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>> PREVIOUSLY ON NIP/TUCK...
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>> BOB LEVITZ, CREATIVE ARTISTS
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AGENCY.
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>> YOU THOUGHT, "I'LL JUST MAKE
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A FEW SNIDE REMARKS AND THEN
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SEAN WILL BE ALL YOURS!"
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>> THIS IS THE END OF OUR
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RELATIONSHIP. DO YOU UNDERSTAND?
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>> DARLING, WHAT HAVE YOU DONE?
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>> EMME, THIS IS MATT.
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>> THESE LAST DATES HAVE JUST
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BEEN SO AMAZING. I MET MY
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FATHER.
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>> WHO IS HE?
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>> MY PLASTIC SURGEON. DR. TROY.
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>> YOU'VE BEEN POISONING ME.
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>> AAH!
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>> MS. RICHARDS, TELL US--
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>> WHAT THE HELL HAPPENED TO
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YOU? JESUS.
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>> YEAH, I ASSUME YOU'RE
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REFERRING TO MY TITS--GALE AND
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BOZINA. LOOK AT THIS. I'M LIKE A
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LEANING HUMAN TOWER OF PISA. I
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HAVE TO USE EVERY BIT OF MY
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STRENGTH NOT TO KEEP GOING
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AROUND IN CIRCLES.
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>> WHAT'S WRONG WITH YOUR EYES?
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>> WHAT? YOU MEAN MY
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DEER-IN-HEADLIGHTS LOOK? ALL I
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WANTED WAS A LITTLE FAT SUCKED
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FROM MY LIDS. NOW I LOOK LIKE
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LIZA ON CRACK! AND MY LIPS. I
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MEAN, I JUST WANTED MY LIPS TO
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BE MORE KISSABLE FOR MY
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CO-STARS.
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>> THEY'VE BEEN OVER-INJECTED
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WITH SILICON WOULD BE MY GUESS.
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>> WHO DID THIS TO YOU?
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>> DR. KUNCHAI. HE'S THE CHIEF
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RESIDENT AT THE TOP
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RECONSTRUCTIVE SURGERY CENTER
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IN BANGKOK.
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>> WHY WOULD YOU GO TO THAILAND
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FOR PLASTIC SURGERY WHEN YOU
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COULD'VE COME HERE?
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>> WHAT? AND LET THE TABLOIDS
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GET WIND OF IT? OH, COME ON, I
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HAVE AN IMAGE TO PROTECT. I'M A
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GODDAMN ICON.
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>> I'M SORRY. I HAVE NO IDEA WHO
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YOU ARE.
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>> TELL HIM. TELL HIM WHO I AM.
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>> CANDY RICHARDS.
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>> DAMN STRAIGHT.
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>> RIGHT.
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>> SHE DID AN ARC ON HEARTS 'N
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SCALPELS, PUSSY LIPS.
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>> OH.
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>> I HAVE HAD A RECURRING ROLE
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ON EVERY NIGHTTIME DRAMA SINCE
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JUDGING-- GODDAMN-- AMY. I'VE
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BEEN MURDERED ON LAW AND ORDER:
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S.V.U. AND TRIAL BY JURY. AND
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I'VE BEEN HACKED TO DEATH ON
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C.S.I. THEY'RE STILL TALKING
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ABOUT HOW TERRIFYING MY HEAD
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LOOKED IN THE FREEZER. YOU KNOW,
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I SUPPOSE I'M GOING TO HAVE TO
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KISS THAT COLD CASE GOODBYE. I
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MEAN, HOW CAN I PLAY A SUPREME
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COURT JUSTICE WITH ONE BIG
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OVERSIZED TIT AND POP EYES?
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>> LOOK, WE CAN TRY TO FIX WHAT
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WAS DONE TO YOU IN THAILAND.
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>> OK. BUT YOU KNOW I HAVE TO BE
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PROTECTED FROM THE PRESS. THE
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PRESS CANNOT KNOW ABOUT THIS.
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>> IF YOU DON'T TELL THEM, THEY
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WON'T KNOW.
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>> MS. RICHARDS, I KNOW HOW BUSY
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YOU ARE, HOW SOON WOULD YOU LIKE
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THIS DONE?
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[FAME BEGINS]
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>> * I'M GONNA LIVE FOREVER,
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I'M GONNA LEARN HOW TO FLY *
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>> * HIGH *
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>> * I FEEL IT COMING TOGETHER,
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PEOPLE WILL SEE ME AND CRY *
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>> * FAME *
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>> * I'M GONNA MAKE IT
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TO HEAVEN,
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LIGHT UP THE SKY LIKE A FLAME *
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>> * FAME *
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>> LADIES AND GENTLEMEN, CANDY
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RICHARDS, LEGEND IN HER OWN
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MIND.
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>> SHE'S JUST CHASING WHAT
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EVERYONE ELSE IS CHASING. AT
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LEAST SHE GETS WORK. YOU SHOULD
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SEE SOME OF THE PEOPLE IN MY
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ACTING CLASS.
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>> YOU'RE TAKING AN ACTING
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CLASS?
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>> MM-HMM.
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>> DON'T YOU DO ENOUGH ACTING IN
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THE BARS PICKING UP THE WOMEN,
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PRETENDING THAT YOU'RE CHARMING
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AND LIKABLE?
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>> JESUS, YOU'VE REALLY FALLEN
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FOR THIS HOLLYWOOD SHIT, HAVEN'T
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YOU?
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>> HYPOCRISY DOESN'T BECOME
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YOU, SEAN. FAME IS THE V.I.P.
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PASS TO WHATEVER YOU WANT. AND
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EVERYBODY WANTS IT, INCLUDING
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ME.
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>> WELL, TAKE MINE. PEOPLE COME
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UP TO ME AND WANT MY AUTOGRAPH
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BECAUSE I PLAY A DOCTOR ON TV. I
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PRETEND TO DO THE THING I
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ACTUALLY DO AND SUDDENLY I'M
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COOL.
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>> WHAT HAPPENED TO BECOMING
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FAMOUS FOR BEING REALLY GOOD AT
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SOMETHING?
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>> IT DOESN'T MATTER WHAT YOU DO
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ANYMORE, LIZZIE. IT'S HOW MANY
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PEOPLE HEAR ABOUT.
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>> HEH.
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[MEDICAL MACHINE BEEPS SOFTLY]
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>> WHAT'S THE MATTER?
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>> CLOSE IT UP. JULIA'S
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BEEN SHOT.
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>> * MAKE ME BEAUTIFUL *
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* MAKE ME,
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A PERFECT SOUL,
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A PERFECT MIND,
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A PERFECT FACE,
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A PERFECT...
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LIFE *
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>> SHE PUT THE GUN TO HER HEAD.
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I BEGGED HER NOT TO. I KEPT
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SAYING HOW MUCH MOM LOVED HER
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AND ANNIE.
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>> WHAT DID SHE SAY?
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>> SHE SAID SHE HAD BECOME A
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BURDEN TO EVERYBODY. THAT SHE
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WAS HIDEOUS. THAT SHE COULDN'T
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LOOK IN THE MIRROR. SHE DIDN'T
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EVEN RECOGNIZED HERSELF. I
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MEAN--
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>> IT'S OK, BABY.
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YOU TRIED TO STOP HER.
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>> IS THAT WHEN YOU CALLED 911?
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>> I WAS ABOUT TO...WHEN SHE
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PULLED THE TRIGGER. THEN SHE
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FELL TO THE FLOOR. THERE WAS
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BLOOD EVERYWHERE.
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>> THE BULLET ENTERED AT A
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STRANGE ANGLE.
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IF SHE WAS HOLDING A GUN TO
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THE SIDE OF HER HEAD--
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>> I TRIED TO KNOCK HER ARM
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AWAY. BUT I COULDN'T STOP HER.
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>> DOESN'T MAKE ANY SENSE. IF
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THE GUN WAS IN THE NIGHT TABLE
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BY THE BED, WHY DIDN'T SHE JUST
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SHOOT HERSELF IN THERE? SO SHE
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CAN SHOOT HERSELF IN FRONT OF
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YOU?!
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>> SHE'S UPSET, SEAN. DON'T PUSH
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HER. SHE CAN'T KNOW WHAT WAS IN
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JULIA'S MIND.
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>> THE JULIA YOU AND I KNOW
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WOULDN'T TRY TO TAKE HER OWN
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LIFE. SHE WOULDN'T DO THAT TO
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HER KIDS! WHY DIDN'T SHE LEAVE A
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NOTE?! THERE'S SOMETHING--
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THERE'S SOMETHING
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YOU'RE NOT TELLING US.
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>> YOU'RE UPSET. DR. McNAMARA,
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WHY NOT LEAVE THE INVESTIGATION
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TO THE POLICE?
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>> LOOK, I'VE TREATED ENOUGH
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SUICIDE ATTEMPTS TO KNOW THAT
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WOMEN DON'T USUALLY CHOOSE A GUN
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TO END IT. THEY'RE MUCH TOO
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VAIN.
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>> SHE HAD NO VANITY LEFT, SEAN!
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>> YOU'RE LYING, EDEN! TELL US
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WHAT REALLY HAPPENED GODDAMN IT!
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>> DR. McNAMARA.
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>> MY 18-YEAR-OLD DAUGHTER'S
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BEEN TRAUMATIZED. DO YOU
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UNDERSTAND? COULD YOU TRY TO
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REMEMBER THAT AND STOP
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DEFLECTING YOUR OWN GUILT ONTO
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HER?
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>> MY GUILT? FOR WHAT?
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>> WELL, CLEARLY YOU DIDN'T
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UNDERSTAND HOW DEPRESSED JULIA
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WAS. YOU NEVER ACCEPTED THE
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DEPTH OF HER DESPAIR DURING YOUR
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MARRIAGE EITHER. YOUR LYING,
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CHEATING. SHE SAID THE ONLY WAY
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FOR HER TO GET YOUR ATTENTION
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WAS TO SCREAM AT YOU OR SCREW
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YOU. SO THE FACT IS, YOU NEVER
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KNEW HER WELL ENOUGH TO KNOW SHE
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WOULD DO THIS TO HERSELF.
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[FOOTSTEPS]
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>> THEY'RE TRYING TO PLAY THIS
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OFF AS A SUICIDE ATTEMPT.
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>> MAYBE SHE WAS DEPRESSED.
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>> ARE YOU KIDDING?
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>> WE'VE SEEN PATIENTS WITH
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CHRONIC ILLNESS. TAKES THE LIFE
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OUT OF YOU. THAT PLUS THE FACT
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THAT FOR THE FIRST TIME IN 25
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YEARS, SHE DIDN'T HAVE EITHER OF
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US TO TURN TO.
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>> JESUS, CHRISTIAN, I KNOW
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YOU'RE AN EGO MANIAC, BUT EVEN
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YOU MUST KNOW THAT JULIA
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WOULDN'T KILL HERSELF JUST
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BECAUSE YOU DUMPED HER. THE ONLY
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THING YOU'RE RESPONSIBLE FOR IS
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HELPING HER BUY THAT GUN.
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>> ALL RIGHT.
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HERE'S WHAT WE KNOW.
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THE BULLET PENETRATED THE
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CALVARIUM NEAR THE TEMPORAL
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LOBE. IT SEEMS TO HAVE GRAZED
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THE DURA AND EXITED WITHOUT ANY
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DIRECT BRAIN PENETRATION.
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>> IS THERE A SUBDURAL HEMOTOMA?
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>> WELL, THAT WAS OUR MAJOR
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CONCERN. WE INSERTED A
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VENTRICULOSTOMY TO RELIEVE THE
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PRESSURE. BUT THERE WAS
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CONSIDERABLE SWELLING.
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>> WILL THERE BE ANY LONG-TERM
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DAMAGE?
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>> PROBABLY.
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>> HOW LONG WILL SHE BE
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COMATOSE?
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>> YOU'RE BOTH DOCTORS, SO I
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WON'T BULLSHIT. I DON'T KNOW.
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COULD BE AN HOUR, MONTH.
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COULD BE CONSIDERABLY LONGER.
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>> WOW.
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NICE OFFICE.
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>> WE LIKE TO MAKE ALL OUR
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PATIENTS FEEL COMFORTABLE. AHEM.
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>> YEP.
257
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>> YOU WERE VERY GOOD AT THAT IF
258
00:08:28,341 --> 00:08:32,913
I REMEMBER CORRECTLY.
259
00:08:32,913 --> 00:08:36,650
>> SO, DARLENE, TELL ME WHAT YOU
260
00:08:36,650 --> 00:08:37,951
DON'T LIKE ABOUT YOURSELF.
261
00:08:37,951 --> 00:08:41,054
>> HEH.
262
00:08:41,054 --> 00:08:42,890
YOU REALLY DON'T REMEMBER ME, DO
263
00:08:42,890 --> 00:08:44,725
YOU? OF COURSE, IT HAS BEEN 25
264
00:08:44,725 --> 00:08:45,959
YEARS. AND THEY'VE BEEN A LOT
265
00:08:45,959 --> 00:08:47,861
KINDER TO YOU, I MUST SAY.
266
00:08:47,861 --> 00:08:51,599
>> WE'VE MET BEFORE.
267
00:08:51,599 --> 00:08:55,869
>> 1982. FT. LAUDERDALE. SPRING
268
00:08:55,869 --> 00:08:57,037
BREAK.
269
00:08:57,037 --> 00:08:59,039
YOU WERE JUST STARTING COLLEGE,
270
00:08:59,039 --> 00:09:00,908
I THINK, AND I SERVED YOU A
271
00:09:00,908 --> 00:09:01,975
DRINK AT THE SAND DAB EVEN
272
00:09:01,975 --> 00:09:02,876
THOUGH I KNEW YOU WERE UNDER
273
00:09:02,876 --> 00:09:05,245
AGE.
274
00:09:05,245 --> 00:09:09,883
>> STILL NOT COMING TO ME.
275
00:09:09,883 --> 00:09:11,018
>> WELL, THAT'S FUNNY BECAUSE
276
00:09:11,018 --> 00:09:13,020
IT'S SO CLEAR IN MY MIND. BUT A
277
00:09:13,020 --> 00:09:14,021
WOMAN NEVER DOES FORGET HER
278
00:09:14,021 --> 00:09:15,055
FIRST.
279
00:09:15,055 --> 00:09:17,658
>> YOUR FIRST, REALLY? IT MIGHT
280
00:09:17,658 --> 00:09:19,192
HAVE BEEN A LONG TIME AGO, BUT I
281
00:09:19,192 --> 00:09:21,695
THINK I WOULD REMEMBER SLEEPING
282
00:09:21,695 --> 00:09:24,665
WITH SOMEBODY AS...DYNAMIC AS
283
00:09:24,665 --> 00:09:25,232
YOURSELF.
284
00:09:25,232 --> 00:09:27,635
>> I DIDN'T LOSE THE LEGS UNTIL
285
00:09:27,635 --> 00:09:31,271
'98. DIABETES. EVERYTHING ELSE
286
00:09:31,271 --> 00:09:33,006
JUST SORT OF FOLLOWED SUIT AFTER
287
00:09:33,006 --> 00:09:37,911
THAT. BUT I WAS QUITE A KNOCKOUT
288
00:09:37,911 --> 00:09:40,981
IN MY HEYDAY. HERE. THIS'LL JAR
289
00:09:40,981 --> 00:09:44,985
YOUR MEMORY.
290
00:09:44,985 --> 00:09:46,787
>> WOW. THAT WAS YOU.
291
00:09:46,787 --> 00:09:47,821
>> YEAH.
292
00:09:47,821 --> 00:09:49,957
YOU HAVEN'T CHANGED MUCH. AND
293
00:09:49,957 --> 00:09:51,191
THAT'S HOW I WAS SO SURE THAT IT
294
00:09:51,191 --> 00:09:52,125
WAS YOU WHEN I SAW YOUR PICTURE
295
00:09:52,125 --> 00:09:54,394
IN PLAYGIRL MAGAZINE. MY
296
00:09:54,394 --> 00:09:57,064
SUBSCRIPTION IS KINDA THE ONLY
297
00:09:57,064 --> 00:09:58,065
ACTION I'VE BEEN GETTING THESE
298
00:09:58,065 --> 00:10:01,735
DAYS, IF YOU KNOW WHAT I MEAN.
299
00:10:01,735 --> 00:10:04,404
>> DOES LOOK A LOT LIKE ME.
300
00:10:04,404 --> 00:10:07,007
>> YOU STILL DON'T BELIEVE ME?
301
00:10:13,881 --> 00:10:15,048
>> AHH.
302
00:10:15,048 --> 00:10:16,116
MY FIRST YEARS IN COLLEGE WERE
303
00:10:16,116 --> 00:10:17,117
MEMORABLE IN THE SENSE THAT I
304
00:10:17,117 --> 00:10:19,086
DON'T REALLY REMEMBER THAT MUCH.
305
00:10:19,086 --> 00:10:20,320
I'D BE LYING IF I SAID THAT I
306
00:10:20,320 --> 00:10:22,255
DID. EVEN IF WE HAD A THING
307
00:10:22,255 --> 00:10:25,859
ONCE. BUT WHY DON'T WE GET BACK
308
00:10:25,859 --> 00:10:26,794
TO HOW--
309
00:10:26,794 --> 00:10:29,162
>> A THING?
310
00:10:29,162 --> 00:10:30,698
WE HAD MORE THAN JUST A THING,
311
00:10:30,698 --> 00:10:33,834
CHRISTIAN. WE HAD A DAUGHTER.
312
00:10:33,834 --> 00:10:35,903
EMME LOWELL CAME IN HERE A
313
00:10:35,903 --> 00:10:37,037
COUPLE OF WEEKS AGO. HAD THAT
314
00:10:37,037 --> 00:10:39,873
BIRTHMARK REMOVED FROM HER FACE.
315
00:10:39,873 --> 00:10:41,441
WELL, SHE SLEPT WITH YOUR SON.
316
00:10:41,441 --> 00:10:42,375
AND NOW I'M HERE TO TELL YOU
317
00:10:42,375 --> 00:10:43,410
THEY ARE IN LOVE, AND WE GOTTA
318
00:10:43,410 --> 00:10:46,413
DO SOMETHING ABOUT THAT.
319
00:10:56,890 --> 00:10:57,925
>> DON'T GIVE 'EM TOO MUCH,
320
00:10:57,925 --> 00:10:59,993
SWEETHEART.
321
00:10:59,993 --> 00:11:01,862
>> SO WHAT'D YOU WANT TO TALK
322
00:11:01,862 --> 00:11:04,264
ABOUT?
323
00:11:04,264 --> 00:11:08,368
>> FIRST OF ALL, I NEED YOU TO
324
00:11:08,368 --> 00:11:10,137
KNOW HOW MUCH I LOVE YOU. NO
325
00:11:10,137 --> 00:11:14,241
MATTER WHAT, I'M YOUR DAD. I'M
326
00:11:14,241 --> 00:11:18,946
HERE. AND I AM NOT GOING
327
00:11:18,946 --> 00:11:21,081
ANYWHERE. YOU UNDERSTAND?
328
00:11:21,081 --> 00:11:24,818
>> WHAT'S WRONG?
329
00:11:24,818 --> 00:11:27,788
DADDY, WHAT'S WRONG?
330
00:11:27,788 --> 00:11:30,490
IS IT MOMMY?
331
00:11:30,490 --> 00:11:37,064
[MUFFLED VOICES YELLING]
332
00:11:37,064 --> 00:11:40,267
>> I'LL BE RIGHT BACK, HONEY.
333
00:11:40,267 --> 00:11:41,334
>> GET YOUR FAT ASS OUT OF MY
334
00:11:41,334 --> 00:11:42,169
WAY!
335
00:11:42,169 --> 00:11:43,136
>> OK, LISTEN, YOU HAVE A
336
00:11:43,136 --> 00:11:44,337
RESTRAINING ORDER, OK? YOU GOTTA
337
00:11:44,337 --> 00:11:45,939
GET OFF THE PREMISES RIGHT THIS
338
00:11:45,939 --> 00:11:46,406
WAY.
339
00:11:46,406 --> 00:11:47,340
>> YOU NEED TO LEAVE RIGHT NOW,
340
00:11:47,340 --> 00:11:48,308
COLLEEN. YOU'RE BREAKING THE
341
00:11:48,308 --> 00:11:48,842
LAW.
342
00:11:48,842 --> 00:11:49,542
>> OH, SEAN, I JUST NEED YOUR
343
00:11:49,542 --> 00:11:51,945
HELP, PLEASE. I APOLOGIZE,
344
00:11:51,945 --> 00:11:52,980
LIZ. I DIDN'T MEAN TO TALK LIKE
345
00:11:52,980 --> 00:11:54,815
THAT. IT'S JUST I'M EMOTIONAL.
346
00:11:54,815 --> 00:11:55,949
I DIDN'T MEAN TO SCARE YOU.
347
00:11:55,949 --> 00:11:57,450
>> I'VE GOT A FAMILY CRISIS AND
348
00:11:57,450 --> 00:11:59,019
REAL PATIENTS WHO REQUIRE MY
349
00:11:59,019 --> 00:12:01,054
ATTENTION. YOU NEED TO LEAVE.
350
00:12:01,054 --> 00:12:02,022
>> I JUST NEED YOU TO FIX
351
00:12:02,022 --> 00:12:03,957
THESE FOR ME. PLEASE, YOU OWE ME
352
00:12:03,957 --> 00:12:04,792
THAT MUCH.
353
00:12:04,792 --> 00:12:05,926
>> WE'VE GOT NO MORE BUSINESS
354
00:12:05,926 --> 00:12:08,195
TOGETHER. ZERO! YOU SHOULD BE IN
355
00:12:08,195 --> 00:12:08,996
A HOSPITAL.
356
00:12:08,996 --> 00:12:10,130
>> THEY KICKED ME OUT BECAUSE I
357
00:12:10,130 --> 00:12:12,800
DON'T HAVE ANY INSURANCE. LOOK,
358
00:12:12,800 --> 00:12:13,867
I DON'T KNOW WHAT HAPPENED. ALL
359
00:12:13,867 --> 00:12:14,868
RIGHT? I'M JUST SOME GIRL FROM
360
00:12:14,868 --> 00:12:17,470
OHIO. AND I DIDN'T KNOW HOW TO
361
00:12:17,470 --> 00:12:19,072
PROTECT MYSELF. IT'S JUST LIKE
362
00:12:19,072 --> 00:12:20,440
THOSE TWISTERS BACK HOME WHEN
363
00:12:20,440 --> 00:12:21,341
FAMILIES WHERE CARRIED AWAY IN
364
00:12:21,341 --> 00:12:22,976
THEIR BEDS. I GOT CAUGHT UP IN
365
00:12:22,976 --> 00:12:25,378
THE INSANITY OF THE FAME GAME.
366
00:12:25,378 --> 00:12:26,847
AND IT DESTROYED ME.
367
00:12:26,847 --> 00:12:27,948
>> COLLEEN, COME ON.
368
00:12:27,948 --> 00:12:29,917
>> NO. PLEASE, SEAN, JUST HELP
369
00:12:29,917 --> 00:12:32,152
ME START OVER. JUST SOME PLACE
370
00:12:32,152 --> 00:12:34,354
NEW. I COULD OPEN UP A BED AND
371
00:12:34,354 --> 00:12:36,890
BREAKFAST. BUT I CAN'T DO
372
00:12:36,890 --> 00:12:38,225
ANYTHING WITH THESE SCARS. EVERY
373
00:12:38,225 --> 00:12:40,227
GASH JUST SCREAMS, "SHE'S SOME
374
00:12:40,227 --> 00:12:41,594
SUICIDAL LUNATIC. SHE'S A
375
00:12:41,594 --> 00:12:44,464
SELF-PITYING LOSER!"
376
00:12:44,464 --> 00:12:45,498
>> COLLEEN, I AM WALKING TO THE
377
00:12:45,498 --> 00:12:46,533
PHONE, AND I AM CALLING THE
378
00:12:46,533 --> 00:12:51,872
POLICE RIGHT NOW.
379
00:12:51,872 --> 00:12:52,572
>> YOU DID THIS TO ME. AND YOU
380
00:12:52,572 --> 00:12:53,841
WILL FIX THEM!
381
00:12:53,841 --> 00:12:54,842
>> ALL RIGHT, LET'S GO. COME ON.
382
00:12:54,842 --> 00:12:55,843
COME HERE. GIVE ME A HAND.
383
00:12:55,843 --> 00:12:57,845
>> COME ON, YOU STUPID OLD
384
00:12:57,845 --> 00:12:58,445
BITCH.
385
00:12:58,445 --> 00:13:01,414
>> YOU'RE A MURDERER! YOU
386
00:13:01,414 --> 00:13:04,918
DESTROYED MY SOUL.
387
00:13:04,918 --> 00:13:06,419
YOU'LL BE SORRY FOR THIS,
388
00:13:06,419 --> 00:13:07,587
I SWEAR!
389
00:13:07,587 --> 00:13:08,355
>> LEAVE ME ALONE, YOU
390
00:13:08,355 --> 00:13:09,522
UNDERSTAND? THIS IS IT FOR US!
391
00:13:09,522 --> 00:13:11,524
THIS IS IT! I'M GOING INSIDE AND
392
00:13:11,524 --> 00:13:14,962
I'M CALLING THE POLICE.
393
00:13:14,962 --> 00:13:17,831
>> FREAK.
394
00:13:27,875 --> 00:13:28,608
>> MOM, I CAN'T BELIEVE YOU
395
00:13:28,608 --> 00:13:31,111
ACTUALLY GOT ON A PLANE.
396
00:13:31,111 --> 00:13:32,179
>> WELL, WHAT WAS I SUPPOSED TO
397
00:13:32,179 --> 00:13:33,346
DO? LEAVE YOU HERE ALONE WHILE I
398
00:13:33,346 --> 00:13:34,514
KNEW WHAT WAS GOING ON?
399
00:13:34,514 --> 00:13:36,249
>> I CAN'T BELIEVE YOU ACTUALLY
400
00:13:36,249 --> 00:13:37,150
TOLD HER.
401
00:13:37,150 --> 00:13:40,888
>> I TELL MOM EVERYTHING.
402
00:13:40,888 --> 00:13:43,190
>> YOU KNOW, BY THE WAY, MRS.
403
00:13:43,190 --> 00:13:44,925
LOWELL, IT IS NICE TO MEET YOU--
404
00:13:44,925 --> 00:13:46,126
>> ALL RIGHT, YOU NEED TO STOP
405
00:13:46,126 --> 00:13:47,060
THE ASS KISSING. YOU HEAR ME?
406
00:13:47,060 --> 00:13:48,395
YOU'RE NOT GOING TO SCORE ANY
407
00:13:48,395 --> 00:13:49,029
POINTS HERE.
408
00:13:49,029 --> 00:13:49,930
>> YOU KNOW WHAT, MAN? THINGS
409
00:13:49,930 --> 00:13:51,198
ARE STRESSFUL ENOUGH AS IT IS
410
00:13:51,198 --> 00:13:52,132
RIGHT NOW WITH MOM BEING IN THE
411
00:13:52,132 --> 00:13:53,166
HOSPITAL. DO YOU REALLY NEED TO
412
00:13:53,166 --> 00:13:54,067
GET SO WOUND UP?
413
00:13:54,067 --> 00:13:55,402
>> WOUND UP? IF YOU'RE MOTHER
414
00:13:55,402 --> 00:13:56,436
WAS HERE, HER HEAD WOULD BE
415
00:13:56,436 --> 00:13:58,138
SPINNING RIGHT AROUND.
416
00:13:58,138 --> 00:13:59,172
I CAN'T BELIEVE I HAVE TO SAY
417
00:13:59,172 --> 00:14:00,573
THIS, BUT YOU CAN'T SLEEP WITH
418
00:14:00,573 --> 00:14:02,109
YOUR SISTER AGAIN.
419
00:14:02,109 --> 00:14:03,543
>> YOU HAVE NO IDEA WHAT'S GOING
420
00:14:03,543 --> 00:14:04,411
ON HERE.
421
00:14:04,411 --> 00:14:06,379
>> OH, REALLY? ENLIGHTEN ME.
422
00:14:06,379 --> 00:14:08,081
>> JUST SO THAT I'M CLEAR. YOU
423
00:14:08,081 --> 00:14:09,616
DID TELL ME THAT YOU SLEPT
424
00:14:09,616 --> 00:14:10,317
TOGETHER, RIGHT?
425
00:14:10,317 --> 00:14:12,485
>> BUT WE DIDN'T KNOW WE COULD
426
00:14:12,485 --> 00:14:14,154
BE RELATED AT THE TIME. WE JUST
427
00:14:14,154 --> 00:14:15,989
FELT THIS CONNECTION.
428
00:14:15,989 --> 00:14:16,924
>> YEAH. IT'S CALLED D.N.A.
429
00:14:16,924 --> 00:14:18,125
>> WELL, IF YOU MEAN IT WAS THE
430
00:14:18,125 --> 00:14:20,060
MOST INTENSE REAL CHEMICAL-LIKE
431
00:14:20,060 --> 00:14:21,161
JOINING OF 2 SOULS THAT I'VE
432
00:14:21,161 --> 00:14:22,062
EVER FELT, THEN YEAH, MAN,
433
00:14:22,062 --> 00:14:23,931
THAT'S EXACTLY WHAT IT IS.
434
00:14:23,931 --> 00:14:25,065
>> WHAT? WHAT IS THE MATTER
435
00:14:25,065 --> 00:14:26,099
WITH YOU? YOU HAVE SOME KIND OF
436
00:14:26,099 --> 00:14:27,567
MENTAL ILLNESS. EVERY DECISION
437
00:14:27,567 --> 00:14:29,069
YOU MAKE IS ABSOLUTE BAT SHIT.
438
00:14:29,069 --> 00:14:30,170
>> WELL, HEY, LIKE FATHER LIKE
439
00:14:30,170 --> 00:14:32,672
SON.
440
00:14:32,672 --> 00:14:35,242
>> LOOK, HOW MANY WOMEN HAVE YOU
441
00:14:35,242 --> 00:14:36,176
BEDDED IN YOUR LIFETIME,
442
00:14:36,176 --> 00:14:38,311
CHRISTIAN, HUH? COUPLE THOUSAND?
443
00:14:38,311 --> 00:14:40,147
NOW OTHER THAN ME, NO MISTAKES
444
00:14:40,147 --> 00:14:41,148
HAVE COME FORWARD CLAIMING
445
00:14:41,148 --> 00:14:42,549
PATERNITY. SO WHEN EMME TOLD ME
446
00:14:42,549 --> 00:14:44,117
HER STORY, QUITE FRANKLY I
447
00:14:44,117 --> 00:14:45,418
DIDN'T THINK IT HELD WATER. I'M
448
00:14:45,418 --> 00:14:46,453
SORRY, DARLENE, BUT I DIDN'T
449
00:14:46,453 --> 00:14:47,354
BELIEVE YOU.
450
00:14:47,354 --> 00:14:49,722
>> IF YOUR FATHER AND I HANDED
451
00:14:49,722 --> 00:14:52,159
YOU PROOF, WOULD YOU BELIEVE ME?
452
00:14:58,098 --> 00:14:59,032
LOOK, I KNOW THAT YOU ARE BOTH
453
00:14:59,032 --> 00:15:00,100
IN DENIAL, BUT THAT'S WHY WE HAD
454
00:15:00,100 --> 00:15:01,601
THE BLOOD WORK DONE AND MATCHED
455
00:15:01,601 --> 00:15:03,236
AGAINST YOUR MEDICAL RECORDS.
456
00:15:03,236 --> 00:15:08,241
EMME, HE'S YOUR FATHER.
457
00:15:08,241 --> 00:15:10,210
>> REALLY?
458
00:15:10,210 --> 00:15:12,512
SO THEN YOU AND I ARE REALLY--
459
00:15:12,512 --> 00:15:16,649
>> THAT'S OK. STEP KIDS
460
00:15:16,649 --> 00:15:18,051
SEPARATED A FEW YEARS EXCHANGING
461
00:15:18,051 --> 00:15:19,219
FAMILY FLUIDS IS NOT THE END OF
462
00:15:19,219 --> 00:15:21,121
THE WORLD. BUT YOU HAVE TO STOP
463
00:15:21,121 --> 00:15:23,323
NOW. ALL RIGHT? YOU NEED TO
464
00:15:23,323 --> 00:15:26,659
SETTLE THINGS DOWN.
465
00:15:26,659 --> 00:15:29,562
>> SO, WE'RE ALL FAMILY NOW?
466
00:15:29,562 --> 00:15:30,563
>> OH, LET'S NOT GET
467
00:15:30,563 --> 00:15:32,699
SENTIMENTAL, ALL RIGHT. CONNECT
468
00:15:32,699 --> 00:15:33,666
THE DOTS WHEN WE NEED TO--WHERE
469
00:15:33,666 --> 00:15:34,367
ARE YOU GOING?!
470
00:15:34,367 --> 00:15:36,436
>> I GOTTA SEE MOM. I CAN'T BE
471
00:15:36,436 --> 00:15:37,237
HERE RIGHT NOW.
472
00:15:37,237 --> 00:15:38,405
>> OH, YOU LET HIM GO,
473
00:15:38,405 --> 00:15:40,073
SWEETHEART.
474
00:15:40,073 --> 00:15:41,308
>> HE'S MY BROTHER. I CAN STILL
475
00:15:41,308 --> 00:15:43,676
BE THERE FOR SUPPORT, RIGHT?
476
00:15:49,616 --> 00:15:50,317
>> DO YOU DRINK?
477
00:15:50,317 --> 00:15:51,718
>> OH, YEAH. WHERE DO YOU KEEP
478
00:15:51,718 --> 00:15:55,322
THE GOOD STUFF?
479
00:15:55,322 --> 00:15:56,156
>> WHAT ARE WE LOOKING AT,
480
00:15:56,156 --> 00:15:56,523
NURSE?!
481
00:15:56,523 --> 00:15:58,125
>> 33-YEAR-OLD MALE PHOTOGRAPHER
482
00:15:58,125 --> 00:15:59,226
WAS OUTSIDE THE IVY. MADE THE
483
00:15:59,226 --> 00:16:00,293
MISTAKE OF TRYING TO PHOTOGRAPH
484
00:16:00,293 --> 00:16:01,594
RUSSELL CROWE, WOUND UP WITH A
485
00:16:01,594 --> 00:16:04,497
CAMERA IMBEDDED IN HIS RECTUM.
486
00:16:04,497 --> 00:16:05,398
>> WHO ARE THOSE PEOPLE?
487
00:16:05,398 --> 00:16:06,299
>> OH, THOSE ARE HIS FRIENDS,
488
00:16:06,299 --> 00:16:08,401
DOCTOR. THE OTHER PAPARAZZI.
489
00:16:08,401 --> 00:16:09,569
>> HE'S GOING TO NEED SURGERY.
490
00:16:09,569 --> 00:16:11,071
WE'LL MAKE A SMALL PFANNENSTEIL
491
00:16:11,071 --> 00:16:12,472
INCISION, DO A LAPAROTOMY, AND
492
00:16:12,472 --> 00:16:13,740
WE'LL HAVE HIM BACK ON THE
493
00:16:13,740 --> 00:16:15,075
BOULEVARD COMPROMISING CELEBRITY
494
00:16:15,075 --> 00:16:17,344
PRIVACY IN NO TIME. AND PEOPLE,
495
00:16:17,344 --> 00:16:19,146
LET'S TRY AND SAVE THAT CAMERA.
496
00:16:19,146 --> 00:16:21,381
IT'S A DAMN GOOD LEICA.
497
00:16:21,381 --> 00:16:24,351
15 BLADE.
498
00:16:32,225 --> 00:16:33,460
>> CUT!
499
00:16:33,460 --> 00:16:35,228
>> HOW'D YOU GET BACK ON THE
500
00:16:35,228 --> 00:16:37,364
LOT, COLLEEN? YOUR OLD PASS?
501
00:16:37,364 --> 00:16:39,199
>> YOU KNOW ME, SEAN. I NEVER
502
00:16:39,199 --> 00:16:40,533
TAKE NO FOR AN ANSWER.
503
00:16:40,533 --> 00:16:41,434
>> SOMEBODY GET SECURITY. GET
504
00:16:41,434 --> 00:16:43,070
THIS CRAZY BITCH OUT OF HERE.
505
00:16:43,070 --> 00:16:45,105
THERE'S A RESTRAINING ORDER OUT
506
00:16:45,105 --> 00:16:46,506
ON HER!
507
00:16:52,179 --> 00:16:54,614
>> YOU! YOU WILL RECOGNIZE ME AS
508
00:16:54,614 --> 00:16:56,616
THE TRUE GREATNESS IN YOUR LIFE
509
00:16:56,616 --> 00:16:57,784
IF IT TAKES ME TO MY LAST
510
00:16:57,784 --> 00:17:00,653
BREATH. SEAN, PLEASE DON'T LET
511
00:17:00,653 --> 00:17:04,057
THEM TAKE ME. PLEASE, NO! NO!
512
00:17:07,794 --> 00:17:09,229
>> YOU NEED TO PRESS CHARGES,
513
00:17:09,229 --> 00:17:16,136
SEAN. SHE NEEDS TO BE LOCKED UP.
514
00:17:16,136 --> 00:17:17,804
[LAUGHING]
515
00:17:17,804 --> 00:17:18,838
>> ...AND THEN EMME SAYS, "IT'S
516
00:17:18,838 --> 00:17:20,873
NOT MINE, OFFICER. IT'S MY
517
00:17:20,873 --> 00:17:22,409
RACCOON."
518
00:17:22,409 --> 00:17:25,378
[CHRISTIAN LAUGHING]
519
00:17:30,317 --> 00:17:31,318
>> SHE MUST HAVE BEEN A FUNNY
520
00:17:31,318 --> 00:17:36,223
KID.
521
00:17:36,223 --> 00:17:37,657
DO YOU REALIZE THAT THE ONLY ONE
522
00:17:37,657 --> 00:17:40,160
OF MY 3 CHILDREN THAT I ACTUALLY
523
00:17:40,160 --> 00:17:41,861
TAKE CARE OF IS THE ONLY ONE
524
00:17:41,861 --> 00:17:43,263
THAT ISN'T MINE?
525
00:17:43,263 --> 00:17:45,198
>> WELL, AFTER GETTING TO KNOW
526
00:17:45,198 --> 00:17:46,133
YOU, I THINK THAT'S FOR THE
527
00:17:46,133 --> 00:17:51,204
BEST.
528
00:17:51,204 --> 00:17:52,839
HOW'S MATT'S MOM DOING?
529
00:17:52,839 --> 00:17:54,207
>> SHE'S FINE.
530
00:17:54,207 --> 00:17:55,275
>> NO, DON'T YOU PEE ON MY BACK
531
00:17:55,275 --> 00:17:57,910
AND TELL ME IT'S RAIN.
532
00:17:57,910 --> 00:18:02,282
ARE YOU ALL RIGHT?
533
00:18:02,282 --> 00:18:05,252
>> IT'S KINDA WEIRD. I FEEL
534
00:18:05,252 --> 00:18:09,322
RESPONSIBLE. WITH HER AND EMME,
535
00:18:09,322 --> 00:18:11,524
IT'S BEEN KIND OF A SURREAL
536
00:18:11,524 --> 00:18:12,659
WEEK.
537
00:18:12,659 --> 00:18:16,196
>> WELL, TO HOLLYWOOD--LAND OF
538
00:18:16,196 --> 00:18:18,331
THE SURREAL.
539
00:18:18,331 --> 00:18:21,234
>> HA HA HA.
540
00:18:26,173 --> 00:18:28,341
YOU KNOW WHAT, DARLENE? I CAN'T
541
00:18:28,341 --> 00:18:29,876
REMEMBER DOING YOU, BUT I CAN
542
00:18:29,876 --> 00:18:32,412
SEE WHY I DID.
543
00:18:44,291 --> 00:18:45,325
WHAT'S THE MATTER?
544
00:18:45,325 --> 00:18:48,528
>> IT'S NOTHING.
545
00:18:48,528 --> 00:18:54,401
IT'S JUST--I'M SUCH AN IDIOT. I
546
00:18:54,401 --> 00:18:55,535
HAVEN'T GOTTEN MANY COMPLIMENTS
547
00:18:55,535 --> 00:18:58,905
SINCE...
548
00:18:58,905 --> 00:19:02,509
I FIGURE I AM AN 8. BUT SINCE
549
00:19:02,509 --> 00:19:04,444
HALF OF ME IS GONE, I'M ONLY A
550
00:19:04,444 --> 00:19:08,481
4.
551
00:19:08,481 --> 00:19:10,550
>> YOU'RE BEAUTIFUL, DARLENE. I
552
00:19:10,550 --> 00:19:11,518
MEAN A LITTLE WET AROUND THE
553
00:19:11,518 --> 00:19:12,685
EDGES. BUT YOU'RE STILL VERY
554
00:19:12,685 --> 00:19:18,358
BEAUTIFUL.
555
00:19:18,358 --> 00:19:21,194
SERIOUSLY.
556
00:19:32,872 --> 00:19:33,840
>> OH, I HAVEN'T BEEN KISSED
557
00:19:33,840 --> 00:19:34,807
LIKE THAT IN A LONG TIME,
558
00:19:34,807 --> 00:19:40,547
CHRISTIAN.
559
00:19:40,547 --> 00:19:43,283
[PASSIONATE GRUNTING/MOANING]
560
00:19:56,963 --> 00:19:59,466
>> [GRUNTS]
561
00:20:10,343 --> 00:20:13,980
WELL, I HAVEN'T HAD THAT MUCH TO
562
00:20:13,980 --> 00:20:15,382
DRINK IN A LONG TIME.
563
00:20:15,382 --> 00:20:16,516
>> HEH.
564
00:20:16,516 --> 00:20:18,585
DO YOU HAVE TO GO TO WORK?
565
00:20:18,585 --> 00:20:21,554
>> YEAH. SURGERY IN AN HOUR.
566
00:20:26,493 --> 00:20:27,394
YOU GONNA BE OK GETTING OUT OF
567
00:20:27,394 --> 00:20:28,928
HERE ON YOUR OWN. I MEAN, DO I
568
00:20:28,928 --> 00:20:29,896
HAVE TO ORDER YOU SOME KIND OF
569
00:20:29,896 --> 00:20:30,897
SPECIAL CAB OR SOMETHING BECAUSE
570
00:20:30,897 --> 00:20:31,831
OF YOUR LEGS?
571
00:20:31,831 --> 00:20:33,633
>> I CAN HANDLE MYSELF.
572
00:20:33,633 --> 00:20:34,801
>> THAT'S NOT WHAT I MEANT.
573
00:20:34,801 --> 00:20:39,071
>> I KNOW.
574
00:20:39,071 --> 00:20:44,944
I DO EVERY NIGHT.
575
00:20:44,944 --> 00:20:47,914
>> EXCUSE ME.
576
00:20:47,914 --> 00:20:48,981
>> YOU SAID YOU NEVER DRANK LIKE
577
00:20:48,981 --> 00:20:51,618
THAT. I DO EVERY NIGHT.
578
00:20:51,618 --> 00:20:56,623
12 PACK OF BEER HELPS ME SLEEP.
579
00:20:56,623 --> 00:20:57,757
>> I'M SORRY, DARLENE. I
580
00:20:57,757 --> 00:20:59,792
SHOULDN'T HAVE DONE THIS.
581
00:20:59,792 --> 00:21:03,463
>> NO. NO, I'M GLAD YOU DID.
582
00:21:03,463 --> 00:21:05,398
THE TRUTH IS I HAVEN'T BEEN LAID
583
00:21:05,398 --> 00:21:06,833
IN A LONG TIME. AND LAST TIME
584
00:21:06,833 --> 00:21:07,867
WASN'T HALF AS GOOD AS THAT
585
00:21:07,867 --> 00:21:12,872
RIDE.
586
00:21:12,872 --> 00:21:16,709
GOD, I'M SO OLD. YOU KNOW, I
587
00:21:16,709 --> 00:21:17,744
SPENT THE LAST 25 YEARS
588
00:21:17,744 --> 00:21:19,712
FANTASYING ABOUT YOU, WONDERING
589
00:21:19,712 --> 00:21:20,947
HOW'D YOU TURN OUT.
590
00:21:20,947 --> 00:21:22,882
>> HOW'S REALITY COMPARED TO
591
00:21:22,882 --> 00:21:25,017
FANTASY?
592
00:21:25,017 --> 00:21:26,085
>> I HAVE A REALLY GOOD
593
00:21:26,085 --> 00:21:31,824
IMAGINATION.
594
00:21:31,824 --> 00:21:33,125
WILL YOU DO SOMETHING FOR ME?
595
00:21:33,125 --> 00:21:34,927
>> SURE.
596
00:21:34,927 --> 00:21:35,962
>> WILL YOU MAKE ME LOOK LIKE
597
00:21:35,962 --> 00:21:37,864
YOU MADE ME FEEL LAST NIGHT?
598
00:21:37,864 --> 00:21:41,434
>> YOU WANT ME TO OPERATE ON
599
00:21:41,434 --> 00:21:44,737
YOU?
600
00:21:44,737 --> 00:21:47,039
>> YEAH.
601
00:21:47,039 --> 00:21:48,040
I SPENT MY YOUTH ON EMME. AND
602
00:21:48,040 --> 00:21:49,676
THAT WAS A GOOD DEAL. I WOULD DO
603
00:21:49,676 --> 00:21:51,077
THAT AGAIN TODAY. BUT I THINK
604
00:21:51,077 --> 00:21:53,946
SOMEHOW I JUST THOUGHT IT WOULD
605
00:21:53,946 --> 00:21:56,015
ALL COME BACK. AND THEN I LOST
606
00:21:56,015 --> 00:22:00,820
MY LEGS BECAUSE OF THE DIABETES.
607
00:22:00,820 --> 00:22:04,023
IT ALL SLIPPED AWAY. I KNOW I'M
608
00:22:04,023 --> 00:22:04,991
NOT GOING TO GET THAT TIME BACK.
609
00:22:04,991 --> 00:22:07,026
AND I ALSO KNOW THAT I'M SURELY
610
00:22:07,026 --> 00:22:08,094
NOT GETTING MY LEGS BACK. BUT
611
00:22:08,094 --> 00:22:11,030
MAYBE YOU CAN GIVE ME MY FACE
612
00:22:11,030 --> 00:22:18,004
BACK.
613
00:22:18,004 --> 00:22:19,171
>> YOU WANT TO TAKE A SHOWER
614
00:22:19,171 --> 00:22:25,478
FIRST?
615
00:22:25,478 --> 00:22:29,516
[INDISTINCT MUTTERING]
616
00:22:29,516 --> 00:22:34,086
>> OH, DOCTOR, I LOVE YOU! MUAH!
617
00:22:34,086 --> 00:22:37,089
MUAH! OW. YOU'RE THE BOMB.
618
00:22:37,089 --> 00:22:41,694
AND I AM THE BOMB. ACTUALLY, I'M
619
00:22:41,694 --> 00:22:44,030
A GHOST. MY AGENT JUST CALLED.
620
00:22:44,030 --> 00:22:46,433
AND I JUST GOT AN OFFER TO PLAY
621
00:22:46,433 --> 00:22:47,967
A RUSSIAN BALLERINA ON THE GHOST
622
00:22:47,967 --> 00:22:49,969
WHISPERER. SHE HAS A VERY BAD
623
00:22:49,969 --> 00:22:52,204
BRAIN ANEURYSM. SHE DIES DURING
624
00:22:52,204 --> 00:22:54,474
A VERY TRAGIC PAS DE DEUX.
625
00:22:54,474 --> 00:22:55,908
THAT'S WHY I HAVE TO PERFECT MY
626
00:22:55,908 --> 00:22:58,845
RONDE DE JAMBES. WHEN CAN I
627
00:22:58,845 --> 00:23:00,847
START BALLET CLASS? WE SHOOT IN
628
00:23:00,847 --> 00:23:04,951
A WEEK.
629
00:23:04,951 --> 00:23:06,886
>> CANDY, YOU NEED TO GET BACK
630
00:23:06,886 --> 00:23:08,220
INTO BED OR YOUR SWELLING WON'T
631
00:23:08,220 --> 00:23:10,523
GO DOWN. YOU WON'T EVEN BE ABLE
632
00:23:10,523 --> 00:23:11,858
TO SHOOT FROM A WHEELCHAIR.
633
00:23:11,858 --> 00:23:13,626
>> YOU KNOW THIS IS GOING TO BE
634
00:23:13,626 --> 00:23:17,497
SUCH A GREAT ROLE FOR MY RETURN.
635
00:23:17,497 --> 00:23:18,130
>> EXCUSE ME.
636
00:23:18,130 --> 00:23:21,100
>> HEY, EXCUSE ME! THIS IS A
637
00:23:21,100 --> 00:23:22,502
PRIVATE ROOM AND THERE WILL BE
638
00:23:22,502 --> 00:23:23,503
NO AUTOGRAPHS.
639
00:23:23,503 --> 00:23:25,772
>> I'M SORRY. MY NAME IS GARY
640
00:23:25,772 --> 00:23:28,741
GOLD. AND I'M--I'M BOB LEVITZ'S
641
00:23:28,741 --> 00:23:34,013
PARTNER.
642
00:23:34,013 --> 00:23:35,682
>> SO, YOU WORKED WITH BOB AT
643
00:23:35,682 --> 00:23:37,049
C.A.A.?
644
00:23:37,049 --> 00:23:38,951
>> UH, NO. NO. I MEANT LIFE
645
00:23:38,951 --> 00:23:42,188
PARTNERS.
646
00:23:42,188 --> 00:23:43,556
UH, PLEASE FORGIVE ME FOR THIS
647
00:23:43,556 --> 00:23:45,492
INTRUSION. BUT, UH, I'M GOING
648
00:23:45,492 --> 00:23:48,595
INSANE. YOU'RE ONE OF THE LAST
649
00:23:48,595 --> 00:23:50,196
PEOPLE TO SEE HIM. AND I'M SORRY
650
00:23:50,196 --> 00:23:53,165
BUT I REALLY CAN'T WRAP MY MIND
651
00:23:53,165 --> 00:23:54,801
AROUND THIS WHOLE I'M LEAVING
652
00:23:54,801 --> 00:23:56,836
YOU AND GOING TO DARFUR THING.
653
00:23:56,836 --> 00:23:58,270
>> HIS SUDDEN DEPARTURE WAS A
654
00:23:58,270 --> 00:23:59,839
SURPRISE. THERE WERE NO SIGNS
655
00:23:59,839 --> 00:24:01,874
THAT HE WAS DISSATISFIED WITH
656
00:24:01,874 --> 00:24:02,809
HIS LIFE.
657
00:24:02,809 --> 00:24:03,876
>> A SURPRISE? HOW ABOUT YOUR
658
00:24:03,876 --> 00:24:04,811
COULD HAVE KNOCKED ME OVER WITH
659
00:24:04,811 --> 00:24:06,513
A FEATHER? LOOK, I LOVE BOB.
660
00:24:06,513 --> 00:24:08,214
HE'S A TON OF FUN. HE'S GREAT IN
661
00:24:08,214 --> 00:24:10,650
BED. BUT A HUMANITARIAN? WE
662
00:24:10,650 --> 00:24:14,120
DON'T EVEN RECYCLE. LOOK, I'M AT
663
00:24:14,120 --> 00:24:16,589
MY WITS END. THE POLICE REFUSE
664
00:24:16,589 --> 00:24:17,223
TO CONSIDER HIM A MISSING
665
00:24:17,223 --> 00:24:18,190
PERSON, AND THEY'RE SICK AND
666
00:24:18,190 --> 00:24:19,225
TIRED OF ME--
667
00:24:19,225 --> 00:24:20,192
>> WAIT, WAIT--GO BACK A SECOND.
668
00:24:20,192 --> 00:24:22,995
THE POLICE?
669
00:24:22,995 --> 00:24:25,632
ARE YOU SAYING YOU SUSPECT FOUL
670
00:24:25,632 --> 00:24:26,165
PLAY?
671
00:24:26,165 --> 00:24:28,768
>> YEAH.
672
00:24:28,768 --> 00:24:30,837
>> I DON'T MEAN TO BE
673
00:24:30,837 --> 00:24:33,305
INSENSITIVE, BUT HAVE YOU
674
00:24:33,305 --> 00:24:36,008
CONSIDERED...
675
00:24:36,008 --> 00:24:38,945
>> OH, NO. NO. NO. HE DIDN'T RUN
676
00:24:38,945 --> 00:24:41,548
OFF WITH SOME TWINK OR DISAPPEAR
677
00:24:41,548 --> 00:24:42,782
TO A CARIBBEAN ISLAND WITH A NEW
678
00:24:42,782 --> 00:24:48,020
IDENTITY. NO. DIDN'T HAPPEN. I
679
00:24:48,020 --> 00:24:50,322
KNOW SOMEONE FORCED HIM TO WRITE
680
00:24:50,322 --> 00:24:51,824
THAT EMAIL OR SOMEONE ELSE WROTE
681
00:24:51,824 --> 00:24:53,259
IT ON HIS BLACKBERRY PRETENDING
682
00:24:53,259 --> 00:24:55,294
TO BE HIM. I JUST DON'T KNOW WHO
683
00:24:55,294 --> 00:24:57,697
THAT PERSON WOULD BE.
684
00:25:02,635 --> 00:25:04,103
>> YES, THIS IS DR. McNAMARA.
685
00:25:04,103 --> 00:25:06,673
I'M CALLING ABOUT JULIA
686
00:25:06,673 --> 00:25:12,579
McNAMARA. UH-HUH...YES...
687
00:25:12,579 --> 00:25:14,647
HOW'S HER I.C.P. LOOKING? AND
688
00:25:14,647 --> 00:25:17,116
HOW MUCH C.S.F. HAVE YOU TAPPED
689
00:25:17,116 --> 00:25:22,188
OFF...THAT'S GOOD...ALL RIGHT.
690
00:25:22,188 --> 00:25:24,691
AND THE VENTRIC IS WORKING
691
00:25:24,691 --> 00:25:31,163
PROPERLY? OK.
692
00:25:31,163 --> 00:25:32,832
NO. I'M NOT IN FAVOR OF PUTTING
693
00:25:32,832 --> 00:25:36,969
HER INTO A HYPOTHERMIC COMA. NO.
694
00:25:36,969 --> 00:25:39,338
I--I THINK IT'S TOO RISKY. AND
695
00:25:39,338 --> 00:25:41,073
IT'S TOO SOON...
696
00:25:41,073 --> 00:25:44,210
I'D RATHER STICK WITH THE
697
00:25:44,210 --> 00:25:47,146
CURRENT PROTOCOL--
698
00:26:04,096 --> 00:26:05,031
>> YOU'RE PAYING FOR A NEW
699
00:26:05,031 --> 00:26:07,634
ARMOIRE.
700
00:26:07,634 --> 00:26:09,802
>> SHE STUFFED HIM?
701
00:26:09,802 --> 00:26:11,904
JESUS, WHAT A HORRIBLE WAY TO
702
00:26:11,904 --> 00:26:13,339
GO.
703
00:26:13,339 --> 00:26:15,642
>> ANYTHING?
704
00:26:15,642 --> 00:26:16,976
>> HER PASSPORT WAS SCANNED AT
705
00:26:16,976 --> 00:26:18,377
THE TIJUANA BORDER CROSSING. THE
706
00:26:18,377 --> 00:26:19,879
FEDS ARE ON IT, THOUGH. THEY
707
00:26:19,879 --> 00:26:20,813
GOTTA LOT OF GOOD CONNECTIONS
708
00:26:20,813 --> 00:26:21,848
WITH THE POLICIA DOWN THERE.
709
00:26:21,848 --> 00:26:26,753
WE'LL GET HER BACK.
710
00:26:26,753 --> 00:26:27,854
>> HOW DELUDED COULD I HAVE
711
00:26:27,854 --> 00:26:30,056
BEEN? I'M NOT STUPID. I KNOW HOW
712
00:26:30,056 --> 00:26:31,891
TO READ PEOPLE. I CAN SPOT A NUT
713
00:26:31,891 --> 00:26:32,859
IN A CONSULT BEFORE THEY SIT
714
00:26:32,859 --> 00:26:33,726
DOWN.
715
00:26:33,726 --> 00:26:34,661
>> I GUESS YOU WERE JUST BLINDED
716
00:26:34,661 --> 00:26:35,962
BY THE LIGHT OF YOUR BIG SHINING
717
00:26:35,962 --> 00:26:37,830
STAR. LET'S FACE IT, THAT'S
718
00:26:37,830 --> 00:26:38,865
SHOW'S BEEN NOTHING BUT PROBLEMS
719
00:26:38,865 --> 00:26:39,398
SINCE DAY ONE.
720
00:26:39,398 --> 00:26:40,700
>> IT'S NOT THE SHOW. THE SHOW'S
721
00:26:40,700 --> 00:26:41,901
BEEN GOOD FOR BUSINESS AND FOR
722
00:26:41,901 --> 00:26:42,368
ME.
723
00:26:42,368 --> 00:26:43,335
>> YOU SEE? YOU'RE SO DRUNK ON
724
00:26:43,335 --> 00:26:44,336
YOUR OWN 15 MINUTES, YOU CAN'T
725
00:26:44,336 --> 00:26:47,173
SEE THIS IS WRECKING YOUR LIFE!
726
00:26:56,048 --> 00:26:58,851
[MEDICAL MACHINE BEEPING SOFTLY]
727
00:27:06,726 --> 00:27:08,094
>> I APOLOGIZE FOR ATTACKING YOU
728
00:27:08,094 --> 00:27:11,931
BACK AT THE HOUSE. I GOT CAUGHT
729
00:27:11,931 --> 00:27:12,865
UP IN THAT BULLSHIT JUST AS MUCH
730
00:27:12,865 --> 00:27:15,802
YOU DID. MAYBE EVEN MORE. IF I
731
00:27:15,802 --> 00:27:17,336
HADN'T, NONE OF THIS WOULD HAVE
732
00:27:17,336 --> 00:27:19,005
HAPPENED. IF I HADN'T DONE THAT
733
00:27:19,005 --> 00:27:21,240
STUPID PLAYGIRL SPREAD, SHE
734
00:27:21,240 --> 00:27:22,308
WOULDN'T HAVE SEEN IT, THEN HER
735
00:27:22,308 --> 00:27:23,409
DAUGHTER--MY DAUGHTER--SHE
736
00:27:23,409 --> 00:27:24,410
WOULDN'T HAVE COME LOOKING FOR
737
00:27:24,410 --> 00:27:25,778
ME. I WOULDN'T HAVE INTRODUCED
738
00:27:25,778 --> 00:27:26,979
HER TO MATT. I MEAN, I
739
00:27:26,979 --> 00:27:28,781
PRACTICALLY FORCED THEM TO SLEEP
740
00:27:28,781 --> 00:27:29,716
WITH EACH OTHER.
741
00:27:29,716 --> 00:27:30,850
>> I'M GONNA GIVE HER SOME
742
00:27:30,850 --> 00:27:32,752
INSULIN. HER PULSE IS ERADICATE.
743
00:27:32,752 --> 00:27:34,153
>> OK.
744
00:27:40,793 --> 00:27:41,894
>> I DON'T KNOW WHAT THEY HELL
745
00:27:41,894 --> 00:27:43,362
WE'RE GONNA DO ABOUT MATT. HE'S
746
00:27:43,362 --> 00:27:45,197
NOT STILL--
747
00:27:45,197 --> 00:27:46,265
>> MM-MMM. IT WAS ONE DUMB
748
00:27:46,265 --> 00:27:47,900
THING, ALL RIGHT. ONCE HE FOUND
749
00:27:47,900 --> 00:27:51,470
OUT SHE WAS HIS--WHATEVER--HE'S
750
00:27:51,470 --> 00:27:55,975
DONE WITH IT--HER.
751
00:27:55,975 --> 00:27:56,976
>> I CAN'T BELIEVE A WORD THAT
752
00:27:56,976 --> 00:27:58,310
COMES OUT OF HIS MOUTH. IT'S THE
753
00:27:58,310 --> 00:27:59,912
ONE GOOD THING ABOUT JULIA BEING
754
00:27:59,912 --> 00:28:02,248
IN A COMA, SHE DOESN'T HAVE TO
755
00:28:02,248 --> 00:28:06,085
KNOW WHAT HE'S DONE.
756
00:28:06,085 --> 00:28:09,355
>> LOOK. I KNOW YOU GUYS GOT
757
00:28:09,355 --> 00:28:10,823
STUFF GOING ON THAT YOU DON'T
758
00:28:10,823 --> 00:28:12,124
WANT TO SHARE WITH ME, AND I
759
00:28:12,124 --> 00:28:13,826
RESPECT THAT. I ALWAYS HAVE. BUT
760
00:28:13,826 --> 00:28:14,894
THERE'S SOMETHING I WANT TO SAY
761
00:28:14,894 --> 00:28:15,862
TO THE BOTH OF YOU.
762
00:28:15,862 --> 00:28:18,230
>> IF WE SAY NO, WILL YOU SAY IT
763
00:28:18,230 --> 00:28:18,965
ANYWAY?
764
00:28:18,965 --> 00:28:20,499
>> HERE'S THE THING. EVERY IDIOT
765
00:28:20,499 --> 00:28:22,969
OUT HERE WANTS TO BE FAMOUS. BUT
766
00:28:22,969 --> 00:28:24,270
YOU--YOU GUYS GOT SOMETHING
767
00:28:24,270 --> 00:28:26,272
BETTER. YOU GOT RESPECT--AS
768
00:28:26,272 --> 00:28:28,808
DOCTORS, AS SKILLED PHYSICIANS.
769
00:28:28,808 --> 00:28:29,809
AND YOU DIDN'T GET THIS
770
00:28:29,809 --> 00:28:30,843
RECOGNITION BY GOING OUT AND
771
00:28:30,843 --> 00:28:31,811
LOOKING FOR IT. YOU GOT IT
772
00:28:31,811 --> 00:28:33,212
BECAUSE YOU GOT TALENT. YOU GOT
773
00:28:33,212 --> 00:28:35,915
INTEGRITY. OK. MAYBE NOT
774
00:28:35,915 --> 00:28:37,784
INTEGRITY. BUT BECAUSE YOU TOOK
775
00:28:37,784 --> 00:28:39,185
ON SOME PRETTY AMAZING CASES
776
00:28:39,185 --> 00:28:40,319
THAT NO ONE ELSE WOULD TOUCH
777
00:28:40,319 --> 00:28:42,922
WITH A 10 FOOT 15 BLADE. SO DO
778
00:28:42,922 --> 00:28:45,224
WHAT YOU DO BEST. DO WHAT YOU DO
779
00:28:45,224 --> 00:28:47,126
BETTER THAN ANYONE ELSE AND
780
00:28:47,126 --> 00:28:52,131
SCREW THE REST.
781
00:28:52,131 --> 00:28:53,265
>> THE HOSPITAL JUST CALLED.
782
00:28:53,265 --> 00:28:57,069
JULIA'S AWAKE.
783
00:28:57,069 --> 00:28:58,237
>> THANK YOU. I'M ON MY WAY.
784
00:28:58,237 --> 00:29:00,506
>> WHO WAS THAT?
785
00:29:00,506 --> 00:29:03,442
>> JULIA'S AWAKE. THANK GOD. I'M
786
00:29:03,442 --> 00:29:05,277
GOING OVER IF YOU WANT TO COME.
787
00:29:05,277 --> 00:29:07,980
I NEED TO GO SWEETHEART. IF
788
00:29:07,980 --> 00:29:08,580
YOU'RE COMING--
789
00:29:08,580 --> 00:29:12,919
>> WAIT. THERE'S SOMETHING I
790
00:29:12,919 --> 00:29:16,823
HAVE TO TELL YOU.
791
00:29:16,823 --> 00:29:18,257
YOU HAVE TO HELP ME, MOMMY.
792
00:29:18,257 --> 00:29:22,294
I NEED YOUR HELP.
793
00:29:22,294 --> 00:29:23,462
>> WE'LL TAKE ONE CAR. IT'LL BE
794
00:29:23,462 --> 00:29:24,530
FASTER. IF I DRIVE IT WILL.
795
00:29:24,530 --> 00:29:26,098
>> HEY, PLEASE, DON'T GO OUT
796
00:29:26,098 --> 00:29:27,199
THERE. THEY'RE SWARMING. THE
797
00:29:27,199 --> 00:29:28,134
LOCUSTS.
798
00:29:28,134 --> 00:29:28,835
>> THE WHAT?
799
00:29:28,835 --> 00:29:29,836
>> THE PAPARAZZI. THEY'RE RIGHT
800
00:29:29,836 --> 00:29:31,938
OUTSIDE THE DOOR. AND THEY KNOW
801
00:29:31,938 --> 00:29:33,906
I'M IN HERE. AND THEY ARE DYING
802
00:29:33,906 --> 00:29:34,606
TO GET A PHOTO OF ME
803
00:29:34,606 --> 00:29:35,474
POST-SURGERY.
804
00:29:35,474 --> 00:29:36,475
>> JUST GO BACK TO RECOVERY OR
805
00:29:36,475 --> 00:29:37,576
TAKE THE SIDE DOOR.
806
00:29:37,576 --> 00:29:39,311
>> NO. NO, WHAT I MEANT WAS I
807
00:29:39,311 --> 00:29:40,880
DON'T WANT YOU BLOCKING MY BIG
808
00:29:40,880 --> 00:29:42,915
EXIT. THEY'RE ALL SETTING UP FOR
809
00:29:42,915 --> 00:29:43,850
ME RIGHT NOW. AND I TOLD THEM TO
810
00:29:43,850 --> 00:29:45,351
COME HERE AT 2:00.
811
00:29:45,351 --> 00:29:46,853
>> YOU CALLED THEM? I THOUGHT
812
00:29:46,853 --> 00:29:47,920
YOU DIDN'T WANT ANYBODY TO KNOW
813
00:29:47,920 --> 00:29:49,121
YOU WERE GETTING WORK DONE?
814
00:29:49,121 --> 00:29:51,223
>> YOU KNOW, DOCTOR, IF A TREE
815
00:29:51,223 --> 00:29:53,159
FALLS IN THE WOODS AND 2 DOZEN
816
00:29:53,159 --> 00:29:54,493
NERDS WITH CAMERAS AREN'T THERE
817
00:29:54,493 --> 00:29:56,395
TO PUT IT ONLINE, DOES IT REALLY
818
00:29:56,395 --> 00:29:59,531
MAKE A SOUND? I DON'T THINK SO.
819
00:29:59,531 --> 00:30:01,500
AND YOU WANT TO KNOW WHY?
820
00:30:01,500 --> 00:30:03,970
BECAUSE THAT TREE DOESN'T KNOW
821
00:30:03,970 --> 00:30:05,204
WHAT IT TAKES TO BE FAMOUS. AND
822
00:30:05,204 --> 00:30:08,640
I DO. SO IF YOU DON'T MIND, I'D
823
00:30:08,640 --> 00:30:10,076
LIKE YOU DO STAY RIGHT HERE. I
824
00:30:10,076 --> 00:30:11,543
DON'T WANT YOU TO RUIN MY
825
00:30:11,543 --> 00:30:14,246
ENTRANCE.
826
00:30:27,126 --> 00:30:31,931
>> IT'S ME.
827
00:30:31,931 --> 00:30:33,299
>> DR. McNAMARA, WHAT CAN YOU
828
00:30:33,299 --> 00:30:34,300
TELL US ABOUT COLLEEN ROSE?
829
00:30:34,300 --> 00:30:35,367
>> IS IT TRUE SHE HAD AIDEN
830
00:30:35,367 --> 00:30:36,335
FIRED TO FURTHER YOUR CAREER?
831
00:30:36,335 --> 00:30:38,037
>> DID YOU TELL HER TO KILL YOUR
832
00:30:38,037 --> 00:30:38,637
AGENT?
833
00:30:38,637 --> 00:30:40,372
[CAMERA SHUTTERS CLICKING]
834
00:30:40,372 --> 00:30:42,474
>> WHAT ABOUT YOUR WIFE? WERE
835
00:30:42,474 --> 00:30:43,409
YOU INVOLVED IN HER SHOOTING AS
836
00:30:43,409 --> 00:30:44,343
WELL?
837
00:30:44,343 --> 00:30:51,083
>> BUCK OFF...
838
00:30:51,083 --> 00:30:52,051
>> WHY ARE THEY DOING THIS?
839
00:30:52,051 --> 00:30:53,419
>> YOU'RE A PUBLIC PERSON NOW,
840
00:30:53,419 --> 00:30:55,321
BUDDY BOY. THEY OWN YOU. NOTHING
841
00:30:55,321 --> 00:30:58,224
IS OFF LIMITS.
842
00:31:06,098 --> 00:31:07,033
>> HEY DO WE KNOW ANYTHING?
843
00:31:07,033 --> 00:31:08,901
>> ONLY THAT'S SHE'S AWAKE.
844
00:31:14,640 --> 00:31:17,676
>> HEY, JULES, HOW YA DOIN'?
845
00:31:17,676 --> 00:31:19,245
>> YOU LOOK GOOD.
846
00:31:19,245 --> 00:31:22,281
>> HOW'S IT GOING, MOM?
847
00:31:27,219 --> 00:31:29,555
>> I'M SO GLAD YOU'RE OK.
848
00:31:29,555 --> 00:31:32,258
I WAS SO SCARED.
849
00:31:32,258 --> 00:31:35,027
>> YOU'RE A LOVELY GIRL.
850
00:31:35,027 --> 00:31:40,432
DOES SHE BELONG TO ONE OF YOU?
851
00:31:40,432 --> 00:31:41,200
>> THE DOCTORS CALL IT
852
00:31:41,200 --> 00:31:43,169
RETROGRADE AMNESIA. ALL HER
853
00:31:43,169 --> 00:31:44,703
MEMORIES--EVERYTHING BEFORE THE
854
00:31:44,703 --> 00:31:51,243
GUN SHOT HAVE DISAPPEARED.
855
00:31:51,243 --> 00:31:53,045
>> FOR HOW LONG?
856
00:31:53,045 --> 00:31:55,614
>> NO ONE KNOWS.
857
00:32:12,264 --> 00:32:13,432
>> YOU SURE YOU DON'T MIND?
858
00:32:13,432 --> 00:32:14,600
>> NO, OF COURSE NOT. I'LL TAKE
859
00:32:14,600 --> 00:32:16,002
HER FOR A BITE TO EAT AND MEET
860
00:32:16,002 --> 00:32:17,736
YOU BACK AT THE HOUSE.
861
00:32:17,736 --> 00:32:19,571
>> JUST FEEL LIKE I WANNA STAY A
862
00:32:19,571 --> 00:32:22,141
LITTLE BIT, KEEP HER COMPANY.
863
00:32:22,141 --> 00:32:22,741
>> I GET IT.
864
00:32:22,741 --> 00:32:25,044
HEY, YOU. YOU FEEL LIKE GOING TO
865
00:32:25,044 --> 00:32:26,612
JOHNNY ROCKETS? HUH?
866
00:32:26,612 --> 00:32:29,748
>> COME HERE. I'LL CATCH UP WITH
867
00:32:29,748 --> 00:32:31,117
YOU GUYS LATER, OK?
868
00:32:31,117 --> 00:32:33,085
>> COME ON. LET'S GO GET SOME
869
00:32:33,085 --> 00:32:36,088
BURGERS AND FRIES.
870
00:32:55,774 --> 00:32:56,808
>> WHY DON'T I TAKE A LOOK AT
871
00:32:56,808 --> 00:32:59,045
ALL THAT STITCHING THEY DID?
872
00:32:59,045 --> 00:33:01,213
SEE HOW IT'S COMING ALONG.
873
00:33:14,093 --> 00:33:17,463
THEY DID A GOOD JOB. I COULDN'T
874
00:33:17,463 --> 00:33:21,467
HAVE DONE IT BETTER MYSELF. IT'S
875
00:33:21,467 --> 00:33:24,103
GOOD TO KEEP IT LUBRICATED.
876
00:33:34,780 --> 00:33:40,352
>> ARE YOU A DOCTOR?
877
00:33:40,352 --> 00:33:45,124
>> PLASTIC SURGEON.
878
00:33:45,124 --> 00:33:46,158
>> IS THAT HOW WE KNOW EACH
879
00:33:46,158 --> 00:33:49,595
OTHER? BECAUSE I HAD PLASTIC
880
00:33:49,595 --> 00:33:53,199
SURGERY?
881
00:33:53,265 --> 00:33:58,670
>> NO.
882
00:33:58,737 --> 00:34:04,443
I'M YOU'RE HUSBAND.
883
00:34:04,443 --> 00:34:06,278
WE MET IN COLLEGE.
884
00:34:06,278 --> 00:34:11,283
COLLEGE SWEETHEARTS.
885
00:34:11,283 --> 00:34:16,855
THAT'S WHEN WE GOT MARRIED.
886
00:34:16,855 --> 00:34:20,392
>> [INDISTINCT]
887
00:34:20,392 --> 00:34:23,229
WE'RE STILL MARRIED?
888
00:34:29,168 --> 00:34:33,172
>> WE'RE STILL MARRIED. AND WE
889
00:34:33,172 --> 00:34:35,207
HAVE 3 BEAUTIFUL CHILDREN. AND
890
00:34:35,207 --> 00:34:40,546
WE'RE AS HAPPY NOW AS WE WERE
891
00:34:40,546 --> 00:34:47,453
THEN. AND EVERYTHING IS JUST...
892
00:34:47,453 --> 00:34:49,621
PERFECT.
893
00:34:59,498 --> 00:35:03,335
>> MUSIC?
894
00:35:03,335 --> 00:35:04,370
YOU KNOW, THE FACT THAT YOU'RE
895
00:35:04,370 --> 00:35:06,405
MOM'S TALKING IS A GREAT SIGN.
896
00:35:06,405 --> 00:35:07,439
EVEN IF SHE DOESN'T RECOGNIZE
897
00:35:07,439 --> 00:35:10,842
YOU RIGHT NOW. YOU KNOW IT'S NOT
898
00:35:10,842 --> 00:35:13,212
PERSONAL RIGHT?
899
00:35:13,212 --> 00:35:14,780
>> DOESN'T MATTER. SHE DOESN'T
900
00:35:14,780 --> 00:35:17,649
REALLY KNOW WHO I AM ANYWAY.
901
00:35:23,589 --> 00:35:24,556
>> LOOK, I KNOW HOW HARD THIS IS
902
00:35:24,556 --> 00:35:28,527
FOR YOU...WHAT THE HELL?
903
00:35:28,527 --> 00:35:35,267
>> BEHIND YOU!
904
00:35:35,267 --> 00:35:37,236
WAIT HERE, ALL RIGHT. LOOK, JUST
905
00:35:37,236 --> 00:35:37,969
LEAVE US--WHAT THE HELL ARE YOU
906
00:35:37,969 --> 00:35:39,238
DOING? ALL RIGHT, LOOK, I'M NOT
907
00:35:39,238 --> 00:35:40,272
SEAN. AND YOU'RE SCARING HIS
908
00:35:40,272 --> 00:35:40,772
DAUGHTER.
909
00:35:40,772 --> 00:35:41,773
>> THAT'S WHOSE PICTURE WE WANT.
910
00:35:41,773 --> 00:35:42,841
GET OUT OF THE WAY!
911
00:35:42,841 --> 00:35:43,775
>> WHAT ARE YOU DOING?! JESUS
912
00:35:43,775 --> 00:35:46,378
CHRIST! GET OUT OF MY WAY.
913
00:35:46,378 --> 00:35:47,513
>> WHY WON'T THEY LEAVE US
914
00:35:47,513 --> 00:35:48,380
ALONE?!
915
00:35:48,380 --> 00:35:49,381
>> I DON'T KNOW HONEY. JUST PUT
916
00:35:49,381 --> 00:35:50,382
YOUR HEAD DOWN. OK. WE'RE GONNA
917
00:35:50,382 --> 00:35:51,383
BE FINE, ALL RIGHT? GET THE HELL
918
00:35:51,383 --> 00:35:52,651
OUT OF MY WAY, YOU ASSHOLE!
919
00:35:52,651 --> 00:35:53,485
GET OUT OF THE WAY!
920
00:35:53,485 --> 00:35:55,887
[HORN HONKS]
921
00:36:09,768 --> 00:36:11,903
[CAR ALARM BLARING]
922
00:36:22,781 --> 00:36:24,783
>> THANKS FOR LUNCH, MATT. I'M
923
00:36:24,783 --> 00:36:26,252
GLAD I GOT TO THOSE HANDPRINTS
924
00:36:26,252 --> 00:36:27,853
IN THE CEMENT AT THE CHINESE
925
00:36:27,853 --> 00:36:29,855
THEATER BEFORE I LEFT TOWN.
926
00:36:29,855 --> 00:36:34,360
>> YEAH, ME TOO.
927
00:36:34,360 --> 00:36:36,762
WHAT TIME'S YOUR FLIGHT?
928
00:36:36,762 --> 00:36:41,300
>> 11. THE REDEYE IS PRETTY MUCH
929
00:36:41,300 --> 00:36:45,871
ALL I COULD AFFORD.
930
00:36:45,871 --> 00:36:51,277
I STILL HAVE A FEW HOURS.
931
00:36:51,277 --> 00:36:53,279
WE COULD...
932
00:36:53,279 --> 00:36:56,348
>> WE CAN'T.
933
00:37:06,024 --> 00:37:08,827
LOOK, EM, WE JUST NEED A CLEAN
934
00:37:08,827 --> 00:37:11,463
BREAK. YOU KNOW, MAYBE IN A FEW
935
00:37:11,463 --> 00:37:13,965
MONTHS I'LL COME TO GEORGIA AND
936
00:37:13,965 --> 00:37:15,066
WE CAN FIGURE THIS WHOLE THING
937
00:37:15,066 --> 00:37:16,702
OUT ON HOW TO BE BROTHER AND
938
00:37:16,702 --> 00:37:18,937
SISTER. BUT NOW OUR FEELINGS ARE
939
00:37:18,937 --> 00:37:24,876
JUST TOO STRONG.
940
00:37:24,876 --> 00:37:26,312
>> IT'S NOT LIKE WE'D BE THE
941
00:37:26,312 --> 00:37:27,479
ONLY INBREDS IN THE MOUNTAINS
942
00:37:27,479 --> 00:37:29,848
WHERE I'M FROM.
943
00:37:29,848 --> 00:37:31,617
YOU COULD GET A JOB IN A COAL
944
00:37:31,617 --> 00:37:33,552
MINE. I COULD PULL OUT ALL MY
945
00:37:33,552 --> 00:37:34,953
TEETH.
946
00:37:41,593 --> 00:37:42,928
>> YEAH. I JUST DON'T THINK I'M
947
00:37:42,928 --> 00:37:43,829
READY FOR THE APPALACHIAN
948
00:37:43,829 --> 00:37:46,432
LIFESTYLE JUST YET.
949
00:37:55,106 --> 00:37:56,642
>> I'VE BEEN TRYING TO GET AWAY
950
00:37:56,642 --> 00:37:59,411
FROM THOSE FREAKS MY WHOLE LIFE.
951
00:38:04,350 --> 00:38:09,355
>> HEY.
952
00:38:09,355 --> 00:38:10,722
YOU ARE GOING TO GO HOME A
953
00:38:10,722 --> 00:38:13,425
BEAUTIFUL, CONFIDENT WOMAN. AND
954
00:38:13,425 --> 00:38:14,926
GUYS ARE GOING TO BE FALLING ALL
955
00:38:14,926 --> 00:38:15,961
OVER THEMSELVES FOR YOU. AND
956
00:38:15,961 --> 00:38:16,995
YOUR LIFE IS GOING TO OPEN UP IN
957
00:38:16,995 --> 00:38:19,765
A WHOLE NEW WAY.
958
00:38:19,765 --> 00:38:21,833
>> IT ALREADY HAS.
959
00:38:27,105 --> 00:38:29,375
>> YEAH, MINE TOO.
960
00:38:34,980 --> 00:38:40,151
I GOTTA GO.
961
00:38:40,151 --> 00:38:41,887
>> MATT!
962
00:38:41,887 --> 00:38:44,055
>> YEAH.
963
00:39:03,942 --> 00:39:04,910
>> YOU ALL RIGHT?
964
00:39:04,910 --> 00:39:06,645
>> WHAT ARE YOU DOING HERE?
965
00:39:06,645 --> 00:39:07,746
I DON'T THINK YOU'RE GOING TO BE
966
00:39:07,746 --> 00:39:08,747
MUCH HELP WITH A BROKEN COLLAR
967
00:39:08,747 --> 00:39:10,482
BONE.
968
00:39:10,482 --> 00:39:11,517
>> I THOUGHT I COULD AT LEAST
969
00:39:11,517 --> 00:39:13,985
LEND SOME SUPPORT IN THERE.
970
00:39:19,925 --> 00:39:24,129
YOU MAD AT ME?
971
00:39:24,129 --> 00:39:27,533
>> I'M MAD AT MYSELF. I FEEL
972
00:39:27,599 --> 00:39:30,135
LIKE A FOOL.
973
00:39:30,201 --> 00:39:32,838
I LOST MYSELF.
974
00:39:32,838 --> 00:39:35,741
LOST MY PRIORITIES, MY VALUES.
975
00:39:35,741 --> 00:39:37,142
I CHASED A DREAM LIKE A SILLY
976
00:39:37,142 --> 00:39:38,043
TEENAGER. NOW LOOK WHAT'S
977
00:39:38,043 --> 00:39:41,580
HAPPENED. CAN'T BLAME YOU FOR
978
00:39:41,580 --> 00:39:45,150
ANYTHING.
979
00:39:45,150 --> 00:39:46,685
>> WE BOTH GOT CAUGHT UP. IT'S
980
00:39:46,685 --> 00:39:51,990
WHAT HAPPENS OUT HERE I GUESS.
981
00:39:51,990 --> 00:39:55,193
>> YEAH, BUT...DON'T YOU THINK
982
00:39:55,193 --> 00:39:57,829
THE MEASURE OF A MAN IS HIS
983
00:39:57,829 --> 00:39:59,197
ABILITY TO MAINTAIN HIS CORE
984
00:39:59,197 --> 00:40:00,231
VALUES NO MATTER WHAT'S GOING ON
985
00:40:00,231 --> 00:40:02,200
AROUND HIM?
986
00:40:02,200 --> 00:40:07,506
>> EASIER SAID THAN DONE.
987
00:40:07,506 --> 00:40:09,908
>> I CALLED FREDDIE. I TOLD HIM
988
00:40:09,908 --> 00:40:10,876
I WANT OUT OF MY HEARTS 'N
989
00:40:10,876 --> 00:40:12,844
SCALPELS CONTRACT.
990
00:40:12,844 --> 00:40:14,946
>> REALLY?
991
00:40:14,946 --> 00:40:17,449
>> REALLY.
992
00:40:25,123 --> 00:40:26,157
WOULD YOU MIND IF I HANDLE
993
00:40:26,157 --> 00:40:28,727
THIS SOLO? I JUST FEEL LIKE I
994
00:40:28,727 --> 00:40:29,561
WANT TO BE ALONE WITH MY
995
00:40:29,561 --> 00:40:30,929
DAUGHTER IN THERE.
996
00:40:30,929 --> 00:40:33,098
>> OF COURSE.
997
00:40:33,098 --> 00:40:33,965
I SHOULD CHECK ON DARLENE
998
00:40:33,965 --> 00:40:34,866
ANYWAY. SHE'S HAD A TOUGH
999
00:40:34,866 --> 00:40:38,570
RECOVERY. A LOT OF PAIN.
1000
00:40:38,570 --> 00:40:41,039
EVERYONE'S GOING TO BE OK.
1001
00:40:46,978 --> 00:40:50,081
[MEDICAL MACHINE BEEPS SOFTLY]
1002
00:40:56,955 --> 00:40:58,690
>> HEY, BABY.
1003
00:40:58,690 --> 00:41:00,626
WHAT?
1004
00:41:00,626 --> 00:41:01,727
>> I'M AFRAID I'M GONNA HAVE AN
1005
00:41:01,727 --> 00:41:03,562
UGLY SCAR.
1006
00:41:03,562 --> 00:41:04,763
>> I WAS JUST TELLING ANNIE THAT
1007
00:41:04,763 --> 00:41:05,931
YOU ARE A VERY FAMOUS PLASTIC
1008
00:41:05,931 --> 00:41:07,666
SURGEON. AND THAT PEOPLE COME
1009
00:41:07,666 --> 00:41:08,734
FROM ALL OVER THE COUNTRY FOR
1010
00:41:08,734 --> 00:41:10,702
YOUR EXPERTISE.
1011
00:41:10,702 --> 00:41:12,070
>> THAT'S ABOUT ALL I WANT TO BE
1012
00:41:12,070 --> 00:41:14,305
FAMOUS FOR EVER AGAIN.
1013
00:41:14,305 --> 00:41:18,309
I PROMISE YOU'LL BE GOOD AS NEW,
1014
00:41:18,309 --> 00:41:20,879
SWEETIE. NOW AUNTIE LIZ IS GOING
1015
00:41:20,879 --> 00:41:21,780
TO GIVE YOU SOMETHING SO YOU
1016
00:41:21,780 --> 00:41:23,181
DON'T FEEL ANY PAIN. YOU'LL GO
1017
00:41:23,181 --> 00:41:25,216
RIGHT TO SLEEP, AND YOUR DAD
1018
00:41:25,216 --> 00:41:28,253
WILL SEW YOU UP.
1019
00:41:28,253 --> 00:41:29,220
>> I WANT YOU TO COUNT BACK FROM
1020
00:41:29,220 --> 00:41:30,922
100 FOR ME, OK?
1021
00:41:30,922 --> 00:41:34,092
>> 100...99...
1022
00:41:34,092 --> 00:41:37,028
[DAVID BOWIE'S FAME BEGINS]
1023
00:41:43,902 --> 00:41:45,270
>> * FAME *
1024
00:41:45,270 --> 00:41:46,137
>> * FAME *
1025
00:41:46,137 --> 00:41:46,872
>> * MAKES A MAN
1026
00:41:46,872 --> 00:41:48,807
TAKE THINGS OVER,
1027
00:41:48,807 --> 00:41:50,275
FAME *
1028
00:41:50,275 --> 00:41:51,009
>> * FAME *
1029
00:41:51,009 --> 00:41:51,910
>> * LETS HIM LOOSE,
1030
00:41:51,910 --> 00:41:53,945
HARD TO SWALLOW,
1031
00:41:53,945 --> 00:41:55,246
FAME *
1032
00:41:55,246 --> 00:41:56,181
>> LIZ CAN YOU GET ME GAUZE AND
1033
00:41:56,181 --> 00:41:58,650
TAPE, PLEASE?
1034
00:41:58,650 --> 00:42:00,952
>> * FAME *
1035
00:42:00,952 --> 00:42:02,821
>> * FAME *
1036
00:42:02,821 --> 00:42:03,354
>> * FAME *
1037
00:42:03,354 --> 00:42:07,759
>> * FAME, FAME, FAME *
1038
00:42:07,759 --> 00:42:08,860
>> IT'S GOING TO BE GOOD FROM
1039
00:42:08,860 --> 00:42:11,162
NOW ON, I PROMISE.
1040
00:42:11,162 --> 00:42:12,898
>> * FAME *
1041
00:42:12,898 --> 00:42:14,132
>> * FAME *
1042
00:42:14,132 --> 00:42:15,300
>> I'VE BEEN THINKING, LIZ.
1043
00:42:15,300 --> 00:42:16,334
MAYBE IT'S TIME TO PUT DOWN SOME
1044
00:42:16,334 --> 00:42:20,005
ROOTS. FIND A PLACE OF MY OWN.
1045
00:42:20,005 --> 00:42:21,539
MY KIDS NEED A REAL HOME OUT
1046
00:42:21,607 --> 00:42:24,810
HERE. AND SO DO I.
1047
00:42:24,876 --> 00:42:25,744
WHAT DO YOU THINK OF THE
1048
00:42:25,744 --> 00:42:28,146
HOLLYWOOD HILLS?
1049
00:42:28,146 --> 00:42:29,280
UGH!
1050
00:42:29,347 --> 00:42:31,549
UNH!
1051
00:42:37,288 --> 00:42:40,225
[GURGLING]
67589
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