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These are the user uploaded subtitles that are being translated: 1 00:00:03,900 --> 00:00:07,283 [theme music] 2 00:01:11,174 --> 00:01:12,520 JULIAN PRIEST: The highest spiritual plane 3 00:01:12,624 --> 00:01:15,627 available to humankind is not grace, 4 00:01:15,730 --> 00:01:18,008 nor peace, nor satisfaction. 5 00:01:18,112 --> 00:01:22,012 It is, of course, love, emotional symbiosis. 6 00:01:22,116 --> 00:01:25,637 Our greatest achievement. 7 00:01:25,740 --> 00:01:28,018 To bask in the warm glow of adoration. 8 00:01:28,122 --> 00:01:30,538 To love and be loved in return. 9 00:01:30,642 --> 00:01:32,920 Easier said than done. 10 00:01:33,023 --> 00:01:35,129 But to accept love one must accept oneself. 11 00:01:35,233 --> 00:01:39,409 And if you find yourselfincapable of accepting love, 12 00:01:39,513 --> 00:01:43,137 then love cannot heal you. 13 00:01:43,241 --> 00:01:46,244 Cannot even find you. 14 00:01:46,347 --> 00:01:47,624 You must find it. 15 00:02:06,298 --> 00:02:09,129 [chatter in arabic] 16 00:02:28,596 --> 00:02:29,494 [car door shuts] 17 00:02:29,597 --> 00:02:31,323 [dogs barking] 18 00:02:38,572 --> 00:02:41,368 Hello. 19 00:02:41,471 --> 00:02:42,645 Is anyone there? 20 00:02:42,748 --> 00:03:00,559 [giggle] 21 00:03:00,663 --> 00:03:01,457 Foreigner. 22 00:03:05,392 --> 00:03:08,429 Are you the one they call Sofia? 23 00:03:08,533 --> 00:03:09,292 As you see. 24 00:03:19,268 --> 00:03:20,061 Cigarette? 25 00:03:50,022 --> 00:03:50,816 Thank you. 26 00:04:01,413 --> 00:04:04,727 And now, are you Sofia the bottle maker? 27 00:04:04,830 --> 00:04:07,557 If you have money, yes. 28 00:04:15,703 --> 00:04:16,601 I have money. 29 00:04:19,535 --> 00:04:24,125 Then, we have both found whatwe seek, I think, mademoiselle. 30 00:04:35,516 --> 00:04:39,417 To Maris, my niece and namesake, 31 00:04:39,520 --> 00:04:43,904 to whom I share so much and of whom I have 32 00:04:44,007 --> 00:04:46,665 been allowed to know so little. 33 00:04:46,769 --> 00:04:52,464 Having no children of my own andfeeling myself close to leaving 34 00:04:52,568 --> 00:04:55,225 this particular form. 35 00:04:55,329 --> 00:04:59,920 I have taken the liberty of naming you my heir. 36 00:05:00,023 --> 00:05:03,199 I, therefore, leave you all I have to leave. 37 00:05:03,303 --> 00:05:06,823 This house, if and when it may be useful to you, 38 00:05:06,927 --> 00:05:07,962 and everything in it. 39 00:05:20,112 --> 00:05:36,957 [blowing] 40 00:05:37,060 --> 00:05:39,960 [cell phone ringing] 41 00:05:48,865 --> 00:05:49,659 Maris D'Isquard. 42 00:05:54,492 --> 00:05:58,979 Diehl, how'd you get this number? 43 00:05:59,082 --> 00:06:00,118 DIEHL [ON PHONE]: Where are you? 44 00:06:00,221 --> 00:06:01,326 Oh. 45 00:06:01,430 --> 00:06:03,224 Some place. 46 00:06:03,328 --> 00:06:04,743 DIEHL [ON PHONE]: I called the hospital. 47 00:06:04,847 --> 00:06:05,917 Yeah. 48 00:06:06,020 --> 00:06:07,470 Well, they released me. DIEHL [ON PHONE]: Yeah. 49 00:06:07,574 --> 00:06:08,575 I figured that out by myself. 50 00:06:13,027 --> 00:06:14,304 Look. 51 00:06:14,408 --> 00:06:16,237 I know you're upset. 52 00:06:16,341 --> 00:06:17,307 You've been through a lot. 53 00:06:17,411 --> 00:06:18,205 Yeah. 54 00:06:18,308 --> 00:06:19,102 A miscarriage, Diehl. 55 00:06:19,206 --> 00:06:22,278 You can say it. 56 00:06:22,382 --> 00:06:26,938 [sigh] I lost the baby, and I'm never going 57 00:06:27,041 --> 00:06:29,458 to have any more children. 58 00:06:29,561 --> 00:06:32,184 But other than that, I'm just dandy. 59 00:06:32,288 --> 00:06:35,015 DIEHL [ON PHONE]: You'reshutting yourself off, Maris. 60 00:06:35,118 --> 00:06:36,982 No kidding. 61 00:06:37,086 --> 00:06:38,743 DIEHL [ON PHONE]: You're shutting me out. 62 00:06:38,846 --> 00:06:41,331 That's what I want. 63 00:06:41,435 --> 00:06:42,471 DIEHL [ON PHONE]: I'm your husband. 64 00:06:46,233 --> 00:06:47,683 Well, not for much longer, you're not. 65 00:08:08,488 --> 00:08:12,526 Maris, meet Maris. 66 00:08:26,298 --> 00:08:29,854 AUNT MARIS [VOICEOVER]: Ourfamily, who treat me as pariah, 67 00:08:29,957 --> 00:08:33,513 have no doubt tried to eraseall traces of my presence 68 00:08:33,616 --> 00:08:35,791 from your life. 69 00:08:35,894 --> 00:08:39,484 Should you wish to know more,should you desire to explore 70 00:08:39,588 --> 00:08:42,487 the contents I have entrusted to you, 71 00:08:42,591 --> 00:08:44,489 be sure to listen to the recording 72 00:08:44,593 --> 00:08:46,146 I made when I was your age. 73 00:09:09,445 --> 00:09:11,343 [record scratching] 74 00:09:18,454 --> 00:09:21,319 AUNT MARIS [ON PHONOGRAPH ]:Maris. [cough] One, two, three. 75 00:09:21,422 --> 00:09:22,320 Maris. 76 00:09:22,423 --> 00:09:23,321 Testing. 77 00:09:23,424 --> 00:09:24,218 Testing. 78 00:09:24,322 --> 00:09:26,358 Maris D'Isquard. 79 00:09:26,462 --> 00:09:30,880 My name is Maris D'Isquard,and the year is 1949. 80 00:09:30,984 --> 00:09:34,504 I'm in a recording booth at theMagazine de Musique Modernes 81 00:09:34,608 --> 00:09:35,505 in Morocco. 82 00:09:35,609 --> 00:09:37,577 Preserving my story for posterity. 83 00:09:40,441 --> 00:09:44,791 The strange tale of my meetingwith Sofia the bottle maker. 84 00:09:44,894 --> 00:09:48,242 My narrative found in a bottle. 85 00:09:59,909 --> 00:10:00,703 Merci. 86 00:10:11,921 --> 00:10:15,166 Strange occupation for a beautiful woman, 87 00:10:15,269 --> 00:10:18,272 the making of bottles. 88 00:10:18,376 --> 00:10:20,481 But they are useful things, bottles. 89 00:10:20,585 --> 00:10:26,073 Sometimes, one may keepoil in them or a perfume. 90 00:10:30,630 --> 00:10:32,459 Or perfumed oil. 91 00:10:32,562 --> 00:10:33,356 Absolument. 92 00:10:49,614 --> 00:10:53,342 In my country, we believethat if the bottle 93 00:10:53,445 --> 00:11:01,453 is of a particular kind,things may be caught within it. 94 00:11:01,557 --> 00:11:02,454 Such as? 95 00:11:08,288 --> 00:11:10,255 One will pay for the information of course. 96 00:11:14,915 --> 00:11:16,883 Oh yes. 97 00:11:16,986 --> 00:11:17,746 One will. 98 00:12:34,167 --> 00:12:37,618 You have been traveling a very long time. 99 00:12:37,722 --> 00:12:39,448 Yes 100 00:12:39,551 --> 00:12:43,348 But you have not found that which you seek. 101 00:12:43,452 --> 00:12:45,834 And who said I was searching at all? 102 00:12:45,937 --> 00:12:47,421 SOFIA: There are those who come to my country 103 00:12:47,525 --> 00:12:51,771 simply desiring pleasure,and there are those who are 104 00:12:51,874 --> 00:12:55,567 running away from themselves. 105 00:12:55,671 --> 00:12:57,569 And I don't even mention the profiteers. 106 00:13:00,400 --> 00:13:01,228 And which am I? 107 00:13:04,818 --> 00:13:06,475 You wish to be lost. 108 00:13:11,998 --> 00:13:13,482 It is a dangerous destination. 109 00:13:17,210 --> 00:13:17,969 I'm ready. 110 00:13:28,393 --> 00:13:29,809 You do not appreciate the risks. 111 00:13:33,122 --> 00:13:33,882 Not yet. 112 00:13:45,307 --> 00:13:47,240 AUNT MARIS [ON PHONOGRAPH ]:The next time I came to see her, 113 00:13:47,343 --> 00:13:49,173 Sofia looked at me. 114 00:13:49,276 --> 00:13:52,555 Her eyes infinitely sad. 115 00:13:52,659 --> 00:13:54,592 Have you ever heard of genies, mademoiselle? 116 00:13:58,285 --> 00:13:59,942 Jinn. 117 00:14:00,046 --> 00:14:02,255 Genie. 118 00:14:02,358 --> 00:14:03,946 Ah, yes. 119 00:14:04,050 --> 00:14:06,673 Like the tale in "The Arabian Nights" 120 00:14:06,776 --> 00:14:10,366 of the genie in the bottle. 121 00:14:10,470 --> 00:14:11,643 Jinn is real. 122 00:14:11,747 --> 00:14:13,783 The story's not. 123 00:14:13,887 --> 00:14:19,962 But what is true is that they can be captured 124 00:14:20,066 --> 00:14:26,727 in a bottle such as this. 125 00:14:26,831 --> 00:14:29,730 Genies are evil angels. 126 00:14:29,834 --> 00:14:36,737 They come from the desert,from the empty places. 127 00:14:36,841 --> 00:14:40,155 Creatures infinitely powerful, infinitely 128 00:14:40,258 --> 00:14:44,573 malign with power to changeeverything and anything 129 00:14:44,676 --> 00:14:49,164 at once like smoke. 130 00:14:49,267 --> 00:14:52,719 And if one should buy one of these bottles, 131 00:14:52,822 --> 00:14:57,482 with one of the genies trappedinside, will it grant me three 132 00:14:57,586 --> 00:14:58,380 wishes? 133 00:15:01,072 --> 00:15:03,143 We are not speaking of achildren's tale, madamoiselle. 134 00:15:05,835 --> 00:15:07,907 Then, it will not be my eternal slave? 135 00:15:12,359 --> 00:15:13,119 It is eternal. 136 00:15:18,503 --> 00:15:20,954 What good is it to me? 137 00:15:21,058 --> 00:15:22,093 No good at all. 138 00:15:25,062 --> 00:15:34,519 Except if you wish to experiencethe greatest of pleasure 139 00:15:34,623 --> 00:15:35,969 that the world can provide. 140 00:16:06,413 --> 00:16:10,245 The genie can be yours, mademoiselle. 141 00:16:10,348 --> 00:16:14,318 But only if you are ready topay the price for its ownership. 142 00:16:14,421 --> 00:16:16,182 The price? 143 00:16:16,285 --> 00:16:18,460 Oh yes. 144 00:16:18,563 --> 00:16:22,809 For the genie demands muchin return for its service. 145 00:16:22,912 --> 00:16:28,642 It will be your slave, anendless source of erotic power. 146 00:16:28,746 --> 00:16:34,579 Worship you in life and dowhat you ask even after death. 147 00:16:34,683 --> 00:16:39,308 And in return, you will bind yourself to it. 148 00:16:39,412 --> 00:16:41,586 It will never leave you, never. 149 00:16:44,451 --> 00:16:46,591 Unless you order it to do so. 150 00:17:00,674 --> 00:17:02,435 But remember. 151 00:17:02,538 --> 00:17:04,402 Once you taste the love of the genie, 152 00:17:04,506 --> 00:17:06,784 you will never again be satisfied with the love 153 00:17:06,887 --> 00:17:10,477 of any human man or woman. 154 00:17:13,791 --> 00:17:15,310 [inaudible], mademoiselle. 155 00:17:15,413 --> 00:17:20,039 A genie is a perfect lover and a jealous one. 156 00:17:20,142 --> 00:17:26,424 It craves flesh, and itwill take it however it can. 157 00:17:26,528 --> 00:17:29,186 And it can be yours, mademoiselle. 158 00:17:29,289 --> 00:17:35,468 All this for the mere priceof a blue glass bottle 159 00:17:35,571 --> 00:17:39,748 Can one really ask someone to believe 160 00:17:39,851 --> 00:17:42,820 such a tale without proof? 161 00:17:57,628 --> 00:17:58,422 Without proof? 162 00:18:01,528 --> 00:18:02,288 Of course not. 163 00:18:18,925 --> 00:18:22,170 In order to bind the genieto you, mademoiselle, 164 00:18:22,273 --> 00:18:27,520 you must be truly transformed, not only 165 00:18:27,623 --> 00:18:31,317 in mind but in body as well. 166 00:18:31,420 --> 00:18:33,008 You must be cleansed. 167 00:18:33,112 --> 00:18:35,907 Made over. 168 00:18:36,011 --> 00:18:36,874 Made new. 169 00:19:44,252 --> 00:19:46,599 And now, mademoiselle, your proof. 170 00:19:55,228 --> 00:19:58,576 [air gusting] 171 00:21:04,746 --> 00:21:07,990 MARIS: I must have it. 172 00:21:08,094 --> 00:21:11,166 Then, you shall have it, mademoiselle. 173 00:21:11,270 --> 00:21:15,550 And whatever you care to givewill be more than enough. 174 00:21:15,653 --> 00:21:17,552 But why? 175 00:21:17,655 --> 00:21:21,176 If you already had such a treasure, why? 176 00:21:21,280 --> 00:21:23,178 I mean why would you sell it? 177 00:21:23,282 --> 00:21:24,697 Why sell it at all? 178 00:21:27,596 --> 00:21:32,601 Because I am afraid. 179 00:21:32,705 --> 00:21:33,740 SOFIA [ON PHONOGRAPH]: I am afraid. 180 00:21:33,844 --> 00:21:34,776 I am afraid. 181 00:21:34,879 --> 00:21:36,260 I am afraid. I am afraid. 182 00:21:36,364 --> 00:21:37,261 I am afraid. 183 00:21:37,365 --> 00:21:38,745 I am afraid. I am afraid. 184 00:21:38,849 --> 00:21:39,712 I am afraid. 185 00:21:39,815 --> 00:21:40,747 I am afraid. 186 00:21:40,851 --> 00:21:42,059 I am afraid. - I'm afraid. 187 00:21:42,162 --> 00:21:43,198 SOFIA [ON PHONOGRAPH]: I am afraid. 188 00:21:43,302 --> 00:21:44,199 I am afraid. 189 00:21:44,303 --> 00:21:45,200 I am afraid. 190 00:21:45,304 --> 00:21:46,201 I am afraid. 191 00:21:46,305 --> 00:21:47,167 I am afraid. 192 00:21:47,271 --> 00:21:48,168 I am afraid. 193 00:21:48,272 --> 00:21:49,169 I am afraid. 194 00:21:49,273 --> 00:21:50,136 I am afraid. 195 00:21:50,239 --> 00:21:51,137 I am afraid. 196 00:21:51,240 --> 00:21:52,138 I am afraid. 197 00:21:52,241 --> 00:21:53,139 I am afraid. 198 00:21:53,242 --> 00:21:54,140 I am afraid. 199 00:21:54,243 --> 00:21:55,141 I am afraid. 200 00:21:55,244 --> 00:21:56,038 I am-- 201 00:21:56,142 --> 00:21:58,109 [record scratches] 202 00:22:02,182 --> 00:22:06,532 [air whirring] 203 00:22:38,495 --> 00:22:49,402 [moaning] Yes. 204 00:22:49,506 --> 00:22:50,265 Yes. 205 00:23:05,763 --> 00:23:06,523 Come inside. 206 00:23:10,250 --> 00:23:11,010 Come inside. 207 00:23:53,121 --> 00:23:57,608 But remember once you possessthe genie, the one thing it 208 00:23:57,712 --> 00:24:00,749 will beg and plead for, above all others, 209 00:24:00,853 --> 00:24:04,719 you must never let it inside your body. 210 00:24:04,822 --> 00:24:10,069 Or it will grow like a child. 211 00:24:10,172 --> 00:24:15,833 And when it is done, it willpeal you back like a dead skin. 212 00:24:15,937 --> 00:24:22,599 Steal your flesh and go outunchecked into the world. 213 00:24:22,702 --> 00:24:25,981 For the sake of everyone,yourself included, 214 00:24:26,085 --> 00:24:28,190 you must never allow this to happen. 215 00:24:38,028 --> 00:24:41,928 You ask me why I'm afraid, mademoiselle. 216 00:24:42,032 --> 00:24:46,623 Why would I sell my only chance at such pleasure, 217 00:24:46,726 --> 00:24:50,143 even though I know I wouldnever again feel its like. 218 00:24:50,247 --> 00:24:55,286 I am afraid, because I can feel myself 219 00:24:55,390 --> 00:25:03,260 begin to listen to the genie'slies, to want to believe them. 220 00:25:03,363 --> 00:25:09,231 I am afraid, because I am weakening. 221 00:25:09,335 --> 00:25:13,304 Soon, I will let it come inside me. 222 00:25:13,408 --> 00:25:14,996 I will welcome it. 223 00:25:29,217 --> 00:25:31,530 AUNT MARIS [ON PHONOGRAPH]: This then, is my story. 224 00:25:31,633 --> 00:25:34,256 And my warning if you are listening, 225 00:25:34,360 --> 00:25:38,537 remember what Sofia said ifit's not already too late. 226 00:25:44,128 --> 00:25:45,440 [knocking] 227 00:25:45,544 --> 00:25:48,305 DIEHL: Maris. 228 00:25:48,408 --> 00:25:49,202 Come on, Maris. 229 00:25:49,306 --> 00:25:50,549 I know you're here. 230 00:25:50,652 --> 00:25:51,860 We got to deal with this. 231 00:25:51,964 --> 00:25:53,137 [knocking] 232 00:25:53,241 --> 00:25:55,174 Some people who cannot cope with their present 233 00:25:55,277 --> 00:25:57,279 state of being turn and flee. 234 00:25:57,383 --> 00:25:58,591 Others don't run. 235 00:25:58,695 --> 00:26:01,180 They explore. 236 00:26:01,283 --> 00:26:04,390 And the two may be similar, but the journey 237 00:26:04,493 --> 00:26:06,841 is far from the same. 238 00:26:06,944 --> 00:26:10,292 For you can run to any countryin the world or beyond, 239 00:26:10,396 --> 00:26:14,642 and you will find nothingnew, nothing changed. 240 00:26:14,745 --> 00:26:15,815 You'll make no discoveries. 241 00:26:18,749 --> 00:26:22,063 For the only undiscoveredcountry left to explore 242 00:26:22,166 --> 00:26:23,443 is inside you. 243 00:26:27,551 --> 00:26:30,899 [theme music] 244 00:26:46,018 --> 00:26:46,777 THEME SONG: Love. 245 00:26:50,988 --> 00:26:51,748 Obsession. 246 00:26:56,925 --> 00:26:57,685 Power. 247 00:27:01,378 --> 00:27:02,172 A possession. 248 00:27:17,946 --> 00:27:19,568 Hunger. 15772

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