Original subtitles

CASSIE: Mr. Devlin,

is this your daughter Katherine?

JONATHAN: Yes.

I got phone calls,

threats.

-MAN: When can we get on with our work? -Who are you?

Mark Hanley, site director.

Have you noticed anything unusual around the site recently

DAMIEN: Mainly I remember the tracksuit.

Blue... French blue.

Any link between this and the three kids in '85, even a vague one?

ROB: What happened to us and Katy's murder,

they're connected.

Whatever you were planning,

whatever you were thinkin' of doing... Don't.

ROB: Who is gonna make the association

between little Irish Adam and English Rob?

No more Lexie, okay? You've been warned.

Help me, please.

Sandra Sculley, Jonathan's old girlfriend,

works at the ballet school.

Said she doesn't know Jonathan and Margaret.

Why would she lie?

[ CHILDREN PANTING ]

PETER: Come on, faster!

Keep up, Adam.

Quick, hide. They're coming.

[ BOTH LAUGHING ]

Whoo!

[ PANTING ]

Shane!

Shane!

Keep up. I'm not your mammy waiting on you.

There's someone here, Johnny. [ PANTING ]

-Someone laughing at us. -What? Where?

I don't know.

Someone laughing.

I can hear someone laughing.

YOUNG JONATHAN: It's Cathal. Jesus, it's Cathal.

[ TICKING ]

I always have to wait for you, dragging me down.

Move!

[ ALL PANTING ]

Advertise your product or brand here contact www.OpenSubtitles.org today

Let's go.

Just drive.

Just drive. Who cares if you hit her, just drive.

Get out of the way, Alicia.

Where's Jamie?

[ CRYING ] Where's my daughter?

-[ ENGINE REVVING ] -ALICIA: Where's Peter?

[ TIRES SCREECHING ]

What did you do?

[ THEME MUSIC PLAYING ]

[ PHONE DIALING ]

WOMAN ON ANSWERING MACHINE: Thank you for calling the Garda line

in regard to our investigation into the murder of Katy Devlin.

Please leave any information you have

after the tone,

including your name and contact details

if you're willing to do so.

Any information will be dealt with in confidence.

[ ANSWERING MACHINE BEEPS ]

[ WOMAN SOBBING ON RECORDING ]

SOPHIE: It's crowded with trace. Noisy with it.

Fibers, hair, skin, saliva, sweat.

ROB: And what about Adam's T-shirt,

socks, and trainers from '85?

Rob, you're not gonna hear back about them for a while,

and even then it's unlikely you'll get any DNA off them.

They're completely degraded.

That's what happens if you store blood evidence

in a paper bag in a damp basement for 20 years.

Twenty-one.

[ CELL PHONE RINGING ]

Can I get some more uniforms up here for the last night?

Are you getting trouble?

Some dickheads.

The two uniforms we've got up here are useless.

Pair of fat arses.

So I want more while we're wrapping up the site.

It's probably kids.

It doesn't sound like kids.

It's freaking out my team and not doing that much for me.

So can I have extra uniforms, yes or no?

Yes, of course, Sophie.

I'll call O'Kelly and get them sent up.

I'm ratty. Been here way too long.

It's fine.

Sandra Sculley's on her way home.

We need to pay her a visit.

[ ALL LAUGHING ]

[ INDISTINCT CONVERSATION ]

How much longer?

When are you gonna be out of my way?

It takes as long as it takes.

Dr. Hanley,

little suggestion. Just for one day,

can you not be such a massive dick?

Thanks so much.

You should do a self-help book.

I know. I'd be deadly.

[ CAMERA CLICKING ]

[ INDISTINCT CONVERSATION ]

[ HEARSE DOOR CLOSES ]

I know.

Anytime you need me, I'm here.

Because I know.

Thanks, Alicia.

[ HEARSE ENGINE STARTS ]

SANDRA: All right, so I didn't tell the truth,

but what was I gonna say?

Once upon a time, I used to wank Jonathan Devlin off in the woods?

I was trying to be nice

for once in me life, you know?

Discreet.

ROB: You clean the ballet school.

I mean, how could you not have seen and spoken to him?

I clean when it's closed.

I don't talk to anyone, apart from Miss Cameron.

Why did you and Jonathan break up?

'Cause we were kids.

You fancy each other, then you don't.

CASSIE: Did you know Margaret before she married Jonathan?

No.

Can you remember where you were

the night the children disappeared in 1985?

Why are you asking about those poor little bastards?

CASSIE: Were you still going out with Jonathan at the time?

We'd split by then.

I was here with me ma and da,

and then he went out searching with all the other men.

For all the good it did.

Ms. Sculley, did Jonathan Devlin get you pregnant?

That old bitch, Mrs. Fitzgerald, right?

Good Catholic woman, me gash.

She's evil.

You don't want to believe a single thing that comes out of her mouth.

That's it?

I have an evening shift in the pub.

I need to get changed.

CASSIE: That was a bit direct.

She didn't say she wasn't pregnant.

But even if she was, what does that have to do with Katy?

It's the lies, Cass. Lies have to do with Katy.

[ SIGHS ]

God's sake.

What are you doing here, Mr. Boyle?

Just saw your car parked up there,

wondering why you'd be talking to...

Sandra Sculley. What's the story?

Just background information.

Do you have a suspect yet?

A suspect in Katy's murder?

I can be a friend

because everyone is being nice right now,

but pretty soon, if you don't give them a suspect,

they'll turn.

You don't want this to be another 1985, do you?

I mean, those two detectives got spat at in the street.

Sounds like a threat to me.

ROB: And me.

Are you threating us, Mr. Boyle?

Oh, this is good. I like this.

The way I have to keep turning my head to talk to youse both.

Oh, I'm dizzy. I can't concentrate.

My poor neck.

No, just...

Not threatening. Just laying out the way it all works.

The way we all know it works.

Between us.

ROB: Move along, Mr. Boyle.

Don't hassle these people.

[ CAR ENGINE STARTS ]

There's not a chance someone like that,

someone really bloody-minded,

could dig around long enough to...

To find me?

No, I made sure of that a long time ago.

CASSIE: Alicia Rowan hasn't seen you properly yet.

Not face to face.

Why should her seeing me be any different than Jonathan and Sandra?

Because they were teenagers.

You were Jamie's best friend.

And women, mothers,

look at children's faces differently.

It'll be all right, Cassie.

This is the number that made the alleged intimadatory phone calls

to Jonathan Devlin and threatened Katy.

[ DIALING ] Basic mobile unit

purchased with the sole intention

of calling that number all day, every day.

It's not like they're gonna answer.

The question is, who made the phone calls?

Who had a vested interest in Jonathan Devlin

shutting up and fucking off?

That could be anyone involved

in the construction of the motorway,

and that anyone could be...

ROB: The man Damien Donnelly saw in the woods.

Described as late 30s, early 40s.

The man in the French blue tracksuit.

Assuming he exists and isn't a figment of the imagination.

Donnelly hasn't been able to make an identification,

but maybe he isn't known to us

because he isn't on a sex offender's register,

but maybe people know him through the motorway.

See, I don't get what this motorway is doing.

It goes from Knocknaree down through Wicklow,

straight through Glenskehy.

Now, there's nothing in Glenskehy.

It's all farms.

Take a drive down to Glenskehy.

Show people that drawing. See if anyone recognizes him.

See if he's approached anyone about selling their land.

Ask if anyone's had threatening phone calls. Will do.

Quigley, you're up.

Okay, so all the records from the Peter, Jamie, and Adam case

are out of chronological order.

Proper chaos.

But thanks to some stellar police work

and a lot of fried chicken,

we have these.

Over the course of three interviews in 1985,

Cathal Mills, Jonathan Devlin, and Margaret Byrne,

as she was then, hold their story.

Shane Waters doesn't so much change his story, but he cries.

And when he asked to go to the toilet,

he smacks his face off the wash basin

and has to go to the hospital to get stitched.

Interesting.

This is during the second interview?

Right, but by the third, he's back on track,

sticking to the story.

Someone got to him. One of the others put the pressure on.

Well, what can they do, those two old detectives?

Adam can't identify who attacked him

and did God knows what to Peter and Jamie,

so the three boys and Margaret get shelved.

Shane Waters needed seven stitches.

He wasn't playing.

I'm gonna ask Jonathan Devlin

about that after the funeral.

That's good work.

Hey, what happened to Adam after all this? Do you know where he is?

Uh, the family changed their name and moved to England.

Drawing a blank after that because they're not there now. O'NEILL: Okay.

Sorry.

We're neck-deep in it together, Rob.

Let's try this number again.

[ DIALING ]

[ CELL PHONE RINGING ]

MAN: Shit.

[ BUSY SIGNAL OVER CELL PHONE ]

[ PHONE CONTINUES RINGING ]

[ PHONE CONTINUES RINGING ]

Come on, get off the phone.

[ BUSY SIGNAL OVER CELL PHONE ]

[ CELL PHONE RINGING ]

Hey.

DANIEL: Lexie, where are you?

Yeah, I'm coming. Nearly home.

[ LEG THUMPING ]

Jessica.

[ THUMPING STOPS ]

What's she wearing?

Her favorite practice dress.

Pale blue one. And white cardigan.

They've taken such good care of her, Rosalind, haven't they?

ROSALIND: Oh, that's lovely.

Simone, that's so perfect.

So perfect.

Who chose that?

I did.

And you chose this?

We did.

Is it lined?

JONATHAN: Of course, it's lined.

With pink?

Pale pink silk?

No.

It's dark blue velvet.

But that's not right.

They'll have to take her back

and do it again,

because I want pink.

Pale pink silk.

They'll have to take her back.

Mummy, please.

This is you.

Isn't it?

Always you.

You stole my daughter.

You were stealing her to go away,

and now you're stealing her again.

I wanted pink.

[ MOUTHING ] I'm sorry.

MARGARET: What are you doing here?

You shouldn't be here.

You're a thief, and a robber, and I don't want...

She has every right to be here!

Darling, it's fine.

Don't touch her!

Simone has paid for everything,

and she loved Katy, and Katy loved her.

[ SOBBING ]

My baby.

I should have been consulted.

Why wasn't I consulted?

And why is it blue

and not what I wanted, which was pink?

-Pink satin! -I'm pink!

I'm pink!

Katy's favorite color is blue, stupid.

She's blue, and I'm pink. Stupid.

MARGARET: Pink.

ROSALIND: [ WHISPERING ] it's just her new pills.

-She doesn't mean it. -It's all right, Rosalind.

I should have been consulted.

JONATHAN: You were asleep.

Like you're always asleep.

[ DOOR CLOSES ]

I'm not asleep.

I'm ill.

[ SCOFFS ]

[ CAR ENGINE STARTS ]

[ INDISTINCT CHATTERING ]

-QUIGLEY: Reilly. -[ DOOR CLOSES ]

The old detective,

McCabe,

the one that kept working on Knocknaree '85 pretty much up to his death?

I found this, and I don't know what to do with it.

What is it?

"There's something here, and it hates us.

"It is malevolence.

"Those children were taken as a tithe,

"as a reckoning to settle an account.

"You're never going to find them.

"This place is laughing at us."

Well, he had cancer. It must have been the morphine talking.

He wrote this two years into the investigation, 1987.

What do we do with this?

I'm supposed to put anything new into evidence,

but it's one of our own sounding like he barks at the moon.

Lose it.

It's not gonna do any good.

Lose it.

[ SHREDDER WHIRRING ]

No, I meant, uh...

Gone.

Never saw it.

He keeps his reputation.

[ DOOR OPENS ]

Quigley.

It's a waste of your time being down in the basement,

and we need you up here.

O'Neill could do with an extra pair of hands.

You'll tell O'Kelly I did a good job, though?

Five-star report.

O'Neill, where are you, you sexy bastard?

[ CASSIE AND O'NEILL LAUGHING ]

[ ROMANTIC MUSIC PLAYING ]

CASSIE: He'll wreck your head, you know.

Well, either way, Quigley's all right.

He makes me laugh.

Listen, at some point he's gonna tell you that me and Rob are at it.

Like, nonstop.

It's standard bollocks, Cassie.

I know it's bullshit.

I know you know. I'm just saying.

[ BOTH CHUCKLE ]

What?

Just...

I think a lot of you. Like, a lot.

I have oyster sauce dripping down my chin.

What you should be thinking is, "Where's the escape route?"

[ LAUGHING ]

Too soon?

Ah, it can wait.

-Another beer? -Yeah.

[ INDISTINCT CONVERSATION ]

[ POLICE RADIO CHATTER ]

[ EXHALES ]

CHILD: Hi, mum!

[ CHILDREN CHATTERING IN DISTANCE ]

[ SIGHS ]

[ GROANS ]

[ GRUNTS ]

[ SOBBING ]

[ SHUDDERS ]

QUIGLEY: Christ, I hate the country.

O'NEILL: And the country hates you, too.

Why does this place even need a motorway, huh?

QUIGLEY: What the fuck?

He gets about with his paint pot.

Is it one person or a group of people doing this?

[ CAMERA CLICKING ]

PRIEST: "In sure and certain hope

"of the resurrection to eternal life

"through our Lord Jesus Christ,

"we commend to Almighty God our sister Katherine,

"and we commit her body to the ground.

"Earth to earth, ashes to ashes, dust to dust.

-[ CAMERA CLICKING ] -"The Lord bless her and keep her,

"the Lord make his face to shine upon her

"and be gracious to her."

-One second. -Out of order.

You're invading privacy.

-Move on. -PRIEST: And give her peace.

Jesus, she's looking right at you.

ROB: No, she's not.

Doesn't know me.

Told you.

There's plenty from the dig here.

No Mark Hanley though.

[ SOBBING ]

Who lives here?

Students.

According to this.

Owners.

Students own this?

O'NEILL: Well, if your man was seen around here,

they'd remember him.

[ KNOCKING ON DOOR ]

Aye, 'cause they're students and all clever.

O'NEILL: Let's go to the pub.

Buy the locals a few drinks.

[ INDISTINCT CONVERSATIONS ]

No one's talking to us.

No one wants a drink.

We'll come back another day.

Early morning. Farmer time.

Turn up when they're starting work.

I know my way around a dairy herd.

I might drop their guard.

Detective and teat-tugger? Multitalented.

I'm a renaissance man.

Relax and eat your crisps.

Don't come in.

There's a couple of detectives.

They're asking about the land deals.

Shit.

Keeping your head down?

Try and be a bit discreet, Lexie.

[ CAR ENGINE STARTS ]

CASSIE: We need to identify the man who made phone calls to you.

Can you tell us anything more about his voice?

Accent, age range, any distinctive vocabulary?

It was standard Dublin. Just...

You know, standard.

Look, that man who was seen

at the dig lurking about,

you have a description of him.

Why isn't his face all over the news?

We have to be very careful about releasing images.

No one wants an innocent person beaten to a pulp

because they bear a vague resemblance to a drawing.

Innocent?

Jesus Christ, you have nothing.

You have nothing and no one.

What are you doing?

What are you actually doing?

Are you still in touch with Cathal Mills and Shane Waters?

What?

No, not for years.

You remember Jamie, Peter, and Adam?

Of course I bloody do.

And during Shane's second interview in 1985,

he smashed his face on a washbasin and had to go to hospital.

Why do you think he did that?

I don't know.

Well we'd like to ask Shane about it.

Where would we find him?

Dead, probably.

The last I heard he was on the needle.

What are you asking me about them for?

CASSIE: It's just part of our job, Mr. Devlin.

And if you think of anything, you let us know.

We should go by the dig.

Remind Damien Donnelly not to give out descriptions of tracksuit man,

especially not to journalists.

No matter how important it makes him feel.

Jonathan's lying

about not being in touch with Shane and Cathal.

I don't think so.

Got the feeling he was telling the truth about that.

What if his campaign against the motorway

isn't about landfall or corruption?

It's because he knows bulldozers will uncover Peter and Jamie's bodies.

He supports the dig.

The dig's not a threat to him.

It's in the wrong place.

[ CELL PHONE CHIMES ]

Shit, it's my mum. She wants to see me.

Well, text her back like a good son

and tell her you'll meet her.

And I'll come, too.

[ CAR DOOR CLOSES ]

[ CAR ENGINE STARTS ]

MARGARET: Jonathan!

[ CAR DRIVES AWAY ]

ROSALIND: "There was one fairy called Iarla.

"His best friend was Onya, who was a fairy princess.

"Iarla and Onya played every day."

What did they say?

They asked about the three kids.

DAMIEN: I haven't talked to any journalists.

And I wouldn't, anyway.

Yeah, you told me not to, so of course I wouldn't.

Okay, that's great. Thanks, Damien.

Um, do you want me to look at anyone?

Like in a lineup?

Not yet, but as soon as we do, we'll get you in.

-Well, whenever you need me, you know? -Yes.

DAMIEN: Just wanna do the right thing.

CASSIE: How's your mum doing, Damien?

You didn't go to the funeral, Dr. Hanley?

Everyone else went.

I haven't set foot in a church since I was nine years old,

and I worked out that it was bullshit.

Power and control.

Nothing more than brainwashing

and keeping people in their place.

[ SCOFFS ] Nothing changes in this country.

Where did you find this?

In the woods.

I put it up as a sort of mascot.

But where in the woods? You must keep a record.

We don't catalogue rubbish.

From here on in, I decide what's rubbish.

Anything you find

that's not related to the dig, you give to me.

Found a bobble hat full of human turds.

Wanna look at that?

[ KEYPAD BEEPING ]

[ LOCK BUZZES ]

[ GROWLING ]

[ GROWLING CONTINUES ]

[ GROWLING ]

[ DOOR CLOSES ]

Hi.

CLAIRE: She made the front page, then.

Mothers of Knocknaree.

Brave Alicia.

That was always gonna happen, Claire.

She's going to start on you again. I know she is.

She's gonna start saying all of those things about you again.

There's nothing I can do about that.

There's nothing you can do about it, either.

I was thinking...

A letter to the papers giving my... Our side.

Jesus Christ, no.

Have you lost your mind?

Playing the heroine.

What about what she did to us?

You write some letter giving your side,

you won't just fuck yourself, you will fuck me up, too.

Don't curse at me, Adam.

Don't call me that.

It's your name.

And yours is Claire Reilly, but you changed it to Claire Hogan,

so you could come home without people pointing at you.

Rob, stop.

You can't do it, Claire.

I'm sorry, but you just can't.

She was behind everything.

Fire setting, the stone throwing,

all of it was her.

Why should she get away with it?

Because she never saw her child again,

and yours is sitting right in front of you.

[ CRYING ]

I should go.

I make him angry.

No, you don't.

You're a bad liar, Cassie.

Thank you.

[ CAR ENGINE STARTS ]

Why is this shit so hard?

She's just being your mum, Rob.

She thinks I'm a bad liar.

[ BOTH CHUCKLING ]

The state of us.

The only ones to get out alive and trying to work out why.

[ BREATHING DEEPLY ]

[ GASPING ]

[ EXHALES ]

[ GRUNTING ]

[ YELLS ]

[ PANTING ]

[ BREATHING HEAVILY ]

It's quite common really,

people visiting murder sites

for the purposes of sexual gratification.

He says "people," he means "men."

Masturbating where bodies have been found,

especially woman and children.

Is that supposed to shock me?

It isn't what I was doing.

What were you doing?

You wouldn't understand.

Well, try us, Mark.

Dr. Hanley.

The DNA sample you were obliged to give us when you came in,

I've got the feeling

-it's gonna match samples taken from the woods. -[ SIGHS ]

Strands of hair found by the remains of a campfire

like the one you lit tonight.

Will they be yours?

I slept out there a couple of nights. It's not illegal.

There's also samples taken from the altar.

Sweat, saliva.

Could yours be among them?

Look, we eat our lunch there sometimes.

And semen.

Is that gonna be a match for trace taken

from the clothes and hair of Katy Devlin?

Sweat, saliva, semen,

would they be yours?

Mark?

I didn't touch her. I didn't.

Why would I do a thing like that?

I've got no idea.

But you have to admit, dancing stark bollock naked,

covered in cut-price merlot around an altar

where a murdered 13-year-old girl has been found

is not a good look.

[ SIGHS ] Do you know what "Knocknaree" means?

It means "The Hill of the King."

CASSIE: What king?

What we're looking for is millennia older

than the trees that it's buried under.

The diggers are coming in December.

Time is running out.

I sleep in the woods to be close to the place.

To hear its heartbeat,

because it's alive.

It lives and breathes.

And I make an offering.

CASSIE: An offering of what?

Of myself to the king.

Whoever they are.

Asking for favor.

For a miracle.

Because if we don't get a miracle,

we're gonna lose that place.

The altar will end up in a museum,

and the rest of it will be ripped apart,

filled up with concrete, covered in tarmac.

It'll all be lost.

Does this offering include your ejaculate?

Did you masturbate over a dead girl?

Christ, no.

But you didn't go to Katy's funeral.

Yeah, I already told you why.

-But you know Jonathan? -DR. HANLEY: Yes.

Did Jonathan talk to you

about what happened to the children in the woods?

Did he talk to you about Knocknaree, 1985?

Is that why you were at the altar?

What? What are you talking about?

Where were you on August 24

between midnight and 2:00 a.m.?

Um, I was at a house party. Everyone was.

And according to statements,

you left at approximately 10:45 p.m.

-Where did you go? -DR. HANLEY: Home.

Can anyone verify that?

And where were you between midnight and 7:45 a.m.

on the 25th of August when Katy's body was found?

[ EXHALES ] Home.

Can you prove it?

Interview suspended.

[ SIGHS HEAVILY ]

[ DOOR CLOSES ]

ROB: You went for that?

The whole offering speech?

We do the same every new case, don't we?

A glass of whisky from O'Kelly

and a toast to the murder gods.

May they reveal their fucking secrets.

-[ DOOR CLOSES IN DISTANCE ] -[ SCOFFS ] Not so strange.

[ FOOTSTEPS APPROACHING ]

[ BEEPING ]

WOMAN: The night of the 24th and 25th of August,

I was with Mark in his house.

Why didn't he just say that?

For the benefit of the tape,

we're being shown a wedding ring.

I don't wear it at work.

He's a really decent guy,

and he'd be devastated,

and I have a child.

That's why Mark didn't say anything.

But if you took a DNA swab from him,

then you should take one from me as well,

because I'd be all over that altar.

It's that place.

It makes you wild.

Is there any way this,

me and Mark, could be kept confidential?

Your evidence will go on record,

but I don't see the need to interfere in your personal life.

Interview terminated.

Thank you.

ROB: Well, there we are.

[ CELL PHONE CHIMES ]

Guess who just did their online booking?

6:35 a.m. flight from Berlin,

landing in Dublin 9:05.

It's our elusive friend, Cathal Mills.

You want picking up?

Yeah, I'll bring coffee.

[ CELL PHONE RINGING ]

Reilly.

Detective, it's Simone Cameron.

Can you come and meet me?

I haven't reopened yet.

I was doing some work, and Rosalind was here.

She likes to help out,

and we were talking about nothing really and...

Oh, God. [ CHUCKLES ]

My hands are shaking.

And then suddenly Jessica says

about this man.

This man who said that Katy was pretty,

and did she want to see some kittens?

We put on music.

It calms her.

Can you and Rosalind get her to tell the story again

with us there?

She has to say it in her own words.

We'll try.

[ CLASSICAL MUSIC PLAYING ]

Look at me dancing.

I'm a beautiful swan.

You are very beautiful.

Would you get Jessica to tell the story?

Can you do it?

Why are they here?

They've come to watch us dancing.

-JESSICA: Like Katy. -SIMONE: Like Katy.

[ SIMONE CHUCKLING ]

Jessica, darling.

Can you tell us the story of the man again?

It wasn't a story. It happened.

I know, but tell us again.

[ BOTH LAUGHING ]

Oh, Jess, please.

The man said to Katy,

"You're pretty.

"Come with me, I have kittens."

And Katy said, "We have to go now."

But I wanted to see the kittens,

but Katy said, "There aren't any kittens.

"We're going home."

And what did the man do then?

He was behind us.

Katy told me not to turn around.

And then he wasn't behind us any more, and we went home.

Jessica.

Can you remember what the man looked like?

Can you remember what he was wearing?

Running clothes, like...

He was going on a run

but he was just walking behind us like a lazy man.

[ LAUGHS ]

Can you remember what color running clothes?

Jess?

Blue, stupid.

Katy's color.

They were blue.

CASSIE: The fact that the description comes from Jessica

means we can be certain this man exists.

JONATHAN: So what happens now?

We cast the net wider for potential suspects.

It's a significant development, Mr. Devlin.

ROB: We'll show ourselves out,

but we're only a phone call away

if you need anything.

[ DOOR OPENS ]

[ DOOR CLOSES ]

You didn't tell me you were talking to them.

I wasn't. It was Jess.

It's good news.

Isn't it?

I'll go and check on Mummy.

[ DOOR CLOSES ]

SOPHIE: Test results from Adam's clothes.

Slashes in the T-shirt made with a very fine, sharp blade.

Right-handed with a left-angled curve.

That's as much as I can tell you.

And the blood in the socks and trainers?

No new results.

It's A negative.

Same as Adam's.

Peter and Jamie were both O positive,

but it can't be Adam's blood

because he didn't suffer any blood loss,

and he didn't have a single injury.

Okay, thanks for trying.

[ SIGHS ]

I've been doing this a long time,

but I've never seen a blade like the one used to cut the T-shirt.

And I've never seen a situation

where blood comes from nowhere.

Blood comes from somewhere, always,

from someone, always.

[ SIGHS ] I can't figure this one out, I'm sorry.

Sophie.

The dickheads in the woods, what noises were they making?

Forget I said anything. I was tired.

It's important.

They were laughing.

[ DOOR CLOSES ]

[ SIGHS ]

I was trying not to wake you.

I think a lot of you, too, you know.

I'm just rubbish at saying it.

[ LAUGHS ]

I'll take that.

Now go make friends with farmers, Detective.

-[ LAUGHS ] -Progress the investigation.

Yes, ma'am.

Drive safe.

[ DOOR CLOSES ]

[ CAR ENGINE STARTING ]

[ CELL PHONE RINGING ]

Maddox.

O'NEILL: Cassie?

Sam, what is it?

Have you been in an accident?

O'NEILL:[ SIGHS ] Cassie.

Yeah, what is it?

O'NEILL: Nothing, nothing.

I parked the car, sorry.

[ LINE DISCONNECTS ]

Jesus.

[ CELL PHONE RINGING ]

Sam.

FRANK: Get up, get dressed.

Frank? Why are you calling me?

There's a car outside. Get in it.

Wear something that covers you head. Do it now.

[ CAR APPROACHES ]

[ PHONE DIALING ]

WOMAN ON ANSWERING MACHINE: Thank you for calling the Garda line

in regard to our investigation into the murder of Katy Devlin.

Please leave any information you have

-after the tone. -[ ANSWERING MACHINE BEEPS ]

[ CRYING ]

You should be looking for Adam.

Ask Adam what he did in the woods.

[ TEENAGERS LAUGHING ]

You gonna get all the boys in a few years, Jamie.

What do you reckon, Cathal?

Jailbait.

[ LAUGHING CONTINUES ]

SANDRA: Stop.

Pervert.

YOUNG SANDRA: Jonathan.

Stop, I said.

[ YOUNG SANDRA LAUGHING ]

I said, stop.

[ NECK CRACKING ]

Hood.

Hood. The boss said.

He's in there.

[ CROWS CAWING ]

[ CROWS CONTINUE CAWING ]

You're insane.

Cassie, don't.

[ THEME MUSIC PLAYING ]

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