All language subtitles for The Dark - S01E06

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:01,960 The killer lives among us. 2 00:00:01,960 --> 00:00:04,960 He's targeting men between the ages of 16 and 30, 3 00:00:04,960 --> 00:00:07,000 and he's doing so with the use of this. 4 00:00:09,960 --> 00:00:11,960 Philly. Monica? 5 00:00:11,960 --> 00:00:14,960 You didn't leave the Burning Light, did you? They left you. 6 00:00:14,960 --> 00:00:16,960 Another? This kid managed to escape. 7 00:00:17,960 --> 00:00:22,960 Tammy, you have got to stop your obsession with this. 8 00:00:22,960 --> 00:00:24,960 So, Jason was taken from in here. 9 00:00:25,960 --> 00:00:29,960 And a few years ago now, I found him down by the loch with... 10 00:00:29,960 --> 00:00:33,960 hosepipe looped through the window, engine still running. 11 00:00:33,960 --> 00:00:36,960 'The victims were forced to ingest these stones.' 12 00:00:38,960 --> 00:00:42,960 Should've left you years ago. Stop it! Stop it! The pair of you. 13 00:00:42,960 --> 00:00:44,960 You see this? It's a warning. 14 00:00:44,960 --> 00:00:47,320 Whoever did this to Jason, he's coming back. 15 00:00:47,320 --> 00:00:49,960 'Please do not let him find us.' 16 00:00:49,960 --> 00:00:51,640 This man is weak. 17 00:00:51,640 --> 00:00:55,960 He lures his victims into traps, and then he incapacitates them. 18 00:00:55,960 --> 00:01:01,960 Above all else, he is, at his core, a coward. 19 00:01:27,960 --> 00:01:29,960 CRAWFORD: Get on to that now. 20 00:01:35,960 --> 00:01:40,960 Here. Female victim. Wild, wild deviation of his MO. 21 00:01:40,960 --> 00:01:43,960 Monica, you know her. Who is she? 22 00:01:43,960 --> 00:01:45,960 Philly Murray. 23 00:01:45,960 --> 00:01:47,960 Does Philly have any next of kin? Family? 24 00:01:48,960 --> 00:01:52,160 She has a daughter. No-one else. 25 00:01:52,160 --> 00:01:53,960 We'll get the family liaison onto it. 26 00:01:53,960 --> 00:01:55,960 It's not that simple. 27 00:01:56,960 --> 00:01:59,960 Is that because she's got the same mark on her arm as you? 28 00:02:03,960 --> 00:02:05,960 Her daughter's with the Burning Light, then. 29 00:02:07,960 --> 00:02:10,960 So you went beyond investigating them. 30 00:02:10,960 --> 00:02:12,960 You were one of them too. 31 00:02:12,960 --> 00:02:16,960 I was worse. I recruited Philly. 32 00:02:16,960 --> 00:02:19,640 That mark on her arm, that was me. I branded her. 33 00:02:19,640 --> 00:02:21,960 Father of Philly's child - he's Lucy's, too. 34 00:02:25,960 --> 00:02:29,960 If it wasn't for you saying so, I'd say this is not his work. 35 00:02:29,960 --> 00:02:31,960 The gender, clothed... 36 00:02:31,960 --> 00:02:35,960 Staging, yes, dramatic, but the kill, it was efficient. 37 00:02:35,960 --> 00:02:37,960 He said, "This one's for you." 38 00:02:37,960 --> 00:02:40,960 What do you mean? He's taunting me. 39 00:02:41,960 --> 00:02:46,320 Wait, you... you spoke to him? This was a gesture. 40 00:02:46,320 --> 00:02:50,800 He thinks I'm like him but could never be him. 41 00:02:50,800 --> 00:02:53,960 Whatever sick connection he feels towards you, it's not on you. 42 00:02:53,960 --> 00:02:54,960 He's a psychopath. 43 00:02:54,960 --> 00:02:58,960 Who I provoked and is now killing people in my orbit. 44 00:02:58,960 --> 00:03:01,960 So you think this one's about you, right? 45 00:03:03,480 --> 00:03:05,960 This is personal. 46 00:03:06,960 --> 00:03:08,480 I need to get my family safe. 47 00:03:15,160 --> 00:03:17,160 I mean, will it be for long? 48 00:03:17,160 --> 00:03:19,960 I mean, I need my tablets, I need my own clothes. 49 00:03:19,960 --> 00:03:22,960 Mum... Is it because of what you said on television? 50 00:03:22,960 --> 00:03:24,960 Have you made him angry? 51 00:03:24,960 --> 00:03:26,000 Maybe. Yes. 52 00:03:26,000 --> 00:03:29,480 Maybe I've set him on a path to killing everyone I know. 53 00:03:29,480 --> 00:03:34,960 And... I do love you, and I want to make sure you're safe. 54 00:03:34,960 --> 00:03:36,960 ANGELA TUTS Monica. 55 00:03:39,960 --> 00:03:41,000 You know that... 56 00:03:41,000 --> 00:03:42,960 Oh, it's... OK. 57 00:03:42,960 --> 00:03:43,960 We'll finish this later. 58 00:03:43,960 --> 00:03:47,960 I'll just get on with Lucy's packing. Thanks. 59 00:03:48,960 --> 00:03:52,320 You wanted to show me something? Highly likely I'll be stood down. 60 00:04:00,960 --> 00:04:02,960 When did you gather all this? 61 00:04:02,960 --> 00:04:04,960 Oh, can I...? Yeah. 62 00:04:05,960 --> 00:04:07,960 What's a "baytle"? 63 00:04:07,960 --> 00:04:09,960 Er, baetyl. From classical mythology. 64 00:04:09,960 --> 00:04:11,960 Stones of divine power. 65 00:04:12,960 --> 00:04:14,960 I think he's creating his own myth. 66 00:04:15,960 --> 00:04:18,320 Well, this is from Plotinus. 67 00:04:18,320 --> 00:04:20,960 Same fella as this rabbit quote? Yeah. 68 00:04:20,960 --> 00:04:22,960 "He who is awake in the intelligible world 69 00:04:22,960 --> 00:04:24,960 "sleeps in the sensible one." 70 00:04:24,960 --> 00:04:26,960 Think of it as... 71 00:04:26,960 --> 00:04:29,960 there are two kinds of selves within us. 72 00:04:29,960 --> 00:04:32,800 Our killer has two sides. 73 00:04:32,800 --> 00:04:36,960 Yes, and his true self emerges at night. 74 00:04:36,960 --> 00:04:38,960 And that's how he wants to be recognised - 75 00:04:38,960 --> 00:04:39,960 the myth, not the man. 76 00:04:39,960 --> 00:04:43,960 He's piecing together other people's stories to tell his own. 77 00:04:43,960 --> 00:04:45,960 He lacks the imagination to do it all himself. 78 00:04:45,960 --> 00:04:49,960 He's clever, yes, but he's frustrated. 79 00:04:49,960 --> 00:04:53,480 He thinks he should be bigger, better... 80 00:04:53,480 --> 00:04:55,960 living a less mediocre existence. 81 00:04:55,960 --> 00:04:58,960 So your average civil servant, then. 82 00:04:58,960 --> 00:05:00,960 You might not be far wrong. 83 00:05:00,960 --> 00:05:03,960 Point being, he's someone we'd walk past in the street 84 00:05:03,960 --> 00:05:05,480 and not look twice at. 85 00:05:05,480 --> 00:05:06,960 Might already have. Oh. 86 00:05:06,960 --> 00:05:08,960 PHONE BUZZES 87 00:05:08,960 --> 00:05:09,960 All right, Dunc? 88 00:05:11,960 --> 00:05:13,960 MOUTHS Yes. 89 00:05:13,960 --> 00:05:15,960 Yes. Erm, right, I'll see you soon. 90 00:05:18,480 --> 00:05:20,480 We just got a hit on CCTV. 91 00:05:27,960 --> 00:05:29,480 GREGG: 'Burner phone untraceable.' 92 00:05:29,480 --> 00:05:31,960 But... we got this. 93 00:05:33,960 --> 00:05:36,960 Car reg not clear, but got him in all his glory. 94 00:05:36,960 --> 00:05:39,960 Bet it won't be the last image either. 95 00:05:39,960 --> 00:05:42,960 Joys of modern community - forever snooping on each other. 96 00:05:42,960 --> 00:05:46,960 Removing, his time in, time out, direction of travel. 97 00:05:46,960 --> 00:05:47,960 DOOR CLOSES 98 00:05:47,960 --> 00:05:50,960 Lucy, hop into your seat for me. Clip her in, will you? 99 00:05:50,960 --> 00:05:51,960 ANGELA: Of course. 100 00:05:51,960 --> 00:05:54,960 LUCY: Seatbelts keep us safe, Grandma. 101 00:05:54,960 --> 00:05:57,480 We've got you secure accommodation, hundred miles out west. 102 00:05:57,480 --> 00:06:00,960 We've got him on CCTV. We'll have his vehicle tracked. 103 00:06:00,960 --> 00:06:01,960 This is a major lead. 104 00:06:01,960 --> 00:06:04,960 I've emailed you the address. Need to make a stop first. 105 00:06:04,960 --> 00:06:06,960 Mum needs her prescription and clothes. 106 00:06:06,960 --> 00:06:07,960 It's the opposite direction. 107 00:06:07,960 --> 00:06:10,960 Gregg can take her and then drop her off. No. 108 00:06:10,960 --> 00:06:11,960 Trust me. 109 00:06:14,960 --> 00:06:17,960 Yeah, all right. Dunc? 110 00:06:17,960 --> 00:06:19,960 Lovely Angela needs to collect a few things, right? 111 00:06:19,960 --> 00:06:22,960 Can you take her and then head to the safe house? 112 00:06:22,960 --> 00:06:24,960 GREGG: Yeah, I can do that. 113 00:06:24,960 --> 00:06:26,960 I'll run you home. We'll catch them up. 114 00:06:26,960 --> 00:06:28,960 Let me take your bag. 115 00:06:28,960 --> 00:06:30,960 I'll let you ride shotgun. Thank you. 116 00:06:30,960 --> 00:06:32,960 Starsky and Hutch. GREGG CHUCKLES 117 00:06:40,960 --> 00:06:42,960 CAT PURRS 118 00:06:58,960 --> 00:07:00,960 PHONE RINGS 119 00:07:11,960 --> 00:07:12,960 Yes? 120 00:07:12,960 --> 00:07:14,960 Hi. Is that Michael Bach? 121 00:07:14,960 --> 00:07:17,960 Yes. 'Hi, this is Kyle Ward.' 122 00:07:17,960 --> 00:07:18,960 I'm headmaster at... 123 00:07:18,960 --> 00:07:20,960 'I know. I'm due to see you on Monday.' 124 00:07:20,960 --> 00:07:22,640 Yeah, about that. 125 00:07:22,640 --> 00:07:25,960 Erm, I am getting flooded with calls 126 00:07:25,960 --> 00:07:27,960 from concerned parents and the school board 127 00:07:27,960 --> 00:07:30,960 about your colleague James. 128 00:07:30,960 --> 00:07:32,960 And his paperwork is a disgrace. 129 00:07:32,960 --> 00:07:35,960 'I can't make head nor tail of it.' Hm. 130 00:07:35,960 --> 00:07:38,960 Well, that's no surprise. 'Were you aware of James...?' 131 00:07:38,960 --> 00:07:40,960 That's not what I said. Look, why are you calling? 132 00:07:40,960 --> 00:07:44,320 Oh, I was hoping that you would want 133 00:07:44,320 --> 00:07:46,960 to rip the plaster off as soon as possible. 134 00:07:46,960 --> 00:07:49,960 'You mean discuss this now?' The sooner we're on top of it... 135 00:07:49,960 --> 00:07:52,960 No, it's really... not the best time. 136 00:07:53,960 --> 00:07:54,960 Erm... 137 00:07:56,960 --> 00:08:00,960 Er... look, Michael. Bluntly... 138 00:08:01,960 --> 00:08:03,960 My daughter is distressed. 139 00:08:03,960 --> 00:08:06,160 'She was close with one of the victims, 140 00:08:06,160 --> 00:08:09,960 'and I suspect she's not the only pupil having sleepless nights.' 141 00:08:11,160 --> 00:08:13,960 If you and I can decipher this chaos, 142 00:08:13,960 --> 00:08:15,960 we might even be able to help the police. 143 00:08:16,960 --> 00:08:18,960 'Put everyone's minds at ease.' 144 00:08:20,960 --> 00:08:21,960 MICHAEL SIGHS 145 00:08:23,160 --> 00:08:26,960 Where are you? 'About 20 minutes away. 146 00:08:26,960 --> 00:08:28,960 'I was about to take Tammy out for the day, 147 00:08:28,960 --> 00:08:30,800 'try to distract her a bit. 148 00:08:30,800 --> 00:08:33,960 'We could stop by.' Fine. 149 00:08:34,960 --> 00:08:35,960 Just be a minute, Lucy. 150 00:08:40,960 --> 00:08:43,800 We're doing our best to have a media blackout. 151 00:08:43,800 --> 00:08:46,960 I've got to protect the investigation, Monica. 152 00:08:46,960 --> 00:08:49,960 I'm off the case. You're replacing me as SIO. 153 00:08:49,960 --> 00:08:50,960 You not fighting me? 154 00:08:52,960 --> 00:08:53,960 Well, my career can wait. 155 00:08:53,960 --> 00:08:55,960 And... 156 00:08:57,960 --> 00:08:59,960 ..the only reason he knew about Philly 157 00:08:59,960 --> 00:09:01,960 was because I lured him to the Burning Light. 158 00:09:01,960 --> 00:09:04,960 Did you know she was there? That's not the point. 159 00:09:04,960 --> 00:09:06,960 It is the point. 160 00:09:06,960 --> 00:09:09,960 Less than 24 hours ago, you saved her life. 161 00:09:09,960 --> 00:09:12,960 I didn't catch him. And I won't now, will I? 162 00:09:48,640 --> 00:09:50,640 CAR PULLING UP 163 00:09:52,960 --> 00:09:54,960 There you go. CAT MEOWS 164 00:10:06,480 --> 00:10:09,960 How long is this gonna take? Pieces of string, darling. 165 00:10:09,960 --> 00:10:11,960 That could mean hours, knowing you. 166 00:10:11,960 --> 00:10:14,960 Fine. Come inside too. 167 00:10:16,160 --> 00:10:19,960 No greater ticking clock than an impatient daughter. 168 00:10:46,960 --> 00:10:47,960 Kyle. 169 00:10:47,960 --> 00:10:50,320 You must be Tammy. 170 00:10:59,960 --> 00:11:01,960 You got any cat allergies? 171 00:11:01,960 --> 00:11:04,960 No. Is there anywhere we could do this privately? 172 00:11:04,960 --> 00:11:07,960 I've got my headphones. I know you're not a snooper. 173 00:11:07,960 --> 00:11:10,960 Regardless, your peers' privacy. 174 00:11:12,960 --> 00:11:13,960 This way. 175 00:11:21,160 --> 00:11:23,960 CAT MEOWS Have a seat. 176 00:11:36,160 --> 00:11:38,960 It's a really nice place you have here. 177 00:11:38,960 --> 00:11:42,960 Quiet, out of the way. Yeah. Yeah, it's all right. 178 00:11:44,960 --> 00:11:47,960 So, er... James. 179 00:11:47,960 --> 00:11:50,960 Sorry, could I trouble you for a glass of water, please? 180 00:11:52,480 --> 00:11:54,960 I'm just a little dry. 181 00:11:54,960 --> 00:11:56,960 So much for a quick chat, eh? 182 00:11:58,640 --> 00:11:59,960 Yeah. Yeah, fine. 183 00:12:06,960 --> 00:12:09,000 CAT MEOWS Here. 184 00:12:09,000 --> 00:12:10,960 Ch, ch, ch, ch, ch, ch! 185 00:12:13,960 --> 00:12:15,960 Fair enough. 186 00:12:15,960 --> 00:12:17,960 SHE GASPS 187 00:12:25,000 --> 00:12:27,960 You must travel far and wide in your role. 188 00:12:27,960 --> 00:12:30,640 Yeah. Planet doesn't love my mileage. 189 00:12:31,960 --> 00:12:34,960 James was a firm believer in the office. 190 00:12:34,960 --> 00:12:37,960 And it shows. Chaos. 191 00:12:38,960 --> 00:12:41,800 In all my years spent in education and outreach, 192 00:12:41,800 --> 00:12:43,000 I've learnt the only way we truly help 193 00:12:43,000 --> 00:12:44,960 is by building a personal connection. 194 00:12:48,960 --> 00:12:50,960 Hold that thought. 195 00:13:00,960 --> 00:13:03,960 This room is private. Sorry. 196 00:13:03,960 --> 00:13:05,480 There's a cat. 197 00:13:05,480 --> 00:13:07,640 Aye, but it's long gone. Tammy? 198 00:13:07,640 --> 00:13:09,000 Here. 199 00:13:09,000 --> 00:13:11,160 FOOTSTEPS APPROACH 200 00:13:14,960 --> 00:13:16,000 These are the dead boys, aren't they? 201 00:13:16,000 --> 00:13:17,960 That's right. 202 00:13:19,960 --> 00:13:20,960 What about him? 203 00:13:28,960 --> 00:13:30,160 What's all this? 204 00:13:31,960 --> 00:13:32,960 CAT MEOWS, GRUNTING 205 00:13:32,960 --> 00:13:34,960 SCREAMS: Dad! THUD 206 00:13:34,960 --> 00:13:36,960 TAMMY SCREAMS, THUD 207 00:14:19,960 --> 00:14:22,960 Bethany! Nichol! 208 00:14:36,960 --> 00:14:38,960 PHONE RINGS 209 00:14:41,960 --> 00:14:44,960 Michael? Who's this? 210 00:14:44,960 --> 00:14:46,960 He's taken Tammy, Monica! 211 00:14:46,960 --> 00:14:48,960 Kyle? 'He had a mask!' 212 00:14:48,960 --> 00:14:49,960 A mask? 213 00:14:49,960 --> 00:14:52,000 Oh, God, I'm dizzy. 214 00:14:52,000 --> 00:14:54,960 Kyle, did you say a mask? 215 00:14:55,960 --> 00:14:57,000 Can you hear me? 216 00:14:57,000 --> 00:14:59,960 It's Michael Bach. It's him. 217 00:14:59,960 --> 00:15:01,960 He attacked me. 218 00:15:01,960 --> 00:15:03,960 Kyle, I need to call my colleagues. 219 00:15:03,960 --> 00:15:06,320 PHONE CALL BREAKS UP 220 00:15:06,320 --> 00:15:07,960 Kyle, did you say you called...? 221 00:15:07,960 --> 00:15:09,960 They're 20 minutes away. 222 00:15:09,960 --> 00:15:12,960 SIGNAL DISTORTS Kyle? 223 00:15:12,960 --> 00:15:14,640 You're breaking up. 224 00:15:18,960 --> 00:15:19,960 DISCONNECT TONE 225 00:15:23,960 --> 00:15:26,800 RINGING TONE 226 00:15:28,160 --> 00:15:29,960 Oh, shit. 227 00:15:45,960 --> 00:15:46,960 1,200 cash. 228 00:15:46,960 --> 00:15:49,960 But... it's worth double. 229 00:15:51,320 --> 00:15:52,960 If times were different, maybe. 230 00:15:54,640 --> 00:15:55,960 Where we even going? 231 00:15:58,960 --> 00:16:00,640 "We"? 232 00:16:03,960 --> 00:16:07,960 HE EXHALES Look, Mum... wherever you want. 233 00:16:07,960 --> 00:16:09,960 It's time for you to choose. 234 00:16:41,960 --> 00:16:42,960 RINGING TONE 235 00:16:45,000 --> 00:16:47,960 Kennedy. DISTORTED: 'Michael Bach.' 236 00:16:47,960 --> 00:16:50,800 What? The reception's shite. 'Michael...' 237 00:16:50,800 --> 00:16:53,960 CALL BREAKING UP You're at Michael's? Why...? 238 00:16:53,960 --> 00:16:54,960 DISCONNECT TONE 239 00:17:00,960 --> 00:17:02,640 Send me a copy of that. Aye, Sir. 240 00:17:05,960 --> 00:17:07,960 KYLE: Tammy! 241 00:17:07,960 --> 00:17:09,800 Tammy! Kyle? 242 00:17:10,960 --> 00:17:13,960 Monica! He's taken Tammy. 243 00:17:13,960 --> 00:17:15,960 She's not here. My girl, she's gone. 244 00:17:15,960 --> 00:17:17,960 I tried calling her, but no reception. 245 00:17:17,960 --> 00:17:19,640 Kyle, slow down. And then the line went dead. 246 00:17:19,640 --> 00:17:20,960 He's cut the phone line. 247 00:17:22,960 --> 00:17:25,000 Where are your colleagues? They said he'd be 20 minutes. 248 00:17:25,000 --> 00:17:27,960 Then they'll be here soon. Wait, so it's just you? 249 00:17:27,960 --> 00:17:29,960 OK, look at me. You've lost a lot of blood. 250 00:17:29,960 --> 00:17:31,960 No, we need to find Tammy. 251 00:17:31,960 --> 00:17:34,960 The more information I can obtain, the quicker we can act. OK? 252 00:17:34,960 --> 00:17:36,960 We need to stop that bleeding. 253 00:17:48,480 --> 00:17:49,960 Press this against it for now. 254 00:17:58,960 --> 00:18:00,960 Kyle, I need you to talk me through what happened. 255 00:18:01,960 --> 00:18:03,960 The last thing... 256 00:18:03,960 --> 00:18:06,960 We were in the room with the photos. What photos? 257 00:18:10,640 --> 00:18:11,960 You need to see it. 258 00:18:17,960 --> 00:18:21,320 Tammy started to ask all these questions about the boys, 259 00:18:21,320 --> 00:18:22,960 what this meant. 260 00:18:24,960 --> 00:18:28,960 And then Michael just went for me, and everything went blurry. 261 00:18:28,960 --> 00:18:31,960 Have you touched anything? That's my blood. 262 00:18:32,960 --> 00:18:36,960 Aside from the struggle. The photos, drawers, files? 263 00:18:39,960 --> 00:18:41,480 You said he had a mask? 264 00:18:43,800 --> 00:18:46,320 I was on the floor, 265 00:18:46,320 --> 00:18:48,960 and he took it from... 266 00:18:52,640 --> 00:18:53,960 What did it look like? 267 00:18:55,960 --> 00:18:58,960 Er, terrifying. 268 00:18:58,960 --> 00:18:59,960 White. 269 00:18:59,960 --> 00:19:03,160 I don't know. I think I passed out. 270 00:19:03,160 --> 00:19:06,160 Why were you here? Here? 271 00:19:06,160 --> 00:19:08,960 At Michael's house. 272 00:19:12,960 --> 00:19:14,320 Oh, God. 273 00:19:17,640 --> 00:19:19,320 This is my fault. 274 00:19:19,320 --> 00:19:22,320 He was my new school liaison officer. 275 00:19:22,320 --> 00:19:25,960 And after James, I wanted to get a grip on all the paperwork, 276 00:19:25,960 --> 00:19:28,960 so I imposed ourselves upon him. 277 00:19:28,960 --> 00:19:30,960 I forced Tammy to come. 278 00:19:34,960 --> 00:19:38,960 Was his car here when you arrived? Green Land Rover? 279 00:19:38,960 --> 00:19:40,960 I think so. 280 00:19:42,960 --> 00:19:45,800 My head is spinning. I need to sit down. 281 00:20:06,960 --> 00:20:10,640 RINGING TONE Come on, Kennedy. 282 00:20:11,800 --> 00:20:12,960 DISCONNECT TONE 283 00:20:19,960 --> 00:20:23,960 Who did you talk to at the station? Did you get their name? 284 00:20:23,960 --> 00:20:27,960 No, just... 20 minutes, they said. 285 00:20:32,640 --> 00:20:34,960 I made tea for some reason. 286 00:20:34,960 --> 00:20:37,960 I thought it might calm... 287 00:20:37,960 --> 00:20:39,960 I'll check the rest of the property and see if I can get a signal. 288 00:20:39,960 --> 00:20:42,160 Let me help. No, no. Sit down. 289 00:20:42,160 --> 00:20:43,960 You're likely concussed. 290 00:20:45,960 --> 00:20:47,960 Tammy. 291 00:20:47,960 --> 00:20:49,960 Will she be OK? 292 00:20:51,960 --> 00:20:53,960 ENGINE RUNNING 293 00:21:10,960 --> 00:21:13,960 'It's safer to stay put for now, wait for back-up.' 294 00:21:15,160 --> 00:21:17,960 Michael's someone you trusted. 295 00:21:17,960 --> 00:21:20,480 My daughter's life is in peril 296 00:21:20,480 --> 00:21:23,320 because you provoked him, mocked him, 297 00:21:23,320 --> 00:21:26,960 claimed he was unintelligent, uneducated. 298 00:21:26,960 --> 00:21:28,960 Yes, that's true. 299 00:21:28,960 --> 00:21:32,960 Well, you made him adapt. Change. 300 00:21:33,960 --> 00:21:35,800 That's intelligence. 301 00:21:36,960 --> 00:21:39,960 Change? Yes. 302 00:21:39,960 --> 00:21:42,960 No longer just young men. Women too. 303 00:21:44,960 --> 00:21:45,960 Women? 304 00:21:47,960 --> 00:21:49,960 The woman this morning. 305 00:21:51,160 --> 00:21:53,960 So tragic. 306 00:21:53,960 --> 00:21:57,640 'A young woman like that. Why did she deserve to die?' 307 00:22:03,960 --> 00:22:06,960 SHE SPLUTTERS 308 00:22:21,960 --> 00:22:23,960 SHE SOBS 309 00:22:25,320 --> 00:22:26,960 SHE SCREAMS 310 00:22:42,960 --> 00:22:45,960 That mask you saw, that was his true self. 311 00:22:47,960 --> 00:22:52,960 Every day, he... hid behind a veneer of normality. 312 00:22:57,960 --> 00:22:59,640 Monica? 313 00:23:00,960 --> 00:23:04,960 He who sleeps in the intelligible world is awake in the sensible one. 314 00:23:04,960 --> 00:23:07,800 Sleeps in the sensible one. Pardon? 315 00:23:08,960 --> 00:23:11,960 That was a quote, I believe. A word or two out. 316 00:23:13,960 --> 00:23:16,960 CAT MEWLS, MEOWS 317 00:23:19,960 --> 00:23:21,960 Cats are misunderstood. 318 00:23:27,640 --> 00:23:28,960 There we are. 319 00:23:30,320 --> 00:23:31,960 Oh! 320 00:23:32,960 --> 00:23:35,480 Apparently, they calm people. 321 00:23:37,960 --> 00:23:39,960 CAT PURRS 322 00:24:05,960 --> 00:24:06,960 Shit! 323 00:24:20,480 --> 00:24:21,960 You OK, Monica? 324 00:24:27,960 --> 00:24:29,960 Peppermint tea? 325 00:24:34,960 --> 00:24:36,960 With a little twist. 326 00:24:46,480 --> 00:24:47,640 How long have I got? 327 00:24:48,640 --> 00:24:49,960 Three sips. 328 00:24:50,960 --> 00:24:53,640 Two minutes, maybe less. 329 00:24:58,480 --> 00:24:59,640 Oh. 330 00:25:01,960 --> 00:25:05,960 Let's find you somewhere to sit. 331 00:25:06,960 --> 00:25:09,960 It's not long till my favourite part begins. 332 00:25:13,960 --> 00:25:15,960 CRAWFORD COUGHS, WHEEZES 333 00:25:17,320 --> 00:25:19,960 What the fuck? HE COUGHS 334 00:25:23,960 --> 00:25:25,960 BANGING 335 00:25:30,960 --> 00:25:33,000 HE GRUNTS 336 00:25:33,000 --> 00:25:34,960 HE PANTS 337 00:25:36,960 --> 00:25:37,960 Shit. 338 00:25:37,960 --> 00:25:39,960 Tammy! Tammy! 339 00:25:41,000 --> 00:25:42,960 There we go. 340 00:25:44,960 --> 00:25:45,960 All comfy? 341 00:25:49,960 --> 00:25:50,960 Why? 342 00:25:51,960 --> 00:25:55,960 Why? Why? Your own daughter? 343 00:25:57,960 --> 00:26:00,480 I didn't want this, Monica. 344 00:26:01,960 --> 00:26:05,960 This is not the way today was supposed to go. No. 345 00:26:07,960 --> 00:26:11,960 Today was about framing Michael, 346 00:26:11,960 --> 00:26:13,960 planting little evidential seeds. 347 00:26:13,960 --> 00:26:17,800 He's the perfect scapegoat, with his access to young men. 348 00:26:17,800 --> 00:26:21,320 But then Tammy blew the whole thing apart. Clever girl. 349 00:26:22,960 --> 00:26:23,960 She figured me out. 350 00:26:26,480 --> 00:26:28,640 This is the kindest thing for her. 351 00:26:28,640 --> 00:26:29,960 ENGINE THRUMS 352 00:26:31,960 --> 00:26:34,480 CRAWFORD COUGHS, WHEEZES 353 00:26:34,480 --> 00:26:35,960 GLASS SMASHES 354 00:26:54,960 --> 00:26:57,960 I used to fear the split within myself. 355 00:27:00,800 --> 00:27:03,960 But after my wife died, I looked, 356 00:27:03,960 --> 00:27:06,960 truly looked within myself. 357 00:27:08,960 --> 00:27:09,960 Her death liberated me. 358 00:27:10,960 --> 00:27:12,960 Doting father. 359 00:27:12,960 --> 00:27:17,960 Tammy provided the perfect cover for me to indulge my true self. 360 00:27:23,960 --> 00:27:25,960 DROWSILY: How would...? 361 00:27:27,960 --> 00:27:31,960 Oh, don't worry. Much less dramatic. 362 00:27:31,960 --> 00:27:35,960 More in keeping with Michael, his family history. 363 00:27:36,960 --> 00:27:39,960 You three, in his car, by the loch. 364 00:27:42,960 --> 00:27:44,960 Just like his dad. 365 00:27:46,640 --> 00:27:49,960 Come on. Come on. Tammy, Tammy, come on. 366 00:27:49,960 --> 00:27:53,320 Come on, come on. There you are. Come on. 367 00:27:53,320 --> 00:27:54,960 SHE COUGHS VIOLENTLY 368 00:27:54,960 --> 00:27:58,640 There's a good girl, that's it. Good girl, take a breath. 369 00:27:58,640 --> 00:28:00,000 There you are. Get it out of you. 370 00:28:00,000 --> 00:28:01,960 SHE COUGHS, SPLUTTERS 371 00:28:01,960 --> 00:28:04,960 That's it. That's it, that's it, it's all right. 372 00:28:04,960 --> 00:28:06,960 It's all right, it's all right. SHE CRIES OUT 373 00:28:06,960 --> 00:28:07,960 It's all right. 374 00:28:11,960 --> 00:28:13,960 Not long now, Monica. 375 00:28:15,960 --> 00:28:18,960 And then I'll carry you down to join the others, 376 00:28:18,960 --> 00:28:20,000 and it'll all be over. 377 00:28:24,960 --> 00:28:26,960 This is my favourite part. 378 00:28:28,640 --> 00:28:29,960 Watching. 379 00:28:30,960 --> 00:28:35,960 As the life and all its dreams, hopes... 380 00:28:37,640 --> 00:28:39,960 ..potential fades away. 381 00:28:40,960 --> 00:28:45,960 One of the tragedies of my job is seeing potential squandered. 382 00:28:45,960 --> 00:28:47,800 Young men with everything ahead of them, 383 00:28:47,800 --> 00:28:49,960 yet such a tragic lack of vision. 384 00:28:55,960 --> 00:28:58,960 I give them a chance to do better in the next life. 385 00:28:58,960 --> 00:29:01,960 I send them off with wishing stones. 386 00:29:03,480 --> 00:29:06,960 Maybe that's why Philly was so unsatisfying. 387 00:29:10,960 --> 00:29:12,960 She had so little left. 388 00:29:15,800 --> 00:29:18,960 All quashed by you, Monica. 389 00:29:18,960 --> 00:29:21,800 I did what you couldn't. I ended her life. 390 00:29:31,960 --> 00:29:34,960 COUGHING, WHEEZING 391 00:29:42,960 --> 00:29:45,160 Michael? Michael! 392 00:29:47,960 --> 00:29:49,960 You're gonna rot inside for what you did. 393 00:29:54,000 --> 00:29:55,960 Get fucking off me! 394 00:29:55,960 --> 00:29:58,480 You're going nowhere. Where's Kennedy? 395 00:29:58,480 --> 00:30:00,960 Let go! Let him go! What? 396 00:30:00,960 --> 00:30:01,960 It's not him! 397 00:30:02,960 --> 00:30:06,960 It's my dad. He attacked us. SHE COUGHS 398 00:30:23,960 --> 00:30:26,640 They'll write you off as a failure. 399 00:30:26,640 --> 00:30:28,960 How could she have been so troubled 400 00:30:28,960 --> 00:30:31,960 that she couldn't see there was a killer before her all along? 401 00:30:33,800 --> 00:30:35,480 How many lives she could have s... 402 00:30:39,800 --> 00:30:41,480 ..have saved. 403 00:30:55,960 --> 00:30:59,960 Clever. You swapped the mugs. 404 00:31:01,800 --> 00:31:06,320 By my count, that's three sips compared to my one. 405 00:31:19,960 --> 00:31:22,000 All units, officer in distress! 406 00:31:35,960 --> 00:31:38,960 LABOURED BREATHING 407 00:31:41,960 --> 00:31:44,960 You mistook my guilt for weakness. 408 00:32:01,960 --> 00:32:02,960 Lucy! 409 00:32:05,960 --> 00:32:07,960 There are lots of cats over here. 410 00:32:07,960 --> 00:32:11,000 Yes, I think there's lots more outside. Just hold me tight. 411 00:32:12,960 --> 00:32:15,960 LABOURED BREATHING 412 00:32:33,960 --> 00:32:37,320 Lucy, I love you. Mummy needs a minute. 413 00:32:40,960 --> 00:32:41,960 Thank God! 414 00:32:45,960 --> 00:32:48,960 Tammy and Michael are alive. Is Ward? 415 00:32:52,640 --> 00:32:53,960 OK. 416 00:32:56,960 --> 00:32:58,960 Are you all right, Monica? 417 00:32:59,960 --> 00:33:00,960 I think she might have seen me. 418 00:33:02,960 --> 00:33:03,960 What if she did? What if...? 419 00:33:06,480 --> 00:33:08,960 Hey. Hey. 420 00:33:08,960 --> 00:33:10,800 Hey. 421 00:33:13,960 --> 00:33:15,960 Go to Lucy. 422 00:33:17,000 --> 00:33:18,960 I'll deal with them. 423 00:33:21,960 --> 00:33:22,960 Sorry. 424 00:33:24,960 --> 00:33:25,960 It's a crime scene now. 425 00:33:29,960 --> 00:33:31,160 CRAWFORD CLEARS THROAT 426 00:33:32,960 --> 00:33:35,960 Control, we have one deceased... Hey. 427 00:33:35,960 --> 00:33:37,000 SHE SOBS You're OK, you're OK. 428 00:33:41,960 --> 00:33:42,960 It's OK. 429 00:34:13,960 --> 00:34:17,320 # Whoa, oh How could you stoop so low? 430 00:34:17,320 --> 00:34:19,160 # Oh, oh... # BELL CHIMES 431 00:34:19,160 --> 00:34:21,960 # I'm left in only doubt with love 432 00:34:21,960 --> 00:34:24,960 # Wearing all the same clothes Oh, oh 433 00:34:25,960 --> 00:34:27,160 # Surrounded by 434 00:34:28,960 --> 00:34:31,960 # Surrounded by these walls. # 435 00:34:33,960 --> 00:34:34,960 STEPHEN: That song... 436 00:34:36,480 --> 00:34:39,960 ..I'll be honest, it used to drive me mad. 437 00:34:40,960 --> 00:34:45,320 "Rob, that's not real music! This is real music." 438 00:34:45,320 --> 00:34:47,960 And I'd bung on some Paul Weller as a counter. 439 00:34:47,960 --> 00:34:51,960 I know, typical dad behaviour. I'm sorry. 440 00:34:51,960 --> 00:34:55,000 But now? That song now? 441 00:34:56,960 --> 00:34:58,960 It does nothing but make me smile. 442 00:35:00,960 --> 00:35:03,960 We have to cherish the time we had 443 00:35:03,960 --> 00:35:05,960 with the young people that were taken from us. 444 00:35:07,320 --> 00:35:09,960 Because it's too easy to let grief win... 445 00:35:10,960 --> 00:35:13,800 ..to think about what we've lost and not gained. 446 00:35:14,960 --> 00:35:21,320 Because my son Rob Wright was the kindest, most beautiful soul. 447 00:35:23,160 --> 00:35:25,000 And we're so lucky to have known him. 448 00:35:28,960 --> 00:35:32,960 And that's what must win - the joy. 449 00:35:33,960 --> 00:35:36,960 The smiles that he put on his friends' faces. 450 00:35:49,960 --> 00:35:52,640 TAMMY HYPERVENTILATES Tammy? Hey. 451 00:35:52,640 --> 00:35:56,160 Hey. You're having a panic attack. You're having a panic attack. 452 00:35:56,160 --> 00:36:00,960 You're OK. You're OK. Breathe, breathe. 453 00:36:02,960 --> 00:36:05,160 Look at me. This will pass. 454 00:36:05,160 --> 00:36:08,960 He was at our house. It was a few months ago. 455 00:36:08,960 --> 00:36:10,480 Tammy, who? I thought I was dreaming. 456 00:36:10,480 --> 00:36:11,960 I thought it was just part of the nightmares. 457 00:36:13,960 --> 00:36:16,960 I wasn't supposed to know, I was supposed to be in bed, but... 458 00:36:16,960 --> 00:36:18,480 They argued. 459 00:36:18,480 --> 00:36:22,800 Dad sent him away, told me it was part of his outreach work. 460 00:36:22,800 --> 00:36:25,960 Who was it? Tammy, who was in your house? 461 00:36:26,960 --> 00:36:29,000 I saw his photo on Michael's wall. 462 00:36:30,960 --> 00:36:31,960 Jason's brother. 463 00:36:32,960 --> 00:36:36,960 Dad knew him. Something was wrong, it just felt wrong. 464 00:36:38,480 --> 00:36:39,960 Nichol? 465 00:37:27,960 --> 00:37:28,960 It's just you? 466 00:37:29,960 --> 00:37:30,960 It is. 467 00:37:34,160 --> 00:37:35,960 We were easy to find? 468 00:37:38,000 --> 00:37:42,960 You didn't change your name, Nichol. I think you wanted to be found. 469 00:37:48,960 --> 00:37:50,800 Is Ward really dead? 470 00:37:52,960 --> 00:37:54,800 EXHALES HEAVILY 471 00:37:56,960 --> 00:37:58,160 Was he kind to begin? 472 00:37:58,160 --> 00:38:00,640 It wasn't kindness I was looking for. 473 00:38:00,640 --> 00:38:02,960 Did he give you what you didn't have at home? 474 00:38:05,800 --> 00:38:07,000 I had so much hate in me. 475 00:38:07,000 --> 00:38:10,960 Barclay... pushed me out of my own family, and... 476 00:38:11,960 --> 00:38:13,960 ..Jason was everything to him. 477 00:38:15,960 --> 00:38:16,960 Ward... 478 00:38:18,960 --> 00:38:20,960 ..he told me stories of revenge... 479 00:38:22,960 --> 00:38:24,960 ..of stones that granted wishes. 480 00:38:24,960 --> 00:38:26,960 Black stones? 481 00:38:26,960 --> 00:38:29,640 I heard that, and I made that my dream. 482 00:38:29,640 --> 00:38:32,640 And all I ever wanted was my mum to love me. 483 00:38:35,960 --> 00:38:36,960 Then Ward... 484 00:38:37,960 --> 00:38:41,960 ..got darker, dripping darker ideas. 485 00:38:41,960 --> 00:38:44,960 The only way to hurt Barclay is to hurt Jason, and.... 486 00:38:45,960 --> 00:38:48,960 You were hurt, angry. 487 00:38:48,960 --> 00:38:50,960 He groomed you, Nichol. 488 00:38:52,000 --> 00:38:55,960 What did he ask you to do? I left phones for them. 489 00:38:56,960 --> 00:39:00,640 I watched them, and I reported on them. 490 00:39:00,640 --> 00:39:03,960 He killed them with my help. That is not being groomed! 491 00:39:03,960 --> 00:39:06,960 Like, what the fuck am I? But you stopped. 492 00:39:09,960 --> 00:39:12,960 Was it after Owen? Before Scott? 493 00:39:12,960 --> 00:39:14,960 You're not a killer. No. 494 00:39:15,960 --> 00:39:19,320 No, no, you don't understand. Nichol, I do. 495 00:39:20,480 --> 00:39:21,960 No... Loneliness, anger, 496 00:39:21,960 --> 00:39:24,960 they are gateways for the malicious to twist and exploit. 497 00:39:24,960 --> 00:39:27,960 No, don't excuse my actions! 498 00:39:33,960 --> 00:39:35,960 Your mother chose you. 499 00:39:47,640 --> 00:39:49,960 If only she knew. Hm? 500 00:39:50,960 --> 00:39:52,960 He was my brother. Yes. 501 00:39:52,960 --> 00:39:54,960 My brother, and... Nichol. 502 00:39:57,960 --> 00:40:00,640 You've got handcuffs, right? Yes. 503 00:40:00,640 --> 00:40:03,960 Then cuff me. Put them on me. I can't whilst you're holding that. 504 00:40:03,960 --> 00:40:06,960 No, p-please. Monica, please. 505 00:40:06,960 --> 00:40:08,960 I can't do this any more. I can't run. 506 00:40:08,960 --> 00:40:10,960 Please, just make it stop. 507 00:40:22,000 --> 00:40:23,960 HE SOBS SOFTLY 508 00:40:36,960 --> 00:40:37,960 Thanks. 509 00:40:39,960 --> 00:40:40,960 Hi. 510 00:40:44,960 --> 00:40:47,960 There was a memorial for Jason and Rob. Mm-hm. 511 00:40:47,960 --> 00:40:49,960 Barclay was there. 512 00:40:49,960 --> 00:40:52,960 We do shut soon. Stephen organised it. 513 00:40:55,960 --> 00:40:56,960 Please don't say his name. 514 00:41:07,960 --> 00:41:10,960 Nichol's in my car. Your car? 515 00:41:13,960 --> 00:41:16,960 Why? I came to find him. 516 00:41:19,320 --> 00:41:21,960 We... We just want a fresh start. 517 00:41:21,960 --> 00:41:24,960 He asked me to put him in handcuffs. Handcuffs? 518 00:41:26,960 --> 00:41:27,960 Did you? 519 00:41:28,960 --> 00:41:32,960 We've kept investigating Kyle Ward's history, how he operated. 520 00:41:34,960 --> 00:41:38,960 He manipulated and groomed a lot of people. 521 00:41:38,960 --> 00:41:43,960 Not only those whose lives he took, those he needed in other ways. 522 00:41:44,960 --> 00:41:49,960 We suspected he hadn't worked alone. We were right. 523 00:41:49,960 --> 00:41:51,480 I really do need to lock up. 524 00:41:51,480 --> 00:41:53,960 Nichol told me he can't live with the guilt. 525 00:41:58,960 --> 00:42:00,960 BETHANY SIGHS 526 00:42:03,960 --> 00:42:05,960 He's not carrying it alone. 527 00:42:08,960 --> 00:42:12,640 I chose a man who hated my son. 528 00:42:14,800 --> 00:42:15,960 If I'd been... 529 00:42:16,960 --> 00:42:18,960 ..stronger and a better mother... 530 00:42:18,960 --> 00:42:20,960 Do you really believe that? 531 00:42:24,960 --> 00:42:26,960 I just... 532 00:42:26,960 --> 00:42:30,960 TEARFULLY: I just want to give Nichol the love he deserves. 533 00:42:33,960 --> 00:42:35,480 That's what we mothers try to do. 534 00:42:41,320 --> 00:42:43,160 Justice can set people free. 535 00:43:11,320 --> 00:43:13,960 It's just a... a little something. 536 00:43:14,960 --> 00:43:18,960 Is it a puppy? Silly Granny. Puppies bark. 537 00:43:18,960 --> 00:43:20,960 Oh! ANGELA CHUCKLES 538 00:43:21,960 --> 00:43:24,960 Thank you, Crawford. Aw, pal. 539 00:43:24,960 --> 00:43:26,800 Put it under the tree, darling. 540 00:43:31,960 --> 00:43:35,000 Here, I... I didn't know you had any plans. I'll get going. 541 00:43:35,000 --> 00:43:38,000 Oh, Connor, don't you fancy Winter Wonderland with us? 542 00:43:38,000 --> 00:43:39,960 I can just see you on the dodgems. 543 00:43:39,960 --> 00:43:41,960 Aye, he's more of a teacups kind of man. 544 00:43:41,960 --> 00:43:44,960 I do love the teacups, to be fair, so... 545 00:43:44,960 --> 00:43:46,960 THEY LAUGH 546 00:43:46,960 --> 00:43:49,960 Oh! HE LAUGHS 547 00:43:49,960 --> 00:43:51,480 Piggyback, Crawford? 548 00:43:51,480 --> 00:43:53,960 Well, if you're offering. Would be rude to refuse. 549 00:43:53,960 --> 00:43:55,960 OK, you ready? No! 550 00:43:55,960 --> 00:43:57,960 What? Oh, I'm sorry? 551 00:43:57,960 --> 00:44:00,640 You want ME to do all the hard work, do you? Oh! 552 00:44:00,640 --> 00:44:02,000 Right, OK. He's silly, Mummy. 553 00:44:02,000 --> 00:44:03,960 That's one word for him. 554 00:44:03,960 --> 00:44:06,960 CRAWFORD LAUGHS, GIBBERS 555 00:44:07,960 --> 00:44:09,960 LUCY LAUGHS 'Ey, another jump. 556 00:44:09,960 --> 00:44:11,960 Whoo-hoo-hoo! LUCY SHRIEKS 557 00:44:13,800 --> 00:44:15,960 LUCY AND CRAWFORD LAUGH 558 00:44:18,960 --> 00:44:21,960 Are you all right? You watch your back. 559 00:44:28,960 --> 00:44:32,960 Horsey ready, Granny ready. Are you ready, Mummy? 560 00:44:40,960 --> 00:44:42,960 Subtitles by accessibility@itv.com 37482

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