like this one. 447 00:56:32,639 --> 00:56:34,755 [Eerie instrumental music] 448 00:56:50,157 --> 00:56:52,114 SARAH: This is real, isn't it? 449 00:56:56,121 --> 00:56:58,988 MIRIAM: Yes. It's 2,000 years old. 450 00:57:04,004 --> 00:57:06,587 SARAH: You've got so many beautiful things. 451 00:57:09,843 --> 00:57:12,255 MIRIAM: Most of it comes from my family. 452 00:57:14,681 --> 00:57:16,422 I love this piece. 453 00:57:19,061 --> 00:57:21,393 It's one of my favorites, too. 454 00:57:22,981 --> 00:57:24,688 She looks like you. 455 00:57:27,319 --> 00:57:28,480 Really? 456 00:57:30,155 --> 00:57:32,112 I mean, you know... 457 00:57:34,660 --> 00:57:36,196 kind of like you. 458 00:57:36,995 --> 00:57:38,611 Hair's the same. 459 00:57:38,956 --> 00:57:42,415 It's Florentine, 500 years old. 460 00:57:45,963 --> 00:57:48,125 [Miriam playing piano] 461 00:57:51,551 --> 00:57:56,136 MIRIAM: I'm sure we could talk for hours, you and I, but I suppose you're very busy. 462 00:57:56,974 --> 00:58:00,308 SARAH: No, not too busy. What about you? 463 00:58:00,727 --> 00:58:05,312 Me? You would think me mostly idle, I'm afraid. 464 00:58:06,566 --> 00:58:08,307 My time is my own. 465 00:58:09,069 --> 00:58:10,480 SARAH: That's great. 466 00:58:10,904 --> 00:58:13,316 SARAH: Plenty of time for your friends... 467 00:58:15,492 --> 00:58:17,859 and lots of lunches and dinners... 468 00:58:19,538 --> 00:58:22,747 and cocktail parties at the Museum of Modern Art? 469 00:58:27,212 --> 00:58:29,203 How do you spend your time? 470 00:58:30,215 --> 00:58:31,671 Are you lonely? 471 00:58:32,092 --> 00:58:35,835 I mean, especially now that your husband's away? 472 00:58:37,305 --> 00:58:38,340 No. 473 00:58:45,522 --> 00:58:47,229 I like your pendant. 474 00:58:49,568 --> 00:58:51,024 It's Egyptian. 475 00:58:57,451 --> 00:59:00,569 You know it was the symbol of everlasting life? 476 00:59:09,254 --> 00:59:11,370 What's that piece you're playing? 477 00:59:11,590 --> 00:59:13,376 It's Lakmé by Delibes. 478 00:59:14,676 --> 00:59:17,885 Lakmé is a Brahmin princess in India. 479 00:59:18,096 --> 00:59:21,760 MIRIAM: She has a slave named Mallika. SARAH: Mallika. 480 00:59:23,435 --> 00:59:28,054 In a magical garden, they sing how they follow the stream to its source... 481 00:59:29,066 --> 00:59:31,023 gliding over the water. 482 00:59:33,779 --> 00:59:35,520 Is it a love song? 483 00:59:36,448 --> 00:59:39,611 I told you, it was sung by two women. 484 00:59:40,869 --> 00:59:44,737 - Sounds like a love song. - Then I suppose that's what it is. 485 00:59:49,669 --> 00:59:52,582 Are you making a pass at me, Mrs. Blaylock? 486 00:59:54,633 --> 00:59:55,794 Miriam. 487 00:59:58,011 --> 00:59:59,046 Miriam. 488 01:00:00,639 --> 01:00:02,801 Not that I'm aware of, Sarah. 489 01:00:05,310 --> 01:00:06,675 [Lofty operatic music] 490 01:00:09,147 --> 01:00:10,558 SARAH: Oh, no. 491 01:02:08,767 --> 01:02:11,304 [Lofty operatic music continues] 492 01:02:38,463 --> 01:02:39,999 [Eerie instrumental music] 493 01:03:02,821 --> 01:03:05,313 [Eerie instrumental music continues] 494 01:03:25,719 --> 01:03:27,301 [Slow operatic music] 495 01:03:39,858 --> 01:03:41,474 [Soft instrumental music] 496 01:03:45,363 --> 01:03:46,398 Here. 497 01:03:47,699 --> 01:03:49,360 You ordered it rare. 498 01:03:49,576 --> 01:03:51,817 - l know. - So what's the problem? 499 01:03:52,871 --> 01:03:54,157 Nothing. 500 01:03:55,874 --> 01:03:57,865 And you sent back the clams. 501 01:03:58,084 --> 01:04:00,075 I'm just not very hungry. 502 01:04:01,921 --> 01:04:05,164 Then why order it if you're not hungry? Why order the steak at all? 503 01:04:05,383 --> 01:04:07,169 I thought I wanted it. 504 01:04:13,725 --> 01:04:15,341 - What's that? - What? 505 01:04:15,560 --> 01:04:17,221 The chain around your neck. 506 01:04:19,230 --> 01:04:22,188 It's an ankh. It's Egyptian. Miriam gave it to me. 507 01:04:22,400 --> 01:04:23,890 Mrs. Blaylock. 508 01:04:24,986 --> 01:04:27,944 The woman that I went to see this afternoon. 509 01:04:28,865 --> 01:04:31,823 You just met her and she gives you a present? 510 01:04:33,578 --> 01:04:35,569 She's that kind of a woman. 511 01:04:36,623 --> 01:04:38,534 She's European. 512 01:04:42,879 --> 01:04:45,871 Did you have something you wanted to tell me? 513 01:04:46,424 --> 01:04:47,914 No. About what? 514 01:04:48,385 --> 01:04:50,922 About what the hell is wrong with you. 515 01:04:51,137 --> 01:04:52,844 I mean, what happened today? 516 01:04:53,056 --> 01:04:57,641 - Nothing happened today. We just talked. - For three-and-a-half hours, you talked? 517 01:04:57,852 --> 01:05:01,140 You know how people are. They like to talk to doctors. 518 01:05:01,356 --> 01:05:04,565 We had some sherry in these fancy little glasses... 519 01:05:05,318 --> 01:05:07,776 and we talked. 520 01:05:08,822 --> 01:05:10,904 - You hate sherry. - l know. 521 01:05:11,950 --> 01:05:14,738 TOM: It gives you a headache. SARAH: I know. 522 01:05:19,457 --> 01:05:22,415 So what did you talk about? I mean, the weather, the fashions? 523 01:05:22,627 --> 01:05:25,494 Seems like three-and-a-half hours is a hell of a long time... 524 01:05:25,713 --> 01:05:27,875 to have a conversation with a stranger. 525 01:05:28,091 --> 01:05:31,300 Now you're telling me how long my conversations are supposed to be? 526 01:05:31,511 --> 01:05:34,754 TOM: I'm asking a question. SARAH: Would you lower your voice? 527 01:05:39,227 --> 01:05:42,765 - What's wrong with you? - What the hell is wrong with you? 528 01:05:43,148 --> 01:05:45,856 I told you, this woman's husband is rotting away... 529 01:05:46,067 --> 01:05:47,933 in some Swiss clinic somewhere. 530 01:05:48,153 --> 01:05:51,771 She's lonely and she doesn't have a friend in the world. 531 01:05:56,661 --> 01:05:59,028 You know what I think? 532 01:05:59,372 --> 01:06:01,454 I mean, do you want to know what I think? 533 01:06:01,666 --> 01:06:04,499 SARAH: I'm sure you're going to tell me anyway. 534 01:06:05,879 --> 01:06:08,291 I think you should see a doctor. 535 01:06:08,840 --> 01:06:10,296 I am a doctor. 536 01:06:11,050 --> 01:06:12,461 And so am I. 537 01:06:21,853 --> 01:06:23,309 [Sarah retching] 538 01:06:25,273 --> 01:06:26,980 [Eerie instrumental music] 539 01:06:46,002 --> 01:06:48,334 TOM: All right. You got to take it easy. 540 01:06:48,546 --> 01:06:51,004 TOM: She's ravenous and she can't eat. 541 01:06:52,592 --> 01:06:54,833 So, Charlie, what is it? 542 01:06:55,053 --> 01:06:58,591 It's as if two entirely different strains of blood were not only present... 543 01:06:58,806 --> 01:07:01,173 but fighting it out for dominance. 544 01:07:04,437 --> 01:07:06,178 I need a cigarette. 545 01:07:11,402 --> 01:07:14,565 TOM: The foreign strain, were you able to isolate it? 546 01:07:14,781 --> 01:07:17,193 - It's on another slide. - And? 547 01:07:18,743 --> 01:07:20,575 The spooky part is... 548 01:07:21,579 --> 01:07:23,365 it isn't human blood. 549 01:07:26,793 --> 01:07:28,283 It's not human. 550 01:07:31,965 --> 01:07:34,548 It's stronger blood than ours. 551 01:07:35,593 --> 01:07:38,381 Very similar but more disease-resistant. 552 01:07:38,596 --> 01:07:40,462 PHYLLIS: What species? CHARLIE: I have no idea. 553 01:07:40,682 --> 01:07:43,049 How the hell did it get in Sarah's veins? 554 01:07:43,268 --> 01:07:44,884 CHARLIE: Beats me. TOM: Wait a minute! 555 01:07:45,103 --> 01:07:48,721 SARAH: Tom, calm down. TOM: Calm down. Just let me.... 556 01:07:49,566 --> 01:07:50,556 TOM: Explain this to me. 557 01:07:50,775 --> 01:07:54,689 TOM: You're telling us that Sarah has some weird blood fouling up her veins? 558 01:07:54,904 --> 01:07:57,737 TOM: Some inhuman blood? CHARLIE: Roll up your sleeve. 559 01:07:58,366 --> 01:08:01,324 What? - Roll up your sleeve. 560 01:08:04,455 --> 01:08:06,571 - What's that? - l don't know. 561 01:08:07,792 --> 01:08:09,248 TOM: How long have you had that? 562 01:08:10,795 --> 01:08:11,830 I don't know. 563 01:08:12,046 --> 01:08:15,255 CHARLIE: You don't know where you got it? SARAH: None. Look... 564 01:08:16,384 --> 01:08:18,341 Charlie, you said that... 565 01:08:20,096 --> 01:08:22,633 there's a fight between the two strains for dominance. 566 01:08:22,849 --> 01:08:23,964 CHARLIE: Right. 567 01:08:26,728 --> 01:08:28,685 Who's winning, Charlie? 568 01:08:34,402 --> 01:08:37,269 SARAH: At this moment, my colleagues think I'm in the office... 569 01:08:37,488 --> 01:08:40,571 of a leading blood specialist, but I decided instead to come here. 570 01:08:40,783 --> 01:08:43,070 MIRIAM: Yes. SARAH: Don't you touch me. 571 01:08:43,995 --> 01:08:46,453 MIRIAM: Sarah? SARAH: What have you done to me? 572 01:08:46,748 --> 01:08:49,490 SARAH: There's some alien strain consuming my blood. 573 01:08:49,709 --> 01:08:51,450 MIRIAM: That's right. SARAH: I know it. 574 01:08:51,669 --> 01:08:55,333 SARAH: What I want to know is, what is it? Why have you done it? 575 01:08:56,507 --> 01:08:57,838 You're frightened. 576 01:08:58,051 --> 01:08:59,667 You're damn right I'm frightened. 577 01:08:59,886 --> 01:09:02,298 It's natural. You don't know what's happening to you. 578 01:09:02,513 --> 01:09:06,802 But there's nothing to be frightened of as long as you put your faith in me... 579 01:09:07,018 --> 01:09:09,385 give me time, trust me. 580 01:09:09,896 --> 01:09:11,182 Trust you? 581 01:09:12,023 --> 01:09:14,515 I did trust you, and look what happened. 582 01:09:14,734 --> 01:09:16,850 It's a bruise. It will fade. 583 01:09:17,070 --> 01:09:20,859 SARAH: I know it's a bruise. Look, I'm gonna ask you one more time. 584 01:09:21,074 --> 01:09:22,815 What have you done to me? 585 01:09:23,034 --> 01:09:25,776 I've given you something you never dared dream of. 586 01:09:25,995 --> 01:09:28,202 SARAH: What? MIRIAM: Everlasting life. 587 01:09:29,791 --> 01:09:33,409 SARAH: If I'd known it, I wouldn't-- MIRIAM: The blood in your veins is mine. 588 01:09:33,628 --> 01:09:35,335 SARAH: Yours? MIRIAM: Yes. 589 01:09:36,923 --> 01:09:38,880 Look, I am tired of all your bullshit! 590 01:09:39,092 --> 01:09:41,424 I want a straight answer from you. Do you hear me? 591 01:09:41,636 --> 01:09:42,751 Enough! 592 01:09:43,262 --> 01:09:45,048 [Eerie instrumental music] 593 01:10:03,991 --> 01:10:05,902 MIRIAM: I made a simple incision. 594 01:10:06,119 --> 01:10:08,861 I drew your blood, and then you took mine. 595 01:10:10,081 --> 01:10:11,446 You're crazy. 596 01:10:12,083 --> 01:10:14,950 You belong to me. We belong to each other. 597 01:10:16,254 --> 01:10:18,211 I'm getting out of here. 598 01:10:18,464 --> 01:10:19,954 You'll be back. 599 01:10:21,509 --> 01:10:24,092 MIRIAM: When the hunger hurts so much you've lost reason... 600 01:10:24,303 --> 01:10:28,513 then you'll have to feed, and then you'll need me to show you how. 601 01:10:28,725 --> 01:10:30,090 SARAH: You're crazy. 602 01:10:30,476 --> 01:10:32,558 [Eerie instrumental music] 603 01:10:41,863 --> 01:10:43,570 [Suspenseful instrumental music] 604 01:11:26,824 --> 01:11:29,612 Yes. May I speak to Dr. Tom Haver, please? 605 01:11:35,291 --> 01:11:37,623 What do you mean he's gone home? 606 01:11:39,587 --> 01:11:43,171 No, but he's not there. I already called the apartment. 607 01:11:50,598 --> 01:11:53,465 SARAH: No, he can't call me. I'm in a booth. 608 01:11:56,562 --> 01:11:58,144 Yeah, well.... 609 01:11:59,941 --> 01:12:03,650 I'll try him later or.... Never mind. 610 01:12:05,238 --> 01:12:06,273 [Phone rings] 611 01:12:09,700 --> 01:12:11,532 [Eerie instrumental music] 612 01:12:13,913 --> 01:12:15,654 Lady, how about it? 613 01:12:22,380 --> 01:12:24,587 Come on, lady. How about it? 614 01:12:31,222 --> 01:12:33,179 Crazy fucking junkie. 615 01:12:35,726 --> 01:12:38,388 [Suspenseful instrumental music] 616 01:13:01,752 --> 01:13:03,208 [Eerie instrumental music] 617 01:13:03,754 --> 01:13:06,246 MIRIAM: I'm going to bring someone to you. 618 01:13:07,008 --> 01:13:09,466 MIRIAM: Someone who can feed your hunger. 619 01:13:15,266 --> 01:13:18,884 SCHRADER: This is Dr. Schrader. I'm unable to take your call just now. 620 01:13:23,149 --> 01:13:26,642 If you care to leave a message, kindly wait for the tone. 621 01:13:31,324 --> 01:13:32,530 Dr. Schrader, hello. 622 01:13:32,742 --> 01:13:35,860 It's Tom Haver calling again about Sarah Roberts. 623 01:13:38,915 --> 01:13:41,122 I still haven't heard from her. 624 01:13:41,334 --> 01:13:44,292 If you could give me a call when you get in, I'd appreciate it. 625 01:13:44,503 --> 01:13:46,414 I left the number before. 626 01:13:47,798 --> 01:13:50,256 Thank you very much. Goodbye. 627 01:13:54,347 --> 01:13:56,429 MIRIAM: Help yourself to a drink. 628 01:13:56,641 --> 01:13:58,427 [Suspenseful instrumental music] 629 01:14:30,174 --> 01:14:31,790 [Eerie instrumental music] 630 01:14:35,513 --> 01:14:37,129 [Heart beating] 631 01:14:47,692 --> 01:14:49,558 [Eerie instrumental music continues] 632 01:15:06,794 --> 01:15:08,660 MAN: Hello? 633 01:15:39,243 --> 01:15:41,200 [Suspenseful instrumental music] 634 01:16:19,158 --> 01:16:21,024 [Ominous instrumental music] 635 01:16:47,353 --> 01:16:48,764 [Eerie instrumental music] 636 01:17:14,130 --> 01:17:16,121 [Eerie instrumental music continues] 637 01:17:37,069 --> 01:17:38,685 [Echoing] Sarah! 638 01:17:41,866 --> 01:17:43,322 Mrs. Blaylock? 639 01:17:43,701 --> 01:17:45,908 MIRIAM: Who is it? TOM: It's Tom Haver. 640 01:17:46,662 --> 01:17:49,825 MIRIAM: Tom? TOM: Haver. I'm a friend of Sarah Roberts'. 641 01:17:51,167 --> 01:17:53,329 I'm sorry to disturb you so late... 642 01:17:53,544 --> 01:17:57,003 but she didn't come home tonight, and I'm worried. 643 01:17:57,715 --> 01:18:01,379 I just spoke to a doctor that she had an appointment with this afternoon... 644 01:18:01,594 --> 01:18:03,380 and she never showed. 645 01:18:04,889 --> 01:18:08,007 I know that she was here yesterday, and I just thought maybe-- 646 01:18:08,225 --> 01:18:09,090 MIRIAM: Yes, come in. 647 01:18:09,310 --> 01:18:10,266 [Buzzer] 648 01:18:14,815 --> 01:18:16,681 - Hello. - Hello. 649 01:18:18,694 --> 01:18:21,186 So, I know she was here yesterday... 650 01:18:22,239 --> 01:18:24,401 and I just wondered if you'd heard from her. 651 01:18:24,617 --> 01:18:26,358 MIRIAM: Yes. She's upstairs. 652 01:18:26,619 --> 01:18:28,360 [Eerie instrumental music] 653 01:18:29,580 --> 01:18:31,070 She's upstairs? 654 01:18:31,916 --> 01:18:33,827 Dr. Haver, she's not well. 655 01:18:34,043 --> 01:18:35,408 TOM: Where upstairs? 656 01:18:35,628 --> 01:18:38,211 MIRIAM: On the second floor, in the bedroom. 657 01:18:39,340 --> 01:18:40,705 [Sarah panting] 658 01:18:42,843 --> 01:18:44,254 TOM: What is this? 659 01:18:47,097 --> 01:18:48,883 TOM: Come on. Look, Sarah. 660 01:18:50,768 --> 01:18:52,554 TOM: Calm down, it's Tom. 661 01:18:53,938 --> 01:18:56,896 TOM: You're going to be all right now. Come on up on the bed. 662 01:18:57,775 --> 01:19:00,733 TOM: That's a girl. Jesus, you're burning up. 663 01:19:01,445 --> 01:19:04,312 TOM: You're cold? I'll get you a robe. 664 01:19:10,621 --> 01:19:12,783 TOM: Put this around you. Come here. 665 01:19:12,998 --> 01:19:16,741 It's all right, baby. I'm here. No, hang on. No. 666 01:19:18,003 --> 01:19:19,710 Wait a minute. 667 01:19:20,798 --> 01:19:22,459 [Eerie instrumental music] 668 01:19:28,138 --> 01:19:29,128 SARAH: Go! 669 01:19:29,807 --> 01:19:32,765 TOM: What are you talking about? SARAH: Get out! Go! 670 01:19:32,977 --> 01:19:36,095 TOM: What the fucking hell? Come here! 671 01:19:36,397 --> 01:19:37,478 SARAH: Out! 672 01:19:37,815 --> 01:19:41,149 TOM: I've got you now. Where are you going? I got you. 673 01:19:48,284 --> 01:19:51,652 TOM: Come on. It's Tom. You're all right. 674 01:19:51,870 --> 01:19:55,283 TOM: I got you. You're all right now. 675 01:19:56,667 --> 01:19:59,284 TOM: You're okay. I got you. 676 01:20:01,505 --> 01:20:03,621 TOM: All right? 677 01:20:07,678 --> 01:20:10,136 TOM: I got you. I love you. 678 01:20:15,436 --> 01:20:16,801 TOM: I love you. 679 01:20:22,526 --> 01:20:24,483 TOM: You're all right, baby. 680 01:20:25,112 --> 01:20:26,773 [Wind howling] 681 01:20:28,824 --> 01:20:30,155 [Thumping] 682 01:20:57,436 --> 01:20:58,426 [Screaming] 683 01:21:05,110 --> 01:21:07,226 [Eerie instrumental music] 684 01:21:11,909 --> 01:21:13,525 [Soft music playing] 685 01:21:50,406 --> 01:21:53,865 It's not nearly as difficult as you imagined, is it? 686 01:21:55,411 --> 01:21:57,402 [Eerie instrumental music] 687 01:21:59,665 --> 01:22:02,623 MIRIAM: You will sleep six hours in every 24... 688 01:22:02,835 --> 01:22:04,621 you will feed one day in seven... 689 01:22:04,837 --> 01:22:07,295 and from this moment, you will never grow old. 690 01:22:07,506 --> 01:22:08,917 Not a minute. 691 01:22:10,551 --> 01:22:12,588 You'll be young forever. 692 01:22:16,348 --> 01:22:19,932 You're part of me now, and I cannot let you go. 693 01:22:25,649 --> 01:22:27,936 We're damned to live forever... 694 01:22:28,485 --> 01:22:31,102 with no release, no end. 695 01:22:32,823 --> 01:22:35,281 And I need you to share it with me. 696 01:22:38,245 --> 01:22:41,783 After a little while, you will forget what you were... 697 01:22:42,082 --> 01:22:45,040 and you will begin to love me as I love you. 698 01:22:58,182 --> 01:22:59,843 [Soft instrumental music] 699 01:23:04,354 --> 01:23:05,560 Forever. 700 01:23:06,607 --> 01:23:08,189 Forever and ever. 701 01:23:40,390 --> 01:23:42,506 [Ominous instrumental music] 702 01:23:57,616 --> 01:23:59,357 [Miriam gasping] 703 01:24:03,580 --> 01:24:04,695 Sarah. 704 01:24:10,587 --> 01:24:12,043 Stay with me. 705 01:24:13,757 --> 01:24:14,997 I can't. 706 01:24:17,052 --> 01:24:18,918 [Eerie instrumental music] 707 01:24:22,849 --> 01:24:24,510 [Miriam's sobs echo] 708 01:24:44,288 --> 01:24:45,323 [Eerie instrumental music] 709 01:25:16,653 --> 01:25:18,644 [Eerie instrumental music continues] 710 01:25:52,230 --> 01:25:53,345 John? 711 01:26:13,919 --> 01:26:14,909 John. 712 01:26:25,222 --> 01:26:27,179 [Eerie instrumental music continues] 713 01:26:39,319 --> 01:26:42,357 I love you! I love you all! 714 01:26:50,330 --> 01:26:52,367 LOLLIA: Miriam? MIRIAM: No! 715 01:26:55,961 --> 01:27:00,046 VICTIM: Miriam? MIRIAM: No, no, no! 716 01:27:05,011 --> 01:27:06,672 [Screaming] 717 01:27:46,678 --> 01:27:49,090 [Miriam screaming] 718 01:28:19,336 --> 01:28:22,044 [Eerie instrumental music continues] 719 01:28:27,427 --> 01:28:29,168 [Thunder rumbling] 720 01:30:01,187 --> 01:30:02,393 ALLEGREZZA: Hello? 721 01:30:14,910 --> 01:30:17,242 Hello? - Yes? 722 01:30:18,163 --> 01:30:21,076 Lt. Allegrezza to see Mrs. Blaylock, please. 723 01:30:21,333 --> 01:30:22,789 Mrs. Blaylock? 724 01:30:23,627 --> 01:30:24,788 Yeah, she'll remember. 725 01:30:25,003 --> 01:30:27,335 Tell her the gentleman about the missing person. 726 01:30:27,547 --> 01:30:32,087 I really don't know what to tell you. I'm just the agent. 727 01:30:33,970 --> 01:30:36,086 - The agent? Arthur Jelinek. 728 01:30:36,973 --> 01:30:40,637 Jelinek Realty. We are handling the sale of this house. 729 01:30:43,647 --> 01:30:45,638 ALLEGREZZA: The sale? ARTHUR: Yes. 730 01:30:47,192 --> 01:30:50,776 I have some clients upstairs looking the place over... 731 01:30:51,488 --> 01:30:53,900 and it all happened very suddenly. 732 01:30:57,077 --> 01:30:58,784 It's an estate case. 733 01:30:58,995 --> 01:31:01,487 The whole thing was handled by a law firm. 734 01:31:01,706 --> 01:31:05,995 My understanding is that the owners are deceased... 735 01:31:07,963 --> 01:31:09,795 and whatever profits are left over... 736 01:31:10,006 --> 01:31:13,795 are going to some kind of research center or clinic in town. 737 01:31:16,012 --> 01:31:17,343 Would you mind very much? 738 01:31:17,555 --> 01:31:19,922 I don't want my clients to think I've deserted them. 739 01:31:20,141 --> 01:31:21,631 Would you excuse me? 740 01:31:21,851 --> 01:31:23,307 Take your time. 741 01:31:24,980 --> 01:31:26,220 Thank you. 742 01:31:29,776 --> 01:31:31,562 [Soft instrumental music] 743 01:32:44,434 --> 01:32:46,391 [Soft instrumental music continues] 744 01:33:08,208 --> 01:33:10,165 MIRIAM [Echoing]: Sarah! 745 01:33:57,340 --> 01:33:59,798 [Soft instrumental music continues] 55313

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