Original subtitles

Your assignment for today was the blood vascular

system, but instead I'm going to talk to you on a

more intimate subject. It is the aim of our

educators to teach you the care of the human

body, to show you its structure and its functions.

I have no wish to offend you. I only want to help you.

The human body is God's most glorious creation. To defile it may mean untold

misery both to yourself and to those who love you.

Whore!

Whore!

Whore!

Whore!

Whore!

Whore!

Whore!

Whore!

Whore!

Whore!

Whore!

Whore!

The End Oh, hi.

I didn't see you there. Why don't you come with me? Come on.

Just follow me right this way. Watch the stairs. Come on, just a little bit further.

Hi, everybody. I'm Frank Henenlauter, and welcome to That's Sexploitation, a visual history of over 40 years of

sexploitation movies, encompassing everything from theatrical features to shorts, loops, and even a couple of stacks.

But I can't do this alone. I need the help of an expert, someone who's literally been there and done that. So let's

go down to Anniston, Alabama, and meet with the mighty monarch of exploitation himself, David F. Friedman. Come on.

Thank you.

Thank you.

Thank you.

Thank you.

Thank you.

Thank you.

Thank you.

I'm fine. How are you? What brings you down to Anniston, Alabama?

Doing a documentary on sexploitation films.

My lord, you've come to the right place. Let's go up the house.

Okay, come on.

Bed. Did you say bed? That's not too relaxing. That's for action.

Well, I guess actually it began in the 20s.

I wasn't around too much in the 20s. I was born in 1923.

But movies, of course, in the 20s were a huge thing in America.

It was the number one entertainment form.

And it transcended theaters.

People began to buy home movie projectors, 16mm projectors.

And the reels were about 200 feet.

They were silent, of course.

And oh boy, this was a big, big thing.

But at the same time, along came somebody with, well, why not a little SEX?

Well, sex in those days consisted of how much skin you could see.

So they started filming these little loops of

girls in various stages of dress and undress.

Guys would buy these things and take them home and wow, wow.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

Or form whatsoever.

I mean, the whole thing was very stupid.

But very rigid.

And for the next couple of decades, it felt like the morality of mainstream films

was governed by a bunch of angry Catholic school nuns

who'd whack their ruler over the head of anyone who'd get out of line.

and they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

And they were like, oh boy.

There was marijuana you were smoking.

Worse than cocaine.

You oughta know better than that, Ruth.

Oh, rats.

What's the harm?

Give the kid a thrill.

Thrill me, aye.

The little trunks over there, Marge.

They were high a few minutes ago.

Up in the clouds.

Now they're getting low.

And pretty soon they'll be mean.

Ready to commit murder.

Marijuana's called a murder weave.

Oh, I want to be an artist, Mom.

Sure, sir.

Not bad, Bill.

No, fine stuff.

That's perfect, honey.

Oh, what the heck.

I can do better than that.

All right.

Let's see you do it.

That's not bad, was it?

Oh, what the heck.

I can do better than that.

All right.

Let's see you do it.

That's not bad, will it?

Oh, what the heck.

I can do better than that.

All right.

Let's see you do it.

That's not bad, will it?

Oh, what the heck.

I can do better than that.

All right.

Let's see you do it.

That's not bad, will it?

That's not bad, will it?

And that code was one of the reasons that exploitation films came into being.

The exploiteer was not bound by any code.

He was free to use any subject in the world, as long as it was in bad taste.

And he did.

Dope, miscegenation, roadhouses, prostitution, child marriage, et cetera, et cetera.

You name it.

You understand, nurse?

I want the boy to look just as nice as possible.

His case will be up before the judge in just a few minutes.

I'll keep him perfectly quiet.

All right, Senator.

What are you doing?

And just to stay on the safe side of the law and local censors,

sexploitation thrills were delivered with a heavy dose of cardboard morality.

It's the most disgraceful thing I ever heard of.

We must get her out of here right away.

But mother, she hasn't any place to go.

Who is it?

Who got you into this?

Can't you let her alone until she's able to be moved?

I've always kept my house respectable.

I won't have them exposed to this contaminating influence.

She's thoroughly bad.

What sort of a place is this?

Stop asking questions and go upstairs.

Yes.

Come with me, dearie.

I'll show you your room.

In fact, the whorehouse was usually the final

destination for bad girls of dubious virtue.

The sexploitation films of the 1930s loved whorehouses.

Here we are, honey.

Oh, uh, uh, girls, this is Judy.

Hello.

Uh, you're gonna like the girls here, Judy.

We're all just one big happy family.

Hey!

It's a mistake.

What's the matter?

Frank!

Frank!

You want me, Miss Pearl?

Yeah.

I want you to give this mall a going over.

Plenty.

Leave it to me.

Now, there were some very colorful characters engaged in this enterprise.

I knew a lot of them.

They were all labeled the 40 thieves.

I guess I'm number 39.

And these guys were making pictures for nickels and dimes.

And, of course, they couldn't turn them over

to a national distributor for distribution.

They did what every old carny would do.

You put the pret under your arm and you went from town to town selling it.

The exhibitors said, yes, you put up your banners.

You built a whole new front.

And you advertised.

You set out heralds.

And then you got out of the way and let the crowds come in.

Marijuana was made by Dwayne Esper, perhaps the most outrageous filmmaker of the 1930s.

Though Esper only made a handful of films.

Each one is not only memorably offensive, but pushed

the envelope as to what could then be shown on screen.

The big subject for the exploit here was the sex hygiene picture.

The big subject for the exploit here was the sex hygiene picture.

Look through this.

The little bacilli you see wriggling about, shaped

somewhat like a corkscrew, is the spirocheta palida.

Proving beyond any doubt that you have syphilis.

But the quintessential sex hygiene film of the 1930s was probably High

School Girl, a.k.a. Secrets of a High School Girl, a.k.a. Dust to Dust.

The story is simple.

A girl who knows absolutely nothing about sex gets herself pregnant.

Tamed by today's standards, it not only was strong stuff back in 1934,

but served as the blueprint for the film Mom and Dad made ten years later.

It's for you, Miss Beth, honey. Some boy.

What you pulling such a long face for, honey child?

Nothing.

Hello?

A pal of mine is going to lend me his car.

So if you can get away, we'll go for a nice ride in the country.

There's going to be a swell moon tonight.

Can you make it?

Yes.

I guess I might as well.

Mrs. Andrews has offered to produce witnesses, students of your own class.

Have you anything to say before these witnesses are called?

It, uh, it won't be necessary for Mrs. Andrews to call her witnesses.

Although the lady has emphasized her statements with some

exaggeration, the substance of her accusation is based on facts.

I also have witnesses, but I can't call them here before you.

Boys and girls whose young lives have been ruined because

of parents who had not the courage to tell them the truth.

If you won't speak freely to your children in your homes, you

should at least grant them protective knowledge in the schools.

Look here, honey.

You all shouldn't let no boy kiss you like that boy was doing.

I guess I couldn't help myself.

You've got to help yourself.

I know them long kisses taste powerful sweet,

but there's mighty bad medicine just the same.

And if you're going to go see a sex hygiene film, what the hell?

You might as well buy a sex hygiene book.

You, Mr. Man, and you, and you.

What do you really know of the art of love?

Of the way to make a woman completely happy in the sex relationship?

In this remarkable volume, you will find chapters

explaining all the things you want to know and should know.

You will learn the meaning of the strange words and terms that are creeping into modern

literature and everyday use such terms as sodomy, nymphomania, saddest, lesbian, queer.

In a few moments, the ushers will pass among you with a book.

In many respects, the most valuable and marvelous book ever offered for sale.

The art of love.

Your sex problems solved.

And although there was no national censorship,

the Hays Code had pretty well stopped that.

That did not prevent different states and different cities from having censor boards.

And no two of them thought alike.

Now, there was a crazy old man named Lloyd Binford who

was the city censor in Memphis, Memphis, Tennessee.

His big thing was black people.

He didn't want to see any black people.

He used to censor the Our Gang comedies because Buckwheat, the

little black boy, was playing with Spanky and the rest of them.

He didn't want to have them associated.

That's why pictures like the whole genre of film became known as Guna Guna.

As long as the native, either black woman or a bronze

woman or be she Balinese, Polynesian, African, whatever.

As long as she was bare-breasted, the censor board said, oh, okay, okay, okay.

Don't let a white woman appear bare-breasted, though.

That was the feeling in the United States at that time.

Ngagi.

Now, there was an interesting film.

There was a picture that spawned another form of sexual entertainment.

Monkey sex.

In this picture, Ngagi, the native girl, is sacrificed to the gorilla.

And he throws her over his shoulder and takes her away.

And that picture must have inspired another dozen or so gorilla in the maiden films.

We came on a scene that froze us with horror.

The great ape was carrying off one of our women.

In seeking to protect this monster.

It unfounded us.

Again, the incredible suggestion of apes wielding power over human beings.

Monkey adoration.

Monkey domination.

Ruling the people of Cambodia today as it

did when Angkor was built ten centuries ago.

There was an interesting thing about exploitation pictures, too.

Let's say the state of Ohio wanted something out of a print.

But the state of Kansas didn't care about that.

So you'd cut it for Ohio, but then you could put it back in for Kansas.

A lot of times you wound up with ten or twelve prints of the different pictures.

Each labeled suitable for Montana, Alabama, Georgia, so-and-so, not suitable for...

It was a mess.

Which is why some movies had certain scenes filmed two ways.

A hot version with the strongest content and

a cool version that's considerably toned down.

The scenes from Escort Girl.

So finally I said to him, "You're no gentleman, you big gorilla.

" I keep telling them that all the time.

But it never does any good.

Oh, pipe down.

Come on, Susie.

Well, then you should have heard him be, but plenty.

Ooh, I always get frightened when they get angry.

Will someone strangle weak and willing before I commit murder?

Well, anyway, there we were.

So finally I said to him, "Look, what do you want for ten dollars?

" And before I could do a thing about it, he laid a twenty right in my lap.

With his hand still on it, no doubt.

Now, look, honey, "Live and let live" is my motto.

They're mine now, get it.

Hello.

Oh, wait a minute.

The appointment desk here, your date for tonight.

Oh, let's have it.

This is Rita, shoot.

Where do I meet him?

616 to Pickwick Garms, 7:30 tonight.

What did you say his name was?

Uh-huh.

Ralph Singer, and he likes...

What did you say his name was?

That's what I thought you said, Ralph Singer.

Why, that big balooka, I'll kill him.

Oh, how do you like that?

So, a guy's a guy and a date's a date.

Who is he?

Who is he?

Who do you think he is?

He's my husband.

thing too going on there was a couple of guys in

LA one named Merle Connell and they were making

35 millimeter shorts with various stages of nudity in them these things ran 10 minutes

and the burlesque theaters would buy these things to use in between the shows

forbidden women the girls of Loma Loma they were

silent they didn't have to be by that time but

they were because they it was just easier to shoot

them silent and get too quick in case the cops came while he was shooting

The End In the 30s, the exploiteer found some great material in nudism.

Actually, the nudist movie had begun in Germany in the 20s.

It was part of Hitler's overall plan to build this nation of young Aryans.

So they made quite a few nudist camp pictures, going out with the boys and the girls running around

naked, and hopefully cohabiting later, and coming forth with a whole new generation of cannon fodder.

Which means, come and get it.

The Colonel's Lady and Gretchen O'Grady are sisters under

the skin, especially when it comes to getting their dinner.

They drop whatever they're doing and hurry to take their place in line.

Now the nudists themselves always promulgated their

theory, nudism is a happy, wholesome way of life.

Those sun's rays bring you great strength.

It did not escape the United States.

There were nudist camps that sprung up in Indiana and

several of them in Florida, quite a few out west, of course.

The day has begun, as in every well-regulated

American camp, with the raising of the colors.

The camp is called to life with a typical American automobile siren.

Instead of snatching one more dose, like other

folks, nudists rise, stretch, and hit the deck.

Who are these nudists?

Well, they are the average city office workers.

Among those present are doctors, scientists, dancers, actors, university professors,

engineers, cafe proprietors, clerks, and several independently wealthy people.

In 1933, Brian Foy, one of Vaudeville's seven little Foy's, produced

the first nudist camp film made in the USA, Alicia, Valley of the Nude.

Well, you're not leaving the camp so soon, are you?

Well, I know.

What makes you think that?

Well, you've got your clothes on.

Hurry up and take them off.

Look.

Seventy years old.

He glories in that.

Surprising, isn't it?

The same normal, homely activities you'll find people doing anywhere.

Like that.

What's all yelling for?

That's the folks having their hourly buckety-buckety.

Buckety-buckety?

Mack, you'll be leaving us shortly, and it is good to me that

there might be a few more questions you might wish to ask.

Why, yes.

What about coals?

Don't the people here get them rather often?

Coals are practically unknown.

Why, the American Indian never caught cold until the white man put clothing on him.

In 1933, the height of the Depression, the worst

year of the Depression, Chicago had a World's Fair.

And they had the big attraction in this World's Fair was

Sally Rand, who was an entertainer who did a fan dance.

She worked nude between two big fans.

But she had a show called Sally Rand's Nude Ranch.

And this show outgrossed all the other shows on the lot in Chicago.

In a farmyard, Glenn lived a little red hen who had a yin to wed.

A rooster gay used to pass her way, but she tossed her pretty hair.

The End

But for those wishing to see the Full Monte, there were the 16mm specialty

films one could either buy or see in a peep booth at the local arcade.

Alongside exploitation movies and alongside all movies,

there existed another form of transmission called the arcade.

They were very respectable things, but there was

a time when they had little peep show machines.

You dropped a nickel in and turned the crank or

the thing worked by a motor and you ran a reel.

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The End And some loops very happily went above and beyond the call of duty.

The End

Of course, in the 20s and the 30s, there

flourished hardcore reels that were called smokers.

They were shown in some of the best locations.

The Grange Halls, American Legion Halls, college fraternities.

A lot of times they were shown in the police stations even.

These things were not made by anyone reputable.

Most of them were made in houses of ill repute with using

one of the ladies of the house and one of the pimps.

But this industry flourished.

As a matter of fact, there were guys that

even went out on the road with a 16mm machine,

booked themselves into a Grange Hall or American Legion,

charged 50 cents apiece, played the picture a couple of times,

a couple of reels, got out of town before the cops came.

As a matter of fact, there were guys that were

just a couple of times that were made out of town.

And if there were guys that were killed, it was

a couple of times that were made out of town.

And there was a couple of times that were made out of town.

And there were guys that were made out of town.

And there were guys that were made out of town.

And there were guys that were made out of town.

And there were guys that were made out of town.

All I saved from the wreck was a bottle of scotch,

which I was nursing, just to keep in my morale.

When I stumbled into a native hut, after seeing her

two milk wagons, I struck a bargain with her for food.

I was desperate.

All right, all right, so I'm hungry.

Then we decided to undress and really make a go of it.

Boy, what a babe, what a babe.

Now we come to World War II.

Bad, bad, bad time for exploitation.

We've got another bond to buy.

We've got another bond to buy.

Bonds away, put your dough where it ends.

Bonds away, and someday you'll get so many happy returns.

You know, with every bond you buy, you've done your part for some brave guy.

There's Joe, and Jim, and Jack, and we've got to bring them back.

Buy a bond today.

Anybody that went in the Army, by the way, he saw some exploitation.

Every inductee had to see three movies: The Articles

of War, Military Courtesy, and Venereal Disease.

Most men know less about their own bodies than they do about their automobiles.

During sexual intercourse, the sticky matter inside the female

organs gets under the foreskin or in the opening of the penis.

If these germs are not destroyed early, they will dig in and begin growing.

I've got a sew in my pecker.

Sit down, let's have a look at it.

Doc, they hurt like they've been in a nutcracker.

They're that big.

With prompt treatment, chancroid is ordinarily not difficult to cure.

Gonorrhea, or CLAP, is more serious.

It may spread throughout the body, causing permanent damage wherever it strikes.

Of the three most common diseases, however, by far the most dangerous is syphilis.

Usually, two to eight weeks after exposure, a chancre appears at the point of contact.

If you go overseas, the danger is even more serious.

Because besides gonorrhea and syphilis, there are a

couple of other diseases, worse than either of them.

There's no need to go into that now.

Take my word for it, they're Lulu's.

However, if you do expose yourself, use a good condom,

and follow it by immediate and thorough prophylaxis.

These prophylactic stations are available at Army or Marine

Corps barracks, at shore stations, and on board ship.

They are put there for you.

Use them for your protection.

Hey, chicka!

I'll take care of myself.

Don't forget, put it on before you put it in.

Okay.

Censorship, for some strange reason, was at its peak.

All of these various censor boards came to life and knew that it was their duty, their

sworn duty, to protect America from any evils that motion pictures might bring upon.

But there was some printed matter that started coming up, the pinup girl.

A college room would be incomplete without a pinup girl.

Sometimes, she pops up in the strangest places.

She occupies a position of honor wherever she goes.

There aren't many places she doesn't go.

As a rule, pinup girls appear by special request,

carefully selected, put up with loving care.

As we watch Russell Patterson make some sketches, I'd like to remind

you that the expression "pinup" first came into use during World War II.

Illustrations such as this achieve such popularity that every

major artist in America was asked for drawings to be sent overseas.

Mr. Patterson, not quite satisfied with his

first attempt, has decided to try a new approach.

First stop is a model agency.

Russell Patterson never overlooks a possibility.

He asks her to pose, and she says, "Who, me?

" And the pinup came to life and became the new face of sexploitation in photos,

magazines, and especially in numerous theatrical shorts of the 1940s and 50s.

He says, "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" He says, "Who, me?

" "Who, me?

" Now these glamour dolls are daughters of nature and sun worshipers.

Daffy and Dottie never fail to dance in praise and thanks to their god, the sun.

Here's a girl who claims she doesn't need any man around.

She says, "Most men are just panty-waists.

" She's too rugged for them as this girl, Tuffy.

What's this?

Some wolf stops to give her the whistle.

Uh-oh.

So, you wanna play, huh?

Uh-oh.

I tried the recommended exercises for increasing my, uh, chest.

But when Diane started them, I yelped, "Wait a minute.

The last thing you need to further develop is your, uh, your, uh, body.

" So we skipped to the exercises for the waistline.

Having curves happen in just the perfect spots is even more important.

To ensure success, every little curve, as well as

the big ones, must be given individual attention.

Rowing the boat, for instance, develops those

sleek, graceful arms and shoulders that look

so glamorous in off-the-shoulder evening gowns.

Now, lifting weights develops a girl's body.

Now, take these two girls, for instance.

Oh, my mistake.

These happen to be two fellows training for a male beauty contest.

They have such things, you know.

Censorship had pretty well put the lid on almost

all forms of exploitation, but, uh, there were still loops.

There were still arcades.

And the arcade loops was where the action was.

Loops usually ran about 10 minutes and were

divided into two-minute segments, which cost

either a nickel-dime or a quarter to watch.

A coin-drop card would appear when the segment

was up, promising more fleshy delights for more cold cash.

And the loops of the 1940s delivered their nudity with style and a sense of humor.

They usually had a minimal story, often revolving

around a specific prop, and most of them tried to leave you laughing.

The end of the week is a little bit different.

The end of the week is a little bit different.

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The end of the week is a little bit different.

The end of the week is a little bit different.

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And arcade loops weren't difficult to find.

Almost every major town had a skid row or a main street where you could find an arcade.

Especially seaports.

Even family friendly arcades had skin flick loops in the back room.

The end of the week is a little bit different.

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Sally, you never told me you'd been married before?

Doctor, what did you call it?

VD?

You mean to say that Bob has actually had one of those horrible diseases?

That isn't true, doctor.

Is that true, Bob?

Just a minute, Sally.

One scandal at a time.

After World War II, sexploitation cautiously returned

to the screen in the form of sex hygiene films,

this time with the added gimmick of scenes bluntly explaining where babies come from

and graphic medical footage of VD sores, which was hilariously cruel.

I mean, the films promised sex and, in fact,

delivered close-ups of vaginas and penises.

But babies popped out of those vaginas and the penises were hideously diseased.

Suddenly, dirty movies weren't fun.

Cox and Underwood, two old guys that I knew at one time, were great old exploiteers.

They had a picture called Dust to Dust, which

was nothing but Bryony Foy's high school girl and a birth reel and a VD reel.

They had come through a town called Wilmington,

Ohio, where a friend of mine named Kroger Babb lived.

One of the greatest exploiteers that ever lived, one

of the greatest showmen that America has ever seen.

Of course, Kroger Babb looked at the grosses

and he said, "You guys got something going.

" He said, "All you need is one thing." And they said, "What?" And he said, "Me.

" So, he comes up with the idea of segregated audiences.

Women and teenage girls only at 7:00 p.m.

Men and teenage boys only at 9:00 p.m.

But Babb went out to the coast and made a picture called Mom and Dad.

This picture has never been listed in Variety

as one of the top grossing films of all time.

But I know from old records that that picture took in

over $60 million when a dollar was worth $10 today.

And Kroger came up with a lecturer named

Elliot Forbes, the eminent hygiene commentator.

He had to have a lecturer with it because he was selling this book.

That was all part of the gimmick. In fact, that was the gimmick.

These books you could buy for a dime at any carnival supply house.

They were merely reprints of U.S. Department of Health pamphlets.

You know, Mom and Dad wasn't the only sex hygiene picture.

There's another picture called Bob and Sally.

Then because of Eve.

And then a third picture called Street Corner.

They were all basically the same.

It was either a teacher or somebody in the town who

wanted to introduce sex education in the schools.

And the mother led the protest.

Absolutely not.

So naturally her daughter gets pregnant on her first date.

Out here in Hollywood, everyone in the motion picture industry

is talking about the most startling dramatic picture ever produced.

Street Corner.

Now in Street Corner, it was very different because in Bob and Dad and Bob and Sally,

the girl goes ahead and has the baby and puts it up for adoption.

But in Street Corner, they added another little Philip.

The girl goes to an abortionist.

And the abortionist is this very evil woman dressed up like a mid-eastern peasant.

Witch face, old hag.

Which again reflected the American view of foreigners at the time.

Have you got the money?

So in furtiveness and secrecy, the criminal operation is accomplished.

Fear and ignorance have combined to add another victim to the ever mounting toll.

Another human life has been destroyed by one of the

most malignant practices of a civilized society.

Abortion.

Now compose yourself.

You'll be alright as soon as you get out in the fresh air.

Now go ahead.

But it only allowed them to show these sex films.

How the baby is born.

Venereal disease.

If the sex education classes had been able to do that.

Why then none of this would have happened.

Here come the sperm cells.

Swimming up from the vagina.

Through the uterus.

Into the obaduct.

Like little fish racing upstream to spawn.

And now, before our very eyes, we see a miracle take place.

The actual normal birth of a human child.

There's one chance in ten that you yourself will be infected with BD.

And anyway, in Chicago, I met a man named Erwin Joseph,

who ran a little company called Modern Film Distributors.

Joseph said to me one day, "Why don't you take one of these

things and see what you can do with it while you're on the road?

See if you can sell it someplace.

" Well, I was going up to Minneapolis for Paramount, so I took one with me.

Bob and Sally, as a matter of fact.

Bob, you've got to help me.

If you don't, I'll... Sally.

Yes, I'd kill myself before I'd let Mother know.

What is the right thing to do?

Let's get married.

No.

Then people would know what had happened while we got married.

Bob and Sally was a very interesting picture.

It was made by Universal.

Universal had seen what Mom and Dad and Street Corner

were doing, said, "Well, we can make one of those.

" But then when they saw what it was when they

finished, "Oh my God, what'll we do with this?

" So they offered it for sale and it was snapped up

by one of the partners in Modern Film Distributors.

And I played Roger T. Miles.

Roger T. Miles was the eminent hygiene commentator with Bob and Sally.

Like Elliott Forbes was with Mom and Dad.

Curtis Hayes was with Street Corner.

And Alexander Leeds was with Because of Eve.

These were short Anglo-Saxon names ending in S.

Very euphonious.

Of course, it was entirely possible to see Bob and Sally in three different cities

and see three different men all claiming to be Roger T. Miles.

The truth was that none of them were Roger T.

Miles, because Roger T. Miles never existed.

Neither did Curtis Hayes, Alexander Leeds, or Elliott Forbes.

And none of them were sex hygiene experts.

They were there simply to sell books, or rather, little booklets.

Specifically, these.

I never leave home without them.

Well, anyhow, so this little boy is crying.

I said, "Don't cry, Sonny. I'll help you look for a nickel.

" I know you lost it.

So we both started to look for the nickel.

We left to look, "Hey! What happened? He missed!

" There was also a form of show business that went

quite a few years back in America called burlesque.

And don't forget, "Peace, rest, and quiet!

" Say no more, Joe! Say no more!

"Brother!" "Yes!" "See!" "See!" "See!" "See!

" "See the tools the devil implores to lure you!

" "Get your hand away from the toolbox, brother!

" "Ah, but are you positive!" "I am positive!

" "See!

" "See!

" "See!

" "See!

" "I am positive!

" "I am positive!

" "I am positive!

" "At the time there were probably 125 burlesque theaters in the United States.

" "But the exploiter found out something too.

He could go into a burlesque theater, put a camera around

the fourth row, shoot the whole thing at one time.

" "I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "And I am positive!

" "I am positive!

" "And I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "And I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "And I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "I am positive!

" "And I am positive!

" "I am positive!

" Thank you.

So burlesque not only flourished in person, but

it began to flourish as an exploitation item.

This is my interpretation of the exotic spire dance.

This is my interpretation of the exotic spire dance.

This is my interpretation of the exotic spire dance.

This is my interpretation of the exotic spire dance.

This is my interpretation of the exotic spire dance.

But the strippers were only half of the burlesque show.

The other half were the comics.

One for you, one for me, one for you, one for me.

Now how much you got?

Twenty dollars.

That's right.

How much have you got?

I got 22.

See?

That's right.

I owe you a dollar, don't I?

Just our friend.

She asked me a kiss around the cheek.

And she said, me.

That means yes.

So kids are on the cheek.

Kids are on the cheek.

Two, four, six, eight, and five.

Hey, just a minute.

Just a minute there.

I think you charged us too much.

Oh, I don't think so, lady.

After all, we have a very fine floor show here.

A high-class place.

A few dollars isn't too much.

Oh, doctor, I feel so good.

Oh, doctor, I feel so good.

Oh, doctor, I feel so good.

How much for the Puzik Mezuzik?

The what?

How much for the Yachem Yuchem Kaduchas there?

The who?

How much for the hammock built for two?

Lula, down by.

Now about my daughter.

Everything is going to be all right.

Now, we're going to plan the... Almost missed that one.

Shirtmaker just went out on strike.

What do we do?

Off with the shirt.

Off with the shirt.

Nobody wants to take them now.

Nobody wants to take them off.

Come on.

Get them off.

Help the girls.

Help the girls.

Of course, they've got to get them over here.

Oh, here we go.

I am in there.

You look good.

You look good.

Now, if a girl walks by and I've had her out, I'll say dig.

Yeah?

If you've been out with her, you say dog.

Oh, you've had her out?

I don't want to say dig.

Right.

And if I've had her out, I say dog.

You better get your digger all up, boy, because my daughter is going to be dog.

Oh, that's what you'd say.

I don't.

Okay, dab me up.

And don't forget.

Why?

Give me home when I get there.

Okay, I'll be there.

Dig.

Dog, dog.

Wait a minute.

That's my wife and daughter.

I told you, boy.

I've been around.

Okay, so you're one of them.

One of them.

Okay, one of them.

I'll get in.

Woo!

Stop.

Here, you win.

I can't call her.

The professor.

Oh, the G-string.

That's not anywhere at all.

We'll be a clam.

I have a place.

Anywhere.

No.

No, no, not there.

The table, the table.

Quick.

My goodness.

Somebody forgot to remember to put the food away.

Well, that's what I came down for.

I'm a little hungry.

Well, that is good, too.

Meow.

Meow.

Oh, pardon me.

Was that you, pussy?

Was you in pain?

Well, then, I'll give you some nice cold milk.

Nice cold milk here.

This will fix you up good.

There you is.

You is a party, pussy.

Ah, there you are.

What was that?

Was that you, pussy?

Was that you, pussy?

My goodness.

Them's were the biggest pussies I ever did see.

While burlesque films were really the only

sexploitation item through most of the 1950s,

there were the occasional exploitation film

that had adult content or fleshes of nudity,

such as Mau Mau, a documentary acquired by producer Dan Sonny,

who inserted unconvincingly fake scenes of topless natives getting killed.

See Africa aflame in an orgy of murder and violence.

Man risked death to shoot every incredible scene.

There were also the so-called art house films,

which were basically just foreign imports that

contained content the motion picture production

code still wouldn't allow in Hollywood films.

The most young couple on the screen will make you live in a beautiful love movie.

Brigitte Bardot.

And they were playing these little art theaters, you know, where they served coffee

and they played films for the intellectual and the pseudo-intellectual,

the college crowd and the people that dressed

in black and smoked all those crazy things.

But all of a sudden, the theater managers were seeing guys

coming in the afternoon in business suits and with briefcases.

They never had this.

And suddenly, we knew there was a new wave coming.

By the late 1950s, an old friend was back, the nudist can't fill.

And being held up this way to talk somewhere.

Yeah, you point at them as they talk, right?

Yeah.

Okay.

I'll have to favor it a little bit on my side,

because they have to understand what my questions as well.

Wear clothes you just feel free and comfortable and you can relax.

I thought it was a shame that I wouldn't be a nudist.

And after you've looked once, you don't bother looking again.

Whereas on the beach, you could be staring at a girl all day long.

You're not glamorous when you're nude?

It's a free, easy feeling.

It is not a glamorous feeling.

Well, usually, when people come down, they're

here 10 or 15 minutes and their clothes come off.

Nothing to be ashamed.

The human body is as pure as you can make it.

Yes, sir.

Never has such a story in such a setting been filmed before in color.

It is the most candid and the most honest point

of view yet on film about this most talked about topic, the nudist story.

A guy named Walter Beeble.

I knew Walter very well.

A German takes Max Nassig and they go down to

Tampa and they film a picture called Garden of Eden.

Let's go sunning.

It's so good for you.

Let's go sunning.

Neat the sky of blue.

Pretty flowers need the sun.

This applies to everyone.

So let's go sunning.

This was the first nudist camp movie in color.

Well, this picture set off a rage.

And he challenged the New York State Censor Board.

And the court ruled in that case, nudism per se is not illegal.

Beeble is ready to mop up New York.

But he forgot one thing.

Every guy on the West Coast that had one came

into New York and flooded 42nd Street and Times

Square with a nudist camp picture before poor

Beeble could ever get his picture in release.

But his picture did one thing.

It opened a lot of doors.

Rose, I'm surrounded by naked people.

Read the story on page one, about the lovers of the sun.

Read the story in the news, about the sun lovers blues.

I've got the sun lovers blues and I can't seem to lose them no how.

I've got the sun lovers woes from my head to

my toes and I can't seem to lose them no how.

Read the story on page one, about the lovers of the sun.

Read the story in the news, about the sun lovers blues.

I've got the sun lovers blues and I can't seem to lose them no how.

Every nudist camp film has the same plot.

Someone who's never been to a nudist camp before goes to one.

They love it.

They love it, about the sun, about the sun, about

the sun, about the sun, about the sun, about the sun.

May I ask you, how old are you?

Eighty-four.

Well, you look in wonderful physical condition.

Do you attribute it to nudism?

Well, I'm a hypnotist and I attribute to a suggestion and nudism.

Do you think there's anything to be ashamed about

the nudist movement or about the human body?

Yes, human body.

No, I don't think you understood.

Is there anything ashamed about the body?

Anything wrong to take off the clothes?

Yes, take off the clothes.

I still don't think I'm getting through to you.

You know, as I've said many times, going into a nudist camp is about

as erotic as walking into the cold storage room of a meatpacking plant.

So you always had to salt the mines.

In other words, you couldn't use the real dyed-in-the-wool nudist.

Most of them were in their 60s and ugly and shriveled up and everything.

So you had to go out and hire some models and bring them in.

Most significantly, the nudist camp films were remarkably sexist.

Despite all the bare flesh on display, all anyone

does is play volleyball and splash in a pool.

There was something almost puritanical in the film's avoidance of S.E.X.

But of course, that's also part of their idiot charm.

Because filmmakers couldn't yet show full frontal

nudity, everyone had to have their props in place.

I was sitting in my office one day and shriveled up and

was like, oh, I don't know what's going on in the film.

I was sitting in my office one day and shriveled up

and said, oh, I don't know what's going on in the film.

I was sitting in my office one day and shriveled up

and said, oh, I don't know what's going on in the film.

I was sitting in my office one day and shriveled up

and said, oh, I don't know what's going on in the film.

I was sitting in my office one day and shriveled up

and said, oh, I don't know what's going on in the film.

I was sitting in my office one day and shriveled up

and said, oh, I don't know what's going on in the film.

I was sitting in my office one day in Chicago at Modern Film Distributors

and a young man came in and introduced himself as Herschel Gordon Lewis.

So we decided we'd make a nudist camp picture to play New York.

So we went down to Miami to make this thing because

there are several nudist camps down in Miami.

We start grinding them out.

Like once upon a time, there was these three bears,

see, like a big bear and a middle-sized bear.

Dig that wee bitty bear and everything's real cool

till long comes this groovy chick called Goldilocks.

Man, from then on, there's his singing and

swinging and ring-a-ding-ding under the sun.

Goldilocks and the Green Bear.

It's too much.

Though few knew it at the time, cult director Edgar G. Ullman, probably best known for

the tour thriller Detour, helmed the nudist camp film Naked Venus under a fake name.

Yup, as laughably innocent as these films were, they were also considered the

porno of the day, which is why Ullman understandably didn't want his name on this.

We'll be right back to you guys.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back to you next week.

We'll be right back.

Doris Wishman was the last person in the world

you would think would be involved in this never never land of sexploitation.

Well, Doris was a very sweet old lady, very shy and very reticent.

Max Rosenberg was her cousin, and they had imported

a European, I think it was an English nudist camp picture.

Doris was the secretary in this little independent

film company, and Doris looked at this thing

and said, "I should be able to make one of these things.

" She packed up and went down to Miami, and she had an idea for a film.

It's called "Hide Out in the Sun.

" Although Doris Wishman made about a half dozen

more nudist camp films, as well as all kinds

of other sexploitation movies until her death

in 2002, her masterpiece was also the craziest

nudist camp movie ever made, "Nude on the Moon.

" "Professor, what do you see?

" "Professor, what do you see?

" "I'm moonin' over you, my little moon doll, with a sad and broken heart.

I'm moonin' over you, my little moon doll, for soon the time will come to fall.

I long for you, my little moon doll, a nymph in

the pale moonlight, I'd pine for you, my little

moon doll, for it's you who makes the moon so bright, for it's you who

makes the moon so bright, for it's you who makes the moon so bright.

I'd pine for you, my little moon doll, for it's you who makes

the moon so bright, for it's you who makes the moon so bright.

The big event that really brought about the golden

age of sexploitation was the immoral Mr. T's.

Mr. T's is presented in the Chaplin and Max Sennett

tradition, abundant with belly laughs and pulchritude,

and more voluptuous beauty than any of the Italian

or French movie makers have ever dared to present.

In 1959, a young man named Russ Meyer made Mr. T's, and school was out.

They were called Nudie Cuties, and they were

the stupidest films on the face of the earth.

He's the only one of the most famous films on the face of the earth.

He's the only one of the most famous films on the face of the earth.

The logical outgrowth of both the burlesque film and the nudist camp movies

the nudist camp movies, the nudie cuties were usually comedies, often

starring old burlesque comics, and filled with the kind of cornball gags

that made the average dirty joke seem sophisticated by comparison.

The Nudie Cuties In an era when almost anything sexual could be considered obscene,

the Nudie Cuties offered semi-naked women without any sexual content.

Women happily romped around in various stages of undress,

while men stared and made funny faces, but never touched them.

It's like we're watching two alien races whirl

about each other without ever once connecting.

What's this? It's my crew!

The Nudie Cuties

The Nudie Cuties offered semi-naked women without any sexual content.

The Nudie Cuties offered semi-naked women without any sexual content.

Women happily romped around in various stages of undress,

while men stared and made funny faces, but never touched them.

It's like we're watching two alien races whirl

about each other without ever once connecting.

What's this?

It's my crew!

Look at this beautiful crew!

What do young, beautiful girls, and especially young housewives,

who are bored with a humdrum everyday way of life, do for kicks?

What type of people do they turn to to provide this special type of excitement?

For these answers and more, see the all thrill-packed

and sex-stacked story of The Case of the Stripping Wives.

If you're a red-blooded male, we guarantee this is the film for you.

Russ Myers' Immoral Mr. Tease was, without a doubt, the first of them.

Followed soon by Ted Paramore's Not Tonight Henry,

with an old burlesque comic named Hank Henry.

Again, here's Man the Hunter, looking for food.

And here is food, looking for man.

And here is food, looking for man.

Herschel and I came up with the adventures of Lucky Pierre.

And we picked up this very bad Chicago nightclub comic, and he played Lucky Pierre.

always in the middle of gals and gags, in as saucy

a dish of A1 adult cinema fare as you'll ever taste.

Francis Ford Coppola, the director of Godfather, was a student at UCLA at the time.

He made one, called Tonight For Sure.

While many of the Nudie Cuties featured innocuous stories about nude modeling,

the majority of them featured gimmicks, like invisible men or magic glasses.

Seen today, the average Nudie Cutie looks like a dirty movie made for little boys.

When a sex-starved little bookkeeper discovers a magic

liquid to make him invisible, anything can happen.

With a body like this, a woman could give any man hallucinations.

But when the invisible lover strikes, everybody flips.

Olympic International Films just produced a new kind of horror film.

This picture, I run a finishing school for young

girls working on the finer points of bodybuilding.

Oh, my, my, my, my.

This dainty little girl was in school on a football scholarship.

Of course, if you don't like horror movies or

sex, or comedies or sex, or Frankenstein or sex,

well then just don't come see it, honey, because

this movie is dirty, dirty, dirty, dirty, dirty!

Somewhere in outer space, Professor B. Twiddle is approaching Venus.

Up space wheel, Professor B. Twiddle here.

I'm preparing to land on the uneven surface of Venus.

Venus is inhabited by fabulously beautiful giant women.

In fact, I'm sitting on one now, and she's asleep.

Here's a woman who gads about in outer space.

Maybe space driving is easier for dizzy dames.

There's less traffic for them to snarl up.

But look, our girl Cosmonaut has landed on an

unknown planet, inhabited by monstrous beings.

All she can see are their antennae.

Horrible antennae with greedy red eyes at their ends.

How can she save herself?

Oh, yes, there is a way.

The woman of the 21st century will get out of her

difficulty just exactly as her prehistoric sister did.

It's an infallible system, as we all know.

A cosmic striptease.

And the monstrous inhabitants of this remote planet fall for it, too.

Because they are, well, what are they?

Men?

Males?

Anyhow, they all appreciate feminine charms.

There's no doubt about that, as you can see from their ugly little button eyes.

Button, Burton, Colwell.

Of course, if you wanted to see nudie cuties that were a

bit more cutting edge, there were still the arcade loops.

While the law was always eager to bust a theatrical

film, loops weren't given the same priority.

And the loops not only showed a lot more, but were every bit as crazy.

Hey!

Come on, let's go.

Come on, let's go.

Are you a hot, dirty woman that everybody can see?

Are you a hot, dirty woman that everybody can see?

I'll never tell you what you do to me.

You've misused me, baby, but I'm not gonna let you go.

You've misused me, baby, but I'm not gonna let you go.

If you think I'm lying to you, baby, take a step from that door.

Let me roll, roll my boat, gently down your stream.

Let me roll, roll my boat, gently down your stream.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

I'll never tell you what you do to me.

The 60s were the prime time of sexploitation.

And the films were no longer cuties.

They were now simply the nudies.

Suddenly movies were being made by guys who realized

they could make a buck by renting a movie camera and a couple of naked girls.

The resulting films were often sloppy and irrational,

but there was also nothing quite like them.

Well, how do you like being a helpless victim in my castle?

Pretty wonder.

Come on in and watch a dirty old man in action.

Strange love desires that make a mockery out

of marriage will keep you wedded to your seeds.

Ah, a gentleman with a taste for the low life.

An orgy overweight with immorality will scandalize you.

Let the smut peddlers feed you in the whipper seed.

This is a show for the broad-minded.

I know you've all got broads on your mind.

In fact, they're gonna put it on, take it off,

roll it out, wrap it up, and throw it right at you.

So you just be sure you're inside when the big one comes to town.

And the biggest one of the big ones is Traitor Horny.

Gossips and flirts, teases and sadists, prostitutes,

and girls who want to be in show business.

All women are bad.

All women are bad.

I ought to know.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

I'm a man.

But remember, the management reserves the right

to turn the film off if the audience overheats.

"Alarmest.

" An emotional experience in wanton femicide.

"Alarmest.

" "Alarmest.

" Now, a roughy is a picture of black and

white that has more violence in it than sex.

But the sex has got to be the raison d'etre for the violence.

The roughys were the anti-nudy cuties.

While the cuties put women on a pedestal and said, look but don't touch,

the roughys not only pushed women off that

pedestal, but beat, tortured and murdered them.

This is where you go in the daytime to get rid of your headaches.

Stan, if you're going to kill every man I'm going to bed with,

you're going to have a very unhappy marriage.

And I saw two girls chained to a wall in the far corner.

Their keeper was a half-witted monkey-chattering Mongolian hunchback.

By now, in 1964, go out to Hollywood and become associated

with one of the founding fathers of exploitation, The Sonnies.

Dan Sonny had made, oh, probably 75 pictures in his lifetime.

Get out of here, you bitch, you, or I break the goddamn bottle over your head.

Well, the first picture I wanted to make out there was a roughy called The Defilers.

Everything they touch is staged.

Seen.

Savored.

Snared.

Snatched.

Seduced.

Stripped.

Whipped.

I hate to sound braggadocio, but this picture became

the standard by which all future ruffies were gays.

But the most berserk ruffies were made by the

husband and wife team of Michael and Roberta Findlay.

Tapping into the tensions of a skin flick audience

primarily made up of lonely men and frustrated husbands,

the Findleys turn misogyny into an art in which

the battle of the sexes is fought with

weapons, and penetration means getting stabbed.

There were, however, some ruffies that let women dole out the punishment.

In fact, there was even a dominatrix character known as Olga,

who whipped away through her own little series.

This little slut will do what I say and I'll force her to bend my will.

Who the hell does she think she is?

I never thought that I would enjoy beating anyone

as much as I did until I started beating this one.

Olga tortured her prisoners for the sheer pleasure it brought her,

the great satisfaction it meant to be able to bend one's will to hers.

Each torture device was created to do a

specific job, and they all did their duty well.

After being shackled to this horror device for a few days,

its prisoner would beg for mercy and pray to be killed.

Yes, even this stubborn and proud girl had to

come around to my way of thinking sooner or later.

Lola had tasted prison life and wanted no part of this again.

Lola had tasted prison life and wanted no part of this again.

She thought she was strong enough to fight the disease called Olga.

But as the rest learned,

she too learned only too late that Olga was something you could not fight.

And sooner or later, you became a white slave.

First, your arms start to get numb until you can't feel them anymore.

Then you start sweating as if you were burning up.

And your mouth and tongue will feel like shoe leather.

And you'll beg me to kill you.

But no, you'll live never to forget it the rest of your life.

Olga was an animal without conscience

and wouldn't think twice of selling pot to young school children.

Anything for the buck.

You'll be right back.

And you'll be right back.

We'll be right back.

Mmm, baby.

Mmm, beautiful skin.

For you, I will make a zebra.

Body painting was a recurring visual in the 1960s.

Crazy Dancing Hermits, on the other hand, was not.

And now, you'll be right back.

And you'll be right back.

You'll be right back.

And you'll be right back.

And you'll be right back.

And you'll be right back.

And you'll be right back.

And you'll be right back.

And you'll be right back.

And you'll be right back.

And you'll be right back.

And you'll be right back.

And you'll be right back.

And you'll be right back.

Thank you.

And who else but Dave Friedman would have produced

a film featuring a horny, woman fondling plant?

We fought the establishment of any kind of a star

system, but all the young lady emerged as a star.

Her name was Marsha Jordan.

She wasn't that young, and she wasn't that attractive body-wise.

She had an interesting face.

She was a pretty fair actress.

And Marsha must have been in 30 sexploitation nudie cuties.

But she was not a beauty like Sherry Mann or Chris Mathis or Stacey Walker.

See what happens when a simple herdsman meets the

teenage hoidden offspring of history's lustiest heroine.

A little girl from Texas, from Houston, who sounded like the yellow rose of

Texas on her voice, but had a body that didn't stop and had a beautiful face.

Pete Perry and I found her on the beach.

I had done Daughter of Fanny Hill, and I said, I've got to get

something else on the film with this kid for my competitors' finder.

Within a week, I had written a script originally titled The

Man Eater, but I knew that the newspapers wouldn't take that.

So at that time, long titles were in vogue.

So it became a smell of honey, a swallow of rind.

And we shot it in four days, and it worked.

A friend of mine named A.C. Lyles had seen her in the picture.

A.C. was over at Paramount, and he said, why

don't you bring that young lady over here?

And he said, I'd like to meet her.

Came the day I was going to take her over there.

She had disappeared, had gone back to Texas.

Paula, I may be a bitch, but I'll never be a butch.

You know, the wonderful thing about the sexploitation business

and these pictures, there was something for everybody.

That was the whole secret.

The pictures started with a boy-girl scene, and then you had an orgy

scene, and then a spanking scene, and then you had a girl-girl scene.

Of course, the girl-girl scenes weren't meant for a

girl-girl audience, because women didn't go to skin flicks.

But men loved them.

It was twice the TNA without the distraction

of any creepy naked guys getting in the way.

Let me, let me, let me put it in you.

Thing would grow and grow and command me to tear me apart!

Just like it did my mother!

Medical reports tell us that there are all types of lesbians.

The masculine stereotype known as the butch or dyke have many variations.

The bull dyke, the stomping butch, and the baby butch.

Science tells us that for every type of creature

who walks the earth, there is a counterpart.

And so it is also true with the butch.

In this case, the feminine counterpart is known as the femme, or doll.

Marriages are not uncommon among lesbians.

In her hope to establish some form of permanent relationship,

the lesbian often attempts to simulate heterosexual marriage.

The services are usually performed by a male, in many cases a homosexual himself.

Guests are invited.

Monique, my love.

Monique, whose large, firm breasts cause me to forget everything.

Monique, a woman with the most tantalizing assortment

of friends that any latent lesbian could be jealous of.

Here she comes.

Mrs. Hawthorne.

Lezzy from way back.

I'll tell you what, baby.

You may not be a man, but you're a damn good substitute.

Look at her.

Look at her.

What a body.

No wonder she's a Dalek.

It's probably why the governor married her.

She's masculine and aggressive enough for both of them.

The governor's wife.

That literally lets her get her rocks off, if you know what I mean.

Thank you.

Thank you.

And eventually sexploitation, as they used to say, what a trip.

A trip? What kind of a trip?

See the old society's startling entrance into the new swinging world.

The whole dope genre appeared. LSD, tune in, drop out.

You've got to forgive me. I'm a little old to remember Timothy Leary.

But the film students, the kids in film school at UCLA and USC, they were coming out of the schools

and they knew they were going to have a problem getting work at the majors because of the unions.

And they got into the exploitation business. But they found a new freedom.

The End

Roll it, light it, suck it deep inside, and

you're in the turned-on world of smoke and flesh.

Now, a motion picture that dares to explore the

sexual aberrations of the turned-on generation.

The End

I, too, came forth with a dope picture.

The Acid Eaters.

I came up with a line, a film of antisocial significance.

The Acid Eaters.

The Acid Eaters.

The Acid Eaters.

The Acid Eaters.

The Acid Eaters.

The Acid Eaters.

The Acid Eaters.

The Acid Eaters.

The Acid Eaters.

The Acid Eaters.

The Acid Eaters.

The Acid Eaters.

The Acid Eaters.

Thank you.

Thank you.

The distributors of all the major company films, of all the major

companies, Universal, MGM, Paramount, 20th Century Fox, got a new director.

You know, a man that I met, liked very much and respected, named Jack Valenti.

Valenti was very concerned with national censorship.

So he came up with a rating system.

Jim Rex? What's Jim Rex?

Would you believe a movie audience guide presented as a public service by this

theater's management to help you select your motion picture entertainment?

Well, I used to play a little few games with this.

Would get me in trouble with Jack once in a while.

With Zorro, I said, the first movie rated Z.

With Starlet, I said, three X's, X, X, X.

So adult, one X isn't enough.

The lure of motion picture stardom for young, idealistic

girls has always been part of the American dream.

But little has been told about the price extracted

from these nuble actresses to achieve that dream.

Like moths to the flame, they make their way to the Mecca of Hollywood.

Hollywood.

Baghdad on the Pacific.

Sodden by the sea.

Another great thing happened in 1968.

About 200 of us who were involved in the production,

distribution, and exhibition of adult film or sexploitation

met in Kansas City and formed the Adult Film Association of America.

It was determined that the problems were coming not

so much for the people who were making the pictures,

but for the independent exhibitor, the little guy in Charleston,

West Virginia, who would get arrested for showing a certain picture.

And he had a lawyer, but the lawyer didn't know anything about First Amendment rights.

So the first thing we had to do was prepare a kit to

show the lawyers of the independent little exhibitor

somewhere out in the boondocks how to proceed to defend a First Amendment case.

We were in court thousands of times.

I probably spent more time in court than I did on the set.

But we won.

We kept winning.

With every win, of course, we went a little further.

We just pushed the envelope a little bit.

We had started showing pubic hair as early as 1965.

But the first one to show male frontals was a nudist

camp picture, which were by then dead in the water.

But this thing was called The Raw Ones.

And it didn't have much of a playoff, but it did establish a new precedent.

This theater is called to present an entirely

new concept in adult motion picture excitement.

The film Girls Come Too.

Girls Come Too could not have been made a few short months ago, but

with the recent ruling of the Supreme Court of the United States.

And we quote, nudity in itself is not obscene, end of quote, opens up the

door for the creative filmmaker to advance to new and loftier film techniques.

The film takes us on a nudist holiday.

A holiday shared by some of the most beautiful girls and best-looking guys.

The wonderful world of complete nudity.

And I said, complete nudity.

See it.

And remember, nudity is not obscene.

Psychologists have contended that any interpersonal relationship

between two males that indulge in sexual relationship is homosexuality.

One of these is oral copulation, with one of both parties participating.

With rare exceptions, gay men weren't seen in sexploitation movies.

Instead, gay cinema evolved from the underground films.

There was a young man that I had met years ago in Charlotte,

North Carolina, Charlotte Territory, named Shan Sales.

And he came up with a picture called Son of the Loom.

I never could understand this picture.

It was about a Caucasian boy and an Indian boy.

And they go swimming together and they're nude.

And this thing was pretty innocent.

But boy, it became the gone with the wind of the gay community.

And with the advent of the gay rights movement, it wasn't

long before gay theaters joined the sexploitation ghetto.

The fabulous 60s.

The AFI, American Film Institute, clocked something like 900 nudies,

nudie cuties, nudist camp pictures, and roughies made in that one decade.

We all thrived.

We all had a good time.

I mean, you know, the funny thing is, we turned out some pretty good pictures.

There was a transition at the end of the 60s of the storefronts.

And a bunch of people who had appeared from I

don't know where came out and opened a storefront.

Most cities had a law that a theater had to be constituted

a theater and have firewalls and fire protection.

It had to have at least 99 seats.

These characters came in, rented a store downtown, put in 40 or 50 seats,

bought a 16-millimeter projector, put it on a card table, and started grinding.

And all of a sudden, these things went a little

bit further than the sexploitation, nudie cutie.

They just pushed the envelope a little.

It was the transition between the sexploitation and the actual hardcore.

Never before have you witnessed what you'll see in

full color and sound in the house on Beaver Street.

Yes, even our hidden cameras will actually show

them in their uncontrolled, lustful hunger for men.

The producers and distributors of that smash hit,

Anomalies, and the public-loving Daughters of Anomaly,

now present their latest box office hit, Beyond All Limits.

This is not a space film.

How does such a man take two normal girls who simply want to give up smoking

and change them into lesbian lovers for his voyeuristic enjoyment?

Soul Lover explores the world of supernatural sex.

You'll see young girls making love to their invisible lovers.

Danger!

Watch while Tony Broody attacks the Moodyweds.

First the husband, and then the beautiful bride.

Meanwhile, at Bat Pussy's secret warehouse

hideout, Adora Dildo, alias The Mighty Bat Pussy,

is patiently waiting for her super senses to

tell her that a crime is about to be committed.

She can always tell when her twat begins to twitch.

God, Tim, I feel like a crime is about to be committed.

My secret twat tells me somebody's about to shoot a fight movie in my holy Gotham city.

I think this is a job for Bat Pussy.

Tell her mine not to get it into my Bat Pussy uniform.

I think this is a job for Bat Pussy.

I think this is a job for Bat Pussy.

I think this is a job for Bat Pussy.

I think this is a job for Bat Pussy.

I think this is a job for Bat Pussy.

I think this is a job for Bat Pussy.

I think this is a job for Bat Pussy.

I think this is a job for Bat Pussy.

I think this is a job for Bat Pussy.

I think this is a job for Bat Pussy.

I think this is a job for Bat Pussy.

I think this is a job for Bat Pussy.

I think this is a job for Bat Pussy.

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I think this is a job for Bat Pussy.

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I think this is a job for Bat Pussy.

I think this is a job for Bat Pussy.

A sexual revolution has taken place in America.

We may now purchase on the open market those

items that as recently as a year ago were

hidden in closets and buried in bureau drawers.

Cornographic movies, books and pictures abound across our land.

A sexual revolution has taken place in America.

A sexual revolution has taken place in America.

A sexual revolution has taken place in America.

A sexual revolution has taken place in America.

A sexual revolution has taken place in America.

A sexual revolution has taken place in America.

A sexual revolution has taken place in America.

A sexual revolution has taken place in America.

A sexual revolution has taken place in America.

A sexual revolution has taken place in America.

A sexual revolution has taken place in America.

A sexual revolution has taken place in America.

A sexual revolution has taken place in America.

A sexual revolution has taken place in America.

A sexual revolution has taken place in America.

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A sexual revolution has taken place in America.

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A sexual revolution has taken place in America.

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A sexual revolution has taken place in America.

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A sexual revolution has taken place in America.

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