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1
00:00:04,380 --> 00:00:06,140
I've looked at 50,000
photographs of myself
2
00:00:06,140 --> 00:00:09,220
in Countdown Magazine,
and I still don't feel sexy.
3
00:00:09,220 --> 00:00:11,580
Which is strange
because I am Rik Mayall,
4
00:00:11,580 --> 00:00:13,060
the sexiest man in the world.
5
00:00:13,060 --> 00:00:16,020
What I need is a really
great pop music program.
6
00:00:16,020 --> 00:00:16,260
What I need is a really
Well, Countdown's on.
7
00:00:16,260 --> 00:00:17,620
Well, Countdown's on.
8
00:00:17,620 --> 00:00:19,620
No, I said a really great
pop music program.
9
00:00:19,620 --> 00:00:21,260
Ah, Rik, let's not be rude.
We're guests in this country.
10
00:00:21,260 --> 00:00:21,500
Ah, Rik, let's not be rude.
You mustn't be rude.
11
00:00:21,500 --> 00:00:22,900
You mustn't be rude.
12
00:00:22,900 --> 00:00:24,540
I can't help it.
I'm a natural revolutionary.
13
00:00:24,540 --> 00:00:26,060
I'm going to do
something rude now.
14
00:00:26,060 --> 00:00:26,300
I'm going to do
(BLOWING RASPBERRY)
15
00:00:26,300 --> 00:00:27,540
(BLOWING RASPBERRY)
16
00:00:27,540 --> 00:00:27,780
Fantastically rude,
(BLOWING RASPBERRY)
17
00:00:27,780 --> 00:00:29,100
Fantastically rude,
I think you'll agree.
18
00:00:29,100 --> 00:00:29,340
Fantastically rude,
Ladies and gentlemen, Countdown.
19
00:00:29,340 --> 00:00:31,380
Ladies and gentlemen, Countdown.
20
00:00:31,380 --> 00:00:34,060
# Countdown, Countdown
21
00:00:34,060 --> 00:00:37,100
# Countdown,
Countdown
22
00:00:37,100 --> 00:00:40,020
ANNOUNCER: Welcome
to Classic Countdown, 1986.
23
00:00:40,020 --> 00:00:40,260
ANNOUNCER: Welcome
# Countdown!
24
00:00:40,260 --> 00:00:41,620
# Countdown!
25
00:00:43,020 --> 00:00:45,260
DEB: In 1986,
we looked to the stars.
26
00:00:46,660 --> 00:00:49,020
Not those stars,
as big as they were that year.
27
00:00:49,020 --> 00:00:52,620
It was Halley's Comet doing
its once in a lifetime drive-by
28
00:00:52,620 --> 00:00:54,740
that gave us all
an excuse to stay up late.
29
00:00:56,220 --> 00:00:59,380
In '86, it looked
like we might all get along.
30
00:00:59,380 --> 00:01:01,900
Ice dancers Torvill and Dean
were a global love story,
31
00:01:01,900 --> 00:01:04,420
and the growing talks
between Regan and Gorbachev
32
00:01:04,420 --> 00:01:04,660
and the growing talks
set the Cold War thawing.
33
00:01:04,660 --> 00:01:07,140
set the Cold War thawing.
34
00:01:07,140 --> 00:01:07,380
Aussie icon, Paul Hogan,
set the Cold War thawing.
35
00:01:07,380 --> 00:01:10,100
Aussie icon, Paul Hogan,
stole America's hearts.
36
00:01:10,100 --> 00:01:12,340
Fair suck
on the sauce bottle, boys.
37
00:01:12,340 --> 00:01:15,380
And someone stole
a priceless work of art.
38
00:01:15,380 --> 00:01:18,700
It is going to be bolted to the wall
and placed behind glass.
39
00:01:18,700 --> 00:01:20,260
If you want to take
the painting next time,
40
00:01:20,260 --> 00:01:22,780
you will have to take the entire
air conditioning duct.
41
00:01:22,780 --> 00:01:25,020
The "greed is good" culture was
reaching its peak.
42
00:01:27,180 --> 00:01:30,140
# Let's go to paradise
43
00:01:30,140 --> 00:01:32,220
Some bands were looking
for a good time.
44
00:01:32,220 --> 00:01:32,460
# Let's go to paradise
for a good time.
45
00:01:32,460 --> 00:01:34,860
# Let's go to paradise
46
00:01:34,860 --> 00:01:35,060
# Let's go to paradise
# Let's go to paradise
47
00:01:35,060 --> 00:01:38,340
# Let's go to paradise
48
00:01:38,340 --> 00:01:40,220
# They can go to hell. #
49
00:01:41,260 --> 00:01:43,180
# Something is missing
50
00:01:43,180 --> 00:01:45,100
# Mr Big
51
00:01:45,100 --> 00:01:47,900
Other bands were
looking for answers.
52
00:01:47,900 --> 00:01:48,140
Other bands were
looking for answers.
# Something is missing
53
00:01:48,140 --> 00:01:50,420
# Something is missing
54
00:01:50,420 --> 00:01:52,300
# Mr Big. #
55
00:01:55,940 --> 00:01:58,740
But after the boom
comes the inevitable crash
56
00:01:58,740 --> 00:02:01,100
and soon we would be throwing our
hands up in the air.
57
00:02:10,700 --> 00:02:12,900
# Na-na-na-na-na-na
58
00:02:14,340 --> 00:02:16,860
# Na-na-na-na-na-na
59
00:02:18,460 --> 00:02:20,980
# Sip in the shadow, babe
60
00:02:20,980 --> 00:02:25,020
# And enjoy the sunny day
61
00:02:25,020 --> 00:02:27,940
# The weather is changeable
62
00:02:27,940 --> 00:02:30,420
# Run around the world
63
00:02:30,420 --> 00:02:32,460
# Ships go by
64
00:02:32,460 --> 00:02:35,020
# My pokey beach
65
00:02:35,020 --> 00:02:38,060
# I'm waving as they pass me by
66
00:02:38,060 --> 00:02:40,980
# If you are sinking
67
00:02:40,980 --> 00:02:43,460
# Hands up in the air
68
00:02:43,460 --> 00:02:46,060
# If you are drowning
69
00:02:46,060 --> 00:02:47,740
# Hands up in the air
70
00:02:47,740 --> 00:02:50,580
# Na-na-na-na-na-na
71
00:02:50,580 --> 00:02:52,980
# Hands up in the air
72
00:02:52,980 --> 00:02:55,700
# Na-na-na-na-na-na
73
00:02:55,700 --> 00:02:58,220
# Hands up in the air
74
00:02:58,220 --> 00:03:01,260
# Now count me in on this
75
00:03:01,260 --> 00:03:01,500
# Let's be swept
# Now count me in on this
76
00:03:01,500 --> 00:03:04,940
# Let's be swept
right out to sea
77
00:03:04,940 --> 00:03:05,180
# The current is dangerous
# Let's be swept
right out to sea
78
00:03:05,180 --> 00:03:07,460
# The current is dangerous
79
00:03:07,460 --> 00:03:10,300
# They're sick
of backyard pools
80
00:03:10,300 --> 00:03:10,540
# They're killing time
of backyard pools
81
00:03:10,540 --> 00:03:12,540
# They're killing time
82
00:03:12,540 --> 00:03:14,300
# They won't learn to swim
83
00:03:14,300 --> 00:03:18,060
# Well, I'd have fun
on my back hook
84
00:03:18,060 --> 00:03:18,300
# Well, I'd have fun
on my back hook
# If you are sinking
85
00:03:18,300 --> 00:03:20,820
# If you are sinking
86
00:03:20,820 --> 00:03:23,220
# Hands up in the air
87
00:03:23,220 --> 00:03:26,260
# If you are drowning
88
00:03:26,260 --> 00:03:27,980
# Hands up in the air
89
00:03:27,980 --> 00:03:30,380
# Na-na-na-na-na-na
90
00:03:30,380 --> 00:03:32,980
# Hands up in the air
91
00:03:32,980 --> 00:03:35,700
# Na-na-na-na-na-na
92
00:03:35,700 --> 00:03:38,220
# Hands up in the air
93
00:03:38,220 --> 00:03:40,980
# Na-na-na-na-na-na
94
00:03:40,980 --> 00:03:43,540
# Hands up in the air
95
00:03:43,540 --> 00:03:46,180
# Na-na-na-na-na-na
96
00:03:46,180 --> 00:03:48,660
# Hands up, hands up
97
00:03:57,460 --> 00:04:00,860
# I'm floating
as the ships roll by
98
00:04:05,740 --> 00:04:09,780
# I'm floating
as the ships roll by
99
00:04:09,780 --> 00:04:13,260
# I'm floating
100
00:04:13,260 --> 00:04:17,380
# Try floating
as the ships roll by
101
00:04:17,380 --> 00:04:17,620
# Try floating
# Who's floating?
102
00:04:17,620 --> 00:04:19,260
# Who's floating?
103
00:04:19,260 --> 00:04:21,700
Come on! Float!
104
00:04:25,980 --> 00:04:28,180
# Hands up, hands up
105
00:04:31,540 --> 00:04:33,580
# Hands up in the air
106
00:04:44,420 --> 00:04:47,380
# If you are sinking
107
00:04:47,380 --> 00:04:47,580
# Hands up in the air
# If you are sinking
108
00:04:47,580 --> 00:04:49,380
# Hands up in the air
109
00:04:49,380 --> 00:04:52,700
# If you are drowning
110
00:04:52,700 --> 00:04:55,020
# Hands up in the air
111
00:04:55,020 --> 00:04:56,820
# Na-na-na-na-na-na
112
00:04:56,820 --> 00:04:59,340
# Hands up in the air
113
00:04:59,340 --> 00:04:59,540
# Hands up in the air
# Na-na-na-na-na-na
114
00:04:59,540 --> 00:05:02,100
# Na-na-na-na-na-na
115
00:05:02,100 --> 00:05:04,940
# Hands up, hands up
116
00:05:04,940 --> 00:05:07,300
# Na-na-na-na-na-na
117
00:05:07,300 --> 00:05:10,060
# Hands up in the air
118
00:05:10,060 --> 00:05:12,700
# Na-na-na-na-na-na
119
00:05:12,700 --> 00:05:15,140
# Hands up, hands up. #
120
00:05:27,380 --> 00:05:29,580
(CHEERING)
121
00:05:31,580 --> 00:05:35,300
# Now I'm only hoping
that I'm living in a dream
122
00:05:35,300 --> 00:05:38,540
DEB: In 1986, there was
a formula for chart success.
123
00:05:38,540 --> 00:05:40,780
# It's just a dream
124
00:05:40,780 --> 00:05:43,500
Start with electronic drums
and optional keytar...
125
00:05:43,500 --> 00:05:45,260
# It's strange how
it seems to be different
126
00:05:45,260 --> 00:05:45,500
# It's strange how
# When you're living in a dream
127
00:05:45,500 --> 00:05:47,300
# When you're living in a dream
128
00:05:49,940 --> 00:05:52,260
# It's strange how things seem to be
different
129
00:05:52,260 --> 00:05:54,340
# When you're living
in a dream. #
130
00:05:57,860 --> 00:05:59,700
..and an anthemic melody...
131
00:05:59,700 --> 00:06:01,900
# Everybody say
132
00:06:01,900 --> 00:06:04,140
# Amen
133
00:06:04,140 --> 00:06:08,220
# These are the dreams
of ordinary men
134
00:06:08,220 --> 00:06:11,900
# This is the world
that we'll be living in
135
00:06:11,900 --> 00:06:15,100
# Out of the dreams
of ordinary men. #
136
00:06:19,900 --> 00:06:22,420
..and a big, big keyboard sound.
137
00:06:27,260 --> 00:06:31,100
# Lots of cash, limousines
138
00:06:31,100 --> 00:06:31,340
# Big time plans
# Lots of cash, limousines
139
00:06:31,340 --> 00:06:34,860
# Big time plans
and big time dreams. #
140
00:06:34,860 --> 00:06:37,780
One English band perfectly combined
all these elements
141
00:06:37,780 --> 00:06:40,580
in a memorable Countdown
'86 performance.
142
00:07:02,460 --> 00:07:05,900
# Gotta get a message
to the stars above
143
00:07:05,900 --> 00:07:09,540
# Like radios in heaven
hearing just enough
144
00:07:09,540 --> 00:07:13,500
# And every single teardrop along
the way
145
00:07:13,500 --> 00:07:17,180
# We'll put them in our pockets
for a rainy day
146
00:07:17,180 --> 00:07:20,860
# But here we are in trouble like we
always are
147
00:07:20,860 --> 00:07:24,700
# Just praying for a miracle,
and reaching for stars
148
00:07:24,700 --> 00:07:24,940
# Just praying for a miracle,
# We love you
149
00:07:24,940 --> 00:07:28,540
# We love you
150
00:07:28,540 --> 00:07:32,300
# Would die for you
151
00:07:32,300 --> 00:07:36,020
# We need you
152
00:07:36,020 --> 00:07:38,300
# Every day
153
00:07:45,140 --> 00:07:48,780
# We got to get a message
to the promised land
154
00:07:48,780 --> 00:07:52,820
# Like semaphores in motion
so they'll understand
155
00:07:52,820 --> 00:07:56,300
# But every single vision
that we saw today
156
00:07:56,300 --> 00:07:56,580
# But every single vision
that we saw today
# We didn't quite believe it
in the usual way
157
00:07:56,580 --> 00:07:59,780
# We didn't quite believe it
in the usual way
158
00:07:59,780 --> 00:08:03,940
# Yet here we are in heaven,
who could want for more?
159
00:08:03,940 --> 00:08:07,580
# We always end up getting
what we're asking for
160
00:08:07,580 --> 00:08:07,820
# We always end up getting
# We love you
161
00:08:07,820 --> 00:08:10,500
# We love you
162
00:08:11,660 --> 00:08:15,100
# Would die for you
163
00:08:15,100 --> 00:08:18,660
# We need you
164
00:08:18,660 --> 00:08:21,060
# Every day
165
00:08:22,500 --> 00:08:26,420
# Oh, we love you
166
00:08:26,420 --> 00:08:29,980
# Wouldn't leave you
167
00:08:29,980 --> 00:08:33,660
# We miss you
168
00:08:33,660 --> 00:08:36,300
# Far away
169
00:08:50,300 --> 00:08:54,100
# It's just another promise like
we've heard before
170
00:08:54,100 --> 00:09:01,940
# We're never really knowing
what we're fighting for
171
00:09:12,820 --> 00:09:16,740
# We love you
172
00:09:16,740 --> 00:09:20,060
# Would die for you
173
00:09:20,060 --> 00:09:24,020
# We need you
174
00:09:24,020 --> 00:09:24,220
# We need you
# Every day
175
00:09:24,220 --> 00:09:27,620
# Every day
176
00:09:27,620 --> 00:09:31,460
# We love you
177
00:09:31,460 --> 00:09:34,900
# Wouldn't leave you
178
00:09:34,900 --> 00:09:38,820
# We miss you
179
00:09:38,820 --> 00:09:41,500
# Far away
180
00:09:44,900 --> 00:09:47,940
# We love you
181
00:09:47,940 --> 00:09:51,860
# Would die for you
182
00:09:51,860 --> 00:09:55,700
# We need you
183
00:09:55,700 --> 00:09:59,380
# Every day
184
00:09:59,380 --> 00:10:02,900
# We love you
185
00:10:02,900 --> 00:10:07,020
# Wouldn't leave you
186
00:10:07,020 --> 00:10:10,580
# We need you
187
00:10:10,580 --> 00:10:14,140
# Every day. #
188
00:10:14,140 --> 00:10:17,780
(CHEERING)
189
00:10:17,780 --> 00:10:18,020
# She left because she understood
the value of defiance... #
(CHEERING)
190
00:10:18,020 --> 00:10:23,340
# She left because she understood
the value of defiance... #
191
00:10:23,340 --> 00:10:25,580
DEB: It was synth pop's
last hurrah.
192
00:10:25,580 --> 00:10:25,860
DEB: It was synth pop's
last hurrah.
Many of the bands in Britain were
branching off
193
00:10:25,860 --> 00:10:27,140
Many of the bands in Britain were
branching off
194
00:10:27,140 --> 00:10:27,380
Many of the bands in Britain were
into different styles.
195
00:10:27,380 --> 00:10:29,220
into different styles.
196
00:10:29,220 --> 00:10:29,460
# Sweetest girl
into different styles.
197
00:10:29,460 --> 00:10:33,020
# Sweetest girl
in all the world
198
00:10:33,020 --> 00:10:33,260
# Sweetest girl
# These eyes are for you. #
199
00:10:33,260 --> 00:10:35,060
# These eyes are for you. #
200
00:10:41,340 --> 00:10:44,700
# Set me free,
why don't you, babe?
201
00:10:44,700 --> 00:10:47,900
Kim Wilde went back to the future,
covering classic Motown.
202
00:10:49,220 --> 00:10:52,300
# Because you don't
really need me
203
00:10:52,300 --> 00:10:52,540
# Because you don't
# But you keep me hanging on
204
00:10:52,540 --> 00:10:55,740
# But you keep me hanging on
205
00:10:57,140 --> 00:11:00,500
# Why do you keep
a-coming around
206
00:11:00,500 --> 00:11:00,740
# Why do you keep
# Playing with my heart?
207
00:11:00,740 --> 00:11:03,180
# Playing with my heart?
208
00:11:04,980 --> 00:11:08,500
# Why don't you
get out of my life
209
00:11:08,500 --> 00:11:11,300
# And let me make
a brand-new start. #
210
00:11:13,780 --> 00:11:17,340
Even Gothic rockers, The Damned,
recorded a '60s pop song
211
00:11:17,340 --> 00:11:19,540
that became one
of their biggest hits.
212
00:11:21,060 --> 00:11:23,580
# Every night, I'm there
213
00:11:23,580 --> 00:11:23,780
# Every night, I'm there
# I'm always there
214
00:11:23,780 --> 00:11:25,140
# I'm always there
215
00:11:25,140 --> 00:11:27,140
# She knows I'm there
216
00:11:27,140 --> 00:11:29,700
# And heaven knows
217
00:11:29,700 --> 00:11:31,860
# I hope she goes
218
00:11:34,700 --> 00:11:36,500
# I find it hard
219
00:11:36,500 --> 00:11:40,580
# To realise that love was
in her eyes
220
00:11:40,580 --> 00:11:42,500
# It's dying now
221
00:11:43,660 --> 00:11:45,940
# She knows I'm crying now
222
00:11:46,980 --> 00:11:49,940
# And every night I'm there
223
00:11:49,940 --> 00:11:53,020
# I break my heart to please
224
00:11:53,020 --> 00:11:58,340
# Eloise
225
00:12:04,820 --> 00:12:07,060
# You know
I'm on my knees, yeah
226
00:12:11,260 --> 00:12:13,460
# I said please
227
00:12:13,460 --> 00:12:16,020
# You're all I want
228
00:12:16,020 --> 00:12:18,060
# So hear my prayer
229
00:12:18,060 --> 00:12:20,140
# My prayer
230
00:12:21,180 --> 00:12:24,020
# My Eloise is like the stars
231
00:12:24,020 --> 00:12:26,340
# That please the night
232
00:12:26,340 --> 00:12:28,260
# The sun that makes the day
233
00:12:30,180 --> 00:12:33,020
# But lights the way
234
00:12:33,020 --> 00:12:34,900
# Eloise
235
00:12:34,900 --> 00:12:37,140
# And when that star goes by
236
00:12:37,140 --> 00:12:40,340
# I hold it in my hands and cry
237
00:12:40,340 --> 00:12:42,260
# Her love was mine
238
00:12:43,260 --> 00:12:45,620
# You know my sun will shine
239
00:12:47,460 --> 00:12:49,740
# And every night I'm there
240
00:12:49,740 --> 00:12:52,940
# I break my heart to please
241
00:12:52,940 --> 00:12:54,780
# Eloise
242
00:12:55,820 --> 00:12:59,580
# Eloise
243
00:13:13,220 --> 00:13:15,260
# You're all I want
244
00:13:15,260 --> 00:13:17,460
# You gotta hear my prayer
245
00:13:17,460 --> 00:13:19,660
# My prayer
246
00:13:31,420 --> 00:13:33,620
# My Eloise
247
00:13:36,540 --> 00:13:39,500
# I love to please her
248
00:13:39,500 --> 00:13:41,580
# I'd like to care
249
00:13:43,500 --> 00:13:45,540
# But she's not there
250
00:13:50,140 --> 00:13:52,740
# And when I'd find you
251
00:13:55,180 --> 00:13:58,140
# I'd be so kind
252
00:13:58,140 --> 00:14:01,260
# You'd want to stay
253
00:14:01,260 --> 00:14:03,940
# I know you'd stay
254
00:14:16,300 --> 00:14:20,380
# And as the days grow old,
the nights grow cold
255
00:14:20,380 --> 00:14:20,620
# And as the days grow old,
the nights grow cold
# I wanna hold her near to me
256
00:14:20,620 --> 00:14:23,820
# I wanna hold her near to me
257
00:14:25,300 --> 00:14:27,340
# You know she's dear to me
258
00:14:29,980 --> 00:14:32,460
# And only time will tell
259
00:14:32,460 --> 00:14:32,700
# And take away
# And only time will tell
260
00:14:32,700 --> 00:14:35,540
# And take away
this lonely hell
261
00:14:35,540 --> 00:14:35,780
# And take away
# I'm on my knees
262
00:14:35,780 --> 00:14:38,580
# I'm on my knees
263
00:14:38,580 --> 00:14:40,700
# To my Eloise
264
00:14:42,540 --> 00:14:44,940
# And every night I'm there
265
00:14:44,940 --> 00:14:47,940
# I break my heart to please
266
00:14:47,940 --> 00:14:50,820
# Eloise
267
00:14:50,820 --> 00:14:52,900
# My Eloise
268
00:14:55,500 --> 00:15:00,220
# You are my life,
so hear my prayer
269
00:15:02,180 --> 00:15:06,460
# You are the prize,
I know you're there
270
00:15:06,460 --> 00:15:08,180
# I know you're there
271
00:15:08,180 --> 00:15:08,420
# You're all I want,
# I know you're there
272
00:15:08,420 --> 00:15:12,140
# You're all I want,
you gotta hear my prayer
273
00:15:12,140 --> 00:15:12,380
# You're all I want,
# Yeah, yeah, yeah
274
00:15:12,380 --> 00:15:14,620
# Yeah, yeah, yeah
275
00:15:14,620 --> 00:15:19,260
# You're all I need,
but you're not there
276
00:15:20,940 --> 00:15:22,980
# Oh, no, you're not there
277
00:15:24,940 --> 00:15:28,060
# No, no, no, no
278
00:15:28,060 --> 00:15:30,860
# Yeah, yeah, yeah, yeah, yeah
279
00:15:30,860 --> 00:15:33,620
# My Eloise, oh!
280
00:15:33,620 --> 00:15:39,260
# Oh, I got to please her
281
00:15:39,260 --> 00:15:42,180
# My Eloise
282
00:15:47,540 --> 00:15:49,980
# My Eloise
283
00:15:49,980 --> 00:15:52,500
# Oh, my Eloise
284
00:15:52,500 --> 00:15:54,220
# Come back to me
285
00:15:54,220 --> 00:15:58,460
# I said, no, no, no, no
286
00:16:00,900 --> 00:16:03,620
# My Eloise. #
287
00:16:03,620 --> 00:16:06,020
(CHEERING)
288
00:16:09,900 --> 00:16:11,980
DEB: In '86, one of
the biggest bands in history,
289
00:16:11,980 --> 00:16:13,620
The Rolling Stones,
290
00:16:13,620 --> 00:16:17,500
released a new album,
Dirty Work, after a long break.
291
00:16:17,500 --> 00:16:17,740
released a new album,
Molly was there to record
292
00:16:17,740 --> 00:16:18,780
Molly was there to record
293
00:16:18,780 --> 00:16:21,300
a fascinating sequence
of interviews.
294
00:16:21,300 --> 00:16:21,580
How much did you want
to do this album?
a fascinating sequence
of interviews.
295
00:16:21,580 --> 00:16:23,900
How much did you want
to do this album?
296
00:16:25,500 --> 00:16:26,860
How much did I want to do it?
297
00:16:26,860 --> 00:16:27,060
How much did I want to do it?
Um, this much.
298
00:16:27,060 --> 00:16:28,940
Um, this much.
299
00:16:32,140 --> 00:16:34,540
Or was it this much?
300
00:16:34,540 --> 00:16:37,420
I mean, I was there, I did it.
301
00:16:37,420 --> 00:16:38,940
I was really looking
forward to doing it.
302
00:16:38,940 --> 00:16:42,700
In fact, it was really
a bit long in the making.
303
00:16:42,700 --> 00:16:44,140
It wasn't always that great fun.
304
00:16:44,140 --> 00:16:46,780
But, I mean, I think
the actual album is really good.
305
00:16:46,780 --> 00:16:47,020
But, I mean, I think
Right now, you live a man with...
306
00:16:47,020 --> 00:16:51,780
Right now, you live a man with...
307
00:16:51,780 --> 00:16:55,260
It's almost like Joseph
with his coat, you know?
308
00:16:55,260 --> 00:16:57,500
You have this coat, that coat,
etcetera, etcetera.
309
00:16:57,500 --> 00:16:59,940
Nonetheless, there's always going to
be The Rolling Stones
310
00:16:59,940 --> 00:17:00,180
Nonetheless, there's always going to
as long as...
311
00:17:00,180 --> 00:17:01,860
as long as...
312
00:17:01,860 --> 00:17:04,380
As long as pop music
will continue.
313
00:17:04,380 --> 00:17:04,620
As long as pop music
Yeah, exactly.
314
00:17:04,620 --> 00:17:05,860
Yeah, exactly.
315
00:17:05,860 --> 00:17:06,100
How hard was it
to do the album?
Yeah, exactly.
316
00:17:06,100 --> 00:17:09,420
How hard was it
to do the album?
317
00:17:09,420 --> 00:17:09,660
I think it was quite hard
to do the album?
318
00:17:09,660 --> 00:17:11,980
I think it was quite hard
319
00:17:11,980 --> 00:17:14,020
because we spent longer getting into
it this time, didn't we?
320
00:17:14,020 --> 00:17:14,300
because we spent longer getting into
it this time, didn't we?
Sort of playing again because
we hadn't played for four years.
321
00:17:14,300 --> 00:17:17,020
Sort of playing again because
we hadn't played for four years.
322
00:17:17,020 --> 00:17:19,020
But it was fun getting
our chops back together again.
323
00:17:19,020 --> 00:17:22,300
It usually takes,
like, ten days, two weeks,
324
00:17:22,300 --> 00:17:22,540
It usually takes,
to sort of get back into it
325
00:17:22,540 --> 00:17:24,020
to sort of get back into it
326
00:17:24,020 --> 00:17:26,020
and it took about a month, didn't it,
really, this time?
327
00:17:26,020 --> 00:17:28,860
That was the only thing,
just to get warmed up.
328
00:17:28,860 --> 00:17:30,220
Well, if we go over
the clubs and things
329
00:17:30,220 --> 00:17:31,700
and finally get down
to the studio,
330
00:17:31,700 --> 00:17:31,940
and finally get down
it took about a month, yeah.
331
00:17:31,940 --> 00:17:32,980
it took about a month, yeah.
332
00:17:32,980 --> 00:17:34,900
(LAUGHS)
333
00:17:34,900 --> 00:17:35,140
It was good fun,
(LAUGHS)
334
00:17:35,140 --> 00:17:36,300
It was good fun,
though, wasn't it?
335
00:17:36,300 --> 00:17:36,540
It was good fun,
Just getting back together.
336
00:17:36,540 --> 00:17:37,900
Just getting back together.
337
00:17:37,900 --> 00:17:38,140
You obviously love
rock'n'roll to the hilt.
Just getting back together.
338
00:17:38,140 --> 00:17:40,420
You obviously love
rock'n'roll to the hilt.
339
00:17:40,420 --> 00:17:43,020
I do.
340
00:17:43,020 --> 00:17:44,980
Why?
341
00:17:44,980 --> 00:17:47,700
If I knew that, I mean,
342
00:17:47,700 --> 00:17:50,500
that's one of the things
I ask myself occasionally, why?
343
00:17:52,460 --> 00:17:53,740
One minute, it wasn't there,
344
00:17:53,740 --> 00:17:56,220
you know,
living in England, BBC.
345
00:17:56,220 --> 00:17:59,380
And one minute it was, "How much is
that doggy in the window?"
346
00:17:59,380 --> 00:18:01,660
And then you give me
Heartbreak Hotel, baby,
347
00:18:01,660 --> 00:18:01,900
And then you give me
and I know what I like.
348
00:18:01,900 --> 00:18:03,180
and I know what I like.
349
00:18:03,180 --> 00:18:03,420
And then take some of those
and I know what I like.
350
00:18:03,420 --> 00:18:06,060
And then take some of those
awful cliches, you know?
351
00:18:06,060 --> 00:18:06,300
And then take some of those
Like, a lot of cliches,
352
00:18:06,300 --> 00:18:07,700
Like, a lot of cliches,
353
00:18:07,700 --> 00:18:09,780
there's always an element
of truth in them.
354
00:18:12,700 --> 00:18:14,900
The more you find out,
355
00:18:14,900 --> 00:18:16,420
the less you realise you know,
356
00:18:16,420 --> 00:18:18,180
and it's just fascinating.
357
00:18:18,180 --> 00:18:19,700
It's so intriguing to me.
358
00:18:19,700 --> 00:18:21,980
And especially
with the Stones now,
359
00:18:21,980 --> 00:18:24,340
because we're probably
in a position
360
00:18:24,340 --> 00:18:24,580
because we're probably
to make more than anybody else.
361
00:18:24,580 --> 00:18:26,900
to make more than anybody else.
362
00:18:26,900 --> 00:18:29,580
We're still together
to make the thing grow up.
363
00:18:30,860 --> 00:18:32,860
Hi, we're INXS.
364
00:18:33,820 --> 00:18:36,340
And we're on Countdown in '86.
365
00:18:38,500 --> 00:18:41,700
(ALL LAUGH)
DIRECTOR: That's it.
366
00:18:41,700 --> 00:18:43,220
DEB: Aussies were
hitting it big too.
367
00:18:43,220 --> 00:18:46,300
INXS had taken
the UK and US by storm.
368
00:18:47,740 --> 00:18:50,860
At home, the local acts were also
making noise.
369
00:18:53,660 --> 00:18:55,380
The Australian-made concert series
370
00:18:55,380 --> 00:18:58,140
featuring Barnsy, Divinyls, Models,
and a host of others,
371
00:18:58,140 --> 00:19:00,460
were set up to provide
an alternative
372
00:19:00,460 --> 00:19:01,740
to the big international tours.
373
00:19:01,740 --> 00:19:03,780
# I've got
to let it loose tonight
374
00:19:03,780 --> 00:19:04,020
# I've got
# Baby, now
375
00:19:04,020 --> 00:19:06,300
# Baby, now
376
00:19:06,300 --> 00:19:08,100
# I know you. #
377
00:19:08,100 --> 00:19:08,340
Jimmy, welcome to the program.
Yep, it's great to be here.
# I know you. #
378
00:19:08,340 --> 00:19:10,060
Jimmy, welcome to the program.
Yep, it's great to be here.
379
00:19:10,060 --> 00:19:11,900
Australian Made tour. It's going to
be something else.
380
00:19:11,900 --> 00:19:13,580
Yeah, it should be a killer,
I think.
381
00:19:13,580 --> 00:19:13,860
Yeah, it should be a killer,
I think.
And Hobart must be delighted because
they always say
382
00:19:13,860 --> 00:19:15,420
And Hobart must be delighted because
they always say
383
00:19:15,420 --> 00:19:17,580
they miss out on everything,
and it kicks off from there
384
00:19:17,580 --> 00:19:18,860
on the 27th.
Starts off from there.
385
00:19:18,860 --> 00:19:20,380
Yeah, yeah.
And right around the country.
386
00:19:20,380 --> 00:19:20,620
Yeah, yeah.
Yes.
387
00:19:20,620 --> 00:19:22,060
Yes.
388
00:19:22,060 --> 00:19:23,860
I think all the bands
are just ready to get out
389
00:19:23,860 --> 00:19:24,980
and have a good time
and celebrate,
390
00:19:24,980 --> 00:19:27,260
speaking of good times.
Yeah, exactly.
391
00:19:30,580 --> 00:19:32,020
During this period,
some great songs
392
00:19:32,020 --> 00:19:32,260
were written about Australia,
some great songs
393
00:19:32,260 --> 00:19:33,340
were written about Australia,
394
00:19:33,340 --> 00:19:33,580
were written about Australia,
by GANGgajang.
395
00:19:33,580 --> 00:19:35,500
including this classic
by GANGgajang.
396
00:19:40,380 --> 00:19:42,740
# I think I hear
the sounds of then
397
00:19:42,740 --> 00:19:42,980
# I think I hear
# And people talking
398
00:19:42,980 --> 00:19:44,500
# And people talking
399
00:19:44,500 --> 00:19:44,740
# The scenes recalled
# And people talking
400
00:19:44,740 --> 00:19:48,220
# The scenes recalled
by minute movement
401
00:19:48,220 --> 00:19:48,460
# The scenes recalled
# And songs they fall,
402
00:19:48,460 --> 00:19:50,100
# And songs they fall,
403
00:19:50,100 --> 00:19:51,980
# From the backing tape
404
00:19:51,980 --> 00:19:53,860
# That certain texture,
405
00:19:53,860 --> 00:19:55,780
# That certain smell
406
00:19:55,780 --> 00:19:56,020
# To lie in sweat
# That certain smell
407
00:19:56,020 --> 00:19:59,540
# To lie in sweat
on familiar sheets
408
00:19:59,540 --> 00:20:03,100
# In brick veneer
on financed beds
409
00:20:03,100 --> 00:20:06,420
# In a room
of silent HardieFlex
410
00:20:06,420 --> 00:20:10,420
# That certain texture,
that certain smell
411
00:20:10,420 --> 00:20:14,020
# Brings home the heavy days
412
00:20:14,020 --> 00:20:17,300
# Brings home
the night time swell
413
00:20:17,300 --> 00:20:17,540
# Brings home
# Out on the patio we'd sit
414
00:20:17,540 --> 00:20:21,420
# Out on the patio we'd sit
415
00:20:21,420 --> 00:20:24,860
# And the humidity we'd breathe
416
00:20:24,860 --> 00:20:25,100
# We'd watch the lightning crack
# And the humidity we'd breathe
417
00:20:25,100 --> 00:20:28,740
# We'd watch the lightning crack
over cane fields
418
00:20:28,740 --> 00:20:32,180
# And laugh and think,
this is Australia
419
00:20:39,580 --> 00:20:42,340
# The block is awkward
420
00:20:42,340 --> 00:20:43,500
# It faces west
421
00:20:43,500 --> 00:20:47,100
# Long diagonals
and sloping too
422
00:20:47,100 --> 00:20:50,820
# And in the distance,
through the heat haze
423
00:20:50,820 --> 00:20:54,260
# In convoys of silence,
the cattle graze
424
00:20:54,260 --> 00:20:54,540
# That certain texture,
that certain beat
# In convoys of silence,
the cattle graze
425
00:20:54,540 --> 00:20:58,420
# That certain texture,
that certain beat
426
00:20:58,420 --> 00:21:01,660
# Brings forth
the night time heat
427
00:21:01,660 --> 00:21:01,900
# Out on the patio we'd sit
the night time heat
428
00:21:01,900 --> 00:21:05,060
# Out on the patio we'd sit
429
00:21:05,060 --> 00:21:08,620
# And the humidity we'd breathe
430
00:21:08,620 --> 00:21:08,860
# And the humidity we'd breathe
# We'd watch the lightning crack
over cane fields
431
00:21:08,860 --> 00:21:12,980
# We'd watch the lightning crack
over cane fields
432
00:21:12,980 --> 00:21:16,420
# Laugh and think that
this is Australia
433
00:21:49,460 --> 00:21:53,300
# To lie in sweat
on familiar sheets
434
00:21:53,300 --> 00:21:57,060
# In brick veneer
on financed beds
435
00:21:57,060 --> 00:22:00,820
# In a room
of silent HardieFlex
436
00:22:00,820 --> 00:22:04,180
# That certain texture,
that certain smell
437
00:22:04,180 --> 00:22:04,420
# Brings forth the heavy days
# That certain texture,
that certain smell
438
00:22:04,420 --> 00:22:08,140
# Brings forth the heavy days
439
00:22:08,140 --> 00:22:11,460
# Brings forth
the night time sweat
440
00:22:11,460 --> 00:22:11,700
# Out on the patio we'd sit
the night time sweat
441
00:22:11,700 --> 00:22:15,180
# Out on the patio we'd sit
442
00:22:15,180 --> 00:22:18,980
# And the humidity we'd breathe
443
00:22:18,980 --> 00:22:19,220
# And the humidity we'd breathe
# We'd watch the lightning crack
over cane fields
444
00:22:19,220 --> 00:22:22,980
# We'd watch the lightning crack
over cane fields
445
00:22:22,980 --> 00:22:26,340
# And laugh and think,
this is Australia
446
00:22:26,340 --> 00:22:26,580
# And laugh and think,
# Out on the patio we'd sit
447
00:22:26,580 --> 00:22:30,020
# Out on the patio we'd sit
448
00:22:30,020 --> 00:22:33,820
# And the humidity we'd breathe
449
00:22:33,820 --> 00:22:34,060
# We'd watch the lightning crack
# And the humidity we'd breathe
450
00:22:34,060 --> 00:22:37,420
# We'd watch the lightning crack
over cane fields
451
00:22:37,420 --> 00:22:41,140
# And laugh and think,
this is Australia
452
00:22:42,740 --> 00:22:48,700
# This is Australia
453
00:22:50,220 --> 00:22:53,980
# This is Australia
454
00:22:53,980 --> 00:22:56,060
# Check it out. #
455
00:23:13,980 --> 00:23:18,220
# My name, a holy word
456
00:23:18,220 --> 00:23:20,140
# My name
457
00:23:22,300 --> 00:23:25,420
# Treat me like I'm hungry. #
458
00:23:25,420 --> 00:23:27,380
DEB: Countdown was a training ground
for local musicians
459
00:23:27,380 --> 00:23:29,500
to hone
their performance skills.
460
00:23:29,500 --> 00:23:31,820
It was like a school
for rock stars.
461
00:23:31,820 --> 00:23:32,060
# Where do you get it?
It was like a school
for rock stars.
462
00:23:32,060 --> 00:23:34,060
# Where do you get it?
463
00:23:34,060 --> 00:23:35,860
# How much does it cost?
464
00:23:35,860 --> 00:23:37,540
# I don't think
they're there, hey
465
00:23:37,540 --> 00:23:37,780
# I don't think
they're there, hey
# What are you on?
466
00:23:37,780 --> 00:23:39,820
# What are you on?
467
00:23:39,820 --> 00:23:42,060
# Where do you get it?
468
00:23:42,060 --> 00:23:43,940
# How much does it cost?
469
00:23:43,940 --> 00:23:45,700
# Ah-ra-da-da, hey! #
470
00:23:47,380 --> 00:23:49,060
And we all jumped
at the chance to stand
471
00:23:49,060 --> 00:23:51,580
shoulder to shoulder
with international acts.
472
00:23:51,580 --> 00:23:54,620
# Stand for battle, sword in hand
473
00:23:54,620 --> 00:23:54,820
# Stand for battle, sword in hand
# Dogging the daggers
474
00:23:54,820 --> 00:23:56,260
# Dogging the daggers
475
00:23:56,260 --> 00:23:58,460
# And the claws of lying men
476
00:23:58,460 --> 00:24:01,220
# Cracking like
the Liberty Bell
477
00:24:01,220 --> 00:24:04,420
# Learned the hard way,
friends don't kiss and tell
478
00:24:04,420 --> 00:24:04,660
# Learned the hard way,
# Fort Knox
479
00:24:04,660 --> 00:24:06,020
# Fort Knox
480
00:24:06,020 --> 00:24:08,100
# High noon back rubs
481
00:24:08,100 --> 00:24:10,140
# And walking on the moon
482
00:24:10,140 --> 00:24:13,220
# No road, no warning
483
00:24:13,220 --> 00:24:15,740
# Red skies this morning
484
00:24:15,740 --> 00:24:18,740
# Red like inside your heart
485
00:24:18,740 --> 00:24:21,900
# Watching north and south
486
00:24:21,900 --> 00:24:24,300
# Guns and butter
487
00:24:24,300 --> 00:24:26,540
# Wouldn't melt in his mouth
488
00:24:28,020 --> 00:24:30,740
# Greenbacks, swan song
489
00:24:30,740 --> 00:24:34,260
# You want me to smile
when I sing along
490
00:24:34,260 --> 00:24:36,660
# Stars and stripes,
bruised and red
491
00:24:36,660 --> 00:24:40,940
# Got to know that bleeding
is beginning
492
00:24:42,660 --> 00:24:45,900
# No road, no warning
493
00:24:45,900 --> 00:24:48,500
# Red skies this morning
494
00:24:48,500 --> 00:24:51,460
# Red like inside your heart
495
00:24:51,460 --> 00:24:51,660
# Watching north and south
# Red like inside your heart
496
00:24:51,660 --> 00:24:54,220
# Watching north and south
497
00:24:54,220 --> 00:24:57,100
# Guns and butter
498
00:24:57,100 --> 00:25:00,500
# Wouldn't melt in his mouth
499
00:25:00,500 --> 00:25:03,500
# Singing like a siren
500
00:25:03,500 --> 00:25:03,700
# Singing like a siren
# Sailing this one out
501
00:25:03,700 --> 00:25:06,340
# Sailing this one out
502
00:25:06,340 --> 00:25:08,940
# Guns and butter
503
00:25:08,940 --> 00:25:13,580
# Wouldn't melt in his mouth
504
00:25:33,540 --> 00:25:35,980
# Toying with your paperweights
505
00:25:35,980 --> 00:25:39,380
# Hunger for a taste
of things you never ate
506
00:25:39,380 --> 00:25:39,620
# Hunger for a taste
# Coming in for jungle war
507
00:25:39,620 --> 00:25:41,940
# Coming in for jungle war
508
00:25:41,940 --> 00:25:42,180
# Cowboys just
# Coming in for jungle war
509
00:25:42,180 --> 00:25:46,740
# Cowboys just
squaring off for more
510
00:25:48,420 --> 00:25:51,420
# No road, no warning
511
00:25:51,420 --> 00:25:54,140
# Red skies this morning
512
00:25:54,140 --> 00:25:57,020
# Chest proud this dawn
513
00:25:57,020 --> 00:25:57,220
# Chest proud this dawn
# Red like inside your heart
514
00:25:57,220 --> 00:25:59,740
# Red like inside your heart
515
00:25:59,740 --> 00:26:02,940
# Watching north and south
516
00:26:02,940 --> 00:26:05,540
# Guns and butter
517
00:26:05,540 --> 00:26:09,180
# Wouldn't melt in his mouth
518
00:26:09,180 --> 00:26:11,700
# Singing like a siren
519
00:26:11,700 --> 00:26:14,940
# Sailing this one out
520
00:26:14,940 --> 00:26:17,580
# Guns and butter
521
00:26:17,580 --> 00:26:19,540
# Wouldn't melt in his mouth
522
00:26:19,540 --> 00:26:19,740
# Wouldn't melt in his mouth. #
# Wouldn't melt in his mouth
523
00:26:19,740 --> 00:26:21,700
# Wouldn't melt in his mouth. #
524
00:26:32,340 --> 00:26:35,860
DEB: Countdown kept its strong
connection to the club scene.
525
00:26:35,860 --> 00:26:36,100
DEB: Countdown kept its strong
# Shine like a precious pearl
526
00:26:36,100 --> 00:26:37,820
# Shine like a precious pearl
527
00:26:37,820 --> 00:26:38,060
# Games up, begin the working girl
# Shine like a precious pearl
528
00:26:38,060 --> 00:26:41,420
# Games up, begin the working girl
from the traffic run. #
529
00:26:41,420 --> 00:26:41,700
In 1986, often the set looked more
like a night club
# Games up, begin the working girl
from the traffic run. #
530
00:26:41,700 --> 00:26:45,380
In 1986, often the set looked more
like a night club
531
00:26:45,380 --> 00:26:45,620
than a TV studio.
like a night club
532
00:26:45,620 --> 00:26:47,380
than a TV studio.
533
00:26:47,380 --> 00:26:47,620
than a TV studio.
# How's it feel
that time is turning?
534
00:26:47,620 --> 00:26:50,260
# How's it feel
that time is turning?
535
00:26:50,260 --> 00:26:52,860
# Then your mind
just starts to feel the heat. #
536
00:26:54,660 --> 00:26:58,020
And all the new hairstyles
and fashions were on display.
537
00:27:00,060 --> 00:27:01,620
# For something
538
00:27:01,620 --> 00:27:03,980
# You can't get at all
539
00:27:03,980 --> 00:27:06,900
# And love is not enough
540
00:27:06,900 --> 00:27:09,060
# Anymore
541
00:27:10,700 --> 00:27:15,700
# If I was king for just one day
542
00:27:15,700 --> 00:27:19,860
# I would give it all away
543
00:27:19,860 --> 00:27:22,780
# You know that love is all
544
00:27:22,780 --> 00:27:25,900
# We need to get us through. #
545
00:27:27,300 --> 00:27:30,620
This performance by White Xmas
is a time capsule
546
00:27:30,620 --> 00:27:32,940
of what it was like to be
in a club at the time -
547
00:27:32,940 --> 00:27:35,220
what we wore,
and how we danced.
548
00:27:35,220 --> 00:27:35,460
# Diamonds are forever
what we wore,
and how we danced.
549
00:27:35,460 --> 00:27:37,740
# Diamonds are forever
550
00:27:39,220 --> 00:27:41,980
# But pearls are dreams
551
00:27:42,940 --> 00:27:46,420
# I say this dream is swimming
552
00:27:46,420 --> 00:27:50,460
# Is this an ocean
I'm drowning in?
553
00:27:50,460 --> 00:27:53,740
# We'll take these pearls
from our oysters
554
00:27:53,740 --> 00:27:53,980
# We'll take these pearls
# I dream the last dream
555
00:27:53,980 --> 00:27:56,820
# I dream the last dream
556
00:27:58,300 --> 00:28:00,940
# In my lap of luxury
557
00:28:02,420 --> 00:28:06,140
# You may bask
in my sexuality. #
558
00:28:06,140 --> 00:28:06,380
# You may bask
Ow!
559
00:28:06,380 --> 00:28:08,180
Ow!
560
00:28:10,380 --> 00:28:12,860
One club favourite at the time
was Wa Wa Nee,
561
00:28:12,860 --> 00:28:15,660
led by that keytar
virtuoso, Paul Gray.
562
00:28:23,020 --> 00:28:27,180
# In the lamp light
check the scene
563
00:28:27,180 --> 00:28:31,140
# In the day my life is a dream
564
00:28:31,140 --> 00:28:35,060
# Do you know
who you're talking to?
565
00:28:35,060 --> 00:28:39,420
# Again I'm so glad,
baby, that I'm not like you
566
00:28:39,420 --> 00:28:43,980
# Fire in your head,
river in your bed
567
00:28:43,980 --> 00:28:48,220
# Two hundred dollar,
see his face go red
568
00:28:48,220 --> 00:28:51,940
# Lost in a world
where nothing is nothing
569
00:28:51,940 --> 00:28:55,900
# Burnt pretty bad,
can't get another hit-ah
570
00:28:55,900 --> 00:29:00,580
# Oh, my love and me,
oh, we're sugar free
571
00:29:00,580 --> 00:29:04,940
# Oh, this ought to be,
burning up, breaking down
572
00:29:04,940 --> 00:29:09,340
# Oh, my love and me,
oh, we're sugar free
573
00:29:09,340 --> 00:29:12,540
# Oh, ever want to be,
burning up, breaking down
574
00:29:16,260 --> 00:29:20,540
# In the lamp light,
break the seal
575
00:29:20,540 --> 00:29:24,500
# Dream of a place,
make it real
576
00:29:24,500 --> 00:29:28,580
# Desire can take you
anywhere
577
00:29:28,580 --> 00:29:32,620
# But it always lets you down,
and there ain't nobody there
578
00:29:32,620 --> 00:29:32,900
# Fire in your head,
river in your bed
# But it always lets you down,
and there ain't nobody there
579
00:29:32,900 --> 00:29:37,100
# Fire in your head,
river in your bed
580
00:29:37,100 --> 00:29:40,780
# Two hundred dollar,
see his face go red
581
00:29:40,780 --> 00:29:45,020
# Apollo knows what
you do today
582
00:29:45,020 --> 00:29:45,300
# Apollo knows what
you do today
# Fake it if you like,
break it if you can't
583
00:29:45,300 --> 00:29:49,660
# Fake it if you like,
break it if you can't
584
00:29:49,660 --> 00:29:53,500
# Oh, my love and me,
oh, we're sugar free
585
00:29:53,500 --> 00:29:57,860
# Desire to be burning up,
breaking down
586
00:29:57,860 --> 00:30:01,420
# Oh, my love and me,
oh, we're sugar free
587
00:30:01,420 --> 00:30:05,740
# Never want to be,
burning up, breaking down
588
00:30:11,500 --> 00:30:13,900
# Na-na-na-na-na
589
00:30:19,700 --> 00:30:22,340
# Na-na-na-na-na
590
00:30:22,340 --> 00:30:26,860
# Oh, my love,
let it take you higher
591
00:30:26,860 --> 00:30:30,900
# Every day meant
to take you higher
592
00:30:30,900 --> 00:30:34,500
# I only see a memory
593
00:30:34,500 --> 00:30:40,300
# Of what used to be
594
00:30:44,260 --> 00:30:47,580
# Ooh
595
00:30:47,580 --> 00:30:49,340
# Mm-mm-mmm
596
00:30:49,340 --> 00:30:49,580
# Mm-mm-mmm
# Oh, my love and me,
oh, we're sugar free
597
00:30:49,580 --> 00:30:52,620
# Oh, my love and me,
oh, we're sugar free
598
00:30:52,620 --> 00:30:57,300
# Oh, this oughta be
burning up, breaking down
599
00:30:57,300 --> 00:31:00,740
# Oh, my love and me,
oh, we're sugar free
600
00:31:00,740 --> 00:31:04,620
# Oh, ever want to be
burning up, breaking down
601
00:31:11,620 --> 00:31:13,820
# Oh, lord
602
00:31:21,340 --> 00:31:25,420
# Oh, my love and me,
oh, we're sugar free
603
00:31:25,420 --> 00:31:29,940
# Oh, this oughta be,
na-na-na-na-na
604
00:31:29,940 --> 00:31:34,100
# Oh, my love and me,
oh, we're sugar free
605
00:31:34,100 --> 00:31:37,220
# Oh, ever want to be,
na-na-na-na-na
606
00:31:46,180 --> 00:31:49,900
# Oh, my love and me,
oh, we're sugar free. #
607
00:32:07,180 --> 00:32:10,460
# Whenever I
608
00:32:10,460 --> 00:32:13,180
# See that you're right
609
00:32:13,180 --> 00:32:14,620
DEB: For every pop action,
610
00:32:14,620 --> 00:32:14,860
DEB: For every pop action,
there's an equal
and opposite reaction.
611
00:32:14,860 --> 00:32:17,140
there's an equal
and opposite reaction.
612
00:32:17,140 --> 00:32:21,420
If keytars were in vogue, so too were
jangly, electric guitars.
613
00:32:21,420 --> 00:32:21,660
If keytars were in vogue, so too were
# This heart is like a teacher
614
00:32:21,660 --> 00:32:25,060
# This heart is like a teacher
615
00:32:25,060 --> 00:32:28,820
# Ooh, you're going to get hurt
616
00:32:28,820 --> 00:32:30,540
# Let me tell you something
617
00:32:30,540 --> 00:32:31,860
# You're going to get hurt
618
00:32:31,860 --> 00:32:33,900
# I want to tell you
something. #
619
00:32:33,900 --> 00:32:34,140
# I want to tell you
# I could not escape... #
620
00:32:34,140 --> 00:32:35,740
# I could not escape... #
621
00:32:35,740 --> 00:32:35,980
Pop lyricists were
stretching themselves,
# I could not escape... #
622
00:32:35,980 --> 00:32:38,260
Pop lyricists were
stretching themselves,
623
00:32:38,260 --> 00:32:40,260
trying to be more literate.
624
00:32:41,700 --> 00:32:44,300
# She said don't walk away
625
00:32:44,300 --> 00:32:46,340
# Down on my knees
626
00:32:46,340 --> 00:32:46,580
# Oh, please don't
# Down on my knees
627
00:32:46,580 --> 00:32:49,180
# Oh, please don't
be mean to me. #
628
00:32:57,100 --> 00:32:59,340
It was perfectly normal
to play guitar pop
629
00:32:59,340 --> 00:33:01,300
with a mouthful of poetic words.
630
00:33:17,020 --> 00:33:20,060
# She left you 1958
631
00:33:20,060 --> 00:33:24,220
# When the thought
of another fifteen years
632
00:33:24,220 --> 00:33:24,460
# When the thought
# Was more than she could face
633
00:33:24,460 --> 00:33:26,780
# Was more than she could face
634
00:33:26,780 --> 00:33:30,060
# But did you miss her much,
well, hey
635
00:33:30,060 --> 00:33:33,620
# You never gave her
too much thought
636
00:33:33,620 --> 00:33:33,860
# You never gave her
# In your newspaper grey
637
00:33:33,860 --> 00:33:36,500
# In your newspaper grey
638
00:33:36,500 --> 00:33:39,620
# So waste away to Morro Bay
639
00:33:43,220 --> 00:33:45,620
# You never got around
640
00:33:45,620 --> 00:33:49,020
# To yesterday
641
00:33:49,020 --> 00:33:52,180
# But money is for taking, yes
642
00:33:52,180 --> 00:33:56,460
# And rich is what
to be for seeking grey
643
00:33:56,460 --> 00:33:56,700
# And rich is what
# And giving it away
644
00:33:56,700 --> 00:33:58,940
# And giving it away
645
00:34:06,100 --> 00:34:08,860
# And even Jesus has a price
646
00:34:08,860 --> 00:34:13,420
# You're making
credit card donations
647
00:34:13,420 --> 00:34:13,660
# You're making
# To television faith healers
648
00:34:13,660 --> 00:34:17,100
# To television faith healers
649
00:34:17,100 --> 00:34:19,980
# Born again missionaries
650
00:34:19,980 --> 00:34:22,500
# Come to Morro Bay
651
00:34:25,540 --> 00:34:30,540
# They saved your body,
but your mind, hey
652
00:34:30,540 --> 00:34:30,780
# And everything you earned
but your mind, hey
653
00:34:30,780 --> 00:34:33,580
# And everything you earned
654
00:34:33,580 --> 00:34:33,820
# And everything you earned
to throw it all away
655
00:34:33,820 --> 00:34:36,420
# You're going
to throw it all away
656
00:34:38,660 --> 00:34:41,100
# And waste away to Morro
657
00:34:41,100 --> 00:34:44,820
# C-A is where
658
00:34:44,820 --> 00:34:47,900
# Everybody falls
659
00:34:47,900 --> 00:34:50,140
# Down off the wagon
660
00:34:50,140 --> 00:34:52,660
# Under the wheels
661
00:35:08,020 --> 00:35:10,980
# Remember 1970
662
00:35:10,980 --> 00:35:14,980
# When the thought
of a day without a drink
663
00:35:14,980 --> 00:35:15,220
# When the thought
# Was more than you could face
664
00:35:15,220 --> 00:35:17,860
# Was more than you could face
665
00:35:17,860 --> 00:35:21,100
# But did you miss
her much, well, hey
666
00:35:21,100 --> 00:35:24,580
# You never gave her
too much thought
667
00:35:24,580 --> 00:35:24,820
# You never gave her
# In your newspaper grey
668
00:35:24,820 --> 00:35:27,700
# In your newspaper grey
669
00:35:27,700 --> 00:35:30,620
# So waste away to Morro Bay
670
00:35:34,220 --> 00:35:35,980
# Saved your body
671
00:35:35,980 --> 00:35:39,220
# But your mind paid
672
00:35:40,180 --> 00:35:43,060
# And money is for taking, yes
673
00:35:43,060 --> 00:35:43,300
# And money is for taking, yes
# And rich is what
to be forsaken
674
00:35:43,300 --> 00:35:46,740
# And rich is what
to be forsaken
675
00:35:46,740 --> 00:35:50,780
# Grey and giving it away
676
00:36:02,620 --> 00:36:05,500
# You got your TV on,
you got your easy chair
677
00:36:05,500 --> 00:36:05,740
# You got your TV on,
# And you need it
678
00:36:05,740 --> 00:36:07,700
# And you need it
679
00:36:09,060 --> 00:36:12,220
# TV on, easy chair
680
00:36:12,220 --> 00:36:14,300
# To the beat
681
00:36:15,740 --> 00:36:18,980
# E-I funk, I don't care
682
00:36:18,980 --> 00:36:19,220
# Ain't no square because
# E-I funk, I don't care
683
00:36:19,220 --> 00:36:22,980
# Ain't no square because
I'm cool, yeah, yeah, yeah
684
00:36:38,940 --> 00:36:42,060
# You're going to hurt
somebody if you can
685
00:36:45,220 --> 00:36:49,500
# You're going to make
somebody understand
686
00:36:51,780 --> 00:36:54,820
# Baby, you're a rich man. #
687
00:37:04,980 --> 00:37:06,900
Yeah, I went to the bingo...
688
00:37:08,260 --> 00:37:10,140
..and I won a dog.
689
00:37:11,340 --> 00:37:13,540
No, I didn't.
690
00:37:13,540 --> 00:37:13,780
No, I didn't.
I was watching Humdrum,
that's right,
691
00:37:13,780 --> 00:37:16,340
I was watching Humdrum,
that's right,
692
00:37:16,340 --> 00:37:16,580
I was watching Humdrum,
with Molly Meldrum,
693
00:37:16,580 --> 00:37:18,340
with Molly Meldrum,
694
00:37:18,340 --> 00:37:20,980
but I felt like I'd won a dog.
695
00:37:20,980 --> 00:37:23,780
I like Humdrum,
but then, I'm crackers.
696
00:37:30,940 --> 00:37:32,940
IAN: Russell, welcome
to Countdown again.
697
00:37:32,940 --> 00:37:33,180
Good to see you.
to Countdown again.
698
00:37:33,180 --> 00:37:34,220
Good to see you.
699
00:37:34,220 --> 00:37:35,900
So, now, listen, first of all,
700
00:37:35,900 --> 00:37:39,380
let's talk about
the film, Highlander.
701
00:37:39,380 --> 00:37:39,660
let's talk about
the film, Highlander.
Looks like one
of my clips coming in.
702
00:37:39,660 --> 00:37:41,180
Looks like one
of my clips coming in.
703
00:37:41,180 --> 00:37:43,060
One of your effects,
We'll have ballet dancers next.
704
00:37:43,060 --> 00:37:45,340
So anyway. Yeah, Highlander's
opened this week,
705
00:37:45,340 --> 00:37:45,580
So anyway. Yeah, Highlander's
and it's...
706
00:37:45,580 --> 00:37:47,180
and it's...
707
00:37:47,180 --> 00:37:47,420
..ah...
and it's...
708
00:37:47,420 --> 00:37:48,900
..ah...
Right.
709
00:37:48,900 --> 00:37:51,220
Now, listen, just before I go,
I've got to tell you.
710
00:37:51,220 --> 00:37:53,740
I went to Bali
for the last part of my trip,
711
00:37:53,740 --> 00:37:56,540
and I went into
the cassette stores there.
712
00:37:56,540 --> 00:37:56,780
and I went into
MAN: Yes?
713
00:37:56,780 --> 00:37:58,420
MAN: Yes?
714
00:37:58,420 --> 00:37:58,660
Well, over in Indonesia,
MAN: Yes?
715
00:37:58,660 --> 00:38:01,340
Well, over in Indonesia,
they have sort of this bootleg thing
716
00:38:01,340 --> 00:38:03,660
that we don't all agree on,
and guess what?
717
00:38:03,660 --> 00:38:03,900
that we don't all agree on,
What?
718
00:38:03,900 --> 00:38:05,140
What?
719
00:38:05,140 --> 00:38:07,100
Apparently,
out on the sale this week,
720
00:38:07,100 --> 00:38:08,940
and we can have a close-up of this,
721
00:38:08,940 --> 00:38:12,620
the Countdown Power Love Songs
722
00:38:12,620 --> 00:38:13,860
and the Countdown Charts.
723
00:38:13,860 --> 00:38:15,220
So there you go.
724
00:38:15,220 --> 00:38:16,620
In Bali, it's a really big thing.
725
00:38:16,620 --> 00:38:16,860
I've been
In Bali, it's a really big thing.
726
00:38:16,860 --> 00:38:17,980
I've been
very worried about it.
727
00:38:17,980 --> 00:38:18,260
500th Countdown.
500th Countdown.
I've been
very worried about it.
728
00:38:18,260 --> 00:38:20,100
500th Countdown.
500th Countdown.
729
00:38:20,100 --> 00:38:20,380
500th Countdown.
500th Countdown.
How do you feel
after 500 shows?
730
00:38:20,380 --> 00:38:21,660
How do you feel
after 500 shows?
731
00:38:21,660 --> 00:38:24,700
I feel about 500,
you're right.
732
00:38:24,700 --> 00:38:26,380
Well, here's the cake, Molly.
733
00:38:26,380 --> 00:38:28,220
Isn't that wonderful?
734
00:38:28,220 --> 00:38:30,860
It is a lovely cake and here it is
all for you, especially.
735
00:38:30,860 --> 00:38:33,140
So, I would just simply
like to thank...
736
00:38:33,140 --> 00:38:34,940
There's only five candles there, one
for each 100.
737
00:38:36,660 --> 00:38:38,380
There you go.
At least I can do that.
738
00:38:38,380 --> 00:38:38,620
There you go.
The thing with that film,
739
00:38:38,620 --> 00:38:40,860
The thing with that film,
740
00:38:40,860 --> 00:38:45,140
some people can accuse you of
making long rock video clips.
741
00:38:45,140 --> 00:38:47,580
With this,
I feel that it's not true.
742
00:38:47,580 --> 00:38:49,780
OK, so there is the Australian
top five for this week.
743
00:38:49,780 --> 00:38:52,500
And as I say, Uncanny X-Men,
I Am, has been dropped
744
00:38:52,500 --> 00:38:52,740
And as I say, Uncanny X-Men,
by a lot of radio stations.
745
00:38:52,740 --> 00:38:53,980
by a lot of radio stations.
746
00:38:53,980 --> 00:38:55,460
I think it's quite ridiculous.
747
00:38:55,460 --> 00:38:57,380
I think they're trying
to protect their own image
748
00:38:57,380 --> 00:39:00,460
and not worrying about the stake of
what you're doing
749
00:39:00,460 --> 00:39:02,620
to an Australian group.
Quite ridiculous.
750
00:39:02,620 --> 00:39:02,900
Alright, as I say,
it's been nice having you all.
to an Australian group.
Quite ridiculous.
751
00:39:02,900 --> 00:39:04,500
Alright, as I say,
it's been nice having you all.
752
00:39:04,500 --> 00:39:06,820
Any other hints
you'd like to give us?
753
00:39:06,820 --> 00:39:07,060
Like, you know, I mean...
you'd like to give us?
754
00:39:07,060 --> 00:39:08,060
Like, you know, I mean...
755
00:39:08,060 --> 00:39:09,540
Oh!
Yes, Kylie?
756
00:39:09,540 --> 00:39:11,220
It's Guy's birthday
when this goes to air.
757
00:39:11,220 --> 00:39:12,340
His 19th!
758
00:39:12,340 --> 00:39:12,540
His 19th!
(SCREAMS AND CHEERS)
759
00:39:12,540 --> 00:39:14,780
(SCREAMS AND CHEERS)
760
00:39:20,380 --> 00:39:22,100
I mean, look at him.
761
00:39:22,100 --> 00:39:22,340
A songwriter, about to become
I mean, look at him.
762
00:39:22,340 --> 00:39:24,620
A songwriter, about to become
a recording artist,
763
00:39:24,620 --> 00:39:26,500
already a host
of a hot TV show,
764
00:39:26,500 --> 00:39:26,740
already a host
and now it's his birthday.
765
00:39:26,740 --> 00:39:27,780
and now it's his birthday.
766
00:39:27,780 --> 00:39:29,900
Don't you think it's charming?
767
00:39:29,900 --> 00:39:31,820
Why don't you say good night for the
rest of us?
768
00:39:31,820 --> 00:39:33,820
Goodnight for the rest of us.
769
00:39:33,820 --> 00:39:35,900
(SCREAMING AND CHEERING)
770
00:39:37,540 --> 00:39:40,860
# Wait up, wait up,
baby, please
771
00:39:40,860 --> 00:39:41,100
DEB: The pub scene was thriving.
# Wait up, wait up,
baby, please
772
00:39:41,100 --> 00:39:42,700
DEB: The pub scene was thriving.
773
00:39:42,700 --> 00:39:44,980
# I come home
after working late
774
00:39:44,980 --> 00:39:47,540
# And find that
you have gone away
775
00:39:47,540 --> 00:39:47,820
# And find that
you have gone away
# And I'm down on my knees
and I'm begging you please
776
00:39:47,820 --> 00:39:50,900
# And I'm down on my knees
and I'm begging you please
777
00:39:50,900 --> 00:39:52,540
# Come on girl,
wait up for me. #
778
00:39:52,540 --> 00:39:52,820
# Ink is black,
as black as night
# Come on girl,
wait up for me. #
779
00:39:52,820 --> 00:39:55,780
# Ink is black,
as black as night
780
00:39:55,780 --> 00:40:00,060
# Black as stars
that shun the light
781
00:40:00,060 --> 00:40:00,340
# Black as stars
that shun the light
All kinds of bands flourished
in bars around the country,
782
00:40:00,340 --> 00:40:03,380
All kinds of bands flourished
in bars around the country,
783
00:40:03,380 --> 00:40:04,580
from the '60s revival set...
784
00:40:04,580 --> 00:40:08,060
# That poison pen,
that poison pen. #
785
00:40:10,820 --> 00:40:12,820
..to modern soul
and funk groovers.
786
00:40:12,820 --> 00:40:13,060
..to modern soul
# You came along
787
00:40:13,060 --> 00:40:15,420
# You came along
788
00:40:15,420 --> 00:40:15,620
# You lifted me up
# You came along
789
00:40:15,620 --> 00:40:17,860
# You lifted me up
790
00:40:17,860 --> 00:40:20,340
# Now I'm feeling
kind of strong
791
00:40:20,340 --> 00:40:20,580
# I'm ready to move
kind of strong
792
00:40:20,580 --> 00:40:22,820
# I'm ready to move
793
00:40:22,820 --> 00:40:25,420
# Got to make the break
794
00:40:25,420 --> 00:40:28,060
# Come on, everybody
795
00:40:28,060 --> 00:40:30,900
# Before it gets too late
796
00:40:33,740 --> 00:40:37,460
# Ooh. #
797
00:40:37,460 --> 00:40:40,300
Hey, man. They tell me
you're pretty good.
798
00:40:40,300 --> 00:40:44,580
And why not throw back a couple
lagers over a spot of cowpunk?
799
00:40:44,580 --> 00:40:46,620
So you're pretty fast
on them there feet?
800
00:40:47,900 --> 00:40:49,380
You just best watch out
801
00:40:49,380 --> 00:40:49,620
You just best watch out
our street, you hear?
802
00:40:49,620 --> 00:40:51,340
when you dance down
our street, you hear?
803
00:40:52,780 --> 00:40:55,420
# There's
804
00:40:55,420 --> 00:40:57,620
# Gonna be a showdown
805
00:40:59,780 --> 00:41:02,660
# There's
806
00:41:02,660 --> 00:41:05,060
# Gonna be a showdown
807
00:41:07,100 --> 00:41:10,020
# There's
808
00:41:10,020 --> 00:41:12,220
# Gonna be a showdown
809
00:41:13,580 --> 00:41:16,340
# You better get out of town
810
00:41:16,340 --> 00:41:18,940
# Because there's going
to be a showdown
811
00:41:22,260 --> 00:41:25,820
# I got ten notches
812
00:41:25,820 --> 00:41:29,420
# On my shoes
813
00:41:29,420 --> 00:41:31,380
# And when it comes to dancing
814
00:41:31,380 --> 00:41:31,620
# You know that I,
# And when it comes to dancing
815
00:41:31,620 --> 00:41:34,420
# You know that I,
I cannot lose
816
00:41:36,580 --> 00:41:39,660
# They call me Mister Top Cat
817
00:41:39,660 --> 00:41:42,220
# Around this here town
818
00:41:44,060 --> 00:41:47,060
# I just wanna see you moving your
pretty little feets, honey
819
00:41:47,060 --> 00:41:47,300
# I just wanna see you moving your
# When the sun goes down
820
00:41:47,300 --> 00:41:49,340
# When the sun goes down
821
00:41:50,420 --> 00:41:53,260
# There's
822
00:41:53,260 --> 00:41:55,220
# Gonna be a showdown
823
00:41:57,500 --> 00:42:00,220
# There's
824
00:42:00,220 --> 00:42:02,740
# Gonna be a showdown
825
00:42:19,300 --> 00:42:23,180
# All the girls
have been losing
826
00:42:23,180 --> 00:42:23,420
# All the girls
# All their faith in me
827
00:42:23,420 --> 00:42:26,620
# All their faith in me
828
00:42:26,620 --> 00:42:30,220
# Well, that's not
my toughest break, you know
829
00:42:30,220 --> 00:42:30,460
# Well, that's not
# After what you done to me
830
00:42:30,460 --> 00:42:32,460
# After what you done to me
831
00:42:34,180 --> 00:42:37,500
# Because I'm real good now
832
00:42:37,500 --> 00:42:39,620
# So you had better be better
833
00:42:41,140 --> 00:42:44,860
# And when we hit
that dance floor tonight
834
00:42:44,860 --> 00:42:46,900
# Better have yourself together
835
00:42:46,900 --> 00:42:48,100
# Because that's when
836
00:42:48,100 --> 00:42:50,700
# There's
837
00:42:50,700 --> 00:42:53,100
# Gonna be a showdown
838
00:42:55,300 --> 00:42:57,980
# There's
839
00:42:57,980 --> 00:43:00,540
# Gonna be a showdown
840
00:43:03,140 --> 00:43:06,740
# I got a reputation of being
841
00:43:06,740 --> 00:43:10,300
# One of the fastest men alive
842
00:43:10,300 --> 00:43:13,540
# So I wanna see you moving your
sweet feet, honey
843
00:43:13,540 --> 00:43:13,780
# So I wanna see you moving your
# When I count to five
844
00:43:13,780 --> 00:43:15,900
# When I count to five
845
00:43:15,900 --> 00:43:17,540
Gimme one, Billy.
846
00:43:18,900 --> 00:43:21,780
OK, now gimme two.
847
00:43:21,780 --> 00:43:24,260
Come on, boys and girls.
You can do better than that.
848
00:43:25,780 --> 00:43:28,940
If you wanna abide,
if you wanna survive,
849
00:43:28,940 --> 00:43:29,180
If you wanna abide,
you better jive or get aside!
850
00:43:29,180 --> 00:43:30,660
you better jive or get aside!
851
00:43:30,660 --> 00:43:30,860
# There's
you better jive or get aside!
852
00:43:30,860 --> 00:43:33,420
# There's
853
00:43:33,420 --> 00:43:37,460
# Gonna be a showdown
854
00:43:37,460 --> 00:43:40,420
# Just take a look around
855
00:43:40,420 --> 00:43:40,620
# Just take a look around
# There's gonna be a showdown
856
00:43:40,620 --> 00:43:42,860
# There's gonna be a showdown
857
00:43:45,020 --> 00:43:47,940
# There's
858
00:43:47,940 --> 00:43:50,140
# Gonna be a showdown
859
00:43:51,780 --> 00:43:54,900
# I'm giving you the lowdown
860
00:43:54,900 --> 00:43:58,860
# There's gonna be a showdown
861
00:43:58,860 --> 00:44:02,060
# I said, there's
862
00:44:02,060 --> 00:44:03,780
# Gonna be a showdown
863
00:44:03,780 --> 00:44:06,300
# A showdown, a showdown
864
00:44:06,300 --> 00:44:08,740
# There's... #
865
00:44:19,540 --> 00:44:23,300
DEB: In '86, many notable artists
had gone solo.
866
00:44:23,300 --> 00:44:25,500
As usual, Molly cornered them
for Countdown.
867
00:44:25,500 --> 00:44:25,780
If I'm having to worry
about how I look,
As usual, Molly cornered them
for Countdown.
868
00:44:25,780 --> 00:44:28,340
If I'm having to worry
about how I look,
869
00:44:28,340 --> 00:44:31,140
and how, you know,
if I'm getting older,
870
00:44:31,140 --> 00:44:34,260
or if, you know,
I'm not 95 pounds.
871
00:44:34,260 --> 00:44:34,500
or if, you know,
I'm not 95 pounds.
If I have to worry about that,
872
00:44:34,500 --> 00:44:35,980
If I have to worry about that,
873
00:44:35,980 --> 00:44:38,460
it takes away from my being
a rock'n'roll singer,
874
00:44:38,460 --> 00:44:40,980
and that's what I am.
875
00:44:40,980 --> 00:44:42,580
So that bothers me.
876
00:44:42,580 --> 00:44:46,780
And for me also to be told what to
say is really hard.
877
00:44:46,780 --> 00:44:47,060
Well, the biggest drive to get me to
go out on a solo career
And for me also to be told what to
say is really hard.
878
00:44:47,060 --> 00:44:50,900
Well, the biggest drive to get me to
go out on a solo career
879
00:44:50,900 --> 00:44:53,900
was I want to travel,
and you're all invited.
880
00:44:53,900 --> 00:44:55,460
Everybody's got to go, you know?
881
00:44:55,460 --> 00:44:57,580
I always saw my career
in rock and roll
882
00:44:57,580 --> 00:44:57,860
I always saw my career
in rock and roll
like it was a big parade,
you know?
883
00:44:57,860 --> 00:44:59,380
like it was a big parade,
you know?
884
00:44:59,380 --> 00:45:02,660
And the parade's no good
unless it goes somewhere.
885
00:45:02,660 --> 00:45:06,580
It's been since 1979
since I went to Japan.
886
00:45:06,580 --> 00:45:08,460
Can't get the guys on the plane.
887
00:45:08,460 --> 00:45:09,940
Never been to Australia.
888
00:45:09,940 --> 00:45:11,860
Can't get the guys on the plane.
889
00:45:11,860 --> 00:45:13,500
And there's a whole
lot of the rest
890
00:45:13,500 --> 00:45:15,820
of the world to deal with too.
891
00:45:15,820 --> 00:45:18,260
That, and this is the '80s, man.
892
00:45:18,260 --> 00:45:19,740
This is the roaring '80s.
893
00:45:19,740 --> 00:45:22,300
So it's not just make a record.
894
00:45:22,300 --> 00:45:24,700
That's first.
First, you make the music.
895
00:45:24,700 --> 00:45:26,140
First, you make the album.
896
00:45:26,140 --> 00:45:28,860
But then you got the radio
and the video and the interview
897
00:45:28,860 --> 00:45:30,780
and the me and you
and the live show
898
00:45:30,780 --> 00:45:32,460
and the tour
and etcetera, etcetera.
899
00:45:32,460 --> 00:45:34,860
I want to do it all.
900
00:45:34,860 --> 00:45:36,660
Sign me up.
901
00:45:36,660 --> 00:45:36,900
IAN: Putting these musicians
together that you wanted,
Sign me up.
902
00:45:36,900 --> 00:45:39,180
IAN: Putting these musicians
together that you wanted,
903
00:45:39,180 --> 00:45:42,380
that you may, in some circles,
904
00:45:42,380 --> 00:45:44,420
be looked at as a racist.
905
00:45:45,980 --> 00:45:49,220
I have been criticised
by certain individuals...
906
00:45:50,940 --> 00:45:55,980
..saying things like I tainted
the purity of black music.
907
00:45:55,980 --> 00:45:58,620
I think that's correct.
908
00:45:58,620 --> 00:46:02,500
My answer to that is
the South African government
909
00:46:02,500 --> 00:46:05,740
uses similar arguments
to defend apartheid.
910
00:46:05,740 --> 00:46:08,540
In other words,
what these people are saying
911
00:46:08,540 --> 00:46:10,780
is absolute bullshit.
912
00:46:10,780 --> 00:46:13,020
DEB: Far from going solo,
some younger musos
913
00:46:13,020 --> 00:46:15,900
knew there'd always
be strength in numbers.
914
00:46:15,900 --> 00:46:16,180
Hunters and Collectors came from
a song of that name
knew there'd always
be strength in numbers.
915
00:46:16,180 --> 00:46:20,540
Hunters and Collectors came from
a song of that name
916
00:46:20,540 --> 00:46:23,500
by a German band called Can
from the early '70s.
917
00:46:23,500 --> 00:46:23,780
by a German band called Can
from the early '70s.
They played really long
rhythmical-style songs,
918
00:46:23,780 --> 00:46:27,500
They played really long
rhythmical-style songs,
919
00:46:27,500 --> 00:46:30,340
which were similar
to the way we used to play
920
00:46:30,340 --> 00:46:30,580
which were similar
two or three years ago.
921
00:46:30,580 --> 00:46:32,020
two or three years ago.
922
00:46:32,020 --> 00:46:34,820
But the name stuck
because it's a good name.
923
00:46:34,820 --> 00:46:37,900
It also gives you a sense of a tribe
or a community of people
924
00:46:37,900 --> 00:46:38,140
It also gives you a sense of a tribe
that work together on something,
925
00:46:38,140 --> 00:46:40,180
that work together on something,
926
00:46:40,180 --> 00:46:41,940
which is sort
of what we're like.
927
00:46:41,940 --> 00:46:42,180
which is sort
# Well
928
00:46:42,180 --> 00:46:43,500
# Well
929
00:46:43,500 --> 00:46:43,740
# Just the other night,
# Well
930
00:46:43,740 --> 00:46:45,980
# Just the other night,
I come home
931
00:46:45,980 --> 00:46:50,580
# After three months
of constant grind and travel
932
00:46:50,580 --> 00:46:50,820
# And I went snivelling
of constant grind and travel
933
00:46:50,820 --> 00:46:52,260
# And I went snivelling
934
00:46:52,260 --> 00:46:55,500
# I went crawling around
to my girlfriend's house
935
00:46:55,500 --> 00:46:55,780
# I went crawling around
to my girlfriend's house
# And she came down
hard upon me
936
00:46:55,780 --> 00:46:58,860
# And she came down
hard upon me
937
00:46:58,860 --> 00:47:01,540
# And she ground her finger
into my breast bone
938
00:47:02,460 --> 00:47:05,620
# And she said
939
00:47:05,620 --> 00:47:08,340
# She said
940
00:47:08,340 --> 00:47:10,020
# You don't make me feel
941
00:47:10,020 --> 00:47:12,620
# Like I'm a woman anymore
942
00:47:15,740 --> 00:47:17,500
# And you don't make me feel
943
00:47:17,500 --> 00:47:20,380
# Like I'm a woman anymore
944
00:47:20,380 --> 00:47:22,300
# You don't make me feel
945
00:47:22,300 --> 00:47:26,380
# Like I'm a woman anymore
946
00:47:26,380 --> 00:47:27,900
# And I know
947
00:47:27,900 --> 00:47:31,100
# I know it's been a long time
948
00:47:33,100 --> 00:47:37,060
# Seems like it's
been going on forever
949
00:47:37,060 --> 00:47:37,300
# Seems like it's
# And my heart
950
00:47:37,300 --> 00:47:39,340
# And my heart
951
00:47:39,340 --> 00:47:40,980
# My heart is beating
952
00:47:40,980 --> 00:47:42,980
# Too big
953
00:47:45,300 --> 00:47:49,580
# It's beating too big for the
space that's meant to hold it
954
00:47:49,580 --> 00:47:52,300
# So good night
955
00:47:52,300 --> 00:47:53,780
# Good night, my little lovely
956
00:47:53,780 --> 00:47:55,220
# Say goodbye
957
00:47:55,220 --> 00:47:58,140
# As we turn
# We turn down the lights
958
00:47:58,140 --> 00:47:58,380
# As we turn
# As we turn down the lights
959
00:47:58,380 --> 00:48:00,020
# As we turn down the lights
960
00:48:00,020 --> 00:48:01,460
# We turn that light
961
00:48:01,460 --> 00:48:01,700
# Say goodbye
# We turn that light
962
00:48:01,700 --> 00:48:04,300
# Say goodbye
Say goodbye
963
00:48:04,300 --> 00:48:07,780
# Goodbye to the naked truth
# Say goodbye
964
00:48:07,780 --> 00:48:08,020
# Goodbye to the naked truth
# Your skin is looking weary
965
00:48:08,020 --> 00:48:10,820
# Your skin is looking weary
966
00:48:10,820 --> 00:48:11,060
# And your eyes are closing down
on the day
# Your skin is looking weary
967
00:48:11,060 --> 00:48:16,940
# And your eyes are closing down
on the day
968
00:49:04,020 --> 00:49:06,580
# Well, I know
969
00:49:06,580 --> 00:49:06,780
# I know it's been a long time
# Well, I know
970
00:49:06,780 --> 00:49:11,060
# I know it's been a long time
971
00:49:12,260 --> 00:49:16,540
# Seems like
it's been going on forever
972
00:49:16,540 --> 00:49:18,820
# But just as black is white
973
00:49:18,820 --> 00:49:23,500
# Yeah, and just as night is day
974
00:49:24,020 --> 00:49:26,220
# The light is going
to leave you
975
00:49:26,220 --> 00:49:28,940
# And you're gonna fade away
976
00:49:28,940 --> 00:49:31,420
# So good night
# Say good night
977
00:49:31,420 --> 00:49:33,140
# Goodbye, my lovely
978
00:49:33,140 --> 00:49:34,740
# Say goodbye
979
00:49:34,740 --> 00:49:37,700
# As we turn
# Turn down the lights
980
00:49:37,700 --> 00:49:39,380
# As we turn down the lights
981
00:49:39,380 --> 00:49:40,820
# Turn down the lights
982
00:49:40,820 --> 00:49:43,740
# Say good night
# Say good night
983
00:49:43,740 --> 00:49:46,060
# Good night
to the naked truth. #
984
00:50:00,100 --> 00:50:02,300
Countdown!
985
00:50:02,300 --> 00:50:03,900
Rick, do your Molly Meldrum
impression.
986
00:50:03,900 --> 00:50:06,100
Right!
My Molly Meldrum impression!
987
00:50:07,100 --> 00:50:09,340
G'day!
988
00:50:09,340 --> 00:50:11,820
DEB: The 1986 charts
proved once again
989
00:50:11,820 --> 00:50:14,060
that a novelty song
can take you to the top.
990
00:50:14,060 --> 00:50:15,820
Very stupid hat.
991
00:50:15,820 --> 00:50:17,460
(RASPBERRIES)
992
00:50:17,460 --> 00:50:19,380
Get that, Molly!
993
00:50:19,380 --> 00:50:19,620
The big question is
are you going
Get that, Molly!
994
00:50:19,620 --> 00:50:20,660
The big question is
are you going
995
00:50:20,660 --> 00:50:20,900
to come to Australia this year?
are you going
996
00:50:20,900 --> 00:50:22,260
to come to Australia this year?
997
00:50:22,260 --> 00:50:22,500
to come to Australia this year?
like Samantha Fox
998
00:50:22,500 --> 00:50:24,740
They also proved a fresh face,
like Samantha Fox
999
00:50:24,740 --> 00:50:24,980
They also proved a fresh face,
like Samantha Fox
could always beguile the masses.
1000
00:50:24,980 --> 00:50:27,260
could always beguile the masses.
1001
00:50:27,260 --> 00:50:28,540
I'll get a tan, look.
I'm white.
1002
00:50:28,540 --> 00:50:28,780
I'll get a tan, look.
Well, you've got summer here.
1003
00:50:28,780 --> 00:50:29,980
Well, you've got summer here.
1004
00:50:29,980 --> 00:50:31,340
No, have you seen it?
1005
00:50:31,340 --> 00:50:32,740
It's raining all the time.
1006
00:50:32,740 --> 00:50:34,420
Uh-huh?
You'll get your hat wet.
1007
00:50:34,420 --> 00:50:36,060
Yeah.
(LAUGHS)
1008
00:50:36,060 --> 00:50:36,300
Right, now, true confessions.
Yeah.
(LAUGHS)
1009
00:50:36,300 --> 00:50:38,100
Right, now, true confessions.
1010
00:50:38,100 --> 00:50:39,500
Like other Brits in '86,
1011
00:50:39,500 --> 00:50:42,420
Bananarama would find success with a
'60s pop cover.
1012
00:50:42,420 --> 00:50:42,660
Bananarama would find success with a
'60s pop cover.
In the last couple of years,
1013
00:50:42,660 --> 00:50:44,060
In the last couple of years,
1014
00:50:44,060 --> 00:50:46,460
we've been very slow to do Venus,
1015
00:50:46,460 --> 00:50:50,980
simply because we got the unfair tag
in British press
1016
00:50:50,980 --> 00:50:54,420
of being a band that did cover
versions and nothing else.
1017
00:50:54,420 --> 00:50:56,980
But we've written three albums of
our own stuff now.
1018
00:50:56,980 --> 00:50:59,860
We've had Cruel Summer, Robert
De Niro, were hits everywhere.
1019
00:50:59,860 --> 00:51:01,740
And we wrote those,
so, you know,
1020
00:51:01,740 --> 00:51:03,980
I think we can get away with it now.
1021
00:51:03,980 --> 00:51:06,020
Pseudo Echo's disco cover
of Funky Town
1022
00:51:06,020 --> 00:51:06,260
would also make the grade.
of Funky Town
1023
00:51:06,260 --> 00:51:08,180
would also make the grade.
1024
00:51:08,180 --> 00:51:10,580
And over here, already gold.
1025
00:51:10,580 --> 00:51:12,060
Sorry, Martin, about this,
1026
00:51:12,060 --> 00:51:13,860
is Love and Adventure
already gone gold.
1027
00:51:13,860 --> 00:51:16,180
Congratulations.
(CHEERING)
1028
00:51:16,180 --> 00:51:16,460
But the year's
big winner was a song
Congratulations.
(CHEERING)
1029
00:51:16,460 --> 00:51:18,740
But the year's
big winner was a song
1030
00:51:18,740 --> 00:51:22,300
that would become an iconic Aussie
anthem, You're The Voice.
1031
00:51:44,900 --> 00:51:52,460
# We have the chance
to turn the pages over
1032
00:51:55,140 --> 00:51:57,860
# We can write what
we want to write
1033
00:51:57,860 --> 00:51:58,100
# We can write what
# We gotta make ends meet
1034
00:51:58,100 --> 00:52:00,340
# We gotta make ends meet
1035
00:52:00,340 --> 00:52:03,700
# Before we get much older
1036
00:52:10,740 --> 00:52:13,780
# We're all someone's daughter
1037
00:52:13,780 --> 00:52:17,060
# We're all someone's son
1038
00:52:17,060 --> 00:52:19,460
# How long
1039
00:52:19,460 --> 00:52:22,620
# Can we look at each other
1040
00:52:25,100 --> 00:52:29,980
# Down the barrel of a gun?
1041
00:52:29,980 --> 00:52:32,660
# You're the voice,
try and understand it
1042
00:52:32,660 --> 00:52:35,380
# Make a noise
and make it clear
1043
00:52:35,380 --> 00:52:35,620
# Make a noise
# Oh-oh-oh-oh
1044
00:52:35,620 --> 00:52:37,660
# Oh-oh-oh-oh
1045
00:52:37,660 --> 00:52:41,580
# Whoa-oa-oa-oa
1046
00:52:41,580 --> 00:52:41,820
# We're not gonna sit
# Whoa-oa-oa-oa
1047
00:52:41,820 --> 00:52:44,060
# We're not gonna sit
in silence
1048
00:52:44,060 --> 00:52:46,700
# We're not gonna
live with fear
1049
00:52:46,700 --> 00:52:46,940
# We're not gonna
# Oh-oh-oh-oh
1050
00:52:46,940 --> 00:52:48,820
# Oh-oh-oh-oh
1051
00:52:48,820 --> 00:52:52,260
# Whoa-oa-oa-oa
1052
00:52:52,260 --> 00:52:53,860
# This time
1053
00:52:55,660 --> 00:53:00,420
# We know we all
can stand together
1054
00:53:03,420 --> 00:53:06,060
# With the power to be powerful
1055
00:53:06,060 --> 00:53:06,300
# Believing
# With the power to be powerful
1056
00:53:06,300 --> 00:53:12,620
# Believing
we can make it better
1057
00:53:18,700 --> 00:53:21,300
# We're all someone's daughter
1058
00:53:21,300 --> 00:53:21,500
# We're all someone's daughter
# We're all someone's son
1059
00:53:21,500 --> 00:53:25,140
# We're all someone's son
1060
00:53:25,140 --> 00:53:27,340
# How long
1061
00:53:27,340 --> 00:53:30,500
# Can we look at each other
1062
00:53:33,220 --> 00:53:40,180
# Down the barrel of a gun?
1063
00:53:40,180 --> 00:53:40,420
# You're the voice,
# Down the barrel of a gun?
1064
00:53:40,420 --> 00:53:42,940
# You're the voice,
try and understand it
1065
00:53:42,940 --> 00:53:45,780
# Make a noise
and make it clear
1066
00:53:45,780 --> 00:53:46,020
# Make a noise
# Oh-oh-oh-oh
1067
00:53:46,020 --> 00:53:47,860
# Oh-oh-oh-oh
1068
00:53:47,860 --> 00:53:51,860
# Whoa-oa-oa-oa
1069
00:53:51,860 --> 00:53:52,100
# We're not gonna
# Whoa-oa-oa-oa
1070
00:53:52,100 --> 00:53:54,500
# We're not gonna
sit in silence
1071
00:53:54,500 --> 00:53:57,020
# We're not gonna
live with fear
1072
00:53:57,020 --> 00:53:59,540
# Oh-oh-oh-oh
1073
00:53:59,540 --> 00:54:02,660
# Whoa-oa-oa-oa
1074
00:54:29,140 --> 00:54:31,580
# We're all someone's daughter
1075
00:54:31,580 --> 00:54:33,820
# We're all someone's son
1076
00:54:35,380 --> 00:54:37,780
# How long
1077
00:54:37,780 --> 00:54:40,060
# Can we look at each other
1078
00:54:43,420 --> 00:54:50,780
# Down the barrel of a gun?
1079
00:54:50,780 --> 00:54:51,020
# You're the voice,
try and understand it
# Down the barrel of a gun?
1080
00:54:51,020 --> 00:54:53,660
# You're the voice,
try and understand it
1081
00:54:53,660 --> 00:54:56,460
# Make a noise
and make it clear
1082
00:54:56,460 --> 00:54:58,820
# Oh-oh-oh-oh
1083
00:54:58,820 --> 00:55:01,980
# Whoa-oa-oa-oa
1084
00:55:01,980 --> 00:55:02,220
# Whoa-oa-oa-oa
# We're not gonna
sit in silence
1085
00:55:02,220 --> 00:55:05,300
# We're not gonna
sit in silence
1086
00:55:05,300 --> 00:55:07,820
# We're not gonna
live with fear
1087
00:55:07,820 --> 00:55:10,140
# Oh-oh-oh-oh
1088
00:55:10,140 --> 00:55:13,180
# Whoa-oa-oa-oa
1089
00:55:13,180 --> 00:55:16,220
# You're the voice,
try and understand it
1090
00:55:16,220 --> 00:55:18,900
# Make a noise
and make it clear
1091
00:55:18,900 --> 00:55:19,140
# Make a noise
# Oh-oh-oh-oh
1092
00:55:19,140 --> 00:55:21,620
# Oh-oh-oh-oh
1093
00:55:21,620 --> 00:55:24,740
# Whoa-oa-oa-oa
1094
00:55:24,740 --> 00:55:27,540
# We're not gonna
sit in silence
1095
00:55:27,540 --> 00:55:30,060
# We're not gonna
live with fear
1096
00:55:30,060 --> 00:55:30,300
# We're not gonna
# Oh-oh-oh-oh
1097
00:55:30,300 --> 00:55:32,780
# Oh-oh-oh-oh
1098
00:55:32,780 --> 00:55:35,860
# Whoa-oa-oa-oa
1099
00:55:35,860 --> 00:55:38,940
# You're the voice,
try and understand it
1100
00:55:38,940 --> 00:55:41,220
# Make a noise
and make it clear
1101
00:55:41,220 --> 00:55:41,460
# Make a noise
# Oh-oh-oh-oh
1102
00:55:41,460 --> 00:55:44,020
# Oh-oh-oh-oh
1103
00:55:44,020 --> 00:55:46,340
# Whoa-oa-oa-oa
1104
00:55:46,340 --> 00:55:49,700
# We're not gonna
sit in silence
1105
00:55:49,700 --> 00:55:52,780
# We're not gonna
live with fear
1106
00:55:52,780 --> 00:55:53,020
# We're not gonna
# Oh-oh-oh-oh
1107
00:55:53,020 --> 00:55:54,940
# Oh-oh-oh-oh
1108
00:55:54,940 --> 00:55:55,180
# Oh-oh-oh-oh,
# Oh-oh-oh-oh
1109
00:55:55,180 --> 00:55:58,500
# Oh-oh-oh-oh,
yeah, yeah
1110
00:55:58,500 --> 00:56:01,340
# You're the voice,
try and understand it
1111
00:56:01,340 --> 00:56:04,060
# Make a noise
and make it clear
1112
00:56:04,060 --> 00:56:07,580
# Oh-oh-oh-oh,
whoa-oa-oa-oa. #
1113
00:56:17,460 --> 00:56:18,740
OK, Don't forget. We're all caught up
1114
00:56:18,740 --> 00:56:20,300
with the summer craze
around here,
1115
00:56:20,300 --> 00:56:21,940
and Countdown has not finished over
summer.
1116
00:56:21,940 --> 00:56:23,940
In fact, it's on every Sunday and
Saturday night
1117
00:56:23,940 --> 00:56:25,340
with the Countdown Summers,
1118
00:56:25,340 --> 00:56:27,500
and we're giving you predictions and
we're giving you hits.
1119
00:56:27,500 --> 00:56:27,780
and we're giving you predictions and
we're giving you hits.
Believe me.
My mate's here somewhere.
1120
00:56:27,780 --> 00:56:29,220
Believe me.
My mate's here somewhere.
1121
00:56:29,220 --> 00:56:30,660
Where are you off to?
Hey, Moll!
1122
00:56:30,660 --> 00:56:30,900
Where are you off to?
You off surfing?
1123
00:56:30,900 --> 00:56:32,220
You off surfing?
1124
00:56:32,220 --> 00:56:32,460
I'm going to take my bucket
You off surfing?
1125
00:56:32,460 --> 00:56:33,820
I'm going to take my bucket
and my spade.
1126
00:56:33,820 --> 00:56:35,660
I'm coming, too.
Countdown Summers.
1127
00:56:35,660 --> 00:56:37,820
Don't forget,
every Saturday and Sunday.
1128
00:56:37,820 --> 00:56:38,060
Don't forget,
Oh!
1129
00:56:38,060 --> 00:56:39,620
Oh!
1130
00:56:42,100 --> 00:56:43,780
ANNOUNCER: Visit
the Classic Countdown website
1131
00:56:43,780 --> 00:56:44,020
for more pictures, interviews,
the Classic Countdown website
1132
00:56:44,020 --> 00:56:45,260
for more pictures, interviews,
1133
00:56:45,260 --> 00:56:47,020
and behind the scenes information.
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