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>> PREVIOUSLY ON NIP/TUCK...
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>> MARRIED?
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WHAT KIND OF A JOKE IS THIS?
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>> THIS ISN'T A JOKE, CHRISTIAN.
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MATT AND I EXCHANGED OUR VOWS
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3 DAYS AGO.
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>> THAT'S RIGHT.
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WE'RE PREGNANT.
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>> YOU GOING SOMEWHERE?
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>> YOU ARE GOING NOWHERE,
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WHICH IS WHY I AM LEAVING.
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>> WHAT ABOUT JENNA?
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>> JENNA WILL BE AT RAM'S
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WITH THE NANNY, AND THAT'S WHERE
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SHE WILL BE STAYING WHEN I AM
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NOT WITH HER.
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>> MR. McNAMARA?
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I'M COLLEEN ROSE. YOU HAVE
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A VERY NATURALISTIC PROCESS.
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>> SEANIE, I NEED YOU TOMORROW
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MORNING, 6 A.M. RESHOOT.
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>> EXCUSE ME.
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>> NO, EXCUSE ME.
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I'M FREDDY PRUNE, EXECUTIVE
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PRODUCER AND CREATIVE
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AT HEARTSAND SCALPELS,
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HOW CAN I HELP YOU?
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>> AND I'M SEAN'S AGENT.
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NEXT WEEK YOU HAVE A NUDE SCENE.
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>> BUT IT'S UNDIGNIFIED--
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>> I TOLD THAT FREDDY,
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FORGET IT! YOU GET TO KEEP THAT
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SCRUMPTIOUS WEENIE OF YOURS
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UNDER WRAPS.
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HEY, COOKIE.
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GOT US SOME JAMBA JUICE.
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I'VE GOT BANANA BERRY
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OR RAZMATAZRAZZMATAZZ
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WHICH ONE DO YOU WANT?
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>> EDEN, RIGHT? ARE YOU LOOKING
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FOR SEAN? I THINK HE'S HANGING
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OUT WITH THE EXTRAS,
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SOMEWHERE...
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>> NO, ACTUALLY, I TOOK
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THE STUDIO TOUR AND SNUCK AWAY.
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I'VE ALWAYS WONDERED IF THE BIG
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STARS HAVE BEDS IN THEIR
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TRAILER.
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>> I AM BIG, DARLING.
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>> [MOANING]
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OH, DO WE HAVE ENOUGH TIME?
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>> OH, THEY'LL WAIT. I RUN THIS
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SHOW. IN FACT, I RUN THE WHOLE
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GODDAMN NETWORK.
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>> IS THIS SOME SORT OF JOKE?
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>> I JUST DON'T UNDERSTAND
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WHY I'M HERE.
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>> SEAN McNAMARA!
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YOU ARE HERE BECAUSE YOU ARE
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THE NEW STAR OF HEARTS AND
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SCALPELS, THAT'S WHY
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YOU'RE HERE!
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>> WHAT?
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>> YOU PUT THAT LITTLE BITCH UP
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TO IT TO SET ME UP!
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>> I'M IN THE MIDDLE OF
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A SURGERY HERE.
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>> HI, SEAN. WE'RE CAA,
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AND WE WANT TO BE IN
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THE SEAN McNAMARA BUSINESS.
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>> YOU WILL NOT TAKE AWAY
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MY STAR! NOT TAKE AWAY MY SEAN.
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>> [MUFFLED GROANING]
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WHAT ARE YOU DOING HERE,
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COLLEEN? I'M CALLING 9-1-1.
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>> I THINK IT'S A GOOD IDEA.
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>> I'D RATHER STICK WITH
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THE COLD PHONE CALL.
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[GASPING]
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>> I WANT TO LOOK YOUNGER,
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LIKE I DID WHEN WE MET.
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THAT'S KIND OF WHAT NEW YORK'S
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ABOUT, TOO.
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>> NEW YORK?
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>> I ACCEPTED A POSITION AT
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NYU'S TEACHING HOSPITAL.
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WE'RE MOVING BACK IN 3 WEEKS.
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>> SEAN, SHE'S IN V-TAC.
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HER RATE'S 150.
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>> CALL 9-1-1.
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WE LOST HER. OLIVIA'S DEAD.
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>> NEW YORK'S GONNA BE
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SO STRANGE WITHOUT HER NOW.
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>> YOU'RE STILL GOING?
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>> MM-HMM.
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>> LIZ?
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>> YEAH?
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>> CAN YOU STAY AWHILE?
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JUST UNTIL I FALL ASLEEP?
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>> [MOANING]
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I'M NOT YOUR SIGNIFICANT OTHER.
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>> WELL, YOU ARE KIND OF.
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I MEAN...NOT REALLY,
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BUT SORT OF.
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>> CHRISTIAN, I DON'T LIKE MEN.
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I LIKE YOU.
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>> I FEEL EXACTLY THE SAME WAY.
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MOST OF THE TIME YOU DRIVE ME
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BATSHIT, BUT YOU'RE THE ONLY
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WOMAN I REALLY TRUST.
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>> SEAN...
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CAN I TALK TO YOU ABOUT
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SOMETHING?
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>> LIZ WON'T BE COMING OVER
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TONIGHT. SHE RESIGNED.
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SHE'S MOVING BACK TO MIAMI.
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>> TELL US WHAT YOU DON'T LIKE
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ABOUT YOURSELF, MR. SKERRITT.
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>> THE SIZE OF MY PENIS.
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>> A PENIS ENLARGEMENT, GREAT.
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>> NOT AN ENLARGEMENT,
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A REDUCTION. I'VE GOT
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A TYRANNOSAURUS PRICK.
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I'M A YOGA INSTRUCTOR,
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AND A FEW MONTHS AGO I WAS
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AT A RETREAT UP IN BIG SUR.
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IT WAS 6 WEEKS, INTENSIVE,
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MY BODY REALLY STARTED TO OPEN
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UP. AND ONE DAY I WAS IN PLOW,
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AND I JUST STARTED SINKING
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DEEPER AND DEEPER--
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>> SO WAS YOUR PENIS PROHIBITING
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YOU FROM ACHIEVING CERTAIN
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POSES?
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>> NO.
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I CAN'T STOP SUCKING ON IT.
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>> YOU MEAN METAPHORICALLY?
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>> NO, I MEAN, I SPEND ALMOST
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ALL DAY IN MY APARTMENT
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WITH MY DICK IN MY MOUTH.
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>> OH.
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>> GIANT PENIS PLUS INCREDIBLE
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FLEXIBILITY EQUALS THE BEST BLOW
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JOB YOU HAVE EVER HAD.
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>> SELF FELLATIO,
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THAT'S IMPOSSIBLE.
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>> MR. SKERRITT, THAT'S NOT--
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>> NO, NO, NO, WAIT, WAIT, WAIT.
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YOU CAN--YOU CAN DO THAT?
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>> I CAN'T HOLD DOWN A JOB.
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AND FORGET ABOUT A RELATIONSHIP,
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BECAUSE NOBODY GETS ME OFF
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THE WAY I CAN.
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YOU GUYS HAVE TO HELP ME.
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I SPEND ALMOST EVERY WAKING HOUR
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WITH MYSELF.
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I KNOW, IT SOUNDS LIKE A JOKE.
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BUT, IT'S A GODDAMN CURSE.
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>> DON'T YOU THINK YOU SHOULD
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MAYBE SEE A THERAPIST? YOU KNOW,
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TO DEAL WITH YOUR COMPULSIVE
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BEHAVIOR?
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>> I'VE TRIED SHRINKS. I EVEN
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TRIED THE DRUGS THEY PRESCRIBE.
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BUT NOTHING IS AS STRONG
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AS THE IMPULSE.
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LOOK, YOU GUYS STAPLE FATTY'S
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STOMACHS SO THEY WON'T EAT.
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WHAT'S THE DIFFERENCE?
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>> WELL, THE DIFFERENCE IS
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THERE'S NO KNOWN SURGERY FOR
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A PENIS REDUCTION.
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YOU CAN UNDERSTAND HOW THAT
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PROCEDURE MIGHT NOT BE IN
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HIGH DEMAND.
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>> SO, UM...
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HOW MANY INCHES DO YOU WANT
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TO LOSE?
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>> I DON'T KNOW.
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JUST ENOUGH SO I'D HAVE TO BREAK
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MY BACK TO GET A TASTE.
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[GRUNTING]
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2 INCHES?
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>> WELL, WE'RE GONNA HAVE
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TO RESEARCH SOME OPTIONS
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AND GET BACK TO YOU.
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>> JUST DO IT QUICK.
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I'M DESPERATE, MAN.
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WILL YOU STOP WITH
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THE JUDGMENTAL LOOKS? DON'T TELL
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ME YOU GUYS HAVE NEVER TRIED IT.
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>> THAT CLOSE.
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WHAT?
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>> * MAKE ME BEAUTIFUL
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MAKE ME
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THE PERFECT SOUL
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A PERFECT MIND
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A PERFECT FACE
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A PERFECT
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LIE *
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>> LET ME BE CLEAR, KIMMY.
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I WILL NEVER, EVER DO ANOTHER
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SURGERY ON YOU AGAIN.
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>> WELL, THAT'S GREAT, BECAUSE
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I LOOK AND FEEL FANTASTIC
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THESE DAYS. I'M NOT THE ONE
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WHO NEEDS THE TOUCH-UP.
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SHE DOES.
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HELLO.
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>> OH, I SEE. SO YOU'VE GONE
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FROM STUPID TO COMPLETELY
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INSANE.
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>> MAKE FUN OF ME ALL YOU WANT,
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GRANDPA, BUT THANKS TO MY
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TIRELESS DEVOTION, YOUR
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GRANDDAUGHTER HAS JUST BEEN
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SIGNED TO THE HOTTEST BABY
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MODELING AGENCY IN TOWN.
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BUT IN ORDER TO BOOK
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THE HIGH-END CAMPAIGNS,
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WE'RE GONNA HAVE TO DO SOMETHING
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ABOUT HER MOUTH.
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>> HER MOUTH?
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>> THE STEVES, HER AGENTS--
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STEVE MEYER AND STEVE FREEDMAN
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SAID SHE WAS PERFECTION, RIGHT?
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OTHER THAN HER THIN, VILLAINOUS
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LIPS. WHICH SHE DID NOT GET FROM
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MY SIDE, BY THE WAY, SO IT HAD
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TO HAVE COME FROM THAT WITCH.
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JULIA.
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>> HEY, LINDA, DO YOU MIND STOP
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PRACTICING YOUR PUTTING AND GET
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YOUR BUTT IN HERE, PLEASE?
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>> ARE YOU GONNA GIVE HER
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THE INJECTIONS RIGHT NOW?
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WELL, THAT'S FANTASTIC.
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[DOOR OPENS]
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>> LOVE OF MY LIFE. WOULD YOU DO
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ME A FAVOR AND TAKE LITTLE
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JENNA, AND GIVE HER A FRUIT
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BOWL? COME HERE, YOU SWEET
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LITTLE THING. OH, MY GOODNESS.
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AREN'T YOU SO SWEET? WHY DON'T
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YOU GO WITH HER WHILE I HAVE
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A LITTLE CHAT WITH
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JOAN CRAWFORD.
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>> I KNEW YOU WOULD HAVE ISSUES
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WITH THIS!
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>> THERE IS NOT A PLASTIC
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SURGEON ALIVE WHO WOULD OPERATE
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ON A BABY, INCLUDING ME.
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>> THERE ARE A NUMBER OF PLASTIC
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SURGEONS RIGHT HERE IN BEVERLY
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HILLS WHO DO WORK ON BABIES.
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>> REALLY?
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NAME ONE.
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>> I DON'T KNOW THEIR NAMES,
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BUT I KNOW THAT THE STEVES REFER
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ALL THEIR CLIENTS TO THEM.
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THEY DO RESTYLANE, BOTOX, LIPO.
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00:07:55,876 --> 00:07:58,546
>> KIMBER, GET OUT.
263
00:07:58,546 --> 00:08:00,080
>> ANSWER ME THIS, CHRISTIAN,
264
00:08:00,080 --> 00:08:01,882
WHO'S GONNA PAY FOR HER COLLEGE
265
00:08:01,882 --> 00:08:04,051
EDUCATION?
266
00:08:04,051 --> 00:08:06,186
YOUR SON, THAT ZERO?
267
00:08:06,186 --> 00:08:07,888
>> YOU TOUCH ONE FLAXEN HAIR
268
00:08:07,888 --> 00:08:09,122
ON THE HEAD OF THAT BABY,
269
00:08:09,122 --> 00:08:11,024
AND I SWEAR TO YOU, I WILL GET
270
00:08:11,024 --> 00:08:15,195
CUSTODY OF JENNA.
271
00:08:15,195 --> 00:08:16,897
>> CHRISTIAN...
272
00:08:16,897 --> 00:08:19,166
YOU AND I HAVE GONE TO SUCH
273
00:08:19,166 --> 00:08:20,734
TRAGIC LENGTHS TO FEEL LOVED
274
00:08:20,734 --> 00:08:22,002
BECAUSE WE WEREN'T VALUED
275
00:08:22,002 --> 00:08:23,303
AS CHILDREN.
276
00:08:23,303 --> 00:08:24,605
>> [SCOFFS]
277
00:08:24,605 --> 00:08:25,973
>> NOW, I AM DETERMINED TO GIVE
278
00:08:25,973 --> 00:08:27,274
OUR JENNA A SHOT AT FEELING
279
00:08:27,274 --> 00:08:30,010
SPECIAL, AND TO DEVELOP HER
280
00:08:30,010 --> 00:08:32,112
SENSE OF SELF AND HER VALUE.
281
00:08:32,112 --> 00:08:33,914
AND I WILL MOVE HEAVEN AND EARTH
282
00:08:33,914 --> 00:08:35,115
TO GIVE THAT TO HER, BECAUSE
283
00:08:35,115 --> 00:08:37,785
NOBODY DID THAT FOR ME.
284
00:08:37,785 --> 00:08:39,186
SO ARE YOU--ARE YOU ON BOARD
285
00:08:39,186 --> 00:08:42,289
WITH THAT?
286
00:08:42,289 --> 00:08:46,093
>> [SCOFFS]
287
00:08:46,093 --> 00:08:47,661
>> [EXHALES]
288
00:08:47,661 --> 00:08:48,996
>> BOTOX ON A BABY?
289
00:08:48,996 --> 00:08:50,130
>> UH-HUH.
290
00:08:50,130 --> 00:08:51,064
>> IT'S CRIMINAL. YOU NEED
291
00:08:51,064 --> 00:08:51,965
TO GO TALK TO THOSE MODELING
292
00:08:51,965 --> 00:08:52,700
AGENTS.
293
00:08:52,700 --> 00:08:53,366
>> KIMBER WOULD NEVER TOUCH
294
00:08:53,366 --> 00:08:54,702
JENNA NOW, TRUST ME. I'LL PUT
295
00:08:54,702 --> 00:08:55,335
THE FEAR OF GOD IN HER.
296
00:08:55,335 --> 00:08:56,670
>> WELL, IT'S NOT JUST FOR
297
00:08:56,670 --> 00:08:58,138
JENNA. YOU HAVE A MORAL
298
00:08:58,138 --> 00:08:59,239
OBLIGATION TO FIND OUT THE NAMES
299
00:08:59,239 --> 00:09:00,641
OF THE QUACKS THEY'RE USING
300
00:09:00,641 --> 00:09:02,075
BEFORE THEY HURT ANY MORE KIDS.
301
00:09:02,075 --> 00:09:03,143
>> FINE! YOU FIGURE OUT HOW
302
00:09:03,143 --> 00:09:04,244
TO TURTLE MR. SKERRITT'S DONG,
303
00:09:04,244 --> 00:09:05,679
AND I'LL GET RIGHT ON IT.
304
00:09:05,679 --> 00:09:07,180
>> WELL, THE PRINCIPAL WOULD
305
00:09:07,180 --> 00:09:08,716
JUST BE THE INVERSE OF
306
00:09:08,716 --> 00:09:09,717
THE FUNDITORY AND SUSPENSE
307
00:09:09,717 --> 00:09:10,784
RELIGAMENT RELEASE WE DO
308
00:09:10,784 --> 00:09:12,319
FOR A PENIS ENLARGEMENT.
309
00:09:12,319 --> 00:09:14,054
>> MAKES SENSE. TIGHTEN THE
310
00:09:14,054 --> 00:09:15,222
LIGAMENTS, SHRINK THE WANG.
311
00:09:15,222 --> 00:09:18,191
>> YEAH.
312
00:09:18,191 --> 00:09:19,259
YOU KNOW, IF LIZ WERE HERE,
313
00:09:19,259 --> 00:09:21,294
SHE'D BE GIVING US A LECTURE
314
00:09:21,294 --> 00:09:22,963
RIGHT NOW ABOUT
315
00:09:22,963 --> 00:09:24,331
HOW MR. SKERRITT'S
316
00:09:24,331 --> 00:09:25,799
COMPULSIVE SELF-FELLATING
317
00:09:25,799 --> 00:09:27,400
IS JUST ANOTHER EXAMPLE OF OUR
318
00:09:27,400 --> 00:09:29,202
NARCISSISTIC SOCIETY.
319
00:09:29,202 --> 00:09:30,170
>> TELL ME ABOUT IT. ISN'T IT
320
00:09:30,170 --> 00:09:31,338
NICE NOT TO HEAR HER VAGINA
321
00:09:31,338 --> 00:09:32,740
MONOLOGUES ANYMORE? I TELL YOU,
322
00:09:32,740 --> 00:09:34,642
SCREW LIZ. SHE WALKED OUT ON US.
323
00:09:34,642 --> 00:09:36,276
>> NO, SHE WALKED OUT ON YOU.
324
00:09:36,276 --> 00:09:37,945
HOW CAN SOMEONE AS SELF-INVOLVED
325
00:09:37,945 --> 00:09:39,246
AS YOU NOT SEE THAT THIS IS ALL
326
00:09:39,246 --> 00:09:40,247
YOUR FAULT?
327
00:09:40,247 --> 00:09:41,682
>> I ACCEPT RESPONSIBILITY,
328
00:09:41,682 --> 00:09:42,783
WHICH IS WHY I'M TAKING CARE
329
00:09:42,783 --> 00:09:44,184
OF FINDING A REPLACEMENT.
330
00:09:44,184 --> 00:09:45,218
I TALKED TO A HEADHUNTER
331
00:09:45,218 --> 00:09:46,253
YESTERDAY, AND HE'S ALREADY SENT
332
00:09:46,253 --> 00:09:47,287
OVER A STACK OF RESUMES.
333
00:09:47,287 --> 00:09:48,121
>> UH-HUH. AND WHAT
334
00:09:48,121 --> 00:09:49,890
QUALIFICATIONS DID YOU GIVE HIM?
335
00:09:49,890 --> 00:09:50,958
MUST HAVE BIG TITS
336
00:09:50,958 --> 00:09:51,859
AND A WILLINGNESS TO GIVE
337
00:09:51,859 --> 00:09:52,993
BLOW JOBS?
338
00:09:52,993 --> 00:09:54,361
NO. YOU PUT THE RESUMES ON MY
339
00:09:54,361 --> 00:09:56,797
DESK, OK? I'M NOT GETTING STUCK
340
00:09:56,797 --> 00:09:58,231
WITH SOME MEDIOCRE DOCTOR JUST
341
00:09:58,231 --> 00:09:59,432
BECAUSE SHE HAPPENS TO BE
342
00:09:59,432 --> 00:10:04,805
A NICE PIECE OF ASS.
343
00:10:04,805 --> 00:10:06,006
[CLEARS THROAT]
344
00:10:06,006 --> 00:10:08,676
UM, WELL...
345
00:10:08,676 --> 00:10:12,946
LET'S, UH...
346
00:10:12,946 --> 00:10:15,382
[MURMURING]
347
00:10:15,382 --> 00:10:17,985
UH, IF I MAY ASK, THEODORA...
348
00:10:17,985 --> 00:10:19,753
>> CALL MY TEDDY.
349
00:10:19,753 --> 00:10:21,421
>> TEDDY...
350
00:10:21,421 --> 00:10:23,323
WHO IS HARLEY?
351
00:10:23,323 --> 00:10:25,425
>> THAT'S MY HOG.
352
00:10:25,425 --> 00:10:27,427
[LAUGHS] IT'S A MOTORCYCLE.
353
00:10:27,427 --> 00:10:29,329
I RACE IN THE DESERT.
354
00:10:29,329 --> 00:10:31,364
>> OH. THAT WOULD EXPLAIN
355
00:10:31,364 --> 00:10:33,233
THE MOTTO ON YOUR OTHER ARM.
356
00:10:33,233 --> 00:10:35,002
>> [LAUGHS]
357
00:10:35,002 --> 00:10:37,204
I GOT THAT AFTER A WILD NIGHT
358
00:10:37,204 --> 00:10:39,840
AT COACHELLA. MMM.
359
00:10:39,840 --> 00:10:41,041
>> AND HOW DO YOUR PATIENTS
360
00:10:41,041 --> 00:10:42,109
REACT TO THESE UPLIFTING
361
00:10:42,109 --> 00:10:43,243
TATTOOS?
362
00:10:43,243 --> 00:10:44,277
>> I'VE ONLY EVER GOTTEN
363
00:10:44,277 --> 00:10:45,312
COMPLAINTS FROM OTHER
364
00:10:45,312 --> 00:10:48,882
PHYSICIANS. UPTIGHT OLD FARTS.
365
00:10:48,882 --> 00:10:49,950
>> YEAH.
366
00:10:49,950 --> 00:10:52,419
WELL, DR. ROWE--AHEM--
367
00:10:52,419 --> 00:10:53,386
YOU CERTAINLY LIKE TO LIVE
368
00:10:53,386 --> 00:10:54,922
DANGEROUSLY.
369
00:10:54,922 --> 00:10:57,424
>> MMM, I LIKE TO LIVE, PERIOD.
370
00:10:57,424 --> 00:10:59,092
LOOK, I AM VERY GOOD AT WHAT
371
00:10:59,092 --> 00:11:01,361
I DO. TO GET THIS JOB, DO I NEED
372
00:11:01,361 --> 00:11:02,763
PERMISSION FROM YOU TO BE
373
00:11:02,763 --> 00:11:04,965
WHO I AM? IF SO, LET ME KNOW
374
00:11:04,965 --> 00:11:07,000
NOW. I'M OUT THE DOOR.
375
00:11:07,000 --> 00:11:09,436
>> UH, YOU WERE FIRST IN YOUR
376
00:11:09,436 --> 00:11:11,071
CLASS AT UCLA?
377
00:11:11,071 --> 00:11:13,406
>> I CHEATED.
378
00:11:13,406 --> 00:11:15,275
KIDDING.
379
00:11:15,275 --> 00:11:16,409
>> [BOTH CHUCKLE]
380
00:11:16,409 --> 00:11:17,444
>> I JUST HAPPEN TO PICK THINGS
381
00:11:17,444 --> 00:11:19,880
UP PRETTY FAST.
382
00:11:19,880 --> 00:11:21,048
>> YOU'RE LUCKY.
383
00:11:21,048 --> 00:11:23,350
>> MAYBE. MAYBE I JUST GET BORED
384
00:11:23,350 --> 00:11:25,318
QUICKLY.
385
00:11:25,318 --> 00:11:28,421
>> I SEE. SO...WHAT GUARANTEE
386
00:11:28,421 --> 00:11:30,357
DO I HAVE THAT YOU'LL STAY
387
00:11:30,357 --> 00:11:31,458
IF WE HIRE YOU?
388
00:11:31,458 --> 00:11:33,193
>> [LAUGHS] THERE ARE NO
389
00:11:33,193 --> 00:11:36,096
GUARANTEES IN LIFE, DOCTOR.
390
00:11:36,096 --> 00:11:38,031
BUT I DO PROMISE IF I TAKE
391
00:11:38,031 --> 00:11:40,000
THE JOB, I WILL ONLY TAKE IT
392
00:11:40,000 --> 00:11:45,172
IF I FIND THE PLACE INTERESTING.
393
00:11:45,172 --> 00:11:48,008
>> MM-HMM. AND, UH, HOW--
394
00:11:48,008 --> 00:11:51,344
HOW DO WE SEEM SO FAR?
395
00:11:51,344 --> 00:11:53,480
>> SO FAR, SO GOOD.
396
00:11:53,480 --> 00:11:55,348
WHAT ABOUT YOU?
397
00:11:55,348 --> 00:11:57,918
>> UH, YOUR VITAE IS CERTAINLY
398
00:11:57,918 --> 00:11:59,219
OUTSTANDING, SO--
399
00:11:59,219 --> 00:12:01,154
>> BLAH, BLAH, BLAH.
400
00:12:01,154 --> 00:12:02,355
ANYTHING ELSE YOU FIND
401
00:12:02,355 --> 00:12:05,125
INTERESTING?
402
00:12:05,125 --> 00:12:07,094
>> WHY DO I SUDDENLY FEEL
403
00:12:07,094 --> 00:12:08,929
LIKE YOU'RE INTERVIEWING ME?
404
00:12:08,929 --> 00:12:11,498
>> [LAUGHS]
405
00:12:11,498 --> 00:12:16,970
I AM.
406
00:12:16,970 --> 00:12:19,039
>> OH, MY. SHE SAID GRANDDADDY
407
00:12:19,039 --> 00:12:20,373
HAD GOOD GENES, BUT WE'RE
408
00:12:20,373 --> 00:12:22,309
TALKING EXTRA SPECIAL GENES.
409
00:12:22,309 --> 00:12:23,510
>> [CHUCKLES] I DON'T KNOW IF
410
00:12:23,510 --> 00:12:24,845
KIMBER'S FILLED YOU IN, BUT
411
00:12:24,845 --> 00:12:25,913
SHE'S GETTING IN ON THE GROUND
412
00:12:25,913 --> 00:12:27,047
FLOOR OF A BILLION DOLLAR
413
00:12:27,047 --> 00:12:29,049
INDUSTRY--MAKE-UP, ACCESSORIES,
414
00:12:29,049 --> 00:12:30,851
AND OF COURSE, FASHION.
415
00:12:30,851 --> 00:12:32,953
ARMANI, GUCCI. EVERYBODY WANTS
416
00:12:32,953 --> 00:12:35,022
IN, EVERYBODY'S PAYING.
417
00:12:35,022 --> 00:12:36,556
WE THINK JENNA CAN BE THE NEXT
418
00:12:36,556 --> 00:12:40,027
BABY CINDY CRAWFORD.
419
00:12:40,027 --> 00:12:41,194
>> SO WHAT'S ALL THIS TALK
420
00:12:41,194 --> 00:12:42,295
ABOUT CHANGING HER?
421
00:12:42,295 --> 00:12:44,531
>> DR. TROY, IN THEATRICAL
422
00:12:44,531 --> 00:12:47,034
PARLANCE, JENNA HAS THIN,
423
00:12:47,034 --> 00:12:48,535
VILLAINOUS LIPS.
424
00:12:48,535 --> 00:12:50,170
PEOPLE DON'T LIKE THAT LOOK
425
00:12:50,170 --> 00:12:52,873
ON BABIES. THEY LIKE FULL,
426
00:12:52,873 --> 00:12:57,210
BEE-STUNG, SENSUAL LIPS.
427
00:12:57,210 --> 00:12:58,611
>> THAT IS REALLY SICK.
428
00:12:58,611 --> 00:13:00,280
>> TRY TO THINK OF IT
429
00:13:00,280 --> 00:13:01,414
IN ANOTHER WAY. YOU WERE
430
00:13:01,414 --> 00:13:03,516
CIRCUMCISED, I PRESUME?
431
00:13:03,516 --> 00:13:05,418
WOULD YOU CALL YOURSELF SCARRED
432
00:13:05,418 --> 00:13:06,586
OR TRAUMATIZED BY THAT
433
00:13:06,586 --> 00:13:08,521
PROCEDURE? PROBABLY WHAT SCARRED
434
00:13:08,521 --> 00:13:10,290
YOU WAS MORE ABOUT BEING
435
00:13:10,290 --> 00:13:12,092
MISUNDERSTOOD OR UNLOVED
436
00:13:12,092 --> 00:13:14,427
BY YOUR FRIENDS AND FAMILY.
437
00:13:14,427 --> 00:13:16,163
>> THAT'S A GOOD ANSWER, STEVE,
438
00:13:16,163 --> 00:13:18,431
THAT'S VERY GOOD. HA HA HA.
439
00:13:18,431 --> 00:13:20,333
SO WHO YOU GO TO, BABY PLASTIC
440
00:13:20,333 --> 00:13:21,368
SURGEONS? I'M CURIOUS IF I KNOW
441
00:13:21,368 --> 00:13:22,402
ANY OF THEM.
442
00:13:22,402 --> 00:13:23,536
>> WE DON'T DISCLOSE THAT
443
00:13:23,536 --> 00:13:24,471
INFORMATION.
444
00:13:24,471 --> 00:13:26,539
>> I'M--I'M SORRY. I THOUGHT WE
445
00:13:26,539 --> 00:13:27,507
CAME HERE TODAY BECAUSE YOU'RE
446
00:13:27,507 --> 00:13:29,943
INTERESTED IN JENNA'S FUTURE.
447
00:13:29,943 --> 00:13:31,044
>> RIGHT, YEP.
448
00:13:31,044 --> 00:13:31,945
[TELEPHONE RINGS]
449
00:13:31,945 --> 00:13:33,513
>> IT'S THE BABY DIOR PEOPLE.
450
00:13:33,513 --> 00:13:34,514
THEY WANT TO BOOK LITTLE AMBER
451
00:13:34,514 --> 00:13:35,883
FOR THE FALL COLLECTION.
452
00:13:35,883 --> 00:13:38,952
>> MMM!
453
00:13:38,952 --> 00:13:40,420
>> HELLO, MARY, WE'RE THRILLED.
454
00:13:40,420 --> 00:13:42,355
WHAT'S THE OFFER?
455
00:13:42,355 --> 00:13:43,523
WE'RE LOOKING FOR 5 DIGITS,
456
00:13:43,523 --> 00:13:46,493
MARY. 10,000 A DAY.
457
00:13:46,493 --> 00:13:48,528
>> 10,000! I HAD TO DO ANAL FOR
458
00:13:48,528 --> 00:13:50,130
THAT KIND OF MONEY.
459
00:13:50,130 --> 00:13:51,164
>> A LIMO WITH A FULLY STOCKED
460
00:13:51,164 --> 00:13:52,565
BAR FOR MOM AND ALL WARDROBE
461
00:13:52,565 --> 00:13:55,568
BECOMES PROPERTY OF BABY AMBER.
462
00:13:55,568 --> 00:13:57,137
LOVE YOU, MARY. STEVIE SENDS
463
00:13:57,137 --> 00:14:03,911
KISSES. SO...WHERE WERE WE?
464
00:14:03,911 --> 00:14:05,512
>> WHAT TYPE OF AUGMENTATION DID
465
00:14:05,512 --> 00:14:07,580
BABY AMBER RECEIVE?
466
00:14:07,580 --> 00:14:09,449
>> SHE WAS A SCOWLER.
467
00:14:09,449 --> 00:14:11,084
THERE'S CUTE CRYING, YOU KNOW,
468
00:14:11,084 --> 00:14:12,319
WITH THE TENDER LITTLE TEARS,
469
00:14:12,319 --> 00:14:13,520
AND THEN THERE'S ANGRY, SCOWLY
470
00:14:13,520 --> 00:14:17,490
CRYING. PEOPLE DON'T LIKE THAT.
471
00:14:17,490 --> 00:14:18,992
SO SHE WAS GIVEN A LITTLE
472
00:14:18,992 --> 00:14:20,627
BENADRYL LOLLY TO KEEP HER CALM,
473
00:14:20,627 --> 00:14:24,264
AND 4 UNITS OF BOTOX.
474
00:14:24,264 --> 00:14:26,066
>> SHE WAS A BEAUTIFUL GIRL
475
00:14:26,066 --> 00:14:27,100
BEFORE THE BOTOX.
476
00:14:27,100 --> 00:14:28,535
SHE'S A BEAUTIFUL GIRL NOW.
477
00:14:28,535 --> 00:14:29,502
THE ONLY DIFFERENCE IS, NOW HER
478
00:14:29,502 --> 00:14:32,005
COLLEGE FUND IS FULL.
479
00:14:32,005 --> 00:14:34,975
>> [LAUGHS]
480
00:14:34,975 --> 00:14:36,609
>> HEY, STEVES, COULD YOU TELL
481
00:14:36,609 --> 00:14:38,311
CHRISTIAN HOW HORRIBLE
482
00:14:38,311 --> 00:14:40,313
AND DEMEANING CATALOG WORK IS?
483
00:14:40,313 --> 00:14:41,381
YOU KNOW, THE KIND THAT YOU SAID
484
00:14:41,381 --> 00:14:42,349
THAT JENNA WOULD ONLY BOOK IF
485
00:14:42,349 --> 00:14:43,984
SHE DIDN'T DO THE LIP FILLER.
486
00:14:43,984 --> 00:14:45,685
>> IT ONLY PAYS ABOUT 275
487
00:14:45,685 --> 00:14:47,220
A DAY. AND BE PREPARED TO WAIT
488
00:14:47,220 --> 00:14:49,189
IN HALLWAYS WITH A SEA OF SNOTTY
489
00:14:49,189 --> 00:14:53,961
TOTS AND POORLY-GROOMED MOMS.
490
00:14:53,961 --> 00:14:56,163
>> HMM.
491
00:14:56,163 --> 00:14:57,697
I'M ONTO YOU GUYS.
492
00:14:57,697 --> 00:14:58,999
>> HMM?
493
00:14:58,999 --> 00:15:00,300
>> WHY ACTUALLY GO OUT
494
00:15:00,300 --> 00:15:01,234
AND HUSTLE WHEN YOU CAN BEAT
495
00:15:01,234 --> 00:15:02,970
THE COMPETITION WITH CHEMICALS?
496
00:15:02,970 --> 00:15:03,670
COME ON, KIMMY.
497
00:15:03,670 --> 00:15:05,638
WE'RE OUT OF HERE.
498
00:15:05,638 --> 00:15:07,207
WE ARE NOT SHARING JENNA'S
499
00:15:07,207 --> 00:15:08,475
FORTUNE WITH THESE LAZY
500
00:15:08,475 --> 00:15:15,348
SCUMBAGS. I'LL BE HER MANAGER.
501
00:15:15,348 --> 00:15:17,951
>> GOOD LUCK WITH THAT.
502
00:15:23,490 --> 00:15:27,194
[MUSIC PLAYING]
503
00:15:27,194 --> 00:15:29,529
>> OH, SEAN BEAR!
504
00:15:29,529 --> 00:15:32,432
[MOANING]
505
00:15:32,432 --> 00:15:33,766
OH!
506
00:15:33,766 --> 00:15:35,535
OH...
507
00:15:35,535 --> 00:15:37,670
OH, MAN.
508
00:15:37,670 --> 00:15:39,239
I COULD USE A CIGARETTE RIGHT
509
00:15:39,239 --> 00:15:44,044
NOW. OR A JAMBA JUICE.
510
00:15:44,044 --> 00:15:47,347
>> YOU'RE INSATIABLE, COLLEEN.
511
00:15:47,347 --> 00:15:48,581
>> YOU'RE WHAT FILLS ME UP,
512
00:15:48,581 --> 00:15:51,551
SEANIE BEAR. YOU, AND YOUR
513
00:15:51,551 --> 00:15:54,087
SCRUMPTIOUS, SUPER-SIZED WEENIE.
514
00:15:54,087 --> 00:15:56,289
>> OH. [CHUCKLES]
515
00:15:56,289 --> 00:15:57,390
LET'S DO IT ONE MORE TIME BEFORE
516
00:15:57,390 --> 00:15:59,426
WE EAT, OK? I'M GONNA MAKE YOU
517
00:15:59,426 --> 00:16:01,328
HIT AN E FLAT. THEN YOU CAN
518
00:16:01,328 --> 00:16:02,329
RUN OUT TO HOOTERS, YOU CAN PICK
519
00:16:02,329 --> 00:16:03,330
ME UP SOME HOT WINGS.
520
00:16:03,330 --> 00:16:04,031
WHAT DO YOU SAY?
521
00:16:04,031 --> 00:16:06,166
>> OH, HOOTERS. OH, MY GOD.
522
00:16:06,166 --> 00:16:08,301
>> YEAH?
523
00:16:08,301 --> 00:16:10,303
>> AIDAN, THIS IS INSANE.
524
00:16:10,303 --> 00:16:11,604
>> I KNOW. I WROTE THE SHIT
525
00:16:11,604 --> 00:16:12,772
OUT OF THAT SCRIPT.
526
00:16:12,772 --> 00:16:14,341
>> NO, NO, NO. IT'S COMPLETELY
527
00:16:14,341 --> 00:16:15,408
INACCURATE. I NEVER SLEPT WITH
528
00:16:15,408 --> 00:16:16,409
COLLEEN.
529
00:16:16,409 --> 00:16:17,477
>> OH, THAT'S ARTISTIC LICENSE,
530
00:16:17,477 --> 00:16:18,545
DUDE. IT'S CALLED INCREASING THE
531
00:16:18,545 --> 00:16:20,313
STAKES, RAISING THE DRAMA.
532
00:16:20,313 --> 00:16:21,414
WHAT WE'RE DOING IS WE'RE TAKING
533
00:16:21,414 --> 00:16:22,782
THE VIEWER ON A JOURNEY, SEAN.
534
00:16:22,782 --> 00:16:24,551
KEEP READING,
535
00:16:24,551 --> 00:16:26,286
YOU'RE GONNA LIKE IT.
536
00:16:26,286 --> 00:16:32,259
>> [CHUCKLES]
537
00:16:32,259 --> 00:16:35,062
>> NO, JULIA. I SAID NO,
538
00:16:35,062 --> 00:16:38,465
GODDAMNIT! YES, I SCREWED A HOT
539
00:16:38,465 --> 00:16:39,332
TEEN, BUT I'M NOT LOSING
540
00:16:39,332 --> 00:16:41,334
MY CHILDREN OVER IT.
541
00:16:41,334 --> 00:16:42,335
THE ONLY WAY YOU'LL GET CUSTODY
542
00:16:42,335 --> 00:16:43,503
OVER MY CHILDREN IS OVER
543
00:16:43,503 --> 00:16:46,473
MY DEAD BODY, WOMAN!
544
00:16:46,473 --> 00:16:48,708
DAMNIT!
545
00:16:57,650 --> 00:17:01,421
[GROANING]
546
00:17:01,421 --> 00:17:05,325
OH, WHY, WHY?!
547
00:17:05,325 --> 00:17:08,261
[SOBBING]
548
00:17:08,261 --> 00:17:09,529
HEY, CHRISTIAN, I DIDN'T SEE YOU
549
00:17:09,529 --> 00:17:11,331
THERE, BUDDY.
550
00:17:11,331 --> 00:17:14,734
HOW WAS YOUR DAY, PARTNER?
551
00:17:14,734 --> 00:17:17,537
ROUGH ONE, HUH? YEAH, ME TOO.
552
00:17:17,537 --> 00:17:19,139
OH, I GOT A FACE TRANSPLANT
553
00:17:19,139 --> 00:17:22,109
AT 7 A.M. I BETTER HIT THE SACK.
554
00:17:22,109 --> 00:17:24,477
DON'T STAY UP TOO LATE.
555
00:17:24,477 --> 00:17:26,313
>> YOU KILLED CHRISTIAN?
556
00:17:26,313 --> 00:17:28,148
>> I DIDN'T KNOW WHAT TO DO WITH
557
00:17:28,148 --> 00:17:30,250
HIS CHARACTER ANYMORE.
558
00:17:35,255 --> 00:17:38,725
>> [WHISTLING]
559
00:17:38,725 --> 00:17:40,160
[GASPS]
560
00:17:40,160 --> 00:17:42,395
WHAT DID YOU DO?!
561
00:17:42,395 --> 00:17:43,630
COLLEEN!
562
00:17:43,630 --> 00:17:44,631
OH, MY--
563
00:17:44,631 --> 00:17:45,732
>> I GAVE YOU EVERYTHING,
564
00:17:45,732 --> 00:17:47,434
COOKIE.
565
00:17:47,434 --> 00:17:48,501
>> OH--AH!
566
00:17:48,501 --> 00:17:49,836
>> HOW COULD YOU LEAVE ME
567
00:17:49,836 --> 00:17:51,804
FOR THE CIA?!
568
00:17:51,804 --> 00:17:54,874
>> THE CIA? I LEFT COLLEEN
569
00:17:54,874 --> 00:17:56,509
FOR CAA!
570
00:17:56,509 --> 00:17:58,345
>> I KNOW. HOW COOL IS IT THAT
571
00:17:58,345 --> 00:17:59,379
I MADE YOU A SPY?
572
00:17:59,379 --> 00:18:00,647
WHAT'S THE BIG DIFF, ANYWAY?
573
00:18:00,647 --> 00:18:03,216
CIA, CAA. COME ON, THEY'RE BOTH
574
00:18:03,216 --> 00:18:04,351
BIG AND SCARY AND THEY THINK
575
00:18:04,351 --> 00:18:05,385
THEY RULE THE WORLD.
576
00:18:05,385 --> 00:18:06,319
>> NO. I'M NOT SELLING YOU
577
00:18:06,319 --> 00:18:08,421
THE RIGHTS TO MY STORY, NO WAY.
578
00:18:08,421 --> 00:18:11,724
>> LOOK, SEAN. YOU OWE ME, DUDE.
579
00:18:11,724 --> 00:18:12,692
EVER SINCE I GOT OUT OF SEX
580
00:18:12,692 --> 00:18:13,626
REHAB BECAUSE OF YOUR LITTLE
581
00:18:13,626 --> 00:18:14,561
SET UP WITH EDEN--
582
00:18:14,561 --> 00:18:15,428
>> HEY, LOOK, I DIDN'T
583
00:18:15,428 --> 00:18:16,163
SET YOU UP--
584
00:18:16,163 --> 00:18:16,929
>> DON'T EVEN GO THERE, SEAN.
585
00:18:16,929 --> 00:18:18,365
DON'T EVEN GO THERE. NEXT THING
586
00:18:18,365 --> 00:18:19,699
YOU KNOW, I CAN'T GET A JOB.
587
00:18:19,699 --> 00:18:20,767
FREDDY REPLACES ME WITH
588
00:18:20,767 --> 00:18:22,502
RICKY SCHROEDER. I AM DEPRESSED.
589
00:18:22,502 --> 00:18:23,436
AND I SAY, YOU KNOW WHAT,
590
00:18:23,436 --> 00:18:25,372
SCREW HIM, I'M COSTNER, MAN.
591
00:18:25,372 --> 00:18:26,539
I'M A TRIPLE THREAT. I WRITE
592
00:18:26,539 --> 00:18:28,741
THIS SCRIPT ON SPEC, LIFETIME.
593
00:18:28,741 --> 00:18:30,877
THE NETWORK PICKS IT UP.
594
00:18:30,877 --> 00:18:32,579
THE FAIRCHILD ATTACHES HERSELF
595
00:18:32,579 --> 00:18:35,448
TO PLAY COLLEEN. COME ON, SEAN!
596
00:18:35,448 --> 00:18:37,584
THIS IS MY COMEBACK! DEADLY
597
00:18:37,584 --> 00:18:38,785
TIGHTROPE: THE SEAN McNAMARA
598
00:18:38,785 --> 00:18:41,821
STORY. [SIGHS] IT'S MY DANCES
599
00:18:41,821 --> 00:18:43,590
WITH WOLVES, MAN.
600
00:18:43,590 --> 00:18:45,292
>> NO.
601
00:18:45,292 --> 00:18:46,726
>> I'M GIVING MYSELF TO YOU,
602
00:18:46,726 --> 00:18:49,596
SEAN. I'M SACRIFICING MYSELF
603
00:18:49,596 --> 00:18:51,531
FOR YOU. I'M UNARMED. WHAT ARE
604
00:18:51,531 --> 00:18:53,266
WE GOING TO DO? WE'RE GONNA KILL
605
00:18:53,266 --> 00:18:54,334
SOME INDIANS?
606
00:18:54,334 --> 00:18:56,269
>> AIDAN? NO.
607
00:18:56,269 --> 00:18:57,604
>> WE'RE NOT GOING TO KILL THEM,
608
00:18:57,604 --> 00:18:59,606
NO. WE'RE GOING TO HELP THEM.
609
00:18:59,606 --> 00:19:01,408
YOU'RE GOING TO READ IT.
610
00:19:01,408 --> 00:19:04,311
JUST READ IT, SEAN. JUST READ
611
00:19:04,311 --> 00:19:05,345
THE WHOLE THING. THE ENDING'S
612
00:19:05,345 --> 00:19:08,548
AMAZING.
613
00:19:08,548 --> 00:19:10,483
THEN WE'LL TALK. I'LL CALL YOU
614
00:19:10,483 --> 00:19:11,618
IN THE A.M., OR YOU CALL ME.
615
00:19:11,618 --> 00:19:12,619
I'LL LET YOU SLEEP ON IT.
616
00:19:12,619 --> 00:19:17,424
I LOVE YOU. SEE YA.
617
00:19:17,424 --> 00:19:19,792
[BABIES CHATTERING]
618
00:19:19,792 --> 00:19:22,595
[INDISTINCT CHATTER]
619
00:19:31,538 --> 00:19:32,839
>> MAYBE SHE NEEDS SOME FOOD.
620
00:19:32,839 --> 00:19:34,241
WE'VE BEEN HERE OVER AN HOUR.
621
00:19:34,241 --> 00:19:35,375
>> NO, I'VE FED HER TWICE
622
00:19:35,375 --> 00:19:36,409
ALREADY. I'M JUST TRYING TO KEEP
623
00:19:36,409 --> 00:19:38,411
HER FROM NAPPING. SHE'S HOT.
624
00:19:38,411 --> 00:19:39,312
HONEY, DO YOU WANNA PLAY PATTY
625
00:19:39,312 --> 00:19:41,614
CAKE? NO?
626
00:19:46,619 --> 00:19:49,289
>> I'LL BE RIGHT BACK.
627
00:19:49,289 --> 00:19:52,592
EXCUSE ME, MISS? MISS, EXCUSE
628
00:19:52,592 --> 00:19:53,626
ME. WHY DID THAT LADY JUST GO
629
00:19:53,626 --> 00:19:54,627
STRAIGHT IN THERE?
630
00:19:54,627 --> 00:19:55,662
WE'VE BEEN HERE SINCE NOON.
631
00:19:55,662 --> 00:19:56,563
>> SHE HAD AN APPOINTMENT.
632
00:19:56,563 --> 00:19:57,697
>> AN APPOINTMENT! WE HAD
633
00:19:57,697 --> 00:19:58,798
AN APPOINTMENT AN HOUR AGO.
634
00:19:58,798 --> 00:20:00,267
>> YOU'RE NOT WITH THE STEVES,
635
00:20:00,267 --> 00:20:01,434
ARE YOU? THEY ALWAYS GET IN
636
00:20:01,434 --> 00:20:03,270
FIRST.
637
00:20:03,270 --> 00:20:05,705
[BABIES CHATTERING]
638
00:20:05,705 --> 00:20:08,975
>> OH, THAT IS BULLSHIT!
639
00:20:08,975 --> 00:20:10,777
COME ON, KIMBER, WE'RE GOING IN.
640
00:20:10,777 --> 00:20:11,811
LET'S GO. GET THE KID,
641
00:20:11,811 --> 00:20:13,580
WE'RE GOING IN.
642
00:20:13,580 --> 00:20:14,614
>> I'M SORRY, SIR, WE STILL HAVE
643
00:20:14,614 --> 00:20:15,615
ONE MORE MOM WE'RE WAITING FOR--
644
00:20:15,615 --> 00:20:16,716
>> LISTEN, LADY. THEY'RE NOT
645
00:20:16,716 --> 00:20:18,651
GOING TO GET THE JOB. WE ARE.
646
00:20:18,651 --> 00:20:24,357
HMM?
647
00:20:24,357 --> 00:20:27,394
>> WOW. THIS IS SO HOLLYWOOD.
648
00:20:27,394 --> 00:20:29,362
SEE, HONEY, LOOK. THAT'S CALLED
649
00:20:29,362 --> 00:20:30,663
A FAKE BEACH.
650
00:20:30,663 --> 00:20:32,632
>> HI. I'M CHRISTIAN TROY.
651
00:20:32,632 --> 00:20:34,434
I'M THE LITTLE STARLET'S MANAGER
652
00:20:34,434 --> 00:20:35,702
AND THIS IS KIMBER HENRY,
653
00:20:35,702 --> 00:20:36,736
HER MOTHER.
654
00:20:36,736 --> 00:20:38,037
>> NEXT. THANK YOU VERY MUCH.
655
00:20:38,037 --> 00:20:39,005
>> EXCUSE ME?
656
00:20:39,005 --> 00:20:40,540
>> NOT WHAT WE'RE LOOKING FOR.
657
00:20:40,540 --> 00:20:41,308
HAVE RECEPTION SHOW
658
00:20:41,308 --> 00:20:42,409
THE NEXT ONE IN.
659
00:20:42,409 --> 00:20:44,010
>> IS IT BECAUSE SHE'S TOO FAT?
660
00:20:44,010 --> 00:20:45,612
BECAUSE SHE DOESN'T NEED TO EAT
661
00:20:45,612 --> 00:20:46,446
THE DAY OF THE SHOOT.
662
00:20:46,446 --> 00:20:47,447
>> YOU CAN'T JUST DISMISS US
663
00:20:47,447 --> 00:20:48,348
LIKE THAT. SHE'S THE MOST
664
00:20:48,348 --> 00:20:49,081
BEAUTIFUL GIRL YOU'VE SEEN
665
00:20:49,081 --> 00:20:50,550
ALL DAY.
666
00:20:50,550 --> 00:20:51,484
>> 'FRAID NOT.
667
00:20:51,484 --> 00:20:53,320
THANKS FOR COMIN'.
668
00:20:53,320 --> 00:20:54,020
>> THIS THING'S FOR THOSE
669
00:20:54,020 --> 00:20:55,755
SUNGLASSES, RIGHT? OVER HERE.
670
00:20:55,755 --> 00:20:57,089
LET'S TAKE A LOOK, ALL RIGHT?
671
00:20:57,089 --> 00:20:58,425
HEY, COME ON, SWEETIE.
672
00:20:58,425 --> 00:21:00,627
SHOW THIS LADY. HEY, LOOK,
673
00:21:00,627 --> 00:21:04,564
THE KID IS A STAR. HUH?
674
00:21:04,564 --> 00:21:06,699
>> YOU WANT THE HONEST TRUTH?
675
00:21:06,699 --> 00:21:09,369
COVER HER EARS, SWEETIE.
676
00:21:09,369 --> 00:21:11,504
YOU'LL NEVER GET HER A NATIONAL
677
00:21:11,504 --> 00:21:13,706
CAMPAIGN. NOT WITH THOSE THIN,
678
00:21:13,706 --> 00:21:19,979
VILLAINOUS LIPS.
679
00:21:19,979 --> 00:21:21,948
[MONITOR BEEPING]
680
00:21:21,948 --> 00:21:25,652
[OH YEAH BY YELLO PLAYING]
681
00:21:25,652 --> 00:21:28,888
>> * OH, YEAH,
682
00:21:28,888 --> 00:21:32,559
OH, YEAH,
683
00:21:32,559 --> 00:21:35,728
OH, YEAH *
684
00:21:35,728 --> 00:21:37,764
>> THAT'S MY JOB.
685
00:21:37,764 --> 00:21:38,731
>> SINCE WHEN IS THE
686
00:21:38,731 --> 00:21:39,899
ANESTHESIOLOGIST NOT ALLOWED
687
00:21:39,899 --> 00:21:41,000
TO SEE THE PATIENT'S BODY?
688
00:21:41,000 --> 00:21:42,369
>> I WOULD JUST PREFER IT IF WE
689
00:21:42,369 --> 00:21:46,873
FOLLOWED PROTOCOL.
690
00:21:46,873 --> 00:21:48,808
>> OH, MY GOD IN HEAVEN!
691
00:21:48,808 --> 00:21:49,709
LINDA, GET OVER HERE.
692
00:21:49,709 --> 00:21:51,378
>> LINDA, YOU STAY RIGHT WHERE
693
00:21:51,378 --> 00:21:52,545
YOU ARE. TEDDY, THAT'S ENOUGH.
694
00:21:52,545 --> 00:21:53,846
>> WHY WOULD A GUY WRITE "NAM"
695
00:21:53,846 --> 00:21:54,881
ON HIS DICK? HE LOOKS WAY TOO
696
00:21:54,881 --> 00:21:55,848
YOUNG TO HAVE EVER SERVED OVER
697
00:21:55,848 --> 00:21:56,583
THERE.
698
00:21:56,583 --> 00:21:58,017
>> [SIGHS]
699
00:21:58,017 --> 00:22:00,086
WELL...
700
00:22:00,086 --> 00:22:02,355
IT DOESN'T SAY "NAM," OK?
701
00:22:09,095 --> 00:22:11,564
>> NAMASTE.
702
00:22:11,564 --> 00:22:12,665
>> NAMASTE HOME AT NIGHT
703
00:22:12,665 --> 00:22:13,566
AND PLAY WITH THAT THING,
704
00:22:13,566 --> 00:22:14,801
OH, YEAH.
705
00:22:14,801 --> 00:22:16,703
>> ALL RIGHT, THAT'S ENOUGH.
706
00:22:16,703 --> 00:22:17,970
>> I'VE GOTTA GET A PICTURE
707
00:22:17,970 --> 00:22:18,838
OF THIS FIRST.
708
00:22:18,838 --> 00:22:19,972
>> NO. ABSOLUTELY NOT.
709
00:22:19,972 --> 00:22:21,040
THAT'S UNETHICAL.
710
00:22:21,040 --> 00:22:22,675
>> THEN I WON'T ASK YOU TO TAKE
711
00:22:22,675 --> 00:22:24,711
IT. YOU DO IT, LINDA.
712
00:22:24,711 --> 00:22:25,678
>> IT'S NOT FUNNY, TEDDY.
713
00:22:25,678 --> 00:22:26,746
>> OH, SEAN, RELAX. NO ONE
714
00:22:26,746 --> 00:22:28,848
WILL FIND OUT. OK.
715
00:22:28,848 --> 00:22:30,817
>> AH, GIVE ME THAT.
716
00:22:30,817 --> 00:22:31,984
>> NOW I KNOW WHY LINDA SAID
717
00:22:31,984 --> 00:22:36,689
THE OTHER GUY'S THE FUN ONE.
718
00:22:36,689 --> 00:22:38,057
>> FINE.
719
00:22:38,057 --> 00:22:39,859
I'LL GET IN THERE. YOU KNOW,
720
00:22:39,859 --> 00:22:41,561
I'M NOT A TIGHT ASS, YOU KNOW?
721
00:22:41,561 --> 00:22:42,629
I CAN KICK BACK.
722
00:22:42,629 --> 00:22:45,031
>> UH-HUH. STRETCH IT OUT.
723
00:22:45,031 --> 00:22:46,833
I'LL DO IT.
724
00:22:46,833 --> 00:22:48,635
>> OK, THAT'S GREAT. FANTASTIC.
725
00:22:48,635 --> 00:22:50,136
COME ON, SMILE. GET DOWN,
726
00:22:50,136 --> 00:22:53,005
OH, YEAH. OH, GUYS, THAT'S
727
00:22:53,005 --> 00:22:56,809
FANTASTIC. I LOVE THAT ONE. OH,
728
00:22:56,809 --> 00:22:58,511
MY GOD. ONE MORE. COME ON,
729
00:22:58,511 --> 00:22:59,211
JUST--
730
00:22:59,211 --> 00:23:00,547
>> HOLY SHIT! WHOA! TAKE ONE OF
731
00:23:00,547 --> 00:23:01,781
ME WITH THAT MONSTER!
732
00:23:01,781 --> 00:23:02,815
>> AIDAN, WHAT THE HELL ARE YOU
733
00:23:02,815 --> 00:23:03,950
DOING HERE?!
734
00:23:03,950 --> 00:23:04,917
>> I'M SHADOWING YOU, BRO.
735
00:23:04,917 --> 00:23:06,586
FOR THE MOVIE.
736
00:23:06,586 --> 00:23:07,787
>> PERFECT.
737
00:23:07,787 --> 00:23:08,788
>> OH, WAIT, GET ONE OF ME WITH
738
00:23:08,788 --> 00:23:10,089
MY LIPS ON IT. WAIT, MAYBE THAT
739
00:23:10,089 --> 00:23:11,090
WOULD MAKE ME GAY.
740
00:23:11,090 --> 00:23:12,024
>> WE JUST TOOK A PICTURE
741
00:23:12,024 --> 00:23:13,760
FOR OUR MEDICAL RECORDS, OK?
742
00:23:13,760 --> 00:23:15,127
>> OH, ALL RIGHT. BUT WHAT IS
743
00:23:15,127 --> 00:23:16,763
HE? IS HE LIKE A CIRCUS FREAK?
744
00:23:16,763 --> 00:23:17,830
I'VE NEVER SEEN ANYTHING LIKE
745
00:23:17,830 --> 00:23:18,631
IT.
746
00:23:18,631 --> 00:23:19,866
>> A YOGI, ADDICTED TO SUCKING
747
00:23:19,866 --> 00:23:20,967
HIMSELF OFF.
748
00:23:20,967 --> 00:23:22,902
>> WOW. GOD, IF I COULD DO THAT,
749
00:23:22,902 --> 00:23:25,071
I SWEAR, I WOULD NEVER WATCH TV.
750
00:23:25,071 --> 00:23:25,938
HEY, LET'S SEE HOW LONG
751
00:23:25,938 --> 00:23:26,539
IT CAN GET.
752
00:23:26,539 --> 00:23:27,106
>> THAT'S ENOUGH.
753
00:23:27,106 --> 00:23:28,140
>> DON'T--DON'T--YOU'RE
754
00:23:28,140 --> 00:23:29,642
SUFFOCATING HIM. OH, HEY, DID
755
00:23:29,642 --> 00:23:30,242
YOU READ THE SCRIPT YET?
756
00:23:30,242 --> 00:23:30,910
THE LAST SCENE?
757
00:23:30,910 --> 00:23:33,045
>> I TOLD YOU, I'M NOT
758
00:23:33,045 --> 00:23:33,913
INTERESTED IN HAVING A MOVIE
759
00:23:33,913 --> 00:23:34,947
MADE ABOUT MY LIFE. AND THAT
760
00:23:34,947 --> 00:23:36,215
SCRIPT IS FULL OF LIES.
761
00:23:36,215 --> 00:23:37,484
>> WELL, SO WHAT? COME ON,
762
00:23:37,484 --> 00:23:38,184
AT THE END OF IT, YOU COME OUT
763
00:23:38,184 --> 00:23:39,786
LOOKING AMAZING, SEAN. THE LAST
764
00:23:39,786 --> 00:23:40,920
SCENE, SEAN, WHEN YOU READ IT,
765
00:23:40,920 --> 00:23:41,988
YOU'RE THE HERO. YOU OFF
766
00:23:41,988 --> 00:23:43,590
COLLEEN, YOU SAVE YOUR DAUGHTER.
767
00:23:43,590 --> 00:23:44,491
I MEAN, WHAT ELSE COULD YOU
768
00:23:44,491 --> 00:23:45,024
WANT?
769
00:23:45,024 --> 00:23:46,025
>> AND DON'T FORGET THE NUCLEAR
770
00:23:46,025 --> 00:23:46,959
BOMB UNDER THE OPERATING TABLE.
771
00:23:46,959 --> 00:23:48,628
>> THAT'S--YOU DON'T LIKE IT?
772
00:23:48,628 --> 00:23:49,529
>> MMM.
773
00:23:49,529 --> 00:23:49,996
>> EASY LIFT.
774
00:23:49,996 --> 00:23:50,697
>> THAT'S IT.
775
00:23:50,697 --> 00:23:51,631
>> WELL, IT'S AN EASY LIFT.
776
00:23:51,631 --> 00:23:52,565
>> NO, THIS NEGOTIATION IS OVER.
777
00:23:52,565 --> 00:23:53,866
THAT'S IT. OUT, OUT.
778
00:23:53,866 --> 00:23:56,603
>> WHAT?
779
00:23:56,603 --> 00:23:57,770
WELL...
780
00:23:57,770 --> 00:23:58,905
YOU KNOW WHAT, I DON'T LIKE
781
00:23:58,905 --> 00:24:00,006
YOUR FANCY COSTUMES, ANYWAY.
782
00:24:00,006 --> 00:24:01,708
AND YOUR--AND YOUR MEDICAL
783
00:24:01,708 --> 00:24:05,778
JARGON, YOUR FANCY TALKS.
784
00:24:05,778 --> 00:24:07,179
DOESN'T EVEN FIT ME!
785
00:24:07,179 --> 00:24:13,886
NONE OF THIS FITS ME!
786
00:24:13,886 --> 00:24:15,788
>> I'M GONNA SCRUB UP.
787
00:24:15,788 --> 00:24:17,924
PREP HIM.
788
00:24:29,869 --> 00:24:32,805
[JENNA CHATTERING]
789
00:24:42,749 --> 00:24:44,951
>> [EXHALES]
790
00:24:44,951 --> 00:24:45,818
>> COLLAGEN'S A NATURAL
791
00:24:45,818 --> 00:24:48,588
SUBSTANCE. I MEAN, BABIES GET
792
00:24:48,588 --> 00:24:49,922
THEIR EARS PIERCED, RIGHT?
793
00:24:49,922 --> 00:24:50,923
I MEAN, DO YOU CONSIDER THAT
794
00:24:50,923 --> 00:24:53,059
CHILD ABUSE? NO. COME ON,
795
00:24:53,059 --> 00:24:54,126
DO IT.
796
00:24:54,126 --> 00:24:55,862
>> [SCOFFS]
797
00:24:55,862 --> 00:25:02,168
>> [JENNA CHATTERING]
798
00:25:02,168 --> 00:25:04,937
>> NO. I'M NOT DOING THIS.
799
00:25:04,937 --> 00:25:06,773
[OPENS DOOR]
800
00:25:06,773 --> 00:25:07,874
>> YOU ARE A STUPID WIMP JUST
801
00:25:07,874 --> 00:25:09,909
LIKE YOUR PATHETIC SON.
802
00:25:09,909 --> 00:25:12,011
[SIGHS]
803
00:25:29,962 --> 00:25:34,701
[EXHALES]
804
00:25:34,701 --> 00:25:36,969
>> [JENNA CHATTERING]
805
00:25:45,912 --> 00:25:48,014
>> TO BABY JENNA.
806
00:25:48,014 --> 00:25:49,882
>> TO BABY BURBERRY.
807
00:25:49,882 --> 00:25:53,853
>> TO MY NEW BEST FRIENDS.
808
00:25:53,853 --> 00:25:55,988
RIGHT?
809
00:25:55,988 --> 00:25:57,123
CHEERS.
810
00:25:57,123 --> 00:25:59,726
[GLASSES CLINKING]
811
00:26:02,995 --> 00:26:05,632
>> [GROANING]
812
00:26:14,373 --> 00:26:16,342
>> WHOA, DUDE.
813
00:26:16,342 --> 00:26:17,309
WATCH IT, YOU'RE GONNA STRAIN
814
00:26:17,309 --> 00:26:18,344
YOUR MILK, BUDDY.
815
00:26:18,344 --> 00:26:19,912
>> OH, IT'S OK. STRETCHING
816
00:26:19,912 --> 00:26:21,113
HELPS THE CIRCULATION.
817
00:26:21,113 --> 00:26:22,682
I'LL HEAL UP FASTER.
818
00:26:22,682 --> 00:26:23,850
HMM. ARE YOU HERE TO CHECK
819
00:26:23,850 --> 00:26:25,217
MY STITCHES?
820
00:26:25,217 --> 00:26:26,819
>> UM...
821
00:26:26,819 --> 00:26:27,887
[CHUCKLES]
822
00:26:27,887 --> 00:26:28,821
I KNOW IT'S HARD TO BELIEVE,
823
00:26:28,821 --> 00:26:31,824
BUT I'M NOT REALLY A DOCTOR.
824
00:26:31,824 --> 00:26:34,694
>> OH, OK. I'M SORRY.
825
00:26:34,694 --> 00:26:35,795
WHO ARE YOU?
826
00:26:35,795 --> 00:26:37,196
>> GET YOUR HEAD OUT OF THE
827
00:26:37,196 --> 00:26:38,698
ASHRAM, BUDDY. WATCH SOME
828
00:26:38,698 --> 00:26:39,999
TELEVISION. SERIOUSLY.
829
00:26:39,999 --> 00:26:41,768
>> I CAN'T. I DON'T OWN ONE.
830
00:26:41,768 --> 00:26:44,003
>> YOU--NEITHER WOULD I IF I
831
00:26:44,003 --> 00:26:46,205
WERE SWINGING YOUR CLUB.
832
00:26:46,205 --> 00:26:47,674
OH...
833
00:26:47,674 --> 00:26:49,075
>> I GUESS DOCTOR-PATIENT
834
00:26:49,075 --> 00:26:50,309
CONFIDENTIALITY DOESN'T MEAN
835
00:26:50,309 --> 00:26:51,243
SHIT AROUND HERE.
836
00:26:51,243 --> 00:26:52,178
>> NO, YOU KNOW WHAT, YOU'RE
837
00:26:52,178 --> 00:26:53,746
RIGHT. YOU'RE ABSOLUTELY RIGHT.
838
00:26:53,746 --> 00:26:55,682
YOU KNOW, YOUR DOCTOR, SEAN
839
00:26:55,682 --> 00:26:57,817
McNAMARA, NARCISSISTIC PRICK.
840
00:26:57,817 --> 00:26:59,852
YEAH. HE'S A RUINER OF LIVES.
841
00:26:59,852 --> 00:27:01,187
I'VE OBSERVED THIS FIRSTHAND.
842
00:27:01,187 --> 00:27:02,088
I'VE BEEN FOLLOWING HIM IN
843
00:27:02,088 --> 00:27:03,723
ANTICIPATION OF A TELEVISION
844
00:27:03,723 --> 00:27:06,158
EVENT I'M ABOUT TO FILM.
845
00:27:06,158 --> 00:27:07,894
I WAS THERE WHEN HE SNAPPED
846
00:27:07,894 --> 00:27:09,395
A PHOTO OF YOUR SUPER DICK.
847
00:27:09,395 --> 00:27:10,897
>> WHAT?
848
00:27:10,897 --> 00:27:12,264
>> YEAH, HE DID.
849
00:27:12,264 --> 00:27:15,735
I AM A PHENOMENAL ACTOR.
850
00:27:15,735 --> 00:27:17,837
AND EVEN I COULDN'T HIDE MY
851
00:27:17,837 --> 00:27:19,405
DISTASTE AT HIS DESPICABLE
852
00:27:19,405 --> 00:27:20,439
ACTIONS.
853
00:27:20,439 --> 00:27:21,440
>> WHY WOULD HE DO THAT?!
854
00:27:21,440 --> 00:27:22,441
>> WHY WOULD HE? THAT'S A GREAT
855
00:27:22,441 --> 00:27:23,710
QUESTION. I DON'T KNOW,
856
00:27:23,710 --> 00:27:25,477
WHY WOULD HE? IS HE JEALOUS?
857
00:27:25,477 --> 00:27:27,379
IS HE?
858
00:27:27,379 --> 00:27:28,214
>> OH, MY GOD.
859
00:27:28,214 --> 00:27:29,381
>> IS HE JEALOUS
860
00:27:29,381 --> 00:27:30,282
OF YOUR GOD-GIVEN GIFT,
861
00:27:30,282 --> 00:27:32,118
YOUR BEAUTIFUL, BEAUTIFUL GIFT?
862
00:27:32,118 --> 00:27:33,886
I DON'T KNOW. IT'S POSSIBLE.
863
00:27:33,886 --> 00:27:35,855
I CAN UNDERSTAND THAT.
864
00:27:35,855 --> 00:27:37,423
>> OK...
865
00:27:37,423 --> 00:27:39,058
DOES HE STILL HAVE THE PICTURES?
866
00:27:39,058 --> 00:27:40,793
>> I DON'T KNOW. I DON'T KNOW.
867
00:27:40,793 --> 00:27:41,828
I DON'T KNOW, BUT DON'T WORRY,
868
00:27:41,828 --> 00:27:43,062
I AM ON YOUR SIDE.
869
00:27:43,062 --> 00:27:43,863
>> THANK YOU.
870
00:27:43,863 --> 00:27:44,831
>> I AM ON YOUR SIDE. WE ARE
871
00:27:44,831 --> 00:27:46,733
GOING TO FIGURE THIS OUT.
872
00:27:46,733 --> 00:27:48,034
WE'RE GONNA FIGURE--YOU KNOW
873
00:27:48,034 --> 00:27:48,901
WHAT YOU SHOULD DO?
874
00:27:48,901 --> 00:27:49,802
>> NO, WHAT?
875
00:27:49,802 --> 00:27:52,338
>> YOU KNOW WHAT YOU SHOULD DO?
876
00:27:52,338 --> 00:27:53,973
THIS IS YOUR CHANCE TO CASH IN.
877
00:27:53,973 --> 00:27:54,874
YEAH, I KNOW YOU GUYS TAKE
878
00:27:54,874 --> 00:27:55,908
A VOW OF POVERTY OR SOMETHING,
879
00:27:55,908 --> 00:27:56,743
RIGHT? ALL YOU OWN
880
00:27:56,743 --> 00:27:57,744
IS A PAIR OF SWEATY SHORTS
881
00:27:57,744 --> 00:27:58,778
AND AN INCENSE BURNER,
882
00:27:58,778 --> 00:28:00,813
AM I RIGHT?
883
00:28:00,813 --> 00:28:01,914
CASH IN!
884
00:28:01,914 --> 00:28:02,782
>> OH, MY GOD. I SHOULD
885
00:28:02,782 --> 00:28:03,816
GET A LAWYER.
886
00:28:03,816 --> 00:28:04,851
>> YES, YES! YOU SHOULD GET
887
00:28:04,851 --> 00:28:05,752
A LAWYER. YOU SHOULD GET
888
00:28:05,752 --> 00:28:06,919
A LAWYER, YOU SHOULD SUE
889
00:28:06,919 --> 00:28:09,922
THE PANTS OFF THEM.
890
00:28:09,922 --> 00:28:11,390
NOW TEACH ME HOW YOU DID IT,
891
00:28:11,390 --> 00:28:15,161
MYAGI.
892
00:28:15,161 --> 00:28:17,063
[INDISTINCT CHATTER]
893
00:28:17,063 --> 00:28:18,798
>> ...YOUR HANDS ON IT,
894
00:28:18,798 --> 00:28:19,932
LOOKS GOOD.
895
00:28:19,932 --> 00:28:21,100
>> AND THE ARMS. [CHUCKLING]
896
00:28:21,100 --> 00:28:22,234
>> PUT DOWN THAT COFFEE CUP.
897
00:28:22,234 --> 00:28:23,302
YOU DON'T WORK HERE ANYMORE.
898
00:28:23,302 --> 00:28:24,236
>> EXCUSE ME?
899
00:28:24,236 --> 00:28:25,071
>> YOU'RE FIRED.
900
00:28:25,071 --> 00:28:26,105
>> YOU CAN'T FIRE HER.
901
00:28:26,105 --> 00:28:27,106
>> I CAN DO WHATEVER I GODDAMN
902
00:28:27,106 --> 00:28:28,307
LIKE WHEN IT COMES TO VIOLATING
903
00:28:28,307 --> 00:28:30,943
THE RULES OF THE AMERICAN BOARD.
904
00:28:30,943 --> 00:28:32,278
ONE OF WHICH JUST HAPPENS TO BE
905
00:28:32,278 --> 00:28:33,846
TAKING PORNOGRAPHIC PHOTOGRAPHS
906
00:28:33,846 --> 00:28:36,082
OF A PATIENT UNDER ANESTHESIA.
907
00:28:36,082 --> 00:28:38,217
I JUST GOT AN EARFUL FROM SUCK
908
00:28:38,217 --> 00:28:40,119
ME OFF IN THERE, AND HE'S
909
00:28:40,119 --> 00:28:42,088
THREATENING TO GET A LAWYER.
910
00:28:42,088 --> 00:28:43,823
>> AIDAN.
911
00:28:43,823 --> 00:28:44,957
>> SO YOU DID. YOU ACTUALLY TOOK
912
00:28:44,957 --> 00:28:46,793
A SEARS FAMILY PICTURE
913
00:28:46,793 --> 00:28:48,895
OF YOU TWO AND THAT GUY'S DICK.
914
00:28:48,895 --> 00:28:49,962
THAT IS JUST NOT FUNNY.
915
00:28:49,962 --> 00:28:51,297
>> YES, IT IS.
916
00:28:51,297 --> 00:28:52,231
>> NO, IT'S NOT!
917
00:28:52,231 --> 00:28:53,265
>> LOOK, IT WAS TERRIBLE WHAT WE
918
00:28:53,265 --> 00:28:55,034
DID, OK? WE WEREN'T THINKING.
919
00:28:55,034 --> 00:28:56,168
BUT IT WASN'T MEANT FOR
920
00:28:56,168 --> 00:28:57,336
PUBLICATION. WE WERE JUST TRYING
921
00:28:57,336 --> 00:28:58,470
TO RELIEVE THE STRESS OF BEING
922
00:28:58,470 --> 00:28:59,972
SNAKE-WRANGLERS.
923
00:28:59,972 --> 00:29:02,809
>> [BOTH CHUCKLING]
924
00:29:02,809 --> 00:29:03,876
>> WHEN DID I BECOME
925
00:29:03,876 --> 00:29:04,877
THE RESPONSIBLE ONE? DO YOU
926
00:29:04,877 --> 00:29:06,412
REALIZE HOW UGLY THIS COULD GET?
927
00:29:06,412 --> 00:29:07,313
>> OH, RELAX, THERE IS NO
928
00:29:07,313 --> 00:29:08,280
EVIDENCE. I ERASED
929
00:29:08,280 --> 00:29:09,882
ALL THE PICTURES.
930
00:29:09,882 --> 00:29:12,518
THIS GUY IS A YOGA TEACHER.
931
00:29:12,518 --> 00:29:14,253
HE LIVES OFF CANNED LENTILS.
932
00:29:14,253 --> 00:29:15,855
THROW HIM A BONE.
933
00:29:15,855 --> 00:29:16,555
HE'LL LEAVE HERE THINKING
934
00:29:16,555 --> 00:29:17,423
HE WON THE LOTTERY.
935
00:29:17,423 --> 00:29:18,324
>> I DON'T WANT TO RELAX,
936
00:29:18,324 --> 00:29:19,591
SWEETHEART. OK? AND WHERE AM I
937
00:29:19,591 --> 00:29:20,860
GONNA GET THIS BONE FROM?
938
00:29:20,860 --> 00:29:21,928
PETTY CASH?
939
00:29:21,928 --> 00:29:23,062
>> WE COULD SELL A PAIR
940
00:29:23,062 --> 00:29:24,864
OF YOUR SHOES.
941
00:29:24,864 --> 00:29:25,998
>> [CHUCKLES]
942
00:29:25,998 --> 00:29:27,199
>> OH, YEAH, THAT'S REAL FUNNY.
943
00:29:27,199 --> 00:29:30,236
YOU HIRED HER. YOU FIX THIS.
944
00:29:34,240 --> 00:29:37,877
>> [BOTH LAUGHING]
945
00:29:37,877 --> 00:29:39,611
>> THAT'S TERRIBLE.
946
00:29:39,611 --> 00:29:40,446
>> SORRY, IT IS.
947
00:29:40,446 --> 00:29:41,347
>> IT IS, IT'S TERRIBLE.
948
00:29:41,347 --> 00:29:42,281
WE SHOULD NEVER HAVE DONE THAT.
949
00:29:42,281 --> 00:29:47,253
>> SORRY.
950
00:29:47,253 --> 00:29:50,422
>> [DOOR OPENS]
951
00:29:50,422 --> 00:29:53,425
[DOOR CLOSES]
952
00:29:53,425 --> 00:29:55,928
[FOOTSTEPS]
953
00:30:03,870 --> 00:30:07,874
>> YOU EATEN YET?
954
00:30:07,874 --> 00:30:09,275
WELL, THERE'S NOTHING TO EAT
955
00:30:09,275 --> 00:30:10,342
HERE. SO I WAS GONNA GRAB SOME
956
00:30:10,342 --> 00:30:12,411
DINNER. YOU WANT TO COME?
957
00:30:12,411 --> 00:30:14,246
>> NOPE. I ORDERED CHINESE
958
00:30:14,246 --> 00:30:17,283
FOR ME.
959
00:30:17,283 --> 00:30:20,019
>> OH, COME ON.
960
00:30:20,019 --> 00:30:21,320
LOOK, I'M SORRY ABOUT WHAT
961
00:30:21,320 --> 00:30:23,589
HAPPENED. IT WAS STUPID
962
00:30:23,589 --> 00:30:25,557
AND IMMATURE, AND HOW CAN I BE
963
00:30:25,557 --> 00:30:26,959
TALKED INTO SOMETHING THAT WAS
964
00:30:26,959 --> 00:30:29,361
JUST SO MUCH FUN?
965
00:30:37,303 --> 00:30:39,038
HEY, WHEN'S THE LAST TIME
966
00:30:39,038 --> 00:30:44,376
I CUT LOOSE? BEFORE JULIA LEFT?
967
00:30:44,376 --> 00:30:45,912
OH.
968
00:30:45,912 --> 00:30:47,513
MAYBE I'M JUST NOT SUPPOSED TO
969
00:30:47,513 --> 00:30:49,615
GIVE A SHIT ABOUT HAVING FUN.
970
00:30:49,615 --> 00:30:51,650
MAYBE YOU REACH A CERTAIN AGE,
971
00:30:51,650 --> 00:30:54,220
AND FUN JUST ISN'T WHAT LIFE'S
972
00:30:54,220 --> 00:30:57,423
ABOUT. CERTAINLY HASN'T BEEN
973
00:30:57,423 --> 00:30:58,925
WHAT MY LIFE'S ABOUT.
974
00:30:58,925 --> 00:31:00,993
[DOOR OPENS]
975
00:31:07,934 --> 00:31:09,936
>> WHAT THE--
976
00:31:09,936 --> 00:31:10,937
>> HURTS, DOESN'T IT? PROBABLY
977
00:31:10,937 --> 00:31:12,038
NOT AS BAD AS WHEN YOU STUCK
978
00:31:12,038 --> 00:31:13,005
A NEEDLE INTO MY DAUGHTER'S
979
00:31:13,005 --> 00:31:13,605
MOUTH!
980
00:31:13,605 --> 00:31:14,173
>> JESUS.
981
00:31:14,173 --> 00:31:15,107
>> WELL, WHAT THE HELL IS WRONG
982
00:31:15,107 --> 00:31:15,674
WITH YOU?
983
00:31:15,674 --> 00:31:16,976
>> OH, DON'T WORRY, IT'S STERILE
984
00:31:16,976 --> 00:31:17,676
AND THERE'S NOTHING IN IT.
985
00:31:17,676 --> 00:31:19,045
VERY DIFFERENT FROM THE CRAP
986
00:31:19,045 --> 00:31:20,046
YOU SHOT INTO JENNA'S LIPS
987
00:31:20,046 --> 00:31:20,980
SO SHE COULD SIGN SOME MODELING
988
00:31:20,980 --> 00:31:21,981
CONTRACT.
989
00:31:21,981 --> 00:31:23,115
>> DID YOU ACTUALLY DO THAT?
990
00:31:23,115 --> 00:31:24,216
>> OH, OF COURSE NOT!
991
00:31:24,216 --> 00:31:25,417
>> STOP LYING, MAN! I JUST
992
00:31:25,417 --> 00:31:26,518
PICKED HER UP FROM A PLAY DATE
993
00:31:26,518 --> 00:31:27,486
AND SHE LOOKS LIKE SHE'S GOT
994
00:31:27,486 --> 00:31:28,387
A DAMN INNERTUBE IN HER UPPER
995
00:31:28,387 --> 00:31:29,956
LIP! THAT WAS MY DAUGHTER,
996
00:31:29,956 --> 00:31:31,157
CHRISTIAN, HOW COULD YOU DO
997
00:31:31,157 --> 00:31:31,991
THAT?
998
00:31:31,991 --> 00:31:33,425
>> IT WASN'T ME, YOU ASSHOLE.
999
00:31:33,425 --> 00:31:36,128
DID YOU EVER THINK ABOUT KIMBER?
1000
00:31:36,128 --> 00:31:41,000
WHERE'S YOUR PHONE?
1001
00:31:41,000 --> 00:31:42,001
>> I SWEAR TO GOD--
1002
00:31:42,001 --> 00:31:46,405
>> SHUT UP!
1003
00:31:46,405 --> 00:31:50,342
[DIALING]
1004
00:31:50,342 --> 00:31:52,611
[CELL PHONE RINGS]
1005
00:31:57,616 --> 00:31:59,118
>> WHAT DO YOU WANT, MATT?
1006
00:31:59,118 --> 00:32:00,152
I'M SHOPPING.
1007
00:32:00,152 --> 00:32:00,987
>> IT'S CHRISTIAN ON
1008
00:32:00,987 --> 00:32:01,988
SPEAKERPHONE WITH MATT SO HE CAN
1009
00:32:01,988 --> 00:32:03,189
HEAR. WHO THE HELL DID YOU GET
1010
00:32:03,189 --> 00:32:04,190
TO SHOOT UP MY GRANDDAUGHTER?
1011
00:32:04,190 --> 00:32:05,557
>> BOTH OF YOU NEED TO CALM
1012
00:32:05,557 --> 00:32:06,758
DOWN. THERE'S NOTHING WRONG
1013
00:32:06,758 --> 00:32:08,394
WITH JENNA. HER LIPS ARE FUN.
1014
00:32:08,394 --> 00:32:09,328
I'M THE ONE WHO GAVE HER
1015
00:32:09,328 --> 00:32:10,196
THE SHOT.
1016
00:32:10,196 --> 00:32:11,130
>> YOU DID WHAT?!
1017
00:32:11,130 --> 00:32:12,064
>> WELL, I'VE BEEN INJECTED
1018
00:32:12,064 --> 00:32:13,265
A THOUSAND TIMES. I KNOW
1019
00:32:13,265 --> 00:32:14,533
WHERE TO AIM AND I KNOW HOW HARD
1020
00:32:14,533 --> 00:32:16,035
TO SQUEEZE. IT'S COMPLETELY
1021
00:32:16,035 --> 00:32:17,536
SAFE. I SIMPLY BORROWED
1022
00:32:17,536 --> 00:32:19,005
THE SUPPLIES FROM CHRISTIAN
1023
00:32:19,005 --> 00:32:20,172
WHEN HE REFUSED TO DO IT,
1024
00:32:20,172 --> 00:32:22,174
AND NOW JENNA'S A STAR.
1025
00:32:22,174 --> 00:32:23,442
>> KIMBER, ALLEY CATS WHO DUMP
1026
00:32:23,442 --> 00:32:24,443
THEIR LITTERS IN GUTTERS
1027
00:32:24,443 --> 00:32:25,677
MAKE BETTER MOTHERS THAN YOU.
1028
00:32:25,677 --> 00:32:26,745
>> OH, WELL, THEN WHY DON'T YOU
1029
00:32:26,745 --> 00:32:28,414
SUE ME, MATT? OH, WAIT, ON
1030
00:32:28,414 --> 00:32:29,615
SECOND THOUGHT YOU BETTER NOT,
1031
00:32:29,615 --> 00:32:30,782
BECAUSE I'LL HAUL YOUR ASS INTO
1032
00:32:30,782 --> 00:32:31,717
COURT FOR THE MONTHS YOU'RE
1033
00:32:31,717 --> 00:32:34,020
BEHIND ON JENNA'S CHILD SUPPORT.
1034
00:32:34,020 --> 00:32:35,421
WHY DON'T YOU SHUT UP
1035
00:32:35,421 --> 00:32:37,223
AND SAY THANK YOU?
1036
00:32:37,223 --> 00:32:39,058
>> WHAT--THANK YOU FOR WHAT?
1037
00:32:39,058 --> 00:32:40,592
>> YOUR DAUGHTER IS ONLY
1038
00:32:40,592 --> 00:32:42,561
18 MONTHS OLD AND SHE'S ALREADY
1039
00:32:42,561 --> 00:32:44,030
MORE OF A SUCCESS THAN YOU'LL
1040
00:32:44,030 --> 00:32:49,701
EVER BE. BE GRATEFUL.
1041
00:32:49,701 --> 00:32:54,606
>> [SIGHS]
1042
00:32:54,606 --> 00:32:57,276
I'M SORRY I STABBED YOU.
1043
00:33:02,281 --> 00:33:04,250
>> DON'T POP ANY CHAMPAGNE CORKS
1044
00:33:04,250 --> 00:33:06,418
JUST YET, AIDAN. I'M NOT SAYING
1045
00:33:06,418 --> 00:33:08,287
YES. I JUST WANTED TO KNOW
1046
00:33:08,287 --> 00:33:10,122
WHAT THE NUMBERS MIGHT BE.
1047
00:33:10,122 --> 00:33:15,761
ALL RIGHT. I'LL CALL YOU.
1048
00:33:15,761 --> 00:33:17,063
AIDAN SAYS THEY'RE WILLING TO
1049
00:33:17,063 --> 00:33:19,131
PAY 300,000 FOR THE RIGHTS,
1050
00:33:19,131 --> 00:33:20,399
AND ANOTHER 50 TO CONSULT ON
1051
00:33:20,399 --> 00:33:21,467
THE PRODUCTION.
1052
00:33:21,467 --> 00:33:22,568
>> HOLY SHIT.
1053
00:33:22,568 --> 00:33:23,502
>> YEAH, BUT I DON'T KNOW.
1054
00:33:23,502 --> 00:33:24,370
IF YOU COULD HAVE READ THIS
1055
00:33:24,370 --> 00:33:25,371
SCRIPT, IT IS TERRIBLE.
1056
00:33:25,371 --> 00:33:26,438
>> SO HAVE THEM HIRE SOMEONE
1057
00:33:26,438 --> 00:33:28,374
ELSE TO REWRITE IT. OR DON'T,
1058
00:33:28,374 --> 00:33:29,208
WHO CARES?
1059
00:33:29,208 --> 00:33:30,709
>> I CARE. I MEAN, I DON'T WANT
1060
00:33:30,709 --> 00:33:33,112
MY IMAGE MISREPRESENTED.
1061
00:33:33,112 --> 00:33:34,113
I'VE PERFORMED SOME OF THE MOST
1062
00:33:34,113 --> 00:33:35,181
INTERESTING SURGERIES OF ALL
1063
00:33:35,181 --> 00:33:37,149
TIME.
1064
00:33:37,149 --> 00:33:39,151
>> OF ALL TIME?
1065
00:33:39,151 --> 00:33:40,219
SEAN, YOU SHOULD GO HANG OUT
1066
00:33:40,219 --> 00:33:41,187
WITH MR. SKERRITT, YOU TWO HAVE
1067
00:33:41,187 --> 00:33:43,522
SO MUCH IN COMMON. YOU BOTH LIKE
1068
00:33:43,522 --> 00:33:46,125
BLOWING YOURSELVES.
1069
00:33:46,125 --> 00:33:47,159
>> I DON'T NEED TO LISTEN TO
1070
00:33:47,159 --> 00:33:48,694
THIS. YOU DON'T UNDERSTAND
1071
00:33:48,694 --> 00:33:50,162
THE PRESSURES I'M UNDER.
1072
00:33:50,162 --> 00:33:52,531
TRYING TO RAISE 3 KIDS,
1073
00:33:52,531 --> 00:33:54,500
TRYING TO SAVE UP,
1074
00:33:54,500 --> 00:33:55,634
BUY A PLACE OF MY OWN.
1075
00:33:55,634 --> 00:33:56,768
>> AND YOU'RE WILLING TO TURN
1076
00:33:56,768 --> 00:34:00,106
DOWN $350,000? YOU WALK AROUND
1077
00:34:00,106 --> 00:34:01,340
HERE LIKE YOU HAVE A CAMERA ON
1078
00:34:01,340 --> 00:34:03,242
YOU, MR. PERFECT. THE DIRTY
1079
00:34:03,242 --> 00:34:05,244
SECRET IS, NO ONE CARES.
1080
00:34:05,244 --> 00:34:07,179
TAKE THE CASH, GIVE HALF OF IT
1081
00:34:07,179 --> 00:34:08,780
TO MANNY SKERRITT AND BLOW
1082
00:34:08,780 --> 00:34:10,549
THE REST ON A TRIP TO VEGAS.
1083
00:34:10,549 --> 00:34:11,717
STOP WORRYING ABOUT HOW OTHER
1084
00:34:11,717 --> 00:34:12,718
PEOPLE ARE GOING TO REACT TO
1085
00:34:12,718 --> 00:34:15,554
YOU, AND DO WHAT YOU WANT TO DO.
1086
00:34:15,554 --> 00:34:18,124
>> REALLY. IT'S THAT SIMPLE?
1087
00:34:18,124 --> 00:34:20,392
>> IT'S THAT SIMPLE.
1088
00:34:31,170 --> 00:34:32,204
>> TELL US WHAT YOU DON'T LIKE
1089
00:34:32,204 --> 00:34:32,871
ABOUT YOURSELF.
1090
00:34:32,871 --> 00:34:34,806
>> [SCOFFS]
1091
00:34:34,806 --> 00:34:35,874
UH, I'LL TELL YOU WHAT I DON'T
1092
00:34:35,874 --> 00:34:36,908
LIKE ABOUT L.A., BRO--
1093
00:34:36,908 --> 00:34:38,610
DOING 95 DOWN SUNSET'S
1094
00:34:38,610 --> 00:34:40,912
AGAINST THE LAW.
1095
00:34:40,912 --> 00:34:42,548
>> WHAT HAPPENED TO YOUR NECK,
1096
00:34:42,548 --> 00:34:43,382
AIDAN?
1097
00:34:43,382 --> 00:34:45,317
>> OH, HEH, FUNNY STORY.
1098
00:34:45,317 --> 00:34:47,486
I WAS, PHHTT, I WAS OUT BIRD
1099
00:34:47,486 --> 00:34:49,188
DOGGING WITH MY GREATEST BRO,
1100
00:34:49,188 --> 00:34:53,225
PATTY D...DEMPSEY. AND PAPARAZZI
1101
00:34:53,225 --> 00:34:54,926
STOPS US AT A STOPLIGHT,
1102
00:34:54,926 --> 00:34:56,895
AND THEN, UH, WE PEELED OUT WHEN
1103
00:34:56,895 --> 00:34:57,829
THE LIGHT CHANGED. GOT SOME
1104
00:34:57,829 --> 00:34:59,198
DISTANCE ON THOSE JERKS,
1105
00:34:59,198 --> 00:35:00,232
AND THEN, UH, PHHTT,
1106
00:35:00,232 --> 00:35:01,767
MY MASERATI HITS AN ICE PASS.
1107
00:35:01,767 --> 00:35:02,834
AND THE NEXT THING I KNOW,
1108
00:35:02,834 --> 00:35:03,935
WE'RE SLAMMED AGAINST A PHONE
1109
00:35:03,935 --> 00:35:06,505
POLL AT BEVERLY GLEN. SO WEIRD.
1110
00:35:06,505 --> 00:35:07,906
>> YOU HIT AN ICE PATCH
1111
00:35:07,906 --> 00:35:09,375
ON SUNSET BOULEVARD?
1112
00:35:09,375 --> 00:35:11,610
>> YEAH. YEP.
1113
00:35:11,610 --> 00:35:13,345
ANYWAY, BROKE MY NECK.
1114
00:35:13,345 --> 00:35:14,346
>> WAIT, DOES THIS MEAN THAT
1115
00:35:14,346 --> 00:35:15,381
DEADLY TIGHTROPE: THE SEAN
1116
00:35:15,381 --> 00:35:16,748
McNAMARA STORY IS NOT
1117
00:35:16,748 --> 00:35:18,284
HAPPENING? DO I HAVE TO GIVE
1118
00:35:18,284 --> 00:35:19,385
THE MONEY BACK?
1119
00:35:19,385 --> 00:35:20,319
>> JESUS, SEAN, IS IT ALWAYS
1120
00:35:20,319 --> 00:35:22,788
ABOUT YOU? I BROKE MY NECK.
1121
00:35:22,788 --> 00:35:24,423
THE PRODUCERS PUSHED THE START
1122
00:35:24,423 --> 00:35:25,891
DATE. IT WAS ACTUALLY A GOOD
1123
00:35:25,891 --> 00:35:26,958
THING FOR ME, BECAUSE I CAN
1124
00:35:26,958 --> 00:35:27,859
REWRITE THE SCRIPT AND, YOU
1125
00:35:27,859 --> 00:35:28,894
KNOW, MAKE IT BETTER, MORE
1126
00:35:28,894 --> 00:35:30,362
HONEST, MORE REAL. YOU KNOW, GET
1127
00:35:30,362 --> 00:35:31,530
RID OF ALL THAT BORING BULLSHIT
1128
00:35:31,530 --> 00:35:33,365
WITH THE--SNAPS--WHAT'S HER
1129
00:35:33,365 --> 00:35:34,400
NAME, UM...
1130
00:35:34,400 --> 00:35:35,434
>> JULIA?
1131
00:35:35,434 --> 00:35:36,368
>> JULIA AND THE KID.
1132
00:35:36,368 --> 00:35:37,403
LET'S MAKE IT MORE ABOUT MY
1133
00:35:37,403 --> 00:35:38,604
CHARACTER, YOU KNOW? REALLY
1134
00:35:38,604 --> 00:35:40,472
FLESH IT OUT. WORKSHOP IT.
1135
00:35:40,472 --> 00:35:41,473
>> SO WHAT ARE YOU DOING HERE,
1136
00:35:41,473 --> 00:35:42,341
AIDAN?
1137
00:35:42,341 --> 00:35:44,210
>> WELL, I GET THESE THINGS OUT
1138
00:35:44,210 --> 00:35:46,312
TOMORROW, AND I KNOW THAT
1139
00:35:46,312 --> 00:35:47,413
THEY'RE GONNA LEAVE A NASTY SCAR
1140
00:35:47,413 --> 00:35:48,514
RIGHT AT MY TEMPLES.
1141
00:35:48,514 --> 00:35:49,515
>> WELL, THAT'S EASY. I THINK WE
1142
00:35:49,515 --> 00:35:51,417
CAN FIT YOU IN FRIDAY MORNING.
1143
00:35:51,417 --> 00:35:53,752
>> OH, GREAT. THAT'S PERF--
1144
00:35:53,752 --> 00:35:55,321
YEAH, I GOTTA GET BACK TO WORK.
1145
00:35:55,321 --> 00:35:58,624
[EXHALES]
1146
00:35:58,624 --> 00:36:00,959
WHICH REMINDS ME, OH, UM...
1147
00:36:00,959 --> 00:36:02,361
UH...
1148
00:36:02,361 --> 00:36:06,298
UH, YOU KNOW, WHEN I'M UNDER,
1149
00:36:06,298 --> 00:36:07,433
YOU GUYS WOULDN'T MIND ADDING
1150
00:36:07,433 --> 00:36:09,435
A COUPLE INCHES IN MY PANTS?
1151
00:36:09,435 --> 00:36:11,370
>> YOU WANT A PENIS ENLARGEMENT?
1152
00:36:11,370 --> 00:36:12,771
>> WELL, UNLESS YOU CAN LENGTHEN
1153
00:36:12,771 --> 00:36:18,777
MY TONGUE. [LAUGHS]
1154
00:36:18,777 --> 00:36:20,346
>> YOU BROKE YOUR NECK TRYING TO
1155
00:36:20,346 --> 00:36:21,547
SUCK YOUR DICK, DIDN'T YOU?
1156
00:36:21,547 --> 00:36:23,615
>> [LAUGHS]
1157
00:36:23,615 --> 00:36:24,483
WHAT?
1158
00:36:24,483 --> 00:36:26,552
WHERE DID YOU COME UP WITH THAT?
1159
00:36:26,552 --> 00:36:28,287
THAT'S--WHAT ARE YOU--
1160
00:36:28,287 --> 00:36:31,323
THAT'S JUST--[CHUCKLING]
1161
00:36:31,323 --> 00:36:33,259
I CAN'T KEEP THE CHARADE UP.
1162
00:36:33,259 --> 00:36:35,427
UM...
1163
00:36:35,427 --> 00:36:37,028
[SIGHS]
1164
00:36:37,028 --> 00:36:38,830
>> I WASN'T BIRD DOGGIN'.
1165
00:36:38,830 --> 00:36:41,333
THERE WAS NO ICE PATCH.
1166
00:36:41,333 --> 00:36:44,470
EVER SINCE MANNY SKERRITT TAUGHT
1167
00:36:44,470 --> 00:36:45,904
ME HOW TO PLEASURE MYSELF,
1168
00:36:45,904 --> 00:36:47,473
I'VE BEEN A MAN POSSESSED.
1169
00:36:47,473 --> 00:36:48,807
I HAVE GOTTEN SO CLOSE SO MANY
1170
00:36:48,807 --> 00:36:50,942
TIMES. BUT I JUST COULDN'T--
1171
00:36:50,942 --> 00:36:52,378
I JUST COULDN'T--I JUST COULDN'T
1172
00:36:52,378 --> 00:36:53,812
GET TO THE--YOU KNOW, I JUST
1173
00:36:53,812 --> 00:36:55,747
COULDN'T--I JUST WANTED TO GIVE
1174
00:36:55,747 --> 00:36:57,383
IT LITTLE BABY KISSES, THAT'S
1175
00:36:57,383 --> 00:36:59,351
ALL I WANTED. I DIDN'T ASK MUCH.
1176
00:36:59,351 --> 00:37:01,687
THEN WHAT HAPPENED? [SIGHS]
1177
00:37:01,687 --> 00:37:03,389
I FALL OF MY GODDAMN BED
1178
00:37:03,389 --> 00:37:06,425
AND I BREAK MY C2 VERTEBRAE.
1179
00:37:06,425 --> 00:37:07,426
I JUST WANT TO TASTE SOME
1180
00:37:07,426 --> 00:37:11,029
NECTAR, GUYS. THAT'S ALL I WANT.
1181
00:37:11,029 --> 00:37:18,003
CAN YOU MAKE THAT HAPPEN?
1182
00:37:18,003 --> 00:37:20,506
[MUSIC PLAYING]
1183
00:37:20,506 --> 00:37:22,474
>> * I LIKE ALL THE GIRLS,
1184
00:37:22,474 --> 00:37:25,411
AND ALL THE GIRLS LIKE ME *
1185
00:37:25,411 --> 00:37:27,479
>> SO, WE HAVE SOME SCARS FROM
1186
00:37:27,479 --> 00:37:28,480
HIS NECKBRACE THAT WE'LL HAVE TO
1187
00:37:28,480 --> 00:37:29,815
REVISE, AS WELL AS THE PENIS
1188
00:37:29,815 --> 00:37:32,083
ENLARGEMENT. AND I ALWAYS SAY,
1189
00:37:32,083 --> 00:37:33,319
START WITH THE HARD STUFF
1190
00:37:33,319 --> 00:37:35,754
FIRST. 15 BLADE.
1191
00:37:35,754 --> 00:37:37,956
>> A 15 BLADE? ARE YOU SURE
1192
00:37:37,956 --> 00:37:39,458
YOU DON'T WANT A PAPERCLIP?
1193
00:37:39,458 --> 00:37:40,326
I MEAN, LINDA, HAVE YOU EVER
1194
00:37:40,326 --> 00:37:41,860
SEEN ANYTHING THAT SMALL?
1195
00:37:41,860 --> 00:37:43,529
>> LOOKS LIKE 2 BLUEBERRIES
1196
00:37:43,529 --> 00:37:44,863
AND A COCKTAIL WEENIE.
1197
00:37:44,863 --> 00:37:45,831
>> HE DOESN'T NEED SURGERY.
1198
00:37:45,831 --> 00:37:47,999
HE NEEDS A MIRACLE.
1199
00:37:47,999 --> 00:37:49,401
I'M SORRY, I'M SORRY.
1200
00:37:49,401 --> 00:37:50,569
I'M JUST GONNA--[CLEARS THROAT]
1201
00:37:50,569 --> 00:37:51,703
DON'T NEED TO CAUSE ANYMORE
1202
00:37:51,703 --> 00:37:53,339
TROUBLE.
1203
00:37:53,339 --> 00:37:54,440
>> ACTUALLY, YOU KNOW WHAT,
1204
00:37:54,440 --> 00:37:55,741
HE'S THE ONE THAT CAUSED ALL
1205
00:37:55,741 --> 00:37:56,808
THE TROUBLE.
1206
00:37:56,808 --> 00:37:57,943
>> HE ALMOST COST YOU
1207
00:37:57,943 --> 00:37:59,010
YOUR LICENSE.
1208
00:37:59,010 --> 00:37:59,978
>> PRICK.
1209
00:37:59,978 --> 00:38:03,682
>> LITTLE PRICK.
1210
00:38:03,682 --> 00:38:04,516
>> DO YOU HAVE YOUR PHONE
1211
00:38:04,516 --> 00:38:06,051
ON YOU?
1212
00:38:06,051 --> 00:38:10,556
>> MM-HMM.
1213
00:38:10,556 --> 00:38:11,657
WHAT ARE YOU DOING?
1214
00:38:11,657 --> 00:38:12,824
>> OH, JUST A LITTLE INSURANCE
1215
00:38:12,824 --> 00:38:15,827
POLICY JUST IN CASE MY FEE
1216
00:38:15,827 --> 00:38:17,496
ON THE SEAN McNAMARA STORY
1217
00:38:17,496 --> 00:38:19,865
DOESN'T QUITE COVER MY EXPENSES.
1218
00:38:19,865 --> 00:38:22,468
HEH, HERE WE GO.
1219
00:38:22,468 --> 00:38:23,569
>> [GIGGLING]
1220
00:38:23,569 --> 00:38:24,503
>> YEAH, NOW I CAN OFFER UP
1221
00:38:24,503 --> 00:38:26,905
A LITTLE BLACKMAIL OF MY OWN.
1222
00:38:26,905 --> 00:38:30,509
>> [LAUGHS]
1223
00:38:30,509 --> 00:38:33,144
HAVE DINNER WITH ME TONIGHT.
1224
00:38:33,144 --> 00:38:35,146
>> SORRY, NOT INTERESTED.
1225
00:38:35,146 --> 00:38:36,548
I WAS THINKING OF SOMETHING
1226
00:38:36,548 --> 00:38:39,418
A LITTLE MORE ADVENTUROUS.
1227
00:38:39,418 --> 00:38:41,620
>> * I LIKE ALL THE GIRLS
1228
00:38:41,620 --> 00:38:43,822
AND ALL THE GIRLS LIKE ME,
1229
00:38:43,822 --> 00:38:46,458
I LIKE ALL THE GIRLS,
1230
00:38:46,458 --> 00:38:52,130
AND EVERY WOMAN, SEXY ME,
1231
00:38:52,130 --> 00:38:54,833
THEY TELL ME SO *
1232
00:39:05,777 --> 00:39:07,579
>> YOU'RE SO BEAUTIFUL.
1233
00:39:07,579 --> 00:39:11,417
YOU ARE PERFECT. HUH?
1234
00:39:11,417 --> 00:39:12,918
AND I LOVE YOU.
1235
00:39:12,918 --> 00:39:14,052
>> [WHISPERING]
1236
00:39:14,052 --> 00:39:17,489
>> I DO. I LOVE YOU VERY MUCH.
1237
00:39:17,489 --> 00:39:20,826
I WANT YOU TO KNOW THAT...
1238
00:39:20,826 --> 00:39:22,661
THAT EVERYTHING I DO FOR YOU,
1239
00:39:22,661 --> 00:39:23,729
I DO...
1240
00:39:23,729 --> 00:39:30,469
>> [BABBLING]
1241
00:39:30,469 --> 00:39:31,603
>> I JUST WANT YOU TO KNOW THAT
1242
00:39:31,603 --> 00:39:32,604
THERE'S SOMEBODY WHO WOULD GIVE
1243
00:39:32,604 --> 00:39:34,773
THEIR LIFE FOR YOU.
1244
00:39:34,773 --> 00:39:37,175
YOU KNOW?
1245
00:39:37,175 --> 00:39:38,544
[BELL RINGS]
1246
00:39:38,544 --> 00:39:39,511
>> CHRISTIAN, COME ON, GET OUT
1247
00:39:39,511 --> 00:39:44,182
OF HERE, WE HAVE A SHOOT TO DO.
1248
00:39:44,182 --> 00:39:45,917
>> AH.
1249
00:39:45,917 --> 00:39:47,519
>> HER LIPS ARE IMPECCABLE.
1250
00:39:47,519 --> 00:39:49,588
>> AND JUST THE RIGHT PLUMP.
1251
00:40:06,538 --> 00:40:08,073
>> [SIGHS]
1252
00:40:08,073 --> 00:40:13,512
[SNIFFS]
1253
00:40:13,512 --> 00:40:15,581
[JENNA CHATTERING]
1254
00:40:23,522 --> 00:40:24,890
>> WHAT THE HELL ARE YOU DOING?
1255
00:40:24,890 --> 00:40:26,191
>> WHAT NEEDED TO BE DONE,
1256
00:40:26,191 --> 00:40:27,993
CHRISTIAN.
1257
00:40:27,993 --> 00:40:29,695
>> IT'S LOPSIDED, YOU SICK,
1258
00:40:29,695 --> 00:40:30,862
TWISTED BITCH.
1259
00:40:30,862 --> 00:40:31,863
>> I'VE HAD FILLER A THOUSAND
1260
00:40:31,863 --> 00:40:32,731
TIMES. IT JUST NEEDS TIME
1261
00:40:32,731 --> 00:40:34,566
TO SPREAD.
1262
00:40:34,566 --> 00:40:35,767
RIGHT?
1263
00:40:35,767 --> 00:40:37,536
>> [SIGHS]
1264
00:40:37,536 --> 00:40:39,905
GIVE ME THE GODDAMN NEEDLE.
1265
00:40:39,905 --> 00:40:43,609
SHE LOOKS DEFORMED.
1266
00:40:43,609 --> 00:40:46,512
>> [JENNA CHATTERING]
1267
00:40:46,512 --> 00:40:48,980
>> [SIGHS]
1268
00:40:48,980 --> 00:40:50,749
>> SEE, SHE'S NOT EVEN CRYING.
1269
00:40:50,749 --> 00:40:52,784
LIKE THEY SAID, WHEN YOU MIX IT
1270
00:40:52,784 --> 00:40:54,285
WITH LIDOCAINE, IT JUST FEELS
1271
00:40:54,285 --> 00:40:57,122
LIKE A KISS.
1272
00:40:57,122 --> 00:41:00,726
>> [SIGHS]
1273
00:41:00,726 --> 00:41:02,861
>> OH...
1274
00:41:02,861 --> 00:41:04,996
NOW YOU ARE PERFECT,
1275
00:41:04,996 --> 00:41:07,265
AREN'T YOU, SWEETIE?
1276
00:41:07,265 --> 00:41:08,800
>> BY THE TIME I TURN AROUND,
1277
00:41:08,800 --> 00:41:11,670
YOU BETTER BE GONE.
1278
00:41:16,675 --> 00:41:18,710
>> DON'T WORRY, GRANDPA.
1279
00:41:18,710 --> 00:41:20,311
YOUR REPUTATION'S SAFE,
1280
00:41:20,311 --> 00:41:22,681
I'LL TAKE THE FALL.
1281
00:41:22,681 --> 00:41:24,650
EVERYONE THINKS I'M A HORRIBLE
1282
00:41:24,650 --> 00:41:28,019
MOTHER ANYWAYS.
80843
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