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>>> EVERYTHING I NEEDED TO LEARN
ABOUT COMEDY, I LEARNED WATCHING
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00:00:24,411 --> 00:00:28,651
WARNER BROTHERS CARTOONS.
>> THERES A PART OF US THATS
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00:00:28,651 --> 00:00:33,081
FOREVER 12 YEARS OLD.
>> I AM A MAN.
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00:00:33,271 --> 00:00:38,821
>> FOR KIDS IT SEEMS KIND OF
ADULT.
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00:00:38,819 --> 00:00:41,189
>> COMEDIANS MAKE GOOD VOICE
ACTORS BECAUSE THEYVE MADE A
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00:00:41,187 --> 00:00:43,977
CAREER BEING THEMSELVES.
>> THERES TREMENDOUSLY FUNNY
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00:00:48,919 --> 00:00:51,759
LINES IN "TOY STORY".
>> THE WRITING, THE VOICE
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00:00:51,756 --> 00:00:55,056
TALENT, ANIMATION, BOOM.
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00:00:59,731 --> 00:01:27,331
♪
>>> THERES SOMETHING ABOUT
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MOVING CARTOONS THAT REALLY
DELIGHTS US.
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A CARTOON IS COMEDY COMING TO
LIFE.
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00:01:31,062 --> 00:01:33,572
THATS KIND OF INTERESTING AND
MAGICAL.
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>> THATS IT.
I HAVE HAD ENOUGH OF YOUR TOM
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FOOLERY.
>> THE WILDEST THING YOU CAN
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THINK OF IS ACCOMPLISHED JUST BY
DRAWING IT.
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00:01:42,140 --> 00:01:46,580
SO WHETHER ITS THE SIMPSONS,
FAMILY GUY, YOUR IMAGINATION IS
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00:01:46,578 --> 00:01:49,448
UNLIMITED IN ANIMATION.
>> IN ANIMATION, YOU CAN LIKE
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00:01:49,447 --> 00:01:52,347
HAVE PEOPLE RIPPING APART EACH
OTHERS GUTS.
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00:01:52,350 --> 00:01:56,290
>> YEAH, YEAH, YEAH.
>> ONE THING THAT I LIKE TO SAY
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IS THAT LIVE ACTION IS LOW
BUDGET ANIMATION.
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>> IT CAN BE TAUGHT.
>> THE VISUAL JOKES, THE BEST OF
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00:02:02,827 --> 00:02:06,397
THEM ARE OFTEN IN ANIMATED
CARTOONS.
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>> IS TO BE BEING NERVOUS, KID.
>> HES THE MOST GENTLE DENTIST
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00:02:13,004 --> 00:02:18,374
IN THE WHOLE WIDE WORLD.
>> COMEDY HAS BEEN TO MOVE MORE
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00:02:18,376 --> 00:02:20,446
AND MORE TOWARDS ANIMATION.
>> CARTOONS, IF THEYRE DONE
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RIGHT, CAN CONVEY COMEDY VERY
PRECISELY.
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00:02:24,282 --> 00:02:29,692
AND IF YOU THINK OF IT AND ITS
FUNNY, YOU CAN MAKE IT HAPPEN.
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>> ANIMATION AND COMEDY GOES
RIGHT BACK TO THE EXTREME
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BEGINNING OF FILM.
>> AT THE END OF THE 20s, START
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00:02:39,964 --> 00:02:43,294
OF THE 30s, COMEDY SHORTS WERE
VERY POPULAR IN CINEMA.
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SO THE BIG STARS WERE PEOPLE
LIKE CHARLIE CHAPLIN, BUSTER
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00:02:49,707 --> 00:02:52,777
KEATON, CARTOONS WERE FILM
SHORTS SHOWN IN THEATERS.
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00:02:52,777 --> 00:02:56,547
EARLY CARTOONS ARE LOADED WITH
STARRING CHARACTERS LIKE COCOA
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00:02:56,547 --> 00:03:02,247
THE CLOWN AND FELIX THE CAT.
BUT THEN MICKEY MOUSE COMES
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00:03:02,253 --> 00:03:03,913
ALONG AND IS CONSIDERED THE
FIRST SOUND CARTOON CHARACTER.
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00:03:03,921 --> 00:03:13,001
♪
>> NOT ONLY DID WALT DISNEY ADD
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00:03:12,997 --> 00:03:16,867
SOUND WITH THE FIRST MICKEY
MOUSE CARTOON, BUT THEY WERE
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00:03:16,868 --> 00:03:19,468
FUNNY SOUNDS.
>> AT THE TIME THERES NO
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00:03:19,470 --> 00:03:22,240
ANIMATION TO LOOK AT BECAUSE NO
ONE WAS DOING ANIMATION.
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00:03:22,240 --> 00:03:27,110
SO THEY LOOKED AT CHAPLIN OR
BUSTER
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00:03:27,111 --> 00:03:28,881
BUSTER KEATON OR LAUREL AND
HARDY.
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IT WAS ABOUT SILENCE.
THAT WAS A GOOD WAY FOR THEM TO
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00:03:32,417 --> 00:03:38,517
HONE UP ANIMATION SKILLS.
>> CHAPLIN SAID MICKEY MOUSE IS
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00:03:38,523 --> 00:03:44,133
GOING TO PUT ME OUT OF WORK.
THE MOUSE COULD DO, MAGICALLY,
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00:03:44,128 --> 00:03:50,738
ALMOST ANYTHING.
>> MEANWHILE, THE STUDIO WAS
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00:03:50,735 --> 00:03:54,005
THEIR RIVAL.
THEYRE GRITTIER AND DIRTIER AND
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00:03:54,005 --> 00:03:58,205
A LOT OF WEIRD CHARACTERS.
>> IT HAD A TENDENCY TO FEEL
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00:03:58,209 --> 00:04:02,679
MORE ADULT THAN THE OTHER
STUDIOS.
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00:04:02,680 --> 00:04:07,150
BETTY BOOP HAD THIS GARTER THAT
FELL DOWN AND SLIPPED UP.
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00:04:07,151 --> 00:04:09,551
THERE WAS A SEX COMPONENT TO
HER.
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00:04:09,554 --> 00:04:15,124
WHEN POP EYE AND BLUTO FOUGHT,
IT WAS VERY VIOLENT.
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00:04:15,126 --> 00:04:18,456
>> POPEYE, AS FAR AS ART GOES,
ITS A FUNNY DRAWING.
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00:04:18,463 --> 00:04:22,133
IT MAKES YOU LAUGH.
>> ILL SQUISH YOUR BRAINS OUT,
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00:04:22,133 --> 00:04:25,603
YOU BET.
>> AND HE WASNT NASTY OR
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00:04:25,603 --> 00:04:27,433
VIOLENT OR ANYTHING, IT WAS JUST
HE GOT PUT UPON.
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00:04:27,438 --> 00:04:29,838
HE WAS NOT LOOKING FOR TROUBLE.
MEANWHILE, HE COULD KICK
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00:04:29,841 --> 00:04:36,711
ANYBODYS BUTT.
>> POPEYE CARTOONS HAD A BEAT TO
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00:04:36,714 --> 00:04:37,944
THEM.
YOU CAN ALMOST TELL THEYRE MADE
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00:04:37,949 --> 00:04:40,849
WITH A METRONOME GOING BACK AND
FORTH.
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00:04:40,852 --> 00:04:46,022
ALL MOVING WITH THE SAME BEAT.
IT WAS FANTASTIC.
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00:04:46,023 --> 00:04:58,033
THIS IS FLEISCHER IN THE 30s.
>> IM POPEYE THE SAILOR MAN.
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00:04:58,035 --> 00:05:01,765
>> WALT DISNEY WAS THE ONLY ONE
WHO WAS GENUINELY INTERESTED IN
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00:05:01,773 --> 00:05:04,813
PUSHING THE ENTIRE MEDIUM
FORWARD.
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00:05:04,809 --> 00:05:08,079
>> THERES A REASON DISNEY
BECAME FAMOUS.
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00:05:08,079 --> 00:05:12,679
THE QUALITY OF THEIR ANIMATION
WAS UNPARALLELED.
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00:05:12,683 --> 00:05:18,253
IT WAS UNBELIEVABLE.
>> BY THE LATE 1930s, DISNEY WAS
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00:05:18,256 --> 00:05:22,886
NOW DOING "SNOW WHITE," THESE
ELABORATE FAIRY TALES,
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00:05:22,894 --> 00:05:25,694
BEAUTIFULLY DONE, SPECTACULAR,
THE REST OF THE INDUSTRY IS
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00:05:25,696 --> 00:05:30,566
TRYING TO KEEP UP WITH DISNEY.
BUT SOME STUDIOS LOOKED AT THAT
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00:05:30,568 --> 00:05:33,908
AND SAID WERE GOING TO MAKE
PEOPLE LAUGH.
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00:05:33,905 --> 00:05:39,035
>> LOONEY TUNES WAS ALL ABOUT
GAGS MAKING YOU LAUGH, WHEN THEY
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00:05:39,043 --> 00:05:43,313
SHOWED THOSE CARTOONS IN MOVIE
THEATERS BEFORE A WARNER
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00:05:43,314 --> 00:05:49,214
BROTHERS MOVIE, THEY WOULD KILL
FOR AN AUDIENCE OF ADULTS IN THE
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00:05:49,220 --> 00:05:50,660
THEATER.
>> SHOOT IT LOW.
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00:05:50,655 --> 00:05:54,525
YOU KEEP OUT OF THIS.
HE DOESNT HAVE TO SHOOT YOU
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00:05:54,525 --> 00:05:57,295
NOW.
>> HE DOES HAVE TO SHOOT ME NOW.
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00:05:57,295 --> 00:06:04,835
I DEMAND THAT YOU SHOOT ME NOW.
>> THE DUCK SEASON, RABBIT
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00:06:04,836 --> 00:06:08,966
SEASON EXCHANGE TO THIS DAY, IF
I WATCH IT, I LAUGH HYSTERICALLY
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00:06:08,973 --> 00:06:13,983
BECAUSE YOU KNOW ITS COMING,
BUT WATCHING DAFFY DUCK STEP
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00:06:13,978 --> 00:06:17,148
INTO IT EVERY SINGLE TIME IS
ABSOLUTELY BRILLIANT.
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00:06:17,148 --> 00:06:21,748
>> NOT AGAIN.
>> THE TIMING IN THOSE CARTOONS
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00:06:21,752 --> 00:06:25,792
IS SO GREAT.
AND IT WAS UNIVERSAL COMEDY.
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00:06:25,790 --> 00:06:33,730
YOU DONT NEED TO KNOW MUCH TO
UNDERSTAND WHY BUGS BUNNY AND
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00:06:33,731 --> 00:06:37,241
ELMER FUD ARE FUNNY.
>> KILL THE RABBIT, KILL THE
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00:06:37,235 --> 00:06:40,605
RABBIT, KILL THE RABBIT.
>> KILL THE RABBIT?
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00:06:40,605 --> 00:06:44,735
>> BUGS BUNNY IS ONE OF THE MOST
INFLUENTIAL COMEDIANS OF ALL
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00:06:44,742 --> 00:06:45,712
TIME.
I DONT THINK THERES ANYONE
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00:06:45,710 --> 00:06:50,820
FROM MY GENERATION OF COMEDY WHO
DIDNT LEARN HOW TO TIME A JOKE
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00:06:50,815 --> 00:06:54,185
FROM BUGS BUNNY.
>> OF COURSE YOU REALIZE THIS
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00:06:54,185 --> 00:06:57,385
MEANS WAR.
>> WARNER BROTHERS CAR TOONS, I
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00:06:57,388 --> 00:06:59,018
THINK THEY GOT PERSONALITIES
RIGHT.
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00:06:59,023 --> 00:07:02,863
YOU HAD SO MANY DIFFERENT STARS,
YOU HAD BUGS AND YOU HAD DAFFY
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00:07:02,860 --> 00:07:13,240
AND YOU HAD ELMER FUD, YOSEMITE
SAM, THE ROADRUNNER, THE COYOTE.
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00:07:13,237 --> 00:07:15,137
THATS QUITE A LOT.
THEY DID PRETTY GOOD.
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00:07:15,139 --> 00:07:20,379
>> THE ANIMATED STARS WERE AS
BIG AS ANY MOVIE STAR,
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00:07:20,378 --> 00:07:23,748
CERTAINLY, THAT WE KNEW, AND AS
CHILDREN THEY WERE MUCH BIGGER.
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00:07:23,748 --> 00:07:26,678
>> AUDIENCES COULD RELATE TO
THESE CHARACTERS.
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00:07:26,684 --> 00:07:30,254
>> WE SAW OURSELVES IN MICKEY.
HE WAS US.
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00:07:30,254 --> 00:07:33,354
HE WAS THE SMALL GUY FIGHTING
AGAINST THE SYSTEM.
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00:07:33,357 --> 00:07:36,787
BUGS BUNNY WHO WAS KIND OF A
BROOKLYN STREET FIGHTER, THEY
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00:07:36,794 --> 00:07:38,624
REPRESENTED US.
AND USUALLY THE BAD GUYS WERE
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00:07:38,629 --> 00:07:42,469
THE LANDLORDS, THE BOSS, THE
HUNTER, THE PERSON WHO WAS
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00:07:42,466 --> 00:07:47,536
TAKING AWAY SOMETHING FROM US.
AND WE COULD LAUGH AT THEIR
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00:07:47,538 --> 00:07:50,168
ANTICS.
WHAT THEYRE DOING TO GET BACK.
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00:07:50,174 --> 00:07:53,404
IT MADE US FEEL BETTER.
IT EMPOWERED US.
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00:07:53,411 --> 00:08:02,221
>> BUGS BUNNY, DAFFY DUCK, WILEY
COYOTE, THOSE GUYS TO ME WERE
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00:08:02,219 --> 00:08:06,419
THE BEST EXECUTORS OF COMEDY
EVER, IF YOURE STILL LAUGHING
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00:08:06,424 --> 00:08:12,274
60 YEARS LATER AT A JOKE, THATS
BRILLIANT.
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00:08:25,476 --> 00:08:32,276
>>> TELEVISION BECOMES A MAJOR
COMPETITOR FOR MOVIES STARTING
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00:08:32,283 --> 00:08:36,523
IN 1950, BECAUSE OF THE FILM TV
STUDIOS STARTING TO SLASH THEIR
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00:08:36,520 --> 00:08:38,660
BUDGETS.
EVERY MAJOR FILM STUDIO HAD AN
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00:08:38,656 --> 00:08:41,356
ANIMATION DIVISION.
SUDDENLY BY THE LATE 50s ALMOST
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00:08:41,359 --> 00:08:48,569
NONE OF THEM DO.
>> YOUVE GOT PEOPLE LIKE HENNA
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00:08:48,566 --> 00:08:54,406
AND JOE BARBARA WINNING OSCARS
FOR TOM & JERRY CARTOONS,
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00:08:54,405 --> 00:08:56,905
THEYRE OUT OF WORK, WHAT ARE
THEY GOING TO DO?
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00:08:56,907 --> 00:09:02,247
THEY PITCHED THE IDEA OF A
PRIMETIME ADULT‐ORIENTED SITCOM.
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00:09:02,246 --> 00:09:08,246
>> THE FLINTSTONES, LOOKING FOR
SOMETHING DIFFERENT ON TV?
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00:09:08,252 --> 00:09:12,962
WELL, HERE IT IS.
>> THE FLINTSTONES, THATS A
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00:09:12,957 --> 00:09:14,857
KIDS CARTOON, THATS NOT FAMILY
GUY.
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00:09:14,859 --> 00:09:17,999
BUT IT WAS IN 1960.
LOOK AT THE FIRST TWO SEASONS OF
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00:09:17,995 --> 00:09:21,195
THE FLINTSTONES, THEYRE ALL
ADULT SITUATIONS.
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00:09:21,198 --> 00:09:25,698
THE SHOW ITSELF IS A PARODY OF
SITCOMS AT THE TIME.
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00:09:25,703 --> 00:09:31,513
>> DONT YOU GET IT?
THIS PLACE IS A GOLD MINE, IF WE
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00:09:31,509 --> 00:09:34,779
COULD BUY IT, WE COULD GET RICH
AND BE OUR OWN BOSSES.
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00:09:34,779 --> 00:09:37,649
>> THIS ONE IS DIFFERENT.
ITS SURE FIRE.
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00:09:37,648 --> 00:09:45,658
>> MANY PEOPLE SAY DID YOU COPY
THE HONEYMOONERS.
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00:09:45,656 --> 00:09:48,786
THATS THE BIGGEST COMPLIMENT
YOU CAN GIVE ME.
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00:09:48,793 --> 00:09:52,163
BUT THEY DIDNT HAVE ALL THE
GUYS IN THERE WHICH WERE THE
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00:09:52,163 --> 00:09:54,573
WINDOW DRESSING.
>> OH, BOY, WE WOULD HAVE HAD TO
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00:09:54,565 --> 00:10:01,305
WALK.
>> THE WAY TO SELL A TV SHOW IN
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00:10:01,305 --> 00:10:05,075
THOSE DAYS WAS TO MAKE IT AS
CHEAP AS POSSIBLE.
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00:10:05,076 --> 00:10:08,376
>> IN LIMITED ANIMATION YOURE
NOT GOING TO ANIMATE THE FULL
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00:10:08,379 --> 00:10:11,919
BODY OF THE CHARACTER.
YOUVE GOT MORE LEVELS ON EACH
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00:10:11,916 --> 00:10:13,776
CHARACTER.
THERES BACKGROUND, AND THEN
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00:10:13,784 --> 00:10:17,384
THERES THE HEAD AND THE BODY.
AND WERE JUST GOING TO ANIMATE
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00:10:17,388 --> 00:10:24,628
THE LIPS ON HIS MOUTH.
>> HANNAH BARBERA CARTOONS WERE
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00:10:24,628 --> 00:10:28,628
NO BONES, LOW BUDGET, BUT IT
DIDNT MATTER BECAUSE THE
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00:10:28,632 --> 00:10:30,772
DIALOGUE WAS SO SNAPPY AND
CLEVER.
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00:10:30,768 --> 00:10:35,338
>> DID YOU GET YOUR PAPER, DEAR?
>> YEAH, AND IM LUCKY, IT ONLY
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00:10:35,339 --> 00:10:38,479
COMES ONCE A WEEK.
>> ONCE AGAIN, YOULL KNOW ITS
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00:10:38,476 --> 00:10:42,576
TIME FOR THE ADVENTURES OF ROCKY
AND BULLWINKLE.
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00:10:42,580 --> 00:10:49,250
>> THE JAY WARD STUDIO DID ROCKY
AND BULLWINKLE BECAUSE IT WAS
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00:10:49,253 --> 00:10:52,423
POPULAR AS ADULTS.
IT KEPT WINKING AT ITSELF SAYING
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00:10:52,423 --> 00:10:56,033
THIS IS A KIDS CARTOON.
>> I WONDER WHY THEYRE SHOOTING
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00:10:56,026 --> 00:11:01,226
AT US.
>> MUST BE FROM A RIVAL NETWORK.
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00:11:01,232 --> 00:11:06,542
>> THE END OF THE THEATRICAL
CARTOON ERA IS KIND OF SAD
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00:11:06,537 --> 00:11:09,437
BECAUSE THE MONEY WENT AWAY AND
THE ENTHUSIASM WENT AWAY WITH IT
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00:11:09,440 --> 00:11:18,780
AND TV ANIMATION WAS MORE OF A
FACTORY BUSINESS THAN AN
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00:11:18,782 --> 00:11:21,292
INSPIRED BUSINESS.
>> HERE COME THE BEARS.
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00:11:21,285 --> 00:11:26,085
>> BY THE 1970s, THE IDEA OF A
CREATOR DRIVEN ANIMATED SERIES
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00:11:26,090 --> 00:11:30,760
WAS PRETTY MUCH GONE IN GENERAL.
THERE WAS MUCH MORE OF AN
152
00:11:30,761 --> 00:11:34,001
EMPHASIS ON ADVERTISING.
THERE WAS A BIG GAP ON SATURDAY
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00:11:33,998 --> 00:11:36,868
MORNINGS.
PEOPLE SAID, WELL, WHOS
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00:11:36,867 --> 00:11:38,837
WATCHING TV AT THAT TIME?
THE ANSWER WAS KIDS.
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00:11:38,836 --> 00:11:44,706
>> IT WAS TELEVISION THAT PUT
CARTOONS INTO THE ARENA OR
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00:11:44,708 --> 00:11:46,338
GHETTO, IF YOU WILL, OF SATURDAY
MORNING.
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00:11:46,343 --> 00:11:49,613
BEFORE TV, CARTOONS WERE FOR
EVERYBODY.
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00:11:49,613 --> 00:11:54,913
THERES A STRAITJACKET PUT ON
ANIMATION THAT YOU COULDNT BE
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00:11:54,919 --> 00:11:58,889
AS FUNNY AS YOU WANTED TO BE,
OH, ITS FOR KIDS AND IT CANT
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00:11:58,889 --> 00:12:01,089
BE THIS INTERESTING.
>> DIDNT ANYONE EVER TELL YOU
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00:12:01,091 --> 00:12:05,261
ITS NOT POLITE TO GRAB?
>> BY THE 80s, WE WERE INTO
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00:12:05,262 --> 00:12:09,072
POUND PUPPIES, STRAWBERRY
SHORTCAKE, A LOT OF
163
00:12:09,066 --> 00:12:11,866
MERCHANDISING OPPORTUNITIES, BUT
THEY WERE SORT OF WAYS TO SELL
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00:12:11,869 --> 00:12:17,009
PRODUCT RATHER THAN WAYS TO
ENTERTAIN OR AMUSE KIDS.
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00:12:17,007 --> 00:12:18,407
>> EDDY?
>> YEAH.
166
00:12:18,409 --> 00:12:23,009
>> BRING IN THE GUYS.
>> RALPH BAKSHI WAS A MENTOR,
167
00:12:23,013 --> 00:12:28,683
AND TOGETHER WITH A LOT OF OTHER
ANIMATORS, THEY CONSPIRED TO
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00:12:28,686 --> 00:12:33,216
CREATE CARTOONS AS A VEHICLE FOR
COMEDY AND HAVE THEM REFLECT AN
169
00:12:33,224 --> 00:12:39,694
ANIMATOR SENSIBILITY, MAKE THEM
FUNNY AND WHACKY FOR THE SAKE OF
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00:12:39,697 --> 00:12:45,337
FUNNY AND WHACKY.
>> CAN MIGHTY MOUSE SAVE THE DAY
171
00:12:45,336 --> 00:12:48,306
FOR NETWORK TELEVISION?
>> HERE I COME TO SAVE THE DAY.
172
00:12:48,305 --> 00:12:52,775
>> THE NEW ADVENTURES OF MIGHTY
MOUSE CAME ON AND IT WAS TOTALLY
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00:12:52,776 --> 00:12:56,146
DISREGARDING THE THINGS THAT
YOURE NOT SUPPOSED TO DO, AND
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00:12:56,146 --> 00:12:58,776
IT WAS LIKE, OH, THERES
SOMETHING NEW HAPPENING IN
175
00:12:58,782 --> 00:12:59,982
ANIMATION, THERES SOMETHING
GOING ON HERE.
176
00:12:59,984 --> 00:13:04,884
>> THE MIGHTY MOUSE SHOW WAS
FAST PACED, FUNNY, SILLY, IT HAD
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00:13:04,888 --> 00:13:08,288
WEIRD CHARACTERS IN IT, LITTLE
SEGMENTS THAT ALMOST MADE NO
178
00:13:08,292 --> 00:13:13,932
SENSE, THE NON SEQUITUR KIND OF
HUMOR, NO ONE WAS DOING THAT
179
00:13:13,931 --> 00:13:18,471
KIND OF STUFF AT THE TIME.
>> I HAVENT SEEN THIS MUCH HAIR
180
00:13:18,469 --> 00:13:22,869
SINCE BROOK SHIELDS TRIMMED HER
EYEBROWS.
181
00:13:22,873 --> 00:13:26,343
>> THE SERIES HAD CONTROVERSIAL
ELEMENTS, ONE OF THE BEST KNOWN
182
00:13:26,343 --> 00:13:28,143
BEING THE SUPPOSED SNIFFING OF
COCAINE.
183
00:13:28,145 --> 00:13:30,605
>> I KNOW SOMEONE ELSE LIKE
THAT.
184
00:13:30,614 --> 00:13:35,214
>> THERE WAS A FAMOUS EPISODE
WHERE MIGHTY MOUSE SNIFFED A
185
00:13:35,219 --> 00:13:38,419
FLOWER, AND BECAME STRONG AND
FLIES AWAY.
186
00:13:38,422 --> 00:13:42,992
THIS PREACHER LED A PROTEST
SAYING THAT THIS WAS A METAPHOR
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00:13:42,993 --> 00:13:48,593
FOR COCAINE USE AND THAT THIS
CARTOON SHOW SHOULD BE
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00:13:48,599 --> 00:13:49,569
CANCELLED.
AND THE PRESSURE CAMPAIGN
189
00:13:49,566 --> 00:13:51,236
SUCCEEDED.
SO THE NETWORK LISTENED TO THIS
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00:13:51,235 --> 00:13:54,735
GROUP RATHER THAN THE ANIMATORS
THEMSELVES WHO SAID THAT WAS
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00:13:54,738 --> 00:13:56,308
NEVER ON OUR MINDS TO BEGIN
WITH.
192
00:13:56,307 --> 00:13:59,677
>> THE ART IS WERE PUSHING, BUT
THEYD GET SHUT DOWN BECAUSE
193
00:13:59,677 --> 00:14:04,917
THEY HAD WHAT THEY CALLED
OUTRAGEOUS IDEAS OF SUBVERSION.
194
00:14:04,915 --> 00:14:09,745
THATS THE MEAT OF ANY CARTOON.
>> THE NEW ADVENTURES OF MIGHTY
195
00:14:09,753 --> 00:14:13,223
MOUSE INSPIRED A NEW GENERATION
OF ANIMATORS WHO MADE CARTOONS
196
00:14:13,223 --> 00:14:22,833
THEY WANTED TO MAKE, THAT THEY
THOUGHT WERE FUNNY.
197
00:14:22,833 --> 00:14:28,133
>> SPIKE & MIC WASKE WAS A TOURI
FILM FESTIVAL.
198
00:14:28,138 --> 00:14:33,538
THEY COLLECTED ANIMATED SHORTS
AND THEY HAD THIS ONE COLLECTION
199
00:14:33,544 --> 00:14:37,014
FOR GROWN UPS.
>> IT WOULD FEATURE EARLY MIKE
200
00:14:37,014 --> 00:14:39,274
JUDGE CARTOONS.
>> OKAY, BUT IM GOING TO SET
201
00:14:39,283 --> 00:14:43,813
THE BUILDING ON FIRE.
>> LUPO, THE BUTCHER, A GORY
202
00:14:43,814 --> 00:14:50,934
CARTOON.
SPIKE & MIKE HAD TABOO THINGS
203
00:14:50,925 --> 00:14:57,125
FROM CARTOONS, GORE AND SEX.
>> BEFORE THE INTERNET, THEY
204
00:14:57,133 --> 00:15:01,033
WERE CRITICAL, THEY WERE
CONNECTING PEOPLE WITH AN
205
00:15:01,038 --> 00:15:03,138
AUDIENCE THAT THEY JUST
OTHERWISE WOULDNT HAVE HAD.
206
00:15:03,140 --> 00:15:06,640
>> ALL OF US WHO ARE WORKING IN
THAT BUSINESS, WE WOULD TRY TO
207
00:15:06,643 --> 00:15:11,173
SLIP SOMETHING IN THATS FUNNY
OR PITCH A SHOW THAT WAS FUNNY.
208
00:15:11,181 --> 00:15:15,491
SO WHEN NEW OPPORTUNITIES CAME
ALONG TO WORK ON SOMETHING THAT
209
00:15:15,486 --> 00:15:19,186
WE THOUGHT COULD BLOSSOM INTO
ACTUALLY A FUNNY ANIMATED SHOW
210
00:15:19,189 --> 00:15:23,459
WE WERE ALWAYS EAGER TO JUMP AT
THAT.
211
00:15:23,460 --> 00:15:26,730
>> THERE WE ARE.
>> IT MAY BE AN ‐‐ CHANNEL, BUT
212
00:15:26,730 --> 00:15:28,290
THE SIMPSONS ARE ON TV.
213
00:15:34,812 --> 00:15:38,582
>>> I WAS BROUGHT IN FOR THE
214
00:15:38,575 --> 00:15:40,805
VOICE OF LISA.
WHEN I SHOWED UP THE AUDITION
215
00:15:40,811 --> 00:15:43,311
PIECE WAS ON THE TABLE AND THERE
WAS A PICTURE OF LISA, BUT RIGHT
216
00:15:43,313 --> 00:15:46,013
NEXT TO HER WAS THE PICTURE OF
BART.
217
00:15:46,016 --> 00:15:49,246
IT SAID 10 YEARS OLD,
UNDERACHIEVER, PROUD OF IT,
218
00:15:49,253 --> 00:15:51,763
TROUBLEMAKER, AND IM LIKE, OH,
MAN, YEAH.
219
00:15:51,755 --> 00:15:54,985
>> EAT MY SHORTS.
>> ALL RIGHT, EAT YOUR SHORTS?
220
00:15:54,992 --> 00:15:58,302
>> YOU COULD HAVE LOOKED AT TV
GUIDE, ANY ISSUE DURING THE 60s,
221
00:15:58,295 --> 00:16:01,995
AND I WAS WATCHING THAT EPISODE
OF THE FLINTSTONES OR THE
222
00:16:01,999 --> 00:16:04,399
JETSONS.
I ALWAYS THOUGHT THAT THOSE TV
223
00:16:04,401 --> 00:16:06,741
SHOWS COULD HAVE BEEN BETTER.
THEY WERE DISAPPOINTING TO ME.
224
00:16:06,737 --> 00:16:12,077
I SAID SOME DAY IF I HAVE MY OWN
TV SHOW IM GOING TO DO IT
225
00:16:12,075 --> 00:16:13,175
DIFFERENT.
>> IN THE 80s THERE WAS A YOUNG
226
00:16:13,177 --> 00:16:17,577
CREW OF ANIMATORS AND A YOUNG
CREW OF WRITERS WHO DIDNT HAVE
227
00:16:17,581 --> 00:16:20,181
PRECONCEIVED NOTIONS OF WHAT
ANIMATION SHOULD OR SHOULD NOT
228
00:16:20,184 --> 00:16:22,684
DO.
SO THERE WAS A LOT OF BREAKING
229
00:16:22,686 --> 00:16:31,856
OUT OF THE THREE CAMERA SITCOM
THAT YOU COULD DO IN ANIMATION,
230
00:16:31,862 --> 00:16:35,572
TO QUOTE MONTY PYTHON, MAKE IT
UP AS YOU GO ALONG.
231
00:16:35,566 --> 00:16:38,066
>> IS THERE ANY FRONTAL NUDITY?
>> NO, HOMER.
232
00:16:38,068 --> 00:16:45,338
>> THE LINES ON THE SIMPSONS ARE
SO SHARP AND IM SO IMPRESSED
233
00:16:45,342 --> 00:16:47,082
THE VOLUME OF GOOD JOKES AND THE
QUALITY OF THE JOKES.
234
00:16:47,077 --> 00:16:51,047
IT WAS A LEGENDARY WRITERS
ROOM, LONG BEFORE I GOT THERE.
235
00:16:51,048 --> 00:16:54,318
>> THIS SUBVERTED THE FAMILY
SITCOM.
236
00:16:54,318 --> 00:16:57,688
IN FACT, IT WAS THE MOST
REALISTIC PORTRAYAL OF THE
237
00:16:57,688 --> 00:16:59,658
FAMILY, WHICH IS CRAZY BECAUSE
IT WAS A CARTOON.
238
00:16:59,656 --> 00:17:04,056
>> THE SIMPSONS IS THE HOTTEST
NEW SERIES ON TELEVISION.
239
00:17:04,061 --> 00:17:07,761
IF YOU HAVENT SEEN THE ANIMATED
SERIES, ITS ABOUT A FAMILY JUST
240
00:17:07,764 --> 00:17:10,734
LIKE YOURS.
>> WE HAD KIDS BACK TALKING TO
241
00:17:10,734 --> 00:17:13,234
THEIR PARENTS.
MAYBE IT WAS BECAUSE IN ANIMATED
242
00:17:13,237 --> 00:17:15,307
FORMAT YOU DIDNT EXPECT TO SEE
THAT.
243
00:17:15,305 --> 00:17:21,075
>> HERES BART SIMPSON THE MOST
POPULAR CHARACTER ON TELEVISION
244
00:17:21,078 --> 00:17:26,518
RIGHT NO AND EWEWE TALKED TO THE
SCHOOL PRINCIPAL WHO IS BANNING
245
00:17:26,517 --> 00:17:30,587
BART SIMPSON T‐SHIRTS.
>> THERES ALWAYS SOMEBODY LYING
246
00:17:30,587 --> 00:17:34,657
IN BED AWAKE AT NIGHT SEETHING
BECAUSE KIDS FIND SOMETHING
247
00:17:34,658 --> 00:17:36,428
REALLY FUN.
ITS A CONTROVERSY OF THE WEEK.
248
00:17:36,426 --> 00:17:41,296
>> ALL SHE NEEDED WAS FOR THAT
BIG SLOB TO SHE HER SOME
249
00:17:41,298 --> 00:17:43,398
RESPECT.
AT LEAST THATS WHAT I THOUGHT.
250
00:17:43,400 --> 00:17:45,940
I HAVE A HISTORY OF MISSING A
POINT AT STUFF LIKE THIS.
251
00:17:45,936 --> 00:17:49,336
>> HOMER, YOU GOT IT JUST RIGHT.
>> THE REASON THAT SHOW HOLDS
252
00:17:49,339 --> 00:17:56,379
TOGETHER IS THAT ITS A FAMILY.
IT SOUNDS CORNY, BUT IT IS A
253
00:17:56,380 --> 00:17:58,620
FAMILY.
THEY DO LOVE EACH OTHER AND
254
00:17:58,615 --> 00:18:00,075
THEYRE TRYING TO MAINTAIN THE
FAMILY UNIT.
255
00:18:00,083 --> 00:18:09,023
THATS THE OLDEST STORY THERE
IS.
256
00:18:09,026 --> 00:18:12,756
>> IS YOUR MOTHER THERE?
NO?
257
00:18:12,763 --> 00:18:15,933
>> GOOD, WELCOME TO OUR SECRET
HEADQUARTERS.
258
00:18:15,933 --> 00:18:19,803
DEEP INSIDE THE LOWER INTESTINE
OF A SPERM WHALE.
259
00:18:19,803 --> 00:18:26,443
>> OH, GOD, GOD ‐‐
>> ANIMATION IS MOST SUCCESSFUL
260
00:18:26,443 --> 00:18:33,343
WHEN IT IS FULLY CREATOR DRIVEN.
YOU THEN HAVE JOHN KAY MAKING
261
00:18:33,350 --> 00:18:39,990
REN & STIMPY, PUTTING AN ADULT
CARTOON ON A MILD KIDS NETWORK.
262
00:18:39,990 --> 00:18:49,370
ANIMATION HAD NEVER BEEN THAT
GROSS, THE BOOGERS.
263
00:18:49,366 --> 00:18:50,596
ANIMATION WASNT THE SAME AFTER
THAT.
264
00:18:50,601 --> 00:18:53,441
>> I PICKED THEM MYSELF.
>> IT WAS REALLY DIFFERENT, THE
265
00:18:53,437 --> 00:18:56,667
GAGS WERE DIFFERENT, DRINKING
FROM A TOILET BOWL.
266
00:18:56,673 --> 00:18:59,403
THEY BROKE ALL THESE RULES AND
YOU WONDER WHY WERE THOSE RULES
267
00:18:59,409 --> 00:19:05,919
IN PLACE?
>> REN & STIMPY HAD THIS GREW OF
268
00:19:05,916 --> 00:19:09,246
GREAT ARTISTS AND ANIMATORS, THE
MORE THEY COULD DO IT ALL
269
00:19:09,252 --> 00:19:12,062
THEMSELVES THE BETTER THE
CARTOON WOULD BE, THEY WERE
270
00:19:12,055 --> 00:19:16,725
ADDING FUNNY ANIMATED TOUCHES
AND TWITCHES.
271
00:19:16,727 --> 00:19:19,497
>> REN & STIMPY CREATED A
RENAISSANCE OF NEW ANIMATION
272
00:19:19,496 --> 00:19:22,266
WITH DIALOGUE AND VISUAL GAGS
AND CHARACTERS AND VOICE ACTORS
273
00:19:22,265 --> 00:19:27,365
THAT WE STILL EXPERIENCE TODAY.
>> THIS NEW ERA OF ANIMATION,
274
00:19:27,371 --> 00:19:30,811
CREATOR DRIVEN ANIMATION IS
EXPLODING IN THE EARLY 90s.
275
00:19:30,807 --> 00:19:36,847
AND MTV SEES THIS AND GOES, WE
NEED SOME WAY TO HARNESS THIS.
276
00:19:36,847 --> 00:19:40,747
>> MAYBE YOU SHOULD STICK YOUR
WIENER IN THE BUG ZAPPER.
277
00:19:40,751 --> 00:19:46,291
>> YEAH, YEAH.
THATS A REALLY GOOD IDEA, BUTT
278
00:19:46,289 --> 00:19:47,719
HEAD.
>> LETS GET THIS DOWN HERE.
279
00:19:47,724 --> 00:19:56,264
THERE WE GO.
>> BEEVUS AND BUTTHEAD WAS
280
00:19:56,266 --> 00:19:59,036
AMAZING BECAUSE ADULTS DIDNT
GET IT.
281
00:19:59,036 --> 00:20:01,806
>> WHAT IS IT?
>> ITS PART OF THE DUMBING DOWN
282
00:20:01,805 --> 00:20:04,305
OF TELEVISION.
SO WHAT THEY DO IS THEY
283
00:20:04,307 --> 00:20:10,077
CELEBRATE UNDERACHIEVEMENT.
>> YEAH, AND HE KEEPS SAYING HE
284
00:20:10,080 --> 00:20:14,720
NEEDS TP FOR HIS BUNG HOLE.
WHAT THE HELL IS A BUNG HOLE?
285
00:20:14,718 --> 00:20:20,518
>> THOSE SAME FORCES THAT HAD
HARASSED JOHN ‐‐ WITH THE NEW
286
00:20:20,524 --> 00:20:25,624
ADVENTURES OF MIGHTY MOUSE WERE
NOW HARASSING MTV AND MIKE JUDGE
287
00:20:25,629 --> 00:20:29,199
SAYING ITS A BAD INFLUENCE ON
KIDS, NOT REALIZING IT WASNT AN
288
00:20:29,199 --> 00:20:33,739
INFLUENCE ON THE GENERATION, BUT
A REFLECTION OF THE GENERATION.
289
00:20:33,737 --> 00:20:37,707
>> IT WAS GREAT FOR EXACTLY WHAT
IT WAS, TWO IMBECILES THAT HAD
290
00:20:37,708 --> 00:20:40,638
NOTHING TO DO ALL DAY.
YOU CAN WRITE A LOT ABOUT THAT.
291
00:20:40,644 --> 00:20:45,444
>> HEY, BUTTHEAD CAN I SET THIS
DOWN, MY HANDS ARE GETTING
292
00:20:45,449 --> 00:20:53,689
TIRED.
>> NO WAY, BE AVIS.
293
00:20:53,690 --> 00:20:56,760
>> THEYRE ALL SUCCEEDING.
ITS ALL HAPPENING AT THE SAME
294
00:20:56,760 --> 00:21:00,560
TIME THAT CABLE IS TAKING OFF.
AND NOW THE STUDIOS WERE WISING
295
00:21:00,564 --> 00:21:03,294
UP.
WELL, IF WE GET ONE GREAT NUT TO
296
00:21:03,300 --> 00:21:07,840
RUN A SHOW, AND THEY REALLY KNOW
WHAT THEYRE DOING, IT COULD
297
00:21:07,838 --> 00:21:09,738
WORK OUT.
>> WE GOT OUT OF SCHOOL.
298
00:21:09,740 --> 00:21:13,140
NO MORE SCHOOL TODAY.
WE GOT OUT OF SCHOOL.
299
00:21:13,143 --> 00:21:17,583
>> OH, YOU GUYS, MY EYES.
>> IF YOU HAVENT YET HEARD
300
00:21:17,581 --> 00:21:19,221
ABOUT SOUTH PARK, YOURE ABOUT
TO.
301
00:21:19,216 --> 00:21:23,486
CRITICS HAVE PRAISED THE SHOW AS
BRILLIANTLY FUNNY, BUT MANY SEE
302
00:21:23,487 --> 00:21:27,017
ONLY A LEWD, OFFENSIVE CARTOON
UNSUITABLE FOR CHILDREN.
303
00:21:27,023 --> 00:21:29,523
>> IT WAS THE NEXT STEP IN THE
EVOLUTION OF ANIMATION.
304
00:21:29,526 --> 00:21:33,326
THE SIMPSONS OPENED THE DOOR,
AND SOUTH PARK KICKED THE DOOR
305
00:21:33,330 --> 00:21:36,430
DOWN.
>> CHILDREN, IM GLAD YOURE
306
00:21:36,433 --> 00:21:40,643
HERE.
I CALL THEM CHEFS CHOCOLATE ‐‐
307
00:21:40,637 --> 00:21:46,537
>> THESE ARE GOOD.
I LOVE YOUR SALTED CHOCOLATE ‐‐
308
00:21:46,543 --> 00:21:49,113
>> THEY PUSHED THE CULTURE,
CHALLENGED THE CULTURE.
309
00:21:49,112 --> 00:21:51,522
I THINK ADULTS CONNECTED TO IT
BECAUSE OF THAT REASON.
310
00:21:51,515 --> 00:21:55,215
THEY APPRECIATED THE SATIRE AND
HOW IT ATTACKED CERTAIN
311
00:21:55,218 --> 00:21:56,888
INSTITUTIONS.
>> OH, YEAH, BECAUSE IT WAS A
312
00:21:56,887 --> 00:22:00,487
CARTOON.
YOU PUT YOUR DEFENSES DOWN.
313
00:22:00,490 --> 00:22:05,800
>> ITS VERY DISRESPECTFUL, AND
ANIMATION IS A GREAT WAY TO
314
00:22:05,796 --> 00:22:09,296
REALLY TURN THE DISRESPECT INTO
A WHOLE WORLD.
315
00:22:09,299 --> 00:22:12,699
>> DONT BOTHER WITH NEW GHOST
BUSTERS, NOT FUNNY, CHICKS
316
00:22:12,702 --> 00:22:15,772
RUINED IT.
CAN WE GET ICE CREAM NOW?
317
00:22:15,772 --> 00:22:20,712
I WANT TO GET THE TASTE OF ASS
OUT OF MY MOUTH.
318
00:22:20,710 --> 00:22:22,710
>> THEY HAVE NO FEAR OF
BOUNDARIES.
319
00:22:22,712 --> 00:22:27,152
>> THEY ADDRESS SO MANY THINGS
SO SMARTLY, AND THERES A LOT OF
320
00:22:27,150 --> 00:22:34,420
POO, POO, FART JOKES IN THERE,
BUT PEOPLE DONT CONSIDER IT
321
00:22:34,424 --> 00:22:39,254
WHEN THEY CONSIDER SMART
ANIMATION COMEDY.
322
00:22:39,262 --> 00:22:42,302
>> THIS WEEK "SOUTH PARK" HAS
GONE OUT ON SYNDICATION.
323
00:22:42,299 --> 00:22:44,569
ITS AMAZING.
LOOK HOW MUCH THEY HAVE TO CUT
324
00:22:44,568 --> 00:22:46,738
OUT.
TO WATCH THE FIRST SEASON, THEY
325
00:22:46,736 --> 00:22:49,806
DONT CUT ANYTHING OUT.
>> ITS VERY INTERESTING TO ME
326
00:22:49,806 --> 00:22:52,436
HOW ENDURING SOME OF THOSE SHOWS
ARE.
327
00:22:52,442 --> 00:22:57,082
THATS UNUSUAL FOR TV SHOWS TO
BE ON THIS LONG, GUYS,
328
00:22:57,080 --> 00:22:58,980
ESPECIALLY COMEDIES.
>> THATS A CARTOON, MILLIONS OF
329
00:22:58,982 --> 00:23:02,622
PEOPLE WATCH IT, HOW WOULD YOU
FEEL IF THERES A CARTOON ON
330
00:23:02,619 --> 00:23:07,329
TELEVISION THAT MADE FUN
OF JEWS ALL THE TIME, HUH?
331
00:23:13,280 --> 00:23:18,840
>>> HOW DO YOU ‐‐ PLEASED TO
332
00:23:18,835 --> 00:23:20,635
MAKE YOUR ACQUAINTANCE.
HELLO.
333
00:23:20,637 --> 00:23:26,577
>> ANIMATION IS OFTEN DRIVEN BY
DISTINCTIVE GREAT VOICES, AND
334
00:23:26,576 --> 00:23:30,376
THOSE VOICES CONTRIBUTED AS MUCH
AS ANYTHING TO THE PERSONALITIES
335
00:23:30,380 --> 00:23:31,620
AND THE SUCCESS OF THOSE
CHARACTERS.
336
00:23:31,615 --> 00:23:33,815
>> I HAVE TO CREATE A VOICE FOR
EACH CHARACTER.
337
00:23:33,817 --> 00:23:37,117
THEY SHOW ME THE CHARACTER, AND
BUGS I COULD SEE WAS A TOUGH
338
00:23:37,120 --> 00:23:40,160
LITTLE STINKER, AND I THOUGHT,
WHICH IS THE TOUGHEST VOICE IN
339
00:23:40,156 --> 00:23:42,386
THIS COUNTRY, EITHER BROOKLYN OR
THE BRONX?
340
00:23:42,392 --> 00:23:46,402
>> SO I PUT THE TWO OF THEM
TOGETHER, DOC.
341
00:23:46,396 --> 00:23:53,036
WHATS UP, DOC?
>> NOBLANK WAS AN UNBELIEVABLE
342
00:23:53,036 --> 00:23:54,236
ACTOR.
EVERY ONE OF THOSE CHARACTERS
343
00:23:54,237 --> 00:23:57,407
HAD A SOUL AND A PERSONALITY AND
A HISTORY.
344
00:23:57,407 --> 00:24:00,107
HE WASNT LIKE A WITTY
COLLECTION OF VOICES.
345
00:24:00,110 --> 00:24:04,050
>> VOICE ACTING ISNT AS EASY AS
WE THINK IT IS.
346
00:24:04,047 --> 00:24:07,947
YOU DONT HAVE YOUR FACE NOW SO
YOU HAVE TO USE YOUR VOICE TO
347
00:24:07,951 --> 00:24:11,621
CONVEY THE COMEDY.
>> ONCE YOU CREATE A VOICE YOU
348
00:24:11,621 --> 00:24:22,501
NEVER FORGET IT.
>> PORKY PIG WILL COME ALONG,
349
00:24:22,499 --> 00:24:30,339
SUFFERING SUCCOTASH.
I SAW A PUTTY CAT.
350
00:24:30,340 --> 00:24:32,980
>> HE LED THE WAY FOR GUYS LIKE
ME.
351
00:24:32,976 --> 00:24:36,306
>> SEAL OF APPROVAL, ONLY FIND
IT ON PRODUCTS WHICH MEET THE
352
00:24:36,313 --> 00:24:38,423
HIGH PERSONAL STANDARDS OF
CRUSTY THE CLOWN.
353
00:24:38,415 --> 00:24:43,015
>> THE VOICE TALENT ON THE
SIMPSONS IS A POINT OF
354
00:24:43,019 --> 00:24:44,849
INSPIRATION, THERES ALWAYS
SOMETHING GREAT FROM THE VOICE
355
00:24:44,854 --> 00:24:47,184
ACTING THAT YOU CAN MINE FOR
PERFORMANCES, HOW YOURE GOING
356
00:24:47,190 --> 00:24:51,190
TO DIRECT THE SHOTS, AND OVERALL
THE LOOK OF THE CHARACTERS GET
357
00:24:51,194 --> 00:24:55,664
INSPIRED BY THE VOCAL CHOICES.
>> YOU ALMOST START DRAWING
358
00:24:55,665 --> 00:25:00,395
CHARACTERS FOR THE VOICE PERSON
YOU HAVE IN MIND.
359
00:25:00,403 --> 00:25:04,933
PEOPLE LIKE TRESS McNEIL AND
BILLY WEST.
360
00:25:04,941 --> 00:25:08,141
>> I LOOKED AT THESE CHARACTERS
AND THOUGHT LONG AND HARD BEFORE
361
00:25:08,144 --> 00:25:13,144
I OPENED MY MOUTH.
PHILLIP JAY FRYE.
362
00:25:13,149 --> 00:25:24,559
>> SHUT UP AND TAKE MY MONEY.
>> DR. ZOIDBERG HAD ALL THIS
363
00:25:24,561 --> 00:25:27,731
COOL MEAT HANGING ON HIS FACE.
I THOUGHT HE WOULD HAVE AN
364
00:25:27,731 --> 00:25:30,171
IMPEDIMENT.
>> HERE I COME.
365
00:25:30,166 --> 00:25:37,036
>> FROM THE SIMPSONS, I LOVED
DOING AGNES SKINNER, ITS A
366
00:25:37,040 --> 00:25:40,440
VOICE EASY FOR ME TO DO, IM
GOING TO BE HER ONE DAY VERY
367
00:25:40,443 --> 00:25:43,303
SOON.
AND DOT, OF COURSE IS THE ONE
368
00:25:43,313 --> 00:25:49,493
SISTER, SHES THE CUTE ONE.
>> THAT MAKES ME FEEL ALL KIND
369
00:25:49,486 --> 00:25:53,256
OF WARM AND SQUISHY.
EITHER THAT OR I NEED TO WEAR
370
00:25:53,256 --> 00:25:56,056
DIAPERS.
>> ALL YOU HAVE TO DO IS SIT
371
00:25:56,059 --> 00:26:02,129
BACK AND LET THEM DO THEIR
THING.
372
00:26:02,132 --> 00:26:11,572
>> BUT NEVER DUPLICATE ‐‐ GENIE
OF THE LAMP.
373
00:26:11,574 --> 00:26:14,644
>> THATS ROBIN WILLIAMS, OF
COURSE, AS THE VOICE AND
374
00:26:14,644 --> 00:26:19,244
INSPIRATION OF THE GENIE IN THE
BOTTLE IN ALADDIN, HES THE REAL
375
00:26:19,249 --> 00:26:24,489
STAR OF THE MOVIE, AN
EXTRAORDINARY PRESSERFORMANCE, T
376
00:26:24,487 --> 00:26:27,657
PERFECT MELDING OF A TALENT AND
ART FORM.
377
00:26:27,657 --> 00:26:29,827
ROBIN WILLIAMS IS AN ANIMATED
CHARACTER.
378
00:26:29,826 --> 00:26:35,026
>> HE WASNT JUST READING THE
SCRIPT WITH HIS FUNNY VOICES, HE
379
00:26:35,031 --> 00:26:36,271
WAS WINGING IT, HE WAS
IMPROVISING.
380
00:26:36,266 --> 00:26:38,466
AND THEY KNEW THEY WERE GOING TO
USE SOME OF THAT.
381
00:26:38,468 --> 00:26:45,138
THIS GENIE IS GOING TO BE WHAT
ITS LIKE TO WATCH ROBIN
382
00:26:45,141 --> 00:26:48,851
WILLIAMS ON STAGE.
>> CONCLUDE LOOK AT THOSE FANGS.
383
00:26:48,845 --> 00:26:58,245
I COULD HAVE BEEN A CONTENDER.
>> I CANT IMAGINE WHAT ROBIN
384
00:26:58,254 --> 00:27:02,784
WILLIAMS WAS LIKE AS THAT GENIE.
IT IS DEFINITELY ROBINS DEAL TO
385
00:27:02,792 --> 00:27:04,862
AD LIB.
>> THIS OPENED UP A DOOR FOR
386
00:27:04,861 --> 00:27:08,671
PUTTING ACTORS IN ANIMATION.
>> YOU WERENT THE REAL BUZZ
387
00:27:08,665 --> 00:27:11,165
LIGHT YEAR, YOURE AN ACTION
FIGURE.
388
00:27:11,167 --> 00:27:16,307
YOU ARE A CHILDS PLAY THING.
>> YOU ARE A SAD, STRANGE LITTLE
389
00:27:16,306 --> 00:27:21,036
MAN, AND YOU HAVE MY PITY.
FAREWELL.
390
00:27:21,044 --> 00:27:23,774
>> THEY TRIED A DISK JOCKEY
VOICE.
391
00:27:23,780 --> 00:27:27,550
VERY SELF‐AWARE, AND HE WAS ALSO
VERY CONFIDENT, AND I WENT A
392
00:27:27,550 --> 00:27:33,720
LITTLE DUMBER.
ITS FILLED WITH BRA VAUVADO, HE
393
00:27:33,723 --> 00:27:37,093
GOT NOTHING BUT HEART, BUT HE IS
ALSO OBLIVIOUS.
394
00:27:37,093 --> 00:27:40,093
>> VOICE ACTING, THE VALUE ON IT
HAS CHANGED COMPLETELY.
395
00:27:40,096 --> 00:27:48,766
IT USED TO BE ABOUT A GUY LIKE
MEL BLANK WHO COULD DO MULTIPLE
396
00:27:48,771 --> 00:27:52,711
VOICES, NOW YOU HIRE AN ACTOR TO
DO ONE VOICE, AND ITS USUALLY
397
00:27:52,709 --> 00:27:56,309
THEIRS.
>> NOW MY EVIL POWER WILL BE
398
00:27:56,312 --> 00:27:58,582
UNLIMITED, YOU FEEL ME?
>> I CAN FEEL YOU.
399
00:27:58,581 --> 00:28:02,251
>> COMEDIANS HAVE AN INHERENT
UNDERSTANDING OF TIMING AND THEY
400
00:28:02,252 --> 00:28:05,992
UNDERSTAND IMPROV MORE SO THAN A
TRADITIONAL ACTOR.
401
00:28:05,989 --> 00:28:08,789
>> THE JOKE DELIVERS.
WHEN YOU PUT THEM IN A BOOTH,
402
00:28:08,791 --> 00:28:11,361
THEY KNOW HOW TO HIT THE
PUNCHLINE.
403
00:28:11,361 --> 00:28:15,901
>> WITH SOMEBODY LIKE MIKE
MYERS, HE ALWAYS DID CHARACTERS.
404
00:28:15,899 --> 00:28:19,369
AND SO HE WAS BORN TO DO
ANIMATION.
405
00:28:19,369 --> 00:28:26,339
>> ID LIKE YOU TO MEET MY
HUSBAND, "SHREK."
406
00:28:26,342 --> 00:28:32,252
>> WELL, ITS EASY TO SEE WHERE
FIONA GETS HER GOOD LOOKS FROM.
407
00:28:32,248 --> 00:28:35,048
>> WORKING WITHOUT PROPS IS
SOMETHING I WAS VERY, VERY USED
408
00:28:35,051 --> 00:28:38,991
TO.
I NEVER SAW EDDY MURPHY OR
409
00:28:38,988 --> 00:28:44,628
ANTONIO BANDERAS THE WHOLE TIME.
YOURE USED TO MAKING SOMETHING
410
00:28:44,627 --> 00:28:48,627
OUT OF NOTHING.
>> WE CAN STAY UP LATE, SWAPPING
411
00:28:48,631 --> 00:28:52,371
MANLY STORIES AND IN THE MORNING
IM MAKING WAFFLES.
412
00:28:52,368 --> 00:28:59,438
>> EDDY MURPHYS VOICE ITSELF
SOUNDS FUNNY, BUT HE CAN ALSO DO
413
00:28:59,442 --> 00:29:01,282
VOICES.
>> KEEP OUR PEOPLE DOWN, BUT WE
414
00:29:01,277 --> 00:29:04,747
CAN USE IT TO KEEP THOSE SAME
PEOPLE FROM STEALING YOUR
415
00:29:04,747 --> 00:29:07,147
GO‐CART.
>> AND VOICEOVER FOR ANIMATED
416
00:29:07,150 --> 00:29:10,390
COMEDY, YOU NEED PEOPLE WHO CAN
EMOTE THROUGH THEIR VOICE.
417
00:29:10,386 --> 00:29:14,856
AND STANDUPS ARE SOME OF THE
BEST VOICE EMOTERS.
418
00:29:14,857 --> 00:29:19,327
>> COMEDIANS ARE VERY IN TOUCH
WITH HOW THEY COME ACROSS.
419
00:29:19,329 --> 00:29:21,459
THAT SKILL LENDS ITSELF TO VOICE
ACTING.
420
00:29:21,464 --> 00:29:24,594
>> THE MANATEE IS ENDANGERED,
AND I THINK ITS BECAUSE ITS
421
00:29:24,601 --> 00:29:29,611
OUT OF SHAPE.
DOESNT A MANATEE LOOK LIKE A
422
00:29:29,606 --> 00:29:35,446
GUEST ON THE RICKIE LAKE SHOW.
>> WHAT YOUVE GOT TO DO IS GET
423
00:29:35,445 --> 00:29:36,775
YOURSELF AN EDUCATION AND A JOB.
I DONT KNOW WHAT YOURE DOING
424
00:29:36,779 --> 00:29:39,879
TO TALK ABOUT.
YOURE FAT, YOU GOT TO GO TO
425
00:29:39,882 --> 00:29:47,992
WEIGHT WATCHERS.
I HAVE A LAYER OF BLUBBER TO ‐‐
426
00:29:47,991 --> 00:29:53,101
>> HE WOULD INTERVIEW COMEDIANS
IN SQUIGLE VISION.
427
00:29:53,096 --> 00:29:56,226
>> I THOUGHT THE MANATEE WAS
SUCH A WEIRD ANIMAL, AND SO I
428
00:29:56,232 --> 00:30:00,172
CAME UP WITH SOME JOKES AND I
HAD THIS VOICE THAT WENT WITH
429
00:30:00,169 --> 00:30:03,169
IT.
IT LENT ITSELF TO THIS DR. CATS
430
00:30:03,172 --> 00:30:08,242
BIT.
>> THERE WAS SOME BITS THAT WERE
431
00:30:08,244 --> 00:30:11,974
VISUAL, IN FACT, I THOUGHT THE
ANIMATION WAS COMPETING WITH
432
00:30:11,981 --> 00:30:15,421
JOKES.
IT TOOK ME A WHILE TO REALIZE
433
00:30:15,418 --> 00:30:19,788
THAT WE WERE A TEAM.
PEOPLE ASKED, HOW DO YOU GET
434
00:30:19,789 --> 00:30:23,759
INTO VOICE ACTING?
HE SAYS DO 15 YEARS OF STANDUP
435
00:30:23,760 --> 00:30:25,600
COMEDY.
THEYRE THE GREATEST VOICE
436
00:30:25,595 --> 00:30:29,325
ACTORS IN THE WORLD IF THEYRE
WILLING TO LONE US THEIR VOICE
437
00:30:29,332 --> 00:30:32,202
AND ALL THE YEARS OF WISDOM
CONTAINED IN THAT VOICE, YOURE
438
00:30:32,201 --> 00:30:36,211
GOING TO GET THE GREAT VOICE
ALMOST BY DEFINITION.
439
00:30:36,205 --> 00:30:38,835
>> YOULL FINGER ANYTHING WITH A
PULSE.
440
00:30:38,841 --> 00:30:42,201
>> THE SLOGAN IS THERES FINGERS
ON THE PULSE
441
00:30:51,688 --> 00:30:55,428
>>> TONIGHT, WERE GOING TO
PRESENT A SPECIAL FEATURE TAKING
442
00:30:55,425 --> 00:30:58,425
YOU INSIDE THE WORLD OF THE
ARTISTS AND THE FUNNY MEN WHO
443
00:30:58,428 --> 00:31:02,998
CREATE THE MODERN TV CARTOON.
>> A TRULY GREAT ANIMATED SHOW
444
00:31:02,999 --> 00:31:04,369
IS EVERYTHING COMING TOGETHER
PERFECTLY.
445
00:31:04,367 --> 00:31:10,907
THE VOICES, MUSIC AND ANIMATION,
TIMING, THE DIRECTING, EDITING,
446
00:31:10,907 --> 00:31:13,677
EVERYTHING.
>> WE, AS STUDENTS OF THE
447
00:31:13,676 --> 00:31:17,476
MASTERS, ALWAYS WANT TO EMULATE
THESE GREAT ANIMATORS OF THE
448
00:31:17,480 --> 00:31:25,050
PAST.
>> ONCE WE HAVE A DRAWING, WE
449
00:31:25,054 --> 00:31:29,084
PUT DOWN THE DRAWING, TALK TO
THE ANIMATOR, THEN WE HAVE TO
450
00:31:29,092 --> 00:31:32,302
DECIDE HOW THE CHARACTERS DIFFER
IN TERMS OF THEIR POSTURES, BY
451
00:31:32,295 --> 00:31:33,695
THE WAY THEY STAND, WHO ARE
THEY?
452
00:31:33,696 --> 00:31:40,436
♪
>> CHUCK JONES CHARACTER
453
00:31:40,436 --> 00:31:44,336
ANIMATIONS, THE FACIAL
EXPRESSIONS IN CARTOONS LIKE
454
00:31:44,340 --> 00:31:47,710
FEED THE KITTY WHERE THE BIG
BULLDOG IS PROTECTING THE LITTLE
455
00:31:47,710 --> 00:31:49,650
KITTEN.
THE FACIAL EXPRESSIONS, THATS
456
00:31:49,645 --> 00:31:57,685
ALL CHUCK, LITERALLY HIS
DRAWINGS ON THE SCREEN.
457
00:31:57,687 --> 00:32:04,857
CHUCK JONES, WHO IS A GREAT
MASTER, TIMER OF THE HELD ‐‐ YOU
458
00:32:04,861 --> 00:32:10,631
KNOW, THE EYES THAT GO ‐‐ WHICH
I JUST LEARN A LOT FROM THAT.
459
00:32:10,633 --> 00:32:17,103
WE KNEW WE WERE IN A CARTOON
WHEN YOU WATCHED A TEX AVERY
460
00:32:17,106 --> 00:32:19,636
CARTOON.
>> VISUALLY, AND VERBALLY, I
461
00:32:19,642 --> 00:32:21,982
WOULD PLAY TO THE AUDIENCE AN
AWFUL LOT.
462
00:32:21,978 --> 00:32:25,278
>> THAT WASNT IN THE SCRIPT.
>> I WANTED THEM AWARE THAT THEY
463
00:32:25,281 --> 00:32:28,451
WERE OUT THERE, THAT I KNEW THEY
WERE OUT THERE.
464
00:32:28,451 --> 00:32:34,861
>> TEX AVERY IS KNOWN MOSTLY FOR
HIS OUTRAGEOUS OR ZANY TYPES OF
465
00:32:34,857 --> 00:32:36,357
ANIMATION.
HIS SENSIBILITY IS TO PUSH THE
466
00:32:36,359 --> 00:32:40,759
BOUNDARIES OF THAT AS MUCH AS
POSSIBLE.
467
00:32:40,763 --> 00:32:44,133
>> IVE ALWAYS LIKED EXTRA
JOKES, I GUESS YOU COULD SAY,
468
00:32:44,133 --> 00:32:46,893
AND CARTOON WORLD IS A LAND OF
EXTRA JOKES.
469
00:32:46,903 --> 00:32:51,213
CLASSIC TEX AVERY JOKE IM SURE
YOUVE SEEN WAS BASED ON HOW
470
00:32:51,207 --> 00:32:53,877
PEOPLE VIEWED MOVIES IN THE
THEATERS.
471
00:32:53,876 --> 00:32:55,206
THERE WAS ALWAYS SOMETHING WRONG
WITH THE FILM.
472
00:32:55,211 --> 00:32:58,181
HEY, YOU OUT THERE, GET THAT
HAIR OUT OF HERE.
473
00:32:58,181 --> 00:33:00,821
>> THATS THE BEAUTY OF
ANIMATION.
474
00:33:00,817 --> 00:33:04,647
THATS REALLY WHAT YOU WANT
ANIMATION TO BE USED FOR, TO DO
475
00:33:04,654 --> 00:33:07,554
AND SEE THINGS THAT YOUVE NEVER
SEEN BEFORE.
476
00:33:07,557 --> 00:33:09,557
AND CANT BE SHOWN IN LIVE
ACTION.
477
00:33:09,559 --> 00:33:13,629
>> THE TAPE YOURE WATCHING IS
JUST A TASTE OF THE CARTOON
478
00:33:13,629 --> 00:33:18,169
NETWORK, AN APPETIZER, A MERE
MORSEL OF WHAT YOU CAN EXPECT
479
00:33:18,167 --> 00:33:21,737
FROM THE FIRST AND ONLY 24 HOUR
CARTOON NETWORK.
480
00:33:21,737 --> 00:33:26,637
>> CARTOON NETWORK WAS OWNED BY
TURNER BROADCASTING WHO NOW
481
00:33:26,642 --> 00:33:31,682
OWNED THE HANNABARBERA LIBRARY.
THEY OWNED THE RIGHTS TO ALL
482
00:33:31,681 --> 00:33:33,381
THESE CHARACTERS.
>> BASICALLY, YOU HAVE A GROUP
483
00:33:33,382 --> 00:33:38,722
OF PEOPLE THAT ARE WORKING IN
PROGRAMMING ON AIR MAKING
484
00:33:38,721 --> 00:33:45,961
COMMERCIALS, CLEARLY VERY
INSPIRED BY ALL OF THAT WARNER
485
00:33:45,962 --> 00:33:49,502
BROTHERS LIBRARY.
WERE LIKE, WOULDNT IT BE FUN
486
00:33:49,499 --> 00:33:52,769
IF WE MADE SOMETHING LIKE
OURSELVES.
487
00:33:52,768 --> 00:33:55,138
>> WOW, SPACE GHOST MAN, CRACK A
WINDOW, WILL YOU?
488
00:33:55,137 --> 00:33:57,907
>> I WOULD BE VIOLENTLY SUCKED
INTO SPACE.
489
00:33:57,907 --> 00:33:59,277
>> HOW MANY PEOPLE WOULD TUNE
IN?
490
00:33:59,275 --> 00:34:00,905
>> SPACE GHOST IS THE TURNING
POINT.
491
00:34:00,910 --> 00:34:07,250
ITS A SURREAL, LATE NIGHT TV
SHOW THAT IS UNAPOLOGETICALLY
492
00:34:07,250 --> 00:34:11,720
ADULT, USING KIDS CARTOONS.
>> NOW, A LOT OF THE PEOPLE THAT
493
00:34:11,721 --> 00:34:14,221
WORKED ON THAT SHOW TODAY ARE
THE MOVERS AND SHAKERS OF ADULT
494
00:34:14,223 --> 00:34:19,593
SWIM.
>> ALL KIDS OUT OF THE POOL FOR
495
00:34:19,595 --> 00:34:23,325
ADULT SWIM.
>> THEY BRANDED A BLOCK OF TIME
496
00:34:23,332 --> 00:34:30,872
ON THE NETWORK THAT WOULD JUST
BE FOR PROGRAMS AIMED AT ADULTS.
497
00:34:30,873 --> 00:34:40,943
>> THEY SATIRIZED TRULY TERRIBLE
CARTOONS AND MADE IT SEA LAB
498
00:34:40,950 --> 00:34:44,750
2021, DUBBED OVER THE OLD
ANIMATION, AND HAD THEM SAYING
499
00:34:44,754 --> 00:34:47,954
RIDICULOUS WEIRD AND
PREPOSTEROUS THINGS.
500
00:34:47,957 --> 00:34:53,797
>> ITS LIKE A KOALA BEAR
CRAPPED A RAINBOW IN MY BRAIN.
501
00:34:53,796 --> 00:34:57,626
>> THE WHOLE THING WAS KEEP IT
AS ABSOLUTELY CHEAP AS POSSIBLE.
502
00:34:57,633 --> 00:35:02,233
KEEP IT CLEAN, WHAT CAN YOU DO?
JUST GET WEIRD.
503
00:35:02,238 --> 00:35:03,238
>> SMOKEY.
>> YEAH, KID.
504
00:35:03,239 --> 00:35:06,179
>> HOW DID YOU GET YOUR NAME?
>> WELL ‐‐
505
00:35:06,175 --> 00:35:08,375
>> SMOKEY, YOU ALWAYS GOT THE
BEST WEED.
506
00:35:08,377 --> 00:35:13,477
>> HELLO, LITTLE PAW.
>> ADULTS NOT ONLY PROVIDED
507
00:35:13,482 --> 00:35:22,362
CERTAIN ‐‐ VISIONS, BUT THE MOST
PURE VERSION OF AN ‐‐ DIVISION.
508
00:35:22,358 --> 00:35:25,698
>> OH, MAN, WHY DIDNT WE THINK
TO BRING NO GUNS?
509
00:35:25,695 --> 00:35:31,965
>> ADULT SWIM IS FEARLESS.
THEY FIND VOICES THAT ARE
510
00:35:31,968 --> 00:35:34,368
NORMALLY
NORMALLY MARGINALIZED ON THE
511
00:35:34,370 --> 00:35:37,210
MARRIAGE NETWORK.
THEYRE FINDING THESE
512
00:35:37,206 --> 00:35:39,936
COUNTERCULTURAL VOICES AND
GIVING THEM A PLATFORM.
513
00:35:39,942 --> 00:35:41,882
DOING THINGS TRADITIONAL
NETWORKS ARE AFRAID TO DO.
514
00:35:41,877 --> 00:35:45,747
>> I APPRECIATE YOU.
>> COOL.
515
00:35:45,748 --> 00:35:50,848
>> ARE YOU A SIMULATION?
ARE YOU A SIMULATION?
516
00:35:50,853 --> 00:35:56,523
>> NO,
>> YOURE A GOOD KID.
517
00:35:56,525 --> 00:35:58,755
>> OH MY GOD.
>> WITH ANIMATION, YOU CAN DO
518
00:35:58,761 --> 00:36:01,201
ANY JOKE YOU WANT.
YOU CAN HAVE THE CHARACTERS BE A
519
00:36:01,197 --> 00:36:04,227
BIT MEANER.
YOU CAN HAVE THE JOKES POP A BIT
520
00:36:04,233 --> 00:36:05,893
MORE BECAUSE ITS ALREADY NOT
REAL.
521
00:36:05,901 --> 00:36:08,841
ITS ANIMATION AND SO THERE IS
MORE WIGGLE ROOM.
522
00:36:08,838 --> 00:36:12,208
>> SORRY, HONEY.
>> YEAH, WELL BRING YOU A
523
00:36:12,208 --> 00:36:14,608
PRESENT.
>> OH, BLOW ME.
524
00:36:14,610 --> 00:36:18,180
>> WHY?
YOU COULDNT FEEL IT.
525
00:36:18,180 --> 00:36:25,220
>> WHAT ANIMATION ALLOWS YOU TO
DO IS TO BE ANONYMOUS IN YOUR
526
00:36:25,221 --> 00:36:28,161
ASSAULT ON OTHER PEOPLE.
>> TWO WEEKS IN PRISON, TRUMPED
527
00:36:28,157 --> 00:36:30,687
UP CHARGES.
THAT TRIAL WAS A TOTAL SHAM.
528
00:36:30,693 --> 00:36:36,373
>> I KNEW WE WERE IN TROUBLE THE
MINUTE I SAW THE JURY.
529
00:36:36,365 --> 00:36:38,825
AT LEAST THEY ARE A JURY OF OUR
PEERS.
530
00:36:38,834 --> 00:36:40,694
>> I DONT THINK THEY SEE IT
THAT WAY.
531
00:36:40,703 --> 00:36:49,113
>> IF YOU CAST "FAMILY GUY" AND
"SOUTH PARK" AND "THE SIMPSONS"
532
00:36:49,111 --> 00:36:53,181
WITH THE SAME PEOPLE, YOU
COULDNT.
533
00:36:53,182 --> 00:36:56,092
SETH MCELDERRYFARLAND IS MAKING
EVERY WEEK.
534
00:36:56,085 --> 00:37:01,155
WELL TAKE IT FROM AN ANIMATED
CHARACTER BUT NOT A REAL PERSON.
535
00:37:01,157 --> 00:37:03,757
>> NOT EVERY JEWISH PERSON IS
GOOD WITH MONEY.
536
00:37:03,759 --> 00:37:07,169
>> NOT THE RETARDED ONES BUT WHY
WOULD YOU SAY THAT?
537
00:37:07,169 --> 00:37:09,839
SHOCK VALUE?
JEEZ CLEVELAND, THERE'S EDGY AND THEN THERE'S OFFENSIVE.
GOOD DAY SIR.
538
00:37:18,386 --> 00:37:26,276
>>> SOME BOX OFFICE GOLD, THE
UNMISTAKABLE MINIONS RAKED IN
539
00:37:26,282 --> 00:37:29,952
MILLIONS OF DOLLARS IN THE U. S.
AND CANADA.
540
00:37:29,952 --> 00:37:31,452
THATS ONE OF THE BIGGEST
OPENINGS EVER.
541
00:37:31,454 --> 00:37:36,324
>> YOU LOOK AT THE FULL ROSTER
OF FEATURE FILMS PUT OUT BY
542
00:37:36,325 --> 00:37:39,095
MAJOR STUDIOS.
YOURE REALLY PAYING ATTENTION
543
00:37:39,095 --> 00:37:43,725
AND SEE THE BIG MONEY IS GOING
TO ANIMATED FEATURES.
544
00:37:43,733 --> 00:37:46,173
>> BE COOL.
THIS WAVE HAS TO CRASH.
545
00:37:46,168 --> 00:37:50,568
>> YOURE ALL ALIVE AND LOOKING
AT ME WITH YOUR GLOVE AND YOUR
546
00:37:50,573 --> 00:37:53,313
LITTLE SHOES.
>> SEEING THE MOVIES THAT ARE
547
00:37:53,309 --> 00:37:57,909
COMING OUT NOW AND I AM IN AWE.
THE LEVEL OF CRAFT SEEMS TO
548
00:37:57,913 --> 00:38:00,613
HIGH.
>> THE BRIGHTEST COMEDY IVE
549
00:38:00,616 --> 00:38:04,516
SEEN THIS YEAR, LAST TEN YEARS
ARE THE ANIMATED MOVIES.
550
00:38:04,520 --> 00:38:07,390
>> GUYS, I THINK WERE ABOUT TO
CRASH INTO THE SUN.
551
00:38:07,389 --> 00:38:09,289
>> YEAH, BUT ITS GOING TO LOOK
GOOD.
552
00:38:09,291 --> 00:38:12,861
>> ANIMATED COMEDY COULDNT BE
MORE POPULAR THAN TODAY.
553
00:38:12,862 --> 00:38:17,972
NO QUESTION ABOUT IT WITH THE
LEG GOE
554
00:38:17,967 --> 00:38:19,597
LEGO CARTOON.
>> THE REASON ANIMATION IS A
555
00:38:19,602 --> 00:38:24,912
HUGE DEAL, BECAUSE IF YOU ONLY
MADE 30 EPISODES, YOU CAN
556
00:38:24,907 --> 00:38:32,277
REWATCH THE EPISODES 1,000
TIMES.
557
00:38:32,281 --> 00:38:36,291
ITS ONLY GOING TO KEEP GOING
AND THERE ARE ONLY GOING TO BE
558
00:38:36,285 --> 00:38:39,215
MORE BIG SHOWS.
>> YOU HAVE A LOT OF ANIMATION
559
00:38:39,221 --> 00:38:43,361
NOW COMING ONLINE, WHICH IS
ANOTHER AVENUE FOR IT BECAUSE IT
560
00:38:43,359 --> 00:38:47,229
COULD BE PRODUCED WITH MUCH
GREATER SPEED THAN IT ONCE WAS.
561
00:38:47,229 --> 00:38:52,599
>> CARL, I WATCHED YOU FIRE A
INTO THE CAPTAINS FACE.
562
00:38:52,601 --> 00:38:55,911
>> THE FACT THERE ARE 700
DIFFERENT OUTLETS AND YOUTUBE,
563
00:38:55,905 --> 00:39:00,435
YOU CAN REALIZE YOUR DREAM
PRECISELY AND IF ITS A GOOD
564
00:39:00,442 --> 00:39:04,952
ONE, PEOPLE WILL PAY ATTENTION.
>> ILL MAKE SHORT WORK OF THAT
565
00:39:04,947 --> 00:39:17,427
CRIME, FOR MY NAME ISNT SENIOR
AND IT IS.
566
00:39:17,426 --> 00:39:20,926
>> WELL CONTINUE TO SEE THE
FRUIT THAT BEARS BECAUSE YOU
567
00:39:20,930 --> 00:39:28,740
WANT TO ATTRACT UNIQUE MINDS TO
ANIMATION TO KEEP IT FLUSHED
568
00:39:28,737 --> 00:39:31,507
WITH NEW IDEAS.
>> THERE IS A LOT OF YOUNG
569
00:39:31,507 --> 00:39:34,577
PEOPLE THAT ARE INSPIRED BY THE
GENERATION AND THEY HEARD ABOUT
570
00:39:34,577 --> 00:39:38,477
THE PASSION FOR ANIMATION THAT
THE CREATORS OF SHOWS LIKE THAT
571
00:39:38,480 --> 00:39:43,420
HAD.
THEY WOULD HEAR THEM TALK ABOUT
572
00:39:43,419 --> 00:39:53,059
BOB AND AVERY.
FOR THAT REASON NOW, THERE IS A
573
00:39:53,062 --> 00:39:57,072
WHOLE GENERATION OF AN MAYAMATOR
AND HAVE A COMBINATION OF RETRO
574
00:39:57,066 --> 00:39:59,266
AND CONTEMPORARY DESIGN AND ITS
BEAUTIFUL.
575
00:39:59,268 --> 00:40:05,208
>> ONE SHOULD TAKE GREAT CARE IN
UNPACKING THE FLAGGINGRAGILE
576
00:40:05,207 --> 00:40:08,577
COMPONENTS.
ITEMS CAN SHIFT DURING SHIPPING.
577
00:40:08,577 --> 00:40:12,077
>> WITH THE NEW VERSION OF
MICKEY MOUSE, ITS A COMBINATION
578
00:40:12,081 --> 00:40:20,861
OF THE OLD CLASSIC DISNEY STYLE
THAT WE LOVE AND A MODERN
579
00:40:20,856 --> 00:40:28,726
SENSIBILITY.
SENSIBILITY.
580
00:40:28,731 --> 00:40:33,571
>> FINALLY, PEOPLE ARE ALLOWED
TO LIKE ANIMATION EVEN IF THEY
581
00:40:33,569 --> 00:40:37,569
ARE NOT UNDER 10.
THEY ARE TEENAGERS AND YOUNG
582
00:40:37,573 --> 00:40:42,483
ADULTS AND OLD ADULTS THAT ARE
REALLY ENJOYING CARTOON NETWORK
583
00:40:42,478 --> 00:40:45,508
AND ADULT SWIM.
>> ONE OF THE BIGGEST SHOWS ON
584
00:40:45,514 --> 00:40:51,284
TELEVISION RIGHT NOW IS "RICK
AND MOORE TYRTY."
585
00:40:51,287 --> 00:40:57,027
PEOPLE CAN REALLY MAKE THESE
AMAZING INTERESTING CHOSES THAT
586
00:40:57,026 --> 00:41:00,926
DO WELL ENOUGH TO MAKE MORE OF
THEM SO WERE REALLY SEEING
587
00:41:00,930 --> 00:41:03,400
FASCINATING STUFF RIGHT NOW.
>> THE POSSIBILITIES ARE
588
00:41:03,399 --> 00:41:04,999
ENDLESS.
THE TECHNOLOGY IS IMPROVING.
589
00:41:05,000 --> 00:41:07,270
WERE GETTING QUICKER
TURNAROUNDS.
590
00:41:07,269 --> 00:41:12,469
>> YEAH.
>> IT CAN BE INCREDIBLE.
591
00:41:12,474 --> 00:41:22,044
>> YOU READY, KEITH?
>> IM READY, KENNY.
592
00:41:22,051 --> 00:41:25,751
>> I THINK THE FUTURE OF
ANIMATION IS BRIGHT.
593
00:41:25,754 --> 00:41:28,584
>> IM GOING TO TELL MY DAD YOU
SWORE AT ME.
594
00:41:28,590 --> 00:41:31,490
HES A COP.
>> THEN HE CAN SOLVE YOUR MURDER
595
00:41:31,493 --> 00:41:32,923
YOU NOSEY ‐‐
>> NO.
596
00:41:32,928 --> 00:41:40,798
>> THERE IS MORE INVENTIVE
TALENT AND GIVING US A SHOW AND
597
00:41:40,803 --> 00:41:46,243
WE LOOK FORWARD TO THAT.
>> WHAT ABOUT THIS?
598
00:41:46,241 --> 00:41:53,351
>> I BROUGHT YOU FLOWERS.
>> I THINK I WOULD DO THE HOMER
599
00:41:53,349 --> 00:41:55,779
SIMPSON.
>> SUNSET, THANK GOD THERE IS
600
00:41:55,784 --> 00:41:58,954
ONLY ONE OF THESE A DAY.
>> WEVE BEEN LOOKING TO DO A
601
00:41:58,954 --> 00:42:04,324
PROJECT TOGETHER FOR A LONG
TIME.
602
00:42:04,326 --> 00:42:13,066
>> HELLO NURSE.
>> WHY DONT YOU EAT NUTS AND
603
00:42:13,068 --> 00:42:13,798
BURIES.
BURIES.
54315
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