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HAMISH: Previously...
USA!
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00:00:03,360 --> 00:00:05,440
..the world's
most skilled builders...
3
00:00:05,480 --> 00:00:06,880
MAN: We are a brother and sister...
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00:00:06,920 --> 00:00:08,640
From Paris.
..from Paris.
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00:00:08,680 --> 00:00:10,360
..made their grand entrance...
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00:00:10,400 --> 00:00:12,120
WOMAN: We come from Denmark.
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00:00:12,160 --> 00:00:14,160
The motherland!
The motherland of LEGO.
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00:00:15,560 --> 00:00:17,720
We are the winners
of LEGO Masters Germany.
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00:00:17,760 --> 00:00:21,400
..ready to face off
with Australia's elite LEGO Masters.
10
00:00:21,440 --> 00:00:24,160
I'm just upset I forgot
my green and gold face paint.
11
00:00:24,200 --> 00:00:28,400
It was pedal to the metal in
a double-brick go-kart challenge...
12
00:00:28,440 --> 00:00:29,880
(CHEERING)
13
00:00:29,920 --> 00:00:30,960
(LAUGHTER)
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00:00:31,000 --> 00:00:33,400
..but Germany and Denmark
zoomed into action.
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00:00:33,440 --> 00:00:35,040
What an unpredictable race!
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00:00:35,080 --> 00:00:38,080
..leaving the competition
in the dust.
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00:00:38,120 --> 00:00:40,520
Ohh! OK! Oh!
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00:00:40,560 --> 00:00:41,600
Tonight...
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00:00:41,640 --> 00:00:42,960
We're gonna give
these internationals
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00:00:43,000 --> 00:00:44,200
a run for their money today.
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00:00:44,240 --> 00:00:47,560
..our multinational battle continues.
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00:00:47,600 --> 00:00:49,640
The dojo fighting showdown!
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00:00:49,680 --> 00:00:51,320
What, specifically, are you making?
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00:00:51,360 --> 00:00:55,640
Just enjoy the show, man.
All will be revealed at the end.
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00:00:55,680 --> 00:00:58,160
WOMAN: Does two teams
having immunity worry me?
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00:00:58,200 --> 00:01:00,600
Yes, 'cause it's not
two Australian teams.
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00:01:00,640 --> 00:01:03,040
It's fairy-tales with a twist...
28
00:01:04,200 --> 00:01:06,480
Brickman is looking
for the perfect marriage
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00:01:06,520 --> 00:01:08,280
of fairy-tale and our genre.
30
00:01:08,320 --> 00:01:10,840
..but it's not all rainbows
and lollipops...
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00:01:10,880 --> 00:01:13,920
Oh, my god!
No! Don't spread a minefield!
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..as one team will be eliminated.
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00:01:16,400 --> 00:01:18,160
(SPEAKS FRENCH)
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00:01:18,200 --> 00:01:20,280
Who will crumble under the pressure?
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00:01:20,320 --> 00:01:21,920
I swear to god that wasn't me.
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00:01:21,960 --> 00:01:24,000
If you're an international,
pack your passports,
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00:01:24,040 --> 00:01:26,880
because the Aussies are ready
to win back the gold.
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00:01:26,920 --> 00:01:28,200
(IMPACT BOOMS)
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00:01:30,120 --> 00:01:31,480
(BRICKS CLATTER)
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00:01:32,480 --> 00:01:35,480
(MOMENTOUS MUSIC BUILDS)
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00:01:37,520 --> 00:01:39,040
Bring in those beautiful big bricks.
42
00:01:39,080 --> 00:01:42,840
(MOMENTOUS MUSIC CONTINUES)
43
00:01:42,880 --> 00:01:44,960
You have been practising
how to carry those.
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00:01:45,000 --> 00:01:48,400
(CHEERING AND APPLAUSE)
45
00:01:49,640 --> 00:01:50,640
Here we go!
46
00:01:50,680 --> 00:01:52,480
(MOMENTOUS MUSIC CONTINUES)
47
00:01:52,520 --> 00:01:54,640
OK, well done, guys.
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00:01:54,680 --> 00:01:56,160
I mean, do some stretches.
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00:01:56,200 --> 00:01:59,360
Obviously some pretty tight forearms
after carrying the Big Brick.
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00:01:59,400 --> 00:02:01,480
(MOMENTOUS MUSIC SWELLS)
51
00:02:01,520 --> 00:02:03,120
Before we get into today's build,
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00:02:03,160 --> 00:02:06,360
Felix and Annalena,
you are two-time winners now.
53
00:02:06,400 --> 00:02:08,600
Two episodes, two Big Bricks.
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00:02:08,640 --> 00:02:11,440
Annalena, do you feel
like you're top of the world?
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00:02:11,480 --> 00:02:12,640
(BOTH LAUGH)
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00:02:12,680 --> 00:02:14,840
Mmm, I am feeling great.
57
00:02:14,880 --> 00:02:17,080
It's a big honour, I would say.
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00:02:17,120 --> 00:02:20,560
And if you look at LEGO Masters
Weekly, LEGO Masters Daily,
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00:02:20,600 --> 00:02:22,400
like, all the newspapers
and magazines,
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00:02:22,440 --> 00:02:24,320
they're saying you guys
are favourites.
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00:02:24,360 --> 00:02:25,840
Do you feel that's true?
I don't know.
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00:02:25,880 --> 00:02:28,960
I think the pressure's pretty high
right now, so we will see.
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00:02:29,000 --> 00:02:32,880
Hands up if you think
that Felix and Annalena
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00:02:32,920 --> 00:02:34,560
are, in fact, the favourites.
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00:02:34,600 --> 00:02:37,400
(MOMENTOUS MUSIC CONTINUES)
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00:02:37,440 --> 00:02:39,160
Wow. There you go.
(LAUGHTER)
67
00:02:39,200 --> 00:02:40,920
Ida, no hand up?
Nope.
68
00:02:40,960 --> 00:02:43,360
(LAUGHTER)
69
00:02:43,400 --> 00:02:46,440
LEGO Masters isn't a marathon
or a sprint.
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00:02:46,480 --> 00:02:48,280
It's more like running from a bear.
Yep.
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00:02:48,320 --> 00:02:51,280
Just don't be behind
when there's an elimination.
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00:02:51,320 --> 00:02:54,080
As they say on the Serengeti,
just don't be the slowest antelope.
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00:02:54,120 --> 00:02:55,160
(LAUGHTER)
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00:02:55,200 --> 00:02:59,800
Alright, OK, so, this build
is called Twisted Tales.
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00:02:59,840 --> 00:03:05,080
In one of the bingo wheels,
we've got fairy-tales.
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00:03:05,120 --> 00:03:06,560
MAN: Ohh!
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00:03:06,600 --> 00:03:08,960
'Alice In Wonderland',
'Wizard Of Oz',
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00:03:09,000 --> 00:03:11,520
'Peter Pan', 'Cinderella',
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00:03:11,560 --> 00:03:13,960
'Goldilocks', 'Beauty And The Beast',
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00:03:14,000 --> 00:03:16,800
'Little Red Riding Hood',
and 'Rapunzel'.
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00:03:16,840 --> 00:03:18,840
(CONTESTANTS EXCLAIM)
Oh, 'Rapunzel'!
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00:03:18,880 --> 00:03:20,440
I want 'Rapunzel'.
83
00:03:20,480 --> 00:03:24,600
In barrel number two,
we have genres.
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00:03:24,640 --> 00:03:26,640
(CONTESTANTS EXCLAIM)
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00:03:26,680 --> 00:03:30,200
They are Action, Sci-Fi...
86
00:03:30,240 --> 00:03:31,240
(GASPS)
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00:03:31,280 --> 00:03:34,800
..Western, Crime, Horror,
88
00:03:34,840 --> 00:03:38,640
Martial Arts, Historical Epic,
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00:03:38,680 --> 00:03:41,360
and Sword and Sorcery.
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00:03:41,400 --> 00:03:43,040
Ohh, yes! (LAUGHS)
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00:03:43,080 --> 00:03:44,680
So, here's how it's gonna work.
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00:03:44,720 --> 00:03:47,760
I will randomly select
one story from the story wheel
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00:03:47,800 --> 00:03:49,800
and one genre from the genre wheel.
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00:03:49,840 --> 00:03:53,480
Your build has to combine
the story and the genre,
95
00:03:53,520 --> 00:03:56,680
giving us a brand-new take
on a well-known story.
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00:03:56,720 --> 00:03:58,520
I like that.
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00:03:58,560 --> 00:04:00,600
You know, think 'Wizard Of Oz'
as a kung-fu story.
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00:04:00,640 --> 00:04:02,440
(LAUGHTER)
99
00:04:02,480 --> 00:04:05,760
However, before we get to that,
two people here have the Big Brick.
100
00:04:05,800 --> 00:04:09,680
Felix and Annalena, Peter and Ida,
you guys have an advantage.
101
00:04:09,720 --> 00:04:15,280
You get to pick your story
and your genre first.
102
00:04:15,320 --> 00:04:16,680
Oh!
WOMAN: That's crazy.
103
00:04:16,720 --> 00:04:19,720
OK, Felix and Annalena,
what are your picks?
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00:04:19,760 --> 00:04:21,000
(LAUGHS)
105
00:04:21,040 --> 00:04:24,160
Like, the genre is clear.
It's horror.
106
00:04:24,200 --> 00:04:25,200
Horror?
ANNALENA: Yeah.
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00:04:25,240 --> 00:04:26,960
Yeah, we take this.
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00:04:27,000 --> 00:04:29,160
And we have to think about...
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00:04:29,200 --> 00:04:31,080
(IMPACT BOOMS)
110
00:04:32,120 --> 00:04:33,400
OK, it's...
OK.
111
00:04:33,440 --> 00:04:36,000
It's gonna be
'Little Red Riding Hood'.
112
00:04:36,040 --> 00:04:37,840
'Little Red Riding Hood'
and horror.
113
00:04:37,880 --> 00:04:38,880
Peter and Ida?
114
00:04:38,920 --> 00:04:40,120
Yeah, I think we're going with
115
00:04:40,160 --> 00:04:41,920
'Beauty And The Beast'
and Science-Fiction.
116
00:04:41,960 --> 00:04:43,760
Alright, love it, love it!
(CONTESTANTS EXCLAIM)
117
00:04:43,800 --> 00:04:46,560
OK, Charlie and Haley, here we go.
Oh!
118
00:04:46,600 --> 00:04:49,240
Are you ready for your classic tale?
119
00:04:49,280 --> 00:04:50,880
What would you like?
120
00:04:50,920 --> 00:04:52,480
'Rapunzel' or 'Cinderella'.
121
00:04:52,520 --> 00:04:53,760
'Rapunzel', 'Cinderella'?
122
00:04:53,800 --> 00:04:55,880
Can you, like...
just kind of, like...
123
00:04:57,880 --> 00:05:01,040
It is...pair of socks, 'Goldilocks'!
124
00:05:01,080 --> 00:05:03,120
(LAUGHTER)
125
00:05:03,160 --> 00:05:05,920
Alright, in the genre of...
126
00:05:05,960 --> 00:05:07,320
(MOMENTOUS MUSIC SWELLS)
127
00:05:08,480 --> 00:05:10,280
..martial arts.
Yes!
128
00:05:10,320 --> 00:05:11,840
(LAUGHTER)
129
00:05:11,880 --> 00:05:14,480
OK, hard to tell
if that was a desired result.
130
00:05:14,520 --> 00:05:15,800
(LAUGHS)
Bloody hell!
131
00:05:15,840 --> 00:05:17,360
Ben and Eric.
Oooh!
132
00:05:17,400 --> 00:05:21,800
It's...'Rapunzel'.
133
00:05:21,840 --> 00:05:24,280
(LAUGHTER)
134
00:05:24,320 --> 00:05:27,760
(WHIMSICAL MUSIC)
135
00:05:27,800 --> 00:05:30,480
Sword and Sorcery 'Rapunzel'.
136
00:05:30,520 --> 00:05:32,720
(LAUGHTER)
That is your genre.
137
00:05:32,760 --> 00:05:34,440
Shane and Dianne.
138
00:05:34,480 --> 00:05:36,200
'Wizard Of Oz', Action.
139
00:05:36,240 --> 00:05:37,680
SHANE: Yeah, stoked with that.
(LAUGHTER)
140
00:05:37,720 --> 00:05:39,080
OK.
141
00:05:39,120 --> 00:05:40,440
Sam and Emilio.
142
00:05:40,480 --> 00:05:42,840
'Peter Pan' in the genre
of Historical Epic.
143
00:05:42,880 --> 00:05:44,600
OK!
(CONTESTANTS EXCLAIM)
144
00:05:44,640 --> 00:05:46,600
OK.
(LAUGHTER)
145
00:05:46,640 --> 00:05:48,120
Camille, Caroline,
would you like to step forward?
146
00:05:50,680 --> 00:05:53,720
'Alice In Wonderland'
in the genre of Crime.
147
00:05:53,760 --> 00:05:55,600
(CONTESTANTS EXCLAIM)
Perfect!
148
00:05:55,640 --> 00:05:56,840
Perfect?
149
00:05:56,880 --> 00:05:58,040
Alright, which leaves...?
150
00:05:58,080 --> 00:05:59,600
'Cinderella' western!
151
00:05:59,640 --> 00:06:02,560
Alright! You already know!
(LAUGHTER)
152
00:06:02,600 --> 00:06:04,480
(CHEERING AND APPLAUSE)
153
00:06:04,520 --> 00:06:06,400
Alright, so, Brickman,
154
00:06:06,440 --> 00:06:08,960
how will people get their hands
on the Big Brick?
155
00:06:09,000 --> 00:06:11,560
Well, it's a storytelling challenge.
156
00:06:11,600 --> 00:06:17,520
It's all about how well you can
explain, through the LEGO Bricks,
157
00:06:17,560 --> 00:06:21,160
both what the fairy-tale is,
and the genre.
158
00:06:21,200 --> 00:06:23,240
These fairy-tales each have
159
00:06:23,280 --> 00:06:25,680
a series of things
that they're known for.
160
00:06:25,720 --> 00:06:28,600
They have a certain style
about them.
161
00:06:28,640 --> 00:06:31,480
It's your job today
to take me into the place
162
00:06:31,520 --> 00:06:33,520
where your story is happening.
163
00:06:33,560 --> 00:06:36,960
I need to be able to see it
straight away, crystal clear,
164
00:06:37,000 --> 00:06:40,480
through your build,
the two mixed components.
165
00:06:41,480 --> 00:06:44,720
As you know, the Big Brick
is always up for grabs every build,
166
00:06:44,760 --> 00:06:47,960
and carries with it
an incredible advantage.
167
00:06:48,000 --> 00:06:49,960
The biggest advantage it has
168
00:06:50,000 --> 00:06:52,920
is it will keep you safe
from an elimination.
169
00:06:52,960 --> 00:06:56,120
So, what I can tell you guys is -
it is an elimination.
170
00:06:56,160 --> 00:06:57,440
(CONTESTANTS EXCLAIM)
171
00:06:57,480 --> 00:06:59,880
Felix and Annalena, Peter and Ida,
you guys are safe.
172
00:06:59,920 --> 00:07:02,160
You're still building,
you still wanna win the brick,
173
00:07:02,200 --> 00:07:04,360
because the next build
could be an elimination too.
174
00:07:04,400 --> 00:07:05,400
(DRAMATIC MUSIC BUILDS)
175
00:07:05,440 --> 00:07:08,600
Everybody else, there's six teams now
that will be up for an elimination.
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00:07:08,640 --> 00:07:09,840
(DRAMATIC MUSIC CONTINUES)
177
00:07:09,880 --> 00:07:11,840
I know you guys wanna know
how long you've got.
178
00:07:12,840 --> 00:07:14,600
It's ten hours.
179
00:07:14,640 --> 00:07:15,960
(MOMENTOUS MUSIC SWELLS)
180
00:07:16,000 --> 00:07:17,240
Time starts now. Good luck.
181
00:07:17,280 --> 00:07:19,080
Good luck, everybody! Good luck!
182
00:07:20,120 --> 00:07:21,360
FELIX: OK.
183
00:07:22,360 --> 00:07:25,960
So, I thought about,
like, in the woods.
184
00:07:26,000 --> 00:07:28,400
Give us a pen, lad.
Alright. What are you thinking?
185
00:07:28,440 --> 00:07:30,240
Beauty!
186
00:07:30,280 --> 00:07:31,520
'Beauty And The Beast'.
187
00:07:31,560 --> 00:07:33,560
B-E-A-U...
OK?
188
00:07:33,600 --> 00:07:35,400
..T-E.
189
00:07:35,440 --> 00:07:37,240
(LAUGHS)
Maybe.
190
00:07:37,280 --> 00:07:39,280
(DRAMATIC MUSIC BUILDS)
191
00:07:39,320 --> 00:07:41,480
DIANNE: I'm getting
that gold brick today.
192
00:07:41,520 --> 00:07:45,000
The internationals are not getting
the brick today, OK?
193
00:07:45,040 --> 00:07:46,440
Just be warned!
194
00:07:46,480 --> 00:07:48,720
International teams,
you're not getting the brick today!
195
00:07:48,760 --> 00:07:49,760
We're getting the brick!
196
00:07:49,800 --> 00:07:51,160
OK?
OK.
197
00:07:51,200 --> 00:07:52,280
(LAUGHTER)
198
00:07:52,320 --> 00:07:54,400
Nope, I wanna take
the brick home today.
199
00:07:54,440 --> 00:07:57,040
You put 'em in their place, Dianne!
(LAUGHTER)
200
00:07:57,080 --> 00:08:00,160
To build 'Goldilocks'
and Martial Arts, I'm happy.
201
00:08:00,200 --> 00:08:01,800
Yeah, you're happy.
I am stoked!
202
00:08:01,840 --> 00:08:03,320
(HUMS)
203
00:08:03,360 --> 00:08:05,840
I've done martial arts
since I could walk as a baby.
204
00:08:05,880 --> 00:08:06,880
(MOMENTOUS MUSIC BUILDS)
205
00:08:06,920 --> 00:08:09,560
So, my talent
in the beauty pageant game
206
00:08:09,600 --> 00:08:12,000
is either I'm breaking boards
on stage
207
00:08:12,040 --> 00:08:15,440
or I'm teaching one-on-one
self-defence classes.
208
00:08:15,480 --> 00:08:17,160
So, this is my dream!
209
00:08:18,240 --> 00:08:21,040
So, down...
And then you go, "Ahh!"
210
00:08:21,080 --> 00:08:22,400
(GONG SOUNDS)
211
00:08:22,440 --> 00:08:26,880
The story is Goldilocks
is running out of this dojo,
212
00:08:26,920 --> 00:08:28,920
where the Three Bears live,
213
00:08:28,960 --> 00:08:30,680
and they're coming after her,
214
00:08:30,720 --> 00:08:34,080
and she's basically gonna be fleeing
in the Mama Bear's gi.
215
00:08:35,080 --> 00:08:40,120
So, I'm just working on
getting the dojo up and ready.
216
00:08:40,160 --> 00:08:43,400
I'm building a bear
that's doing a, "Ahh!"
217
00:08:43,440 --> 00:08:45,720
100% terrified right now.
Yeah.
218
00:08:45,760 --> 00:08:47,360
It's the first elimination.
219
00:08:47,400 --> 00:08:48,960
We don't want to be
the first team home.
220
00:08:49,000 --> 00:08:51,080
We want to show
these international teams
221
00:08:51,120 --> 00:08:54,240
Australia is here,
and we're here to fight -
222
00:08:54,280 --> 00:08:57,200
the dojo fighting showdown.
223
00:08:57,240 --> 00:09:00,240
(UPBEAT MUSIC)
224
00:09:03,440 --> 00:09:06,000
Brickman, we say this
about every build,
225
00:09:06,040 --> 00:09:07,320
and it's true about every build,
226
00:09:07,360 --> 00:09:09,080
but in particular today,
227
00:09:09,120 --> 00:09:11,320
how critical is the idea -
228
00:09:11,360 --> 00:09:13,760
the choice of things to put together?
229
00:09:13,800 --> 00:09:16,320
This challenge
is really quite specific.
230
00:09:16,360 --> 00:09:18,920
We're making one scene
of the fairy-tale,
231
00:09:18,960 --> 00:09:22,200
and then the genre or the setting
in which they will play in.
232
00:09:22,240 --> 00:09:24,880
It just needs to be easily
identifiable,
233
00:09:24,920 --> 00:09:27,360
and you can tell within microseconds
exactly what it is.
234
00:09:27,400 --> 00:09:31,400
But how do you effectively
communicate that in a few pieces?
235
00:09:31,440 --> 00:09:34,040
You do one thing
to tell the fairy-tale
236
00:09:34,080 --> 00:09:36,400
and one thing to tell the genre.
237
00:09:38,120 --> 00:09:39,680
So, what's your story?
238
00:09:39,720 --> 00:09:41,680
MAN: What's our story?
'Rapunzel'. We're doing 'Rapunzel'.
239
00:09:41,720 --> 00:09:43,440
Ahh!
240
00:09:43,480 --> 00:09:46,480
Dianne, Dianne, let down your hair!
241
00:09:46,520 --> 00:09:50,080
Looking around the room and seeing
what everyone else has got,
242
00:09:50,120 --> 00:09:54,520
I'm quite happy with getting
Rapunzel and Swords and Sorcery.
243
00:09:54,560 --> 00:09:56,560
The story tells itself.
244
00:09:57,560 --> 00:10:01,160
So, we are building a giant tower
with Rapunzel at the top,
245
00:10:01,200 --> 00:10:02,680
letting down her hair,
246
00:10:02,720 --> 00:10:05,680
which will then flow down,
controlled by the sorceress,
247
00:10:05,720 --> 00:10:09,120
attacking the prince,
who has come to save Rapunzel.
248
00:10:09,160 --> 00:10:14,160
ERIC: But the prince is fighting
Rapunzel's possessed hair
249
00:10:14,200 --> 00:10:16,800
that's been enchanted
by the sorceress.
250
00:10:16,840 --> 00:10:19,320
So, Eric and I have decided
251
00:10:19,360 --> 00:10:22,360
to go down the path
of building characters,
252
00:10:22,400 --> 00:10:27,800
just because we know,
in terms of scale and poseability,
253
00:10:27,840 --> 00:10:30,400
characters are gonna
get more across than...
254
00:10:30,440 --> 00:10:32,040
And story too.
..minifigs can.
255
00:10:32,080 --> 00:10:34,640
Character time.
Character time, OK.
256
00:10:34,680 --> 00:10:37,680
(UPLIFTING ELECTRONIC MUSIC)
257
00:10:42,680 --> 00:10:46,200
(LAUGHS) And again -
pockets full of LEGO.
258
00:10:47,680 --> 00:10:51,000
Choosing 'Red Riding Hood',
for us, was pretty easy,
259
00:10:51,040 --> 00:10:54,720
because it was already
a horror story.
260
00:10:54,760 --> 00:10:56,240
(WOLF HOWLS)
261
00:10:56,280 --> 00:10:59,160
Red Riding Hood,
she wanted to go to her grandmother,
262
00:10:59,200 --> 00:11:00,920
because her grandmother is sick,
263
00:11:00,960 --> 00:11:03,520
but in the forest, there is a wolf.
264
00:11:03,560 --> 00:11:05,760
FELIX: He wants to eat
the Red Riding Hood.
265
00:11:06,800 --> 00:11:08,960
I think he's leaning,
like, a little bit left.
266
00:11:09,000 --> 00:11:11,200
So, he's looking left
behind the tree.
267
00:11:11,240 --> 00:11:12,880
So, I am building
the wolf right now.
268
00:11:12,920 --> 00:11:14,400
I think it looks very scary.
269
00:11:14,440 --> 00:11:17,120
I am doing the rest of the building,
270
00:11:17,160 --> 00:11:19,360
like the forest scene.
271
00:11:19,400 --> 00:11:21,400
Love it. (SPEAKS GERMAN)
272
00:11:21,440 --> 00:11:22,560
(SPEAKS GERMAN)
273
00:11:22,600 --> 00:11:25,120
And the Red Riding Hood -
I never build characters.
274
00:11:26,160 --> 00:11:28,720
Normally, in our season, in Germany,
275
00:11:28,760 --> 00:11:32,200
Annalena do the main build,
like, the impressive thing.
276
00:11:32,240 --> 00:11:33,400
Cool!
277
00:11:33,440 --> 00:11:35,240
And I do, like, the details.
278
00:11:41,080 --> 00:11:42,280
Makes me really nervous,
279
00:11:42,320 --> 00:11:44,320
because it's really hard
to make Annalena happy.
280
00:11:44,360 --> 00:11:47,920
So, I hope I can make Annalena happy
with my character,
281
00:11:47,960 --> 00:11:49,720
but it's not that easy. (LAUGHS)
282
00:11:49,760 --> 00:11:52,760
(WHIMSICAL INSTRUMENTAL MUSIC)
283
00:11:55,040 --> 00:11:56,480
(CAMILLE SPEAKS FRENCH)
284
00:11:56,520 --> 00:11:58,720
(CAROLINE SPEAKS FRENCH)
285
00:11:58,760 --> 00:12:01,160
I like the story of
'Alice In Wonderland'.
286
00:12:01,200 --> 00:12:03,880
And we love the Crime...
287
00:12:03,920 --> 00:12:05,560
No, I...I don't love the Crime.
288
00:12:05,600 --> 00:12:06,680
OK.
(LAUGHS)
289
00:12:06,720 --> 00:12:07,720
We love it.
290
00:12:07,760 --> 00:12:11,360
So, talk me through, then.
How are we laying it out?
291
00:12:12,440 --> 00:12:16,000
So, we want to make
the Mad Hatter tea party.
292
00:12:16,040 --> 00:12:20,200
So, everybody in the tea party
is poisoned.
293
00:12:20,240 --> 00:12:24,280
So, are they there? Are they slumped
over the table, or what?
294
00:12:24,320 --> 00:12:25,480
Some, yeah.
295
00:12:25,520 --> 00:12:30,320
Not dying, but sick, definitely.
296
00:12:30,360 --> 00:12:32,080
How do we know
that he's poisoned someone?
297
00:12:32,120 --> 00:12:35,360
Because there will be clue,
and evidence.
298
00:12:35,400 --> 00:12:37,800
OK.
We have...
299
00:12:37,840 --> 00:12:38,840
'Cause this is the hard part.
300
00:12:38,880 --> 00:12:39,880
Yeah, yeah.
Yes.
301
00:12:39,920 --> 00:12:42,240
Because those clues
have to be made of LEGO bricks.
302
00:12:42,280 --> 00:12:44,360
We have to be able to tell.
303
00:12:44,400 --> 00:12:48,200
We are struggling
with how to build the Crime.
304
00:12:48,240 --> 00:12:51,320
Poisoning with something
is not easy to recognise.
305
00:12:51,360 --> 00:12:53,960
Yes, OK.
One simple crime scene.
306
00:12:54,000 --> 00:12:56,960
A crime scene with the characters
from 'Alice In Wonderland'.
307
00:12:58,200 --> 00:13:00,160
OK.
308
00:13:00,200 --> 00:13:03,200
(MOMENTOUS MUSIC BUILDS)
309
00:13:16,760 --> 00:13:20,400
Two hours down! Eight hours to go.
310
00:13:21,640 --> 00:13:23,720
Is this where you wanted to be
at the two-hour mark?
311
00:13:23,760 --> 00:13:25,640
"Sure is, Hame."
Oh, that's great news.
312
00:13:25,680 --> 00:13:26,800
(LAUGHTER)
313
00:13:26,840 --> 00:13:29,760
I hope that is your story thus far.
314
00:13:29,800 --> 00:13:31,600
(MOMENTOUS MUSIC BUILDS)
315
00:13:31,640 --> 00:13:33,840
We got a Yellow Brick Road!
316
00:13:33,880 --> 00:13:35,640
I'm very excited,
317
00:13:35,680 --> 00:13:40,200
because we get to build some
of my all-time favourite stories.
318
00:13:41,240 --> 00:13:44,800
Today's challenge -
we got 'Alice In Wonderland'
319
00:13:44,840 --> 00:13:47,440
and we got Action.
320
00:13:47,480 --> 00:13:49,880
So, we're pretty stoked about that.
321
00:13:49,920 --> 00:13:51,920
We got...we got 'Wizard Of Oz'.
Oh, 'Wizard Of Oz'.
322
00:13:51,960 --> 00:13:54,680
We got 'Wizard Of Oz'. (LAUGHS) Oh!
323
00:13:54,720 --> 00:13:55,720
(MOMENTOUS MUSIC BUILDS)
324
00:13:55,760 --> 00:13:57,920
We're gonna take the classic scene
325
00:13:57,960 --> 00:14:00,200
of Dorothy melting the Wicked Witch,
326
00:14:00,240 --> 00:14:03,120
and we're gonna have Dorothy
jumping through the air,
327
00:14:03,160 --> 00:14:04,640
shooting water pistols.
328
00:14:04,680 --> 00:14:07,120
The Witch is gonna be melting.
"Arggh!"
329
00:14:07,160 --> 00:14:10,360
We're very confident about the
combination that we've got here.
330
00:14:10,400 --> 00:14:12,400
Yeah. We're actually really excited.
331
00:14:12,440 --> 00:14:15,240
Does two teams having immunity
worry me?
332
00:14:15,280 --> 00:14:19,360
Yes, 'cause that's two international
teams, not two Australian teams.
333
00:14:19,400 --> 00:14:22,240
But you know what, I don't want
to be eliminated today.
334
00:14:22,280 --> 00:14:23,880
I'm taking that brick home today.
Yeah.
335
00:14:25,480 --> 00:14:26,600
(EXHALES) Alright, gang.
336
00:14:26,640 --> 00:14:28,720
Um, Shane,
I see you've got a few stamps.
337
00:14:28,760 --> 00:14:30,160
Let this spur you on,
338
00:14:30,200 --> 00:14:32,200
because I know you're going
for the Big Brick today.
339
00:14:32,240 --> 00:14:33,560
(LAUGHTER)
340
00:14:33,600 --> 00:14:35,560
I've got the rings.
I'm aiming for it, yeah.
341
00:14:35,600 --> 00:14:38,120
Do you have any LEGO ink?
I don't actually have any LEGO ink.
342
00:14:38,160 --> 00:14:39,360
No LEGO ink?
No, no.
343
00:14:39,400 --> 00:14:40,720
How do you spell 'Dianne', Hamish?
344
00:14:40,760 --> 00:14:43,800
D-I-A-N-N-E?
345
00:14:43,840 --> 00:14:45,640
Well, you would think
that's how it was spelled, right?
346
00:14:45,680 --> 00:14:47,040
Is that how it's spelled?
Uh...
347
00:14:47,080 --> 00:14:49,520
(LAUGHS)
Oh!
348
00:14:49,560 --> 00:14:52,200
That's Di-ane!
349
00:14:52,240 --> 00:14:54,320
(LAUGHTER)
350
00:14:54,360 --> 00:14:56,480
I had an argument with the tattooist
at the time.
351
00:14:56,520 --> 00:14:57,920
He's a mate of mine.
(LAUGHS)
352
00:14:57,960 --> 00:14:59,360
And he said, "Shane, I'm pretty sure
353
00:14:59,400 --> 00:15:01,280
"your mother's name
is spelled with two N's."
354
00:15:01,320 --> 00:15:02,520
(LAUGHS)
355
00:15:02,560 --> 00:15:04,960
I guess a good lesson to be, like,
really double-check the details,
356
00:15:05,000 --> 00:15:08,800
I mean, and what better place
to use that than on LEGO Masters?
357
00:15:08,840 --> 00:15:11,800
Hone in on those details.
Yeah, that's the plan.
358
00:15:11,840 --> 00:15:14,080
That's... (LAUGHS)
You said it, Di-ane.
359
00:15:14,120 --> 00:15:15,520
Alright, good luck.
360
00:15:15,560 --> 00:15:17,040
(JAUNTY INSTRUMENTAL MUSIC)
361
00:15:17,080 --> 00:15:18,240
(LAUGHS) Di-ane!
362
00:15:18,280 --> 00:15:21,840
# Little ditty 'bout Shane and Dianne
363
00:15:21,880 --> 00:15:25,480
# Two LEGO builders
doing the best they can
364
00:15:25,520 --> 00:15:29,560
# Dianne wants to win the whole game
365
00:15:29,600 --> 00:15:33,120
# Shane, he struggles to
spell his mum's name, oh... #
366
00:15:33,160 --> 00:15:34,720
What's that? Oh, gotta go to an ad.
367
00:15:34,760 --> 00:15:36,120
OK. Sorry about...OK.
368
00:15:36,160 --> 00:15:37,720
Well, you get the gist.
They're going great.
369
00:15:37,760 --> 00:15:39,360
(IMPACT BOOMS)
370
00:15:45,080 --> 00:15:48,680
(MOMENTOUS MUSIC BUILDS)
371
00:15:51,280 --> 00:15:53,080
You've got Western and...
'Cinderella'.
372
00:15:53,120 --> 00:15:54,600
'Cinderella'? Oh, that's sick!
373
00:15:54,640 --> 00:15:57,920
That's an actual...
like, challenging one, right?
374
00:15:57,960 --> 00:16:00,960
A little bit?
I think we got it. We're from Texas.
375
00:16:01,000 --> 00:16:04,640
MICHELLE: So, we got 'Cinderella'...
And Western.
376
00:16:04,680 --> 00:16:06,480
And I could not be happier.
377
00:16:06,520 --> 00:16:09,120
We're from Texas, so it makes sense.
(LAUGHS)
378
00:16:10,120 --> 00:16:13,200
We want to build the iconic scene
379
00:16:13,240 --> 00:16:16,840
of Cinderella coming down
the staircase at midnight,
380
00:16:16,880 --> 00:16:18,600
leaving her shoe behind.
381
00:16:18,640 --> 00:16:21,280
Yeah, and instead of a slipper,
she's missing a boot.
382
00:16:21,320 --> 00:16:22,360
Yep.
383
00:16:22,400 --> 00:16:24,000
'Cause...why not?
'Cause that's so Western.
384
00:16:24,040 --> 00:16:26,240
Yeah! We left our boots at home.
385
00:16:26,280 --> 00:16:29,480
The pieces are gonna be stackable.
386
00:16:29,520 --> 00:16:30,920
Like, we're gonna build
different turrets
387
00:16:30,960 --> 00:16:33,240
and we're gonna be able
to just, like, build a castle
388
00:16:33,280 --> 00:16:34,880
without building an entire castle.
389
00:16:34,920 --> 00:16:37,880
We've got a little bit of
'Cinderella' here with our staircase
390
00:16:37,920 --> 00:16:41,440
and we are working on our...
Western castle.
391
00:16:41,480 --> 00:16:44,080
I felt like we had to have
this background, with the Western.
392
00:16:44,120 --> 00:16:45,880
This is an elimination challenge.
Yeah.
393
00:16:45,920 --> 00:16:47,720
It's the first one of the season.
394
00:16:47,760 --> 00:16:49,600
I'm super nervous.
395
00:16:49,640 --> 00:16:52,960
But also the Big Brick
is back up for grabs,
396
00:16:53,000 --> 00:16:55,360
and we really want it.
397
00:16:55,400 --> 00:16:56,840
We do. We want it.
398
00:16:56,880 --> 00:16:58,320
We want it for USA.
399
00:16:58,360 --> 00:17:00,000
We are in it for the long-haul.
400
00:17:00,040 --> 00:17:02,840
We can't go home on a Western.
That would just be shameful.
401
00:17:02,880 --> 00:17:04,200
So shameful.
402
00:17:04,240 --> 00:17:07,240
(DRAMATIC INSTRUMENTAL MUSIC)
403
00:17:17,080 --> 00:17:19,240
Could you just make four of those?
404
00:17:19,280 --> 00:17:21,600
Absolutely, boss.
That would be super. Thank you!
405
00:17:21,640 --> 00:17:22,760
So, uh...
406
00:17:22,800 --> 00:17:24,360
Oh, Brickman!
Sorry, you surprised us.
407
00:17:24,400 --> 00:17:28,080
We were so busy building,
and we're very into our build.
408
00:17:28,120 --> 00:17:29,640
What are you making?
409
00:17:29,680 --> 00:17:31,960
Uh...we're going as fast as we can.
410
00:17:32,000 --> 00:17:34,040
What, specifically, are you making?
411
00:17:35,640 --> 00:17:39,040
This...is one of the Action elements.
412
00:17:40,040 --> 00:17:41,200
What, specifically?
413
00:17:41,240 --> 00:17:45,400
Oh, gee! Specific, specifically,
specifically, specifically.
414
00:17:45,440 --> 00:17:48,080
Just enjoy the show, man.
Enjoy the build!
415
00:17:48,120 --> 00:17:51,000
And all will be revealed at the end.
416
00:17:51,040 --> 00:17:54,760
Well, we chose 'Beauty And
The Beast' and Science-Fiction.
417
00:17:55,760 --> 00:17:59,320
We're building the Beast
proposing to the Beauty,
418
00:17:59,360 --> 00:18:01,600
and she will be rejecting him,
419
00:18:01,640 --> 00:18:04,240
because he's a robot,
so they can't be together.
420
00:18:04,280 --> 00:18:07,080
She is still like,
"Oh, but I can't marry you.
421
00:18:07,120 --> 00:18:10,640
"I don't really know you and this
is kind of awkward, you know?
422
00:18:10,680 --> 00:18:13,120
"We've only been knowing each other
for a couple of months."
423
00:18:13,160 --> 00:18:16,080
And he's like, "Oh, please take my
hand in marriage.
424
00:18:16,120 --> 00:18:18,840
"I have brought you all of these
flowers and I really like you."
425
00:18:18,880 --> 00:18:20,800
We are in possession
of the Big Brick.
426
00:18:21,800 --> 00:18:23,280
So, we can take a risk.
427
00:18:23,320 --> 00:18:26,440
For now, we're just making
the figures
428
00:18:26,480 --> 00:18:28,680
and making sure that they look good.
429
00:18:28,720 --> 00:18:29,880
Ida?
Huh?
430
00:18:29,920 --> 00:18:31,920
Oh, but...oh, Peter
431
00:18:31,960 --> 00:18:35,520
Yeah, we definitely
have to pose our figures
432
00:18:35,560 --> 00:18:39,400
so that they will tell the story
to make it come to life.
433
00:18:39,440 --> 00:18:41,280
(SPEAKS DANISH)
434
00:18:42,280 --> 00:18:45,240
Mm-hm.
Hey! Total bad-ass!
435
00:18:45,280 --> 00:18:46,680
(UPBEAT MUSIC)
436
00:18:46,720 --> 00:18:48,320
I reckon we have
five hours remaining.
437
00:18:48,360 --> 00:18:50,120
Yeah. That's plenty.
438
00:18:50,160 --> 00:18:51,160
Mmm...
439
00:18:51,200 --> 00:18:52,520
You just keep doing that.
I know.
440
00:18:52,560 --> 00:18:53,840
I've got this.
441
00:18:53,880 --> 00:18:55,880
The bingo balls have given us
442
00:18:55,920 --> 00:18:58,840
'Peter Pan' and Historical Epic
blended together.
443
00:18:58,880 --> 00:19:00,680
Is that how the Colosseum is?
444
00:19:00,720 --> 00:19:02,520
I don't know! I haven't been there.
(LAUGHS)
445
00:19:02,560 --> 00:19:03,560
(LAUGHS) Don't ask me!
446
00:19:03,600 --> 00:19:05,600
When we think of Historical Epic,
447
00:19:05,640 --> 00:19:08,200
we definitely think of old Rome,
Ancient Rome,
448
00:19:08,240 --> 00:19:11,320
that sort of epic theatre,
that epic stage.
449
00:19:11,360 --> 00:19:15,760
So, what we decided
is the epic battle scene
450
00:19:15,800 --> 00:19:18,960
between Hook and Peter Pan
in a Colosseum.
451
00:19:19,000 --> 00:19:21,880
I am Italian.
452
00:19:21,920 --> 00:19:25,640
So, I need to make my heritage
pro... (LAUGHS)
453
00:19:25,680 --> 00:19:28,800
Emilio's been working on
getting our Colosseum ready.
454
00:19:28,840 --> 00:19:32,560
I am getting the bodies ready,
of our two characters,
455
00:19:32,600 --> 00:19:35,240
and we also have matching heads.
456
00:19:35,280 --> 00:19:38,040
So, we've got Pan
and we've got Hook.
457
00:19:38,080 --> 00:19:39,800
Hook.
458
00:19:39,840 --> 00:19:41,560
I definitely want
to get the characters done
459
00:19:41,600 --> 00:19:42,920
as soon as possible,
460
00:19:42,960 --> 00:19:44,560
'cause the Colosseum is big,
461
00:19:44,600 --> 00:19:47,000
and we really have to build
the scale of the thing.
462
00:19:47,040 --> 00:19:49,800
(DRIVING MUSIC)
463
00:19:49,840 --> 00:19:51,320
(LAUGHS) He looks so good, Sam!
464
00:19:51,360 --> 00:19:52,600
We're gonna give these
internationals
465
00:19:52,640 --> 00:19:54,880
a run for their money today.
466
00:19:54,920 --> 00:19:57,920
(MOMENTOUS MUSIC BUILDS)
467
00:20:00,840 --> 00:20:02,040
(IMPACT BOOMS)
468
00:20:04,160 --> 00:20:06,360
(SPEAKS FRENCH)
469
00:20:06,400 --> 00:20:09,880
Alright, Brickman, I think people
are realising someone's going home,
470
00:20:09,920 --> 00:20:13,920
and there is a definitely air
that this is for real.
471
00:20:13,960 --> 00:20:15,760
The penny's dropped, hasn't it?
The penny's dropped.
472
00:20:15,800 --> 00:20:19,840
So, right now I wanna know
the teams that are in trouble
473
00:20:19,880 --> 00:20:22,720
and give me the teams
that look like they are well clear.
474
00:20:22,760 --> 00:20:24,360
OK, I think our German team,
at the moment,
475
00:20:24,400 --> 00:20:27,040
just seem to flow beautifully.
476
00:20:27,080 --> 00:20:28,960
Mm-hm!
477
00:20:29,000 --> 00:20:31,240
(SPEAKING GERMAN)
478
00:20:31,280 --> 00:20:33,000
Really haven't had a problem
right from the word go.
479
00:20:33,040 --> 00:20:36,760
I mean, 'Red Riding Hood'
is not far off a horror story.
480
00:20:36,800 --> 00:20:38,080
They played the Big Brick well.
481
00:20:38,120 --> 00:20:40,280
The big advantage.
Oh, chose well, chose well.
482
00:20:40,320 --> 00:20:42,640
Played into it. They're fine.
They're comfortable.
483
00:20:42,680 --> 00:20:44,280
Anyone else completely fine?
484
00:20:44,320 --> 00:20:46,440
I feel like our American friends...
485
00:20:46,480 --> 00:20:48,480
'Cinderella' as a Western.
486
00:20:48,520 --> 00:20:50,000
MICHELLE: Does that look Westerny?
487
00:20:50,040 --> 00:20:52,680
Hell, yeah, dude! Hell, yeah!
OK.
488
00:20:52,720 --> 00:20:54,320
Cinderella's running out,
489
00:20:54,360 --> 00:20:56,800
and instead of losing her shoe,
she's lost her boot.
490
00:20:56,840 --> 00:20:58,920
Cowboy boot.
Easily identifiable.
491
00:20:58,960 --> 00:21:01,320
And you can tell within microseconds
exactly what it is.
492
00:21:01,360 --> 00:21:03,360
I made tumbleweeds.
493
00:21:03,400 --> 00:21:04,960
Oh, that's beautiful!
494
00:21:05,000 --> 00:21:06,760
But who is in trouble?
495
00:21:06,800 --> 00:21:09,440
Our French team,
Camille and Caroline.
496
00:21:09,480 --> 00:21:10,480
(SIGHS)
497
00:21:10,520 --> 00:21:12,680
'Alice In Wonderland',
and their genre is Crime.
498
00:21:12,720 --> 00:21:14,640
(SPEAKS FRENCH)
499
00:21:14,680 --> 00:21:16,800
(SPEAKS FRENCH)
500
00:21:16,840 --> 00:21:19,240
Crime is a tricky one, isn't it?
501
00:21:19,280 --> 00:21:21,320
Definitely!
It's one of the harder ones.
502
00:21:21,360 --> 00:21:24,400
The crime scene is a table with
some people that have been poisoned.
503
00:21:24,440 --> 00:21:27,200
The difficulty is in
how do you transpose that idea
504
00:21:27,240 --> 00:21:29,240
into physical LEGO bricks?
505
00:21:29,280 --> 00:21:30,640
And so that's the problem.
506
00:21:30,680 --> 00:21:32,160
At the minute, that's not clear.
Right.
507
00:21:32,200 --> 00:21:34,080
(EXHALES)
508
00:21:34,120 --> 00:21:37,360
Now, in the same boat
is Sam and Emilio.
509
00:21:37,400 --> 00:21:38,560
They got a tough one.
510
00:21:38,600 --> 00:21:41,320
They've got 'Peter Pan'
as an historical epic.
511
00:21:41,360 --> 00:21:43,680
EMILIO: Let's go.
Let's power through now.
512
00:21:43,720 --> 00:21:44,920
We're making some good ground...
513
00:21:44,960 --> 00:21:47,800
Yeah, but don't let that
get us caught out.
514
00:21:47,840 --> 00:21:51,120
They're going for the Colosseum
as their Historical Epic genre,
515
00:21:51,160 --> 00:21:53,080
but at the minute, it just looks
like the back of a building.
516
00:21:53,120 --> 00:21:54,120
(IMPACT CHIMES)
517
00:21:54,160 --> 00:21:57,640
It's very difficult to get that
whole grandeur of what's going on.
518
00:21:59,280 --> 00:22:00,880
ERIC: Man, I'm feeling
that time pressure now,
519
00:22:00,920 --> 00:22:02,120
you know what I mean, like...
520
00:22:02,160 --> 00:22:03,360
Yeah, that's all good.
That's all good.
521
00:22:03,400 --> 00:22:04,720
Ben and Eric.
522
00:22:04,760 --> 00:22:07,320
'Rapunzel' in the world
of Swords and Sorcery.
523
00:22:07,360 --> 00:22:08,600
They're figured out the story,
524
00:22:08,640 --> 00:22:10,800
in that they're gonna have
a knight and a wizard and Rapunzel.
525
00:22:10,840 --> 00:22:13,600
Fantastic! But it's about
execution now.
526
00:22:13,640 --> 00:22:15,680
Eric's come up
with a really cool technique
527
00:22:15,720 --> 00:22:18,440
to get this rounded castle wall,
528
00:22:18,480 --> 00:22:20,560
but it's super labour-intensive.
529
00:22:20,600 --> 00:22:23,120
Does that look even on your end,
real quick, this tower?
530
00:22:23,160 --> 00:22:24,280
BEN: Yeah.
531
00:22:24,320 --> 00:22:26,320
But he only got it
about three inches high.
532
00:22:26,360 --> 00:22:27,760
(IMPACT BOOMS#
533
00:22:27,800 --> 00:22:29,760
Alright, everybody!
(CONTESTANTS EXCLAIM)
534
00:22:29,800 --> 00:22:34,120
As the clock ticks down,
we are exactly...halfway!
535
00:22:34,160 --> 00:22:36,960
Five hours down. Five to go!
536
00:22:37,000 --> 00:22:39,000
ERIC: We are not halfway through.
537
00:22:39,040 --> 00:22:41,360
I know it doesn't look like I've
done much, but it's getting there.
538
00:22:41,400 --> 00:22:43,880
It's just taking so much damn time.
539
00:22:43,920 --> 00:22:47,280
The three things we need to nail is,
one - a tower.
540
00:22:48,360 --> 00:22:51,680
Two - hair coming down
from a Rapunzel.
541
00:22:51,720 --> 00:22:54,120
And the Swords and Sorcery element,
542
00:22:54,160 --> 00:22:56,840
which is a sorceress
attacking the prince,
543
00:22:56,880 --> 00:22:59,080
who has come to save Rapunzel.
544
00:22:59,120 --> 00:23:01,120
(DRAMATIC MUSIC BUILDS)
545
00:23:01,160 --> 00:23:02,400
Oh, so good!
546
00:23:02,440 --> 00:23:07,000
Right now we only have the sorcerer
and the prince.
547
00:23:07,040 --> 00:23:09,480
How long is gonna take you
to get that, like, super high?
548
00:23:09,520 --> 00:23:12,040
Well, I feel like
it should go real big.
549
00:23:12,080 --> 00:23:13,920
Ben and Eric, hello!
550
00:23:13,960 --> 00:23:16,400
Brickman, how are we?
How are we, Brickman?
551
00:23:16,440 --> 00:23:19,160
I'm great, but I'm worried.
OK.
552
00:23:19,200 --> 00:23:22,200
The technique that you've chosen for
the castle, as awesome as it is,
553
00:23:22,240 --> 00:23:24,760
if you keep going at the same rate
and the same pace,
554
00:23:24,800 --> 00:23:26,240
you end up with nothing.
555
00:23:26,280 --> 00:23:27,400
Yep, yep.
556
00:23:27,440 --> 00:23:28,600
(DRAMATIC MUSIC BUILDS)
557
00:23:28,640 --> 00:23:29,960
He has a point.
558
00:23:30,000 --> 00:23:31,480
(DRAMATIC MUSIC CONTINUES)
559
00:23:31,520 --> 00:23:35,120
Yeah, we need to pivot right now
and come up with something else.
560
00:23:35,160 --> 00:23:37,680
Um...
I think I'll just plate up.
561
00:23:37,720 --> 00:23:38,800
Yep.
562
00:23:38,840 --> 00:23:42,000
I'll just get plate and edges
and go up, up, up, up, up.
563
00:23:42,040 --> 00:23:45,160
I think, at this point, elimination
is in the back of the mind.
564
00:23:45,200 --> 00:23:48,960
So, we're just putting plates
straight up.
565
00:23:49,000 --> 00:23:51,080
You know, we're just trying to do
as much as possible
566
00:23:51,120 --> 00:23:53,120
and ensure that
we get this tower done,
567
00:23:53,160 --> 00:23:57,720
and we can get the most important
part of our story in there,
568
00:23:57,760 --> 00:23:59,320
which is the hair.
569
00:23:59,360 --> 00:24:00,920
I'm starting to get stressed.
570
00:24:00,960 --> 00:24:02,320
Oh, no!
571
00:24:02,360 --> 00:24:04,800
Without the tower,
we can't have the hair.
572
00:24:05,960 --> 00:24:07,520
It's fine! (LAUGHS)
573
00:24:07,560 --> 00:24:09,280
See? It's fine. Trust me.
574
00:24:09,320 --> 00:24:12,120
(IMPACT BOOMS)
575
00:24:12,160 --> 00:24:14,120
OK, so, it's not fine.
It is not fine.
576
00:24:14,160 --> 00:24:16,160
(IMPACT BOOMS)
577
00:24:22,000 --> 00:24:25,000
(DRAMATIC MUSIC BUILDS)
578
00:24:31,840 --> 00:24:35,080
OK, while this is down,
579
00:24:35,120 --> 00:24:38,280
you need to build a structure
through there, OK?
580
00:24:38,320 --> 00:24:41,800
(MOMENTOUS MUSIC BUILDS)
581
00:24:42,800 --> 00:24:44,640
DIANNE: How are you going?
How's your dragon?
582
00:24:44,680 --> 00:24:45,760
Is it a dragon? What is it?
583
00:24:45,800 --> 00:24:47,400
ANNALENA: No, it's not a dragon,
it's...
584
00:24:47,440 --> 00:24:48,560
No. What is it?
It's a wolf.
585
00:24:48,600 --> 00:24:50,280
It's a woof...
Wolf!
586
00:24:50,320 --> 00:24:52,000
Woof.
Wolf!
587
00:24:52,040 --> 00:24:53,760
Woof.
(LAUGHS) Woof, woof.
588
00:24:53,800 --> 00:24:57,560
Our strategy right now is that
Annalena is building the wolf.
589
00:24:57,600 --> 00:24:59,520
It looks amazing.
590
00:24:59,560 --> 00:25:00,560
Cool!
591
00:25:00,600 --> 00:25:03,480
At this moment, for me,
there are a lot of trees.
592
00:25:03,520 --> 00:25:06,640
But it's really good,
because in a forest,
593
00:25:06,680 --> 00:25:09,680
there are not only two trees -
there are more than two.
594
00:25:09,720 --> 00:25:11,840
So, there it is.
595
00:25:11,880 --> 00:25:15,440
But for me, building the Red Riding
Hood makes me really nervous,
596
00:25:15,480 --> 00:25:17,960
because it's, like, the main
character of the fairy-tale.
597
00:25:18,000 --> 00:25:19,800
I think I can do it...
598
00:25:19,840 --> 00:25:21,680
Yeah, I never build characters
before.
599
00:25:21,720 --> 00:25:23,600
So, I'm really taking some time
600
00:25:23,640 --> 00:25:26,160
to focus on detailing
the expression in her face.
601
00:25:26,200 --> 00:25:27,200
With the head,
602
00:25:27,240 --> 00:25:30,960
it's not easy to do, like,
these small, like, faces.
603
00:25:31,000 --> 00:25:33,880
Brickman is looking for,
like, the perfect mix
604
00:25:33,920 --> 00:25:36,320
between the fairy-tale
and the genre.
605
00:25:36,360 --> 00:25:39,520
So, we want to be really clear
that it's Red Riding Hood.
606
00:25:39,560 --> 00:25:42,960
Then there's, like,
the big wolf is behind her
607
00:25:43,000 --> 00:25:45,400
and want to, like...yeah, eat her.
608
00:25:45,440 --> 00:25:47,680
So, yeah, I give my best.
609
00:25:47,720 --> 00:25:49,080
(GASPS) Oh!
610
00:25:49,120 --> 00:25:50,160
(SPEAKS GERMAN)
611
00:25:50,200 --> 00:25:51,360
(LAUGHS) What was that?!
612
00:25:51,400 --> 00:25:54,720
It was like this,
and I catch it at the bottom.
613
00:25:54,760 --> 00:25:57,960
(MOMENTOUS MUSIC BUILDS)
614
00:25:58,000 --> 00:26:02,480
CAMILLE: So, Caroline is working
on the Mad Hatter
615
00:26:02,520 --> 00:26:06,840
and I'm currently
working on the table.
616
00:26:06,880 --> 00:26:09,720
CAROLINE: We have
'Alice In Wonderland'.
617
00:26:09,760 --> 00:26:14,080
But we were still figuring out
the crime scene.
618
00:26:14,120 --> 00:26:15,560
Instead of poison...
Yeah?
619
00:26:15,600 --> 00:26:17,000
..what else could we have?
620
00:26:18,240 --> 00:26:19,480
Um...
621
00:26:20,760 --> 00:26:21,800
(SIGHS)
622
00:26:23,320 --> 00:26:27,560
Our other idea
is to do a crime scene
623
00:26:27,600 --> 00:26:30,240
around a cutted card.
624
00:26:30,280 --> 00:26:34,080
So, we decided to do a crime scene
625
00:26:34,120 --> 00:26:37,960
with the Mad Hatter
cutting the cards.
626
00:26:38,960 --> 00:26:41,120
So, the cards are his victims,
are they?
627
00:26:41,160 --> 00:26:42,480
Exactly.
628
00:26:42,520 --> 00:26:44,400
I feel like you've got a good story.
629
00:26:44,440 --> 00:26:45,960
I feel like the story's clear now.
630
00:26:46,000 --> 00:26:48,960
The hard part
is you've got a lot to do.
631
00:26:49,000 --> 00:26:50,480
Yeah.
Like, a lot.
632
00:26:50,520 --> 00:26:51,520
Thanks a lot.
Good luck.
633
00:26:51,560 --> 00:26:52,720
Thanks a lot.
634
00:26:52,760 --> 00:26:56,200
Brickman loves our...new idea,
635
00:26:56,240 --> 00:26:59,160
but we're just worried
about the fact
636
00:26:59,200 --> 00:27:02,040
that we won't have
the time to do it.
637
00:27:02,080 --> 00:27:04,440
You're building with good purpose.
638
00:27:04,480 --> 00:27:05,600
Like, I feel like you guys are...
639
00:27:05,640 --> 00:27:07,520
Your favourite.
Your favourite?
640
00:27:07,560 --> 00:27:09,440
You feel like we are your favourite.
641
00:27:09,480 --> 00:27:11,040
Is that what you wanted to say?
642
00:27:11,080 --> 00:27:12,920
That IS what I wanted to say.
(LAUGHTER)
643
00:27:12,960 --> 00:27:14,160
Oh, thank you so much.
Ahh, thank you.
644
00:27:14,200 --> 00:27:16,480
Well, I can't just say that
to everyone.
645
00:27:16,520 --> 00:27:17,920
I hope so.
No way.
646
00:27:17,960 --> 00:27:19,360
Good luck, favourites.
647
00:27:19,400 --> 00:27:21,160
Thanks.
Thanks.
648
00:27:21,200 --> 00:27:22,560
(JAUNTY INSTRUMENTAL MUSIC)
649
00:27:22,600 --> 00:27:24,280
This is looking good.
Thanks, man.
650
00:27:24,320 --> 00:27:26,480
And I'm glad it's looking good,
because -
651
00:27:26,520 --> 00:27:29,040
I probably shouldn't say this,
but you're my favourites.
652
00:27:29,080 --> 00:27:32,200
(LAUGHS) Thanks, man.
653
00:27:32,240 --> 00:27:34,280
(JAUNTY INSTRUMENTAL MUSIC)
654
00:27:37,000 --> 00:27:38,480
How's my favourites going?
655
00:27:38,520 --> 00:27:41,640
That's looking good.
Physics of hair is...
656
00:27:41,680 --> 00:27:43,240
You'll get it.
It looks like hair.
657
00:27:43,280 --> 00:27:44,280
(JAUNTY INSTRUMENTAL MUSIC)
658
00:27:44,320 --> 00:27:46,840
Hey, guys. Guess what.
What?
659
00:27:46,880 --> 00:27:48,960
It's an hour to go.
660
00:27:49,000 --> 00:27:51,240
No!
Yes! One hour!
661
00:27:51,280 --> 00:27:52,280
(SIREN WHOOPS)
662
00:27:52,320 --> 00:27:54,080
One whole hour.
663
00:27:54,120 --> 00:27:55,640
Arggh!
664
00:27:55,680 --> 00:27:59,080
But another way of looking at it is,
"Oh, no. One hour."
665
00:27:59,120 --> 00:28:02,120
(MOMENTOUS MUSIC BUILDS)
666
00:28:07,160 --> 00:28:11,840
She has become an absolute Beauty,
this one!
667
00:28:11,880 --> 00:28:13,920
It's an absolute Beauty,
this one we've found here!
668
00:28:13,960 --> 00:28:16,440
In this last hour,
I'm just doing these boots,
669
00:28:16,480 --> 00:28:18,080
then we have to put up the Beast,
670
00:28:18,120 --> 00:28:20,440
make sure that
he can actually stand.
671
00:28:20,480 --> 00:28:24,240
Finish the pose, and then we can do
some nitty-gritty polishing stuff.
672
00:28:25,240 --> 00:28:28,440
(SPEAKING DANISH)
673
00:28:33,440 --> 00:28:36,560
"Arggh!" Love it!
674
00:28:36,600 --> 00:28:38,320
We're stoked...
Yeah.
675
00:28:38,360 --> 00:28:40,720
..to have gotten the 'Wizard Of Oz'
and Action.
676
00:28:40,760 --> 00:28:43,080
At the moment,
we've got the Witch...
677
00:28:43,120 --> 00:28:44,280
Arggh!
678
00:28:44,320 --> 00:28:46,440
She's creepy as hell.
679
00:28:46,480 --> 00:28:49,160
..and Dorothy.
"Arggh!"
680
00:28:49,200 --> 00:28:50,800
"Die, Witch, die!"
681
00:28:50,840 --> 00:28:52,880
We want Dorothy
jumping through the air,
682
00:28:52,920 --> 00:28:54,080
shooting water pistols.
683
00:28:54,120 --> 00:28:56,600
Yep.
Melting the Wicked Witch.
684
00:28:56,640 --> 00:28:59,080
I'd love to see the posing.
Sure!
685
00:28:59,120 --> 00:29:00,720
Are we able to...
Yeah.
686
00:29:00,760 --> 00:29:02,400
The most important
aspect of the build
687
00:29:02,440 --> 00:29:04,840
is that sense of implied movement.
688
00:29:04,880 --> 00:29:08,160
So, we've gotta nail poses,
we've gotta nail expressions.
689
00:29:08,200 --> 00:29:09,200
Mm-hm.
690
00:29:09,240 --> 00:29:10,560
I mean, there'll be more
fine tuning.
691
00:29:10,600 --> 00:29:11,800
No, no, that's fine.
692
00:29:11,840 --> 00:29:13,400
I'm just curious to see
sort of the placement.
693
00:29:13,440 --> 00:29:16,720
I also wanted to make sure that
you could see very clear layers
694
00:29:16,760 --> 00:29:19,840
between the foreground,
the midground, and the background.
695
00:29:19,880 --> 00:29:22,480
Like, we're building it
as if it's an old-school movie set.
696
00:29:22,520 --> 00:29:25,040
The way you've staged it is awesome,
because you really do have
697
00:29:25,080 --> 00:29:26,640
foreground, middle ground,
and background.
698
00:29:26,680 --> 00:29:28,160
Yep.
So, I think that's fantastic.
699
00:29:28,200 --> 00:29:30,920
The only other thing - it needs
a little something behind.
700
00:29:30,960 --> 00:29:33,040
Something that gives a sense
of depth a little bit more too.
701
00:29:33,080 --> 00:29:34,080
Yep.
Yep.
702
00:29:34,120 --> 00:29:36,160
Brickman wants it
to show more depth.
703
00:29:36,200 --> 00:29:37,760
He wants us to add
a little bit more.
704
00:29:37,800 --> 00:29:39,560
He wants us to push that depth
even further.
705
00:29:39,600 --> 00:29:41,640
So, we need something
in the background.
706
00:29:41,680 --> 00:29:43,000
(DRAMATIC MUSIC BUILDS)
707
00:29:43,040 --> 00:29:44,040
I think that's it.
708
00:29:44,080 --> 00:29:46,280
(DRAMATIC MUSIC BUILDS)
709
00:29:46,320 --> 00:29:48,680
Alright, cool. Cool, cool, cool.
710
00:29:48,720 --> 00:29:51,840
There is half an hour to go!
30 minutes to go!
711
00:29:51,880 --> 00:29:53,080
Whoo!
712
00:29:53,120 --> 00:29:54,280
This is an elimination!
713
00:29:54,320 --> 00:29:58,280
Half an hour to make sure
your fairy-tale is crystal clear
714
00:29:58,320 --> 00:30:01,720
and your genre fits
exactly what you were given.
715
00:30:01,760 --> 00:30:04,080
CHARLIE: Game on, people! Game on!
716
00:30:04,120 --> 00:30:05,400
MAN: Oh, game on!
717
00:30:05,440 --> 00:30:08,440
(MOMENTOUS MUSIC BUILDS)
718
00:30:14,800 --> 00:30:17,240
How's the roof starting to look?
719
00:30:17,280 --> 00:30:18,760
HALEY: That looks good.
720
00:30:18,800 --> 00:30:20,520
I've never built a dojo before.
721
00:30:20,560 --> 00:30:23,320
You've never built
ninja bears before.
722
00:30:23,360 --> 00:30:26,360
I think, as a team,
we've done alright!
723
00:30:26,400 --> 00:30:30,360
We've definitely nailed the genre
for Martial Arts,
724
00:30:30,400 --> 00:30:31,920
but it's just more...
725
00:30:31,960 --> 00:30:34,360
..yeah, making sure that we can
really see the three bears.
726
00:30:34,400 --> 00:30:37,960
and make out that it is Goldilocks
with a bowl of porridge.
727
00:30:38,000 --> 00:30:41,440
(DRAMATIC MUSIC BUILDS)
728
00:30:41,480 --> 00:30:43,280
(SIGHS)
729
00:30:43,320 --> 00:30:44,960
I'm feeling a little bit nervous.
730
00:30:45,000 --> 00:30:47,480
The Colosseum is pretty much done.
731
00:30:47,520 --> 00:30:49,360
I've still got Hook to finish.
EMILIO: Yeah.
732
00:30:49,400 --> 00:30:51,400
I am spending a bit of time
on the characters
733
00:30:51,440 --> 00:30:53,160
because I know the characters
are something
734
00:30:53,200 --> 00:30:54,640
that will get us across the line,
735
00:30:54,680 --> 00:30:57,880
but I'm really, really happy
with how I made Hook look,
736
00:30:57,920 --> 00:30:58,920
how I made Pan look.
737
00:30:58,960 --> 00:31:01,880
I feel like we've ticked
the fairy-tale component.
738
00:31:01,920 --> 00:31:03,040
Yep.
739
00:31:03,080 --> 00:31:04,520
I feel like we still need
more of the epicness.
740
00:31:04,560 --> 00:31:05,560
Yep, OK.
741
00:31:05,600 --> 00:31:08,000
It just looks like a building.
How else do we get it grand?
742
00:31:09,000 --> 00:31:12,320
We are hinging on the Colosseum
being epic by nature.
743
00:31:12,360 --> 00:31:17,280
Without that,
there's no historical epic.
744
00:31:17,320 --> 00:31:19,880
We need to see
the other 50% of your equation.
745
00:31:19,920 --> 00:31:20,920
Sure.
746
00:31:20,960 --> 00:31:22,800
Awesome. Thank you, Brickman.
Thank you.
747
00:31:22,840 --> 00:31:27,280
I'm trying to stay very calm, but...
748
00:31:27,320 --> 00:31:29,600
Today is an elimination.
..it's an elimination day.
749
00:31:29,640 --> 00:31:32,280
The first elimination
on this series.
750
00:31:32,320 --> 00:31:34,720
So, I'm, like, "What can we do?"
751
00:31:34,760 --> 00:31:36,320
Alright...
Behind.
752
00:31:36,360 --> 00:31:37,560
..move this up here.
753
00:31:37,600 --> 00:31:38,760
(GASPS)
(BRICKS SMASH)
754
00:31:38,800 --> 00:31:40,480
WOMAN: No!
755
00:31:40,520 --> 00:31:42,520
(IMPACT BOOMS)
756
00:31:48,040 --> 00:31:51,040
(DRAMATIC MUSIC BUILDS)
757
00:31:58,240 --> 00:32:00,280
Does that kind of look like po...
(BRICKS SMASH)
758
00:32:00,320 --> 00:32:01,680
..porridge?
759
00:32:01,720 --> 00:32:03,440
Wait, what happened to your foot?
760
00:32:04,760 --> 00:32:05,800
Oh, there it is.
761
00:32:06,920 --> 00:32:11,120
The challenge today is classic
fairy-tale mixed with any genre.
762
00:32:11,160 --> 00:32:12,720
(DRAMATIC MUSIC CONTINUES)
763
00:32:12,760 --> 00:32:14,960
We're gonna be doing Cinderella
meets Western.
764
00:32:15,000 --> 00:32:17,640
This is Cinderella.
765
00:32:17,680 --> 00:32:18,800
She's got one boot on,
766
00:32:18,840 --> 00:32:20,560
and one boot on the staircase there,
767
00:32:20,600 --> 00:32:22,640
and she is gonna be in,
like, a running position.
768
00:32:24,120 --> 00:32:26,040
OK, Miss Cinderella.
769
00:32:26,080 --> 00:32:28,200
And we have the beautiful backdrop.
770
00:32:28,240 --> 00:32:30,080
This is so Western.
771
00:32:30,120 --> 00:32:31,600
So, it's very Hollywood.
772
00:32:31,640 --> 00:32:35,440
It's got the faux background
with the buildings stacked in front.
773
00:32:35,480 --> 00:32:37,560
It's literally
how I pictured in my mind.
774
00:32:37,600 --> 00:32:39,600
So, for me, I'm, like,
super excited.
775
00:32:40,600 --> 00:32:44,280
Guys, ten minutes to go! Red zone!
776
00:32:44,320 --> 00:32:46,920
No! Don't spread a minefield!
777
00:32:46,960 --> 00:32:49,960
(DRAMATIC MUSIC BUILDS)
778
00:32:53,080 --> 00:32:54,200
Ten minutes!
779
00:32:57,200 --> 00:32:58,720
I was a little bit scared about
780
00:32:58,760 --> 00:33:01,680
creating horror in
'Red Riding Hood',
781
00:33:01,720 --> 00:33:04,960
especially because I never did
a character before.
782
00:33:05,000 --> 00:33:07,840
(SPEAKS GERMAN)
783
00:33:07,880 --> 00:33:10,320
(WONDROUS MUSIC)
784
00:33:10,360 --> 00:33:12,040
But I'm really happy
how it turns out.
785
00:33:13,040 --> 00:33:15,640
I love the face expression,
with the scared eyes.
786
00:33:16,760 --> 00:33:18,800
I love the hair buns. I love it!
787
00:33:18,840 --> 00:33:20,360
ANNALENA: Oh, that's so good!
788
00:33:20,400 --> 00:33:22,600
Yeah, I'm proud of you.
(LAUGHS)
789
00:33:22,640 --> 00:33:23,960
I'm back!
Felix.
790
00:33:24,000 --> 00:33:26,360
Well, I don't know why you're
running. I mean, are you finished?
791
00:33:26,400 --> 00:33:27,440
Uh, no.
792
00:33:27,480 --> 00:33:29,800
It looks pretty done.
No, it's not done.
793
00:33:29,840 --> 00:33:32,120
I think we are really good on time,
and we...
794
00:33:32,160 --> 00:33:33,280
(LAUGHS)
795
00:33:33,320 --> 00:33:34,880
Whoa!
Ahh!
796
00:33:34,920 --> 00:33:38,640
I swear to god that wasn't me,
but...kinda helped.
797
00:33:38,680 --> 00:33:40,160
Oh, no!
798
00:33:40,200 --> 00:33:41,800
Wow!
799
00:33:41,840 --> 00:33:45,360
(DRAMATIC MUSIC BUILDS)
800
00:33:45,400 --> 00:33:47,440
ERIC: OK. Hair's connected.
BEN: How does that look?
801
00:33:48,480 --> 00:33:51,680
So, Rapunzel's there.
Rapunzel's there.
802
00:33:51,720 --> 00:33:52,880
The hair's there.
The hair's there.
803
00:33:52,920 --> 00:33:55,600
And then the prince
and a sorceress, we've done.
804
00:33:55,640 --> 00:33:56,880
(DRAMATIC MUSIC BUILDS)
805
00:33:56,920 --> 00:33:59,360
So, Rapunzel...
Yep?
806
00:33:59,400 --> 00:34:00,560
..in the tower.
Yeah?
807
00:34:00,600 --> 00:34:02,600
Does it look like that's her hair
808
00:34:02,640 --> 00:34:04,640
or she's pouring paint out of a can?
809
00:34:04,680 --> 00:34:07,080
Yeah, 50-50 to me, mate.
810
00:34:07,120 --> 00:34:08,360
(TENSE INSTRUMENTAL MUSIC)
811
00:34:08,400 --> 00:34:09,960
50-50's not enough to me.
812
00:34:10,000 --> 00:34:11,240
(TENSE INSTRUMENTAL MUSIC)
813
00:34:11,280 --> 00:34:13,040
What can we do? What can we do?
814
00:34:13,080 --> 00:34:15,080
If you can't figure out
what's happening
815
00:34:15,120 --> 00:34:16,920
with the hair in our story,
816
00:34:16,960 --> 00:34:18,920
which is meant to be a key element,
817
00:34:18,960 --> 00:34:22,160
and today is an elimination -
818
00:34:22,200 --> 00:34:23,560
we could be in trouble.
819
00:34:23,600 --> 00:34:24,800
I'll bring the strands up.
820
00:34:24,840 --> 00:34:28,120
The biggest motivation is,
really, just to survive.
821
00:34:28,160 --> 00:34:30,320
Stupid hair.
822
00:34:32,120 --> 00:34:34,520
(DRAMATIC MUSIC SWELLS)
823
00:34:34,560 --> 00:34:37,200
(MOMENTOUS MUSIC BUILDS)
824
00:34:37,240 --> 00:34:38,800
KRYSTLE: Are you gonna make,
like, a taller one?
825
00:34:38,840 --> 00:34:40,560
MICHELLE: No, I was just gonna make
that little guy.
826
00:34:40,600 --> 00:34:42,520
CAMILLE: Where did you want
to put the Mad Hatter?
827
00:34:42,560 --> 00:34:43,560
CAROLINE: Over here.
828
00:34:43,600 --> 00:34:45,680
Our main elements...
829
00:34:45,720 --> 00:34:47,960
The Mad Hatter.
830
00:34:48,000 --> 00:34:51,480
A crime scene with a cutted card.
831
00:34:51,520 --> 00:34:53,480
(JAUNTY INSTRUMENTAL MUSIC)
832
00:34:53,520 --> 00:34:56,080
We think this idea
is quite clear to understand.
833
00:34:59,000 --> 00:35:01,840
We just want to finish
the challenge,
834
00:35:01,880 --> 00:35:03,560
and finish it well.
835
00:35:09,560 --> 00:35:11,080
(JAUNTY INSTRUMENTAL MUSIC)
836
00:35:11,120 --> 00:35:13,920
Two minutes! Two minutes to go!
837
00:35:13,960 --> 00:35:16,000
Two minutes? What are you doing?
838
00:35:16,040 --> 00:35:18,040
EMILIO: Just finalising these guys.
OK.
839
00:35:18,080 --> 00:35:20,600
Brickman says he wanted it
to be a bit more Colosseum-y.
840
00:35:20,640 --> 00:35:22,400
Something a bit more grander,
841
00:35:22,440 --> 00:35:25,240
So, we're putting pirates
around the scene
842
00:35:25,280 --> 00:35:27,640
because the 'Peter Pan' story
has Hook's pirates.
843
00:35:27,680 --> 00:35:29,520
Don't forget the tassels
on this one.
844
00:35:29,560 --> 00:35:31,280
And adding some banners
845
00:35:31,320 --> 00:35:33,520
to try and sort of fill in
the scene a bit more.
846
00:35:33,560 --> 00:35:35,360
Look at the detailing on that!
847
00:35:35,400 --> 00:35:36,680
The Colosseum looks great!
848
00:35:36,720 --> 00:35:38,120
Super happy.
849
00:35:38,160 --> 00:35:40,880
And it fits in with the brief
of Historical Epics.
850
00:35:40,920 --> 00:35:42,480
I need a...
What?
851
00:35:42,520 --> 00:35:43,600
Round plate.
I'll go get it.
852
00:35:43,640 --> 00:35:46,680
Run. Run. Don't...
That's not running!
853
00:35:46,720 --> 00:35:49,200
That's, like...ambling.
854
00:35:49,240 --> 00:35:51,080
One minute!
855
00:35:51,120 --> 00:35:54,120
(MOMENTOUS MUSIC BUILDS)
856
00:36:00,960 --> 00:36:03,080
SHANE: We're actually in a really
good place at the moment.
857
00:36:03,120 --> 00:36:05,160
Just adding, like,
some little extra elements.
858
00:36:05,200 --> 00:36:07,600
DIANNE: Are we getting that on?
We need the moon.
859
00:36:07,640 --> 00:36:10,120
Brickman wants it
to show more depth.
860
00:36:10,160 --> 00:36:13,480
So, let's go with a moon.
Yep, with a monkey in it.
861
00:36:13,520 --> 00:36:14,880
We wanna be able to see the wings
862
00:36:14,920 --> 00:36:17,160
so we know that
it's the Witch's little mate.
863
00:36:17,200 --> 00:36:18,440
Yep, there.
864
00:36:18,480 --> 00:36:19,800
Let's get the characters on,
865
00:36:19,840 --> 00:36:22,160
because we won't want, like,
the characters on the actual...
866
00:36:22,200 --> 00:36:24,200
I know.
Let's get those characters on.
867
00:36:26,320 --> 00:36:27,720
I think it looks great, Shane.
868
00:36:27,760 --> 00:36:29,640
Last few bricks.
869
00:36:29,680 --> 00:36:31,000
(DRAMATIC MUSIC BUILDS)
870
00:36:31,040 --> 00:36:32,240
ERIC: Is that better?
871
00:36:32,280 --> 00:36:34,000
BEN: Yeah, we need to attach
the hair, though.
872
00:36:34,040 --> 00:36:36,000
Oh, there should be flower pots
in the...yep.
873
00:36:36,040 --> 00:36:39,800
They could make the difference
between staying here and going home.
874
00:36:39,840 --> 00:36:44,840
CAMILLE: Oh, god. We really have
to finish this, Caroline.
875
00:36:44,880 --> 00:36:47,920
Ten! Nine! Eight!
Quick, quick, quick, quick!
876
00:36:47,960 --> 00:36:50,720
Seven! Six! Five!
877
00:36:50,760 --> 00:36:56,240
Four! Three! Two! One! Zero!
878
00:36:56,280 --> 00:36:57,840
Yeah!
That's it!
879
00:36:57,880 --> 00:36:59,360
That is it!
880
00:37:00,360 --> 00:37:01,520
(MOMENTOUS MUSIC SWELLS)
881
00:37:01,560 --> 00:37:06,000
Alright, guys, ten hours,
eight tales, eight genres
882
00:37:06,040 --> 00:37:08,360
beautifully twisted together.
883
00:37:08,400 --> 00:37:09,960
First of all, beautiful work.
Well done.
884
00:37:10,000 --> 00:37:12,920
(APPLAUSE)
885
00:37:12,960 --> 00:37:13,960
Good work!
886
00:37:14,000 --> 00:37:16,360
Let's take a closer look at them.
887
00:37:16,400 --> 00:37:20,040
Why don't we start with Team USA,
Krystle and Michelle?
888
00:37:20,080 --> 00:37:24,080
(APPLAUSE)
889
00:37:24,120 --> 00:37:26,520
Our 'Cinderella' Western.
890
00:37:28,640 --> 00:37:33,320
(COUNTRY AND WESTERN
FILM MUSIC SWELLS)
891
00:37:33,360 --> 00:37:37,240
MICHELLE: So, today we have
the iconic scene of Cinderella
892
00:37:37,280 --> 00:37:39,360
coming down the staircase...
893
00:37:39,400 --> 00:37:40,400
(FOOTSTEPS THUD)
894
00:37:40,440 --> 00:37:41,560
..at midnight.
895
00:37:41,600 --> 00:37:43,200
(TRUMPET MUSIC SWELLS, BELL TOLLS)
896
00:37:43,240 --> 00:37:45,640
And she's, like, leaving behind
a Western boot.
897
00:37:48,240 --> 00:37:49,800
There's no denying it's Cinderella.
898
00:37:49,840 --> 00:37:50,840
KRYSTLE: And a Western.
Yeah.
899
00:37:50,880 --> 00:37:52,720
(MAN WHOOPS)
900
00:37:54,040 --> 00:37:55,640
How are you guys feeling about this?
901
00:37:55,680 --> 00:37:57,640
I love it!
I love it.
902
00:37:57,680 --> 00:38:00,120
The boot is a critical bit.
903
00:38:00,160 --> 00:38:02,640
Have they done a good job
of featuring the boot?
904
00:38:02,680 --> 00:38:05,520
So, the key for the boot
is two things.
905
00:38:05,560 --> 00:38:08,560
First off, it's got a lot
of negative space around it,
906
00:38:08,600 --> 00:38:11,080
and the colour around it -
it's on white steps.
907
00:38:11,120 --> 00:38:12,120
You can't miss the boot.
908
00:38:12,160 --> 00:38:16,000
The other thing is this sort of,
like, layered background.
909
00:38:16,040 --> 00:38:18,440
Is this a good example of it?
A great example.
910
00:38:18,480 --> 00:38:20,400
A fantastic way
of getting a whole world
911
00:38:20,440 --> 00:38:22,280
without having to build
a whole world.
912
00:38:22,320 --> 00:38:24,200
So, I think that's a real positive.
913
00:38:24,240 --> 00:38:26,880
This doesn't feel like
a third challenge build to me.
914
00:38:26,920 --> 00:38:30,480
This feels like a seventh.
It's polished.
915
00:38:30,520 --> 00:38:31,520
Yay!
916
00:38:31,560 --> 00:38:33,400
(UPLIFTING INSTRUMENTAL MUSIC)
917
00:38:33,440 --> 00:38:36,640
Alright, in the world
of story and genre?
918
00:38:37,720 --> 00:38:39,320
Two. Well done.
919
00:38:39,360 --> 00:38:40,440
Thank you.
Thank you!
920
00:38:40,480 --> 00:38:41,840
Thank you, thank you!
Thank you!
921
00:38:41,880 --> 00:38:44,040
(APPLAUSE)
Well done!
922
00:38:44,080 --> 00:38:45,720
I feel super confident.
I do too.
923
00:38:45,760 --> 00:38:47,440
Coming from America,
924
00:38:47,480 --> 00:38:49,960
I just feel like we've really done
our country proud.
925
00:38:51,360 --> 00:38:53,720
Alright, let's take a look
at our French team,
926
00:38:53,760 --> 00:38:55,080
Caroline and Camille.
927
00:38:55,120 --> 00:38:58,680
(APPLAUSE)
928
00:38:58,720 --> 00:39:00,080
At this point, we are very worried.
929
00:39:01,560 --> 00:39:04,520
Definitely it's not our best build.
930
00:39:04,560 --> 00:39:05,960
(SUSPENSEFUL MUSIC)
931
00:39:06,000 --> 00:39:09,880
There is lots of things
we would have changed,
932
00:39:09,920 --> 00:39:12,000
but we don't have the time.
933
00:39:13,640 --> 00:39:16,440
(SIREN WAILS)
934
00:39:16,480 --> 00:39:17,720
(SULTRY SAXOPHONE MUSIC PLAYS)
935
00:39:17,760 --> 00:39:20,520
So, we got 'Alice In Wonderland'.
936
00:39:20,560 --> 00:39:22,360
And Crime.
937
00:39:22,400 --> 00:39:27,040
We have the crime scene
around a cutted card.
938
00:39:28,080 --> 00:39:32,000
The others are trying to
figure out the crime.
939
00:39:32,040 --> 00:39:33,880
The Mad Hatter...
940
00:39:33,920 --> 00:39:35,520
(MANIACAL LAUGHTER)
941
00:39:35,560 --> 00:39:38,960
..just looking with crazy eyes.
942
00:39:39,000 --> 00:39:40,320
(SCISSORS SNIP)
943
00:39:40,360 --> 00:39:41,680
(CAT MEOWS)
944
00:39:41,720 --> 00:39:45,040
(SIREN WAILS, MUSIC SWELLS)
945
00:39:45,080 --> 00:39:48,960
Caroline, how would you describe
the first five hours?
946
00:39:49,000 --> 00:39:50,560
Difficult.
947
00:39:50,600 --> 00:39:51,840
(LAUGHTER)
948
00:39:51,880 --> 00:39:53,320
Even the eight, first.
949
00:39:53,360 --> 00:39:55,560
First eight hours...were difficult.
(LAUGHTER)
950
00:39:55,600 --> 00:39:56,600
Yeah.
951
00:39:56,640 --> 00:39:59,960
It's a much clearer idea.
100%! The idea's great.
952
00:40:00,000 --> 00:40:02,520
As far as our fairy-tale goes,
953
00:40:02,560 --> 00:40:04,160
'Alice In Wonderland',
954
00:40:04,200 --> 00:40:05,760
I'm gonna give it a big tick,
955
00:40:05,800 --> 00:40:09,440
because we, 100%, know
what the fairy-tale is.
956
00:40:09,480 --> 00:40:12,440
But the Crime was the problem idea
for the both of you.
957
00:40:12,480 --> 00:40:13,520
(TENSE INSTRUMENTAL MUSIC)
958
00:40:13,560 --> 00:40:16,480
And the downside of your idea
coming so late
959
00:40:16,520 --> 00:40:18,080
is it's the polish.
960
00:40:18,120 --> 00:40:20,120
If we think of
our Mad Hatter over there,
961
00:40:20,160 --> 00:40:22,280
he's supposed to be
trimming the hedge.
962
00:40:22,320 --> 00:40:25,120
I mean, you never even got a chance
to finish the hedge,
963
00:40:25,160 --> 00:40:28,240
which would make the story
much, much easier to understand.
964
00:40:28,280 --> 00:40:29,840
(TENSE INSTRUMENTAL MUSIC)
965
00:40:29,880 --> 00:40:31,720
Today it's an elimination.
966
00:40:31,760 --> 00:40:36,240
I think it could be us,
the first team eliminated.
967
00:40:36,280 --> 00:40:37,640
(TENSE MUSIC CONTINUES)
968
00:40:37,680 --> 00:40:39,400
Ben and Eric, let's have a look.
969
00:40:39,440 --> 00:40:41,520
(APPLAUSE)
970
00:40:41,560 --> 00:40:42,560
BEN: I'm a little worried.
971
00:40:42,600 --> 00:40:45,920
Having to change the technique
of the tower.
972
00:40:45,960 --> 00:40:49,560
Spending so much time
on the Rapunzel.
973
00:40:49,600 --> 00:40:51,520
It took more time
than we originally anticipated.
974
00:40:51,560 --> 00:40:56,440
Our 'Rapunzel' story in the style
of Swords and Sorcerers.
975
00:40:56,480 --> 00:40:57,960
(MOMENTOUS MUSIC BUILDS)
976
00:40:58,000 --> 00:41:01,080
Looking at our build, I'm thinking,
"Is this enough?"
977
00:41:01,120 --> 00:41:02,120
ERIC: Yep.
978
00:41:03,600 --> 00:41:06,120
It's the biggest question
going on in our heads.
979
00:41:06,160 --> 00:41:07,520
"Is it enough?"
980
00:41:07,560 --> 00:41:08,960
(IMPACT BOOMS)
981
00:41:14,960 --> 00:41:18,640
Alright, Team Australia, Ben and
Eric, let's take a look at yours.
982
00:41:18,680 --> 00:41:21,760
Getting 'Rapunzel'
and Swords and Sorcery,
983
00:41:21,800 --> 00:41:23,920
I think, for us today,
was quite difficult to...
984
00:41:23,960 --> 00:41:25,440
To pull off, yeah.
To capture.
985
00:41:25,480 --> 00:41:28,520
The story element is there.
It's just not polished.
986
00:41:29,960 --> 00:41:31,240
(MOMENTOUS MUSIC SWELLS)
987
00:41:31,280 --> 00:41:33,080
Today's build is a 'Rapunzel' story.
988
00:41:33,120 --> 00:41:36,600
Rapunzel is letting down her hair.
989
00:41:36,640 --> 00:41:39,360
Waiting for the prince to come by
990
00:41:39,400 --> 00:41:42,080
and climb up the hair
to be with her.
991
00:41:42,120 --> 00:41:43,280
(SCREAMING)
992
00:41:43,320 --> 00:41:47,520
But the prince is fighting
Rapunzel's possessed hair
993
00:41:47,560 --> 00:41:49,760
that's been enchanted
by the sorceress.
994
00:41:49,800 --> 00:41:51,640
(LOW CACKLING LAUGHTER)
995
00:41:52,640 --> 00:41:54,360
(MOMENTOUS MUSIC SWELLS)
996
00:41:55,840 --> 00:41:57,160
Did you feel the time pressure
in this one?
997
00:41:57,200 --> 00:41:58,840
Yeah, definitely, yeah.
Yeah, for sure.
998
00:41:58,880 --> 00:42:00,880
You can see it.
You can actually see it.
999
00:42:00,920 --> 00:42:01,920
Like, if you think of the tower,
1000
00:42:01,960 --> 00:42:04,600
the technique that you were using
is a great technique!
1001
00:42:04,640 --> 00:42:07,600
It looks way cool,
but it's just so laborious,
1002
00:42:07,640 --> 00:42:09,200
and the challenge is
that you've gotta make do
1003
00:42:09,240 --> 00:42:10,480
with the hours that you've got.
1004
00:42:10,520 --> 00:42:12,080
(TENSE INSTRUMENTAL MUSIC)
1005
00:42:12,120 --> 00:42:13,920
I think we got the genre OK,
1006
00:42:13,960 --> 00:42:15,200
by having the tower
1007
00:42:15,240 --> 00:42:17,200
and having the swordsman
and the sorcerer out the front,
1008
00:42:17,240 --> 00:42:19,520
but the fairy-tale is a tricky one,
1009
00:42:19,560 --> 00:42:21,640
and the hair's really hard.
1010
00:42:21,680 --> 00:42:25,320
It almost looks watery at the end,
and the way it sort of flows,
1011
00:42:25,360 --> 00:42:28,120
it kind of loses the effect
of what the hair is.
1012
00:42:28,160 --> 00:42:31,120
We know we could have put
so much more in that build.
1013
00:42:31,160 --> 00:42:35,560
To potentially go home
this early on, it truly sucks.
1014
00:42:35,600 --> 00:42:36,600
Yeah.
1015
00:42:36,640 --> 00:42:38,000
(TENSE INSTRUMENTAL MUSIC)
1016
00:42:38,040 --> 00:42:39,800
OK, our Germans, Felix and Annalena.
1017
00:42:39,840 --> 00:42:41,160
(APPLAUSE)
1018
00:42:41,200 --> 00:42:45,160
Combining the genre with
our fairy-tale was easy for us.
1019
00:42:45,200 --> 00:42:49,440
'Red Riding Hood' is already
like some kind of horror story.
1020
00:42:51,680 --> 00:42:54,680
(OMINOUS INSTRUMENTAL MUSIC)
1021
00:42:55,720 --> 00:42:58,680
FELIX: Red Riding Hood, she is going
through the really dark forest.
1022
00:42:58,720 --> 00:43:00,120
(LAUGHTER)
1023
00:43:00,160 --> 00:43:02,760
But in the forest, there is a wolf.
1024
00:43:02,800 --> 00:43:05,640
The wolf want to, like, eat her.
1025
00:43:05,680 --> 00:43:06,840
(GROWLING)
1026
00:43:06,880 --> 00:43:08,400
(OMINOUS MUSIC CONTINUES)
1027
00:43:08,440 --> 00:43:11,920
Red Riding Hood, she's very afraid,
and you see it on her face.
1028
00:43:11,960 --> 00:43:13,560
So, she's running away.
1029
00:43:13,600 --> 00:43:14,680
(SCREAMING)
1030
00:43:14,720 --> 00:43:16,680
(OMINOUS MUSIC SWELLS)
1031
00:43:16,720 --> 00:43:18,640
Alright, so, if we think about
the fairy-tale,
1032
00:43:18,680 --> 00:43:21,640
I think choosing, you know,
'Red Riding Hood',
1033
00:43:21,680 --> 00:43:23,120
everybody knows it.
1034
00:43:23,160 --> 00:43:24,720
It's really obvious.
1035
00:43:24,760 --> 00:43:29,360
And in terms of horror, you know,
you've crafted a world.
1036
00:43:29,400 --> 00:43:33,200
So, I think they're an early easy
tick for me on both of those.
1037
00:43:34,320 --> 00:43:37,080
Now, Felix, you've never done
characters before.
1038
00:43:37,120 --> 00:43:40,120
(TINKLING INSTRUMENTAL MUSIC)
1039
00:43:40,160 --> 00:43:44,040
But I reckon you probably
exceeded your own expectations.
1040
00:43:44,080 --> 00:43:47,040
Yeah, yeah, that's really crazy
for me too,
1041
00:43:47,080 --> 00:43:48,840
because at the ending of our season,
1042
00:43:48,880 --> 00:43:51,680
I was, like...like, standing
a little bit, I would say,
1043
00:43:51,720 --> 00:43:54,200
in the shadow of Annalena,
because she is a great builder,
1044
00:43:54,240 --> 00:43:58,280
and to see what I can do right now,
it's crazy for me.
1045
00:43:58,320 --> 00:44:01,240
I mean, from a build perspective,
this is fantastic.
1046
00:44:01,280 --> 00:44:02,280
Thanks.
Well done.
1047
00:44:02,320 --> 00:44:04,840
(APPLAUSE)
Thank you.
1048
00:44:04,880 --> 00:44:06,120
(APPLAUSE)
1049
00:44:06,160 --> 00:44:08,080
(LAUGHS) Now I have the feeling
1050
00:44:08,120 --> 00:44:10,640
that I can do something
I could never imagine,
1051
00:44:10,680 --> 00:44:13,920
and I'm really proud of myself.
1052
00:44:13,960 --> 00:44:15,200
(UPLIFTING INSTRUMENTAL MUSIC)
1053
00:44:15,240 --> 00:44:16,440
Let's do Charlie and Haley!
1054
00:44:17,440 --> 00:44:19,440
The story of 'Goldilocks
And The Three Bears',
1055
00:44:19,480 --> 00:44:22,680
you have created it
as a high-intensity,
1056
00:44:22,720 --> 00:44:25,120
slightly comedic
martial arts setting.
1057
00:44:26,480 --> 00:44:29,240
I think getting martial arts -
awesome.
1058
00:44:29,280 --> 00:44:32,280
I totally get that almost instantly.
1059
00:44:32,320 --> 00:44:34,920
The fact that you made a building
that sticks out - great.
1060
00:44:34,960 --> 00:44:36,960
But it's that whole component of,
1061
00:44:37,000 --> 00:44:38,960
"How do we get Goldilocks in there?"
1062
00:44:39,000 --> 00:44:40,360
(DRAMATIC MUSIC SWELLS)
1063
00:44:40,400 --> 00:44:41,920
You added in, like,
she's got the porridge.
1064
00:44:41,960 --> 00:44:43,360
You know, she's running away
with the porridge.
1065
00:44:43,400 --> 00:44:46,640
And is that a chair
that's next to her? A bed?
1066
00:44:46,680 --> 00:44:48,440
It's supposed to be, like, a spoon.
(LAUGHS)
1067
00:44:48,480 --> 00:44:50,280
So, that's the challenge, right?
1068
00:44:50,320 --> 00:44:51,760
When it's an afterthought
at the end,
1069
00:44:51,800 --> 00:44:53,280
it's genuinely hard.
1070
00:44:54,280 --> 00:44:56,920
Lovely stuff, guys. Great dojo.
Thank you.
1071
00:44:56,960 --> 00:44:58,000
Thank you.
(APPLAUSE)
1072
00:44:58,040 --> 00:44:59,840
Team Denmark, Peter and Ida.
1073
00:44:59,880 --> 00:45:01,280
(MOMENTOUS MUSIC SWELLS)
1074
00:45:01,320 --> 00:45:03,120
'Beauty And The Beast' Sci-Fi.
1075
00:45:03,160 --> 00:45:06,040
(MOMENTOUS MUSIC CONTINUES)
1076
00:45:06,080 --> 00:45:08,120
As far as our fairy-tale goes...
1077
00:45:08,160 --> 00:45:11,040
(MOMENTOUS MUSIC CONTINUES)
1078
00:45:11,080 --> 00:45:14,680
..I think it's incredibly obvious
that it's 'Beauty And The Beast'.
1079
00:45:14,720 --> 00:45:17,120
The pose and the flower.
1080
00:45:17,160 --> 00:45:18,240
(GENTLE INSTRUMENTAL MUSIC)
1081
00:45:18,280 --> 00:45:21,960
And for our Beauty, she's got
very few studs visible on her
1082
00:45:22,000 --> 00:45:23,800
and you're making her more graceful.
1083
00:45:23,840 --> 00:45:25,960
So, I think that adds a lot
to that story.
1084
00:45:26,000 --> 00:45:27,480
And no complaints about the Sci-Fi.
1085
00:45:27,520 --> 00:45:30,120
You can definitely tell
the world that it's in.
1086
00:45:30,160 --> 00:45:31,880
Yeah, well done, guys. Great job.
Nice, guys.
1087
00:45:31,920 --> 00:45:33,720
Thank you!
(APPLAUSE)
1088
00:45:33,760 --> 00:45:35,600
Shane and Dianne, Team Australia.
1089
00:45:35,640 --> 00:45:37,240
(DRAMATIC MUSIC BUILDS)
1090
00:45:37,280 --> 00:45:41,800
The diving Van Damme shooting shot,
with water pistols.
1091
00:45:41,840 --> 00:45:44,520
Brickman, 'Wizard Of Oz'
as an action scene.
1092
00:45:44,560 --> 00:45:45,880
What are your thoughts?
1093
00:45:45,920 --> 00:45:47,280
What I do wanna talk about
1094
00:45:47,320 --> 00:45:49,880
is quite an advanced technique,
actually -
1095
00:45:49,920 --> 00:45:53,800
laying out a scene of foreground,
middle ground, background.
1096
00:45:53,840 --> 00:45:58,360
First off, we have the cut-down
cornfield at the front.
1097
00:45:58,400 --> 00:46:00,800
It's a great way
of introducing Kansas,
1098
00:46:00,840 --> 00:46:03,000
all of that stuff, to start with.
1099
00:46:03,040 --> 00:46:06,160
And then we have our green plants
that are sort of vertical up
1100
00:46:06,200 --> 00:46:07,680
just after the trees.
1101
00:46:07,720 --> 00:46:11,480
It's almost like we've added a 0.5
in the depth of field.
1102
00:46:11,520 --> 00:46:13,480
This is one of the best examples
1103
00:46:13,520 --> 00:46:15,960
of foreground, midground,
and background.
1104
00:46:16,000 --> 00:46:21,120
That depth that you've got going on
is executed, like, brilliantly.
1105
00:46:21,160 --> 00:46:22,600
Well done, guys. Good job.
Nice, guys.
1106
00:46:22,640 --> 00:46:25,640
(APPLAUSE)
1107
00:46:27,080 --> 00:46:28,840
Let's take a look at 'Peter Pan'.
1108
00:46:28,880 --> 00:46:32,560
Sam and Emillio,
another Team Australia.
1109
00:46:34,280 --> 00:46:37,280
(CROWD ROARS, MOMENTOUS MUSIC SWELLS)
1110
00:46:37,320 --> 00:46:40,400
SAM: So, today's challenge, we got
'Peter Pan' and Historical Epic.
1111
00:46:41,400 --> 00:46:43,960
We have Hook and Pan fighting
in the Colosseum,
1112
00:46:44,000 --> 00:46:46,840
where Pan is just about
to defeat Hook.
1113
00:46:46,880 --> 00:46:50,440
We've got Hook's pirates
sort of supporting him.
1114
00:46:50,480 --> 00:46:52,720
We believe we have nailed the brief.
1115
00:46:52,760 --> 00:46:54,040
We have our two characters,
1116
00:46:54,080 --> 00:46:56,080
and we believe we've believe
we've built the Colosseum.
1117
00:46:57,320 --> 00:46:59,880
EMILIO: Going into the critiques,
feeling great!
1118
00:46:59,920 --> 00:47:02,080
It's an amazing build!
It looks epic!
1119
00:47:02,120 --> 00:47:06,240
We're just, like, really, really
happy with what we've created.
1120
00:47:06,280 --> 00:47:08,880
So, talking about the characters.
Yep.
1121
00:47:08,920 --> 00:47:11,680
I think Pan, particularly the way
you've posed Pan up,
1122
00:47:11,720 --> 00:47:13,640
I think that works awesome.
1123
00:47:13,680 --> 00:47:15,160
Mm-hm.
1124
00:47:15,200 --> 00:47:17,000
Whereas Hook,
that's an interesting one.
1125
00:47:17,040 --> 00:47:20,560
Now, I get that he's just in the
throes of being defeated,
1126
00:47:20,600 --> 00:47:22,600
but his legs are bending in ways
1127
00:47:22,640 --> 00:47:25,040
that they can't actually
physically bend.
1128
00:47:25,080 --> 00:47:26,360
I know.
1129
00:47:26,400 --> 00:47:28,480
However, the biggest question
for me, in this build,
1130
00:47:28,520 --> 00:47:30,160
is in that Historical Epic world.
1131
00:47:30,200 --> 00:47:33,920
One of the hardest ones
to recreate, I must admit.
1132
00:47:33,960 --> 00:47:36,920
The Colosseum - again,
I think the idea is perfect,
1133
00:47:36,960 --> 00:47:39,480
but how does that translate
into LEGO bricks?
1134
00:47:39,520 --> 00:47:41,000
That is so tough!
1135
00:47:41,040 --> 00:47:42,080
(TENSE INSTRUMENTAL MUSIC)
1136
00:47:42,120 --> 00:47:43,720
The thought process we kind of had
1137
00:47:43,760 --> 00:47:47,160
was make the hero guys the heroes,
and make them bigger,
1138
00:47:47,200 --> 00:47:50,600
and hopefully,
with the minifigs around,
1139
00:47:50,640 --> 00:47:53,080
using them to show
it's still a big building.
1140
00:47:53,120 --> 00:47:55,800
The problem is that I can see
a minifigure from here...
1141
00:47:55,840 --> 00:47:56,840
Yep.
1142
00:47:56,880 --> 00:47:59,400
..at the same time that I can see
the big characters for there,
1143
00:47:59,440 --> 00:48:02,920
and my brain, subconsciously,
is trying to figure out,
1144
00:48:02,960 --> 00:48:05,680
"Are they giants?
Are they little people?"
1145
00:48:05,720 --> 00:48:06,720
(TENSE INSTRUMENTAL MUSIC)
1146
00:48:06,760 --> 00:48:08,440
So, I think the fairy-tale
and the characters,
1147
00:48:08,480 --> 00:48:09,680
I'm going to give that a tick,
1148
00:48:09,720 --> 00:48:13,520
but I think that whole genre
component, that's not clear.
1149
00:48:13,560 --> 00:48:16,520
(TENSE MUSIC CONTINUES)
1150
00:48:16,560 --> 00:48:19,680
After hearing the feedback,
it kind of shot us down.
1151
00:48:19,720 --> 00:48:20,720
It was a shock.
1152
00:48:20,760 --> 00:48:21,760
(TENSE MUSIC CONTINUES)
1153
00:48:21,800 --> 00:48:25,480
It's an elimination day - the first
elimination on this series,
1154
00:48:25,520 --> 00:48:28,080
and, yeah, we are a little bit
nervous, aren't we?
1155
00:48:28,120 --> 00:48:29,560
(IMPACT BOOMS)
1156
00:48:35,960 --> 00:48:40,080
Ten hours
and eight incredible builds.
1157
00:48:40,120 --> 00:48:41,880
I think, to give an example
1158
00:48:41,920 --> 00:48:44,560
of where we're at these days
in LEGO Masters Australia,
1159
00:48:44,600 --> 00:48:46,200
a few seasons ago,
1160
00:48:46,240 --> 00:48:48,360
just doing a fairy-tale,
that was one of the builds.
1161
00:48:48,400 --> 00:48:49,400
Indeed.
1162
00:48:49,440 --> 00:48:51,400
Now the difficulty level has gone up.
1163
00:48:51,440 --> 00:48:54,440
Now it was a fairy-tale twisted
with a genre,
1164
00:48:54,480 --> 00:48:57,120
and you guys...
you guys rose to the challenge,
1165
00:48:57,160 --> 00:48:59,440
and I think you deserve
a massive round of applause.
1166
00:48:59,480 --> 00:49:01,920
BRICKMAN: Well done, everybody.
(APPLAUSE)
1167
00:49:01,960 --> 00:49:05,040
(UPLIFTING INSTRUMENTAL MUSIC)
1168
00:49:05,080 --> 00:49:06,720
But it's also our first elimination.
1169
00:49:06,760 --> 00:49:09,240
(DRAMATIC MUSIC BUILDS)
1170
00:49:09,280 --> 00:49:12,080
Before we get to the bottom two
from today,
1171
00:49:12,120 --> 00:49:13,680
we do need to know the top two teams,
1172
00:49:13,720 --> 00:49:16,560
and ultimately, who has won
the Very Big Brick.
1173
00:49:16,600 --> 00:49:18,040
(TENSE INSTRUMENTAL MUSIC)
1174
00:49:18,080 --> 00:49:20,400
Brickman, top two teams?
1175
00:49:20,440 --> 00:49:24,560
So, the first team that I would like
to call forward is...
1176
00:49:24,600 --> 00:49:26,040
(DRAMATIC MUSIC SWELLS)
1177
00:49:26,080 --> 00:49:27,760
..Felix and Annalena.
1178
00:49:27,800 --> 00:49:30,760
(APPLAUSE)
1179
00:49:30,800 --> 00:49:34,200
The artistry in the way
you've formed that scene
1180
00:49:34,240 --> 00:49:35,720
really, really impressed me.
1181
00:49:35,760 --> 00:49:37,040
Well done, guys.
1182
00:49:37,080 --> 00:49:38,080
(UPLIFTING INSTRUMENTAL MUSIC)
1183
00:49:38,120 --> 00:49:39,720
Joining them is...
1184
00:49:39,760 --> 00:49:42,440
(UPLIFTING INSTRUMENTAL MUSIC)
1185
00:49:42,480 --> 00:49:43,800
..Michelle and Krystle.
1186
00:49:43,840 --> 00:49:45,840
(GASPS)
Oh! Oh!
1187
00:49:45,880 --> 00:49:47,080
(APPLAUSE)
1188
00:49:47,120 --> 00:49:49,320
You know, you've crafted a world,
1189
00:49:49,360 --> 00:49:52,800
you've crafted this fairy-tale
in a great LEGO model.
1190
00:49:52,840 --> 00:49:54,440
Thank you.
Thank you.
1191
00:49:54,480 --> 00:49:55,920
Now, even though
we got two Big Bricks here,
1192
00:49:55,960 --> 00:49:58,520
only one can be handed out today.
1193
00:49:59,520 --> 00:50:01,560
Who is it gonna be?
1194
00:50:01,600 --> 00:50:03,320
That team is...
1195
00:50:03,360 --> 00:50:07,680
(HOPEFUL MUSIC BUILDS)
1196
00:50:07,720 --> 00:50:09,080
..Felix and Annalena.
1197
00:50:09,120 --> 00:50:11,000
Congratulations.
1198
00:50:11,040 --> 00:50:14,160
Done it again. Three in a row!
1199
00:50:14,200 --> 00:50:17,200
When we started the journey
of LEGO Masters Australia,
1200
00:50:17,240 --> 00:50:20,080
I was never expecting
to win any challenge.
1201
00:50:20,120 --> 00:50:25,320
And now being here and winning,
like, three times in a row,
1202
00:50:25,360 --> 00:50:27,040
it's so crazy, yeah.
1203
00:50:27,080 --> 00:50:30,760
So, we know the teams that are safe,
1204
00:50:30,800 --> 00:50:35,720
but the time has come to say goodbye
to our first team from this series.
1205
00:50:35,760 --> 00:50:38,560
(DRAMATIC MUSIC BUILDS)
1206
00:50:39,880 --> 00:50:44,360
Brickman, who are
in our bottom two today?
1207
00:50:44,400 --> 00:50:46,320
(TENSE INSTRUMENTAL MUSIC)
1208
00:50:46,360 --> 00:50:49,520
So, the first team
that I will call forward is...
1209
00:50:49,560 --> 00:50:53,160
(DRAMATIC MUSIC BUILDS)
1210
00:50:53,200 --> 00:50:54,280
..Ben and Eric.
1211
00:50:54,320 --> 00:50:55,880
(IMPACT BOOMS)
1212
00:50:57,680 --> 00:51:00,680
(DRAMATIC MUSIC CONTINUES)
1213
00:51:02,400 --> 00:51:06,320
(SIGHS) And the other team
I'd like to call forward is...
1214
00:51:06,360 --> 00:51:08,800
(DRAMATIC MUSIC BUILDS)
1215
00:51:08,840 --> 00:51:10,680
..Sam and Emilio.
1216
00:51:10,720 --> 00:51:12,600
(IMPACT BOOMS)
1217
00:51:12,640 --> 00:51:15,640
(TENSE INSTRUMENTAL MUSIC)
1218
00:51:20,640 --> 00:51:23,240
So, if we look back
at the challenge,
1219
00:51:23,280 --> 00:51:25,640
it was to amalgamate two things,
1220
00:51:25,680 --> 00:51:28,400
the fairy-tale and the genre,
together,
1221
00:51:28,440 --> 00:51:32,520
and we need to see straight away
what the both of them were.
1222
00:51:32,560 --> 00:51:34,800
So, Ben and Eric,
1223
00:51:34,840 --> 00:51:36,760
I really liked
that you had the ability
1224
00:51:36,800 --> 00:51:38,600
to move straight into the build,
1225
00:51:38,640 --> 00:51:41,760
and your characters were basically
done right from the word go.
1226
00:51:42,760 --> 00:51:45,760
Sword and Sorcery worked
really, really well, I thought,
1227
00:51:45,800 --> 00:51:50,680
but the way you've built your tower
really put the pressure on,
1228
00:51:50,720 --> 00:51:54,240
and you had to make allowances
because of that.
1229
00:51:54,280 --> 00:51:56,120
(DRAMATIC MUSIC SWELLS)
1230
00:51:56,160 --> 00:51:58,520
So, Sam and Emilio...
1231
00:51:58,560 --> 00:52:00,360
(TENSE INSTRUMENTAL MUSIC)
1232
00:52:00,400 --> 00:52:03,640
..for the first characters
you've ever done, they're awesome.
1233
00:52:03,680 --> 00:52:07,880
Unfortunately, the genre card
was really tough.
1234
00:52:07,920 --> 00:52:10,920
I thought choosing the Colosseum
sounded great,
1235
00:52:10,960 --> 00:52:13,560
but how do you translate that
into brick form?
1236
00:52:13,600 --> 00:52:15,320
(TENSE INSTRUMENTAL MUSIC)
1237
00:52:15,360 --> 00:52:18,240
So, unfortunately,
the team leaving us today is...
1238
00:52:18,280 --> 00:52:20,280
(TENSE MUSIC FADES)
1239
00:52:21,760 --> 00:52:23,160
I'm sorry, Sam and Emilio.
1240
00:52:23,200 --> 00:52:24,960
(IMPACT BOOMS)
1241
00:52:25,000 --> 00:52:28,000
(SOMBRE INSTRUMENTAL MUSIC)
1242
00:52:32,240 --> 00:52:34,680
Sam and Emilio,
I know it's not what you want.
1243
00:52:34,720 --> 00:52:35,920
How are you feeling?
1244
00:52:36,920 --> 00:52:38,880
Oh...
(BOTH LAUGH)
1245
00:52:38,920 --> 00:52:40,360
Well, it's been a big adventure.
1246
00:52:40,400 --> 00:52:42,160
You know, it's been
a great challenge
1247
00:52:42,200 --> 00:52:44,320
for the past three challenges,
1248
00:52:44,360 --> 00:52:45,560
and I've enjoyed myself.
1249
00:52:45,600 --> 00:52:47,400
(UPLIFTING INSTRUMENTAL MUSIC)
1250
00:52:47,440 --> 00:52:50,000
Mate, we have absolutely loved
having you as part of this,
1251
00:52:50,040 --> 00:52:51,880
and thank you.
1252
00:52:51,920 --> 00:52:54,840
Everybody, clap 'em out.
They're gonna leave out the back.
1253
00:52:54,880 --> 00:52:56,040
Thank you, Sam and Emilio.
1254
00:52:56,080 --> 00:52:58,080
(APPLAUSE)
1255
00:52:58,120 --> 00:52:59,200
Ohh!
1256
00:52:59,240 --> 00:53:01,320
Pretty gutted.
Yeah, pretty gutted.
1257
00:53:01,360 --> 00:53:04,680
Especially on a build
that we're so happy with.
1258
00:53:04,720 --> 00:53:06,560
So, yeah, it is a bit of a surprise.
Yeah.
1259
00:53:06,600 --> 00:53:09,240
No-one wants to go home,
especially first,
1260
00:53:09,280 --> 00:53:12,440
but it's been absolutely amazing.
1261
00:53:12,480 --> 00:53:14,640
We loved every single second of it.
1262
00:53:14,680 --> 00:53:16,880
BRICKMAN: This orange really pops.
1263
00:53:16,920 --> 00:53:19,160
SAM: We came here for an adventure.
1264
00:53:19,200 --> 00:53:20,840
We had an adventure.
Yeah, it's been so much fun.
1265
00:53:20,880 --> 00:53:23,640
It was a short adventure,
but it was an adventure, you know?
1266
00:53:23,680 --> 00:53:25,120
(APPLAUSE)
See ya, guys!
1267
00:53:25,160 --> 00:53:27,440
(MOMENTOUS MUSIC SWELLS)
1268
00:53:27,480 --> 00:53:29,560
Coming up on LEGO Masters...
1269
00:53:29,600 --> 00:53:31,160
(CONTESTANTS EXCLAIM)
1270
00:53:31,200 --> 00:53:35,120
..the international battle
for brick domination continues...
1271
00:53:35,160 --> 00:53:37,320
MICHELLE: It's, like,
literal crunch time.
1272
00:53:37,360 --> 00:53:39,760
..as our teams smash...
1273
00:53:39,800 --> 00:53:41,640
(MOMENTOUS MUSIC SWELLS)
(CONTESTANTS EXCLAIM)
1274
00:53:41,680 --> 00:53:43,120
..and clash...
1275
00:53:43,160 --> 00:53:45,240
ANNALENA: No, don't help!
You are so cranky.
1276
00:53:45,280 --> 00:53:47,680
But could three-time winners
Germany...
1277
00:53:47,720 --> 00:53:48,720
ANNALENA: Oh, my god!
1278
00:53:48,760 --> 00:53:49,920
(SPEAKS GERMAN)
1279
00:53:49,960 --> 00:53:52,600
..be losing their domination
in this game?
1280
00:53:52,640 --> 00:53:54,360
This is a really hard challenge
for us.
1281
00:53:54,400 --> 00:53:55,840
With one team already gone...
1282
00:53:55,880 --> 00:53:57,160
Arggh!
1283
00:53:57,200 --> 00:53:59,680
..can one of the Aussie teams
secure a win?
1284
00:53:59,720 --> 00:54:02,560
# Here comes Australia
Try not to think of failure
1285
00:54:02,600 --> 00:54:04,240
# As Australia's coming for you... #
1286
00:54:04,280 --> 00:54:07,240
The battle continues Sunday...
(FRENCH ACCORDION MUSIC)
1287
00:54:07,280 --> 00:54:08,560
I think we can do it.
1288
00:54:08,600 --> 00:54:11,400
..with an ode to Paris
and the Olympic Games...
1289
00:54:11,440 --> 00:54:12,480
I'm just gonna go for it.
1290
00:54:12,520 --> 00:54:14,360
Doesn't look anything like it!
1291
00:54:14,400 --> 00:54:15,400
(DRAMATIC MUSIC SWELLS)
1292
00:54:15,440 --> 00:54:18,680
..with builds that will leave you,
and our special guest...
1293
00:54:18,720 --> 00:54:20,360
No way!
1294
00:54:20,400 --> 00:54:21,880
..in disbelief.
1295
00:54:23,480 --> 00:54:24,640
Far out! Nothing looks like LEGO!
1296
00:54:24,680 --> 00:54:27,680
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