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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,120 --> 00:00:04,400 Previously on The Next Pride, it's Brandon Armstrong. 2 00:00:04,960 --> 00:00:08,980 I want you guys to tell a story from your life that is meaningful. 3 00:00:09,500 --> 00:00:11,160 When I was 15, I lost my mom. 4 00:00:11,919 --> 00:00:15,339 My story is about perseverance. How do you show it? Your eyes. 5 00:00:15,939 --> 00:00:20,579 I need to move. No. AJ, you had jive last week. 6 00:00:20,800 --> 00:00:24,899 You need to come here with some creativity. It will not wash in the United States. 7 00:00:25,219 --> 00:00:28,140 Nina, I would have liked you to have listened a little bit. 8 00:00:28,320 --> 00:00:30,620 Benji, today just kind of got away from you. 9 00:00:31,120 --> 00:00:35,200 Tonight was the last dance for Benji. 10 00:00:54,899 --> 00:01:01,799 Hey, guys. There they are. Say hi to our judges, Shirley and Mark Ballas. 11 00:01:03,759 --> 00:01:07,340 Lovely to see you, though. Nice to see you, too. Looking marvellous as always. Thank you. 12 00:01:07,920 --> 00:01:11,799 Dancers, you have been training together. You've been living together. 13 00:01:11,799 --> 00:01:15,239 But you've also been competing against each other. 14 00:01:15,739 --> 00:01:18,280 Just how tough has this experience been for you? 15 00:01:18,959 --> 00:01:19,760 It's had its moments. 16 00:01:19,760 --> 00:01:20,579 It's had its moments. 17 00:01:23,090 --> 00:01:26,650 Benji's gone, and it's because of the lack of communication that we had. 18 00:01:26,909 --> 00:01:31,209 I feel extremely guilty, and I don't want that to happen this week. 19 00:01:31,549 --> 00:01:34,510 Mark, what's a tip you would give him to make it as a pro? 20 00:01:34,790 --> 00:01:38,689 The key is to get the most out of your star that you have been partnered with. 21 00:01:39,010 --> 00:01:42,269 Sometimes you have to be selfless to look better as a couple. 22 00:01:42,269 --> 00:01:44,950 You'll shine more by showing off less. 23 00:01:45,469 --> 00:01:49,609 I want to see a dancer make it impossible to turn them down. 24 00:01:49,609 --> 00:01:52,879 I want to witness a star being born. 25 00:01:53,219 --> 00:01:56,659 Rounding out our judging panel is our guest judge. 26 00:01:56,959 --> 00:02:01,239 She has been a pro on Dancing with the Stars since 2020. 27 00:02:01,239 --> 00:02:06,519 And she is one of the show's most creative choreographers and remarkable performers. 28 00:02:06,700 --> 00:02:08,580 The incredible Britt Stewart. 29 00:02:09,000 --> 00:02:16,840 I am absolutely obsessed with Britt. She's my favorite pro. Wow. 30 00:02:17,120 --> 00:02:19,500 Involvement, it's hard to find black representation. 31 00:02:19,500 --> 00:02:24,300 So, it just makes this dream to be the next pro of Dancing with the Stars feel 32 00:02:24,300 --> 00:02:25,719 even more possible. 33 00:04:02,599 --> 00:04:03,259 Amazing! 34 00:04:03,979 --> 00:04:04,620 Thank you, Robert. 35 00:04:05,659 --> 00:04:12,520 Wow. Great. Well, before judging our dancers, you have set a challenge for them. 36 00:04:12,860 --> 00:04:18,779 One of the most popular elements of Dancing with the Stars are the times we dance as a group. 37 00:04:19,060 --> 00:04:22,459 For example, the massive opening numbers. 38 00:04:22,870 --> 00:04:29,730 Often, they include non-ballroom dance styles and really give the show spectacle and scale. 39 00:04:29,930 --> 00:04:32,790 It is such a vital part of becoming a pro. 40 00:04:33,009 --> 00:04:36,189 So, this week's challenge, Dancing as a Group. 41 00:04:37,029 --> 00:04:37,670 That's right. 42 00:04:37,889 --> 00:04:44,290 This week, your challenge is to recreate the very choreography that you just saw Britt do. 43 00:04:44,610 --> 00:04:48,750 You need to show us that you can work in perfect unison. 44 00:04:49,410 --> 00:04:52,829 Group work is tough because it can get messy very quickly. 45 00:04:53,149 --> 00:04:57,769 My focus was on competitive dancing, so group dancing is very new to me. 46 00:04:58,250 --> 00:05:01,949 It's time to shine as part of a collective. Good luck. 47 00:05:02,230 --> 00:05:02,810 Thank you. 48 00:05:03,029 --> 00:05:03,610 Thank you. 49 00:05:04,850 --> 00:05:06,350 This is going to be a big week for them. 50 00:05:06,449 --> 00:05:07,670 It's going to be amazing. 51 00:05:08,550 --> 00:05:11,629 I'm so excited. 52 00:05:12,230 --> 00:05:14,709 I would love to be doing a ballroom dance. But we're all together. 53 00:05:14,970 --> 00:05:15,350 Yes. 54 00:05:15,629 --> 00:05:16,810 Group. Stretch it out. 55 00:05:17,449 --> 00:05:17,850 Wow. 56 00:05:17,850 --> 00:05:21,990 How are we doing? 57 00:05:22,350 --> 00:05:23,689 Great. Fantastic. 58 00:05:24,189 --> 00:05:26,709 This is going to be a big week. 59 00:05:27,089 --> 00:05:31,829 Group numbers really give you an opportunity to step out of the norms of 60 00:05:31,829 --> 00:05:36,149 ballroom, to not be so traditional, play around, break the rules. 61 00:05:36,149 --> 00:05:40,970 I'm looking forward to seeing how each one of you take my choreography, 62 00:05:41,430 --> 00:05:46,670 pick it up quickly, and how you can come forward as individuals, but as a collective. 63 00:05:46,990 --> 00:05:47,930 Are you guys up for it? 64 00:05:48,050 --> 00:05:48,569 Absolutely. 65 00:05:49,290 --> 00:05:53,529 So spread out. I'm going to move very quickly. Okay? So let's hit it. 66 00:05:53,670 --> 00:05:56,730 We go one, two, three, four, five. 67 00:05:56,889 --> 00:06:00,769 Group performance is difficult because synchronicity is so important. 68 00:06:00,769 --> 00:06:04,089 You have to be together with the other dancers. One more time. 69 00:06:04,230 --> 00:06:06,250 You have to be aware of your space, 70 00:06:06,250 --> 00:06:11,370 so these dancers have a lot of work cut out for them this week. We go one, two. 71 00:06:11,589 --> 00:06:13,430 For traditional Latin and ballroom dancers, 72 00:06:13,790 --> 00:06:17,310 this group dance challenge could be a little bit more difficult. 73 00:06:17,589 --> 00:06:22,170 One, turn, two, prep. If you're unaware, it'll be messy, there will be collisions, 74 00:06:22,209 --> 00:06:23,610 and it will not come together. 75 00:06:24,149 --> 00:06:31,290 And one, two, three, four, five, six, seven, eight. Sorry. Four, five, six, seven, eight. 76 00:06:31,290 --> 00:06:33,709 One, two, three, four. Oh my God. 77 00:06:34,730 --> 00:06:41,370 I feel like I put an image that I can do whatever. I'm strong. I'm a powerful dancer. 78 00:06:41,370 --> 00:06:46,189 But it is hard because we have to work everything out with so many people in 79 00:06:46,189 --> 00:06:49,829 fast music with all the things, and I'm doubting myself. 80 00:06:50,410 --> 00:06:55,709 I'm huge on details and dynamics, right? So smooth into each other. One question. 81 00:06:55,870 --> 00:06:58,129 Is it a three-step turn or just a one turn? 82 00:06:58,129 --> 00:07:05,470 Yes. So one closed press. Thank you. I'm really, really excited to be able to do a group dance. 83 00:07:05,649 --> 00:07:11,930 And one, two. I love taking talented dancers and making this incredible number together. 84 00:07:12,250 --> 00:07:16,110 Learning very fast-paced choreography, it just makes me really excited to dance. 85 00:07:16,490 --> 00:07:17,209 Good job, dancers. 86 00:07:18,250 --> 00:07:23,189 Amazing first session together. So you can take this time to continue to practice, 87 00:07:23,810 --> 00:07:26,230 help each other, support each other. All right? 88 00:07:26,610 --> 00:07:27,589 Okay, guys. 89 00:07:28,389 --> 00:07:29,949 I excel in a group dance. 90 00:07:30,310 --> 00:07:34,350 It's what we do in the commercial world. Thumbs up. Spot. It's what I'm best at. 91 00:07:34,410 --> 00:07:37,870 So I feel like this is going to be my strong suit for sure. 92 00:07:37,949 --> 00:07:44,199 Five and six, seven and eight. One, two. The turn was on two. We're prepping on one. 93 00:07:44,300 --> 00:07:45,980 We're turning on two. We're stepping on three. 94 00:07:45,980 --> 00:07:49,819 I think it would look meaner, though, if we collect it to go here. No. 95 00:07:50,240 --> 00:07:53,740 So prep one, turn two, step three. Whatever you want. 96 00:07:54,259 --> 00:08:02,199 I was trying to be involved, and it just tend to get shut down a lot. Isn't it five into a flow? 97 00:08:02,439 --> 00:08:08,459 Five. Yes, but it's still like five, six, seven, eight. I think simplicity is key. 98 00:08:08,720 --> 00:08:10,819 Can we consider it like a body sway? 99 00:08:11,079 --> 00:08:15,480 You're going, like, really fast. There's no time to be like, okay, listen to me. 100 00:08:15,480 --> 00:08:18,579 Then we can dip it down just a little, little moment. 101 00:08:19,079 --> 00:08:23,519 We're hitting back corner, though, right? Yeah. Okay. What happened? No. 102 00:08:24,019 --> 00:08:24,379 Okay. 103 00:08:24,740 --> 00:08:29,000 I don't know if it's that she doesn't believe that I can do it, but she doesn't want to listen. 104 00:08:29,379 --> 00:08:31,939 You're too quiet. It's making me scared. I can't. 105 00:08:32,059 --> 00:08:36,950 Oh, no. I'm fine. Five, six, seven, eight. 106 00:08:37,230 --> 00:08:38,830 One, two. Keep that direction. 107 00:08:39,330 --> 00:08:40,450 But then what's happening in us? 108 00:08:40,450 --> 00:08:41,389 Three and four. Pomenade. 109 00:08:41,509 --> 00:08:43,710 I love dancing in a group. It's kind of what I'm used to. 110 00:08:43,909 --> 00:08:45,330 I wasn't a ballroom dancer when I started. 111 00:08:45,470 --> 00:08:47,610 I was on this underground hip-hop dance team. 112 00:08:47,610 --> 00:08:53,169 But Britt's choreography, it's probably the most challenging group number I've done. 113 00:08:53,529 --> 00:08:57,169 I generally have no idea what's going on. It's just a lot of moving parts. 114 00:08:57,590 --> 00:09:00,269 I'm, like, a little dumbfounded. 115 00:09:00,570 --> 00:09:01,669 Okay. Do you need help with your feet? 116 00:09:01,889 --> 00:09:02,970 I have no idea what I'm doing. 117 00:09:03,269 --> 00:09:03,509 Okay. 118 00:09:04,169 --> 00:09:06,470 Here's fine. Here's fine. There's a swivel. 119 00:09:06,669 --> 00:09:08,429 But then this, I have no idea what's after that. 120 00:09:09,389 --> 00:09:11,029 Okay. That's a telespin. 121 00:09:11,950 --> 00:09:12,389 Telespin? 122 00:09:12,529 --> 00:09:12,970 Telespin. 123 00:09:12,970 --> 00:09:18,070 And I'm seeing Tristan struggle with spacing and picking up the choreography quick enough. 124 00:09:18,190 --> 00:09:21,169 Land here. Right there. Yeah. You're going too far out. Got it. 125 00:09:21,269 --> 00:09:23,049 You actually have the easiest track. Yes. 126 00:09:23,350 --> 00:09:28,129 And I'm seeing Nina struggle with musicality and timing. They need to step it up. 127 00:09:28,490 --> 00:09:30,669 I keep screwing up the turn. 128 00:09:31,470 --> 00:09:37,610 Steph, you come forward to three, four. Yeah. So you just come straight forward. Okay. 129 00:09:37,850 --> 00:09:41,769 Okay. Group stuff is definitely something that I'm very comfortable with doing 130 00:09:41,769 --> 00:09:47,190 because I grew up a commercial dancer. I did Dancing with the Stars season 33. True. 131 00:09:47,429 --> 00:09:52,029 So I'm excited to show my powerful side and just how fast I can pick up choreography. 132 00:09:52,590 --> 00:09:54,830 I'm definitely in my element and I'm feeling really good. 133 00:09:55,049 --> 00:09:59,830 One, three, four, five, and six, seven, eight. Oh. 134 00:10:00,830 --> 00:10:01,529 Oh, you okay? 135 00:10:02,789 --> 00:10:08,269 Oh, no. You okay? What happened? I think she got hit in the face. 136 00:10:08,490 --> 00:10:09,409 I feel really dizzy. 137 00:10:09,549 --> 00:10:11,210 Can you just get some eyes straight away? 138 00:10:11,850 --> 00:10:15,769 Can you look at me really quick? She's not okay. It's like a black eye. 139 00:10:15,970 --> 00:10:20,669 I don't know what happened. The dance was moving so quickly and Natalie got hit in the face. 140 00:10:21,570 --> 00:10:25,429 Was it with the nail or with the hair? No, I'm just just... 141 00:10:25,429 --> 00:10:30,740 Oh, my hands are getting really tingly. I just hate being the one that caused that. 142 00:10:30,940 --> 00:10:35,700 Like, I just feel horrible. I know she's worked really hard to be here and I hope she's okay. 143 00:10:36,139 --> 00:10:39,100 It hurts really bad. Yeah, we're going to go get you checked down, all right? 144 00:10:42,159 --> 00:10:46,100 Sorry, I just care. Paramedics up here. 145 00:10:46,240 --> 00:10:51,799 I can't breathe. I can't breathe. I can't breathe. Just try and slow your breathing down. 146 00:10:52,320 --> 00:10:56,100 They're going to give you some pain relief, okay? I'm really feeling for Natalie. 147 00:10:56,379 --> 00:11:02,860 She is part of this group challenge. This incident really showcases why dancing as a unit, 148 00:11:03,019 --> 00:11:07,220 being aware of your space, is so important when you're doing group dance work. 149 00:11:18,639 --> 00:11:21,799 Eight. If these dancers want to be a pro on Dancing with the Stars, 150 00:11:22,440 --> 00:11:29,120 group numbers are so important. So this week, the challenge is to create my group choreography. 151 00:11:29,519 --> 00:11:33,320 These dancers don't know it yet, but I have a surprise for them. How do you feel? 152 00:11:34,600 --> 00:11:35,200 You're worried. 153 00:11:36,000 --> 00:11:40,919 Everything within this group dance challenge is difficult. Just all the little steps. 154 00:11:40,919 --> 00:11:44,519 I'm a showman. I like to stand out, feel special, 155 00:11:44,539 --> 00:11:49,090 but I have to keep myself in line so I'm not distracting from the group. 156 00:11:49,330 --> 00:11:53,509 One, two, three, four, five, six, seven, eight. 157 00:11:53,850 --> 00:11:56,070 Okay, one more time for Nina this beginning. 158 00:11:57,190 --> 00:12:00,350 There's a lot. There's a lot of content in the routine. Sorry, guys. 159 00:12:00,629 --> 00:12:02,870 Ever since getting those comments from week one, 160 00:12:03,090 --> 00:12:05,330 timing is definitely something I've been working really hard on. 161 00:12:05,929 --> 00:12:10,389 It's a lot of pressure, and I don't want to let anybody down, including myself. 162 00:12:10,389 --> 00:12:16,899 Dancers, I have a surprise for you. It's time to perform. 163 00:12:18,240 --> 00:12:21,740 You have had three hours to learn the choreography, 164 00:12:21,740 --> 00:12:26,779 and that is the same time pros on Dancing with the Stars have to learn opening 165 00:12:26,779 --> 00:12:28,480 numbers and be camera ready. 166 00:12:28,720 --> 00:12:35,779 I am very excited to see you perform, so please help me welcome my fellow judges. 167 00:12:36,590 --> 00:12:41,110 Oh, my God. You have Shirley and Mark coming into the door. 168 00:12:41,110 --> 00:12:47,009 I've never learned a dance, especially a group dance, this quick before. 169 00:12:47,309 --> 00:12:48,789 Now the pressure's really on. 170 00:12:48,990 --> 00:12:50,289 I don't know what's going on. 171 00:12:50,710 --> 00:12:54,350 This is the most stressful day for me, not just because of the judges, 172 00:12:54,389 --> 00:13:00,149 but because I don't want to disappoint myself, and I know I'm not 100% ready. I'm scared. 173 00:13:01,049 --> 00:13:04,750 I'm scared. Shirley and Mark. Natalie, unfortunately, was injured. 174 00:13:05,700 --> 00:13:07,659 Still awaiting updates, but she's okay. 175 00:13:08,340 --> 00:13:08,460 Yeah. 176 00:13:09,059 --> 00:13:13,580 Okay, dancers. We would like you to show us exactly what you've got, 177 00:13:13,639 --> 00:13:19,779 and I only hope it's spectacular. Just come to me five, six, seven anywhere from me. 178 00:13:19,840 --> 00:13:24,240 You got this, guys. Come on. I feel like people are not ready to be judged, let's say. 179 00:13:24,460 --> 00:13:25,580 Just a tad bit more. 180 00:13:25,679 --> 00:13:29,159 A tad bit more. Knowing the judge is there, I think somebody's going to go home now, 181 00:13:29,259 --> 00:13:31,360 so I have to pull it out of the bag. 182 00:15:08,639 --> 00:15:13,600 Hey, Shirley, in your opinion, who was the weakest dancer in this group challenge? 183 00:15:14,220 --> 00:15:17,480 Well, first of all, as a group, I just want to say it was pretty difficult, 184 00:15:17,480 --> 00:15:22,480 but there was one person that was ahead by a whole bar of music in the 185 00:15:22,480 --> 00:15:27,259 telespins, and that person is Tristan. Mark? 186 00:15:27,519 --> 00:15:29,779 For me, again, it was rushing music, 187 00:15:30,399 --> 00:15:34,600 slightly ahead, not fully being spatially aware of your partner. 188 00:15:36,539 --> 00:15:37,860 Unfortunately, it's going to be Nina. 189 00:15:41,159 --> 00:15:47,860 Tristan and Nina, you're not on the chopping block just yet. 190 00:15:47,960 --> 00:15:53,039 There will be a second challenge to prove what you have for the judges. 191 00:15:53,620 --> 00:15:56,620 It feels like a blessing to be given another chance. 192 00:15:56,899 --> 00:16:01,299 All I can do is listen to the judges' critiques, keep it going. 193 00:16:01,539 --> 00:16:02,740 Yeah, all good, all good. Let it out. 194 00:16:03,120 --> 00:16:03,820 Let it out. 195 00:16:03,899 --> 00:16:07,360 Let it out. Come on, guys. 196 00:16:08,679 --> 00:16:14,169 I'm so upset. I just thought I had a handle on it, and I didn't. 197 00:16:14,409 --> 00:16:16,429 Hey, I'm right there with you. I'm right there with you. 198 00:16:16,429 --> 00:16:19,889 Bro, you're not going anywhere, okay? That's what matters, okay? 199 00:16:20,029 --> 00:16:26,169 I feel like I let myself down, and I've always had my own back, so it was pretty upsetting. 200 00:16:27,250 --> 00:16:29,169 You got another opportunity tomorrow. 201 00:16:29,710 --> 00:16:32,210 We do this because we love it. Yeah. Yeah? 202 00:16:32,490 --> 00:16:33,830 So let's just keep it moving, bro, okay? 203 00:16:34,750 --> 00:16:36,250 I'd like to rumble with you. 204 00:16:37,230 --> 00:16:50,840 I mean, Brice is 205 00:16:50,840 --> 00:16:51,720 beautiful, honestly. 206 00:16:51,980 --> 00:16:53,620 Oh, okay. You like her? 207 00:16:54,019 --> 00:16:58,299 I mean, yeah. You think she's hot? I caught myself getting lost. 208 00:16:58,480 --> 00:17:00,360 I forgot what she was saying half the time. 209 00:17:00,679 --> 00:17:01,120 Dang. 210 00:17:02,039 --> 00:17:03,820 She's so warm, too. 211 00:17:04,500 --> 00:17:09,690 I think today was the hardest day for me, for sure. 212 00:17:09,890 --> 00:17:12,150 I just feel like that rehearsal went rough. 213 00:17:12,150 --> 00:17:17,730 For me, I came into this challenge excited that I have experience picking up 214 00:17:17,730 --> 00:17:20,309 choreo in one hour and then performing it on stage. Yeah. 215 00:17:21,410 --> 00:17:26,569 And in rehearsals, it was a little, like, clash, clash, because I feel like Mina. 216 00:17:27,529 --> 00:17:30,970 I figured it was me. You don't have respect for me. 217 00:17:32,569 --> 00:17:36,349 I got to a point in rehearsal where I just was like, I just have to give up, 218 00:17:36,640 --> 00:17:38,579 because I couldn't just keep doing a back and forth. 219 00:17:39,960 --> 00:17:44,740 I'm so sorry that you felt that way. I genuinely was just trying to understand, 220 00:17:44,740 --> 00:17:46,839 because I'm not used to working so quickly. 221 00:17:47,140 --> 00:17:48,880 I was just trying to have a conversation. 222 00:17:49,200 --> 00:17:51,900 So it felt less like you were trying to understand. 223 00:17:53,059 --> 00:17:58,160 You were trying to kind of take over rehearsal. 224 00:17:59,579 --> 00:18:06,099 Really? Okay. If I can be completely honest and just, like, speak my truth, 225 00:18:06,640 --> 00:18:09,539 any moments that I felt that I did talk, 226 00:18:09,700 --> 00:18:12,359 I also did feel like I ended up pulling back. 227 00:18:12,359 --> 00:18:17,980 So it's really, it's ironic to me to hear that. Again, I don't know how to work it out. 228 00:18:18,180 --> 00:18:23,119 I'm trying to be as sensitive and as careful as possible, but it is group work this week. 229 00:18:23,420 --> 00:18:26,559 If I have to bite the bullet, then that's what it's going to have to be, 230 00:18:26,579 --> 00:18:30,400 because you have to push past the uncomfortable feelings, and we have to work together. 231 00:18:30,400 --> 00:18:34,119 That's just my outlook on it, but yeah. Like, I don't even know what to say. 232 00:18:49,529 --> 00:18:52,250 For the high five. Hands out, hands out. Come on, come on. 233 00:18:52,930 --> 00:18:53,329 Yeah! 234 00:18:58,549 --> 00:19:04,869 How are we feeling? Everybody doing okay? We're feeling good. Of course, Natalie isn't here. 235 00:19:05,089 --> 00:19:10,150 She's under medical supervision. She's doing okay, and we'll keep you posted on her condition. 236 00:19:10,329 --> 00:19:16,930 But for now, the show must go on. Yesterday was, of course, your group performance, 237 00:19:17,069 --> 00:19:22,990 and today you will be performing team dances. That is your second challenge. 238 00:19:23,670 --> 00:19:28,170 Form two teams and create an amazing team dance. 239 00:19:28,690 --> 00:19:29,029 Yes. 240 00:19:30,029 --> 00:19:33,890 Nina and Tristan, the judges singled you out in the group dance. 241 00:19:34,069 --> 00:19:38,759 Now you have a chance to redeem yourselves as team captains. 242 00:19:39,569 --> 00:19:40,029 Wow! 243 00:19:40,450 --> 00:19:47,309 Bottom two to Top Dog. It feels like I'm being rewarded for doing something wrong. 244 00:19:47,509 --> 00:19:50,529 You need to make these dances pop for the audience at home. 245 00:19:51,309 --> 00:19:54,390 Team dances are a Dancing with the Stars classic. 246 00:19:54,890 --> 00:20:00,130 Your routines should have clever choreography. The partnerships should be creative. 247 00:20:00,470 --> 00:20:03,130 You need to be in sync and dynamic. 248 00:20:03,390 --> 00:20:06,890 Just because you're the team captain does not mean that you have to lead. 249 00:20:07,009 --> 00:20:10,250 Be smart about who's on your team and play on everyone's strengths. 250 00:20:10,250 --> 00:20:15,289 Nina and Tristan, taking it in turns, 251 00:20:15,609 --> 00:20:17,410 you will pick your team members. 252 00:20:18,390 --> 00:20:22,710 Let's go. Being team captain after feeling helpless there before, 253 00:20:23,190 --> 00:20:24,990 I kind of felt like I got to take my power back a little bit. 254 00:20:25,490 --> 00:20:27,049 Nina, you got the first pick. 255 00:20:27,329 --> 00:20:32,809 All right. I have to go with my brother from another mother, Alan. Open over. Good start. 256 00:20:33,089 --> 00:20:34,269 Good start. Good start. 257 00:20:34,730 --> 00:20:35,490 Oh, no. 258 00:20:36,269 --> 00:20:37,170 Stephanie, come here, boo. 259 00:20:37,569 --> 00:20:39,769 Yes. And you have? Yeah. 260 00:20:40,650 --> 00:20:43,509 I'm actually very strategic. AJ, the next few picks. 261 00:20:43,970 --> 00:20:44,430 AJ. 262 00:20:45,910 --> 00:20:46,410 Yeah. 263 00:20:46,970 --> 00:20:47,690 One new team. 264 00:20:49,390 --> 00:20:50,569 Nobody wants us. 265 00:20:51,930 --> 00:20:52,430 Selena. 266 00:20:57,200 --> 00:21:02,680 We're so bad. No, I wasn't. Eric, you know I love you. 267 00:21:03,740 --> 00:21:06,420 But we got to take that Rolls Royce for a spin. Let's go. 268 00:21:06,680 --> 00:21:10,109 Let's go. 269 00:21:12,930 --> 00:21:13,670 Hey, y'all. 270 00:21:13,829 --> 00:21:19,529 We have our teams. Let's see what dance style you got. Pass the towel blade. 271 00:21:20,630 --> 00:21:22,970 Tango. I'm ecstatic. 272 00:21:23,230 --> 00:21:27,130 As a ballroom champion, the tango is my wheelhouse. I feel so at home. 273 00:21:27,329 --> 00:21:33,009 Very happy. Let's go. Teams, you have very little time for rehearsal. 274 00:21:33,230 --> 00:21:37,049 It is crucial that you work together. Absolutely. Let's do it. 275 00:21:41,440 --> 00:21:41,480 Up. 276 00:21:42,299 --> 00:21:42,960 Team tango. 277 00:21:43,140 --> 00:21:45,660 One, two, three. Tell me our hair's down for this. 278 00:21:46,119 --> 00:21:49,920 Are we setting up on the shoulder, 279 00:21:50,099 --> 00:21:52,119 and then we're waiting for the music to start, so we're going to be sitting here? 280 00:21:52,819 --> 00:21:55,859 Seven, eight, one, two, three. Something like that. 281 00:21:55,980 --> 00:21:56,400 That's cool. 282 00:21:56,519 --> 00:21:57,240 Yeah. Do you like it? 283 00:21:57,440 --> 00:22:01,839 Yeah. I feel like we don't have to do the same thing. It can be like trading off. 284 00:22:01,920 --> 00:22:03,660 You do something. We do something. 285 00:22:03,920 --> 00:22:05,339 It's just hard because it is fast four beats. 286 00:22:05,799 --> 00:22:10,359 The dynamic that I've built with this team is I have a sprinkle of everything. 287 00:22:10,660 --> 00:22:13,720 Everyone has lots of ideas. They're all bouncing off each other really well. 288 00:22:13,980 --> 00:22:16,160 Would you want to do like maybe a slow clarina kick? 289 00:22:16,750 --> 00:22:18,029 You're going to have to tell me what that is. 290 00:22:18,049 --> 00:22:22,190 Give it like a. I like that you could do the up and I could do the down. 291 00:22:22,630 --> 00:22:26,470 So I'm thinking the best way for me to handle this as a leader is to step back 292 00:22:26,470 --> 00:22:27,950 and let them form their ideas. 293 00:22:28,250 --> 00:22:31,490 I already know Mark's going to say he's going to want boom, boom, boom. 294 00:22:31,690 --> 00:22:33,769 It should be more hard hitting. Okay. 295 00:22:33,890 --> 00:22:39,869 Let's do that. Do it. Yeah, I can't do that. That's sick though. 296 00:22:40,069 --> 00:22:44,769 I'm the only one who's not a commercial dancer on our team. How are we trying to catch it? 297 00:22:45,440 --> 00:22:47,619 Even here. And then maybe you can bring us up. 298 00:22:47,720 --> 00:22:51,000 Which I'm happy about because it allows me to clean up things. 299 00:22:51,220 --> 00:22:58,039 I like how you went around me from this like this and like, you know, like really like tease it. 300 00:22:58,160 --> 00:23:00,000 I believe really is going to help us. 301 00:23:00,160 --> 00:23:03,700 Not even necessary at the moment because we'll have so many more opportunities 302 00:23:03,700 --> 00:23:08,369 to do the transitions. For me, it's always about creating the rotation through the choreography. 303 00:23:08,369 --> 00:23:12,369 So we transfer around that floor. We don't want to pull back anywhere. We want to extend. 304 00:23:12,369 --> 00:23:14,490 I'm ecstatic to have the team that I have. 305 00:23:14,490 --> 00:23:19,369 I picked them for a reason. But the judges said maybe sometimes you need to let go of the reins. 306 00:23:19,369 --> 00:23:23,970 So as team captain, I passed on a huge responsibility role to AJ. 307 00:23:24,170 --> 00:23:26,430 Say we're lifting you and you as us. 308 00:23:26,470 --> 00:23:31,069 Maybe go like underneath. I've been put on the chopping block already more than one time. 309 00:23:31,539 --> 00:23:33,220 Hopefully, it's not the thing that sends me home. 310 00:23:33,539 --> 00:23:36,700 Say you're just taking your armpits, sorry. To actually put this routine together. 311 00:23:37,019 --> 00:23:38,160 Nobody else is better than me. 312 00:23:38,299 --> 00:23:39,019 Boom. Yeah. 313 00:23:39,319 --> 00:23:43,799 This is tango. I've done this a million times on Strictly Come Dancing. This is my wheelhouse. 314 00:23:43,920 --> 00:23:50,019 Smack. Oh, okay. Into a circle before going into the Argentinian gauchos, et cetera. 315 00:23:50,400 --> 00:23:52,460 Oh, that's cool. I like it. 316 00:23:52,599 --> 00:23:54,759 You see? There's method in my madness. 317 00:23:57,170 --> 00:23:59,130 One, two, and three, and... Oh, f***. 318 00:23:59,589 --> 00:24:02,289 Okay, one more time, sorry. And then we need to do something else. 319 00:24:02,509 --> 00:24:04,130 Yeah. I don't know where we're at. 320 00:24:04,150 --> 00:24:05,809 Here. I was lost a long time ago. 321 00:24:05,829 --> 00:24:06,150 Oh, you're over here. 322 00:24:06,430 --> 00:24:07,529 You're dancing with Selena. 323 00:24:07,750 --> 00:24:10,890 When I did Troup, everybody in the room was like professional top level, 324 00:24:10,890 --> 00:24:13,309 and they were very used to having to choreograph under pressure. 325 00:24:13,609 --> 00:24:15,309 And I think this group specifically, 326 00:24:15,309 --> 00:24:18,509 it was just kind of overwhelming because some people weren't used to it, 327 00:24:18,630 --> 00:24:21,569 and like our ideas just weren't clicking. Are you okay? 328 00:24:22,289 --> 00:24:24,210 I'm very confused, but it's fine. 329 00:24:24,549 --> 00:24:27,250 My thought process is let y'all finish this, and I'll catch up. 330 00:24:27,470 --> 00:24:31,549 Okay. Tristan was chosen as the captain role. 331 00:24:31,549 --> 00:24:34,849 And I feel like as a team captain, you want to build people up, 332 00:24:35,150 --> 00:24:39,329 but I feel like he's at a point in rehearsal now where he's just shut down. 333 00:24:39,490 --> 00:24:42,269 Feel free to speak up. Like, I know it is a time crunch, 334 00:24:42,430 --> 00:24:46,470 but it's better if we're all have a cohesive idea of what's happening than you 335 00:24:46,470 --> 00:24:48,349 feeling like it's just three of us and then you. 336 00:24:48,769 --> 00:24:51,920 Yeah. I just don't know how to like contribute. 337 00:24:52,160 --> 00:24:54,460 Giving any two cents in is what we need right now, 338 00:24:54,619 --> 00:24:56,279 because we're all under a bunch of stress. 339 00:24:56,440 --> 00:24:59,319 And at the end of the day, you're the one who gets to make the ending decision 340 00:24:59,319 --> 00:25:03,200 and be like, actually, I don't like that. You're a team captain. That's your role. 341 00:25:03,900 --> 00:25:08,200 I know it's a team challenge, but at the end of the day, I have to look out for myself. 342 00:25:09,589 --> 00:25:15,509 Slowly from five. Five, six, seven, eight, one, two. No, no, no, no, no, no. 343 00:25:15,569 --> 00:25:16,309 What did I do? What did I do? 344 00:25:16,730 --> 00:25:21,470 The team that Nina picked is perfect for her. Now do that game without... 345 00:25:21,470 --> 00:25:25,549 Right now, the dynamic in the group is AJ is the brains of the operation. 346 00:25:25,990 --> 00:25:30,369 It's very clear to me that I have to step back just a little bit and become a 347 00:25:30,369 --> 00:25:32,470 team player in this specific equation, 348 00:25:32,470 --> 00:25:36,930 because I want to make sure that she stays safe and stays in the competition. What's the time? 349 00:25:37,029 --> 00:25:39,609 Five, four. Three, four. And you step forward and you prepare on what count? 350 00:25:39,730 --> 00:25:40,450 Five and six. 351 00:25:40,549 --> 00:25:42,490 Beautiful. We do that slowly. Great. 352 00:25:43,589 --> 00:25:45,730 When you get called out for not listening, 353 00:25:45,750 --> 00:25:49,730 you have to be able to take a step back and letting AJ take the lead. 354 00:25:49,930 --> 00:25:51,730 I feel like I'm on the right track. Heel off the floor. 355 00:25:51,829 --> 00:25:52,289 Heel off the floor. 356 00:25:52,609 --> 00:25:54,609 Because I don't want to be the one to go home. 357 00:25:54,829 --> 00:26:01,799 Oh, down. Hit. No. Nope. I will come down to you. I will bring you up. 358 00:26:02,019 --> 00:26:06,579 Nina is the team leader, but I'm happy to take all the risk for this routine. 359 00:26:06,880 --> 00:26:10,279 This can be my week to showcase what I can do, 360 00:26:10,339 --> 00:26:14,460 because it could be my head on the chopping board. So you turn around, you're on one. 361 00:26:14,460 --> 00:26:16,099 Ten, two, three. 362 00:26:16,240 --> 00:26:27,599 I feel like a million 363 00:26:27,599 --> 00:26:30,400 bucks. How lucky are we to be able to do this? 364 00:26:32,279 --> 00:26:35,440 I'm excited to see what they're going to do today. I'm so excited. 365 00:26:36,119 --> 00:26:42,680 Welcome back to The Next Pro. We have seen our dancers perform an incredible group number, 366 00:26:42,859 --> 00:26:50,599 but it's time to see what they have created for the judges. Dancers, Natalie is not here. 367 00:26:51,099 --> 00:26:57,349 We'll explain her absence a little later on. It is now time for your team dancers. 368 00:26:57,849 --> 00:27:03,150 This is the second challenge to see your ability to work together as a team. All right. 369 00:27:03,289 --> 00:27:10,569 First up, it's Team Paso Doble. Everybody, how did we find rehearsals? 370 00:27:10,990 --> 00:27:16,230 Rehearsals were challenging, but in the best way. 371 00:27:16,650 --> 00:27:20,329 Well, I'd like to know who took the lead on the choreography and the timing, please. 372 00:27:20,970 --> 00:27:26,670 I will. It's a combination, yeah. I feel like we worked as a team together. Yeah. 373 00:27:26,670 --> 00:27:28,470 Okay, it's time. 374 00:27:28,650 --> 00:27:30,329 Let's do it, guys. Let's go. 375 00:27:30,750 --> 00:27:34,029 Team Paso Doble. Are we doing it now? Yeah. Oh, shoot. 376 00:27:34,950 --> 00:27:35,650 Stressful change. 377 00:27:36,089 --> 00:27:37,430 Stressful change. I'm stressed for them. 378 00:27:37,430 --> 00:27:43,599 I feel like really all I can do now is just show myself as a dancer and show 379 00:27:43,599 --> 00:27:45,740 the judges what I can do with what I was given. 380 00:27:47,000 --> 00:27:52,799 I'm feeling nervous. I want to do my best. I don't want to let my team down. Thank 381 00:29:58,009 --> 00:29:58,230 you. 382 00:30:01,259 --> 00:30:04,319 Beginning was dynamic. It was powerful. 383 00:30:04,720 --> 00:30:10,380 The guys' cape work, good, and the girls coming forward, so strong. Really good job. 384 00:30:10,599 --> 00:30:14,539 However, I felt like you were out there as individuals. 385 00:30:14,859 --> 00:30:19,220 You didn't necessarily find that connection within each other, which is so important. 386 00:30:19,740 --> 00:30:24,140 Tristan, you had a really tough time during the group dance, 387 00:30:24,140 --> 00:30:29,720 and I was hoping that you would really step it up. Unfortunately, you looked a bit lost. 388 00:30:29,720 --> 00:30:33,460 Selena, I love watching you, but today, 389 00:30:33,619 --> 00:30:37,359 I just felt like your spatial awareness was lacking. 390 00:30:37,720 --> 00:30:40,220 I could see Stephanie really locking in with you, 391 00:30:40,339 --> 00:30:44,019 and you kind of not seeing her at times, so therefore, cues were off. 392 00:30:44,480 --> 00:30:49,819 There was a directness missing a little bit, and peripheral vision. Knee walks were off. 393 00:30:49,980 --> 00:30:54,240 The back kick was off. I did find, Stephanie, that you were very, very aware. 394 00:30:54,420 --> 00:30:59,079 I can tell you've been in groups before, and Eric the same. Your peripheral was not bad at all. 395 00:30:59,140 --> 00:31:02,019 Thank you. So you said that you all had a part to play in this. 396 00:31:02,500 --> 00:31:07,460 Sometimes it's better to have one person directing and one person cleaning, 397 00:31:07,460 --> 00:31:13,119 because when you look back at this, you're going to see quite a lot of arms off, overturned. 398 00:31:13,579 --> 00:31:17,759 Let me ask all of you guys, was this hard? Yeah. Yes. It was hard. 399 00:31:18,519 --> 00:31:22,500 Now, I want you to imagine what it would be like with a celebrity. 400 00:31:23,079 --> 00:31:26,420 All of you would have a different celebrity, and they'd all be at different levels. 401 00:31:27,140 --> 00:31:28,359 But overall, it was fun. 402 00:31:28,480 --> 00:31:30,180 Thank you, guys. Good job. 403 00:31:30,380 --> 00:31:33,319 Good. I loved how it opened. 404 00:31:33,720 --> 00:31:35,019 I was like locked down. 405 00:31:35,200 --> 00:31:38,140 It was strong, and then it just kind of fell apart. 406 00:31:38,400 --> 00:31:42,160 I think because they over-try, it no longer becomes teamwork. Yeah. 407 00:31:42,420 --> 00:31:45,779 So it's finding that happy medium. I'm excited to see the other group. 408 00:31:52,880 --> 00:31:54,500 Welcome back to the next pro. 409 00:31:55,019 --> 00:32:00,460 We are midway through the team dancers, and the stakes are sky high. 410 00:32:00,980 --> 00:32:06,460 Next, it is time for Team Tango. Team, how did rehearsals go for you? 411 00:32:06,460 --> 00:32:10,480 It was such a breath of fresh air to work with these amazing individuals. 412 00:32:10,740 --> 00:32:14,099 All egos were checked at the door. I couldn't be happier with my team, honestly. 413 00:32:14,900 --> 00:32:19,039 I'd like to know who was assigned the cleaning of this routine. 414 00:32:19,220 --> 00:32:23,299 We decided to let AJ take the lead on the cleanliness and everything like that. 415 00:32:23,400 --> 00:32:26,720 And the choreographer? Everybody combined effort. 416 00:32:27,019 --> 00:32:30,140 AJ gave us bits and pieces, and then we kind of made all the puzzle pieces fit. 417 00:32:30,420 --> 00:32:33,140 Very positively delivered. Well done. 418 00:32:33,619 --> 00:32:34,500 Let's do it, guys. 419 00:32:35,940 --> 00:32:39,200 Let's go, guys. The thing with AJ, it will always be in time. 420 00:32:39,380 --> 00:32:42,579 Well, it's good to see him do ballroom, isn't it? I've seen him do two jives now. 421 00:32:43,079 --> 00:32:44,759 I'm anxious to see something else. 422 00:32:45,380 --> 00:32:47,519 I am nervous going into the performance, 423 00:32:47,720 --> 00:32:52,279 but I hope that letting AJ take the reins today helps me perform to the best of 424 00:32:52,279 --> 00:32:54,180 my ability and not be in the bottom two. 425 00:32:54,700 --> 00:32:57,200 It's smart of Nina as a team captain to allow that, 426 00:32:57,319 --> 00:33:00,920 because in a couple of challenges ago, she got in trouble for steamrolling, so I like that. 427 00:33:01,039 --> 00:33:01,279 Okay. 428 00:33:52,789 --> 00:33:53,609 I like 429 00:34:59,619 --> 00:35:04,340 that shape at the end. She keeps going until the lights come on. I love it. 430 00:35:04,639 --> 00:35:05,360 I completely fell. 431 00:35:05,659 --> 00:35:06,139 It doesn't matter. 432 00:35:06,239 --> 00:35:07,619 I just tripped over my feet. I know, I know, I know. 433 00:35:08,119 --> 00:35:09,400 It's okay, breathe, breathe, breathe, breathe. 434 00:35:09,679 --> 00:35:11,280 He's really beating himself up over that. 435 00:35:11,420 --> 00:35:12,119 Yeah. This sucks. 436 00:35:12,460 --> 00:35:13,599 What are the judges going to say? 437 00:35:20,369 --> 00:35:27,179 Alan, you fell. There's a lot going on, and sometimes we fall over. 438 00:35:27,420 --> 00:35:32,099 You got up quick, didn't even notice. We've all fallen over. It's fine. 439 00:35:33,159 --> 00:35:36,519 The funny thing is, is when I fell over, I was trying to get back up quick, 440 00:35:36,699 --> 00:35:40,960 and I was kept falling over. I was like, this is not happening right now. 441 00:35:40,960 --> 00:35:41,119 You did. 442 00:35:41,380 --> 00:35:41,980 You got up great. 443 00:35:42,119 --> 00:35:48,739 You carried on. It was really well saved. Nina. Yes. So much improvement today. Thank you. 444 00:35:48,960 --> 00:35:55,179 You're the team captain. You made the right choice in letting some delegation happen over here. 445 00:35:55,579 --> 00:36:00,980 You work together as a team. Something that I want you to continuously work on, 446 00:36:01,099 --> 00:36:03,420 because you did improve on it today, is just a little bit of the timing. 447 00:36:03,420 --> 00:36:08,980 You guys did the swivels side by side. They were completely locked in. Super minor today. 448 00:36:09,340 --> 00:36:09,840 Thank you. 449 00:36:10,159 --> 00:36:12,440 I have got a concern or two about the timing, 450 00:36:12,440 --> 00:36:16,579 and when you went into the swivels, you were in the safe hands of AJ. 451 00:36:16,880 --> 00:36:21,679 I'll be very curious to see you when you have to choreograph for a celebrity. 452 00:36:21,760 --> 00:36:26,219 I do want to argue a little bit, because yeah, she had a great lead from AJ, 453 00:36:26,460 --> 00:36:28,760 but he's not physically picking her feet up off the floor. 454 00:36:29,539 --> 00:36:31,980 I'm going to say it again. No, no, no, no, Mark. 455 00:36:31,980 --> 00:36:36,679 No, when they did those swivels side by side, those feet were like this. 456 00:36:36,880 --> 00:36:40,860 It was not a criticism. It was an observation. And that was my observation. 457 00:36:40,980 --> 00:36:43,420 Yes, well, I'm just saying. It looked like they moved at the same time. I'm just saying. 458 00:36:43,719 --> 00:36:44,300 I'm just saying. 459 00:36:45,179 --> 00:36:45,920 Family love. 460 00:36:47,920 --> 00:36:53,119 Adele, you are a phenomenal lady dancer. You have a great musical ear. 461 00:36:53,300 --> 00:36:57,880 You can follow when you need to follow, and you can assert when you need to assert. 462 00:36:58,179 --> 00:37:03,460 But the starter day for me was AJ. In the first two weeks, you were a little bit self-absorbed. 463 00:37:03,579 --> 00:37:09,039 It is not about you. It is about being very connected to your teammates. 464 00:37:09,500 --> 00:37:12,739 And today, you were humble. You had humility. 465 00:37:12,980 --> 00:37:16,619 You worked as a team, and you brought yourself down at PEGA, too. 466 00:37:17,699 --> 00:37:23,179 I am so impressed with what I just saw, because you pushed the boundaries. 467 00:37:23,840 --> 00:37:30,719 And I know that, as traditional dancers, that was out of your comfort zone. Good job. Welcome. 468 00:37:31,780 --> 00:37:35,840 Thank you, guys. Thank you. Good job, guys. Guys. 469 00:37:36,579 --> 00:37:44,000 Do a show with your mom, they said. It'll be fun, they said. It's just the delivery. 470 00:37:44,219 --> 00:37:44,639 It's just like. 471 00:37:57,869 --> 00:38:02,989 Welcome back to the next pro. We've seen Team Paso and Team Tango dance, 472 00:38:03,170 --> 00:38:07,289 but now it's time to find out what the judge's decision is. 473 00:38:08,190 --> 00:38:11,730 Britt, you have been their mentor through this process. 474 00:38:11,730 --> 00:38:15,789 I am just wishing you all of the best on this journey. 475 00:38:16,130 --> 00:38:16,789 Good luck. 476 00:38:17,210 --> 00:38:23,889 Thank you. Shirley, which team dance impressed you the most, making them safe from elimination? 477 00:38:25,119 --> 00:38:28,960 The team that impressed us the most, due to their synchronicity, 478 00:38:29,500 --> 00:38:34,820 their working together, is Team Tango. 479 00:38:35,139 --> 00:38:35,579 Thank you. 480 00:38:40,829 --> 00:38:48,489 Well done, Team Tango. Good job. That means you are safe from elimination. Thank you. Thank you. 481 00:38:48,829 --> 00:38:52,809 Judges, after seeing both the group dance and team dancers, 482 00:38:53,130 --> 00:38:56,789 which two dancers didn't quite hit the mark? 483 00:39:02,269 --> 00:39:07,309 The first dancer in Jeopardy is a fantastic solo dancer, 484 00:39:07,309 --> 00:39:13,150 but inside the group didn't actually have the peripheral awareness. 485 00:39:14,469 --> 00:39:18,449 So the first person for me in Jeopardy is 486 00:39:24,719 --> 00:39:25,340 Selena. 487 00:39:30,920 --> 00:39:33,940 The second dancer in Jeopardy actually started really strong, 488 00:39:33,960 --> 00:39:37,500 but throughout the dance, lost confidence and lost a little bit of steam. 489 00:39:37,500 --> 00:39:43,440 So the dancer that is in Jeopardy is Tristan. 490 00:39:53,619 --> 00:39:56,320 Shirley, who is going home tonight. 491 00:39:57,579 --> 00:40:05,989 Tonight was the last dance for neither of you. 492 00:40:09,599 --> 00:40:14,800 Following Natalie's injury, she was not medically cleared to compete, 493 00:40:15,119 --> 00:40:19,599 and so she has been eliminated. Oh my god. 494 00:40:20,679 --> 00:40:25,420 This means you will all live to dance another day. 495 00:40:31,179 --> 00:40:31,559 How you doing? 496 00:40:33,960 --> 00:40:38,059 Group dances is what I do, so it was hard being bottom two. 497 00:40:38,659 --> 00:40:40,380 How are you feeling for Natalie right now? 498 00:40:40,840 --> 00:40:47,420 I feel so bad that she can't continue. That's, you know, I was off of an accident. 499 00:40:48,000 --> 00:40:49,260 That's really harsh, though. 500 00:40:50,199 --> 00:40:53,760 Why don't you join your fellow dancers? Come on back. 501 00:40:55,360 --> 00:41:01,659 What a blow to Natalie, but she is here to support everyone. 502 00:41:06,659 --> 00:41:08,159 Okay, how are you feeling? 503 00:41:08,159 --> 00:41:11,860 I'm really sad and disappointed that I won't be able to continue in this competition. 504 00:41:14,000 --> 00:41:17,460 But the most important thing is just to take care of my body so then I can dance again. 505 00:41:17,739 --> 00:41:19,880 Absolutely. You have to follow medical advice. 506 00:41:20,460 --> 00:41:25,400 I love all of you so, so, so much, and I'm going to miss you all. Thank you so much. 507 00:41:25,900 --> 00:41:28,239 Well done, Natalie. Well done. 508 00:41:33,940 --> 00:41:40,039 Eight dancers still remain, and they are all one step closer to that role of a lifetime. 509 00:41:40,300 --> 00:41:42,679 As a pro on Dancing with the Stars. 510 00:41:43,659 --> 00:41:47,579 Thank you, as always, to our fabulous judges, Shirley, Mark, and, of course, 511 00:41:47,940 --> 00:41:50,260 our guest judge, Britt Stewart. I'm Robert Irwin. 512 00:41:50,400 --> 00:41:55,800 Join us next week when our dancers face a fresh new challenge here on The Next Pro. Good night. 513 00:42:00,559 --> 00:42:02,440 Next time on The Next Pro. 514 00:42:02,639 --> 00:42:09,619 Jenna Johnson! This week's theme is chemistry. Girls, you're going to pick a guy. 515 00:42:11,280 --> 00:42:15,119 I am heady, so I'm probably going to twist the knife a few more times. 516 00:42:15,340 --> 00:42:18,039 I don't want to ruin our friendship. Whoa! I'm sorry. 517 00:42:18,219 --> 00:42:20,980 If I had a choice, you would have been my first pick. 518 00:42:23,409 --> 00:42:24,650 You're speechless! 519 00:42:25,550 --> 00:42:27,329 I'm not even sure I should be watching. 520 00:42:29,539 --> 00:42:30,619 I need to fan... 521 00:42:30,619 --> 00:42:30,699 You don't want to see me. Once it's a large, you take me, of course. You're not. 47009

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