Original subtitles

That bus on goes 10 blocks this way,

10 blocks this way and 10 blocks this way.

Why, it doesn't even have to make a left-hand turn.

Gone, gone, completely disappeared, no trace of it.

Tell me, how, in heaven's name,

does anybody steal a crosstown bus?

What are the drivers' names?

Algernon Shaw harring and Wellington phlug.

Aw, this is no time to make jokes!

Oh, they're a couple of hew employees.

Shall I call the police? = police?

And have us made the laughing stock of the whole country.

No, get a private detective.

Yes, sir.

Crosstown bus disappears right under our noses.

Wait till I get my hands on bus number 5111.

Of all the bus drivers in Chicago,

I had to pick those two.

I shoulda never let you talk us

into leaving our crosstown bus route.

What are you worrying about?

We'll get a promotion for this.

= yeah.

We'll have our pictures in the papers from coast to coast.

I now what it's gonna say under the picture.

- What? - Wanted by the police.

Oh, nothing of the kind.

Here, get a load of that.

Oh, Tommy Layton entered the yacht race.

That's him.

You mean, he's gonna enter this bus in the boat race.

Yeah, no, certainly not.

I mean, after all,

wo00, w000, w00, woo!

Woo, woo!

Oh, will you keep your eyes open?

- I can't, I'm sleepy. - What do you...

I, I didn't get no sleep last night in that motel.

Why?

I mean, after all, I walked in my room

and some dummy put the bed in the closet.

It's a Murphy bed.

Well, Murphy shoulda slept in it.

- What are you... - Woo, woo, woo!

= now hold on to that.

Okay, I'll take it.

I'll take it. Now drive straight.

We're running out of gas.

Running out of gas? = yes.

= oh.

What are you driving so fast for?

I got to get to a service station

before we run out of gas.

No, no, no.

How are you gonna pay for this gas?

What are you gonna use for dough?

Ah, don't worry about the dough.

I'll see if I can get away with a baseball story.

- That'll be... - Hey, uh,

you like baseball? - Do I?

I never miss a game.

= it's the last half of the ninth.

The score is tied.

Three men on base, up comes dimagg,

three balls and two strikes.

The pitcher winds up, throws the ball.

Zowie, a home run!

And the yanks win five to one.

Oh boy, we sure put it over, didn't we?

Yeah, we sure put it over.

We certainly did.

Hey!

Hey, come back here!

Now how do you like that? = what's the matter?

What happened? I just got gypped

by a couple of wise guys.

Yeah?

Hey, where's the nearest gas station?

- This is the gas... - Never mind him.

Fill it up. - Yeah, fill it up.

Come on, girls, relax.

There we are.

How'd you enjoy the trip?

= I'm fine. The next one's mine.

Let's get some fresh air. = go ahead.

What are you doing?

How'd you enjoy the trip so far?

Oh charming.

I don't know where it is.

Come on, girls. - Thank you.

What time is it? Hey, pardon me,

but aren't you Tommy Layton?

- Yeah. - And we're his nurses.

Oh, lucky patient.

Well, I'm from the oakmont herald.

How's for a picture?

Oh go ahead!

- Thanks, girls. - Don't mention it.

- Come on, come on. - Oh, let's get back.

I've had enough air.

What do you say?

That'll be $12.50 for the gas.

$12.50 for the gas.

Tell him to put it on the cuff.

Here, put it on the cuff.

What do you mean put it on the cuff?

What?

= ooh!

All right, all right, come on,

we'll get it off Mr. Layton.

Come on, no, no, no, no fighting.

Mr. Layton, the man wants $12.50 for the gas.

Oh don't worry about it.

I'll settle for everything at the end of the trip.

Right now, my friend, money is secondary.

Hey, just a minute.

How 'bout giving me a little of that secondary?

All right.

Here's $20, keep the change.

Oh, $20, keep the change.

- Thanks. - You're welcome.

What's the matter with you?

What's wrong?

Wait a minute, wait a minute, wait a minute,

wait a minute, pay the man.

How, how am I gonna pay the man?

The girl took the money.

What girl?

The one with the long red stuff and on her head too.

Oh, how are we going to pay for this gas?

Hey, wait a minute.

I've got it.

Go over and tell him the baseball story.

The baseball story? = you know.

= you mean the old one?

They don't know it out here.

They don't know it out here?

Way out here, certainly not.

You mean tell him about the one with the guy on the,

and the... - Yeah, yeah, yes,

yes, yes, yes, yes, you know it, go ahead.

The hoo, hoo! = go ahead.

Now let me see, that was $12.50, wasn't it?

That's right, $12.50.

Heh, heh, $12.50.

You like baseball?

Yeah, I'm just crazy about baseball.

- I think we got him. - That's all there is to it.

Go ahead.

In fact, I'm just dying

to have somebody tell me a baseball story.

- Algy, you better tell him. - Why?

He's just dying

to have somebody tell him a baseball story.

Well, aren't you dying to tell it to him?

I'm just dying.

Well, go over and find out if he heard the game yesterday.

Okay.

Did you hear the game yesterday?

= no.

He didn't hear it. = so?

Well, it was some game.

It was the last of the ninth and the score was tied.

Are you sure you didn't hear the game?

= no.

Did you read it in the papers?

= no.

= hear it on the radio?

= nol!

- Okay. - What's the matter?

I don't think it's gonna work.

Why, is he asking too many questions?

He knows too many answers.

Well, go over and tell him.

Go ahead, tell him the story.

Go on, go on, go on.

- Okay, okay, okay. - Hurry up.

Now, Joe DiMaggio...

Was at bat, three balls, two strikes.

The pitcher winds up, throws the ball.

DiMaggio swings.

Zowie, a home run!

The yanks win five to one!

= uh-oh.

= uh-oh.

Come here, smart guy.

Two fellas just put that baseball gag over

on me a few minutes ago.

I said the next guy that did it,

I'd break his leg.

What's that got to do with my change?

What change?

My change from the $20 bill I gave you.

You gave me, oh.

Oh, I beg your pardon, sir.

That's okay.

I mean, after all, my friend, you must trust everybody.

Yes, sir.

Here, here's a tip for ya.

That's very generous of you, sir.

- Okay, thank you. - Thank you, sir.

Oh, oh, oh, oh!

- Oh boy. - What'd you say?

That was swell. = one more?

No, no, one's enough.

Well, I gotta go for another one.

= now wait a minute.

Now one's enough.

I mean, after all, if you're a sissy, I can't help it.

I like this stuff. What do you mean?

I like it, I gotta have another one.

Scotch and soda. = Cuba libra.

Make mine a Brandy.

Can't handle it, huh?

- Getting old. - Not me,

I got a hollow leg.

Fill it up again!

My friend algy don't think I really can handle this stuff.

Thank you.

Oh boy.

Woo-woo!

I tell ya,

when I go for this stuff, I really go for it.

I know, but one of those is enough.

Ah!

Oh come on, let's get, wait a minute, wait a minute,

wait a minute, wait a minute.

All right, take it easy, get it out.

Take it.

You know, that woulda costs you 50 cents

if you'd had swallowed that.

J do I worry j

j 'cause you're stepping out j

j do I worry j

j "cause you've got me in doubt /

j though your kisses aren't right j

j do I give a bag of beans [j

j do I stay home every night j

j and read my magazines j

j am I frantic j

j "cause we've lost the spark j

j is there panic?'

j when it starts turning dark j

j and when evening shadows creep j

j do I lose any sleep over you

j do I worry j

j you can bet your lifel do j

J do I worry j

j when the ice man calls j

j woo, woo, woo, woo j

j do I worry j

j if Niagara Falls j

j though you treat me just like dirt»

j think I give a snap j

j are my feelings really hurt j

j when you're sittin' in somebody else's lap j

j am I curious j

j when the gossip flies &

j am I furious j

j 'bout your little white lies j

j when all our evenings end j

j "cause you got a sick friend j

j that needs you j

j do I worry j

j honey, you know doggone well I do j

j now am I frantic jl

j "cause we've lost the spark j

j is there panic?'

j when it starts turning dark j

j and when evening shadows creep j

j do I lose any sleep over you

j do I worry j

j you can bet your life j

jido j

Think you can walk?

- Oh, I'll make it. - Okay.

Right, right, right.

What's the matter, what happened?

= it should've never mixed them.

= mixed what?

= the chocolate with the vanilla.

Oh come on, let's go to bed, come on.

= hello!

Woo!

Yeah, oh, come on.

I'm sorry, very, very sorry.

Sorry.

Oh, pictures?

Are they your children?

Hey, looks like somebody I know.

That's us.

You admit it, do ya?

Well, whoever took

that picture didn't do a good job on me.

Well, here, here's a nice little invitation for ya.

- Oh. - Oh, an invitation,

that's very nice of you.

Oh, get this, the state of Illinois sends us greetings.

Well, I send greetings right back to the state of Illinois.

In fact, I think I'll send 'em a postcard.

Do you know what that is?

= it's an invitation.

Yeah, the state of Illinois would like you

to be their guest.

= over the weekend?

No, I'd say for quite a few years.

Oh no, I couldn't sponge on anybody that long.

Furthermore, you see,

we work for a big bus concern in Chicago,

and they wouldn't give us that much time off.

It was the bus company

that wants you sent away for a rest.

Now wait a minute. = oh!

I don't want to go.

Algy, you don't want to go?

- No. - That's being ungrateful.

I mean, after all, they're gonna try to give us a vacation.

= shh.

= what's the name of the hotel?

There's a place near joliet called the pen.

= t never heard of that hotel.

= that's not a hotel!

It's a place with big walls all the way around it.

Oh, it's a private place.

Yes, plenty private. = good.

They've got men walking all around the walls.

They're picketing the place?

They're not picketing the place!

They're up there to make sure that you don't get out.

And if ya try to, they.

Oh, I understand now!

You mean prison guards. = mm-hmm.

Oh those guys are tough, certainly.

And when you get inside those pens, pens?

Mm-hmm.

- Hotel pen? - Certainly.

Tut, tut...

A cop! - Certainly!

Woo, hoo, woo, woo!

I beg your pardon.

Are you looking for someone?

Well, ves, I'm lookin' for,

oh, I beg your pardon.

How do you do?

Hey, look!

Maybe he can make us disappear.

Well, let's find out. = come on.

Oh, archery.

- Oh come on, come on. - Okay.

Come on, come on, come on.

Hey, look!

Oh, Marco the magician.

Oh, what are you, wait a minute!

Why don't you knock on the door?

= t don't know.

I just don't give a rap anymore.

You...

Ah, bon soir, monsieur.

Oh, come on, hey!

Come on.

Pardon me, did you see a couple

of bus drivers come in here?

Yeah, yeah, they stole a bus.

Yeah, I got a warrant for these guys,

and now they've disappeared.

Ah, disappeared!

What are you doing?

This guy must be crazy.

Hey, wait a minute!

You can't do that!

Disappeared.

What do you mean, settin' my warrant on fire?

I'll arrest you for arson.

= voila.

Au revoir.

That guy is all right.

Au revoir, au revoir.

You magicians certainly get around.

Yeah, you go out there, and you pop up here.

Yeah, yeah, yeah, yeah, listen.

Do me a favor, will ya?

Oui, oui.

Do that trick over again for me, will ya?

Yeah, yeah, yeah, yeah, you know,

where you make it disappear.

Oh, oui, oui, oui.

You know, where you burn it up?

- Oui, oui. - Yeah, come on.

- Oui, oui. - No, no, no, no.

Do it like you did before.

T want to learn it all.

You know, fold it up.

Oh, viva la sardines,

yes, yes. - Oui, yeah.

- Oui, oui. - No, no.

Now wrap the handkerchief around.

Here, take my handkerchief.

Ah.

Now burn it up, thank you.

Burn it up.

Yeah, come on.

Oui, oui, oui, oui, oui, oui.

- Yes, sir. - Oui, oui, gone.

Yeah.

Now pull it outta my collar.

What, what?

The collar, collar, come on, pull it out of the collar.

Come on, will ya?

The collar, pull it out of the collar, will ya?

No, the collar, pull it out of there.

Don't you understand?

I'm sorry, I don't speak english.

Well, that's different then.

Hey, what are you pulling?

Another one.

Well, howdy do?

Hello there.

I suppose you're Marco the magician too.

No, I'm his twin brother.

Twin brother? =- mm.

Then how come you speak english, and he don't.

Well, he was born in France.

Well, if you're twins,

why weren't you born in France with him?

Well, I was traveling with my aunt at the time.

I'm tired of this hocus pocus.

Let me see a trick, and if it lays an egg,

you've got a little explaining to do.

If it lays an egg? = yeah.

Oh, I'm glad you mentioned eggs.

Now take your hat off, please.

Now hold your hat in your hand.

Now here I have a little common, ordinary egg.

Now I am going to break the egg

in your hat and do a trick.

In my hat?

In your hat and over your ears.

Now I'm gonna break the egg.

There you are, see that?

I'll put that in, too.

I don't care, I put everything in.

Now I get my egg...

Oh.

Hold it over there. What's the matter?

Is something wrong?

Plenty, yeah, hold it over there, please.

Now, hocus pocus, diddly okus.

And now,

the egg is still in your hat.

Is something wrong?

Mm-hmm.

I got to use more eggs.

Here, you hold the cigar, please.

Thank you.

Now, I take it...

You didn't see nothing wrong, did you?

No, no, the egg is still there.

Mm, that's, oh, I'm glad you saw it.

Now I crack it again, like this.

And I put another egg in there.

Then I put a little salt,

a little salt, a little pepper.

I get the outboard motor.

There you are.

And now,

we got an omelet.

Hmm, all right.

What do you know about that?

Get them out, make them disappear.

You don't have any toast with you, do you?

- No. - Ya ain't go not toast, huh?

- No. - Make 'em disappear, huh?

Yeah, make 'em disappear.

I got a card trick here I'd like...

= never mind the card trick!

Get those eggs outta my hat.

I got a cute little trick over here.

= never mind that one.

Come on, come on, listen,

get those eggs outta my hat!

Look, me and my brother Marco used to do this trick.

All right, then why can't you get 'em out?

Well, that's the part my brother Marco knows.

Eh?

Something wrong?

Oh, aha!

- Aho! - Aha!

- Oh, ho! - Aha!

- Hoo, hoo. - Yeah.

Hoo, hoo, hoo, hoo!

Hey, Wellington.

Hurry up, get in.

Turn around, turn around, get down, get down, get down.

Ah.

Hey, fellas, give me a hand, will ya?

Help me get this box on that truck.

Now, wise guys, I've got you where I want you.

I'm gonna ship ya by fast freight.

You didn't think I'd catch ya, did ya?

Hey!

= oh ho!

Ah, come on, come on.

At least I got you.

Think ya can get away from me, huh?

Why don't ya pick

oh somebody your size? Come on, get in there,

get in there.

That'll hold you till I catch your pal.

- Yeah? - Yeah.

= got us?

You got outta that box, but you won't get outta there.

I'll guarantee you that.

Thanks. - You're welcome.

Ah!

Algy, come on, I got him.

- You got who? - The cop.

I got him in the trunk.

= in the trunk?

Yep!

- Swell. - All by my little self.

I put him right in the trunk.

Behind. = huh?

- In the back. - Not in the back.

No, I got him in the trunk.

Behind ya.

Not behind me, he's under me.

He's under me.

Come on, I'll give ya a peep.

Come here, look. = look.

But all good things must come to an end.

Aw! = no!

So I think while I can still recognize you,

I'll kiss you all goodbye.

- Hurray! - All right, Tommy.

Tommy, why do I always have to be the last?

Is that as hard as you an slap?

Hey, uh, that's, that's hard enough.

That's hard enough.

What's the matter, sis?

Just a kissing Tom.

A slight case of mistaken identity, that's all.

Not on my part.

Roger, this is Mr. Tommy Layton,

the sportsmanlike yachtsman who stole your crew from you.

= now wait a minute.

I don't know what my agent did,

but I do know that I...

But you are Tom Layton?

Yeah, so what?

So allow me to introduce myself.

Roger!

Ti don't think he can take it.

This is hardly the place to find out.

He's right, rog.

Besides, I have a much better idea on the crew situation,

a much better idea.

Yes, yes!

- Now, brothers. - Yeah.

- And sisters. - Hallelujah!

We're all gathered here to strive.

Yes, Orville, yes, Orville.

To have one of them good, old jam sessions.

Mm-hmm.

- Dishin' out some solid jive. - Hallelujah!

Now I want all you hep cats and jitterbugs...

Yes, yes.

Come on up here and get in the groove.

Glory, glory, glory.

'Cause when that rhythm hits ya...

= then what do we do?

Son, that's the time to move

j stand up and shout, brother, shout

j shout, brother, shout j

j when that rhythm hits you j

j shout, brother, shout j

j don't be afraid

j don't hang your heads j

j stand up and shout, brother, shout

j brother, shout;

hallelujah!

J hey, when you get that feeling j

j runnin' down your spine j

j that's that good ol' rhythm

j it'll drive you out of your mind j

j shout, brother, shout j

j you'll soon find out you will be happy

j if you shout, brother, shout j

hallelujah!

J shout, brother, shout j

j shout, brother, shout j

j when that rhythm hits you j

j shout, brother, shout j

j don't be afraid

j don't hang your head j

j stand up and shout, brother, shout

j brother, shout;

yeah, yeah!

This don't look like the right road to Chicago.

Just keep goin', brother, that's all.

= ooh.

Ooh!

= what's the matter now?

= dead end.

All right, back up.

I gotta back up. = go ahead.

Don't you hear me?

Back up!

I gotta back up. = go ahead.

What's the matter with ya?

Back up.

I'm gonna back up!

Well, do as the man tells ya.

Go ahead.

Will ya go ahead and back up?

How can you go ahead and then back up?

Back up!

Go ahead.

Now I gotta back up then go.

What kind of bus do you think this is?

I'll satisfy the both of yous.

I'll go sideways.

- Back up! - Back up!

- Hello, sven. - Hello, Mr. Layton.

Say, when I wired you to get me a crew,

I certainly didn't expect you to go out...

Yeah, I know, I, I make mistake.

I steal the crew from the shamrock.

But everything's straightened out.

Crew go back to old job.

What did you do, lay them off?

Well, your sister told me you couldn't get here

for the race.

My sister?

I haven't got any sister.

Why, brother dear, how you do talk.

Hey.

What are you doing on my boat?

Well, just a little sabotage.

You stole my brother's crew, and I stole it back again.

Seems to be some misunderstanding about that.

I didn't even get into town

until last... Well, that's your story.

So you don't want to listen, huh?

All right, you asked for it.

Hey, what are you doing?

That's my dinghy.

You won't need it, sweetheart.

You're going for a little joyride.

= leave me alone!

Stop it, take your hands off me!

How you dare manhandle me like this now!

All right, sven, up anchor and let's get underway.

Oh no, I don't go on no cruise.

Why not?

I get seasick every time I leave the harbor.

Well, how do you like that?

A sea captain...

Where's my crew?

Right there!

If your brother wins the race,

we'll be the first on hand to congratulate him.

Hey, I thought I said goodbye to you guys.

What are you doin' down there? Who is it?

Hello, hello, Mr. Layton, how are you?

We're hitchhiking to Chicago.

- Hey. - Hey, hey, Chicago!

Chicago!

Now, let's see, hey, Mr. Layton,

could you use a couple of fugitives from justice?

I could use a couple of able-bodied seamen.

- You could? - Yeah.

Well, if any pass by, I'll let you know.

No, we've got a job!

- Okay. - Come on, get up there.

- Chicago! - Give me your hand,

Mr. Layton - go right, go right,

go right. - Take it easy,

take it easy.

So how've you been, Mr. Layton?

Fine.

Wait for Mel!

All right, come one.

Wait for Mel!

Come on, come on, give me your hand.

Get a hold.

You're all right.

It's only water.

Will you look at that!

What is that thing?

= that's a seal.

A seal? = sure.

They make fur coats.

They make fur coats?

How do they teach them that kind of work?

That's sharkey.

He's the pet of the harbor.

- He is? - Yeah.

Can we bring him on the boat?

- Sure. - Okay.

Sharkey, sharkey!

Come on! - Yeah!

Lunchtime.

- Oh, lunch. - Mm-hmm.

= oh sardines!

Now, now, now, now, noww how, now.

- Hey, gimme this. - Now wait a minute.

- You hold the wheel. - Listen to me,

you can't eat that. Oh, little sardines.

Oh give me that.

Look, you put a hole

in the can already. - Okay.

Mr. Layton promised to pay for the bus.

And he also promised a bonus if we win this race.

Oh good.

= what's the idea?

= what's the matter?

Keep your hands to yourself.

Keep your hands to yourself!

I'm keepin' them on the wheel.

Don't hit me there.

Never mind, just keep your hands on the wheel.

Now, algy, you know I'm very brittle.

Now don't hit me there.

= never mind that.

This is no time to clown.

Ar!

What'd I tell ya?

What are you hittin' me in the face for?

Keep your hands on the wheel.

Oh piffle-diffle!

Here, here, here, here.

Now you made me say a bad word.

Well, keep those remarks to yourself.

And keep your hands on the wheel.

And keep your course northeast by southeast.

What are you talkin' like that for?

You don't know anything about this sailor stuff.

Northeast by southeast. There's a compass.

Look at it, read it, look at it.

There's north.

There's northeast.

There's south, southeast.

What's the matter, you nervous?

Only around southeast.

Oh, go ahead.

All right, Wellington, I'll take the wheel.

= give him the wheel.

Not that way!

Put that back where it belongs.

All right, all right.

Tell me, don't push.

Come on, what kind of a sailor are you, huh?

Look out, watch out!

Watch yourself, come on.

Am I glad you were there.

Woo!

Or else.

I think we can stand more canvas, boys.

Ease the main, douse the jib and break out the spinnaker.

What are you doing?

Come on, come on, come.

What are you goin' down there for?

I'm gonna eat.

No, didn't you hear what the skipper said.

Yeah, he says, "peas and giblets

"and break out a can of spinach.”

No, this stuff up here.

How you gonna eat that?

Come on up here!

Oh, look, Mr. Layton,

you got to give me something I can eat.

I mean, after all, I can't digest that canvas

and that other stuff. Come on, get up here.

All right.

Don't fall overboard.

Get yourself up.

Hold on, hold on.

There's too many ropes and things.

= jibe-0!

= jibe-0!

= what kind of double-talk is that?

- Jibe-o0! - Jibe-0!

Oh, jibe-o!

- That's it! - Yeah.

All right.

= jibe-0.

Jibe-0!

Algy, algy!

Wellington!

- Oh! - Are you all right?

Algy, look at the big sardine.

Pull me in!

We have to pull him up.

Wellington, always playing around.

Come on!

- Come on, come on. - There you are.

What are you tryin' to do, rip the man's canvas?

Now get over there in the corner and behave yourself.

What are you so mean to that little fella for?

Well, he's always getting into trouble.

= oh. - Algy, algy!

What's he doing now?

Algy!

- Come here. - Wellington.

Get me up!

I - oh! Get me up!

- Duck down, boy. - Get out of there.

- Get me up! - Come on, get up!

What are you tryin' to do, commit suicide?

Oh, always in a mess.

- Wellington. - Get up on your feet.

You all right?

You all right? - You all right?

Now behave yourself from now on.

Do you understand?

I was standing with the sharks!

Well, there's sharks out there.

My other foot! = huh?

My other foot!

- What's the matter with it? - My other one!

The shark got it.

- The shark, what, what? - My other foot!

There's your other foot.

He got... = there!

Who put that there?

Oh come on. = hmm.

Now snap into it.

Okay, I'm sorry.

Wellington, there's a little slack in the canvas.

Don't bother, I'll get it.

You're quite a sailor, miss Marshall.

You've been doing three men's work in this cruise.

I just want you to get everything you deserve, Mr. Layton.

I'm sure you'll see that I get it.

Boy, they sure hate each other.

Yeah, they hate each other well enough to get married.

Well, wouldn't you marry a pretty girl like that?

- No. - Ah!

I'd marry a homely girl.

Why?

Well, if you marry a pretty girl like her,

she's liable to run away.

Well, a homely girl is apt to run away, too.

Yeah, but who cares?

Why should we fight?

After all, even the worst enemies declare a truce.

Then we're certainly eligible.

= armistice?

= armistice.

You know, those stars would look lovely

in your hair, especially polaris.

Polaris?

What's it doing up there?

It should be over here.

Wellington, I thought I told you to follow that star.

Oh, I passed that one.

You better pick me out another one.

We're way off our course.

Who jimmied that compass?

I can't imagine.

The barometer's falling.

Well, you'd better pick it up

before somebody steps on it.

Did you fix that, too, miss Marshall?

No, I forgot that one.

What does it read now, Mr. Layton?

A storm, a bad storm.

We're miles off the regular sea lanes.

You mean I'm blazing a new trail?

Yes, you're liable to Blaze yourself right into a typhoon.

Oh, that's okay with me.

T can't catch it.

Vaccinated. Just never mind that.

How do you like that?

I cut my head off.

All hands on deck!

What'd you say?

All hands on deck!

= all hands on deck?

Yeah.

Okay, here's mine.

Come up here, we've lost control of the boat.

You mean the finance company's gonna take it?

Come up here, will you?

Hold on. - Okay!

Hurry up.

Lord what a storm, huh?

Come on!

Get up there ahead.

- Huh? - Get up there ahead.

Woo, woo!

What are you doing here?

I said up there.

I slipped.

Well, slip back.

Go on, get up there.

Oh, cold water.

Weel

what did I just get through telling you?

Go on up there! - I slipped!

You're always slipping.

Now get up there. = yes!

Algy!

How'd you get out there?

Get me off!

- Man overboard! - Get me off!

Well, sip it slowly, everybody.

That's the last of the water.

Here you are, boys, breakfast, lunch and dinner.

Well, what's different about that?

That's all we've had for 10 days.

The only difference is that after this is gone,

there isn't anymore.

Uh, just a minute.

We're partners, aren't we? Yeah.

And we split everything 50-50, don't we?

- Yeah, I know, but... - Now, wait a minute.

Never mind you know, I know.

Whether on land or sea, makes no different,

partners are partners.

Now you got two beans.

I haven't got any.

How come?

You wouldn't want to share that way, would you?

No, here.

Wait a minute.

= what's the matter?

= it's a small one.

I want to give you the big one.

= oh.

My mother always told me to treat my friends like that.

Well, that's very nice of you.

Told me give the biggest of everything.

= that's swell.

Mm.

Wait a minute, what are you doing?

What are you doing?

I'm gonna eat this half.

Why?

You've got two halves.

I haven't got any.

No, you don't, you shouldn't eat so fast.

You'll get indigestion.

What kind of a partner are you?

Now I'm entitled to half of that bean.

Now come on.

- There. - That's better.

Now, algy, stop it, you ought to be ashamed.

Always, always trying to make a hog out of himself.

I'm sorry.

Well, go ahead and eat it.

= this is mine?

= go ahead!

You mean, you're gonna let me eat

this whole half a bean. Yes, yes.

I've always got to give you the best of it.

Take it easy now and chew it up good.

= mm=-mm.

Chew it up good.

I'm gonna make it last.

Don't worry, I'm gonna put it from here over to here

and here to here.

= go ahead.

And sometimes I'll put it up here.

It's up there now.

Where is it now?

It's gone.

Sharkey, boy, am I hungry.

This program is coming to you

from Pete's bar and grill.

Stop in for one of our famous chicken dinners,

delicious chicken, mashed potatoes,

corn on the cob, new green peas,

combination salad, pie and coffee.

And today's blue-plate special is spaghetti.

= with meatballs?

Yes, with meatballs.

= thanks.

Well, I guess we might as well wash these dishes.

What'll you use for water?

There's a whole ocean full of it out there.

Why don't you throw 'em overboard?

We won't need 'em anymore.

Wellington.

What?

I can't stand to see you starve to death.

Here, I just sneaked Mr. Layton's gun.

Oh, I can't eat that.

Who wants you to eat it?

It's the only way out.

You mean you want me to demolish myself?

It's the only honorable thing I could do.

I don't think sharkey likes the idea.

He's tellin' ya off.

Well, there's one less we'll have to worry about.

What do you mean?

= you'll find out.

Are you ashamed to see me do it?

Don't cry, you make me feel sad.

Here.

Blow your nose.

That's enough.

It's the only handkerchief I got.

I know, but it's clean.

It's clean, I'm tellin' ya.

Goodbye, sharkey.

Aw, sharkey.

Poor Wellington.

Wellington?

Oh!

Wellington!

Are you all right? What's the matter?

What happened?

What'd you do? - What happened?

= t missed.

I'm awfully sorry.

You missed. = oh.

- You... - Land!

= huh?

= land!

Land, everybody! - Hey, hey!

- We're saved! - Put that thing away,

will ya? - Oh boy!

Land! - Hey!

Will you put it away? How do you like that?

- Wellington! - Right over there,

we got land! Put that thing down.

Oh my god!

Don't point at me, don't point at me!

Well, maybe we'd better separate

and see if we can find any signs of life.

Oh yes, if you see anything, blow this whistle.

But be careful, some

of these out-of-the-way islands are inhabited by cannibals.

= cannibals?

Oh, oh, oh, oh.

= what's the matter?

They're not gonna make no shore dinner outta me.

Are you sure there're cannibals?

Yeah. = oh.

You were kidding about those cannibals, weren't you?

Well, you never can tell.

Maybe we'd, uh, better kinda stick together, huh?

Oh, that won't be necessary.

You wanna go on alone?

I suppose you think I'm afraid, huh!

= hoo-hoo!

Oh, Tommy!

Oh Tommy, Tommy, where are you?

Wait a minute, wait a minute.

Oh Tommy!

I guess it would be kind of foolish

if we got separated, huh?

Why, what's the matter?

You're not afraid, are you?

Well, no.

But there are animals around here, wild animals.

- Oh really? - Uh-huh.

Well, I haven't seen any.

Oh, but I heard 'em, just as plain.

You did, huh?

Come on.

Oh.

All that stuff about cannibals being on the island,

that's all bunk. = sure.

You know, algy, the next thing you know,

Tommy Layton"s liable to tell you

that there's headhunters here

or something like that. Forget about it.

And you know that's only in storybooks,

'cause I've been around. Certainly.

That's ridiculous.

I know, I've been around.

Ooh, ooh-ooh-ooh, ooh!

Ooh, ooh, ooh!

Algy.

Algy!

Oh, algy!

What did they do to you?

What's the matter with you?

What's the matter with you?

Algy!

Oh! - Here I am.

Don't you ever play jokes on me.

Shh, not so loud.

If there's any cannibals on the island,

you'll attract them to us.

We've got to do something to protect ourselves.

Come here.

Take that shield. = it's a what?

That's a shield, a protector.

That's a protector.

- Itis, is it? - Get yourself a club.

What, this? = get a club!

I gotit,

right over here. Let me look at it.

Now you're all set to...

What are you doing? J oh yeah j

= that's not for that.

- Huh? - Don't you understand?

Now if a cannibal comes around,

you're all ready to protect me.

- Sure. - Sure.

I'm all ready to protect you?

Certainly.

I don't want to get inquisitive,

but who is going to protect me?

Don't worry about a thing.

See that whistle?

- Yeah. - That'll protect you.

Okay.

Everything all right?

That whistle is gonna protect me?

Certainly.

How?

Don't you understand?

T blow the whistle.

He turns around to find out where the noise is coming from,

and you hit him over the head with a club.

= oh.

You got it?

When you blow the whistle,

then the cannibal turns around.

- He turns around. - When he does,

bop on the head. - Bop!

Now you've got it.

Come on, let's find something to eat.

= wait a minute.

Don't you forget to blow the whistle.

I'll blow the whistle if the last thing I do.

If you don't, it'll be the last thing I do,

so help me.

And you.

You, I ain't a-scared of you guys.

Woo!

What's the matter, can't you take a joke?

I was only kiddin'.

Hey, this is all right.

Looks like it's been made from the hull of an old ship.

Well, at least somebody lived on this island.

= hello in there!

Woo-hoo! = hello!

Oh judging by these books,

whoever lived here must understand english.

Looks like we might be in luck.

Maybe the natives in this place are civilized.

Unfortunately, that is not the case.

My name's varnoff.

Hello, I'm sorry you find us snooping here,

but we... - We feel kinda silly.

How did you get here?

- Well, you see, we... - Well, we...

Met up with a storm, and we lost our sails,

and here we are.

Yeah, um, what island is this?

= it's uncharted.

Don't tell me you were shipwrecked, too?

Oh, no, no, I came here quite intentionally.

You see, I'm something of an archeologist,

oh, I see.

Do you think you can help us rig up some sails?

Well, it shouldn't be impossible.

The natives here speak a little english,

but they're an unpredictable lot, as you'll learn.

However I'll take you down to the native village,

and we'll see what can be done.

Wonderful. =- good.

- Come on, Wellington. - Okay, okay.

What's the matter with you?

- Hey, algy! - What?

= look at the chicken over here.

Where?

That's chicken?

What a chicken!

- Chicken, no! - Algy!

Blow the whistle, get the whistle!

- What'd I do with it? - What do you want me to do,

run into that?

Wait a minute, where did I put it?

Oh. - Blow the whistle!

All right.

= blow the whistle!

Now don't get excited.

Why didn't you blow that whistle?

I forgot where I put it.

You forgot where you put it?

- It's all right. - Keep it in your mouth

from now on. All right, all right,

all right, all right. Give me the whistle.

All right, take it.

Take it easy.

That's your whole, look out, here he comes!

Blow the whistle, not that!

Blow the whistle!

The whistle! Nothin' comes out!

Never mind that, the whistle!

Blow the whistle! = it won't work.

It won't work yet.

- Blow that whistle! - Oh, oh!

Ow, oh, not that, the whistle!

Blow the whistle. All right, all right.

How'd you like that?

Algy!

Hey, algy, what happened to you?

Must be tired.

Algy, move over.

All right, all right.

Look, stop it!

Get your hands off me.

Shh, take it easy.

Miss Joan, Mr. Layton, won't you help us, please?

They want to make a beef stew out of us.

What'd he say?

That you two dared to disturb the sacred shrine

of the departed warriors and must pay the penalty.

= oh.

Look, mister, tell the head man,

will you please tell him I'd like to die my own way.

How do you want to die?

Of old age.

If not that, chief,

I'll die of starvation.

Starvation takes a long time.

That's all right.

I'll wait. - Shut up.

=- I'm willin'.

You people are very fortunate.

The chief likes your little fat friend.

Thinks he's cute.

So he invites you all to become his friends

over a cup of native wine.

- Hey, algy. - What's the matter?

= come here.

What's that funny-lookin' thing?

= that's a bell.

No, that ain't no bell.

I say that's a bell, come here.

- Oh, hey. - Here, look.

- It's too big. - There, you see that?

That's a clapper.

That's a clapper?

That's what makes the sound, the noise.

Are you tryin' to tell me that this is a bell?

= don't holler at me!

- Take this! - Quiet!

- Moolah! - Moolah!

Moolah! - Moolah!

What's this moolah business?

Well, moolah means hero in their language.

There's a legend that every time that bell rings,

the great hero of mantua will appear and reconquer

for them their haunted temple in the mountains.

Oh, hello.

Thank you, girls.

What a beautiful Violet.

That luana, love flower.

Me luana, love flower, too.

= you love flower?

All girls on island named after flower.

How do you like that?

These giggling kids, they're all named after flowers.

Me amo, passion flower.

Me ferna, beauty flower.

You algy, wallflower.

Moolah, moolah. = moolah.

= what's this?

You are big hero.

Me a big hero?

And you shall marry luana, daughter of chief.

That's me.

No, no, whaba, no, no,

no, no, ho, no! Hey, hey, just a minute!

Kid, do you need help?

- Yes. - All right.

Oh, no, no, no, no, no.

Listen, you, I was talkin' to the young lady.

You're big enough to help yourself.

Luana no marry moolah.

Marry me!

Why should I marry you?

You don't even appeal to me.

= bah!

- Bah! - Bah!

= bah!

Ha, ha!

Didn't even hurt.

J lovely luana'

j ooh, ah, ooh j

j flower of love [j

j lovely luana'

j ooh, ooh, ooh j

j pretty south sea flower j

j ooh, ooh j

j lovely luana'

j ooh, ooh j

j you haunt the tropic night j

j oh, but you're lovely

j ooh, ooh j

j when the moonbeams shower j

j ooh, ooh j

j angelic blossom j

j ooh, ooh j

j you bloom in pale moonlight j

j ah, ah, ah, ah, ah, ah, ah j

j if you should see luana bloom j

j the night a full moon glows

j it means you'll find your loved one j

j ooh

j that's how the legend goes

j ooh, ooh j

j lovely luana'

j ooh, ooh j

j in your starlit hour j

j lovely luana'

j ooh, ooh j

j please bloom for me tonight »

j ooh, ooh j

J love your luana j

j love your south sea flower j

j kiss your luana j

j she blooms for you tonight

Oh!

Moolah!

- Hello. - Moolah, moolah.

- Hello, how are ya? - Hello, girls.

- Moolah. - Hiya, kid.

What are you doing?

See you girls later tonight.

Well, look, algy and I was playin' under the tree.

This is a very old tree.

She says it's a very old tree.

Lovers have met under this tree for many years.

Woo, woo, woo!

= well?

Why don't you go home?

- I will not. - I mean, after all,

you know I'm... = never mind.

I mean, but me and, me and...

All right, keep quiet, sit down.

I know, but.

= what's the matter?

Go on home, will ya? = I will not!

Somebody's callin' you.

There's nobody calling.

- Oh, there is too. - There is not.

- Algy! - That's you.

I heard you.

Come on, sit down. Didn't call out, huh?

- Yes. - I know, but algy, look.

- Never mind. - Do me a favor,

will ya, please?

Go ahead home. = I will not.

Look, now two's company and three's a crowd.

All right, go on home.

Okay.

No, you go!

= t will not.

I mean, after all, she's my Latin beauty.

S07?

Aren't ya, I hope?

Luana, what was you sayin' about this old tree before?

= this tree is called the tree of truth.

= tree of truth?

Something will happen to you.

Yeah?

Well, I got nothing to worry about,

because I never tell any lies.

= oh!

See?

You told a lie.

Well, I was only kiddin'.

What goes on here?

What's the matter, take it easy, will ya?

I ain't gonna tell any more lies.

Algy, come here.

What's the matter with you?

I mean, every time I talk,

I get hit on the head with a coconut.

What can I do?

Eh, tell her a story.

They love stories.

Tell her a story? = go ahead.

I got a pip.

= go ahead.

Luana, I got to tell you a story.

Now, once upon a time, there was a merchandising agent,

and he was lured down a country road.

He saw a farmhouse.

He knocked on the door and out come the...

Now wait a minute, wait a minute!

Just a minute!

Get your hand off my head! = just a minute!

You can't tell that story.

I'll tell her the one about my father,

the one that's an engineer on the railroad.

Well, why didn't you tell that one in the first place?

Well, I didn't know.

Well, go ahead.

No one likes to talk about their own parentage.

Go ahead, go ahead, never mind that.

I got to tell you another story,

"cause he didn't like the first one.

= no.

This story's about my father.

Once upon a time, my father was an engineer on the railroad.

He was going 70 miles an hour down a track.

All of a sudden, the rain stopped,

and he didn't know what was wrong.

So he went into the tool box, and he couldn't find no tools.

So what did he do?

I'll tell you what he did.

He went to the farmhouse.

He rapped on the door. = now wait a minute!

Just a minute, now just a minute.

Now enough is enough.

= t didn't even finish it.

That's the same story.

= is it?

Same story and you know it.

Well, what do you know?

Can I tell the story if I put a whistle with the train?

Certainly not.

Okay.

Why don't you tell her something interesting,

something about our country and some great people?

- You mean history? - History, there's the idea.

Oh, history, okay. = that's the one.

Now you're talkin' sense.

Honey, I got to change my story again,

because he didn't the number one and the number two one.

He didn't like it.

I'm gonna like the number three, though.

I'm gonna tell you about the history of our great country.

= that's swell.

Now you're talkin'.

One time, many, many years ago,

somebody threw some tea in the ocean.

And there was a lot of confusion about it.

And so Paul revere, he was a big man at that time,

and he had a wonderful horse, and he got on his horse,

and he said, "the redcoats are coming.

"The redcoats are coming."

And he was goin' down a cobble road.

All of a sudden, he came to a door.

He rapped on the door. No, you don't!

Wait a minute, wait a minute, wait a minute, just a minute.

I didn't even get the guy off the horse.

= never mind that!

Let me get the guy off the horse!

That's the same story!

Please, wait a minute.

Moolah, what did the man want with...

Well, you see, he... = no!

Oh, he,

he, he...

Moolah, what did he want?

He wanted a glass of milk.

Certainly I realized these visitors may disrupt our plans.

But I think I have a way of making good use of them.

Look, boss, we got plenty of jewels out

of the last five guys that we kidded the natives

into sending up to the temple.

Why don't we call it quits?

Not until we get the sacred Ruby of mantua.

If you realized what it's worth...

Okay.

But who's gonna be the next sacrifice?

= leave that to me.

And tabor, tomorrow night, there's to be a feast

in honor of these new arrivals.

When the festivities are at their height,

I want the volcano to erupt.

Now make it very effective.

Use plenty of fireworks.

= moolah!

Kneel.

= moolah!

= moolah.

My son.

My daddy.

Moolah!

- Moolah. - Moolah.

Moolah, moolah!

Moolah, Wellington.

Remember, you marry luana, you be dead husband.

Get your hand off me.

Tam a hero.

You are a stinker.

What you mean?

What you call stinker?

Well, that's... = no!

Uh, you see, a stinker,

a stinker's a great man.

You bet your life me stinker.

Oh yeah.

My father was stinker.

My brother stinker.

My whole family stinkers.

Yeah, but you're the biggest stinker of 'em all.

Thank you.

Oh thank you.

You're the biggest stinker on the whole island.

Thank you, thank you.

Thank you.

Him, no stinker.

- No, no. - Oh no, no.

You no stinker.

= no. - Too small.

Only me stinker.

Yeah, biggest stinker I ever saw.

Thank you - oh, thank you!

You marry luana...

Yeah.

Ti don't think he means a shave.

= he don't.

Wellington seems to be doing all right.

Luana is a very pretty girl.

Second prettiest girl on the island.

Oh you're much too complimentary.

You haven't been dipping in that cava bowl, have you?

Oh no, lady, not a drop.

Oh no.

- Look here. - This is your wedding feast.

I warn you.

= go ahead and heat.

I can't, I lost my appetite.

Well, take a drink.

Maybe it'll bring it back.

Yes, you will take a drink with me,

your last drink!

Oh.

Algy, let's you and I get outta here.

- Oh behave. - I'm scared.

I can feel chills runnin' right up my spine.

You mean up and down your spine.

No, up my spine.

They got no strength for a return trip.

Ah!

I'm gettin' a Mickey.

Oh.

= drink?

= look over there.

Who's that?

I'm...

= drink.

= drink?

= drink.

= drink.

Oh.

Oh, look at the sky, ooh!

= drink!

= hello there!

= drink!

= drink?

Drink, drink, drink!

- Drink. - Drink.

More, more,

more, more? = more.

- More, more, more. - Drink, drink, yeah.

Drink, drink.

I'm so tired, tired.

Yeah.

J oh great one j

j oh great one, oh great one j

j oh burning fountain j

j oh great one, oh great one j

Ah!

J vingo j

j oh great one j

j firing on on the mountain j

j oh great one j

j vingo j

j oh great one j

j oh burning fountain j

j oh great one j

j shower your message from above us j

; Now that you've shown us that you love us j

j vingo j

j oh great one j

j lead us to happiness with your light j

j we offer thanks as you Blaze in the night j

j vingo j

j oh great one j

j you are appeased j

j oh great one j

j now you are pleased j

j oh great one j

j oh vingo j

j oh great one j

j oh vingo j

j oh great one j

j; We offer Thanksgiving to you

j vingo j

J there's a beat everybody really ought to know j

j it's a treat j

j stomp your feet to vingo jingo, vingo jingo j

j vingo jingo, vingo

j; Everyone ought to learn the way the rhythms go j

j it's a treat j

j stomp your feet to vingo jingo, vingo jingo j

j vingo jingo, vingo

j take some native cava j

j add volcanic heat j

j mix it up with lava j

j and set it to a Tom-Tom beat

j now the beat's got the island rockin' to and fro j

j it's a treat j

j stomp your feet to vingo jingo, vingo jingo j

j vingo jingo, vingo

j ah, oh, oh, oh j

j vingo, vingo j

j it's a beat everybody really ought to know j

j it's a treat j

j stomp your feet ;

j to vingo jingo, vingo jingo, vingo j

j; Everyone ought to learn the way the rhythms go j

j it's a treat j

j stomp your feet to vingo jingo, vingo jingo j

j vingo jingo, vingo

j take some native cava j

j add volcanic heat j

j mix it up with lava j

j and set it to a Tom-Tom beat

j now the beat's got the island rockin' to and fro j

j it's a treat j

j stomp your feet to vingo jingo, vingo jingo j

j vingo jingo, vingo jingo, vingo jingo, vingo j

Vingo, vingo!

What are they talking about?

The legend of moolah.

He is to marry the daughter of the chief but only

after he has proved himself the great hero of mantua.

=t don't want to be no hero.

You're to try where five others have failed.

What have they tried? = to break the taboo.

To pass beyond the temple

to the forbidden side of the mountain.

You mean five guys went through there?

Mm-hmm.

Nobody's ever come back?

= uh-uh.

Who's gonna be number six?

You are.

= oh.

All right. = oh.

All right, take it easy, will ya?

You most good man on island.

No, chief, not me.

I'm not a good man.

No, I'm not.

Listen, chief, would you call a kid

that plays hooky four days a week good?

No, you wouldn't.

And would you call a kid

that tells tattletales every day good?

No.

You wouldn't call that a good boy, would ya?

I am a bad boy!

= now wait a minute.

You can't run yourself down

like this. - Shut up, will ya?

I'm doin' good over here. You keep quiet.

Keep out of this!

Chief, I have known this boy all my life.

Shut up, he's startin' to believe me.

Quiet.

I've never met a finer, more upright and honest a boy.

Will you keep your mouth shut?

You just keep quiet!

Would you believe it?

This boy is an honorary member of the camp fire girls.

Troop 35. = yes.

- Now shut up. - You keep quiet.

Now listen, do you know what this means?

My life is in danger.

- Your life? - Certainly.

If I go up there, think of me!

= wait a minute.

Think of the rest of the people on the island.

Think of us all.

I'm sorry.

= luana.

I'm always thinkin'

of myself anyway. - Certainly.

I'm a killjoy.

I'll say you are.

All right.

If that's what it means,

I'll go up there into that temple.

I'll face danger!

I knew you would.

I don't care if the boogeyman's in there.

Atta boy.

I'll get him!

There's only one thing I want you to do.

= what's that?

= talk me out of it.

Oh, you like that speech?

Hey, father!

Father, they're takin' your son away!

What makes you think varnoff's in on this?

Oh, it's just a hunch, but I want to protect Wellington.

I think varnoff's responsible for the disappearance

of those five men in the temple.

You'll have to prove it to me.

That's just what I intend to do.

You and your melodramatic plots.

So you think I'm melodramatic, huh?

Take a look at that.

Fireworks.

Hello, varnoff?

= what is that?

Hello, varnoff!

It's a radio. = shh.

Hello, hello, varnoff.

Yes, what is it?

Yes, yes, what is it?

I just wanted to make a last-minute checkup

to see if we understood everything.

All right, let's hear it again just to make sure.

Well, the idea is to get the jewels

and hold the little fat guy as hostage

until we're ready to leave the island.

You mean you're going to capture him

when he goes into the temple?

That was the understanding, wasn't it?

It was, but we may have to change things a bit.

Oh, will we?

Tie them up.

Let me go, stop it.

Stop it!

Oh!

I'll see you charming people later.

I have to make an appearance at the temple.

Me and my melodramatic plots, huh?

If moolah go, I go too.

= that ain't a bad idea.

= nol!

Moolah go alone.

Oh no.

Chief, what is this?

Sacred Jewel of mantua.

So long as you wear this, you no can die.

= that's the best news I ever heard.

That's wonderful.

Oh boy!

Hey, algy. - Let me see.

The chief says as long as I wear this,

nothing can happen to me.

Say, that's a wonderful Jewel.

Ain't that gorgeous!

It's all right.

All right, that's enough.

You told me that thing was tame.

Shh, go ahead up there.

Luana, goodbye.

All right, all right, that's enough.

That's enough! = oh.

If that don't make a man out of me, nothing else will.

Forward, march!

Algy?

Algy!

Yes, yes, I'm still here.

My bosom pal.

I'm sorry.

This is goodbye.

Goodbye.

Uh, wait a minute.

= there.

What's this for?

That's the dollar I owe you.

The dollar you owe me?

You pick out a fine time to pay me!

Well...

Where am I gonna spend a dollar up there?

He gives me the dollar now,

that he owes six months ago. All right, all right,

all right, come here.

Go on up those stairs.

Be brave!

You want these people out here to think I'm a coward?

No, sir.

Atta boy.

I'm sorry.

It won't happen again.

= go ahead.

Nobody home.

Now I'm all alone.

Algy always told me when I was alone to sing.

J deep in the heart of Texas j

Give me that Jewel.

I can't give it to you.

That's my life protection.

I said give me that Jewel!

I got to take my hat off to give it to you.

I can't get it over my head unless I do.

Would you mind holding my hat?

Algy, don't shoot!

Don't shoot!

- Get away! - Go get him!

Ooh, ooh, ooh!

Ooh!

Wah, hah, hah!

- He went that way. - Get him, get him now.

Oh, algy, hello. = wait a minute.

Nothing happened to you? Not yet.

Hey, boss, there he is!

Wah, ah!

Over to the statue! = statue?

- Get him! - That's them!

Get him!

- It might be this way. - Where?

Ti saw him run somewhere in here.

Well, they certainly disappeared.

Let's go.

Well, they're around here somewhere.

Scatter out and look for 'em.

Wah, ah!

Gotta get that little guy

before he gets out of this temple.

I think I better stop drinking varnoff's whiskey.

Yeah.

Don't you ever do that again.

= what's the idea?

Shut up!

Did you look behind those statues?

No, but the boys'll take care of that.

Did you hear something?

No, did you?

= place must be haunted.

Let's take a look around.

Woo!

So there you are!

Aha!

Get him, boss.

He went that way.

Over there, don't let him get away, boss.

= wait a minute.

I'm out of breath.

Yeah, me too.

I get like this every time I run upstairs.

I'm a little too fat.

Okay, let's go!

- Get him! - Don't let him get away!

- Get him, boss! - Get him!

He landed on top of the tree!

- Come on, let's go! - Go down!

Tommy, it's all right.

I'll get you.

Shh.

Everything all right?

They're tied up inside.

= good.

Uh, get a small boat ready for a getaway.

I'll be right down.

Oh, and keep an eye out for tabor.

What?

Oh Tommy!

Tommy, are you...

Now, you come with me, young lady.

You let me go. = come on.

Oh stop it. = come on.

No, let me go!

He landed in that tree, boss.

= yeah.

Hey, is that the tree?

Well, I don't know.

They all look alike to me.

- Gotta find him. - Yeah, well scatter out

and look for him. - Yes.

This is about the spot he would've...

Bulls-eye, bulls-eye!

Get him, Wellington.

Come on, algy, more ammunition.

Watch!

Another bulls-eye.

Algy, pick me out a big, heavy one.

I wanna hit him right on the head.

Ah!

Boy, algy, you hit him right on the head.

What are ya hittin' me for?

Give me another one.

Give it to 'em, Wellington.

Well, I guess that's that.

Come on, algy, get down off the tree.

Ow, ow!

Ow!

Ooh, ooh-ooh, ooh-ooh.

Algy!

Algy?

Hey, there he is, fellas, come on!

Hang on, Wellington.

I'll be up to get you in a minute.

= whaba!

Pretty whaba!

I fix you.

Algy!

Get me off this jail horse!

Get me off this carpet!

Ooh, oh!

He fell off right here!

What?

Come back!

I can't go no further.

I got to make a stand for it.

Put 'em up!

Come on, I'll fight yous.

I'll fight the whole five of yous.

What's the matter, you scared of me?

Come on, fight, fight.

Moolah, the hero!

I'll fight ya southpaw.

Boo!

Moolah, the hero, hmm.

Woo, woo, woo, woo!

He went the other way.

Come on, fellas.

- Wellington? - He went that way!

Thanks, hey.

Come on, come on. = hello there.

Come on! = water!

- Wait a minute! - How we gonna get across?

A river, uh-oh.

Hey, come here.

I've got it.

What are you gonna do?

Grab yourself a vine and follow me.

Come on. = a vine?

= come on!

= wait on the other side for me!

I'll be right with you, okay.

Here I come!

What kind of vine is that?

What kind of...

Okay!

Oh.

Stop it, leave me alone.

Don't be a fool, be quiet!

Get this boat going.

Will you let miss Joan out of that boat?

Hey, hey, you!

Ooh!

Preserve yourself, miss Joan.

I'll help you!

Sharkey!

Closer, sharkey, closer.

Good boy, sharkey.

Now wait a minute, I gotcha, go ahead.

Let her go, ya, ya nasty villain.

Ah, ah!

Wellington!

Wellington, you'll drown!

=t don't know what I'm doin' here!

Wellington, there's a swordfish behind you!

Look out!

Woo, woo!

Woo!

Uh-oh.

Ar!

Ar!

Put the boards together!

Put 'em together!

Whoa, whoa, whoa, whoa!

Ow!

That's right, give him a short uppercut to the jaw!

Ooh, ooh, ooh, ooh!

Look out, Wellington!

= ooh!

No, no, don't!

Ow!

No, ooh, ooh, no, no.

No, no, oh, oh!

No, oh, oh!

Come on, sock him!

Sock him, Wellington!

Look out!

Oh

Get this thing off me!

Oh no!

= look out!

You're going the wrong way!

Oh no, no, no, no.

Joan, you stay on the boat.

I'll get you with this eggbeater.

I'll putt-putt-putt you all the way in.

Putt, putt, putt, putt, putt.

Putt, putt, putt, putt.

J so take a look [j

oh, moolah, you are a wonderful hero.

You saved all my people on the island.

Ah, it was nothing.

Well, it's a fine thing.

Here's the boat ready to sail, and where are the boys?

Oh, you can't expect a hero like Wellington

to run out on his public.

Well, he saved my life.

He mopped up varnoff and his gang.

Uh-oh.

Hey, Wellington!

Come on, we'll miss the boat.

= get out of here.

Cut it out now, get out of here.

Luana, cut it out.

This is no time for that sort of thing.

Come on!

Woo, woo!

Woo, woo, woo, woo, woo!

J take some native cava j

j add volcanic heat j

j mix it up with lava j

j and set it to a Tom-Tom beat

j now the beat's got the islands rockin' to and fro j

j it's a treat j

j stomp your feet to vingo jingo, ving jingo j

j vingo jingo, vingo

j ving jingo j