All language subtitles for Little.House.on.the.Prairie.1974.S01E05.720p.BluRay.x264-BRAVERY [SubtitleTools.com]

af Afrikaans
sq Albanian
am Amharic
ar Arabic Download
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English Download
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French Download
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese Download
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai Download
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:19,700 --> 00:01:21,290 Laura: LET'S HAVE A RELAY RACE! 2 00:01:21,450 --> 00:01:23,160 Boy: LET'S CHOOSE SIDES. 3 00:01:28,330 --> 00:01:30,670 Boy: I CHOOSE LAURA INGALLS. 4 00:01:33,550 --> 00:01:34,920 HEY, LAURA. 5 00:01:35,090 --> 00:01:38,640 LAURA, COME ON. I CHOSE YOU. 6 00:01:38,800 --> 00:01:39,800 WHAT ABOUT ME? 7 00:01:39,970 --> 00:01:42,020 YOU'RE TOO FAT TO RUN. 8 00:01:42,180 --> 00:01:43,810 [CHILDREN LAUGHING] 9 00:01:46,020 --> 00:01:47,770 Boy: GIVE IT TO ME! 10 00:01:52,190 --> 00:01:53,780 [CHILDREN SHOUTING] 11 00:02:04,500 --> 00:02:06,290 [BELL RINGING] 12 00:02:32,610 --> 00:02:33,610 HI. 13 00:02:33,780 --> 00:02:35,070 HI. 14 00:02:36,530 --> 00:02:39,530 ALL THAT RUNNING MADE ME THIRSTY. 15 00:02:39,700 --> 00:02:42,240 YOU RUN PRETTY GOOD FOR A GIRL. 16 00:02:50,170 --> 00:02:51,170 IS IT JOHN JOHNSON? 17 00:02:51,330 --> 00:02:52,500 IS THAT YOUR FORMAL NAME? 18 00:02:52,670 --> 00:02:53,960 NO, MA'AM. IT'S JOHNNY. 19 00:02:54,130 --> 00:02:55,170 JOHNNY. IS IT? 20 00:02:55,340 --> 00:02:56,840 Laura, voice-over: HIS NAME WAS JOHNNY JOHNSON. 21 00:02:57,010 --> 00:03:00,300 I KNEW JUST HOW HE FELT STANDING UP THERE-- 22 00:03:00,470 --> 00:03:03,140 SHY AND SCARY, WITH EVERYBODY STARING... 23 00:03:03,300 --> 00:03:06,850 EVEN WORSE THAN THE FIRST DAY MARY AND I CAME TO SCHOOL, 24 00:03:07,020 --> 00:03:08,940 BECAUSE HE WAS ALL ALONE. 25 00:03:09,100 --> 00:03:10,600 WHY DON'T YOU LOOK AT THIS BOOK? 26 00:03:10,770 --> 00:03:12,940 LOOK AT THE FIRST CHAPTER. 27 00:03:13,110 --> 00:03:18,150 HE LOOKS LIKE A SCARECROW IN SOMEBODY'S GARDEN. 28 00:03:18,320 --> 00:03:19,450 Miss Beadle: ALL RIGHT. 29 00:03:19,610 --> 00:03:21,030 YOU CAN TAKE THIS SEAT RIGHT HERE IN FRONT. 30 00:03:21,200 --> 00:03:22,660 ALL RIGHT. 31 00:03:42,720 --> 00:03:45,390 Miss Beadle: LET'S BEGIN OUR DAY WITH READING. 32 00:03:45,560 --> 00:03:47,770 PATRICK, WOULD YOU LIKE TO START? 33 00:03:51,940 --> 00:03:54,560 START RIGHT HERE. 34 00:03:54,730 --> 00:03:57,280 Patrick: "BY SEA AND STREAMS AND FIELDS AND WOODS 35 00:03:57,440 --> 00:04:00,740 "THE WILD BIRDS REAR THEIR LITTLE BROODS. 36 00:04:00,900 --> 00:04:03,200 "LOOK FOR THEIR NEST, BUT DO NOT TAKE. 37 00:04:03,360 --> 00:04:05,740 "NESTS ARE SUCH TIRESOME THINGS TO MAKE. 38 00:04:05,910 --> 00:04:09,580 "WHAT PRETTY LOVE AND TENDER CARE WERE SPENT 39 00:04:09,750 --> 00:04:11,540 "THOSE WARM NESTS TO PREPARE. 40 00:04:11,710 --> 00:04:14,420 "LOOK AND ADMIRE AS WELL YOU MAY, 41 00:04:14,580 --> 00:04:16,750 BUT NEVER TAKE THE EGGS AWAY." 42 00:04:16,920 --> 00:04:18,630 THAT'S VERY GOOD, PATRICK. 43 00:04:18,800 --> 00:04:20,380 THAT DESERVES A GOLD STAR. 44 00:04:20,550 --> 00:04:21,970 THANK YOU, MA'AM. 45 00:04:23,760 --> 00:04:25,800 LAURA, I THINK YOU'RE NEXT. 46 00:04:29,970 --> 00:04:31,140 LAURA. 47 00:04:31,310 --> 00:04:34,020 STOP DAYDREAMING. MISS BEADLE CALLED ON YOU. 48 00:04:37,320 --> 00:04:39,150 WANT TO START RIGHT HERE? 49 00:04:42,450 --> 00:04:48,830 "BY SEA AND STREAMS AND FIELDS AND WOODS 50 00:04:48,990 --> 00:04:52,750 "THE WILD BIRDS REAR THEIR LITTLE BROODS. 51 00:04:52,910 --> 00:04:55,920 "LOOK FOR THEIR NEST, BUT DO NOT TAKE. 52 00:04:56,080 --> 00:04:58,880 "NESTS ARE SUCH TIRESOME THINGS TO MAKE. 53 00:04:59,050 --> 00:05:02,470 "WHAT PRETTY LOVE AND TENDER CARE WERE SPENT 54 00:05:02,630 --> 00:05:04,760 "THOSE WARM NESTS TO PREPARE. 55 00:05:04,930 --> 00:05:07,600 "LOOK AND ADMIRE AS WELL AS YOU MAY, 56 00:05:07,760 --> 00:05:10,470 BUT NEVER TAKE THE EGGS AWAY." 57 00:05:12,600 --> 00:05:14,810 THAT'S VERY GOOD, LAURA. 58 00:05:29,700 --> 00:05:31,160 COME ON, LAURA. 59 00:05:31,330 --> 00:05:33,790 WHAT A SLOWPOKE YOU ARE TODAY. 60 00:05:33,960 --> 00:05:35,460 I'M TIRED. 61 00:05:35,620 --> 00:05:38,540 YOU WOULDN'T BE IF YOU DIDN'T PLAY ROUGH BOYS' GAMES. 62 00:05:39,920 --> 00:05:41,210 NOW WHAT? 63 00:05:41,380 --> 00:05:43,380 I JUST WANT TO SEE IF THERE ARE ANY MORE INITIALS 64 00:05:43,550 --> 00:05:44,800 ON THE SWEETHEART TREE. 65 00:05:44,970 --> 00:05:45,930 WHO CARES? 66 00:05:46,090 --> 00:05:48,140 CARVING ON A TREE IS PLAIN SILLY. 67 00:05:48,300 --> 00:05:51,470 I'D BE FURIOUS IF ANY BOY PUT MY INITIALS UP THERE. 68 00:05:51,640 --> 00:05:54,060 COME ON. WE'VE GOT CHORES AND HOMEWORK TO DO. 69 00:05:54,230 --> 00:05:57,810 I GOT A PEBBLE IN MY SHOE. 70 00:05:57,980 --> 00:06:00,940 WHY, IT'S JOHNNY JOHNSON. 71 00:06:01,110 --> 00:06:04,490 I DIDN'T KNOW YOU LIVED OUT OUR WAY, JOHNNY. 72 00:06:04,650 --> 00:06:06,150 YEAH. I, UH... 73 00:06:06,320 --> 00:06:10,030 I TAKE THIS ROAD AS FAR AS THE MORGAN TURNOFF. 74 00:06:10,200 --> 00:06:12,490 WE GO FARTHER, SO WE CAN WALK TOGETHER. 75 00:06:12,660 --> 00:06:13,750 MAYBE HE DOESN'T WANT TO. 76 00:06:13,910 --> 00:06:15,040 THIS IS MY SISTER MARY. 77 00:06:15,200 --> 00:06:16,160 HOW DO YOU DO? 78 00:06:16,330 --> 00:06:17,670 I'M READY. LET'S GO. 79 00:06:17,830 --> 00:06:19,630 ALL RIGHT. 80 00:06:22,840 --> 00:06:26,510 YOU USE A ROPE BETTER THAN MOST ANY BOY I EVER SAW. 81 00:06:26,670 --> 00:06:27,630 HA HA HA! 82 00:06:27,800 --> 00:06:29,260 WELL, I GET LOTS OF PRACTICE 83 00:06:29,430 --> 00:06:32,430 HERDING THE STOCK TO PASTURE AND BACK. 84 00:06:32,600 --> 00:06:35,680 THAT'S ALL YOU USE--A ROPE? 85 00:06:35,850 --> 00:06:37,390 HA HA! OF COURSE NOT. 86 00:06:37,560 --> 00:06:40,400 I GOT A BIG STICK TO GET AFTER THEM WITH. 87 00:06:40,560 --> 00:06:42,360 LIKE MISS BEADLE GETS AFTER SOME OF THE BOYS 88 00:06:42,520 --> 00:06:43,690 WITH HER RULER. 89 00:06:43,860 --> 00:06:45,150 HA HA HA! 90 00:06:46,530 --> 00:06:47,530 YOU KNOW, UH... 91 00:06:47,700 --> 00:06:49,410 MISS BEADLE SEEMS REAL NICE. 92 00:06:49,570 --> 00:06:51,870 SHE SAID SHE'D HELP ME ALL SHE COULD. 93 00:06:52,030 --> 00:06:53,950 YOU KNOW, ME BEING LATE STARTING AND ALL. 94 00:06:54,120 --> 00:06:55,200 SHE WILL, TOO. 95 00:06:55,370 --> 00:06:57,330 AND ANYBODY WHO STUDIES HARD CAN GO AHEAD 96 00:06:57,500 --> 00:06:59,250 JUST AS FAST AS THEY CAN. 97 00:06:59,420 --> 00:07:01,710 WELL, SEEMS TO ME YOU DID 98 00:07:01,880 --> 00:07:03,710 JUST ABOUT EVERYTHING RIGHT TODAY, MARY. 99 00:07:03,880 --> 00:07:05,550 YOU MUST STUDY REAL HARD. 100 00:07:05,710 --> 00:07:08,760 MA TAUGHT MARY A LOT BEFORE SHE STARTED SCHOOL. 101 00:07:08,930 --> 00:07:10,890 OUR MA USED TO BE A TEACHER. 102 00:07:11,050 --> 00:07:13,140 I WANT TO BE A TEACHER, TOO. 103 00:07:13,300 --> 00:07:15,720 WELL, THAT'S A MIGHTY FINE AMBITION. 104 00:07:15,890 --> 00:07:18,430 GOLLY, MY MIND'S JUMPING LIKE A JACKRABBIT 105 00:07:18,600 --> 00:07:21,060 FROM ALL THE THINGS MISS BEADLE SAID TODAY. 106 00:07:21,230 --> 00:07:23,520 LET'S SEE WHO'S THE BEST ROCK THROWER. 107 00:07:23,690 --> 00:07:26,030 ALL RIGHT. YOU GO FIRST. 108 00:07:26,190 --> 00:07:29,490 I'LL TRY FOR THAT TREE OVER YONDER. 109 00:07:33,200 --> 00:07:35,120 HA! YOU HIT IT! 110 00:07:35,280 --> 00:07:36,370 VERY GOOD. 111 00:07:36,540 --> 00:07:38,200 ALL RIGHT, MARY. 112 00:07:38,370 --> 00:07:40,080 HERE. YOU GO NEXT. 113 00:07:40,250 --> 00:07:42,420 OH, I'M NO GOOD AT THROWING ROCKS. 114 00:07:42,580 --> 00:07:44,000 OH, GO ON. 115 00:07:44,170 --> 00:07:46,250 YOU NEVER KNOW WHEN YOU'RE GOING TO HAVE TO HIT A VARMINT. 116 00:07:46,420 --> 00:07:48,420 NOW, GO ON. TRY THAT TREE RIGHT OVER THERE. 117 00:07:54,350 --> 00:07:57,100 THAT'S NOT BAD, MARY. NOT BAD AT ALL. 118 00:07:57,270 --> 00:07:58,930 BUT YOU'RE GOING TO HAVE TO THROW A LITTLE HARDER NOW. 119 00:07:59,100 --> 00:08:02,230 HERE. SEE, NOW, YOU HAVE TO KEEP YOUR ARM STRAIGHT. 120 00:08:02,400 --> 00:08:05,360 COME ON. WE GOT CHORES AND HOMEWORK TO DO. 121 00:08:10,650 --> 00:08:12,780 [PLAYING LIVELY TUNE] 122 00:08:35,180 --> 00:08:37,970 MORE MUSIC, PAPA! 123 00:08:38,140 --> 00:08:40,680 Caroline: IT'S TIME FOR YOU TO DANCE TO BED. 124 00:08:40,850 --> 00:08:43,640 PLAY ONE MORE SONG, PA. PLEASE. 125 00:08:43,810 --> 00:08:45,100 Charles: MY AUDIENCE COMMANDS. 126 00:08:45,270 --> 00:08:48,440 I'LL PLAY ONE GUARANTEED TO PUT CARRIE TO SLEEP. 127 00:08:48,610 --> 00:08:50,740 [PLAYS SLOW MELODY] 128 00:08:58,660 --> 00:09:00,240 [GIGGLING] 129 00:09:00,410 --> 00:09:01,580 MA... 130 00:09:01,750 --> 00:09:03,330 YOU HAVE TOO MUCH ENERGY. 131 00:09:03,500 --> 00:09:04,710 HMM? 132 00:09:04,870 --> 00:09:07,040 WOULD YOU TELL ME WHAT IT WAS LIKE BACK IN THE OLDEN DAYS 133 00:09:07,210 --> 00:09:09,300 WHEN YOU AND PA WERE COURTING? 134 00:09:09,460 --> 00:09:10,760 I DON'T THINK I CAN REMEMBER 135 00:09:10,920 --> 00:09:12,470 THAT FAR BACK IN HISTORY. 136 00:09:12,630 --> 00:09:14,680 YOU KNOW WHAT I MEAN. 137 00:09:14,840 --> 00:09:17,300 DID YOU KNOW RIGHT OFF THAT YOU LOVED HIM? 138 00:09:17,470 --> 00:09:19,680 I THINK SO. 139 00:09:19,850 --> 00:09:22,140 DID HE KNOW, TOO? 140 00:09:22,310 --> 00:09:24,730 I'M NOT SURE. 141 00:09:24,890 --> 00:09:25,850 YOUR PA WAS NEVER ONE 142 00:09:26,020 --> 00:09:28,480 FOR MAKING SHEEP'S EYES AT GIRLS. 143 00:09:28,650 --> 00:09:31,030 WHY, HE WAS SO SHY... 144 00:09:31,190 --> 00:09:33,690 I DIDN'T EVEN KNOW IF HE LIKED ME. 145 00:09:33,860 --> 00:09:36,610 WELL, HOW'D YOU FIND OUT FOR SURE? 146 00:09:38,370 --> 00:09:41,450 WELL, I FINALLY DECIDED IF I WAITED FOR HIM, 147 00:09:41,620 --> 00:09:43,450 I MIGHT NEVER FIND OUT. 148 00:09:45,210 --> 00:09:47,460 SO EVEN THOUGH IT WAS CONSIDERED VERY FORWARD 149 00:09:47,630 --> 00:09:50,170 FOR YOUNG LADIES TO DO THE ASKING, 150 00:09:50,340 --> 00:09:52,510 I INVITED HIM ON A PICNIC. 151 00:09:52,670 --> 00:09:54,630 AND WHAT DID HE SAY? 152 00:09:56,180 --> 00:09:58,220 UH, HE SAID, UH... 153 00:09:58,390 --> 00:10:00,300 "DON'T MIND IF I DO," 154 00:10:00,470 --> 00:10:04,680 WHICH WASN'T EXACTLY THE RESPONSE I WAS LOOKING FOR. 155 00:10:04,850 --> 00:10:07,400 BUT ON THAT PICNIC, 156 00:10:07,560 --> 00:10:10,310 WE FOUND OUT THAT WE WERE KINDRED SPIRITS. 157 00:10:10,480 --> 00:10:12,650 WHAT'S A KINDRED SPIRIT? 158 00:10:14,400 --> 00:10:16,450 WELL... 159 00:10:16,610 --> 00:10:20,450 THAT MEANS YOU CAN READ EACH OTHER'S THOUGHTS 160 00:10:20,620 --> 00:10:23,160 WITHOUT PUTTING THEM INTO WORDS. 161 00:10:25,540 --> 00:10:27,920 GOOD NIGHT, HONEY. 162 00:10:28,080 --> 00:10:30,330 SLEEP TIGHT. 163 00:10:30,500 --> 00:10:31,880 GOOD NIGHT, CARRIE. 164 00:10:32,040 --> 00:10:33,670 Carrie: GOOD NIGHT. 165 00:10:37,930 --> 00:10:39,430 MARY? 166 00:10:39,590 --> 00:10:41,760 GO TO SLEEP. 167 00:10:41,930 --> 00:10:44,930 WHAT DID YOU THINK OF JOHNNY JOHNSON? 168 00:10:45,100 --> 00:10:47,440 DIDN'T THINK MUCH OF ANYTHING. 169 00:10:47,600 --> 00:10:49,770 HE SURE THROWS ROCKS GOOD. 170 00:10:49,940 --> 00:10:52,320 WHO WANTS TO THROW ROCKS? 171 00:10:53,320 --> 00:10:55,190 I THINK HE'S LIKE PA. 172 00:10:55,360 --> 00:10:58,320 WHY, HE'S DOWNRIGHT HOMELY COMPARED TO PA. 173 00:10:58,490 --> 00:11:02,450 I THINK HE'S THE BEST-LOOKING BOY IN THE WHOLE SCHOOL. 174 00:11:02,620 --> 00:11:04,200 THAT'S NOT SAYING MUCH. 175 00:11:04,370 --> 00:11:06,330 GO TO SLEEP, LAURA. 176 00:11:08,120 --> 00:11:10,670 CAN'T. HAVE TO GO OUT BACK. 177 00:11:18,260 --> 00:11:20,630 HEY, ISN'T IT ABOUT TIME YOU WERE IN BED? 178 00:11:20,800 --> 00:11:23,010 I HAVE TO GO TO THE OUTHOUSE, PA. 179 00:11:23,180 --> 00:11:25,010 OH. THAT'S DIFFERENT. 180 00:11:26,640 --> 00:11:29,770 PA...WOULD YOU TELL ME WAY, WAY BACK 181 00:11:29,940 --> 00:11:31,770 WHEN MA ASKED YOU TO GO ON A PICNIC, 182 00:11:31,940 --> 00:11:33,480 WHAT DID YOU THINK? 183 00:11:33,650 --> 00:11:35,650 NOW, WHO TOLD YOU ABOUT THAT? 184 00:11:35,820 --> 00:11:37,190 MA TOLD ME. 185 00:11:37,360 --> 00:11:38,650 OH, SHE DID, DID SHE? 186 00:11:38,820 --> 00:11:40,070 MM-HMM. 187 00:11:40,240 --> 00:11:41,990 WHAT DID YOU THINK? 188 00:11:42,160 --> 00:11:44,450 NOW, YOU PROMISE NOT TO TELL? 189 00:11:44,620 --> 00:11:45,700 CROSS MY HEART. 190 00:11:45,870 --> 00:11:47,040 ALL RIGHT. 191 00:11:47,200 --> 00:11:48,950 WELL, I KNEW YOUR MA WOULD JUST DIE OF A BROKEN HEART 192 00:11:49,120 --> 00:11:50,660 IF I DIDN'T GO ALONG, 193 00:11:50,830 --> 00:11:53,790 SO I ACCEPTED AND THEN HOPED TO HEAVEN SHE WAS A GOOD COOK. 194 00:11:53,960 --> 00:11:55,000 YOU'RE TEASING. 195 00:11:55,170 --> 00:11:56,500 NO, I'M NOT. 196 00:11:56,670 --> 00:11:57,840 DIDN'T YOU EVER HEAR THE WAY TO A MAN'S HEART 197 00:11:58,010 --> 00:12:00,090 IS THROUGH HIS STOMACH? 198 00:12:00,260 --> 00:12:02,680 HEY. FALLING STAR. 199 00:12:02,840 --> 00:12:05,050 OH, I MISSED IT. 200 00:12:05,220 --> 00:12:06,760 WELL, I'LL TELL YOU WHAT. 201 00:12:06,930 --> 00:12:08,020 I ALREADY HAVE EVERYTHING I WANT, 202 00:12:08,180 --> 00:12:09,520 SO I'LL GIVE YOU MY WISH. 203 00:12:09,680 --> 00:12:12,020 BUT DON'T YOU HAVE TO SEE THE STAR TO GET YOUR WISH? 204 00:12:12,190 --> 00:12:14,810 MM-MM. I SAW IT, AND I'M GIVING MY WISH TO YOU. 205 00:12:17,530 --> 00:12:19,690 OH. THE WAY YOU'RE SCRUNCHING YOUR EYES TOGETHER, 206 00:12:19,860 --> 00:12:22,030 IT MUST BE A PRETTY IMPORTANT WISH. 207 00:12:22,200 --> 00:12:23,320 GOT IT? 208 00:12:23,490 --> 00:12:24,490 MM-HMM. 209 00:12:24,660 --> 00:12:25,700 OK. YOU RUN ON OUT BACK. 210 00:12:25,870 --> 00:12:28,580 BUT I DON'T HAVE TO GO ANYMORE, PA. 211 00:12:28,740 --> 00:12:30,500 WELL, THEN YOU BETTER GET TO BED. 212 00:12:30,660 --> 00:12:32,710 OH, PA, I DO LOVE YOU. 213 00:12:32,870 --> 00:12:35,290 I LOVE YOU, TOO. 214 00:12:35,460 --> 00:12:37,040 OFF TO BED. HAVE A GOOD SLEEP. 215 00:12:37,210 --> 00:12:38,670 YOU, TOO, PA. 216 00:12:53,270 --> 00:12:56,560 CHRISTY, YOUR WORD IS "PUZZLE." 217 00:12:56,730 --> 00:13:01,940 PUZZLE, P-U-Z-Z-L, PUZZLE. 218 00:13:02,110 --> 00:13:03,900 I'M SORRY. THAT'S WRONG. 219 00:13:05,160 --> 00:13:06,870 MARY? 220 00:13:07,030 --> 00:13:10,540 PUZZLE, P-U-Z-Z-L-E, PUZZLE. 221 00:13:10,700 --> 00:13:12,580 THAT'S CORRECT. 222 00:13:12,750 --> 00:13:16,630 NELLIE, YOUR WORD IS "WHISTLE." 223 00:13:16,790 --> 00:13:20,670 WHISTLE, W-H-I-S-L-E, WHISTLE. 224 00:13:20,840 --> 00:13:22,880 I'M SORRY, NELLIE. THAT'S WRONG. 225 00:13:24,930 --> 00:13:25,970 MARY? 226 00:13:26,140 --> 00:13:30,010 WHISTLE, W-H-I-S-T-L-E, WHISTLE. 227 00:13:30,180 --> 00:13:31,310 THAT'S CORRECT. THAT MAKES YOU THE WINNER 228 00:13:31,470 --> 00:13:33,890 FOR THE WEEK, AND YOU GET A GOLD STAR. 229 00:13:40,770 --> 00:13:41,940 WELL, IT'S A FEW MINUTES EARLY, 230 00:13:42,110 --> 00:13:45,450 BUT I THINK I'LL DISMISS THE CLASS ANYWAY. 231 00:13:45,610 --> 00:13:46,820 HAVE A NICE WEEKEND, 232 00:13:46,990 --> 00:13:49,780 BUT NOT SO NICE THAT YOU FORGET TO DO YOUR HOMEWORK. 233 00:13:52,040 --> 00:13:54,290 - JOHNNY. - YES, MA'AM? 234 00:13:54,460 --> 00:13:57,370 I BELIEVE IT'S YOUR TURN TO CLEAN THE BLACKBOARDS. 235 00:13:57,540 --> 00:13:59,170 YES, MA'AM. 236 00:14:04,760 --> 00:14:06,510 LAURA? 237 00:14:08,090 --> 00:14:10,350 DID YOU WISH TO SPEAK TO ME ABOUT SOMETHING? 238 00:14:12,220 --> 00:14:15,810 WELL, I, UH... 239 00:14:15,980 --> 00:14:18,150 I WANTED... 240 00:14:18,310 --> 00:14:21,480 I HOPE YOU HAVE A GOOD TIME, TOO. 241 00:14:21,650 --> 00:14:23,440 THANK YOU, LAURA. 242 00:14:36,660 --> 00:14:38,870 WAIT A MINUTE, MARY. 243 00:14:39,040 --> 00:14:40,130 WHAT? 244 00:14:40,290 --> 00:14:42,000 I REMEMBER I FORGOT SOMETHING. I HAVE TO GO BACK. 245 00:14:42,170 --> 00:14:43,090 OH, FIDDLE. 246 00:14:43,250 --> 00:14:44,800 YOU REALLY ARE A FLUTTERBUDGET. 247 00:14:44,960 --> 00:14:45,920 I'LL GO WITH YOU. 248 00:14:46,090 --> 00:14:47,260 OH, NO. YOU DON'T HAVE TO COME. 249 00:14:47,420 --> 00:14:49,470 YOU CAN WAIT HERE. I'LL RUN ALL THE WAY. 250 00:15:00,350 --> 00:15:01,980 [FOOTSTEPS] 251 00:15:06,190 --> 00:15:08,320 WE'RE HAVING A PICNIC AT CATTAIL LAKE TOMORROW. 252 00:15:08,490 --> 00:15:09,820 THE FISHING'S REAL GOOD. 253 00:15:09,990 --> 00:15:12,490 SEE YOU OUT THERE...EARLY! 254 00:15:22,380 --> 00:15:24,460 OH. 255 00:15:33,390 --> 00:15:36,140 DON'T WORRY, JOHNNY. I'M A GOOD COOK. 256 00:15:39,180 --> 00:15:42,690 DO YOU WANT TO COME? 257 00:15:42,860 --> 00:15:44,820 DON'T MIND IF I DO. 258 00:15:55,240 --> 00:15:58,000 JUST LIKE PA. 259 00:16:05,750 --> 00:16:07,420 OH! 260 00:16:07,590 --> 00:16:09,760 YOU GAVE ME A START, SNEAKING UP ON ME LIKE THAT. 261 00:16:09,920 --> 00:16:11,260 WHAT DO YOU MEAN, SNEAKING? 262 00:16:11,430 --> 00:16:12,970 BOOK OF ETIQUETTE SAYS WHEN YOU'RE KISSED BY A MAN, 263 00:16:13,140 --> 00:16:14,300 YOU'RE SUPPOSED TO KISS HIM BACK. 264 00:16:14,470 --> 00:16:15,760 OH, IT DOES? 265 00:16:15,930 --> 00:16:18,430 YES. THAT'S THE CHARLES INGALLS BOOK OF ETIQUETTE. 266 00:16:24,150 --> 00:16:26,690 [JACK BARKING] 267 00:16:26,860 --> 00:16:28,780 HI, JACK! 268 00:16:35,820 --> 00:16:38,410 OH, PA, THANK YOU! 269 00:16:38,580 --> 00:16:39,950 FOR WHAT, HALF-PINT? 270 00:16:40,120 --> 00:16:42,460 FOR A WISH THAT'S COME TRUE. 271 00:16:48,050 --> 00:16:50,800 DON'T LOOK AT ME. SHE'S YOUR DAUGHTER. 272 00:16:53,180 --> 00:16:56,390 WE'VE GOT TO GET THAT KEROSENE CAN REFILLED. 273 00:16:56,550 --> 00:17:00,470 YES. LET'S SEE. WE NEED NAVY BEANS... 274 00:17:00,640 --> 00:17:02,520 - ALL RIGHT. - FLOUR... 275 00:17:02,690 --> 00:17:04,400 UH, SALT, TEA... 276 00:17:04,560 --> 00:17:07,560 AND, UH, LET'S HAVE A LITTLE WHITE SUGAR. 277 00:17:07,730 --> 00:17:09,020 ALL FINISHED, MA. 278 00:17:09,190 --> 00:17:11,650 SPICK-AND-SPAN OR JUST A LICK AND A PROMISE? 279 00:17:11,820 --> 00:17:13,990 I EVEN FOUND THAT RIBBON I LOST. 280 00:17:14,150 --> 00:17:16,370 IT WAS WAY, WAY UNDER THE BED. 281 00:17:16,530 --> 00:17:18,830 WHERE ELSE WOULD IT BE? 282 00:17:18,990 --> 00:17:21,160 CAN I TAKE ALONG THE OATMEAL COOKIES? 283 00:17:21,330 --> 00:17:22,910 CERTAINLY. 284 00:17:24,960 --> 00:17:27,380 YOU'RE REALLY IN A HURRY THIS MORNING, HALF-PINT. 285 00:17:27,540 --> 00:17:29,630 YOU SAY THE FISH BITE BEST EARLY. 286 00:17:29,800 --> 00:17:32,210 WHAT ARE YOU GOING TO USE FOR BAIT--OATMEAL COOKIES? 287 00:17:32,380 --> 00:17:33,840 'COURSE NOT. GRUBS AND WORMS. 288 00:17:34,010 --> 00:17:35,680 IT'S AN AWFUL BIG LUNCH FOR ONE LITTLE GIRL. 289 00:17:35,840 --> 00:17:37,590 WELL, FISHING MAKES ME REAL HUNGRY. 290 00:17:37,760 --> 00:17:38,970 BYE, MA. BYE, PA. 291 00:17:39,140 --> 00:17:41,060 YOU BE CAREFUL. 292 00:17:41,220 --> 00:17:42,930 WHAT ABOUT THE DOOR? 293 00:17:59,990 --> 00:18:01,950 Johnny: HEY, THERE! 294 00:18:03,540 --> 00:18:05,370 OH, HI! 295 00:18:05,540 --> 00:18:06,710 HI. 296 00:18:06,870 --> 00:18:08,250 THIS IS JACK. 297 00:18:08,420 --> 00:18:09,500 HI, JACK. HOW YOU DOING? 298 00:18:09,670 --> 00:18:10,840 HE'S A GOOD ONE. 299 00:18:11,000 --> 00:18:12,250 MY PA HAD TO GO INTO TOWN, 300 00:18:12,420 --> 00:18:13,710 SO I HAD SOME EXTRA CHORES TO DO. 301 00:18:13,880 --> 00:18:14,880 THAT'S ALL RIGHT. 302 00:18:15,050 --> 00:18:17,090 GAVE ME TIME TO FIND SOME FAT GRUBS. 303 00:18:17,260 --> 00:18:19,470 YEAH, I GUESS. 304 00:18:19,640 --> 00:18:21,970 UM...MARY DIDN'T WAIT, HUH? 305 00:18:22,140 --> 00:18:23,720 NO. SHE'D RATHER STAY HOME 306 00:18:23,890 --> 00:18:26,230 WITH HER NOSE IN ONE OF HER SCHOOLBOOKS. 307 00:18:26,390 --> 00:18:27,850 OHH... 308 00:18:28,020 --> 00:18:30,230 YOU KNOW, I RECKON THAT'S WHY SHE'S SO SMART. 309 00:18:30,400 --> 00:18:31,860 YOU KNOW, I BET SHE'LL WIN THAT GOLD MEDAL 310 00:18:32,020 --> 00:18:33,690 FOR THE BEST STUDENT, DON'T YOU THINK? 311 00:18:33,860 --> 00:18:35,030 NOW, IF WE DON'T GET STARTED, 312 00:18:35,190 --> 00:18:36,650 WE WON'T EVEN GET A BITE. 313 00:18:39,820 --> 00:18:41,660 HEY, YOU GOT ONE! 314 00:18:41,830 --> 00:18:44,240 GOLLY, MOSES, LAURA! 315 00:18:44,410 --> 00:18:46,080 THAT'S THE BIGGEST ONE YET! 316 00:18:46,250 --> 00:18:47,580 BOY! 317 00:18:47,750 --> 00:18:48,750 HEY, THAT WAS REALLY SMART, 318 00:18:48,920 --> 00:18:50,080 THE WAY YOU LET HIM SWALLOW UP YOUR BAIT 319 00:18:50,250 --> 00:18:52,710 RATHER THAN YANKING ON HIM REALLY QUICK. 320 00:18:54,760 --> 00:18:56,800 YEAH. HE'S A BIG'UN! 321 00:19:00,050 --> 00:19:01,680 BOY, LAURA, YOU KNOW, YOU AIN'T NOTHING 322 00:19:01,850 --> 00:19:04,470 LIKE THE OTHER GIRLS. 323 00:19:04,640 --> 00:19:05,930 I'M NOT? 324 00:19:06,100 --> 00:19:08,640 NO! YOU'RE-- YOU'RE DIFFERENT. 325 00:19:08,810 --> 00:19:11,270 YOU REALLY THINK SO, JOHNNY? 326 00:19:11,440 --> 00:19:12,860 SURE, I DO. 327 00:19:13,020 --> 00:19:15,280 YOU KNOW, I DON'T KNOW ANY OTHER GIRL IN THE WHOLE SCHOOL 328 00:19:15,440 --> 00:19:18,150 WHO CAN PUT A WIGGLY WORM ON THE HOOK THE WAY YOU DO. 329 00:19:41,130 --> 00:19:43,050 WHAT A PRETTY SONG-- 330 00:19:43,220 --> 00:19:46,220 SQUIRRELS PLAYING AND FISH JUMPING. 331 00:19:46,390 --> 00:19:49,640 THIS IS SUCH A CHEERFUL PLACE. 332 00:19:49,810 --> 00:19:50,980 AT TIMES LIKE THIS, 333 00:19:51,140 --> 00:19:53,730 I FEEL ALL WARM AND SPARKY INSIDE. 334 00:19:53,900 --> 00:19:56,440 YOU EVER FEEL THAT WAY, JOHNNY? 335 00:20:14,710 --> 00:20:16,840 HEY. IT SURE WAS GOOD FISHING. 336 00:20:17,000 --> 00:20:18,340 IT WAS GOOD LUNCH, TOO. 337 00:20:18,510 --> 00:20:20,670 HEY. YOU GOT ANY MORE OF THEM FINE OATMEAL COOKIES LEFT? 338 00:20:20,840 --> 00:20:22,340 YOU ATE THEM ALL. 339 00:20:22,510 --> 00:20:24,930 OH. WELL, HERE'S YOUR CATCH, LAURA. 340 00:20:25,100 --> 00:20:26,260 YOU WANT SOME OF MINE? 341 00:20:26,430 --> 00:20:28,060 OH, NO, NO, NO. IT'S JUST MY PA AND ME. 342 00:20:28,220 --> 00:20:29,850 I THINK THIS IS FINE. 343 00:20:30,020 --> 00:20:32,560 WELL, I GOT TO BE GOING. 344 00:20:32,730 --> 00:20:35,270 BYE-BYE, JACK. 345 00:20:35,440 --> 00:20:37,860 OH. HEY, LAURA. 346 00:20:38,030 --> 00:20:39,610 WILL YOU DO ME A FAVOR? 347 00:20:39,780 --> 00:20:41,110 SURE! 348 00:20:41,280 --> 00:20:43,070 WILL YOU TELL MARY THAT IF THAT HARRY BAKER 349 00:20:43,240 --> 00:20:45,240 KEEPS ON PESTERING HER THAT I'LL BE GLAD 350 00:20:45,410 --> 00:20:46,740 TO TEACH HIM SOME MANNERS, ALL RIGHT? 351 00:20:46,910 --> 00:20:49,040 WELL, HARRY PESTERS ALL THE GIRLS. 352 00:20:49,200 --> 00:20:51,660 HE PESTERS ME, TOO! 353 00:20:51,830 --> 00:20:53,500 WELL, YOU OUGHT TO CUFF HIM ONE ON THE EAR THEN. 354 00:20:53,670 --> 00:20:55,080 I'LL SEE YOU. 355 00:20:58,050 --> 00:21:00,590 JACK, YOU COME BACK HERE! 356 00:21:10,020 --> 00:21:12,060 Laura, voice-over: IT WAS A ROTTEN PICNIC, 357 00:21:12,230 --> 00:21:15,400 NOT LIKE MA FINDING OUT SHE AND PA WERE KINDRED SPIRITS 358 00:21:15,560 --> 00:21:17,810 WHO COULD READ EACH OTHER'S THOUGHTS. 359 00:21:17,980 --> 00:21:19,480 ALL THAT I LEARNED ABOUT JOHNNY WAS 360 00:21:19,650 --> 00:21:22,150 THAT HE COULD EAT A LOT OF OATMEAL COOKIES. 361 00:21:24,280 --> 00:21:26,740 MA SAID YOU COULD TELL EACH OTHER'S THOUGHTS. 362 00:21:26,910 --> 00:21:28,950 WELL, AS MUCH AS ANY MAN CAN READ 363 00:21:29,120 --> 00:21:32,250 ANY WOMAN'S THOUGHTS, I GUESS. 364 00:21:32,410 --> 00:21:35,500 CAN I ASK A COUPLE QUESTIONS ABOUT WHAT MEN THINK? 365 00:21:35,670 --> 00:21:37,000 MM-HMM. WHY NOT? 366 00:21:37,170 --> 00:21:40,920 MA'S SMART. DO MEN LIKE SMART GIRLS THE BEST? 367 00:21:41,090 --> 00:21:42,510 UH, SOME DO. 368 00:21:42,670 --> 00:21:44,630 SOME LIKE THEM SWEET AND GENTLE. 369 00:21:44,800 --> 00:21:46,550 SOME LIKE THEM FULL OF VINEGAR. 370 00:21:46,720 --> 00:21:49,430 YOUR MA'S KIND OF ALL THOSE THINGS ROLLED INTO ONE. 371 00:21:49,600 --> 00:21:51,430 WHAT DID YOU LIKE BEST ABOUT MA? 372 00:21:51,600 --> 00:21:54,390 WELL, I THINK WHAT I LIKED BEST ABOUT HER 373 00:21:54,560 --> 00:21:55,770 WAS SHE KNEW WHEN TO BE QUIET AND NOT ASK A BUNCH 374 00:21:55,940 --> 00:21:58,730 OF SILLY QUESTIONS WHILE A MAN WAS WORKING. 375 00:21:58,900 --> 00:22:00,570 JUST ONE MORE, PA. 376 00:22:00,730 --> 00:22:03,280 ALL RIGHT. ONE MORE. 377 00:22:03,440 --> 00:22:06,530 DID YOU LIKE ANY OTHER GIRLS BEFORE YOU LIKED MA? 378 00:22:08,320 --> 00:22:12,330 DID YOU EVER PUT YOURS AND HER INITIALS ON A SWEETHEART TREE? 379 00:22:12,490 --> 00:22:14,750 WELL, THAT'S 2 QUESTIONS, HALF-PINT. 380 00:22:14,910 --> 00:22:16,670 AS FOR THE INITIALING, 381 00:22:16,830 --> 00:22:17,960 I DON'T THINK I DID, ALTHOUGH I WOULD HAVE 382 00:22:18,130 --> 00:22:19,630 IF I WOULD HAVE THOUGHT OF IT. 383 00:22:19,790 --> 00:22:21,840 AS FOR WHETHER I LIKED ANY OTHER GIRLS, 384 00:22:22,000 --> 00:22:24,460 I WOULDN'T ANSWER THAT QUESTION FOR YOU OR YOUR MA. 385 00:22:24,630 --> 00:22:25,760 NOW, RUN ALONG, 386 00:22:25,920 --> 00:22:27,840 LET ME FINISH CARRIE'S HIGHCHAIR, HUH? 387 00:22:38,650 --> 00:22:39,980 HAS LAURA BEEN ASKING YOU 388 00:22:40,150 --> 00:22:42,020 SOME FUNNY QUESTIONS LATELY? 389 00:22:42,190 --> 00:22:45,070 SHE ASKED ME HOW WE MET, 390 00:22:45,240 --> 00:22:46,400 ABOUT OUR COURTSHIP. 391 00:22:46,570 --> 00:22:47,860 WELL, I'LL BE DARNED. 392 00:22:48,030 --> 00:22:49,200 WHEN I WAS OUT BY THE BARN WORKING, 393 00:22:49,360 --> 00:22:50,740 SHE WAS ASKING ME THE SAME KIND OF THING-- 394 00:22:50,910 --> 00:22:52,660 WHAT MEN LIKE ABOUT WOMEN. 395 00:22:52,830 --> 00:22:55,660 - REALLY? - YEAH. 396 00:22:55,830 --> 00:22:58,330 DON'T SUPPOSE SHE'S GOT A LITTLE CASE OF PUPPY LOVE, DO YOU? 397 00:22:58,500 --> 00:23:02,500 - LAURA? - MM-HMM. 398 00:23:02,670 --> 00:23:04,210 WELL, CHARLES... 399 00:23:04,380 --> 00:23:06,550 I CAN REMEMBER CHASING SOMEBODY 400 00:23:06,720 --> 00:23:10,010 WHEN I WAS YOUNGER THAN LAURA IS. 401 00:23:10,180 --> 00:23:12,390 I EVEN REMEMBER SLOWING DOWN SO YOU COULD CATCH ME. 402 00:23:12,550 --> 00:23:14,310 HA HA! 403 00:23:26,320 --> 00:23:27,240 YOU KNOW... 404 00:23:27,400 --> 00:23:28,570 I THOUGHT WHAT REVEREND ALDEN SAID 405 00:23:28,740 --> 00:23:30,700 ABOUT THE MISSIONS IN CHINA WAS INTERESTING. 406 00:23:30,860 --> 00:23:33,030 I HOPE HE TELLS US MORE NEXT SUNDAY. 407 00:23:33,200 --> 00:23:34,910 WHAT DID YOU THINK, LAURA? 408 00:23:35,080 --> 00:23:37,540 I THOUGHT THE SERMON WAS TOO LONG. 409 00:23:37,700 --> 00:23:39,370 WELL...WHY? 410 00:23:39,540 --> 00:23:42,080 BECAUSE MY LEGS WENT TO SLEEP. 411 00:23:51,300 --> 00:23:52,970 HEY, HALF-PINT. 412 00:23:53,140 --> 00:23:54,550 IF I HAVE THIS FISH TRAP FINISHED 413 00:23:54,720 --> 00:23:56,060 BY THE TIME YOU GET DONE COLLECTING EGGS, 414 00:23:56,220 --> 00:23:57,520 YOU CAN HELP ME PUT IT IN THE CREEK. 415 00:23:57,680 --> 00:23:59,430 OK, PA. 416 00:24:02,520 --> 00:24:05,360 IT'S JOHNNY JOHNSON! 417 00:24:10,900 --> 00:24:12,200 LAURA... 418 00:24:12,360 --> 00:24:13,990 CARRIE'S ASLEEP. 419 00:24:50,320 --> 00:24:52,610 WELL, IF IT ISN'T JOHNNY JOHNSON. 420 00:24:52,780 --> 00:24:54,610 HEY, I WAS JUST TELLING YOUR PA HERE 421 00:24:54,780 --> 00:24:56,320 HE DON'T NEED TO WORK ON THAT FISH TRAP 422 00:24:56,490 --> 00:24:59,290 THE WAY YOU CATCH FISH, LAURA. 423 00:24:59,450 --> 00:25:03,170 WANT TO HELP US SET IT UP AT THE FALLS, JOHNNY? 424 00:25:03,330 --> 00:25:05,130 WELL, HEY, I'D SURE LIKE TO. 425 00:25:05,290 --> 00:25:06,500 GOOD. 426 00:25:06,670 --> 00:25:08,550 ONLY I DON'T KNOW IF I CAN. 427 00:25:08,710 --> 00:25:09,750 WHY NOT? 428 00:25:09,920 --> 00:25:11,300 WELL... 429 00:25:11,460 --> 00:25:14,130 YOU SEE, I CAME HERE TO ASK A FAVOR. 430 00:25:14,300 --> 00:25:15,640 WHAT KIND OF FAVOR? 431 00:25:15,800 --> 00:25:17,300 WELL... 432 00:25:17,470 --> 00:25:19,810 YOU SEE, I'M GETTING REALLY BEHIND 433 00:25:19,970 --> 00:25:21,640 IN THESE READING WORDS, YOU KNOW? 434 00:25:21,810 --> 00:25:24,270 AND THAT MAKES THE HOMEWORK AWFULLY HARD. 435 00:25:24,440 --> 00:25:28,360 SO I WAS FIGURING ON MAYBE ASKING MARY TO HELP SOME. 436 00:25:28,520 --> 00:25:31,650 YOU KNOW, I MEAN, HER WANTING TO BE A TEACHER AND ALL, 437 00:25:31,820 --> 00:25:34,320 MAYBE SHE WOULDN'T MIND. 438 00:25:34,490 --> 00:25:35,910 IF IT'S ALL RIGHT, THAT IS. 439 00:25:36,070 --> 00:25:37,820 IT'S FINE WITH ME. 440 00:25:37,990 --> 00:25:39,490 YOU DON'T THINK SHE'D MIND? 441 00:25:39,660 --> 00:25:42,200 I MEAN, YOU KNOW, TAKING HER AWAY FROM HER STUDYING AND ALL. 442 00:25:42,370 --> 00:25:44,160 ONLY ONE WAY TO FIND OUT. 443 00:25:44,330 --> 00:25:46,000 GO ON TO THE HOUSE AND ASK HER. 444 00:25:46,170 --> 00:25:48,960 YES, SIR. THANK YOU VERY MUCH. 445 00:25:49,130 --> 00:25:50,750 A NICE BOY. 446 00:25:50,920 --> 00:25:53,720 WHY DON'T YOU CUT ME SOME MORE LENGTHS OF STRING, HUH? 447 00:25:53,880 --> 00:25:56,050 GOT TO COLLECT THE EGGS. 448 00:25:59,600 --> 00:26:02,140 Johnny: HEY, MARY. 449 00:26:02,310 --> 00:26:04,560 MARY! 450 00:26:05,600 --> 00:26:06,690 OH, HI, JOHNNY. 451 00:26:06,850 --> 00:26:08,520 HI. MARY, I WAS WONDERING 452 00:26:08,690 --> 00:26:10,860 IF YOU'D HELP ME WITH MY READING WORDS A LITTLE BIT. 453 00:26:11,020 --> 00:26:13,030 SURE. COME ON IN. 454 00:26:13,190 --> 00:26:14,530 I'D APPRECIATE IT. 455 00:26:21,740 --> 00:26:23,450 MIND THE MUSH, PLEASE, MARY. 456 00:26:23,620 --> 00:26:25,040 MUSH MEAT, MARY. 457 00:26:25,210 --> 00:26:26,210 YES, MA. 458 00:26:26,370 --> 00:26:28,080 - MA? - MM-HMM? 459 00:26:28,250 --> 00:26:30,420 CAN I WEAR MY BLUE SUNDAY RIBBONS TO SCHOOL TODAY? 460 00:26:30,590 --> 00:26:32,420 PLEASE, MAY I. 461 00:26:32,590 --> 00:26:33,920 PLEASE, MAY I? 462 00:26:34,090 --> 00:26:36,130 PROVIDED YOU REMEMBER TO WEAR THEM HOME AGAIN. 463 00:26:36,300 --> 00:26:38,220 I WILL. 464 00:26:43,810 --> 00:26:44,850 MORNING. 465 00:26:45,020 --> 00:26:46,560 MORNING, PA. 466 00:26:47,560 --> 00:26:48,770 Charles: MORNING, HALF-PINT. 467 00:26:48,940 --> 00:26:50,980 MORNING, PA. 468 00:26:51,150 --> 00:26:53,730 WAIT A MINUTE. I'LL FETCH THE WATER, MARY. 469 00:26:53,900 --> 00:26:55,440 IT'S NOT YOUR TURN. 470 00:26:55,610 --> 00:26:57,610 WELL, YOU'LL HAVE TO OWE ME A TURN SOMETIME. 471 00:26:57,780 --> 00:26:59,070 AFTER ALL, I AM THE FASTEST RUNNER. 472 00:26:59,240 --> 00:27:01,320 WE DON'T WANT TO BE LATE FOR SCHOOL. 473 00:27:06,370 --> 00:27:09,170 FIRST TIME WE EVER HEARD HER FIGHTING TO DO THE CHORES. 474 00:27:23,050 --> 00:27:25,180 [JACK WHIMPERING] 475 00:27:33,820 --> 00:27:36,280 MY FAVORITE SUBJECT WAS RECESS. 476 00:27:36,440 --> 00:27:38,650 I CAN REMEMBER ONE TIME GETTING MY KNUCKLES RAPPED 477 00:27:38,820 --> 00:27:40,780 BY THE TEACHER DURING ARITHMETIC. 478 00:27:40,950 --> 00:27:43,240 THE PROBLEM WAS, "IT IS NOW 9:30. 479 00:27:43,410 --> 00:27:45,700 "RECESS IS AT 10:45. 480 00:27:45,870 --> 00:27:48,370 HOW LONG IS IT TILL RECESS?" 481 00:27:48,540 --> 00:27:50,080 AN HOUR AND 15 MINUTES. 482 00:27:50,250 --> 00:27:51,330 THAT'S CORRECT. 483 00:27:51,500 --> 00:27:53,130 BUT MY ANSWER WAS "TOO LONG." 484 00:27:53,290 --> 00:27:54,500 CHARLES. 485 00:27:54,670 --> 00:27:56,340 I NEVER SAID I WAS A GOOD STUDENT. 486 00:28:04,510 --> 00:28:06,260 Laura: I FELL IN THE CREEK. 487 00:28:06,430 --> 00:28:07,770 LAURA! 488 00:28:07,930 --> 00:28:09,060 ARE YOU HURT? 489 00:28:09,230 --> 00:28:10,850 I'M NOT HURT, MA. 490 00:28:11,020 --> 00:28:12,270 HERE'S THE WATER. 491 00:28:12,440 --> 00:28:14,230 WE DIDN'T NEED QUITE THAT MUCH WATER, HALF-PINT. 492 00:28:14,400 --> 00:28:16,860 NOW, YOU GO ON UPSTAIRS AND GET SOME DRY CLOTHES ON. 493 00:28:17,030 --> 00:28:18,820 THERE'S ONLY YOUR SUNDAY DRESS. 494 00:28:18,990 --> 00:28:20,240 I'LL BE CAREFUL OF IT, MA. 495 00:28:20,400 --> 00:28:22,700 YOU BETTER. IT'S THE ONLY GOOD DRESS YOU GOT. 496 00:28:24,160 --> 00:28:25,740 YOU'RE NOT TO GET IT TORN PLAYING 497 00:28:25,910 --> 00:28:27,080 ANY ROUGH-AND-TUMBLE GAMES. 498 00:28:27,240 --> 00:28:28,240 PROMISE? 499 00:28:28,410 --> 00:28:30,210 I PROMISE, MA. 500 00:28:40,340 --> 00:28:42,880 [CHILDREN LAUGHING AND SINGING] 501 00:29:00,780 --> 00:29:02,490 - THERE'S MA! - THERE'S MA! 502 00:29:06,120 --> 00:29:07,490 Mary: MA! 503 00:29:07,660 --> 00:29:09,370 DID YOU COME TO VISIT SCHOOL? 504 00:29:09,540 --> 00:29:12,040 NO. I JUST CAME TO SAY HELLO TO MISS BEADLE. 505 00:29:12,210 --> 00:29:13,370 HOW NICE! 506 00:29:13,540 --> 00:29:15,290 WHY DON'T YOU 2 GIRLS RUN ON AND PLAY? 507 00:29:15,460 --> 00:29:17,460 RECESS IS ALMOST OVER NOW. 508 00:29:20,510 --> 00:29:22,470 COME SIT UP HERE. 509 00:29:23,880 --> 00:29:26,300 I GATHER THIS IS MORE THAN A SOCIAL VISIT. 510 00:29:26,470 --> 00:29:28,260 UH, YES, IT IS. 511 00:29:28,430 --> 00:29:30,600 - OH, THIS IS LOVELY. - THANK YOU. 512 00:29:30,770 --> 00:29:31,890 ARE YOU WORRIED ABOUT LAURA? 513 00:29:32,060 --> 00:29:33,690 YES, I AM. 514 00:29:33,850 --> 00:29:36,560 YES. I AM, TOO. 515 00:29:36,730 --> 00:29:38,730 SHE'S SUCH A GOOD STUDENT, 516 00:29:38,900 --> 00:29:40,190 BUT LATELY... 517 00:29:40,360 --> 00:29:41,690 WELL, SHE JUST HASN'T BEEN DOING THE KIND OF WORK 518 00:29:41,860 --> 00:29:43,320 SHE SHOULD BE DOING. 519 00:29:44,740 --> 00:29:47,740 SHE'S DISTRACTED. SHE'S INATTENTIVE. 520 00:29:47,910 --> 00:29:49,700 BOY STRUCK'? 521 00:29:49,870 --> 00:29:52,160 I'M AFRAID SO. 522 00:29:54,370 --> 00:29:56,290 JOHNNY JOHNSON? 523 00:29:57,830 --> 00:30:00,920 HE'S A NEW BOY, STARTED SCHOOL A FEW DAYS AGO. 524 00:30:01,090 --> 00:30:02,510 HE'S A NICE BOY, 525 00:30:02,670 --> 00:30:06,130 BUT I'M AFRAID HE'S JUST NOT INTERESTED IN LAURA. 526 00:30:07,390 --> 00:30:10,890 HE ASKED MARY TO HELP HIM WITH HIS READING. 527 00:30:11,060 --> 00:30:14,140 YES. MARY'S BEEN VERY POLITE AND VERY HELPFUL, 528 00:30:14,310 --> 00:30:18,150 BUT I'M AFRAID SHE'S NOT INTERESTED IN JOHNNY JOHNSON. 529 00:30:20,020 --> 00:30:22,070 I DON'T KNOW IF THAT MAKES THE PROBLEM EASIER 530 00:30:22,230 --> 00:30:23,820 OR MORE DIFFICULT. 531 00:30:25,240 --> 00:30:28,110 FROM WHAT I CAN REMEMBER FROM MY TEACHING DAYS, 532 00:30:28,280 --> 00:30:31,450 THESE FIRST LOVES ARE LIKE A HEAT RASH-- 533 00:30:31,620 --> 00:30:34,160 QUICKLY COME AND QUICKLY GONE. 534 00:30:35,790 --> 00:30:37,830 I WOULDN'T WORRY ABOUT IT. 535 00:30:38,000 --> 00:30:39,420 BUT IF IT WILL MAKE YOU FEEL ANY BETTER, 536 00:30:39,580 --> 00:30:42,000 I DO INTEND TO TALK TO LAURA ABOUT HER HOMEWORK. 537 00:30:43,170 --> 00:30:44,800 THANK YOU, MISS BEADLE. 538 00:30:44,960 --> 00:30:47,340 YOU'RE WELCOME, AND DON'T WORRY. 539 00:30:58,980 --> 00:31:03,610 [CHILDREN LAUGHING AND PLAYING] 540 00:31:03,780 --> 00:31:06,530 [CHILDREN SINGING "RING AROUND THE ROSIE"] 541 00:31:11,280 --> 00:31:13,080 HARRY, NO! 542 00:31:13,240 --> 00:31:14,580 SOMEBODY STOP HIM! 543 00:31:14,740 --> 00:31:16,290 HEY, DON'T DO THAT! HE DIDN'T DO NOTHING TO YOU! 544 00:31:16,450 --> 00:31:17,460 Johnny: GIVE ME THAT! 545 00:31:17,620 --> 00:31:18,670 GIVE IT BACK! IT'S MINE! 546 00:31:18,830 --> 00:31:20,710 JOHNNY! HARRY! COME IN HERE THIS INSTANT! 547 00:31:28,680 --> 00:31:30,680 NOW SEE WHAT YOU'VE DONE? 548 00:31:30,840 --> 00:31:32,800 YOU'VE GOT THEM BOTH IN TROUBLE. 549 00:31:32,970 --> 00:31:34,640 WHY DIDN'T YOU JUST GRAB THE SLINGSHOT 550 00:31:34,810 --> 00:31:37,020 INSTEAD OF SQUEALING FOR JOHNNY TO TAKE NOTICE 551 00:31:37,180 --> 00:31:38,480 AND COME TO YOUR RESCUE? 552 00:31:38,640 --> 00:31:41,440 WELL, IF THAT ISN'T A POT CALLING THE KETTLE BLACK! 553 00:31:41,600 --> 00:31:43,770 YOU'RE THE ONE ALWAYS TRYING TO GET HIM TO TAKE NOTICE. 554 00:31:43,940 --> 00:31:46,860 I DON'T GIVE A HOOT FOR YOUR DUMB OLD JOHNNY JOHNSON. 555 00:31:47,030 --> 00:31:48,780 HE'S NOT DUMB! 556 00:31:48,950 --> 00:31:52,070 AND JUST FOR THAT, YOU CAN WALK HOME BY YOURSELF! 557 00:32:13,890 --> 00:32:15,510 Johnny: HEY, LAURA! 558 00:32:21,770 --> 00:32:22,850 HI. 559 00:32:23,020 --> 00:32:24,190 THOUGHT YOU HAD TO STAY AFTER SCHOOL. 560 00:32:24,360 --> 00:32:26,020 JUST TO GET MY NEW READER. 561 00:32:26,190 --> 00:32:27,360 YOU FINISHED THE OLD ONE? 562 00:32:27,530 --> 00:32:29,860 - YEAH. - YOU SURE ARE FAST. 563 00:32:30,030 --> 00:32:32,410 WELL, I COULDN'T HAVE DONE IT WITHOUT MARY'S HELP. 564 00:32:32,570 --> 00:32:33,780 SHE SURE IS A GOOD TEACHER. 565 00:32:33,950 --> 00:32:35,370 COME ON. LET'S CATCH UP AND TELL HER. 566 00:32:39,700 --> 00:32:41,870 WELL, AIN'T YOU COMING? 567 00:32:43,250 --> 00:32:45,080 IS SOMETHING WRONG? 568 00:32:45,250 --> 00:32:47,090 JUST TUCKERED. 569 00:32:47,250 --> 00:32:48,170 AW. 570 00:32:48,340 --> 00:32:50,090 WELL, I'LL SEE YOU TOMORROW. 571 00:32:50,260 --> 00:32:52,720 HEY, MARY! 572 00:32:53,760 --> 00:32:55,390 WAIT A MINUTE! 573 00:33:41,640 --> 00:33:43,940 NO PICTURES. LETTERS. 574 00:33:44,100 --> 00:33:45,140 PICTURES. 575 00:33:45,310 --> 00:33:47,230 NO, CARRIE. WE'RE GOING TO MAKE LETTERS NOW. 576 00:33:47,400 --> 00:33:49,230 - PICTURES. - LETTERS! 577 00:33:49,400 --> 00:33:51,320 - PICTURES! - LETTERS! 578 00:33:51,480 --> 00:33:52,780 LET HER DRAW! 579 00:33:52,940 --> 00:33:55,910 WHY DO YOU ALWAYS HAVE TO SPOIL EVERYTHING ANYWAY? 580 00:33:56,070 --> 00:33:57,870 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 581 00:33:58,030 --> 00:33:59,580 YOU DO, TOO. 582 00:33:59,740 --> 00:34:01,910 WE USED TO ALWAYS HAVE FUN WALKING HOME. 583 00:34:02,080 --> 00:34:04,960 NOW ALL YOU DO IS SHOW OFF PLAYING TEACHER. 584 00:34:05,120 --> 00:34:06,460 DON'T BE SILLY. 585 00:34:06,620 --> 00:34:07,830 I'M NOT BEING SILLY. 586 00:34:08,000 --> 00:34:10,420 AND YOU'RE TWO-FACED, MARY INGALLS, 587 00:34:10,590 --> 00:34:12,840 SAYING ONE THING BEHIND JOHNNY'S BACK 588 00:34:13,010 --> 00:34:14,880 AND ACTING ANOTHER TO HIS FACE! 589 00:34:15,050 --> 00:34:17,300 IT WASN'T MY IDEA TO PLAY TEACHER. IT WAS HIS! 590 00:34:17,470 --> 00:34:18,590 YOU'RE JUST A FOOLISH-- 591 00:34:18,760 --> 00:34:19,760 SHUT UP! 592 00:34:19,930 --> 00:34:21,260 YOU JUST SHUT UP! 593 00:34:21,430 --> 00:34:23,180 LAURA! I DON'T WANT YOU TO SPEAK TO YOUR SISTER THAT WAY, 594 00:34:23,350 --> 00:34:25,100 NOR TO ANYONE ELSE! 595 00:34:25,270 --> 00:34:28,350 ALL RIGHT. NOW, WHAT'S THIS ALL ABOUT? 596 00:34:28,520 --> 00:34:32,280 JUST A LITTLE ARGUMENT. 597 00:34:32,440 --> 00:34:34,110 WELL, NOTHING IS SOLVED BY SHUTTING OFF 598 00:34:34,280 --> 00:34:35,950 THE OTHER PERSON'S ARGUMENT. 599 00:34:36,110 --> 00:34:39,200 NOW, LAURA, I WANT YOU TO HEAR YOUR SISTER OUT. 600 00:34:59,970 --> 00:35:02,220 LAURA? 601 00:35:02,390 --> 00:35:04,560 I SENT THE GIRLS OUTSIDE... 602 00:35:04,720 --> 00:35:07,060 SO WE CAN HAVE A PRIVATE TALK. 603 00:35:11,060 --> 00:35:14,400 SAYING WHAT'S RIGHT ISN'T TAKING ANYBODY'S PART. 604 00:35:14,570 --> 00:35:17,400 NOW, I'M GOING TO TELL YOU JUST WHAT I TOLD MARY. 605 00:35:17,570 --> 00:35:19,410 QUARRELS WOULD NEVER LAST LONG 606 00:35:19,570 --> 00:35:22,280 IF THERE WAS ONLY ONE PERSON AT FAULT. 607 00:35:22,450 --> 00:35:24,540 I WANT YOU BOTH TO THINK ON THAT 608 00:35:24,700 --> 00:35:27,000 AND TO MAKE UP. 609 00:35:27,160 --> 00:35:28,920 YES, MA. 610 00:35:31,710 --> 00:35:34,090 WHAT'S REALLY BOTHERING YOU? 611 00:35:34,250 --> 00:35:37,630 NOTHING. HONEST. 612 00:35:37,800 --> 00:35:40,010 THAT'S NOT HONEST, LAURA. 613 00:35:45,930 --> 00:35:47,140 DO YOU THINK YOU'RE THE ONLY LITTLE GIRL 614 00:35:47,310 --> 00:35:49,690 WHO EVER FELT THIS WAY? 615 00:35:51,270 --> 00:35:55,480 BOTH YOUR PA AND I FELT JUST AS YOU DO ONCE. 616 00:35:55,650 --> 00:35:58,110 BUT EVERYTHING WAS WORKING OUT FINE 617 00:35:58,280 --> 00:36:00,150 WHEN YOU AND PA WERE COURTING. 618 00:36:00,320 --> 00:36:02,110 NO. I MEAN EARLIER, BEFORE THAT, 619 00:36:02,280 --> 00:36:06,660 WHEN WE WERE YOUNGER, WHEN WE WERE YOUR AGE. 620 00:36:06,830 --> 00:36:09,330 WE HAD OUR SHARE OF HEARTACHES. 621 00:36:09,500 --> 00:36:13,250 WELL, IT'S HARD THINKING OF YOU AND PA LITTLE. 622 00:36:13,420 --> 00:36:15,210 I SUPPOSE IT IS... 623 00:36:15,380 --> 00:36:18,800 BUT THE FARTHER YOU GET AWAY FROM IT, 624 00:36:18,970 --> 00:36:21,590 WHY, WE CAN EVEN LOOK BACK NOW AND LAUGH, 625 00:36:21,760 --> 00:36:24,640 JUST AS YOU WILL BE ABLE TO LAUGH AT THIS ONE DAY. 626 00:36:24,800 --> 00:36:25,970 YOU'LL SEE. 627 00:36:26,140 --> 00:36:29,980 IT'S ALL PART OF GROWING UP TO BE A WOMAN. 628 00:36:30,140 --> 00:36:33,100 I DON'T THINK I WANT TO GROW UP TO BE A WOMAN. 629 00:36:33,270 --> 00:36:35,730 - IT HURTS. - OH! 630 00:36:40,320 --> 00:36:44,450 WELL, NOBODY GROWS UP ALL THE WAY. 631 00:36:44,620 --> 00:36:47,200 THERE'S A LITTLE GIRL INSIDE EVERY WOMAN, 632 00:36:47,370 --> 00:36:51,160 JUST AS THERE'S A WOMAN INSIDE EVERY LITTLE GIRL. 633 00:36:51,330 --> 00:36:55,170 AND YOU MUSTN'T BE AFRAID TO HURT 634 00:36:55,330 --> 00:36:58,130 BECAUSE THAT'S A PART OF LIFE. 635 00:36:58,300 --> 00:37:01,010 HURT IS SOMETHING TO MEASURE HAPPINESS BY. 636 00:37:01,170 --> 00:37:04,970 IT'S LIKE VALLEYS AND MOUNTAIN PEAKS. 637 00:37:05,140 --> 00:37:06,180 WITHOUT THEM BOTH, 638 00:37:06,350 --> 00:37:09,390 THE WORLD WOULD BE FLAT AND UNINTERESTING. 639 00:37:09,560 --> 00:37:12,940 WITH ME IT'S ALL VALLEYS. 640 00:37:13,100 --> 00:37:14,690 I KEEP TRYING TO THINK OF WAYS 641 00:37:14,850 --> 00:37:16,360 TO MAKE JOHNNY LIKE ME BETTER, 642 00:37:16,520 --> 00:37:19,110 BUT NONE OF THEM SEEM TO WORK. 643 00:37:19,280 --> 00:37:22,700 HONEY, ONE OF THE BIGGEST MISTAKES THAT PEOPLE MAKE 644 00:37:22,860 --> 00:37:24,780 IS TRYING TO CHANGE THEMSELVES 645 00:37:24,950 --> 00:37:27,160 SO THAT SOMEBODY ELSE WILL LIKE THEM. 646 00:37:29,200 --> 00:37:33,710 IN A WAY, THAT'S A KIND OF A LIE. 647 00:37:33,870 --> 00:37:35,830 DEEP DOWN INSIDE OF ALL OF US 648 00:37:36,000 --> 00:37:37,960 THERE'S A SENSE OF TRUENESS 649 00:37:38,130 --> 00:37:40,300 TELLING US WHO WE REALLY ARE. 650 00:37:42,340 --> 00:37:46,010 BOTH YOUR PA AND I WANT YOU TO BE YOUR OWN TRUE SELF 651 00:37:46,180 --> 00:37:48,930 BECAUSE WE LOVE YOU, LAURA. 652 00:37:55,060 --> 00:37:59,650 I REMEMBER HE LIKED ME THE BEST THE FIRST DAY. 653 00:37:59,820 --> 00:38:02,110 HE SAID I WAS A PRETTY GOOD RUNNER. 654 00:38:02,280 --> 00:38:03,610 GOOD. 655 00:38:06,910 --> 00:38:09,700 NOW, WILL YOU COME DOWN AND GIVE ME A HAND WITH SUPPER? 656 00:38:14,410 --> 00:38:17,040 - MA? - HMM? 657 00:38:19,380 --> 00:38:21,920 I JUMPED IN THE CREEK. 658 00:38:22,090 --> 00:38:24,220 I KNOW THAT. 659 00:38:36,190 --> 00:38:38,810 SHE WAS JUST AS CUTE AS SHE COULD BE, 660 00:38:38,980 --> 00:38:42,020 TRYING TO FIGURE OUT WAYS TO GET THAT BOY TO LIKE HER, 661 00:38:42,190 --> 00:38:45,490 AND ALL THE TIME, HE WAS SMITTEN WITH MARY. 662 00:38:45,650 --> 00:38:47,820 I THOUGHT HE JUST WANTED MARY TO HELP HIM WITH HIS READING. 663 00:38:47,990 --> 00:38:51,160 OH, THAT WAS JUST AN EXCUSE. 664 00:38:51,330 --> 00:38:53,040 HOW OLD IS HE? 665 00:38:53,200 --> 00:38:55,870 I DON'T KNOW. 14, 15. 666 00:38:56,040 --> 00:38:57,120 WELL, WHY DOESN'T HE GET MISS BEADLE TO HELP HIM? 667 00:38:57,290 --> 00:38:58,500 THAT'S WHAT SHE'S THERE FOR. 668 00:38:58,670 --> 00:39:00,750 MARY WAS JUST TRYING TO BE NICE. 669 00:39:00,920 --> 00:39:03,710 WELL, I DON'T LIKE IT. 670 00:39:03,880 --> 00:39:04,960 WHY, CHARLES INGALLS! 671 00:39:05,130 --> 00:39:07,130 YOU SAID YOURSELF WHAT A NICE BOY HE IS. 672 00:39:07,300 --> 00:39:08,930 WELL, THAT'S WHEN I THOUGHT HE WAS A BOY! 673 00:39:09,090 --> 00:39:10,340 HE'S 15 YEARS OLD, CAROLINE. 674 00:39:10,510 --> 00:39:12,390 THAT'S NOT A BOY ANYMORE. THAT'S A MAN. 675 00:39:12,560 --> 00:39:15,560 YOU KNOW WHAT A FELLA'S LIKE WHEN HE'S 15 YEARS OLD? 676 00:39:15,730 --> 00:39:18,140 NO, CHARLES. YOU TELL ME. 677 00:39:18,310 --> 00:39:20,900 WHAT WERE YOU LIKE WHEN YOU WERE 15? 678 00:39:24,610 --> 00:39:26,570 GO SEE TO THE STOCK. 679 00:39:32,450 --> 00:39:35,200 I KNOW IT LOOKS DIFFICULT, BUT JUST THINK IT THROUGH. 680 00:39:35,370 --> 00:39:37,120 YOU CAN DO IT. 681 00:39:38,580 --> 00:39:40,670 THAT'S RIGHT. 682 00:39:40,830 --> 00:39:42,920 MEET ME BY THE SWEETHEART TREE. 683 00:39:43,090 --> 00:39:44,420 WHAT? 684 00:39:44,590 --> 00:39:47,760 AFTER SCHOOL, MEET ME BY THE SWEETHEART TREE. 685 00:39:47,920 --> 00:39:50,010 OH, YES. 686 00:40:10,950 --> 00:40:12,530 HI. 687 00:40:21,120 --> 00:40:24,040 SURE IS A BEAUTIFUL OLD TREE, ISN'T IT? 688 00:40:25,420 --> 00:40:28,050 YEAH...SURE IS. 689 00:40:30,420 --> 00:40:31,720 MUST BE, OH... 690 00:40:31,880 --> 00:40:35,220 A HUNDRED YEARS OLD, DON'T YOU THINK? 691 00:40:35,390 --> 00:40:36,470 [CHUCKLES] 692 00:40:36,640 --> 00:40:38,390 I GUESS. 693 00:40:43,310 --> 00:40:46,070 ARE THERE RINGS INSIDE TO TELL FOR SURE? 694 00:40:47,980 --> 00:40:49,490 OH...HA! 695 00:40:49,650 --> 00:40:51,530 I SUPPOSE. 696 00:40:51,700 --> 00:40:54,530 I DON'T KNOW MUCH ABOUT TREES. 697 00:40:54,700 --> 00:40:56,990 HOW MANY NAMES DO YOU FIGURE ARE ON IT? 698 00:40:57,160 --> 00:40:59,250 OH... 699 00:40:59,410 --> 00:41:01,750 LOOKS LIKE A WHOLE MESS. 700 00:41:03,080 --> 00:41:05,420 SOME BOYS DO IT IN SECRET. 701 00:41:09,130 --> 00:41:12,840 WELL, I RECKON IT'S BECAUSE THEY'RE SCARED. 702 00:41:13,010 --> 00:41:14,840 BUT YOU'RE NOT SCARED. 703 00:41:15,010 --> 00:41:17,430 YOU ASKED ME RIGHT OUT TO MEET YOU HERE. 704 00:41:17,600 --> 00:41:20,390 YEAH. 705 00:41:20,560 --> 00:41:21,980 WELL... 706 00:41:22,140 --> 00:41:24,310 YOU'RE DIFFERENT, LAURA. 707 00:41:24,480 --> 00:41:26,110 I KNOW. 708 00:41:26,270 --> 00:41:28,980 I'M A PRETTY GOOD RUNNER FOR A GIRL. 709 00:41:29,150 --> 00:41:32,400 I'M NOT FUSSY ABOUT PUTTING WIGGLY OLD WORMS ON HOOKS. 710 00:41:32,570 --> 00:41:37,200 NO. IT'S... IT'S MORE THAN THAT. 711 00:41:37,370 --> 00:41:39,450 YOU SEEM... 712 00:41:39,620 --> 00:41:46,460 WELL, A FELLA CAN-- CAN SAY THINGS TO YOU THAT... 713 00:41:46,630 --> 00:41:49,090 WELL, HE'D BE KIND OF EMBARRASSED 714 00:41:49,250 --> 00:41:53,630 TO SAY TO SOMEBODY ELSE, YOU KNOW? 715 00:41:53,800 --> 00:41:57,010 YOU SEEM TO UNDERSTAND THE WAY I FEEL. 716 00:41:59,600 --> 00:42:01,890 KINDRED SPIRITS. 717 00:42:04,310 --> 00:42:07,230 SHOW ME WHAT YOU CARVED, JOHNNY. PLEASE? 718 00:42:09,650 --> 00:42:11,730 ALL RIGHT. 719 00:42:15,070 --> 00:42:17,070 WELL, WHAT DO YOU THINK? 720 00:42:20,080 --> 00:42:21,870 I FIGURED YOU COULD TELL ME, 721 00:42:22,040 --> 00:42:25,660 YOU BEING SO CLOSE TO HER AND ALL. 722 00:42:25,830 --> 00:42:28,080 HOW DO YOU THINK SHE'LL LIKE IT? 723 00:42:30,500 --> 00:42:32,590 LAURA! 724 00:43:13,050 --> 00:43:16,970 CAROLINE, YOU SURE HAVE A WAY WITH BUFFALOFISH. 725 00:43:17,130 --> 00:43:18,380 NEVER DID UNDERSTAND WHERE THEY GOT SO MANY 726 00:43:18,550 --> 00:43:20,090 FUNNY NAMES FOR FISH-- 727 00:43:20,260 --> 00:43:24,180 BUFFALOFISH, CATFISH... 728 00:43:24,350 --> 00:43:25,980 EVEN BUTTERFISH. 729 00:43:30,730 --> 00:43:32,560 WELL, I CAN TELL YOU WHERE THEY GOT THE NAME BULLHEAD. 730 00:43:32,730 --> 00:43:35,570 NOW, THAT'S THE STUBBORNEST FISH I EVER DID TRY TO CATCH. 731 00:43:35,730 --> 00:43:37,190 Caroline: HEH. 732 00:43:39,740 --> 00:43:41,570 HOW WAS SCHOOL TODAY? 733 00:43:41,740 --> 00:43:43,580 IT WAS FINE, PA. 734 00:43:43,740 --> 00:43:44,830 Mary: NOT FOR ME. 735 00:43:44,990 --> 00:43:46,250 I'LL BE THE LAUGHINGSTOCK 736 00:43:46,410 --> 00:43:48,000 OF EVERY GIRL IN SCHOOL TOMORROW, 737 00:43:48,160 --> 00:43:50,750 ALL BECAUSE OF THAT NUMSKULL JOHNNY JOHNSON. 738 00:43:50,920 --> 00:43:52,500 Caroline: WHAT ON EARTH? 739 00:43:52,670 --> 00:43:54,340 WHY, HE SEEMED LIKE SUCH A NICE LAD. 740 00:43:54,500 --> 00:43:57,590 HE SNEAKED OFF AND PUT MY NAME ON THE SWEETHEART TREE 741 00:43:57,760 --> 00:43:59,760 FOR EVERYBODY TO GAPE AT. 742 00:43:59,930 --> 00:44:01,140 "JOHNNY LOVES MARY." 743 00:44:01,300 --> 00:44:03,550 AND I DON'T EVEN LIKE HIM! 744 00:44:03,720 --> 00:44:05,470 WILLIE'S RIGHT. 745 00:44:05,640 --> 00:44:07,310 HE LOOKS LIKE A SCARECROW, 746 00:44:07,470 --> 00:44:10,440 AND HE'S ADDLEBRAINED, AS WELL. 747 00:44:10,600 --> 00:44:13,520 HOW COULD YOU BE SO MEAN? 748 00:44:13,690 --> 00:44:16,030 HE'S THE BEST RUNNER AND ROPER IN THE WHOLE SCHOOL! 749 00:44:16,190 --> 00:44:18,190 YOU'RE THE NUMSKULL! 750 00:44:20,780 --> 00:44:22,360 [DOOR SLAMS] 751 00:44:27,660 --> 00:44:29,660 WHY DON'T YOU LET ME GO? 752 00:44:29,830 --> 00:44:30,910 SOMETIMES WHEN YOU LOSE ONE MAN, 753 00:44:31,080 --> 00:44:32,880 IT HELPS TO TALK TO ANOTHER ONE. 754 00:45:42,400 --> 00:45:44,200 IT'S NOT FAIR, PA. 755 00:45:44,360 --> 00:45:46,870 SHE DOESN'T CARE A HOOT ABOUT HIM, 756 00:45:47,030 --> 00:45:50,950 AND IT'S HER NAME HE PUT ON THE TREE. 757 00:45:51,120 --> 00:45:52,450 I COULD HAVE DIED. 758 00:45:52,620 --> 00:45:53,870 IT WAS THE MOST TRAGICAL THING 759 00:45:54,040 --> 00:45:56,250 THAT EVER HAPPENED IN MY WHOLE LIFE. 760 00:45:58,460 --> 00:46:02,460 KIND OF LIKE THAT TIME WE LOST THAT OLD DOG JACK, HUH? 761 00:46:02,630 --> 00:46:05,050 JACK FOUND US AGAIN. 762 00:46:05,220 --> 00:46:08,010 AND JOHNNY WILL FIND YOU AGAIN. 763 00:46:08,180 --> 00:46:09,970 YOU THINK HE WILL? 764 00:46:10,140 --> 00:46:11,560 WHY, SURE, HE WILL. 765 00:46:11,720 --> 00:46:13,770 YOU KNOW, I REMEMBER WHEN I WAS A BOY, 766 00:46:13,930 --> 00:46:16,270 I KNEW THIS LITTLE GAL. 767 00:46:16,440 --> 00:46:18,860 SHE HAD PIGTAILS AND FRECKLES. 768 00:46:19,020 --> 00:46:20,520 SHE WAS ABOUT 4 YEARS YOUNGER THAN ME, 769 00:46:20,690 --> 00:46:23,150 WHICH IS LIKE A HUNDRED WHEN YOU'RE 15. 770 00:46:23,320 --> 00:46:24,530 JOHNNY'S 15. 771 00:46:24,700 --> 00:46:26,070 YEAH. 772 00:46:26,240 --> 00:46:27,570 I USED TO CALL HER "TAGALONG" 773 00:46:27,740 --> 00:46:30,490 BECAUSE SHE WAS ALWAYS CHASING AFTER ME ALL THE TIME. 774 00:46:30,660 --> 00:46:32,290 I DIDN'T PAY HER ANY MIND. 775 00:46:32,450 --> 00:46:33,910 THEN ALL OF A SUDDEN ONE DAY, 776 00:46:34,080 --> 00:46:36,920 I NOTICED A WHOLE BUNCH OF BOYS BUZZING AROUND HER 777 00:46:37,080 --> 00:46:38,830 LIKE BEES TO HONEY. 778 00:46:39,000 --> 00:46:40,340 I TOOK A GOOD LOOK AT HER, 779 00:46:40,500 --> 00:46:42,800 AND I REALIZED THAT SHE HAD BLOSSOMED 780 00:46:42,960 --> 00:46:45,920 INTO ABOUT THE PRETTIEST THING I'D EVER SEEN. 781 00:46:46,090 --> 00:46:47,260 I FIGURED SHE'D TAKE TO ME RIGHT OFF 782 00:46:47,430 --> 00:46:50,760 BUT SHE COULDN'T SEE ME FOR DUST. 783 00:46:50,930 --> 00:46:52,260 HER NAME WAS CAROLINE. 784 00:46:52,430 --> 00:46:53,890 MA? 785 00:46:55,770 --> 00:46:57,140 MA. 786 00:46:59,730 --> 00:47:01,690 AND YOU'RE JUST LIKE HER. 787 00:47:03,110 --> 00:47:04,740 JUST LIKE HER. 788 00:47:06,200 --> 00:47:07,570 YOU WAIT AND SEE. 789 00:47:07,740 --> 00:47:09,410 ONE OF THESE DAYS YOU'RE GOING TO HAVE LOTS OF BEAUS. 790 00:47:09,570 --> 00:47:10,820 I WOULDN'T BE SURPRISED 791 00:47:10,990 --> 00:47:12,660 IF JOHNNY JOHNSON'S ONE OF THEM, SWEET THING. 792 00:47:12,830 --> 00:47:15,620 I'M NOT A SWEET THING, PA. 793 00:47:15,790 --> 00:47:17,040 I BLAMED IT ALL ON MARY, 794 00:47:17,210 --> 00:47:19,330 AND IT WASN'T EVEN HER FAULT. 795 00:47:19,500 --> 00:47:23,590 I SAID WICKED THINGS TO HER ON PURPOSE. 796 00:47:23,750 --> 00:47:26,050 I MEANT TO BE HURTFUL, 797 00:47:26,220 --> 00:47:29,680 BUT IT DIDN'T STOP MY HURTING. 798 00:47:29,840 --> 00:47:31,640 WELL, YOU LEARNED A LESSON. 799 00:47:31,800 --> 00:47:33,810 HURTING BACK DOESN'T HELP. 800 00:47:33,970 --> 00:47:36,390 THERE'S LOT OF WAYS TO MAKE AMENDS. 801 00:47:38,100 --> 00:47:40,060 I GUESS I WAS JEALOUS. 802 00:47:41,400 --> 00:47:43,190 OH, SO WAS I. 803 00:47:43,360 --> 00:47:44,480 YOU, PA? 804 00:47:44,650 --> 00:47:46,780 MM-HMM. 805 00:47:46,940 --> 00:47:48,200 SOME YOUNG SPROUT 806 00:47:48,360 --> 00:47:50,320 WAS TRYING TO STEAL MY BEST GIRL. 807 00:47:50,490 --> 00:47:52,240 OH, PA! 808 00:47:55,660 --> 00:47:57,910 I LOVE YOU. 809 00:48:00,170 --> 00:48:02,080 NOW... 810 00:48:02,250 --> 00:48:04,000 IF YOU'RE GOING TO GROW UP TO BE AS PRETTY AS YOUR MA, 811 00:48:04,170 --> 00:48:05,250 I THINK WE OUGHT TO GET YOU HOME 812 00:48:05,420 --> 00:48:06,550 AND GIVE YOU SOME SUPPER. 813 00:48:06,710 --> 00:48:09,590 HA HA! 56046

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.