Original subtitles

SHERICK: It's all taken care of. - Good, Sammy is next.

Were Lamii and Nolo killed because they got too ambitious?

I'm walking, McGarrett.

That girl, she just took a picture. Get the film.

[TIRES SCREECH]

OKIMA: Come on, miss, let's go, move it.

We'll sell you Vince, Mr. Weston.

How much?

One hundred thousand

and the top two vacancies now open in your organization.

Your point is well taken.

I'll speak to Mr. Weston.

That's real nice of you, Mr. Lamii.

You boys deserve a leg up.

You know, I'm glad we had this little talk.

SHERICK: Welcome home, Vince.

It's all taken care of.

Good, Sammy is next.

It will be arranged.

- Where am I staying? - An old pineapple plantation.

Is it safe?

It's out near Waipi'o. Nobody will come up there.

Good, get my luggage.

It's been a long year without you, Vince.

It's good to be home.

That girl, she just took a picture and I'm in it.

Get the film, but no mess.

Vince said no mess, not here.

I know that girl. I saw her picture in the paper.

Her name is Anne Waring.

[RINGS]

McGarrett. Yes, Duke.

When?

[SIGHS]

Yes, by all means, stay with it.

Yes, thank you.

Chin.

H.P.D. Just found a body in the tunnel out at Diamond Head crater.

Guess who.

Pule Lamii.

Well, somebody is getting his sights pretty high.

Any idea who?

According to H.P.D.,

it had all the earmarks of a gangland execution.

Messy one too.

Who was the man Lamii answered to in the syndicate, Chin?

- Doyle Weston. - Mm-hm.

Maybe somebody wants to shake Weston up a bit.

Or it could be a power play.

Okay, Chin.

Get out there with the lab crew.

Go over every inch of that tunnel.

Excuse me.

I don't really think that you took very much time

to appreciate these photographs.

Now, um, I call this one "Palm Tree By Sleepy Lagoon."

I've seen it before on a postcard.

On a postcard?

You strike me as the kind of person who would want an up-front answer.

Yeah, I see what you mean.

They do sort of look like postcards.

If you want to photograph life in Hawaii,

why not photograph life in the islands?

People.

Streets.

Faces.

You sound like a native.

I am.

And you're Anne Waring.

There's no getting away from that.

- Who are you? - Dan Williams.

- Hello, Dan. - Hi.

- Mm. - To me, this is Hawaii.

Uh-huh. Are you a photographer?

No, no, I'm a police officer in a special unit.

ANNE: Oh.

Oh, wouldn't the face of a hardened criminal

make an absolutely fantastic study?

Unless you would happen to know some cop in the special units division

that I could catch in action, huh?

- Sorry, pass. - Oh, lookit.

I could follow you on your beat, right?

I wouldn't get in your way. I'm very good.

- Number one, I don't have a beat. - Yeah.

Two, if I did, I wouldn't be pounding it,

because, number three, I've got a couple of days off.

That's great.

I'll be a wonderful companion for you.

I just love doing whatever, right?

And I don't cry a whole lot.

Well, how are you at picnics?

- Oh, try me. - Come on.

[TELEPHONE RINGS]

Go ahead.

Yes, Sammy.

Just a minute.

It's Sammy.

Put him on the box.

What is it, Sam?

You hear about Pule, Mr. Weston?

Did I hear what about him?

SAMMY [OVER SPEAKER]: He got taken out.

Cops found him in a tunnel up near Diamond Head crater.

- Do they know who did it? - If they do, they're not saying.

Put it on the streets.

I wanna know who is responsible.

SAMMY: Yes, sir.

Lou?

Find Sherick and Okima.

Medicine.

Medicine.

Anyway.

Aha.

I decided to walk away from Hollywood.

DANNY: Hmm.

Why?

You've made so many terrific pictures.

ANNE: Mm, well, I didn't want to do it anymore.

What about all that big money, huh?

[LAUGHS]

ANNE: The whole thing got to be a big hassle.

Oh, you look so nice.

Your eyes are the same color blue as the blue in the towel. Mm-hm.

- Gonna call it "Cop Relaxing." - Why don't you?

ANNE: Why don't I what?

Relax, you haven't sat still for a minute.

ANNE: Yeah?

Well, I wanna finish this roll of film.

Why don't you try, um, looking puzzled?

[ANNE CHUCKLES]

Okay, what about, um, curious, hmm?

Let's see you look curious.

No, not furious, curious, all right?

Put it down.

- I beg your pardon? - Put it down and come here.

- Are you gonna try to seduce me? - Ha, ha.

Maybe.

Hey, Danny?

You think I'll ever be successful?

What?

No, ha, ha, I mean a successful photographer.

- Oh. - That's my ambition now.

I want all my pictures to be in the top magazines.

What do you think?

Well, you have all the, uh, energy that success demands.

What about talent?

That takes time to develop.

That's true.

- You're almost pretty, you know that? - Ha-ha-ha.

Um, I have to finish that roll of film, remember?

First things first.

ANNE: Yeah.

SHERICK: I was in the coffee shop, and that actress here...

- What's her name? - Anne Waring?

Yeah, she went out and left these on her table.

I'll make sure that she gets them.

You know, I'm a real fan of hers.

Room 759.

Do your thing.

I better check in before somebody starts missing us.

ANNE: You know, it's been an uphill ride all weekend.

[DANNY LAUGHING AND ANNE SPEAKING INDISTINCTLY]

[BOTH CHUCKLE]

Oh.

Ha, is my nose sunburned?

- Is it bad? - Terrible.

[CHUCKLES]

But, uh, not so bad that I'll be ashamed

to be seen with you on the tennis court tomorrow morning.

Oh, I'm gonna get blisters on my feet, you know.

But I'm looking forward to it.

- Pick you up at 11. - Yeah.

Let's put the top down on the way home, Koa.

[SHUFFLING NEARBY]

He's waiting for you. And, Sherick...

He's breathing fire.

SHERICK: Mr. Weston?

Where the hell have you been?

Around, Mr. Weston.

I don't pay you to be around anywhere but here.

Where's Okima? He around too?

I'll find him.

- Something come up? - No.

Something went down.

Pule Lamii in sections.

- Who did it? - That's what you're gonna find out.

I want the people who took out Pule dead.

- Yes, sir. - I want results, Sherick.

Yes, sir.

[DANNY WHISTLING]

Anne?

Anne?

Anne?

WOMAN [OVER PHONE]: Operator. - Operator, get me hotel security.

I'm Officer Dan Williams, Five-0.

Did Miss Waring call down

and leave a message for me before she disappeared?

No messages, Mr. Williams.

But this just came in for her.

Did anyone come here asking about her?

No, except the man who left these glasses.

Wait, wait, um, do me a favor, will you?

And, uh, pick them up with this.

Said she forgot them in the coffee shop.

Did he see you put them in her box?

I don't think so.

But you're not sure?

Sorry, sir.

Okay, thanks, ma'am.

Can't tear yourself away for a couple of days, can you?

Duke, do me a favor, will you? Have Che check these for prints.

Sure. Who do they belong to?

If I knew that, I wouldn't have to have them checked.

Steve, any word on her yet?

H.P.D. Is working on it, Danno.

Will you tell me what a missing lady has to do with us?

That's H.P.D.'s jurisdiction.

Well, I, uh, met Anne... Uh, Miss Waring.

And we spent most of yesterday together.

Oh, I see, I see.

[INTERCOM BUZZES]

- McGarrett. ANNE: May I speak to Dan Williams?

Oh, yes, yes. Hang on, please, he's here.

I think it's your lady.

Anne, you all right?

[SIGHS]

[OVER PHONE] Where are you?

ANNE: I'm, uh...

Oh, I'm at the beach near Hawaii Kai.

DANNY: What happened at the hotel?

Oh, that's what I would like to find out.

Last night, after you dropped me off

there was a man waiting for me in my room.

He chased me. I hid in the linen closet.

Do you have any idea who he was?

No.

I tried to phone you last night, but I couldn't reach you.

I didn't wanna have to go back to that old hotel room so I, uh...

I took a place out at the beach for last night.

Danny, I need a favor.

Sure, just name it.

I'm gonna be staying with a friend of mine, Edith Ward.

And I was wondering if you would go by the hotel, pick up my things for me

because I don't want to go back there with all the reporters and everything.

Sure, Anne, no problem.

Um, could you meet me there about 1? She's a friend of mine.

She's a stewardess and, uh, she won't be home until then.

Here's her address. It's 112 Ahila Street.

Okay, I got it.

I'll, uh, notify the press and H.P.D. That you're okay.

And I'll see you, uh, around 1.

Okay, Danny, thank you.

Bye.

McGARRETT: Goodbye.

"Sure, Anne. Sure, Anne, just name it."

Isn't that sweet?

Just feel free to use my office

for personal calls any time you wish, Danno.

KAUOLl: I just had a call from Sherick.

Sammy Nolo goes down in five minutes.

What about the girl?

She got by me.

- The film? - She must still have it on her.

Is she still registered at the hotel?

All her stuff is still there.

Be there when she comes back for it.

Yes, sir.

WOMAN [OVER PHONE]: Operator. - Room clerk, please.

CLERK: This is the room clerk.

This is Officer Williams, Five-0.

Did someone pick up Miss Waring's luggage from her room?

CLERK: Not that I know of, Officer Williams.

Thank you.

SECRETARY [OVER SPEAKER]: Telephone.

Danny on line one.

Yes, Danno.

Steve, I'm here in Anne's room at the hotel.

I don't know what's going...

Danno?

[OVER PHONE] Danno?

Are you all right, Danno?

Danno?

Danno?

- Get Chin in here fast, please. SECRETARY: Right away.

[DIAL TONE HUMMING]

112 Ahila Street.

That's it.

Central, this is Williams. Patch me through to McGarrett.

Danno? What happened?

I got my bell rung, Steve.

I guess somebody was hiding in the room.

Where are you now?

Whoever clobbered me took the address

of Anne's friend out of my pocket, I'm on my way there.

Danno, be careful. Please, be careful.

Right, Steve.

Anne. What happened? Somebody get an ambulance.

Anne, are you all right?

[AMBULANCE SIREN WAILING]

I'm Officer Williams, Five-0.

- What happened? EDITH: Williams?

- Yes. EDITH: I'm Edith Ward.

- Anne's friend. - Yes.

- Anne was involved in an accident. - What?

It's nothing serious, they're just taking her to Queen's Hospital for a checkup.

[SIGHS]

How did it happen?

Anne was running across the street and she got hit by a car

driven by that man with the officers over there.

Anne said something about two men being after her.

Did she know who they were?

No, just that they had been at her hotel room earlier.

Oh, and Anne gave me a message for you.

Quote. Um...

"Hope we're still on for tennis."

She said she'd call from the hospital just as soon as they release her.

Thank you, Miss Ward.

Central, this is Williams.

MAN [OVER RADIO]: This is Central. Go ahead.

Request an officer be dispatched to Queen's Hospital

as temporary security for patient Anne Waring.

Will do, Officer Williams.

Williams out.

You know how much I hate to leave my house, McGarrett.

McGarrett?

Look at me, McGarrett.

Chin, that will be all, thank you.

Who the hell do you think you are?

My lawyers are on their way over here.

You're not gonna get away with this.

Get away with what?

Having me picked up like a common criminal.

What kind of criminal are you, then?

I don't have to take that from you.

For years you've tried to turn me under

and what have you got to show for all that time, McGarrett?

It may be axiomatic, but I have a very simple philosophy.

You shake the tree long enough, and sooner or later

something has to fall out.

You're the one whose gonna fall on this one.

Because I'm gonna hit you with a lawsuit for false arrest.

Where did you get the impression that you were under arrest?

Then what do you call it?

I think of it as protective custody.

Didn't my lieutenant tell you that?

You're going to protect me from what?

Haven't you heard what happened to, uh, Lamii?

That's got nothing to do with me.

Oh, really?

Now, I was under the impression that you were very close to Lamii,

that he ran your gambling and, uh, prostitution operation.

And that you had another associate who handled drugs and porno.

And that was, uh, Sammy Nolo.

Correct?

What do you mean was?

You mean you haven't heard?

Less than an hour ago, they picked him up in a basket.

Amazing how many of you guys end up in baskets.

I guess you hadn't heard.

Here.

Read about the gory details of his last hours on Earth.

You charge me, McGarrett, or I walk.

I have no intention of charging you, Weston.

Not now anyway.

All I want are the answers to a couple of questions.

Who is trying to take over?

And were Lamii and Nolo killed because they got too ambitious?

I'm walking, McGarrett.

Now.

Weston.

You sure you don't want to reconsider my offer of protective custody?

You could be the next one on their list, you know.

This just came in from H.P.D. On the Ford sedan, Steve.

It was stolen and abandoned

a few blocks from where Sammy Nolo was killed.

The lab team is going over it now.

Obviously a pro job. I doubt if they'll find anything.

How did it go with Weston?

Maybe a little light at the end of the tunnel.

Maybe.

[AMBULANCE SIREN WAILING]

[TIRES SCREECH]

OKIMA: Stay right there. Come on, miss, let's go, move it.

- Move it, come on. - Okay, okay.

OKIMA: Out. - Okay, all right.

What are you doing?

What are you doing?

SHERICK: Maybe somebody wants your autograph.

- Get in. ANNE: All right.

McGARRETT: - Surveillance at Konioli.

- Steve. McGARRETT: Get a squad.

Steve, I wanna show you something in one of Anne's pictures.

Look at the man on the background on the boat.

Looks like Vincent Kauoli with that bullet head.

Kauoli? May I see that?

I thought Kauoli was dead a year ago in that plane crash.

Yeah.

Yeah, at sea, where the body would never be recovered.

But it could have been a smokescreen that we all bought.

Sent up by Kauoli to keep from standing trial, couldn't it?

And this must be the reason why they're after Anne.

Because of the picture, not her.

McGARRETT: Yeah.

And it also could be our answer

to the murders of Lamii and Nolo, couldn't it?

You think Kauoli was behind their murders?

Well, if he went away for a year, came back

and found that somebody else had taken over his organization, yeah.

Could be a vengeance killing.

Duke, uh, get this picture to Che.

Tell him I want a blowup of the numbers

on the side of this boat, looks like some of them are showing.

And I wanna know who owns it. Could be our lead to Kauoli.

[INTERCOM BUZZES]

SECRETARY [OVER SPEAKER]: Telephone for Mr. Williams, line two.

Williams.

What?

Yes, thank you.

That was H.P.D.

The ambulance was run off the road on the way to the hospital.

They grabbed Anne.

The lady who takes pictures.

Where's the film, Miss Waring?

I already told them.

Tell me.

I took it to a photo shop to be developed.

They're supposed to deliver it to the hotel.

We've checked the photo shop and the hotel, nothing.

Maybe they haven't delivered it yet.

They delivered it.

Will somebody please tell me what's happening?

[ANNE CLEARS THROAT]

Please tell me what's going on.

Take her inside.

You shouldn't have brought her here.

Now she can make me.

Even if you find the film, I want her dead.

I'll take care of it, Vince.

You take care of Weston first.

Yes, sir.

Yes, sir.

[PLAYING MELODY]

[TELEPHONE RINGING]

Yes?

MAN [OVER SPEAKER]: All we've been able to find out,

is Sammy had enemies.

Yes, Pule and Sammy had enemies. We all do.

I don't want any more excuses.

Turn the streets.

I want whoever killed them delivered on a platter.

Do it.

Want to tell me where you two have been?

Following your orders, Mr. Weston.

Then you should have something for me.

We do.

We're ready to deliver the killers.

They're not outside.

They're right here.

I mean, you're looking at them, Mr. Weston.

WESTON: Run that by me again.

Listen to what I have to say, Mr. Weston.

Listen to the whole thing.

Angelo and I took out Pule and Sammy.

But it wasn't our idea.

It was Vince Kauoli's.

What the hell are you talking about?

Like Mack the Knife, old Vince is back in town.

- You're crazy. SHERICK: No.

You remember a year ago?

You paid Angelo and I to hit Vince.

You were afraid he was gonna name names?

Take you down with him when he went to trial?

Angelo and I talked it over.

We just couldn't do it, Mr. Weston.

Could we, Angelo?

Vince has always been like a big brother to us.

So you staged his plane crash?

He paid us for that, big.

How much did he pay you for Pule and Sammy?

Same as he paid us to kill you.

But we want to make even a better deal.

Keep talking.

We'll sell you Vince, Mr. Weston.

We'll even take you to him.

How much?

SHERICK: One hundred thousand

and the top two vacancies now open in your organization.

For that, you buy Vince.

You two are...

Loyal, Mr. Weston.

Tolford.

Go to the downtown office.

Get the money.

McGARRETT: That your boat?

I don't know.

You don't know your own boat?

I don't know.

I ask you again.

- Is that your boat? TENAKA: Again, I don't know.

That's your boat, mister.

We've got a positive make on it.

- So? - So...

What's a dead man doing aboard your boat?

Vincent Kauoli.

I don't know.

And I'm not saying one more word till my lawyer gets here.

[McGARRETT SNAPS FINGERS]

I advise you to sit down.

[SIGHS]

Here's something for you to chew on while you're waiting for your lawyer.

Statements, affidavits all tying you into Kauoli's organization a year ago

when he was supposed to have died in that plane crash.

Now, because of that, the case was dismissed.

And you got off the hook.

But, uh, now it's a whole new ballgame.

So he's on my boat.

So, what can you charge me with?

Harboring a fugitive, for starters.

So charge me.

- Oh, there's more. - More what?

More, it gets heavy.

We have reason to believe that Kauoli was involved

in the executions of Nolo and Lamii.

I don't know anything about that.

Well, we think we can prove criminal conspiracy,

which would make you an accessory to murder.

Now, wait a minute, McGarrett. What do you want?

Everything.

Everything you've got, including where Kauoli is holed up.

I'm not in a position to make any deals,

but I guarantee you that if you cooperate with us,

I will speak to the district attorney personally.

Think it over.

About a month ago, I get a phone call.

It's Kauoli in Brazil.

Said he was gonna be on a cargo ship.

Wanted me to pick him up at sea with my boat.

Off Oahu.

And that makes you an accessory.

WESTON: Open the doors.

KAUOLl: Doesn't look like your wheels have improved much, Doyle.

The doctors told me I'd be crippled for life, remember?

Too bad.

I wasn't going to turn you over at that trial.

I couldn't take that chance.

Could you see me going around in a prison like this?

It would have been awkward, but it didn't give you the right

to order Sherick and Okima to do a number on me.

Your problem was their loyalty to me.

Oh, they are loyal, Vince.

But not to you.

If we double-cross Vince like we did you,

people just wouldn't trust us anymore.

It won't work, Vince.

I've got the house surrounded.

You forget, Doyle.

I've known you for a long time.

Take a look.

I'm having them dumped in the nearest sewer.

Let's talk, Vince.

We should have done that a year ago.

Have a nice day, Doyle.

Okima, cops.

KAUOLl: Get the girl.

Move in.

Hold it or I'll waste the girl.

Have your men throw their guns down.

Now.

Now.

Drop your weapons.

Bring your cars.

Bring your cars.

All right, line up.

Come along with the others.

Okima.

[GUNFIRE]

[HELICOPTER WHIRRING]

[GUNFIRE]

Take it up.

Yeah, hover here a second.

[OVER MEGAPHONE] Hey, Danno?

You wanted a couple of days off, huh?

You got them.

Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0