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Previously on The Next Pride, it's Brandon Armstrong.
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I want you guys to tell a story from your life that is meaningful.
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When I was 15, I lost my mom.
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My story is about perseverance. How do you show it? Your eyes.
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I need to move. No. AJ, you had jive last week.
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You need to come here with some creativity. It will not wash in the United States.
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Nina, I would have liked you to have listened a little bit.
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Benji, today just kind of got away from you.
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Tonight was the last dance for Benji.
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Hey, guys. There they are. Say hi to our judges, Shirley and Mark Ballas.
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Lovely to see you, though. Nice to see you, too. Looking marvellous as always. Thank you.
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Dancers, you have been training together. You've been living together.
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But you've also been competing against each other.
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Just how tough has this experience been for you?
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It's had its moments.
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It's had its moments.
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Benji's gone, and it's because of the lack of communication that we had.
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I feel extremely guilty, and I don't want that to happen this week.
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Mark, what's a tip you would give him to make it as a pro?
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The key is to get the most out of your star that you have been partnered with.
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Sometimes you have to be selfless to look better as a couple.
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You'll shine more by showing off less.
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I want to see a dancer make it impossible to turn them down.
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I want to witness a star being born.
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Rounding out our judging panel is our guest judge.
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She has been a pro on Dancing with the Stars since 2020.
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And she is one of the show's most creative choreographers and remarkable performers.
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The incredible Britt Stewart.
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I am absolutely obsessed with Britt. She's my favorite pro. Wow.
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Involvement, it's hard to find black representation.
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So, it just makes this dream to be the next pro of Dancing with the Stars feel
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even more possible.
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Amazing!
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Thank you, Robert.
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Wow. Great. Well, before judging our dancers, you have set a challenge for them.
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One of the most popular elements of Dancing with the Stars are the times we dance as a group.
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For example, the massive opening numbers.
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Often, they include non-ballroom dance styles and really give the show spectacle and scale.
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It is such a vital part of becoming a pro.
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So, this week's challenge, Dancing as a Group.
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That's right.
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This week, your challenge is to recreate the very choreography that you just saw Britt do.
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You need to show us that you can work in perfect unison.
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Group work is tough because it can get messy very quickly.
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My focus was on competitive dancing, so group dancing is very new to me.
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It's time to shine as part of a collective. Good luck.
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Thank you.
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Thank you.
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This is going to be a big week for them.
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It's going to be amazing.
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I'm so excited.
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I would love to be doing a ballroom dance. But we're all together.
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Yes.
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Group. Stretch it out.
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Wow.
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How are we doing?
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Great. Fantastic.
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This is going to be a big week.
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Group numbers really give you an opportunity to step out of the norms of
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ballroom, to not be so traditional, play around, break the rules.
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I'm looking forward to seeing how each one of you take my choreography,
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pick it up quickly, and how you can come forward as individuals, but as a collective.
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Are you guys up for it?
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Absolutely.
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So spread out. I'm going to move very quickly. Okay? So let's hit it.
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We go one, two, three, four, five.
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Group performance is difficult because synchronicity is so important.
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You have to be together with the other dancers. One more time.
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You have to be aware of your space,
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so these dancers have a lot of work cut out for them this week. We go one, two.
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For traditional Latin and ballroom dancers,
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this group dance challenge could be a little bit more difficult.
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One, turn, two, prep. If you're unaware, it'll be messy, there will be collisions,
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and it will not come together.
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And one, two, three, four, five, six, seven, eight. Sorry. Four, five, six, seven, eight.
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One, two, three, four. Oh my God.
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I feel like I put an image that I can do whatever. I'm strong. I'm a powerful dancer.
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But it is hard because we have to work everything out with so many people in
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fast music with all the things, and I'm doubting myself.
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I'm huge on details and dynamics, right? So smooth into each other. One question.
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Is it a three-step turn or just a one turn?
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Yes. So one closed press. Thank you. I'm really, really excited to be able to do a group dance.
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And one, two. I love taking talented dancers and making this incredible number together.
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Learning very fast-paced choreography, it just makes me really excited to dance.
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Good job, dancers.
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Amazing first session together. So you can take this time to continue to practice,
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help each other, support each other. All right?
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Okay, guys.
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I excel in a group dance.
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It's what we do in the commercial world. Thumbs up. Spot. It's what I'm best at.
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So I feel like this is going to be my strong suit for sure.
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Five and six, seven and eight. One, two. The turn was on two. We're prepping on one.
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We're turning on two. We're stepping on three.
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I think it would look meaner, though, if we collect it to go here. No.
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So prep one, turn two, step three. Whatever you want.
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I was trying to be involved, and it just tend to get shut down a lot. Isn't it five into a flow?
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Five. Yes, but it's still like five, six, seven, eight. I think simplicity is key.
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Can we consider it like a body sway?
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You're going, like, really fast. There's no time to be like, okay, listen to me.
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Then we can dip it down just a little, little moment.
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We're hitting back corner, though, right? Yeah. Okay. What happened? No.
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Okay.
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I don't know if it's that she doesn't believe that I can do it, but she doesn't want to listen.
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You're too quiet. It's making me scared. I can't.
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Oh, no. I'm fine. Five, six, seven, eight.
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One, two. Keep that direction.
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But then what's happening in us?
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Three and four. Pomenade.
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I love dancing in a group. It's kind of what I'm used to.
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I wasn't a ballroom dancer when I started.
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I was on this underground hip-hop dance team.
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But Britt's choreography, it's probably the most challenging group number I've done.
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I generally have no idea what's going on. It's just a lot of moving parts.
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I'm, like, a little dumbfounded.
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Okay. Do you need help with your feet?
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I have no idea what I'm doing.
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Okay.
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Here's fine. Here's fine. There's a swivel.
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But then this, I have no idea what's after that.
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Okay. That's a telespin.
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Telespin?
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Telespin.
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And I'm seeing Tristan struggle with spacing and picking up the choreography quick enough.
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Land here. Right there. Yeah. You're going too far out. Got it.
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You actually have the easiest track. Yes.
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And I'm seeing Nina struggle with musicality and timing. They need to step it up.
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I keep screwing up the turn.
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Steph, you come forward to three, four. Yeah. So you just come straight forward. Okay.
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Okay. Group stuff is definitely something that I'm very comfortable with doing
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because I grew up a commercial dancer. I did Dancing with the Stars season 33. True.
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So I'm excited to show my powerful side and just how fast I can pick up choreography.
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I'm definitely in my element and I'm feeling really good.
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One, three, four, five, and six, seven, eight. Oh.
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Oh, you okay?
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Oh, no. You okay? What happened? I think she got hit in the face.
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I feel really dizzy.
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Can you just get some eyes straight away?
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Can you look at me really quick? She's not okay. It's like a black eye.
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I don't know what happened. The dance was moving so quickly and Natalie got hit in the face.
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Was it with the nail or with the hair? No, I'm just just...
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Oh, my hands are getting really tingly. I just hate being the one that caused that.
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Like, I just feel horrible. I know she's worked really hard to be here and I hope she's okay.
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It hurts really bad. Yeah, we're going to go get you checked down, all right?
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Sorry, I just care. Paramedics up here.
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I can't breathe. I can't breathe. I can't breathe. Just try and slow your breathing down.
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They're going to give you some pain relief, okay? I'm really feeling for Natalie.
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She is part of this group challenge. This incident really showcases why dancing as a unit,
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being aware of your space, is so important when you're doing group dance work.
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Eight. If these dancers want to be a pro on Dancing with the Stars,
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group numbers are so important. So this week, the challenge is to create my group choreography.
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These dancers don't know it yet, but I have a surprise for them. How do you feel?
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You're worried.
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Everything within this group dance challenge is difficult. Just all the little steps.
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I'm a showman. I like to stand out, feel special,
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but I have to keep myself in line so I'm not distracting from the group.
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One, two, three, four, five, six, seven, eight.
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Okay, one more time for Nina this beginning.
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There's a lot. There's a lot of content in the routine. Sorry, guys.
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Ever since getting those comments from week one,
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timing is definitely something I've been working really hard on.
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It's a lot of pressure, and I don't want to let anybody down, including myself.
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Dancers, I have a surprise for you. It's time to perform.
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You have had three hours to learn the choreography,
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and that is the same time pros on Dancing with the Stars have to learn opening
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numbers and be camera ready.
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I am very excited to see you perform, so please help me welcome my fellow judges.
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Oh, my God. You have Shirley and Mark coming into the door.
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I've never learned a dance, especially a group dance, this quick before.
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Now the pressure's really on.
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I don't know what's going on.
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This is the most stressful day for me, not just because of the judges,
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but because I don't want to disappoint myself, and I know I'm not 100% ready. I'm scared.
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I'm scared. Shirley and Mark. Natalie, unfortunately, was injured.
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Still awaiting updates, but she's okay.
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Yeah.
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Okay, dancers. We would like you to show us exactly what you've got,
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and I only hope it's spectacular. Just come to me five, six, seven anywhere from me.
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You got this, guys. Come on. I feel like people are not ready to be judged, let's say.
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Just a tad bit more.
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A tad bit more. Knowing the judge is there, I think somebody's going to go home now,
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so I have to pull it out of the bag.
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Hey, Shirley, in your opinion, who was the weakest dancer in this group challenge?
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Well, first of all, as a group, I just want to say it was pretty difficult,
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but there was one person that was ahead by a whole bar of music in the
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telespins, and that person is Tristan. Mark?
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For me, again, it was rushing music,
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slightly ahead, not fully being spatially aware of your partner.
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Unfortunately, it's going to be Nina.
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Tristan and Nina, you're not on the chopping block just yet.
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There will be a second challenge to prove what you have for the judges.
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It feels like a blessing to be given another chance.
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All I can do is listen to the judges' critiques, keep it going.
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Yeah, all good, all good. Let it out.
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Let it out.
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Let it out. Come on, guys.
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I'm so upset. I just thought I had a handle on it, and I didn't.
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Hey, I'm right there with you. I'm right there with you.
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Bro, you're not going anywhere, okay? That's what matters, okay?
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I feel like I let myself down, and I've always had my own back, so it was pretty upsetting.
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You got another opportunity tomorrow.
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We do this because we love it. Yeah. Yeah?
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So let's just keep it moving, bro, okay?
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I'd like to rumble with you.
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I mean, Brice is
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beautiful, honestly.
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Oh, okay. You like her?
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I mean, yeah. You think she's hot? I caught myself getting lost.
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I forgot what she was saying half the time.
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Dang.
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She's so warm, too.
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I think today was the hardest day for me, for sure.
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I just feel like that rehearsal went rough.
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For me, I came into this challenge excited that I have experience picking up
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choreo in one hour and then performing it on stage. Yeah.
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And in rehearsals, it was a little, like, clash, clash, because I feel like Mina.
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I figured it was me. You don't have respect for me.
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I got to a point in rehearsal where I just was like, I just have to give up,
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because I couldn't just keep doing a back and forth.
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I'm so sorry that you felt that way. I genuinely was just trying to understand,
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because I'm not used to working so quickly.
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I was just trying to have a conversation.
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So it felt less like you were trying to understand.
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You were trying to kind of take over rehearsal.
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Really? Okay. If I can be completely honest and just, like, speak my truth,
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any moments that I felt that I did talk,
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I also did feel like I ended up pulling back.
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So it's really, it's ironic to me to hear that. Again, I don't know how to work it out.
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I'm trying to be as sensitive and as careful as possible, but it is group work this week.
229
00:18:23,420 --> 00:18:26,559
If I have to bite the bullet, then that's what it's going to have to be,
230
00:18:26,579 --> 00:18:30,400
because you have to push past the uncomfortable feelings, and we have to work together.
231
00:18:30,400 --> 00:18:34,119
That's just my outlook on it, but yeah. Like, I don't even know what to say.
232
00:18:49,529 --> 00:18:52,250
For the high five. Hands out, hands out. Come on, come on.
233
00:18:52,930 --> 00:18:53,329
Yeah!
234
00:18:58,549 --> 00:19:04,869
How are we feeling? Everybody doing okay? We're feeling good. Of course, Natalie isn't here.
235
00:19:05,089 --> 00:19:10,150
She's under medical supervision. She's doing okay, and we'll keep you posted on her condition.
236
00:19:10,329 --> 00:19:16,930
But for now, the show must go on. Yesterday was, of course, your group performance,
237
00:19:17,069 --> 00:19:22,990
and today you will be performing team dances. That is your second challenge.
238
00:19:23,670 --> 00:19:28,170
Form two teams and create an amazing team dance.
239
00:19:28,690 --> 00:19:29,029
Yes.
240
00:19:30,029 --> 00:19:33,890
Nina and Tristan, the judges singled you out in the group dance.
241
00:19:34,069 --> 00:19:38,759
Now you have a chance to redeem yourselves as team captains.
242
00:19:39,569 --> 00:19:40,029
Wow!
243
00:19:40,450 --> 00:19:47,309
Bottom two to Top Dog. It feels like I'm being rewarded for doing something wrong.
244
00:19:47,509 --> 00:19:50,529
You need to make these dances pop for the audience at home.
245
00:19:51,309 --> 00:19:54,390
Team dances are a Dancing with the Stars classic.
246
00:19:54,890 --> 00:20:00,130
Your routines should have clever choreography. The partnerships should be creative.
247
00:20:00,470 --> 00:20:03,130
You need to be in sync and dynamic.
248
00:20:03,390 --> 00:20:06,890
Just because you're the team captain does not mean that you have to lead.
249
00:20:07,009 --> 00:20:10,250
Be smart about who's on your team and play on everyone's strengths.
250
00:20:10,250 --> 00:20:15,289
Nina and Tristan, taking it in turns,
251
00:20:15,609 --> 00:20:17,410
you will pick your team members.
252
00:20:18,390 --> 00:20:22,710
Let's go. Being team captain after feeling helpless there before,
253
00:20:23,190 --> 00:20:24,990
I kind of felt like I got to take my power back a little bit.
254
00:20:25,490 --> 00:20:27,049
Nina, you got the first pick.
255
00:20:27,329 --> 00:20:32,809
All right. I have to go with my brother from another mother, Alan. Open over. Good start.
256
00:20:33,089 --> 00:20:34,269
Good start. Good start.
257
00:20:34,730 --> 00:20:35,490
Oh, no.
258
00:20:36,269 --> 00:20:37,170
Stephanie, come here, boo.
259
00:20:37,569 --> 00:20:39,769
Yes. And you have? Yeah.
260
00:20:40,650 --> 00:20:43,509
I'm actually very strategic. AJ, the next few picks.
261
00:20:43,970 --> 00:20:44,430
AJ.
262
00:20:45,910 --> 00:20:46,410
Yeah.
263
00:20:46,970 --> 00:20:47,690
One new team.
264
00:20:49,390 --> 00:20:50,569
Nobody wants us.
265
00:20:51,930 --> 00:20:52,430
Selena.
266
00:20:57,200 --> 00:21:02,680
We're so bad. No, I wasn't. Eric, you know I love you.
267
00:21:03,740 --> 00:21:06,420
But we got to take that Rolls Royce for a spin. Let's go.
268
00:21:06,680 --> 00:21:10,109
Let's go.
269
00:21:12,930 --> 00:21:13,670
Hey, y'all.
270
00:21:13,829 --> 00:21:19,529
We have our teams. Let's see what dance style you got. Pass the towel blade.
271
00:21:20,630 --> 00:21:22,970
Tango. I'm ecstatic.
272
00:21:23,230 --> 00:21:27,130
As a ballroom champion, the tango is my wheelhouse. I feel so at home.
273
00:21:27,329 --> 00:21:33,009
Very happy. Let's go. Teams, you have very little time for rehearsal.
274
00:21:33,230 --> 00:21:37,049
It is crucial that you work together. Absolutely. Let's do it.
275
00:21:41,440 --> 00:21:41,480
Up.
276
00:21:42,299 --> 00:21:42,960
Team tango.
277
00:21:43,140 --> 00:21:45,660
One, two, three. Tell me our hair's down for this.
278
00:21:46,119 --> 00:21:49,920
Are we setting up on the shoulder,
279
00:21:50,099 --> 00:21:52,119
and then we're waiting for the music to start, so we're going to be sitting here?
280
00:21:52,819 --> 00:21:55,859
Seven, eight, one, two, three. Something like that.
281
00:21:55,980 --> 00:21:56,400
That's cool.
282
00:21:56,519 --> 00:21:57,240
Yeah. Do you like it?
283
00:21:57,440 --> 00:22:01,839
Yeah. I feel like we don't have to do the same thing. It can be like trading off.
284
00:22:01,920 --> 00:22:03,660
You do something. We do something.
285
00:22:03,920 --> 00:22:05,339
It's just hard because it is fast four beats.
286
00:22:05,799 --> 00:22:10,359
The dynamic that I've built with this team is I have a sprinkle of everything.
287
00:22:10,660 --> 00:22:13,720
Everyone has lots of ideas. They're all bouncing off each other really well.
288
00:22:13,980 --> 00:22:16,160
Would you want to do like maybe a slow clarina kick?
289
00:22:16,750 --> 00:22:18,029
You're going to have to tell me what that is.
290
00:22:18,049 --> 00:22:22,190
Give it like a. I like that you could do the up and I could do the down.
291
00:22:22,630 --> 00:22:26,470
So I'm thinking the best way for me to handle this as a leader is to step back
292
00:22:26,470 --> 00:22:27,950
and let them form their ideas.
293
00:22:28,250 --> 00:22:31,490
I already know Mark's going to say he's going to want boom, boom, boom.
294
00:22:31,690 --> 00:22:33,769
It should be more hard hitting. Okay.
295
00:22:33,890 --> 00:22:39,869
Let's do that. Do it. Yeah, I can't do that. That's sick though.
296
00:22:40,069 --> 00:22:44,769
I'm the only one who's not a commercial dancer on our team. How are we trying to catch it?
297
00:22:45,440 --> 00:22:47,619
Even here. And then maybe you can bring us up.
298
00:22:47,720 --> 00:22:51,000
Which I'm happy about because it allows me to clean up things.
299
00:22:51,220 --> 00:22:58,039
I like how you went around me from this like this and like, you know, like really like tease it.
300
00:22:58,160 --> 00:23:00,000
I believe really is going to help us.
301
00:23:00,160 --> 00:23:03,700
Not even necessary at the moment because we'll have so many more opportunities
302
00:23:03,700 --> 00:23:08,369
to do the transitions. For me, it's always about creating the rotation through the choreography.
303
00:23:08,369 --> 00:23:12,369
So we transfer around that floor. We don't want to pull back anywhere. We want to extend.
304
00:23:12,369 --> 00:23:14,490
I'm ecstatic to have the team that I have.
305
00:23:14,490 --> 00:23:19,369
I picked them for a reason. But the judges said maybe sometimes you need to let go of the reins.
306
00:23:19,369 --> 00:23:23,970
So as team captain, I passed on a huge responsibility role to AJ.
307
00:23:24,170 --> 00:23:26,430
Say we're lifting you and you as us.
308
00:23:26,470 --> 00:23:31,069
Maybe go like underneath. I've been put on the chopping block already more than one time.
309
00:23:31,539 --> 00:23:33,220
Hopefully, it's not the thing that sends me home.
310
00:23:33,539 --> 00:23:36,700
Say you're just taking your armpits, sorry. To actually put this routine together.
311
00:23:37,019 --> 00:23:38,160
Nobody else is better than me.
312
00:23:38,299 --> 00:23:39,019
Boom. Yeah.
313
00:23:39,319 --> 00:23:43,799
This is tango. I've done this a million times on Strictly Come Dancing. This is my wheelhouse.
314
00:23:43,920 --> 00:23:50,019
Smack. Oh, okay. Into a circle before going into the Argentinian gauchos, et cetera.
315
00:23:50,400 --> 00:23:52,460
Oh, that's cool. I like it.
316
00:23:52,599 --> 00:23:54,759
You see? There's method in my madness.
317
00:23:57,170 --> 00:23:59,130
One, two, and three, and... Oh, f***.
318
00:23:59,589 --> 00:24:02,289
Okay, one more time, sorry. And then we need to do something else.
319
00:24:02,509 --> 00:24:04,130
Yeah. I don't know where we're at.
320
00:24:04,150 --> 00:24:05,809
Here. I was lost a long time ago.
321
00:24:05,829 --> 00:24:06,150
Oh, you're over here.
322
00:24:06,430 --> 00:24:07,529
You're dancing with Selena.
323
00:24:07,750 --> 00:24:10,890
When I did Troup, everybody in the room was like professional top level,
324
00:24:10,890 --> 00:24:13,309
and they were very used to having to choreograph under pressure.
325
00:24:13,609 --> 00:24:15,309
And I think this group specifically,
326
00:24:15,309 --> 00:24:18,509
it was just kind of overwhelming because some people weren't used to it,
327
00:24:18,630 --> 00:24:21,569
and like our ideas just weren't clicking. Are you okay?
328
00:24:22,289 --> 00:24:24,210
I'm very confused, but it's fine.
329
00:24:24,549 --> 00:24:27,250
My thought process is let y'all finish this, and I'll catch up.
330
00:24:27,470 --> 00:24:31,549
Okay. Tristan was chosen as the captain role.
331
00:24:31,549 --> 00:24:34,849
And I feel like as a team captain, you want to build people up,
332
00:24:35,150 --> 00:24:39,329
but I feel like he's at a point in rehearsal now where he's just shut down.
333
00:24:39,490 --> 00:24:42,269
Feel free to speak up. Like, I know it is a time crunch,
334
00:24:42,430 --> 00:24:46,470
but it's better if we're all have a cohesive idea of what's happening than you
335
00:24:46,470 --> 00:24:48,349
feeling like it's just three of us and then you.
336
00:24:48,769 --> 00:24:51,920
Yeah. I just don't know how to like contribute.
337
00:24:52,160 --> 00:24:54,460
Giving any two cents in is what we need right now,
338
00:24:54,619 --> 00:24:56,279
because we're all under a bunch of stress.
339
00:24:56,440 --> 00:24:59,319
And at the end of the day, you're the one who gets to make the ending decision
340
00:24:59,319 --> 00:25:03,200
and be like, actually, I don't like that. You're a team captain. That's your role.
341
00:25:03,900 --> 00:25:08,200
I know it's a team challenge, but at the end of the day, I have to look out for myself.
342
00:25:09,589 --> 00:25:15,509
Slowly from five. Five, six, seven, eight, one, two. No, no, no, no, no, no.
343
00:25:15,569 --> 00:25:16,309
What did I do? What did I do?
344
00:25:16,730 --> 00:25:21,470
The team that Nina picked is perfect for her. Now do that game without...
345
00:25:21,470 --> 00:25:25,549
Right now, the dynamic in the group is AJ is the brains of the operation.
346
00:25:25,990 --> 00:25:30,369
It's very clear to me that I have to step back just a little bit and become a
347
00:25:30,369 --> 00:25:32,470
team player in this specific equation,
348
00:25:32,470 --> 00:25:36,930
because I want to make sure that she stays safe and stays in the competition. What's the time?
349
00:25:37,029 --> 00:25:39,609
Five, four. Three, four. And you step forward and you prepare on what count?
350
00:25:39,730 --> 00:25:40,450
Five and six.
351
00:25:40,549 --> 00:25:42,490
Beautiful. We do that slowly. Great.
352
00:25:43,589 --> 00:25:45,730
When you get called out for not listening,
353
00:25:45,750 --> 00:25:49,730
you have to be able to take a step back and letting AJ take the lead.
354
00:25:49,930 --> 00:25:51,730
I feel like I'm on the right track. Heel off the floor.
355
00:25:51,829 --> 00:25:52,289
Heel off the floor.
356
00:25:52,609 --> 00:25:54,609
Because I don't want to be the one to go home.
357
00:25:54,829 --> 00:26:01,799
Oh, down. Hit. No. Nope. I will come down to you. I will bring you up.
358
00:26:02,019 --> 00:26:06,579
Nina is the team leader, but I'm happy to take all the risk for this routine.
359
00:26:06,880 --> 00:26:10,279
This can be my week to showcase what I can do,
360
00:26:10,339 --> 00:26:14,460
because it could be my head on the chopping board. So you turn around, you're on one.
361
00:26:14,460 --> 00:26:16,099
Ten, two, three.
362
00:26:16,240 --> 00:26:27,599
I feel like a million
363
00:26:27,599 --> 00:26:30,400
bucks. How lucky are we to be able to do this?
364
00:26:32,279 --> 00:26:35,440
I'm excited to see what they're going to do today. I'm so excited.
365
00:26:36,119 --> 00:26:42,680
Welcome back to The Next Pro. We have seen our dancers perform an incredible group number,
366
00:26:42,859 --> 00:26:50,599
but it's time to see what they have created for the judges. Dancers, Natalie is not here.
367
00:26:51,099 --> 00:26:57,349
We'll explain her absence a little later on. It is now time for your team dancers.
368
00:26:57,849 --> 00:27:03,150
This is the second challenge to see your ability to work together as a team. All right.
369
00:27:03,289 --> 00:27:10,569
First up, it's Team Paso Doble. Everybody, how did we find rehearsals?
370
00:27:10,990 --> 00:27:16,230
Rehearsals were challenging, but in the best way.
371
00:27:16,650 --> 00:27:20,329
Well, I'd like to know who took the lead on the choreography and the timing, please.
372
00:27:20,970 --> 00:27:26,670
I will. It's a combination, yeah. I feel like we worked as a team together. Yeah.
373
00:27:26,670 --> 00:27:28,470
Okay, it's time.
374
00:27:28,650 --> 00:27:30,329
Let's do it, guys. Let's go.
375
00:27:30,750 --> 00:27:34,029
Team Paso Doble. Are we doing it now? Yeah. Oh, shoot.
376
00:27:34,950 --> 00:27:35,650
Stressful change.
377
00:27:36,089 --> 00:27:37,430
Stressful change. I'm stressed for them.
378
00:27:37,430 --> 00:27:43,599
I feel like really all I can do now is just show myself as a dancer and show
379
00:27:43,599 --> 00:27:45,740
the judges what I can do with what I was given.
380
00:27:47,000 --> 00:27:52,799
I'm feeling nervous. I want to do my best. I don't want to let my team down. Thank
381
00:29:58,009 --> 00:29:58,230
you.
382
00:30:01,259 --> 00:30:04,319
Beginning was dynamic. It was powerful.
383
00:30:04,720 --> 00:30:10,380
The guys' cape work, good, and the girls coming forward, so strong. Really good job.
384
00:30:10,599 --> 00:30:14,539
However, I felt like you were out there as individuals.
385
00:30:14,859 --> 00:30:19,220
You didn't necessarily find that connection within each other, which is so important.
386
00:30:19,740 --> 00:30:24,140
Tristan, you had a really tough time during the group dance,
387
00:30:24,140 --> 00:30:29,720
and I was hoping that you would really step it up. Unfortunately, you looked a bit lost.
388
00:30:29,720 --> 00:30:33,460
Selena, I love watching you, but today,
389
00:30:33,619 --> 00:30:37,359
I just felt like your spatial awareness was lacking.
390
00:30:37,720 --> 00:30:40,220
I could see Stephanie really locking in with you,
391
00:30:40,339 --> 00:30:44,019
and you kind of not seeing her at times, so therefore, cues were off.
392
00:30:44,480 --> 00:30:49,819
There was a directness missing a little bit, and peripheral vision. Knee walks were off.
393
00:30:49,980 --> 00:30:54,240
The back kick was off. I did find, Stephanie, that you were very, very aware.
394
00:30:54,420 --> 00:30:59,079
I can tell you've been in groups before, and Eric the same. Your peripheral was not bad at all.
395
00:30:59,140 --> 00:31:02,019
Thank you. So you said that you all had a part to play in this.
396
00:31:02,500 --> 00:31:07,460
Sometimes it's better to have one person directing and one person cleaning,
397
00:31:07,460 --> 00:31:13,119
because when you look back at this, you're going to see quite a lot of arms off, overturned.
398
00:31:13,579 --> 00:31:17,759
Let me ask all of you guys, was this hard? Yeah. Yes. It was hard.
399
00:31:18,519 --> 00:31:22,500
Now, I want you to imagine what it would be like with a celebrity.
400
00:31:23,079 --> 00:31:26,420
All of you would have a different celebrity, and they'd all be at different levels.
401
00:31:27,140 --> 00:31:28,359
But overall, it was fun.
402
00:31:28,480 --> 00:31:30,180
Thank you, guys. Good job.
403
00:31:30,380 --> 00:31:33,319
Good. I loved how it opened.
404
00:31:33,720 --> 00:31:35,019
I was like locked down.
405
00:31:35,200 --> 00:31:38,140
It was strong, and then it just kind of fell apart.
406
00:31:38,400 --> 00:31:42,160
I think because they over-try, it no longer becomes teamwork. Yeah.
407
00:31:42,420 --> 00:31:45,779
So it's finding that happy medium. I'm excited to see the other group.
408
00:31:52,880 --> 00:31:54,500
Welcome back to the next pro.
409
00:31:55,019 --> 00:32:00,460
We are midway through the team dancers, and the stakes are sky high.
410
00:32:00,980 --> 00:32:06,460
Next, it is time for Team Tango. Team, how did rehearsals go for you?
411
00:32:06,460 --> 00:32:10,480
It was such a breath of fresh air to work with these amazing individuals.
412
00:32:10,740 --> 00:32:14,099
All egos were checked at the door. I couldn't be happier with my team, honestly.
413
00:32:14,900 --> 00:32:19,039
I'd like to know who was assigned the cleaning of this routine.
414
00:32:19,220 --> 00:32:23,299
We decided to let AJ take the lead on the cleanliness and everything like that.
415
00:32:23,400 --> 00:32:26,720
And the choreographer? Everybody combined effort.
416
00:32:27,019 --> 00:32:30,140
AJ gave us bits and pieces, and then we kind of made all the puzzle pieces fit.
417
00:32:30,420 --> 00:32:33,140
Very positively delivered. Well done.
418
00:32:33,619 --> 00:32:34,500
Let's do it, guys.
419
00:32:35,940 --> 00:32:39,200
Let's go, guys. The thing with AJ, it will always be in time.
420
00:32:39,380 --> 00:32:42,579
Well, it's good to see him do ballroom, isn't it? I've seen him do two jives now.
421
00:32:43,079 --> 00:32:44,759
I'm anxious to see something else.
422
00:32:45,380 --> 00:32:47,519
I am nervous going into the performance,
423
00:32:47,720 --> 00:32:52,279
but I hope that letting AJ take the reins today helps me perform to the best of
424
00:32:52,279 --> 00:32:54,180
my ability and not be in the bottom two.
425
00:32:54,700 --> 00:32:57,200
It's smart of Nina as a team captain to allow that,
426
00:32:57,319 --> 00:33:00,920
because in a couple of challenges ago, she got in trouble for steamrolling, so I like that.
427
00:33:01,039 --> 00:33:01,279
Okay.
428
00:33:52,789 --> 00:33:53,609
I like
429
00:34:59,619 --> 00:35:04,340
that shape at the end. She keeps going until the lights come on. I love it.
430
00:35:04,639 --> 00:35:05,360
I completely fell.
431
00:35:05,659 --> 00:35:06,139
It doesn't matter.
432
00:35:06,239 --> 00:35:07,619
I just tripped over my feet. I know, I know, I know.
433
00:35:08,119 --> 00:35:09,400
It's okay, breathe, breathe, breathe, breathe.
434
00:35:09,679 --> 00:35:11,280
He's really beating himself up over that.
435
00:35:11,420 --> 00:35:12,119
Yeah. This sucks.
436
00:35:12,460 --> 00:35:13,599
What are the judges going to say?
437
00:35:20,369 --> 00:35:27,179
Alan, you fell. There's a lot going on, and sometimes we fall over.
438
00:35:27,420 --> 00:35:32,099
You got up quick, didn't even notice. We've all fallen over. It's fine.
439
00:35:33,159 --> 00:35:36,519
The funny thing is, is when I fell over, I was trying to get back up quick,
440
00:35:36,699 --> 00:35:40,960
and I was kept falling over. I was like, this is not happening right now.
441
00:35:40,960 --> 00:35:41,119
You did.
442
00:35:41,380 --> 00:35:41,980
You got up great.
443
00:35:42,119 --> 00:35:48,739
You carried on. It was really well saved. Nina. Yes. So much improvement today. Thank you.
444
00:35:48,960 --> 00:35:55,179
You're the team captain. You made the right choice in letting some delegation happen over here.
445
00:35:55,579 --> 00:36:00,980
You work together as a team. Something that I want you to continuously work on,
446
00:36:01,099 --> 00:36:03,420
because you did improve on it today, is just a little bit of the timing.
447
00:36:03,420 --> 00:36:08,980
You guys did the swivels side by side. They were completely locked in. Super minor today.
448
00:36:09,340 --> 00:36:09,840
Thank you.
449
00:36:10,159 --> 00:36:12,440
I have got a concern or two about the timing,
450
00:36:12,440 --> 00:36:16,579
and when you went into the swivels, you were in the safe hands of AJ.
451
00:36:16,880 --> 00:36:21,679
I'll be very curious to see you when you have to choreograph for a celebrity.
452
00:36:21,760 --> 00:36:26,219
I do want to argue a little bit, because yeah, she had a great lead from AJ,
453
00:36:26,460 --> 00:36:28,760
but he's not physically picking her feet up off the floor.
454
00:36:29,539 --> 00:36:31,980
I'm going to say it again. No, no, no, no, Mark.
455
00:36:31,980 --> 00:36:36,679
No, when they did those swivels side by side, those feet were like this.
456
00:36:36,880 --> 00:36:40,860
It was not a criticism. It was an observation. And that was my observation.
457
00:36:40,980 --> 00:36:43,420
Yes, well, I'm just saying. It looked like they moved at the same time. I'm just saying.
458
00:36:43,719 --> 00:36:44,300
I'm just saying.
459
00:36:45,179 --> 00:36:45,920
Family love.
460
00:36:47,920 --> 00:36:53,119
Adele, you are a phenomenal lady dancer. You have a great musical ear.
461
00:36:53,300 --> 00:36:57,880
You can follow when you need to follow, and you can assert when you need to assert.
462
00:36:58,179 --> 00:37:03,460
But the starter day for me was AJ. In the first two weeks, you were a little bit self-absorbed.
463
00:37:03,579 --> 00:37:09,039
It is not about you. It is about being very connected to your teammates.
464
00:37:09,500 --> 00:37:12,739
And today, you were humble. You had humility.
465
00:37:12,980 --> 00:37:16,619
You worked as a team, and you brought yourself down at PEGA, too.
466
00:37:17,699 --> 00:37:23,179
I am so impressed with what I just saw, because you pushed the boundaries.
467
00:37:23,840 --> 00:37:30,719
And I know that, as traditional dancers, that was out of your comfort zone. Good job. Welcome.
468
00:37:31,780 --> 00:37:35,840
Thank you, guys. Thank you. Good job, guys. Guys.
469
00:37:36,579 --> 00:37:44,000
Do a show with your mom, they said. It'll be fun, they said. It's just the delivery.
470
00:37:44,219 --> 00:37:44,639
It's just like.
471
00:37:57,869 --> 00:38:02,989
Welcome back to the next pro. We've seen Team Paso and Team Tango dance,
472
00:38:03,170 --> 00:38:07,289
but now it's time to find out what the judge's decision is.
473
00:38:08,190 --> 00:38:11,730
Britt, you have been their mentor through this process.
474
00:38:11,730 --> 00:38:15,789
I am just wishing you all of the best on this journey.
475
00:38:16,130 --> 00:38:16,789
Good luck.
476
00:38:17,210 --> 00:38:23,889
Thank you. Shirley, which team dance impressed you the most, making them safe from elimination?
477
00:38:25,119 --> 00:38:28,960
The team that impressed us the most, due to their synchronicity,
478
00:38:29,500 --> 00:38:34,820
their working together, is Team Tango.
479
00:38:35,139 --> 00:38:35,579
Thank you.
480
00:38:40,829 --> 00:38:48,489
Well done, Team Tango. Good job. That means you are safe from elimination. Thank you. Thank you.
481
00:38:48,829 --> 00:38:52,809
Judges, after seeing both the group dance and team dancers,
482
00:38:53,130 --> 00:38:56,789
which two dancers didn't quite hit the mark?
483
00:39:02,269 --> 00:39:07,309
The first dancer in Jeopardy is a fantastic solo dancer,
484
00:39:07,309 --> 00:39:13,150
but inside the group didn't actually have the peripheral awareness.
485
00:39:14,469 --> 00:39:18,449
So the first person for me in Jeopardy is
486
00:39:24,719 --> 00:39:25,340
Selena.
487
00:39:30,920 --> 00:39:33,940
The second dancer in Jeopardy actually started really strong,
488
00:39:33,960 --> 00:39:37,500
but throughout the dance, lost confidence and lost a little bit of steam.
489
00:39:37,500 --> 00:39:43,440
So the dancer that is in Jeopardy is Tristan.
490
00:39:53,619 --> 00:39:56,320
Shirley, who is going home tonight.
491
00:39:57,579 --> 00:40:05,989
Tonight was the last dance for neither of you.
492
00:40:09,599 --> 00:40:14,800
Following Natalie's injury, she was not medically cleared to compete,
493
00:40:15,119 --> 00:40:19,599
and so she has been eliminated. Oh my god.
494
00:40:20,679 --> 00:40:25,420
This means you will all live to dance another day.
495
00:40:31,179 --> 00:40:31,559
How you doing?
496
00:40:33,960 --> 00:40:38,059
Group dances is what I do, so it was hard being bottom two.
497
00:40:38,659 --> 00:40:40,380
How are you feeling for Natalie right now?
498
00:40:40,840 --> 00:40:47,420
I feel so bad that she can't continue. That's, you know, I was off of an accident.
499
00:40:48,000 --> 00:40:49,260
That's really harsh, though.
500
00:40:50,199 --> 00:40:53,760
Why don't you join your fellow dancers? Come on back.
501
00:40:55,360 --> 00:41:01,659
What a blow to Natalie, but she is here to support everyone.
502
00:41:06,659 --> 00:41:08,159
Okay, how are you feeling?
503
00:41:08,159 --> 00:41:11,860
I'm really sad and disappointed that I won't be able to continue in this competition.
504
00:41:14,000 --> 00:41:17,460
But the most important thing is just to take care of my body so then I can dance again.
505
00:41:17,739 --> 00:41:19,880
Absolutely. You have to follow medical advice.
506
00:41:20,460 --> 00:41:25,400
I love all of you so, so, so much, and I'm going to miss you all. Thank you so much.
507
00:41:25,900 --> 00:41:28,239
Well done, Natalie. Well done.
508
00:41:33,940 --> 00:41:40,039
Eight dancers still remain, and they are all one step closer to that role of a lifetime.
509
00:41:40,300 --> 00:41:42,679
As a pro on Dancing with the Stars.
510
00:41:43,659 --> 00:41:47,579
Thank you, as always, to our fabulous judges, Shirley, Mark, and, of course,
511
00:41:47,940 --> 00:41:50,260
our guest judge, Britt Stewart. I'm Robert Irwin.
512
00:41:50,400 --> 00:41:55,800
Join us next week when our dancers face a fresh new challenge here on The Next Pro. Good night.
513
00:42:00,559 --> 00:42:02,440
Next time on The Next Pro.
514
00:42:02,639 --> 00:42:09,619
Jenna Johnson! This week's theme is chemistry. Girls, you're going to pick a guy.
515
00:42:11,280 --> 00:42:15,119
I am heady, so I'm probably going to twist the knife a few more times.
516
00:42:15,340 --> 00:42:18,039
I don't want to ruin our friendship. Whoa! I'm sorry.
517
00:42:18,219 --> 00:42:20,980
If I had a choice, you would have been my first pick.
518
00:42:23,409 --> 00:42:24,650
You're speechless!
519
00:42:25,550 --> 00:42:27,329
I'm not even sure I should be watching.
520
00:42:29,539 --> 00:42:30,619
I need to fan...
521
00:42:30,619 --> 00:42:30,699
You don't want to see me. Once it's a large, you take me, of course. You're not.
47009
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