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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,840 --> 00:00:03,320 [STUNNED]: THIS WAS YOUR BEAT? 2 00:00:03,360 --> 00:00:05,480 YEAH. ITALIAN BORDER, 3 00:00:05,520 --> 00:00:08,000 FROM HERE ALL THE WAY UP TO SWITZERLAND. 4 00:00:08,040 --> 00:00:09,480 IT'S A HELL OF A LOT MORE PICTURESQUE 5 00:00:09,520 --> 00:00:10,680 THAN WHERE I WORKED. 6 00:00:10,720 --> 00:00:12,600 WELL, THE LONGER YOU POLICE AN AREA, 7 00:00:12,640 --> 00:00:13,800 THE HARDER IT IS 8 00:00:13,840 --> 00:00:15,360 TO APPRECIATE PICTURESQUE. 9 00:00:15,400 --> 00:00:18,200 LOT OF HUMAN-TRAFFICKING THROUGH HERE? 10 00:00:18,240 --> 00:00:19,320 MORE ALL THE TIME. 11 00:00:19,360 --> 00:00:20,880 I WAS WORKING ON A JOINT OPERATION, 12 00:00:20,920 --> 00:00:22,400 WITH SOME OF THE OTHER BORDER REGIONS. 13 00:00:22,440 --> 00:00:24,160 I'D LIKE TO SEE THAT INVESTIGATION 14 00:00:24,200 --> 00:00:26,440 IF YOU STILL HAVE ACCESS. 15 00:00:26,480 --> 00:00:28,480 THAT'S WHY YOU ASKED ME TO BRING YOU 16 00:00:28,520 --> 00:00:29,960 TO MY OLD STOMPING GROUNDS? 17 00:00:30,000 --> 00:00:31,440 IT'S RELATED TO PHILLIP GENOVESE, 18 00:00:31,480 --> 00:00:33,600 THE FILES YOU HAD ME GATHER? 19 00:00:33,640 --> 00:00:35,200 IT MAY HAVE SOMETHING TO DO WITH GENOVESE. 20 00:00:35,240 --> 00:00:36,520 I DON'T KNOW. 21 00:00:36,560 --> 00:00:37,880 BUT I REALLY DO WANT TO FAMILIARIZE MYSELF 22 00:00:37,920 --> 00:00:39,280 WITH THE AREA. 23 00:00:39,320 --> 00:00:42,240 I GUESS I COULD INTRODUCE YOU TO CAPTAIN GEROUX, 24 00:00:42,280 --> 00:00:43,800 MY FORMER SUPERIOR. 25 00:00:43,840 --> 00:00:47,320 AND I WOULDN'T MIND CHECKING UP ON THE PROGRESS MYSELF. 26 00:00:47,360 --> 00:00:49,840 GREAT. 27 00:00:49,880 --> 00:00:51,880 YOU MEAN NOW, DON'T YOU? 28 00:00:53,920 --> 00:00:57,640 [♪♪♪] 29 00:01:01,400 --> 00:01:04,280 [♪♪♪] 30 00:01:13,840 --> 00:01:17,720 [MOANS ECHOING] 31 00:01:26,080 --> 00:01:28,520 [♪♪♪] 32 00:01:28,560 --> 00:01:32,800 YOU SAID YOU'D TAKE ME DANCING BEFORE THE PARTY. 33 00:01:32,840 --> 00:01:34,480 YEAH. 34 00:01:34,520 --> 00:01:36,760 WE NEED TO SEND THE BODYGUARDS FIRST. 35 00:01:36,800 --> 00:01:38,840 THEN SEND THEM. YOU PROMISED ME! 36 00:01:41,120 --> 00:01:43,600 OKAY, OKAY. 37 00:01:48,840 --> 00:01:50,600 [SPEAKING FRENCH] 38 00:01:50,640 --> 00:01:52,160 [PHONE RINGS] 39 00:01:54,480 --> 00:01:56,520 [RINGING] 40 00:01:56,560 --> 00:01:57,880 THIS IS JACQUES. 41 00:01:57,920 --> 00:01:59,760 JACQUES, WE'RE GOING TO A CLUB. 42 00:01:59,800 --> 00:02:00,840 THE, UM...? 43 00:02:00,880 --> 00:02:01,720 MECCA. 44 00:02:01,760 --> 00:02:03,120 MECCA. IN TOWN. 45 00:02:03,160 --> 00:02:05,080 [GIRL]: DON'T FORGET THE PARTY AFTER! 46 00:02:05,120 --> 00:02:07,840 I GAVE THEM THE ADDRESS WHEN I GOT HERE. 47 00:02:07,880 --> 00:02:09,920 AND THEN A PRIVATE PARTY. 48 00:02:09,960 --> 00:02:11,280 YOU HAVE THE ADDRESS. 49 00:02:11,320 --> 00:02:13,160 I'LL SEND THE ADVANCE TEAM NOW. 50 00:02:13,200 --> 00:02:16,040 GIVE US HALF AN HOUR. 51 00:02:16,080 --> 00:02:17,480 OKAY. 52 00:02:20,600 --> 00:02:21,840 [♪♪♪] 53 00:02:21,880 --> 00:02:24,480 HALF AN HOUR. 54 00:02:27,000 --> 00:02:29,960 WHATEVER WILL WE DO? 55 00:02:31,880 --> 00:02:33,920 [HORN HONKS] 56 00:02:33,960 --> 00:02:37,360 [CLUB MUSIC POUNDING] 57 00:02:37,400 --> 00:02:38,560 -CA VA? -CA VA. 58 00:02:42,560 --> 00:02:45,560 [MUSIC THUMPING] 59 00:02:45,600 --> 00:02:47,840 [♪♪♪] 60 00:02:56,000 --> 00:02:58,120 [RADIO CRACKLES]: INSPECT THE FIRST LOCATION NOW. 61 00:02:58,160 --> 00:03:00,520 IT'S DARK, CROWDED AND IMPOSSIBLE TO CONTROL. 62 00:03:00,560 --> 00:03:02,680 MAXIM'S GOING TO LOVE IT HERE. 63 00:03:02,720 --> 00:03:05,560 NO COMMENTS, JUST DO THE JOB. 64 00:03:05,600 --> 00:03:06,600 [CRACKLES] 65 00:03:06,640 --> 00:03:08,640 [MUSIC THUMPING] 66 00:03:08,680 --> 00:03:11,040 [♪♪♪] 67 00:03:22,080 --> 00:03:23,880 [♪♪♪] 68 00:03:29,040 --> 00:03:31,800 GET HIM STRAIGHT TO THE V.I.P. AREA. 69 00:03:31,840 --> 00:03:34,280 IT'S A MUCH SAFER ENVIRONMENT. 70 00:03:34,320 --> 00:03:36,040 CHECK OUT THE SECOND VENUE. 71 00:03:36,080 --> 00:03:37,320 I'LL GET THE PACKAGE ROLLING. 72 00:03:38,840 --> 00:03:41,680 [MUSIC FILTERING OUT] 73 00:03:46,320 --> 00:03:49,320 HEAD TO THE PRIVATE PARTY VENUE. 74 00:03:52,440 --> 00:03:55,040 [TRUCK RUMBLING PAST] 75 00:04:01,200 --> 00:04:03,880 [♪♪♪] 76 00:04:17,160 --> 00:04:20,200 [POURING BEVERAGES, STEREO BLASTING MUSIC] 77 00:04:27,000 --> 00:04:28,400 YOU DO WANT TO HAVE FUN. 78 00:04:28,440 --> 00:04:31,120 YOU DESERVE TONIGHT, BABY. 79 00:04:32,120 --> 00:04:34,880 [♪♪♪] 80 00:04:34,920 --> 00:04:36,960 [KNOCKING] 81 00:04:37,000 --> 00:04:39,680 WE CAN GO TO THE CLUB NOW. 82 00:04:41,360 --> 00:04:42,960 PARTY TIME. 83 00:04:43,000 --> 00:04:44,680 [CLINK] 84 00:04:46,160 --> 00:04:48,760 [♪♪♪] 85 00:04:48,800 --> 00:04:50,160 IT'S RIGHT. 86 00:04:53,040 --> 00:04:55,720 SEEMS LIKE A STRANGE PLACE FOR A PARTY. 87 00:05:00,480 --> 00:05:02,280 THERE'S NO ONE HERE. 88 00:05:04,200 --> 00:05:06,800 THIS IS THE ADDRESS SHE GAVE ME. 89 00:05:06,840 --> 00:05:09,480 OKAY, SO WHERE IS THE PARTY? 90 00:05:09,520 --> 00:05:12,160 [ENGINE SHUTS OFF, BRAKE ENGAGES] 91 00:05:13,120 --> 00:05:15,040 JACQUES? 92 00:05:15,080 --> 00:05:17,320 I MIGHT HAVE A BAD ADDRESS ON THE PARTY. 93 00:05:17,360 --> 00:05:19,440 [RADIO CRACKLING] ADVANCE ONE? 94 00:05:19,480 --> 00:05:23,000 ADVANCE ONE? CAN YOU HEAR ME? 95 00:05:23,040 --> 00:05:24,960 COME IN, ADVANCE ONE. 96 00:05:25,000 --> 00:05:26,800 HELLO? 97 00:05:26,840 --> 00:05:28,400 [SILENCE] 98 00:05:31,200 --> 00:05:33,440 AND NO RADIO SIGNAL. 99 00:05:33,480 --> 00:05:36,120 PERFECT. 100 00:05:41,120 --> 00:05:42,600 [RADIO CRACKLING] 101 00:05:42,640 --> 00:05:44,560 IS SOMETHING WRONG? 102 00:05:44,600 --> 00:05:46,000 I LOST THEIR SIGNAL. 103 00:05:46,040 --> 00:05:47,280 MAYBE THEY'RE HAVING 104 00:05:47,320 --> 00:05:49,440 A LITTLE BIT OF FUN FOR ONCE. 105 00:05:49,480 --> 00:05:51,360 [LAUGHING] 106 00:05:51,400 --> 00:05:54,280 ALMOST THERE. 107 00:06:06,480 --> 00:06:08,400 [CHATTER AND BUSTLE] 108 00:06:10,640 --> 00:06:12,560 [♪♪♪] 109 00:06:12,600 --> 00:06:15,440 GO AROUND THE BLOCK UNTIL THE "Z"-LIST GETS INSIDE. 110 00:06:15,480 --> 00:06:16,800 STUCK, BOSS. 111 00:06:16,840 --> 00:06:17,960 [HORN BLARES] 112 00:06:18,000 --> 00:06:20,400 LEAVE THE CAR HERE. LET'S GET INSIDE. 113 00:06:20,440 --> 00:06:22,680 [♪♪♪] 114 00:06:29,880 --> 00:06:31,800 [CROWD BUZZING] 115 00:06:42,160 --> 00:06:44,440 [CLUB MUSIC THUMPING] 116 00:06:46,040 --> 00:06:49,080 WHERE'S LAURE? WE CAN'T LEAVE HER OUT THERE. 117 00:06:49,120 --> 00:06:50,560 SHE'S BEHIND US! 118 00:06:50,600 --> 00:06:52,680 LET'S GET UPSTAIRS. 119 00:06:52,720 --> 00:06:55,720 [♪♪♪] 120 00:07:00,880 --> 00:07:03,560 [♪♪♪] 121 00:07:05,120 --> 00:07:06,440 [FIRES SHOT] 122 00:07:06,480 --> 00:07:08,240 [FIRING] 123 00:07:09,720 --> 00:07:12,160 [SHOTS BLASTING] 124 00:07:14,640 --> 00:07:17,280 [♪♪♪] 125 00:07:17,320 --> 00:07:19,200 [FIRES] 126 00:07:19,240 --> 00:07:20,160 NO! 127 00:07:21,600 --> 00:07:23,080 [SHOT FIRES] 128 00:07:26,400 --> 00:07:30,080 [♪♪♪] 129 00:07:43,120 --> 00:07:46,840 [♪♪♪] 130 00:08:23,960 --> 00:08:25,240 NO ONE'S HERE. 131 00:08:25,280 --> 00:08:26,600 SATURDAY NIGHT. 132 00:08:26,640 --> 00:08:28,760 THE JOINT MUST BE JUMPIN'. 133 00:08:28,800 --> 00:08:31,280 NAH. THEY'RE AT THE SCENE OF A MULTIPLE HOMICIDE 134 00:08:31,320 --> 00:08:33,080 AND KIDNAPPING IN CANNES. 135 00:08:33,120 --> 00:08:36,040 THE JOINT REALLY IS JUMPIN'. 136 00:08:36,080 --> 00:08:38,920 SALUT, CLAUDE. CA VA? 137 00:08:41,840 --> 00:08:44,880 OUI. COMBIEN? 138 00:08:47,480 --> 00:08:48,840 OUI, PEUT-ETRE. 139 00:08:48,880 --> 00:08:51,760 ON ARRIVE. 140 00:08:51,800 --> 00:08:53,520 THIS MIGHT ACTUALLY BE A CASE FOR US. 141 00:08:53,560 --> 00:08:54,880 WHY DO YOU SAY THAT? 142 00:08:54,920 --> 00:08:57,320 IT MIGHT MATCH ANOTHER KIDNAPPING IN FLORENCE 143 00:08:57,360 --> 00:08:58,880 A FEW MONTHS AGO. 144 00:08:58,920 --> 00:09:00,240 IT WAS IN ONE OF THE FILES MAJOR DANIEL HAD ME PROCESS. 145 00:09:00,280 --> 00:09:01,560 YOU'RE SURE? 146 00:09:01,600 --> 00:09:03,120 I TOLD YOU. I HAVE A MEMORY THING. 147 00:09:03,160 --> 00:09:05,840 OKAY. LET'S CHECK IT OUT WITH SEBASTIAN. 148 00:09:08,520 --> 00:09:11,240 [♪♪♪] 149 00:09:30,240 --> 00:09:31,960 DAMMIT! 150 00:09:32,000 --> 00:09:33,520 [SIGHS HEAVILY] 151 00:09:37,960 --> 00:09:40,800 [TELEPHONE RINGS] 152 00:09:44,200 --> 00:09:45,320 ANNE-MARIE? 153 00:09:45,360 --> 00:09:47,080 YEAH, SEBASTIAN? SORRY TO DISTURB YOU 154 00:09:47,120 --> 00:09:49,080 ON A SATURDAY. 155 00:09:49,120 --> 00:09:51,320 IT'S ALL RIGHT. I'M STILL AT THE OFFICE. 156 00:09:51,360 --> 00:09:52,720 I HAD SOME WORK TO CATCH UP ON. 157 00:09:52,760 --> 00:09:53,960 SOME PROGRAMMING. 158 00:09:54,000 --> 00:09:55,760 WHAT CAN I DO FOR YOU? 159 00:09:55,800 --> 00:09:57,680 CAN YOU ACCESS 160 00:09:57,720 --> 00:10:00,120 FLORENTINE CRIME DATABASES OVER THE LAST SIX MONTHS? 161 00:10:00,160 --> 00:10:02,680 YEAH. HOLD ON. 162 00:10:09,720 --> 00:10:11,120 WHAT ARE YOU LOOKING FOR? 163 00:10:11,160 --> 00:10:12,640 THERE'S BEEN A KIDNAPPING IN CANNES. 164 00:10:12,680 --> 00:10:14,240 IT SOUNDS LIKE ONE IN FLORENCE. 165 00:10:14,280 --> 00:10:16,840 YES. THERE'RE... TWO, 166 00:10:16,880 --> 00:10:18,640 ONE PARENTAL ABDUCTION, 167 00:10:18,680 --> 00:10:21,240 ONE KIDNAPPING FOR RANSOM FROM A PUBLIC SPACE 168 00:10:21,280 --> 00:10:22,600 WHERE THE VICTIM'S SECURITY TEAM 169 00:10:22,640 --> 00:10:24,160 WAS OVERPOWERED AND-- 170 00:10:24,200 --> 00:10:26,320 [ANNE-MARIE]: ...AND MURDERED. VERY SIMILAR. 171 00:10:26,360 --> 00:10:28,280 YES. VERY. 172 00:10:28,320 --> 00:10:29,360 UH, NO, I WAS TALKING TO HICKMAN. 173 00:10:29,400 --> 00:10:31,000 YOU'RE WITH HICKMAN? 174 00:10:31,040 --> 00:10:33,960 YEAH. UH, CAN YOU CALL MAJOR DANIEL 175 00:10:34,000 --> 00:10:35,840 AND TELL HIM WE'RE CLOSE TO THE SCENE? 176 00:10:35,880 --> 00:10:37,280 WE'LL SEE WHAT WE CAN FIND OUT. 177 00:10:37,320 --> 00:10:39,000 IF HE DOESN'T THINK THE CASE IS FOR US, 178 00:10:39,040 --> 00:10:40,640 THEN WE CAN ALWAYS PULL BACK. 179 00:10:40,680 --> 00:10:42,360 -RIGHT. -THANKS. 180 00:10:42,400 --> 00:10:44,560 [CLICK] 181 00:10:44,600 --> 00:10:47,480 SHE'S WITH HICKMAN... 182 00:10:47,520 --> 00:10:49,120 IN CANNES? 183 00:10:49,160 --> 00:10:51,560 [♪♪♪] 184 00:10:54,280 --> 00:10:58,240 DINNER WAS LOVELY. THANK YOU. 185 00:10:58,280 --> 00:11:00,240 [♪♪♪] 186 00:11:00,280 --> 00:11:01,640 I'M GOING TO CLEAN UP. 187 00:11:01,680 --> 00:11:04,280 NO, I CAN DO IT. 188 00:11:05,280 --> 00:11:07,760 THEN WE CAN DO IT TOGETHER. 189 00:11:28,160 --> 00:11:29,760 [GASPS SUDDENLY AND BANGS INTO THE CHAIR] 190 00:11:33,200 --> 00:11:35,120 NO. 191 00:11:35,160 --> 00:11:37,760 IT'S ALL RIGHT. IT'S ALL RIGHT. 192 00:11:37,800 --> 00:11:40,160 NO. 193 00:11:40,200 --> 00:11:42,280 IT'S NOT ALL RIGHT. 194 00:11:47,040 --> 00:11:48,280 IT'LL NEVER BE ALL RIGHT. 195 00:11:48,320 --> 00:11:50,440 [♪♪♪] 196 00:11:55,880 --> 00:11:58,520 [DOOR CLOSES] 197 00:12:06,280 --> 00:12:09,320 [CELL RINGS] 198 00:12:10,880 --> 00:12:12,440 SEBASTIAN. 199 00:12:12,480 --> 00:12:13,920 NO. NO, NO. 200 00:12:13,960 --> 00:12:15,680 NO, I WAS... 201 00:12:15,720 --> 00:12:18,000 WHAT CAN I DO FOR YOU? 202 00:12:18,040 --> 00:12:20,040 [BLOWS LANDING] 203 00:12:20,080 --> 00:12:22,320 [♪♪♪] 204 00:12:33,760 --> 00:12:35,800 [CELL RINGING] 205 00:12:35,840 --> 00:12:37,360 EXCUSE ME. 206 00:12:39,680 --> 00:12:41,560 [SIGHS] 207 00:12:41,600 --> 00:12:44,320 [PANTING] SERGEANT VITTORIA. 208 00:12:44,360 --> 00:12:47,680 [BOISTEROUS CHATTER OVER BACKGROUND MUSIC] 209 00:12:52,240 --> 00:12:53,200 THERE. 210 00:12:53,240 --> 00:12:54,960 GET THAT INTO YOU. 211 00:12:55,000 --> 00:12:56,960 [CELL BEGINS RINGING] 212 00:12:59,640 --> 00:13:02,320 WHY DOES THE LORD HATE ME? 213 00:13:02,360 --> 00:13:03,760 [RINGING] 214 00:13:03,800 --> 00:13:06,880 [ONLOOKERS MURMURING] 215 00:13:10,840 --> 00:13:12,160 DETECTIVE HICKMAN? 216 00:13:19,200 --> 00:13:20,800 CAPTAIN CLAUDE GEROUX. 217 00:13:20,840 --> 00:13:21,880 NICE TO MEET YOU. 218 00:13:21,920 --> 00:13:22,880 IT'S A PLEASURE TO MEET YOU, SIR. 219 00:13:22,920 --> 00:13:24,080 I'VE HEARD A LOT ABOUT YOU. 220 00:13:24,120 --> 00:13:25,960 I WISH IT WERE UNDER BETTER CIRCUMSTANCES. 221 00:13:26,000 --> 00:13:28,120 PERHAPS ANOTHER TIME, WE CAN GET A CHANCE TO TALK. 222 00:13:28,160 --> 00:13:30,600 I'D VERY MUCH LIKE THAT. 223 00:13:30,640 --> 00:13:32,520 EXCUSE ME. 224 00:13:36,840 --> 00:13:38,720 HOW WAS THE REUNION? 225 00:13:38,760 --> 00:13:41,240 THEY'RE OVERWHELMED. 226 00:13:41,280 --> 00:13:42,840 ANYBODY WOULD BE. CAN I SEE YOUR PHONE? 227 00:13:42,880 --> 00:13:45,320 [RUMMAGES IN BAG] 228 00:13:46,560 --> 00:13:49,000 [♪♪♪] 229 00:13:52,280 --> 00:13:54,000 [SHUTTER SNAPS] 230 00:13:54,040 --> 00:13:57,520 GET THIS PHOTO OF THAT CASING TO SEBASTIAN TO ANALYZE. 231 00:13:57,560 --> 00:13:58,880 MM-HMM. 232 00:13:58,920 --> 00:14:00,880 THEY'RE ALL DOUBLE-TAPPED. 233 00:14:01,760 --> 00:14:03,760 ONE SHOT CENTRE-MASS, ONE IN THE HEAD. 234 00:14:03,800 --> 00:14:05,400 EXTREMELY BRAZEN. 235 00:14:05,440 --> 00:14:06,880 THE CLUB WAS PACKED. 236 00:14:06,920 --> 00:14:08,600 THEY DIDN'T WORRY ABOUT WITNESSES DESCRIBING THEM. 237 00:14:08,640 --> 00:14:11,560 WELL, IF SOMETHING IS FAST AND BRUTAL, 238 00:14:11,600 --> 00:14:12,960 NOBODY REMEMBERS ANY DETAILS. 239 00:14:13,000 --> 00:14:15,080 IT'S HOW THE MOB WORKS IN NEW YORK. 240 00:14:15,120 --> 00:14:18,280 THESE KILLS WERE DEFINITELY PROFESSIONAL. 241 00:14:18,320 --> 00:14:19,720 [TIRES SQUEALING] 242 00:14:21,960 --> 00:14:24,960 [♪♪♪] 243 00:14:38,200 --> 00:14:41,080 [TIRES SQUEALING] 244 00:14:44,840 --> 00:14:46,600 ONE MORE PINT, AND I WAS HOME-FREE 245 00:14:46,640 --> 00:14:48,920 WITH THE MOST BEAUTIFUL BIRD I'VE SEEN 246 00:14:48,960 --> 00:14:50,000 SINCE I LEFT DUBLIN. 247 00:14:50,040 --> 00:14:51,120 I DIDN'T KNOW YOU HAD A GIRLFRIEND. 248 00:14:51,160 --> 00:14:52,960 THERE'S A LOT YOU DON'T KNOW ABOUT ME. 249 00:14:53,000 --> 00:14:54,080 REALLY? 250 00:14:54,120 --> 00:14:55,880 WHERE WERE YOU ON A SATURDAY NIGHT? 251 00:14:55,920 --> 00:14:59,000 THERE'S A LOT YOU DON'T KNOW ABOUT ME, EITHER. 252 00:14:59,040 --> 00:15:00,840 IN THE GYM. 253 00:15:00,880 --> 00:15:03,120 DEDICATION. THAT'S HOT. 254 00:15:03,160 --> 00:15:04,960 [SEBASTIAN]: 7.62, LEAD ORE. 255 00:15:05,000 --> 00:15:07,480 IT'S RUSSIAN, BUT MANUFACTURED IN BULGARIA. 256 00:15:07,520 --> 00:15:08,480 FAIRLY RARE. 257 00:15:08,520 --> 00:15:09,600 RUSSIAN? 258 00:15:09,640 --> 00:15:10,920 WHAT'S THE CASE? 259 00:15:10,960 --> 00:15:12,560 KIDNAPPING IN CANNES. 260 00:15:12,600 --> 00:15:14,200 THE VICTIM'S CALLED MAXIM MARIANSKI. 261 00:15:14,240 --> 00:15:15,720 HIS FATHER'S A RUSSIAN BILLIONAIRE. 262 00:15:15,760 --> 00:15:18,280 DOUBLE-TAP KILLS ARE A MILITARY TACTIC. 263 00:15:18,320 --> 00:15:20,800 A LOT OF RUSSIAN MILITARY WENT BAD, 264 00:15:20,840 --> 00:15:22,720 AND THEY DON'T LIKE THE NEW RICH. 265 00:15:22,760 --> 00:15:24,280 THERE COULD BE A CONNECTION THERE. 266 00:15:24,320 --> 00:15:26,640 IS THAT ENOUGH TO MAKE IT CROSS-BORDER? 267 00:15:26,680 --> 00:15:27,840 TO ASK FOR THE CASE? 268 00:15:27,880 --> 00:15:29,400 THE CRIME ITSELF IS ONLY WITHIN FRANCE. 269 00:15:29,440 --> 00:15:31,320 AS FAR AS WE KNOW. 270 00:15:31,360 --> 00:15:34,320 BUT... WE HAVE A SIMILAR FLORENCE CASE. 271 00:15:34,360 --> 00:15:37,160 OH, YEAH. I REMEMBER THAT. 272 00:15:37,200 --> 00:15:40,240 RICH VICTIM, BLITZ ATTACK ON SECURITY, 273 00:15:40,280 --> 00:15:41,480 DOUBLE-TAP KILLS WITH 7. 62s... 274 00:15:41,520 --> 00:15:45,000 SURE LOOKS LIKE THE SAME TEAM DID BOTH. 275 00:15:45,040 --> 00:15:47,560 I'LL CALL DORN. 276 00:15:47,600 --> 00:15:48,880 SEBASTIAN, GET YOUR EQUIPMENT. 277 00:15:48,920 --> 00:15:50,600 WE ARE ALL GOING TO THE SOUTH OF FRANCE. 278 00:15:50,640 --> 00:15:51,960 PICK ME UP IN A CHOPPER 279 00:15:52,000 --> 00:15:54,000 AT THE HELIPORT. BYE. 280 00:15:54,040 --> 00:15:57,800 WOW... A MAN ASKING ME TO THE SOUTH OF FRANCE 281 00:15:57,840 --> 00:15:59,160 ON A SATURDAY NIGHT? 282 00:15:59,200 --> 00:16:02,120 YOU WOULD THINK THAT WOULD SOUND SEXIER. 283 00:16:02,160 --> 00:16:04,120 -GUESS WHAT? -WHAT? 284 00:16:04,160 --> 00:16:06,640 ANNE-MARIE AND HICKMAN WERE ALREADY THERE. 285 00:16:06,680 --> 00:16:08,240 TOGETHER. 286 00:16:09,680 --> 00:16:11,600 [♪♪♪] 287 00:16:14,920 --> 00:16:16,240 YEAH. OKAY. 288 00:16:16,280 --> 00:16:17,400 THE CASE IS OURS. 289 00:16:17,440 --> 00:16:19,000 [WOMAN SNAPPING]: OKAY. 290 00:16:19,040 --> 00:16:21,560 IF SOMEONE COULD TELL ME WHAT'S GOING ON HERE? 291 00:16:21,600 --> 00:16:23,120 I MEAN, WHERE IS MY SON? 292 00:16:23,160 --> 00:16:24,400 I NEED TO SPEAK TO SOMEONE THERE! 293 00:16:24,440 --> 00:16:25,360 WHAT'S GOING ON? 294 00:16:25,400 --> 00:16:27,920 THE VICTIM'S MOTHER IS HERE. 295 00:16:27,960 --> 00:16:29,080 I NEED TO SEE MY SON! 296 00:16:29,120 --> 00:16:30,160 THEY LET HER INTO THE CRIME SCENE? 297 00:16:30,200 --> 00:16:31,640 YOU'RE GONNA BE IN BIG TROUBLE! 298 00:16:31,680 --> 00:16:34,080 IN NICE, NO ONE REFUSES CAROLINE MARIANSKI ANYTHING. 299 00:16:34,120 --> 00:16:36,560 HEY! PLEASE! DOES ANYONE KNOW WHERE MY SON IS? 300 00:16:36,600 --> 00:16:38,200 MADAME MARIANSKI? 301 00:16:38,240 --> 00:16:39,200 YES. 302 00:16:39,240 --> 00:16:40,440 -I'M CAPTAIN GEROUX. -HI. 303 00:16:40,480 --> 00:16:42,480 SHALL WE FIND SOME PRIVACY? 304 00:16:45,400 --> 00:16:46,800 [HICKMAN]: DO YOU THINK THE CAPTAIN 305 00:16:46,840 --> 00:16:49,080 WILL HAVE AN ISSUE WITH US TAKING OVER? 306 00:16:49,120 --> 00:16:50,800 TAKING OVER A HIGH-PROFILE KIDNAPPING 307 00:16:50,840 --> 00:16:53,040 WITH FOUR ALREADY DEAD, 308 00:16:53,080 --> 00:16:54,400 AND NO IDEA WHERE THE VICTIM IS? 309 00:16:54,440 --> 00:16:57,320 I THINK HE'LL BE EXTREMELY RELIEVED. 310 00:16:59,800 --> 00:17:02,000 VICTIM'S FATHER, LEV MARIANKSI, 311 00:17:02,040 --> 00:17:04,280 IS ONE OF THE RICHEST MEN IN THE WORLD. 312 00:17:04,320 --> 00:17:05,400 HE'S JUST ARRIVED. 313 00:17:05,440 --> 00:17:07,840 WHERE DOES HIS MONEY COME FROM? 314 00:17:07,880 --> 00:17:10,640 WELL, INITIALLY, BLACK MARKET, AFTER THE FALL, 315 00:17:10,680 --> 00:17:13,160 BUT HE WENT MUCH MORE MAINSTREAM IN THE LAST DECADE. 316 00:17:13,200 --> 00:17:15,680 HE HAS TECH COMPANIES, FINANCIAL COMPANIES, 317 00:17:15,720 --> 00:17:17,320 A STRING OF HIGH-END STORES, 318 00:17:17,360 --> 00:17:19,160 EVEN OWNS A FOOTBALL TEAM IN ITALY. 319 00:17:19,200 --> 00:17:22,240 A TEAM THAT NEVER COVERS THE POINT SPREAD, BY THE WAY. 320 00:17:22,280 --> 00:17:24,240 [HICKMAN]: SOCCER HAS A SPREAD? 321 00:17:24,280 --> 00:17:25,720 IT'S CALLED "FOOTBALL". 322 00:17:25,760 --> 00:17:26,960 [HICKMAN]: WHATEVER IT'S CALLED, 323 00:17:27,000 --> 00:17:28,120 HOW DO YOU FIGURE A POINT SPREAD IN A GAME 324 00:17:28,160 --> 00:17:29,720 WHERE NOBODY EVER SCORES ANY POINTS? 325 00:17:29,760 --> 00:17:32,480 WELL, SOMEONE SCORES, OR I WOULDN'T HAVE SO MA-- 326 00:17:32,520 --> 00:17:34,800 ANYWAY. WE ARE 15 MINUTES OUT. 327 00:17:36,200 --> 00:17:38,880 [♪♪♪] 328 00:17:42,680 --> 00:17:44,280 THANK YOU. 329 00:17:44,320 --> 00:17:45,880 MADAME MARIANSKI-- 330 00:17:45,920 --> 00:17:47,000 IT'S PELLETIER. 331 00:17:47,760 --> 00:17:49,480 WE DIVORCED THREE YEARS AGO 332 00:17:49,520 --> 00:17:53,760 AND I TOOK BACK MY MAIDEN NAME THE MOMENT I LEGALLY COULD. 333 00:17:53,800 --> 00:17:54,880 WHO ARE YOU PEOPLE AGAIN? 334 00:17:54,920 --> 00:17:55,920 WE WORK OUT OF 335 00:17:55,960 --> 00:17:57,760 THE INTERNATIONAL CRIMINAL COURT. 336 00:17:57,800 --> 00:17:58,920 [MRS. MARIANSKI]: HANDLING KIDNAPPINGS? 337 00:17:58,960 --> 00:18:01,320 WELL, HANDLING CROSS-BORDER CRIMES. 338 00:18:01,360 --> 00:18:02,720 I DON'T UNDERSTAND. 339 00:18:02,760 --> 00:18:04,440 THEY TOOK HIM ACROSS A BORDER? 340 00:18:04,480 --> 00:18:05,760 NO, MADAME. 341 00:18:05,800 --> 00:18:08,240 THERE WAS A SIMILAR KIDNAPPING IN FLORENCE, 342 00:18:08,280 --> 00:18:09,560 SEVERAL MONTHS AGO. 343 00:18:09,600 --> 00:18:11,600 SO THIS IS A PROFESSIONAL GROUP? 344 00:18:11,640 --> 00:18:12,640 THE KIDNAPPERS? 345 00:18:12,680 --> 00:18:13,960 IT APPEARS SO. 346 00:18:14,000 --> 00:18:16,720 ALL KIDNAPPINGS ARE PROFESSIONAL, AREN'T THEY? 347 00:18:16,760 --> 00:18:18,160 UNLESS THE PARENTS DO IT. 348 00:18:18,200 --> 00:18:20,080 LOOK. 349 00:18:20,120 --> 00:18:23,320 IF YOU WANT TO INVESTIGATE ME, INVESTIGATE ME. 350 00:18:23,360 --> 00:18:25,840 UNTIL THEN, WHAT ARE YOU DOING TO FIND MY SON? 351 00:18:25,880 --> 00:18:27,640 SIR, LOOK AROUND YOU. 352 00:18:27,680 --> 00:18:28,920 ALMOST EVERY OFFICER IN THE REGION IS HERE. 353 00:18:28,960 --> 00:18:31,240 STANDING AROUND, DOING NOTHING. 354 00:18:31,280 --> 00:18:32,640 IN A RANSOM KIDNAPPING, 355 00:18:32,680 --> 00:18:34,560 YOU GENERALLY NEED TO WAIT FOR FURTHER CONTACT. 356 00:18:34,600 --> 00:18:36,360 HOW LONG WILL THAT TAKE? 357 00:18:36,400 --> 00:18:39,440 YOU HAVE SOMEWHERE MORE IMPORTANT TO BE? 358 00:18:41,040 --> 00:18:43,600 YOU'VE CHECKED YOUR WATCH TWICE SINCE YOU GOT HERE. 359 00:18:43,640 --> 00:18:45,680 NO. I HAVE NOWHERE TO BE. 360 00:18:45,720 --> 00:18:47,080 HOW MUCH TIME DO YOU HAVE BEFORE 361 00:18:47,120 --> 00:18:48,360 YOU NEED TO REPORT THIS TO THE INSURANCE COMPANY? 362 00:18:48,400 --> 00:18:49,760 INSURANCE? 363 00:18:49,800 --> 00:18:51,680 MR. MARIANSKI, YOU MUST INSURE YOUR VALUABLES? 364 00:18:51,720 --> 00:18:53,560 DID YOU BUY AN INSURANCE ON MAXIM? 365 00:18:53,600 --> 00:18:54,920 CAROLINE. 366 00:18:54,960 --> 00:18:56,640 USUALLY, A MAN IN YOUR EX-HUSBAND'S POSITION 367 00:18:56,680 --> 00:18:59,240 TAKES OUT AN INSURANCE POLICY, A KIDNAP POLICY, ON HIS FAMILY. 368 00:18:59,280 --> 00:19:01,240 HE PROBABLY HAS ONE ON YOU AS WELL. 369 00:19:01,280 --> 00:19:02,480 IS THAT TRUE? 370 00:19:02,520 --> 00:19:05,800 AS YOU SAY, IT WAS PRUDENT. 371 00:19:05,840 --> 00:19:06,880 BUT WE'RE NOT MARRIED ANY LONGER. 372 00:19:06,920 --> 00:19:09,280 YOU CAN BUY INSURANCE ON ANYONE. 373 00:19:09,320 --> 00:19:11,760 YOU COLD BASTARD. 374 00:19:11,800 --> 00:19:15,440 ACTUALLY, MADAME, KIDNAP INSURANCE 375 00:19:15,480 --> 00:19:16,760 PROVIDES CERTAINTY 376 00:19:16,800 --> 00:19:18,440 THAT, IF SOMETHING LIKE THIS SHOULD HAPPEN, 377 00:19:18,480 --> 00:19:20,920 THE RANSOM MONEY WOULD BE READILY AVAILABLE. 378 00:19:20,960 --> 00:19:23,440 [HICKMAN]: IT ALSO TENDS TO KEEP NEGOTIATIONS TO A MINIMUM. 379 00:19:23,480 --> 00:19:25,080 MAKES IT MORE OF A BUSINESS TRANSACTION. 380 00:19:25,120 --> 00:19:28,160 YOU PROBABLY HAVE A MILLION REASONS TO HATE YOUR EX-HUSBAND, 381 00:19:28,200 --> 00:19:30,360 BUT THIS SHOULDN'T BE ONE OF 'EM. 382 00:19:30,400 --> 00:19:32,120 MAY I HAVE A MOMENT WITH YOU, PLEASE? 383 00:19:39,160 --> 00:19:41,680 "MILLIONS OF REASONS TO HATE" ME? 384 00:19:41,720 --> 00:19:43,200 THREE YEARS AFTER A DIVORCE, 385 00:19:43,240 --> 00:19:44,480 A RICH EX-WIFE SHOULD HAVE 386 00:19:44,520 --> 00:19:46,480 A STRING OF YOUNG GUYS HELPING HER FORGET, 387 00:19:46,520 --> 00:19:47,600 BUT SHE'S STILL REALLY PISSED AT YOU. 388 00:19:47,640 --> 00:19:49,560 THAT KIND OF ANGER IS EARNED. 389 00:19:49,600 --> 00:19:52,000 RIGHT NOW, I'M MORE CONCERNED ABOUT THE CHIP. 390 00:19:52,040 --> 00:19:53,880 CHIP? 391 00:19:53,920 --> 00:19:56,000 YOUR SON HAS A TRACER CHIP IN HIM, RIGHT? 392 00:19:56,040 --> 00:19:57,000 I WOULDN'T-- 393 00:19:57,040 --> 00:19:58,200 THINGS ARE GONNA GO 394 00:19:58,240 --> 00:20:00,400 SO MUCH EASIER IF YOU DON'T LIE TO ME. 395 00:20:01,360 --> 00:20:03,320 [♪♪♪] 396 00:20:03,360 --> 00:20:05,680 [SIGHS RELUCTANTLY] 397 00:20:05,720 --> 00:20:09,000 YOU'RE WEARING A $23,000 WATCH. 398 00:20:09,040 --> 00:20:10,480 SO? 399 00:20:10,520 --> 00:20:12,600 IT'S A FAKE. THE SUB-DIAL IS ALL WRONG. 400 00:20:12,640 --> 00:20:14,480 THE INNER WALL SHOULD BE GOLD, NOT WHITE. 401 00:20:14,520 --> 00:20:15,840 IT'S TOO THICK BY HALF. 402 00:20:15,880 --> 00:20:17,360 BUT IT'S A GOOD FAKE, IT'S A PROFESSIONAL FAKE, 403 00:20:17,400 --> 00:20:18,520 AND THEY DON'T COME CHEAP EITHER, 404 00:20:18,560 --> 00:20:20,000 WHICH SUGGESTS 405 00:20:20,040 --> 00:20:22,680 THAT YOU... YOU'D LIKE TO LOOK GOOD, 406 00:20:22,720 --> 00:20:24,680 BUT YOU'RE NOT ABOVE SAVING A BUCK. 407 00:20:24,720 --> 00:20:26,400 KIDNAP INSURANCE GIVES A DISCOUNT 408 00:20:26,440 --> 00:20:28,560 WHEN THE INSURED HAS A LOCATOR CHIP, 409 00:20:28,600 --> 00:20:30,720 AND I'M GUESSING THAT YOU WENT FOR THAT OPTION. 410 00:20:30,760 --> 00:20:32,520 [♪♪♪] 411 00:20:32,560 --> 00:20:33,680 SHE CAN'T KNOW. 412 00:20:33,720 --> 00:20:35,440 OH, SHE MOST DEFINITELY WILL KNOW, 413 00:20:35,480 --> 00:20:36,840 BUT OUR PROBLEM RIGHT NOW 414 00:20:36,880 --> 00:20:38,800 IS WHAT THE CHIP-MAKERS DON'T TELL YOU. 415 00:20:38,840 --> 00:20:40,800 HURRY IT UP, I SAID! 416 00:20:40,840 --> 00:20:42,480 CHECK HIM! NOW! 417 00:20:42,520 --> 00:20:43,840 [HICKMAN]: THESE ARE PROBABLY PROFESSIONAL KIDNAPPERS. 418 00:20:43,880 --> 00:20:45,960 KNOWING THE LEVEL OF MAXIM'S SECURITY, 419 00:20:46,000 --> 00:20:47,480 THEY'LL EXPECT A CHIP, TOO. 420 00:20:47,520 --> 00:20:48,920 THEY'LL GET RID OF 421 00:20:48,960 --> 00:20:50,920 EVERY SHRED OF CLOTHING, DOWN TO HIS SKIN. 422 00:20:50,960 --> 00:20:53,400 THEN GLASSES, JEWELLERY, PIERCINGS, PROSTHETICS-- 423 00:20:53,440 --> 00:20:55,320 ANYTHING REMOVABLE THAT COULD HIDE A DEVICE. 424 00:20:55,360 --> 00:20:57,400 FINALLY, WHEN HE'S COMPLETELY STRIPPED, 425 00:20:57,440 --> 00:20:59,560 THEY'LL SCAN HIM TO CHECK FOR ANY ELECTRONICS. 426 00:20:59,600 --> 00:21:01,040 AND THEY'RE GOING TO FIND IT. 427 00:21:01,080 --> 00:21:02,480 QUESTION IS-- 428 00:21:02,520 --> 00:21:04,200 IS THE TRACKING DEVICE SOMETHING THAT HE CARRIES, 429 00:21:04,240 --> 00:21:06,200 OR DID YOU HAVE IT IMPLANTED INSIDE HIM? 430 00:21:06,240 --> 00:21:08,880 [♪♪♪] 431 00:21:12,560 --> 00:21:14,360 YOU PUT A TRACKING DEVICE INSIDE HIM? 432 00:21:14,400 --> 00:21:16,360 FOR HIS OWN PROTECTION. 433 00:21:16,400 --> 00:21:17,440 WHEN DID YOU DO THIS? 434 00:21:17,480 --> 00:21:19,120 WHEN HE VISITED ME IN MINSK. 435 00:21:19,160 --> 00:21:20,960 A RUSSIAN DOCTOR CUT OPEN OUR SON? 436 00:21:21,000 --> 00:21:23,200 IT WAS PROBABLY MORE LIKE AN INJECTION. 437 00:21:23,240 --> 00:21:25,280 WHAT KIND OF MONSTER DOES THAT? 438 00:21:25,320 --> 00:21:26,800 I'M A MONSTER FOR WANTING HIM SAFE? 439 00:21:26,840 --> 00:21:29,000 THEY ONLY THING YOU WANTED IS TO SAVE MONEY! 440 00:21:29,040 --> 00:21:30,400 YOU MEAN LIKE HIRING 441 00:21:30,440 --> 00:21:33,320 THOSE USELESS FRENCH SECURITY MEN? 442 00:21:33,360 --> 00:21:34,720 BETTER THAN THE GORILLAS YOU USE. 443 00:21:34,760 --> 00:21:36,200 I CAN SEE HOW MUCH BETTER YOUR PEOPLE ARE. 444 00:21:36,240 --> 00:21:38,400 WHILE WATCHING YOU TWO HAS BEEN THOROUGHLY ENJOYABLE, 445 00:21:38,440 --> 00:21:40,200 WHY DON'T WE START FOCUSING ON YOUR SON? 446 00:21:40,240 --> 00:21:42,720 WHAT WILL THEY DO IF THEY FIND IT, THE TRACKING DEVICE? 447 00:21:42,760 --> 00:21:45,960 I DON'T KNOW. IT'S HARD TO TELL AT THIS POINT. 448 00:21:46,000 --> 00:21:47,880 -WELL, TELL ME THE TRUTH! -THE TRUTH ABOUT WHAT? 449 00:21:50,560 --> 00:21:52,600 WE HAVE FOUR DEAD ON THE FIRST FLOOR. 450 00:21:52,640 --> 00:21:54,000 DO YOU MIND CHECKING IT OUT? 451 00:21:54,040 --> 00:21:55,440 YEAH, SURE. 452 00:21:55,480 --> 00:21:56,800 THE VICTIM HAS A TRACER IMPLANT. 453 00:21:56,840 --> 00:21:59,000 -DO WE KNOW THE TAG I.D.? -I HAVE IT. 454 00:22:01,080 --> 00:22:03,320 JUST GIVE ME A SECOND TO SET UP. 455 00:22:03,360 --> 00:22:05,880 [♪♪♪] 456 00:22:07,160 --> 00:22:10,160 THESE WANKERS ARE EFFICIENT. 457 00:22:11,200 --> 00:22:14,280 FOUR DEAD, EIGHT SHOTS. 458 00:22:14,320 --> 00:22:15,520 CLEAN... 459 00:22:15,560 --> 00:22:16,560 COLD. 460 00:22:16,600 --> 00:22:17,640 BODYGUARD. 461 00:22:17,680 --> 00:22:18,480 [SHOT FIRES] 462 00:22:18,520 --> 00:22:19,480 BOUNCER. 463 00:22:19,520 --> 00:22:20,440 [FIRING] 464 00:22:20,480 --> 00:22:21,680 BODYGUARD. 465 00:22:21,720 --> 00:22:22,960 [SHOT ECHOES] 466 00:22:23,000 --> 00:22:24,760 WHO'S THE GIRL? 467 00:22:24,800 --> 00:22:26,080 [FIRES] 468 00:22:26,120 --> 00:22:27,920 WHO "WAS" THE GIRL? 469 00:22:32,360 --> 00:22:34,320 SHE LOOKS LIKE A CIVILIAN. 470 00:22:34,360 --> 00:22:38,080 MAYBE SHE WAS WITH THE TARGET. 471 00:22:38,120 --> 00:22:40,600 [♪♪♪] 472 00:22:40,640 --> 00:22:42,680 [MAXIM WAILS]: WHY DID YOU KILL HER? 473 00:22:42,720 --> 00:22:44,440 SHUT UP. 474 00:22:46,760 --> 00:22:49,440 [♪♪♪] 475 00:22:53,760 --> 00:22:56,240 DO YOU KNOW WHO THAT GIRL WAS, 476 00:22:56,280 --> 00:22:57,280 THE ONE THEY SHOT? 477 00:22:57,320 --> 00:22:58,320 SHE WAS CALLED LAURE. 478 00:22:58,360 --> 00:23:00,120 MAXIM'S GIRLFRIEND. 479 00:23:00,160 --> 00:23:02,120 HOW LONG HAD THEY BEEN TOGETHER? 480 00:23:02,160 --> 00:23:03,400 SIX MONTHS. 481 00:23:03,440 --> 00:23:04,480 SHE WAS A GOLD-DIGGER FROM THE BANLIEUE. 482 00:23:04,520 --> 00:23:06,080 HOW DO YOU KNOW THAT? 483 00:23:06,120 --> 00:23:08,040 SHE HATES ALL HIS GIRLFRIENDS, SINCE HE WAS 10 YEARS OLD. 484 00:23:08,080 --> 00:23:12,120 WHY ELSE WOULD A 28-YEAR-OLD BE DATING A TEENAGER? 485 00:23:12,160 --> 00:23:14,000 HE'LL BE 20 NEXT WEEK AND HE'S IN LOVE WITH HER. 486 00:23:14,040 --> 00:23:16,000 OH, STOP. AT THAT AGE, 487 00:23:16,040 --> 00:23:18,040 BOYS ARE IN LOVE WITH EVERY GIRL. 488 00:23:18,080 --> 00:23:20,800 YOU'RE ALWAYS SO DISMISSIVE OF HIM AND HIS FRIENDS. 489 00:23:20,840 --> 00:23:23,720 I HAVE IT... THE TRACKING DEVICE. 490 00:23:23,760 --> 00:23:25,320 IS IT MOVING? 491 00:23:25,360 --> 00:23:27,560 -DOESN'T SEEM TO BE. -CAN YOU GET A LOCATION? 492 00:23:27,600 --> 00:23:29,240 YEP. IT'S AT... 493 00:23:29,280 --> 00:23:32,040 [SIGHS] ...AVENUE BEAUREGARD IN CANNES. 494 00:23:32,080 --> 00:23:33,040 ARE YOU SURE? 495 00:23:33,080 --> 00:23:34,480 WHAT DOES THAT MEAN TO YOU? 496 00:23:34,520 --> 00:23:36,280 IT'S OUR-- 497 00:23:36,320 --> 00:23:37,520 HER ADDRESS. 498 00:23:37,560 --> 00:23:39,840 THE FAMILY VILLA. 499 00:23:39,880 --> 00:23:41,360 HE'S AT HOME? 500 00:23:41,400 --> 00:23:43,720 [♪♪♪] 501 00:23:52,520 --> 00:23:53,680 DON'T TOUCH THAT. 502 00:23:53,720 --> 00:23:55,480 PLEASE. 503 00:23:55,520 --> 00:23:57,920 [♪♪♪] 504 00:24:08,120 --> 00:24:09,960 "WE WILL CONTACT YOU SOON." 505 00:24:10,000 --> 00:24:11,800 [♪♪♪] 506 00:24:11,840 --> 00:24:13,040 WHAT IS THAT? 507 00:24:14,720 --> 00:24:16,560 IT'S A MICROCHIP. 508 00:24:20,520 --> 00:24:23,360 [♪♪♪] 509 00:24:37,280 --> 00:24:39,680 SO, THIS IS THEIR HOUSE? 510 00:24:39,720 --> 00:24:41,840 EVERYONE I KNOW COULD LIVE ON THEIR LAWN... 511 00:24:41,880 --> 00:24:43,200 AND PROBABLY WOULD. 512 00:24:43,240 --> 00:24:45,560 IS THERE ANY INDICATION OF TIME ON THE NOTE? 513 00:24:45,600 --> 00:24:46,800 ONLY "SOON." 514 00:24:46,840 --> 00:24:48,960 WHERE WAS THE DEVICE IMPLANTED IN HIM? 515 00:24:49,000 --> 00:24:50,200 BACK OF THE HAND. 516 00:24:50,240 --> 00:24:51,760 PROBABLY NOT A CRITICAL INJURY. 517 00:24:51,800 --> 00:24:53,280 [HICKMAN]: HAND AIN'T NO PICNIC. 518 00:24:53,320 --> 00:24:55,680 -WELL-- OH, I DIDN'T MEAN-- -I'M JUST BUSTING BALLS. 519 00:24:57,840 --> 00:25:00,240 MESSING AROUND. 520 00:25:00,280 --> 00:25:01,560 SO, SEBASTIAN, SET UP IN THE HOUSE 521 00:25:01,600 --> 00:25:03,160 TO TRAP AND TRACE ANY RANSOM CALL. 522 00:25:03,200 --> 00:25:04,800 I'LL ALSO CAPTURE THE DATA LINES, 523 00:25:04,840 --> 00:25:05,960 IN CASE THEY REACH OUT DIGITALLY. 524 00:25:06,000 --> 00:25:07,240 GOOD. 525 00:25:07,280 --> 00:25:09,640 POKE AROUND THE FAMILY FINANCIAL RECORDS. 526 00:25:09,680 --> 00:25:11,560 WE MAY NEED THEM. 527 00:25:11,600 --> 00:25:12,960 WOULDN'T THAT BE ILLEGAL? 528 00:25:13,000 --> 00:25:15,280 WE'RE NOT TRYING TO PROSECUTE HIM FOR ANYTHING. 529 00:25:15,320 --> 00:25:16,640 NOT YET. 530 00:25:17,720 --> 00:25:19,080 WHAT DO YOU NEED FROM ME? 531 00:25:19,120 --> 00:25:20,560 THERE WAS AN ADVANCE GUARD, 532 00:25:20,600 --> 00:25:21,600 WHO WAS NOT PRESENT 533 00:25:21,640 --> 00:25:22,880 WHEN THE KIDNAPPING TOOK PLACE. 534 00:25:22,920 --> 00:25:25,000 MAYBE IT WAS AN INSIDE JOB. 535 00:25:25,040 --> 00:25:26,000 RIGHT. 536 00:25:26,040 --> 00:25:29,720 EVA, I NEED YOU IN FLORENCE. 537 00:25:29,760 --> 00:25:32,120 MAYBE THERE'S SOMETHING FROM THE OTHER KIDNAPPING 538 00:25:32,160 --> 00:25:33,240 THAT CAN HELP US HERE. 539 00:25:33,280 --> 00:25:35,320 OKAY. 540 00:25:35,360 --> 00:25:37,440 ANNE-MARIE... 541 00:25:37,480 --> 00:25:39,280 THIS IS OUR BASE OF OPERATIONS. 542 00:25:39,320 --> 00:25:40,600 LIAISE WITH THE PARENTS. 543 00:25:40,640 --> 00:25:41,840 [AGHAST]: EXCUSE ME, SIR? 544 00:25:41,880 --> 00:25:44,320 EXPLAIN THAT, NOW, IT'S A WAITING GAME. 545 00:25:44,360 --> 00:25:46,200 WE WAIT FOR THE KIDNAPPERS TO CONTACT US, 546 00:25:46,240 --> 00:25:48,760 THEN GET THE INSURANCE COMPANY INVOLVED. 547 00:25:48,800 --> 00:25:50,080 YEAH. UH... 548 00:25:50,120 --> 00:25:51,640 SIR, I'M REALLY SORRY, BUT-- [FORCED LAUGH] 549 00:25:51,680 --> 00:25:53,760 ...ALMOST ANYONE ELSE IS BETTER-SUITED THAN ME-- 550 00:25:53,800 --> 00:25:55,360 -...TO TAKE CARE OF-- -YOU CAN DO IT. 551 00:25:56,360 --> 00:25:58,400 YOU CAN. 552 00:26:00,960 --> 00:26:03,040 [MRS. MARIANSKI]: NO, I'M NOT LISTENING TO YOU ANYMORE! 553 00:26:03,080 --> 00:26:05,080 THIS IS ALL YOUR FAULT. 554 00:26:05,120 --> 00:26:06,360 HOW IS IT MY FAULT? 555 00:26:06,400 --> 00:26:08,120 IF YOU SPENT MORE TIME THINKING OF HIM-- 556 00:26:08,160 --> 00:26:10,600 THAT IS ONE SERIOUSLY DYSFUNCTIONAL DIVORCE. 557 00:26:10,640 --> 00:26:12,440 [QUIETLY]: PLEASE, KARL... 558 00:26:12,480 --> 00:26:13,880 [SCOFFS DISMISSIVELY] 559 00:26:13,920 --> 00:26:15,560 THEIR CHILD IS IN DANGER. 560 00:26:18,200 --> 00:26:20,440 [♪♪♪] 561 00:26:57,400 --> 00:26:59,600 [♪♪♪] 562 00:27:18,360 --> 00:27:20,120 STEP, STEP, STEP. 563 00:27:24,400 --> 00:27:26,880 HEAD DOWN. 564 00:27:30,960 --> 00:27:33,760 [♪♪♪] 565 00:27:47,440 --> 00:27:49,880 [♪♪♪] 566 00:27:56,840 --> 00:27:59,320 [SHACKLES CLATTERING] 567 00:27:59,360 --> 00:28:01,960 [♪♪♪] 568 00:28:05,120 --> 00:28:06,480 [GUNSHOT ECHOING] 569 00:28:06,520 --> 00:28:08,680 [♪♪♪] 570 00:28:25,240 --> 00:28:28,080 [♪♪♪] 571 00:28:47,880 --> 00:28:49,440 MADAME PELLETIER? 572 00:28:49,480 --> 00:28:51,160 IS THERE NEWS? 573 00:28:51,200 --> 00:28:52,480 NO, NO, NO. UM... 574 00:28:52,520 --> 00:28:54,280 I... [TAKES A BREATH] 575 00:28:54,320 --> 00:28:56,520 I'M VERY SORRY 576 00:28:56,560 --> 00:28:58,920 THAT THIS IS HAPPENING TO YOU, MADAME. 577 00:29:01,240 --> 00:29:02,800 WOULD YOU CARE FOR SOME TEA? 578 00:29:02,840 --> 00:29:05,000 I-- I CAN DO THAT! 579 00:29:05,040 --> 00:29:06,200 I'LL DO THAT. 580 00:29:08,840 --> 00:29:11,360 [♪♪♪] 581 00:29:14,320 --> 00:29:16,240 [EXHALES] NOW... LET'S SEE WHAT YOU'VE BEEN UP TO, 582 00:29:16,280 --> 00:29:18,240 MR. MARIANSKI. 583 00:29:18,280 --> 00:29:19,640 [PUNCHES A KEY] 584 00:29:19,680 --> 00:29:22,440 [♪♪♪] 585 00:29:34,520 --> 00:29:36,440 [KNOCKING] 586 00:29:39,000 --> 00:29:41,040 [♪♪♪] 587 00:29:43,360 --> 00:29:45,200 [TOMMY]: I CAN HAVE A MATE WHO CAN ENHANCE ALL THIS, SO... 588 00:29:45,240 --> 00:29:47,520 MAYBE HE'LL GET SOMETHING OUT OF IT. 589 00:29:47,560 --> 00:29:50,240 I'LL COPY IT FOR YOU. 590 00:29:52,240 --> 00:29:54,200 YOU'RE... 591 00:29:54,240 --> 00:29:55,600 ALL FROM THE INTERNATIONAL CRIMINAL COURT? 592 00:29:55,640 --> 00:29:58,400 YEAH. SORT OF. 593 00:29:59,360 --> 00:30:02,280 WE, UH, SPECIALIZE IN CROSS-BORDER CRIME. 594 00:30:02,320 --> 00:30:04,600 THESE KIDNAPPERS MAY HAVE DONE ANOTHER ONE IN FLORENCE. 595 00:30:04,640 --> 00:30:07,840 PROFESSIONAL KIDNAPPERS DON'T USUALLY KILL ANYONE, DO THEY? 596 00:30:07,880 --> 00:30:09,920 NOT UNLESS THEY HAVE TO. 597 00:30:09,960 --> 00:30:11,680 IT'S BAD FOR BUSINESS. 598 00:30:11,720 --> 00:30:13,640 SO HOW LONG HAVE YOU 599 00:30:13,680 --> 00:30:15,920 WORKED FOR THE FAMILY? 600 00:30:15,960 --> 00:30:17,760 SIX MONTHS. 601 00:30:17,800 --> 00:30:20,320 WE DON'T WORK FOR THE FAMILY, BY THE WAY. 602 00:30:20,360 --> 00:30:21,800 NO? 603 00:30:21,840 --> 00:30:23,720 MADAME PELLETIER IS THE CLIENT. 604 00:30:23,760 --> 00:30:26,440 THE FATHER DOESN'T TRUST US. 605 00:30:26,480 --> 00:30:27,880 WHAT ABOUT MAXIM? 606 00:30:27,920 --> 00:30:29,680 MAXIM... 607 00:30:29,720 --> 00:30:31,480 HE'S A SECURITY NIGHTMARE. 608 00:30:31,520 --> 00:30:33,880 ALWAYS TAKING OFF, 609 00:30:33,920 --> 00:30:36,520 TRYING TO SHAKE OFF HIS BODYGUARDS. 610 00:30:36,560 --> 00:30:37,680 THESE KIDNAPPERS... 611 00:30:38,800 --> 00:30:41,280 ...THEY DIDN'T WAIT TILL HE WAS ALONE. 612 00:30:41,320 --> 00:30:42,880 YEAH. 613 00:30:42,920 --> 00:30:44,320 PROBABLY BECAUSE 614 00:30:44,360 --> 00:30:46,280 OF LAURE. 615 00:30:46,320 --> 00:30:47,720 THE GIRLFRIEND. 616 00:30:47,760 --> 00:30:50,680 HE WAS VERY PROTECTIVE OF HER. 617 00:30:52,400 --> 00:30:55,120 IS THERE SOMETHING YOU WANT TO SAY ABOUT HER? 618 00:30:55,160 --> 00:30:57,120 SHE WAS THE ONE WHO WANTED TO GO. 619 00:30:57,160 --> 00:30:58,280 TO THE CLUB? 620 00:30:58,320 --> 00:31:00,040 AND TO THE PARTY. 621 00:31:01,800 --> 00:31:03,400 THE NON-EXISTENT PARTY. 622 00:31:03,440 --> 00:31:04,840 YEAH. 623 00:31:04,880 --> 00:31:07,680 THAT'S WHY JACQUES ONLY HAD ONE GUARD WITH HIM. 624 00:31:10,360 --> 00:31:13,000 I'M SORRY ABOUT YOUR BOSS. 625 00:31:13,040 --> 00:31:15,680 HE WAS A GOOD MAN. 626 00:31:15,720 --> 00:31:18,280 GOOD BODYGUARD. 627 00:31:22,600 --> 00:31:24,360 HAVE YOU EVER LOST A PARTNER? 628 00:31:26,080 --> 00:31:28,160 UH, YEAH. 629 00:31:28,200 --> 00:31:30,040 AND... 630 00:31:30,080 --> 00:31:32,160 HOW DO YOU HANDLE THE GUILT? 631 00:31:33,720 --> 00:31:36,280 I FIGURE THAT OUT, I'LL LET YOU KNOW. 632 00:31:37,520 --> 00:31:39,600 [♪♪♪] 633 00:31:49,080 --> 00:31:51,920 WE'LL MAKE THE VIDEO, THEN I'LL CALL KATYA. 634 00:31:54,920 --> 00:31:56,240 HEY, HEY. 635 00:31:56,280 --> 00:31:58,480 THAT CAN WAIT TILL AFTER THE VIDEO. 636 00:31:58,520 --> 00:31:59,680 HE MUST BE STARVING. 637 00:31:59,720 --> 00:32:00,760 SO? 638 00:32:03,480 --> 00:32:05,400 WE CAN DO THE VIDEO AFTER HE EATS. 639 00:32:05,440 --> 00:32:08,320 WHAT? ARE YOU SOFT FOR HIM? 640 00:32:08,360 --> 00:32:09,640 DON'T BE STUPID. 641 00:32:09,680 --> 00:32:10,880 THEN WHAT'S TROUBLING YOU? 642 00:32:10,920 --> 00:32:13,680 THIS. THE WHOLE THING. 643 00:32:13,720 --> 00:32:15,400 I DON'T... 644 00:32:15,440 --> 00:32:18,000 IT FEELS... WRONG. 645 00:32:18,040 --> 00:32:20,280 HEY. 646 00:32:21,520 --> 00:32:24,200 THIS IS OUR BIGGEST ONE. 647 00:32:24,240 --> 00:32:26,760 HUH? EVER. 648 00:32:26,800 --> 00:32:29,160 AFTER THAT, WE'LL STOP. 649 00:32:29,200 --> 00:32:32,480 HUH? LIKE WE ALWAYS WANTED. 650 00:32:37,640 --> 00:32:39,280 PUT YOUR MASK BACK ON. 651 00:32:39,320 --> 00:32:41,240 I'M NOT AN IDIOT, YAN. 652 00:32:49,400 --> 00:32:51,080 HERE, SOME FOOD. 653 00:32:51,120 --> 00:32:52,160 I DON'T WANT ANY. 654 00:32:52,200 --> 00:32:53,680 YOU HAVE TO EAT. 655 00:32:53,720 --> 00:32:56,280 AFTER WE MAKE THE RANSOM VIDEO, YOUR FATHER WILL PAY, 656 00:32:56,320 --> 00:32:57,840 THEN YOU CAN GO HOME. 657 00:32:57,880 --> 00:32:59,080 PAY? 658 00:32:59,120 --> 00:33:02,840 HE ISN'T GOING TO PAY ANYTHING FOR ME. 659 00:33:02,880 --> 00:33:04,000 HE WILL. 660 00:33:04,040 --> 00:33:05,960 THEN YOU CAN GO HOME. 661 00:33:06,000 --> 00:33:08,400 HOME TO WHAT? 662 00:33:17,800 --> 00:33:20,080 [♪♪♪] 663 00:33:25,120 --> 00:33:27,520 COME ON. COME ON, COME ON, COME ON. 664 00:33:37,160 --> 00:33:39,360 [CELL RINGING] 665 00:33:40,720 --> 00:33:42,080 EVA? 666 00:33:42,120 --> 00:33:45,160 I'M TRYING TO LINK MAXIM WITH THE FLORENCE VICTIM. 667 00:33:45,200 --> 00:33:48,280 THEY ARE BOTH TEENAGERS WITH VERY RICH PARENTS, 668 00:33:48,320 --> 00:33:51,440 BUT DIFFERENT CITIES, DIFFERENT NATIONALITIES, 669 00:33:51,480 --> 00:33:53,000 AND WITH DIFFERENT PROFILES. 670 00:33:53,040 --> 00:33:54,280 SO, ALLESANDRO, THE BOY IN FLORENCE, 671 00:33:54,320 --> 00:33:56,960 HE APPEARS TO BE A MOTIVATED ART STUDENT 672 00:33:57,000 --> 00:33:59,000 AT THE CENTRO DI RESTAURO, 673 00:33:59,040 --> 00:34:00,280 BUT MAXIM-- 674 00:34:00,320 --> 00:34:01,440 ...IS YOUR TYPICAL TRUST-FUND WASTER. 675 00:34:01,480 --> 00:34:03,080 "WASTER"? 676 00:34:03,120 --> 00:34:04,320 YOU SOUND LIKE TOMMY. 677 00:34:04,360 --> 00:34:05,560 I GUESS I'M NOT ANY HAPPIER 678 00:34:05,600 --> 00:34:07,480 WITH PEOPLE WHO HAVE TOO MUCH MONEY. 679 00:34:07,520 --> 00:34:09,440 HOW MUCH IS TOO MUCH? 680 00:34:09,480 --> 00:34:11,040 EVA... 681 00:34:11,080 --> 00:34:13,680 DO THE GUYS KNOW EACH OTHER? 682 00:34:13,720 --> 00:34:16,320 OKAY. UM... NO. 683 00:34:16,360 --> 00:34:18,480 THERE'S NO EVIDENCE THEY'VE EVER MET. 684 00:34:18,520 --> 00:34:19,880 RIGHT. HOW CAN I HELP? 685 00:34:19,920 --> 00:34:22,240 WELL, PART OF THE FLORENCE FILE IS AVAILABLE, 686 00:34:22,280 --> 00:34:23,400 BUT THE OTHER PART IS LOCKED, 687 00:34:23,440 --> 00:34:25,320 SO I DON'T KNOW HOW TO GET IN. 688 00:34:25,360 --> 00:34:27,200 OKAY, I THINK I CAN GET INTO IT 689 00:34:27,240 --> 00:34:28,720 BY THE TIME YOU GET TO FLORENCE. 690 00:34:28,760 --> 00:34:30,520 OKAY. WELL, I THINK I'LL BE THERE IN ABOUT-- 691 00:34:30,560 --> 00:34:31,720 42 MINUTES. 692 00:34:31,760 --> 00:34:32,960 I'VE GOT YOUR PROGRESS ON MY SCREEN. 693 00:34:33,000 --> 00:34:34,680 OKAY, THEN. THANKS. GRAZIE. 694 00:34:34,720 --> 00:34:35,720 CIAO, CIAO. 695 00:34:35,760 --> 00:34:37,200 OKAY. 696 00:34:37,240 --> 00:34:38,680 HOW MUCH ARE YOU INTO THEM FOR? 697 00:34:38,720 --> 00:34:40,480 [♪♪♪] 698 00:34:47,720 --> 00:34:50,520 I HAD A PARTNER WHO GAMBLED. 699 00:34:50,560 --> 00:34:52,000 THE ONLY TIME HE TALKED ABOUT IT 700 00:34:52,040 --> 00:34:53,480 WAS WHEN HE WAS WINNING BIG 701 00:34:53,520 --> 00:34:55,560 OR LOSING BIG. 702 00:34:55,600 --> 00:34:57,000 AND... 703 00:34:57,040 --> 00:34:58,880 NO OFFENSE, BUT... 704 00:34:58,920 --> 00:35:01,320 YOU DON'T SEEM LIKE A GUY ON A WINNING STREAK. 705 00:35:01,360 --> 00:35:03,200 [LAUGHS] 706 00:35:03,240 --> 00:35:04,800 WHY IS "NO OFFENSE" 707 00:35:04,840 --> 00:35:07,360 ALWAYS FOLLOWED BY SOMETHING ENTIRELY OFFENSIVE? 708 00:35:08,840 --> 00:35:11,680 I AM NOT INTO ANYBODY FOR ANYTHING. 709 00:35:15,800 --> 00:35:17,800 ALL RIGHT... 710 00:35:19,440 --> 00:35:22,360 [♪♪♪] 711 00:35:30,600 --> 00:35:32,800 [♪♪♪] 712 00:36:11,080 --> 00:36:13,360 [♪♪♪] 713 00:36:13,400 --> 00:36:15,800 [CELL BEGINS RINGING] 714 00:36:15,840 --> 00:36:17,160 HELLO, DORN. 715 00:36:17,200 --> 00:36:19,320 WHAT ARE YOU DOING, LOUIS? 716 00:36:19,360 --> 00:36:21,600 I AM ON A CASE. 717 00:36:21,640 --> 00:36:22,880 DID YOU THINK I WOULDN'T KNOW? 718 00:36:22,920 --> 00:36:25,840 KNOW? WHAT DO YOU MEAN, KNOW? KNOW WHAT? 719 00:36:25,880 --> 00:36:27,680 I HAVE ALERTS EVERYWHERE. 720 00:36:27,720 --> 00:36:29,400 WHAT ARE YOU TALKING ABOUT, DORN? 721 00:36:29,440 --> 00:36:32,000 THE RUSSIAN, LOUIS! 722 00:36:32,040 --> 00:36:35,880 YOU SAID I COULD HANDLE IT WITHOUT INTERFERENCE. 723 00:36:35,920 --> 00:36:37,960 I HAVE. 724 00:36:38,000 --> 00:36:40,640 YOU'RE RUNNING CHECKS ON MY SOURCE. 725 00:36:40,680 --> 00:36:42,040 NO. 726 00:36:42,080 --> 00:36:43,520 YES, YOU ARE. 727 00:36:43,560 --> 00:36:46,800 I JUST TOLD YOU-- I HAVE ALERTS IN THE FILES. 728 00:36:46,840 --> 00:36:50,680 SOMEONE IS GOING THROUGH THE FINANCIAL RECORDS 729 00:36:50,720 --> 00:36:52,680 OF THE MAN WHO GAVE ME DIMITROV. 730 00:36:52,720 --> 00:36:54,280 SOMEONE WITH 731 00:36:54,320 --> 00:36:57,840 I.C.C. AUTHORIZATION IS TRAILING HIM. 732 00:36:57,880 --> 00:36:59,200 ARE YOU GOING TO TRY TO TELL ME THAT 733 00:36:59,240 --> 00:37:04,280 IT ISN'T YOU OR... YOUR GERMAN COMPUTER WHIZ? 734 00:37:04,320 --> 00:37:07,520 YOUR SOURCE, WHAT'S HIS NAME? 735 00:37:07,560 --> 00:37:10,240 [DORN SCOFFS] WHAT DO YOU MEAN? 736 00:37:10,280 --> 00:37:11,640 [MIMICS LOUIS] "WHAT IS HIS NAME?" 737 00:37:11,680 --> 00:37:13,360 MARIANSKI? 738 00:37:13,400 --> 00:37:14,720 IT'S LEV MARIANSKI? 739 00:37:14,760 --> 00:37:17,280 WHY DO YOU ASK ME? 740 00:37:17,320 --> 00:37:22,120 BECAUSE I AM STANDING IN HIS SON'S ROOM. 741 00:37:25,520 --> 00:37:28,520 THE KIDNAPPING CASE... 742 00:37:28,560 --> 00:37:32,120 IT IS MARIANSKI'S SON? 743 00:37:32,160 --> 00:37:34,960 YEAH. AND WE THINK THE KIDNAPPERS ARE RUSSIAN, 744 00:37:35,000 --> 00:37:37,080 AND THEY USED MILITARY TACTICS. 745 00:37:37,120 --> 00:37:40,880 IT IS OF UTMOST IMPORTANCE THAT YOU KEEP ME INFORMED, LOUIS. 746 00:37:40,920 --> 00:37:45,080 I MUST KNOW IF DIMITROV IS INVOLVED. 747 00:37:45,120 --> 00:37:48,120 IF I WERE TO GO TO RUSSIA, 748 00:37:48,160 --> 00:37:51,000 I WOULD NEVER MAKE IT BACK. 749 00:37:57,080 --> 00:37:59,200 [♪♪♪] 750 00:38:20,720 --> 00:38:22,360 [♪♪♪] 751 00:38:26,640 --> 00:38:29,320 [♪♪♪] 752 00:38:31,480 --> 00:38:32,840 [GUNSHOT ECHOING] 753 00:38:35,280 --> 00:38:36,600 TIME TO MAKE A MOVIE! 754 00:38:36,640 --> 00:38:38,360 -WHY? -I TOLD YOU. 755 00:38:38,400 --> 00:38:40,160 FOR THE RANSOM, SO YOU CAN GO HOME. 756 00:38:41,640 --> 00:38:43,880 WHY DID YOU KILL HER? 757 00:38:43,920 --> 00:38:46,840 YOU DID THAT. YOU KILLED LAURE. 758 00:38:46,880 --> 00:38:49,000 IT'S OKAY, HE DIDN'T HURT ME. 759 00:38:49,040 --> 00:38:50,080 YOU STAY OUT OF THIS. 760 00:38:51,240 --> 00:38:53,400 YOU TOUCH HER AGAIN... 761 00:38:53,440 --> 00:38:56,440 AND WE WON'T BE NEEDING A VIDEO. UNDERSTAND? 762 00:38:57,400 --> 00:38:59,880 YOU THINK I'M AFRAID OF YOU? 763 00:38:59,920 --> 00:39:01,320 I TOLD HER... 764 00:39:01,360 --> 00:39:04,240 MY FATHER ISN'T GOING TO PAY TO GET ME BACK. 765 00:39:04,280 --> 00:39:06,000 HE HATES ME. 766 00:39:06,040 --> 00:39:07,520 JUST SAY WHAT I TELL YOU TO SAY. 767 00:39:07,560 --> 00:39:10,160 NO. 768 00:39:12,080 --> 00:39:14,520 [♪♪♪] 769 00:39:14,560 --> 00:39:16,920 THEN I'LL KILL YOUR MOTHER. 770 00:39:16,960 --> 00:39:19,800 [♪♪♪] 771 00:39:22,080 --> 00:39:23,480 AFTER THE DIVORCE, 772 00:39:23,520 --> 00:39:24,840 WE USED TO SIT HERE, 773 00:39:24,880 --> 00:39:27,680 HAVING TEA TOGETHER IN THE MORNING, 774 00:39:27,720 --> 00:39:29,040 MAXIM AND ME. 775 00:39:29,080 --> 00:39:30,400 THAT MUST'VE BEEN NICE. 776 00:39:30,440 --> 00:39:31,880 NICE? 777 00:39:31,920 --> 00:39:33,520 DO YOU KNOW WHAT THEY TALKED ABOUT THE ENTIRE TIME? 778 00:39:33,560 --> 00:39:35,040 WHILE THEY WERE 779 00:39:35,080 --> 00:39:37,800 HAVING THEIR... THEIR "NICE" TEA? 780 00:39:37,840 --> 00:39:39,480 ABOUT ME. 781 00:39:39,520 --> 00:39:40,600 DON'T FLATTER YOURSELF. 782 00:39:40,640 --> 00:39:42,280 TELL HER ALL THE THINGS 783 00:39:42,320 --> 00:39:44,280 YOU TOLD A TEENAGE BOY-- A TEENAGE BOY-- 784 00:39:44,320 --> 00:39:46,080 ABOUT HIS FATHER. 785 00:39:46,120 --> 00:39:47,200 I REALLY DON'T NEED TO KNOW. 786 00:39:47,240 --> 00:39:48,240 SHE TOLD HIM... 787 00:39:48,280 --> 00:39:49,400 I SLEPT AROUND, 788 00:39:49,440 --> 00:39:51,360 THAT I BROUGHT DISEASES HOME, 789 00:39:51,400 --> 00:39:53,400 THAT I FATHERED OTHER CHILDREN, 790 00:39:53,440 --> 00:39:55,040 THAT I NEVER CARED ABOUT THEM. 791 00:39:55,080 --> 00:39:56,480 WHAT PART OF THAT IS NOT TRUE? 792 00:39:56,520 --> 00:39:58,080 A BOY NEEDS TO LOOK UP TO HIS FATHER. 793 00:39:58,120 --> 00:40:00,280 YOU POISONED HIM ABOUT ME. 794 00:40:00,320 --> 00:40:01,800 TO MAKE YOUR-- YOURSELF FEEL BETTER, 795 00:40:01,840 --> 00:40:03,200 TO CONTROL HIM. 796 00:40:03,240 --> 00:40:04,360 LIKE YOU CONTROL HIM WITH MONEY? 797 00:40:04,400 --> 00:40:05,960 WHILE YOU LET HIM SQUANDER ALL YOURS. 798 00:40:06,000 --> 00:40:07,480 BECAUSE YOU CUT OFF HIS SUPPORT. 799 00:40:07,520 --> 00:40:10,240 I ONLY HAD TO SUPPORT HIM UNTIL HE WAS 18 OR IN SCHOOL. 800 00:40:10,280 --> 00:40:11,760 HE'S NEITHER. 801 00:40:11,800 --> 00:40:13,040 YOU'RE SUCH A CHEAP BASTARD! 802 00:40:13,080 --> 00:40:14,080 HE DOES NOTHING! 803 00:40:14,120 --> 00:40:15,880 WON'T WORK! WON'T STUDY! 804 00:40:15,920 --> 00:40:17,000 MY CUTTING HIM OFF 805 00:40:17,040 --> 00:40:18,720 WILL FINALLY MAKE HIM ACT LIKE A MAN. 806 00:40:18,760 --> 00:40:20,600 THAT'S ENOUGH! 807 00:40:20,640 --> 00:40:23,160 WHAT ARE YOU DOING? 808 00:40:23,200 --> 00:40:25,000 THIS IS A GAME? 809 00:40:25,040 --> 00:40:26,480 [♪♪♪] 810 00:40:26,520 --> 00:40:30,400 YOU KNOW, A LOT OF PEOPLE WOULD LOVE TO HAVE A CHILD, 811 00:40:30,440 --> 00:40:32,880 AND ALL YOU DO IS... 812 00:40:32,920 --> 00:40:35,720 USE HIM TO HURT EACH OTHER? 813 00:40:35,760 --> 00:40:37,480 NO, WE DON'T. 814 00:40:40,840 --> 00:40:42,120 WE ARE UNDER STRESS. 815 00:40:42,160 --> 00:40:44,040 OKAY. YEAH. 816 00:40:44,080 --> 00:40:45,400 "STRESS." 817 00:40:45,440 --> 00:40:46,880 ANNE-MARIE? 818 00:40:46,920 --> 00:40:48,680 WE'RE MEETING ON THE TERRACE. 819 00:40:55,760 --> 00:40:57,040 I SUGGEST 820 00:40:57,080 --> 00:41:01,440 YOU FIND SOMEWHERE TO SIT... AND THINK. 821 00:41:01,480 --> 00:41:02,840 SEPARATELY. 822 00:41:02,880 --> 00:41:05,200 OKAY? 823 00:41:06,480 --> 00:41:08,760 [♪♪♪] 824 00:41:10,920 --> 00:41:12,360 [KEYBOARD CLACKING] 825 00:41:12,400 --> 00:41:15,960 [♪♪♪] 826 00:41:22,880 --> 00:41:24,400 [RINGING] 827 00:41:24,440 --> 00:41:25,760 HELLO? 828 00:41:25,800 --> 00:41:27,040 YOU DIDN'T TELL THE ITALIANS 829 00:41:27,080 --> 00:41:28,360 ABOUT ME GOING INTO THEIR FILES, DID YOU? 830 00:41:28,400 --> 00:41:29,920 EXCUSE ME? 831 00:41:29,960 --> 00:41:31,520 WELL, I REMEMBER YOU SAYING YOU WERE GOING TO TELL THEM 832 00:41:31,560 --> 00:41:32,760 TO RUN A CHECK-UP ON THEIR SYSTEMS. 833 00:41:32,800 --> 00:41:35,520 YEAH. I... I REMEMBER THAT. 834 00:41:35,560 --> 00:41:37,000 I WAS JUST KIDDING. 835 00:41:37,040 --> 00:41:39,240 YEAH, I TRIED TO ACCESS A TROJAN HORSE I INSTALLED, 836 00:41:39,280 --> 00:41:40,760 BUT IT SEEMS CLOSED. 837 00:41:40,800 --> 00:41:42,720 WELL, I WOULDN'T TELL THEM, OKAY? 838 00:41:42,760 --> 00:41:43,920 WELL... 839 00:41:43,960 --> 00:41:45,280 WHATEVER IT IS IN THAT FILE, 840 00:41:45,320 --> 00:41:47,360 FLORENCE REALLY WANTS IT SECRET. 841 00:41:47,400 --> 00:41:50,080 I HAVE THE ADDRESS OF A WITNESS, 842 00:41:50,120 --> 00:41:53,000 SO I MIGHT JUST ASK HOW IT ALL GOT SOLVED. 843 00:41:53,040 --> 00:41:54,680 ALL RIGHT. I'LL BE HERE IF YOU NEED ME. 844 00:41:54,720 --> 00:41:56,720 [EVA]: OKAY. THANK YOU. 845 00:41:56,760 --> 00:41:58,040 CIAO. 846 00:41:59,440 --> 00:42:01,480 [MUTTERS TO SELF]: DAMMIT. 847 00:42:01,520 --> 00:42:03,080 [THUMPS PHONE DOWN] 848 00:42:03,120 --> 00:42:04,200 SOMETHING WRONG, MATE? 849 00:42:04,240 --> 00:42:06,040 NO. NOTHING. 850 00:42:06,080 --> 00:42:07,400 LOUIS HAS CALLED US TOGETHER. 851 00:42:08,760 --> 00:42:10,960 COMING. 852 00:42:11,000 --> 00:42:14,000 UPLOADING THE VIDEO... 853 00:42:14,040 --> 00:42:16,640 NOW. 854 00:42:16,680 --> 00:42:19,120 [♪♪♪] 855 00:42:21,840 --> 00:42:23,440 I HAVE THE FILE. 856 00:42:23,480 --> 00:42:25,160 THIS IS THE MESSAGE-- 857 00:42:25,200 --> 00:42:29,240 "10 MILLION EUROS IN CASH, BY 6:00 TONIGHT. 858 00:42:29,280 --> 00:42:31,120 DELIVERY INSTRUCTIONS WILL FOLLOW." 859 00:42:31,160 --> 00:42:32,520 I THOUGHT IT WAS 5 MILLION? 860 00:42:32,560 --> 00:42:33,880 THE PRICE HAS DOUBLED. 861 00:42:33,920 --> 00:42:35,200 WHY? 862 00:42:35,240 --> 00:42:37,520 BECAUSE I AM IN CHARGE. 863 00:42:37,560 --> 00:42:39,440 WHAT DO YOU MEAN, YOU'RE IN CHARGE? 864 00:42:39,480 --> 00:42:42,400 JUST TELL THEM, KATYA! 865 00:42:42,440 --> 00:42:44,520 10 MILLION. 866 00:42:44,560 --> 00:42:47,720 [♪♪♪] 867 00:42:47,760 --> 00:42:50,120 YOU THINK THE GIRLFRIEND SET MAXIM UP FOR THE KIDNAPPING? 868 00:42:50,160 --> 00:42:51,960 SHE SENT THE ADVANCE TEAM 869 00:42:52,000 --> 00:42:53,400 TO A NON-EXISTENT PARTY 870 00:42:53,440 --> 00:42:55,000 AND SHE PLANNED THE TRIP TO THE NIGHTCLUB. 871 00:42:55,040 --> 00:42:57,000 SEEMS KIND OF SHORT-SIGHTED OF HER. 872 00:42:57,040 --> 00:42:58,480 HE'S HER BOYFRIEND. 873 00:42:58,520 --> 00:43:01,040 APPARENTLY, HE'S WORTH MILLIONS. 874 00:43:01,080 --> 00:43:02,800 WELL, HIS FATHER JUST CUT HIS SUPPORT. 875 00:43:02,840 --> 00:43:04,000 REALLY? 876 00:43:04,040 --> 00:43:05,160 SO, WHAT? MAXIM WAS BROKE? 877 00:43:05,200 --> 00:43:06,440 RICH-KID "BROKE." 878 00:43:06,480 --> 00:43:08,240 HE HAD A DRIVER, A BODYGUARD AND A LIMO. 879 00:43:08,280 --> 00:43:10,280 WHICH WERE ALL ABOUT TO BE TAKEN AWAY. 880 00:43:10,320 --> 00:43:12,240 MAYBE HE'S IN ON IT? 881 00:43:12,280 --> 00:43:13,560 I DOUBT HE HAD A PART IN KILLING THE GIRLFRIEND. 882 00:43:13,600 --> 00:43:16,000 SECURITY SAID HIS WHOLE LIFESTYLE CHANGED 883 00:43:16,040 --> 00:43:17,240 WHEN HE MET HER, 884 00:43:17,280 --> 00:43:19,320 BECAME MORE... RESPONSIBLE. 885 00:43:19,360 --> 00:43:20,960 MAYBE THE KIDNAPPERS KILLED LAURE 886 00:43:21,000 --> 00:43:22,160 JUST BECAUSE SHE WAS A WITNESS? 887 00:43:22,200 --> 00:43:24,000 NOT THE FIRST TIME. 888 00:43:24,040 --> 00:43:25,520 OKAY, SO, WE DIG INTO THE GIRLFRIEND'S LIFE 889 00:43:25,560 --> 00:43:28,400 AND SEE IF HER CONTACTS GIVE US A NAME. 890 00:43:28,440 --> 00:43:29,800 THERE'S SOMETHING ELSE ABOUT MARIANSKI. 891 00:43:29,840 --> 00:43:30,960 WHAT? 892 00:43:31,000 --> 00:43:33,040 HE DOESN'T HAVE INSURANCE ON MAXIM. 893 00:43:33,080 --> 00:43:35,040 NOT ANYMORE. 894 00:43:35,080 --> 00:43:37,120 AND, FOR HIM, HE'S SHORT ON CASH. 895 00:43:37,160 --> 00:43:40,200 MOST OF HIS MONEY IS TIED UP IN INVESTMENTS AND PROPERTY, 896 00:43:40,240 --> 00:43:41,920 BUT HE'S ONLY GOT 897 00:43:41,960 --> 00:43:43,240 A LITTLE MORE THAN 10 MILLION IN LIQUID FUNDS. 898 00:43:43,280 --> 00:43:45,120 HE CANCELLED THE POLICY? 899 00:43:45,160 --> 00:43:46,720 YEAH. ABOUT SIX MONTHS AGO. 900 00:43:46,760 --> 00:43:47,760 WHAT? 901 00:43:47,800 --> 00:43:49,600 [FOOTSTEPS] 902 00:43:50,920 --> 00:43:53,080 YOU WENT INTO MY RECORDS? 903 00:43:54,840 --> 00:43:56,640 DID YOU CANCEL THE INSURANCE? 904 00:43:56,680 --> 00:43:58,000 YOU WERE ANGRY I EVEN BOUGHT IT. 905 00:43:58,040 --> 00:43:59,040 [SKYPE ALERT PINGS] 906 00:43:59,080 --> 00:44:01,560 THAT'S MY SKYPE CALL. 907 00:44:01,600 --> 00:44:03,640 [ALERT CONTINUES PINGING] 908 00:44:03,680 --> 00:44:06,880 IT'S COMING IN ON THE FAMILY ACCOUNT. 909 00:44:06,920 --> 00:44:08,520 MR. MARIANSKI, GET IN THE CHAIR. 910 00:44:10,640 --> 00:44:12,800 [HICKMAN]: THE IMPORTANT THING IS TO NOT 911 00:44:12,840 --> 00:44:14,440 LET THEM THINK THAT THERE'S A PROBLEM. 912 00:44:14,480 --> 00:44:15,720 JUST LISTEN TO THE DEMAND, 913 00:44:15,760 --> 00:44:18,600 AND WE'LL FIGURE IT OUT LATER, ALL RIGHT? 914 00:44:18,640 --> 00:44:20,000 ARE YOU READY, SEBASTIAN? 915 00:44:20,040 --> 00:44:22,280 RECORDING. 916 00:44:22,320 --> 00:44:24,960 ANSWER IT. 917 00:44:26,880 --> 00:44:28,720 [HITS KEY] 918 00:44:28,760 --> 00:44:31,040 MAMAN? 919 00:44:31,080 --> 00:44:32,520 OH, GOD! 920 00:44:32,560 --> 00:44:34,600 [MAXIM]: PLEASE PAY. THESE PEOPLE HAVE KILLED. 921 00:44:34,640 --> 00:44:36,280 THEY WILL HURT ME. 922 00:44:36,320 --> 00:44:38,040 [SCRAMBLED VOICE]: THE RANSOM IS 10 MILLION EUROS, 923 00:44:38,080 --> 00:44:39,920 BY 6:00 P.M. TONIGHT. 924 00:44:39,960 --> 00:44:42,920 [♪♪♪] 925 00:44:42,960 --> 00:44:44,800 BUT... 926 00:44:44,840 --> 00:44:46,720 THE INSURANCE LAPSED. 927 00:44:46,760 --> 00:44:48,200 I NEED MORE TIME. 928 00:44:48,240 --> 00:44:49,440 [SCRAMBLED VOICE]: 6:00 P.M. 929 00:44:49,480 --> 00:44:51,520 IT'S ONLY 10 HOURS! I NEED MORE TIME. 930 00:44:51,560 --> 00:44:53,720 YOU DON'T HAVE ANY MORE TIME. 931 00:44:56,840 --> 00:44:59,280 [EXPLOSION ROARS] 61139

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