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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:23,910 --> 00:01:26,080 NELS'. NELS'. IT'S THAT AMOS PIKE'. 2 00:01:26,250 --> 00:01:27,290 HE'S COMING'. HE'S HEADED THIS WAY'. 3 00:01:27,460 --> 00:01:28,540 YOU MEAN THE HERMIT? 4 00:01:28,710 --> 00:01:30,750 NO, HE'S NO HERMIT. HE'S A MANIAC. 5 00:01:30,920 --> 00:01:32,130 GET OUT OF HERE. OUT'. 6 00:01:32,300 --> 00:01:33,380 HARRIET'. 7 00:02:03,200 --> 00:02:04,410 UM... 8 00:02:04,580 --> 00:02:07,040 YOUR SPECIAL ORDER CAME IN, MR. PIKE. 9 00:02:15,420 --> 00:02:18,220 UH...LET'S SEE. WE HAVE, UH... 10 00:02:18,380 --> 00:02:19,510 COFFEE... 11 00:02:22,010 --> 00:02:23,100 FLOUR... 12 00:02:25,270 --> 00:02:26,350 SUGAR. 13 00:02:40,820 --> 00:02:44,740 LET'S SEE. THAT'S $5.00 FOR THE SPECIAL ORDER. 14 00:02:45,950 --> 00:02:49,040 8...16. 15 00:02:55,840 --> 00:02:59,300 4, 5... 16 00:02:59,470 --> 00:03:00,840 56 CENTS. 17 00:03:01,010 --> 00:03:03,220 WELL, THAT'S EXACTLY RIGHT, MR. PIKE. 18 00:03:11,270 --> 00:03:12,270 OHH... 19 00:03:12,440 --> 00:03:14,020 HE'S DISGUSTING. 20 00:03:56,610 --> 00:03:58,740 [MUSIC BOX PLAYING] 21 00:04:15,290 --> 00:04:17,250 YOU SHOULD HAVE STAYED WITH ME. 22 00:04:20,800 --> 00:04:24,260 YOU'D BE THE BELLE OF THAT SOCIABLE. 23 00:04:24,430 --> 00:04:25,510 AFTER THEY HEARD YOU SING, 24 00:04:25,680 --> 00:04:28,680 THEY WOULDN'T WANT TO HEAR ANYBODY ELSE. 25 00:04:28,850 --> 00:04:33,230 IT'S THE TRUTH, LILLY. 26 00:04:33,390 --> 00:04:35,150 THAT'S RIGHT. 27 00:04:35,310 --> 00:04:36,400 SMILE. 28 00:04:39,940 --> 00:04:45,410 NEXT YOU'LL TELL ME HOW YOU LOVE ME... 29 00:04:45,570 --> 00:04:50,240 AND HOW YOU'LL ALWAYS BE AT MY SIDE. 30 00:04:50,410 --> 00:04:51,450 THEN ONE FINE DAY, 31 00:04:51,620 --> 00:04:53,920 I'LL TURN AROUND AND YOU'LL BE GONE, 32 00:04:54,080 --> 00:04:57,880 JUST LIKE BEFORE. 33 00:04:58,040 --> 00:05:02,300 YOU LIED TO ME, LILLY. 34 00:05:02,470 --> 00:05:05,260 WHAT'S THE GOOD OF BEING SO BEAUTIFUL 35 00:05:05,430 --> 00:05:07,050 IF THE TRUTH AIN'T IN YOU? 36 00:05:07,220 --> 00:05:10,600 [MUSIC BOX PLAYING] 37 00:05:10,770 --> 00:05:11,980 DON'T GO. 38 00:05:24,280 --> 00:05:27,120 BET I COULD PLAY MUSIC ON IT IF I WAS GENTLE ENOUGH. 39 00:05:35,710 --> 00:05:37,460 I GOT YOU'. I GOT YOU'. 40 00:05:37,630 --> 00:05:39,250 Laura: WILL YOU PLEASE BE QUIET? 41 00:05:39,420 --> 00:05:42,800 HOW DO YOU EXPECT ME TO CATCH A RABBIT WITH YOU MAKING ALL THAT NOISE? 42 00:05:42,960 --> 00:05:44,970 I DON'T HAVE TO BE QUIET. 43 00:05:45,130 --> 00:05:46,340 THAT'S MY BOX. 44 00:05:46,510 --> 00:05:48,050 AND MY CARROT. 45 00:05:48,220 --> 00:05:50,930 SO NYAH'. 46 00:05:51,100 --> 00:05:52,600 BIG, OLD SPIDER IN THERE. 47 00:05:52,770 --> 00:05:54,270 IT'LL GET YOU. 48 00:05:54,430 --> 00:05:57,190 I'M NOT AFRAID OF LEGGY THINGS. 49 00:05:57,350 --> 00:05:59,610 BET YOU ARE OF THAT OLD HOUSE ON THE HILL. 50 00:06:02,150 --> 00:06:04,490 WHY SHOULD I BE AFRAID OF A DUMB, OLD HOUSE? 51 00:06:04,650 --> 00:06:05,950 BECAUSE AMOS PIKE LIVES THERE, 52 00:06:06,110 --> 00:06:08,740 AND MY MOTHER SAYS HE'S A MANIAC. 53 00:06:08,910 --> 00:06:11,120 A MANIAC? WHAT'S A MANIAC? 54 00:06:11,280 --> 00:06:12,450 Willie: HE'S CRAZY'. 55 00:06:12,620 --> 00:06:14,120 THAT'S WHAT A MANIAC IS. 56 00:06:14,290 --> 00:06:15,960 AND HE KILLS PEOPLE'. 57 00:06:16,120 --> 00:06:17,710 THAT'S SILLY, WILLIE. 58 00:06:17,870 --> 00:06:19,580 NO, IT'S NOT'. 59 00:06:19,750 --> 00:06:21,340 EVERYONE KNOWS IF YOU'RE BRAVE ENOUGH 60 00:06:21,500 --> 00:06:23,710 TO TOUCH THE PLACE WHERE A MANIAC LIVES, 61 00:06:23,880 --> 00:06:25,510 HE CAN'T HURT YOU. 62 00:06:25,670 --> 00:06:27,930 THAT'S NOT TRUE, NELLIE OLESON. 63 00:06:28,090 --> 00:06:32,260 YES, IT IS. JUST LIKE A LADYBUG. 64 00:06:32,430 --> 00:06:35,310 HOW COME I NEVER SEE YOU GOING UP THERE TO TOUCH IT? 65 00:06:35,480 --> 00:06:37,100 OUR MOTHER TOLD US NOT TO. 66 00:06:37,270 --> 00:06:39,850 BESIDES, WILLIE AND I HAVE TOUCHED IT LOTS OF TIMES. 67 00:06:40,020 --> 00:06:42,190 SO HAS JANE. HAVEN'T YOU, JANE? 68 00:06:42,360 --> 00:06:45,570 YEAH, YEAH. I'VE BEEN UP THERE LOTS OF TIMES. 69 00:06:45,740 --> 00:06:49,030 LOOKS LIKE YOU'RE THE ONLY ONE WHO'S TOO SCARED, LAURA. 70 00:06:54,870 --> 00:06:57,960 I AM NOT. IT'S JUST A DUMB, OLD RUN-DOWN HOUSE. 71 00:06:58,120 --> 00:07:01,460 THEN THERE'S NOTHING TO BE AFRAID OF, IS THERE? 72 00:07:01,630 --> 00:07:02,500 ALL RIGHT. 73 00:07:02,670 --> 00:07:03,960 ALL RIGHT, NELLIE OLESON. 74 00:07:04,130 --> 00:07:05,880 I'LL TOUCH YOUR DUMB, OLD HOUSE, 75 00:07:06,050 --> 00:07:09,010 BUT AFTER I DO IT, I DON'T WANT TO HEAR ANYMORE ABOUT IT. 76 00:07:11,840 --> 00:07:14,220 I DON'T REMEMBER TOUCHING THAT OLD HOUSE. 77 00:07:14,390 --> 00:07:16,520 YOU DIDN'T, SILLY. IT'S A TRICK... 78 00:07:16,680 --> 00:07:18,350 AND A GOOD ONE ON LAURA. 79 00:08:33,380 --> 00:08:34,510 [LOUD RATTLING] 80 00:08:45,440 --> 00:08:48,610 WHAT ARE YOU RUNNING FOR? 81 00:08:48,770 --> 00:08:50,360 WHAT'S THE MATTER, LAURA? 82 00:08:55,990 --> 00:08:58,120 NYAH, NYAH. YOU DIDN'T TOUCH THE HOUSE. 83 00:08:58,280 --> 00:08:59,490 LAURA IS A SCAREDY-CAT'. 84 00:08:59,660 --> 00:09:01,870 I AM NOT'. 85 00:09:02,040 --> 00:09:05,500 MY PA WILL TAN MY HIDE IF I DON'T GET HOME AND DO MY CHORES. 86 00:09:07,670 --> 00:09:09,710 All: NYAH, NYAH, NYAH, NYAH, NYAH'. 87 00:09:09,880 --> 00:09:11,880 LAURA IS A SCAREDY-CAT'. 88 00:09:12,050 --> 00:09:14,180 NYAH, NYAH, NYAH, NYAH, NYAH'. 89 00:09:14,340 --> 00:09:15,970 LAURA IS A SCAREDY-CAT'. 90 00:09:16,140 --> 00:09:17,090 Laura: I HAVE TO GET HOME'. 91 00:09:17,260 --> 00:09:18,680 All: NYAH, NYAH, NYAH, NYAH, NYAH'. 92 00:09:18,850 --> 00:09:21,180 LAURA IS A SCAREDY-CAT'. 93 00:09:21,350 --> 00:09:24,350 MM. I THINK I'LL HAVE ANOTHER PIECE OF CHICKEN. 94 00:09:24,520 --> 00:09:26,770 LAURA, YOU'VE EATEN SCARCELY A BITE. 95 00:09:26,940 --> 00:09:28,980 I'M NOT VERY HUNGRY TONIGHT, MA. 96 00:09:29,150 --> 00:09:31,860 IS MR. PIKE REALLY A MANIAC? 97 00:09:32,030 --> 00:09:33,610 WHO TOLD YOU THAT? 98 00:09:33,780 --> 00:09:37,160 WELL, MRS. OLESON AND WILLIE AND NELLIE 99 00:09:37,320 --> 00:09:38,200 SAID HE WAS DANGEROUS. 100 00:09:38,370 --> 00:09:39,870 WHAT A THING TO SAY. 101 00:09:40,030 --> 00:09:42,040 HE'S JUST AN OLD MAN WHO LIKES HIS PRIVACY, THAT'S ALL. 102 00:09:42,200 --> 00:09:43,450 AND HAS EVERY RIGHT TO IT. 103 00:09:45,210 --> 00:09:47,120 SURE DOES LOOK SCARY. 104 00:09:47,290 --> 00:09:48,250 WELL, MAYBE I'LL LOOK SCARY 105 00:09:48,420 --> 00:09:50,880 WHEN I GET AS OLD AS HE IS. 106 00:09:51,050 --> 00:09:54,220 THAT OLD HOUSE OF HIS LOOKS AS SCARY AS HE DOES. 107 00:09:54,380 --> 00:09:56,010 Mary: DID HE BUILD IT? MM-HMM. 108 00:09:56,180 --> 00:09:57,890 LONG BEFORE THE FIRST SETTLERS CAME HERE. 109 00:09:58,050 --> 00:09:59,050 THAT'S WHY I THINK HE'S GOT A RIGHT TO LIVE 110 00:09:59,220 --> 00:10:00,720 THE WAY HE WANTS TO. 111 00:10:00,890 --> 00:10:01,810 I GUESS. 112 00:10:01,970 --> 00:10:03,220 JUST LET OTHER PEOPLE SAY WHAT THEY WANT 113 00:10:03,390 --> 00:10:04,560 ABOUT MR. PIKE. 114 00:10:04,730 --> 00:10:06,190 LET THAT MAN LIVE IN PEACE. 115 00:10:06,350 --> 00:10:08,230 RIGHT, PA. 116 00:10:08,400 --> 00:10:10,310 STOP POKING THAT POTATO AND EAT SOME. 117 00:10:18,280 --> 00:10:20,370 A PIECE OF WOOD. 118 00:10:20,530 --> 00:10:22,370 WHAT? 119 00:10:22,540 --> 00:10:24,250 ALL I HAVE TO DO IS TAKE A PIECE OF WOOD 120 00:10:24,410 --> 00:10:26,540 FROM THAT OLD MR. PIKE'S HOUSE. 121 00:10:26,710 --> 00:10:28,870 THEN NELLIE WOULD HAVE TO KNOW THAT I TOUCHED IT. 122 00:10:29,040 --> 00:10:30,960 ARE YOU STILL GOING ON ABOUT THAT? 123 00:10:31,130 --> 00:10:33,250 PA SAID YOU WEREN'T TO BOTHER MR. PIKE. 124 00:10:33,420 --> 00:10:34,550 I'M NOT GOING TO. 125 00:10:34,710 --> 00:10:37,090 ALL I HAVE TO DO IS TOUCH THAT HOUSE 126 00:10:37,260 --> 00:10:39,840 OR NELLIE WILL TEASE ME SOMETHING AWFUL. 127 00:10:40,010 --> 00:10:41,510 I'D RATHER TAKE THE TEASING. 128 00:10:45,310 --> 00:10:47,890 TOMORROW'S SATURDAY. 129 00:10:48,060 --> 00:10:51,440 EVERYBODY KNOWS THAT MR. PIKE GOES TO TOWN ON SATURDAY. 130 00:10:51,610 --> 00:10:53,480 WANT TO COME WITH ME? 131 00:10:53,650 --> 00:10:55,320 I CAN'T. 132 00:10:55,480 --> 00:10:58,740 SCARED, TOO, HUH? 133 00:10:58,900 --> 00:11:01,370 I'VE GOT A LOT OF THINGS TO DO. 134 00:11:01,530 --> 00:11:04,660 LIKE WHAT? 135 00:11:04,830 --> 00:11:06,290 IT DOESN'T MATTER. 136 00:11:06,450 --> 00:11:07,750 I DON'T WANT PA TO SKIN ME ALIVE 137 00:11:07,910 --> 00:11:10,290 LIKE HE'S GOING TO DO TO YOU IF HE FINDS OUT. 138 00:11:10,460 --> 00:11:12,420 WELL, PA SAID NOT TO BOTHER HIM. 139 00:11:12,590 --> 00:11:16,260 AND IF HE'S NOT GOING TO BE HOME, HOW CAN I BOTHER HIM? 140 00:11:16,420 --> 00:11:18,970 IT WOULD BE BETTER IF YOU'D JUST FORGET ABOUT IT. 141 00:11:19,130 --> 00:11:20,130 WELL, I'M GOING TO DO IT, 142 00:11:20,300 --> 00:11:22,180 AND I'M GOING TO TAKE JACK WITH ME 143 00:11:22,350 --> 00:11:24,430 BECAUSE PA DIDN'T SAY ANYTHING TO HIM. 144 00:11:33,650 --> 00:11:34,900 COME ON, JACK. 145 00:11:46,660 --> 00:11:48,830 A PIECE OF WOOD WOULDN'T MATTER THAT MUCH. 146 00:12:02,680 --> 00:12:03,840 [CAT MEOWS] 147 00:12:04,010 --> 00:12:06,100 [JACK BARKS] 148 00:12:06,850 --> 00:12:07,930 HUSH, JACK. 149 00:12:08,100 --> 00:12:09,230 JACK'. 150 00:12:13,190 --> 00:12:14,610 JACK, YOU COME BACK-- 151 00:12:17,400 --> 00:12:18,480 HERE. 152 00:12:35,130 --> 00:12:36,250 [SLAM] 153 00:12:39,130 --> 00:12:41,340 [CAT MEOWING AND JACK BARKING] 154 00:12:50,600 --> 00:12:53,390 JACK? 155 00:12:53,560 --> 00:12:56,560 YOU COME BACK HERE NOW... 156 00:12:56,730 --> 00:12:58,820 AND LEAVE THAT OLD CAT ALONE. 157 00:13:31,140 --> 00:13:32,600 [CAT MEOWS AND LAURA SCREAMS] 158 00:13:33,430 --> 00:13:35,560 [JACK BARKING] 159 00:14:07,970 --> 00:14:10,100 [MUSIC PLAYING] 160 00:14:35,540 --> 00:14:37,620 [HUMMING] 161 00:14:45,210 --> 00:14:46,470 [JACK BARKING] 162 00:14:46,630 --> 00:14:47,720 JACK'. 163 00:14:51,010 --> 00:14:53,060 [BARKING] 164 00:14:53,220 --> 00:14:54,310 JACK. 165 00:14:58,850 --> 00:15:01,020 COME ON, JACK. 166 00:15:01,190 --> 00:15:03,320 WELL, BETTER START TO GO HOME. 167 00:15:03,480 --> 00:15:04,690 OTHERWISE, WE'RE GOING TO GET-- 168 00:15:04,860 --> 00:15:06,990 [FOOTSTEPS] 169 00:15:24,590 --> 00:15:25,800 [CRASH] 170 00:15:53,120 --> 00:15:55,120 I-- 171 00:15:55,280 --> 00:16:00,210 I'M SORRY THAT JACK BROKE YOUR VASE. 172 00:16:03,250 --> 00:16:04,380 WHO ARE YOU? 173 00:16:06,460 --> 00:16:08,760 LAURA. 174 00:16:08,920 --> 00:16:11,840 LAURA INGALLS FROM OVER THE HILL. 175 00:16:12,010 --> 00:16:15,600 YOU COME HERE TO STEAL SOMETHING... DIDN'T YOU? 176 00:16:15,760 --> 00:16:17,010 NO, SIR, I DIDN'T. 177 00:16:20,930 --> 00:16:22,690 JUST THIS OLD PIECE OF WOOD. 178 00:16:23,770 --> 00:16:24,940 GIVE IT TO ME. 179 00:16:27,780 --> 00:16:31,200 NOW I WANT YOU TO GET YOUR THIEVING SELF OUT OF HERE, 180 00:16:31,360 --> 00:16:34,620 AND I DON'T WANT TO SEE YOUR LIKES AROUND HERE AGAIN'. 181 00:16:34,780 --> 00:16:36,370 I'M SORRY. 182 00:16:36,530 --> 00:16:37,910 IT'S JUST AN OLD PIECE OF WOOD. 183 00:16:38,080 --> 00:16:39,160 DO YOU HEAR? 184 00:16:42,210 --> 00:16:45,380 I DON'T WANT YOU TO TALK TO NO ONE ABOUT ME. 185 00:16:45,540 --> 00:16:46,630 YOU HEAR? 186 00:16:54,130 --> 00:16:57,220 YOU'RE NOT ANYTHING TO TELL ANYBODY ABOUT. 187 00:16:57,390 --> 00:16:58,970 YOU'RE NOT EVEN A MANIAC. 188 00:16:59,140 --> 00:17:01,230 YOU'RE JUST A MEAN, SELFISH OLD MAN. 189 00:17:24,670 --> 00:17:27,380 SORRY I DISOBEYED YOU, PA. 190 00:17:27,540 --> 00:17:29,630 YOU GOING TO SKIN ME? 191 00:17:29,800 --> 00:17:33,510 WELL, I SUPPOSE I SHOULD, SHOULDN'T I? 192 00:17:33,670 --> 00:17:35,760 BUT I WON'T. 193 00:17:35,930 --> 00:17:37,680 EVERYBODY DISOBEYS ONCE IN A WHILE. 194 00:17:37,850 --> 00:17:39,810 THE IMPORTANT THING IS YOU OWNED UP TO IT. 195 00:17:39,970 --> 00:17:41,350 HEY, GO ON. GET SOME SLEEP. 196 00:17:41,520 --> 00:17:42,600 YES, SIR. 197 00:17:45,940 --> 00:17:48,690 WISH I HADN'T TALKED SO MEAN. 198 00:17:48,860 --> 00:17:51,360 HE'S SO OLD AND LONELY. 199 00:17:51,530 --> 00:17:53,490 THAT'S PROBABLY WHY HE'S SO MEAN. 200 00:17:53,650 --> 00:17:55,490 WELL, I'M SURE HE'S FORGOTTEN ABOUT IT BY NOW. 201 00:17:58,030 --> 00:18:01,330 PA... 202 00:18:01,490 --> 00:18:04,200 COULD I... 203 00:18:04,370 --> 00:18:07,880 COULD I JUST GO TO THE OLD HOUSE JUST ONCE MORE? 204 00:18:08,040 --> 00:18:10,040 WHAT FOR? 205 00:18:10,210 --> 00:18:12,340 I WANT TO SAY I'M SORRY. 206 00:18:12,500 --> 00:18:14,880 I'D FEEL AWFUL IF HE STAYED LOCKED UP IN THAT OLD HOUSE 207 00:18:15,050 --> 00:18:17,260 ALL ON ACCOUNT OF ME. 208 00:18:17,430 --> 00:18:19,220 HALF-PINT, HE'S BEEN DOING THAT FOR A LOT OF YEARS NOW. 209 00:18:19,390 --> 00:18:22,560 YOU CAN'T BLAME YOURSELF FOR IT. 210 00:18:22,720 --> 00:18:25,230 WELL, I'D FEEL BETTER IF I COULD SET THINGS RIGHT. 211 00:18:26,140 --> 00:18:29,310 PLEASE, PA. JUST ONE MORE TIME. 212 00:18:29,480 --> 00:18:30,980 ALL RIGHT. ONE MORE TIME. 213 00:18:31,150 --> 00:18:33,030 BUT I WANT YOU TO JUST GO TO THE DOOR, TELL HIM YOU'RE SORRY, 214 00:18:33,190 --> 00:18:34,820 AND THEN LEAVE HIM ALONE, UNDERSTAND? 215 00:18:34,990 --> 00:18:36,490 YES, PA. THANKS. 216 00:18:36,650 --> 00:18:37,450 SWEET DREAMS. 217 00:18:37,610 --> 00:18:38,860 GOOD NIGHT. GOOD NIGHT. 218 00:18:50,290 --> 00:18:51,750 Pike: YOU GET BACK IN TIME FOR THE SEASON, 219 00:18:51,920 --> 00:18:54,960 WE'LL WALK LIKE WE DID BEFORE... 220 00:18:55,130 --> 00:18:56,720 YOUR PRETTY HAND IN MINE, 221 00:18:56,880 --> 00:19:00,590 YOU ALL SMILING AND WARM AND... 222 00:19:00,760 --> 00:19:02,260 YOU'LL LIKE IT. I PROMISE. 223 00:19:02,430 --> 00:19:04,600 IT'S BETTER THAN BEFORE. 224 00:19:04,770 --> 00:19:06,980 A LOT OF FOLKS AROUND. 225 00:19:07,140 --> 00:19:08,560 THEY COULDN'T HELP BUT LOVE YOU... 226 00:19:10,520 --> 00:19:13,150 NOT THE WAY I DO, 227 00:19:13,320 --> 00:19:15,230 BUT, THEN, WHAT WE GOT IS SPECIAL. 228 00:19:23,330 --> 00:19:26,660 YOU SAID IT WAS SPECIAL, 229 00:19:26,830 --> 00:19:30,000 BUT YOU AIN'T LIVED UP TO WHAT YOU SAID. 230 00:19:30,170 --> 00:19:33,460 I'M TRYING TO BE FAIR... 231 00:19:33,630 --> 00:19:35,960 BUT IT'S TIME YOU CAME HOME. 232 00:19:49,520 --> 00:19:50,730 WHAT ARE YOU DOING HERE? 233 00:19:52,480 --> 00:19:55,690 I-- 234 00:19:55,860 --> 00:19:58,150 I CAME BACK TO TELL YOU I'M SORRY 235 00:19:58,320 --> 00:20:01,910 FOR ALL THE BAD THINGS I SAID TO YOU YESTERDAY. 236 00:20:02,070 --> 00:20:03,740 NOBODY ASKED YOU'. 237 00:20:10,040 --> 00:20:12,170 BET YOU NEVER TALK TO HER THAT WAY. 238 00:20:12,330 --> 00:20:13,380 WHAT? 239 00:20:13,540 --> 00:20:15,960 JUST THAT IF I WAS AS BEAUTIFUL AS SHE IS, 240 00:20:16,130 --> 00:20:17,710 YOU WOULDN'T BE ACTING THIS WAY. 241 00:20:21,590 --> 00:20:23,680 IT'S NONE OF YOUR AFFAIR. 242 00:20:26,640 --> 00:20:28,520 DON'T YOU GO TALKING'. 243 00:20:28,680 --> 00:20:31,520 I WON'T... 244 00:20:31,690 --> 00:20:34,400 BUT SHE SURE WILL WHEN SHE GETS BACK, 245 00:20:34,560 --> 00:20:37,070 THE WAY YOU LET HER HOUSE GO. 246 00:20:37,230 --> 00:20:38,070 WHAT? 247 00:20:38,230 --> 00:20:39,110 WELL, LOOK AT THIS PLACE. 248 00:20:39,280 --> 00:20:42,030 IT'S A MESS'. 249 00:20:42,200 --> 00:20:43,910 WELL, I... 250 00:20:44,070 --> 00:20:45,820 I'VE, UH... 251 00:20:45,990 --> 00:20:47,200 I'VE BEEN MEANING TO-- 252 00:20:47,370 --> 00:20:49,330 MEANING WON'T MAKE IT FIT FOR WOOLLY BEARS. 253 00:20:52,620 --> 00:20:55,380 HAVE TO CLEAN YOUR BROOM BEFORE YOU CAN EVEN SWEEP. 254 00:20:55,540 --> 00:20:57,880 YOU'RE A REGULAR SNIPPETY-SNAP, 255 00:20:58,050 --> 00:20:59,210 AIN'T YOU? 256 00:20:59,380 --> 00:21:00,760 WHAT'S A SNIPPETY-SNAP? 257 00:21:00,920 --> 00:21:02,050 PEOPLE LIKE YOU'. 258 00:21:05,220 --> 00:21:07,180 WELL, I... 259 00:21:07,350 --> 00:21:11,850 GUESS I HAVE LET THE PLACE GO A LITTLE. 260 00:21:12,020 --> 00:21:13,890 WELL, WE COULD FIX IT UP. 261 00:21:14,060 --> 00:21:16,560 IT COULD ALL LOOK JUST LIKE HER ROOM UPSTAIRS... 262 00:21:16,730 --> 00:21:19,110 IF WE DID IT TOGETHER. 263 00:21:19,270 --> 00:21:22,150 YOU WERE UPSTAIRS? 264 00:21:22,320 --> 00:21:23,570 HOW DID YOU KNOW IT WAS HER ROOM? 265 00:21:25,410 --> 00:21:28,080 WELL, IT HAS TO BE HER ROOM. 266 00:21:28,240 --> 00:21:31,240 SHE'S SO BEAUTIFUL. 267 00:21:31,410 --> 00:21:33,910 WHAT'S HER NAME? 268 00:21:34,080 --> 00:21:36,210 MISS LILLY... 269 00:21:36,380 --> 00:21:38,880 MISS LILLY BALDWIN. 270 00:21:42,210 --> 00:21:43,760 BET YOU COULD GET THIS PLACE FIXED UP 271 00:21:43,920 --> 00:21:45,970 IN A JIFFY FOR MISS LILLY, 272 00:21:46,130 --> 00:21:48,760 WITH ME HELPING. 273 00:21:48,930 --> 00:21:50,180 I DIDN'T ASK YOU. 274 00:21:50,350 --> 00:21:51,890 DIDN'T ASK ME TO LEAVE EITHER. 275 00:21:54,430 --> 00:21:55,690 WHAT DID YOU SAY YOUR NAME WAS? 276 00:21:55,850 --> 00:21:56,940 LAURA INGALLS. 277 00:21:57,100 --> 00:21:58,770 I ALREADY KNOW YOURS. 278 00:21:58,940 --> 00:22:00,900 WELL, BETTER START CLEANING UP. 279 00:22:01,070 --> 00:22:03,150 YOU TAKE THAT RUG OUTSIDE AND GIVE IT A GOOD SHAKING, 280 00:22:03,320 --> 00:22:05,070 AND I'LL SEE WHAT I CAN DO IN HERE. 281 00:22:08,120 --> 00:22:11,910 YOU'RE A REAL SNIPPETY-SNAP. YES, SIR. 282 00:22:14,120 --> 00:22:15,660 DID YOU REALLY CHASE KIDS AWAY 283 00:22:15,830 --> 00:22:18,630 WITH YOUR BIG STICK LIKE EVERYBODY SAYS? 284 00:22:18,790 --> 00:22:20,090 THAT WHAT THEY SAY? 285 00:22:20,250 --> 00:22:21,380 SOME OF THEM DO. 286 00:22:22,960 --> 00:22:25,220 WELL, IT WASN'T OUT OF MEANNESS. 287 00:22:25,380 --> 00:22:28,140 IT WAS JUST PROTECTING WHAT WAS MINE. 288 00:22:28,300 --> 00:22:29,970 AND MISS LILLY'S. 289 00:22:30,140 --> 00:22:33,020 WHEN WILL MISS LILLY BE COMING BACK? 290 00:22:33,180 --> 00:22:35,520 WELL, MOST ANYTIME NOW, 291 00:22:35,680 --> 00:22:39,520 SOON AS SHE GETS TIRED OF CITY LIVING. 292 00:22:39,690 --> 00:22:40,560 HOW COME YOU NEVER WENT TO LIVE IN 293 00:22:40,730 --> 00:22:43,190 THE CITY WITH MISS LILLY? HMM? 294 00:22:43,360 --> 00:22:44,480 WHO ARE YOU COMING AROUND HERE 295 00:22:44,650 --> 00:22:46,780 TELLING ME WHAT I SHOULD OR SHOULDN'T DO? 296 00:22:46,950 --> 00:22:49,320 I DIDN'T MEAN TO. 297 00:22:49,490 --> 00:22:50,530 BUT IF YOU WENT TO THE CITY, 298 00:22:50,700 --> 00:22:53,240 YOU'D SEE MISS LILLY A WHOLE LOT MORE. 299 00:22:53,410 --> 00:22:55,950 WELL, I AIN'T A CITY MAN. 300 00:22:56,120 --> 00:22:59,330 GO CRAZY IN THOSE STACKED HOUSES. ALL THAT NOISE. 301 00:22:59,500 --> 00:23:01,420 PEOPLE RUNNING HERE AND YON. 302 00:23:01,590 --> 00:23:03,840 FELLA COULD GET RUN DOWN IN THE STREET. 303 00:23:04,000 --> 00:23:08,430 I NEED A FAT SUN AND GOOD, CLEAN WIND IN MY FACE. 304 00:23:08,590 --> 00:23:09,930 WELL, YOU'RE NOT GETTING EITHER OF THEM 305 00:23:10,090 --> 00:23:13,850 STAYING LOCKED UP IN THIS OLD HOUSE ALL THE TIME. 306 00:23:14,010 --> 00:23:16,430 LISTEN HERE, YOU RUNNY-NOSED LITTLE UPSTART. 307 00:23:16,600 --> 00:23:19,390 THE WINDOWS ARE LOOKING A LOT NICER. 308 00:23:19,560 --> 00:23:20,350 I DON'T KNOW ANYTHING 309 00:23:20,520 --> 00:23:21,690 A LADY COULD APPRECIATE MORE 310 00:23:21,860 --> 00:23:24,020 THAN CLEAN WINDOWS... 311 00:23:24,190 --> 00:23:27,150 EXCEPT MAYBE A CLEAN YARD WITH FLOWERS. 312 00:23:28,530 --> 00:23:30,240 YOU LET THAT YARD GO. 313 00:23:34,660 --> 00:23:35,950 WHAT'S THE MATTER? 314 00:23:37,620 --> 00:23:40,210 LOOKS LIKE SOMEONE'S COMING. 315 00:23:46,840 --> 00:23:49,670 OH, THAT'S JUST MY PA. 316 00:23:49,840 --> 00:23:51,470 I DIDN'T KNOW HOW LATE IT WAS. 317 00:23:51,640 --> 00:23:52,720 WHOA. 318 00:24:01,770 --> 00:24:02,520 HI, PA'. 319 00:24:02,690 --> 00:24:04,820 HI, HALF-PINT, MR. PIKE. 320 00:24:04,980 --> 00:24:08,150 IT'S ABOUT TIME YOU CAME FOR THIS SNIPPETY-SNAP. 321 00:24:08,320 --> 00:24:11,400 I'LL THANK YOU TO TAKE MISS LAURA INGALLS FROM OVER THE HILL 322 00:24:11,570 --> 00:24:13,070 BACK OVER THE HILL. 323 00:24:13,240 --> 00:24:15,240 I'M SORRY IF SHE CAUSED YOU ANY TROUBLE, SIR. 324 00:24:15,410 --> 00:24:18,120 TIME WAS WHEN DECENT FOLKS KEPT THEIR CHILDREN AT HOME 325 00:24:18,290 --> 00:24:20,000 OUT OF OTHER FOLKS' BUSINESS. 326 00:24:23,460 --> 00:24:24,460 [DOOR SLAMS SHUT] 327 00:24:24,630 --> 00:24:26,250 WELL, I SUPPOSE YOU HEARD THAT. 328 00:24:26,420 --> 00:24:27,920 I SURE DID. 329 00:24:28,090 --> 00:24:29,590 THAT'S JUST THE WAY HE IS. 330 00:24:29,760 --> 00:24:31,010 HE REALLY LIKES ME. 331 00:24:38,220 --> 00:24:41,430 WELL, THIS HOUSE IS LOOKING BETTER, 332 00:24:41,600 --> 00:24:44,600 BUT I HAVE TO SAY THERE'S STILL A LONG WAY TO GO. 333 00:24:44,770 --> 00:24:48,480 Pike: YEAH, WELL, WE'RE GETTING THERE. 334 00:24:48,650 --> 00:24:50,320 WOO'. 335 00:24:50,490 --> 00:24:52,110 COBWEBS COULDN'T WEIGH MORE THAN AIR, 336 00:24:52,280 --> 00:24:57,280 BUT BET I'VE CLEARED A TON OF THEM OUT OF THIS ROOM ALONE. 337 00:24:57,450 --> 00:24:58,740 A LOT OF THEM ANYWAY. 338 00:25:03,460 --> 00:25:04,750 THERE. THAT'S FINISHED. 339 00:25:10,300 --> 00:25:13,130 COULD POLISH FURNITURE IF YOU HAD SOME FURNITURE POLISH. 340 00:25:13,300 --> 00:25:14,470 WELL, USE YOUR EYES, CHILD. 341 00:25:14,630 --> 00:25:16,180 THERE'S A BOTTLE RIGHT THERE ON THE TABLE. 342 00:25:22,230 --> 00:25:23,310 THIS IS GOING TO BE THE LAST DAY 343 00:25:23,480 --> 00:25:24,810 I'LL BE ABLE TO HELP YOU FOR A WHILE. 344 00:25:24,980 --> 00:25:26,150 HUH? 345 00:25:26,310 --> 00:25:28,270 MY PA'S GOING TO TAKE ME TO MANKATO WITH HIM. 346 00:25:28,440 --> 00:25:31,070 WELL, WHAT ABOUT SCHOOL? 347 00:25:31,230 --> 00:25:34,150 WELL, MISS BEADLE FEELS THAT GEOGRAPHY IS IMPORTANT 348 00:25:34,320 --> 00:25:35,660 AND THE BEST WAY TO LEARN IT 349 00:25:35,820 --> 00:25:39,030 IS TO SEE IT AND THEN WRITE ABOUT IT WHEN YOU GET BACK. 350 00:25:39,200 --> 00:25:40,700 HAVE YOU EVER BEEN TO MANKATO? 351 00:25:40,870 --> 00:25:42,250 LOTS OF TIMES. 352 00:25:42,410 --> 00:25:45,830 IT'S WHERE I MET AND MARRIED MISS LILLY. 353 00:25:46,000 --> 00:25:47,710 SHE WAS IN A REPERTORY COMPANY. 354 00:25:47,880 --> 00:25:49,670 A REPER WHAT? 355 00:25:49,840 --> 00:25:51,590 A REPERTORY COMPANY. 356 00:25:51,760 --> 00:25:53,550 MEANS THE SAME ACTORS AND ACTRESSES 357 00:25:53,720 --> 00:25:55,010 DOING DIFFERENT PLAYS, 358 00:25:55,180 --> 00:25:56,840 DIFFERENT PLAY EVERY NIGHT. 359 00:25:57,010 --> 00:25:59,300 FIRST TIME I SAW HER, SHE WAS A SINGER 360 00:25:59,470 --> 00:26:02,310 WHO HAD A BROKEN HEART, A LOT OF SAD SONGS. 361 00:26:02,470 --> 00:26:04,430 HAD EVERYBODY IN THE THEATER CRYING, 362 00:26:04,600 --> 00:26:07,520 WHOLE OCEAN OF TEARS. 363 00:26:07,690 --> 00:26:09,610 I DON'T THINK I'D LIKE THAT. 364 00:26:09,770 --> 00:26:12,110 YES, YOU WOULD. EVERYBODY DID. 365 00:26:12,280 --> 00:26:14,860 NEXT NIGHT, SHE WAS A DANCER, 366 00:26:15,030 --> 00:26:16,150 A GYPSY... 367 00:26:16,320 --> 00:26:18,820 WHIRLING AROUND THE STAGE, 368 00:26:18,990 --> 00:26:21,620 SPARKLES IN HER HAIR, 369 00:26:21,790 --> 00:26:23,540 LIGHTER THAN THISTLEDOWN. 370 00:26:23,700 --> 00:26:26,080 TOOK MY BREATH AWAY JUST TO WATCH HER. 371 00:26:26,250 --> 00:26:27,370 DRESSED LIKE THAT? 372 00:26:32,210 --> 00:26:35,510 YES, CHILD. 373 00:26:35,670 --> 00:26:40,430 ARTIST DIDN'T PAINT HER AS PRETTY AS SHE IS. 374 00:26:40,600 --> 00:26:42,760 DID YOU SEE ALL HER PLAYS? 375 00:26:42,930 --> 00:26:45,100 EVERY ONE OF THEM. 376 00:26:45,270 --> 00:26:47,480 NOT JUST ONCE. 377 00:26:47,640 --> 00:26:49,230 THE THEATER WAS MY COURTING PLACE. 378 00:26:49,400 --> 00:26:50,900 I SAT RIGHT IN THE MIDDLE OF THE FRONT ROW 379 00:26:51,060 --> 00:26:51,900 EVERY NIGHT, 380 00:26:52,070 --> 00:26:54,400 WHERE SHE COULD SEE ME. 381 00:26:54,570 --> 00:26:57,570 AFTER, I WENT BACKSTAGE. 382 00:26:57,740 --> 00:27:01,320 WAS 4 DAYS BEFORE SHE EVEN SAID HELLO. 383 00:27:01,490 --> 00:27:03,490 OH. THEN WHAT? 384 00:27:09,960 --> 00:27:13,000 THEN IT WAS THE WONDER, THE GLORY, 385 00:27:13,170 --> 00:27:16,920 SUNSHINE, AND LIGHTNING ALL AT THE SAME TIME. 386 00:27:17,090 --> 00:27:18,430 I CAME HERE, BUILT THIS HOUSE, 387 00:27:18,590 --> 00:27:20,390 WENT BACK AND ASKED HER TO BE MY WIFE. 388 00:27:21,760 --> 00:27:23,760 WHEN SHE SAID YES, 389 00:27:23,930 --> 00:27:26,430 I WAS SO HAPPY I WAS DUMBSTRUCK FOR AN HOUR. 390 00:27:29,270 --> 00:27:30,560 WHY DID SHE GO AWAY? 391 00:27:33,110 --> 00:27:34,400 IT'S NONE OF YOUR BUSINESS WHY. 392 00:27:40,450 --> 00:27:41,610 I'M SORRY. 393 00:27:43,370 --> 00:27:45,580 THERE WAS NOTHING HERE BUT THIS HOUSE-- 394 00:27:45,740 --> 00:27:49,080 NO WALNUT GROVE, NO PEOPLE... 395 00:27:49,250 --> 00:27:50,210 NO COMPANY EXCEPT FOR THE BIRDS 396 00:27:50,370 --> 00:27:53,040 SINGING IN THE GROVE DOWN THERE. 397 00:27:55,420 --> 00:27:57,630 SHE WASN'T USED TO IT. 398 00:27:57,800 --> 00:27:58,630 SHE GOT THE LONESOMES SO BAD 399 00:27:58,800 --> 00:28:01,550 SHE COULDN'T STAND IT. 400 00:28:01,720 --> 00:28:06,970 UH...SHE WENT AWAY FOR A LITTLE... 401 00:28:07,140 --> 00:28:09,310 BACK ON THE STAGE AGAIN. 402 00:28:09,480 --> 00:28:11,900 IN MANKATO? 403 00:28:12,060 --> 00:28:13,810 OHH...OTHER PLACES. 404 00:28:13,980 --> 00:28:17,610 MOSTLY MANKATO. 405 00:28:17,780 --> 00:28:19,070 UH, STANDING AROUND HERE TALKING, 406 00:28:19,240 --> 00:28:21,450 THE SPIDERS WILL BE GAINING ON ME. 407 00:28:21,610 --> 00:28:23,660 BE COBWEBS IN HERE THICKER THAN BEFORE. 408 00:28:32,250 --> 00:28:34,670 YOU AND MA WENT TO THE THEATER IN MANKATO, 409 00:28:34,830 --> 00:28:35,750 DIDN'T YOU, PA? 410 00:28:35,920 --> 00:28:36,880 UH-HUH. 411 00:28:37,050 --> 00:28:38,420 DID YOU SEE MISS LILLY? 412 00:28:38,590 --> 00:28:41,050 NO, HALF-PINT. I DOUBT IF MISS LILLY IS STILL ON THE STAGE. 413 00:28:41,220 --> 00:28:42,680 IT'S BEEN A LOT OF YEARS NOW. 414 00:28:42,840 --> 00:28:44,510 SHE SURE LOOKS YOUNG IN HER PICTURE. 415 00:28:44,680 --> 00:28:46,680 I SUPPOSE THAT'S WHY PEOPLE HAVE THEIR PAINTINGS DONE, 416 00:28:46,850 --> 00:28:48,720 SO THEY CAN REMEMBER HOW THEY LOOKED YEARS BACK. 417 00:28:48,890 --> 00:28:51,480 DO YOU SUPPOSE SHE'S AS OLD AS MR. PIKE IS? 418 00:28:51,640 --> 00:28:53,980 HMM, PRETTY NEAR, I GUESS. 419 00:28:54,150 --> 00:28:56,650 I BET IF SHE KNEW HOW MUCH THAT HE LOVED HER, 420 00:28:56,820 --> 00:28:57,650 SHE'D COME BACK. 421 00:28:57,820 --> 00:28:59,070 WELL, MAYBE. 422 00:28:59,230 --> 00:29:02,360 NOW, DON'T FORGET, A LONG, LONG TIME'S GONE BY. 423 00:29:02,530 --> 00:29:05,280 I STILL THINK THAT SHE'D COME BACK IF SHE KNEW. 424 00:29:06,120 --> 00:29:07,580 WELL, MAYBE YOU'RE RIGHT. 425 00:29:23,220 --> 00:29:24,590 CAN I GO FOR A WALK, PA? 426 00:29:24,760 --> 00:29:26,090 YEAH, ALL RIGHT. JUST DON'T GET LOST. 427 00:29:26,260 --> 00:29:27,390 I WON'T. 428 00:30:08,430 --> 00:30:09,970 WELL... 429 00:30:10,140 --> 00:30:12,100 WHERE'D YOU COME FROM, LITTLE LADY? 430 00:30:12,270 --> 00:30:15,690 I'M LAURA INGALLS FROM WALNUT GROVE. 431 00:30:15,850 --> 00:30:18,900 YOU'RE A LONG WAY FROM HOME. 432 00:30:19,060 --> 00:30:21,860 YOU COME IN HERE BACKSTAGE... 433 00:30:22,030 --> 00:30:24,110 I BET YOU WANT TO BECOME AN ACTRESS. 434 00:30:24,280 --> 00:30:25,280 NO, SIR. 435 00:30:25,450 --> 00:30:27,910 I'M LOOKING FOR A LADY WHO WAS IN A REPER-- 436 00:30:28,070 --> 00:30:29,990 REPERTORY COMPANY. 437 00:30:30,160 --> 00:30:31,700 YES. WE'VE HAD A LOT OF THOSE. 438 00:30:31,870 --> 00:30:34,290 THEY COME AND GO, COME AND GO. 439 00:30:34,450 --> 00:30:37,170 WELL, THIS LADY'S NAME WAS MISS LILLY BALDWIN. 440 00:30:37,330 --> 00:30:38,460 DO YOU KNOW HER? 441 00:30:38,630 --> 00:30:42,050 I DID. YES, INDEEDY. 442 00:30:42,210 --> 00:30:44,960 NO WAY TO FORGET A WOMAN LIKE MISS LILLY. 443 00:30:45,130 --> 00:30:46,470 WELL, WHEN WILL SHE BE BACK? 444 00:30:48,010 --> 00:30:49,640 WELL, SHE... 445 00:30:49,800 --> 00:30:53,140 SHE WON'T, LITTLE LADY. 446 00:30:53,310 --> 00:30:55,600 SHE GOT THE CHOLERA, DIED... 447 00:30:57,100 --> 00:30:59,480 MORE THAN 20 YEARS AGO. 448 00:30:59,650 --> 00:31:01,110 YOU MUST BE MISTAKEN. 449 00:31:04,690 --> 00:31:06,240 NO. 450 00:31:06,400 --> 00:31:09,660 WE ALL KNEW AND LOVED MISS LILLY. 451 00:31:09,820 --> 00:31:12,240 WE WERE VERY SAD WHEN SHE PASSED ON. 452 00:31:15,830 --> 00:31:17,540 THANK YOU. 453 00:31:17,710 --> 00:31:18,920 I'M SORRY. 454 00:31:22,750 --> 00:31:24,500 I WISH SHE WERE HERE, MYSELF. 455 00:31:31,390 --> 00:31:33,720 I GOT THE HORSES TAKEN CARE OF. 456 00:31:33,890 --> 00:31:35,770 IT'S TIME FOR YOUR PA TO PUT ON A FEED BAG. 457 00:31:43,770 --> 00:31:45,730 I WONDER WHAT IT WILL DO TO MR. PIKE 458 00:31:45,900 --> 00:31:47,110 WHEN HE FINDS OUT. 459 00:31:49,700 --> 00:31:52,030 IT'S ONE OF THE FACTS OF LIFE, HALF-PINT. 460 00:31:52,200 --> 00:31:53,240 IT'S GOING TO COME TO ALL OF US 461 00:31:53,410 --> 00:31:54,910 AT THE MOMENT OF GOD'S CHOOSING. 462 00:31:55,080 --> 00:31:56,080 IT'S ONE OF THE REASONS 463 00:31:56,240 --> 00:31:57,790 WHY IT'S IMPORTANT TO HAVE FAITH. 464 00:31:59,750 --> 00:32:02,330 I DON'T THINK MR. PIKE HAS FAITH. 465 00:32:02,500 --> 00:32:04,040 HE DOESN'T GO TO CHURCH. 466 00:32:04,210 --> 00:32:06,550 DOESN'T NECESSARILY MEAN HE'S WITHOUT FAITH. 467 00:32:06,710 --> 00:32:08,170 HE COULD JUST BE PRAYING IN HIS OWN WAY, 468 00:32:08,340 --> 00:32:10,760 SAME AS WE DID OUT ON THE PRAIRIE. 469 00:32:10,930 --> 00:32:12,590 I HOPE SO. 470 00:32:12,760 --> 00:32:14,510 WELL, YOU KNOW, EVEN PEOPLE WHO AREN'T MUCH ON RELIGION 471 00:32:14,680 --> 00:32:16,680 GENERALLY TURN TO GOD IN THEIR TIME OF NEED. 472 00:32:18,730 --> 00:32:21,890 DOES GOD LISTEN TO PEOPLE WHO AREN'T VERY RELIGIOUS? 473 00:32:22,060 --> 00:32:24,520 SURE, HE DOES. 474 00:32:24,690 --> 00:32:28,820 WHEN WE GET BACK, I'M GOING TO HAVE TO TELL MR. PIKE. 475 00:32:28,990 --> 00:32:30,150 WANT ME TO GO WITH YOU? 476 00:32:30,320 --> 00:32:31,530 NO. 477 00:32:31,700 --> 00:32:33,240 YOU'RE SURE? 478 00:32:33,410 --> 00:32:35,160 IT'S SOMETHING I HAVE TO DO. 479 00:33:12,820 --> 00:33:14,110 Pike: UP HERE, CHILD. 480 00:33:22,080 --> 00:33:24,170 WHAT DO YOU THINK, CHILD? 481 00:33:24,330 --> 00:33:25,460 DO YOU LIKE IT? 482 00:33:26,630 --> 00:33:29,210 IT'S BEAUTIFUL... 483 00:33:29,380 --> 00:33:30,460 BUT... 484 00:33:32,920 --> 00:33:34,090 WHAT'S WRONG, CHILD? 485 00:33:38,050 --> 00:33:41,310 I WENT TO THE THEATER IN MANKATO 486 00:33:41,470 --> 00:33:43,810 AND ASKED THE MAN THERE ABOUT MISS LILLY. 487 00:33:47,860 --> 00:33:48,940 OHH... 488 00:33:51,150 --> 00:33:53,110 I'VE GOT SOME MORE CLEANING TO DO. 489 00:33:53,280 --> 00:33:54,490 MR. PIKE. 490 00:33:56,280 --> 00:33:58,410 [MUSIC BOX PLAYING] 491 00:34:06,330 --> 00:34:08,330 MR. PIKE. 492 00:34:08,500 --> 00:34:10,750 SHE'LL LOVE ALL THESE LITTLE MUSIC BOXES. 493 00:34:10,920 --> 00:34:12,050 SHE LOVES MUSIC. 494 00:34:13,670 --> 00:34:17,300 MR. PIKE, I KNOW THIS WON'T BE EASY FOR YOU, BUT-- 495 00:34:17,470 --> 00:34:20,010 I FOUND THIS ONE JUST LAST WEEK. 496 00:34:20,180 --> 00:34:22,600 THE MINUTE I SAW IT, I KNEW SHE'D LOVE IT. 497 00:34:22,770 --> 00:34:25,520 MR. PIKE, PLEASE LISTEN TO ME. 498 00:34:25,690 --> 00:34:27,310 IT'S ABOUT MISS LILLY. 499 00:34:27,480 --> 00:34:29,020 SHE GOT REAL SICK, MR. PIKE. 500 00:34:29,190 --> 00:34:30,480 THAT'S A LIE. 501 00:34:30,650 --> 00:34:33,360 IT'S A LIE'. I KNOW IT'S A LIE'. 502 00:34:33,530 --> 00:34:35,780 YOU'RE JUST LIKE ALL THE REST OF THEM. 503 00:34:35,950 --> 00:34:38,070 YOU'RE JUST LIKE THAT DOCTOR. 504 00:34:38,240 --> 00:34:43,040 HE TOLD ME THE SAME THING, BUT I KNEW IT WAS A LIE. 505 00:34:43,200 --> 00:34:45,290 SHE WANTED TO STAY IN THE CITY, 506 00:34:45,460 --> 00:34:49,460 SO SHE TOLD HIM TO TELL ME THAT. 507 00:34:49,630 --> 00:34:53,670 ALL THOSE WEARY MILES TO MANKATO... 508 00:34:53,840 --> 00:34:56,340 TENDING AND LOVING HER. 509 00:34:56,510 --> 00:34:59,180 HE TELLS ME MY WIFE IS GONE. 510 00:34:59,340 --> 00:35:01,100 WELL, I KNEW BETTER. 511 00:35:04,770 --> 00:35:08,140 WHEN SHE GETS HER FILL OF THE BIG CITY, 512 00:35:08,310 --> 00:35:09,060 SHE'LL BE BACK. 513 00:35:09,230 --> 00:35:11,440 [SEVERAL MUSIC BOXES PLAYING] 514 00:35:14,030 --> 00:35:16,570 MR. PIKE... 515 00:35:16,740 --> 00:35:17,820 I... 516 00:35:17,990 --> 00:35:18,910 GET OUT'. 517 00:35:19,070 --> 00:35:20,870 I DON'T WANT TO EVER HEAR ANYMORE'. 518 00:35:25,290 --> 00:35:26,160 PLEASE. 519 00:35:26,330 --> 00:35:28,710 GET OUT AND DON'T COME BACK'. 520 00:35:57,570 --> 00:35:59,780 HI, DARLING. HI, PA. 521 00:35:59,950 --> 00:36:01,610 WHAT YOU DOING THERE, CARRIE? 522 00:36:01,780 --> 00:36:03,620 DRAWING PICTURES, HUH? 523 00:36:03,780 --> 00:36:06,160 HEY, WHAT'S THAT? 524 00:36:06,330 --> 00:36:07,290 JACK. 525 00:36:07,450 --> 00:36:08,700 OH. 526 00:36:08,870 --> 00:36:11,420 I WOULD RECOGNIZE HIM ANYWHERE. 527 00:36:11,580 --> 00:36:12,580 MA'S NOT BACK YET, HUH? 528 00:36:12,750 --> 00:36:13,790 Mary: NO. 529 00:36:13,960 --> 00:36:16,630 WELL, THAT AMY HEARN WILL TALK A LEG OFF A TABLE. 530 00:36:16,800 --> 00:36:17,670 HOW WAS YOUR DAY? 531 00:36:17,840 --> 00:36:18,630 GOOD. 532 00:36:18,800 --> 00:36:19,590 WHERE'S YOUR SISTER? 533 00:36:19,760 --> 00:36:20,970 SHE'S UP IN THE BARN. 534 00:36:21,130 --> 00:36:23,220 SHE SAID SHE WAS STUDYING HER SUNDAY SCHOOL LESSON. 535 00:36:23,390 --> 00:36:24,300 ON A WEDNESDAY? 536 00:36:24,470 --> 00:36:25,970 DOESN'T SOUND LIKE YOUR SISTER. 537 00:36:26,140 --> 00:36:29,980 SHE'S BEEN SO UNHAPPY EVER SINCE MR. PIKE GOT ANGRY AT HER. 538 00:36:30,140 --> 00:36:31,690 YEAH, I KNOW. 539 00:36:31,850 --> 00:36:32,980 SHE WALKS BY HIS HOUSE EVERY DAY 540 00:36:33,150 --> 00:36:35,060 AND JUST STANDS THERE LOOKING AT IT. 541 00:36:37,360 --> 00:36:38,480 WELL... 542 00:36:38,650 --> 00:36:40,650 I'LL GO OUTSIDE AND HAVE A LITTLE TALK WITH HER. 543 00:36:54,080 --> 00:36:56,880 YOU UP THERE, HALF-PINT? 544 00:36:57,040 --> 00:36:59,420 YES, PA. 545 00:36:59,590 --> 00:37:01,920 MARY SAID YOU'RE DOING A SUNDAY SCHOOL LESSON. 546 00:37:02,090 --> 00:37:03,430 WELL, KIND OF. 547 00:37:05,390 --> 00:37:07,600 I GOT LOOKING, AND THEN I GOT READING. 548 00:37:10,060 --> 00:37:12,180 STILL WORRIED ABOUT MR. PIKE, HUH? 549 00:37:12,350 --> 00:37:13,980 IT'S BEEN TWO WEEKS, PA. 550 00:37:15,350 --> 00:37:18,070 WELL, HALF-PINT, THE MORE YOU LOVE, THE MORE YOU HURT. 551 00:37:18,230 --> 00:37:19,280 I RECKON MR. PIKE 552 00:37:19,440 --> 00:37:22,030 MUST HAVE LOVED MISS LILLY AN AWFUL LOT. 553 00:37:22,190 --> 00:37:24,570 HE SURELY DID, PA... 554 00:37:24,740 --> 00:37:27,530 AND I HURT HIM SOMETHING AWFUL. 555 00:37:27,700 --> 00:37:29,740 OH, IT'S NOT YOUR FAULT. 556 00:37:29,910 --> 00:37:30,950 YOU DID IT OUT OF LOVE. 557 00:37:31,120 --> 00:37:33,870 NOTHING BAD EVER COMES FROM THE HEART. 558 00:37:34,040 --> 00:37:36,170 BUT IT TURNED OUT SO WRONG. 559 00:37:37,670 --> 00:37:41,590 I THOUGHT THAT ONCE HE KNEW 560 00:37:41,760 --> 00:37:44,840 HE'D STOP WAITING FOR MISS LILLY... 561 00:37:45,010 --> 00:37:46,680 BUT HE WON'T. 562 00:37:46,840 --> 00:37:48,470 HE'S JUST GOING TO STAY IN THAT OLD HOUSE 563 00:37:48,640 --> 00:37:50,470 FOREVER AND EVER. 564 00:37:50,640 --> 00:37:51,930 WHY WON'T HE LISTEN? 565 00:37:55,480 --> 00:37:57,060 JUST DOESN'T WANT TO FACE IT, I GUESS. 566 00:38:02,150 --> 00:38:04,740 IF ONLY HE TURNED TO GOD FOR HELP, 567 00:38:04,900 --> 00:38:06,610 LIKE YOU SAID. 568 00:38:06,780 --> 00:38:09,660 IT'S RIGHT HERE IN THE BIBLE. 569 00:38:09,830 --> 00:38:15,080 "JESUS SAID UNTO HER, I AM THE RESURRECTION AND THE LIFE. 570 00:38:15,250 --> 00:38:18,500 "HE THAT BELIEVETH IN ME, THOUGH HE WERE DEAD, 571 00:38:18,670 --> 00:38:21,670 YET HE SHALL LIVE." 572 00:38:21,840 --> 00:38:24,420 IF MR. PIKE WOULD ONLY BELIEVE THAT, 573 00:38:24,590 --> 00:38:26,510 HE'D BE ALL RIGHT, WOULDN'T HE, PA? 574 00:38:28,970 --> 00:38:30,220 YES, HE WOULD, DARLING. 575 00:38:33,810 --> 00:38:34,890 HEY. 576 00:38:36,480 --> 00:38:37,980 WHY DON'T YOU COME ON IN THE HOUSE NOW? 577 00:38:40,440 --> 00:38:42,610 CAN I READ JUST A LITTLE MORE? 578 00:38:42,780 --> 00:38:43,900 PLEASE, PA? 579 00:38:47,490 --> 00:38:48,570 ALL RIGHT. 580 00:39:17,520 --> 00:39:18,810 WHY DO YOU KEEP LOOKING? 581 00:39:18,980 --> 00:39:20,810 YOU CAN'T GO UP THERE. 582 00:39:20,980 --> 00:39:23,070 I KNOW, BUT I CAN LOOK. 583 00:39:23,230 --> 00:39:24,360 WE'LL BE LATE. 584 00:39:27,530 --> 00:39:29,410 YOU GO AHEAD. I'LL CATCH UP. 585 00:40:14,160 --> 00:40:16,290 [MUSIC BOX PLAYING] 586 00:40:53,820 --> 00:40:54,950 [MUSIC STOPS] 587 00:42:14,610 --> 00:42:17,030 HURRY UP, WILLIE. YOU'RE NO FUN AS THE LEADER. 588 00:42:17,200 --> 00:42:18,780 I'M DOING THE BEST I CAN. 589 00:42:18,950 --> 00:42:20,410 WELL, LET ME IN FRONT. 590 00:42:20,580 --> 00:42:23,200 NO. YOU ALWAYS GET TO GO IN FRONT. 591 00:42:28,750 --> 00:42:31,340 HEY, LAURA. YOU WANT TO PLAY FOLLOW THE LEADER? 592 00:42:31,500 --> 00:42:32,960 NO. I DON'T THINK SO. 593 00:42:34,800 --> 00:42:37,340 Nellie: YOU'RE SCARED THE MANIAC WILL COME OUT AND GRAB YOU. 594 00:42:37,510 --> 00:42:39,090 HE'S NOT A MANIAC'. 595 00:42:39,260 --> 00:42:42,850 WE MIGHT BELIEVE THAT IF YOU WEREN'T AFRAID TO TOUCH THAT OLD HOUSE. 596 00:42:43,020 --> 00:42:44,140 I DON'T WANT TO. 597 00:42:44,310 --> 00:42:45,980 Willie: LAURA IS A SCAREDY-CAT'. 598 00:42:46,140 --> 00:42:47,850 All: LAURA IS A SCAREDY-CAT'. 599 00:42:48,020 --> 00:42:49,770 LAURA IS A SCAREDY-CAT'. 600 00:42:49,940 --> 00:42:51,690 LAURA IS A SCAREDY-CAT'. 601 00:42:51,860 --> 00:42:53,530 LAURA IS A SCAREDY-CAT'. 602 00:42:53,690 --> 00:42:55,400 LAURA IS A SCAREDY-CAT'. 603 00:42:55,570 --> 00:42:57,360 LAURA IS A SCAREDY-CAT'. 604 00:42:57,530 --> 00:42:59,240 LAURA IS A SCAREDY-CAT'. 605 00:42:59,410 --> 00:43:01,200 LAURA IS A SCAREDY-CAT'. 606 00:43:01,370 --> 00:43:03,490 LAURA IS A SCAREDY-CAT'. 607 00:43:16,880 --> 00:43:19,010 [MUSIC PLAYING] 608 00:43:48,540 --> 00:43:50,080 SHE'S GOING IN, NELLIE. 609 00:43:50,250 --> 00:43:51,540 SHE'S GOING IN'. 610 00:43:59,760 --> 00:44:00,840 MR. PIKE? 611 00:44:11,600 --> 00:44:14,060 I BROUGHT BACK YOUR MUSIC BOX. 612 00:44:14,230 --> 00:44:16,440 IT'S TOO PRETTY TO GIVE AWAY. 613 00:44:16,610 --> 00:44:19,990 SMALL THANKS FOR TRYING TO HELP ME. 614 00:44:35,290 --> 00:44:38,590 I READ WHAT YOU MARKED SO MANY TIMES... 615 00:44:38,760 --> 00:44:41,930 I KNOW EVERY WORD BY HEART. 616 00:44:42,090 --> 00:44:45,720 "HE THAT BELIEVETH IN ME... 617 00:44:45,890 --> 00:44:48,140 "THOUGH HE WERE DEAD... 618 00:44:48,310 --> 00:44:51,310 YET SHALL HE LIVE." 619 00:44:51,480 --> 00:44:52,600 AND THIS ONE... 620 00:44:54,900 --> 00:44:58,820 "WHOSOEVER LIVETH AND BELIEVETH IN ME 621 00:44:58,980 --> 00:45:00,190 SHALL NEVER DIE." 622 00:45:05,240 --> 00:45:09,080 DOES THAT MEAN SHE'S UP THERE IN HEAVEN? 623 00:45:09,240 --> 00:45:10,410 YES. 624 00:45:14,630 --> 00:45:18,340 I WANT TO BELIEVE THAT MORE THAN ANYTHING. 625 00:45:18,500 --> 00:45:22,300 I NEVER WAS MUCH FOR BELIEVING. 626 00:45:22,470 --> 00:45:24,010 I DON'T EVEN KNOW HOW TO START. 627 00:45:26,390 --> 00:45:27,810 JUST HAVE FAITH. 628 00:45:27,970 --> 00:45:30,020 THAT'S WHAT MY PA SAYS. 629 00:45:30,180 --> 00:45:32,270 THEN WE'LL SEE OUR LOVED ONES WHEN WE GET THERE. 630 00:45:36,360 --> 00:45:38,480 IF I THOUGHT I COULD SEE HER AGAIN... 631 00:45:41,990 --> 00:45:43,860 I SHOULD NEVER HAVE BROUGHT HER HERE. 632 00:45:46,320 --> 00:45:50,700 SHE WAS LIKE THE DOLL IN THAT MUSIC... 633 00:45:52,370 --> 00:45:55,290 SO FRAIL. 634 00:45:55,460 --> 00:45:56,540 SO... 635 00:45:59,000 --> 00:46:00,340 SHE GOT SICK... 636 00:46:03,470 --> 00:46:05,010 AND I COULDN'T MAKE HER WELL. 637 00:46:10,180 --> 00:46:11,970 HELP ME TO BELIEVE, CHILD. 638 00:46:16,850 --> 00:46:18,190 HELP ME TO BELIEVE. 639 00:46:54,930 --> 00:46:56,560 LAURA, WHAT HAPPENED? 640 00:46:56,730 --> 00:46:58,480 WHAT DID HE SAY? 641 00:46:58,650 --> 00:46:59,440 WHAT? 642 00:46:59,610 --> 00:47:00,860 WHAT DID HE SAY? 643 00:47:05,820 --> 00:47:08,450 HE SAID HE WANTED TO SEE YOU, NELLIE. 644 00:47:08,610 --> 00:47:10,240 WHAT? 645 00:47:10,410 --> 00:47:13,370 HE SAID HE WANTED TO SEE YOU... 646 00:47:13,540 --> 00:47:15,370 AND WILLIE, TOO. 647 00:47:22,340 --> 00:47:25,130 UH, I GOT TO GO HOME AND DO SOME CHORES NOW. 648 00:47:25,300 --> 00:47:27,260 UH, ME, TOO. 649 00:47:27,420 --> 00:47:32,180 HA HA HA'. 650 00:47:32,350 --> 00:47:34,100 HA HA HA'. 651 00:47:35,520 --> 00:47:37,140 HA HA HA'. 652 00:47:41,480 --> 00:47:42,980 SEE YOU SUNDAY. 44252

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