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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,080 --> 00:00:03,320 HAMISH: Previously... USA! 2 00:00:03,360 --> 00:00:05,440 ..the world's most skilled builders... 3 00:00:05,480 --> 00:00:06,880 MAN: We are a brother and sister... 4 00:00:06,920 --> 00:00:08,640 From Paris. ..from Paris. 5 00:00:08,680 --> 00:00:10,360 ..made their grand entrance... 6 00:00:10,400 --> 00:00:12,120 WOMAN: We come from Denmark. 7 00:00:12,160 --> 00:00:14,160 The motherland! The motherland of LEGO. 8 00:00:15,560 --> 00:00:17,720 We are the winners of LEGO Masters Germany. 9 00:00:17,760 --> 00:00:21,400 ..ready to face off with Australia's elite LEGO Masters. 10 00:00:21,440 --> 00:00:24,160 I'm just upset I forgot my green and gold face paint. 11 00:00:24,200 --> 00:00:28,400 It was pedal to the metal in a double-brick go-kart challenge... 12 00:00:28,440 --> 00:00:29,880 (CHEERING) 13 00:00:29,920 --> 00:00:30,960 (LAUGHTER) 14 00:00:31,000 --> 00:00:33,400 ..but Germany and Denmark zoomed into action. 15 00:00:33,440 --> 00:00:35,040 What an unpredictable race! 16 00:00:35,080 --> 00:00:38,080 ..leaving the competition in the dust. 17 00:00:38,120 --> 00:00:40,520 Ohh! OK! Oh! 18 00:00:40,560 --> 00:00:41,600 Tonight... 19 00:00:41,640 --> 00:00:42,960 We're gonna give these internationals 20 00:00:43,000 --> 00:00:44,200 a run for their money today. 21 00:00:44,240 --> 00:00:47,560 ..our multinational battle continues. 22 00:00:47,600 --> 00:00:49,640 The dojo fighting showdown! 23 00:00:49,680 --> 00:00:51,320 What, specifically, are you making? 24 00:00:51,360 --> 00:00:55,640 Just enjoy the show, man. All will be revealed at the end. 25 00:00:55,680 --> 00:00:58,160 WOMAN: Does two teams having immunity worry me? 26 00:00:58,200 --> 00:01:00,600 Yes, 'cause it's not two Australian teams. 27 00:01:00,640 --> 00:01:03,040 It's fairy-tales with a twist... 28 00:01:04,200 --> 00:01:06,480 Brickman is looking for the perfect marriage 29 00:01:06,520 --> 00:01:08,280 of fairy-tale and our genre. 30 00:01:08,320 --> 00:01:10,840 ..but it's not all rainbows and lollipops... 31 00:01:10,880 --> 00:01:13,920 Oh, my god! No! Don't spread a minefield! 32 00:01:13,960 --> 00:01:16,360 ..as one team will be eliminated. 33 00:01:16,400 --> 00:01:18,160 (SPEAKS FRENCH) 34 00:01:18,200 --> 00:01:20,280 Who will crumble under the pressure? 35 00:01:20,320 --> 00:01:21,920 I swear to god that wasn't me. 36 00:01:21,960 --> 00:01:24,000 If you're an international, pack your passports, 37 00:01:24,040 --> 00:01:26,880 because the Aussies are ready to win back the gold. 38 00:01:26,920 --> 00:01:28,200 (IMPACT BOOMS) 39 00:01:30,120 --> 00:01:31,480 (BRICKS CLATTER) 40 00:01:32,480 --> 00:01:35,480 (MOMENTOUS MUSIC BUILDS) 41 00:01:37,520 --> 00:01:39,040 Bring in those beautiful big bricks. 42 00:01:39,080 --> 00:01:42,840 (MOMENTOUS MUSIC CONTINUES) 43 00:01:42,880 --> 00:01:44,960 You have been practising how to carry those. 44 00:01:45,000 --> 00:01:48,400 (CHEERING AND APPLAUSE) 45 00:01:49,640 --> 00:01:50,640 Here we go! 46 00:01:50,680 --> 00:01:52,480 (MOMENTOUS MUSIC CONTINUES) 47 00:01:52,520 --> 00:01:54,640 OK, well done, guys. 48 00:01:54,680 --> 00:01:56,160 I mean, do some stretches. 49 00:01:56,200 --> 00:01:59,360 Obviously some pretty tight forearms after carrying the Big Brick. 50 00:01:59,400 --> 00:02:01,480 (MOMENTOUS MUSIC SWELLS) 51 00:02:01,520 --> 00:02:03,120 Before we get into today's build, 52 00:02:03,160 --> 00:02:06,360 Felix and Annalena, you are two-time winners now. 53 00:02:06,400 --> 00:02:08,600 Two episodes, two Big Bricks. 54 00:02:08,640 --> 00:02:11,440 Annalena, do you feel like you're top of the world? 55 00:02:11,480 --> 00:02:12,640 (BOTH LAUGH) 56 00:02:12,680 --> 00:02:14,840 Mmm, I am feeling great. 57 00:02:14,880 --> 00:02:17,080 It's a big honour, I would say. 58 00:02:17,120 --> 00:02:20,560 And if you look at LEGO Masters Weekly, LEGO Masters Daily, 59 00:02:20,600 --> 00:02:22,400 like, all the newspapers and magazines, 60 00:02:22,440 --> 00:02:24,320 they're saying you guys are favourites. 61 00:02:24,360 --> 00:02:25,840 Do you feel that's true? I don't know. 62 00:02:25,880 --> 00:02:28,960 I think the pressure's pretty high right now, so we will see. 63 00:02:29,000 --> 00:02:32,880 Hands up if you think that Felix and Annalena 64 00:02:32,920 --> 00:02:34,560 are, in fact, the favourites. 65 00:02:34,600 --> 00:02:37,400 (MOMENTOUS MUSIC CONTINUES) 66 00:02:37,440 --> 00:02:39,160 Wow. There you go. (LAUGHTER) 67 00:02:39,200 --> 00:02:40,920 Ida, no hand up? Nope. 68 00:02:40,960 --> 00:02:43,360 (LAUGHTER) 69 00:02:43,400 --> 00:02:46,440 LEGO Masters isn't a marathon or a sprint. 70 00:02:46,480 --> 00:02:48,280 It's more like running from a bear. Yep. 71 00:02:48,320 --> 00:02:51,280 Just don't be behind when there's an elimination. 72 00:02:51,320 --> 00:02:54,080 As they say on the Serengeti, just don't be the slowest antelope. 73 00:02:54,120 --> 00:02:55,160 (LAUGHTER) 74 00:02:55,200 --> 00:02:59,800 Alright, OK, so, this build is called Twisted Tales. 75 00:02:59,840 --> 00:03:05,080 In one of the bingo wheels, we've got fairy-tales. 76 00:03:05,120 --> 00:03:06,560 MAN: Ohh! 77 00:03:06,600 --> 00:03:08,960 'Alice In Wonderland', 'Wizard Of Oz', 78 00:03:09,000 --> 00:03:11,520 'Peter Pan', 'Cinderella', 79 00:03:11,560 --> 00:03:13,960 'Goldilocks', 'Beauty And The Beast', 80 00:03:14,000 --> 00:03:16,800 'Little Red Riding Hood', and 'Rapunzel'. 81 00:03:16,840 --> 00:03:18,840 (CONTESTANTS EXCLAIM) Oh, 'Rapunzel'! 82 00:03:18,880 --> 00:03:20,440 I want 'Rapunzel'. 83 00:03:20,480 --> 00:03:24,600 In barrel number two, we have genres. 84 00:03:24,640 --> 00:03:26,640 (CONTESTANTS EXCLAIM) 85 00:03:26,680 --> 00:03:30,200 They are Action, Sci-Fi... 86 00:03:30,240 --> 00:03:31,240 (GASPS) 87 00:03:31,280 --> 00:03:34,800 ..Western, Crime, Horror, 88 00:03:34,840 --> 00:03:38,640 Martial Arts, Historical Epic, 89 00:03:38,680 --> 00:03:41,360 and Sword and Sorcery. 90 00:03:41,400 --> 00:03:43,040 Ohh, yes! (LAUGHS) 91 00:03:43,080 --> 00:03:44,680 So, here's how it's gonna work. 92 00:03:44,720 --> 00:03:47,760 I will randomly select one story from the story wheel 93 00:03:47,800 --> 00:03:49,800 and one genre from the genre wheel. 94 00:03:49,840 --> 00:03:53,480 Your build has to combine the story and the genre, 95 00:03:53,520 --> 00:03:56,680 giving us a brand-new take on a well-known story. 96 00:03:56,720 --> 00:03:58,520 I like that. 97 00:03:58,560 --> 00:04:00,600 You know, think 'Wizard Of Oz' as a kung-fu story. 98 00:04:00,640 --> 00:04:02,440 (LAUGHTER) 99 00:04:02,480 --> 00:04:05,760 However, before we get to that, two people here have the Big Brick. 100 00:04:05,800 --> 00:04:09,680 Felix and Annalena, Peter and Ida, you guys have an advantage. 101 00:04:09,720 --> 00:04:15,280 You get to pick your story and your genre first. 102 00:04:15,320 --> 00:04:16,680 Oh! WOMAN: That's crazy. 103 00:04:16,720 --> 00:04:19,720 OK, Felix and Annalena, what are your picks? 104 00:04:19,760 --> 00:04:21,000 (LAUGHS) 105 00:04:21,040 --> 00:04:24,160 Like, the genre is clear. It's horror. 106 00:04:24,200 --> 00:04:25,200 Horror? ANNALENA: Yeah. 107 00:04:25,240 --> 00:04:26,960 Yeah, we take this. 108 00:04:27,000 --> 00:04:29,160 And we have to think about... 109 00:04:29,200 --> 00:04:31,080 (IMPACT BOOMS) 110 00:04:32,120 --> 00:04:33,400 OK, it's... OK. 111 00:04:33,440 --> 00:04:36,000 It's gonna be 'Little Red Riding Hood'. 112 00:04:36,040 --> 00:04:37,840 'Little Red Riding Hood' and horror. 113 00:04:37,880 --> 00:04:38,880 Peter and Ida? 114 00:04:38,920 --> 00:04:40,120 Yeah, I think we're going with 115 00:04:40,160 --> 00:04:41,920 'Beauty And The Beast' and Science-Fiction. 116 00:04:41,960 --> 00:04:43,760 Alright, love it, love it! (CONTESTANTS EXCLAIM) 117 00:04:43,800 --> 00:04:46,560 OK, Charlie and Haley, here we go. Oh! 118 00:04:46,600 --> 00:04:49,240 Are you ready for your classic tale? 119 00:04:49,280 --> 00:04:50,880 What would you like? 120 00:04:50,920 --> 00:04:52,480 'Rapunzel' or 'Cinderella'. 121 00:04:52,520 --> 00:04:53,760 'Rapunzel', 'Cinderella'? 122 00:04:53,800 --> 00:04:55,880 Can you, like... just kind of, like... 123 00:04:57,880 --> 00:05:01,040 It is...pair of socks, 'Goldilocks'! 124 00:05:01,080 --> 00:05:03,120 (LAUGHTER) 125 00:05:03,160 --> 00:05:05,920 Alright, in the genre of... 126 00:05:05,960 --> 00:05:07,320 (MOMENTOUS MUSIC SWELLS) 127 00:05:08,480 --> 00:05:10,280 ..martial arts. Yes! 128 00:05:10,320 --> 00:05:11,840 (LAUGHTER) 129 00:05:11,880 --> 00:05:14,480 OK, hard to tell if that was a desired result. 130 00:05:14,520 --> 00:05:15,800 (LAUGHS) Bloody hell! 131 00:05:15,840 --> 00:05:17,360 Ben and Eric. Oooh! 132 00:05:17,400 --> 00:05:21,800 It's...'Rapunzel'. 133 00:05:21,840 --> 00:05:24,280 (LAUGHTER) 134 00:05:24,320 --> 00:05:27,760 (WHIMSICAL MUSIC) 135 00:05:27,800 --> 00:05:30,480 Sword and Sorcery 'Rapunzel'. 136 00:05:30,520 --> 00:05:32,720 (LAUGHTER) That is your genre. 137 00:05:32,760 --> 00:05:34,440 Shane and Dianne. 138 00:05:34,480 --> 00:05:36,200 'Wizard Of Oz', Action. 139 00:05:36,240 --> 00:05:37,680 SHANE: Yeah, stoked with that. (LAUGHTER) 140 00:05:37,720 --> 00:05:39,080 OK. 141 00:05:39,120 --> 00:05:40,440 Sam and Emilio. 142 00:05:40,480 --> 00:05:42,840 'Peter Pan' in the genre of Historical Epic. 143 00:05:42,880 --> 00:05:44,600 OK! (CONTESTANTS EXCLAIM) 144 00:05:44,640 --> 00:05:46,600 OK. (LAUGHTER) 145 00:05:46,640 --> 00:05:48,120 Camille, Caroline, would you like to step forward? 146 00:05:50,680 --> 00:05:53,720 'Alice In Wonderland' in the genre of Crime. 147 00:05:53,760 --> 00:05:55,600 (CONTESTANTS EXCLAIM) Perfect! 148 00:05:55,640 --> 00:05:56,840 Perfect? 149 00:05:56,880 --> 00:05:58,040 Alright, which leaves...? 150 00:05:58,080 --> 00:05:59,600 'Cinderella' western! 151 00:05:59,640 --> 00:06:02,560 Alright! You already know! (LAUGHTER) 152 00:06:02,600 --> 00:06:04,480 (CHEERING AND APPLAUSE) 153 00:06:04,520 --> 00:06:06,400 Alright, so, Brickman, 154 00:06:06,440 --> 00:06:08,960 how will people get their hands on the Big Brick? 155 00:06:09,000 --> 00:06:11,560 Well, it's a storytelling challenge. 156 00:06:11,600 --> 00:06:17,520 It's all about how well you can explain, through the LEGO Bricks, 157 00:06:17,560 --> 00:06:21,160 both what the fairy-tale is, and the genre. 158 00:06:21,200 --> 00:06:23,240 These fairy-tales each have 159 00:06:23,280 --> 00:06:25,680 a series of things that they're known for. 160 00:06:25,720 --> 00:06:28,600 They have a certain style about them. 161 00:06:28,640 --> 00:06:31,480 It's your job today to take me into the place 162 00:06:31,520 --> 00:06:33,520 where your story is happening. 163 00:06:33,560 --> 00:06:36,960 I need to be able to see it straight away, crystal clear, 164 00:06:37,000 --> 00:06:40,480 through your build, the two mixed components. 165 00:06:41,480 --> 00:06:44,720 As you know, the Big Brick is always up for grabs every build, 166 00:06:44,760 --> 00:06:47,960 and carries with it an incredible advantage. 167 00:06:48,000 --> 00:06:49,960 The biggest advantage it has 168 00:06:50,000 --> 00:06:52,920 is it will keep you safe from an elimination. 169 00:06:52,960 --> 00:06:56,120 So, what I can tell you guys is - it is an elimination. 170 00:06:56,160 --> 00:06:57,440 (CONTESTANTS EXCLAIM) 171 00:06:57,480 --> 00:06:59,880 Felix and Annalena, Peter and Ida, you guys are safe. 172 00:06:59,920 --> 00:07:02,160 You're still building, you still wanna win the brick, 173 00:07:02,200 --> 00:07:04,360 because the next build could be an elimination too. 174 00:07:04,400 --> 00:07:05,400 (DRAMATIC MUSIC BUILDS) 175 00:07:05,440 --> 00:07:08,600 Everybody else, there's six teams now that will be up for an elimination. 176 00:07:08,640 --> 00:07:09,840 (DRAMATIC MUSIC CONTINUES) 177 00:07:09,880 --> 00:07:11,840 I know you guys wanna know how long you've got. 178 00:07:12,840 --> 00:07:14,600 It's ten hours. 179 00:07:14,640 --> 00:07:15,960 (MOMENTOUS MUSIC SWELLS) 180 00:07:16,000 --> 00:07:17,240 Time starts now. Good luck. 181 00:07:17,280 --> 00:07:19,080 Good luck, everybody! Good luck! 182 00:07:20,120 --> 00:07:21,360 FELIX: OK. 183 00:07:22,360 --> 00:07:25,960 So, I thought about, like, in the woods. 184 00:07:26,000 --> 00:07:28,400 Give us a pen, lad. Alright. What are you thinking? 185 00:07:28,440 --> 00:07:30,240 Beauty! 186 00:07:30,280 --> 00:07:31,520 'Beauty And The Beast'. 187 00:07:31,560 --> 00:07:33,560 B-E-A-U... OK? 188 00:07:33,600 --> 00:07:35,400 ..T-E. 189 00:07:35,440 --> 00:07:37,240 (LAUGHS) Maybe. 190 00:07:37,280 --> 00:07:39,280 (DRAMATIC MUSIC BUILDS) 191 00:07:39,320 --> 00:07:41,480 DIANNE: I'm getting that gold brick today. 192 00:07:41,520 --> 00:07:45,000 The internationals are not getting the brick today, OK? 193 00:07:45,040 --> 00:07:46,440 Just be warned! 194 00:07:46,480 --> 00:07:48,720 International teams, you're not getting the brick today! 195 00:07:48,760 --> 00:07:49,760 We're getting the brick! 196 00:07:49,800 --> 00:07:51,160 OK? OK. 197 00:07:51,200 --> 00:07:52,280 (LAUGHTER) 198 00:07:52,320 --> 00:07:54,400 Nope, I wanna take the brick home today. 199 00:07:54,440 --> 00:07:57,040 You put 'em in their place, Dianne! (LAUGHTER) 200 00:07:57,080 --> 00:08:00,160 To build 'Goldilocks' and Martial Arts, I'm happy. 201 00:08:00,200 --> 00:08:01,800 Yeah, you're happy. I am stoked! 202 00:08:01,840 --> 00:08:03,320 (HUMS) 203 00:08:03,360 --> 00:08:05,840 I've done martial arts since I could walk as a baby. 204 00:08:05,880 --> 00:08:06,880 (MOMENTOUS MUSIC BUILDS) 205 00:08:06,920 --> 00:08:09,560 So, my talent in the beauty pageant game 206 00:08:09,600 --> 00:08:12,000 is either I'm breaking boards on stage 207 00:08:12,040 --> 00:08:15,440 or I'm teaching one-on-one self-defence classes. 208 00:08:15,480 --> 00:08:17,160 So, this is my dream! 209 00:08:18,240 --> 00:08:21,040 So, down... And then you go, "Ahh!" 210 00:08:21,080 --> 00:08:22,400 (GONG SOUNDS) 211 00:08:22,440 --> 00:08:26,880 The story is Goldilocks is running out of this dojo, 212 00:08:26,920 --> 00:08:28,920 where the Three Bears live, 213 00:08:28,960 --> 00:08:30,680 and they're coming after her, 214 00:08:30,720 --> 00:08:34,080 and she's basically gonna be fleeing in the Mama Bear's gi. 215 00:08:35,080 --> 00:08:40,120 So, I'm just working on getting the dojo up and ready. 216 00:08:40,160 --> 00:08:43,400 I'm building a bear that's doing a, "Ahh!" 217 00:08:43,440 --> 00:08:45,720 100% terrified right now. Yeah. 218 00:08:45,760 --> 00:08:47,360 It's the first elimination. 219 00:08:47,400 --> 00:08:48,960 We don't want to be the first team home. 220 00:08:49,000 --> 00:08:51,080 We want to show these international teams 221 00:08:51,120 --> 00:08:54,240 Australia is here, and we're here to fight - 222 00:08:54,280 --> 00:08:57,200 the dojo fighting showdown. 223 00:08:57,240 --> 00:09:00,240 (UPBEAT MUSIC) 224 00:09:03,440 --> 00:09:06,000 Brickman, we say this about every build, 225 00:09:06,040 --> 00:09:07,320 and it's true about every build, 226 00:09:07,360 --> 00:09:09,080 but in particular today, 227 00:09:09,120 --> 00:09:11,320 how critical is the idea - 228 00:09:11,360 --> 00:09:13,760 the choice of things to put together? 229 00:09:13,800 --> 00:09:16,320 This challenge is really quite specific. 230 00:09:16,360 --> 00:09:18,920 We're making one scene of the fairy-tale, 231 00:09:18,960 --> 00:09:22,200 and then the genre or the setting in which they will play in. 232 00:09:22,240 --> 00:09:24,880 It just needs to be easily identifiable, 233 00:09:24,920 --> 00:09:27,360 and you can tell within microseconds exactly what it is. 234 00:09:27,400 --> 00:09:31,400 But how do you effectively communicate that in a few pieces? 235 00:09:31,440 --> 00:09:34,040 You do one thing to tell the fairy-tale 236 00:09:34,080 --> 00:09:36,400 and one thing to tell the genre. 237 00:09:38,120 --> 00:09:39,680 So, what's your story? 238 00:09:39,720 --> 00:09:41,680 MAN: What's our story? 'Rapunzel'. We're doing 'Rapunzel'. 239 00:09:41,720 --> 00:09:43,440 Ahh! 240 00:09:43,480 --> 00:09:46,480 Dianne, Dianne, let down your hair! 241 00:09:46,520 --> 00:09:50,080 Looking around the room and seeing what everyone else has got, 242 00:09:50,120 --> 00:09:54,520 I'm quite happy with getting Rapunzel and Swords and Sorcery. 243 00:09:54,560 --> 00:09:56,560 The story tells itself. 244 00:09:57,560 --> 00:10:01,160 So, we are building a giant tower with Rapunzel at the top, 245 00:10:01,200 --> 00:10:02,680 letting down her hair, 246 00:10:02,720 --> 00:10:05,680 which will then flow down, controlled by the sorceress, 247 00:10:05,720 --> 00:10:09,120 attacking the prince, who has come to save Rapunzel. 248 00:10:09,160 --> 00:10:14,160 ERIC: But the prince is fighting Rapunzel's possessed hair 249 00:10:14,200 --> 00:10:16,800 that's been enchanted by the sorceress. 250 00:10:16,840 --> 00:10:19,320 So, Eric and I have decided 251 00:10:19,360 --> 00:10:22,360 to go down the path of building characters, 252 00:10:22,400 --> 00:10:27,800 just because we know, in terms of scale and poseability, 253 00:10:27,840 --> 00:10:30,400 characters are gonna get more across than... 254 00:10:30,440 --> 00:10:32,040 And story too. ..minifigs can. 255 00:10:32,080 --> 00:10:34,640 Character time. Character time, OK. 256 00:10:34,680 --> 00:10:37,680 (UPLIFTING ELECTRONIC MUSIC) 257 00:10:42,680 --> 00:10:46,200 (LAUGHS) And again - pockets full of LEGO. 258 00:10:47,680 --> 00:10:51,000 Choosing 'Red Riding Hood', for us, was pretty easy, 259 00:10:51,040 --> 00:10:54,720 because it was already a horror story. 260 00:10:54,760 --> 00:10:56,240 (WOLF HOWLS) 261 00:10:56,280 --> 00:10:59,160 Red Riding Hood, she wanted to go to her grandmother, 262 00:10:59,200 --> 00:11:00,920 because her grandmother is sick, 263 00:11:00,960 --> 00:11:03,520 but in the forest, there is a wolf. 264 00:11:03,560 --> 00:11:05,760 FELIX: He wants to eat the Red Riding Hood. 265 00:11:06,800 --> 00:11:08,960 I think he's leaning, like, a little bit left. 266 00:11:09,000 --> 00:11:11,200 So, he's looking left behind the tree. 267 00:11:11,240 --> 00:11:12,880 So, I am building the wolf right now. 268 00:11:12,920 --> 00:11:14,400 I think it looks very scary. 269 00:11:14,440 --> 00:11:17,120 I am doing the rest of the building, 270 00:11:17,160 --> 00:11:19,360 like the forest scene. 271 00:11:19,400 --> 00:11:21,400 Love it. (SPEAKS GERMAN) 272 00:11:21,440 --> 00:11:22,560 (SPEAKS GERMAN) 273 00:11:22,600 --> 00:11:25,120 And the Red Riding Hood - I never build characters. 274 00:11:26,160 --> 00:11:28,720 Normally, in our season, in Germany, 275 00:11:28,760 --> 00:11:32,200 Annalena do the main build, like, the impressive thing. 276 00:11:32,240 --> 00:11:33,400 Cool! 277 00:11:33,440 --> 00:11:35,240 And I do, like, the details. 278 00:11:41,080 --> 00:11:42,280 Makes me really nervous, 279 00:11:42,320 --> 00:11:44,320 because it's really hard to make Annalena happy. 280 00:11:44,360 --> 00:11:47,920 So, I hope I can make Annalena happy with my character, 281 00:11:47,960 --> 00:11:49,720 but it's not that easy. (LAUGHS) 282 00:11:49,760 --> 00:11:52,760 (WHIMSICAL INSTRUMENTAL MUSIC) 283 00:11:55,040 --> 00:11:56,480 (CAMILLE SPEAKS FRENCH) 284 00:11:56,520 --> 00:11:58,720 (CAROLINE SPEAKS FRENCH) 285 00:11:58,760 --> 00:12:01,160 I like the story of 'Alice In Wonderland'. 286 00:12:01,200 --> 00:12:03,880 And we love the Crime... 287 00:12:03,920 --> 00:12:05,560 No, I...I don't love the Crime. 288 00:12:05,600 --> 00:12:06,680 OK. (LAUGHS) 289 00:12:06,720 --> 00:12:07,720 We love it. 290 00:12:07,760 --> 00:12:11,360 So, talk me through, then. How are we laying it out? 291 00:12:12,440 --> 00:12:16,000 So, we want to make the Mad Hatter tea party. 292 00:12:16,040 --> 00:12:20,200 So, everybody in the tea party is poisoned. 293 00:12:20,240 --> 00:12:24,280 So, are they there? Are they slumped over the table, or what? 294 00:12:24,320 --> 00:12:25,480 Some, yeah. 295 00:12:25,520 --> 00:12:30,320 Not dying, but sick, definitely. 296 00:12:30,360 --> 00:12:32,080 How do we know that he's poisoned someone? 297 00:12:32,120 --> 00:12:35,360 Because there will be clue, and evidence. 298 00:12:35,400 --> 00:12:37,800 OK. We have... 299 00:12:37,840 --> 00:12:38,840 'Cause this is the hard part. 300 00:12:38,880 --> 00:12:39,880 Yeah, yeah. Yes. 301 00:12:39,920 --> 00:12:42,240 Because those clues have to be made of LEGO bricks. 302 00:12:42,280 --> 00:12:44,360 We have to be able to tell. 303 00:12:44,400 --> 00:12:48,200 We are struggling with how to build the Crime. 304 00:12:48,240 --> 00:12:51,320 Poisoning with something is not easy to recognise. 305 00:12:51,360 --> 00:12:53,960 Yes, OK. One simple crime scene. 306 00:12:54,000 --> 00:12:56,960 A crime scene with the characters from 'Alice In Wonderland'. 307 00:12:58,200 --> 00:13:00,160 OK. 308 00:13:00,200 --> 00:13:03,200 (MOMENTOUS MUSIC BUILDS) 309 00:13:16,760 --> 00:13:20,400 Two hours down! Eight hours to go. 310 00:13:21,640 --> 00:13:23,720 Is this where you wanted to be at the two-hour mark? 311 00:13:23,760 --> 00:13:25,640 "Sure is, Hame." Oh, that's great news. 312 00:13:25,680 --> 00:13:26,800 (LAUGHTER) 313 00:13:26,840 --> 00:13:29,760 I hope that is your story thus far. 314 00:13:29,800 --> 00:13:31,600 (MOMENTOUS MUSIC BUILDS) 315 00:13:31,640 --> 00:13:33,840 We got a Yellow Brick Road! 316 00:13:33,880 --> 00:13:35,640 I'm very excited, 317 00:13:35,680 --> 00:13:40,200 because we get to build some of my all-time favourite stories. 318 00:13:41,240 --> 00:13:44,800 Today's challenge - we got 'Alice In Wonderland' 319 00:13:44,840 --> 00:13:47,440 and we got Action. 320 00:13:47,480 --> 00:13:49,880 So, we're pretty stoked about that. 321 00:13:49,920 --> 00:13:51,920 We got...we got 'Wizard Of Oz'. Oh, 'Wizard Of Oz'. 322 00:13:51,960 --> 00:13:54,680 We got 'Wizard Of Oz'. (LAUGHS) Oh! 323 00:13:54,720 --> 00:13:55,720 (MOMENTOUS MUSIC BUILDS) 324 00:13:55,760 --> 00:13:57,920 We're gonna take the classic scene 325 00:13:57,960 --> 00:14:00,200 of Dorothy melting the Wicked Witch, 326 00:14:00,240 --> 00:14:03,120 and we're gonna have Dorothy jumping through the air, 327 00:14:03,160 --> 00:14:04,640 shooting water pistols. 328 00:14:04,680 --> 00:14:07,120 The Witch is gonna be melting. "Arggh!" 329 00:14:07,160 --> 00:14:10,360 We're very confident about the combination that we've got here. 330 00:14:10,400 --> 00:14:12,400 Yeah. We're actually really excited. 331 00:14:12,440 --> 00:14:15,240 Does two teams having immunity worry me? 332 00:14:15,280 --> 00:14:19,360 Yes, 'cause that's two international teams, not two Australian teams. 333 00:14:19,400 --> 00:14:22,240 But you know what, I don't want to be eliminated today. 334 00:14:22,280 --> 00:14:23,880 I'm taking that brick home today. Yeah. 335 00:14:25,480 --> 00:14:26,600 (EXHALES) Alright, gang. 336 00:14:26,640 --> 00:14:28,720 Um, Shane, I see you've got a few stamps. 337 00:14:28,760 --> 00:14:30,160 Let this spur you on, 338 00:14:30,200 --> 00:14:32,200 because I know you're going for the Big Brick today. 339 00:14:32,240 --> 00:14:33,560 (LAUGHTER) 340 00:14:33,600 --> 00:14:35,560 I've got the rings. I'm aiming for it, yeah. 341 00:14:35,600 --> 00:14:38,120 Do you have any LEGO ink? I don't actually have any LEGO ink. 342 00:14:38,160 --> 00:14:39,360 No LEGO ink? No, no. 343 00:14:39,400 --> 00:14:40,720 How do you spell 'Dianne', Hamish? 344 00:14:40,760 --> 00:14:43,800 D-I-A-N-N-E? 345 00:14:43,840 --> 00:14:45,640 Well, you would think that's how it was spelled, right? 346 00:14:45,680 --> 00:14:47,040 Is that how it's spelled? Uh... 347 00:14:47,080 --> 00:14:49,520 (LAUGHS) Oh! 348 00:14:49,560 --> 00:14:52,200 That's Di-ane! 349 00:14:52,240 --> 00:14:54,320 (LAUGHTER) 350 00:14:54,360 --> 00:14:56,480 I had an argument with the tattooist at the time. 351 00:14:56,520 --> 00:14:57,920 He's a mate of mine. (LAUGHS) 352 00:14:57,960 --> 00:14:59,360 And he said, "Shane, I'm pretty sure 353 00:14:59,400 --> 00:15:01,280 "your mother's name is spelled with two N's." 354 00:15:01,320 --> 00:15:02,520 (LAUGHS) 355 00:15:02,560 --> 00:15:04,960 I guess a good lesson to be, like, really double-check the details, 356 00:15:05,000 --> 00:15:08,800 I mean, and what better place to use that than on LEGO Masters? 357 00:15:08,840 --> 00:15:11,800 Hone in on those details. Yeah, that's the plan. 358 00:15:11,840 --> 00:15:14,080 That's... (LAUGHS) You said it, Di-ane. 359 00:15:14,120 --> 00:15:15,520 Alright, good luck. 360 00:15:15,560 --> 00:15:17,040 (JAUNTY INSTRUMENTAL MUSIC) 361 00:15:17,080 --> 00:15:18,240 (LAUGHS) Di-ane! 362 00:15:18,280 --> 00:15:21,840 # Little ditty 'bout Shane and Dianne 363 00:15:21,880 --> 00:15:25,480 # Two LEGO builders doing the best they can 364 00:15:25,520 --> 00:15:29,560 # Dianne wants to win the whole game 365 00:15:29,600 --> 00:15:33,120 # Shane, he struggles to spell his mum's name, oh... # 366 00:15:33,160 --> 00:15:34,720 What's that? Oh, gotta go to an ad. 367 00:15:34,760 --> 00:15:36,120 OK. Sorry about...OK. 368 00:15:36,160 --> 00:15:37,720 Well, you get the gist. They're going great. 369 00:15:37,760 --> 00:15:39,360 (IMPACT BOOMS) 370 00:15:45,080 --> 00:15:48,680 (MOMENTOUS MUSIC BUILDS) 371 00:15:51,280 --> 00:15:53,080 You've got Western and... 'Cinderella'. 372 00:15:53,120 --> 00:15:54,600 'Cinderella'? Oh, that's sick! 373 00:15:54,640 --> 00:15:57,920 That's an actual... like, challenging one, right? 374 00:15:57,960 --> 00:16:00,960 A little bit? I think we got it. We're from Texas. 375 00:16:01,000 --> 00:16:04,640 MICHELLE: So, we got 'Cinderella'... And Western. 376 00:16:04,680 --> 00:16:06,480 And I could not be happier. 377 00:16:06,520 --> 00:16:09,120 We're from Texas, so it makes sense. (LAUGHS) 378 00:16:10,120 --> 00:16:13,200 We want to build the iconic scene 379 00:16:13,240 --> 00:16:16,840 of Cinderella coming down the staircase at midnight, 380 00:16:16,880 --> 00:16:18,600 leaving her shoe behind. 381 00:16:18,640 --> 00:16:21,280 Yeah, and instead of a slipper, she's missing a boot. 382 00:16:21,320 --> 00:16:22,360 Yep. 383 00:16:22,400 --> 00:16:24,000 'Cause...why not? 'Cause that's so Western. 384 00:16:24,040 --> 00:16:26,240 Yeah! We left our boots at home. 385 00:16:26,280 --> 00:16:29,480 The pieces are gonna be stackable. 386 00:16:29,520 --> 00:16:30,920 Like, we're gonna build different turrets 387 00:16:30,960 --> 00:16:33,240 and we're gonna be able to just, like, build a castle 388 00:16:33,280 --> 00:16:34,880 without building an entire castle. 389 00:16:34,920 --> 00:16:37,880 We've got a little bit of 'Cinderella' here with our staircase 390 00:16:37,920 --> 00:16:41,440 and we are working on our... Western castle. 391 00:16:41,480 --> 00:16:44,080 I felt like we had to have this background, with the Western. 392 00:16:44,120 --> 00:16:45,880 This is an elimination challenge. Yeah. 393 00:16:45,920 --> 00:16:47,720 It's the first one of the season. 394 00:16:47,760 --> 00:16:49,600 I'm super nervous. 395 00:16:49,640 --> 00:16:52,960 But also the Big Brick is back up for grabs, 396 00:16:53,000 --> 00:16:55,360 and we really want it. 397 00:16:55,400 --> 00:16:56,840 We do. We want it. 398 00:16:56,880 --> 00:16:58,320 We want it for USA. 399 00:16:58,360 --> 00:17:00,000 We are in it for the long-haul. 400 00:17:00,040 --> 00:17:02,840 We can't go home on a Western. That would just be shameful. 401 00:17:02,880 --> 00:17:04,200 So shameful. 402 00:17:04,240 --> 00:17:07,240 (DRAMATIC INSTRUMENTAL MUSIC) 403 00:17:17,080 --> 00:17:19,240 Could you just make four of those? 404 00:17:19,280 --> 00:17:21,600 Absolutely, boss. That would be super. Thank you! 405 00:17:21,640 --> 00:17:22,760 So, uh... 406 00:17:22,800 --> 00:17:24,360 Oh, Brickman! Sorry, you surprised us. 407 00:17:24,400 --> 00:17:28,080 We were so busy building, and we're very into our build. 408 00:17:28,120 --> 00:17:29,640 What are you making? 409 00:17:29,680 --> 00:17:31,960 Uh...we're going as fast as we can. 410 00:17:32,000 --> 00:17:34,040 What, specifically, are you making? 411 00:17:35,640 --> 00:17:39,040 This...is one of the Action elements. 412 00:17:40,040 --> 00:17:41,200 What, specifically? 413 00:17:41,240 --> 00:17:45,400 Oh, gee! Specific, specifically, specifically, specifically. 414 00:17:45,440 --> 00:17:48,080 Just enjoy the show, man. Enjoy the build! 415 00:17:48,120 --> 00:17:51,000 And all will be revealed at the end. 416 00:17:51,040 --> 00:17:54,760 Well, we chose 'Beauty And The Beast' and Science-Fiction. 417 00:17:55,760 --> 00:17:59,320 We're building the Beast proposing to the Beauty, 418 00:17:59,360 --> 00:18:01,600 and she will be rejecting him, 419 00:18:01,640 --> 00:18:04,240 because he's a robot, so they can't be together. 420 00:18:04,280 --> 00:18:07,080 She is still like, "Oh, but I can't marry you. 421 00:18:07,120 --> 00:18:10,640 "I don't really know you and this is kind of awkward, you know? 422 00:18:10,680 --> 00:18:13,120 "We've only been knowing each other for a couple of months." 423 00:18:13,160 --> 00:18:16,080 And he's like, "Oh, please take my hand in marriage. 424 00:18:16,120 --> 00:18:18,840 "I have brought you all of these flowers and I really like you." 425 00:18:18,880 --> 00:18:20,800 We are in possession of the Big Brick. 426 00:18:21,800 --> 00:18:23,280 So, we can take a risk. 427 00:18:23,320 --> 00:18:26,440 For now, we're just making the figures 428 00:18:26,480 --> 00:18:28,680 and making sure that they look good. 429 00:18:28,720 --> 00:18:29,880 Ida? Huh? 430 00:18:29,920 --> 00:18:31,920 Oh, but...oh, Peter 431 00:18:31,960 --> 00:18:35,520 Yeah, we definitely have to pose our figures 432 00:18:35,560 --> 00:18:39,400 so that they will tell the story to make it come to life. 433 00:18:39,440 --> 00:18:41,280 (SPEAKS DANISH) 434 00:18:42,280 --> 00:18:45,240 Mm-hm. Hey! Total bad-ass! 435 00:18:45,280 --> 00:18:46,680 (UPBEAT MUSIC) 436 00:18:46,720 --> 00:18:48,320 I reckon we have five hours remaining. 437 00:18:48,360 --> 00:18:50,120 Yeah. That's plenty. 438 00:18:50,160 --> 00:18:51,160 Mmm... 439 00:18:51,200 --> 00:18:52,520 You just keep doing that. I know. 440 00:18:52,560 --> 00:18:53,840 I've got this. 441 00:18:53,880 --> 00:18:55,880 The bingo balls have given us 442 00:18:55,920 --> 00:18:58,840 'Peter Pan' and Historical Epic blended together. 443 00:18:58,880 --> 00:19:00,680 Is that how the Colosseum is? 444 00:19:00,720 --> 00:19:02,520 I don't know! I haven't been there. (LAUGHS) 445 00:19:02,560 --> 00:19:03,560 (LAUGHS) Don't ask me! 446 00:19:03,600 --> 00:19:05,600 When we think of Historical Epic, 447 00:19:05,640 --> 00:19:08,200 we definitely think of old Rome, Ancient Rome, 448 00:19:08,240 --> 00:19:11,320 that sort of epic theatre, that epic stage. 449 00:19:11,360 --> 00:19:15,760 So, what we decided is the epic battle scene 450 00:19:15,800 --> 00:19:18,960 between Hook and Peter Pan in a Colosseum. 451 00:19:19,000 --> 00:19:21,880 I am Italian. 452 00:19:21,920 --> 00:19:25,640 So, I need to make my heritage pro... (LAUGHS) 453 00:19:25,680 --> 00:19:28,800 Emilio's been working on getting our Colosseum ready. 454 00:19:28,840 --> 00:19:32,560 I am getting the bodies ready, of our two characters, 455 00:19:32,600 --> 00:19:35,240 and we also have matching heads. 456 00:19:35,280 --> 00:19:38,040 So, we've got Pan and we've got Hook. 457 00:19:38,080 --> 00:19:39,800 Hook. 458 00:19:39,840 --> 00:19:41,560 I definitely want to get the characters done 459 00:19:41,600 --> 00:19:42,920 as soon as possible, 460 00:19:42,960 --> 00:19:44,560 'cause the Colosseum is big, 461 00:19:44,600 --> 00:19:47,000 and we really have to build the scale of the thing. 462 00:19:47,040 --> 00:19:49,800 (DRIVING MUSIC) 463 00:19:49,840 --> 00:19:51,320 (LAUGHS) He looks so good, Sam! 464 00:19:51,360 --> 00:19:52,600 We're gonna give these internationals 465 00:19:52,640 --> 00:19:54,880 a run for their money today. 466 00:19:54,920 --> 00:19:57,920 (MOMENTOUS MUSIC BUILDS) 467 00:20:00,840 --> 00:20:02,040 (IMPACT BOOMS) 468 00:20:04,160 --> 00:20:06,360 (SPEAKS FRENCH) 469 00:20:06,400 --> 00:20:09,880 Alright, Brickman, I think people are realising someone's going home, 470 00:20:09,920 --> 00:20:13,920 and there is a definitely air that this is for real. 471 00:20:13,960 --> 00:20:15,760 The penny's dropped, hasn't it? The penny's dropped. 472 00:20:15,800 --> 00:20:19,840 So, right now I wanna know the teams that are in trouble 473 00:20:19,880 --> 00:20:22,720 and give me the teams that look like they are well clear. 474 00:20:22,760 --> 00:20:24,360 OK, I think our German team, at the moment, 475 00:20:24,400 --> 00:20:27,040 just seem to flow beautifully. 476 00:20:27,080 --> 00:20:28,960 Mm-hm! 477 00:20:29,000 --> 00:20:31,240 (SPEAKING GERMAN) 478 00:20:31,280 --> 00:20:33,000 Really haven't had a problem right from the word go. 479 00:20:33,040 --> 00:20:36,760 I mean, 'Red Riding Hood' is not far off a horror story. 480 00:20:36,800 --> 00:20:38,080 They played the Big Brick well. 481 00:20:38,120 --> 00:20:40,280 The big advantage. Oh, chose well, chose well. 482 00:20:40,320 --> 00:20:42,640 Played into it. They're fine. They're comfortable. 483 00:20:42,680 --> 00:20:44,280 Anyone else completely fine? 484 00:20:44,320 --> 00:20:46,440 I feel like our American friends... 485 00:20:46,480 --> 00:20:48,480 'Cinderella' as a Western. 486 00:20:48,520 --> 00:20:50,000 MICHELLE: Does that look Westerny? 487 00:20:50,040 --> 00:20:52,680 Hell, yeah, dude! Hell, yeah! OK. 488 00:20:52,720 --> 00:20:54,320 Cinderella's running out, 489 00:20:54,360 --> 00:20:56,800 and instead of losing her shoe, she's lost her boot. 490 00:20:56,840 --> 00:20:58,920 Cowboy boot. Easily identifiable. 491 00:20:58,960 --> 00:21:01,320 And you can tell within microseconds exactly what it is. 492 00:21:01,360 --> 00:21:03,360 I made tumbleweeds. 493 00:21:03,400 --> 00:21:04,960 Oh, that's beautiful! 494 00:21:05,000 --> 00:21:06,760 But who is in trouble? 495 00:21:06,800 --> 00:21:09,440 Our French team, Camille and Caroline. 496 00:21:09,480 --> 00:21:10,480 (SIGHS) 497 00:21:10,520 --> 00:21:12,680 'Alice In Wonderland', and their genre is Crime. 498 00:21:12,720 --> 00:21:14,640 (SPEAKS FRENCH) 499 00:21:14,680 --> 00:21:16,800 (SPEAKS FRENCH) 500 00:21:16,840 --> 00:21:19,240 Crime is a tricky one, isn't it? 501 00:21:19,280 --> 00:21:21,320 Definitely! It's one of the harder ones. 502 00:21:21,360 --> 00:21:24,400 The crime scene is a table with some people that have been poisoned. 503 00:21:24,440 --> 00:21:27,200 The difficulty is in how do you transpose that idea 504 00:21:27,240 --> 00:21:29,240 into physical LEGO bricks? 505 00:21:29,280 --> 00:21:30,640 And so that's the problem. 506 00:21:30,680 --> 00:21:32,160 At the minute, that's not clear. Right. 507 00:21:32,200 --> 00:21:34,080 (EXHALES) 508 00:21:34,120 --> 00:21:37,360 Now, in the same boat is Sam and Emilio. 509 00:21:37,400 --> 00:21:38,560 They got a tough one. 510 00:21:38,600 --> 00:21:41,320 They've got 'Peter Pan' as an historical epic. 511 00:21:41,360 --> 00:21:43,680 EMILIO: Let's go. Let's power through now. 512 00:21:43,720 --> 00:21:44,920 We're making some good ground... 513 00:21:44,960 --> 00:21:47,800 Yeah, but don't let that get us caught out. 514 00:21:47,840 --> 00:21:51,120 They're going for the Colosseum as their Historical Epic genre, 515 00:21:51,160 --> 00:21:53,080 but at the minute, it just looks like the back of a building. 516 00:21:53,120 --> 00:21:54,120 (IMPACT CHIMES) 517 00:21:54,160 --> 00:21:57,640 It's very difficult to get that whole grandeur of what's going on. 518 00:21:59,280 --> 00:22:00,880 ERIC: Man, I'm feeling that time pressure now, 519 00:22:00,920 --> 00:22:02,120 you know what I mean, like... 520 00:22:02,160 --> 00:22:03,360 Yeah, that's all good. That's all good. 521 00:22:03,400 --> 00:22:04,720 Ben and Eric. 522 00:22:04,760 --> 00:22:07,320 'Rapunzel' in the world of Swords and Sorcery. 523 00:22:07,360 --> 00:22:08,600 They're figured out the story, 524 00:22:08,640 --> 00:22:10,800 in that they're gonna have a knight and a wizard and Rapunzel. 525 00:22:10,840 --> 00:22:13,600 Fantastic! But it's about execution now. 526 00:22:13,640 --> 00:22:15,680 Eric's come up with a really cool technique 527 00:22:15,720 --> 00:22:18,440 to get this rounded castle wall, 528 00:22:18,480 --> 00:22:20,560 but it's super labour-intensive. 529 00:22:20,600 --> 00:22:23,120 Does that look even on your end, real quick, this tower? 530 00:22:23,160 --> 00:22:24,280 BEN: Yeah. 531 00:22:24,320 --> 00:22:26,320 But he only got it about three inches high. 532 00:22:26,360 --> 00:22:27,760 (IMPACT BOOMS# 533 00:22:27,800 --> 00:22:29,760 Alright, everybody! (CONTESTANTS EXCLAIM) 534 00:22:29,800 --> 00:22:34,120 As the clock ticks down, we are exactly...halfway! 535 00:22:34,160 --> 00:22:36,960 Five hours down. Five to go! 536 00:22:37,000 --> 00:22:39,000 ERIC: We are not halfway through. 537 00:22:39,040 --> 00:22:41,360 I know it doesn't look like I've done much, but it's getting there. 538 00:22:41,400 --> 00:22:43,880 It's just taking so much damn time. 539 00:22:43,920 --> 00:22:47,280 The three things we need to nail is, one - a tower. 540 00:22:48,360 --> 00:22:51,680 Two - hair coming down from a Rapunzel. 541 00:22:51,720 --> 00:22:54,120 And the Swords and Sorcery element, 542 00:22:54,160 --> 00:22:56,840 which is a sorceress attacking the prince, 543 00:22:56,880 --> 00:22:59,080 who has come to save Rapunzel. 544 00:22:59,120 --> 00:23:01,120 (DRAMATIC MUSIC BUILDS) 545 00:23:01,160 --> 00:23:02,400 Oh, so good! 546 00:23:02,440 --> 00:23:07,000 Right now we only have the sorcerer and the prince. 547 00:23:07,040 --> 00:23:09,480 How long is gonna take you to get that, like, super high? 548 00:23:09,520 --> 00:23:12,040 Well, I feel like it should go real big. 549 00:23:12,080 --> 00:23:13,920 Ben and Eric, hello! 550 00:23:13,960 --> 00:23:16,400 Brickman, how are we? How are we, Brickman? 551 00:23:16,440 --> 00:23:19,160 I'm great, but I'm worried. OK. 552 00:23:19,200 --> 00:23:22,200 The technique that you've chosen for the castle, as awesome as it is, 553 00:23:22,240 --> 00:23:24,760 if you keep going at the same rate and the same pace, 554 00:23:24,800 --> 00:23:26,240 you end up with nothing. 555 00:23:26,280 --> 00:23:27,400 Yep, yep. 556 00:23:27,440 --> 00:23:28,600 (DRAMATIC MUSIC BUILDS) 557 00:23:28,640 --> 00:23:29,960 He has a point. 558 00:23:30,000 --> 00:23:31,480 (DRAMATIC MUSIC CONTINUES) 559 00:23:31,520 --> 00:23:35,120 Yeah, we need to pivot right now and come up with something else. 560 00:23:35,160 --> 00:23:37,680 Um... I think I'll just plate up. 561 00:23:37,720 --> 00:23:38,800 Yep. 562 00:23:38,840 --> 00:23:42,000 I'll just get plate and edges and go up, up, up, up, up. 563 00:23:42,040 --> 00:23:45,160 I think, at this point, elimination is in the back of the mind. 564 00:23:45,200 --> 00:23:48,960 So, we're just putting plates straight up. 565 00:23:49,000 --> 00:23:51,080 You know, we're just trying to do as much as possible 566 00:23:51,120 --> 00:23:53,120 and ensure that we get this tower done, 567 00:23:53,160 --> 00:23:57,720 and we can get the most important part of our story in there, 568 00:23:57,760 --> 00:23:59,320 which is the hair. 569 00:23:59,360 --> 00:24:00,920 I'm starting to get stressed. 570 00:24:00,960 --> 00:24:02,320 Oh, no! 571 00:24:02,360 --> 00:24:04,800 Without the tower, we can't have the hair. 572 00:24:05,960 --> 00:24:07,520 It's fine! (LAUGHS) 573 00:24:07,560 --> 00:24:09,280 See? It's fine. Trust me. 574 00:24:09,320 --> 00:24:12,120 (IMPACT BOOMS) 575 00:24:12,160 --> 00:24:14,120 OK, so, it's not fine. It is not fine. 576 00:24:14,160 --> 00:24:16,160 (IMPACT BOOMS) 577 00:24:22,000 --> 00:24:25,000 (DRAMATIC MUSIC BUILDS) 578 00:24:31,840 --> 00:24:35,080 OK, while this is down, 579 00:24:35,120 --> 00:24:38,280 you need to build a structure through there, OK? 580 00:24:38,320 --> 00:24:41,800 (MOMENTOUS MUSIC BUILDS) 581 00:24:42,800 --> 00:24:44,640 DIANNE: How are you going? How's your dragon? 582 00:24:44,680 --> 00:24:45,760 Is it a dragon? What is it? 583 00:24:45,800 --> 00:24:47,400 ANNALENA: No, it's not a dragon, it's... 584 00:24:47,440 --> 00:24:48,560 No. What is it? It's a wolf. 585 00:24:48,600 --> 00:24:50,280 It's a woof... Wolf! 586 00:24:50,320 --> 00:24:52,000 Woof. Wolf! 587 00:24:52,040 --> 00:24:53,760 Woof. (LAUGHS) Woof, woof. 588 00:24:53,800 --> 00:24:57,560 Our strategy right now is that Annalena is building the wolf. 589 00:24:57,600 --> 00:24:59,520 It looks amazing. 590 00:24:59,560 --> 00:25:00,560 Cool! 591 00:25:00,600 --> 00:25:03,480 At this moment, for me, there are a lot of trees. 592 00:25:03,520 --> 00:25:06,640 But it's really good, because in a forest, 593 00:25:06,680 --> 00:25:09,680 there are not only two trees - there are more than two. 594 00:25:09,720 --> 00:25:11,840 So, there it is. 595 00:25:11,880 --> 00:25:15,440 But for me, building the Red Riding Hood makes me really nervous, 596 00:25:15,480 --> 00:25:17,960 because it's, like, the main character of the fairy-tale. 597 00:25:18,000 --> 00:25:19,800 I think I can do it... 598 00:25:19,840 --> 00:25:21,680 Yeah, I never build characters before. 599 00:25:21,720 --> 00:25:23,600 So, I'm really taking some time 600 00:25:23,640 --> 00:25:26,160 to focus on detailing the expression in her face. 601 00:25:26,200 --> 00:25:27,200 With the head, 602 00:25:27,240 --> 00:25:30,960 it's not easy to do, like, these small, like, faces. 603 00:25:31,000 --> 00:25:33,880 Brickman is looking for, like, the perfect mix 604 00:25:33,920 --> 00:25:36,320 between the fairy-tale and the genre. 605 00:25:36,360 --> 00:25:39,520 So, we want to be really clear that it's Red Riding Hood. 606 00:25:39,560 --> 00:25:42,960 Then there's, like, the big wolf is behind her 607 00:25:43,000 --> 00:25:45,400 and want to, like...yeah, eat her. 608 00:25:45,440 --> 00:25:47,680 So, yeah, I give my best. 609 00:25:47,720 --> 00:25:49,080 (GASPS) Oh! 610 00:25:49,120 --> 00:25:50,160 (SPEAKS GERMAN) 611 00:25:50,200 --> 00:25:51,360 (LAUGHS) What was that?! 612 00:25:51,400 --> 00:25:54,720 It was like this, and I catch it at the bottom. 613 00:25:54,760 --> 00:25:57,960 (MOMENTOUS MUSIC BUILDS) 614 00:25:58,000 --> 00:26:02,480 CAMILLE: So, Caroline is working on the Mad Hatter 615 00:26:02,520 --> 00:26:06,840 and I'm currently working on the table. 616 00:26:06,880 --> 00:26:09,720 CAROLINE: We have 'Alice In Wonderland'. 617 00:26:09,760 --> 00:26:14,080 But we were still figuring out the crime scene. 618 00:26:14,120 --> 00:26:15,560 Instead of poison... Yeah? 619 00:26:15,600 --> 00:26:17,000 ..what else could we have? 620 00:26:18,240 --> 00:26:19,480 Um... 621 00:26:20,760 --> 00:26:21,800 (SIGHS) 622 00:26:23,320 --> 00:26:27,560 Our other idea is to do a crime scene 623 00:26:27,600 --> 00:26:30,240 around a cutted card. 624 00:26:30,280 --> 00:26:34,080 So, we decided to do a crime scene 625 00:26:34,120 --> 00:26:37,960 with the Mad Hatter cutting the cards. 626 00:26:38,960 --> 00:26:41,120 So, the cards are his victims, are they? 627 00:26:41,160 --> 00:26:42,480 Exactly. 628 00:26:42,520 --> 00:26:44,400 I feel like you've got a good story. 629 00:26:44,440 --> 00:26:45,960 I feel like the story's clear now. 630 00:26:46,000 --> 00:26:48,960 The hard part is you've got a lot to do. 631 00:26:49,000 --> 00:26:50,480 Yeah. Like, a lot. 632 00:26:50,520 --> 00:26:51,520 Thanks a lot. Good luck. 633 00:26:51,560 --> 00:26:52,720 Thanks a lot. 634 00:26:52,760 --> 00:26:56,200 Brickman loves our...new idea, 635 00:26:56,240 --> 00:26:59,160 but we're just worried about the fact 636 00:26:59,200 --> 00:27:02,040 that we won't have the time to do it. 637 00:27:02,080 --> 00:27:04,440 You're building with good purpose. 638 00:27:04,480 --> 00:27:05,600 Like, I feel like you guys are... 639 00:27:05,640 --> 00:27:07,520 Your favourite. Your favourite? 640 00:27:07,560 --> 00:27:09,440 You feel like we are your favourite. 641 00:27:09,480 --> 00:27:11,040 Is that what you wanted to say? 642 00:27:11,080 --> 00:27:12,920 That IS what I wanted to say. (LAUGHTER) 643 00:27:12,960 --> 00:27:14,160 Oh, thank you so much. Ahh, thank you. 644 00:27:14,200 --> 00:27:16,480 Well, I can't just say that to everyone. 645 00:27:16,520 --> 00:27:17,920 I hope so. No way. 646 00:27:17,960 --> 00:27:19,360 Good luck, favourites. 647 00:27:19,400 --> 00:27:21,160 Thanks. Thanks. 648 00:27:21,200 --> 00:27:22,560 (JAUNTY INSTRUMENTAL MUSIC) 649 00:27:22,600 --> 00:27:24,280 This is looking good. Thanks, man. 650 00:27:24,320 --> 00:27:26,480 And I'm glad it's looking good, because - 651 00:27:26,520 --> 00:27:29,040 I probably shouldn't say this, but you're my favourites. 652 00:27:29,080 --> 00:27:32,200 (LAUGHS) Thanks, man. 653 00:27:32,240 --> 00:27:34,280 (JAUNTY INSTRUMENTAL MUSIC) 654 00:27:37,000 --> 00:27:38,480 How's my favourites going? 655 00:27:38,520 --> 00:27:41,640 That's looking good. Physics of hair is... 656 00:27:41,680 --> 00:27:43,240 You'll get it. It looks like hair. 657 00:27:43,280 --> 00:27:44,280 (JAUNTY INSTRUMENTAL MUSIC) 658 00:27:44,320 --> 00:27:46,840 Hey, guys. Guess what. What? 659 00:27:46,880 --> 00:27:48,960 It's an hour to go. 660 00:27:49,000 --> 00:27:51,240 No! Yes! One hour! 661 00:27:51,280 --> 00:27:52,280 (SIREN WHOOPS) 662 00:27:52,320 --> 00:27:54,080 One whole hour. 663 00:27:54,120 --> 00:27:55,640 Arggh! 664 00:27:55,680 --> 00:27:59,080 But another way of looking at it is, "Oh, no. One hour." 665 00:27:59,120 --> 00:28:02,120 (MOMENTOUS MUSIC BUILDS) 666 00:28:07,160 --> 00:28:11,840 She has become an absolute Beauty, this one! 667 00:28:11,880 --> 00:28:13,920 It's an absolute Beauty, this one we've found here! 668 00:28:13,960 --> 00:28:16,440 In this last hour, I'm just doing these boots, 669 00:28:16,480 --> 00:28:18,080 then we have to put up the Beast, 670 00:28:18,120 --> 00:28:20,440 make sure that he can actually stand. 671 00:28:20,480 --> 00:28:24,240 Finish the pose, and then we can do some nitty-gritty polishing stuff. 672 00:28:25,240 --> 00:28:28,440 (SPEAKING DANISH) 673 00:28:33,440 --> 00:28:36,560 "Arggh!" Love it! 674 00:28:36,600 --> 00:28:38,320 We're stoked... Yeah. 675 00:28:38,360 --> 00:28:40,720 ..to have gotten the 'Wizard Of Oz' and Action. 676 00:28:40,760 --> 00:28:43,080 At the moment, we've got the Witch... 677 00:28:43,120 --> 00:28:44,280 Arggh! 678 00:28:44,320 --> 00:28:46,440 She's creepy as hell. 679 00:28:46,480 --> 00:28:49,160 ..and Dorothy. "Arggh!" 680 00:28:49,200 --> 00:28:50,800 "Die, Witch, die!" 681 00:28:50,840 --> 00:28:52,880 We want Dorothy jumping through the air, 682 00:28:52,920 --> 00:28:54,080 shooting water pistols. 683 00:28:54,120 --> 00:28:56,600 Yep. Melting the Wicked Witch. 684 00:28:56,640 --> 00:28:59,080 I'd love to see the posing. Sure! 685 00:28:59,120 --> 00:29:00,720 Are we able to... Yeah. 686 00:29:00,760 --> 00:29:02,400 The most important aspect of the build 687 00:29:02,440 --> 00:29:04,840 is that sense of implied movement. 688 00:29:04,880 --> 00:29:08,160 So, we've gotta nail poses, we've gotta nail expressions. 689 00:29:08,200 --> 00:29:09,200 Mm-hm. 690 00:29:09,240 --> 00:29:10,560 I mean, there'll be more fine tuning. 691 00:29:10,600 --> 00:29:11,800 No, no, that's fine. 692 00:29:11,840 --> 00:29:13,400 I'm just curious to see sort of the placement. 693 00:29:13,440 --> 00:29:16,720 I also wanted to make sure that you could see very clear layers 694 00:29:16,760 --> 00:29:19,840 between the foreground, the midground, and the background. 695 00:29:19,880 --> 00:29:22,480 Like, we're building it as if it's an old-school movie set. 696 00:29:22,520 --> 00:29:25,040 The way you've staged it is awesome, because you really do have 697 00:29:25,080 --> 00:29:26,640 foreground, middle ground, and background. 698 00:29:26,680 --> 00:29:28,160 Yep. So, I think that's fantastic. 699 00:29:28,200 --> 00:29:30,920 The only other thing - it needs a little something behind. 700 00:29:30,960 --> 00:29:33,040 Something that gives a sense of depth a little bit more too. 701 00:29:33,080 --> 00:29:34,080 Yep. Yep. 702 00:29:34,120 --> 00:29:36,160 Brickman wants it to show more depth. 703 00:29:36,200 --> 00:29:37,760 He wants us to add a little bit more. 704 00:29:37,800 --> 00:29:39,560 He wants us to push that depth even further. 705 00:29:39,600 --> 00:29:41,640 So, we need something in the background. 706 00:29:41,680 --> 00:29:43,000 (DRAMATIC MUSIC BUILDS) 707 00:29:43,040 --> 00:29:44,040 I think that's it. 708 00:29:44,080 --> 00:29:46,280 (DRAMATIC MUSIC BUILDS) 709 00:29:46,320 --> 00:29:48,680 Alright, cool. Cool, cool, cool. 710 00:29:48,720 --> 00:29:51,840 There is half an hour to go! 30 minutes to go! 711 00:29:51,880 --> 00:29:53,080 Whoo! 712 00:29:53,120 --> 00:29:54,280 This is an elimination! 713 00:29:54,320 --> 00:29:58,280 Half an hour to make sure your fairy-tale is crystal clear 714 00:29:58,320 --> 00:30:01,720 and your genre fits exactly what you were given. 715 00:30:01,760 --> 00:30:04,080 CHARLIE: Game on, people! Game on! 716 00:30:04,120 --> 00:30:05,400 MAN: Oh, game on! 717 00:30:05,440 --> 00:30:08,440 (MOMENTOUS MUSIC BUILDS) 718 00:30:14,800 --> 00:30:17,240 How's the roof starting to look? 719 00:30:17,280 --> 00:30:18,760 HALEY: That looks good. 720 00:30:18,800 --> 00:30:20,520 I've never built a dojo before. 721 00:30:20,560 --> 00:30:23,320 You've never built ninja bears before. 722 00:30:23,360 --> 00:30:26,360 I think, as a team, we've done alright! 723 00:30:26,400 --> 00:30:30,360 We've definitely nailed the genre for Martial Arts, 724 00:30:30,400 --> 00:30:31,920 but it's just more... 725 00:30:31,960 --> 00:30:34,360 ..yeah, making sure that we can really see the three bears. 726 00:30:34,400 --> 00:30:37,960 and make out that it is Goldilocks with a bowl of porridge. 727 00:30:38,000 --> 00:30:41,440 (DRAMATIC MUSIC BUILDS) 728 00:30:41,480 --> 00:30:43,280 (SIGHS) 729 00:30:43,320 --> 00:30:44,960 I'm feeling a little bit nervous. 730 00:30:45,000 --> 00:30:47,480 The Colosseum is pretty much done. 731 00:30:47,520 --> 00:30:49,360 I've still got Hook to finish. EMILIO: Yeah. 732 00:30:49,400 --> 00:30:51,400 I am spending a bit of time on the characters 733 00:30:51,440 --> 00:30:53,160 because I know the characters are something 734 00:30:53,200 --> 00:30:54,640 that will get us across the line, 735 00:30:54,680 --> 00:30:57,880 but I'm really, really happy with how I made Hook look, 736 00:30:57,920 --> 00:30:58,920 how I made Pan look. 737 00:30:58,960 --> 00:31:01,880 I feel like we've ticked the fairy-tale component. 738 00:31:01,920 --> 00:31:03,040 Yep. 739 00:31:03,080 --> 00:31:04,520 I feel like we still need more of the epicness. 740 00:31:04,560 --> 00:31:05,560 Yep, OK. 741 00:31:05,600 --> 00:31:08,000 It just looks like a building. How else do we get it grand? 742 00:31:09,000 --> 00:31:12,320 We are hinging on the Colosseum being epic by nature. 743 00:31:12,360 --> 00:31:17,280 Without that, there's no historical epic. 744 00:31:17,320 --> 00:31:19,880 We need to see the other 50% of your equation. 745 00:31:19,920 --> 00:31:20,920 Sure. 746 00:31:20,960 --> 00:31:22,800 Awesome. Thank you, Brickman. Thank you. 747 00:31:22,840 --> 00:31:27,280 I'm trying to stay very calm, but... 748 00:31:27,320 --> 00:31:29,600 Today is an elimination. ..it's an elimination day. 749 00:31:29,640 --> 00:31:32,280 The first elimination on this series. 750 00:31:32,320 --> 00:31:34,720 So, I'm, like, "What can we do?" 751 00:31:34,760 --> 00:31:36,320 Alright... Behind. 752 00:31:36,360 --> 00:31:37,560 ..move this up here. 753 00:31:37,600 --> 00:31:38,760 (GASPS) (BRICKS SMASH) 754 00:31:38,800 --> 00:31:40,480 WOMAN: No! 755 00:31:40,520 --> 00:31:42,520 (IMPACT BOOMS) 756 00:31:48,040 --> 00:31:51,040 (DRAMATIC MUSIC BUILDS) 757 00:31:58,240 --> 00:32:00,280 Does that kind of look like po... (BRICKS SMASH) 758 00:32:00,320 --> 00:32:01,680 ..porridge? 759 00:32:01,720 --> 00:32:03,440 Wait, what happened to your foot? 760 00:32:04,760 --> 00:32:05,800 Oh, there it is. 761 00:32:06,920 --> 00:32:11,120 The challenge today is classic fairy-tale mixed with any genre. 762 00:32:11,160 --> 00:32:12,720 (DRAMATIC MUSIC CONTINUES) 763 00:32:12,760 --> 00:32:14,960 We're gonna be doing Cinderella meets Western. 764 00:32:15,000 --> 00:32:17,640 This is Cinderella. 765 00:32:17,680 --> 00:32:18,800 She's got one boot on, 766 00:32:18,840 --> 00:32:20,560 and one boot on the staircase there, 767 00:32:20,600 --> 00:32:22,640 and she is gonna be in, like, a running position. 768 00:32:24,120 --> 00:32:26,040 OK, Miss Cinderella. 769 00:32:26,080 --> 00:32:28,200 And we have the beautiful backdrop. 770 00:32:28,240 --> 00:32:30,080 This is so Western. 771 00:32:30,120 --> 00:32:31,600 So, it's very Hollywood. 772 00:32:31,640 --> 00:32:35,440 It's got the faux background with the buildings stacked in front. 773 00:32:35,480 --> 00:32:37,560 It's literally how I pictured in my mind. 774 00:32:37,600 --> 00:32:39,600 So, for me, I'm, like, super excited. 775 00:32:40,600 --> 00:32:44,280 Guys, ten minutes to go! Red zone! 776 00:32:44,320 --> 00:32:46,920 No! Don't spread a minefield! 777 00:32:46,960 --> 00:32:49,960 (DRAMATIC MUSIC BUILDS) 778 00:32:53,080 --> 00:32:54,200 Ten minutes! 779 00:32:57,200 --> 00:32:58,720 I was a little bit scared about 780 00:32:58,760 --> 00:33:01,680 creating horror in 'Red Riding Hood', 781 00:33:01,720 --> 00:33:04,960 especially because I never did a character before. 782 00:33:05,000 --> 00:33:07,840 (SPEAKS GERMAN) 783 00:33:07,880 --> 00:33:10,320 (WONDROUS MUSIC) 784 00:33:10,360 --> 00:33:12,040 But I'm really happy how it turns out. 785 00:33:13,040 --> 00:33:15,640 I love the face expression, with the scared eyes. 786 00:33:16,760 --> 00:33:18,800 I love the hair buns. I love it! 787 00:33:18,840 --> 00:33:20,360 ANNALENA: Oh, that's so good! 788 00:33:20,400 --> 00:33:22,600 Yeah, I'm proud of you. (LAUGHS) 789 00:33:22,640 --> 00:33:23,960 I'm back! Felix. 790 00:33:24,000 --> 00:33:26,360 Well, I don't know why you're running. I mean, are you finished? 791 00:33:26,400 --> 00:33:27,440 Uh, no. 792 00:33:27,480 --> 00:33:29,800 It looks pretty done. No, it's not done. 793 00:33:29,840 --> 00:33:32,120 I think we are really good on time, and we... 794 00:33:32,160 --> 00:33:33,280 (LAUGHS) 795 00:33:33,320 --> 00:33:34,880 Whoa! Ahh! 796 00:33:34,920 --> 00:33:38,640 I swear to god that wasn't me, but...kinda helped. 797 00:33:38,680 --> 00:33:40,160 Oh, no! 798 00:33:40,200 --> 00:33:41,800 Wow! 799 00:33:41,840 --> 00:33:45,360 (DRAMATIC MUSIC BUILDS) 800 00:33:45,400 --> 00:33:47,440 ERIC: OK. Hair's connected. BEN: How does that look? 801 00:33:48,480 --> 00:33:51,680 So, Rapunzel's there. Rapunzel's there. 802 00:33:51,720 --> 00:33:52,880 The hair's there. The hair's there. 803 00:33:52,920 --> 00:33:55,600 And then the prince and a sorceress, we've done. 804 00:33:55,640 --> 00:33:56,880 (DRAMATIC MUSIC BUILDS) 805 00:33:56,920 --> 00:33:59,360 So, Rapunzel... Yep? 806 00:33:59,400 --> 00:34:00,560 ..in the tower. Yeah? 807 00:34:00,600 --> 00:34:02,600 Does it look like that's her hair 808 00:34:02,640 --> 00:34:04,640 or she's pouring paint out of a can? 809 00:34:04,680 --> 00:34:07,080 Yeah, 50-50 to me, mate. 810 00:34:07,120 --> 00:34:08,360 (TENSE INSTRUMENTAL MUSIC) 811 00:34:08,400 --> 00:34:09,960 50-50's not enough to me. 812 00:34:10,000 --> 00:34:11,240 (TENSE INSTRUMENTAL MUSIC) 813 00:34:11,280 --> 00:34:13,040 What can we do? What can we do? 814 00:34:13,080 --> 00:34:15,080 If you can't figure out what's happening 815 00:34:15,120 --> 00:34:16,920 with the hair in our story, 816 00:34:16,960 --> 00:34:18,920 which is meant to be a key element, 817 00:34:18,960 --> 00:34:22,160 and today is an elimination - 818 00:34:22,200 --> 00:34:23,560 we could be in trouble. 819 00:34:23,600 --> 00:34:24,800 I'll bring the strands up. 820 00:34:24,840 --> 00:34:28,120 The biggest motivation is, really, just to survive. 821 00:34:28,160 --> 00:34:30,320 Stupid hair. 822 00:34:32,120 --> 00:34:34,520 (DRAMATIC MUSIC SWELLS) 823 00:34:34,560 --> 00:34:37,200 (MOMENTOUS MUSIC BUILDS) 824 00:34:37,240 --> 00:34:38,800 KRYSTLE: Are you gonna make, like, a taller one? 825 00:34:38,840 --> 00:34:40,560 MICHELLE: No, I was just gonna make that little guy. 826 00:34:40,600 --> 00:34:42,520 CAMILLE: Where did you want to put the Mad Hatter? 827 00:34:42,560 --> 00:34:43,560 CAROLINE: Over here. 828 00:34:43,600 --> 00:34:45,680 Our main elements... 829 00:34:45,720 --> 00:34:47,960 The Mad Hatter. 830 00:34:48,000 --> 00:34:51,480 A crime scene with a cutted card. 831 00:34:51,520 --> 00:34:53,480 (JAUNTY INSTRUMENTAL MUSIC) 832 00:34:53,520 --> 00:34:56,080 We think this idea is quite clear to understand. 833 00:34:59,000 --> 00:35:01,840 We just want to finish the challenge, 834 00:35:01,880 --> 00:35:03,560 and finish it well. 835 00:35:09,560 --> 00:35:11,080 (JAUNTY INSTRUMENTAL MUSIC) 836 00:35:11,120 --> 00:35:13,920 Two minutes! Two minutes to go! 837 00:35:13,960 --> 00:35:16,000 Two minutes? What are you doing? 838 00:35:16,040 --> 00:35:18,040 EMILIO: Just finalising these guys. OK. 839 00:35:18,080 --> 00:35:20,600 Brickman says he wanted it to be a bit more Colosseum-y. 840 00:35:20,640 --> 00:35:22,400 Something a bit more grander, 841 00:35:22,440 --> 00:35:25,240 So, we're putting pirates around the scene 842 00:35:25,280 --> 00:35:27,640 because the 'Peter Pan' story has Hook's pirates. 843 00:35:27,680 --> 00:35:29,520 Don't forget the tassels on this one. 844 00:35:29,560 --> 00:35:31,280 And adding some banners 845 00:35:31,320 --> 00:35:33,520 to try and sort of fill in the scene a bit more. 846 00:35:33,560 --> 00:35:35,360 Look at the detailing on that! 847 00:35:35,400 --> 00:35:36,680 The Colosseum looks great! 848 00:35:36,720 --> 00:35:38,120 Super happy. 849 00:35:38,160 --> 00:35:40,880 And it fits in with the brief of Historical Epics. 850 00:35:40,920 --> 00:35:42,480 I need a... What? 851 00:35:42,520 --> 00:35:43,600 Round plate. I'll go get it. 852 00:35:43,640 --> 00:35:46,680 Run. Run. Don't... That's not running! 853 00:35:46,720 --> 00:35:49,200 That's, like...ambling. 854 00:35:49,240 --> 00:35:51,080 One minute! 855 00:35:51,120 --> 00:35:54,120 (MOMENTOUS MUSIC BUILDS) 856 00:36:00,960 --> 00:36:03,080 SHANE: We're actually in a really good place at the moment. 857 00:36:03,120 --> 00:36:05,160 Just adding, like, some little extra elements. 858 00:36:05,200 --> 00:36:07,600 DIANNE: Are we getting that on? We need the moon. 859 00:36:07,640 --> 00:36:10,120 Brickman wants it to show more depth. 860 00:36:10,160 --> 00:36:13,480 So, let's go with a moon. Yep, with a monkey in it. 861 00:36:13,520 --> 00:36:14,880 We wanna be able to see the wings 862 00:36:14,920 --> 00:36:17,160 so we know that it's the Witch's little mate. 863 00:36:17,200 --> 00:36:18,440 Yep, there. 864 00:36:18,480 --> 00:36:19,800 Let's get the characters on, 865 00:36:19,840 --> 00:36:22,160 because we won't want, like, the characters on the actual... 866 00:36:22,200 --> 00:36:24,200 I know. Let's get those characters on. 867 00:36:26,320 --> 00:36:27,720 I think it looks great, Shane. 868 00:36:27,760 --> 00:36:29,640 Last few bricks. 869 00:36:29,680 --> 00:36:31,000 (DRAMATIC MUSIC BUILDS) 870 00:36:31,040 --> 00:36:32,240 ERIC: Is that better? 871 00:36:32,280 --> 00:36:34,000 BEN: Yeah, we need to attach the hair, though. 872 00:36:34,040 --> 00:36:36,000 Oh, there should be flower pots in the...yep. 873 00:36:36,040 --> 00:36:39,800 They could make the difference between staying here and going home. 874 00:36:39,840 --> 00:36:44,840 CAMILLE: Oh, god. We really have to finish this, Caroline. 875 00:36:44,880 --> 00:36:47,920 Ten! Nine! Eight! Quick, quick, quick, quick! 876 00:36:47,960 --> 00:36:50,720 Seven! Six! Five! 877 00:36:50,760 --> 00:36:56,240 Four! Three! Two! One! Zero! 878 00:36:56,280 --> 00:36:57,840 Yeah! That's it! 879 00:36:57,880 --> 00:36:59,360 That is it! 880 00:37:00,360 --> 00:37:01,520 (MOMENTOUS MUSIC SWELLS) 881 00:37:01,560 --> 00:37:06,000 Alright, guys, ten hours, eight tales, eight genres 882 00:37:06,040 --> 00:37:08,360 beautifully twisted together. 883 00:37:08,400 --> 00:37:09,960 First of all, beautiful work. Well done. 884 00:37:10,000 --> 00:37:12,920 (APPLAUSE) 885 00:37:12,960 --> 00:37:13,960 Good work! 886 00:37:14,000 --> 00:37:16,360 Let's take a closer look at them. 887 00:37:16,400 --> 00:37:20,040 Why don't we start with Team USA, Krystle and Michelle? 888 00:37:20,080 --> 00:37:24,080 (APPLAUSE) 889 00:37:24,120 --> 00:37:26,520 Our 'Cinderella' Western. 890 00:37:28,640 --> 00:37:33,320 (COUNTRY AND WESTERN FILM MUSIC SWELLS) 891 00:37:33,360 --> 00:37:37,240 MICHELLE: So, today we have the iconic scene of Cinderella 892 00:37:37,280 --> 00:37:39,360 coming down the staircase... 893 00:37:39,400 --> 00:37:40,400 (FOOTSTEPS THUD) 894 00:37:40,440 --> 00:37:41,560 ..at midnight. 895 00:37:41,600 --> 00:37:43,200 (TRUMPET MUSIC SWELLS, BELL TOLLS) 896 00:37:43,240 --> 00:37:45,640 And she's, like, leaving behind a Western boot. 897 00:37:48,240 --> 00:37:49,800 There's no denying it's Cinderella. 898 00:37:49,840 --> 00:37:50,840 KRYSTLE: And a Western. Yeah. 899 00:37:50,880 --> 00:37:52,720 (MAN WHOOPS) 900 00:37:54,040 --> 00:37:55,640 How are you guys feeling about this? 901 00:37:55,680 --> 00:37:57,640 I love it! I love it. 902 00:37:57,680 --> 00:38:00,120 The boot is a critical bit. 903 00:38:00,160 --> 00:38:02,640 Have they done a good job of featuring the boot? 904 00:38:02,680 --> 00:38:05,520 So, the key for the boot is two things. 905 00:38:05,560 --> 00:38:08,560 First off, it's got a lot of negative space around it, 906 00:38:08,600 --> 00:38:11,080 and the colour around it - it's on white steps. 907 00:38:11,120 --> 00:38:12,120 You can't miss the boot. 908 00:38:12,160 --> 00:38:16,000 The other thing is this sort of, like, layered background. 909 00:38:16,040 --> 00:38:18,440 Is this a good example of it? A great example. 910 00:38:18,480 --> 00:38:20,400 A fantastic way of getting a whole world 911 00:38:20,440 --> 00:38:22,280 without having to build a whole world. 912 00:38:22,320 --> 00:38:24,200 So, I think that's a real positive. 913 00:38:24,240 --> 00:38:26,880 This doesn't feel like a third challenge build to me. 914 00:38:26,920 --> 00:38:30,480 This feels like a seventh. It's polished. 915 00:38:30,520 --> 00:38:31,520 Yay! 916 00:38:31,560 --> 00:38:33,400 (UPLIFTING INSTRUMENTAL MUSIC) 917 00:38:33,440 --> 00:38:36,640 Alright, in the world of story and genre? 918 00:38:37,720 --> 00:38:39,320 Two. Well done. 919 00:38:39,360 --> 00:38:40,440 Thank you. Thank you! 920 00:38:40,480 --> 00:38:41,840 Thank you, thank you! Thank you! 921 00:38:41,880 --> 00:38:44,040 (APPLAUSE) Well done! 922 00:38:44,080 --> 00:38:45,720 I feel super confident. I do too. 923 00:38:45,760 --> 00:38:47,440 Coming from America, 924 00:38:47,480 --> 00:38:49,960 I just feel like we've really done our country proud. 925 00:38:51,360 --> 00:38:53,720 Alright, let's take a look at our French team, 926 00:38:53,760 --> 00:38:55,080 Caroline and Camille. 927 00:38:55,120 --> 00:38:58,680 (APPLAUSE) 928 00:38:58,720 --> 00:39:00,080 At this point, we are very worried. 929 00:39:01,560 --> 00:39:04,520 Definitely it's not our best build. 930 00:39:04,560 --> 00:39:05,960 (SUSPENSEFUL MUSIC) 931 00:39:06,000 --> 00:39:09,880 There is lots of things we would have changed, 932 00:39:09,920 --> 00:39:12,000 but we don't have the time. 933 00:39:13,640 --> 00:39:16,440 (SIREN WAILS) 934 00:39:16,480 --> 00:39:17,720 (SULTRY SAXOPHONE MUSIC PLAYS) 935 00:39:17,760 --> 00:39:20,520 So, we got 'Alice In Wonderland'. 936 00:39:20,560 --> 00:39:22,360 And Crime. 937 00:39:22,400 --> 00:39:27,040 We have the crime scene around a cutted card. 938 00:39:28,080 --> 00:39:32,000 The others are trying to figure out the crime. 939 00:39:32,040 --> 00:39:33,880 The Mad Hatter... 940 00:39:33,920 --> 00:39:35,520 (MANIACAL LAUGHTER) 941 00:39:35,560 --> 00:39:38,960 ..just looking with crazy eyes. 942 00:39:39,000 --> 00:39:40,320 (SCISSORS SNIP) 943 00:39:40,360 --> 00:39:41,680 (CAT MEOWS) 944 00:39:41,720 --> 00:39:45,040 (SIREN WAILS, MUSIC SWELLS) 945 00:39:45,080 --> 00:39:48,960 Caroline, how would you describe the first five hours? 946 00:39:49,000 --> 00:39:50,560 Difficult. 947 00:39:50,600 --> 00:39:51,840 (LAUGHTER) 948 00:39:51,880 --> 00:39:53,320 Even the eight, first. 949 00:39:53,360 --> 00:39:55,560 First eight hours...were difficult. (LAUGHTER) 950 00:39:55,600 --> 00:39:56,600 Yeah. 951 00:39:56,640 --> 00:39:59,960 It's a much clearer idea. 100%! The idea's great. 952 00:40:00,000 --> 00:40:02,520 As far as our fairy-tale goes, 953 00:40:02,560 --> 00:40:04,160 'Alice In Wonderland', 954 00:40:04,200 --> 00:40:05,760 I'm gonna give it a big tick, 955 00:40:05,800 --> 00:40:09,440 because we, 100%, know what the fairy-tale is. 956 00:40:09,480 --> 00:40:12,440 But the Crime was the problem idea for the both of you. 957 00:40:12,480 --> 00:40:13,520 (TENSE INSTRUMENTAL MUSIC) 958 00:40:13,560 --> 00:40:16,480 And the downside of your idea coming so late 959 00:40:16,520 --> 00:40:18,080 is it's the polish. 960 00:40:18,120 --> 00:40:20,120 If we think of our Mad Hatter over there, 961 00:40:20,160 --> 00:40:22,280 he's supposed to be trimming the hedge. 962 00:40:22,320 --> 00:40:25,120 I mean, you never even got a chance to finish the hedge, 963 00:40:25,160 --> 00:40:28,240 which would make the story much, much easier to understand. 964 00:40:28,280 --> 00:40:29,840 (TENSE INSTRUMENTAL MUSIC) 965 00:40:29,880 --> 00:40:31,720 Today it's an elimination. 966 00:40:31,760 --> 00:40:36,240 I think it could be us, the first team eliminated. 967 00:40:36,280 --> 00:40:37,640 (TENSE MUSIC CONTINUES) 968 00:40:37,680 --> 00:40:39,400 Ben and Eric, let's have a look. 969 00:40:39,440 --> 00:40:41,520 (APPLAUSE) 970 00:40:41,560 --> 00:40:42,560 BEN: I'm a little worried. 971 00:40:42,600 --> 00:40:45,920 Having to change the technique of the tower. 972 00:40:45,960 --> 00:40:49,560 Spending so much time on the Rapunzel. 973 00:40:49,600 --> 00:40:51,520 It took more time than we originally anticipated. 974 00:40:51,560 --> 00:40:56,440 Our 'Rapunzel' story in the style of Swords and Sorcerers. 975 00:40:56,480 --> 00:40:57,960 (MOMENTOUS MUSIC BUILDS) 976 00:40:58,000 --> 00:41:01,080 Looking at our build, I'm thinking, "Is this enough?" 977 00:41:01,120 --> 00:41:02,120 ERIC: Yep. 978 00:41:03,600 --> 00:41:06,120 It's the biggest question going on in our heads. 979 00:41:06,160 --> 00:41:07,520 "Is it enough?" 980 00:41:07,560 --> 00:41:08,960 (IMPACT BOOMS) 981 00:41:14,960 --> 00:41:18,640 Alright, Team Australia, Ben and Eric, let's take a look at yours. 982 00:41:18,680 --> 00:41:21,760 Getting 'Rapunzel' and Swords and Sorcery, 983 00:41:21,800 --> 00:41:23,920 I think, for us today, was quite difficult to... 984 00:41:23,960 --> 00:41:25,440 To pull off, yeah. To capture. 985 00:41:25,480 --> 00:41:28,520 The story element is there. It's just not polished. 986 00:41:29,960 --> 00:41:31,240 (MOMENTOUS MUSIC SWELLS) 987 00:41:31,280 --> 00:41:33,080 Today's build is a 'Rapunzel' story. 988 00:41:33,120 --> 00:41:36,600 Rapunzel is letting down her hair. 989 00:41:36,640 --> 00:41:39,360 Waiting for the prince to come by 990 00:41:39,400 --> 00:41:42,080 and climb up the hair to be with her. 991 00:41:42,120 --> 00:41:43,280 (SCREAMING) 992 00:41:43,320 --> 00:41:47,520 But the prince is fighting Rapunzel's possessed hair 993 00:41:47,560 --> 00:41:49,760 that's been enchanted by the sorceress. 994 00:41:49,800 --> 00:41:51,640 (LOW CACKLING LAUGHTER) 995 00:41:52,640 --> 00:41:54,360 (MOMENTOUS MUSIC SWELLS) 996 00:41:55,840 --> 00:41:57,160 Did you feel the time pressure in this one? 997 00:41:57,200 --> 00:41:58,840 Yeah, definitely, yeah. Yeah, for sure. 998 00:41:58,880 --> 00:42:00,880 You can see it. You can actually see it. 999 00:42:00,920 --> 00:42:01,920 Like, if you think of the tower, 1000 00:42:01,960 --> 00:42:04,600 the technique that you were using is a great technique! 1001 00:42:04,640 --> 00:42:07,600 It looks way cool, but it's just so laborious, 1002 00:42:07,640 --> 00:42:09,200 and the challenge is that you've gotta make do 1003 00:42:09,240 --> 00:42:10,480 with the hours that you've got. 1004 00:42:10,520 --> 00:42:12,080 (TENSE INSTRUMENTAL MUSIC) 1005 00:42:12,120 --> 00:42:13,920 I think we got the genre OK, 1006 00:42:13,960 --> 00:42:15,200 by having the tower 1007 00:42:15,240 --> 00:42:17,200 and having the swordsman and the sorcerer out the front, 1008 00:42:17,240 --> 00:42:19,520 but the fairy-tale is a tricky one, 1009 00:42:19,560 --> 00:42:21,640 and the hair's really hard. 1010 00:42:21,680 --> 00:42:25,320 It almost looks watery at the end, and the way it sort of flows, 1011 00:42:25,360 --> 00:42:28,120 it kind of loses the effect of what the hair is. 1012 00:42:28,160 --> 00:42:31,120 We know we could have put so much more in that build. 1013 00:42:31,160 --> 00:42:35,560 To potentially go home this early on, it truly sucks. 1014 00:42:35,600 --> 00:42:36,600 Yeah. 1015 00:42:36,640 --> 00:42:38,000 (TENSE INSTRUMENTAL MUSIC) 1016 00:42:38,040 --> 00:42:39,800 OK, our Germans, Felix and Annalena. 1017 00:42:39,840 --> 00:42:41,160 (APPLAUSE) 1018 00:42:41,200 --> 00:42:45,160 Combining the genre with our fairy-tale was easy for us. 1019 00:42:45,200 --> 00:42:49,440 'Red Riding Hood' is already like some kind of horror story. 1020 00:42:51,680 --> 00:42:54,680 (OMINOUS INSTRUMENTAL MUSIC) 1021 00:42:55,720 --> 00:42:58,680 FELIX: Red Riding Hood, she is going through the really dark forest. 1022 00:42:58,720 --> 00:43:00,120 (LAUGHTER) 1023 00:43:00,160 --> 00:43:02,760 But in the forest, there is a wolf. 1024 00:43:02,800 --> 00:43:05,640 The wolf want to, like, eat her. 1025 00:43:05,680 --> 00:43:06,840 (GROWLING) 1026 00:43:06,880 --> 00:43:08,400 (OMINOUS MUSIC CONTINUES) 1027 00:43:08,440 --> 00:43:11,920 Red Riding Hood, she's very afraid, and you see it on her face. 1028 00:43:11,960 --> 00:43:13,560 So, she's running away. 1029 00:43:13,600 --> 00:43:14,680 (SCREAMING) 1030 00:43:14,720 --> 00:43:16,680 (OMINOUS MUSIC SWELLS) 1031 00:43:16,720 --> 00:43:18,640 Alright, so, if we think about the fairy-tale, 1032 00:43:18,680 --> 00:43:21,640 I think choosing, you know, 'Red Riding Hood', 1033 00:43:21,680 --> 00:43:23,120 everybody knows it. 1034 00:43:23,160 --> 00:43:24,720 It's really obvious. 1035 00:43:24,760 --> 00:43:29,360 And in terms of horror, you know, you've crafted a world. 1036 00:43:29,400 --> 00:43:33,200 So, I think they're an early easy tick for me on both of those. 1037 00:43:34,320 --> 00:43:37,080 Now, Felix, you've never done characters before. 1038 00:43:37,120 --> 00:43:40,120 (TINKLING INSTRUMENTAL MUSIC) 1039 00:43:40,160 --> 00:43:44,040 But I reckon you probably exceeded your own expectations. 1040 00:43:44,080 --> 00:43:47,040 Yeah, yeah, that's really crazy for me too, 1041 00:43:47,080 --> 00:43:48,840 because at the ending of our season, 1042 00:43:48,880 --> 00:43:51,680 I was, like...like, standing a little bit, I would say, 1043 00:43:51,720 --> 00:43:54,200 in the shadow of Annalena, because she is a great builder, 1044 00:43:54,240 --> 00:43:58,280 and to see what I can do right now, it's crazy for me. 1045 00:43:58,320 --> 00:44:01,240 I mean, from a build perspective, this is fantastic. 1046 00:44:01,280 --> 00:44:02,280 Thanks. Well done. 1047 00:44:02,320 --> 00:44:04,840 (APPLAUSE) Thank you. 1048 00:44:04,880 --> 00:44:06,120 (APPLAUSE) 1049 00:44:06,160 --> 00:44:08,080 (LAUGHS) Now I have the feeling 1050 00:44:08,120 --> 00:44:10,640 that I can do something I could never imagine, 1051 00:44:10,680 --> 00:44:13,920 and I'm really proud of myself. 1052 00:44:13,960 --> 00:44:15,200 (UPLIFTING INSTRUMENTAL MUSIC) 1053 00:44:15,240 --> 00:44:16,440 Let's do Charlie and Haley! 1054 00:44:17,440 --> 00:44:19,440 The story of 'Goldilocks And The Three Bears', 1055 00:44:19,480 --> 00:44:22,680 you have created it as a high-intensity, 1056 00:44:22,720 --> 00:44:25,120 slightly comedic martial arts setting. 1057 00:44:26,480 --> 00:44:29,240 I think getting martial arts - awesome. 1058 00:44:29,280 --> 00:44:32,280 I totally get that almost instantly. 1059 00:44:32,320 --> 00:44:34,920 The fact that you made a building that sticks out - great. 1060 00:44:34,960 --> 00:44:36,960 But it's that whole component of, 1061 00:44:37,000 --> 00:44:38,960 "How do we get Goldilocks in there?" 1062 00:44:39,000 --> 00:44:40,360 (DRAMATIC MUSIC SWELLS) 1063 00:44:40,400 --> 00:44:41,920 You added in, like, she's got the porridge. 1064 00:44:41,960 --> 00:44:43,360 You know, she's running away with the porridge. 1065 00:44:43,400 --> 00:44:46,640 And is that a chair that's next to her? A bed? 1066 00:44:46,680 --> 00:44:48,440 It's supposed to be, like, a spoon. (LAUGHS) 1067 00:44:48,480 --> 00:44:50,280 So, that's the challenge, right? 1068 00:44:50,320 --> 00:44:51,760 When it's an afterthought at the end, 1069 00:44:51,800 --> 00:44:53,280 it's genuinely hard. 1070 00:44:54,280 --> 00:44:56,920 Lovely stuff, guys. Great dojo. Thank you. 1071 00:44:56,960 --> 00:44:58,000 Thank you. (APPLAUSE) 1072 00:44:58,040 --> 00:44:59,840 Team Denmark, Peter and Ida. 1073 00:44:59,880 --> 00:45:01,280 (MOMENTOUS MUSIC SWELLS) 1074 00:45:01,320 --> 00:45:03,120 'Beauty And The Beast' Sci-Fi. 1075 00:45:03,160 --> 00:45:06,040 (MOMENTOUS MUSIC CONTINUES) 1076 00:45:06,080 --> 00:45:08,120 As far as our fairy-tale goes... 1077 00:45:08,160 --> 00:45:11,040 (MOMENTOUS MUSIC CONTINUES) 1078 00:45:11,080 --> 00:45:14,680 ..I think it's incredibly obvious that it's 'Beauty And The Beast'. 1079 00:45:14,720 --> 00:45:17,120 The pose and the flower. 1080 00:45:17,160 --> 00:45:18,240 (GENTLE INSTRUMENTAL MUSIC) 1081 00:45:18,280 --> 00:45:21,960 And for our Beauty, she's got very few studs visible on her 1082 00:45:22,000 --> 00:45:23,800 and you're making her more graceful. 1083 00:45:23,840 --> 00:45:25,960 So, I think that adds a lot to that story. 1084 00:45:26,000 --> 00:45:27,480 And no complaints about the Sci-Fi. 1085 00:45:27,520 --> 00:45:30,120 You can definitely tell the world that it's in. 1086 00:45:30,160 --> 00:45:31,880 Yeah, well done, guys. Great job. Nice, guys. 1087 00:45:31,920 --> 00:45:33,720 Thank you! (APPLAUSE) 1088 00:45:33,760 --> 00:45:35,600 Shane and Dianne, Team Australia. 1089 00:45:35,640 --> 00:45:37,240 (DRAMATIC MUSIC BUILDS) 1090 00:45:37,280 --> 00:45:41,800 The diving Van Damme shooting shot, with water pistols. 1091 00:45:41,840 --> 00:45:44,520 Brickman, 'Wizard Of Oz' as an action scene. 1092 00:45:44,560 --> 00:45:45,880 What are your thoughts? 1093 00:45:45,920 --> 00:45:47,280 What I do wanna talk about 1094 00:45:47,320 --> 00:45:49,880 is quite an advanced technique, actually - 1095 00:45:49,920 --> 00:45:53,800 laying out a scene of foreground, middle ground, background. 1096 00:45:53,840 --> 00:45:58,360 First off, we have the cut-down cornfield at the front. 1097 00:45:58,400 --> 00:46:00,800 It's a great way of introducing Kansas, 1098 00:46:00,840 --> 00:46:03,000 all of that stuff, to start with. 1099 00:46:03,040 --> 00:46:06,160 And then we have our green plants that are sort of vertical up 1100 00:46:06,200 --> 00:46:07,680 just after the trees. 1101 00:46:07,720 --> 00:46:11,480 It's almost like we've added a 0.5 in the depth of field. 1102 00:46:11,520 --> 00:46:13,480 This is one of the best examples 1103 00:46:13,520 --> 00:46:15,960 of foreground, midground, and background. 1104 00:46:16,000 --> 00:46:21,120 That depth that you've got going on is executed, like, brilliantly. 1105 00:46:21,160 --> 00:46:22,600 Well done, guys. Good job. Nice, guys. 1106 00:46:22,640 --> 00:46:25,640 (APPLAUSE) 1107 00:46:27,080 --> 00:46:28,840 Let's take a look at 'Peter Pan'. 1108 00:46:28,880 --> 00:46:32,560 Sam and Emillio, another Team Australia. 1109 00:46:34,280 --> 00:46:37,280 (CROWD ROARS, MOMENTOUS MUSIC SWELLS) 1110 00:46:37,320 --> 00:46:40,400 SAM: So, today's challenge, we got 'Peter Pan' and Historical Epic. 1111 00:46:41,400 --> 00:46:43,960 We have Hook and Pan fighting in the Colosseum, 1112 00:46:44,000 --> 00:46:46,840 where Pan is just about to defeat Hook. 1113 00:46:46,880 --> 00:46:50,440 We've got Hook's pirates sort of supporting him. 1114 00:46:50,480 --> 00:46:52,720 We believe we have nailed the brief. 1115 00:46:52,760 --> 00:46:54,040 We have our two characters, 1116 00:46:54,080 --> 00:46:56,080 and we believe we've believe we've built the Colosseum. 1117 00:46:57,320 --> 00:46:59,880 EMILIO: Going into the critiques, feeling great! 1118 00:46:59,920 --> 00:47:02,080 It's an amazing build! It looks epic! 1119 00:47:02,120 --> 00:47:06,240 We're just, like, really, really happy with what we've created. 1120 00:47:06,280 --> 00:47:08,880 So, talking about the characters. Yep. 1121 00:47:08,920 --> 00:47:11,680 I think Pan, particularly the way you've posed Pan up, 1122 00:47:11,720 --> 00:47:13,640 I think that works awesome. 1123 00:47:13,680 --> 00:47:15,160 Mm-hm. 1124 00:47:15,200 --> 00:47:17,000 Whereas Hook, that's an interesting one. 1125 00:47:17,040 --> 00:47:20,560 Now, I get that he's just in the throes of being defeated, 1126 00:47:20,600 --> 00:47:22,600 but his legs are bending in ways 1127 00:47:22,640 --> 00:47:25,040 that they can't actually physically bend. 1128 00:47:25,080 --> 00:47:26,360 I know. 1129 00:47:26,400 --> 00:47:28,480 However, the biggest question for me, in this build, 1130 00:47:28,520 --> 00:47:30,160 is in that Historical Epic world. 1131 00:47:30,200 --> 00:47:33,920 One of the hardest ones to recreate, I must admit. 1132 00:47:33,960 --> 00:47:36,920 The Colosseum - again, I think the idea is perfect, 1133 00:47:36,960 --> 00:47:39,480 but how does that translate into LEGO bricks? 1134 00:47:39,520 --> 00:47:41,000 That is so tough! 1135 00:47:41,040 --> 00:47:42,080 (TENSE INSTRUMENTAL MUSIC) 1136 00:47:42,120 --> 00:47:43,720 The thought process we kind of had 1137 00:47:43,760 --> 00:47:47,160 was make the hero guys the heroes, and make them bigger, 1138 00:47:47,200 --> 00:47:50,600 and hopefully, with the minifigs around, 1139 00:47:50,640 --> 00:47:53,080 using them to show it's still a big building. 1140 00:47:53,120 --> 00:47:55,800 The problem is that I can see a minifigure from here... 1141 00:47:55,840 --> 00:47:56,840 Yep. 1142 00:47:56,880 --> 00:47:59,400 ..at the same time that I can see the big characters for there, 1143 00:47:59,440 --> 00:48:02,920 and my brain, subconsciously, is trying to figure out, 1144 00:48:02,960 --> 00:48:05,680 "Are they giants? Are they little people?" 1145 00:48:05,720 --> 00:48:06,720 (TENSE INSTRUMENTAL MUSIC) 1146 00:48:06,760 --> 00:48:08,440 So, I think the fairy-tale and the characters, 1147 00:48:08,480 --> 00:48:09,680 I'm going to give that a tick, 1148 00:48:09,720 --> 00:48:13,520 but I think that whole genre component, that's not clear. 1149 00:48:13,560 --> 00:48:16,520 (TENSE MUSIC CONTINUES) 1150 00:48:16,560 --> 00:48:19,680 After hearing the feedback, it kind of shot us down. 1151 00:48:19,720 --> 00:48:20,720 It was a shock. 1152 00:48:20,760 --> 00:48:21,760 (TENSE MUSIC CONTINUES) 1153 00:48:21,800 --> 00:48:25,480 It's an elimination day - the first elimination on this series, 1154 00:48:25,520 --> 00:48:28,080 and, yeah, we are a little bit nervous, aren't we? 1155 00:48:28,120 --> 00:48:29,560 (IMPACT BOOMS) 1156 00:48:35,960 --> 00:48:40,080 Ten hours and eight incredible builds. 1157 00:48:40,120 --> 00:48:41,880 I think, to give an example 1158 00:48:41,920 --> 00:48:44,560 of where we're at these days in LEGO Masters Australia, 1159 00:48:44,600 --> 00:48:46,200 a few seasons ago, 1160 00:48:46,240 --> 00:48:48,360 just doing a fairy-tale, that was one of the builds. 1161 00:48:48,400 --> 00:48:49,400 Indeed. 1162 00:48:49,440 --> 00:48:51,400 Now the difficulty level has gone up. 1163 00:48:51,440 --> 00:48:54,440 Now it was a fairy-tale twisted with a genre, 1164 00:48:54,480 --> 00:48:57,120 and you guys... you guys rose to the challenge, 1165 00:48:57,160 --> 00:48:59,440 and I think you deserve a massive round of applause. 1166 00:48:59,480 --> 00:49:01,920 BRICKMAN: Well done, everybody. (APPLAUSE) 1167 00:49:01,960 --> 00:49:05,040 (UPLIFTING INSTRUMENTAL MUSIC) 1168 00:49:05,080 --> 00:49:06,720 But it's also our first elimination. 1169 00:49:06,760 --> 00:49:09,240 (DRAMATIC MUSIC BUILDS) 1170 00:49:09,280 --> 00:49:12,080 Before we get to the bottom two from today, 1171 00:49:12,120 --> 00:49:13,680 we do need to know the top two teams, 1172 00:49:13,720 --> 00:49:16,560 and ultimately, who has won the Very Big Brick. 1173 00:49:16,600 --> 00:49:18,040 (TENSE INSTRUMENTAL MUSIC) 1174 00:49:18,080 --> 00:49:20,400 Brickman, top two teams? 1175 00:49:20,440 --> 00:49:24,560 So, the first team that I would like to call forward is... 1176 00:49:24,600 --> 00:49:26,040 (DRAMATIC MUSIC SWELLS) 1177 00:49:26,080 --> 00:49:27,760 ..Felix and Annalena. 1178 00:49:27,800 --> 00:49:30,760 (APPLAUSE) 1179 00:49:30,800 --> 00:49:34,200 The artistry in the way you've formed that scene 1180 00:49:34,240 --> 00:49:35,720 really, really impressed me. 1181 00:49:35,760 --> 00:49:37,040 Well done, guys. 1182 00:49:37,080 --> 00:49:38,080 (UPLIFTING INSTRUMENTAL MUSIC) 1183 00:49:38,120 --> 00:49:39,720 Joining them is... 1184 00:49:39,760 --> 00:49:42,440 (UPLIFTING INSTRUMENTAL MUSIC) 1185 00:49:42,480 --> 00:49:43,800 ..Michelle and Krystle. 1186 00:49:43,840 --> 00:49:45,840 (GASPS) Oh! Oh! 1187 00:49:45,880 --> 00:49:47,080 (APPLAUSE) 1188 00:49:47,120 --> 00:49:49,320 You know, you've crafted a world, 1189 00:49:49,360 --> 00:49:52,800 you've crafted this fairy-tale in a great LEGO model. 1190 00:49:52,840 --> 00:49:54,440 Thank you. Thank you. 1191 00:49:54,480 --> 00:49:55,920 Now, even though we got two Big Bricks here, 1192 00:49:55,960 --> 00:49:58,520 only one can be handed out today. 1193 00:49:59,520 --> 00:50:01,560 Who is it gonna be? 1194 00:50:01,600 --> 00:50:03,320 That team is... 1195 00:50:03,360 --> 00:50:07,680 (HOPEFUL MUSIC BUILDS) 1196 00:50:07,720 --> 00:50:09,080 ..Felix and Annalena. 1197 00:50:09,120 --> 00:50:11,000 Congratulations. 1198 00:50:11,040 --> 00:50:14,160 Done it again. Three in a row! 1199 00:50:14,200 --> 00:50:17,200 When we started the journey of LEGO Masters Australia, 1200 00:50:17,240 --> 00:50:20,080 I was never expecting to win any challenge. 1201 00:50:20,120 --> 00:50:25,320 And now being here and winning, like, three times in a row, 1202 00:50:25,360 --> 00:50:27,040 it's so crazy, yeah. 1203 00:50:27,080 --> 00:50:30,760 So, we know the teams that are safe, 1204 00:50:30,800 --> 00:50:35,720 but the time has come to say goodbye to our first team from this series. 1205 00:50:35,760 --> 00:50:38,560 (DRAMATIC MUSIC BUILDS) 1206 00:50:39,880 --> 00:50:44,360 Brickman, who are in our bottom two today? 1207 00:50:44,400 --> 00:50:46,320 (TENSE INSTRUMENTAL MUSIC) 1208 00:50:46,360 --> 00:50:49,520 So, the first team that I will call forward is... 1209 00:50:49,560 --> 00:50:53,160 (DRAMATIC MUSIC BUILDS) 1210 00:50:53,200 --> 00:50:54,280 ..Ben and Eric. 1211 00:50:54,320 --> 00:50:55,880 (IMPACT BOOMS) 1212 00:50:57,680 --> 00:51:00,680 (DRAMATIC MUSIC CONTINUES) 1213 00:51:02,400 --> 00:51:06,320 (SIGHS) And the other team I'd like to call forward is... 1214 00:51:06,360 --> 00:51:08,800 (DRAMATIC MUSIC BUILDS) 1215 00:51:08,840 --> 00:51:10,680 ..Sam and Emilio. 1216 00:51:10,720 --> 00:51:12,600 (IMPACT BOOMS) 1217 00:51:12,640 --> 00:51:15,640 (TENSE INSTRUMENTAL MUSIC) 1218 00:51:20,640 --> 00:51:23,240 So, if we look back at the challenge, 1219 00:51:23,280 --> 00:51:25,640 it was to amalgamate two things, 1220 00:51:25,680 --> 00:51:28,400 the fairy-tale and the genre, together, 1221 00:51:28,440 --> 00:51:32,520 and we need to see straight away what the both of them were. 1222 00:51:32,560 --> 00:51:34,800 So, Ben and Eric, 1223 00:51:34,840 --> 00:51:36,760 I really liked that you had the ability 1224 00:51:36,800 --> 00:51:38,600 to move straight into the build, 1225 00:51:38,640 --> 00:51:41,760 and your characters were basically done right from the word go. 1226 00:51:42,760 --> 00:51:45,760 Sword and Sorcery worked really, really well, I thought, 1227 00:51:45,800 --> 00:51:50,680 but the way you've built your tower really put the pressure on, 1228 00:51:50,720 --> 00:51:54,240 and you had to make allowances because of that. 1229 00:51:54,280 --> 00:51:56,120 (DRAMATIC MUSIC SWELLS) 1230 00:51:56,160 --> 00:51:58,520 So, Sam and Emilio... 1231 00:51:58,560 --> 00:52:00,360 (TENSE INSTRUMENTAL MUSIC) 1232 00:52:00,400 --> 00:52:03,640 ..for the first characters you've ever done, they're awesome. 1233 00:52:03,680 --> 00:52:07,880 Unfortunately, the genre card was really tough. 1234 00:52:07,920 --> 00:52:10,920 I thought choosing the Colosseum sounded great, 1235 00:52:10,960 --> 00:52:13,560 but how do you translate that into brick form? 1236 00:52:13,600 --> 00:52:15,320 (TENSE INSTRUMENTAL MUSIC) 1237 00:52:15,360 --> 00:52:18,240 So, unfortunately, the team leaving us today is... 1238 00:52:18,280 --> 00:52:20,280 (TENSE MUSIC FADES) 1239 00:52:21,760 --> 00:52:23,160 I'm sorry, Sam and Emilio. 1240 00:52:23,200 --> 00:52:24,960 (IMPACT BOOMS) 1241 00:52:25,000 --> 00:52:28,000 (SOMBRE INSTRUMENTAL MUSIC) 1242 00:52:32,240 --> 00:52:34,680 Sam and Emilio, I know it's not what you want. 1243 00:52:34,720 --> 00:52:35,920 How are you feeling? 1244 00:52:36,920 --> 00:52:38,880 Oh... (BOTH LAUGH) 1245 00:52:38,920 --> 00:52:40,360 Well, it's been a big adventure. 1246 00:52:40,400 --> 00:52:42,160 You know, it's been a great challenge 1247 00:52:42,200 --> 00:52:44,320 for the past three challenges, 1248 00:52:44,360 --> 00:52:45,560 and I've enjoyed myself. 1249 00:52:45,600 --> 00:52:47,400 (UPLIFTING INSTRUMENTAL MUSIC) 1250 00:52:47,440 --> 00:52:50,000 Mate, we have absolutely loved having you as part of this, 1251 00:52:50,040 --> 00:52:51,880 and thank you. 1252 00:52:51,920 --> 00:52:54,840 Everybody, clap 'em out. They're gonna leave out the back. 1253 00:52:54,880 --> 00:52:56,040 Thank you, Sam and Emilio. 1254 00:52:56,080 --> 00:52:58,080 (APPLAUSE) 1255 00:52:58,120 --> 00:52:59,200 Ohh! 1256 00:52:59,240 --> 00:53:01,320 Pretty gutted. Yeah, pretty gutted. 1257 00:53:01,360 --> 00:53:04,680 Especially on a build that we're so happy with. 1258 00:53:04,720 --> 00:53:06,560 So, yeah, it is a bit of a surprise. Yeah. 1259 00:53:06,600 --> 00:53:09,240 No-one wants to go home, especially first, 1260 00:53:09,280 --> 00:53:12,440 but it's been absolutely amazing. 1261 00:53:12,480 --> 00:53:14,640 We loved every single second of it. 1262 00:53:14,680 --> 00:53:16,880 BRICKMAN: This orange really pops. 1263 00:53:16,920 --> 00:53:19,160 SAM: We came here for an adventure. 1264 00:53:19,200 --> 00:53:20,840 We had an adventure. Yeah, it's been so much fun. 1265 00:53:20,880 --> 00:53:23,640 It was a short adventure, but it was an adventure, you know? 1266 00:53:23,680 --> 00:53:25,120 (APPLAUSE) See ya, guys! 1267 00:53:25,160 --> 00:53:27,440 (MOMENTOUS MUSIC SWELLS) 1268 00:53:27,480 --> 00:53:29,560 Coming up on LEGO Masters... 1269 00:53:29,600 --> 00:53:31,160 (CONTESTANTS EXCLAIM) 1270 00:53:31,200 --> 00:53:35,120 ..the international battle for brick domination continues... 1271 00:53:35,160 --> 00:53:37,320 MICHELLE: It's, like, literal crunch time. 1272 00:53:37,360 --> 00:53:39,760 ..as our teams smash... 1273 00:53:39,800 --> 00:53:41,640 (MOMENTOUS MUSIC SWELLS) (CONTESTANTS EXCLAIM) 1274 00:53:41,680 --> 00:53:43,120 ..and clash... 1275 00:53:43,160 --> 00:53:45,240 ANNALENA: No, don't help! You are so cranky. 1276 00:53:45,280 --> 00:53:47,680 But could three-time winners Germany... 1277 00:53:47,720 --> 00:53:48,720 ANNALENA: Oh, my god! 1278 00:53:48,760 --> 00:53:49,920 (SPEAKS GERMAN) 1279 00:53:49,960 --> 00:53:52,600 ..be losing their domination in this game? 1280 00:53:52,640 --> 00:53:54,360 This is a really hard challenge for us. 1281 00:53:54,400 --> 00:53:55,840 With one team already gone... 1282 00:53:55,880 --> 00:53:57,160 Arggh! 1283 00:53:57,200 --> 00:53:59,680 ..can one of the Aussie teams secure a win? 1284 00:53:59,720 --> 00:54:02,560 # Here comes Australia Try not to think of failure 1285 00:54:02,600 --> 00:54:04,240 # As Australia's coming for you... # 1286 00:54:04,280 --> 00:54:07,240 The battle continues Sunday... (FRENCH ACCORDION MUSIC) 1287 00:54:07,280 --> 00:54:08,560 I think we can do it. 1288 00:54:08,600 --> 00:54:11,400 ..with an ode to Paris and the Olympic Games... 1289 00:54:11,440 --> 00:54:12,480 I'm just gonna go for it. 1290 00:54:12,520 --> 00:54:14,360 Doesn't look anything like it! 1291 00:54:14,400 --> 00:54:15,400 (DRAMATIC MUSIC SWELLS) 1292 00:54:15,440 --> 00:54:18,680 ..with builds that will leave you, and our special guest... 1293 00:54:18,720 --> 00:54:20,360 No way! 1294 00:54:20,400 --> 00:54:21,880 ..in disbelief. 1295 00:54:23,480 --> 00:54:24,640 Far out! Nothing looks like LEGO! 1296 00:54:24,680 --> 00:54:27,680 Captioned by AI-Media ai-media.tv 137383

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