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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:32,884 --> 00:00:34,356 ( exhales ) 2 00:00:34,356 --> 00:00:36,889 MRS. WEIDEMEYER? 3 00:00:36,889 --> 00:00:38,891 IT'S ME, SASHA. YOUR NEIGHBOR. 4 00:00:38,891 --> 00:00:41,234 ARE YOU HOME? 5 00:00:41,234 --> 00:00:43,367 COME ON, YOU OLD CRONE. YOU'RE ALWAYS HOME. 6 00:00:43,367 --> 00:00:46,371 GINNY, HEY. IT'S ME. I JUST GOT HOME 7 00:00:46,371 --> 00:00:47,902 AND MY FRONT DOOR IS WIDE OPEN. 8 00:00:47,902 --> 00:00:50,375 NOT SURE WHAT TO DO. CALL ME. 9 00:00:50,375 --> 00:00:52,378 ( phone beeps ) 10 00:00:52,378 --> 00:00:54,380 MRS. WEIDEMEYER, 11 00:00:54,380 --> 00:00:55,952 IF YOU'RE THERE AND YOU HEARD 12 00:00:55,952 --> 00:00:57,384 THAT UNFORTUNATE VERBAL SLIP I JUST MADE, 13 00:00:57,384 --> 00:00:59,056 I'M VERY SORRY, IT CAME OUT OF THE MOMENT, 14 00:00:59,056 --> 00:01:00,518 AND I WANT TO MAKE IT UP TO YOU. 15 00:01:00,518 --> 00:01:02,390 I THINK YOU HAVE AN MRI NEXT WEEK? 16 00:01:02,390 --> 00:01:03,922 LOVE TO BE YOUR WHEELS. 17 00:01:07,396 --> 00:01:09,399 BOO? NOT THERE. OKAY. 18 00:01:09,399 --> 00:01:11,071 WHAT GOOD ARE CELLPHONES? 19 00:01:11,071 --> 00:01:12,502 LOOK, THERE MIGHT BE A BURGLAR IN MY PLACE. 20 00:01:12,502 --> 00:01:13,403 CALL ME. 21 00:01:17,579 --> 00:01:18,940 ( phone beeps ) 22 00:01:18,940 --> 00:01:20,412 CALL POLICE. 23 00:01:20,412 --> 00:01:22,414 Phone: Calling Paula. Mobile. 24 00:01:22,414 --> 00:01:24,417 - CANCEL. - ( phone beeps ) 25 00:01:24,417 --> 00:01:26,289 CALL POLICE. 26 00:01:26,289 --> 00:01:28,992 Phone: Calling Paulito's Trattoria. Work. 27 00:01:28,992 --> 00:01:30,424 - CANCEL. - ( phone beeps ) 28 00:01:30,424 --> 00:01:32,557 CALL POLICE. 29 00:01:32,557 --> 00:01:34,229 Phone: Calling Paul's Bakery. Work. 30 00:01:38,304 --> 00:01:40,506 ( theme music playing ) 31 00:01:58,458 --> 00:02:00,391 OH. 32 00:02:01,993 --> 00:02:03,264 - MM. DELICIOUS. - HEAVEN. 33 00:02:03,264 --> 00:02:04,466 - WHOA. - WHAT? 34 00:02:04,466 --> 00:02:06,268 - I THINK I JUST SAW GOD. - FROM EATING A MARSHMALLOW? 35 00:02:06,268 --> 00:02:08,070 - HIS WAYS ARE STRANGE. - WHAT DID HE LOOK LIKE? 36 00:02:08,070 --> 00:02:10,203 - JUDY GARLAND. - GOD'S A GOOD GIG FOR HER. 37 00:02:10,203 --> 00:02:11,604 YOU'RE FALLING BEHIND, TRULY. 38 00:02:11,604 --> 00:02:13,276 COME. HAVE ANOTHER ONE. 39 00:02:13,276 --> 00:02:14,608 YOU KNOW THE OLD SAYING. 40 00:02:14,608 --> 00:02:16,410 "MY HIPS SAY NO, BUT MY MOUTH SAYS 41 00:02:16,410 --> 00:02:17,952 GET IN THERE, TRULY, AND ENJOY SOMETHING 42 00:02:17,952 --> 00:02:19,484 WITHOUT FEELING THE LIFE-SUCKING GUILT 43 00:02:19,484 --> 00:02:21,186 YOUR MOTHER BEAT INTO YOU FOR 20 YEARS." 44 00:02:21,186 --> 00:02:22,488 IS THAT HOW THE OLD SAYING GOES? 45 00:02:22,488 --> 00:02:23,889 - WORD FOR WORD. - ( cellphone ringing ) 46 00:02:23,889 --> 00:02:26,623 COOLNESS. A TEXT FROM MY FIANCE. 47 00:02:26,623 --> 00:02:29,026 OH, THEY CAN TEXT ON LIFE ALERT PENDANTS NOW? 48 00:02:29,026 --> 00:02:30,367 IGNORING THAT. 49 00:02:30,367 --> 00:02:32,370 HE'S ALL PACKED AND READY TO DRIVE OUT HERE TOMORROW. 50 00:02:32,370 --> 00:02:33,571 HIS BEST MAN'S RIDING SHOTGUN. 51 00:02:33,571 --> 00:02:35,173 THEY HAVE BEEN FRIENDS SINCE GRADE SCHOOL. 52 00:02:35,173 --> 00:02:36,935 - ISN'T THAT CUTE? - THEY CAN REMINISCE ABOUT SOUP LINES 53 00:02:36,935 --> 00:02:38,207 AND ICE WAGONS. 54 00:02:38,207 --> 00:02:40,379 BEST MAN? WHEN ARE YOU AND RICK GETTING MARRIED? 55 00:02:40,379 --> 00:02:42,312 TOMORROW. ON THE BEACH AT SUNSET. 56 00:02:42,312 --> 00:02:44,044 RECEPTION TO FOLLOW AT THE MADONNA INN. 57 00:02:44,044 --> 00:02:45,516 THE WEIRDEST, COOLEST PLACE IN CALI. 58 00:02:45,516 --> 00:02:49,450 AH, GIRLS, YOU KNOW WHAT MARRYING A LOVELY MAN OF MEANS MEANS? 59 00:02:49,450 --> 00:02:51,523 NO MORE PERFORMING. I CAN HANG UP THE TIGHTS, 60 00:02:51,523 --> 00:02:53,926 HANG UP THE HEADDRESSES. DO YOU KNOW I HAVE WORKED 61 00:02:53,926 --> 00:02:55,658 EVERY NEW YEAR'S EVE SINCE I WAS 17? 62 00:02:55,658 --> 00:02:57,530 I HAVE NEVER CELEBRATED NEW YEAR'S. 63 00:02:57,530 --> 00:02:59,433 NOW RICK AND I CAN CELEBRATE NEW YEAR'S. 64 00:02:59,433 --> 00:03:00,534 All: IF HE MAKES IT TO NEW YEAR'S. 65 00:03:00,534 --> 00:03:02,466 - SO OBVIOUS. - GETTING SLOPPY. 66 00:03:02,466 --> 00:03:03,668 AND I CAN CRAFT. 67 00:03:03,668 --> 00:03:04,609 I'VE ALWAYS WANTED TO CRAFT. 68 00:03:04,609 --> 00:03:06,171 YOU HAVE NEVER WANTED TO CRAFT. 69 00:03:06,171 --> 00:03:08,273 WELL, I DO NOW. IT'LL BE DIRTY CRAFTING, 70 00:03:08,273 --> 00:03:09,545 BUT IT'LL BE CRAFTING. 71 00:03:09,545 --> 00:03:11,547 AND I DON'T HAVE TO GO TO THE GYM SIX DAYS A WEEK. 72 00:03:11,547 --> 00:03:13,550 I CAN EVEN GAIN THREE POUNDS. 73 00:03:13,550 --> 00:03:16,183 - THINK ABOUT THAT! - I'D STILL LOVE YOU IF YOU GAINED FIVE. 74 00:03:16,183 --> 00:03:17,955 AND I CAN GET A PACK OF PEKINGESE TO GREET ME AT THE DOOR 75 00:03:17,955 --> 00:03:20,428 WHEN I COME HOME FROM NOT WORKING OR WORKING OUT. 76 00:03:20,428 --> 00:03:23,432 AND I CAN FEED THEM FROM MY GIANT BOWL OF BONBONS. 77 00:03:23,432 --> 00:03:25,434 WHAT'S A PEKINGESE? LONG-HAIRED DOG? 78 00:03:25,434 --> 00:03:27,166 SHORT HAIR. I THINK, YEAH. SHORT. 79 00:03:27,166 --> 00:03:28,238 AND YOU WON'T MISS PERFORMING? 80 00:03:28,238 --> 00:03:29,569 THAT'S YOUR THING, NOT MINE. 81 00:03:29,569 --> 00:03:31,071 BECAUSE RICK'S YOUR THING NOW. 82 00:03:31,071 --> 00:03:32,202 RICK'S MY THING. 83 00:03:32,202 --> 00:03:33,704 AND MICHELLE'S YOUR MAID OF HONOR? 84 00:03:33,704 --> 00:03:35,647 OH, WE DIDN'T EVEN TALK ABOUT THAT. 85 00:03:35,647 --> 00:03:36,678 I'LL DO IT IF YOU WANT ME TO? 86 00:03:36,678 --> 00:03:38,250 BECAUSE MAID OF HONOR 87 00:03:38,250 --> 00:03:40,112 IS AN IMPORTANT PART OF ANY WEDDING, I THINK. 88 00:03:40,112 --> 00:03:41,584 WITH THE SYMBOLISM, 89 00:03:41,584 --> 00:03:44,718 AND THE EXPRESSIONISM, AND THE CEREMONIALISM, 90 00:03:44,718 --> 00:03:45,759 AND THE DALAI-LAMA-ISM. 91 00:03:45,759 --> 00:03:47,391 WHERE'S SHE GOING WITH THIS? 92 00:03:47,391 --> 00:03:48,562 ONE OF THOSE WASN'T EVEN A WORD. 93 00:03:48,562 --> 00:03:50,665 I JUST THINK YOU SHOULD HAVE 94 00:03:50,665 --> 00:03:52,597 A DESIGNATED MAID OF HONOR. 95 00:03:52,597 --> 00:03:55,130 I WOULD BE A GREAT MAID OF HONOR. 96 00:03:55,130 --> 00:03:57,473 NO ONE'S EVER ASKED ME. BUT THEY SHOULD. 97 00:03:57,473 --> 00:03:58,605 BECAUSE I WOULD BE GREAT. 98 00:03:58,605 --> 00:04:00,777 IF I DO SAY SO MYSELF, WHICH I JUST DID. 99 00:04:00,777 --> 00:04:02,479 - OH, YOU GOTTA. - YOU DON'T MIND? 100 00:04:02,479 --> 00:04:04,011 LOOK AT THAT FACE. 101 00:04:05,083 --> 00:04:06,484 TRULY, 102 00:04:06,484 --> 00:04:08,316 WILL YOU BE MY MAID OF HONOR? 103 00:04:08,316 --> 00:04:10,149 YES! REALLY? I'LL BE A GREAT ONE. 104 00:04:10,149 --> 00:04:11,620 I JUST SAID THAT, DIDN'T I? 105 00:04:11,620 --> 00:04:13,092 WE NEED MORE CHOCOLATE. 106 00:04:13,092 --> 00:04:14,624 MORE CHOCOLATE COMING UP. 107 00:04:14,624 --> 00:04:16,757 IS SHE GONNA REMEMBER SHE ASKED TOMORROW? 108 00:04:16,757 --> 00:04:18,028 VERY IFFY. 109 00:04:20,702 --> 00:04:21,633 - SASHA? - AAH! 110 00:04:21,633 --> 00:04:22,634 I'M SORRY. ARE YOU OKAY? 111 00:04:22,634 --> 00:04:24,506 I LOCKED THAT THIS MORNING FOR SURE. 112 00:04:24,506 --> 00:04:25,507 I REMEMBER DOING IT. 113 00:04:25,507 --> 00:04:26,639 DID YOU CALL THE POLICE? 114 00:04:26,639 --> 00:04:27,770 YES, AFTER BEING ON HOLD FOR 20 MINUTES 115 00:04:27,770 --> 00:04:29,042 THEY TOLD ME TO GO IN AND SEE IF 116 00:04:29,042 --> 00:04:30,243 ANYONE'S THERE. 117 00:04:30,243 --> 00:04:32,045 - THAT'S STUPID. - I WAS DISAPPOINTED. 118 00:04:32,045 --> 00:04:34,518 WELL, IT'S PROBABLY NOTHING. 119 00:04:34,518 --> 00:04:36,321 I'LL GO IN AND MAKE SURE IT'S ALL FINE. 120 00:04:36,321 --> 00:04:37,522 I LOCKED THAT DOOR. 121 00:04:37,522 --> 00:04:39,184 - I BELIEVE YOU. - BE CAREFUL. 122 00:04:41,657 --> 00:04:42,788 DON'T STEP ON MY FRUIT! 123 00:04:42,788 --> 00:04:44,661 IT'S AN ORANGE. WHO CARES? 124 00:04:44,661 --> 00:04:46,193 IT'S A TANGELO. IT'S ORGANIC, 125 00:04:46,193 --> 00:04:47,534 AND IT COST LIKE A THOUSAND DOLLARS. 126 00:04:47,534 --> 00:04:49,537 OKAY. I'LL WATCH THE TANGELOS. 127 00:04:53,672 --> 00:04:55,204 - WHAT ARE YOU DOING? - I'M COMING WITH. 128 00:04:55,204 --> 00:04:56,345 - NO. - I CAN HELP. 129 00:04:56,345 --> 00:04:57,677 - I KNOW THE PLACE. - I KNOW THE PLACE TOO. 130 00:04:57,677 --> 00:04:58,808 I KNOW IT BETTER. 131 00:04:58,808 --> 00:05:00,410 IT'S A ONE BEDROOM APARTMENT. 132 00:05:00,410 --> 00:05:01,611 IT'S NOT LIKE YOU NEED THE SCHEMATICS OR ANYTHING. 133 00:05:01,611 --> 00:05:04,215 - I'M GOING WITH YOU. - FINE. 134 00:05:04,215 --> 00:05:06,217 ANYONE THERE? 135 00:05:06,217 --> 00:05:08,690 IF YOU'RE THERE, YOU'RE GONNA WISH YOU WEREN'T. 136 00:05:08,690 --> 00:05:11,193 OH, GOOD. THAT WAS GOOD. NICE FORCEFUL TONE. 137 00:05:13,366 --> 00:05:16,700 LISTEN, THERE'S A BASEBALL BAT UNDER THE COUCH. 138 00:05:16,700 --> 00:05:18,372 I DON'T NEED A BASEBALL BAT. 139 00:05:18,372 --> 00:05:19,834 AND THERE'S AN UMBRELLA IN THE LINEN CLOSET. 140 00:05:19,834 --> 00:05:21,836 IT'S GOT PRETTY PONY ON IT, BUT THE END'S REALLY POINTY. 141 00:05:21,836 --> 00:05:22,837 YOU CAN POKE HIS EYES OUT. 142 00:05:22,837 --> 00:05:24,379 HELLO? 143 00:05:24,379 --> 00:05:25,711 THERE'S A TENNIS RACKET BY THE FIREPLACE 144 00:05:25,711 --> 00:05:27,243 AND THERE'S AMMONIA UNDER THE SINK. 145 00:05:27,243 --> 00:05:28,584 SO WE CAN DISINFECT HIM? 146 00:05:28,584 --> 00:05:30,587 BLIND HIM. THEN WE'LL OVERTAKE HIM. 147 00:05:30,587 --> 00:05:32,249 UNLESS HE FOUND THE PRETTY PONY UMBRELLA, 148 00:05:32,249 --> 00:05:33,590 IN WHICH CASE WE'RE DONE FOR. 149 00:05:35,723 --> 00:05:37,725 WAS THIS DOOR CLOSED WHEN YOU LEFT? 150 00:05:37,725 --> 00:05:39,127 YES. 151 00:05:39,127 --> 00:05:41,260 NO. I DON'T REMEMBER. 152 00:05:43,603 --> 00:05:44,734 GET THE PRETTY PONY. 153 00:05:58,751 --> 00:06:01,755 - ( banging, clanging ) - AAH! ROMAN! 154 00:06:06,290 --> 00:06:08,293 THERE IS A VERY LARGE SPIDER IN THAT BATHROOM. 155 00:06:08,293 --> 00:06:09,834 A SPIDER? 156 00:06:09,834 --> 00:06:12,297 I MEAN, WE'RE TALKING PALEOLITHIC HORROR MOVIE TYPE STUFF HERE. 157 00:06:12,297 --> 00:06:13,499 WHERE'S MY UMBRELLA? 158 00:06:13,499 --> 00:06:14,640 HE TOOK IT FROM ME. 159 00:06:14,640 --> 00:06:16,773 THIS IS A VERY SERIOUS SPIDER. 160 00:06:16,773 --> 00:06:18,645 WHAT ABOUT THE BEDROOM? 161 00:06:18,645 --> 00:06:20,307 ( exhales ) 162 00:06:20,307 --> 00:06:21,649 LET'S CHECK IT. 163 00:06:29,789 --> 00:06:31,591 THERE'S ANOTHER BASEBALL BAT IN THE CLOSET 164 00:06:31,591 --> 00:06:33,463 AND THERE'S A CROWBAR UNDER THE BED. 165 00:06:33,463 --> 00:06:35,666 REMIND ME NEVER TO MAKE YOU MAD AT ME. 166 00:06:45,678 --> 00:06:47,340 - ( sighs ) - ANYTHING? 167 00:06:47,340 --> 00:06:48,812 JUST THE CROWBAR. 168 00:06:48,812 --> 00:06:50,214 I THINK WE'RE GOOD. 169 00:06:50,214 --> 00:06:52,346 - WE'RE GOOD? - WE'RE GOOD. 170 00:06:52,346 --> 00:06:53,988 GOOD. 171 00:06:53,988 --> 00:06:56,692 - THANK YOU FOR COMING. - ANYTIME. 172 00:06:56,692 --> 00:06:58,824 I'VE NEVER LEFT THAT DOOR OPEN. 173 00:06:58,824 --> 00:07:00,556 THAT WAS SO STUPID. 174 00:07:00,556 --> 00:07:02,358 YEAH. YOU SHOULD WATCH THAT. 175 00:07:02,358 --> 00:07:04,831 I KNOW YOU COULDN'T TELL, 176 00:07:04,831 --> 00:07:06,704 BUT I WAS SCARED. 177 00:07:06,704 --> 00:07:07,765 I COULD TELL. 178 00:07:09,838 --> 00:07:10,909 YOUR HANDS ARE COLD. 179 00:07:10,909 --> 00:07:12,371 THEY'RE ALWAYS COLD. 180 00:07:18,378 --> 00:07:19,850 WE SHOULD GO CHECK ON MRS. WEIDEMEYER. 181 00:07:19,850 --> 00:07:21,382 SHE MIGHT BE DEAD. 182 00:07:21,382 --> 00:07:22,853 MRS. WEIDEMEYER'S FINE. 183 00:07:30,993 --> 00:07:32,795 WE'RE HERE! SASHA, IT'S RUSTY! 184 00:07:32,795 --> 00:07:34,468 - AND NANETTE! - THE JORDANS! 185 00:07:34,468 --> 00:07:36,400 RUSTY AND NANETTE JORDAN. 186 00:07:36,400 --> 00:07:37,872 - OH, THANK GOD. - ARE YOU OKAY? 187 00:07:37,872 --> 00:07:39,744 WHO IS THIS BOY? DO WE KNOW THIS BOY? 188 00:07:39,744 --> 00:07:41,276 - I DON'T KNOW THIS BOY. - THIS IS ROMAN. HE GOT HERE FIRST. 189 00:07:41,276 --> 00:07:42,948 - DID YOU CHECK ALL THE ROOMS? - ALL THE CLOSETS? 190 00:07:42,948 --> 00:07:44,410 - THE BATHROOMS? - THE CUPBOARDS? 191 00:07:44,410 --> 00:07:45,681 YEAH. WE CHECKED IT ALL. 192 00:07:45,681 --> 00:07:46,883 - OH, THANK GOD. - I WANT TO MAKE SURE. 193 00:07:46,883 --> 00:07:48,485 - DO WE KNOW THIS BOY? - YEAH, WE KNOW HIM. 194 00:07:48,485 --> 00:07:49,886 - OH MY GOD. - SHE'S OKAY. 195 00:07:49,886 --> 00:07:51,418 - YOU'RE OKAY? - I'M OKAY. 196 00:07:51,418 --> 00:07:52,890 - HI, ROMAN. - HI, BOO. 197 00:07:52,890 --> 00:07:54,422 SO WE KNOW THIS BOY? 198 00:07:54,422 --> 00:07:55,563 YES, WE KNOW THIS BOY. 199 00:07:55,563 --> 00:07:56,895 - RUSTY? - I'M DOING A SWEEP. 200 00:07:56,895 --> 00:07:57,966 WE WERE SO WORRIED. 201 00:07:57,966 --> 00:07:59,628 - I'M OKAY. - LIVING ROOM'S CLEAR. 202 00:07:59,628 --> 00:08:01,971 - I'LL CHECK THE KITCHEN. - I GOT THE KITCHEN. 203 00:08:01,971 --> 00:08:02,972 DID YOU LOOK UNDER THE BED? 204 00:08:02,972 --> 00:08:04,074 THAT'S WHERE THEY HIDE, UNDER THE BED. 205 00:08:04,074 --> 00:08:05,736 I CHECKED UNDER THE BED. 206 00:08:05,736 --> 00:08:06,977 - I'M GONNA CHECK THE BATHROOM. - YEAH, CHECK THE BATHROOM. 207 00:08:06,977 --> 00:08:08,579 WHERE'D YOU HAVE THE SLEDGEHAMMER? 208 00:08:08,579 --> 00:08:09,841 OH, I BROUGHT THE SLEDGEHAMMER. 209 00:08:09,841 --> 00:08:12,013 Boys: ( yelling ) 210 00:08:12,013 --> 00:08:14,546 YOU HAD TO BRING THE WINKLEBURNS? 211 00:08:14,546 --> 00:08:16,318 IT WOULDN'T BE SAFE TO LEAVE THEM IN THE CAR. 212 00:08:16,318 --> 00:08:17,520 YOU THOUGHT THERE WAS A BURGLAR IN HERE. 213 00:08:17,520 --> 00:08:18,591 THAT IS SAFER? 214 00:08:18,591 --> 00:08:19,993 Rusty: OH, GEEZ. WHAT THE GEEZ! 215 00:08:19,993 --> 00:08:21,995 - RUSTY, WHAT'S HAPPENING?! - IT'S THE BIGGEST SPIDER 216 00:08:21,995 --> 00:08:23,928 I'VE EVER SEEN IN HERE. IT'S A MONSTER! 217 00:08:23,928 --> 00:08:26,000 - WELL, KILL IT! - I TRIED. IT WON'T DIE! 218 00:08:26,000 --> 00:08:28,033 WELL-- BOO, GET THE WINKLEBURNS. 219 00:08:28,033 --> 00:08:30,105 Rusty: OH, IT'S LOOKING RIGHT AT ME. 220 00:08:30,105 --> 00:08:32,408 - SMASH IT WITH YOUR SLEDGEHAMMER. - IT TOOK THE SLEDGEHAMMER! 221 00:08:32,408 --> 00:08:34,941 - CAN YOU JUMP OUT THE WINDOW? - I CAN'T GET OUT THE WINDOW! 222 00:08:34,941 --> 00:08:36,343 IT'S GOT TEETH! 223 00:08:36,343 --> 00:08:38,475 Michelle: FIVE, SIX, SEVEN, EIGHT. 224 00:08:38,475 --> 00:08:40,478 ( piano playing ) 225 00:08:43,822 --> 00:08:45,084 GOOD, GUYS. LET'S DO IT AGAIN. 226 00:08:46,625 --> 00:08:47,957 WHERE ARE YOU SPOTTING? 227 00:08:47,957 --> 00:08:49,829 MICHELLE, STRAPS OR STRAPLESS? 228 00:08:49,829 --> 00:08:51,491 - WHAT? - FOR MY MAID OF HONOR DRESS. 229 00:08:51,491 --> 00:08:53,093 I'M MAKING IT STRAPS OR STRAPLESS? 230 00:08:53,093 --> 00:08:55,036 I DON'T KNOW. STRAPS, I GUESS. 231 00:08:55,036 --> 00:08:56,598 LIKE MINDS. 232 00:08:56,598 --> 00:08:57,699 REALLY USE YOUR FEET. 233 00:08:57,699 --> 00:08:58,700 WIDE OR SPAGHETTI? 234 00:08:58,700 --> 00:08:59,972 WIDE. GO WIDE. 235 00:08:59,972 --> 00:09:02,845 WE ARE SIMPATICO. 236 00:09:02,845 --> 00:09:04,107 LAND IN FIFTH, PLEASE. 237 00:09:04,107 --> 00:09:05,649 TIME TO PICK A FABRIC, PARTNER. 238 00:09:05,649 --> 00:09:07,511 TRULY, PLEASE. CLASS ENDS IN 20 MINUTES. 239 00:09:07,511 --> 00:09:09,714 - WE'LL TALK THEN. - I HAVE EIGHT HOURS TO GET THIS MADE. 240 00:09:09,714 --> 00:09:11,115 MY FOCUS RIGHT NOW IS HERE, OKAY? 241 00:09:11,115 --> 00:09:12,557 FAIR ENOUGH. 242 00:09:13,558 --> 00:09:14,860 Michelle: NICE. 243 00:09:14,860 --> 00:09:16,862 USE YOUR PLIES. 244 00:09:16,862 --> 00:09:18,865 I'M LEANING TOWARDS THE CRINKLE CHIFFON. 245 00:09:18,865 --> 00:09:20,727 TRULY, ASK TALIA. SHE'S THE BRIDE. 246 00:09:20,727 --> 00:09:22,599 I DID, BUT I WANT A SECOND OPINION. 247 00:09:22,599 --> 00:09:24,071 IT'S A DRESS, NOT A HIP REPLACEMENT. 248 00:09:24,071 --> 00:09:25,833 - ( whistle blows ) - WHAT THE HELL? 249 00:09:25,833 --> 00:09:27,035 - UH-OH. - BASH. 250 00:09:27,035 --> 00:09:28,076 - WHAT ZONES? - ZONES? WHAT DO YOU MEAN ZONES? 251 00:09:28,076 --> 00:09:29,408 ZONE ONE? I'M ZONE ONE. 252 00:09:29,408 --> 00:09:30,479 - I'M THREE. - I'M FOUR. 253 00:09:30,479 --> 00:09:31,610 - I'M TWO. - I'M LOST. 254 00:09:31,610 --> 00:09:33,943 THIS IS A FULL AND IMMEDIATE EVACUATION, 255 00:09:33,943 --> 00:09:36,146 PEOPLE. ZONES ONE THROUGH FOUR. 256 00:09:36,146 --> 00:09:38,418 ( girls murmur ) 257 00:09:38,418 --> 00:09:39,550 WHERE'S FANNY? 258 00:09:39,550 --> 00:09:40,651 OUT OF THE COUNTRY. WHAT'S GOING ON? 259 00:09:40,651 --> 00:09:42,624 THE WOODS NORTH OF THE HIGHWAY ARE ON FIRE. 260 00:09:42,624 --> 00:09:44,826 EVERYONE IN AN EVAC ZONE NEEDS TO BE IN A SHELTER. 261 00:09:44,826 --> 00:09:46,759 OH, WOW. OKAY. SO WHERE DO I GO? 262 00:09:46,759 --> 00:09:48,030 YOU'RE ALREADY THERE. 263 00:09:48,030 --> 00:09:49,502 WHAT DOES THAT MEAN? 264 00:09:49,502 --> 00:09:51,034 THE STUDIO IS ONE OF TWO DESIGNATED 265 00:09:51,034 --> 00:09:53,036 EVACUATION CENTERS IN TOWN. 266 00:09:53,036 --> 00:09:55,039 WE'RE THE EAST SIDE EVAC. THEY'RE THE WEST SIDE. 267 00:09:55,039 --> 00:09:57,141 WAIT, SO PEOPLE ARE COMING HERE TO STAY? TO SLEEP? 268 00:09:57,141 --> 00:09:58,743 AND I'M ONE OF THE ONES IN CHARGE. 269 00:09:58,743 --> 00:09:59,875 THAT'S WHY I'M WEARING THIS CAP. 270 00:09:59,875 --> 00:10:01,547 - THAT SAYS "CAP." - THAT'S RIGHT. 271 00:10:01,547 --> 00:10:02,648 THAT JUST SEEMS SILLY. 272 00:10:02,648 --> 00:10:04,050 CAP STANDS FOR CAPTAIN. 273 00:10:04,050 --> 00:10:05,451 IT IDENTIFIES MY AUTHORITY. 274 00:10:05,451 --> 00:10:07,023 YOU'D BETTER CATCH UP HERE. 275 00:10:07,023 --> 00:10:09,186 HMM. YOU'VE GOT A BIG HEAD, 276 00:10:09,186 --> 00:10:10,788 - BUT I THINK IT'LL FIT. - THINK WHAT'LL FIT? 277 00:10:10,788 --> 00:10:12,190 THE "CAP" CAP. IT COMES WITH THE JOB. 278 00:10:12,190 --> 00:10:14,933 WE'LL HAVE TO BROOM OUT THESE CHAIRS HERE. 279 00:10:14,933 --> 00:10:15,994 WHAT JOB? 280 00:10:15,994 --> 00:10:17,136 WITH FANNY GONE, 281 00:10:17,136 --> 00:10:18,868 YOU ARE THE DESIGNATED CO-CAPTAIN 282 00:10:18,868 --> 00:10:20,540 OF THE EAST SIDE EVACUATION CENTER. 283 00:10:20,540 --> 00:10:22,072 - NO. I REFUSE. - YES. YOU CAN'T. 284 00:10:22,072 --> 00:10:24,545 - I'M UNQUALIFIED. - SO WAS I, AND LOOK AT ME NOW. 285 00:10:24,545 --> 00:10:25,676 THE TOWN IS DOOMED. 286 00:10:25,676 --> 00:10:27,608 LISTEN, TIME IS OF THE ESSENCE HERE. 287 00:10:27,608 --> 00:10:29,150 THERE'S NO ONE ELSE TO DO THIS. 288 00:10:29,150 --> 00:10:30,752 SO IF YOU CARE ABOUT YOUR COMMUNITY, 289 00:10:30,752 --> 00:10:32,084 PUT THE "CAP" CAP ON. 290 00:10:37,621 --> 00:10:38,822 HEAD'S TOO BIG. 291 00:10:46,171 --> 00:10:48,103 SO ALL THE IMMEDIATE-NEED FOOD AND WATER SUPPLIES 292 00:10:48,103 --> 00:10:50,236 WILL BE SET UP AND DISPENSED ALONG THE SOUTH WALL HERE. 293 00:10:50,236 --> 00:10:51,237 "FOOD AND WATER SUPPLIES." GOT IT. 294 00:10:51,237 --> 00:10:52,839 - DON'T WRITE THAT DOWN. - OKAY. 295 00:10:52,839 --> 00:10:54,781 AND THIS WILL BE LAPTOPS WITH INTERNET CONNECTIONS 296 00:10:54,781 --> 00:10:56,243 SO PEOPLE CAN KEEP IN TOUCH WITH LOVED ONES. 297 00:10:56,243 --> 00:10:57,585 "IN TOUCH WITH LOVED ONES." SWEET. 298 00:10:57,585 --> 00:10:59,247 - DON'T WRITE THAT DOWN. - CROSSING IT OFF. 299 00:10:59,247 --> 00:11:01,119 AND OVER THERE IS OUR MEDICAL AREA. 300 00:11:01,119 --> 00:11:03,092 BANDAGES, IV, ANALGESICS, ALL THE BASICS. 301 00:11:03,092 --> 00:11:04,553 "ALL THE BASICS." 302 00:11:04,553 --> 00:11:06,526 - DON'T WRITE THAT DOWN. - WHY DID YOU GIVE ME A CLIPBOARD? 303 00:11:06,526 --> 00:11:08,658 MOST OF THE REST OF THIS SPACE WILL BE SLEEPING AREAS. 304 00:11:08,658 --> 00:11:10,260 SO YOU AND I WILL HAVE TO SIT DOWN 305 00:11:10,260 --> 00:11:12,733 AND FIGURE OUT HOW TO DIVIDE PEOPLE UP. MAKE A CHART. 306 00:11:12,733 --> 00:11:14,536 DIVIDE THEM UP? MAKE A CHART? WHY? 307 00:11:14,536 --> 00:11:16,208 OBVIOUSLY FAMILIES CAN STAY TOGETHER, 308 00:11:16,208 --> 00:11:17,940 BUT THE YOUNG UNMARRIED SHOULDN'T MIX. 309 00:11:17,940 --> 00:11:19,812 COME ON, BASH, IT'S ONE BIG OPEN ROOM. 310 00:11:19,812 --> 00:11:21,544 WHAT COULD THEY POSSIBLY DO? 311 00:11:21,544 --> 00:11:22,816 ORGY. 312 00:11:22,816 --> 00:11:24,548 HAVE THEY ORGIED IN THE PAST? 313 00:11:24,548 --> 00:11:25,619 THERE'S ALWAYS A FIRST. 314 00:11:25,619 --> 00:11:27,551 WELL, THIS IS AMERICA, LAND OF THE FREE. 315 00:11:27,551 --> 00:11:29,284 LET THE PEOPLE CHOOSE WHERE THEY WANT TO SLEEP. 316 00:11:29,284 --> 00:11:31,286 FINE. YOUR CALL. FOLLOW ME. 317 00:11:32,958 --> 00:11:35,091 HERE'S OUR SLUSH STORAGE. 318 00:11:35,091 --> 00:11:37,764 AND OF COURSE, SPACE FOR OUR FOUR-LEGGED EVACUEES. 319 00:11:37,764 --> 00:11:39,166 CAN YOU BE IN CHARGE OF THEIR WATER? 320 00:11:39,166 --> 00:11:41,038 - I WILL WATER THE ANIMALS. - BETTER WRITE THAT DOWN. 321 00:11:41,038 --> 00:11:42,299 - OH, GEEZ. - OH, AND... 322 00:11:42,299 --> 00:11:43,841 I ALMOST FORGOT. HERE. 323 00:11:43,841 --> 00:11:45,243 A WALKIE-TALKIE. 324 00:11:45,243 --> 00:11:47,305 SO WE CAN COMMUNICATE. WE'RE CO-CAPTAINS, 325 00:11:47,305 --> 00:11:48,847 AND COMMUNICATION IS VITAL. 326 00:11:48,847 --> 00:11:50,680 - OKAY. - SO IT'S IMPORTANT... 327 00:11:50,680 --> 00:11:51,310 - FIRE TORPEDOES! FIRE TORPEDOES! - ...TO USE IT RESPONSIBLY 328 00:11:51,310 --> 00:11:52,712 BECAUSE IT'S NOT A TOY. 329 00:11:52,712 --> 00:11:53,853 RIGHT. NOT A TOY. 330 00:11:53,853 --> 00:11:55,055 IT'S GONNA BE A LONG NIGHT, MICHELLE. 331 00:11:55,055 --> 00:11:56,256 AND I CAN'T DO THIS ALONE. 332 00:11:56,256 --> 00:11:57,318 I'M HERE FOR YOU. 333 00:11:57,318 --> 00:12:01,863 REALLY BE HERE FOR ME AND AT THE END OF THE NIGHT... 334 00:12:01,863 --> 00:12:03,866 WE'LL HAVE THIS TO LOOK FORWARD TO. 335 00:12:03,866 --> 00:12:05,197 CHAMPAGNE. 336 00:12:05,197 --> 00:12:07,200 FOR WHEN THE FIRE'S OUT AND EVERYONE'S OKAY. 337 00:12:07,200 --> 00:12:09,332 DO A GOOD JOB, AND YOU'LL BE SIPPING IT WITH ME. 338 00:12:09,332 --> 00:12:11,134 I FEEL VERY INCENTIVIZED. 339 00:12:11,134 --> 00:12:12,336 COME ON. LET'S GET GOING. 340 00:12:15,680 --> 00:12:17,212 TIME TO START CHECKING PEOPLE IN. 341 00:12:17,212 --> 00:12:19,685 - LET'S DO IT. - JUST GET THE NAMES OF EVERYBODY IN THE PARTY 342 00:12:19,685 --> 00:12:21,347 AND NOTE DOWN ANY SPECIAL NEEDS. EASY? 343 00:12:21,347 --> 00:12:22,348 EASY PEASY. 344 00:12:22,348 --> 00:12:24,220 ALL RIGHT, EVERYBODY. LET'S GET STARTED. 345 00:12:24,220 --> 00:12:26,023 WELCOME TO THE EAST SIDE EVAC CENTER. 346 00:12:26,023 --> 00:12:27,625 - NAME PLEASE. - FRANK BRADSHAW. 347 00:12:27,625 --> 00:12:29,897 I'M WITH MY WIFE NIKKI AND MY DAUGHTER KIM. 348 00:12:29,897 --> 00:12:31,659 THE BRADSHAWS. EXCELLENT. 349 00:12:31,659 --> 00:12:33,702 I'M BASH. I'LL BE YOUR POINT PERSON. 350 00:12:33,702 --> 00:12:35,634 GRAB SOME COTS, SET THEM UP WHERE YOU CAN, 351 00:12:35,634 --> 00:12:37,366 AND JUST KNOW THAT ANYTHING YOU NEED THAT'S GETABLE, 352 00:12:37,366 --> 00:12:39,038 - I'LL BE HERE TO GET IT FOR YOU. - THANKS, BASH. 353 00:12:39,038 --> 00:12:41,271 - AND I'M MICHELLE-- - NEXT IN LINE, PLEASE? 354 00:12:41,271 --> 00:12:43,374 - NAME PLEASE? - GEORGIE ATTENBURG. 355 00:12:43,374 --> 00:12:45,216 IT'LL BE ME AND MY HUSBAND MORTY. 356 00:12:45,216 --> 00:12:47,719 THE ATTENBURGS. GOT IT. 357 00:12:47,719 --> 00:12:49,181 GINNY, HI. IT'S YOU AND YOUR MOM? 358 00:12:49,181 --> 00:12:50,352 OH, MY MOM'S COMING LATER. 359 00:12:50,352 --> 00:12:52,725 HAPPY FIRE DAY. STRIKE A POSE. 360 00:12:52,725 --> 00:12:54,657 ALL RIGHT, GET OVER HERE, GUYS. LET ME SIGN YOU IN. 361 00:12:54,657 --> 00:12:56,159 NO NEED TO ASK THE NAMES. 362 00:12:56,159 --> 00:12:57,861 GINNY THOMPSON AND MELANIE SEGAL, 363 00:12:57,861 --> 00:12:59,734 WELCOME TO THE EAST SIDE EVAC CENTER. 364 00:12:59,734 --> 00:13:00,865 - I'LL BE YOUR POINT PERSON. - BUP BUP BUP BUP. 365 00:13:00,865 --> 00:13:02,267 - WHAT, BASH? WHAT? - SEGAL AND THOMPSON? 366 00:13:02,267 --> 00:13:03,739 THEY'RE WITH ME. 367 00:13:03,739 --> 00:13:05,270 YOU'VE GOT A MILLION PEOPLE IN YOUR LINE, BASH. 368 00:13:05,270 --> 00:13:07,944 - LET ME HELP. - PEOPLE NEED TO CHECK IN AT THE DESIGNATED TABLES. 369 00:13:07,944 --> 00:13:10,277 AND HOW HAVE YOU DESIGNATED THESE TABLES? 370 00:13:10,277 --> 00:13:12,409 FIRST LETTERS OF THE LAST NAMES, PER THE SIGNS. 371 00:13:12,409 --> 00:13:14,952 SIGN? WHAT SIGN? 372 00:13:14,952 --> 00:13:16,955 X THROUGH Z? ARE YOU SERIOUS? 373 00:13:16,955 --> 00:13:18,887 I THINK THAT'S A DOABLE WORKLOAD FOR YOU. 374 00:13:18,887 --> 00:13:20,759 OH, COME ON. WHERE'S THE TRUST? 375 00:13:20,759 --> 00:13:22,421 - WHERE'S THE CAP? - IT'S TOO SMALL. 376 00:13:22,421 --> 00:13:24,324 - YOUR HEAD'S TOO BIG. - HER HEAD IS NOT TOO BIG. 377 00:13:24,324 --> 00:13:25,465 YEAH, BACK OFF, MAN. 378 00:13:25,465 --> 00:13:26,767 I'M CHECKING THESE TWO IN, OKAY? 379 00:13:26,767 --> 00:13:28,429 - I'M CHECKING THEM IN. - I WISH YOU WOULDN'T. 380 00:13:28,429 --> 00:13:30,731 - GRAB YOURSELVES A COUPLE OF COTS, GIRLS. - THIS IS THE ROAD TO RUIN. 381 00:13:30,731 --> 00:13:31,803 AND YOU LET ME KNOW IF YOU NEED ANYTHING. 382 00:13:31,803 --> 00:13:35,477 - THANKS, MICHELLE. - YEAH. THANKS. 383 00:13:35,477 --> 00:13:37,309 SEGAL AND THOMPSON ARE CHECKED IN. 384 00:13:37,309 --> 00:13:39,812 NOTED. NEXT IN LINE, PLEASE? 385 00:13:39,812 --> 00:13:40,443 OH YEAH, SAME HERE. 386 00:13:40,443 --> 00:13:41,785 WHO'S NEXT IN MY LINE? 387 00:13:41,785 --> 00:13:43,717 I'M X, Y, Z. 388 00:13:43,717 --> 00:13:45,990 SO LET'S SEE... WHERE IS THE YOGURTS? 389 00:13:45,990 --> 00:13:48,823 TOM AND PAM YOGURT? LITTLE BILLY YOGURT? 390 00:13:48,823 --> 00:13:51,327 - ARE MY YOGURTS HERE? - ROGER CHAMPLAIN AND WIFE SISSY. 391 00:13:51,327 --> 00:13:52,498 HOW ABOUT ZACHARY ZIGZAG? 392 00:13:52,498 --> 00:13:55,031 YOU IN THE HOUSE ZACH? WHERE IS THE ZIG MAN? 393 00:13:55,031 --> 00:13:56,863 MY NAME IS BASH AND I'LL BE YOUR POINT PERSON. 394 00:13:56,863 --> 00:13:59,006 ANY ZOMBIES? THAT STARTS WITH A "Z" RIGHT? 395 00:13:59,006 --> 00:14:01,509 ANYONE UNDEAD HERE? ANY FLESH EATERS? NO? 396 00:14:01,509 --> 00:14:02,810 FINE, MICHELLE. 397 00:14:02,810 --> 00:14:04,342 CHAOS? IS THAT WHAT YOU WANT? 398 00:14:04,342 --> 00:14:05,774 TOTAL AND COMPLETE CHAOS? 399 00:14:05,774 --> 00:14:07,046 BRING IT ON. 400 00:14:07,046 --> 00:14:08,517 FINE, WHAT THE HELL. 401 00:14:08,517 --> 00:14:10,950 EVERYONE JUST GET IN WHATEVER LINE YOU WANT. 402 00:14:10,950 --> 00:14:12,022 GO. 403 00:14:14,525 --> 00:14:19,030 WOW. ALTAMONT. 404 00:14:19,030 --> 00:14:20,031 LOOKS LIKE WE'VE GOT OUR CHOICE. 405 00:14:20,031 --> 00:14:21,293 WHERE DO YOU WANT TO SET UP? 406 00:14:21,293 --> 00:14:22,895 JUST KEEP ME AWAY FROM THE DIRTY LITTLE CHILDREN. 407 00:14:22,895 --> 00:14:24,767 - HEY. - SPEAKING OF WHICH. 408 00:14:24,767 --> 00:14:25,899 HEY, DEZ. 409 00:14:25,899 --> 00:14:28,372 SO, FIRE, HUH? 410 00:14:28,372 --> 00:14:29,503 YEAH, YOU SET IT? 411 00:14:29,503 --> 00:14:30,905 WHAT? NO. 412 00:14:30,905 --> 00:14:32,377 NOT THIS ONE. 413 00:14:32,377 --> 00:14:33,978 I DIDN'T SEE YOU IN LINE. DID YOU CHECK IN? 414 00:14:33,978 --> 00:14:35,510 NO, I JUST SLID UNDER THE FLAT 415 00:14:35,510 --> 00:14:37,052 BACK WHERE THE ANIMALS GO. 416 00:14:37,052 --> 00:14:38,254 APPROPRIATE. 417 00:14:38,254 --> 00:14:39,916 SO, YOU TAKING PICTURES? 418 00:14:39,916 --> 00:14:41,518 YOUNG SHERLOCK IS IN THE HOUSE. 419 00:14:41,518 --> 00:14:42,989 I WAS JUST SAYING. 420 00:14:45,262 --> 00:14:46,394 UMBILICAL CORD CHOKED HIM? 421 00:14:46,394 --> 00:14:47,425 THAT'S WHAT I'M THINKING. 422 00:14:55,405 --> 00:14:57,407 - THERE'S ROMAN. - I KNOW. 423 00:14:57,407 --> 00:14:59,009 SO, YOU NEVER ASKED MY OPINION, 424 00:14:59,009 --> 00:15:00,881 BUT IF YOU DID, I'D SAY "YOWZA." 425 00:15:00,881 --> 00:15:02,283 THANK YOU, LOUISE BROOKS. 426 00:15:02,283 --> 00:15:03,544 SEEMS LIKE IT'S GETTING SERIOUS. 427 00:15:03,544 --> 00:15:05,817 VERY. WE'RE CONSIDERING A REVERSE MORTGAGE. 428 00:15:05,817 --> 00:15:07,920 - REALLY? - BOO. 429 00:15:07,920 --> 00:15:09,051 HEY! 430 00:15:09,051 --> 00:15:10,353 THERE'S MY HUNKA HUNKA. 431 00:15:10,353 --> 00:15:11,855 REALLY? WHAT DECADE DO YOU LIVE IN? 432 00:15:11,855 --> 00:15:13,026 EVERYBODY GOOD AT YOUR HOUSE? 433 00:15:13,026 --> 00:15:14,097 DAD'S OUT FIGHTING THE FIRE. 434 00:15:14,097 --> 00:15:15,229 EVERYONE ELSE IS ON THE WAY. 435 00:15:15,229 --> 00:15:16,560 WELL, COME ON. TAKE CUTS. 436 00:15:16,560 --> 00:15:18,503 - NO, I SHOULDN'T. - I WANT YOU TO. 437 00:15:18,503 --> 00:15:19,834 IT'S NOT COOL TO CUT IN. 438 00:15:19,834 --> 00:15:22,437 HEY, EVERYBODY. IS IT COOL IF MY GIRLFRIEND CUTS IN? 439 00:15:22,437 --> 00:15:23,569 All: NO. 440 00:15:23,569 --> 00:15:25,271 I'LL CATCH UP WITH YOU LATER. 441 00:15:25,271 --> 00:15:27,574 - HEY, CARL. - HEY, MICHELLE. 442 00:15:27,574 --> 00:15:29,246 JEFF TOBEY. MOTHER AND SISTER ARE 443 00:15:29,246 --> 00:15:30,317 WANDERING AROUND HERE SOMEWHERE. 444 00:15:30,317 --> 00:15:31,378 JEFF TOBEY. 445 00:15:31,378 --> 00:15:32,520 ALL RIGHT. GOT YOU DOWN HERE, FRIEND. 446 00:15:32,520 --> 00:15:34,052 I'LL BE YOUR POINT PERSON TONIGHT. 447 00:15:34,052 --> 00:15:35,383 - COOL. - I DON'T KNOW WHAT YOU'RE THINKING 448 00:15:35,383 --> 00:15:36,585 ALONG THE LINES OF ENTERTAINMENT, 449 00:15:36,585 --> 00:15:37,956 BUT IF THERE'S A DVD PLAYER, 450 00:15:37,956 --> 00:15:39,458 I HAVE THE MOST UNDERRATED MOVIE 451 00:15:39,458 --> 00:15:41,591 OF THE PAST YEAR. "HOPE SPRINGS." 452 00:15:41,591 --> 00:15:44,464 "HOPE SPRINGS"? I LOVE THAT MOVIE. 453 00:15:44,464 --> 00:15:45,936 YEAH, WHAT'S NOT TO LOVE? 454 00:15:45,936 --> 00:15:47,598 THE OSCARS SHOULD HAVE BEEN ALL OVER THAT JOINT. 455 00:15:47,598 --> 00:15:48,599 YES! 456 00:15:48,599 --> 00:15:49,941 AT FIRST I WAS LIKE, 457 00:15:49,941 --> 00:15:51,343 "TWO MIDDLE-AGED EMPTY NESTERS 458 00:15:51,343 --> 00:15:54,006 TRYING TO REKINDLE THE SPARK IN THEIR MARRIAGE? PASS." 459 00:15:54,006 --> 00:15:55,878 BUT WHO KNEW TOMMY LEE JONES COULD BE 460 00:15:55,878 --> 00:15:57,480 SO TENDER AND VULNERABLE. 461 00:15:57,480 --> 00:15:59,483 HE KICKED ASS. 462 00:15:59,483 --> 00:16:01,886 WHAT IS THAT THOUGH? IT DOESN'T LOOK LIKE THE ACTUAL DVD. 463 00:16:01,886 --> 00:16:04,018 IT'S NOT. I'VE GOT A COUSIN WHO WORKS IN HOLLYWOOD 464 00:16:04,018 --> 00:16:06,491 AND THEY SEND HIM ALL THESE FREE DVDS AT AWARDS TIME. 465 00:16:06,491 --> 00:16:08,423 WHY EVERY IDIOT WRITER AND DIRECTOR IN HOLLYWOOD 466 00:16:08,423 --> 00:16:11,097 WANTS TO WATCH A FREE DVD AND NOT SUPPORT THEIR INDUSTRY, 467 00:16:11,097 --> 00:16:13,099 I DON'T KNOW. BUT HE BREAKS THE RULES 468 00:16:13,099 --> 00:16:15,032 AND GIVES THEM TO ME. CHA-CHING! 469 00:16:15,032 --> 00:16:16,904 "HELL YES, I WANT IT. 470 00:16:16,904 --> 00:16:18,476 YOU BET YOUR LIFE I WANT IT." 471 00:16:18,476 --> 00:16:20,238 - WOW, THAT'S REALLY GOOD. - THANKS. 472 00:16:20,238 --> 00:16:22,511 YEAH, BUT YOU SHOULD HIT THE "IT" A LITTLE MORE. 473 00:16:22,511 --> 00:16:24,183 "HELL YES, I WANT IT. 474 00:16:24,183 --> 00:16:26,015 YOU BET YOUR LIFE I WANT IT." 475 00:16:26,015 --> 00:16:28,188 AND YOU SHOULD HIT THE "HELL YES" HARDER. 476 00:16:28,188 --> 00:16:29,389 LIKE TOMMY DOES. 477 00:16:29,389 --> 00:16:31,051 - "HELL YES." - "HELL YES." 478 00:16:31,051 --> 00:16:33,925 - "HELL YES." - "HELL YES." 479 00:16:33,925 --> 00:16:35,657 OKAY, COOL. 480 00:16:35,657 --> 00:16:37,459 THANKS FOR THE TIP. 481 00:16:37,459 --> 00:16:38,961 YEAH, SAME HERE. 482 00:16:38,961 --> 00:16:41,534 Talia: MICHELLE? 483 00:16:41,534 --> 00:16:43,066 I'LL BE RIGHT BACK, EVERYBODY. 484 00:16:43,066 --> 00:16:44,938 OH HONEY, YOUR WEDDING. 485 00:16:44,938 --> 00:16:46,210 MY GOD, THE TIMING OF ALL THIS. 486 00:16:46,210 --> 00:16:47,942 - I KNOW. - I WAS TALKING TO TALIA. 487 00:16:47,942 --> 00:16:49,544 SHE'S UPSET TOO. 488 00:16:49,544 --> 00:16:51,546 HAVE YOU TALKED TO RICK? WE'LL RESCHEDULE, OKAY? 489 00:16:51,546 --> 00:16:53,218 - WE'LL DO IT NEXT MONTH? - NEXT MONTH? NO. 490 00:16:53,218 --> 00:16:55,681 - WE'RE DOING IT TODAY. - BUT HON, THE FIRE CUTS US OFF FROM THE BEACH. 491 00:16:55,681 --> 00:16:57,683 I DON'T NEED THE BEACH. ALL I NEED IS RICK AND THE MINISTER. 492 00:16:57,683 --> 00:16:59,556 AND YOUR MAID OF HONOR, AND I AM RIGHT HERE. 493 00:16:59,556 --> 00:17:01,528 - WE'RE DOING IT. - Milly: MICHELLE. 494 00:17:01,528 --> 00:17:03,430 - LET'S GO. A LOT OF PEOPLE WAITING HERE. - COMING. 495 00:17:03,430 --> 00:17:04,962 WE'LL THINK GOOD THOUGHTS. 496 00:17:06,364 --> 00:17:08,567 I DIDN'T SEE YOU IN LINE BEFORE, MILLY. 497 00:17:08,567 --> 00:17:09,698 YOU DIDN'T CUT IN, DID YOU? 498 00:17:09,698 --> 00:17:12,201 - NO. I WAS HERE. - REALLY? 499 00:17:12,201 --> 00:17:14,043 ANYONE CLAIMING I CUT IN? 500 00:17:14,043 --> 00:17:15,375 ANYONE? 501 00:17:18,249 --> 00:17:20,581 AND NOTE THAT THE GROUP SUCCESSFULLY AVOIDED BEING 502 00:17:20,581 --> 00:17:22,013 WISHED INTO THE CORNFIELD. 503 00:17:22,013 --> 00:17:24,386 WHY DOES EVERYONE MAKE THAT SAME CORNFIELD REFERENCE ABOUT ME? 504 00:17:24,386 --> 00:17:26,519 ALL RIGHT, LET'S GET YOU CHECKED IN, MILLY. IT'S JUST YOU AND YOUR DAUGHTER? 505 00:17:26,519 --> 00:17:28,321 MY DAUGHTER'S AT THE OTHER EVAC CENTER. 506 00:17:28,321 --> 00:17:30,724 - SERIOUSLY? - TUESDAYS ARE MY NIGHT OFF FROM THE KID. 507 00:17:30,724 --> 00:17:32,696 TONIGHT'S TUESDAY. SHE'S WITH A NANNY. 508 00:17:32,696 --> 00:17:34,568 - OKAY. - SHE'S GOT TOYS. 509 00:17:34,568 --> 00:17:37,732 EVERYBODY, MAY I HAVE YOUR ATTENTION PLEASE? 510 00:17:37,732 --> 00:17:41,036 I REALLY NEED A YOUNG BOY. 511 00:17:41,036 --> 00:17:43,740 OR GIRL TO VOLUNTEER FOR SOME HEAVY LIFTING. 512 00:17:43,740 --> 00:17:46,283 I INCLUDE BOTH SEXES BECAUSE IN THE PAST, 513 00:17:46,283 --> 00:17:47,744 MY SAYING I NEED A YOUNG BOY 514 00:17:47,744 --> 00:17:49,487 LED TO A LOT OF MISUNDERSTANDINGS. 515 00:17:49,487 --> 00:17:51,619 SO I'M INCLUDING YOU LADIES AS WELL. 516 00:17:51,619 --> 00:17:55,023 YOU JUST NEED STRONG BACKS AND TONED THIGHS. 517 00:17:55,023 --> 00:17:57,296 IF YOU FIT THE BILL, PLEASE COME SEE ME. 518 00:17:57,296 --> 00:17:58,628 TO BE CLEAR, 519 00:17:58,628 --> 00:18:00,760 I LIKE MEN AND WOMEN EQUALLY. 520 00:18:00,760 --> 00:18:02,633 BOTH SEXES WORK FOR ME. 521 00:18:05,636 --> 00:18:08,570 YEAH, THAT'S NOT GONNA LEAD TO ANY MISUNDERSTANDINGS AT ALL. 522 00:18:08,570 --> 00:18:11,644 VOLUNTEERS. I NEED TWO MORE VOLUNTEERS. 523 00:18:11,644 --> 00:18:13,175 YOU GUYS FEELINGS STRONG TODAY? 524 00:18:13,175 --> 00:18:14,677 NOPE. 525 00:18:14,677 --> 00:18:17,781 YOU'RE DANCERS. YOU HAVE TONED THIGHS AND NO EXCUSE. 526 00:18:17,781 --> 00:18:19,423 I'LL VOLUNTEER. 527 00:18:19,423 --> 00:18:21,185 Bash: YOU'LL HAVE TO WEAR THE T-SHIRT. 528 00:18:21,185 --> 00:18:22,287 Frankie: I'LL WEAR THE T-SHIRT. 529 00:18:22,287 --> 00:18:23,628 YOU'RE NOT GONNA FIGHT ME ON THE T-SHIRT? 530 00:18:23,628 --> 00:18:25,460 - I LIKE THE T-SHIRT. - NO ONE LIKES THE T-SHIRT. 531 00:18:25,460 --> 00:18:26,662 I'LL WEAR THE T-SHIRT. 532 00:18:26,662 --> 00:18:28,334 YOU CAN CHANGE BEHIND THAT PRIVACY SCREEN. 533 00:18:53,264 --> 00:18:54,526 HELLO, LADIES. 534 00:18:54,526 --> 00:18:56,398 - HELLO, GIRLFRIEND. - HELLO, BOYFRIEND. 535 00:18:56,398 --> 00:18:58,270 WHERE ARE YOU SETTING UP? 536 00:18:58,270 --> 00:18:59,472 I WAS THINKING HERE. 537 00:18:59,472 --> 00:19:00,874 - IS THAT ALLOWED? - NOT BY ME. 538 00:19:00,874 --> 00:19:02,405 WORD IS THE RULES ARE LOOSE. 539 00:19:02,405 --> 00:19:03,537 COOL. 540 00:19:03,537 --> 00:19:04,738 HEY, GUYS. 541 00:19:04,738 --> 00:19:06,610 LOOKS LIKE YOU GOT A FUN LITTLE PARTY GOING ON. 542 00:19:06,610 --> 00:19:08,112 WE DID, PAST TENSE. 543 00:19:08,112 --> 00:19:09,284 OKAY IF I CAMP OUT HERE? 544 00:19:09,284 --> 00:19:11,146 KINDA GOT STUCK IN PARENTS LAND WHERE I AM, 545 00:19:11,146 --> 00:19:12,488 AND THE OTHER YOUTH SECTION IS FULL OF JOCKS 546 00:19:12,488 --> 00:19:13,549 AND I'M KIND OF FOOD FOR THEM. 547 00:19:13,549 --> 00:19:14,750 SURE, WHY NOT? 548 00:19:14,750 --> 00:19:16,493 PULL UP A COT, JEFF. 549 00:19:16,493 --> 00:19:17,754 YEAH, WHY NOT? ANY FAN OF "HOPE SPRINGS" 550 00:19:17,754 --> 00:19:19,426 IS A FRIEND OF MINE. 551 00:19:19,426 --> 00:19:20,628 OH, NOT YOU TOO. 552 00:19:20,628 --> 00:19:22,760 CARL HAS MADE ME SEE THAT MOVIE THREE TIMES. 553 00:19:22,760 --> 00:19:24,362 YOU KNEW I WAS INTO THAT MOVIE, BOO. 554 00:19:24,362 --> 00:19:26,505 - I DID? - I'VE DONE MY TOMMY LEE JONES 555 00:19:26,505 --> 00:19:27,766 FOR YOU A MILLION TIMES. 556 00:19:27,766 --> 00:19:29,769 "I LIKE RANCH CHIPS." 557 00:19:29,769 --> 00:19:30,910 THAT'S REALLY GOOD. 558 00:19:30,910 --> 00:19:32,512 IT SHOULD GO A LITTLE FASTER THOUGH. 559 00:19:32,512 --> 00:19:33,774 TOMMY'S PACE IS ALWAYS BRISK. 560 00:19:33,774 --> 00:19:36,177 - "I LIKE RANCH CHIPS." - "I LIKE RANCH CHIPS." 561 00:19:36,177 --> 00:19:37,578 - "I LIKE RANCH CHIPS." - "I LIKE RANCH CHIPS." 562 00:19:37,578 --> 00:19:39,450 - "I LIKE RANCH CHIPS." - OKAY, WELL... 563 00:19:39,450 --> 00:19:41,523 YOU KNOW, NOW YOU'RE KIND OF SOUNDING LIKE GRANDPA SIMPSON 564 00:19:41,523 --> 00:19:44,226 AND TOMMY LEE JONES DOESN'T SOUND LIKE GRANDPA SIMPSON. 565 00:19:44,226 --> 00:19:45,828 OKAY, GUYS. EVERYBODY POSE. 566 00:19:48,461 --> 00:19:49,933 YOU SHOULD TAKE THAT AGAIN. 567 00:19:49,933 --> 00:19:51,665 MM, I'M NOT GONNA TAKE IT AGAIN. 568 00:19:51,665 --> 00:19:54,339 YOU USED THE FLASH. NOTHING LOOKS GOOD WITH A FLASH. 569 00:19:54,339 --> 00:19:55,400 YOU'RE WRONG. 570 00:19:55,400 --> 00:19:56,471 ADAMS NEVER USED A FLASH. 571 00:19:56,471 --> 00:19:57,673 ADAMS WHO? 572 00:19:57,673 --> 00:20:00,346 - ANSEL ADAMS. - YOU KNOW ANSEL ADAMS? 573 00:20:00,346 --> 00:20:01,748 YEAH, HE'S NO CARTIER-BRESSON, 574 00:20:01,748 --> 00:20:04,451 BUT HE'S OKAY. 575 00:20:04,451 --> 00:20:06,213 Jeff: ...DROVE BY IT ON A FAMILY TRIP ONCE, GOT A PICTURE. 576 00:20:06,213 --> 00:20:07,885 YOU'VE GOT A PICTURE OF TOMMY LEE JONES'S RANCH? 577 00:20:07,885 --> 00:20:08,956 I BLEW IT UP INTO AN 8 x 10. 578 00:20:08,956 --> 00:20:10,618 IT'S HANGING OVER MY BED. 579 00:20:10,618 --> 00:20:11,890 I'VE SEEN THE ARCHITECTURAL DIGEST PIECE ON IT, 580 00:20:11,890 --> 00:20:13,963 BUT I'VE NEVER SEEN IT IN PERSON. IS IT COOL? 581 00:20:13,963 --> 00:20:16,826 Jeff: IT'S OWNED BY TOMMY LEE JONES. IT'S COOLNESS GUARANTEED. 582 00:20:16,826 --> 00:20:18,468 - Carl: YOU SURE IT'S IN TEXAS? - Jeff: POSITIVE. 583 00:20:18,468 --> 00:20:20,500 - "I LIKE RANCH CHIPS." - "I LIKE RANCH CHIPS." 584 00:20:20,500 --> 00:20:22,833 - "I LIKE RANCH CHIPS." - "I LIKE RANCH CHIPS." 585 00:20:22,833 --> 00:20:24,836 DROOL CUP. YOU'RE WELCOME. 586 00:20:28,510 --> 00:20:30,242 OH, TRULY, GOOD. IT'S JUST YOU. 587 00:20:30,242 --> 00:20:31,784 I WAS FEELING VERY CLAUSTROPHOBIC OUT THERE. 588 00:20:31,784 --> 00:20:33,847 YES. THIS IS MY PREP ROOM UNTIL A COUPLE HOURS 589 00:20:33,847 --> 00:20:35,849 BEFORE THE CEREMONY, AND THEN IT'S TALIA'S DRESSING ROOM. 590 00:20:35,849 --> 00:20:37,591 I'VE GOT IT ALL FIGURED OUT. LOOK. 591 00:20:37,591 --> 00:20:39,394 GOD, THAT'S BEAUTIFUL. 592 00:20:39,394 --> 00:20:41,526 - IT'S MY MAID OF HONOR MUSLIN MOCK-UP DRESS. - YOUR--? 593 00:20:41,526 --> 00:20:43,659 YOU NEVER WANT TO EXPERIMENT ON THE ACTUAL FABRIC, 594 00:20:43,659 --> 00:20:45,861 SO YOU DO A MOCK-UP IN MUSLIN WHICH I DO NOT HAVE. 595 00:20:45,861 --> 00:20:46,863 - SO I-- - CUT UP A COT. 596 00:20:46,863 --> 00:20:48,264 I CUT UP A COT. 597 00:20:48,264 --> 00:20:50,407 WELL, THE SHAPE IS BEAUTIFUL. OW. 598 00:20:50,407 --> 00:20:52,339 IT'S A HYBRID. BEYONCE IN FRONT, 599 00:20:52,339 --> 00:20:53,411 PIPPA MIDDLETON IN BACK, 600 00:20:53,411 --> 00:20:54,572 AND EDWARD SCISSORHANDS ON THE SIDE. 601 00:20:54,572 --> 00:20:56,614 HEY, CHECK OUT TRULY'S 602 00:20:56,614 --> 00:20:58,877 PIPPA-BEYONCE- EDWARD SCISSORHANDS- COT DRESS. 603 00:20:58,877 --> 00:21:00,349 NO POINT. RICK IS STUCK. 604 00:21:00,349 --> 00:21:01,550 HE CAN'T GET PAST THE CHECK POINT. 605 00:21:01,550 --> 00:21:03,553 OH NO. THIS IS WHAT I WAS AFRAID OF. 606 00:21:03,553 --> 00:21:05,555 I'M SO SORRY. YOU MUST FEEL AWFUL. 607 00:21:05,555 --> 00:21:07,027 AWFUL AND DEVASTATED. 608 00:21:07,027 --> 00:21:08,789 I MEANT TALIA, TRULY. 609 00:21:08,789 --> 00:21:10,291 LOOK, GIRLS, WE TRIED. 610 00:21:10,291 --> 00:21:11,693 BUT THE GODS WERE AGAINST US. 611 00:21:11,693 --> 00:21:13,835 NO. THE GODS HAVE NOT DECIDED THIS YET. 612 00:21:13,835 --> 00:21:16,038 THE GODS NEED TO GIVE ME MORE TIME TO THINK. 613 00:21:16,038 --> 00:21:17,770 HEY, GUYS. QUICK QUESTION, 614 00:21:17,770 --> 00:21:19,442 CAN I SET UP MY CREPE STATION IN HERE? 615 00:21:19,442 --> 00:21:21,004 - YOUR--? - IT'S CREPE NIGHT FOR ME 616 00:21:21,004 --> 00:21:22,476 AND I'M PAYING HER ANYWAY, 617 00:21:22,476 --> 00:21:23,878 SO I THOUGHT I'D GET HELGA ROCKING ON SOME CREPES. 618 00:21:23,878 --> 00:21:25,780 MILLY, THIS IS AN EVACUATION CENTER. 619 00:21:25,780 --> 00:21:27,752 PEOPLE DOWN THERE ARE EATING COLD RATIONS. 620 00:21:27,752 --> 00:21:29,054 WHOA, WRONG IMPRESSION. 621 00:21:29,054 --> 00:21:31,056 THERE IS ENOUGH FOR EVERYBODY IN THIS ROOM. 622 00:21:31,056 --> 00:21:32,418 SWEET OR SAVORY, CALL IT OUT. 623 00:21:32,418 --> 00:21:33,860 MILLY, WE ARE IN CRISIS MODE HERE. 624 00:21:33,860 --> 00:21:36,063 OUR WEDDING IS MISSING ITS GROOM. 625 00:21:36,063 --> 00:21:38,596 SURE, I'LL BE DOWNSTAIRS. BACK IT UP, HELGA. 626 00:21:38,596 --> 00:21:41,699 TRULY, I KNOW HOW MUCH THIS MEANT TO YOU. 627 00:21:41,699 --> 00:21:42,600 NO, YOU DON'T. 628 00:21:42,600 --> 00:21:44,473 YOU REALLY DON'T. THIS IS IT. 629 00:21:44,473 --> 00:21:45,935 THIS WILL NEVER HAPPEN TO ME AGAIN. 630 00:21:45,935 --> 00:21:47,406 NO ONE WILL EVER ASK ME AGAIN. 631 00:21:47,406 --> 00:21:48,478 AND I HAD THIS BEAUTIFUL DRESS, 632 00:21:48,478 --> 00:21:49,539 AND ALL THESE THINGS I WANT TO DO. 633 00:21:49,539 --> 00:21:51,411 I KNOW. I'M SORRY. 634 00:21:51,411 --> 00:21:52,613 NO! 635 00:21:52,613 --> 00:21:54,485 THIS WEDDING IS GOING TO HAPPEN. 636 00:21:54,485 --> 00:21:55,616 WE WILL FIND A WAY. 637 00:21:55,616 --> 00:21:56,818 TRULY. 638 00:22:31,760 --> 00:22:33,633 Michelle, it's Bash. Come in. 639 00:22:33,633 --> 00:22:35,435 HEY, BASH. SURE. I'M DOWN BY THE FOOD. 640 00:22:35,435 --> 00:22:36,897 - I KNOW. - GEEZ. DON'T DO THAT. 641 00:22:36,897 --> 00:22:38,769 WE HAVE A PROBLEM. LOOK. 642 00:22:38,769 --> 00:22:41,502 - ( cheering ) - WHAT IS THIS? WHAT AM I LOOKING AT? 643 00:22:41,502 --> 00:22:43,505 - A JUGGLER. - WOW, HE'S GOOD. 644 00:22:43,505 --> 00:22:44,776 WHAT IS THIS? LIKE CIRQUE DU SOLEIL? 645 00:22:44,776 --> 00:22:47,109 IT'S THE ENTERTAINMENT AT THE WEST SIDE EVACUATION CENTER. 646 00:22:47,109 --> 00:22:49,512 - ARE YOU KIDDING? - I HAVE A MOLE DOWN THERE SENDING ME FOOTAGE. 647 00:22:49,512 --> 00:22:50,653 CHECK THIS OUT. 648 00:22:50,653 --> 00:22:52,656 ( singing ) 649 00:22:52,656 --> 00:22:54,658 THEY'RE SINGING "THE STAR SPANGLED BANNER." 650 00:22:54,658 --> 00:22:55,790 WHAT ARE THOSE WORDS? 651 00:22:55,790 --> 00:22:57,662 THE SUPER OBSCURE SECOND VERSE. 652 00:22:57,662 --> 00:22:58,793 THAT'S HARDCORE. 653 00:22:58,793 --> 00:23:00,666 AND AFTER DINNER, HERE'S WHAT HAPPENED. 654 00:23:00,666 --> 00:23:01,927 ( music playing, cheering ) 655 00:23:01,927 --> 00:23:03,799 - A CONGA LINE. - WE SUCK. 656 00:23:03,799 --> 00:23:06,002 WE NEED TO FEED AND ENTERTAIN THESE PEOPLE 657 00:23:06,002 --> 00:23:07,804 - BEFORE THEY TURN ON US. - I'M WITH YOU. 658 00:23:07,804 --> 00:23:09,807 I'LL SPEED UP THE FOOD AND I'LL HAVE MY KIDS WORK UP SOMETHING. 659 00:23:09,807 --> 00:23:11,879 I SPENT A FEW YEARS ON THE FRINGE FESTIVAL CIRCUIT. 660 00:23:11,879 --> 00:23:13,481 I CAN WORK UP A FEW THINGS TOO. 661 00:23:13,481 --> 00:23:14,683 LET'S COMPARE NOTES IN A HALF HOUR. 662 00:23:14,683 --> 00:23:15,744 YEAH YEAH. SURE. 663 00:23:17,917 --> 00:23:19,088 - CHECK. - CHECK. 664 00:23:19,088 --> 00:23:20,690 - ME TOO. - I'M GONNA RAISE YOU FIVE. 665 00:23:20,690 --> 00:23:21,821 - FIVE? - YOU'RE BLUFFING. 666 00:23:21,821 --> 00:23:22,823 I AM BLUFFING. 667 00:23:22,823 --> 00:23:25,656 I'M DEFINITELY BLUFFING. PUT YOUR FIVE IN. 668 00:23:25,656 --> 00:23:26,827 WELL, I'M GOING TO SEE YOUR RAISE. AND WHO KNOWS? 669 00:23:26,827 --> 00:23:29,060 MAYBE I'M BLUFFING. 670 00:23:29,060 --> 00:23:30,061 ARE YOUR EYES OKAY? 671 00:23:30,061 --> 00:23:31,904 YEAH, I JUST STINK AT WINKING. 672 00:23:31,904 --> 00:23:33,165 IT'S NOT EVEN YOUR TURN, BOO. 673 00:23:33,165 --> 00:23:34,907 I'VE LOST TRACK. WHO'S IN, WHO'S OUT? 674 00:23:34,907 --> 00:23:37,841 GINNY? YOU STILL WITH US? 675 00:23:37,841 --> 00:23:38,912 YEAH, I'M HERE. 676 00:23:38,912 --> 00:23:40,144 I'M OUT. 677 00:23:40,144 --> 00:23:41,846 OH WELL, THEN I'M OUT TOO. 678 00:23:41,846 --> 00:23:43,748 BOO, YOU ALREADY PUT YOUR MONEY IN. DON'T DROP OUT. 679 00:23:43,748 --> 00:23:45,080 YEAH, BUT I WAS BLUFFING ANYWAY. 680 00:23:45,080 --> 00:23:46,521 I DON'T ACTUALLY HAVE ANYTHING. 681 00:23:46,521 --> 00:23:48,724 AND NOW YOU DON'T HAVE ANY CHIPS EITHER. 682 00:23:48,724 --> 00:23:50,957 HEY, GIRLS. AND GUYS. 683 00:23:50,957 --> 00:23:52,959 - HEY, MICHELLE. - PLAYING A LITTLE POKER? 684 00:23:52,959 --> 00:23:54,131 - YEP. - STRIP POKER? 685 00:23:54,131 --> 00:23:55,763 UH, NO. 686 00:23:55,763 --> 00:23:57,665 HEY, IDEA. HOW ABOUT YOU GIRLS 687 00:23:57,665 --> 00:23:59,467 HELP GRAB SOME BOXES FOR ME OUT OF STORAGE? 688 00:23:59,467 --> 00:24:01,540 - WHAT KIND OF BOXES? - JUST COSTUMES, PROPS. 689 00:24:01,540 --> 00:24:03,172 WHATEVER STUFF FROM THE LAST SAY TWO YEARS? 690 00:24:03,172 --> 00:24:04,603 - WHY? - 'CAUSE I ASKED. 691 00:24:04,603 --> 00:24:07,607 AND I AM CO-CAPTAIN OF THE EVAC CENTER. 692 00:24:07,607 --> 00:24:08,949 SEE? 693 00:24:08,949 --> 00:24:10,751 OKAY, IT DOESN'T FIT. 694 00:24:10,751 --> 00:24:13,915 BUT I AM CAPTAIN AND YOU ARE MY PLEBES. 695 00:24:13,915 --> 00:24:16,758 - SURE, I GUESS. - I'LL HELP TOO. 696 00:24:16,758 --> 00:24:18,761 NO NO NO, CARL. JUST THE GIRLS I THINK. 697 00:24:18,761 --> 00:24:19,892 THEY KNOW WHERE EVERYTHING IS. 698 00:24:19,892 --> 00:24:21,894 - OKAY. - NICE TRY THOUGH. 699 00:24:21,894 --> 00:24:23,627 COME ON, LET'S GET SOME BOXES. 700 00:24:25,769 --> 00:24:27,631 ( chuckling ) 701 00:24:27,631 --> 00:24:28,903 ALL RIGHT, OFF YOU GO. 702 00:24:28,903 --> 00:24:31,076 MICHELLE? 703 00:24:31,076 --> 00:24:33,579 "I'LL HELP TOO." COME ON. 704 00:24:33,579 --> 00:24:34,980 FEET UP, JEFFREY. 705 00:24:34,980 --> 00:24:37,584 SOMEONE SAID THE SLEEPING ARRANGEMENTS WERE LOOSEY-GOOSEY. 706 00:24:37,584 --> 00:24:39,246 THEY LIED. 707 00:24:39,246 --> 00:24:41,248 I'M SEEING WHERE THIS IS GOING. 708 00:24:41,248 --> 00:24:42,650 AH, GOOD BOY. 709 00:24:42,650 --> 00:24:44,222 ALL RIGHT, SO TO BE CLEAR, 710 00:24:44,222 --> 00:24:46,254 GIRLS OVER HERE. GUYS... 711 00:24:46,254 --> 00:24:47,926 NOT OVER HERE. AM I CLEAR? 712 00:24:47,926 --> 00:24:48,957 AYE AYE, CAPTAIN. 713 00:24:54,264 --> 00:24:57,067 TRULY, THERE'S NO GROOM. WHY ARE YOU STILL WORKING ON YOUR DRESS? 714 00:24:57,067 --> 00:24:58,940 THE POWER OF POSITIVE THINKING. 715 00:24:58,940 --> 00:25:00,942 IF I WILL IT, IT WILL BE SO. 716 00:25:00,942 --> 00:25:02,274 SO I SEW. 717 00:25:02,274 --> 00:25:04,276 ALL RIGHT WELL, IGNORE ME. I'M NOT HERE. 718 00:25:08,021 --> 00:25:10,023 - WHAT ARE YOU LOOKING FOR? - CONDOMS. 719 00:25:10,023 --> 00:25:11,885 REALLY? HERE? TONIGHT? CAN'T YOU WAIT? 720 00:25:11,885 --> 00:25:13,688 NO, TRULY. I FOUND A CONDOM 721 00:25:13,688 --> 00:25:14,959 UNDER ONE OF THESE LOCKERS. 722 00:25:14,959 --> 00:25:16,090 - REALLY? - YEAH. 723 00:25:16,090 --> 00:25:17,632 AND I HAVE NO IDEA WHOSE IT IS 724 00:25:17,632 --> 00:25:19,094 OR IF THERE'S MORE OF THEM. 725 00:25:19,094 --> 00:25:20,296 WELL, THERE'S A LOT OF PEOPLE COMING THROUGH HERE RIGHT NOW. 726 00:25:20,296 --> 00:25:22,038 YEAH, I GUESS. ALTHOUGH IT WAS SHOVED 727 00:25:22,038 --> 00:25:23,900 BACK THERE PRETTY GOOD. LIKE IT HAD BEEN THERE A WHILE. 728 00:25:23,900 --> 00:25:25,973 BUT THAT WOULD MEAN THAT ONE OF THE BUNHEADS DOWN THERE IS HAVING SEX. 729 00:25:25,973 --> 00:25:28,305 - OR THEY ALL COULD BE. - NO. THAT'S NOT POSSIBLE. 730 00:25:28,305 --> 00:25:29,647 - SURE IT IS. - THEY'RE TOO YOUNG. 731 00:25:29,647 --> 00:25:30,949 - NOT ALL OF THEM. - GO BACK TO SEWING. 732 00:25:30,949 --> 00:25:32,110 - IT'S ON. - WHAT? 733 00:25:32,110 --> 00:25:33,912 THE WEDDING. IT'S BACK ON. RICK GOT THROUGH. 734 00:25:33,912 --> 00:25:35,114 YOU'RE KIDDING. HOW? 735 00:25:35,114 --> 00:25:36,315 BECAUSE I WILLED IT! YES. 736 00:25:36,315 --> 00:25:37,987 HOW, TALIA? HOW DID IT HAPPEN? 737 00:25:37,987 --> 00:25:39,990 SOME GOOD SAMARITAN HEARD WHAT WAS HAPPENING 738 00:25:39,990 --> 00:25:41,862 AND SENT A HELICOPTER. CAN YOU BELIEVE IT? 739 00:25:41,862 --> 00:25:43,324 CLEARED IT WITH THE AUTHORITIES AND EVERYTHING. 740 00:25:43,324 --> 00:25:45,126 - IT'S A MIRACLE. - WOW. 741 00:25:45,126 --> 00:25:47,999 I HAVE 75 MINUTES TO GET TO HOT FROM NOT FOR MY WEDDING. 742 00:25:47,999 --> 00:25:49,001 PIECE OF CAKE. 743 00:25:55,879 --> 00:25:57,010 HEY, GUYS. 744 00:25:57,010 --> 00:25:58,943 SO WHAT ARE WE LOOKING FOR? 745 00:25:58,943 --> 00:26:00,344 - WHAT HAVE WE GOT? - CHECK IT OUT. 746 00:26:00,344 --> 00:26:01,886 WHAT WAS THIS FOR? 747 00:26:01,886 --> 00:26:03,889 FANNY CHOREOGRAPHED A WHOLE BALLET ABOUT BILLY ELLIOT 748 00:26:03,889 --> 00:26:04,890 A COUPLE YEARS AGO. 749 00:26:04,890 --> 00:26:06,292 BILLY ELLIOT IS ALREADY A SHOW. 750 00:26:06,292 --> 00:26:07,693 OURS WASN'T ABOUT BILLY. 751 00:26:07,693 --> 00:26:09,626 IT WAS ABOUT BILLY'S COAL MINER FATHER. 752 00:26:09,626 --> 00:26:10,827 WE ALL GOT BLACK LUNG AT THE END. 753 00:26:10,827 --> 00:26:12,029 Bash: Michelle, are you around? 754 00:26:12,029 --> 00:26:13,701 HOLD ON, GUYS. YEAH, BASH. 755 00:26:13,701 --> 00:26:14,902 I'M RIGHT HERE. WHAT IS IT? 756 00:26:14,902 --> 00:26:16,033 - HEY. - AAH. BASH. 757 00:26:16,033 --> 00:26:17,365 STOP DOING THAT. 758 00:26:17,365 --> 00:26:18,907 I'VE GOT SOME ENTERTAINMENT UP AND RUNNING. 759 00:26:18,907 --> 00:26:20,769 IT'S A LITTLE CRUDE, BUT I WORKED WITH WHAT I HAD. 760 00:26:20,769 --> 00:26:21,841 COOL. LET'S SEE IT. 761 00:26:25,375 --> 00:26:27,047 AND WHAT IS THIS? 762 00:26:27,047 --> 00:26:29,380 MY DUELING TOMMY LEE JONESES. 763 00:26:31,122 --> 00:26:33,385 "WELL, THE WHOLE SITUATION WAS JUST DANGEROUS. 764 00:26:33,385 --> 00:26:35,187 WITH THOSE CUP HOLDERS, 765 00:26:35,187 --> 00:26:38,060 THE SEAT BACKS GOING BACK AND FORTH." 766 00:26:38,060 --> 00:26:39,392 "I DIDN'T CHEAT. 767 00:26:39,392 --> 00:26:42,065 I DIDN'T GO TO HOOKERS. 768 00:26:42,065 --> 00:26:43,937 I WATCHED A LITTLE PORN, BUT WHO DOESN'T? 769 00:26:43,937 --> 00:26:46,070 I WAS GOOD. I DID THE RIGHT THING." 770 00:26:46,070 --> 00:26:47,672 "WHAT I WANT FROM EACH AND EVERY ONE OF YOU 771 00:26:47,672 --> 00:26:50,205 IS A HARD TARGET SEARCH OF EVERY GAS STATION, 772 00:26:50,205 --> 00:26:53,079 RESIDENCE, WAREHOUSE, FARMHOUSE, HENHOUSE, 773 00:26:53,079 --> 00:26:54,210 AND DOGHOUSE IN THAT AREA." 774 00:26:54,210 --> 00:26:56,152 WE'RE NOT DOING "THE FUGITIVE." 775 00:26:56,152 --> 00:26:58,085 - WE'RE DOING TOMMY LEE JONES. - IN "HOPE SPRINGS." 776 00:26:58,085 --> 00:26:59,216 KEEP TO "HOPE SPRINGS." 777 00:26:59,216 --> 00:27:01,419 "I GOT US A ROOM. 778 00:27:01,419 --> 00:27:03,191 HERE. 779 00:27:03,191 --> 00:27:05,193 THE FRONT DESK HAS TOOTHBRUSHES. 780 00:27:05,193 --> 00:27:07,026 I ASKED THEM. 781 00:27:07,026 --> 00:27:08,427 I THOUGHT MAYBE JUST FOR A NIGHT, 782 00:27:08,427 --> 00:27:10,300 - YOU MIGHT WANT TO"-- - WHAT ARE YOU DOING? 783 00:27:10,300 --> 00:27:12,172 THE DINNER SCENE FROM "HOPE SPRINGS." CATCH UP HERE. 784 00:27:12,172 --> 00:27:15,176 - YOU'RE HITTING ON BOO. - AND YOU'RE BREAKING CHARACTER ALL OVER THE PLACE. 785 00:27:15,176 --> 00:27:16,477 WELL THEN, STAY AWAY FROM MY GIRLFRIEND. 786 00:27:16,477 --> 00:27:19,140 GET OUT OF MY FACE. 787 00:27:19,140 --> 00:27:21,313 GUYS, DON'T. 788 00:27:21,313 --> 00:27:22,444 ( grunting ) 789 00:27:22,444 --> 00:27:23,446 HEY! STOP IT. 790 00:27:23,446 --> 00:27:24,987 - I'M GOING TO HARVARD! - STOP! 791 00:27:24,987 --> 00:27:26,449 I'M GOING TO HARVARD! 792 00:27:26,449 --> 00:27:29,123 THAT TURNED OUT MUCH BETTER THAN I THOUGHT IT WOULD. 793 00:27:29,123 --> 00:27:30,925 BUT WE'RE GONNA NEED SOMETHING ELSE. 794 00:27:30,925 --> 00:27:31,996 COMING RIGHT UP. 795 00:27:34,129 --> 00:27:36,131 ( pop music playing ) 796 00:27:42,138 --> 00:27:44,011 ♪ YOU'RE GONNA TAKE ♪ 797 00:27:44,011 --> 00:27:45,472 ♪ A WALK IN THE RAIN ♪ 798 00:27:45,472 --> 00:27:48,146 ♪ AND YOU'RE GONNA GET WET ♪ 799 00:27:48,146 --> 00:27:50,018 ♪ I PREDICT ♪ 800 00:27:50,018 --> 00:27:52,020 ♪ YOU'RE GONNA EAT ♪ 801 00:27:52,020 --> 00:27:53,482 ♪ A BOWL OF CHOW MEIN ♪ 802 00:27:53,482 --> 00:27:56,025 ♪ AND BE HUNGRY REAL SOON ♪ 803 00:27:56,025 --> 00:27:57,928 ♪ I PREDICT ♪ 804 00:27:57,928 --> 00:27:59,490 ♪ ARE MY SOURCES CORRECT ♪ 805 00:27:59,490 --> 00:28:01,492 ♪ ARE MY SOURCES CORRECT ♪ 806 00:28:01,492 --> 00:28:03,494 ♪ YES I KNOW THEY'RE CORRECT ♪ 807 00:28:03,494 --> 00:28:05,497 ♪ I PREDICT ♪ 808 00:28:05,497 --> 00:28:09,502 ♪ MEN, IF YOU SAY YOUR PRAYERS ♪ 809 00:28:09,502 --> 00:28:14,247 ♪ YOU'LL NEVER LOSE YOUR HAIR ♪ 810 00:28:14,247 --> 00:28:16,050 ♪ L.A. IS SAFE ♪ 811 00:28:16,050 --> 00:28:18,052 ♪ AIN'T GONNA QUAKE ♪ 812 00:28:18,052 --> 00:28:20,185 ♪ AIN'T GONNA QUAKE I PREDICT ♪ 813 00:28:24,089 --> 00:28:27,794 ♪ AND SOMEBODY'S GONNA DIE ♪ 814 00:28:27,794 --> 00:28:31,529 ♪ BUT I CAN'T REVEAL WHO ♪ 815 00:28:31,529 --> 00:28:35,533 ♪ COLD BEER WILL CURE A COLD ♪ 816 00:28:35,533 --> 00:28:37,536 ♪ COLD BEER AND PRETZELS ♪ 817 00:28:37,536 --> 00:28:39,538 ♪ TAKES CARE OF CANCER ♪ 818 00:28:39,538 --> 00:28:43,483 ♪ MOSCOW WILL MARCH TO FRANCE ♪ 819 00:28:43,483 --> 00:28:47,548 ♪ THEY'LL DO THE CAN-CAN DANCE ♪ 820 00:28:47,548 --> 00:28:51,223 ♪ DON'T WORRY, IT'LL WORK OUT ♪ 821 00:28:51,223 --> 00:28:55,358 ♪ MAXIM'S WILL THROW THEM OUT ♪ 822 00:28:55,358 --> 00:28:59,102 ♪ THEY'RE GONNA STOP SATURDAY NIGHT ♪ 823 00:28:59,102 --> 00:29:03,237 ♪ SO YOU'D BETTER HAVE FUN NOW AT THE DANCE ♪ 824 00:29:03,237 --> 00:29:06,912 ♪ THEY'RE GONNA STOP HAVING THE SUN ♪ 825 00:29:06,912 --> 00:29:09,575 ♪ SO YOU'D BETTER GET TAN NOW ♪ 826 00:29:09,575 --> 00:29:11,177 ♪ AT THE DANCE ♪ 827 00:29:11,177 --> 00:29:13,279 ♪ AND THIS SONG WILL FADE OUT ♪ 828 00:29:13,279 --> 00:29:15,252 ♪ YES THIS SONG WILL FADE OUT ♪ 829 00:29:15,252 --> 00:29:17,224 ♪ THIS SONG WILL FADE OUT ♪ 830 00:29:19,126 --> 00:29:21,129 ♪ AND THIS SONG WILL FADE OUT ♪ 831 00:29:21,129 --> 00:29:23,131 ♪ YES THIS SONG WILL FADE OUT ♪ 832 00:29:23,131 --> 00:29:25,134 ♪ THIS SONG WILL FADE OUT. ♪ 833 00:29:25,134 --> 00:29:27,597 ( music ends ) 834 00:29:27,597 --> 00:29:29,599 ( cheering ) 835 00:29:35,977 --> 00:29:37,549 OH. I DIDN'T KNOW YOU'D BE HERE. 836 00:29:37,549 --> 00:29:39,211 WELL, I AM. 837 00:29:39,211 --> 00:29:41,013 LOOK, I'M DESPERATE TO FIND A PLACE 838 00:29:41,013 --> 00:29:42,485 TO GET MY MASSAGE. 839 00:29:42,485 --> 00:29:44,187 YOU'RE GETTING A MASSAGE WITH ALL THAT'S GOING ON? 840 00:29:44,187 --> 00:29:45,559 IT'S NOT FOR PLEASURE. 841 00:29:45,559 --> 00:29:47,892 IT'S FOR MY PHYSICAL THERAPY FROM MY ACCIDENT. 842 00:29:47,892 --> 00:29:49,423 FINE. DO IT UP HERE. 843 00:29:49,423 --> 00:29:50,965 COME ON IN, FLORDELIZA. 844 00:29:53,899 --> 00:29:55,431 SO DO YOU WANT FULL BODY TODAY? 845 00:29:55,431 --> 00:29:56,902 AROMATHERAPY, HOT STONE, 846 00:29:56,902 --> 00:29:58,575 LAVENDER SCALP, OR JUST BACK? 847 00:29:58,575 --> 00:30:00,577 OR SHOULDERS AND NECK? WHAT DO YOU WANT? 848 00:30:00,577 --> 00:30:04,912 I WANT A MASSAGE TO HELP HEAL MY INJURY. 849 00:30:04,912 --> 00:30:06,244 SHOULDERS AND NECK. 850 00:30:06,244 --> 00:30:08,016 I'LL JUST BE A SECOND. 851 00:30:10,920 --> 00:30:13,923 SO YOU STILL GOT THAT HELICOPTER, HUH? 852 00:30:13,923 --> 00:30:16,256 WHAT? OH, YEAH. 853 00:30:16,256 --> 00:30:17,928 IT'S JUST A TIME SHARE. 854 00:30:17,928 --> 00:30:19,600 I BASICALLY PAY BY THE HOUR. 855 00:30:19,600 --> 00:30:21,603 MUST BE EXPENSIVE. 856 00:30:21,603 --> 00:30:22,934 OH, PLEASE. 857 00:30:22,934 --> 00:30:24,937 THE FUEL SURCHARGES, 858 00:30:24,937 --> 00:30:27,940 THE PILOT TRAVEL TIME CHARGES. 859 00:30:27,940 --> 00:30:29,472 THEY GOUGE YOU ANY WAY THEY CAN. 860 00:30:29,472 --> 00:30:31,374 THANKS. 861 00:30:31,374 --> 00:30:32,576 FOR WHAT? 862 00:30:32,576 --> 00:30:34,218 YOU KNOW WHAT. 863 00:30:34,218 --> 00:30:37,021 WEDDINGS ARE IMPORTANT. 864 00:30:37,021 --> 00:30:38,323 OR SO I'VE HEARD. 865 00:30:38,323 --> 00:30:40,325 MOM'S REALLY ITCHING FOR ONE OF US TO HAVE ONE. 866 00:30:40,325 --> 00:30:42,288 WELL, SHE SHOULD GIVE UP ON ME. 867 00:30:42,288 --> 00:30:44,631 IT'S NOT IN THE CARDS. 868 00:30:44,631 --> 00:30:46,633 I ALWAYS THOUGHT A HUSBAND WAS 869 00:30:46,633 --> 00:30:48,966 WHAT WAS MISSING FROM MY LIFE, YOU KNOW? 870 00:30:48,966 --> 00:30:51,299 BUT I WASN'T MEETING ANYBODY, 871 00:30:51,299 --> 00:30:53,301 AND I WANTED A BABY, 872 00:30:53,301 --> 00:30:54,973 SO I HAD MY LITTLE CHING LAN 873 00:30:54,973 --> 00:30:56,245 SHIPPED OVER FROM CHINA, 874 00:30:56,245 --> 00:30:57,677 AND AFTER I SIGNED FOR HER 875 00:30:57,677 --> 00:31:00,310 AND THE NANNY TOOK THE RIDICULOUS POINTY HAT OFF, 876 00:31:00,310 --> 00:31:01,982 I JUST HELD HER. 877 00:31:01,982 --> 00:31:04,315 AND I DIDN'T WANT TO PUT HER DOWN. 878 00:31:04,315 --> 00:31:06,317 AND I REALIZED, 879 00:31:06,317 --> 00:31:08,990 SHE'S ALL I'LL EVER NEED. 880 00:31:08,990 --> 00:31:10,993 WELL, I'M NOT GIVING UP. 881 00:31:10,993 --> 00:31:12,725 I'M GETTING MARRIED 882 00:31:12,725 --> 00:31:14,467 AND I'M KEEPING ALL MY OPTIONS OPEN. 883 00:31:16,329 --> 00:31:18,432 SORRY. LOOKING FOR MICHELLE. 884 00:31:18,432 --> 00:31:19,573 TOO BAD. 885 00:31:23,007 --> 00:31:24,709 NO. 886 00:31:26,011 --> 00:31:27,212 - HEY. - YEAH? 887 00:31:27,212 --> 00:31:29,085 - CAN YOU HELP ME OUTSIDE? - YEAH, SURE. 888 00:32:06,390 --> 00:32:07,732 IT WAS ON THE GROUND, SO I PICKED IT UP. 889 00:32:10,735 --> 00:32:12,067 YOU WERE SNIFFING IT. 890 00:32:12,067 --> 00:32:13,399 I WAS STIFLING A YAWN. 891 00:32:13,399 --> 00:32:15,401 WITH HIS JACKET? PATHETIC. 892 00:32:15,401 --> 00:32:17,404 - EXCUSE ME. - NO, WAIT. 893 00:32:17,404 --> 00:32:19,746 LET ME TELL YOU A STORY. 894 00:32:19,746 --> 00:32:24,082 LAST YEAR, MY FAMILY WENT ON THIS PRIVATE SAFARI. 895 00:32:24,082 --> 00:32:27,085 MY PARENTS, FRANKIE-- IT'S SUNSET... 896 00:32:27,085 --> 00:32:28,757 AND WE'RE WALKING DOWN THIS TRAIL. 897 00:32:28,757 --> 00:32:31,421 GOLDEN SKIES, BEAUTIFUL VISTAS, 898 00:32:31,421 --> 00:32:35,295 AND WE SEE THIS LITTLE BABY ANTELOPE ON THE HORIZON. 899 00:32:35,295 --> 00:32:36,527 YEAH? 900 00:32:36,527 --> 00:32:39,430 WE GET CLOSER, AND IT TURNS ITS HEAD TO LOOK AT US. 901 00:32:39,430 --> 00:32:42,104 AND THE GUIDE SAYS, "TURN AWAY. 902 00:32:42,104 --> 00:32:44,106 A LION'S HAD AT IT." 903 00:32:44,106 --> 00:32:45,438 I DON'T GET IT. 904 00:32:45,438 --> 00:32:47,110 IT HAD BEEN HALF EATEN BY A LION. 905 00:32:47,110 --> 00:32:48,441 OH MY GOD. 906 00:32:48,441 --> 00:32:49,443 IT WAS HORRIBLE. 907 00:32:49,443 --> 00:32:51,245 EVERYBODY FROZE, AND I THOUGHT 908 00:32:51,245 --> 00:32:53,117 "IT'S WRONG TO TURN MY BACK 909 00:32:53,117 --> 00:32:54,449 AND LET THIS POOR LITTLE THING 910 00:32:54,449 --> 00:32:56,321 JUST SIT THERE AND BLEED OUT 911 00:32:56,321 --> 00:32:58,794 LIKE JUDI DENCH IN THAT JAMES BOND MOVIE." 912 00:32:58,794 --> 00:33:01,297 SO I GRABBED A GUN AND SHOT IT IN THE HEAD. 913 00:33:01,297 --> 00:33:03,860 YOU BLEW A BABY ANTELOPE'S HEAD OFF? 914 00:33:03,860 --> 00:33:05,402 PUT IT RIGHT OUT OF ITS MISERY. 915 00:33:05,402 --> 00:33:08,266 AND YOU, MY DEAR, 916 00:33:08,266 --> 00:33:10,769 ARE A HALF-EATEN BABY ANTELOPE. 917 00:33:10,769 --> 00:33:13,142 AND YOU'RE GONNA SHOOT MY HEAD OFF? 918 00:33:13,142 --> 00:33:16,476 LOOK, IF YOU DON'T WANT TO BE FRIENDS WITH ME, FINE. I'M COOL. 919 00:33:16,476 --> 00:33:18,218 BUT I HAVE GOT TO DO SOMETHING 920 00:33:18,218 --> 00:33:19,479 BECAUSE IT'S JUST TOO SAD TO LOOK AT YOU 921 00:33:19,479 --> 00:33:21,151 AND I JUST CAN'T TAKE IT ANYMORE. 922 00:33:32,165 --> 00:33:33,837 LET ME GUESS-- YOU'RE EXCITED, NERVOUS, 923 00:33:33,837 --> 00:33:35,298 HAPPY AND NAUSEOUS ALL AT ONCE? 924 00:33:35,298 --> 00:33:37,301 ALL FOUR EQUALLY. SUCH A BIG DAY. 925 00:33:37,301 --> 00:33:38,643 OKAY, I WAS TALKING TO THE BRIDE-TO-BE HERE. 926 00:33:38,643 --> 00:33:41,306 RIGHT. I'M SURE SHE HAS SIMILAR FEELINGS. 927 00:33:41,306 --> 00:33:43,178 DID I GO TOO TRAMPY ON THE DRESS? 928 00:33:43,178 --> 00:33:45,511 - OKAY. TURN AROUND FOR ME. - I WAS SHOOTING FOR MARILYN 929 00:33:45,511 --> 00:33:47,253 SINGING HAPPY BIRTHDAY TO KENNEDY, 930 00:33:47,253 --> 00:33:48,314 BUT WITH UNDERWEAR. 931 00:33:48,314 --> 00:33:50,517 - YOU LOOK PERFECT. - THANKS. 932 00:33:50,517 --> 00:33:51,859 - ( phone buzzes ) - OH NO. 933 00:33:51,859 --> 00:33:53,521 WHAT? 934 00:33:53,521 --> 00:33:55,193 - NO. - WHAT IS IT? 935 00:33:55,193 --> 00:33:56,865 IT'S RICK. HE WAS GETTING OUT OF THE CAR 936 00:33:56,865 --> 00:33:58,196 AND HE TRIPPED AND BROKE HIS ANKLE 937 00:33:58,196 --> 00:33:59,768 AND HE'S IN THE HOSPITAL. IT NEVER STOPS. 938 00:33:59,768 --> 00:34:01,330 A BROKEN ANKLE IS NOTHING. 939 00:34:01,330 --> 00:34:03,403 NO, A BROKEN ANKLE MEANS HE'S IN A CAST AND IN PAIN 940 00:34:03,403 --> 00:34:05,205 WHICH MEANS HE'S NOT WALKING DOWN THE AISLE. 941 00:34:05,205 --> 00:34:08,209 - THIS ISN'T HAPPENING. - OKAY, SO HE CAN'T WALK DOWN THE AISLE. 942 00:34:08,209 --> 00:34:09,540 WE CAN WHEEL HIM DOWN THE AISLE, 943 00:34:09,540 --> 00:34:11,212 OR YOU CAN GET MARRIED AT HIS BEDSIDE. 944 00:34:11,212 --> 00:34:12,484 THAT'S A FUN WEDDING STORY. 945 00:34:12,484 --> 00:34:13,885 I DON'T WANT TO GET MARRIED IN A HOSPITAL. 946 00:34:13,885 --> 00:34:15,347 DOES THIS LOOK LIKE A DRESS THAT YOU'D WEAR 947 00:34:15,347 --> 00:34:16,389 TO GET MARRIED IN A HOSPITAL? 948 00:34:16,389 --> 00:34:17,420 WELL, IN A HOSPITAL IN PARTS 949 00:34:17,420 --> 00:34:18,751 OF SAN FRANCISCO PERHAPS. 950 00:34:18,751 --> 00:34:20,223 OR EAST VILLAGE. WHO ARE YOU CALLING? 951 00:34:20,223 --> 00:34:21,555 - CHICKIE. - RICK'S BOOKIE? 952 00:34:21,555 --> 00:34:22,957 HIS BEST MAN. 953 00:34:22,957 --> 00:34:24,899 DAMN IT! WHY ISN'T HE ANSWERING? 954 00:34:24,899 --> 00:34:26,231 WELL, MAYBE HE CAN'T HEAR THE PHONE. 955 00:34:26,231 --> 00:34:27,632 NOT BECAUSE HE'S OLD AND DEAF, 956 00:34:27,632 --> 00:34:29,835 BECAUSE THEY DON'T LET YOU USE PHONES IN HOSPITALS. 957 00:34:29,835 --> 00:34:31,437 AND HE'S PROBABLY OLD AND DEAF. 958 00:34:31,437 --> 00:34:32,708 OKAY, LOOK. 959 00:34:32,708 --> 00:34:34,911 MAYBE IN A SUPER WEIRD WAY THIS IS A BLESSING. 960 00:34:34,911 --> 00:34:36,573 HOW? 961 00:34:36,573 --> 00:34:38,245 IT GIVES YOU TIME TO THINK. 962 00:34:38,245 --> 00:34:40,318 - ABOUT WHAT? - ABOUT THIS. 963 00:34:40,318 --> 00:34:41,719 - MARRYING RICK? - YEAH. 964 00:34:41,719 --> 00:34:42,921 I DON'T NEED TO THINK ABOUT MARRYING RICK. 965 00:34:42,921 --> 00:34:44,283 I'VE ALREADY THOUGHT ABOUT MARRYING RICK. 966 00:34:44,283 --> 00:34:45,654 I KNOW YOU'RE TIRED OF VEGAS 967 00:34:45,654 --> 00:34:46,725 AND THE SHOW YOU'RE IN, 968 00:34:46,725 --> 00:34:48,388 AND YOUR LIFE, AND I COMPLETELY GET THAT. 969 00:34:48,388 --> 00:34:50,790 BUT MAYBE THIS ISN'T THE ANSWER, YOU KNOW? 970 00:34:50,790 --> 00:34:52,332 YOU DON'T THINK I SHOULD MARRY HIM, DO YOU? 971 00:34:52,332 --> 00:34:54,996 NO, I DON'T THINK YOU SHOULD MARRY HIM. 972 00:34:54,996 --> 00:34:57,599 - WHY? - HE'S... 973 00:34:57,599 --> 00:34:58,640 NOT CATHOLIC. 974 00:34:58,640 --> 00:35:00,302 JUST STOP, MICHELLE, OKAY? 975 00:35:00,302 --> 00:35:03,706 I MEAN, ALL THIS JUST BECAUSE RICKY TRIPPED AND FELL? EVERYBODY FALLS. 976 00:35:03,706 --> 00:35:05,679 I WATCHED YOU FALL FROM THE TOP OF AN ESCALATOR 977 00:35:05,679 --> 00:35:07,511 AT A MALL IN VEGAS ALL THE WAY TO THE BOTTOM, 978 00:35:07,511 --> 00:35:09,713 AND YOU BOUNCED BACK UP AND RIGHT INTO NEIMAN'S. 979 00:35:09,713 --> 00:35:10,885 RICK LOVES ME. 980 00:35:10,885 --> 00:35:12,557 EVERYBODY LOVES YOU. 981 00:35:12,557 --> 00:35:14,660 YOU'RE TALIA. YOU'RE GREAT. 982 00:35:14,660 --> 00:35:15,891 BUT YOU DON'T THINK I LOVE HIM? 983 00:35:15,891 --> 00:35:17,493 NO. 984 00:35:17,493 --> 00:35:20,296 BECAUSE YOU'RE TWISTING YOURSELF INTO A PRETZEL FOR HIM. 985 00:35:20,296 --> 00:35:22,769 WITH THE CRAFTING AND WANTING TO COOK 986 00:35:22,769 --> 00:35:25,373 AND WANTING A YAPPY LITTLE PEKINGESE. THAT'S NOT YOU. 987 00:35:25,373 --> 00:35:26,304 PEKINGESE AREN'T YAPPY. 988 00:35:26,304 --> 00:35:27,705 YEAH, THEY'RE SUPER YAPPY. 989 00:35:27,705 --> 00:35:29,307 - THEY'RE REGAL. - NO, THEY'RE NOT AT ALL REGAL. 990 00:35:29,307 --> 00:35:31,380 - BIG REGAL DOG. - SMALL YAPPY SMOKE ALARMS. 991 00:35:31,380 --> 00:35:32,381 I DON'T WANT TO TALK ABOUT THIS. 992 00:35:32,381 --> 00:35:35,315 YOU ARE TURNING DOWN OFFERS FOR LEGIT SHOWS 993 00:35:35,315 --> 00:35:36,987 TO BE WITH HIM. SHOWS THAT COULD GO TO NEW YORK. 994 00:35:36,987 --> 00:35:39,320 - WHO DOES THAT? - ME. I DO IT. 995 00:35:39,320 --> 00:35:40,851 I TOLD YOU, THAT'S YOUR THING. 996 00:35:40,851 --> 00:35:42,053 YOU WANT TO GO BE IN A SHOW IN NEW YORK, 997 00:35:42,053 --> 00:35:43,394 GO BE IN A SHOW IN NEW YORK. 998 00:35:43,394 --> 00:35:44,526 I WANT TO GET MARRIED. 999 00:35:44,526 --> 00:35:46,729 IS THIS WHY YOU DIDN'T WANT TO BE MY MAID OF HONOR? 1000 00:35:46,729 --> 00:35:48,030 BECAUSE YOU THINK THE MARRIAGE IS DOOMED? 1001 00:35:48,030 --> 00:35:49,632 IT JUST DOESN'T FEEL REAL TO ME. 1002 00:35:49,632 --> 00:35:50,834 I'M PREGNANT! 1003 00:35:52,335 --> 00:35:53,337 PRETTY REAL, HUH? 1004 00:35:55,339 --> 00:35:57,341 OKAY. 1005 00:35:57,341 --> 00:35:59,014 WE'LL MAKE THIS WORK. 1006 00:35:59,014 --> 00:36:01,016 I'LL RAISE THE BABY WITH YOU. 1007 00:36:01,016 --> 00:36:02,878 IT'LL BE TOUGH, BUT WE'LL MAKE IT FUN. 1008 00:36:02,878 --> 00:36:04,751 LIKE A SITCOM. IT'LL BE "TWO BROKE GIRLS AND A BABY." 1009 00:36:04,751 --> 00:36:05,882 IT'LL BE GREAT. 1010 00:36:05,882 --> 00:36:07,484 YOU AND I AREN'T DOING ANYTHING. 1011 00:36:07,484 --> 00:36:08,685 I'M GETTING MARRIED. 1012 00:36:08,685 --> 00:36:11,028 YOU DO WHATEVER. 1013 00:36:11,028 --> 00:36:12,590 YEAH. 1014 00:36:17,796 --> 00:36:18,798 OKAY, GUYS. SAY CHEESE. 1015 00:36:18,798 --> 00:36:19,999 All: CHEESE. 1016 00:36:21,000 --> 00:36:22,542 CUTE. 1017 00:36:22,542 --> 00:36:24,475 THAT'S GONNA LOOK GREAT WITHOUT THE FLASH. 1018 00:36:24,475 --> 00:36:25,606 GLAD YOU TOOK ME UP ON THAT. 1019 00:36:25,606 --> 00:36:26,677 ( clears throat ) 1020 00:36:30,482 --> 00:36:33,155 HI, GUYS. YOU COPING OKAY? 1021 00:36:33,155 --> 00:36:34,817 I HAD A DOG. 1022 00:36:34,817 --> 00:36:35,888 CALVIN. 1023 00:36:35,888 --> 00:36:38,622 DAD NAMED HIM AFTER SOME CARTOON GUY. 1024 00:36:38,622 --> 00:36:40,023 "CALVIN AND HOBBES"? 1025 00:36:40,023 --> 00:36:42,166 NO. HIS NAME WAS JUST CALVIN. 1026 00:36:42,166 --> 00:36:44,829 I USED TO TALK IN HIS VOICE LIKE HE WAS THE ONE TALKING. 1027 00:36:44,829 --> 00:36:46,501 CRACKED EVERYBODY UP. 1028 00:36:46,501 --> 00:36:48,774 YES, YOU ARE A REGULAR LOUIS C.K. 1029 00:36:48,774 --> 00:36:51,838 I MISS HIM. HE WAS A COOL DOG. 1030 00:36:51,838 --> 00:36:53,510 WHAT HAPPENED TO HIM? 1031 00:36:53,510 --> 00:36:55,182 CAR HIT HIM. 1032 00:36:55,182 --> 00:36:56,844 YEAH. YOU KNOW. 1033 00:36:56,844 --> 00:36:59,047 WHATEVER. 1034 00:36:59,047 --> 00:37:00,448 SO I GUESS GINNY AND YOUR BROTHER'S 1035 00:37:00,448 --> 00:37:01,520 NOT HAPPENING, HUH? 1036 00:37:01,520 --> 00:37:02,851 NOT FOR LIKE YEARS. 1037 00:37:02,851 --> 00:37:04,193 WHAT HAPPENED? 1038 00:37:04,193 --> 00:37:05,625 SHE'S INTO SOMEONE ELSE. 1039 00:37:05,625 --> 00:37:07,627 WHY? CHARLIE'S COOL. 1040 00:37:07,627 --> 00:37:08,859 IT WASN'T SO MUCH WHY, 1041 00:37:08,859 --> 00:37:10,060 IT WAS THE WHY NOTS. 1042 00:37:10,060 --> 00:37:11,662 AND SHE LIKES THIS OTHER GUY. 1043 00:37:11,662 --> 00:37:13,504 HUH. 1044 00:37:13,504 --> 00:37:15,937 KINDA THOUGHT FOR A WHILE THERE'D BE A DOUBLE-DATE THING OR SOMETHING. 1045 00:37:15,937 --> 00:37:17,509 YOU MEAN YOU AND ME? 1046 00:37:17,509 --> 00:37:18,671 YEAH. 1047 00:37:18,671 --> 00:37:19,812 NO. 1048 00:37:19,812 --> 00:37:22,515 - WHY NOT? - BECAUSE. 1049 00:37:22,515 --> 00:37:24,878 MY MOM SAYS BECAUSE IS A WORD, 1050 00:37:24,878 --> 00:37:25,979 NOT A REASON. 1051 00:37:25,979 --> 00:37:28,623 WELL, THAT'S THE REASON. 1052 00:37:28,623 --> 00:37:29,884 BECAUSE, OKAY? 1053 00:37:29,884 --> 00:37:31,026 BECAUSE. 1054 00:37:31,026 --> 00:37:33,689 SO YOU CAN'T THINK OF A REASON WHY? 1055 00:37:33,689 --> 00:37:35,791 I DON'T KNOW. 1056 00:37:35,791 --> 00:37:37,894 IF YOU CAN'T THINK OF A REASON WHY, 1057 00:37:37,894 --> 00:37:41,168 CAN YOU THINK OF A REASON WHY NOT? 1058 00:37:44,572 --> 00:37:45,874 NOT OFFHAND. 1059 00:37:45,874 --> 00:37:50,509 THEN WHY NOT? 1060 00:37:59,921 --> 00:38:01,593 HEY, BRIDE. 1061 00:38:01,593 --> 00:38:03,595 LOOK. IT'S A PEKINGESE. 1062 00:38:03,595 --> 00:38:05,728 RICK BROUGHT HIM. ONE OF MY WEDDING GIFTS. 1063 00:38:05,728 --> 00:38:07,600 - OH. - YOU WERE RIGHT. 1064 00:38:07,600 --> 00:38:09,202 I WAS THINKING OF ANOTHER DOG. 1065 00:38:09,202 --> 00:38:10,674 YEAH, BUT THIS ONE'S GOOD TOO. 1066 00:38:10,674 --> 00:38:12,136 AND IN A PINCH YOU CAN DUST WITH IT. 1067 00:38:12,136 --> 00:38:13,678 I GUESS. 1068 00:38:13,678 --> 00:38:14,739 HEY, HE'S ADORABLE. 1069 00:38:14,739 --> 00:38:16,911 YEAH. HE KIND OF IS. 1070 00:38:18,614 --> 00:38:19,785 YOU STILL WANT ME IN YOUR WEDDING? 1071 00:38:19,785 --> 00:38:22,618 YOU'RE TECHNICALLY NOT IN THE WEDDING. 1072 00:38:22,618 --> 00:38:24,290 WOULD YOU TAKE HIM A SECOND? 1073 00:38:24,290 --> 00:38:25,792 OH. 1074 00:38:27,625 --> 00:38:28,896 YES, YOU'RE IN THE WEDDING. 1075 00:38:28,896 --> 00:38:30,027 AFTER ALL THAT STUFF I SAID? 1076 00:38:30,027 --> 00:38:31,629 YOU SAID IT BECAUSE YOU WORRY ABOUT ME. 1077 00:38:31,629 --> 00:38:32,961 AND THERE'S EVERY REASON TO. 1078 00:38:32,961 --> 00:38:35,634 LOOK AT HIM. HE IS OLD. 1079 00:38:35,634 --> 00:38:36,966 OLDER. NOT OLD. 1080 00:38:36,966 --> 00:38:38,167 HE'S IN A WHEELCHAIR. 1081 00:38:38,167 --> 00:38:40,640 TEMPORARILY. THE ANKLE WILL HEAL. 1082 00:38:40,640 --> 00:38:42,312 I DON'T WANT TO BE A YOUNG WIDOW. 1083 00:38:42,312 --> 00:38:43,644 LIKE ME? 1084 00:38:43,644 --> 00:38:45,316 NO. 1085 00:38:45,316 --> 00:38:47,178 YOU KNOW WHAT I MEAN. 1086 00:38:47,178 --> 00:38:48,981 I HAD NO TIME WITH HUBBELL. 1087 00:38:48,981 --> 00:38:51,654 24 HOURS. 1088 00:38:51,654 --> 00:38:53,786 BUT IT WAS A PRETTY GREAT 24 HOURS. 1089 00:38:53,786 --> 00:38:54,888 YEAH. 1090 00:38:54,888 --> 00:38:57,060 YOU'LL HAVE TIME. 1091 00:38:57,060 --> 00:38:58,662 DO I LOOK OKAY? 1092 00:38:58,662 --> 00:39:00,064 DO YOU LOOK OKAY? 1093 00:39:00,064 --> 00:39:01,336 - YOU MAY KILL HIM WITH THAT LOOK. - MICHELLE. 1094 00:39:01,336 --> 00:39:02,667 I MEAN IT. CROSS YOUR EYES 1095 00:39:02,667 --> 00:39:03,939 OR PICK YOUR TEETH WITH YOUR TONGUE 1096 00:39:03,939 --> 00:39:05,671 WHILE YOU'RE WALKING DOWN THE AISLE, 1097 00:39:05,671 --> 00:39:06,872 BECAUSE OTHERWISE THE MAN'S HAVING A HEART ATTACK. 1098 00:39:06,872 --> 00:39:08,875 AND LIVES. HAS A HEART ATTACK AND LIVES. 1099 00:39:19,718 --> 00:39:21,760 SHE BLEW AN ANTELOPE'S HEAD OFF? 1100 00:39:21,760 --> 00:39:22,762 CLEAN OFF. 1101 00:39:22,762 --> 00:39:23,893 THAT'S CRAZY. 1102 00:39:23,893 --> 00:39:25,865 SHE JUST SAID ALL THAT TO INTIMIDATE ME. 1103 00:39:25,865 --> 00:39:28,068 - BECAUSE YOU LIKE HER BROTHER? - I DON'T KNOW. ASK HER. 1104 00:39:28,068 --> 00:39:30,872 I THOUGHT SHE WAS ALL ABOUT PEACE, LOVE AND UNDERSTANDING. 1105 00:39:30,872 --> 00:39:32,604 WAIT, SO WAS SHE THREATENING YOU? 1106 00:39:32,604 --> 00:39:34,776 - STAND DOWN, HULK. - SHE SHOULDN'T THREATEN YOU. 1107 00:39:34,776 --> 00:39:36,038 SHE JUST CAME UP AND TOLD YOU THIS? 1108 00:39:36,038 --> 00:39:37,239 I MEAN, JUST OUT OF THE BLUE? 1109 00:39:37,239 --> 00:39:39,382 YES, FOR THE MOST PART. 1110 00:39:39,382 --> 00:39:42,315 I MEAN, I WAS KIND OF SNIFFING HER BROTHER'S JACKET. 1111 00:39:42,315 --> 00:39:43,947 - WHAT? - IT WAS A MOMENT. 1112 00:39:43,947 --> 00:39:45,089 TO NEVER REPEAT. 1113 00:39:47,051 --> 00:39:49,194 WOW. ALL DOLLED UP. 1114 00:39:49,194 --> 00:39:50,395 FRIEND JUST GOT MARRIED. 1115 00:39:50,395 --> 00:39:51,657 YOU LOOK REALLY NICE. 1116 00:39:51,657 --> 00:39:52,728 THANK YOU. 1117 00:40:11,081 --> 00:40:12,753 - WHAT WAS THAT? - IT WAS A CONDOM. 1118 00:40:12,753 --> 00:40:14,425 I KNOW WHAT IT WAS. WHAT WAS MICHELLE DOING? 1119 00:40:14,425 --> 00:40:15,826 WAS SHE OFFERING IT TO US? 1120 00:40:15,826 --> 00:40:17,228 THAT'S A MISDEMEANOR AT LEAST. 1121 00:40:17,228 --> 00:40:18,860 IT FELT MORE LIKE SHE FOUND IT. 1122 00:40:18,860 --> 00:40:20,162 AND THOUGHT IT WAS ONE OF OURS? 1123 00:40:20,162 --> 00:40:22,034 SO THAT WAS A CONDOM, NOT A MINT? 1124 00:40:22,034 --> 00:40:23,295 IT WAS A CONDOM, BOO. 1125 00:40:23,295 --> 00:40:24,997 I WOULDN'T EVEN KNOW HOW TO BUY ONE OF THOSE. 1126 00:40:24,997 --> 00:40:27,100 IT'S NOT THAT COMPLICATED. YOU GET SOME MONEY, 1127 00:40:27,100 --> 00:40:28,902 YOU GO TO A DRUGSTORE, AND YOU BUY THEM. 1128 00:40:28,902 --> 00:40:31,105 COME ON. IT'S NOT LIKE BUYING PAPER TOWELS, SASHA. 1129 00:40:31,105 --> 00:40:32,847 PEOPLE IN LINE AND THE CHECK-OUT PERSON. 1130 00:40:32,847 --> 00:40:34,249 - THEY JUDGE YOU. - JUDGE YOU HOW? 1131 00:40:34,249 --> 00:40:35,450 FOR BEING A HUMAN BEING? 1132 00:40:35,450 --> 00:40:36,752 WITH NATURAL URGES? 1133 00:40:36,752 --> 00:40:37,783 PEOPLE DO JUDGE YOU. 1134 00:40:37,783 --> 00:40:39,785 I MEAN, I LOOK. I JUDGE. 1135 00:40:39,785 --> 00:40:41,117 SO SQUEAMISH. 1136 00:40:41,117 --> 00:40:43,390 I WOULD EXPECT THAT FROM BOO, BUT NOT FROM YOU TWO. 1137 00:40:43,390 --> 00:40:44,792 I DON'T NEED TO BUY CONDOMS. 1138 00:40:44,792 --> 00:40:46,193 I'M ON THE PILL. 1139 00:40:47,695 --> 00:40:49,027 - WHAT? - SINCE WHEN? 1140 00:40:49,027 --> 00:40:50,799 AS SOON AS MY MOTHER HEARD ABOUT CARL, 1141 00:40:50,799 --> 00:40:52,000 SHE MARCHED ME DOWN TO THE DOCTOR'S 1142 00:40:52,000 --> 00:40:53,002 AND PUT ME ON THE PILL. 1143 00:40:53,002 --> 00:40:54,834 YOU AND CARL ARE HAVING SEX? 1144 00:40:54,834 --> 00:40:56,276 WHAT? NO. 1145 00:40:56,276 --> 00:40:58,008 - THEN WHY ARE YOU ON THE PILL? - I JUST TOLD YOU. 1146 00:40:58,008 --> 00:40:59,079 I'M GOBSMACKED. 1147 00:40:59,079 --> 00:41:00,481 WHAT DOES IT TASTE LIKE? 1148 00:41:00,481 --> 00:41:02,283 I DON'T KNOW. I STICK IT IN A PEPPERMINT PATTY. 1149 00:41:02,283 --> 00:41:03,885 HEY, WHAT'S GOING ON? 1150 00:41:03,885 --> 00:41:05,417 BOO IS ON THE PILL. 1151 00:41:05,417 --> 00:41:06,748 YOU'RE HAVING SEX WITH CARL? 1152 00:41:06,748 --> 00:41:08,350 WHY DOES EVERYBODY HEAR I'M ON THE PILL 1153 00:41:08,350 --> 00:41:10,253 AND AUTOMATICALLY THINK I'M HAVING SEX? 1154 00:41:10,253 --> 00:41:12,495 YOU ARE ABSURD, BOO. YOU KNOW THAT? 1155 00:41:12,495 --> 00:41:14,157 - ABSURD. - WHY? 1156 00:41:14,157 --> 00:41:16,160 BECAUSE YOU'RE ON THE PILL BUT NOT HAVING SEX. 1157 00:41:16,160 --> 00:41:17,862 IT'S LIKE HAVING A SUPERPOWER AND NOT USING IT. 1158 00:41:17,862 --> 00:41:19,163 I'LL USE IT EVENTUALLY. 1159 00:41:19,163 --> 00:41:20,835 CARL AND I ALREADY MAPPED OUT OUR FIRST TIME. 1160 00:41:20,835 --> 00:41:22,037 IT'S GOING TO BE AT SENIOR PROM. 1161 00:41:22,037 --> 00:41:23,809 WARN ME SO I CAN AVERT MY EYES. 1162 00:41:23,809 --> 00:41:24,971 THAT'S A YEAR AND A HALF AWAY. 1163 00:41:24,971 --> 00:41:27,043 I KNOW, BUT THAT'S WHEN IT'S GOING TO BE. 1164 00:41:27,043 --> 00:41:28,375 ACTUALLY, IT'S GOING TO BE THE NIGHT BEFORE 1165 00:41:28,375 --> 00:41:30,377 THE SENIOR PROM SO WE CAN GET IT OUT OF THE WAY 1166 00:41:30,377 --> 00:41:31,478 SO WE HAVE FUN AT THE PROM. 1167 00:41:31,478 --> 00:41:32,980 NOW I'VE HEARD EVERYTHING. 1168 00:41:32,980 --> 00:41:35,523 - HEY. - YES? WHAT, DEZ? 1169 00:41:35,523 --> 00:41:36,855 NOTHING. 1170 00:41:36,855 --> 00:41:38,857 I JUST HEARD YOU GUYS HAD CONDOMS. 1171 00:41:38,857 --> 00:41:39,929 GET LOST, DEZ. 1172 00:41:47,938 --> 00:41:49,871 YEAH. 1173 00:41:49,871 --> 00:41:52,043 I GUESS IT'S TIME TO TALK ABOUT ME. 1174 00:41:52,043 --> 00:41:53,876 EVERYBODY. THE FIRE IS OUT. 1175 00:41:53,876 --> 00:41:55,878 THERE WAS NO PROPERTY DAMAGE 1176 00:41:55,878 --> 00:41:58,211 AND NO INJURIES. YOU CAN GO HOME. 1177 00:41:58,211 --> 00:42:00,914 ( cheering ) 1178 00:42:00,914 --> 00:42:02,887 - SURVIVED ANOTHER ONE. - RIGHT ON. 1179 00:42:02,887 --> 00:42:04,218 SEE YOU TOMORROW. 1180 00:42:08,564 --> 00:42:10,226 - HEY, THERE. - HI. 1181 00:42:10,226 --> 00:42:11,898 SO, I'LL TAKE THE JOB. 1182 00:42:11,898 --> 00:42:13,800 - WHAT JOB? - DRAWING LESSONS. 1183 00:42:15,172 --> 00:42:18,005 MY SISTER SAID YOU WANTED DRAWING LESSONS? 1184 00:42:18,005 --> 00:42:20,478 - SHE SAID THAT? - DID I HEAR WRONG? 1185 00:42:20,478 --> 00:42:22,941 NO. YES, I WANT LESSONS. 1186 00:42:22,941 --> 00:42:24,813 GREAT. GIVE ME YOUR PHONE. I'LL PUNCH IN MY NUMBER. 1187 00:42:24,813 --> 00:42:25,915 OH. WILL DO. 1188 00:42:25,915 --> 00:42:27,917 WE CAN MEET AT YOUR PLACE, 1189 00:42:27,917 --> 00:42:29,589 MY PLACE, WHATEVER. 1190 00:42:29,589 --> 00:42:31,051 I'M PRETTY AVAILABLE. 1191 00:42:31,051 --> 00:42:32,252 ME TOO. 1192 00:42:32,252 --> 00:42:33,924 AND THANK HER FOR ME 1193 00:42:33,924 --> 00:42:35,597 FOR PASSING MY MESSAGE ON. 1194 00:42:35,597 --> 00:42:36,928 WILL DO. 1195 00:42:44,007 --> 00:42:45,268 HAVE A GOOD NIGHT. 1196 00:42:45,268 --> 00:42:46,940 Michelle. It's Bash, come in. 1197 00:42:46,940 --> 00:42:48,272 HEY, BASH. WHERE ARE YOU? 1198 00:42:48,272 --> 00:42:49,874 COME ON OVER. 1199 00:42:49,874 --> 00:42:51,946 I just wanted to thank you for all your hard work. 1200 00:42:51,946 --> 00:42:54,419 YOU'RE WELCOME. I THINK WE MADE A PRETTY SUCCESSFUL TEAM. 1201 00:42:54,419 --> 00:42:55,451 Definitely. 1202 00:42:55,451 --> 00:42:57,954 AND I BELIEVE IT'S TIME WE CELEBRATE 1203 00:42:57,954 --> 00:42:59,626 - OUR SUCCESS. - Come again? 1204 00:42:59,626 --> 00:43:01,628 THE CHAMPAGNE. BREAK IT OUT, MAN. 1205 00:43:01,628 --> 00:43:03,090 But I'm not there. 1206 00:43:03,090 --> 00:43:04,091 WHAT? WHERE ARE YOU? 1207 00:43:04,091 --> 00:43:05,633 On the road. It's been a long night. 1208 00:43:05,633 --> 00:43:06,965 I'm pooped. 1209 00:43:06,965 --> 00:43:07,966 BASH, YOU SNUCK OUT SO YOU DIDN'T HAVE TO 1210 00:43:07,966 --> 00:43:09,438 SHARE THE CHAMPAGNE WITH ME. 1211 00:43:09,438 --> 00:43:11,100 What's that? You're breaking up. 1212 00:43:11,100 --> 00:43:13,373 - GET BACK HERE. - I must be getting out of range. 1213 00:43:13,373 --> 00:43:15,645 BASH, YOU OWE ME CHAMPAGNE! 1214 00:43:15,645 --> 00:43:17,107 ( stammering ) 1215 00:43:19,650 --> 00:43:21,653 ( applause ) 86980

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