All language subtitles for Hawaii 5-O s11e17 Stringer.eng

[CAR CRASHES]

If Alika and his goons
come looking for me,

I gotta have something
I can hold over him.

If you have the pictures,
bring them to Mr. McGarrett.

McGARRETT:
Remember one thing, my friend:

you're playing a dangerous game

with people who make
their own rules.

Unfortunately,
this is the kind of mistake

that, uh, somebody has to pay for.

STRINGER: Aw, you are beautiful.
- Heh.

[CAMERA CLICKING]

You're steaming up my lenses.

I mean, this is incredible.

- Cheryl Tiegs, eat your heart out.
- Oh, Stringer, I don't know about this.

I don't know if I wanna be
on a poster.

Besides, I don't even look
like an island girl.

There are all kinds of girls
on this island.

Just because you were born
in Shaker Heights in this life

doesn't mean you weren't
Queen HaleKulani in your last.

- Heh, heh. Maybe, but I don't think so.
- Look at the left.

I've got a perfect picture here,
you know that?

You're a beautiful woman, Maren.

And you're a con man. I don't know
howl let you talk me into these things.

Because I give you $9, that's why.

DUKE:
According to this map,

this road comes out at Banyan Point.
I think that's where they're headed.

Are you sure Alika's in that first car?

Oh, no doubt about it.

They still there?

BILLY:
They're still back there.

Okay, give the boys the signal.
Get rid of them-

DUKE:
The road gets pretty narrow up ahead.

We'd better drop back, Duke.

Fantastic.

Uh, Stringer, you know how
uncomfortable I am dressed like this

and when you wet me down,
you can see everything.

- Yes. I know that. I know that.
- Uh!

Come on. I'm embarrassed.

Trust me,
nobody ever comes up here.

Turn around.

You know, my daddy says when
somebody asks you to trust them,

don't.

- Heh, heh.
- Oh!

Trust you?

[CAMERA CLICKS]

[TIRES SCREECHING]

- What the hell was that?
- I don't know.

- Let's get out of here.
- Okay.

[CAMERA CLICKS]

Oh, no, Stringer.

Do you think we could
go and help them or...?

No. Nobody can help them now.

Oh, God.

Come on, let's get out of here.

[GROANING]

Steve.

Danno, how about Duke?
How is he?

Why don't you ask him yourself?

Hey, Duke. Hey.

- How do you feel?
- Unh, I'm pretty sore, Steve.

But I'll be okay.

- Sit down a second.
DUKE: Unh.

I was lucky I was thrown free.

What about Sergeant Napoli?

He's dead.

[DUKE SIGHS]

Oh, my God.

How did it happen?

There was a blowout.

Sergeant Napoli tried to control it,
but he couldn't.

A blowout when you were
tailing Alika?

That's a coincidence, isn't it?

Think maybe that blowout
had a little help?

Why not, Danno?

I'll have the lab
give those tires a hard look.

Good. Duke, um...

You've been assigned
to the Alika surveillance team

ever since he got out on bail.

Was there anything
special about today?

I don't know, Steve. They always
traveled in two cars like that.

What was he doing up in the mountain
in the first place?

Had he ever gone up there before?

Not since I've been tailing him.

If he went to all that trouble,

my guess is that he was
meeting someone.

Any idea who?

No idea, Steve.

Okay. Well, let's try to find out.

[KNOCKS ON DESK]

You get some rest, Duke.

[DOORBELL BUZZES]

Who is it?

MAREN [OVER INTERCOM]:
A trusting soul.

- I'll be right out. I'm in darkroom.
MAREN: Hurry up.

I Gaffed the photo editor
at The Advertiser

and he's holding the front page.

Yeah, well, don't worry.
He won't be disappointed.

Think he'll pay for that?

- He'll buy it in a second.
- What do you think they'll give?

I don't know.
Come on, we've got a deadline.

Relax, relax.

Speaking of money...

Let me show you something I took
while you were hiding.

Who's that man?

That's Howard Kramer.

What is this?

I don't know.

What's a Howard Kramer?

He's just one of the biggest political
power brokers on the island, is all.

I mean, I see him at all the big parties
that I cover for the newspaper.

- He's a state senator or something?
- No.

No, no, nothing like that.
He's a middle-man.

He gets things done
that nobody else can do.

Like what?

Uh, well, like if you wanted to build
a hotel on Waikiki

and you couldn't get a permit?

- You go to Howard Kramer.
- Go to Howard Kramer

and he talks to the people

who give out the building permits.
I see.

Yeah, he, uh, gives them something
that they want

and then you get the permits.

- Who--?
- He gives them money?

I don't know. Who is this?

The other man is Tony Alika.

- The head of the Kumu?
- Mm-hm-

Oh, Stringer, you have to take this
to the police.

Stringer.

Okay. Look, you take the picture
of the car crash to the paper.

I will take the other one
to the cops, okay?

Oh, wait, Stringer.

Why don't we go together,
then I can drop you off.

No, no, go, go, go.
Do what I tell you. Go.

Tell him to get my photo credit
right this time.

McGarrett.

Welcome to my little grass shack.

Sit down. Sit down.
Like a little lunch?

- I got some nice fresh opakapaka.
- This is not a social call, Alika.

Caught fresh this morning.

A little, uh, green Chinese vegetables,
some rice and soy sauce?

No?

Suit yourself.

I wanna know what you were doing up
near Banyan Point early this morning.

If you were tailing me,
you should know

I was looking at some property.
Why?

You know damn well why.

One of the men tailing you is dead
and Duke Lukela is lucky to be alive.

Every time something bad happens
on this island, you try to pin it on me.

Now, why is that?

Because whenever something evil
happens, you're likely to be involved.

Well, if that were true, I'm sure
that a big superstar cop like you

would be able to prove it just once.

I thought at first a blowout caused
the officers' car to go off the road.

And then...
And then guess what.

We found this. Familiar?

What's that supposed to be?

It's a rifle slug,
in case you don't recognize it.

It was found by
one of our lab technicians

embedded in one of the tires.

Are you trying to say
that I shot out somebody's tire?

Somebody shot out somebody's tire.

Now, isn't it interesting that we can
positively place you at the scene

with two of your goons
in a car behind you, huh?

You got witnesses, McGarrett,

or are you just, uh,
grabbing at air as usual?

Not this time, Alika.

I have a feeling--
A premonition, if you will.

I keep seeing your face behind bars.

My lunch is getting cold, McGarrett.

- Are you through?
- Yeah. For now.

Oh, uh...

That property you were looking at,

be a shame to buy it and not be around
long enough to enjoy it, huh?

My friend would just like to have that
Banyan Point property looked at again.

Yeah, heh, you know that would make
a wonderful site for a resort hotel-

Mm-hm.

Harry, look, all I'm asking you is
for you to review the situation. Okay?

Good.

Okay, Harry. Thank you. Bye-bye.

You were expecting this?

KRAMER:
Who brought this in?

Some creep.
I think he was a messenger.

Oh. Aw, well.
Thank you, Linda. That's all.

[PHONE RINGS]

- Yeah?
- Hello, Alika?

What are you doing calling me?
What's the matter?

Somebody just sent me a picture
of me and you.

What picture?
Where, in the mountains?

- Yes.
- That's it? I mean, just the picture?

- No demands?
- Not yet.

Just get a hold of yourself, all right?

You call me the minute
you hear from them.

Okay.

Billy Swan.

Billy, where the heck are you?

- Steve.
McGARRETT: Yeah?

Take a look at this.

Well...

- There was a witness, huh?
- Yeah.

"Byline, Tim Powers."

- Luana?
LUANA [OVER PHONE]: Sir?

Get me, uh, Ben Richmond
at The Advertiser, please.

LUANA: Right now, sir?
- Yeah, right away. Thank you.

I thought you said
you didn't see anybody?

We didn't exactly hang around,
but, no, we didn't see anyone.

Somebody must've been there.

Somebody took a picture
of me and Kramer.

Now, you go find this photographer.
This, uh, Tim Powers.

Go find him fast.

STRINGER:
Yes. Mn Kramer; please.

Just tell him it's the call
he's been expecting.

[PHONE BUZZES]

KRAMER:
Yes?

LINDA [OVER PHONE]:
Mn Kramer? Call on Line 1.

- Hello?
- Mr. Kramer?

KRAMER:
Who is this?

Uh, this is your friendly
neighborhood photographer.

I photographs weddings,
bar mitzvahs,

private meetings in the hills.

What do you want?

It's 10:30.

At exactly 11:00,
be outside your office building.

A pedicab driver will ask you if you
want your picture taken at the beach.

Get in the cab.

Meanwhile, don't do anything stupid
like calling your partner

[CHUCKLES]

- Tour of Waikiki?
- Oh, yeah.

- Take your picture on the beach.
- Great.

It's, um...

it's under the floor mat.

Now you've got the whole story.

You?

Yeah, I'm sorry, Burt Reynolds
wasn't available for the assignment.

What you see is what you get. Sorry.

Oh, uh, heh, heh.

Sorry. I didn't mean to offend you.

Sure you did.

But that's okay.

I'm in a position to, uh,
be big about it.

Uh...

What's this all about?

I know who you are, Mr. Kramer.

I know who Tony Alika is.

How much do you want?

250 big old ones.

Oh, gee, heh.

- Look, I don't have that kind of money.
- Tony Alika does.

Well, talk to him then.

I think I'd rather do business
with you.

He has a tendency to get
a little cranky, you know?

I like you better.

And, uh,

you'll give me the prints
and the negative, huh?

You do your part, Kramer,
and I'll take care of mine.

Incidentally, I'm not in this alone,

so don't get any funny ideas.

Yeah.

Ciao.

Maren Wilson?

Oh, yes. May I help you?

My name is Dan Williams. Five-0.

Ben Richmond, uh, told me you might
be able to help us locate Tim Powers.

Uh, Tim Powers...?

Oh, Stringer.

Oh, uh, see, that's the nickname
that everyone calls him.

- You see, a Stringer is a person who--
- I know.

Somebody who sells articles or pictures
to a publication on a freelance basis.

Um, what do you want him for?

A police officer was killed
in an accident.

This accident.

Stringer took this picture.

We'd like to ask him
some questions.

Well, what kind of questions
would you like to ask him?

The questions are for him.
Do you know where he is?

Uh, no.

He shows up here every once in a while
when he has a picture to sell.

Surely he must do something else
besides take pictures?

Look, I really don't know
anything about him.

If you'll just excuse me now, I have
some other business to attend to.

YOSHI:
Hey, Danny.

- Hey, Yoshi.
YOSHI: Hey, how's it going, Danny?

- How are you doing?
- Okay.

- Listen, I heard you talking over there.
- Ah, my, what big ears you have.

Well, I know this guy, Stringer,

and he drives a pedicab
around here sometimes.

- What company does he work for?
- He'd call himself an independent.

- What's the guy look like?
- He's a short guy,

late 20s maybe, uh, blond.

That's it.

If you come up with something else,
give me a call at the office.

Okay. Take it easy now.

ALIKA:
Now, what's the story?

KRAMER:
He wants 250 grand.

- Oh, he does, eh?
- Right.

What's worth that kind of money?

What did he look like?

Well, he's a short blond punk,
drives a pedicab in Waikiki.

ALIKA:
Mm-hm.

Uh, how'd he leave it?

He said, get the money,
wait for a call.

Okay. You set up the meeting.
I'll take care of him.

No. We've gotta pay him.
He's not in this thing alone.

He said if anything happens to him--

The cops are gonna get the pictures.
That's what they always say.

Well,

he's got any partners,
I'll take care of them too.

Can't we just pay him?

It doesn't work that way.
Don't you understand, Howard?

It's like joining one of your
exclusive clubs, blackmail.

First you pay your initiation fee,

then you gotta pay your dues
every month, like clockwork.

- Look--
- Will you relax?

You take care of our business.
I'll take care of this other thing.

- I wanna talk to you.
- I'm in a lot of trouble.

- You better believe it.
- Mm-hm-

Come with me.

Stand right there.

- Five-0 is looking for you.
- Oh, yeah?

Did I forget to pay a parking ticket
on my pedicab?

Oh, come off it. They wanted to know
if you saw anything else

when you took those pictures
of the car crash.

What are you doing in there?

Ah, Stringer.

Oh, this is my burglar alarm. I, uh...

If somebody breaks in, I got a picture
of them to show the cops.

Look.

What, uh...?

What did you tell Five-0?

- Okay, what did you tell them?
- Nothing.

Why didn't you take that picture
to the cops?

Oh, I was going to,
but, uh, I got busy.

- I'll do it in the morning.
- You had a whole day to do it in.

Well, I got this call
from a big magazine back east.

They want me to do
a spread for a travel issue.

You know, uh, a lot of girls
in bikinis and...

Hey, Maren, I was their first choice.
They called me first.

Stringer, I don't even believe you.
I don't even know what I'm doing here.

Hey, you're just crazy about me.

I am worried about you.

I think you are in something
way over your head.

Short jokes in a darkroom?

- Stringer, can't you ever be serious?
- Okay. Okay.

Now, I'm serious. I'm serious, look.

Okay.

Take that picture to the police.
Please.

Okay. First thing in the morning.

I will.

REED:
We've been at it for hours.

Maybe the cops got him.

Hey, you wanna tell that to the boss?

All right, we'll keep on rolling.

- Danny, it's been three hours.
- I know. I know.

Three hours and a handful of air.

Well, let's take another circuit, Tom.

Stringer's gotta be out there
somewhere.

I hope.

Hey, over there.

Isn't that him?

- The description fits.
- Like a glove.

Hey, you! Powers!

That's him.

DANNY:
Stringer. Halt. Police.

Central, patch me through
to McGarrett.

McGARRETT [OVER RADIO]:
What have you got?

DANNY: We've got that photographer,
Stringer.

McGARRETT:
Good work, Danno. Bring him in.

We will, soon as we dry him off.

McGARRETT:
When you took the picture of the crash

up at Banyan Point,
did you see anything else?

- Like what?
- Like what?

Like who caused the accident,
for instance.

Anyone you can identify?

No, I didn't see nothing
except what's in the pictures.

What were you doing up there?

I was taking some photos of this girl
that I know for, uh, posters. You know.

Who was the girl?

You wouldn't know her, I don't think.

Who was the girl you talked to?

Maren Wilson.
She didn't mention being there.

No, no, she didn't see anything.

She was changing her clothes
at the time.

So you were the one and only
eyewitness.

Yeah, now that you mention it, I was.

You know, the story I just told you,
the paper will pay a lot of money for.

I wonder what-- I wonder what
they would pay for that.

Okay, you can go.

But just remember one thing,
my friend:

You're playing a dangerous game
with people who make their own rules.

[DOOR CLOSES]

- He's lying through his teeth.
- Sure.

He saw plenty. I have a strong hunch
that Alika's right in the middle of it.

Put a 24 hour tail
on our little friend, Danno.

For his own protection, of course.

[PHONE BUZZES]

- Yes?
LINDA: There's a call for you, Line 1.

He won't give his name.

That's all right. Uh, I know who it is.

- Hello?
- You got the money?

KRAMER:
Yes. Yes.

[SIGHS]

Good.

Look, I want you to tell
Tony Alika something for me.

If his boys follow me again,
the whole deal's off.

I'll go straight to McGarrett.

- No. No. Don't do that.
- Okay.

Assuming that you don't screw
things up, this is the plan.

I have a loft in a warehouse
at 223 Pearl Street.

223 Pearl Street. You got that?

Be there in one hour with the money.

No, wait a minute.
I don't think I can get there that fast.

I think you can.

[SIGHS]

MAREN:
You're welcome.

[AS HUMPHREY BOGART]
Sweetheart.

Did you take that picture
to the police?

[IN NORMAL VOICE]
Get off my case.

- Did you?
- Yes.

- And...?
- And what?

And what? What did they say?

I'll tell you what I can,

but the less you know,
the safer you'll be.

The safer I'll be?

I just spent an hour
with Steve McGarrett.

You know who he is?
He's the head of Hawaii Five-O.

- You mean it's that important?
- Crucial.

Those are his words, not mine.
"Crucial."

The man took me into his confidence,
I shouldn't even be saying this.

Well, why did he take you
into his confidence?

That's between McGarrett and me.
I can say no more.

- Uh, Stringer, I don't--
- Maren...

Maren, that's all I can say,

[AS HUMPHREY BOGART]
sweetheart

[SIGHS]

[ENGINE SPUTTERING]

Listen, he said he'd go straight
to McGarrett.

He does that, we're out of business.

ALIKA: All right, Howard.
You can relax. I'm gonna pay him.

- You mean it?
- I said it, didn't I?

I thought it over. With what we've got
at stake, it's worth 250 grand.

That is, if our deal's been made.

You needn't worry about that.

- Your money's working for us.
- Okay.

The blackmailer milks this coconut
just one time.

I want the pictures
and the negatives.

And if he comes back at us,
I'll blow him away.

- You be sure to tell him that, eh?
- Right.

- Call me when it's over.
- Okay.

MAREN: Oh, you'll love
the other side of the island.

The waterfalls are beautiful.

Oh, and, uh, don't forget
the luau tomorrow night.

Of course, there's Maui.
Maui's terrific.

- Miss Wilson?
- Uh, yes. I'll be with you in a moment.

Anyway, I'm sure you'll have fun.

And if you wanna go to any of
the other islands, it's only $25.

Aloha. Have a good time.

- Yes. Can I help you?
- McGarrett. Hawaii Five-O.

Oh, yes. You know, Stringer told me
that you took him into your confidence.

- He told you what?
- You didn't?

Oh, he didn't.

Miss Wilson, your friend
could be in a lot of trouble.

Oh, it won't be the first time.

How well do you know him?

Well, he's been on the street
for about two years.

Uh, he talks big,
but he's really a very nice guy.

I guess I felt sorry for him,
so we got to be friends.

Anyway, whenever he has
a photo assignment,

I get to be one of his models.

Do you know
where I could find him?

Uh, no, not at the moment.

Miss Wilson, if you have any feeling
at all for this man,

you'll tell me everything you know.

If you don't, you may
never see him alive again.

You really think he could be
in that kind of danger?

Trust me.

Now, I know these people.

And as I told your little friend,
Alika not a man to play games.

Okay.

He's in a warehouse loft
on Pearl Street.

- The number is 223.
- Thank you. Thank you, very much.

Oh, Mr. McGarrett, wait.

I might as well tell you everything.

The day that Stringer
got the photo of the car crash,

he got another picture too.

- Of Tony Alika?
- Yeah.

And another man.

Do you know
who the other man was?

Howard Kramer.

Thank you, Miss Wilson.
You were very helpful.

[KNOCKING ON DOOR]

Come in.

Come on, come on in. We're alone.

- So this is where you live.
- Yeah, but not for long.

- Is that the money?
- Yeah.

Put it down over here.

Open it.

Now, wait, wait.

The pictures, the negatives,
where are they?

That's easy.

The pictures

and the negative.

- I'm not in this alone.
- Shut up, punk.

What are you doing here?

- Those the pictures?
- Yeah.

All right.

Where's the rest of them?

That's all there are.

I don't think you heard me, kid.

Howard, I think it was a mistake,
our, uh...

Our trying to do business together.

Yeah. Well, Tony, ahem,
I'm willing to forget it if you are.

Oh, I wish it was that easy, Howard.

Unfortunately, this is
the kind of mistake that, uh,

somebody has to pay for.

No. No, wait. No. No.

[KRAMER GRUNTING]

Tony, please. Don't. Please.

Please, stop! Tony.
No. Please, don't!

Are you listening now, kid?

One more time.

Where are the other pictures, the ones
you've been holding out on me?

The pictures.

What's that on the floor?

That's everything. I swear it is.

Okay, kid.

I believe you.

You gonna kill me now?

Well, I could do that.

But, uh, see, kid, in my business,

it's not good to have too many
unexplained bodies laying around.

It attracts the guys like McGarrett.

Besides, I need you.

I need you to take the rap
for Kramer.

Now, McGarrett may not buy that,
but the D.A.'s gonna have to.

I could go to the police, you know,

and I could tell them
what really happened here.

That would be your word
against the three of us.

And it happened in your place

to a man you were
trying to blackmail.

You're my out, kid.

Now, that's worth something to me.

250 grand.

That should make you
very hard to find.

You mean it?

I said it, didn't I?

You ever show your face
on this island again and you're dead.

No talk. No questions.

That's it. You understand?

Yes, sir.

I wish McGarrett could be here
to see this.

It would give me a lot of pleasure.

[LAUGHING MANIACALLY]

Looks like Kramer put up
quite a fight.

Yeah. One thing for sure, Danno.

Stringer didn't kill Kramer.

I think Stringer
was blackmailing Kramer

with that picture of him and Alika.

Kramer and Stringer
weren't the only ones here.

Yeah.

- Alika?
- Yeah.

Or some of his goons.

Let's make sure the lab boys
go over every inch of this place.

And put out an APB on Stringer.

- Duke's already doing that.
- Good.

I wanna hear his version
of what happened here.

Oh, one more thing, Danno.

Put a surveillance team
on his girlfriend's apartment.

He might be confused enough
to show up there.

DANNY:
Will do.

MAREN:
Stringer?

McGarrett came to the hotel again
looking for you.

Howard Kramer is dead.

Maren, I didn't kill him.

Well, what happened?

Some guys...

Some guys broke into the apartment
and threw him out a window.

Well, what were you doing
with Kramer?

We had some business.

Oh, Stringer!

Maren, you know how I always
talked about a big score?

I made it. Look at this.

I mean, no more tips. Look at this.

Stringer, what are you doing
with that kind of money?

Never mind about the money.

Look, after it's dark, I gotta go back
to my place and get some pictures.

Heh, and after that we got it made.

Pictures?

What pictures?

Pictures of Tony Alika and his goons

throwing Kramer out the window
like a sack of potatoes.

What are you gonna do with them?

I need them for protection.
Don't you understand?

If Alika and his goons
come looking for me,

I gotta have something
I can hold over him.

If you have the pictures,
bring them to Mr. McGarrett.

He will help you.

No, there may not be any pictures.

Look, the mirror was broken.
It was cracked.

The camera was ruined,
the film was ruined.

There may not be any pictures.
If there's no pictures,

McGarrett's the last person
I wanna see.

Pictures or no pictures,
you can't keep that money.

Maren...

Maren, this is for us.

I mean, this is our dreams in a box.

We can...

We can go anywhere,

we can do anything
we ever wanted to do.

I mean,

no more tips.

[SIGHS]

Aw, Stringer,
you are such a sweet guy.

But you have to know

that I couldn't have anything
to do with that kind of money.

I mean, you're a good photographer
and everyone knows it.

If you could just get a real job
and work at it,

then you'd have your chance
at everything you want.

It's not enough.

Looking for these?

Okay. Hold it. Hold it right there.

- You told him.
- Yes, but it didn't matter.

He'd already found the film.

The film was my only protection
against Tony Alika.

There's only one thing that can
protect you now and that's the truth.

Well, unless I'm mistaken, you've got
the truth in your hands there.

I think that'll show
that I didn't kill Howard Kramer.

Yeah, but this is one time a picture
isn't worth a thousand words.

We're still gonna need
your testimony.

Well, what will happen
to Stringer then?

What happens to him
will be up to the D.A.

But he doesn't have to worry
about Alike- Believe me-

Whatever it is,
I guess I got it coming.

Yeah.

Okay, Kimo, take him downtown.
Book him.

Can I go with him?

McGARRETT:
Yeah.

You don't deserve a friend like her.
You know that?

Yes, sir. I do now.

Okay, Danno, come on.

Let's pay Alika that visit I've been
waiting to make for along, long time.

[DOORBELL RINGS]

- Where's Alika?
- Right this way.

ALIKA:
Well, McGarrett.

This is a pleasure.

Oh, the pleasure's all mine.

Isn't that considerate of him.

He saved us the trouble
of looking for the others.

Very thoughtful of him.

All right. Enough fencing, gentlemen.
What do you want?

Oh, I got what I want.

- Yeah? What's that?
- You, Alika, you.

You know, McGarrett,

you're beginning to sound
like a broken record.

Ever since you took over
from Pahoa,

I've been telling you
that your time would come.

Well, it's here.

Welcome to hard times, pal.

Ah, I see you've read the headline.

Howard Kramer's fall
is not a mystery any more, Alika.

Wait till you read
tomorrow�s headline.

Well, I can see them right now.

Sherlock Holmes of Hawaii
solves another big one. Woo.

Hey, that's not bad.

It would make a great front page
with those pictures.

What photos?

These.

Where did you get these?

That little fellow, Stringer,

has a real talent for candid shots,
wouldn't you say?

Yeah, well,
that's not what it looks like.

We was just having a little argument,
that's all.

Oh, that's not what Stringer says.

He's going to make a devastating
witness against you.

Aw, hey, hey, hey.

All right, gentlemen. Come on in.

Book them, Danno.

- Let's go, Alika.
- Oh, no. Oh, no.

I want this one for myself.

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