Original subtitles

[♪♪♪]

[HICKMAN]:

LIKE ALL GOOD STORIES,

THIS ONE STARTS

WITH A BEAUTIFUL WOMAN...

YOUNG, ADVENTUROUS,

FULL OF LIFE.

[♪♪♪]

[♪♪♪]

[PANICKED, RAGGED BREATHING]

[WHIMPERING]

[GRUNTS AND GASPS]

AH!

[BEGINS SOBBING]

PLEASE DON'T HURT ME ANYMORE!

[MUD SPLASHES]

[GASPS SOFTLY]

[TWIG SNAPS]

[SCREAMS]: HELP ME!

[SOBBING]

[DAGGER SCRAPES SHEATH]

[♪♪♪]

[SHE SHRIEKS]

[♪♪♪]

[♪♪♪]

[HICKMAN]: UNFORTUNATELY,

THIS STORY ALSO STARTS

WITH THE END OF THAT LIFE,

WITH HER MURDER.

[♪♪♪]

[♪♪♪]

-MORNING, SIR.

-GOOD MORNING.

MORNING, MAJOR.

GOOD MORNING.

WHAT ARE YOU DOING HERE, LOUIS?

IT'S MAJOR DANIEL,

AND I'M HERE BECAUSE

I AM A MEMBER OF

THE NATIONAL POLICE.

DID YOU SEND HER?

NO.

BUT SHE'S WITH ME.

YOU ARE NO LONGER

IN THE 36, MAJOR.

I'M IN CHARGE NOW.

WHEN I WAS IN CHARGE,

I DIDN'T FEEL THE NEED

TO TELL EVERYONE.

MAJOR DANIEL.

CALL ME LOUIS,

ANNE-MARIE, PLEASE.

SHE'S BAD, SIR.

DO WE KNOW

WHO SHE IS?

THERE'S NOTHING.

AGAIN.

[♪♪♪]

YOU WERE RIGHT.

THIS WAS

THE SAME KILLER.

[♪♪♪]

[CLATTERING]

AH!

[ROARS AND CRIES OUT]

[♪♪♪]

[GRUNTS]

[HICKMAN]: I WAS NOT

IN A GOOD WAY.

TRUTH IS, THERE WERE DAYS

I THOUGHT ABOUT JUST GIVING UP.

THE ONLY THING KEEPING ME ALIVE

WAS ANGER...

AND MORPHINE.

[GURNEY RATTLING]

COMMISSAIRE LAVEAUX.

I NEED YOU TO KEEP

THE SCENE SEALED

FOR A COUPLE OF DAYS.

HOW IN HELL IS THIS

A EUROPOL CASE?

OH, IT'S NOT.

THEN YOU HAVE

NO AUTHORITY

TO SEAL THE SCENE.

I'M NOT ORDERING YOU.

I'M ASKING YOU,

BECAUSE THIS MAY NOT

BE THE FIRST VICTIM.

I'VE HAD NO NOTIFICATION

OF ANY OTHER MURDER.

THAT'S BECAUSE SHE'S

THE FIRST FRENCH VICTIM.

A SERIAL KILLER

IS IN FRANCE,

AND YOU HAVE A CHANCE

TO CATCH HIM.

ME?

I NEED A FEW DAYS,

AND, AT THE RIGHT MOMENT,

I WILL TURN EVERYTHING

OVER TO YOU.

YOU'LL TAKE NO CREDIT?

NO.

TWO DAYS.

AND I WANT TO BE

KEPT INFORMED

OF ANY PROGRESS.

THANK YOU.

THE SCENE

WILL BE KEPT CLOSED.

WHERE ARE YOU GOING?

AMSTERDAM.

[HICKMAN]: I HAD NO IDEA

HOW MUCH THAT POOR YOUNG

GIRL,

DEAD IN A PARK

IN THE MIDDLE OF PARIS,

WAS ABOUT TO CHANGE MY LIFE.

[PARK PATRONS CHEERING

AND YELLING]

[MAN]: WHAT THE HELL

DO YOU MEAN, "NO"?

[WIFE]: IT'S OKAY,

DARLING. WE CAN--

[HUSBAND]: GUESS

MY WIFE'S WEIGHT!

I DON'T DO THAT.

I PAID MY MONEY!

[PSYCHIC]: I READ CARDS.

I CAN TELL YOU SOME THINGS

ABOUT YOURSELF

AND MAYBE GIVE YOU

SOME INSIGHT INTO--

I PAID MY MONEY.

NOW GUESS

HER GODDAMNED WEIGHT!

HEY, WHY DON'T YOU

JUST LEAVE HER ALONE, PAL?

WHY DON'T YOU MIND

YOUR OWN BUSINESS?

HEY, YOU GOT A PROBLEM?

GO TO HELL.

YOU WANT TO KNOW

SOMETHING ABOUT YOURSELF?

I'LL TELL YOU

SOMETHING ABOUT YOURSELF.

YOU GOT SOFT HANDS

AND NO MUSCLE TONE,

WHICH MARK YOU FOR WHITE-COLLAR,

BUT YOUR EYES

HAVE NO SPARK OF INTELLIGENCE,

AND YOU OBVIOUSLY CAN'T DECIPHER

A SIMPLE SIGN, SO GUESS WHAT?

YOU'RE NOT MANAGEMENT.

MY GUESS IS YOU'RE A DRONE.

YOU'RE A WORKER-BEE.

TOP BUTTONHOLE'S

PULLED WIDE AND FRAYED.

YOU'RE FATTER

THAN YOU USED TO BE,

AND YOU CAN'T AFFORD

A NEW SHIRT.

YOU'RE NOT EVEN

A SUCCESSFUL WORKER-BEE.

BUT MAYBE THERE'S ANOTHER REASON

THAT YOU CAN'T AFFORD

A NEW SHIRT. HUH?

IT'S A GIRLFRIEND, YEAH?

-HEY...

-A MISTRESS? HUH?

BUT NOT JUST ANY MISTRESS.

OH, NO, NO, NO, NO, NO.

A MISTRESS WITH A BABY.

YOUR BABY. YOUR BABY!

PERHAPS YOU KNOW HER, MADAM?

SHE'S GOT LONG BLONDE HAIR?

YOU!

YOU SAID YOU WOULDN'T

SEE HER ANYMORE!

AND NOW THERE'S A BABY?

NO, NO. BETTE!

LET ME EXPLAIN THIS!

I THINK IT'S A BOY.

IN POUNDS, I'D SAY YOUR WIFE

IS 140, 145?

I'M NOT SURE WHAT THAT IS

IN KILOS, BUT...

YOU BASTARD!

HE IS A BASTARD,

BUT YOU ARE NOT HITTING HIM.

YOUR WIFE IS GETTING AWAY.

GO.

YOU HAVEN'T LOST YOUR WAY

WITH PEOPLE.

IT'D BE A BETTER WORLD

WITHOUT THEM IN IT.

HOW COULD YOU POSSIBLY FIGURE

THE MISTRESS AND THE BABY?

WHY ARE YOU AT A CARNIVAL

IN AMSTERDAM, LOUIS?

THAT'S WHAT YOU'RE DOING

WITH YOUR SKILLS, CARL?

WHY ARE YOU HERE?

YOU HAVE SOMEPLACE PRIVATE

WE CAN TALK?

YEAH.

[RIDE MUSIC TINKLING]

[♪♪♪]

HOW MANY?

FOUR.

INCLUDING THE ONE IN PARIS.

A LOT OF CUTTING.

HE'S A BAD ONE.

CARL, DO YOU

MISS THE JOB?

STILL HAVEN'T TOLD ME

WHY YOU'RE HERE, LOUIS.

IF YOU WANT TO

FEEL LIKE A COP AGAIN,

I HAVE A JOB FOR YOU.

[♪♪♪]

DOESN'T THE I.C.C.

DO WAR CRIMES

AND GENOCIDES?

FOR NOW, WE ARE GOING TO

TRY SOMETHING.

"WE"?

I CHOSE

A TEAM OF COPS

FROM ALL OVER THE EUROZONE.

EACH HAS A SPECIAL SKILL.

LIKE YOU.

I'M NOT A COP ANYMORE.

THEN I WON'T HAVE TO

PAY YOU MUCH.

WHERE ARE WE GOIN'?

IF YOU'RE GONNA

SHOOT ME,

YOU COULD'VE DONE THAT

IN AMSTERDAM.

HELL, I'D HAVE

LOADED THE GUN.

NOT WITH YOUR HAND.

GOOD POINT.

CAN'T GRIP ANYTHING

HEAVIER THAN MY JOINT

WITHOUT SCREAMING.

"JOINT"?

YOU KNOW... JOHNSON.

PECKER.

JOINT.

AH... "BRAQUEMARD."

YOU FRENCH MAKE EVERYTHING

SOUND LIKE A SAUCE.

[LAUGHS]

BUT YOU'RE STILL

ABLE TO FUNCTION?

DEPENDS ON

YOUR DEFINITION OF FUNCTION.

YOU'RE VERY LUCKY,

YOU KNOW?

LUCKY?

THAT YOU WERE BORN

WITH A LIGHT "JOINT."

[♪♪♪]

INSPECTOR SIENNA PRIDE.

SCOTLAND YARD.

INTERROGATION SPECIALIST.

INVESTIGATOR SEBASTIAN BERGER,

TECH GENIUS.

POLIZEI IN BERLIN, GERMANY.

EVA VITTORIA, SERGEANT,

ANTI-MAFIA.

UNDERCOVER

AND COVERT OPERATIONS.

[LOUIS]:

DETECTIVE TOMMY McCONNELL,

POLICE SERVICES

NORTHERN IRELAND,

WEAPONS AND TACTICAL EXPERT.

AND DETECTIVE SERGEANT

ANNE-MARIE SAN.

CRIMINAL ANALYST,

TRAFFIC AND CRIMES SPECIALIST.

TEAM, MAY I PRESENT...

DETECTIVE FIRST-GRADE

CARLTON HICKMAN.

-YOU PREFER "CARL."

-NYPD.

FORMER NYPD.

LED THE DEPARTMENT IN ARRESTS

SIX YEARS RUNNING.

IN CONVICTIONS, TOO.

FOUR YEARS

AS NYPD LIAISON

IN EUROPOL AFTER 9/11.

THEN BACK TO NEW YORK,

WHERE YOU LED THE DEPARTMENT

IN ARRESTS AGAIN.

UNTIL YOU WERE SHOT

IN THE HAND.

CHASING

A CHILD ABDUCTION SUSPECT.

-WHO GOT AWAY.

-BUT YOU SAVED THE CHILD.

HOW DID WE DO?

IMPRESSIVE USE OF GOOGLE.

YOU HAVE ALL THE SKILLS

OF 12-YEAR-OLDS.

WELL, HERE'S ONE THING

I COULDN'T FIND ON GOOGLE.

IF YOU'RE SO BLOODY GOOD,

WHY'D THE NYPD SACK YOU?

I'M ONLY HERE BECAUSE...

LOUIS ASKED ME TO COME--

IF I'M SO BLOODY GOOD...

[SCOFFS] YOU CAN KISS MY ASS

IN MACY'S WINDOW.

ASSHOLE.

MACY'S WINDOW?

IT'S A SHOP IN NEW YORK.

YOU WOULD KNOW THAT.

WELL, IT'S NOT JUST NEW YORK,

IT'S ALL OVER AMERICA.

WHY WOULD HIS "ASS"

BE IN THE WINDOW?

WAITING TO BE KISSED

BY TOMMY McCONNELL.

[LAUGHING]

CARL, PLEASE.

I DON'T NEED THIS.

NYPD BETRAYED YOU.

IT'S NOT FAIR.

I DON'T WANT TO SEE YOU

ENDING UP A GARBAGE MAN

IN A CARNIVAL.

I SAW YOU TODAY

WITH THAT MAN.

YOUR MIND

IS SHARP AS EVER.

WE HAVE A CHANCE

TO STOP A KILLER.

A BAD ONE.

YOU DON'T WANT THAT?

THAT'S NOT

WHAT YOU NEED?

[♪♪♪]

[FOOTSTEPS]

I WAS SACKED

BECAUSE MY BOSSES WERE

ASSHOLES

WHO STABBED ME IN THE BACK.

ALSO, I'M ON

PERMANENT HEAVY MEDS,

AND I HAVE A USELESS RIGHT HAND,

THE HAND THAT I WRITE

AND SHOOT WITH,

SO I CAN'T FILL OUT A REPORT

OR HOLD A GUN.

ANY OTHER QUESTIONS?

ANYONE?

NOT RIGHT NOW.

[LOUIS]: GOOD.

SO LET'S STOP A MONSTER

BEFORE HE KILLS

ANOTHER WOMAN.

SO, THE FIRST VICTIM WAS IN ROME

SEVEN MONTHS AGO.

A YOUNG GIRL

IN VILLA BORGHESE PARK,

IN THE WOODS.

SAME THING IN DUBLIN,

THREE MONTHS LATER.

PHOENIX PARK.

LONDON'S RICHMOND PARK,

ONE MONTH AGO.

AND, NIGHT BEFORE LAST,

PARC DE SAINT-CLOUD IN PARIS.

EACH KILLED

IN A LARGE PARK

IN A CAPITAL CITY.

HE'S PUTTING ON A SHOW.

TOSSER LIKE THIS

ALWAYS IS.

[ANNE-MARIE]: THREE MONTHS

BETWEEN THE FIRST AND SECOND,

THREE MONTHS

BETWEEN THE SECOND AND THIRD,

BUT NOW ONLY ONE MONTH

BEFORE THE FOURTH.

THE TIME BETWEEN VICTIMS

IS GETTING SHORTER.

HAVE ANY OF THE WOMEN

BEEN IDENTIFIED?

THERE'S NOTHING

TO IDENTIFY THEM WITH.

HE DID SO MUCH DAMAGE

TO THE FACES AND JAW LINES,

IT'S IMPOSSIBLE TO COMPARE THEM

WITH PHOTOGRAPHS

OR DENTAL RECORDS,

AND THE FINGERPRINTS

ARE GONE.

GROUND OFF.

LIKE WITH SANDPAPER.

[ANNE-MARIE]:

HE BRINGS TOOLS.

NONE OF THE VICTIMS MATCH

ANY OPEN MISSING-PERSONS REPORT

AS FAR AS HEIGHT

AND HAIR COLOUR.

[SIENNA]: HE ALSO REMOVES

CLOTHING, JEWELLERY,

ANYTHING WE CAN USE

FOR SECONDARY IDENTIFICATION.

HE DIDN'T JUST CONCEAL

THEIR IDENTITIES,

HE ERASED THEM.

HE'LL MESS UP.

THEY ALWAYS DO.

PROSTITUTES

SOMETIMES GO MISSING.

THESE WOMEN

DON'T LOOK LIKE, UH...

THEY'RE NOT THE STREET TYPES.

THEY SEEM HEALTHY,

IN RELATIVELY GOOD SHAPE.

NO SIGNS OF DRUG USE.

HOW CAN

FOUR YOUNG GIRLS BE DEAD

AND NO ONE

IS LOOKING FOR THEM?

[SIENNA]:

WE'VE GOT NOTHING AT ALL

BUT FOUR FACELESS,

NAMELESS BODIES.

THAT'S NOT NECESSARILY TRUE.

EVERY FACT HAS A REVERSE.

HAVING NO IDENTIFYING

INFORMATION MEANS--

COULD MEAN...

THAT HE WENT TO A LOT OF TROUBLE

TO KEEP THEM UNIDENTIFIED.

WHY DO THAT?

WHY DO THAT?

...IF THEY WERE

CONNECTED TO HIM.

IF WE I.D. THEM...

IT PROBABLY WOULD LEAD

DIRECTLY TO HIM.

SO, JOB ONE,

WHO ARE THESE WOMEN?

SIENNA AND TOMMY,

YOU GO TO THE PARIS MORGUE

AND FOLLOW UP WITH THE BODY.

STRAIGHT AWAY, SIR.

ANNE-MARIE, TAKE HICKMAN

TO THE PARC DE SAINT-CLOUD

CRIME SCENE.

SEBASTIAN, GO AS WELL,

AND USE YOUR NEW EQUIPMENT.

VERY GOOD, SIR.

WE SHOULD BE ABLE

TO JOIN YOU ALL

IN PARIS BY NIGHTFALL.

ALL RIGHT?

[♪♪♪]

GOT A TICKET IN MY NAME?

PRETTY CONFIDENT

I'D JOIN UP.

YOU'RE NOT THE ONLY ONE

WITH DEDUCTIVE SKILLS.

EVA, YOU'RE WITH ME.

NOW THAT EVERYONE IS WORKING,

I GUESS

WE SHOULD GET PERMISSION.

[♪♪♪]

[♪♪♪]

[EXHALES DEEPLY]

[♪♪♪]

HOW MUCH OF THAT

DO YOU TAKE?

I FOLLOW THE DIRECTIONS.

CAN WE TRUST

YOUR BRAIN ON THAT?

I PROBABLY WOULDN'T.

DRINK?

NO.

IRISHMAN

REFUSES A DRINK.

ALERT THE MEDIA.

COCKY AMERICAN.

WHO SAW THAT COMING?

HOW MUCH DID YOU WIN

IN YOUR LAST FIGHT?

OR WAS IT JUST A FEUD THING?

THIS YOUR WAY

OF IMPRESSING ME?

YOU RECKON

I'LL GO ALL CHILLY

'CAUSE YOU DEDUCED

I BARE-KNUCKLE FIGHT?

BROKEN 51 TIMES,

GREW BACK WANKY.

ANYONE CAN SEE IT.

NOT TOO MANY WAYS

THAT HAPPENS,

PAST PUNCHING THINGS

WITHOUT GLOVES ON.

MY LESS-THAN-POSH

IRISH BACKGROUND

POINTS TO BARE-KNUCKLE

CLAN FIGHTING,

AND MY STILL-PRETTY FACE

SAYS I USUALLY WIN.

YOU'RE NO SMARTER THAN ME,

SUPER-DETECTIVE.

YOU'RE AN ANGRY GUY, TOMMY.

THAT'S GONNA GET IN YOUR WAY.

YOU SAYING

YOU'RE NOT ANGRY?

I'M SAYING

THE LAST PERSON IN THE WORLD

YOU WANT TO END UP LIKE IS ME.

[♪♪♪]

[♪♪♪]

[♪♪♪]

LOUIS.

SERGEANT VITTORIA

OF THE N.O.C.S. IN ROME.

THIS IS...

MIKAEL LECHNYA DORN.

I'M HONOURED, SIR.

I KNOW OF YOUR WORK

WITH THE INTERNATIONAL

CRIMINAL COURT.

"SIR?"

I'M NOT ONE OF

YOUR "SIRS," SERGEANT.

I'M DORN. JUST DORN.

THEY REFUSED

TO SANCTION YOUR TEAM.

WHAT?

I WARNED YOU, LOUIS.

MY HANDS ARE

PRETTY MUCH TIED.

THEY'RE VERY CAUTIOUS,

THOSE MEN IN THERE.

THEY DON'T SEEK

FAME, MONEY, AMBITION.

THEY'RE INCORRUPTIBLE,

WHICH MEANS

IT'S VERY DIFFICULT

TO MAKE A DEAL

WITH THEM.

DID THEY GIVE

A REASON FOR REFUSAL?

YEAH. THEY'RE CONCERNED

THAT THEY WOULD BE,

OR WOULD APPEAR TO BE,

USURPING THE POWER

OF SOVEREIGN STATES.

I'M NOT ASKING FOR POWER,

I JUST WANT TO DO MY JOB.

WELL...

YOU'RE GOING TO HAVE TO FIND

ANOTHER WAY TO DO YOUR JOB.

I DON'T UNDERSTAND.

THE WORKINGS OF THE COURT

ARE VERY COMPLICATED--

NOT THEM.

YOU.

I DON'T UNDERSTAND YOU.

I BEG YOUR PARDON?

I READ SOMETHING

YOU WROTE ONCE,

IN A REPORT ON KOSOVO.

"THE MOTHERS AND WIVES

OF MISSING SERBS

"ARE BEGGING FOR

THEIR LOVED ONES TO BE FOUND,

"BUT THEY NEVER WILL BE.

THIS COURT IS THE ONLY--"

"THIS COURT..."

"...IS THE ONLY PLACE

FOR THEM TO TURN.

"WE WEEP

FOR THOSE

NO ONE ELSE WEEPS FOR."

EXACTLY.

FOUR WOMEN HAVE BEEN BUTCHERED

BY THE SAME MAN

IN FOUR DIFFERENT COUNTRIES.

THAT MAN WILL

NEVER BE CAUGHT

BECAUSE THE AUTHORITIES

IN ROME

DON'T TALK TO DUBLIN,

WHO DON'T TALK TO PARIS,

WHO DON'T

TALK TO LONDON.

I MEAN,

I-IT'S NOT THEIR FAULT,

BUT THAT'S THE WAY IT WORKED

UNTIL MAJOR DANIEL

BROUGHT US TOGETHER.

MAYBE ONE DAY,

WE WON'T NEED IT,

BUT RIGHT NOW,

THIS COURT

IS THE ONLY PLACE

FOR THESE WOMEN TO TURN.

NO ONE ELSE WEEPS FOR THEM.

NO ONE.

WE'RE ADJOURNED.

IT'S A CRIME OF AGGRESSION

THAT IS ONGOING, SYSTEMATIC

AND CROSS-BORDER.

THIS IS EXACTLY

WHAT THE I.C.C. DOES.

[SIGHS]: SORRY.

NO. IT'S FINE.

WHAT MAN DOESN'T LIKE A WOMAN

TO TELL HIM HOW BRILLIANT HE IS?

[SCOFFS REGRETFULLY]

GET READY TO TRAVEL.

-ARE YOU SURE?

-ABSOLUTELY.

[♪♪♪]

I.C.C. TEAM

FROM THE HAGUE?

-CA VA?

-CA VA.

MAJOR DANIEL SAID

TWO CARS WOULD BE SUFFICIENT.

C'EST LES DEUX-LA.

-OKAY.

-D'ACCORD.

-MERCI, DETECTIVE MOREAU.

-AVEC PLAISIR.

THAT'S SERVICE.

I.C.C. TEAM?

I DIDN'T KNOW

WE HAD A NAME.

IT'S LIKE WE'RE

THE JUSTICE LEAGUE

OR SOMETHING.

"JUSTICE LEAGUE?"

IT'S AN AMERICAN

COMIC BOOK

ABOUT A TEAM

OF SUPER-HEROES.

HOW DO YOU LOT

NOT KNOW THAT?

WHAT DID YOU READ

WHEN YOU WERE KIDS?

-BIOGRAPHIES.

-ENCYCLOPEDIAS.

THINGS WITH

GROWN-UP WORDS.

GUESS I DIDN'T GET

THE SAME BOOKS

AS YOU CHELTENHAM

GIRLS' SCHOOL LOT.

CHELTENHAM "LADIES,"

ACTUALLY.

ALL RIGHT, LADIES, IS IT?

WE'LL SEE YOU

AT THE CRIME SCENE.

TOMMY!

HEY, I DRIVE.

OH, GROW UP.

WHY DON'T THEY JUST

GO FAIRE L'AMOUR

AND GET IT OVER WITH?

[ENGINE STARTS]

[♪♪♪]

OH, STAY, STAY, STAY.

[EXHALES WEARILY]

THE MAGISTRATE IS

WRITING UP AN ORDER,

AUTHORIZING YOU

TO INVESTIGATE

THIS CRIME SERIES.

THIS SERIES ONLY.

THANK YOU, DORN.

THANK SERGEANT VITTORIA.

IT'S ALWAYS THE SAME.

A WOMAN'S MIND IS...

QUITE EXTRAORDINARY.

HERE.

YOU ARE DOING THIS

FOR THE RIGHT REASONS,

AREN'T YOU, LOUIS?

THIS IS ABOUT THE WOMEN,

ABOUT THE JOB, YES?

YOU ARE NOT

USING EVERYONE

TO FURTHER ANOTHER END,

ARE YOU?

WHAT DO YOU WANT ME TO SAY?

THE TRUTH.

I DON'T KNOW.

[SIGHS]

HOW IS REBECCA?

THE SAME.

-[FOOTSTEPS]

-THANK YOU.

[♪♪♪]

YOUR ORDER.

BE WARY, MY FRIEND.

"THOSE TO WHOM

EVIL IS DONE..."

"...DO EVIL

IN RETURN."

YOU QUOTE AUDEN TO ME?

[CHUCKLES]

SERVES YOU RIGHT.

YOU GAVE HIM TO ME.

YEAH.

IT ALSO SAYS

"WE MUST LOVE EACH OTHER..."

[BOTH]: "...OR DIE."

I CAN ASSURE YOU

THAT THOSE

CONVENTIONAL AUTHORITIES

IN THOSE COUNTRIES

WILL NOT LOVE YOU.

PROBABLY NOT.

[DORN CHUCKLES]

THANK YOU.

[♪♪♪]

[INDISTINCT CONVERSATIONS]

AFTERNOON, DETECTIVE.

BONJOUR, OFFICER LAFFONT.

THIS IS DETECTIVE HICKMAN.

ARE THE NEIGHBOURS

GIVING YOU A HARD TIME?

I CAN'T REALLY

BLAME THEM.

THEY JUST WANT TO

USE THEIR PARK.

YEAH. WE'LL TRY TO

FINISH UP BY TODAY, OKAY.

IS IT TRUE, MA'AM?

COMMISSAIRE LAVEAUX

OF THE CRIME SQUAD

IS CALLING HIM ANOTHER RIPPER,

LIKE THE ONE IN LONDON.

THERE'S A DIFFERENCE.

THIS ONE'S GONNA BE CAUGHT.

MERCI. SHALL WE?

IS THAT A COMPASS ROSE?

MIND YOUR BUSINESS.

OH, IT'S SOMETHING

YOU WANT TO HIDE?

WHY GET A TATTOO

YOU NEED TO HIDE?

YOU INTERROGATING ME?

I'M READY.

WE'LL FINISH

THIS LATER.

NO. WE WON'T.

DO YOU REALLY THINK

WE'LL CATCH THIS RIPPER?

DON'T CALL HIM THAT.

JACK THE RIPPER

KILLED FIVE WOMEN

IN FIVE COMPLETELY

DIFFERENT LOCATIONS.

EVERY SCENE WAS MORE BRUTAL

THAN THE LAST.

HE TOOK PRIZES, BODY PARTS.

EVERYTHING FOR HIM

WAS POST-KILL.

THIS GUY

DOES THE SAME THING EVERY TIME,

IN THE SAME TYPE OF PLACE.

HE SEEMS TO HAVE

SOME SORT OF RITUAL

THAT PLAYS OUT

BEFORE THE MURDER.

EVERYTHING AFTER

IS TO CONCEAL

THE CRIME.

THEY COULDN'T BE

MORE DIFFERENT.

NO APPARENT SIGNS

OF A STRUGGLE.

NO OBVIOUS DRAG MARKS.

ANY IDEA HOW

HE GOT HER HERE?

NO VEHICLE TRACKS,

IF THAT'S WHAT YOU MEAN.

THAT'S WHAT I MEAN.

FOOTPRINTS?

THIS PARK

IS VERY WELL-TRAVELLED.

WE EVEN TRIED FOCUSING

ON ONLY THE BAREFOOT PRINTS,

BUT THERE ARE JUST TOO MANY.

WHAT'S THAT?

IT'S A VARIATION ON

A VIRTUAL AUTOPSY DEVICE.

IT USES

LIGHT-AMPLIFICATION BEAMS

TO SCAN A SCENE

THOUSANDS OF TIMES

SO WE CAN RECREATE IT

LATER, HOLOGRAPHICALLY.

I CALL IT "SCANGEN,"

BECAUSE IT, WELL,

IT GENERATES SCANS.

DO YOU NEED HELP

SETTING UP?

NO, I'M GOOD. THANKS.

[♪♪♪]

THIS GUY

IS VERY SHORT.

MAYBE 5'5",

AT THE MOST.

HOW DO YOU KNOW THAT?

SEE THE BLOOD SPLATTER

FROM THE KNIFE

ON THE BOTTOM

OF THE LEAVES?

YEAH?

THAT'S THE UPSTROKE.

GOES WAY UP THERE, RIGHT?

BUT NOW LOOK AT

THE TOPS OF THE LEAVES.

THE SPLATTER

FROM THE DOWNSTROKE

IS AT SIX-FEET OR BELOW.

A MAN WITH HIS ARM

RAISED ABOVE HEAD

USUALLY PICKS UP THE LENGTH OF

HIS LOWER ARM IN HEIGHT.

MY HEIGHT...

HIS HEIGHT.

[♪♪♪]

HE'S NO MORE

THAN 5'5".

OR EVEN LESS.

STABBING SOMEONE

AS HARD AS HE DID,

THE ADRENALINE

PUFFS YOU UP,

GETS YOU UP

ON YOUR TOES.

NOW, WHAT DOES THIS NEW FACT

TELL YOU THAT YOU DIDN'T KNOW?

SMALL FEET.

SMALL FEET. YEAH.

LET'S SEE

IF WE CAN FIND THAT TRAIL.

[♪♪♪]

[TELEPHONE RINGING]

[REBECCA'S VOICE ON MACHINE]:

HELLO.

THIS IS THE DANIEL FAMILY.

PLEASE LEAVE A MESSAGE

AFTER THE BEEP.

[MACHINE BEEPS]

[LOUIS]:

REBECCA, IT'S ME AGAIN.

PLEASE...

I JUST WANT TO TALK.

[FOOTSTEPS]

ARE YOU READY, SIR?

YES. I'M READY.

[♪♪♪]

SCANNING.

[SCANGEN WHIRS]

[♪♪♪]

TWO SETS GOING NORTH.

ONE BAREFOOT...

AND ONE WEARING SMALL BOOTS

OR WORK SHOES.

THE STRIDES ARE FAIRLY LONG.

THEY WERE RUNNING.

WELL, HE WAS CHASING HER.

THEN, JUST THIS SET

OF SMALL TRACKS

GOES BACK SOUTH.

HICKMAN.

LOOK. THERE'S BLOOD, TOO.

SHE WAS ALREADY BLEEDING

WHEN HE WAS CHASING HER?

JUST A LITTLE BIT OF BLOOD.

MAYBE HE ATTACKED HER

SOMEWHERE ELSE, AND SHE ESCAPED.

A SECONDARY CRIME SCENE

WOULD BE VALUABLE.

OH, HOLD ON. LOOK. LOOK.

YEAH.

WHY DO HIS RETURN TRACKS

CRISS-CROSS LIKE THAT?

LOOKS LIKE HE WAS LOST

AFTER HE KILLED HER.

OR LOOKING FOR SOMETHING.

SOMETHING IMPORTANT ENOUGH

TO TAKE THE CHANCE OF BEING

DISCOVERED WITH A DEAD BODY

IN THE CLEARING.

IMPORTANT ENOUGH TO LOOK FOR,

INSTEAD OF ESCAPING.

EVIDENCE.

[♪♪♪]

THERE ARE MULTIPLE

DEEP LACERATIONS

FROM A LARGE BLADED WEAPON,

ANY OF WHICH

MAY HAVE BEEN LETHAL.

WAS SHE DEAD

WHEN HER FACE WAS DAMAGED?

OH, PROBABLY.

THE ANGLE OF THOSE WOUNDS

INDICATE SHE WAS ALREADY PRONE.

THANK GOD FOR THAT.

[CORONER]:

IT'S TREMENDOUS OVERKILL.

LOOKS VERY ANGRY.

BUT ALSO METHODICAL.

AT KEY POINTS,

THERE ARE SHALLOW

PUNCTURE WOUNDS--

AT THE WRIST,

IN HER INNER THIGHS...

ON ARTERIES.

HE CUT HER WRISTS?

AH, HE PUNCTURED THEM.

SHE BLED,

BUT NOT QUICKLY.

IT WOULD BE A...

A STEADY OOZE.

AND THESE APPEAR TO HAVE BEEN

THE FIRST WOUNDS MADE.

WHY WOULD HE DO THAT?

TO WEAKEN HER.

LIKE A JAB FOR A FIGHTER.

BLOODY HIM UP FIRST

BEFORE YOU GET IN CLOSE

AND FINISH HIM OFF.

EXCUSE ME.

HOW LONG HAVE YOU BEEN

A DETECTIVE IN PARIS?

I'M NOT.

I WORK MAINLY

ON BORDER CRIMES

OUT OF OFFICES IN LYON.

IT WAS MAJOR DANIEL

WHO BROUGHT ME HERE.

REALLY?

THAT SURPRISES YOU?

WE'VE TALKED

TO TWO PARISIAN POLICE OFFICERS

SINCE WE ARRIVED,

NEITHER OF THEM HAD NAMETAGS,

YET YOU CALLED THEM BOTH

BY NAME.

OH, THAT'S...

THAT'S SOMETHING I HAVE.

I REMEMBER.

YOU'RE EIDETIC?

UH....

MY DOCTORS CALL IT

HYPERTHYMESIA.

DOCTORS?

YEAH. MY MOTHER'S A PHYSICIAN.

AH.

WHEN I WAS A CHILD,

SHE THOUGHT

I MIGHT BE AUTISTIC,

SO SHE HAD AN MRI

DONE OF MY BRAIN,

AND THEY FOUND

AN ENLARGED TEMPORAL LOBE

AND CAUDATE NUCLEUS.

THAT'S A MOUTHFUL.

IT'S FOUND IN PEOPLE

WITH O.C.D.

[PHONE RINGS]

SORRY.

ANNE-MARIE SAN.

THAT WOULD MAKE SENSE

WITH WHAT WE'RE FINDING HERE.

YEAH. WE'RE HERE.

THAT WAS SIENNA.

THE CORONER SAYS

HE MIGHT HAVE

WOUNDED HER FIRST.

SOME ARTERIES

WERE NICKED.

STARTED HER BLEEDING,

AND THEN...

THEN LET HER RUN.

SON OF A BITCH HUNTED HER.

HE'S A SADIST.

SHE WAS DEAD

THE MOMENT SHE SHOWED HIM FEAR.

IS THERE

SOMETHING ELSE?

IT'S JUST A BIT ODD

FOR A SADIST TO PUT ON A SHOW

LIKE THIS.

THEY'RE USUALLY...

USUALLY A BIT MORE...

PRIVATE.

LOOK.

SHE HAD ONE SHOE ON...

WHEN SHE GOT TO THIS ROOT,

AND THEN SHE WAS BAREFOOT.

SHE LOST A SHOE.

[THUD]

[WHIMPERS]

BUT IT'S NOT HERE.

LOOK AT HER TRACKS.

HE FOUND IT.

HE WAS LOOKING FOR HER SHOES?

HE FOUND ONE,

MAYBE NOT THE OTHER.

MAYBE NOT THE OTHER.

JUST NEEDED SOME WATER.

IT'S NOT THE BLOOD

OR THE DAMAGE,

IT'S THE SMELL IN

THESE PLACES, YOU KNOW?

YOU NEVER HEAR OF

OLFACTORY FATIGUE?

TAKE A COUPLE DEEP BREATHS.

YOU WON'T NOTICE IT SOON ENOUGH.

I'M SAYING

THE SMELL BOTHERS ME,

YOU'RE SAYING

SUCK UP MORE OF IT?

IT WORKS.

IT'S SHITE.

WHAT, GROWING UP

IN A TRAVELLER CAMPS,

YOU NEVER GOT USED TO

BAD SMELLS?

I MEAN, THAT'S

THE TATTOO, RIGHT?

THE COMPASS ROSE?

YOU'RE AN IRISH TRAVELLER.

YOUR FAMILY ARE CRIMINALS.

WOW.

WE'RE SHOWING

OUR TRUE COLOURS NOW,

AREN'T WE?

INSPECTOR PRIDE.

[♪♪♪]

[♪♪♪]

[♪♪♪]

WHAT HAVE YOU DONE?

[SOBS]:

WHAT HAVE YOU DONE?

[CRYING OUT]

[♪♪♪]

[FAINTLY]: MAJOR?

MAJOR DANIEL?

[♪♪♪]

MAJOR DANIEL?

MAJOR DANIEL?

YOU OKAY?

Y-YEAH.

[CHUCKLES AWKWARDLY]

YOU SURE?

YES, I'M FINE NOW.

OKAY.

SHE HAD ON BOTH SHOES HERE.

LOOK.

ONE SHOE HERE.

[VICTIM CRIES OUT]

OKAY... THIS-- THIS--

AH!

HICKMAN! ARE YOU OKAY?

OH, GOD! [WINCES]

HICKMAN--

[STEADYING HIMSELF]

[QUIET, IN PAIN]: I'M FINE.

LET'S JUST LOOK.

[FRUSTRATED PANTING]

IT'S OKAY! IT'S OKAY.

I'LL-- I'LL DO IT.

OH, WAIT.

[♪♪♪]

IT SAYS, UH...

"C.G."

"CHARLES GALLANT."

A PAIR OF SHOES COSTS

MORE THAN 1,500 POUNDS.

THAT'S ALMOST 2,000 EUROS.

IF SHE IS A PRO,

SHE'S A GOOD ONE.

[♪♪♪]

FIRST PIECE OF ACTUAL EVIDENCE

HE'S LEFT BEHIND.

HARD TO BELIEVE WE'RE

LOOKING AT WEALTHY VICTIMS.

-WHO NO ONE'S LOOKING FOR?

-EXACTLY.

YOU KNOW WHAT?

IT'S ODD.

IT'S ACTUALLY

A VERY OLD STYLE.

INSPECTOR PRIDE HAS

A FASHION CRITICISM

FOR THE VICTIM.

-WHAT DO YOU MEAN BY "OLD"?

-IT LOOKS VINTAGE.

IT'S UNUSUAL

FOR CHARLES GALLANT.

DO YOU THINK

HE SELLS A LOT OF THESE?

I DON'T KNOW MANY PEOPLE

WHO CAN AFFORD THEM.

DON'T.

[ANNE-MARIE]:

IF I SOLD SHOES LIKE THESE,

I'D WANT TO KEEP TRACK

OF WHO BOUGHT THEM,

SO I COULD SELL THEM MORE.

WHICH MEANS A DATABASE.

THE MAIN DEALER'S

HERE IN PARIS.

I'LL MAKE A CALL.

[♪♪♪]

THANK YOU.

WE'LL BE RIGHT THERE.

[♪♪♪]

SO, NOT ONLY DO THEY KEEP TRACK

OF THEIR CUSTOMER BASE,

BUT THE SHOES ARE HANDMADE.

THERE'S A SERIAL NUMBER

IN THE SOLE OF EACH SHOE,

THAT CORRESPONDS

TO THE CUSTOMER.

WHICH MEANS A NAME.

YEAH. THE STORE'S

ABOUT TO CLOSE,

BUT THE MANAGER'S

WAITING FOR US.

LET'S GO.

WHAT'S THE PLAN?

YOU THREE WAIT FOR LOUIS

AT THE CRIME SCENE. WE'LL GO.

[♪♪♪]

EVA, I WANT TO APOLOGIZE

FOR WHAT HAPPENED IN THE TRAIN.

NO GOOD COP

CAN SLEEP WELL, SIR.

[CELL PHONE RINGS]

YEAH. MAJOR DANIEL.

HEY. WELL,

IT'S LIKE I SAID, LOUIS.

THEY'RE NOT HAPPY

WITH YOUR CHANGE IN ASSIGNMENT.

THE FRENCH.

WHICH FRENCH?

36.

LAVEAUX. THANK YOU, DORN.

CAN YOU GO FASTER, PLEASE?

IS THERE SOMETHING WRONG?

36 IS ANGRY.

WHO'S 36?

"THE DIRECTION REGIONALE

DE POLICE JUDICIAIRE DE PARIS,"

WE CALL THEM "36"

BECAUSE OF THEIR

HEADQUARTERS' ADDRESS.

THEY ARE VERY TERRITORIAL.

WE HAVE AUTHORIZATION, THOUGH.

WE DO.

BUT THE TEAM DOESN'T,

AND THEY ARE IN THE PARK.

WHAT'S GOING ON?

A YOUNG BOY FOUND

A DEAD DOG UP THERE.

OH?

WHAT SORT OF

DOG WAS IT?

ANNE-MARIE?

UH, SORRY.

WE'RE ALMOST DONE HERE.

MERCI BEAUCOUP.

[♪♪♪]

SO THIS ENTIRE CRIME SCENE

CAN BE REPRODUCED NOW?

IN HOLOGRAPHIC FORM.

THAT'S UNBELIEVABLE.

WE FIRST USED IT

ON A CASE IN SITTENSEN,

NEAR HAMBURG.

ASIAN TRIADS KILLED

A NUMBER OF CIVILIANS

IN A CHINESE RESTAURANT,

A MASSACRE.

WE WERE ABLE TO SHOW THE JURY

EXACTLY WHERE EACH OF

THE SHOOTERS HAD BEEN STANDING,

AND WHO THEY ACTUALLY KILLED.

-THAT'S AN IMPRESSIVE TOY.

-YEAH.

WE COULD EVEN USE IT

TO FIND ANY EVIDENCE

MISSED THE FIRST TIME.

ARE YOU SAYING

WE MISSED SOMETHING?

NO, I MEANT--

WHO ARE YOU ALL?

WE'RE POLICE OFFICERS WITH--

SCOTLAND YARD.

THE KRIMINALPOLIZEI

FROM GERMANY.

AND POLICE SERVICES

OF NORTHERN IRELAND.

-WE'RE INVESTIGATING A MUR--

-INVESTIGATING?

WHAT THE HELL ARE THREE

FOREIGN OFFICERS DOING

INSIDE A PARISIAN CRIME SCENE?

WELL, IT'S KIND OF

HARD TO EXPLAIN,

BUT MAJOR DANIEL

WILL BE ON HIS WAY TO--

GOOD. HE CAN COME COLLECT YOU

AT HEADQUARTERS.

WHAT?

WILL HANDCUFFS BE NECESSARY?

[♪♪♪]

[EXHALES ANXIOUSLY]

WE'RE HERE.

GO AHEAD IN.

I NEED A MINUTE.

ALONE.

OKAY.

PROBABLY TAKE 'EM A FEW MINUTES

TO LOOK IT UP, ANYWAY.

I JUST--

I JUST NEED A MINUTE.

NO TROUBLE.

TAKE YOUR TIME.

[♪♪♪]

[PANTS INTENSELY]

[INHALES SHARPLY]

[BREATHING STEADIES]

[♪♪♪]

[DOOR SLAM ECHOES]

[ECHOES, DISTORTED]:

HELLO?

ANNE-MARIE?

ANYBODY HERE?

[♪♪♪]

[♪♪♪]

AH!

NO!

[CRIES OUT]: NO!

NO! ANNE-MARIE!

ANNE-MARIE!

ANNE-MARIE!

[PANTING]:

WHERE'S MY PHONE?

WHERE'S MY PHONE?

[PHONE THUDS ON DASH]

[♪♪♪]

COME ON! COME ON!

NO!

PARIS EMERGENCY!

PARIS EMERGENCY...

EMERGEN--

17! 17... 17.

KEEP IT QUIET.

-ARE THESE THEIR PHONES?

-YES, SIR.

COPY THEIR

CONTACT NAMES.

HOW DO YOU

TURN IT ON?

I'D REALLY RATHER

YOU DIDN'T.

I DIDN'T MEAN

TRAVELLER CAMPS SMELL.

I ONLY MEANT THAT

YOU LIVING LIKE THAT,

LIVING IN A CAMP WITH

A LOT OF OTHER FAMILIES,

YOU MUST'VE...

COME ACROSS

BAD SMELLS.

IS THIS AN APOLOGY?

IT'S MEANT TO BE.

YOU'RE AN ONLY CHILD, RIGHT?

PARENTS LIKE YOURS,

A SOLICITOR AND AN MP,

THEY DON'T GO IN

FOR A MESS OF KIDS.

WHAT'S YOUR POINT?

YOU'RE A CLICHE.

I'M PROUD

I GREW UP PAVEE.

FOUR BROTHERS AND THREE SISTERS,

AND WE DIDN'T HAVE SHITE...

BUT WE HAD A FAMILY.

NO! [POUNDS]

DON'T PRESS THAT BUTTON!

I HAVEN'T DOWNLOADED

THE IMAGES FROM THE PARK YET.

IMAGES?

FROM MY CRIME SCENE?

YOUR CRIME SCENE?

-TOMMY.

-HIS CRIME SCENE?

THEY MISSED THE WOUNDS

ON THE WRISTS AND THIGHS--

WHAT?

THEY MISSED

THE BLOOD SPATTERS IN THE TREES,

AND THEY MISSED THE SHOE!

-SHOE?

-MAJOR DANIEL CAN EXPLAIN.

MAJOR DANIEL?

HE WAS SUPPOSED TO KEEP ME

INFORMED. HE DIDN'T.

SIR... [SIGHS]

YOU HAVE EVERY RIGHT

TO BE ANGRY.

I AM DEEPLY SORRY

WE'VE OFFENDED YOU.

WE SHOULD'VE ASKED

YOUR PERMISSION

BEFORE WE ENTERED

YOUR JURISDICTION,

BUT IT WAS AN OVERSIGHT,

NOT AN INTENTIONAL SLIGHT.

WHAT SHOE?

IF YOU REMOVED EVIDENCE

FROM A CRIME SCENE,

I'LL HAVE YOU ALL BROUGHT UP

IN FRONT OF A JUDGE.

YOU WENT THROUGH US

LIKE WE WAS VIRGINS

ON OUR WEDDING NIGHT.

DIDJA FIND ANY EVIDENCE?

YOU THREW THEM IN THE CAGE?

THESE FOREIGNERS

WERE TRESPASSING.

THIS IS AN ORDER

FROM THE I.C.C.,

DIRECTING MY TEAM

TO INVESTIGATE

A SERIES

OF MURDERS, OKAY?

SO, NOW, LAVEAUX,

YOU ARE INTERFERING

IN MY INVESTIGATION.

RIGHT?

CAN YOU OPEN, PLEASE?

HI, GUYS.

I BROUGHT

IDENTIFICATION AND GUNS.

[THUMP]

THERE YOU GO.

[PURRS]

WELCOME HOME, GIRLS.

SPEAKING OF CLICHES.

-COMMISSAIRE LAVEAUX?

-WHAT?

AN AMERICAN IS REPORTING

A MURDERED MAN IN A SHOE STORE

AND AN OFFICER MISSING.

-WHAT SHOE STORE?

-CHARLES GALLANT?

[GERMAN]: SCHEISSE.

[♪♪♪]

ARE YOU OKAY?

YOU SHOULDN'T HAVE

BROUGHT ME HERE.

I WASN'T... [VOICE CATCHES]

I'M NOT...

I'M NOT READY.

I'M NOT RIGHT.

WHAT DO YOU MEAN,

"NOT RIGHT"?

THE DRUGS, MY HEAD-- I'M NOT--

I'M NOT THINKING CLEARLY,

ANYMORE!

THERE'S NOTHING WRONG

WITH YOUR HEAD.

CARL,

LISTEN TO ME.

I WAS WATCHING YOU,

WHEN YOU READ THAT MAN

AT THE CARNIVAL.

YOU EVEN KNEW ABOUT

THE MISTRESS AND THE BABY!

I SAW HIM! OKAY?

I SAW HIM.

THE DAY BEFORE.

HE WAS AT THE CARNIVAL WITH

THE GIRL, WITH THE GIRLFRIEND.

AND THE BABY!

THERE WAS NO READING INVOLVED,

THERE WAS NO--

NO DEDUCTION OR NOTHIN'.

I JUST... I SAW HIM.

I SAW HIM.

[♪♪♪]

THIS IS NOT YOUR FAULT.

I LET HER COME IN ALONE.

I STAYED IN THE CAR

FOR A FEW MINUTES.

I HAD TO DO SOMETHING.

I LET HER COME IN ALONE.

WE HAVE ROADBLOCKS

ON EVERY MAJOR ROAD

LEAVING PARIS.

WE'LL FIND HER.

[♪♪♪]

[♪♪♪]

[♪♪♪]

[PATROLMAN]: DIPLOMATIC PLATES.

U.S. EMBASSY.

[♪♪♪]

-LET HIM THROUGH.

-OKAY, THIS WAY. THIS WAY.

[♪♪♪]

[♪♪♪]