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1
00:00:01,020 --> 00:00:05,460
Now, ABC, back in 1974,
had the guts
2
00:00:05,460 --> 00:00:07,660
and probably they were the only ones
that could do it.
3
00:00:07,660 --> 00:00:07,900
and probably they were the only ones
I've had some fantastic times.
4
00:00:07,900 --> 00:00:09,340
I've had some fantastic times.
5
00:00:09,340 --> 00:00:12,780
Some great teams I've worked with
down at the ABC.
6
00:00:12,780 --> 00:00:15,780
And that side does sadden me,
you know?
7
00:00:15,780 --> 00:00:16,020
And that side does sadden me,
# Countdown
8
00:00:16,020 --> 00:00:17,860
# Countdown
9
00:00:17,860 --> 00:00:19,540
# Countdown. #
10
00:00:20,860 --> 00:00:25,140
ANNOUNCER: Welcome
to Classic Countdown, 1987.
11
00:00:28,580 --> 00:00:32,300
PAUL: 1987 was a year
of firsts and lasts.
12
00:00:32,300 --> 00:00:32,540
PAUL: 1987 was a year
The new system will allow users
13
00:00:32,540 --> 00:00:33,780
The new system will allow users
14
00:00:33,780 --> 00:00:34,020
The new system will allow users
to make telephone calls
from just about anywhere.
15
00:00:34,020 --> 00:00:36,300
to make telephone calls
from just about anywhere.
16
00:00:36,300 --> 00:00:38,820
And that's a proposition
that's proving very attractive
17
00:00:38,820 --> 00:00:39,060
And that's a proposition
to Australian businessmen.
18
00:00:39,060 --> 00:00:40,340
to Australian businessmen.
19
00:00:40,340 --> 00:00:42,820
It was the year
the first mobile phone call
20
00:00:42,820 --> 00:00:44,220
was made in Australia.
21
00:00:44,220 --> 00:00:44,460
And the last time
was made in Australia.
22
00:00:44,460 --> 00:00:46,380
And the last time
Queensland Premier
23
00:00:46,380 --> 00:00:48,900
Joh Bjelke-Petersen
would run for PM.
24
00:00:48,900 --> 00:00:51,420
We believe, and we know,
and I'm sure that we'll have
25
00:00:51,420 --> 00:00:55,700
a massive win at the elections
on Saturday night.
26
00:00:55,700 --> 00:00:58,180
It was the first time Bon Jovi
toured Australia.
27
00:00:58,180 --> 00:00:58,420
It was the first time Bon Jovi
(SCREAMING)
28
00:00:58,420 --> 00:01:00,020
(SCREAMING)
29
00:01:00,020 --> 00:01:03,940
They are so unreal! They're
the best band in the world!
30
00:01:03,940 --> 00:01:06,860
And the last time mullets
were officially fashionable.
31
00:01:09,300 --> 00:01:11,140
It was the first year MTV
32
00:01:11,140 --> 00:01:13,340
broadcast into
Australian households.
33
00:01:13,340 --> 00:01:15,020
Big Australian bands
here in the US?
34
00:01:15,020 --> 00:01:17,260
Well, I guess, of course,
Midnight Oil and INXS.
35
00:01:17,260 --> 00:01:19,020
But one that's pretty new, and
we're really starting to hear
36
00:01:19,020 --> 00:01:20,780
a lot about
is Hunters and Collectors.
37
00:01:20,780 --> 00:01:21,020
a lot about
So there you go.
38
00:01:21,020 --> 00:01:22,380
So there you go.
39
00:01:22,380 --> 00:01:22,580
And sadly, the last year Countdown
So there you go.
40
00:01:22,580 --> 00:01:24,540
And sadly, the last year Countdown
41
00:01:24,540 --> 00:01:24,780
And sadly, the last year Countdown
out of ABC Studio 31.
42
00:01:24,780 --> 00:01:28,500
would be beamed
out of ABC Studio 31.
43
00:01:28,500 --> 00:01:31,020
Even the very best programs
like Countdown
44
00:01:31,020 --> 00:01:32,620
won't last forever.
45
00:01:32,620 --> 00:01:32,820
won't last forever.
It means big disappointment
46
00:01:32,820 --> 00:01:34,260
It means big disappointment
47
00:01:34,260 --> 00:01:34,500
because Countdown,
It means big disappointment
48
00:01:34,500 --> 00:01:37,140
because Countdown,
like, we do it every Sunday.
49
00:01:37,140 --> 00:01:37,380
because Countdown,
We watch Countdown,
50
00:01:37,380 --> 00:01:38,500
We watch Countdown,
51
00:01:38,500 --> 00:01:41,100
and, you know,
we enjoy ourselves watching it.
52
00:01:41,100 --> 00:01:43,220
It's part of our Sunday night
entertainment.
53
00:01:43,220 --> 00:01:47,260
The producers tried a makeover
with edgy Cold War graphics
54
00:01:47,260 --> 00:01:47,500
The producers tried a makeover
and a rebrand as CDPTV,
55
00:01:47,500 --> 00:01:51,060
and a rebrand as CDPTV,
56
00:01:51,060 --> 00:01:52,980
the P standing for pirate.
57
00:01:52,980 --> 00:01:56,060
But the reign of Countdown
would come to an end.
58
00:01:56,060 --> 00:02:01,340
563 episodes and hundreds
of interviews and performances.
59
00:02:01,340 --> 00:02:05,060
It was time to kick back
and enjoy the end of the ride.
60
00:02:05,060 --> 00:02:05,300
It was time to kick back
# It's the final Countdown. #
61
00:02:05,300 --> 00:02:07,900
# It's the final Countdown. #
62
00:02:14,340 --> 00:02:17,460
# The principal
thinks he's a hero
63
00:02:17,460 --> 00:02:17,700
# The principal
thinks he's a hero
# He thinks he's all man and more
64
00:02:17,700 --> 00:02:20,580
# He thinks he's all man and more
65
00:02:20,580 --> 00:02:23,940
# He ain't seen Jimmy Wilson
66
00:02:23,940 --> 00:02:27,340
# And he's only in form four
67
00:02:27,340 --> 00:02:30,020
# The sign says
geography lesson,
68
00:02:30,020 --> 00:02:30,260
# The sign says
# Map of Australia on the wall
69
00:02:30,260 --> 00:02:34,300
# Map of Australia on the wall
70
00:02:34,300 --> 00:02:36,980
# I only look at Tasmania
71
00:02:36,980 --> 00:02:40,220
# The one place I adore
72
00:02:40,220 --> 00:02:41,740
# Ah-hah
Ah-hah
73
00:02:41,740 --> 00:02:42,020
# Ah-hah
Ah-hah
Ah-hah
74
00:02:42,020 --> 00:02:43,500
# Ah-hah
Ah-hah
75
00:02:43,500 --> 00:02:43,780
# Ah-hah
Ah-hah
Ah-hah
76
00:02:43,780 --> 00:02:45,300
# Ah-hah
Ah-hah
77
00:02:45,300 --> 00:02:45,540
# Ah-hah
# Oh!
78
00:02:45,540 --> 00:02:46,900
# Oh!
79
00:02:46,900 --> 00:02:50,100
# We're all going to nude school
80
00:02:50,100 --> 00:02:53,340
# A nude school, that's for me
81
00:02:53,340 --> 00:02:57,020
# We're all happy at nude school
82
00:02:57,020 --> 00:02:59,780
# A nude school is where I'll be
83
00:02:59,780 --> 00:03:01,540
# Ah-hah
Ah-hah
84
00:03:01,540 --> 00:03:01,820
# Ah-hah
Ah-hah
Ah-hah
85
00:03:01,820 --> 00:03:03,180
# Ah-hah
Ah-hah
86
00:03:03,180 --> 00:03:03,460
# Ah-hah
# Ah-hah
Ah-hah
87
00:03:03,460 --> 00:03:05,140
# Ah-hah
Ah-hah
88
00:03:05,140 --> 00:03:06,580
# Oh!
89
00:03:06,580 --> 00:03:09,820
# Jenny thinks she's Madonna
90
00:03:09,820 --> 00:03:13,460
# But Penthouse changed all that
91
00:03:13,460 --> 00:03:16,220
# She ain't that hairy
92
00:03:16,220 --> 00:03:19,340
# Her legs aren't that fat
93
00:03:19,340 --> 00:03:22,820
# And Julie's got a tattoo
94
00:03:22,820 --> 00:03:25,860
# She keeps it really well hid
95
00:03:25,860 --> 00:03:29,340
# She says she'll show me
96
00:03:29,340 --> 00:03:32,540
# I'd die if she did
97
00:03:32,540 --> 00:03:34,220
# Ah-hah
Ah-hah
98
00:03:34,220 --> 00:03:34,500
# Ah-hah
Ah-hah
Ah-hah
99
00:03:34,500 --> 00:03:35,780
# Ah-hah
Ah-hah
100
00:03:35,780 --> 00:03:36,060
# Ah-hah
# Ah-hah
Ah-hah
101
00:03:36,060 --> 00:03:37,540
# Ah-hah
Ah-hah
102
00:03:37,540 --> 00:03:37,780
# Ah-hah
# Oh!
103
00:03:37,780 --> 00:03:39,220
# Oh!
104
00:03:39,220 --> 00:03:39,420
# We're all going to nude school
# Oh!
105
00:03:39,420 --> 00:03:42,140
# We're all going to nude school
106
00:03:42,140 --> 00:03:45,380
# A nude school, that's for me
107
00:03:45,380 --> 00:03:48,660
# We're all happy at nude school
108
00:03:48,660 --> 00:03:48,860
# We're all happy at nude school
# A nude school is where I'll be
109
00:03:48,860 --> 00:03:52,060
# A nude school is where I'll be
110
00:03:52,060 --> 00:03:52,300
# Ah-hah
# A nude school is where I'll be
111
00:03:52,300 --> 00:03:53,540
# Ah-hah
Ah-hah
112
00:03:53,540 --> 00:03:53,820
# Ah-hah
Ah-hah
Ah-hah
113
00:03:53,820 --> 00:03:55,380
# Ah-hah
Ah-hah
114
00:03:55,380 --> 00:03:55,660
# Ah-hah
# Ah-hah
Ah-hah
115
00:03:55,660 --> 00:03:56,780
# Ah-hah
Ah-hah
116
00:03:56,780 --> 00:03:57,020
# Ah-hah
# Oh!
117
00:03:57,020 --> 00:03:58,860
# Oh!
118
00:04:42,620 --> 00:04:45,780
# We're all going to nude school
119
00:04:45,780 --> 00:04:49,180
# A nude school, that's for me
120
00:04:49,180 --> 00:04:49,380
# A nude school, that's for me
# We're all happy at nude school
121
00:04:49,380 --> 00:04:52,380
# We're all happy at nude school
122
00:04:52,380 --> 00:04:55,500
# A nude school is where I'll be
123
00:04:55,500 --> 00:04:58,540
# We're all going to nude school
124
00:04:58,540 --> 00:05:01,820
# A nude school, that's for me
125
00:05:01,820 --> 00:05:05,140
# We're all happy at nude school
126
00:05:05,140 --> 00:05:07,260
# A nude school is where I'll be
127
00:05:07,260 --> 00:05:12,060
# Yeah, yeah, yeah,
we're all going to nude school
128
00:05:12,060 --> 00:05:18,500
# We're all going to nude school
129
00:05:18,500 --> 00:05:20,580
# A nude school's where I'll be. #
130
00:05:24,620 --> 00:05:27,540
Hi, this is Patsy Kensit
from Eighth Wonder in London.
131
00:05:27,540 --> 00:05:30,380
Hello to all the viewers
of Countdown.
132
00:05:33,100 --> 00:05:37,380
PAUL: In 1987, the new
post-apocalyptic Countdown set
133
00:05:37,380 --> 00:05:40,380
was designed to get the audience
on their feet.
134
00:05:40,380 --> 00:05:42,340
# Put your arms in the air
and let them hear you say. #
135
00:05:42,340 --> 00:05:42,580
# Put your arms in the air
# You've got power
136
00:05:42,580 --> 00:05:43,980
# You've got power
137
00:05:43,980 --> 00:05:44,180
It was also the perfect stage
# You've got power
138
00:05:44,180 --> 00:05:45,860
It was also the perfect stage
139
00:05:45,860 --> 00:05:46,100
It was also the perfect stage
dance pop acts.
140
00:05:46,100 --> 00:05:48,380
for some of Australia's brightest new
dance pop acts.
141
00:05:48,380 --> 00:05:52,100
# But we got more important things
for now
142
00:05:53,900 --> 00:05:57,260
# Like you should be here
rolling with me
143
00:05:58,460 --> 00:06:01,540
# Turn it on
144
00:06:01,540 --> 00:06:03,660
# Turn it on
because I'm lonely. #
145
00:06:03,660 --> 00:06:03,940
# When you're lonely
in the field
# Turn it on
because I'm lonely. #
146
00:06:03,940 --> 00:06:05,540
# When you're lonely
in the field
147
00:06:05,540 --> 00:06:07,940
# And you place down
your shield
148
00:06:07,940 --> 00:06:11,780
# I can make you feel better
with a shake of my hand
149
00:06:11,780 --> 00:06:12,020
# I can make you feel better
with a shake of my hand
# I'm the burning bush
150
00:06:12,020 --> 00:06:13,580
# I'm the burning bush
151
00:06:13,580 --> 00:06:15,820
# On the burning, burning mountain
152
00:06:15,820 --> 00:06:19,820
# And I'll wait for you there
with a hand in the air. #
153
00:06:19,820 --> 00:06:20,100
The all-singing,
all-dancing Chantoozies
# And I'll wait for you there
with a hand in the air. #
154
00:06:20,100 --> 00:06:23,140
The all-singing,
all-dancing Chantoozies
155
00:06:23,140 --> 00:06:25,420
were definitely the new queens
of the night clubs.
156
00:06:25,420 --> 00:06:25,660
# Voodoo veau
of the night clubs.
157
00:06:25,660 --> 00:06:26,900
# Voodoo veau
158
00:06:26,900 --> 00:06:29,460
# Do-do, do-do-do
159
00:06:29,460 --> 00:06:29,660
# Do-do, do-do-do
# Marie, Marie, da voodoo veau
160
00:06:29,660 --> 00:06:31,580
# Marie, Marie, da voodoo veau
161
00:06:31,580 --> 00:06:33,780
# Do-do, do-do-do
162
00:06:33,780 --> 00:06:36,140
# Marie, Marie, da voodoo veau
163
00:06:49,340 --> 00:06:52,740
# I'm going to tell you a story
164
00:06:52,740 --> 00:06:55,380
# Strange as it might seem
165
00:06:56,500 --> 00:06:59,820
# Of zombie and voodoo dreaming
166
00:06:59,820 --> 00:07:03,940
# And the Witch Queen
of New Orleans
167
00:07:03,940 --> 00:07:07,780
# She lived in
a world of magic
168
00:07:07,780 --> 00:07:11,140
# Possessed by
the devil's school
169
00:07:11,140 --> 00:07:14,900
# From a shack near
the swamplands of mud and brick
170
00:07:14,900 --> 00:07:17,500
# Marie stirred
her witches' brew
171
00:07:19,220 --> 00:07:21,420
# Marie, Marie, da voodoo veau
172
00:07:21,420 --> 00:07:23,740
# She put a spell on you
173
00:07:23,740 --> 00:07:26,140
# Marie, Marie, da voodoo veau
174
00:07:26,140 --> 00:07:28,540
# She put a spell on you
175
00:07:28,540 --> 00:07:31,420
# Marie, Marie, da voodoo veau
176
00:07:31,420 --> 00:07:34,780
# She's the Witch Queen
177
00:07:34,780 --> 00:07:37,740
# Of New Orleans
178
00:07:43,740 --> 00:07:47,420
# Dime or a nickel
anyone could buy
179
00:07:47,420 --> 00:07:50,340
# Voodoo of any kind
180
00:07:50,340 --> 00:07:50,580
# Voodoo of any kind
# She had potions and lotions,
herbs and tanna leaves
181
00:07:50,580 --> 00:07:54,900
# She had potions and lotions,
herbs and tanna leaves
182
00:07:54,900 --> 00:07:58,380
# Guaranteed to blow your mind
183
00:07:58,380 --> 00:08:02,580
# Early one morning
into murky swamp dew
184
00:08:02,580 --> 00:08:05,860
# Vanished Marie with hate
in her eyes
185
00:08:05,860 --> 00:08:09,860
# Though she'll never return,
all the Cajuns knew
186
00:08:09,860 --> 00:08:10,100
# Though she'll never return,
# A Witch Queen never dies
187
00:08:10,100 --> 00:08:13,020
# A Witch Queen never dies
188
00:08:13,980 --> 00:08:15,900
# Marie, Marie, da voodoo veau
189
00:08:15,900 --> 00:08:16,100
# She put a spell on you
# Marie, Marie, da voodoo veau
190
00:08:16,100 --> 00:08:18,620
# She put a spell on you
191
00:08:18,620 --> 00:08:20,740
# Marie, Marie, da voodoo veau
192
00:08:20,740 --> 00:08:23,260
# She put a spell on you
193
00:08:23,260 --> 00:08:26,100
# Marie, Marie, da voodoo veau
194
00:08:26,100 --> 00:08:26,300
# Marie, Marie, da voodoo veau
# She's the Witch Queen
195
00:08:26,300 --> 00:08:29,580
# She's the Witch Queen
196
00:08:29,580 --> 00:08:32,100
# Of New Orleans
197
00:08:49,660 --> 00:08:51,860
# Marie, Marie, da voodoo veau
198
00:08:51,860 --> 00:08:54,700
# She put a spell on you
199
00:08:54,700 --> 00:08:56,620
# Marie, Marie, da voodoo veau
200
00:08:56,620 --> 00:08:59,140
# She put a spell on you
201
00:08:59,140 --> 00:08:59,340
# Marie, Marie, da voodoo veau
# She put a spell on you
202
00:08:59,340 --> 00:09:01,980
# Marie, Marie, da voodoo veau
203
00:09:01,980 --> 00:09:05,660
# She's the Witch Queen
204
00:09:05,660 --> 00:09:07,860
# Of New Orleans
205
00:09:14,220 --> 00:09:17,580
# I'm gonna tell you a story
206
00:09:17,580 --> 00:09:21,540
# Strange as it might seem
207
00:09:21,540 --> 00:09:24,740
# A zombie and voodoo dreaming
208
00:09:24,740 --> 00:09:27,580
# And the Witch Queen
of New Orleans
209
00:09:29,140 --> 00:09:31,340
# Marie, Marie, da voodoo veau
210
00:09:31,340 --> 00:09:33,980
# She put a spell on you
211
00:09:33,980 --> 00:09:36,100
# Marie, Marie, da voodoo veau
212
00:09:36,100 --> 00:09:38,620
# She put a spell on you
213
00:09:38,620 --> 00:09:41,460
# Marie, Marie, da voodoo veau
214
00:09:41,460 --> 00:09:45,140
# She's the Witch Queen
215
00:09:45,140 --> 00:09:47,460
# Of New Orleans
216
00:09:50,100 --> 00:09:52,300
# Marie, Marie, da voodoo veau
217
00:09:52,300 --> 00:09:55,020
# She put a spell on you
218
00:09:55,020 --> 00:09:57,060
# Marie, Marie, da voodoo veau
219
00:09:57,060 --> 00:09:59,260
# She put a spell on you. #
220
00:10:19,780 --> 00:10:23,020
PAUL: With Countdown winding up,
some our great Oz rockers
221
00:10:23,020 --> 00:10:25,540
were taking their last lap
of the studio.
222
00:10:25,540 --> 00:10:29,900
# You just don't seem to know what
you do to me
223
00:10:29,900 --> 00:10:33,700
# And I can't think
of something to say
224
00:10:33,700 --> 00:10:37,740
# No, it don't seem right
just to hold you tight
225
00:10:37,740 --> 00:10:40,780
# When I move,
you just dart away
226
00:10:42,300 --> 00:10:45,180
# Things aren't the way
they used to be
227
00:10:46,700 --> 00:10:50,980
# Somebody stole my right
to be free. #
228
00:10:50,980 --> 00:10:51,220
# I hope this is not happening
# Somebody stole my right
to be free. #
229
00:10:51,220 --> 00:10:54,500
# I hope this is not happening
230
00:10:54,500 --> 00:10:56,540
# To me
231
00:10:56,540 --> 00:10:56,780
# To me
# I wake up
and find that I'm dreaming
232
00:10:56,780 --> 00:11:01,380
# I wake up
and find that I'm dreaming
233
00:11:01,380 --> 00:11:01,620
# I wake up
# Seeing is believing
234
00:11:01,620 --> 00:11:05,060
# Seeing is believing
235
00:11:05,060 --> 00:11:08,420
# Nightmares, they'll come true
236
00:11:08,420 --> 00:11:08,660
# And I'll wake up
# Nightmares, they'll come true
237
00:11:08,660 --> 00:11:12,940
# And I'll wake up
and find that I'm dreaming
238
00:11:12,940 --> 00:11:17,020
# Seeing is believing
239
00:11:17,020 --> 00:11:20,220
# Nightmares
they'll come true. #
240
00:11:22,100 --> 00:11:25,980
# Dreary old home
and city cracks
241
00:11:25,980 --> 00:11:26,220
# Dreary old home
and city cracks
# It's the bottom of the world
242
00:11:26,220 --> 00:11:28,220
# It's the bottom of the world
243
00:11:28,220 --> 00:11:30,860
# And that's that
244
00:11:30,860 --> 00:11:36,100
# There's a table
hard as the day is long
245
00:11:37,220 --> 00:11:39,620
# It's on. #
246
00:11:42,820 --> 00:11:46,620
But the lads most likely to
take Oz rock into the '90s,
247
00:11:46,620 --> 00:11:46,860
Noiseworks.
take Oz rock into the '90s,
248
00:11:46,860 --> 00:11:48,180
Noiseworks.
249
00:12:11,180 --> 00:12:13,580
# Oh-woh-woh-oh
250
00:12:16,100 --> 00:12:18,540
# Oh-oh-oh
251
00:12:21,340 --> 00:12:24,780
# You never expect it to be
252
00:12:24,780 --> 00:12:27,340
# In your wildest dreams
253
00:12:29,620 --> 00:12:33,900
# So take a step backwards
for a little while
254
00:12:33,900 --> 00:12:36,140
# You'll find it there
255
00:12:38,300 --> 00:12:41,860
# It's something
that I can't explain
256
00:12:41,860 --> 00:12:42,100
# It's something
# So I remain
257
00:12:42,100 --> 00:12:44,860
# So I remain
258
00:12:44,860 --> 00:12:45,060
# Trapped this size
# So I remain
259
00:12:45,060 --> 00:12:46,500
# Trapped this size
260
00:12:46,500 --> 00:12:48,540
# Still holding strong
261
00:12:48,540 --> 00:12:50,980
# Still holding on to you
262
00:12:52,620 --> 00:12:55,460
# To you
263
00:12:55,460 --> 00:12:55,660
# To you
# Take me back to you
264
00:12:55,660 --> 00:12:58,180
# Take me back to you
265
00:12:58,180 --> 00:13:00,580
# It's been a long time
266
00:13:01,620 --> 00:13:04,780
# Although every night
267
00:13:04,780 --> 00:13:06,380
# I think of you
268
00:13:06,380 --> 00:13:08,780
# It's such a lonely life
269
00:13:13,220 --> 00:13:16,300
# I watched you wave goodbye
270
00:13:16,300 --> 00:13:18,300
# As you drove away
271
00:13:20,460 --> 00:13:23,300
# I didn't know
that it would be
272
00:13:23,300 --> 00:13:23,540
# I didn't know
# Your last time with me
273
00:13:23,540 --> 00:13:26,900
# Your last time with me
274
00:13:27,900 --> 00:13:31,380
# You said life
ain't worth living
275
00:13:31,380 --> 00:13:31,620
# You said life
# If nobody cared
276
00:13:31,620 --> 00:13:33,860
# If nobody cared
277
00:13:33,860 --> 00:13:36,740
# You said that all the time
278
00:13:36,740 --> 00:13:36,940
# Oh, I take a step back
# You said that all the time
279
00:13:36,940 --> 00:13:39,700
# Oh, I take a step back
280
00:13:39,700 --> 00:13:41,900
# And see your staring eyes
281
00:13:41,900 --> 00:13:44,820
# I see you on the day you die
282
00:13:46,700 --> 00:13:49,140
# Take me back to you
283
00:13:49,140 --> 00:13:49,340
# Take me back to you
# It's been a long time
284
00:13:49,340 --> 00:13:52,460
# It's been a long time
285
00:13:52,460 --> 00:13:55,820
# Although every night
286
00:13:55,820 --> 00:13:57,620
# I think of you
287
00:13:57,620 --> 00:14:01,020
# It's such a lonely life
288
00:14:01,020 --> 00:14:03,420
# Yeah
289
00:14:03,420 --> 00:14:05,780
# And take me back to you
290
00:14:07,700 --> 00:14:10,380
# Take me back to you
291
00:14:18,540 --> 00:14:21,340
# Oh-woh-woh-oh-oh
292
00:14:29,340 --> 00:14:32,060
# Take me back to you
293
00:14:32,060 --> 00:14:35,260
# It's been a long time
294
00:14:35,260 --> 00:14:38,740
# Although every night
295
00:14:38,740 --> 00:14:40,420
# I think of you
296
00:14:40,420 --> 00:14:42,820
# It's such a lonely life
297
00:14:44,180 --> 00:14:46,380
# Oh-oh-oh-oh
298
00:14:46,380 --> 00:14:48,780
# Take me back to you
299
00:14:50,580 --> 00:14:53,780
# Take me back to you. #
300
00:14:56,460 --> 00:14:59,260
(CHEERING)
301
00:15:01,420 --> 00:15:04,700
ELECTRONIC VOICE:
This is CDPTV.
302
00:15:04,700 --> 00:15:04,980
Next, we have a great band
from Sydney live in the studio.
ELECTRONIC VOICE:
This is CDPTV.
303
00:15:04,980 --> 00:15:08,100
Next, we have a great band
from Sydney live in the studio.
304
00:15:08,100 --> 00:15:10,660
They're called Lime Spiders
with My Favourite Room.
305
00:15:10,660 --> 00:15:10,900
Take it away, boys.
with My Favourite Room.
306
00:15:10,900 --> 00:15:11,940
Take it away, boys.
307
00:15:13,900 --> 00:15:16,180
PAUL: In the late '80s,
a punk attitude
308
00:15:16,180 --> 00:15:18,980
had become melded
with the '60s revival.
309
00:15:18,980 --> 00:15:19,260
had become melded
with the '60s revival.
# Just come on up
to my favourite room
310
00:15:19,260 --> 00:15:23,020
# Just come on up
to my favourite room
311
00:15:23,020 --> 00:15:26,420
# Just climb the stairs,
get away from the gloom
312
00:15:26,420 --> 00:15:29,900
# You'll see things
you've never seen before
313
00:15:29,900 --> 00:15:32,860
# All you got to do is
knock upon my door
314
00:15:32,860 --> 00:15:33,140
# When I think about her,
and I think about me, yeah
# All you got to do is
knock upon my door
315
00:15:33,140 --> 00:15:37,180
# When I think about her,
and I think about me, yeah
316
00:15:37,180 --> 00:15:39,980
Bands like The Stems
were bringing back
317
00:15:39,980 --> 00:15:40,220
Bands like The Stems
were bringing back
black jeans and guitars.
318
00:15:40,220 --> 00:15:41,380
black jeans and guitars.
319
00:15:41,380 --> 00:15:44,060
# Sad, sad girl,
such a sad, sad girl
320
00:15:44,060 --> 00:15:44,300
# Sad, sad girl,
# Sad, sad girl
321
00:15:44,300 --> 00:15:45,700
# Sad, sad girl
322
00:15:45,700 --> 00:15:45,940
# You sure don't want
# Sad, sad girl
323
00:15:45,940 --> 00:15:48,300
# You sure don't want
to go out with me
324
00:15:48,300 --> 00:15:51,300
# No, she don't want
to be my girl. #
325
00:16:00,100 --> 00:16:03,300
And no-one did it better
than the Hoodoo Gurus.
326
00:16:03,300 --> 00:16:03,580
And no-one did it better
than the Hoodoo Gurus.
# And another thing
I been wondering lately
327
00:16:03,580 --> 00:16:06,540
# And another thing
I been wondering lately
328
00:16:08,020 --> 00:16:11,900
# Oh, baby,
tell me where have you been?
329
00:16:14,380 --> 00:16:18,020
# Now the stage is set,
where's my Juliet, baby?
330
00:16:19,420 --> 00:16:23,260
# Or it is maybe
my midsummer night's dream?
331
00:16:24,740 --> 00:16:27,500
# What's my scene?
332
00:16:27,500 --> 00:16:27,700
# What's my scene?
# What's my scene?
333
00:16:27,700 --> 00:16:30,580
# What's my scene?
334
00:16:30,580 --> 00:16:30,780
# What's my scene?
# What's my scene?
335
00:16:30,780 --> 00:16:33,100
# What's my scene?
336
00:16:33,100 --> 00:16:35,140
# Tell me, what's my scene?
337
00:16:45,980 --> 00:16:50,580
# Like a talent scout always
checking out new blood
338
00:16:50,580 --> 00:16:55,340
# Oh, I'd do good
if you tell me your game
339
00:16:57,500 --> 00:17:02,460
# Playing solitaire doesn't get me
where you would
340
00:17:02,460 --> 00:17:04,700
# And, honey, you could
341
00:17:04,700 --> 00:17:08,060
# Play any rules that you name
342
00:17:08,060 --> 00:17:10,660
# What's my scene?
343
00:17:10,660 --> 00:17:10,860
# What's my scene?
# What's my scene?
344
00:17:10,860 --> 00:17:13,660
# What's my scene?
345
00:17:13,660 --> 00:17:13,860
# What's my scene?
# What's my scene?
346
00:17:13,860 --> 00:17:16,660
# What's my scene?
347
00:17:16,660 --> 00:17:17,900
# Tell me, I got to know
348
00:17:17,900 --> 00:17:20,660
# What's my, what's my
349
00:17:20,660 --> 00:17:23,380
# What's my, what's my scene?
350
00:17:23,380 --> 00:17:26,740
# What's my, what's my
351
00:17:26,740 --> 00:17:29,140
# What's my, what's my scene?
352
00:17:29,140 --> 00:17:32,260
# They say, they say
353
00:17:32,260 --> 00:17:34,980
# Making love,
you can make it pay
354
00:17:34,980 --> 00:17:35,220
# Making love,
# They say, yeah, they say
355
00:17:35,220 --> 00:17:38,340
# They say, yeah, they say
356
00:17:38,340 --> 00:17:41,740
# But we know there's
a better way
357
00:17:41,740 --> 00:17:43,540
# Any day
358
00:18:08,460 --> 00:18:10,140
# And another thing
359
00:18:10,140 --> 00:18:13,500
# I've been wondering lately
360
00:18:13,500 --> 00:18:16,020
# Am I crazy
361
00:18:16,020 --> 00:18:17,980
# To believe in ideals?
362
00:18:20,180 --> 00:18:21,780
# I'm a betting man
363
00:18:21,780 --> 00:18:21,980
# But it's getting damn lonely
# I'm a betting man
364
00:18:21,980 --> 00:18:24,900
# But it's getting damn lonely
365
00:18:24,900 --> 00:18:27,100
# Oh, honey, if only
366
00:18:27,100 --> 00:18:30,700
# I was sure what I feel
367
00:18:30,700 --> 00:18:30,900
# What's my scene?
# I was sure what I feel
368
00:18:30,900 --> 00:18:33,580
# What's my scene?
369
00:18:33,580 --> 00:18:33,780
# What's my scene?
# What's my scene?
370
00:18:33,780 --> 00:18:36,380
# What's my scene?
371
00:18:36,380 --> 00:18:36,580
# What's my scene?
# What's my scene?
372
00:18:36,580 --> 00:18:39,220
# What's my scene?
373
00:18:39,220 --> 00:18:39,420
# What's my scene?
# Tell me, I got to know
374
00:18:39,420 --> 00:18:40,740
# Tell me, I got to know
375
00:18:40,740 --> 00:18:43,540
# What's my, what's my
376
00:18:43,540 --> 00:18:46,340
# What's my, what's my scene?
377
00:18:46,340 --> 00:18:49,380
# What's my, what's my
378
00:18:49,380 --> 00:18:49,580
# What's my, what's my
# What's my, what's my
379
00:18:49,580 --> 00:18:51,820
# What's my, what's my
380
00:18:51,820 --> 00:18:52,020
# What's my, what's my
# What's my scene?
381
00:18:52,020 --> 00:18:53,780
# What's my scene?
382
00:18:53,780 --> 00:18:57,100
# I want to know
383
00:18:57,100 --> 00:18:58,940
# I can't see
384
00:19:00,380 --> 00:19:03,420
# I'm caught in someone somewhere
else's scene
385
00:19:05,940 --> 00:19:09,180
# Oh, where, oh, where,
oh, where can my scene be? #
386
00:19:44,500 --> 00:19:46,380
PAUL: It may have been
the final year of the show,
387
00:19:46,380 --> 00:19:48,580
but Molly kept
supporting new talent.
388
00:19:51,180 --> 00:19:54,820
# This love affair
389
00:19:54,820 --> 00:19:56,620
# I used to care
390
00:19:57,980 --> 00:20:00,060
# Was once so good
391
00:20:00,060 --> 00:20:01,260
# So good
392
00:20:01,260 --> 00:20:03,340
# Now I wish you would
393
00:20:03,340 --> 00:20:05,740
# Do you want to leave me? #
394
00:20:07,460 --> 00:20:13,580
# Well, I'm a little tired hanging
on to anything
395
00:20:13,580 --> 00:20:13,860
# Well, I'm a little tired hanging
on to anything
# All the strange things
are happening
396
00:20:13,860 --> 00:20:17,060
# All the strange things
are happening
397
00:20:17,060 --> 00:20:17,300
# All the strange things
# What am I supposed to do?
398
00:20:17,300 --> 00:20:21,060
# What am I supposed to do?
399
00:20:21,060 --> 00:20:25,140
# Just stop the whole wide world
from turning blue, yeah
400
00:20:26,860 --> 00:20:28,820
# Bad
401
00:20:28,820 --> 00:20:30,940
# Gin
402
00:20:30,940 --> 00:20:32,980
# Bad
403
00:20:32,980 --> 00:20:34,660
# Gin. #
404
00:20:34,660 --> 00:20:34,900
Our clubs and bars spawned eclectic,
talented new artists,
# Gin. #
405
00:20:34,900 --> 00:20:38,860
Our clubs and bars spawned eclectic,
talented new artists,
406
00:20:38,860 --> 00:20:41,820
and the quality of many
was hard to miss.
407
00:20:41,820 --> 00:20:44,020
# Last night,
or the night before
408
00:20:45,820 --> 00:20:48,340
# 25 fathers at my door
409
00:20:50,340 --> 00:20:52,820
# And I got up and let them in
410
00:20:54,540 --> 00:20:57,260
# But I missed them all
with a rolling pin
411
00:20:58,620 --> 00:21:00,820
# Alright
412
00:21:00,820 --> 00:21:02,820
# Get down
413
00:21:04,660 --> 00:21:07,620
# Like I came down
from his throne
414
00:21:08,980 --> 00:21:12,380
# I can't let it get me down
415
00:21:12,380 --> 00:21:15,900
# Hey, hey, hey, hey, hey
416
00:21:15,900 --> 00:21:18,380
# Change my smile into a frown
417
00:21:18,380 --> 00:21:20,540
# Whoa
418
00:21:21,700 --> 00:21:24,020
# I can't let it take me down
419
00:21:24,020 --> 00:21:26,060
# Take you down
420
00:21:26,060 --> 00:21:28,500
# Change my smile into a frown
421
00:21:28,500 --> 00:21:30,380
# A frown
422
00:21:30,380 --> 00:21:32,900
# I can't let it take me down
423
00:21:32,900 --> 00:21:35,220
# Turn me upside down
424
00:21:35,220 --> 00:21:37,660
# Change my smile into a frown
425
00:21:41,740 --> 00:21:44,180
# Things that I want to say
are so sad
426
00:21:46,020 --> 00:21:48,540
# And being bad
like I know you ought to
427
00:21:50,700 --> 00:21:52,980
# Now it's time to love again
428
00:21:54,900 --> 00:21:57,740
# I'm playing the part
of a family man
429
00:21:57,740 --> 00:21:57,980
# I'm playing the part
of a family man
# Hey, hey, hey, hey
430
00:21:57,980 --> 00:22:00,300
# Hey, hey, hey, hey
431
00:22:00,300 --> 00:22:03,180
# They took
everything I own back
432
00:22:04,540 --> 00:22:07,740
# Like I came down on this only
433
00:22:08,860 --> 00:22:12,540
# I can't let it get me down
434
00:22:12,540 --> 00:22:15,460
# Yeah, yeah,
hey, hey, hey, hey
435
00:22:15,460 --> 00:22:15,700
# Yeah, yeah,
# Change my smile into a frown
436
00:22:15,700 --> 00:22:18,780
# Change my smile into a frown
437
00:22:18,780 --> 00:22:20,500
# Whoa
438
00:22:21,860 --> 00:22:24,140
# I can't let it get me down
439
00:22:24,140 --> 00:22:26,220
# Let it get me down
440
00:22:26,220 --> 00:22:28,700
# Change that smile
into a frown
441
00:22:28,700 --> 00:22:30,940
# Oh, oh
442
00:22:30,940 --> 00:22:33,140
# I can't let it get me down
443
00:22:33,140 --> 00:22:35,100
# Let it get me down
444
00:22:35,100 --> 00:22:37,860
# Change my smile into a frown
445
00:22:37,860 --> 00:22:39,740
# Whoo-ooo
446
00:22:44,140 --> 00:22:46,580
# Na-na-na, oh-oh
447
00:22:48,500 --> 00:22:51,060
# Na-na-na, oh-oh
448
00:22:52,900 --> 00:22:55,380
# Na-na-na
449
00:22:55,380 --> 00:22:57,580
# Oh, yeah
450
00:22:59,500 --> 00:23:03,020
# Oh, I-I-I-I-I-I
451
00:23:04,620 --> 00:23:06,820
# All is fair in love and war
452
00:23:08,660 --> 00:23:11,580
# What do you think
we're here for?
453
00:23:12,980 --> 00:23:17,460
# So come out the righteous one
454
00:23:17,460 --> 00:23:20,260
# And there's no problem
there at all
455
00:23:20,260 --> 00:23:20,500
# And there's no problem
# Hey, hey, hey
456
00:23:20,500 --> 00:23:23,540
# Hey, hey, hey
457
00:23:23,540 --> 00:23:25,300
# It'll happen again
458
00:23:26,620 --> 00:23:30,100
# But you bust your way in again
459
00:23:31,260 --> 00:23:36,020
# I can't let it get me down
460
00:23:36,020 --> 00:23:37,860
# Change my smile into a frown
461
00:23:37,860 --> 00:23:40,540
# That smile can turn around
462
00:23:42,140 --> 00:23:44,340
# Can't let it get me down
463
00:23:44,340 --> 00:23:46,540
# Let me get it down
464
00:23:46,540 --> 00:23:48,780
# Change my smile into a frown
465
00:23:48,780 --> 00:23:51,220
# Oh!
466
00:23:51,220 --> 00:23:53,420
# I can't let it get me down
467
00:23:53,420 --> 00:23:55,300
# Cannot let it get me down
468
00:23:55,300 --> 00:23:57,700
# Change that smile into a frown
469
00:23:57,700 --> 00:23:59,700
# Oh, hah
470
00:23:59,700 --> 00:23:59,940
# Those robbers will never
# Oh, hah
471
00:23:59,940 --> 00:24:04,300
# Those robbers will never
ever get it again
472
00:24:06,460 --> 00:24:08,780
# Change my smile
473
00:24:08,780 --> 00:24:10,980
# I can't let it get me down
474
00:24:10,980 --> 00:24:13,060
# Stop it now,
just stop it now. #
475
00:24:28,620 --> 00:24:33,060
# Hello. #
476
00:24:33,060 --> 00:24:36,220
1987, what a wonderful year
so far. This is Paul.
477
00:24:36,220 --> 00:24:39,260
Hi, everybody. What do you think
of my new threads?
478
00:24:39,260 --> 00:24:39,500
Hi, everybody. What do you think
of my new threads?
# There she comes
479
00:24:39,500 --> 00:24:41,220
# There she comes
480
00:24:41,220 --> 00:24:41,460
PAUL: Countdown bore witness
to the blooming
# There she comes
481
00:24:41,460 --> 00:24:43,100
PAUL: Countdown bore witness
to the blooming
482
00:24:43,100 --> 00:24:43,340
of some of our finest songwriters.
to the blooming
483
00:24:43,340 --> 00:24:45,060
of some of our finest songwriters.
484
00:24:45,060 --> 00:24:47,860
Mick Thomas and Dave Steel
from Weddings, Parties, Anything
485
00:24:47,860 --> 00:24:48,100
stepped up to the plate.
from Weddings, Parties, Anything
486
00:24:48,100 --> 00:24:49,620
stepped up to the plate.
487
00:24:49,620 --> 00:24:49,820
stepped up to the plate.
# Shotgun wedding
488
00:24:49,820 --> 00:24:51,700
# Shotgun wedding
489
00:24:53,100 --> 00:24:55,140
# Shotgun town
490
00:24:56,660 --> 00:24:58,700
# A shotgun wedding
491
00:25:00,380 --> 00:25:03,420
# A shotgun town. #
492
00:25:04,780 --> 00:25:09,260
# You've got a river of rainbows,
the sun in your eyes
493
00:25:10,980 --> 00:25:12,660
# Burning through
494
00:25:12,660 --> 00:25:15,460
Iva Davies just
kept getting better.
495
00:25:15,460 --> 00:25:15,700
Iva Davies just
kept getting better.
# Could be I'm losing my head
496
00:25:15,700 --> 00:25:18,820
# Could be I'm losing my head
497
00:25:18,820 --> 00:25:21,660
# Over you
498
00:25:21,660 --> 00:25:25,540
# Well, you've got
to be crazy, baby
499
00:25:25,540 --> 00:25:25,780
# Well, you've got
# To want a guy like me
500
00:25:25,780 --> 00:25:28,020
# To want a guy like me
501
00:25:30,180 --> 00:25:32,940
# Yeah, you've got to be
out of your mind
502
00:25:34,900 --> 00:25:36,740
# Crazy. #
503
00:25:36,740 --> 00:25:41,020
And, of course, there was our
national treasure, Paul Kelly.
504
00:25:48,020 --> 00:25:51,260
# High on the hill looking
over the bridge
505
00:25:51,260 --> 00:25:51,500
# High on the hill looking
# To the MCG
506
00:25:51,500 --> 00:25:53,780
# To the MCG
507
00:25:55,300 --> 00:25:57,220
# A way up on high
508
00:25:57,220 --> 00:25:57,460
# The clock on the silo
# A way up on high
509
00:25:57,460 --> 00:26:02,340
# The clock on the silo
says 11 degrees
510
00:26:02,340 --> 00:26:02,580
# The clock on the silo
# I remember
511
00:26:02,580 --> 00:26:04,820
# I remember
512
00:26:06,100 --> 00:26:08,900
# I remember
513
00:26:10,780 --> 00:26:14,100
# I'm breathing today,
the month of May
514
00:26:14,100 --> 00:26:14,340
# I'm breathing today,
# All the burning leaves
515
00:26:14,340 --> 00:26:17,500
# All the burning leaves
516
00:26:17,500 --> 00:26:19,980
# I'm not hearing a sound
517
00:26:19,980 --> 00:26:22,260
# My feet don't even
518
00:26:22,260 --> 00:26:25,260
# Touch the ground
519
00:26:25,260 --> 00:26:27,340
# I remember
520
00:26:29,140 --> 00:26:31,380
# I remember
521
00:26:33,060 --> 00:26:35,340
# I go leaps and bounds
522
00:26:36,700 --> 00:26:39,020
# I go leaps and bounds
523
00:26:41,180 --> 00:26:44,340
# Down past the river
524
00:26:44,340 --> 00:26:47,860
# And across the playing fields
525
00:26:47,860 --> 00:26:49,940
# See the big fish
526
00:26:49,940 --> 00:26:52,220
# The fields all empty
527
00:26:52,220 --> 00:26:52,420
# The fields all empty
# Only for the burning leaves
528
00:26:52,420 --> 00:26:55,900
# Only for the burning leaves
529
00:26:55,900 --> 00:26:58,140
# I remember
530
00:26:59,700 --> 00:27:01,740
# I remember
531
00:27:03,580 --> 00:27:06,060
# I go leaps and bounds
532
00:27:07,340 --> 00:27:10,100
# I go leaps and bounds
533
00:27:27,140 --> 00:27:28,700
# I'm high on the hill
534
00:27:28,700 --> 00:27:30,500
# Looking over the bridge
535
00:27:30,500 --> 00:27:32,980
# To the MCG
536
00:27:34,940 --> 00:27:36,620
# I'm stumbling
537
00:27:36,620 --> 00:27:38,500
# My feet don't even
538
00:27:38,500 --> 00:27:41,820
# Touch the ground
539
00:27:41,820 --> 00:27:43,900
# I remember
540
00:27:45,820 --> 00:27:48,060
# I remember
541
00:27:49,620 --> 00:27:52,100
# I remember
542
00:27:53,340 --> 00:27:55,620
# I remember
543
00:27:56,980 --> 00:28:00,780
# I go leaps and bounds
544
00:28:00,780 --> 00:28:00,980
# I go leaps and bounds
# I go leaps and bounds
545
00:28:00,980 --> 00:28:03,020
# I go leaps and bounds
546
00:28:04,700 --> 00:28:07,140
# I go leaps and bounds
547
00:28:08,420 --> 00:28:11,180
# I go leaps and bounds
548
00:28:16,260 --> 00:28:18,460
# I remember
549
00:28:20,060 --> 00:28:22,620
# I remember
550
00:28:23,980 --> 00:28:26,580
# I remember
551
00:28:32,820 --> 00:28:35,900
# The way the camera
follows us in slo-mo. #
552
00:28:49,460 --> 00:28:52,660
This is CDPTV.
553
00:28:52,660 --> 00:28:54,500
Hi. This is Frank Beard.
554
00:28:54,500 --> 00:28:55,900
This is Billy Gibbons.
555
00:28:55,900 --> 00:28:58,180
And that's Dusty Hill
of ZZ Top.
556
00:28:58,180 --> 00:29:00,180
And we'll be seeing you in
a couple of weeks Down Under.
557
00:29:02,140 --> 00:29:04,180
PAUL: We're celebrating
the Australians,
558
00:29:04,180 --> 00:29:06,700
but it can't be forgotten
that Countdown staged
559
00:29:06,700 --> 00:29:10,020
some great international acts
over the years.
560
00:29:10,020 --> 00:29:12,260
# Down the charge
of dusty roads
561
00:29:12,260 --> 00:29:15,260
The good old US of A gave us
rock'n'roll.
562
00:29:15,260 --> 00:29:15,500
# The fear inside daily grows
rock'n'roll.
563
00:29:15,500 --> 00:29:17,380
# The fear inside daily grows
564
00:29:17,380 --> 00:29:19,620
# From my head down to my shoes
565
00:29:20,860 --> 00:29:23,060
# I got the shotgun blues. #
566
00:29:24,580 --> 00:29:28,860
# You got me tied down
with battleship chains
567
00:29:28,860 --> 00:29:32,460
# 50 foot long
and a two ton anchor
568
00:29:32,460 --> 00:29:35,780
# Tied down
with battleship chains
569
00:29:35,780 --> 00:29:36,060
# Tied down
with battleship chains
# 50-foot-long
and a two-ton anchor. #
570
00:29:36,060 --> 00:29:38,540
# 50-foot-long
and a two-ton anchor. #
571
00:29:39,500 --> 00:29:42,500
# Because if I can't give you
a good reason
572
00:29:42,500 --> 00:29:45,620
And the Brits sent us
their finest pop stars,
573
00:29:45,620 --> 00:29:47,660
from household names
like Paul Young...
574
00:29:47,660 --> 00:29:47,940
from household names
like Paul Young...
# But I'd cry
if I stood for treason
575
00:29:47,940 --> 00:29:49,580
# But I'd cry
if I stood for treason
576
00:29:49,580 --> 00:29:53,100
# So why does this man have
to be strong?
577
00:29:53,100 --> 00:29:54,300
# But I think that there's
578
00:29:54,300 --> 00:29:56,820
# A fame we share
579
00:29:56,820 --> 00:30:02,340
# It's so real, why does
a man have to be strong? #
580
00:30:02,340 --> 00:30:05,620
..to an exciting new talent with
quite literally a breakout hit.
581
00:30:21,620 --> 00:30:23,980
# Breakout
582
00:30:31,020 --> 00:30:33,780
# When explanations
make no sense
583
00:30:34,900 --> 00:30:37,700
# When every answer's wrong
584
00:30:39,180 --> 00:30:42,220
# You're fighting
with lost confidence
585
00:30:43,260 --> 00:30:46,340
# All expectations gone
586
00:30:47,500 --> 00:30:49,860
# The time has come
587
00:30:49,860 --> 00:30:51,740
# To make or break
588
00:30:51,740 --> 00:30:56,060
# Move on, don't hesitate
589
00:30:56,060 --> 00:30:57,820
# Breakout
590
00:30:57,820 --> 00:31:02,020
# Don't stop to ask
591
00:31:02,020 --> 00:31:05,980
# Now you've found a break
to make it last
592
00:31:05,980 --> 00:31:06,220
# Now you've found a break
# You've got to find a way
593
00:31:06,220 --> 00:31:08,420
# You've got to find a way
594
00:31:08,420 --> 00:31:11,580
# Say what you want to say, breakout
595
00:31:19,380 --> 00:31:22,740
# When situations never change
596
00:31:23,740 --> 00:31:27,020
# Tomorrow looks unsure
597
00:31:28,420 --> 00:31:32,140
# Don't leave
your destiny to chance
598
00:31:32,140 --> 00:31:32,380
# Don't leave
your destiny to chance
# What are you waiting for?
599
00:31:32,380 --> 00:31:34,700
# What are you waiting for?
600
00:31:36,260 --> 00:31:40,540
# The time has come
to make or break
601
00:31:40,540 --> 00:31:42,460
# Breakout
602
00:31:42,460 --> 00:31:45,460
# Don't stop to ask
603
00:31:46,940 --> 00:31:50,780
# Now you've found a break
to make it last
604
00:31:50,780 --> 00:31:51,020
# Now you've found a break
# You've got to find a way
605
00:31:51,020 --> 00:31:52,900
# You've got to find a way
606
00:31:52,900 --> 00:31:55,380
# Say what you want to say
607
00:31:55,380 --> 00:31:57,500
# Breakout
608
00:31:59,660 --> 00:32:01,860
# Don't stop to ask
609
00:32:03,540 --> 00:32:06,420
# Now you've found
a break to make it last
610
00:32:07,620 --> 00:32:09,900
# You've got to find a way
611
00:32:09,900 --> 00:32:12,100
# Say what you want to say
612
00:32:12,100 --> 00:32:14,180
# Breakout
613
00:32:18,140 --> 00:32:20,780
# Some people
614
00:32:20,780 --> 00:32:22,900
# Stop at nothing
615
00:32:25,300 --> 00:32:27,100
# If you're
616
00:32:27,100 --> 00:32:27,300
# If you're
# Searching
617
00:32:27,300 --> 00:32:29,180
# Searching
618
00:32:29,180 --> 00:32:31,060
# For something
619
00:32:33,780 --> 00:32:36,020
# Lay down the law,
shout out for more
620
00:32:36,020 --> 00:32:38,260
# Breakout and shout
day in and day out
621
00:32:38,260 --> 00:32:40,260
# Breakout
622
00:32:46,540 --> 00:32:48,380
# Breakout
623
00:32:48,380 --> 00:32:52,300
# Don't stop to ask
624
00:32:52,300 --> 00:32:56,340
# Now you've found
a break to make it last
625
00:32:56,340 --> 00:32:56,580
# Now you've found
a break to make it last
# You've got to find a way
626
00:32:56,580 --> 00:32:58,860
# You've got to find a way
627
00:32:58,860 --> 00:33:01,620
# Say what you want to say, breakout
628
00:33:05,580 --> 00:33:09,460
# Don't stop to ask
629
00:33:09,460 --> 00:33:09,700
# Now you've found
# Don't stop to ask
630
00:33:09,700 --> 00:33:13,260
# Now you've found
a break to make it last
631
00:33:13,260 --> 00:33:17,580
# You've got to find a way,
say what you want to say
632
00:33:17,580 --> 00:33:17,820
# You've got to find a way,
# Breakout
633
00:33:17,820 --> 00:33:20,380
# Breakout
634
00:33:22,300 --> 00:33:26,540
# Don't stop to ask
635
00:33:26,540 --> 00:33:30,820
# Now you've found
a break to make it last
636
00:33:30,820 --> 00:33:33,860
# You've got to find a way
637
00:33:33,860 --> 00:33:36,500
# To say breakout. #
638
00:33:36,500 --> 00:33:37,860
(CHEERS)
639
00:33:43,140 --> 00:33:44,980
Hello, this is Johnny Marr
from The Smiths.
640
00:33:44,980 --> 00:33:45,220
Hello, this is Johnny Marr
You're watching Countdown.
641
00:33:45,220 --> 00:33:46,420
You're watching Countdown.
642
00:33:46,420 --> 00:33:49,740
PAUL: Countdown never hid
from the issues of the day.
643
00:33:49,740 --> 00:33:52,500
And in 1987,
the AIDS virus was an issue
644
00:33:52,500 --> 00:33:52,740
And in 1987,
many artists spoke out about.
645
00:33:52,740 --> 00:33:54,980
many artists spoke out about.
646
00:33:54,980 --> 00:33:57,220
If you are weak, physically,
647
00:33:57,220 --> 00:34:00,300
you've got more chance
of catching it, you know?
648
00:34:00,300 --> 00:34:02,300
And there are, you know,
a lot of people who take drugs
649
00:34:02,300 --> 00:34:02,580
And there are, you know,
a lot of people who take drugs
that have caught it
from using, you know,
650
00:34:02,580 --> 00:34:04,060
that have caught it
from using, you know,
651
00:34:04,060 --> 00:34:04,300
that have caught it
needles and things like that.
652
00:34:04,300 --> 00:34:05,700
needles and things like that.
653
00:34:05,700 --> 00:34:09,340
So, you know, the whole sort
of decadence thing is a risk.
654
00:34:09,340 --> 00:34:11,340
And you just have
to be careful.
655
00:34:11,340 --> 00:34:12,420
(CHEERS)
656
00:34:12,420 --> 00:34:15,140
One Aussie band, Redgum,
wrote what could be described
657
00:34:15,140 --> 00:34:15,420
as a community service announcement
in song,
One Aussie band, Redgum,
wrote what could be described
658
00:34:15,420 --> 00:34:17,740
as a community service announcement
in song,
659
00:34:17,740 --> 00:34:19,140
promoting safe sex.
660
00:34:19,140 --> 00:34:19,380
promoting safe sex.
is better than a cure
661
00:34:19,380 --> 00:34:22,860
# Remember that prevention
is better than a cure
662
00:34:34,460 --> 00:34:37,860
# You want to get around,
want to stay up late
663
00:34:37,860 --> 00:34:41,540
# You want to make love,
you just can't wait
664
00:34:41,540 --> 00:34:45,180
# You want to get it on
like the birds and the bees
665
00:34:45,180 --> 00:34:48,460
# Here's a little secret
stop you catching a disease
666
00:34:50,020 --> 00:34:53,260
# It's a shower and a raincoat
my bald-headed friend
667
00:34:53,260 --> 00:34:57,220
# It's putting on the breaks before
you hit the bend
668
00:34:57,220 --> 00:34:59,780
# It's taking time to think
when your blood's running hot
669
00:34:59,780 --> 00:35:01,820
# Because if you're looking down
a barrel
670
00:35:01,820 --> 00:35:02,060
# Because if you're looking down
# You're going to get shot
671
00:35:02,060 --> 00:35:03,940
# You're going to get shot
672
00:35:03,940 --> 00:35:05,740
# Shoot, shoot
673
00:35:05,740 --> 00:35:09,020
# Oh, roll it on, Robby
674
00:35:09,020 --> 00:35:12,540
# Oh, slip it on, Sam
675
00:35:12,540 --> 00:35:15,620
# You want to play it safe,
play it all for sure
676
00:35:15,620 --> 00:35:19,740
# Remember that prevention
is better than a cure
677
00:35:24,660 --> 00:35:27,820
# The coloured lights flashing
on a disco floor
678
00:35:27,820 --> 00:35:31,380
# Girl of my dreams
waltzes through the door
679
00:35:31,380 --> 00:35:34,620
# I walked up to her,
asked her for a dance
680
00:35:34,620 --> 00:35:34,900
# I walked up to her,
asked her for a dance
# The way she moved her body,
I knew I had a chance
681
00:35:34,900 --> 00:35:38,580
# The way she moved her body,
I knew I had a chance
682
00:35:38,580 --> 00:35:40,100
# She's alright
683
00:35:40,100 --> 00:35:43,300
# I had to play it safe
so I went to the machine
684
00:35:43,300 --> 00:35:46,500
# But I drank all my money
and my pockets are clean
685
00:35:46,500 --> 00:35:49,980
# I explained the situation,
asked her for a loan,
686
00:35:49,980 --> 00:35:53,820
# She said, "Don't worry, baby,
I always bring my own."
687
00:35:53,820 --> 00:35:54,060
# Girls just want to have fun
# She said, "Don't worry, baby,
I always bring my own."
688
00:35:54,060 --> 00:35:55,540
# Girls just want to have fun
689
00:35:55,540 --> 00:35:58,980
# Oh, roll it on, Robby
690
00:35:58,980 --> 00:36:02,140
# Oh, slip it on, Sam
691
00:36:02,140 --> 00:36:05,860
# You want to play it safe,
play it up for sure
692
00:36:05,860 --> 00:36:10,140
# Remember that prevention
is better than a cure
693
00:36:38,060 --> 00:36:42,020
# Me and Suzy at the party,
fooling around
694
00:36:42,020 --> 00:36:45,540
# Getting kind of heavy,
then the lights went down
695
00:36:45,540 --> 00:36:46,900
# Said, "Suzy can you feel it?"
696
00:36:46,900 --> 00:36:47,100
# Said, "Suzy can you feel it?"
# She said, "I feel it too."
697
00:36:47,100 --> 00:36:48,420
# She said, "I feel it too."
698
00:36:48,420 --> 00:36:50,380
# "But if you haven't
got protection
699
00:36:50,380 --> 00:36:50,620
# "But if you haven't
# "You know what you can do."
700
00:36:50,620 --> 00:36:52,260
# "You know what you can do."
701
00:36:52,260 --> 00:36:54,260
# Back off
702
00:36:54,260 --> 00:36:57,380
# Oh, roll it on, Robby
703
00:36:57,380 --> 00:37:00,820
# Oh, slip it on, Sam
704
00:37:00,820 --> 00:37:03,940
# You want to play it safe,
you want to be secure
705
00:37:03,940 --> 00:37:08,020
# Remember that prevention
is better than a cure
706
00:37:11,380 --> 00:37:14,500
# Oh, roll it on, Robby
707
00:37:14,500 --> 00:37:17,860
# Oh, slip it on, Sam
708
00:37:17,860 --> 00:37:21,860
# You want to play it safe,
you want to be sure
709
00:37:21,860 --> 00:37:23,820
# Remember that, your bit
710
00:37:23,820 --> 00:37:26,020
AUDIENCE:
Is better than a cure!
711
00:37:28,460 --> 00:37:30,180
# One size fits all. #
712
00:37:46,180 --> 00:37:47,660
I read a review in RAM -
713
00:37:47,660 --> 00:37:50,460
they try sometimes to be the Rambo
of rock'n'roll, I think -
714
00:37:50,460 --> 00:37:54,100
of a Wa Wa Nee album,
and I just feel that...
715
00:37:54,100 --> 00:37:57,300
It's a self-titled album,
and it's a shocking review.
716
00:37:57,300 --> 00:37:58,500
It's very, very negative.
717
00:37:58,500 --> 00:38:00,700
I don't see the point
that they cannot see
718
00:38:00,700 --> 00:38:02,820
that every album in Australia
doesn't have to be like
719
00:38:02,820 --> 00:38:05,340
a Jimmy Barnes, or Hoodoo Guru,
or Midnight Oil.
720
00:38:05,340 --> 00:38:06,700
It's a very negative thing.
721
00:38:06,700 --> 00:38:08,900
Like Countdown, I guess you can
turn Countdown off sometimes.
722
00:38:08,900 --> 00:38:11,580
And with this particular issue,
and particularly this review,
723
00:38:11,580 --> 00:38:14,100
you can always turn this
into something like,
724
00:38:14,100 --> 00:38:15,700
well, expensive toilet paper.
725
00:38:15,700 --> 00:38:15,940
OK. For all you people who tuned
well, expensive toilet paper.
726
00:38:15,940 --> 00:38:18,180
OK. For all you people who tuned
into Countdown last week,
727
00:38:18,180 --> 00:38:20,780
and were a little perturbed,
especially the anti-litter people,
728
00:38:20,780 --> 00:38:24,100
about me actually ripping up a RAM
and spreading it all over the place,
729
00:38:24,100 --> 00:38:27,500
believe me, after the shoot,
I picked up every piece of RAM.
730
00:38:27,500 --> 00:38:29,740
And I also picked up a couple
of lolly papers as well.
731
00:38:29,740 --> 00:38:30,860
So do not worry about it.
732
00:38:30,860 --> 00:38:32,220
Well, let's have a look
733
00:38:32,220 --> 00:38:33,860
at a couple
of our favourite superstars
734
00:38:33,860 --> 00:38:36,380
who appear to be having problems
over the last week or so.
735
00:38:36,380 --> 00:38:37,780
The first is Boy George.
736
00:38:37,780 --> 00:38:39,260
Apparently, here in Australia,
737
00:38:39,260 --> 00:38:42,660
it would appear that radio
are completely ignoring this song,
738
00:38:42,660 --> 00:38:44,660
Everything I Earn,
the old Bread song.
739
00:38:44,660 --> 00:38:45,860
Well, I'll tell you what.
740
00:38:45,860 --> 00:38:48,860
The Culture Club fans
and Boy George fans are angry.
741
00:38:48,860 --> 00:38:51,460
And they're about to put
their anger into action.
742
00:38:51,460 --> 00:38:53,980
I believe around the country
over the next week or so,
743
00:38:53,980 --> 00:38:55,820
they're going to take on
the radio stations.
744
00:38:55,820 --> 00:38:58,540
Well, for starters,
we're protesting against the fact
745
00:38:58,540 --> 00:39:01,540
that they're not playing
George's single on the radio,
746
00:39:01,540 --> 00:39:03,660
which is very hypocritical
for starters.
747
00:39:03,660 --> 00:39:06,580
EON FM is playing it,
8:00 each night,
748
00:39:06,580 --> 00:39:09,660
because it's top eight,
number one in the top eight.
749
00:39:09,660 --> 00:39:13,060
Now if they're prepared
to play it at 8:00, right,
750
00:39:13,060 --> 00:39:15,100
why not play it
during the day as well?
751
00:39:15,100 --> 00:39:18,300
Sgt Pepper's not only musically
changed the face of the world,
752
00:39:18,300 --> 00:39:20,660
but it also socially changed
the face of the world.
753
00:39:20,660 --> 00:39:22,260
Well, of course,
it's the '80s today.
754
00:39:22,260 --> 00:39:25,140
It's out, as I say, tomorrow.
There's a special copy here.
755
00:39:25,140 --> 00:39:28,700
You get the cut-outs. You can make
yourself into a Sgt Pepper.
756
00:39:28,700 --> 00:39:30,340
And you also get
a very limited version.
757
00:39:30,340 --> 00:39:32,260
And I say limited,
of a red vinyl.
758
00:39:32,260 --> 00:39:35,060
So all those Beatle freaks,
I'm sure they'll be out tomorrow.
759
00:39:35,060 --> 00:39:35,300
So all those Beatle freaks,
Alright. Now, listen, Kylie.
760
00:39:35,300 --> 00:39:36,540
Alright. Now, listen, Kylie.
761
00:39:36,540 --> 00:39:36,780
Congratulations on the single.
This is the 12-inch.
Alright. Now, listen, Kylie.
762
00:39:36,780 --> 00:39:39,060
Congratulations on the single.
This is the 12-inch.
763
00:39:39,060 --> 00:39:41,300
And it's a graded 12-inch,
I might add.
764
00:39:41,300 --> 00:39:44,780
Were you very nervous about going
into the recording arena?
765
00:39:44,780 --> 00:39:45,020
Were you very nervous about going
into the recording arena?
I did it months and months ago.
766
00:39:45,020 --> 00:39:46,420
I did it months and months ago.
767
00:39:46,420 --> 00:39:48,780
But it's different,
but I had a good time.
768
00:39:48,780 --> 00:39:51,020
Yeah? Did you have any help
from your sister, who is...
769
00:39:51,020 --> 00:39:52,780
I had a bit of help.
Yeah?
770
00:39:55,900 --> 00:39:58,340
# Come on, take in the sunshine
771
00:39:58,340 --> 00:40:00,020
# I want to be free
772
00:40:00,020 --> 00:40:00,260
PAUL: Countdown was always
# I want to be free
773
00:40:00,260 --> 00:40:01,700
PAUL: Countdown was always
for the people,
774
00:40:01,700 --> 00:40:04,820
and the entire country
felt part of the show.
775
00:40:04,820 --> 00:40:07,500
# We want a kick
that we're used to. #
776
00:40:07,500 --> 00:40:07,740
# Eyes on the target
# We want a kick
that we're used to. #
777
00:40:07,740 --> 00:40:10,100
# Eyes on the target
778
00:40:10,100 --> 00:40:10,340
# Eyes on the target
The Cockroaches,
779
00:40:10,340 --> 00:40:12,860
Countdown '87 regulars,
The Cockroaches,
780
00:40:12,860 --> 00:40:13,140
Countdown '87 regulars,
The Cockroaches,
had an energy
that was infectious.
781
00:40:13,140 --> 00:40:15,900
had an energy
that was infectious.
782
00:40:15,900 --> 00:40:16,140
had an energy
# Just hear the crowd sigh
783
00:40:16,140 --> 00:40:18,780
# Just hear the crowd sigh
784
00:40:18,780 --> 00:40:22,020
Four years later, two of them would
have even greater success
785
00:40:22,020 --> 00:40:25,380
in one of Australia's biggest
ever exports, The Wiggles.
786
00:40:25,380 --> 00:40:27,940
# Hey, let's go,
let's go, let's go
787
00:40:27,940 --> 00:40:30,740
# Hey, let's go, let's go,
let's go
788
00:40:30,740 --> 00:40:30,980
# Hey, let's go, let's go,
# Hey, let's go, let's go
789
00:40:30,980 --> 00:40:32,860
# Hey, let's go, let's go
790
00:40:32,860 --> 00:40:33,100
# Because she's the one,
# Hey, let's go, let's go
791
00:40:33,100 --> 00:40:35,140
# Because she's the one,
she's the one, she's the one
792
00:40:35,140 --> 00:40:37,260
# She's the one,
she's the one, she's the one
793
00:40:37,260 --> 00:40:37,500
# She's the one,
# She's the...#
794
00:40:37,500 --> 00:40:38,980
# She's the...#
795
00:40:38,980 --> 00:40:40,780
# Don't you get the feeling
796
00:40:40,780 --> 00:40:41,020
# That you've done this kind
of thing before?
# Don't you get the feeling
797
00:40:41,020 --> 00:40:44,660
# That you've done this kind
of thing before?
798
00:40:44,660 --> 00:40:46,020
Then you had the Mentals,
799
00:40:46,020 --> 00:40:49,220
who kept on delivering
one catchy tune after the next.
800
00:40:49,220 --> 00:40:51,740
# And now you're
going back for more
801
00:40:54,900 --> 00:40:57,260
# Come with me
802
00:40:57,260 --> 00:40:59,660
# Get out of the mess you're in
803
00:41:02,780 --> 00:41:04,660
# You take your life
in your hand
804
00:41:04,660 --> 00:41:08,020
# Every time you fool
around with him
805
00:41:09,980 --> 00:41:12,660
# He's just no good for you
806
00:41:14,180 --> 00:41:16,740
# Why are you going back?
807
00:41:19,700 --> 00:41:21,620
# You deserve
808
00:41:21,620 --> 00:41:24,260
# A whole lot better than that
809
00:41:27,820 --> 00:41:29,700
# Your memory must be short
810
00:41:29,700 --> 00:41:29,940
# Or you find it
# Your memory must be short
811
00:41:29,940 --> 00:41:32,500
# Or you find it
very easy to forgive
812
00:41:35,660 --> 00:41:37,540
# You must be
a little bit crazy
813
00:41:37,540 --> 00:41:40,500
# If you think that's how
you ought to live
814
00:41:42,980 --> 00:41:46,740
# He's just no good for you
815
00:41:46,740 --> 00:41:49,180
# Why are you going back?
816
00:41:51,740 --> 00:41:54,060
# You deserve
817
00:41:54,060 --> 00:41:56,700
# A whole lot better than that
818
00:42:01,020 --> 00:42:04,420
# Stop and think
819
00:42:04,420 --> 00:42:06,620
# While you've got the chance
820
00:42:09,140 --> 00:42:11,340
# Stop and think
821
00:42:11,340 --> 00:42:13,820
# Or you'll be over your head
822
00:42:13,820 --> 00:42:16,380
# In a doomed romance
823
00:42:31,180 --> 00:42:33,940
# He's just no good for you
824
00:42:35,180 --> 00:42:38,140
# Why are you going back?
825
00:42:40,380 --> 00:42:42,340
# You deserve
826
00:42:42,340 --> 00:42:45,020
# A whole lot better than that
827
00:42:48,740 --> 00:42:50,940
# Don't you get
the feeling that
828
00:42:50,940 --> 00:42:53,500
# You've done
this kind of thing before?
829
00:42:55,540 --> 00:42:58,740
# You've been kicked
in the teeth
830
00:42:58,740 --> 00:43:03,660
# And now you're going back
for more, and more, and more
831
00:43:03,660 --> 00:43:03,900
# He's just no good for you
# And now you're going back
for more, and more, and more
832
00:43:03,900 --> 00:43:07,580
# He's just no good for you
833
00:43:07,580 --> 00:43:10,980
# Why are you going back?
834
00:43:13,020 --> 00:43:14,860
# You deserve
835
00:43:14,860 --> 00:43:15,060
# You deserve
# A whole lot better than that
836
00:43:15,060 --> 00:43:17,780
# A whole lot better than that
837
00:43:19,380 --> 00:43:23,060
# Oh, he's just no good for you
838
00:43:23,060 --> 00:43:25,180
# He's just no good
839
00:43:25,180 --> 00:43:27,420
# Why are you going back?
840
00:43:27,420 --> 00:43:28,900
# He's just no good
841
00:43:28,900 --> 00:43:33,780
# You deserve
a whole lot better than that
842
00:43:36,260 --> 00:43:39,340
# Oh, he's just no good for you
843
00:43:39,340 --> 00:43:40,940
# He's just no good
844
00:43:40,940 --> 00:43:43,500
# Why are you going back?
845
00:43:43,500 --> 00:43:45,220
# He's just no good
846
00:43:45,220 --> 00:43:47,620
# You deserve
847
00:43:47,620 --> 00:43:50,340
# A whole lot better
than that. #
848
00:44:09,460 --> 00:44:11,460
MOLLY: What do you think
of Red Symon's new song?
849
00:44:11,460 --> 00:44:11,700
MOLLY: What do you think
It's very sobering.
850
00:44:11,700 --> 00:44:13,060
It's very sobering.
851
00:44:13,060 --> 00:44:14,580
I thought it was
very arresting.
852
00:44:14,580 --> 00:44:14,860
PAUL: Red Symons,
who performed with Skyhooks
I thought it was
very arresting.
853
00:44:14,860 --> 00:44:16,700
PAUL: Red Symons,
who performed with Skyhooks
854
00:44:16,700 --> 00:44:20,140
in the first song on the
first colour show in 1975,
855
00:44:20,140 --> 00:44:20,420
in the first song on the
first colour show in 1975,
was still getting on camera
in 1987.
856
00:44:20,420 --> 00:44:23,380
was still getting on camera
in 1987.
857
00:44:24,340 --> 00:44:26,620
It's an absolute disgrace,
an absolute disgrace!
858
00:44:26,620 --> 00:44:28,740
This shouldn't be on.
What was it?
859
00:44:28,740 --> 00:44:28,980
This shouldn't be on.
What was it?
It was you, Red.
860
00:44:28,980 --> 00:44:30,300
It was you, Red.
861
00:44:30,300 --> 00:44:30,540
Many other Aussie favourite musicians
from the early days
It was you, Red.
862
00:44:30,540 --> 00:44:33,020
Many other Aussie favourite musicians
from the early days
863
00:44:33,020 --> 00:44:35,540
had continued
to perform on the show.
864
00:44:35,540 --> 00:44:37,300
It was brilliant that
the final year
865
00:44:37,300 --> 00:44:37,540
saw performances by Ross Wilson...
the final year
866
00:44:37,540 --> 00:44:39,260
saw performances by Ross Wilson...
867
00:44:39,260 --> 00:44:39,460
saw performances by Ross Wilson...
# Boom, baby, boom
868
00:44:39,460 --> 00:44:41,180
# Boom, baby, boom
869
00:44:41,180 --> 00:44:43,580
# Ah, boom, baby, boom
870
00:44:46,540 --> 00:44:48,580
# Boom, baby, boom
871
00:44:48,580 --> 00:44:50,780
# Ah, boom, baby, boom. #
872
00:44:53,540 --> 00:44:57,540
# Down, down, down in my heart
873
00:44:57,540 --> 00:45:00,100
..James Ford and the Models...
874
00:45:00,100 --> 00:45:00,300
..James Ford and the Models...
# And when the morning comes
875
00:45:00,300 --> 00:45:03,420
# And when the morning comes
876
00:45:03,420 --> 00:45:05,580
# I'll be around
877
00:45:07,420 --> 00:45:10,940
# But if you say the word
878
00:45:10,940 --> 00:45:13,420
# I would always stay
879
00:45:16,500 --> 00:45:20,940
# And you hold on
to what you got. #
880
00:45:23,340 --> 00:45:26,660
..and Joe Camilleri, whose
new band, The Black Sorrows,
881
00:45:26,660 --> 00:45:26,940
was about to enjoy
a wave of success.
..and Joe Camilleri, whose
new band, The Black Sorrows,
882
00:45:26,940 --> 00:45:29,300
was about to enjoy
a wave of success.
883
00:45:41,660 --> 00:45:44,260
# Backwater bride
884
00:45:44,260 --> 00:45:46,420
# White leather hide
885
00:45:46,420 --> 00:45:49,020
# Head soaked in mud and gin
886
00:45:51,660 --> 00:45:54,580
# Cold rusted moon
887
00:45:54,580 --> 00:45:56,900
# Hellfire lagoon
888
00:45:56,900 --> 00:45:59,540
# Set for a masterpiece of sin
889
00:46:01,820 --> 00:46:04,940
# Daughters of glory
890
00:46:04,940 --> 00:46:06,940
# Outlaw lands
891
00:46:06,940 --> 00:46:12,140
# Sweet surrender
with a rifle in your hands
892
00:46:12,140 --> 00:46:12,380
# Sweet surrender
# Sons of sorrow
893
00:46:12,380 --> 00:46:14,700
# Sons of sorrow
894
00:46:14,700 --> 00:46:17,100
# Weep and wail
895
00:46:17,100 --> 00:46:21,500
# Six ways from Sunday
with the devil on your trail
896
00:46:25,500 --> 00:46:28,180
# Freight whistle blows
897
00:46:28,180 --> 00:46:30,820
# Red diamond rose
898
00:46:30,820 --> 00:46:33,060
# Sapphire and altar stone
899
00:46:35,500 --> 00:46:38,220
# Snake poison eyes
900
00:46:38,220 --> 00:46:40,820
# Low vermin lies
901
00:46:40,820 --> 00:46:42,980
# All down on flesh and bone
902
00:46:45,700 --> 00:46:48,500
# Daughters of glory
903
00:46:48,500 --> 00:46:50,940
# Outlaw lands
904
00:46:50,940 --> 00:46:55,900
# Sweet surrender
with a rifle in your hands
905
00:46:55,900 --> 00:46:56,140
# Sweet surrender
# Sons of sorrow
906
00:46:56,140 --> 00:46:58,660
# Sons of sorrow
907
00:46:58,660 --> 00:47:00,860
# Weep and wail
908
00:47:00,860 --> 00:47:04,700
# Six ways from Sunday
with the devil on your trail
909
00:47:16,020 --> 00:47:18,380
# Really want to rock, boy
910
00:47:43,540 --> 00:47:46,180
# Backwater bride
911
00:47:46,180 --> 00:47:47,980
# White leather hide
912
00:47:47,980 --> 00:47:50,820
# Head soaked in mud and gin
913
00:47:53,300 --> 00:47:55,940
# Snake poison eyes
914
00:47:55,940 --> 00:47:58,460
# Low vermin lies
915
00:47:58,460 --> 00:48:01,020
# Set for a masterpiece of sin
916
00:48:03,500 --> 00:48:06,300
# Daughters of glory
917
00:48:06,300 --> 00:48:08,740
# Outlaw lands
918
00:48:08,740 --> 00:48:13,660
# Sweet surrender
with a rifle in your hands
919
00:48:13,660 --> 00:48:13,900
# Sons of sorrow
# Sweet surrender
with a rifle in your hands
920
00:48:13,900 --> 00:48:16,460
# Sons of sorrow
921
00:48:16,460 --> 00:48:18,660
# Weep and wail
922
00:48:18,660 --> 00:48:22,620
# Six ways from Sunday
with the devil on your trail
923
00:48:23,820 --> 00:48:26,060
# Daughters of glory
924
00:48:26,060 --> 00:48:28,820
# Outlaw lands
925
00:48:28,820 --> 00:48:29,060
# Sweet surrender
# Outlaw lands
926
00:48:29,060 --> 00:48:33,460
# Sweet surrender
with a rifle in your hands
927
00:48:33,460 --> 00:48:33,700
# Sweet surrender
# Sons of sorrow
928
00:48:33,700 --> 00:48:36,060
# Sons of sorrow
929
00:48:36,060 --> 00:48:38,460
# Weep and wail
930
00:48:38,460 --> 00:48:41,420
# Six ways from Sunday
with the devil
931
00:48:42,860 --> 00:48:45,100
# On your trail
932
00:48:47,780 --> 00:48:49,980
# On your trail
933
00:48:52,820 --> 00:48:55,500
# Ready to rock, boys
934
00:48:55,500 --> 00:49:00,140
# Let them rock, boys
935
00:49:05,900 --> 00:49:08,380
# Get it right, boys
936
00:49:10,380 --> 00:49:12,820
# Ooh. #
937
00:49:27,900 --> 00:49:29,500
Countdown!
938
00:49:29,500 --> 00:49:31,420
# Take, take, take, take
939
00:49:31,420 --> 00:49:31,620
# Ta-ta-ta-ta-take
# Take, take, take, take
940
00:49:31,620 --> 00:49:33,540
# Ta-ta-ta-ta-take
941
00:49:33,540 --> 00:49:36,100
# Taking chances, bold advances
942
00:49:36,100 --> 00:49:36,340
# Taking chances, bold advances
PAUL: Whenever we were short
of a video clip
943
00:49:36,340 --> 00:49:37,940
PAUL: Whenever we were short
of a video clip
944
00:49:37,940 --> 00:49:38,180
PAUL: Whenever we were short
or live performance,
945
00:49:38,180 --> 00:49:39,460
or live performance,
946
00:49:39,460 --> 00:49:41,900
Countdown let its dancers fill in.
947
00:49:41,900 --> 00:49:45,500
They were unleashed when Mel and Kim
made it to number one.
948
00:49:45,500 --> 00:49:49,180
# Get out of here,
we just don't have the time
949
00:49:49,180 --> 00:49:50,860
# Take, take, take, take
950
00:49:50,860 --> 00:49:52,820
# Ta-ta-ta-ta-ta-ta-take. #
951
00:49:52,820 --> 00:49:53,060
# Boom, boom, boom,
let's go back to my room
# Ta-ta-ta-ta-ta-ta-take. #
952
00:49:53,060 --> 00:49:55,940
# Boom, boom, boom,
let's go back to my room
953
00:49:55,940 --> 00:49:59,380
# So we can do it all night,
and you can make me feel right
954
00:49:59,380 --> 00:49:59,660
# So we can do it all night,
and you can make me feel right
But before they had
a chance to sit down,
955
00:49:59,660 --> 00:50:01,420
But before they had
a chance to sit down,
956
00:50:01,420 --> 00:50:05,220
Paul Lekakis also reached
number one with Boom Boom.
957
00:50:05,220 --> 00:50:07,300
# And you can
make me feel right. #
958
00:50:13,780 --> 00:50:17,260
(ALL SINGING)
959
00:50:17,260 --> 00:50:17,500
(ALL SINGING)
from the Footrot Flats movie,
960
00:50:17,500 --> 00:50:20,100
Dave Dobbyn,
from the Footrot Flats movie,
961
00:50:20,100 --> 00:50:20,340
Dave Dobbyn,
from the Footrot Flats movie,
was a big local favourite.
962
00:50:20,340 --> 00:50:22,140
was a big local favourite.
963
00:50:22,140 --> 00:50:25,900
# Howdy, angel
964
00:50:25,900 --> 00:50:29,100
# Where did you hide
your wings?
965
00:50:31,580 --> 00:50:35,220
# Her love shines over my horizon
966
00:50:35,220 --> 00:50:37,260
# She's a slice of heaven
967
00:50:37,260 --> 00:50:38,900
# Slice of heaven. #
968
00:50:38,900 --> 00:50:43,100
And a cover of the old song
He's Going to Step on You Again
969
00:50:43,100 --> 00:50:44,380
made it all the way to the top.
970
00:50:44,380 --> 00:50:47,980
# You can change your desire. #
971
00:50:47,980 --> 00:50:51,900
No, not that one, although it did
make the top 40.
972
00:50:51,900 --> 00:50:52,140
# Going to stamp out your fire
No, not that one, although it did
make the top 40.
973
00:50:52,140 --> 00:50:54,420
# Going to stamp out your fire
974
00:50:54,420 --> 00:50:56,660
# He can change your desire
975
00:50:56,660 --> 00:50:58,700
Yes, The Party Boys.
976
00:50:58,700 --> 00:50:58,900
Yes, The Party Boys.
# Make you forget you're a man
977
00:50:58,900 --> 00:51:00,420
# Make you forget you're a man
978
00:51:00,420 --> 00:51:01,980
# You're a man
979
00:51:01,980 --> 00:51:04,860
# You're the man. #
980
00:51:07,100 --> 00:51:11,180
So, 1987.
This was the final Countdown.
981
00:51:11,180 --> 00:51:11,420
So, 1987.
And as Molly would often do
982
00:51:11,420 --> 00:51:12,580
And as Molly would often do
983
00:51:12,580 --> 00:51:12,820
when a song had been at number one
And as Molly would often do
984
00:51:12,820 --> 00:51:15,540
when a song had been at number one
for a long stint,
985
00:51:15,540 --> 00:51:17,060
we're going to go out
with a song
986
00:51:17,060 --> 00:51:19,380
that didn't technically
top the charts,
987
00:51:19,380 --> 00:51:22,700
but it is a number one song
in the hearts of many music fans.
988
00:51:31,100 --> 00:51:34,460
# There is freedom within
989
00:51:34,460 --> 00:51:36,860
# There is freedom without
990
00:51:36,860 --> 00:51:39,820
# Try to catch the deluge
in a paper cup
991
00:51:43,460 --> 00:51:46,260
# There's a battle ahead
992
00:51:46,260 --> 00:51:48,380
# Many battles are lost
993
00:51:48,380 --> 00:51:50,580
# But you'll never see
the end of the road
994
00:51:50,580 --> 00:51:50,820
# But you'll never see
# While you're traveling with me
995
00:51:50,820 --> 00:51:53,060
# While you're traveling with me
996
00:51:54,660 --> 00:51:56,860
# Hey now, hey now
997
00:51:56,860 --> 00:51:59,780
# Don't dream it's over
998
00:51:59,780 --> 00:52:02,780
# Hey now, hey now
999
00:52:02,780 --> 00:52:06,180
# When the world comes in
1000
00:52:06,180 --> 00:52:09,100
# They come, they come
1001
00:52:09,100 --> 00:52:12,460
# To build a wall between us
1002
00:52:12,460 --> 00:52:14,860
# We know they won't win
1003
00:52:18,900 --> 00:52:22,100
# Now I'm towing my car
1004
00:52:22,100 --> 00:52:24,100
# There's a hole in the roof
1005
00:52:24,100 --> 00:52:27,980
# My possessions are causing me
suspicion, but there's no proof
1006
00:52:30,660 --> 00:52:33,700
# In the paper today
1007
00:52:33,700 --> 00:52:33,900
# In the paper today
# Tales of war and of waste
1008
00:52:33,900 --> 00:52:35,940
# Tales of war and of waste
1009
00:52:35,940 --> 00:52:39,940
# But you turn right over
to the TV page
1010
00:52:41,660 --> 00:52:44,500
# Hey now, hey now
1011
00:52:44,500 --> 00:52:46,980
# Don't dream it's over
1012
00:52:46,980 --> 00:52:50,060
# Hey now, hey now
1013
00:52:50,060 --> 00:52:53,060
# When the world comes in
1014
00:52:53,060 --> 00:52:56,580
# They come, they come
1015
00:52:56,580 --> 00:52:59,460
# To build a wall between us
1016
00:52:59,460 --> 00:53:02,340
# We know they won't win
1017
00:53:43,020 --> 00:53:45,740
# Now I'm walking again
1018
00:53:45,740 --> 00:53:48,220
# To the beat of a drum
1019
00:53:48,220 --> 00:53:48,460
# To the beat of a drum
to the door of your heart
1020
00:53:48,460 --> 00:53:51,780
# And I'm counting the steps
to the door of your heart
1021
00:53:54,540 --> 00:53:57,580
# Only shadows ahead
1022
00:53:57,580 --> 00:53:59,700
# Barely clearing the roof
1023
00:53:59,700 --> 00:53:59,940
# Get to know the feeling
# Barely clearing the roof
1024
00:53:59,940 --> 00:54:03,660
# Get to know the feeling
of liberation and release
1025
00:54:04,900 --> 00:54:07,940
# Hey now, hey now
1026
00:54:07,940 --> 00:54:11,140
# Don't dream it's over
1027
00:54:11,140 --> 00:54:14,140
# Hey now, hey now
1028
00:54:14,140 --> 00:54:16,700
# When the world comes in
1029
00:54:16,700 --> 00:54:19,820
# They come, they come
1030
00:54:19,820 --> 00:54:23,260
# To build a wall between us
1031
00:54:23,260 --> 00:54:26,540
# We know they won't win, yeah
1032
00:54:32,060 --> 00:54:35,500
# Don't let them win, no
1033
00:54:39,260 --> 00:54:42,100
# Hey now, hey now
1034
00:54:42,100 --> 00:54:45,300
# Hey, no, no
1035
00:54:45,300 --> 00:54:48,580
# Hey now, hey now
1036
00:54:48,580 --> 00:54:51,420
# Don't ever let them win
1037
00:54:51,420 --> 00:54:54,460
# No, no
1038
00:54:54,460 --> 00:54:56,860
# Don't let them win
1039
00:55:01,260 --> 00:55:03,140
# Don't let them win
1040
00:55:03,140 --> 00:55:04,820
# Hey now, hey now. #
1041
00:55:04,820 --> 00:55:06,300
(CHEERS)
1042
00:55:06,300 --> 00:55:06,540
I have three complaints
(CHEERS)
1043
00:55:06,540 --> 00:55:09,260
I have three complaints
to make in my life.
1044
00:55:09,260 --> 00:55:09,500
I have three complaints
And this is a statement.
1045
00:55:09,500 --> 00:55:11,180
And this is a statement.
1046
00:55:11,180 --> 00:55:14,060
The first was a favourite
rock'n'roll group of mine
1047
00:55:14,060 --> 00:55:16,900
and for the right
and wrong reasons,
1048
00:55:16,900 --> 00:55:18,340
never appeared on our show.
1049
00:55:18,340 --> 00:55:19,900
It was Midnight Oil.
1050
00:55:19,900 --> 00:55:20,140
And I think they're terrific.
(CHEERING)
It was Midnight Oil.
1051
00:55:20,140 --> 00:55:23,340
And I think they're terrific.
(CHEERING)
1052
00:55:23,340 --> 00:55:23,580
Thank you.
(CHEERING)
1053
00:55:23,580 --> 00:55:25,380
Thank you.
1054
00:55:25,380 --> 00:55:30,340
And the second was that the press
and the public
1055
00:55:30,340 --> 00:55:30,620
And the second was that the press
and the public
kept saying about,
"Will you take your hat off?"
1056
00:55:30,620 --> 00:55:33,900
kept saying about,
"Will you take your hat off?"
1057
00:55:33,900 --> 00:55:34,140
kept saying about,
(CHEERING)
1058
00:55:34,140 --> 00:55:36,380
(CHEERING)
1059
00:55:36,380 --> 00:55:41,060
The third was my mate here
wants the hat, right?
1060
00:55:41,060 --> 00:55:43,620
MAN: Yeah!
So thanks to...
1061
00:55:46,500 --> 00:55:48,900
..this shaver...
1062
00:55:48,900 --> 00:55:51,940
..and thanks to my hairdresser,
1063
00:55:51,940 --> 00:55:55,220
and I never ever thought I'd give
a credit to a hairdresser,
1064
00:55:55,220 --> 00:55:55,460
and I never ever thought I'd give
for taking this off.
1065
00:55:55,460 --> 00:55:56,820
for taking this off.
1066
00:55:58,340 --> 00:56:00,220
John, you can have the hat.
1067
00:56:00,220 --> 00:56:03,180
Peter, I hope you don't mind me
doing an impersonation of you.
1068
00:56:07,100 --> 00:56:10,100
Thank you, Australia,
good night!
1069
00:56:10,100 --> 00:56:12,020
PAUL: Visit the Classic Countdown
website
1070
00:56:12,020 --> 00:56:12,260
for more pictures, interviews
website
1071
00:56:12,260 --> 00:56:13,500
for more pictures, interviews
1072
00:56:13,500 --> 00:56:15,060
and behind the scenes information.
79461
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