Original subtitles

[CARL'S THOUGHTS ECHO]: I NEVER SHOULD HAVE DONE THIS.

I WASN'T READY.

I LET HER GO IN BY HERSELF.

I LEFT HER ALONE.

I NEVER SHOULD HAVE DONE THIS.

I WASN'T READY.

I NEVER SHOULD HAVE DONE THIS...

THERE SHE IS.

[♪♪♪]

[♪♪♪]

BASTARDO.

CARL. YOU COULDN'T HAVE KNOWN.

NO! I SHOULD'VE KNOWN.

AND IF I WERE CLEAR-HEADED, I WOULD HAVE KNOWN!

CARL, I NEED YOU.

WHY DO YOU NEED

A GUY WHO LETS HIS PARTNER WALK INTO AN AMBUSH?

WHAT EXACTLY AM I--

WHAT AM I GIVING TO YOUR TEAM?

SO YOU'RE RUNNING AWAY?

ACCEPTING MY LIMITATIONS ISN'T RUNNING AWAY.

I'M NOT RISKING ANY MORE COPS

PRETENDING THAT I CAN STILL DO THE JOB AGAIN.

YOU KNOW WHAT?

WHEN THIS IS OVER, I DON'T GIVE A DAMN WHAT YOU DO,

BUT I GAVE YOU THE AUTHORITY TO BE A COP AGAIN,

SO DO IT!

AFTER, YOU CAN CRAWL BACK TO YOUR CARNIVAL.

I DON'T CARE,

BUT THIS IS YOUR MESS TO CLEAN UP!

IF WE FIND THIS GIRL ALIVE...

I'M OUT.

YOU UNDERSTAND?

I'M OUT.

FINE.

[♪♪♪]

SEE WHAT HE DOES?

COME HERE.

[♪♪♪]

HE PUSHED THE BODY WAY BACK THERE,

AND THEN HE GOES TO HIDE.

SO, WHEN ANNE-MARIE COMES IN,

SHE'S DRAWN TOWARDS THE BODY?

[♪♪♪]

[EVA]: THEN HE GRABS THE EVIDENCE BAG WITH THE SHOE

AND DOESN'T LOOK AT IT.

LIKE HE ALREADY KNEW WHAT WAS IN IT.

AND WHO WAS COMING.

HE DID.

HE KNEW THAT SHOE WAS OUT THERE SOMEWHERE.

WE FOUND TRACKS WHERE HE WAS

SEARCHING FOR THEM.

HE WAS THERE...

WAITING FOR US TO FIND SOMETHING,

OR THE SCENE TO OPEN UP.

THIS GUY IS METHODICAL, THOROUGH AND SMART.

SMARTER THAN US.

YOU SPEAK FOR YOURSELF.

I AM.

WE HAVE THE CUSTOMERS DATABASE. IT MAY BE HELPFUL.

-LOOK FOR MALE NAMES. -MALE?

HE MAY HAVE SEEN US FIND THE SHOE...

BUT HOW WOULD HE HAVE KNOWN THAT THIS IS THE STORE?

THIS IS THE VERY STORE!

DID HE NOT SHOW UP HERE FIRST?

HE BOUGHT THEM.

[TOMMY]: SON OF A BITCH.

MY SCANGEN.

IF HE WAS WAITING THE WHOLE TIME...

I USED THE LASERS AT THE SCENE.

ARE YOU SAYING WE MIGHT HAVE A PICTURE OF HIM?

WELL, NOT A PICTURE EXACTLY, BUT AN IMAGE. IT'S POSSIBLE.

I NEED A FACE TO RUN THROUGH INTERPOL.

WELL... SCANNER'S AT THE CRIME SQUAD.

THAT'S WHERE WE START.

[♪♪♪]

[DRIVER, MUFFLED ANGST]: NO... I TRIED!

IT'S TOO FAST! DO YOU UNDERSTAND?

NO! I TRIED! I TRIED.

I DID! I DID--

I NEED TIME TO THINK, OKAY?

I JUST NEED A LITTLE TIME TO TH--

[CELL PHONE RINGS]

[WITH FORCED CHEER]: THIS IS GERALD.

[♪♪♪]

HI, YES, MA'AM.

NO, NO, NO, NO, NO.

EVERYTHING'S COMPLETELY TAKEN CARE OF IN PARIS.

YES, YOU KNOW I NEVER LEAVE THINGS HALF-COMPLETED.

OF COURSE. OF COURSE.

I ALWAYS HAVE MY CELL PHONE WITH ME.

YES.

YES, MA'AM. I WILL.

THANK YOU.

[INHALES SHARPLY AS HE BEEPS THE PHONE OFF]

[ROARS]: WILL I HAVE MY PHONE WITH ME?

DON'T I ALWAYS, YOU RIDICULOUS BITCH?

[POUNDING STEERING WHEEL]

HAVE I EVER, EVEN ONCE,

NOT HAD MY PHONE WITH ME

WHEN YOU CALL, OVER AND OVER,

AND YOU CALL AND YOU CALL?

YES! I HAVE MY PHONE! I HAVE MY PHONE!

I HAVE... MY PHONE!

[♪♪♪]

-WHERE DO WE GO? -UPSTAIRS.

EVA, CAN YOU BRING THE BLUE BAG?

WHAT'S IN IT?

PLUGS AND ADAPTORS.

ANYTHING FROM THE CHECKPOINTS?

NOTHING SO FAR,

BUT WE'LL KEEP THEM UP AS LONG AS IT TAKES.

UH, YOU'LL SAY THIS WAS YOUR OPERATION, RIGHT?

[PRISONER BANGS CELL WALL]

YEAH. IT WAS MY RESPONSIBILITY.

YOU DO KNOW THE KILLER MUST'VE GOTTEN PAST

ANY CHECKPOINTS BY NOW.

THIS GUY CAN'T STOP EVERY ROUTE OUT OF PARIS.

YES. I KNOW.

HE'S KEEPING THEM UP TO COVER HIMSELF.

[CELL PHONE RINGS]

EXCUSE ME?

DORN?

I'M IN PARIS.

I NEED TO SPEAK WITH YOU.

I CAN'T.

I DIDN'T SAY IT WOULD BE NICE TO SPEAK WITH YOU,

I SAID I NEED TO.

ABOUT?

YOU SON, ETIENNE.

OKAY.

SO THE ROOM BACK THERE'S OKAY?

TO THE LEFT.

CAN I HELP YOU?

CARL, I NEED TO GO SOMEWHERE.

MEET WITH A SOURCE.

YEAH. YEAH, I GOT THIS.

HICKMAN.

THE CRIME SCENE PHOTOS.

PARIS.

LONDON.

ROME. DUBLIN. EVERY SCENE, EVERY BODY.

YOU'RE SCOTLAND YARD, RIGHT?

WE CALL IT THE MET, BUT, YEAH.

YOU HAVE ACCESS TO THEIR DATABASES?

YEAH.

I'M THINKIN'...

WE KNOW THIS GUY IS MOBILE, RIGHT?

FOUR BODIES, FOUR DIFFERENT COUNTRIES.

BUT WHAT IF THE WOMEN MISSING

AREN'T FROM THE COUNTRY THEY WERE FOUND IN?

WHAT IF THE MISSING WOMEN ARE FROM THE PREVIOUS ONE?

YOU MEAN LIKE THE GIRL WE FOUND IN PARIS

COULD BE FROM LONDON?

YEAH.

MAYBE YOUR FRIENDS AT THE YARD

COULD RECHECK OUR PARIS GIRL...

WITH MISSINGS FROM THE U.K.?

YEAH. YEAH, THAT MIGHT WORK.

[MUTTERS UNDER HIS BREATH]: HANG ON, ANNE-MARIE.

[♪♪♪]

[TIRE POPS AND SQUEALS]

[TIRES SQUEALING]

OKAY. OKAY...

OKAY, THAT HAPPENED.

I NEED TO THINK.

I TRIED. I TRIED.

THIS IS WHAT HAPPENS, GERALD.

THIS IS WHAT HAPPENS WITHOUT CONTROL.

[♪♪♪]

[SHE SHRIEKS]

I KNEW YOU'D BE AWAKE.

[CELL PHONE RINGS]

PADMA! CAN YOU HOLD ON A SEC?

[HUSHED]: HI!

OH...

THAT'S SWEET OF YOU TO REMEMBER.

UH, NO, ACTUALLY, I'M IN PARIS ON A CASE.

YOU KNOW I DON'T REALLY LIKE TO CELEBRATE ANYWAY.

THANKS, PADMA. I MISS YOU, TOO.

CHEERS. THANKS FOR THE CALL.

[BEEPS PHONE OFF]

OKAY, GUYS, IT'S READY.

[♪♪♪]

SOMEONE SWITCH OFF THE LIGHTS?

THANKS.

OKAY, NOW, REMEMBER.

THIS IS JUST THE PORTABLE VERSION OF THE DEVICE, SO--

JUST TURN IT ON.

RIGHT.

HERE GOES.

[♪♪♪]

WOW.

[SIENNA]: THAT IS PRETTY IMPRESSIVE, SEBASTIAN.

IN A MORE CONTROLLED ENVIRONMENT,

WE COULD EVEN LOOK FOR EVIDENCE THAT WAS MISSED.

RIGHT NOW, ALL WE NEED IS AN IMAGE OF ONE WANKER.

THIS GUY WOULD'VE GOTTEN AS CLOSE AS POSSIBLE

WITHOUT ATTRACTING ATTENTION.

YEAH. OUTSIDE THE TAPE, RIGHT? THAT'S A GOOD DISTANCE.

LET ME WIDEN IT OUT TO THE LIMIT OF THE SCAN.

[♪♪♪]

AM I MISSING SOMETHING?

IF YOU ARE, I AM, TOO.

[♪♪♪]

WAIT. WHAT'S THAT?

[♪♪♪]

OH, THAT'S THE ENTRANCE TO THE CRIME SCENE.

WASN'T THERE A GUARD THERE?

YEAH.

LET'S HAVE A CLOSER LOOK.

[♪♪♪]

YEAH. I REMEMBER HIM.

-YOUNG GUY. -AND ANYONE TRYING--

...TO GET INTO THE SCENE WOULD'VE HAD TO TALK TO HIM.

SO THIS MAKES

THIS GUARD POTENTIALLY OUR FIRST EYE-WITNESS.

ANNE-MARIE KNEW HIM. HIS NAME WAS--

LAFFONT.

CADET ANTOINE LAFFONT.

ALL RIGHT, THEN, I'LL GO AND TALK TO HIM.

I'LL GO WITH YOU. WE SHOULD STAY PAIRED UP.

[♪♪♪]

[CARL'S]: I'M STARTING TO THINK WE NEED TO RELY ON

THE WORST THING A COP EVER HAS TO...

LUCK.

[♪♪♪]

[♪♪♪]

[♪♪♪]

BONSOIR, MONSIEUR.

BONSOIR.

THOUGH I WARN YOU,

THAT IS CLOSE TO THE LIMIT OF MY FRENCH.

AMERICAN?

GUILTY. I'M WITH THE DIPLOMATIC CORPS.

THIS IS AN EMBASSY VEHICLE.

I SEE THE PLATES.

I HAD A FLAT I FIXED,

AND I'M SORT OF IN A HURRY.

WHERE'D THE BLOOD COME FROM?

OH, THAT? [LAUGHS]

THIS IS SO FUNNY.

I WAS, UH...

I WAS TIGHTENING THE BOLTS,

AND MY HAND SLIPPED, AND I HIT MYSELF IN THE FACE.

MY NOSE IS VERY SENSITIVE.

IT BLEEDS VERY EASILY.

SEE? [SNIFFS DEMONSTRABLY]

I DON'T MEAN TO BE DISRESPECTFUL,

BUT I REALLY SHOULD BE GETTING BACK ON THE ROAD.

[♪♪♪]

MERCI.

I'LL HELP.

NO, NO, NO, NO, NO, NO!

I... IT'S-- AS I SAID, IT'S FIXED.

OPEN THE TRUNK.

NO! UM--

I'D RATHER YOU PUT IT IN THE BACK SEAT.

IT WILL TEAR YOUR LEATHER.

THE-- THE AMBASSADOR'S SUITCASES

AND PERSONAL ITEMS ARE IN THAT TRUNK.

I CANNOT ALLOW THEM TO BE DAMAGED.

I WOULD RATHER DAMAGE THESE SEATS

THAN THE AMBASSADOR'S HAT BOXES.

THE RICH COW...

SHE WOULD HAVE ME SACKED WITHIN THE HOUR.

[♪♪♪]

THANK YOU SO MUCH, OFFICER.

THAT IS VERY KIND OF YOU.

MERCI. MERCI BEAUCOUP.

-BONSOIR. -BONSOIR.

[♪♪♪]

HE'S A RUSSIAN.

AN EX-COLONEL OF THE ARMY.

WENT UNDERGROUND ABOUT 20 YEARS AGO...

TOOK AN ARMORY

AND A CADRE OF VERY LOYAL OFFICERS WITH HIM.

DIMITROV.

ALEXANDER DIMITROV.

YOU'RE SURE?

I HAVE KNOWN MY SOURCE FOR A VERY LONG TIME...

AND THEY ARE SURE.

DO YOU TRUST THEM?

YES.

BUT MORE THAN THAT, LOUIS...

I TRUST FEAR,

BECAUSE, IF THERE IS ANYTHING IN THIS WORLD

THAT I KNOW ANYTHING ABOUT,

IT'S FEAR,

AND THESE PEOPLE FEAR THAT MAN,

AND THEY WANT HIM STOPPED ALMOST AS MUCH AS YOU DO.

"ALMOST."

I WAS ABLE TO OBTAIN EVERYTHING YOU ASKED ME TO GET FOR YOU,

BUT I WANT YOU TO THINK ABOUT IT.

IF YOU LET ME TAKE THIS ENVELOPE,

UNOPENED...

I WILL USE ITS CONTENTS

TO MAKE HIM PAY FOR WHAT HE DID TO ETIENNE,

FOR WHAT HE DID TO YOU AND REBECCA.

I DON'T UNDERSTAND.

I WILL FIND HIM

AND I WILL BRING HIM TO JUSTICE IN THE COURTS.

YOU'VE KILLED BEFORE, BUT YOU WON'T KILL HIM?

WELL, I'VE NEVER MURDERED ANYONE.

IT'S NOT THE SAME.

SO WHY UNOPENED?

BECAUSE IT CONTAINS EVERYTHING YOU NEED TO KNOW TO FIND HIM,

AND I WILL NOT HAVE YOU HUNTING FOR HIM

WHILE I AM.

I NEED TO THINK ABOUT IT.

HOW IS YOUR CASE GOING?

WE'LL GET HIM.

I HAVE NO DOUBT.

[SIGHS]

NO DOUBT... AT ALL.

LAFFONT GETS OFF SHIFT IN FIVE MINUTES.

HOLD ON.

YOU KNOW ALL THAT BOLLOCKS I SAID EARLIER,

ABOUT HOW GREAT HAVIN' A BIG FAMILY IS?

THAT WAS BOLLOCKS, WAS IT?

MY DA...

[SCOFFS BITTERLY]

MY DA ACTUALLY HAS A HIT OUT ON ME.

[CHUCKLES DISMISSIVELY]

A PAID-FOR HIT.

[STOPS LAUGHING]

YOU'RE SERIOUS?

10,000 POUNDS.

I DON'T EVEN KNOW WHERE HE GOT 10,000 POUNDS.

BUT HE PUT IT UP

WHEN I JOINED THE POLICE SERVICES.

NOW I'M A TARGET

FOR ANY TRAVELLER WHO MIGHT COME ACROSS ME.

YOUR FAMILY WANTS YOU DEAD?

VERY.

WHY ARE YOU TELLING ME THIS?

BECAUSE,

IF WE'RE TO BE...

GONNA BE PARTNERED,

THEN... [TAKES A BREATH]

YOU SHOULD KNOW WHAT YOU'RE DEALING WITH.

I GUESS I'M JUST SAYING

THAT, YOU KNOW, HAVING A GREAT, BIG FAMILY'S...

[SIGHS WEARILY]

...NOT ALWAYS SUCH A GOOD THING.

[CHUCKLES SOFTLY]

[♪♪♪]

HERE'S OUR GUY.

[♪♪♪]

GO AHEAD.

I NEED A MINUTE.

NO TROUBLE. TAKE YOUR TIME.

[ROARS]: ANNE-MARIE! ANNE-MARIE!

[♪♪♪]

[PACKETS CRACKLING]

[♪♪♪]

I CAN'T BELIEVE HOW MANY MEN

BUY SHOES FROM THIS STORE.

BUT NONE OF THEM IS WHO WE'RE LOOKING FOR.

SIENNA'S RIGHT. IT'S A VERY OLD STYLE.

THE LAST PAIR SOLD IN EUROPE

WAS FIVE YEARS AGO TO A SPANISH WOMAN.

I MADE SOME PHONE CALLS TO MADRID.

ARE YOU OKAY?

HE WAS OUT THERE IN THE PARK, THE KILLER.

YEAH.

IF MY MACHINE WERE BETTER,

WE WOULD KNOW WHO HE IS BY NOW.

IT'S NOT YOUR FAULT, SEBASTIAN.

NO, IT'S TRUE.

I NEED TO FIND A WAY TO INCREASE THE SCAN AREA,

TO ANTICIPATE WHAT'S OUTSIDE THE PERIMETER,

AS WELL WHAT'S INSIDE.

WELL, THEN DO IT.

MAKE IT BETTER FOR THE NEXT TIME.

JUST DON'T BLAME YOURSELF FOR ANNE-MARIE, OKAY?

I'M GONNA TELL HICKMAN

THE DATABASE IS COMING UP EMPTY.

[PHONE RINGING]

YEAH?

UH-HUH. ALL RIGHT.

THAT WAS SIENNA.

SOMETHING?

SHE'S BRINGING IN ANTOINE LAFFONT.

HE WAS THE UNIFORMED GUARD AT THE CRIME SCENE.

WHAT ABOUT YOU? YOUR SOURCE?

ANYTHING?

NO. NOT FOR THIS.

[SIGHS]

WHAT IS HE DOING WITH HER?

"DOING?"

WHAT SHOULD WE BE HOPING FOR?

SHE'S ALIVE AND, UH...

BEING TORTURED,

OR...

DEAD

AND NOT SUFFERING ANYMORE?

IF SHE'S ALIVE, WE CAN GET TO HER.

[♪♪♪]

THANKS.

WE'LL LET YOU KNOW AS SOON AS WE KNOW MORE.

-IT'S NOT HER. -THANK GOD.

THE BODY IN THE WOODS--

IT'S AN OVERDOSE.

A KNOWN LOCAL JUNKIE.

WE STILL DON'T HAVE ANY IDEA WHERE SHE IS.

LET'S GO BACK TO THE BEGINNING.

I'VE BEEN LOOK AT THE CRIME SCENES.

NOW, THEY AREN'T EXACT MATCHES,

BUT LOOK AT THAT.

ISN'T EVERYTHING JUST A BIT TOO SIMILAR?

YOU MEAN STAGED?

THE SITUATION IS...

SIMILAR.

CHASING THEM THROUGH THE WOODS

IS PART OF HIS THING, RIGHT?

THE SIMILARITIES COULD BE COINCIDENCE.

I DON'T KNOW. IS IT MORE THAN THAT?

WHAT ARE YOU THINKING?

[WORDS CATCH, SIGHS]

I'M THINKING HAT HE'S RECREATING SOMETHING.

WE ALL SAID THAT WE THOUGHT HE WAS PUTTING ON A SHOW.

IT'S NOT A SHOW. IT'S A RITUAL.

HE DOESN'T HIDE THE BODIES.

SO IF SHE'S NOT FOUND SOON, IT'S A GOOD THING?

SHE PROBABLY SURVIVED THE NIGHT.

WHICH MEANS HE COULD GET BACK ON SCRIPT,

BACK ON RITUAL.

WHICH MEANS HE WILL TAKE HER TO A CAPITAL CITY.

GREAT.

SO, BY TONIGHT, HE COULD BE ANYWHERE FROM, UH...

OSLO TO ATHENS.

ALL RIGHT. LET ME ARRANGE SOMETHING.

[♪♪♪]

[TOMMY]: THANK YOU. HAVE A SEAT DOWN HERE.

HE'S BEEN AT HEADQUARTERS ALL NIGHT,

ANSWERING THEIR QUESTIONS.

HE SPOKE TO A LOT OF PEOPLE,

BUT CAN'T REMEMBER ANY OF THEM.

NO ONE?

HE SAYS NONE OF THEM STAND OUT.

HE'S SCARED.

SCARED?

LOOK AT HIM.

THE WAY HIS EYES DART

AND HIS EYEBROWS ARE RAISED,

HIS MOUTH, THE CORNERS ARE PULLED BACK.

YOU SEE ALL THAT?

THE WAY HE LICK HIS LIPS?

RUBS HIS PALMS ON HIS PANTS?

HE'S AFRAID.

YOU MEAN LIKE IN "SUSPECT" AFRAID?

NO.

LAVEAUX BULLIES ALL HIS OFFICERS.

THERE HAS TO BE A WAY TO GET HIM PAST THAT

AND REMEMBER.

I COULD TRY SOMETHING.

DO YOU WANT TO TRY A C.I.?

A COGNITIVE INTERVIEW.

I'VE USED IT ON CRIME VICTIMS.

IT CAN BE EFFECTIVE.

[DOOR OPENING]

WOULD YOU LIKE TO SIT?

I'M SORRY.

I-I'VE TRIED.

I CAN'T REMEMBER ANY SPECIFIC DETAILS.

[SIENNA]: NOBODY THINKS YOU HAVEN'T TRIED.

NOBODY THINKS

THAT YOU HAVEN'T TOLD US

EVERYTHING THAT YOU CONSCIOUSLY KNOW.

PLEASE... SIT.

YOU SAID "CONSCIOUSLY"?

WELL, SOMETIMES,

ATTEMPTING TO RETRIEVE A MEMORY

IS ALMOST IMPOSSIBLE

IN THE TRADITIONAL WAY.

IT COULD BE BECAUSE OF TRAUMA,

IT COULD BE BECAUSE OF FEAR,

OR IT COULD BE

BECAUSE WE'RE UNDER SO MUCH PRESSURE TO GET IT RIGHT

THAT WE FREEZE UP.

BUT I'VE TOLD YOU EVERYTHING.

NOT EVERYTHING.

YES.

YOU HAVEN'T TOLD ME IF IT WAS WARM.

EXCUSE ME?

WAS IT WARM?

HOW IS IT RELATED TO--?

JUST...

TELL ME.

[TAKES A BREATH, SIGHS]

I THINK IT WAS AROUND 24 OR 25.

NO, NO, NO.

WERE YOU WARM?

DON'T GIVE ME THE FACT, GIVE ME THE FEELING.

YES, I WAS WARM.

[VOICE DRIFTING]: MOST OF THE DAY...

IT WAS COOLER

WHEN THE SUN WENT BEHIND THE CLOUDS.

GOOD.

NOW WHAT DO YOU SMELL?

LEAVES.

DAMP LEAVES.

AND THEY CUT THE GRASS YESTERDAY.

[SIENNA]: NOW, WHAT DO YOU HEAR?

ANTOINE?

WHAT DO YOU HEAR?

IT'S WHAT I DON'T HEAR.

I'M SORRY?

THERE SHOULD BE CHILDREN IN A PARK.

AND THERE'RE NO CHILDREN?

NO.

THEY CAN'T PLAY BECAUSE OF THE CRIME SCENE.

I HEAR THE PEOPLE COMPLAINING.

PEOPLE WANT THEIR PARK BACK.

AND HOW DOES THAT MAKE YOU FEEL?

I WISH THEY COULD HAVE THEIR PICNICS,

AND PLAY IN THE PLAYGROUNDS AND WALK THEIR--

[♪♪♪]

WHAT IS IT?

[♪♪♪]

THERE WAS A MAN...

HE HAD A DOG.

THE DOG!

THE DOG?

THE DOG THAT WAS DEAD LATER IN THE PARK.

HE KILLED IT!

WHAT DO WE KNOW ABOUT THIS DOG?

THERE WAS A DEAD DOG.

WE DIDN'T KNOW THAT SOMEONE KILLED HIM.

[LOUIS]: EVA, SEBASTIAN, DETAILS.

THIS MAN...

CAN YOU DESCRIBE HIM?

[♪♪♪]

ONLY THAT HE WAS VERY SHORT.

SHE'S GOOD.

YEAH. YOU ALL ARE.

IF ANNE-MARIE WERE DEAD...

...SHE WOULD HAVE BEEN FOUND BY NOW.

WHAT DOES IT MEAN FOR HER?

[♪♪♪]

IF HE HAS SOMEWHERE TO GO...

TO BE ALONE WITH HER...

TO HAVE TIME TO GET HIS RITUAL BACK...

[♪♪♪]

...THEN WHO AND...

WHAT SHE IS WILL MEAN LESS AND LESS.

SHE'LL JUST BECOME ANOTHER OF HIS FANTASIES...

[♪♪♪]

UNTIL TONIGHT.

THANK YOU. THANK YOU.

PARIS ANIMAL CONTROL COLLECTED THE DOG CORPSE.

IT HAD A MICROCHIP IN IT,

REGISTERED TO A LOCAL ANIMAL SHELTER.

EVA AND SEBASTIAN ARE HEADED THERE NOW.

ANTOINE'S DESCRIPTION'S AT ALL THE CHECKPOINTS NOW,

BUT I DON'T HOLD OUT MUCH HOPE.

THE DISTINCTIVE PART OF THE DESCRIPTION IS HIS HEIGHT

AND HE'S GONNA BE IN A CAR, SITTING DOWN.

THE MET CAME THROUGH.

THEY IDENTIFIED HER?

[SIENNA]: THE GIRL FOUND IN PARIS

APPEARS TO BE A MISSING FROM SOUTHEAST LONDON,

NAMED SASHA QUINN.

SAME HEIGHT, SAME HAIR COLOUR,

AND SHE WAS REPORTED

THE VERY NIGHT THE PARIS BODY WAS FOUND.

GETTING DNA INFORMATION FROM HER PARENTS,

BUT THEY HAVE TO BE SENSITIVE,

BECAUSE, IT SEEMS, SHE WAS AN ESCORT.

TRY THE AGENCY.

THEY KEEP INFORMATION ON THEIR CLIENTS.

I'M THINKING-- HER BEING AN ESCORT

MAKES THE CHOICE OF SHOE EVEN MORE PECULIAR.

WHAT DO YOU MEAN?

IT'S HEAVY. THE HEEL IS SHORT, IT'S VINTAGE, UNFLATTERING.

NOT SEXY ENOUGH?

NO, I WOULDN'T THINK SO.

[MUTTERS TO SELF]: IF YOU DON'T WANT THEM SEXY...

ARE YOU DRESSING THEM COMPLETELY?

[♪♪♪]

[GASPS GROGGILY]

WHERE ARE WE?

IN A LOVELY APARTMENT

THE DIPLOMATIC CORPS KEEPS FOR ADVANCED WORKERS.

DIPLOMATIC?

IT'S VERY COZY...

IT'S VERY PRIVATE.

DISCREET.

[♪♪♪]

I'M AN OFFICER OF THE FRENCH NATIONAL POLICE.

IF YOU LET ME GO, I...

I WILL SPEAK TO THE MAGISTRATE

AND I WILL TELL HIM YOU WERE VERY COMPASSIONATE.

YOU KNOW, I NORMALLY LET YOU DO THIS YOURSELF,

BUT THIS IS ALL VERY DIFFERENT, ISN'T IT?

THERE'S STILL A CHANCE FOR YOU!

COMPLETELY DIFFERENT.

I DON'T MEAN ANYTHING UNTOWARD,

BUT...

BUT IT'S TIME.

[SHAKILY]: TIME?

TIME TO CHANGE.

OKAY. SO WE HAVE A NAME AND WE MAY HAVE A PICTURE.

THE DOG WAS ADOPTED YESTERDAY BY A MAN CALLED "JOHN SMITH."

IT'S ABOUT AS ANONYMOUS A NAME AS YOU COULD USE...

-BUT IN AMERICA. -YEAH, BRITAIN, TOO.

YEAH, BUT THEY HAVE CCTV CAMERAS HERE.

SEBASTIAN IS GOING THROUGH IMAGES

RIGHT NOW.

I THINK I'VE GOT HIM!

DO YOU HAVE HIM?

[♪♪♪]

SENDING NOW.

GOT YOU.

GET THAT FACE TO EVERY COP IN EUROPE.

I WANT IT ON P.D.A.S,

CELL PHONES, ANY DEVICE ANYONE MIGHT HAVE.

I WANT TO KNOW WHO HE IS.

[♪♪♪]

[ANNE-MARIE GRUNTING AND STRUGGLING]

I DIDN'T WANT TO DO IT THIS WAY, BUT...

[♪♪♪]

NO!

THERE'S STILL A CHANCE-- THERE'S STILL A CHANCE TO DO IT RIGHT!

I REALLY WISH YOU'D COOPERATED.

NO, NO, NO, NO, NO!

[HER CRIES MUFFLE]

[♪♪♪]

AND THE ESCORT AGENCY SAYS SASHA'S LAST CLIENT WAS A MAN

NAMED...

JOHN SMITH. SO HE'S BRITISH?

WELL, NOT NECESSARILY. THEY ALSO SAID

THAT SHE ONLY HANDLED INTERNATIONAL CLIENTS.

SO WE KNOW JOHN SMITH IS AN ALIAS

ONLY USED BY BRITS OR AMERICANS.

I JUST HUNG UP WITH INTERPOL.

TELL ME YOU HAVE HIS NAME?

AND IT'S BEEN VERIFIED THROUGH ANOTHER AGENCY.

-WHICH AGENCY? -THE STATE DEPARTMENT.

HIS NAME IS GERALD WILHOIT.

HE'S A TRAVELLING ADVANCE SECRETARY

FROM THE U.S. DIPLOMATIC CORPS.

THAT'S HOW HE GOT AROUND SO EASILY.

AND WHY NOBODY STOPPED HIM AT ANY CHECKPOINT.

HE'S AN AMERICAN?

WITH DIPLOMATIC IMMUNITY.

WE HAVE A HIT ON THE PHOTO! HIGHWAY PATROL.

GENDARME PULLED OVER TO ASSIST A MOTORIST

WITH A FLAT TIRE IN THE MIDDLE OF THE NIGHT.

HE SAYS HE'S SURE FROM THE PHOTO IT'S OUR GUY.

WHERE?

E50, 25 KILOMETRES OUTSIDE METZ,

HEADING EAST.

-HE'S GOING TO GERMANY? -HE'S TAKEN HER TO BERLIN.

I'LL CALL GERMAN POLIZEI.

THERE'S NO WAY WE'LL GET TO BERLIN BEFORE NIGHTFALL.

WE HAVE A LONG-RANGE HELICOPTER.

A CHOPPER?

YEAH. I SET IT UP ONE HOUR AGO. LET'S GO.

-WE'LL TALK ABOUT THIS LATER. -YEAH.

HEY.

WHAT'S GOING ON WITH EVERYBODY?

THE GUY'S AMERICAN. WITH IMMUNITY.

AS IN, WE CAN'T ARREST HIM?

LUCKY WE HAVE AN AMERICAN ON THE TEAM.

YEAH, LUCKY.

GOD.

[♪♪♪]

[♪♪♪]

[SPEAKING GERMAN]

YOU DON'T KEEP ONE IN THE PIPE?

HAD THEM JAM TOO MUCH THAT WAY.

I'LL TAKE MY CHANCES WITH A PIECE THAT'S READY TO GO.

MM.

WOULDN'T NEED TO, IF YOU WERE FAST.

[♪♪♪]

DO YOU EVEN HAVE A GUN?

NEVER REALLY NEEDED ONE.

BRITS.

RIGHT. THAT'S WHAT I THOUGHT.

ALL RIGHT. THANKS, JIMMY.

GUT. DANKE.

GSG9 IS GONNA MEET US WHEREVER WE SAY.

GSG9?

YOU SAY "SWAT."

TELL ME ABOUT THE PARKS IN BERLIN.

THERE ARE SEVERAL LARGE ONES.

REMEMBER THE SCENE, REMEMBER THE BAD GUY.

WE'RE LOOKING FOR A WOODED AREA.

BUSY DURING THE DAY, BUT NOT AT ALL AT NIGHT.

SOMEWHERE NEAR THE CENTRE OF THE CITY.

TIERGARTEN'S THE RIGHT KIND OF PARK.

BUT THERE'S ALSO VOLKSPARK FRIEDRICHSHAIN.

SEBASTIAN, WE DON'T HAVE TIME TO BE WRONG.

WHICH PARK IS IT?

TIERGARTEN OR VOLKSPARK? WHICH ONE?

[♪♪♪]

TIERGARTEN.

[♪♪♪]

ALL RIGHT. BE CAUTIOUS WITH WILHOIT.

HE'S NOT ONLY DANGEROUS,

HE HAS DIPLOMATIC IMMUNITY.

SO, IF YOU FIND HIM,

MAKE SURE DETECTIVE HICKMAN GETS OVER THERE,

UNLESS YOU WANT HIM

TO HAVE GROUNDS FOR BEATING HIS ARREST.

[♪♪♪]

[♪♪♪]

ALL RIGHT. YOU OKAY?

RIGHT THERE.

OKAY.

STAY IN YOUR GRID.

STAY IN CONTACT.

BE READY ON MY SIGNAL. ALL RIGHT?

WE MOVE OUT IN TWO MINUTES.

DO YOU KNOW HOW TO USE THIS?

I SAID I NEVER NEEDED ONE,

NOT THAT I DIDN'T KNOW HOW.

WHO'S PADMA?

[♪♪♪]

IT'S YOUR BIRTHDAY, RIGHT?

SHE CALLED YOU FOR YOUR BIRTHDAY?

SHE'S MY NANNY.

SHE ALWAYS CALLS FOR MY BIRTHDAY.

BUT YOUR PARENTS HAVEN'T.

I'VE BEEN WITH YOU FOR THE LAST TWO DAYS.

NO ONE ELSE CALLED.

WELL, THEY'RE... VERY BUSY.

THEY'RE IMPORTANT PEOPLE WITH IMPORTANT JOBS.

-SIENNA. WE DON'T MAKE A BIG DEAL--

...OF BIRTHDAYS IN MY FAMILY ANYWAY.

SIENNA!

ALL I'M SAYING IS,

IT DOESN'T MATTER THAT THEY HAVEN'T CALLED.

ALL OUR FAMILIES ARE MESSED UP.

ALL I'M TRYING TO SAY IS...

CHEERS.

CHEERS, AND...

HAPPY BIRTHDAY.

REMEMBER WHAT I SAID OUTSIDE THE MORGUE?

TAKE DEEPER BREATHS?

[BOTH LAUGHING]

I SAID, "WE'LL FINISH THIS... LATER."

YES, MA'AM, INSPECTOR PRIDE.

WE'LL FINISH THIS LATER.

[♪♪♪]

I TOLD YOU-- FAIRE L'AMOUR.

[CALLS OUT]: COME ON! LET'S GO!

[♪♪♪]

[ANNE-MARIE WHIMPERS GROGGILY]

DON'T MOVE, OR IT'LL BE TOO DEEP.

[GASPS AND CRIES OUT]

[ANNE-MARIE SOBS]

IT'S ALL OVER, IT'S DONE.

WHAT... WHAT'S DONE?

YOU'RE DYING.

[SOBS]: NO!

[WEEPS, THEN YELPS]

YOU HAVE ONE CHANCE.

RUN.

[♪♪♪]

[♪♪♪]

[OFFICER]: ANNE-MARIE!

ANNE-MARIE!

[BARKS]: RUN!

[WHIMPERS]

SON OF A BITCH HUNTED HER.

RUN!

[STEADYING HER BREATH]

SHE WAS DEAD THE MOMENT SHE SHOWED HIM FEAR.

[STARTS CONTROLLING HER BREATH]

NO.

WHAT DID YOU SAY?

I SAID RUN!

NO.

I WILL KILL YOU

RIGHT HERE!

I'M NOT AFRAID OF YOU.

-[ROARS]: RUN! -[LOUDER]: NO!

[SMACK]

AH!

[SOBS]

RUN, YOU BITCH!

[GROANING WEAKLY]

[TAKES A STEADYING BREATH]

NO.

I AM IN CHARGE HERE!

WHO AM I SUPPOSED TO BE, GERALD? HUH?

WHO DID YOU THINK YOU WERE TALKING TO,

WHEN YOU WERE ALONE IN THE FRONT SEAT, GERALD?

RUN!

HE SEEMS TO HAVE SOME SORT OF RITUAL THAT PLAYS OUT...

BEFORE THE MURDER.

NO! IT'S ALL A FANTASY--

THE PARK, THE-- THE HUNTING!

HE DIDN'T JUST CONCEAL THEIR IDENTITIES,

HE... HE ERASED THEM.

YOU DRESSED ME UP! WHO AM I? WHO AM I SUPPOSED TO BE?

-RUN! NO!

-[VOICE BREAKING]: RUN! -NO!

-NO! -YOU BITCH.

YOU DO WHAT I SAY. YES!

YOU DO IT, AND YOU DO IT NOW! OKAY? RUN!

IT'S ODD, IT'S ACTUALLY A VERY OLD STYLE.

GERALD. GERALD, PLEASE.

IS IT YOUR MOTHER?

IS IT YOUR MOTHER?

THE OLDER SHOES, THE OLDER DRESS?

I'M NOT YOUR MOTHER!

I'M A DETECTIVE IN THE FRENCH NATIONAL POLICE.

YOU'VE TAKEN A POLICE OFFICER.

[CARL]: ANNE-MARIE!

GERALD, THEY KNOW WHO YOU ARE.

-WHO? -THE POLICE.

ANNE-MARIE!

[♪♪♪]

I AM DETECTIVE SAN.

YOU ARE SICK,

AND I CAN HELP YOU, AND I CAN--

[ANNE-MARIE CRIES OUT]

I AM NOT SICK!

YOU FILTHY BITCH!

GOD DAMMIT.

[CARL'S]: ANNE-MARIE!

OVER HERE!

ANNE-MARIE!

ARE YOU OKAY?

-GET HER UP, GET HER UP! -SHE'S BLEEDING!

-MEDIC! MEDIC! -OVER HERE!

I WOULDN'T RUN. I WOULDN'T SHOW FEAR.

YOU DID GOOD. YOU DID REALLY GOOD.

YOU GOT HER? HOLD HER!

COME ON, GET HER. GET HER.

OVER HERE.

GIVE ME YOUR GUN.

GIVE ME YOUR GUN!

HICKMAN.

WHAT?

DO YOU NEED THIS?

NO... NO!

[♪♪♪]

[♪♪♪]

[♪♪♪]

CAREFUL WITH THAT LITTLE THING.

IT MIGHT RAISE A NASTY BRUISE ON ME.

IT'S YOUR GUN.

YOU KIND OF LOOK CUTE WITH IT, THOUGH.

[LAUGHS]

[LOUIS]: TOMMY, COME IN. WE HAVE ANNE-MARIE.

REPEAT. WE HAVE ANNE-MARIE. SHE'S SAFE.

SHE'S ALIVE!

[ROARS]: SIENNA!

[♪♪♪]

[SHOT RINGS OUT]

SORRY.

DIDN'T SEE HIM... I DIDN'T SEE HIM...

OFFICER DOWN! OFFICER DOWN! HELP ME, NOW!

ANNE-MARIE...

SHE'S FINE, SHE'S FINE.

SHE'S SAFE. SHE'S SAFE.

[ROARING]: HELP ME!

WE DID GOOD. WE DID GOOD.

SHH, DON'T TALK NOW. JUST SHUSH. YOU'LL BE FINE.

[WEAKLY]: TELL THEM... I DID GOOD?

YOU DID SO GOOD. YOU DID AMAZING.

NO, NO, NO, NO, NO!

NO. WAIT, WAIT, WAIT!

SIENNA!

TOMMY!

HE STABBED HER! HE CAME FROM NOWHERE.

I COULDN'T DO ANYTHING!

WHERE DID HE GO?

TOMMY! WHERE DID HE GO?

THAT WAY! HE WENT THAT WAY!

-STAY HERE. -I'M GONNA KILL HIM!

DO NOT LEAVE HER ALONE!

[TOMMY SOBS]

[♪♪♪]

SIENNA... SIENNA! SIENNA?

[♪♪♪]

ANNE WILHOIT.

FOUND 28 YEARS AGO IN CENTRAL PARK.

SOMEONE CHASED HER

AND STABBED HER OVER A HUNDRED TIMES.

YOU DON'T KNOW ANYTHING ABOUT HER.

THEY COULD NEVER PROVE IT WAS YOU.

YOU WERE THE PRIME SUSPECT, THEY JUST COULDN'T CLOSE IT.

WHY WOULD I KILL MY MOTHER?

WHY DO GUYS LIKE YOU EVER KILL THEIR MOTHERS?

SHE BELITTLED YOU

AND MADE YOU CLEAN YOUR ROOM, DO YOUR HOMEWORK.

WHO GIVES A SHIT?

YOU'RE DONE NOW.

DON'T MOVE YOUR HANDS.

I'M A MEMBER OF THE UNITED STATES DIPLOMATIC CORPS.

PUT YOUR HANDS ON TOP OF YOUR HEAD.

I HAVE IMMUNITY! I DEMAND TO SEE--

-...THE AMBASSADOR! -HANDS ON TOP OF YOUR HEAD!

[GUN MISFIRES, CARL'S GASPS]

YOU DON'T KEEP ONE IN THE PIPE?

THEY JAM TOO MUCH THAT WAY.

[GASPING IN PANIC]

[LAUGHS MOCKINGLY]

I SAW YOU IN THE PARIS PARK!

YOU'RE A CRIPPLE, AREN'T YOU?

DAMN!

SHE LIKED TO BE CALLED "ANNIE," NOT ANNE.

I HATED THAT.

WHAT KIND OF MOTHER CALLS HERSELF "ANNIE"?

IT'S SO INAPPROPRIATE.

SOMETIMES,

EVEN KILLING SOMEONE DOESN'T SHUT THEM UP.

YOU SAY HELLO TO HER FOR ME, WOULD YA?

[SHOT RINGS OUT]

[BODY THUDS]

[♪♪♪]

LET ME TAKE IT.

[DISCHARGES A SHOT]

I TOOK THE SHOT.

I TOOK THE SHOT.

[♪♪♪]

ANNE-MARIE, WE'LL COME BY THE HOSPITAL

WHEN WE FINISH HERE.

THANK YOU, MAJOR.

I'VE TOLD YOU BEFORE,

CALL ME LOUIS.

[GURNEY RATTLING]

DID YOU KNOW HE WAS AN AMERICAN?

IS THAT WHY YOU NEEDED ME?

TO AVOID THE INTERNATIONAL INCIDENT?

ONLY ONE PERSON IN THE WORLD COULD'VE FIGURED IT OUT.

THANK YOU.

HICKMAN?

HICKMAN!

WOULD YOU COME WITH ME?

ABSOLUTELY.

[♪♪♪]

[AMBULANCE DOORS SLAM]

[♪♪♪]

[♪♪♪]

[♪♪♪]

[♪♪♪]

[KNOCK AT DOOR]

GEORGE SAID YOU WERE BACK.

PLEASE. PLEASE. COME IN.

SORRY ABOUT THE MESS.

LISTEN. THE MAN YOU ASKED ME ABOUT?

PHILLIP GENOVESE?

YEAH?

HE'S BACK, TOO.

DID HE HAVE ANY KIDS WITH HIM?

I DIDN'T SEE ANY. NOT THIS TIME.

IS HE STAYING IN THE SAME TRAILER?

ALWAYS.

DID HE DO THIS TO YOU?

IS HE THE ONE FROM NEW YORK?

THE ONE YOU WERE CHASING?

I KNEW A MAN LIKE YOU DOESN'T JUST

SHOW UP ONE DAY TO CLEAN GARBAGE.

A MAN LIKE ME?

A MAN OF SUBSTANCE.

CLEANING UP GARBAGE

IS SOMETHING I'VE ALWAYS BEEN GOOD AT.

GARBAGE LIKE GENOVESE?

JUST LIKE THAT.

ARE YOU GOING TO KILL HIM FOR IT?

NO. NOT FOR THIS.

I NEVER THANKED YOU PROPERLY

FOR COMING TO MY DEFENSE THE OTHER DAY.

NOT NECESSARY.

[LAUGHS]

ARE YOU SURE?

I'M SURE.

STORY OF MY LIFE.

[♪♪♪]

[♪♪♪]

I'M NOT GOING TO FEED YOU.

IT'S AGAINST THE LAW HERE.

THOSE UPON WHO YOU'VE DEPENDED FOR SUSTENANCE

HAVE TURNED AGAINST YOU

AND DEEMED YOU A TOXIC BLIGHT UPON SOCIETY...

AND THAT MEANS EMPTY BELLIES FOR YOU CHAPS.

[LOUIS CHUCKLES SOFTLY]

YOU'RE TALKING PHILOSOPHY TO PIGEONS?

YEAH, BUT THEY DON'T LISTEN.

WELL, I'M BEGINNING TO KNOW HOW THAT FEELS.

I'M SORRY ABOUT INSPECTOR PRIDE.

THANK YOU.

THEY'RE NOT VERY SUBTLE, YOUR TEAM.

PICTURES, HEADLINES...

EVERYTHING, EVERYWHERE.

[WINGS BEATING]

AN AMERICAN DIPLOMAT

SHOT AND KILLED BY A FORMER AMERICAN POLICEMAN.

LUCKY YOU HAD HIM WITH YOU.

LUCKY. YES. VERY.

YOU THINK OF EVERYTHING, DON'T YOU, LOUIS?

[CHUCKLES]

[SIGHS HEAVILY]

IT'S UNOPENED.

I CAN SEE THAT.

YOU ASKED ME ABOUT REBECCA.

SHE'S NOT GOOD, YOU KNOW.

[LAUGHS SADLY]

WE MAY NEVER BE...

I'M SORRY.

GO HOME, LOUIS.

BE WITH HER.

BE TOGETHER.

[♪♪♪]

ARE YOU STILL HERE?

SO MUCH FOR THE WISE WORDS OF AN OLD MAN.

WELL, MAYBE SOME OLD LADY WILL COME BY AND FEED YOU.

ME? I HAVE NO BREAD.

[♪♪♪]