All language subtitles for The.Magnificent.Mendez.2026.720p.WEBRip.x264.AAC-[YTS.GG - YTS.BZ]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (SoranĆ®)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal) Download
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American) Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu

Original subtitles

(OPENING LOGOS)

Downloaded from YTS.BZ

Official YIFY movies site: YTS.BZ

MENDEZ- You can do it.

I don't know.

I don't know.

Mendez, I don't know anything about storytelling.

Or much less how to put a movie together.

I'm just an actor, man.

You know, one who hasn't worked in over ten years.

I mean, let's face it, I'm a has-been.

And I have been for a long time.

Look,

I've been thinking about your offer, okay?

And I came here out of gratitude, man.

But...Really, I gotta...

I got to turn it down.

I came here out of respect for you guys.

You know, but I've already discussed it.

I've already made a decision.

I've discussed it with my girlfriend, and...

And I've made a decision, and I'm sorry.

Cesar, Cesar...bear with me a second?

I don't want you to waste your breath, okay?

Because there's nothing you're going to say

that's going to make me change my mind. I've already come to a decision.

Let me tell you a story.

Imagine that you're sitting here five minutes ago

In Rey's office,

five minutes ago, waiting for us to get here and tell you

that you don't know a thing about storytelling or the movies,

And then...

A man peeks inside.

You don't notice him at first.

You were up all night,

torn up about potentially hanging up the gloves.

Maybe had one too many

Bottles of rum?

And he comes in

with a briefcase.

And he sets it down on Rey’s desk,

and carefully, slowly

opens it.

And then...

Pulls out $100 bill.

Puts it down, and he notices you're awake.

He says,

ā€œMr. Arnaz,

the 100 is for you.

And so’s that.ā€

And then

tears

form in his eyes.

He just,

wipes his tears,

glances at you one more time,

And walks out.

All right.

What's the 100 for?

What's in the fucking briefcase

and why the tears?

Ophelia, you wanna tell him?

The 100’s for dinner and a movie

for you and your girlfriend.

And what's in the briefcase, you ask?

The script

for your next film.

Angel in a Red Dress, starring and directed by

none other than the legend himself, Cesar fucking Arnaz.

And the tears?

The tears were tears of joy

because you have decided to do it.

You. You motherfucker, you.

Give this man a raise.

A raise? I have given him many raises.

He'll just invest it right back into another movie.

Well, that's why they call him a The Magnificent Mendez,

Like Medici el Magnifico.

All right.

I'm in.

I'm in.

Just,

bring the contract over tomorrow, and,

I'll sign it over lunch.

And, you know, we can discuss the rest of the details.

This guy.

Why? Guys,

I already made the offer to Mark Gallagher.

I thought we talked about this.

We did.

And the answer is no.

No to an influencer.

This influencer has already directed a movie.

Unlike that has-been.

Don't you disrespect him, Iggy. Okay?

What that guy has done for our industry,

for our people in our industry, we could never repay him.

You were just in the presence of a true legend. IGGY-A legend.

100%. I'm not denying that.

Okay?

May people put respect on his name in film history class.

But let's be real here.

Nobody Ophelia's age knows who the fuck he is, okay?

His name won't sell movies.

Not like Mark, who could put out a video of himself taking a shit,

and before the turd even touches the water, he has 100 million views. Oh,

Ill!

I've seen all of Cesar's movies.

Right, I'm not talking about you.

You grew up in this business.

I'm talking about the average kid here.

You know what the average kid does for entertainment?

They're scrolling through their phones, through their tablets.

They’re not watching

TV, and I guarantee you they're not going to the movies anymore.

Social media is the new frontier when it comes to storytelling.

Rey, you want to talk about film history?

What happened when talkies came into the picture?

We had these hard headed fools like you're shaping up to be,

I'm sorry to say, refusing to adapt.

All due respect, what happened?

They got left behind.

Just like when color film came out and digital burst onto the scene.

You were quick to fold on that one. MENDEZ-Iggy, that

that just doesn't count, man.

All right?

We still make moving pictures for the big screen.

A communal experience, a religious experience...

Who cares about the big screen? Get off your high horse, brother.

How long were these artsy fartsy live theater people saying

movies weren't real art?

Who are you to tell somebody

they can't express themselves through that medium?

You know what?

I'll take it further.

Ophelia, you paint with watercolors, right?

Well, how long were idiots saying

that oil paintings were real art and that watercolors weren't?

And please do not even get me started with AI.

Hey, whoa whoa whoa whoa whoa, wait a minute.

Don't don't don't talk about fucking AI in my office, okay?

All right?

Or I'm going to chop off your fucking head and ship it to the fucking dumb

ass influencer, MarK. Directed a film.

He's never directed a goddamn thing.

A computer made that pile of shit,

that steaming pile of dog shit.

you call a movie.

My espresso machine

is more of an artist than that guy will ever be.

As a matter of fact, the cafecito I had this morning?

I'll call that art before that travesty.

Iggy, you better get the fuck out of my office with that shit.

Adapt or die, man.

I'm telling you.

Guys, he...

He means well, okay?

He's just...

He's worried about us, about the team.

Look, we both know things could be worse,

but that could be better.

You stepped into some quicksand.

You guys know that.

I'm positive we can survive this.

We just...we just can't panic, that's all.

And we won't.

And I'll tell you what else we won't do.

We won't sell our soul to a machine.

Okay? I rather die before

before I risk the integrity of this company.

Of my name...Of YOUR name.

Leon.

Listen, if I'm going to go, I'll tell you how I'm going to go.

Like John Henry. He was a former slave,

a steel driver for the railroad.

His craft, his livelihood was also threatened by a machine.

You know what he did?

He challenged that machine to prove

that he was better at his job.

And he won.

Yeah.

John Henry won.

You know what else?

He died!

And you're going to fucking die.

Iggy!

Dinner and a movie?

Yes!

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

šŸŽµROMANTIC CLASSICAL MUSICšŸŽµ

There's no one I'd rather watch a movie with.

The way you see film, how you see life.

You should get to bed.

If you don’t go to bed now, You'll regret it.

Maybe not today.

Maybe not tomorrow.

But there's no amount of

cafecito

even if you down the entire colada yourself

that’s gonna save you if you don’t get that script breakdown to your dad

before end of day tomorrow.

Here’s looking at you, kid.

I’m not a kid anymore.

I'm a grown woman, Mendez.

I know

I was just doing the Bogart thing, I always do.

Throwing another party this weekend? Yes.

Yes.

You’re gonna be there, right?

I will, but she won't.

You can't just wish upon a star and get your heart's desire.

This isn't the movies.

This is real life.

Magic isn't real.

Oh, Ophelia...

Of course it is.

See you tomorrow.

šŸŽµROMANTIC CLASSICAL MUSICšŸŽµ

šŸŽµOMINOUS CLASSICAL MUSICšŸŽµ

MARK-Are you okay?

Yeah.

Yeah.

Don't tell me...no green light?

No.

No green light.

Red light.

It's all right though.

Rey’s still hell bent on

retiring by the end of the year.

Mendez wants to go back to shooting his little

artsy-fartsy films, squander away

everything he's made over the years for his little passion projects.

What about his daughter?

No, Rey says she's not ready.

He’s gonna have me coach her up for a few years.

By that time we’ll have made so much fucking money, we’ll start our own company

and shoot for the stars.

It’ll happen.

Yeah.

Listen, Mark,

I gotta go, man.

I’ll talk to you soon.

How's it going, Chat?

I'm here with the man himself:

Big time producer Iggy Perez.

He’s got people to see and places to go.

And maybe some, homes to wreck.

Anyways, if you plan on seeing the movie,

show us some love and comment below.

(BIRDS CHIRPING. TRAFFIC IN THE DISTANCE)

There she is.

You finish that breakdown?

Yes. It's on your desk.

Great.

You know this whole studio...

It's going to be yours one day. You know that, right?

Ophelia, you...

You sure you really want to go into this business?

Of course.

There's no pressure.

You know that, right?

You decide that you

you want to do anything else...

Anything...

I'll back you up.

You know that, right?

There's nothing I want more.

Okay.

I'll be fine, Papi.

You taught me everything.

Well, almost everything.

Some things you're just going to have to learn on your own.

You know, sometimes

the hard way is the only way

you have to stumble and fall.

But you do need someone there

to help you get back on your feet.

Mendez can do that.

Mendez?

He's not interested in taking over.

He's happy just being out there making his indie movies.

Which, by the way, is not a bad idea the way this industry is right now.

I don't know.

Maybe you are ready after all.

Ask Mendez seriously.

Tell him to do it for me.

He’ll agree.

Ay-ay-ay.

REY-Those rushes are looking pristine.

I’m telling you, the planets are aligning on this one, boys.

See, Iggy? That's what happens when you use a real director.

This kid is a prodigy.

What a vision, Mendez.

Pairing him up with Jose as a cameraman?

Telling you the kid's raw talent, his unbridled passion and Jose's temperament..

What a call. The sky's the limit on this one.

No, no. Fuck the sky. The stars, baby.

MENDEZ-To the stars! REY-To the stars.

Let's go!

Come on.

Somebody's got to be the adult in the room here.

I don't want to hear it, Iggy.

Not now. Okay?

Wait. Hold on, Rey.

Let’s hear him out.

We are in the picture business.

We got thick skins.

Lay it on us, bro.

Picture business, bro?

I've never met anybody in real life that says that in our industry.

I'm telling you, you're watching too many old movies.

Stop looking to the stars and look at what's right in front of you.

Adapt or die, man.

I'm telling you, this movie needs a defibrillator, stat!

If not, we're going to get fucking killed at the box office

by that fucking superhero flick coming out.

I told you, let's push the date.

But no...Not even Anita’s

star power is going to cut it.

Okay?

I'm telling you, the movie's already running two hours and it's looking

like it's going to get to three.

We have a rookie first time director, and I could go on and on and on and on.

Now, on a brighter note,

I had a private conversation with Anita.

She's willing to...

I've seen them first hand,

and I'm telling you, they will save this movie.

They.

Iggy.

You two have been on a fucking roll lately.

What are you trying to do?

Run this company into the ground?

Is that what you want?

The two of us have been on a roll?

No, you have been on a roll, Iggy.

You’re walking on thin ice.

I'm fucking warning you, Iggy.

Rey, I'm saying what I'm saying,

out of love for you.

Both of you.

For Ophelia, for this company.

Tell me you understand that.

ā€œVictoria aut morsā€.

ā€œAd Astra.ā€

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

I wish I could say, ā€œI can’t complain,ā€ but unfortunately...

I’m about to.

I'm scared.

I'm scared about this film.

Mendez, I...

There's this one shot in particular...

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

You know what I’m trying to do with this film, Mendez.

You know, tweaking with

the dialog in order to make it just a tad bit more contemporary, however

MENDEZ-Yeah. I know, it's just

I don't know, I don’t know.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

MENDEZ-You heard me say that before, right? Ad Astra?

That’s what that means. ā€œTo the starsā€.

That’s what I’m about.

Ad Astra.

Here’s some more Latin for you. ā€œArs Gratia Artisā€.

You ever heard that one?

Wait, one more time? One more time? Mendez-ā€Ars Gratia Artisā€.

ORSINO-ā€Ars Gratia Artisā€. Yeah.

That means ā€œArt for Art’s Sakeā€.

Art for Art’s Sake? MENDEZ-Yeah, man.

That’s why we brought you on. You’re an artist.

And I appreciate that.

You know, I... MENDEZ-Just trust your instincts.

Jose is a good cameraman.

He’ll take care of you.

All you gotta do is imagine it,

and tell him what you wanna see, and he’ll make it practical for you.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

...the lack of confidence that I have.

MENDEZ-Yeah I think your problem is that you overthink.

Oh, you think?

No, I know I do. And you know, it's just..

I think with the amount of trust that you guys...

MENDEZ-You know those names. You actually sit there and watches them.

You watched them.

ā€˜Cuz I asked you something

the other day, and you knew the answer to it.

You had to watch the whole thing from beginning to end to get.

ORSINO-One hundred percent. MENDEZ-And everything’s fuckin’ handheld.

And it's got like, ten cameras in the scene.

That's why when you said you wanted to shoot single camera,

I was like, ā€œYeahā€.

I mean, just off that, I wanted to hire you.

MENDEZ-You know, Rey...when we were...

when Iggy and I were kids in Hialeah,

he’d take us to a park kinda like this one.

ORSINO-Yeah? Yeah.

And, we had these big oak trees like this.

He pointed at them and he'd say,

ā€œSee those roots?

You gotta have strong roots like these trees.ā€

You know,

you have strong roots.

You got strong roots.

You know who you are.

You know what you want to express.

As long as you,

dig deep in the ground

and never forget who you are,

you have nothing to worry about, man.

You’re gonna create some good art.

Just stop overthinking.

Yes, sir.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

Don't make eye contact.

I think we’re about to get ambushed.

Gentlemen, I am so sorry to interrupt,

but this is your lucky day, because who I have here with me...

Fresh off her Oscar nomination is

the one and only Sophia Cabrera.

And what she has in her hand... glad you asked.

She has her new project, which I'm telling you...

(DIALOG FADES)

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

So, Sophia

MENDEZ-And... I am Jerry Grazer, Executive Producer?

And I'm telling you guys, MENDEZ-Executive Producer?

Yes, sir.

MENDEZ-What credits do you have under your name?

Well, I mean, if you want to look at my IMDb,

I have quite a few at this point.

MENDEZ-Okay. All right.

Yeah. MENDEZ-All right.

How do you guys know each other?

SOPHIA-Uh...we... JERRY-We know each other since...

MENDEZ-Did you find her through the script Do you guys know each other a long time?

JERRY-We’ve known each other since Film School.

That's where we met.

And ever since I met her...

I'm telling you, she's had a vision.

She's had a talent level, a skill set.

MENDEZ-I really respect your courage, stalking us, I...

I don't know who told you that we hang out here.

But listen...Listen, listen.

Stop with the act.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

SOPHIA-It's a story, about Miami.

And there's...

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

So they,

imagine, like Miami and there's...

SOPHIA-Oh no! I’m so sorry!

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

IGGY-That's great.

Just send it to our acquisitions department, and we'll talk soon.

Thanks. JERRY-Honestly, if we could...

MENDEZ-Hey, I’ll catch you at the office!

Look, we didn't really mean anything by...

We just...really thought...or I was hoping that you would take a look at it.

And I'm telling you, once you read it, you're...

You notice I haven’t walked away yet?

And I'm very appreciative of that.

Hey, take a walk with me, guys, huh? Come on.

JERRY-Definitely. This way, this way.

Whose idea was it to, who's been stalking me?

How did you guys know this was my hangout spot?

Uh, that would be me. I would be guilty of...

MENDEZ-Yeah. You don't look like the stalker type.

No, she’s...

She's more of the creative type. MENDEZ-You had good initiative.

You had great initiative.

That’s the whole reason why we’re talking right now.

But...

Next time, stick to the authentic stuff. Stick to the story.

That's what matters.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

Honestly, I’ve heard enough.

Oh, my God, thank you so much.

You're not going to regret this.

MENDEZ-You know, I'm not making any promises just yet.

No, we understand... Mendez-But,

Yeah, I like you guys first and foremost.

And that's one of the things that's really important to me.

It’s not just about the work itself... JERRY-We just really respect what you guys

do so I really think it's going to be a match made in Heaven.

Yeah, I think so too.

I appreciate it so much.

Thank you guys for bringing this to me.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

They really swung for the fences on this one.

I tried to tell him, Mendez...

seems like we got a strikeout.

Problem is,

can't really live without it.

There's too much exposition, I...

have nothing to cut to.

Look, I'm sorry, guys, I screwed up.

I went too far, okay?

Jose warned me, and I didn't listen.

I told them it had to be a oner too.

Fuck.

Letting a scene play out in real time...

That's, specific tool

for very specific reasons.

But if you ask me,

I'm not a fan of the oner.

Nah...

When you break it down

to the granular level,

cinema,

you know what it is?

It's montage.

I'm talking about

the original meaning of the word

taking two images,

marrying them together,

and creating meaning.

Emotion.

They don't necessarily have to correlate,

together on their own. Nah, no, no.

But when you cut them together,

Orsino, that...

that's where the magic happens.

The cut.

That’s Cinema.

šŸŽµROMANTIC CLASSICAL MUSICšŸŽµ

šŸŽµROMANTIC CLASSICAL MUSICšŸŽµ

Yes, I

understand, but there's nothing to cut to, Mendez.

That's it. That's the scene. It's her,

baring her soul about losing her son.

Cut a monologue out.

That moment...

Go forward a little bit...

Right there. Stop.

See that moment there? When the tears are coming down her face.

That's all the soul-baring you need, man.

Cut between the dialog.

Okay, but to what?

Well, I saw some dailies,

of the opening sequence

where she comes in, you know, to put the baby in the crib.

ORSINO-Yeah, There was about ten seconds

before Anita steps into frame to put the baby down,

where all you see,

is an empty crib.

Oh, yes.

Wait.

Wait. Why didn't I think of that?

Anita sobbing.

Cut to the empty crib.

Come back to Anita. Back to the crib. Closer, closer.

Scene. You can crop it in, right, Steve?

Sure.

Yes!

Looks like my job is done here. I’ll let you guys get back to it.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

There's no easy way to handle this.

Even though you're not my blood,

you both are my sons.

And I guess you've by now

gotten the impression that I'm

thinking of retiring.

And considering the way things are right now, maybe it's not a bad idea.

You know, walk out with the belt in hand.

That leaves me the question though...

What am I going to do with all of this if I do decide to hang up the gloves?

Well, what is all this? Huh, Rey?

No, seriously, what is all of this?

This office, the awards,

the stages, the gear...

It's nothing.

The houses, the cars,

the red carpets, the parties, the fame, nothing.

Nothing compared to two things.

First,

it's family.

And second...

It's the art itself.

Don’t retire yet, Rey.

I know you still got that fire in your belly.

I know it.

We just need to reorient ourselves,

that's all. Ophelia, she wasn’t there

when it was just us three hustling in Hialeah.

Remember?

We had a dream.

We had a dream to create films,

to inspire people to become better human beings.

And in turn, make the world a better place.

I say we return to that.

I say we sell everything

that's keeping us from doing just that.

Are you serious?

Dead serious, man. Look the studio’s unsustainable as it is.

Yeah, but I could fix that in a week.

All we have to do is shut down all these glorified passion projects! Rey...

Listen, there's nothing wrong with escapism.

There's a place for that, too, okay?

Not everything has to be a five course meal.

People need some snacks here and there.

Not everything has to be a religious revelation either.

Give people something simple, something they won't lose track of

when they have it on in the background.

Hey...when they have it on in the background?

That's it.

You know what, Mendez?

I'm selling everything.

I'm selling everything.

And Iggy, you could either come with us and remind yourself what matters,

or you can fuck right off.

What happened to you,man?

You were the only one whol believed in my crazy-ass dreams.

First time I ever even heard ā€œAd Astraā€

was from you.

Remember? On post in Iraq?

What I remember is neither of you would be here if it weren’t for me.

You physically

wouldn't be here if it weren't for me.

That's what I remember.

I remember my brother

getting hit out in the open.

Everybody hesitated.

Sergeant said, ā€œwait for QRFā€.

I said, ā€œTry and stop me,

I'll fucking kill you!ā€

Give me some cover, you fucking pussies!

I ran out there...

dragged your ass back to cover...

snipers trying to put me down.

Rounds hitting everywhere.

Holes in my fucking trousers. I fucking saved you.

That's what I remember.

I remember saving both of you.

Because I don't know if you remember that I saved your fucking ass too, right?

Or did you forget when those motherfuckers robbed us?

Stop it.

Okay? SPANISH- ā€œCallate la voca!ā€ Not in front of her.

I gave you money when you needed it in the interim.

And what do I do after that?

I got back all your shit, and I made those motherfuckers

pay with their own fucking blood.

You were in there alone.

Mendez was with you every step of the way.

Don't act like you did this shit by yourself.

And as far as for me,

I am very grateful.

Every penny I've made here,

I've shared with you. I...

Yeah.

I'm sorry. Sorry.

Yeah.

Whoa. Don't know what came over me.

Ophelia...

We’re just running some lines from an old film

from when you were little.

Look, Iggy,

it's all right, brother.

I know you're worried.

I’m worried too.

Okay?

Look,

Why don’t we do this?

Why don't we let the last two films run their course?

And if they succeed, then we know

that there's still a market for what we're trying to do here.

Look, guys, in the end,

the audience will reward us.

I know it.

And if they don't?

Then we die

with dignity.

Like John Henry.

ā€œMors ante ignoniniamā€.

šŸŽµELECTRONIC DANCE MUSICšŸŽµ

šŸŽµEMOTIONAL INSTRUMENTAL MUSICšŸŽµ

šŸŽµEMOTIONAL INSTRUMENTAL MUSICšŸŽµ

Cornelio?

It's me.

Karina.

You don't remember me?

We went to prom together and...

Listen, I had a very long day, okay?

I really have to take this call.

So if you’ll excuse me...

I'm sorry.

šŸŽµEMOTIONAL INSTRUMENTAL MUSICšŸŽµ

šŸŽµELECTRONIC DANCE MUSICšŸŽµ

What's going on? What happened?

I don't think he recognized me...

Or, he doesn't remember me.

That's bullshit.

Okay? He hasn’t stopped talking about you.

Are you sure he got a good look at you?

Listen for all the bravado this guy has on set, he’s shy.

I don't remember him being shy, okay?

He just doesn't want to mess it up.

Alright?

He's been dreaming about you for so many fucking years.

He thinks about you all the time.

Let’s do something.

Why don’t you come on set with Anita tomorrow?

Yes. Would that be all right?

Of course that'll be all right. It's more than all right.

Okay?

It'll be just like drama class back in the day.

In Mr. Maschino’s class?

Like the old days.

Hold on.

Light bulb moment.

We can get you in the scene tomorrow.

I’ll have the writer cook up some lines.

I haven't acted since 11th Grade.

I don't want to ruin it for everyone, guys.

Nonsense.

I’m sure you still got it. Pick you up tomorrow?

Okay, fine.

Okay. My driver and I

will pick you up just like we did today.

Noon sharp.

Do you think your driver can take me home right now? Please?

Of course.

Thank you so much. Thank you.

Take this.

No no no no. ANITA-Take it, I insist. IGGY-Take it.

You have no idea how happy I am that

you’re in my life again.

I'm here for you, Karina.

Don't worry.

KARINA-Thank you. Go.

See you tomorrow.

Sure.

šŸŽµELECTRONIC DANCE MUSICšŸŽµ

šŸŽµELECTRONIC DANCE MUSICšŸŽµ

šŸŽµELECTRONIC DANCE MUSICšŸŽµ

What’s going on? You okay?

I'm fine.

I think I had too much to drink.

You got a ride?

I’m ridesharing.

I can take you home.

Before that, I wanted to apologize to you.

I'm sorry

you’ve been seeing me act a little crazy with your Dad.

I'm sorry I've been acting like that in front of you.

I know you this.

I have the utmost respect for that man.

And I’m very grateful for everything that he's done

for me and Mendez.

You know that.

Actually,

you dropped this.

Dinner and movie?

Iggy...

You know, I don't see you like that.

I'll always see you like a big brother.

Right.

And Mendez?

Been seeing you guys hanging out alone lately.

It's not like that.

Well,

not yet.

I see.

Well,

just so you know, I

don't think Mendez is going to be able to give you what you want.

See that girl Anita came with?

We were friends back in high school.

All of us.

Mendez was actually a little bit

more than friends with her.

I know.

That was Karina.

Karina Morales. He took her to prom.

Her parents didn't approve of Mendez

back then, as broke as were back in the day.

That was rough.

Peasants from Hialeah with a princess like that? That wasn’t gonna work.

In the months leading up to us leading to the Marines,

they started dating. Her parents didn't approve.

Her dad hired a fuckin’ P.I. to follow us.

And we were dumb fuckers back then.

Just...young and dumb, selling pot,

rolls,

He grabbed some photos of

us doing that bullshit.

Little did we know, her dad was no fucking angel.

He was a fucking crook

robbing banks and armored trucks.

One day he got popped.

They became poor.

I guess Anita and her reconnected when we were on the set of

Orsino’s film.

It's a nice night.

Look at the stars.

Why don't you make a wish?

Come on

ā€œAd Astraā€.

šŸŽµROMANTIC CLASSICAL MUSICšŸŽµ

(CAR PULLS UP OFF-SCREEN)

I guess you win.

Your rideshare’s here.

I’ll see you tomorrow.

šŸŽµROMANTIC CLASSICAL MUSICšŸŽµ

šŸŽµELECTRONIC DANCE MUSICšŸŽµ

REY-Mendez.

MENDEZ-Hey, what’s up, man. Tell me, how was the party last night?

Tell me, did your long last, prom date ever show up, or...

She did, actually.

What?

That's excellent.

What happened?

Oh, I see, yeah,

well, look at it

on the bright side, brother.

You know, now you can finally move on.

You know what you need?

You need to find a Catholic girl.

Cuban, preferably.

She was Cuban, and she was Catholic.

Both.

SPANISH-ā€Las dos cosas?ā€ ā€œLas Dosā€.

ā€œCono...dejame ver.ā€

Hey...

That’s good ā€œagua culoā€.

Hey, what time was the call for Shadow of Youth?

Actually, it's right now.

Right now? This second.

All right. Last day of Principal.

Let’s go check it out.

This is good. Shall we?

Yeah let’s go check it out.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

Hi. What's your name again?

-Karina. I'm Maddie.

No pressure, but you're up.

You got the sides, right?

Yeah, I got it memorized.

It’s just this one line. The shadow line. Right?

The shadow line.

As soon as you knock this out,

the sooner we get to the wrap party, okay?

Okay. Thanks.

Thank you.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

MADDIE-Alright, ladies and gents, martini shot. Orsino!

Let's get this show on the road.

What’re we paying you for, honey?

You got it, sweetheart.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

Karina,

you got what was Anita’s line here, which is now the last line of the film,

a poetic callback.

You are a representation of...(DIALOGUE DRIFTS OFF)

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

It's all over.

MADDIE-Alright, picture’s up!

Sound! BOOM OP-Speed!

MADDIE-Camera! CAM OP-Speed!

Scene 98 Charlie...

Take one.

ORSINO-Action!

šŸŽµTRAGIC CLASSICAL MUSICšŸŽµ

Life is but a shadow of what dream

it is in our Youth.

As I am of the woman I once was.

The moment we try and embrace our aspirations,

we realize it's all but vapor

fading away from us,

as you fade away from us now.

šŸŽµTRAGIC CLASSICAL MUSICšŸŽµ

Cut, cut. Wow! (DIALOGUE FADES AWAY)

šŸŽµEMOTIONAL INSTRUMENTAL MUSICšŸŽµ

Whoa, whoa. Where the fuck are you going?

You know that's her.

This is your fucking chance.

Go get her.

You put her up to this, didn’t you? You invited her to that party.

Negative. Anita did.

They've been friends since high school.

You fucking know that, right?

That's why you hired Anita to see if they were still friends.

Well, guess what? Your plan worked.

I hired Anita because she's professional, because she's perfect for that role.

But the fact of the matter

is that the love of your life just so happens to be inside that stage.

So all I'm saying is fucking go get her. MENDEZ-Iggy...

I know you mean well, but get the fuck out of my way.

šŸŽµEMOTIONAL INSTRUMENTAL MUSICšŸŽµ

šŸŽµEMOTIONAL INSTRUMENTAL MUSICšŸŽµ

-Can I please talk to him?

Is it something I said? IGGY- No. It's not something you said.

And it’s not your talent. And it’s not your looks.

Listen... I'm going to be honest with you right now.

I wanted you for this film from the beginning.

But Cesar didn't.

He didn't want you from the get go, and he put his foot down already.

All right?

He made his decision and he’s top billing,

so I have to make a choice.

It's either I cut him or cut you.

I know you understand. Now, here you go.

This is double the pay that we agreed on, okay?

And you're also going to find two first class tickets to the eternal city.

To Rome? I've always wanted to go there.

Well, there you go.

Your lucky day. You're also going to find two cruise line tickets

through the Mediterranean all the way to Barcelona.

Then first class tickets back to Miami, where you and I are going to sit down

and talk about your next big project.

Oh my God, Iggy, thank you.

I don't know what to say. IGGY-Well, don't say anything.

And especially don't say that

Cesar fired you.

I'm going to take the hit for that. Perks of being a producer right?

Now, go ahead, enjoy your trip.

See you soon.

Bye bye.

SPANISH-ā€Ay Dios mio. Gracias a Dios...Iggy!ā€

What happened? Where is she? What happened? What happened?

Cesar...

She quit.

She what?

She fucking quit.

That's what I'm telling you.

I tried to convince her to stay,

but I'm guessing she felt too much pressure working with a legend like you.

Are you serious? She was fine during rehearsals.

I mean, she was completely game.

How the fuck is she going to piss away an opportunity like this?

I think I know somebody who fits.

CESAR-Yeah? Do I know her? What's her name?

We'll break and then, come back in two hours, okay?

šŸŽµROMANTIC INSTRUMENTAL MUSICšŸŽµ

Cornelio?

Hi. MENDEZ-Hey.

Thanks for coming.

I love this place.

Look at this view.

And the breeze.

It's magical.

Very special to me.

Yeah, it's special to me, too.

Do you remember?

How could I forget?

MENDEZ-We had our first kiss right here. Yes.

That was a long time ago.

Yeah.

Sometimes I just think

it was all just like a dream.

It was.

It was a dream come true.

Listen.

I'm sorry if, I was a bit distant

when you and Anita showed up, I...

Listen, I know, okay?

I understand. You don't need to apologize.

I just

I didn’t want to fuck it up, all right?

But I did anyway

by not

acting and...

you're worth taking a chance on.

You're worth everything.

Listen.

No pressure, okay?

No pressure about the film

and especially about us.

All right?

It's just

my friends need me.

I need you.

Okay, so

let's go, then.

Let's do it.

Don't go, Harry!

It’s an ambush!

I know, I know, and if I go out there...

If I don't come back, don't blame yourself, okay?

I know what you had to do to survive.

I've done worse.

No, no.

Cut!

Wow, that was amazing.

Thank you so much for doing this.

šŸŽµROMANTIC INSTRUMENTAL MUSICšŸŽµ

šŸŽµROMANTIC CLASSICAL MUSICšŸŽµ

I'm going to be honest with you.

I used to work for Rey.

Before the studio.

Before all of this,

I used to work for him.

We were running drugs,

gambling schemes, prostitution.

How old were you?

I was 15 years old when I started working for him.

That's horrible.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

šŸŽµROMANTIC CLASSICAL MUSICšŸŽµ

šŸŽµROMANTIC CLASSICAL MUSICšŸŽµ

Talk to me.

No...Steve.

Steve, you're killing me, man.

Yeah, I said cut

Scene 32, not 42. 32!

šŸŽµOMINOUS INSTRUMENTAL MUSICšŸŽµ

I have begun journaling at the behest of my priest.

May God bless him.

He is a great man like my brother Mendez.

Truly virtuous men.

I've killed people...Several,

not only in uniform,

but back here in the streets.

I have killed people...

But I am not a serial killer.

I do not enjoy it.

I only kill to defend myself,

those I love,

my livelihood...

And when someone is in my way,

blocking the path God has put before me,

a path that will lead to a better world for the many.

For when I fulfill my dreams,

when I reach the stars,

I will give back to the world.

Does this justify homicide?

When I reach those heights,

will I be able to make up for it all?

Wash the blood from my hands?

I used to think it might.

Now, I don't know.

I took my first life when I was 12.

This bully had been messing with me for weeks.

I followed him one day and ambushed him where he loved to fish.

At this canal by my Abuela’s house

I stabbed him in the neck with a kitchen knife.

I pushed him into the canal

while he choked on his own blood and watched two gators swim up

and tear him to pieces.

I found the motherfucker who shot

Corporal Lloyd hiding in an outhouse.

He put his hands up and smiled,

shrugged like we were kids playing hide and seek.

I emptied my mag into him.

I found the motherfuckers who robbed Rey.

Mendez and me dressed up as cops.

Kicked the door down,

line them up against the wall.

Mendez protested of course.

I pumped them full of lead.

Something has to be done.

Somebody has to do what has to be done.

Bear the burdens,

do the dirty work,

take out the trash.

I'll be that man.

I’ll wet my hands with blood

So I others, so Mendez, and

Father Ruiz can sleep well at night.

The company must change with the times.

Adapt or die.

I sacrificed so much to build the studio.

Too many

are relying on me to just let them piss it all away and send them to the curb.

I've always taken care of Mendez, I have.

But it's time for him to grow up.

I won't hold his hand anymore.

He wants to go off and make his little indie films.

He can go ahead,

but I won't let him scuttle this studio

for his ā€œFool’s Errandā€.

I didn't take all of our hardworking, loyal employees down

with the company.

Karina...

I found an angle I could work.

She'll make a great asset.

Her son needs a lung transplant.

I have a plug for organs.

I'll get him his lungs

if she records some embarrassing or incriminating evidence against Mendez

and Rey, too, if possible.

And I'll blackmail them to set sail into the sunset

while leaving the company to me.

They'll be all right.

I'll make sure they get a good severance package.

šŸŽµOMINOUS INSTRUMENTAL MUSICšŸŽµ

What are you doing?

What’d you read?

That's just character work for a film I’m working on.

There’s a part for you. If you want it.

If I would have known...

about Karina’s son...

I would have helped you.

She loves Mendez.

She can’t

go through with this.

She won't survive it.

There has to be another way, Iggy.

Anita....

Whatever happens next, I want you to know

I really love you.

Come here.

Come here.

No.

NO! Stop!

Fuck, her pick-up shots.

Mendez will figure it out.

šŸŽµROMANTIC INSTRUMENTAL MUSICšŸŽµ

Karina is not on the call sheet today.

Grabbing pickups?

Oh.

Sorry.

Ophelia.

You alright?

šŸŽµROMANTIC INSTRUMENTAL MUSICšŸŽµ

šŸŽµROMANTIC INSTRUMENTAL MUSICšŸŽµ

Mark,

we talked about this, bud.

What was the deal?

We scare them, we scare em off,

take over the company. Scare them, send them off, take over the company.

Look at me.

We need to limit collateral damage here.

Okay?

Dude. Are you serious?

What the fuck?

Don’t be a pussy on me now, bro. Adapt or Die.

You remember that?

Adapt or die?

You know what? You're right.

I got a hard drive in there with the dirt, dude.

Check it.

That's yours. I've got copies at home.

That one's yours.

MARK-In the van? Brought it just for you. Go for it.

Right in there.

Just go for it.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

Iggy!

Yo, I heard a gunshot.

They filming the action movie already?

Oh my gosh.

Wow, what an awesome dummy, bro.

Oh my gosh, is this Christine's work?

Oh, she did amazing.

It looks just like that influencer.

Wow. It's uncanny.

Mark Gallagher, Mark Gallagher.

Yeah. Whoa!

Oh my gosh.

Yeah.

Oh, it's,

it's warm.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

I didn’t see shit.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

Please...Iggy...

No.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

Iggy! Have you...

heard from or seen Anita anywhere?

No. No, man, I haven't.

That's weird.

Orsino?

Cesar?

I tried calling Maddie, man. Not even she’s picking up.

That never happens.

Mark?

Have you called Mark?

No.

Let's do something.

Try calling him.

I'll do the same.

If I get a hold of him, I’ll you know.

Cool?

Yeah.

All right.

Great.

Thanks.

šŸŽµINSPIRING CLASSICAL MUSICšŸŽµ

You all right?

I don't know, you've been kind of distant lately.

No, I'm not all right.

Listen... MENDEZ-What’s going on? My son...

Oh my God, is he okay?

What's wrong?

Is he okay?

No, it's not okay.

He's dying.

Oh my God.

Oh, he needs a lung transplant.

A lung trans...?

What can I do? Tell me.

Money's not an issue.

Just tell me. KARINA-Someone else has offered me help.

Who? Who?

Iggy.

Did that motherfucker touch you?

Did he fucking touch you?

W-wait.

He convinced me to record you

so he could blackmail you and take over the company.

He offered to help me with a lung

transplant for my son,

and I just...I’m sorry.

I had to do what I had to do for my son.

I don't blame you.

Go ahead.

Take him the recordings.

If he doesn’t keep his end of the bargain...

I'll take care of him.

Will you help us?

Even now?

Of course.

I just...I’m going to delete everything.

Okay? Trust me.

Get out of my house.

Let me fix it.

Just get the fuck out of my house, okay?

Get the fuck out of here.

šŸŽµROMANTIC INSTRUMENTAL MUSICšŸŽµ

Karina,

what's going on here?

What the fuck, man?

Give me one good reason

why I shouldn’t fucking kill you right now

I'll give you a reason.

If you can tell me

why you’re pointing a gun at your son?

Take a look at all this, Iggy.

Take a good luck at all of it.

Because I am

I am selling everything.

We are liquidating everything.

You know what I'm going to fucking do?

I'm going to go with Mendez.

And we're going to go make art.

Art for art's sake.

And you...

Get the fuck out of here. NOW!

Karina.

Thank you.

Thank you for coming to me with this.

And don't worry about your son, okay?

We will take care of everything.

I promise you.

šŸŽµTRAGIC INSTRUMENTAL MUSICšŸŽµ

It's all taken care of.

Detective's been paid off, and

we deleted all the footage from the cameras.

Are you sure it was him, Iggy?

This has to be a mistake.

Maybe...

Maybe he was drunk.

IGGY-It wasn’t a mistake, Rey.

He was pursuing her.

He took advantage of her.

Mendez?

He would never do that.

You don't have to believe me.

The footage is there.

He killed her.

You saw the text he sent.

It was his car.

Without a doubt.

Whether you believe it or not, whether you think he did it

on purpose or not, he killed her.

We can't let that fly right?

I know, I know, I know, I know.

It has to be me.

I can't kill him, Iggy.

I'll do it.

I'll put him down.

I don't want to, but it's what has to be done.

Now, if I do this,

would you consider forgiving me?

You could have it all.

The entire studio is all yours.

Nothing matters to me anymore.

Just...

Just get it done.

I'll take care of it.

Listen...We're going to find a way through this together.

šŸŽµEMOTIONAL INSTRUMENTAL MUSICšŸŽµ

You killed Ophelia.

How could you, bro?

I know it was you.

For what it's worth, it was a mistake.

I didn't mean to kill her...

just tap her, and blame you for it...

so everybody knows you're not the angel they think you are.

You're not better than me.

You're not.

Iggy

I loved you like a brother.

Well it had to be done, brother.

You got in my way.

I'm anointed.

God's on my side.

You understand that?

The studio is my promised land.

And anybody who gets in my way will be swept away like the Canaanites.

That was fun!

Come on.

Do it. Just fucking do it.

Go. Just fucking do it.

Do it.

You really are magnificent.

If only you could find a way to forgive me.

If only we could live happily ever after

like in the movies?

Just wish upon a star.

You can’t just wish upon a star.

And get all your heart’s desire.

This is real life.

Magic isn’t real.

Oh, Karina.

Of course it is.

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.