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00:00:01,020 --> 00:00:05,500
Three, four.
Well, Angus...
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00:00:05,500 --> 00:00:05,700
Give me the hat.
..I'm very pleased...
3
00:00:05,700 --> 00:00:08,340
It's been a long time.
Yeah? Great.
4
00:00:08,340 --> 00:00:10,660
Now, it's been a long time
between albums.
5
00:00:10,660 --> 00:00:13,940
Yes, I know this, Moll, and
I have been working hard at it
6
00:00:13,940 --> 00:00:14,180
Yes, I know this, Moll, and
but I got the lads rounded up.
7
00:00:14,180 --> 00:00:15,820
but I got the lads rounded up.
8
00:00:15,820 --> 00:00:17,700
One final...final question.
9
00:00:17,700 --> 00:00:20,140
What about your new single?
10
00:00:20,140 --> 00:00:20,940
I think it's marvellous.
11
00:00:20,940 --> 00:00:24,220
It's called Danger and
it's going to fly off the wall...
12
00:00:25,380 --> 00:00:27,100
..on the wall.
13
00:00:27,100 --> 00:00:29,460
(MUMBLING)
14
00:00:29,460 --> 00:00:32,540
And this is a very short
Ian Meldrum saying goodbye.
15
00:00:38,140 --> 00:00:42,420
ANNOUNCER: Welcome to
Classic Countdown 1985.
16
00:00:45,940 --> 00:00:46,940
KATE: Ironically,
17
00:00:46,940 --> 00:00:50,220
the year the inaugural
Australian Grand Prix was staged,
18
00:00:50,220 --> 00:00:53,420
local police also
implemented the radar speed gun.
19
00:00:54,580 --> 00:00:57,940
But that strange fact had no
chance of dampening the excitement
20
00:00:57,940 --> 00:00:58,180
But that strange fact had no
on the streets of Adelaide.
21
00:00:58,180 --> 00:00:59,460
on the streets of Adelaide.
22
00:01:00,260 --> 00:01:03,380
For those who have spent up to
$120 on a gold pass
23
00:01:03,380 --> 00:01:03,620
For those who have spent up to
and still have some change over
24
00:01:03,620 --> 00:01:05,140
and still have some change over
25
00:01:05,140 --> 00:01:08,220
there are plenty of souvenirs
that they can spend their money on.
26
00:01:08,220 --> 00:01:08,460
there are plenty of souvenirs
Like this beach towel.
27
00:01:08,460 --> 00:01:09,500
Like this beach towel.
28
00:01:12,020 --> 00:01:16,100
In 1985, Maggie was still
pushing people around
29
00:01:16,100 --> 00:01:18,900
and the name Gorbachev was
giving the world new hope.
30
00:01:21,060 --> 00:01:23,540
But in a palatial
apartment in uptown New York,
31
00:01:23,540 --> 00:01:23,780
But in a palatial
another name was being invoked.
32
00:01:23,780 --> 00:01:26,460
another name was being invoked.
33
00:01:26,460 --> 00:01:29,300
Madonna had arrived as a
superstar
34
00:01:29,300 --> 00:01:29,540
Madonna had arrived as a
and it would be Molly Meldrum
35
00:01:29,540 --> 00:01:30,820
and it would be Molly Meldrum
36
00:01:30,820 --> 00:01:31,060
who would bring her story
and it would be Molly Meldrum
37
00:01:31,060 --> 00:01:32,540
who would bring her story
to the world.
38
00:01:32,540 --> 00:01:32,780
who would bring her story
Alright, Molly, let's go.
39
00:01:32,780 --> 00:01:34,140
Alright, Molly, let's go.
40
00:01:36,420 --> 00:01:39,340
The fact that people are
interested in what I'm doing
41
00:01:39,340 --> 00:01:42,020
only pushes me more to,
you know,
42
00:01:42,020 --> 00:01:46,220
keep coming up with new and
interesting ways to express myself.
43
00:01:47,380 --> 00:01:50,340
It was Bruce Springsteen's
Australian tour that year
44
00:01:50,340 --> 00:01:52,340
and emotions were running high.
45
00:01:52,340 --> 00:01:54,180
I got a hug and four photos.
46
00:01:54,180 --> 00:01:55,500
WOMAN: How do you feel?
Great!
47
00:01:55,500 --> 00:01:57,620
ANNOUNCER: The turnout is
a record audience anywhere
48
00:01:57,620 --> 00:01:59,020
for a Springsteen concert.
49
00:01:59,020 --> 00:02:01,220
We are right at the front.
50
00:02:01,220 --> 00:02:02,420
Getting right into it.
51
00:02:02,420 --> 00:02:06,540
# I'm looking for a lover
who will come on in
52
00:02:06,540 --> 00:02:08,220
# And cover me. #
53
00:02:10,020 --> 00:02:13,940
Bruce may have been The Boss
but this guy was king.
54
00:02:15,060 --> 00:02:18,780
In 1985, he would wear
the crown, don the robes
55
00:02:18,780 --> 00:02:19,020
In 1985, he would wear
and rule over his adoring public.
56
00:02:19,020 --> 00:02:20,460
and rule over his adoring public.
57
00:02:22,060 --> 00:02:25,180
Or perhaps, like these chart
toppers, rule the world.
58
00:02:43,660 --> 00:02:47,980
# Welcome to your life
59
00:02:47,980 --> 00:02:52,380
# There's no turning back
60
00:02:52,380 --> 00:02:56,620
# Even while we sleep
61
00:02:56,620 --> 00:03:03,100
# We will find you acting
on your best behaviour
62
00:03:03,100 --> 00:03:07,100
# Turn your back
on mother nature
63
00:03:07,100 --> 00:03:13,700
# Everybody wants
to rule the world
64
00:03:22,180 --> 00:03:26,420
# It's my own desire
65
00:03:26,420 --> 00:03:26,620
# It's my own desire
# It's my own remorse
66
00:03:26,620 --> 00:03:30,900
# It's my own remorse
67
00:03:30,900 --> 00:03:35,060
# Help me to decide
68
00:03:35,060 --> 00:03:35,300
# Help me make the most of
# Help me to decide
69
00:03:35,300 --> 00:03:41,420
# Help me make the most of
freedom and of pleasure
70
00:03:41,420 --> 00:03:41,660
# Help me make the most of
# Nothing ever lasts forever
71
00:03:41,660 --> 00:03:45,940
# Nothing ever lasts forever
72
00:03:45,940 --> 00:03:50,420
# Everybody wants to
rule the world
73
00:03:50,420 --> 00:03:50,700
# There's a room
where the light won't find you
# Everybody wants to
rule the world
74
00:03:50,700 --> 00:03:55,060
# There's a room
where the light won't find you
75
00:03:55,060 --> 00:03:59,140
# Holding hands while the walls
come tumbling down
76
00:03:59,140 --> 00:04:03,420
# When they do,
I'll be right behind you
77
00:04:03,420 --> 00:04:03,660
# When they do,
I'll be right behind you
# So glad we've almost made it
78
00:04:03,660 --> 00:04:07,980
# So glad we've almost made it
79
00:04:07,980 --> 00:04:11,460
# So sad they had to fade it
80
00:04:11,460 --> 00:04:11,700
# Everybody
# So sad they had to fade it
81
00:04:11,700 --> 00:04:17,660
# Everybody
wants to rule the world
82
00:05:03,220 --> 00:05:07,100
# I can't stand this indecision
83
00:05:07,100 --> 00:05:11,580
# Married with a lack of vision
84
00:05:11,580 --> 00:05:16,340
# Everybody wants to rule the world
85
00:05:16,340 --> 00:05:20,940
# Say that you'll never,
never, never, need it
86
00:05:20,940 --> 00:05:21,180
# Say that you'll never,
# One headline, why believe it?
87
00:05:21,180 --> 00:05:24,380
# One headline, why believe it?
88
00:05:24,380 --> 00:05:30,980
# Everybody wants to rule the world
89
00:05:37,380 --> 00:05:41,340
# All for freedom and for pleasure
90
00:05:41,340 --> 00:05:45,580
# Nothing ever lasts forever
91
00:05:45,580 --> 00:05:51,940
# Everybody wants to
rule the world. #
92
00:06:17,380 --> 00:06:21,660
In 1985, USA for Africa produced
the song We Are The World
93
00:06:21,660 --> 00:06:24,980
to help raise funds for the
famine in Ethiopia.
94
00:06:24,980 --> 00:06:25,220
to help raise funds for the
It was a huge success.
95
00:06:25,220 --> 00:06:27,260
It was a huge success.
96
00:06:27,260 --> 00:06:27,500
Tower Records claim it is the
It was a huge success.
97
00:06:27,500 --> 00:06:30,940
Tower Records claim it is the
biggest selling single for years
98
00:06:30,940 --> 00:06:33,140
and years and years
within a week and in fact,
99
00:06:33,140 --> 00:06:36,180
it will probably go to number 1
by 2 weeks time.
100
00:06:36,180 --> 00:06:39,180
So that is quite amazing and to
think all that money,
101
00:06:39,180 --> 00:06:42,380
like the Band-Aid money,
is going to go into Africa.
102
00:06:42,380 --> 00:06:42,620
like the Band-Aid money,
So, well done.
103
00:06:42,620 --> 00:06:44,100
So, well done.
104
00:06:44,100 --> 00:06:47,140
In addition, Bob Geldof and
Midge Ure
105
00:06:47,140 --> 00:06:47,380
In addition, Bob Geldof and
organise the two Live Aid concerts
106
00:06:47,380 --> 00:06:49,380
organise the two Live Aid concerts
107
00:06:49,380 --> 00:06:49,620
that were broadcast
organise the two Live Aid concerts
108
00:06:49,620 --> 00:06:52,380
that were broadcast
simultaneously around the world.
109
00:06:52,380 --> 00:06:57,180
A TV event unprecedented
in live music broadcasting.
110
00:06:57,180 --> 00:06:59,940
REPORTER: The Australian band
INXS were beamed live
111
00:06:59,940 --> 00:07:03,100
from the Sydney Entertainment
Centre into Wembley
112
00:07:03,100 --> 00:07:05,340
as part of the global satellite
link up.
113
00:07:05,340 --> 00:07:07,860
So, too, for a short
while was Molly Meldrum,
114
00:07:07,860 --> 00:07:09,820
Geraldine Doogue,
and George Negus.
115
00:07:09,820 --> 00:07:11,500
This is the ultimate that
pop music can do,
116
00:07:11,500 --> 00:07:11,780
quite literally,
it is the ultimate.
This is the ultimate that
pop music can do,
117
00:07:11,780 --> 00:07:13,100
quite literally,
it is the ultimate.
118
00:07:13,100 --> 00:07:15,100
You can't do anything more
after this
119
00:07:15,100 --> 00:07:20,180
and the commitment of pop music
need never be doubted again.
120
00:07:20,180 --> 00:07:20,460
and the commitment of pop music
need never be doubted again.
Alarmingly for British music
at the time,
121
00:07:20,460 --> 00:07:22,460
Alarmingly for British music
at the time,
122
00:07:22,460 --> 00:07:25,820
very few young acts were invited
to play at Live Aid.
123
00:07:25,820 --> 00:07:29,100
One exception was multi-
instrumentalist Nik Kershaw.
124
00:07:29,100 --> 00:07:31,620
In 1985, Nik also
played on Countdown.
125
00:07:37,380 --> 00:07:41,940
# He made a record,
it made him famous
126
00:07:41,940 --> 00:07:42,180
# He made a record,
it made him famous
# Yes, it made him a star
127
00:07:42,180 --> 00:07:44,060
# Yes, it made him a star
128
00:07:45,580 --> 00:07:48,460
# The life and soul of the
party
129
00:07:48,460 --> 00:07:49,580
# He rocks, he shocks
130
00:07:49,580 --> 00:07:53,180
# You never know where you are
with him
131
00:07:53,180 --> 00:07:57,380
# He got no sense
but he got money
132
00:07:57,380 --> 00:08:01,660
# He got no sense but he got
overnight success
133
00:08:01,660 --> 00:08:07,980
# Exceed excess, exceed excess
134
00:08:09,820 --> 00:08:13,660
# He no big deal
he just a wide boy
135
00:08:13,660 --> 00:08:17,940
# He no big deal
he just an ordinary guy
136
00:08:18,060 --> 00:08:26,100
# Oh, me, oh, my, oh, me, oh, my
137
00:08:52,140 --> 00:08:55,260
# He made a movie
138
00:08:55,260 --> 00:08:59,260
# He played the driver
of a big yellow car
139
00:09:00,380 --> 00:09:02,580
# He is super fab and groovy
140
00:09:02,580 --> 00:09:04,860
# He struts and he crows
141
00:09:04,860 --> 00:09:07,540
# You never know
where you are with him
142
00:09:07,540 --> 00:09:07,820
# He got no sense
but he got money
# You never know
where you are with him
143
00:09:07,820 --> 00:09:11,820
# He got no sense
but he got money
144
00:09:11,820 --> 00:09:16,300
# He got no sense but he got
overnight success
145
00:09:16,300 --> 00:09:24,220
# Exceed excess, exceed excess
146
00:09:24,220 --> 00:09:24,460
# Exceed excess, exceed excess
# He no big deal
he just a wide boy
147
00:09:24,460 --> 00:09:27,380
# He no big deal
he just a wide boy
148
00:09:28,300 --> 00:09:32,820
# He no big deal
he just an ordinary guy
149
00:09:32,820 --> 00:09:40,340
# Oh, me, oh, my, oh, me, oh, my
150
00:09:40,340 --> 00:09:40,580
# And with your symmetry teeth
and your California tan
# Oh, me, oh, my, oh, me, oh, my
151
00:09:40,580 --> 00:09:44,460
# And with your symmetry teeth
and your California tan
152
00:09:44,460 --> 00:09:48,260
# I'm here to tell you
that you ain't no superman
153
00:09:48,260 --> 00:09:48,500
# You're just a wide boy
that you ain't no superman
154
00:09:48,500 --> 00:09:50,500
# You're just a wide boy
155
00:09:56,140 --> 00:09:58,020
# Wide boy. #
156
00:10:30,060 --> 00:10:32,260
OK, Molly, you ready?
I'm ready.
157
00:10:32,260 --> 00:10:33,420
I am indeed ready.
158
00:10:33,420 --> 00:10:37,380
From 1982, British pop bands had
ridden the New Wave to America
159
00:10:37,380 --> 00:10:37,620
From 1982, British pop bands had
and dominated the US charts.
160
00:10:37,620 --> 00:10:39,100
and dominated the US charts.
161
00:10:40,060 --> 00:10:44,020
# But now she never seems the same
162
00:10:44,020 --> 00:10:46,940
# She don't talk to me
163
00:10:46,940 --> 00:10:47,140
# She don't talk to me
# 'Cause she can't take no sympathy
164
00:10:47,140 --> 00:10:49,380
# 'Cause she can't take no sympathy
165
00:10:49,380 --> 00:10:51,260
# Because she's highly strung. #
166
00:10:51,260 --> 00:10:51,500
Some believed this was due to
# Because she's highly strung. #
167
00:10:51,500 --> 00:10:54,180
Some believed this was due to
them bringing colour
168
00:10:54,180 --> 00:10:54,420
Some believed this was due to
and energy back to pop music.
169
00:10:54,420 --> 00:10:56,660
and energy back to pop music.
170
00:10:56,660 --> 00:11:05,020
# Highly strung
Oh, highly strung, she's undone. #
171
00:11:05,020 --> 00:11:05,260
# Highly strung
Others had a different theory.
172
00:11:05,260 --> 00:11:07,140
Others had a different theory.
173
00:11:07,140 --> 00:11:07,380
English music
becomes safe and boring.
Others had a different theory.
174
00:11:07,380 --> 00:11:09,140
English music
becomes safe and boring.
175
00:11:09,140 --> 00:11:13,700
All the British groups
they like are absolute crap.
176
00:11:13,700 --> 00:11:16,140
People like Duran Duran and
Spandau Ballet,
177
00:11:16,140 --> 00:11:16,380
People like Duran Duran and
Spandau Ballet,
who are meaningless garbage,
178
00:11:16,380 --> 00:11:17,580
who are meaningless garbage,
179
00:11:17,580 --> 00:11:17,820
and Americans like
who are meaningless garbage,
180
00:11:17,820 --> 00:11:20,900
and Americans like
meaningless garbage.
181
00:11:20,900 --> 00:11:24,860
Either way, by '85 the second
British invasion had peaked
182
00:11:24,860 --> 00:11:28,100
and the new American superstars
Michael Jackson, Prince,
183
00:11:28,100 --> 00:11:31,620
and Madonna were just doing
bigger much better than the Brits.
184
00:11:33,500 --> 00:11:36,660
(SINGS INDISTINCTLY)
185
00:11:41,220 --> 00:11:45,460
Also knocking the Brits off the
pop podium were rock metal bands
186
00:11:45,460 --> 00:11:46,980
who'd mastered the music video
187
00:11:46,980 --> 00:11:50,260
and we're beginning to write
more melodic catchy singles.
188
00:11:50,260 --> 00:11:50,540
Yeah, I remember when I was back in
about third or fourth grade,
and we're beginning to write
more melodic catchy singles.
189
00:11:50,540 --> 00:11:52,580
Yeah, I remember when I was back in
about third or fourth grade,
190
00:11:52,580 --> 00:11:55,820
I was about 10 years old
or 11 years old,
191
00:11:55,820 --> 00:11:57,500
we were already Beach Boys.
192
00:11:57,500 --> 00:12:00,580
What we were looking forward to
was the British invasion
193
00:12:00,580 --> 00:12:02,860
and now that the British invasion
is over...
194
00:12:04,540 --> 00:12:06,340
..we have come full circle, man.
195
00:12:06,340 --> 00:12:06,540
..we have come full circle, man.
We're right back.
196
00:12:06,540 --> 00:12:07,460
We're right back.
197
00:12:07,460 --> 00:12:12,060
I'm getting bugged driving up
and down the same old strip.
198
00:12:13,260 --> 00:12:17,540
By 1985, it was the Americans
riding high on a new wave.
199
00:12:30,820 --> 00:12:32,100
# Hey, hey
200
00:12:38,220 --> 00:12:42,620
# She was a be-bop baby
on a hard day's night
201
00:12:45,020 --> 00:12:48,180
# She was hangin' on Johnny,
he was holdin' on tight
202
00:12:51,580 --> 00:12:55,180
# I could feel her coming
from a mile away
203
00:12:58,020 --> 00:13:01,620
# There was no use talking,
there was nothing to say
204
00:13:01,620 --> 00:13:04,900
# When the band began to play
and play
205
00:13:04,900 --> 00:13:09,100
# And we danced like a
wave on the ocean, romanced
206
00:13:09,580 --> 00:13:13,460
# We were liars in love and we
danced
207
00:13:13,460 --> 00:13:16,260
# Swept away for a moment by
chance
208
00:13:16,260 --> 00:13:19,020
# And we danced and
danced and danced
209
00:13:19,020 --> 00:13:22,220
# I met my be-bop baby
at the Union Hall
210
00:13:25,420 --> 00:13:29,060
# She could dance all night and
shake the paint off the wall
211
00:13:32,100 --> 00:13:35,380
# But when I saw her smile
across a crowded room
212
00:13:38,940 --> 00:13:42,100
# Well, I knew we'd
have to leave the party soon
213
00:13:42,100 --> 00:13:42,380
# Well, I knew we'd
have to leave the party soon
# As the band began
to play out of tune
214
00:13:42,380 --> 00:13:45,380
# As the band began
to play out of tune
215
00:13:45,380 --> 00:13:50,300
# And we danced like a wave
on the ocean, romanced
216
00:13:50,300 --> 00:13:53,700
# We were liars in love
and we danced
217
00:13:53,700 --> 00:13:57,020
# Swept away for a moment by
chance
218
00:13:57,020 --> 00:13:59,900
# And we danced and danced
and danced
219
00:14:05,460 --> 00:14:06,860
# And we danced
220
00:14:27,140 --> 00:14:30,180
# The endless beat
She's walking my way
221
00:14:30,180 --> 00:14:30,420
# The endless beat
# Hear the music fade when she says
222
00:14:30,420 --> 00:14:33,060
# Hear the music fade when she says
223
00:14:33,060 --> 00:14:37,260
# Are we getting too close,
do we dare to get closer
224
00:14:37,260 --> 00:14:39,260
# The room is spinning
as she whispers my name
225
00:14:39,260 --> 00:14:44,180
# And we danced like a wave on
the ocean, romanced
226
00:14:44,180 --> 00:14:47,260
# We were liars
in love and we danced
227
00:14:47,260 --> 00:14:51,100
# Swept away for a
moment by chance
228
00:14:51,100 --> 00:14:53,060
# Yeah we danced and danced
229
00:14:53,060 --> 00:14:57,220
# And we danced like a wave
on the ocean, romanced
230
00:14:57,220 --> 00:15:00,820
# We were liars in love
and we danced
231
00:15:00,820 --> 00:15:01,060
# We were liars in love
# Swept away for a moment by chance
232
00:15:01,060 --> 00:15:04,060
# Swept away for a moment by chance
233
00:15:04,060 --> 00:15:04,300
# And we danced and danced
# Swept away for a moment by chance
234
00:15:04,300 --> 00:15:06,860
# And we danced and danced
and danced
235
00:15:06,860 --> 00:15:10,260
# And danced and danced and
danced...
236
00:15:12,420 --> 00:15:13,420
# And we danced
237
00:15:19,060 --> 00:15:20,300
# And we danced. #
238
00:15:37,460 --> 00:15:41,780
In mid-'80s Australia, the clubs
still held the ascension over pubs
239
00:15:41,780 --> 00:15:43,100
as the testing ground for new hits.
240
00:15:49,100 --> 00:15:50,980
# Saw a fire in the sky. #
241
00:15:53,140 --> 00:15:56,900
# You got me into this,
now you got to choose. #
242
00:15:56,900 --> 00:15:58,660
The Australian bands
emerging from the club scene
243
00:15:58,660 --> 00:16:01,180
were as accomplished
as any in the world.
244
00:16:01,180 --> 00:16:03,980
# You let me into your skin,
you let me in
245
00:16:03,980 --> 00:16:07,340
# You, you got me going again
246
00:16:07,340 --> 00:16:12,220
# You, you got me going again,
you got the attitude
247
00:16:12,220 --> 00:16:12,460
# You, you got me going again,
# You got me going again
248
00:16:12,460 --> 00:16:15,300
# You got me going again
249
00:16:15,300 --> 00:16:17,900
# You, you got me going again
250
00:16:17,900 --> 00:16:21,340
# You got the attitude,
you got me going again
251
00:16:21,340 --> 00:16:21,580
# You got the attitude,
# Going again. #
252
00:16:21,580 --> 00:16:23,340
# Going again. #
253
00:16:24,300 --> 00:16:26,500
And Sydney band Koo De Tah
254
00:16:26,500 --> 00:16:28,140
seemed to find the perfect
combination
255
00:16:28,140 --> 00:16:31,340
of new instrumentation
for electronic dance music.
256
00:16:31,340 --> 00:16:31,580
of new instrumentation
Barely a guitar in the house.
257
00:16:31,580 --> 00:16:33,220
Barely a guitar in the house.
258
00:16:42,460 --> 00:16:45,540
# I know, I know,
you see me as your own
259
00:16:45,540 --> 00:16:45,780
# I know, I know,
# And you like that
260
00:16:45,780 --> 00:16:47,180
# And you like that
261
00:16:50,060 --> 00:16:53,220
# I know, I know,
you have to be alone
262
00:16:53,220 --> 00:16:53,460
# I know, I know,
# 'Cause you are like that
263
00:16:53,460 --> 00:16:55,180
# 'Cause you are like that
264
00:16:58,060 --> 00:17:06,100
# O-oceans of pa-assion,
withi-in your eye-eyes
265
00:17:06,220 --> 00:17:09,940
# Don't wanna be your
posse-e-ession
266
00:17:09,940 --> 00:17:10,180
# Don't wanna be your
# The first ti-i-ime
267
00:17:10,180 --> 00:17:12,860
# The first ti-i-ime
268
00:17:14,340 --> 00:17:18,180
# Too-oo young, don't you think
269
00:17:18,180 --> 00:17:22,100
# To-oo promise anything
270
00:17:22,100 --> 00:17:25,860
# Too-oo young, can't you see
271
00:17:25,860 --> 00:17:28,940
# Understand me and let me be
272
00:17:30,060 --> 00:17:34,020
# Too-oo young, don't you think
273
00:17:34,020 --> 00:17:37,980
# To-oo promise anything
274
00:17:37,980 --> 00:17:41,740
# Too-oo young, don't you know
275
00:17:41,740 --> 00:17:44,820
# Understand me and let me go
276
00:17:44,820 --> 00:17:45,020
# Understand me and let me go
# Ooh-ooh-ooh, ooh-ooh-ooh
277
00:17:45,020 --> 00:17:46,540
# Ooh-ooh-ooh, ooh-ooh-ooh
278
00:17:46,540 --> 00:17:50,060
# Ah-ay, I'm too young for
promises
279
00:17:53,820 --> 00:17:56,820
# I know, I know,
you got to prove you're proud
280
00:17:56,820 --> 00:17:57,060
# I know, I know,
# 'Cause you're like that
281
00:17:57,060 --> 00:17:58,140
# 'Cause you're like that
282
00:18:01,300 --> 00:18:05,140
# I know, I know,
you make me speak in tongues
283
00:18:05,140 --> 00:18:06,540
# 'Cause you are like that
284
00:18:09,100 --> 00:18:12,780
# Changes of seasons
285
00:18:14,100 --> 00:18:17,140
# I haven't lived through-ough
286
00:18:17,380 --> 00:18:21,020
# Tell what you want
and have free-ee-eedom
287
00:18:21,020 --> 00:18:21,260
# Tell what you want
# So what do I do-oo
288
00:18:21,260 --> 00:18:23,020
# So what do I do-oo
289
00:18:25,180 --> 00:18:29,180
# I'm too-oo young, don't you
think
290
00:18:29,180 --> 00:18:29,420
# To-oo promise anything
think
291
00:18:29,420 --> 00:18:33,140
# To-oo promise anything
292
00:18:33,140 --> 00:18:37,300
# Too-oo young, can't you see
293
00:18:37,300 --> 00:18:40,180
# Understand me and let me be
294
00:18:40,180 --> 00:18:40,420
# Understand me and let me be
# Ah-ay, too-oo young,
don't you think
295
00:18:40,420 --> 00:18:45,180
# Ah-ay, too-oo young,
don't you think
296
00:18:45,180 --> 00:18:45,420
# Ah-ay, too-oo young,
# To-oo promise anything
297
00:18:45,420 --> 00:18:49,060
# To-oo promise anything
298
00:18:49,060 --> 00:18:53,060
# Too-oo young, don't you know
299
00:18:53,060 --> 00:18:55,980
# Understand me and let me go
300
00:18:55,980 --> 00:18:59,180
# Ooh-ooh-ooh, ooh-ooh-ooh
301
00:18:59,180 --> 00:19:01,900
# I'm too young for promises
302
00:19:04,060 --> 00:19:06,260
# Ooh-ooh-ooh, ooh-ooh-ooh
303
00:19:06,260 --> 00:19:09,460
# Ah-ay, I'm too young
for promises
304
00:19:28,940 --> 00:19:32,700
# I'm too-oo young, don't you
think
305
00:19:32,700 --> 00:19:36,380
# To-oo promise anything
306
00:19:36,380 --> 00:19:40,140
# Too-oo young, can't you see
307
00:19:40,140 --> 00:19:43,220
# Understand me and let me be
308
00:19:43,220 --> 00:19:44,500
# Too young for promises
309
00:19:44,500 --> 00:19:48,420
# I'm too-oo young,
don't you see
310
00:19:48,420 --> 00:19:48,660
# I'm too-oo young,
# To-oo promise anything
311
00:19:48,660 --> 00:19:52,380
# To-oo promise anything
312
00:19:52,380 --> 00:19:56,060
# I want to go
but you won't let me go
313
00:19:56,060 --> 00:19:57,540
# Cause you're like that
314
00:19:57,540 --> 00:19:59,580
# And you are like that. #
315
00:20:20,500 --> 00:20:24,460
# Oh, Africa
316
00:20:24,460 --> 00:20:26,380
# Healing in the sun. #
317
00:20:27,940 --> 00:20:32,220
Live Aid had engaged a new
generation in world issues.
318
00:20:32,220 --> 00:20:34,500
Unrest in the political scene
in the UK
319
00:20:34,500 --> 00:20:38,220
had given rise to a new
generation of protest singers.
320
00:20:38,220 --> 00:20:40,180
Of unemployment?
MOLLY: Yeah.
321
00:20:40,180 --> 00:20:40,460
I don't see how you can ever
truly change it under capitalism,
Of unemployment?
MOLLY: Yeah.
322
00:20:40,460 --> 00:20:44,500
I don't see how you can ever
truly change it under capitalism,
323
00:20:44,500 --> 00:20:47,020
or under the capitalist
system.
324
00:20:47,020 --> 00:20:47,900
I mean, I think the only way
325
00:20:47,900 --> 00:20:48,140
I mean, I think the only way
you're ever going to stop
unemployment permanently
326
00:20:48,140 --> 00:20:52,100
you're ever going to stop
unemployment permanently
327
00:20:52,100 --> 00:20:54,780
is by a socialist economy
and a socialist system.
328
00:21:12,060 --> 00:21:14,980
# You don't have to
take this crap
329
00:21:14,980 --> 00:21:17,580
# You don't have to
sit back and relax
330
00:21:17,580 --> 00:21:22,940
# You can actually
try changing it
331
00:21:22,940 --> 00:21:23,220
# I know we've always been
taught to rely
# You can actually
try changing it
332
00:21:23,220 --> 00:21:26,260
# I know we've always been
taught to rely
333
00:21:26,260 --> 00:21:29,100
# Upon those in authority
334
00:21:29,100 --> 00:21:32,100
# But you never know until you try
335
00:21:32,100 --> 00:21:34,980
# How things just might be
336
00:21:34,980 --> 00:21:35,180
# How things just might be
# If we came together so strongly
337
00:21:35,180 --> 00:21:40,060
# If we came together so strongly
338
00:21:40,060 --> 00:21:40,300
# Are you gonna try to
make this work?
# If we came together so strongly
339
00:21:40,300 --> 00:21:43,020
# Are you gonna try to
make this work?
340
00:21:43,020 --> 00:21:46,100
# Or spend your days
down in the dirt
341
00:21:46,100 --> 00:21:46,340
# You see things can change
down in the dirt
342
00:21:46,340 --> 00:21:47,300
# You see things can change
343
00:21:47,300 --> 00:21:50,140
# Yes, and walls
can come tumbling down
344
00:21:50,140 --> 00:21:52,420
# Governments crack
and systems fall
345
00:21:52,420 --> 00:21:52,660
# 'Cause unity is powerful
and systems fall
346
00:21:52,660 --> 00:21:55,860
# 'Cause unity is powerful
347
00:21:55,860 --> 00:21:56,100
# 'Cause unity is powerful
# Lights go out,
walls come tumbling down
348
00:21:56,100 --> 00:22:00,060
# Lights go out,
walls come tumbling down
349
00:22:00,060 --> 00:22:05,580
# Yes, they do, yes, they do,
yes, they do, yes, they do, hey
350
00:22:05,580 --> 00:22:05,820
# The competition is a colour TV
# Yes, they do, yes, they do,
yes, they do, yes, they do, hey
351
00:22:05,820 --> 00:22:08,500
# The competition is a colour TV
352
00:22:08,500 --> 00:22:11,820
# We're on still pause
with the video machine
353
00:22:11,820 --> 00:22:16,460
# Keep yourselves
to the village beat
354
00:22:16,460 --> 00:22:16,700
# Until the unity is threatened by
to the village beat
355
00:22:16,700 --> 00:22:20,100
# Until the unity is threatened by
356
00:22:20,100 --> 00:22:22,900
# Those who have and who have not
357
00:22:22,900 --> 00:22:23,140
# Those who have and who have not
# Those who are with
and those who are without
358
00:22:23,140 --> 00:22:26,140
# Those who are with
and those who are without
359
00:22:26,140 --> 00:22:29,060
# And dangle jobs
like a donkey's carrot
360
00:22:29,060 --> 00:22:34,380
# Until you don't know
where you are
361
00:22:34,380 --> 00:22:37,020
# Are you gonna get to realise
362
00:22:37,020 --> 00:22:40,140
# The class war's real
and not mythologised
363
00:22:40,140 --> 00:22:43,860
# And like Jericho, you see
walls can come tumbling down
364
00:22:43,860 --> 00:22:46,380
# Governments crack
and systems fall
365
00:22:46,380 --> 00:22:49,540
# 'Cause unity is powerful
366
00:22:49,540 --> 00:22:53,020
# Lights go out, walls come
tumbling
367
00:22:53,020 --> 00:22:53,260
# Lights go out, walls come
# Down
368
00:22:53,260 --> 00:22:54,220
# Down
369
00:22:54,220 --> 00:22:55,900
# You'll be too weak to fight it
370
00:22:55,900 --> 00:22:56,140
# Down
# You'll be too weak to fight it
371
00:22:56,140 --> 00:22:59,100
# Down
# Oh, unless we're united
372
00:22:59,100 --> 00:23:02,140
# Down
# Oh, will you deny it?
373
00:23:02,140 --> 00:23:02,380
# Down
# Ooh
374
00:23:02,380 --> 00:23:09,020
# Ooh
375
00:23:09,020 --> 00:23:15,420
# Are you gonna be threatened
by the public enemy number 10
376
00:23:15,420 --> 00:23:18,100
# Those who play the power game
377
00:23:18,100 --> 00:23:21,500
# They take the profits,
you take the blame
378
00:23:21,500 --> 00:23:26,260
# When they tell you
there's no rise in pay
379
00:23:26,260 --> 00:23:29,460
# Are you gonna try
and make this work
380
00:23:29,460 --> 00:23:32,140
# Or spend your days
down in the dirt?
381
00:23:32,140 --> 00:23:32,380
# Or spend your days
# You see things can change
382
00:23:32,380 --> 00:23:33,940
# You see things can change
383
00:23:33,940 --> 00:23:35,940
# Walls can come tumbling down
384
00:23:35,940 --> 00:23:36,180
# Governments crack and systems
# Walls can come tumbling down
385
00:23:36,180 --> 00:23:38,140
# Governments crack and systems
fall
386
00:23:38,140 --> 00:23:38,380
# Governments crack and systems
# 'Cause unity is powerful
387
00:23:38,380 --> 00:23:41,900
# 'Cause unity is powerful
388
00:23:41,900 --> 00:23:45,140
# Lights go out,
walls come tumbling down
389
00:23:45,140 --> 00:23:48,220
# Governments crack
and systems fall
390
00:23:48,220 --> 00:23:51,100
# 'Cause unity is powerful
391
00:23:51,100 --> 00:23:54,460
# Lights go out,
walls come tumbling down
392
00:23:54,460 --> 00:23:57,420
# Governments crack
and systems fall
393
00:23:57,420 --> 00:23:57,660
# Governments crack
# 'Cause unity is powerful
394
00:23:57,660 --> 00:24:00,860
# 'Cause unity is powerful
395
00:24:00,860 --> 00:24:01,100
# Lights go out,
# 'Cause unity is powerful
396
00:24:01,100 --> 00:24:04,100
# Lights go out,
walls come tumbling down
397
00:24:04,100 --> 00:24:07,060
# Governments crack
and systems fall
398
00:24:07,060 --> 00:24:07,300
# 'Cause unity is powerful. #
# Governments crack
and systems fall
399
00:24:07,300 --> 00:24:10,140
# 'Cause unity is powerful. #
400
00:24:15,820 --> 00:24:17,100
Hello, I'm Joan Armatrading.
401
00:24:17,100 --> 00:24:19,020
If you believe this, I've
come all the way to Australia
402
00:24:19,020 --> 00:24:21,300
just to introduce this
program.
403
00:24:21,300 --> 00:24:21,580
just to introduce this
program.
With the sheer number
of female singers
404
00:24:21,580 --> 00:24:23,420
With the sheer number
of female singers
405
00:24:23,420 --> 00:24:26,420
and musicians breaking through
in the mid-80s, it was inevitable
406
00:24:26,420 --> 00:24:29,860
that gender politics would enter
the musical realm.
407
00:24:29,860 --> 00:24:30,140
# They wear their jeans
just a little bit too long
that gender politics would enter
the musical realm.
408
00:24:30,140 --> 00:24:33,140
# They wear their jeans
just a little bit too long
409
00:24:33,140 --> 00:24:39,940
# Slide to the side to show
that they belong
410
00:24:39,940 --> 00:24:40,180
# Slide to the side to show
that they belong
# Only 16 or 17
411
00:24:40,180 --> 00:24:43,140
# Only 16 or 17
412
00:24:43,140 --> 00:24:47,060
# They've been to places
I've never been
413
00:24:47,060 --> 00:24:49,580
# Life's too short
to enter the rush
414
00:24:50,220 --> 00:24:54,500
# The last fix is never enough,
enough, enough, enough
415
00:24:54,500 --> 00:24:55,580
# No, no! #
416
00:24:55,580 --> 00:24:59,340
MOLLY: Have you found it hard
to be accepted as an all-girl group?
417
00:24:59,340 --> 00:24:59,620
I mean, it's run by a very
chauvinistic, I imagine,
MOLLY: Have you found it hard
to be accepted as an all-girl group?
418
00:24:59,620 --> 00:25:01,940
I mean, it's run by a very
chauvinistic, I imagine,
419
00:25:01,940 --> 00:25:03,940
recording industry.
420
00:25:03,940 --> 00:25:07,140
That's true. We ignore them.
421
00:25:07,140 --> 00:25:07,380
That's true. We ignore them.
We do what we do
and we do the best we can,
422
00:25:07,380 --> 00:25:10,020
We do what we do
and we do the best we can,
423
00:25:10,020 --> 00:25:14,460
and we are doing well and
things are progressing for us
424
00:25:14,460 --> 00:25:19,900
so we don't let ourselves get
bogged down in male chauvinism.
425
00:25:19,900 --> 00:25:21,940
But if people end up
listening to our music
426
00:25:21,940 --> 00:25:23,140
because they are male
chauvinists
427
00:25:23,140 --> 00:25:25,500
and they like the
fact that we are girls,
428
00:25:25,500 --> 00:25:27,820
I don't care how they get to
the point where they hear the music
429
00:25:27,820 --> 00:25:28,060
I don't care how they get to
if they like it.
430
00:25:28,060 --> 00:25:28,900
if they like it.
431
00:25:28,900 --> 00:25:29,140
It was the Grammys or the AMA
awards last year
if they like it.
432
00:25:29,140 --> 00:25:31,820
It was the Grammys or the AMA
awards last year
433
00:25:31,820 --> 00:25:34,980
you made an appearance and you
came out and did,
434
00:25:34,980 --> 00:25:36,580
Was it "Who's that Girl?"?
435
00:25:36,580 --> 00:25:36,820
Was it "Who's that Girl?"?
No, Sweet Dreams and Annie came out
with sideburns and black...
436
00:25:36,820 --> 00:25:41,860
No, Sweet Dreams and Annie came out
with sideburns and black...
437
00:25:41,860 --> 00:25:45,500
I think it took virtually the
whole song before people realised.
438
00:25:45,500 --> 00:25:45,740
I think it took virtually the
I was very tired
439
00:25:45,740 --> 00:25:46,500
I was very tired
440
00:25:46,500 --> 00:25:46,740
of being courted as the
I was very tired
441
00:25:46,740 --> 00:25:50,140
of being courted as the
androgynous Annie Lennox
442
00:25:50,140 --> 00:25:52,220
and so I thought
I would play a nice trick
443
00:25:52,220 --> 00:25:54,060
and just become a man for
a change
444
00:25:54,060 --> 00:25:59,220
and really bring that media
hype up to its fullest peak.
445
00:25:59,220 --> 00:26:02,340
Rock music has always been
at the seat of controversy
446
00:26:02,340 --> 00:26:05,500
and when it starts to become
part of the status quo,
447
00:26:05,500 --> 00:26:05,740
and when it starts to become
it loses that dangerous edge,
448
00:26:05,740 --> 00:26:07,540
it loses that dangerous edge,
449
00:26:07,540 --> 00:26:10,420
so Dave and I were making a
stand for something
450
00:26:10,420 --> 00:26:12,300
that was a little bit more
unorthodox.
451
00:26:12,300 --> 00:26:12,540
that was a little bit more
A little bit dangerous.
452
00:26:12,540 --> 00:26:13,900
A little bit dangerous.
453
00:26:17,740 --> 00:26:20,020
# I paddle in the things I love
454
00:26:20,020 --> 00:26:20,260
# I paddle in the things I love
was the best starting point.
455
00:26:20,260 --> 00:26:23,140
For some artists, plain speaking
was the best starting point.
456
00:26:23,140 --> 00:26:23,420
For some artists, plain speaking
was the best starting point.
# You wallow in a swamp of
trivia
457
00:26:23,420 --> 00:26:25,260
# You wallow in a swamp of
trivia
458
00:26:26,860 --> 00:26:30,620
# In a vase
with insincere I love yous
459
00:26:30,620 --> 00:26:32,340
# Next door's camellias
460
00:26:32,340 --> 00:26:35,940
# I'm sick and tired of this
position
461
00:26:35,940 --> 00:26:36,180
# I'm sick and tired of this
# Hatched underneath your arm
462
00:26:36,180 --> 00:26:38,060
# Hatched underneath your arm
463
00:26:38,060 --> 00:26:40,660
# Crotch under stress
464
00:26:40,660 --> 00:26:43,100
# No matter when it's come
465
00:26:43,100 --> 00:26:46,100
# I'm bored staring at the ceiling
466
00:26:46,100 --> 00:26:48,500
# While you point out my flaws
467
00:26:48,500 --> 00:26:54,100
# I've watched the wallpaper
peeling from slamming doors
468
00:26:54,100 --> 00:26:56,460
# You talk about penis envy
469
00:26:56,460 --> 00:26:59,060
# Your friends applaud
470
00:26:59,060 --> 00:27:02,180
# What am I expected to do?
471
00:27:02,180 --> 00:27:04,660
# Shout "Man overboard"? #
472
00:27:04,660 --> 00:27:04,900
# Don't wanna fight,
but sometimes you got to. #
# Shout "Man overboard"? #
473
00:27:04,900 --> 00:27:08,860
# Don't wanna fight,
but sometimes you got to. #
474
00:27:08,860 --> 00:27:11,380
In 1985, the ageless Tina
Turner
475
00:27:11,380 --> 00:27:13,220
continued to be an inspiration
to us all.
476
00:27:13,220 --> 00:27:13,500
continued to be an inspiration
to us all.
# And there's just one thing
you got to know
477
00:27:13,500 --> 00:27:17,500
# And there's just one thing
you got to know
478
00:27:17,500 --> 00:27:22,140
# You've got ten more thousand
miles to go because you're
479
00:27:22,140 --> 00:27:22,380
# You've got ten more thousand
# One of the living
480
00:27:22,380 --> 00:27:26,140
# One of the living
481
00:27:26,140 --> 00:27:29,060
# And if you can't stick together
482
00:27:29,060 --> 00:27:30,340
# Can't stick together
483
00:27:30,340 --> 00:27:30,580
# You're one of the living -
# Can't stick together
484
00:27:30,580 --> 00:27:36,300
# You're one of the living -
who's gonna make it tonight?
485
00:27:38,060 --> 00:27:39,860
# Yeah, yeah, yeah, ooh! #
486
00:27:39,860 --> 00:27:44,020
The time was right for women
everywhere to lead the way.
487
00:27:44,020 --> 00:27:44,260
Hm. Yeah. That's a song, I reckon.
The time was right for women
everywhere to lead the way.
488
00:27:44,260 --> 00:27:45,460
Hm. Yeah. That's a song, I reckon.
489
00:28:06,140 --> 00:28:10,100
# Baby, so that's your plan
490
00:28:10,100 --> 00:28:13,860
# You're going out into
the world to be a man
491
00:28:13,860 --> 00:28:17,940
# But I worry for you, baby boy
Your peace of mind
492
00:28:17,940 --> 00:28:21,460
# 'Cause I know the dangers out
there if you go there
493
00:28:21,460 --> 00:28:26,980
# So, take my hand
and follow me
494
00:28:26,980 --> 00:28:31,300
# Through the land,
across the sea
495
00:28:31,300 --> 00:28:34,420
# What abilities
the ocean's wide
496
00:28:34,420 --> 00:28:36,100
# I lead you through the
horror there
497
00:28:36,100 --> 00:28:36,340
# I lead you through the
# Stay by my side
498
00:28:36,340 --> 00:28:37,140
# Stay by my side
499
00:28:39,180 --> 00:28:42,100
# Together we can do it
500
00:28:42,100 --> 00:28:45,140
# But first, you gotta give
yourself to me
501
00:28:46,100 --> 00:28:50,140
# Baby, don't give in because
we'll get through it
502
00:28:50,140 --> 00:28:50,380
# Baby, don't give in because
we'll get through it
# Let me lead the way
503
00:28:50,380 --> 00:28:52,220
# Let me lead the way
504
00:28:52,220 --> 00:28:54,180
# Lead the way
505
00:29:02,460 --> 00:29:06,180
# Baby, let's do it right
506
00:29:06,180 --> 00:29:06,420
# I came here to join you
# Baby, let's do it right
507
00:29:06,420 --> 00:29:10,060
# I came here to join you
through the darkest night
508
00:29:10,060 --> 00:29:10,300
# I came here to join you
# And, baby
509
00:29:10,300 --> 00:29:12,060
# And, baby
510
00:29:12,060 --> 00:29:13,980
# Just remember you're not alone
511
00:29:13,980 --> 00:29:16,260
# 'Cause I will always be
there
512
00:29:16,260 --> 00:29:17,940
# I can take you home
513
00:29:17,940 --> 00:29:18,140
# So, take my hand and follow me
# I can take you home
514
00:29:18,140 --> 00:29:23,300
# So, take my hand and follow me
515
00:29:23,300 --> 00:29:27,380
# Through the land,
across the sea
516
00:29:27,380 --> 00:29:30,540
# Where bitter cries
fill the air
517
00:29:30,540 --> 00:29:30,820
# Where bitter cries
fill the air
# I will lead you safely
so don't despair
518
00:29:30,820 --> 00:29:34,020
# I will lead you safely
so don't despair
519
00:29:34,020 --> 00:29:34,260
# I will lead you safely
# 'Cause together we can do it
520
00:29:34,260 --> 00:29:38,220
# 'Cause together we can do it
521
00:29:38,220 --> 00:29:42,300
# But first, you gotta
give yourself to me
522
00:29:42,300 --> 00:29:46,460
# Baby, don't give in
'cause we'll get through it
523
00:29:46,460 --> 00:29:48,700
# Let me lead the way
524
00:29:48,700 --> 00:29:51,100
# Lead the way
525
00:29:51,100 --> 00:29:52,100
# Give, give, give yourself
526
00:29:52,100 --> 00:29:55,100
# Give yourself
527
00:29:55,100 --> 00:29:56,100
# Give, give, give yourself
528
00:29:56,100 --> 00:29:58,220
# Give yourself
529
00:29:58,220 --> 00:30:00,060
# Do it
530
00:30:00,060 --> 00:30:01,940
# Do it
Do it
531
00:30:23,980 --> 00:30:28,020
# Take my hand and understand
532
00:30:28,020 --> 00:30:32,260
# Leave with me
We'll fall away now
533
00:30:32,260 --> 00:30:35,100
# Suffering will cease to be
534
00:30:35,100 --> 00:30:40,220
# 'Cause when you love me truly
I will set you free
535
00:30:40,220 --> 00:30:40,460
# 'Cause when you love me truly
# Together we can do it
536
00:30:40,460 --> 00:30:42,820
# Together we can do it
537
00:30:42,820 --> 00:30:47,100
# But first, you gotta
give yourself to me
538
00:30:47,100 --> 00:30:50,820
# Baby, don't give in
'cause we'll get through it
539
00:30:50,820 --> 00:30:51,060
# Baby, don't give in
# Let me lead the way
540
00:30:51,060 --> 00:30:53,300
# Let me lead the way
541
00:30:53,300 --> 00:30:55,860
# Lead the way
542
00:30:55,860 --> 00:30:58,580
# Together we can do it
543
00:30:58,580 --> 00:30:58,820
# But first,
# Together we can do it
544
00:30:58,820 --> 00:31:03,100
# But first,
you gotta give yourself to me
545
00:31:03,100 --> 00:31:06,380
# Baby, don't give in
'cause we'll get through it
546
00:31:06,380 --> 00:31:06,620
# Baby, don't give in
# Let me lead the way
547
00:31:06,620 --> 00:31:09,100
# Let me lead the way
548
00:31:09,100 --> 00:31:12,340
# Lead the way
549
00:31:12,340 --> 00:31:15,140
# Come on, we can do it
550
00:31:15,140 --> 00:31:17,740
# But first, you gotta
give yourself to me. #
551
00:31:23,020 --> 00:31:26,180
Hi, this is Tina Turner
on Countdown.
552
00:31:27,300 --> 00:31:30,060
Of all the artists that entered
the Countdown studio,
553
00:31:30,060 --> 00:31:32,220
there were none more memorable
than Grace Jones.
554
00:31:32,220 --> 00:31:32,460
there were none more memorable
I'm a bit confused.
555
00:31:32,460 --> 00:31:33,420
I'm a bit confused.
556
00:31:33,420 --> 00:31:35,060
Have you come out to Australia
557
00:31:35,060 --> 00:31:37,100
because A View to a Kill
has just been released?
558
00:31:37,100 --> 00:31:38,220
No.
No.
559
00:31:38,220 --> 00:31:38,460
No.
Or have you come out
560
00:31:38,460 --> 00:31:39,220
Or have you come out
561
00:31:39,220 --> 00:31:39,460
because a boyfriend
Or have you come out
562
00:31:39,460 --> 00:31:43,060
because a boyfriend
you met here in this country...
563
00:31:43,060 --> 00:31:45,580
Well, you know it.
You just told everybody.
564
00:31:45,580 --> 00:31:49,140
Whether it was playing the role
of guest host
565
00:31:49,140 --> 00:31:52,500
or bringing her performance art
pop to the stage.
566
00:31:52,500 --> 00:31:53,420
Which do you prefer?
567
00:31:53,420 --> 00:31:57,460
Modelling, acting, or recording?
568
00:31:57,460 --> 00:32:00,460
I like them all.
569
00:32:00,460 --> 00:32:02,940
Seriously.
I love them all.
570
00:32:02,940 --> 00:32:05,180
Yeah, but I think...
571
00:32:05,180 --> 00:32:06,500
..they both complement each
other
572
00:32:06,500 --> 00:32:09,020
because one I can stay up
all night long
573
00:32:09,020 --> 00:32:11,580
and the other one I have to
wake up really early.
574
00:32:11,580 --> 00:32:12,900
So, you know,
575
00:32:12,900 --> 00:32:14,420
modelling I don't
do much of anymore.
576
00:32:14,420 --> 00:32:16,540
That was just like flying
around like a butterfly
577
00:32:16,540 --> 00:32:16,780
That was just like flying
all over the world.
578
00:32:16,780 --> 00:32:17,860
all over the world.
579
00:32:17,860 --> 00:32:18,100
Like the bird.
all over the world.
580
00:32:18,100 --> 00:32:19,260
Like the bird.
Right.
581
00:32:19,260 --> 00:32:21,940
But with acting you
can incorporate everything.
582
00:32:21,940 --> 00:32:22,180
But with acting you
You know, you can do all of it
583
00:32:22,180 --> 00:32:23,380
You know, you can do all of it
584
00:32:23,380 --> 00:32:27,260
so probably ultimately
I would say acting.
585
00:32:27,260 --> 00:32:30,060
But acting and singing
are so close together now
586
00:32:30,060 --> 00:32:30,300
But acting and singing
that you can't really separate it.
587
00:32:30,300 --> 00:32:33,220
that you can't really separate it.
588
00:32:35,100 --> 00:32:37,340
# Oh, baby
589
00:32:41,260 --> 00:32:43,140
# I'm just playing around, baby
590
00:32:44,540 --> 00:32:49,220
# Work all day, as men who know
591
00:32:49,220 --> 00:32:49,420
# Wheels must turn to keep the flow
# Work all day, as men who know
592
00:32:49,420 --> 00:32:54,820
# Wheels must turn to keep the flow
593
00:32:54,820 --> 00:32:59,020
# Build on up, don't break the chain
594
00:32:59,020 --> 00:33:05,380
# Sparks will fly,
when the whistle blows
595
00:33:05,380 --> 00:33:05,620
# Never stop the action
when the whistle blows
596
00:33:05,620 --> 00:33:09,460
# Never stop the action
597
00:33:09,460 --> 00:33:09,660
# Never stop the action
# Keep it up, keep it up
598
00:33:09,660 --> 00:33:12,100
# Keep it up, keep it up
599
00:33:15,340 --> 00:33:19,100
# Never stop the action
600
00:33:19,100 --> 00:33:20,140
# Keep it up
601
00:33:24,100 --> 00:33:27,260
# Work to the rhythm
602
00:33:29,100 --> 00:33:32,380
# Live to the rhythm
603
00:33:34,060 --> 00:33:37,460
# Love to the rhythm
604
00:33:38,940 --> 00:33:43,700
# Slave to the rhythm
605
00:33:51,380 --> 00:33:59,300
# Axe to wood, in ancient times
606
00:34:01,020 --> 00:34:08,660
# Man machine, powerline
607
00:34:10,500 --> 00:34:15,460
# Fires burn, hearts beat strong
608
00:34:15,460 --> 00:34:19,900
# Sing out loud, the chain gang song
609
00:34:22,060 --> 00:34:25,340
# Never stop the action
610
00:34:25,340 --> 00:34:27,380
# Keep it up, keep it up
611
00:34:30,820 --> 00:34:34,860
# Never stop the action
612
00:34:34,860 --> 00:34:36,940
# Come on, keep it up
613
00:34:42,060 --> 00:34:43,460
# Breathe to the rhythm
614
00:34:45,420 --> 00:34:48,580
# Dance to the rhythm
615
00:34:50,020 --> 00:34:53,580
# Work to the rhythm
616
00:34:55,020 --> 00:34:58,380
# Live to the rhythm
617
00:34:59,940 --> 00:35:03,060
# Love to the rhythm
618
00:35:06,100 --> 00:35:09,100
# Slave to the rhythm
619
00:35:10,980 --> 00:35:12,980
# Oh, baby
620
00:35:22,500 --> 00:35:24,700
# Don't cry
621
00:35:24,700 --> 00:35:27,500
# It's only the rhythm
622
00:35:40,420 --> 00:35:44,420
# We live to the rhythm
623
00:35:44,420 --> 00:35:48,060
# And we work to the rhythm
624
00:35:49,820 --> 00:35:54,780
# Love to the rhythm
625
00:35:54,780 --> 00:35:59,100
# Slave to the rhythm!
626
00:36:01,100 --> 00:36:05,580
And now ladies and gentlemen.
627
00:36:05,580 --> 00:36:08,300
Here's Grace!
628
00:36:15,940 --> 00:36:21,020
# Slave to the rhythm
629
00:36:24,420 --> 00:36:26,620
# To the rhythm. #
630
00:36:35,180 --> 00:36:36,580
OK, thanks very much, Gavin.
631
00:36:36,580 --> 00:36:36,820
Gavin, you wouldn't believe
this.
OK, thanks very much, Gavin.
632
00:36:36,820 --> 00:36:38,020
Gavin, you wouldn't believe
this.
633
00:36:38,020 --> 00:36:41,380
I got the 12 inch here of
the Uncanny X-Men.
634
00:36:41,380 --> 00:36:43,620
GAVIN: Yes.
And it is a wonderful cover.
635
00:36:43,620 --> 00:36:45,980
The lead singer of top pop
group Uncanny X-Men
636
00:36:45,980 --> 00:36:46,260
The lead singer of top pop
group Uncanny X-Men
has been arrested
by Victorian police.
637
00:36:46,260 --> 00:36:48,580
has been arrested
by Victorian police.
638
00:36:48,580 --> 00:36:49,380
That was in the truth.
639
00:36:49,380 --> 00:36:49,620
Well, you've been no stranger
That was in the truth.
640
00:36:49,620 --> 00:36:52,220
Well, you've been no stranger
to being arrested either, Molly.
641
00:36:52,220 --> 00:36:54,020
Just before you go.
Just before you go.
642
00:36:54,020 --> 00:36:54,300
Let's see if your bellybutton
is as big as your mouth.
Just before you go.
Just before you go.
643
00:36:54,300 --> 00:36:56,140
Let's see if your bellybutton
is as big as your mouth.
644
00:36:56,140 --> 00:36:58,660
No, it's...
No, it's not quite.
645
00:36:58,660 --> 00:36:59,420
Trust Molly to do this, eh.
646
00:36:59,420 --> 00:37:00,500
Well, I'll tell you what.
647
00:37:00,500 --> 00:37:02,780
The Aussies are here.
I'm talking about the Aussies.
648
00:37:02,780 --> 00:37:04,180
Do you want to
introduce the...
649
00:37:04,180 --> 00:37:08,340
Well, now we have
the Australian top five.
650
00:37:08,340 --> 00:37:08,620
Well, now we have
the Australian top five.
ANNOUNCER: And for the first
time in television history,
651
00:37:08,620 --> 00:37:11,220
ANNOUNCER: And for the first
time in television history,
652
00:37:11,220 --> 00:37:15,820
the Countdown cowboy
will ride a bareback bronco.
653
00:37:22,380 --> 00:37:23,900
Do you all watch Countdown,
do you?
654
00:37:23,900 --> 00:37:26,460
Yeah!
Well, I'll tell you what.
655
00:37:26,460 --> 00:37:26,700
Yeah!
You can start helping me.
656
00:37:26,700 --> 00:37:27,980
You can start helping me.
657
00:37:27,980 --> 00:37:28,220
Do you want to hold them
You can start helping me.
658
00:37:28,220 --> 00:37:30,020
Do you want to hold them
for me, alright?
659
00:37:31,540 --> 00:37:33,460
(SPEAKS INDISTINCTLY)
660
00:37:33,460 --> 00:37:37,180
Alright. Now if we all...
Shhh, shhh, shhh.
661
00:37:37,180 --> 00:37:39,420
Now we'll all pretend now that we're
all doing Humdrum, alright?
662
00:37:39,420 --> 00:37:42,460
So, look at the camera.
(ALL CHEER)
663
00:37:44,180 --> 00:37:47,140
Thanks a lot for being on the
show and for being what you are.
664
00:37:47,140 --> 00:37:49,140
Of course, of course.
665
00:37:49,140 --> 00:37:51,620
Now I want you to do me
one favour.
666
00:37:51,620 --> 00:37:55,060
I follow a football team
here called St Kilda.
667
00:37:55,060 --> 00:37:58,740
Hey, hey, hey.
(AUDIENCE GROANS)
668
00:37:58,740 --> 00:38:00,980
And it's actually
your manager's team as well.
669
00:38:00,980 --> 00:38:03,020
They have been at the bottom of
the ladder for so long.
670
00:38:03,020 --> 00:38:04,500
I just figured
if you wear it once.
671
00:38:04,500 --> 00:38:06,380
I'll pull them up.
It might pull it up.
672
00:38:06,380 --> 00:38:08,020
Alright, alright, here it is.
673
00:38:08,020 --> 00:38:09,380
Come on,
they need a lift, you guys.
674
00:38:09,380 --> 00:38:09,620
Come on,
(APPLAUSE)
675
00:38:09,620 --> 00:38:10,940
(APPLAUSE)
676
00:38:10,940 --> 00:38:12,580
Yeah, that's nice!
677
00:38:12,580 --> 00:38:12,820
Now, listen,
I need one promise from you -
Yeah, that's nice!
678
00:38:12,820 --> 00:38:14,020
Now, listen,
I need one promise from you -
679
00:38:14,020 --> 00:38:16,980
that you will promise that you
will tour Australia some time.
680
00:38:16,980 --> 00:38:17,220
We are driving right there now.
will tour Australia some time.
681
00:38:17,220 --> 00:38:19,940
We are driving right there now.
682
00:38:19,940 --> 00:38:21,580
What do you do for relaxation?
683
00:38:21,580 --> 00:38:21,820
What do you do for relaxation?
Yeah.
684
00:38:21,820 --> 00:38:23,100
Relaxation?
Yeah.
685
00:38:23,100 --> 00:38:23,340
I got this sort of technique.
Yeah.
686
00:38:23,340 --> 00:38:24,820
I got this sort of technique.
687
00:38:24,820 --> 00:38:26,500
Are you very tense?
Yes, I am.
688
00:38:26,500 --> 00:38:28,860
You seem like a kind of
tense kind of vibe.
689
00:38:28,860 --> 00:38:29,940
Very, very.
690
00:38:29,940 --> 00:38:30,180
Very, very.
What you have got to do
is put your finger...
691
00:38:30,180 --> 00:38:31,460
What you have got to do
is put your finger...
692
00:38:31,460 --> 00:38:31,700
What you have got to do
(AUDIENCE GROANS)
693
00:38:31,700 --> 00:38:33,540
(AUDIENCE GROANS)
694
00:38:33,540 --> 00:38:38,460
And then breathe in
through the other nostril.
695
00:38:38,460 --> 00:38:41,420
And then like put your other
finger in the other nostril
696
00:38:41,420 --> 00:38:41,660
And then like put your other
and you take the first one out
697
00:38:41,660 --> 00:38:43,260
and you take the first one out
698
00:38:43,260 --> 00:38:45,980
and then like breathe out
through that one.
699
00:38:47,420 --> 00:38:49,060
It works.
700
00:38:49,060 --> 00:38:50,260
Have you written
a book about this?
701
00:38:50,260 --> 00:38:50,500
Have you written
Completely relaxed.
702
00:38:50,500 --> 00:38:51,260
Completely relaxed.
703
00:38:51,260 --> 00:38:53,180
Yeah, I have.
Yeah.
704
00:38:53,180 --> 00:38:54,180
Listen I think
we had better go.
705
00:38:54,180 --> 00:38:56,940
It's been really nice
to see you.
706
00:38:56,940 --> 00:38:57,180
It's been really nice
Right.
707
00:38:57,180 --> 00:38:58,220
Right.
708
00:38:58,220 --> 00:39:01,740
Would you like to throw to the
Australian top five?
709
00:39:03,460 --> 00:39:05,700
Would you like to just say,
"Here's the Australian top five"?
710
00:39:05,700 --> 00:39:07,940
What do I say?
"Here's the Australian top five."
711
00:39:07,940 --> 00:39:09,580
Just like that.
Well, use those hands.
712
00:39:09,580 --> 00:39:10,860
Um and er a bit too.
713
00:39:10,860 --> 00:39:11,060
Um and er a bit too.
Here's the Australian top five.
714
00:39:11,060 --> 00:39:13,300
Here's the Australian top five.
715
00:39:13,300 --> 00:39:14,580
Thanks.
716
00:39:19,060 --> 00:39:24,460
Something that brings a smile
to my face - yes, I do smile =
717
00:39:24,460 --> 00:39:27,900
is seeing good Aussie
home-grown product
718
00:39:27,900 --> 00:39:28,140
is seeing good Aussie
home-grown product
on the move doing something.
719
00:39:28,140 --> 00:39:30,420
on the move doing something.
720
00:39:30,420 --> 00:39:33,460
# Happy people
721
00:39:33,460 --> 00:39:33,700
The great thing about the
Australian scene at the time
# Happy people
722
00:39:33,700 --> 00:39:36,020
The great thing about the
Australian scene at the time
723
00:39:36,020 --> 00:39:37,940
was that local bands were
trying their hand at
724
00:39:37,940 --> 00:39:38,180
was that local bands were
different styles of music.
725
00:39:38,180 --> 00:39:39,820
different styles of music.
726
00:39:39,820 --> 00:39:40,060
different styles of music.
There was the jangly guitar pop
of Adelaide band F A B.
727
00:39:40,060 --> 00:39:43,380
There was the jangly guitar pop
of Adelaide band F A B.
728
00:39:44,060 --> 00:39:50,740
# Happy people, happy people
729
00:39:50,740 --> 00:39:56,980
# Happy people just sit
by the stairs of God. #
730
00:39:56,980 --> 00:39:57,260
# Wished that guy had laughed
right in my face
# Happy people just sit
by the stairs of God. #
731
00:39:57,260 --> 00:40:00,140
# Wished that guy had laughed
right in my face
732
00:40:00,140 --> 00:40:00,420
The Vitabeats blurred the lines
of art and dance music.
# Wished that guy had laughed
right in my face
733
00:40:00,420 --> 00:40:04,100
The Vitabeats blurred the lines
of art and dance music.
734
00:40:04,100 --> 00:40:04,340
# Pass the taxi
of art and dance music.
735
00:40:04,340 --> 00:40:05,980
# Pass the taxi
736
00:40:05,980 --> 00:40:08,620
# Can feel it, man,
when you're in the streets
737
00:40:08,620 --> 00:40:08,860
# Lit up to the boom box beat
when you're in the streets
738
00:40:08,860 --> 00:40:11,820
# Lit up to the boom box beat
739
00:40:13,020 --> 00:40:16,140
# Boom box - ha!
On your shoulder
740
00:40:17,420 --> 00:40:21,700
# Funk atomic bomb
swooped down from America
741
00:40:22,460 --> 00:40:26,260
# Boom box running soldier
742
00:40:26,260 --> 00:40:29,540
# One-eyed devil boom box
Hey! #
743
00:40:38,980 --> 00:40:43,060
Geisha mixed synthpop and rock
with a hint of a show tune.
744
00:40:43,060 --> 00:40:46,540
# Kabuki was
what I've always felt
745
00:40:46,540 --> 00:40:46,820
# Kabuki was
what I've always felt
# That love was more
than any man can bear
746
00:40:46,820 --> 00:40:52,900
# That love was more
than any man can bear
747
00:40:54,420 --> 00:40:58,420
# If only you'd listen to kabuki
748
00:40:58,420 --> 00:41:01,620
# You'd see the love
is in your heart
749
00:41:01,620 --> 00:41:01,860
# You'd see the love
# Not in your head. #
750
00:41:01,860 --> 00:41:03,900
# Not in your head. #
751
00:41:06,300 --> 00:41:09,540
And the Dynamic Hepnotics kept
funk and soul alive
752
00:41:09,540 --> 00:41:09,780
And the Dynamic Hepnotics kept
and brought it to Countdown.
753
00:41:09,780 --> 00:41:11,460
and brought it to Countdown.
754
00:41:14,100 --> 00:41:18,940
# Gotta be the wrong way to
love, the way I love you, baby
755
00:41:22,020 --> 00:41:24,060
# It's gotta be the wrong
way to lo-ove
756
00:41:25,300 --> 00:41:29,140
# The way I love you now, oh
757
00:41:31,100 --> 00:41:33,900
# It's got me walkin' in the
stree-eet
758
00:41:35,060 --> 00:41:38,020
# It's got me cryin' in my
sleep
759
00:41:39,300 --> 00:41:42,060
# I don't know what's goin' on
760
00:41:43,820 --> 00:41:48,140
# All I know is something's
wrong now, hey, yeah
761
00:41:49,140 --> 00:41:52,420
# Gotta be the wrong way to love
762
00:41:52,420 --> 00:41:55,260
# The way I love you baby, oh
763
00:41:57,020 --> 00:41:59,340
# It's gotta be the wrong way
to lo-ove
764
00:42:00,580 --> 00:42:03,300
# The way I love you now, yeah
765
00:42:06,460 --> 00:42:08,660
# I was gone too lo-ong
766
00:42:10,260 --> 00:42:13,100
# Yeah, I was hurryin' home
767
00:42:14,460 --> 00:42:18,500
# I couldn't wait
to see my baby's face
768
00:42:18,500 --> 00:42:23,340
# But I found someone
in my place now, oh, yeah
769
00:42:24,060 --> 00:42:27,460
# It's gotta be the wrong way
to love
770
00:42:27,460 --> 00:42:27,700
# The way I love you, baby
# It's gotta be the wrong way
to love
771
00:42:27,700 --> 00:42:29,140
# The way I love you, baby
772
00:42:32,140 --> 00:42:34,580
# Gotta be the wrong way to
love now
773
00:42:35,940 --> 00:42:39,140
# The way I love you now,
heee
774
00:42:41,940 --> 00:42:49,300
# Used to be, you and me,
endlessly, tenderly
775
00:42:49,300 --> 00:42:53,060
# But something's gone,
I can't go on
776
00:42:53,060 --> 00:42:56,980
# It's easy to see
I should set you free
777
00:42:56,980 --> 00:42:57,220
# It's easy to see
# But I can't help myself
778
00:42:57,220 --> 00:42:59,260
# But I can't help myself
779
00:42:59,260 --> 00:42:59,460
# Gotta be the wrong way to love
# But I can't help myself
780
00:42:59,460 --> 00:43:02,860
# Gotta be the wrong way to love
781
00:43:02,860 --> 00:43:03,100
# Gotta be the wrong way to love
oh
782
00:43:03,100 --> 00:43:07,380
# The way I love you baby,
oh
783
00:43:07,380 --> 00:43:14,980
# It's gotta be the wrong way
to lo-ove, the way I love you
784
00:43:17,380 --> 00:43:22,140
# It's gotta be wrong, gotta be
wrong, it's gotta be wrong
785
00:43:24,820 --> 00:43:30,100
# It's wrong, baby, yeah, the
way I love you baby, don't you know?
786
00:43:32,020 --> 00:43:34,660
# It's gotta be the wrong way
to love
787
00:43:35,620 --> 00:43:38,580
# The way I love you, baby
788
00:43:40,260 --> 00:43:45,220
# I'm tryin' to tell you now,
just tryin' to let you know
789
00:43:47,380 --> 00:43:50,060
# I guess I'm just a
restless sou-oul, baby
790
00:43:52,220 --> 00:43:55,420
# Gotta keep on movin' on,
yeah, oh
791
00:43:57,140 --> 00:44:02,100
# I said baby, baby,
baby, baby
792
00:44:02,100 --> 00:44:02,340
# I said baby, baby,
# Ooh, baby, baby, baby, baby
793
00:44:02,340 --> 00:44:10,020
# Ooh, baby, baby, baby, baby
794
00:44:11,820 --> 00:44:22,500
# Ow! Baby, baby, baby, baby,
yeah, oooh
795
00:44:22,500 --> 00:44:27,660
# Baby, baby, baby, baby,
oh!
796
00:44:29,940 --> 00:44:32,140
# Every time I think about it I know
797
00:44:34,420 --> 00:44:36,860
# I know it's wrong but
the feeling's too strong
798
00:44:36,860 --> 00:44:38,860
# I stayed too long
when I should have been gone
799
00:44:38,860 --> 00:44:43,220
# Every time I find someone
seems like I gotta move on
800
00:44:43,220 --> 00:44:45,180
# Guess I'll walk on
down the road. #
801
00:45:05,140 --> 00:45:07,060
Hi, this is James
and Shawn from The Models.
802
00:45:07,060 --> 00:45:10,700
And you're watching Countdown
coast-to-coast across Australia.
803
00:45:10,700 --> 00:45:14,260
The apparent she'll-be-right attitude
of the old school Oz rock band
804
00:45:14,260 --> 00:45:14,500
The apparent she'll-be-right attitude
seemed to endure.
805
00:45:14,500 --> 00:45:16,060
seemed to endure.
806
00:45:16,060 --> 00:45:16,300
# I walk along
right next to you
seemed to endure.
807
00:45:16,300 --> 00:45:19,180
# I walk along
right next to you
808
00:45:19,180 --> 00:45:22,500
# You seem to know
just what to do
809
00:45:22,500 --> 00:45:27,260
# Your body tries to
infiltrate our privacy
810
00:45:27,260 --> 00:45:27,500
# Your body tries to
infiltrate our privacy
# It's hard to wait
811
00:45:27,500 --> 00:45:29,380
# It's hard to wait
812
00:45:29,380 --> 00:45:31,060
# Easy, darling
813
00:45:31,060 --> 00:45:35,820
# You can't ignore all of the
reasons that I love you for
814
00:45:35,820 --> 00:45:37,220
# The way we cook
815
00:45:37,220 --> 00:45:39,140
# The way you win
816
00:45:39,140 --> 00:45:43,180
# When you wanna love me
I must give in
817
00:45:43,180 --> 00:45:43,420
# When you wanna love me
# Try not to break me, baby
818
00:45:43,420 --> 00:45:46,580
# Try not to break me, baby
819
00:45:46,580 --> 00:45:49,460
# You're so strong
820
00:45:49,460 --> 00:45:53,020
# You mightn't think so but I know
821
00:45:53,020 --> 00:45:56,140
# You're so strong. #
822
00:45:56,140 --> 00:45:56,340
# I'm going up to Queensland
# You're so strong. #
823
00:45:56,340 --> 00:46:00,620
# I'm going up to Queensland
824
00:46:00,900 --> 00:46:05,900
# I need somewhere to get lost
825
00:46:05,900 --> 00:46:06,140
# I need somewhere to get lost
# The only friends I've ever known
are somewhere up the coast
826
00:46:06,140 --> 00:46:12,540
# The only friends I've ever known
are somewhere up the coast
827
00:46:14,420 --> 00:46:17,540
# All these thoughts of you
are sailing
828
00:46:18,940 --> 00:46:21,500
# Around the oceans in my heart
829
00:46:23,980 --> 00:46:26,180
# I'm outta dope
830
00:46:26,180 --> 00:46:28,380
# And outta hope
831
00:46:28,380 --> 00:46:32,220
# I'm slowly falling apart
832
00:46:32,220 --> 00:46:36,300
# Say goodbye
833
00:46:36,300 --> 00:46:40,060
# Goodbye, Barbara Ann. #
834
00:46:41,140 --> 00:46:42,140
Here we are in America
835
00:46:42,140 --> 00:46:42,380
and I've got two of my closest
Here we are in America
836
00:46:42,380 --> 00:46:44,340
and I've got two of my closest
friends here with me
837
00:46:44,340 --> 00:46:46,060
and they've got something to
say.
838
00:46:46,060 --> 00:46:49,500
Hello, Molly.
You're watching Countdown.
839
00:46:49,500 --> 00:46:49,740
Hello, Molly.
They've got it sussed, haven't they?
840
00:46:49,740 --> 00:46:51,220
They've got it sussed, haven't they?
841
00:46:51,220 --> 00:46:52,980
Got something for you, Molly.
842
00:46:55,140 --> 00:46:58,020
And for lovable larrikins like
Brian Mannix
843
00:46:58,020 --> 00:47:01,500
life was just one
long party.
844
00:47:05,060 --> 00:47:07,260
# What we gonna do?
845
00:47:07,260 --> 00:47:08,460
# Where we gonna go?
846
00:47:08,460 --> 00:47:11,740
# We need something to do
when the party's through
847
00:47:11,740 --> 00:47:14,860
# Too early to go home
too late to be alone
848
00:47:14,860 --> 00:47:18,540
# What we gonna do
when the party's through
849
00:47:18,540 --> 00:47:18,780
# Ash me through
# What we gonna do
when the party's through
850
00:47:18,780 --> 00:47:20,420
# Ash me through
851
00:47:20,420 --> 00:47:22,220
# Home in bed
852
00:47:22,220 --> 00:47:23,140
# I gotta be up early
853
00:47:23,140 --> 00:47:25,100
# But I'm out instead
854
00:47:25,100 --> 00:47:28,180
# I shouldn't drink
or take this drug
855
00:47:28,180 --> 00:47:31,140
# When the night time comes
I just can't get enough
856
00:47:31,140 --> 00:47:31,420
# When the night time comes
I just can't get enough
# There's a lot
more to this night
857
00:47:31,420 --> 00:47:33,900
# There's a lot
more to this night
858
00:47:33,900 --> 00:47:34,140
# There's a lot
# Don't let it finish here
859
00:47:34,140 --> 00:47:36,460
# Don't let it finish here
860
00:47:36,460 --> 00:47:38,340
# So, what we gonna do?
861
00:47:38,340 --> 00:47:40,100
# Where we gonna go?
862
00:47:40,100 --> 00:47:40,340
# Need something to do
# Where we gonna go?
863
00:47:40,340 --> 00:47:43,060
# Need something to do
when the party's through
864
00:47:43,060 --> 00:47:43,300
# Need something to do
# Too early to go home
865
00:47:43,300 --> 00:47:44,580
# Too early to go home
866
00:47:44,580 --> 00:47:46,380
# Too late to be alone
867
00:47:46,380 --> 00:47:46,620
# What we gonna do
when the party's through
# Too late to be alone
868
00:47:46,620 --> 00:47:49,180
# What we gonna do
when the party's through
869
00:47:50,820 --> 00:47:53,580
# Friends, they last forever
870
00:47:53,580 --> 00:47:55,980
# And girls just come and go
871
00:47:57,020 --> 00:47:59,380
# Don't say things could be better
872
00:47:59,380 --> 00:48:03,700
# If they could,
we'll never know
873
00:48:17,220 --> 00:48:20,700
# So, every night you'll
find me round about
874
00:48:20,700 --> 00:48:23,980
# 'Cause the only thing
I hate in life is missing out
875
00:48:23,980 --> 00:48:24,220
# 'Cause the only thing
# And I should be tucked in my bed
876
00:48:24,220 --> 00:48:26,940
# And I should be tucked in my bed
877
00:48:26,940 --> 00:48:30,060
# But I'm dancing on the table
and I'm up ahead
878
00:48:30,060 --> 00:48:30,340
# There's a lot more to this boy
than ever meets your eye
# But I'm dancing on the table
and I'm up ahead
879
00:48:30,340 --> 00:48:35,700
# There's a lot more to this boy
than ever meets your eye
880
00:48:35,700 --> 00:48:37,460
# So, what we gonna do?
881
00:48:37,460 --> 00:48:39,060
# Where we gonna go?
882
00:48:39,060 --> 00:48:42,140
# Need something to do
when the party's through
883
00:48:42,140 --> 00:48:42,380
# Too early to go home
when the party's through
884
00:48:42,380 --> 00:48:43,580
# Too early to go home
885
00:48:43,580 --> 00:48:43,780
# Too early to go home
# Too late to be alone
886
00:48:43,780 --> 00:48:45,220
# Too late to be alone
887
00:48:45,220 --> 00:48:49,820
# What we gonna do
when the party's through
888
00:48:49,820 --> 00:48:50,060
# What we gonna do
# Friends, they last forever
889
00:48:50,060 --> 00:48:52,300
# Friends, they last forever
890
00:48:52,300 --> 00:48:56,020
# And girls just come and go
891
00:48:56,020 --> 00:48:58,340
# Don't say things could be better
892
00:48:58,340 --> 00:49:01,340
# If they could,
we'll never know
893
00:49:01,340 --> 00:49:01,580
# If they could,
# What we gonna do?
894
00:49:01,580 --> 00:49:03,060
# What we gonna do?
895
00:49:03,060 --> 00:49:04,300
# Where we gonna go?
896
00:49:04,300 --> 00:49:04,540
# Need something to do
# Where we gonna go?
897
00:49:04,540 --> 00:49:07,460
# Need something to do
when the party's through
898
00:49:07,460 --> 00:49:07,700
# Need something to do
# Too early to go home
899
00:49:07,700 --> 00:49:09,020
# Too early to go home
900
00:49:09,020 --> 00:49:10,860
# Too late to be alone
901
00:49:10,860 --> 00:49:11,100
# What we gonna do
# Too late to be alone
902
00:49:11,100 --> 00:49:14,100
# What we gonna do
when the party's through
903
00:49:14,100 --> 00:49:14,340
# What we gonna do
# What we gonna do?
904
00:49:14,340 --> 00:49:15,420
# What we gonna do?
905
00:49:15,420 --> 00:49:17,140
# Where we gonna go?
906
00:49:17,140 --> 00:49:20,260
# We need something to do
when the party's through
907
00:49:20,260 --> 00:49:21,940
# Too early too go home
908
00:49:21,940 --> 00:49:23,340
# Too late to be alone
909
00:49:23,340 --> 00:49:26,540
# What we gonna do
when the party's through
910
00:49:26,540 --> 00:49:26,780
# What we gonna do
# What we gonna do?
911
00:49:26,780 --> 00:49:28,380
# What we gonna do?
912
00:49:28,380 --> 00:49:29,980
# Where we gonna go?
913
00:49:29,980 --> 00:49:32,500
# Need something to do
when the party's through. #
914
00:49:48,140 --> 00:49:51,180
The Band Aid and
USA for Africa singles
915
00:49:51,180 --> 00:49:54,980
combined to hold the top spot on
the charts for three months.
916
00:49:54,980 --> 00:49:55,220
# Get into the groove. #
the charts for three months.
917
00:49:55,220 --> 00:49:56,820
# Get into the groove. #
918
00:49:56,820 --> 00:49:58,180
For much of the rest of the year,
919
00:49:58,180 --> 00:50:01,580
it really was the Madonna show.
920
00:50:07,300 --> 00:50:10,300
A couple of old rock dogs showed
they could still give it a shake.
921
00:50:10,300 --> 00:50:14,020
MOLLY: To go out and do
Dancing in the Streets with Bowie.
922
00:50:14,020 --> 00:50:14,300
MOLLY: To go out and do
Dancing in the Streets with Bowie.
And looking like two excited
schoolboys dancing down the street
923
00:50:14,300 --> 00:50:18,540
And looking like two excited
schoolboys dancing down the street
924
00:50:18,540 --> 00:50:19,300
with a film crew.
925
00:50:19,300 --> 00:50:21,100
And that was quick, wasn't it?
Very.
926
00:50:21,100 --> 00:50:24,460
That was 12 hours, the video and
the record. Another quick one.
927
00:50:24,460 --> 00:50:27,660
Ever think it was going to
be such a big single?
928
00:50:27,660 --> 00:50:29,380
No, we didn't even know if we
were going to put it out.
929
00:50:31,340 --> 00:50:35,100
With Huey Lewis joining the pack
as the chart topper.
930
00:50:35,100 --> 00:50:37,140
Hello, Australia.
I'm Mick Jagger.
931
00:50:37,140 --> 00:50:37,380
Hello, Australia.
I'm Mick Jagger.
And I would like to thank you
932
00:50:37,380 --> 00:50:38,460
And I would like to thank you
933
00:50:38,460 --> 00:50:40,420
for making Huey Lewis's song
number one this week.
934
00:50:42,340 --> 00:50:43,340
He'll kill me.
935
00:50:43,340 --> 00:50:43,580
He will send his bodyguards
He'll kill me.
936
00:50:43,580 --> 00:50:46,100
He will send his bodyguards
after me, for Christ's sake.
937
00:50:46,380 --> 00:50:48,340
Hi, this is Curt from
Tears for Fears.
938
00:50:48,340 --> 00:50:48,620
I'm in Tower Records in New York
and you're watching Countdown.
Hi, this is Curt from
Tears for Fears.
939
00:50:48,620 --> 00:50:51,060
I'm in Tower Records in New York
and you're watching Countdown.
940
00:50:52,180 --> 00:50:55,580
Tears for Fears momentarily
pushed out the Americans.
941
00:51:00,100 --> 00:51:02,900
The only Australian band
to make the top spot,
942
00:51:02,900 --> 00:51:03,180
The only Australian band
to make the top spot,
The Models, kept reinventing
themselves.
943
00:51:03,180 --> 00:51:04,860
The Models, kept reinventing
themselves.
944
00:51:07,020 --> 00:51:09,980
# Looking a little bit closer now
945
00:51:09,980 --> 00:51:12,620
# I've got something to say to you
946
00:51:14,820 --> 00:51:17,220
# And if your body touches me
947
00:51:17,820 --> 00:51:20,540
# I just don't know what I might do
948
00:51:21,820 --> 00:51:24,020
# And so hold me, honey
949
00:51:24,020 --> 00:51:25,900
# Hit on the bed
950
00:51:25,900 --> 00:51:30,220
# I've got a notion in my head
951
00:51:30,220 --> 00:51:32,420
# Out of mind, out of sight
952
00:51:32,420 --> 00:51:34,300
# Gotta keep my body tight
953
00:51:36,060 --> 00:51:38,220
# Out of mind, out of sight
954
00:51:38,220 --> 00:51:40,140
# I'm gonna keep my body tight. #
955
00:51:45,980 --> 00:51:49,060
And it had been a while since
a Scandinavian quartet
956
00:51:49,060 --> 00:51:49,300
had topped the Australian charts.
a Scandinavian quartet
957
00:51:49,300 --> 00:51:51,100
had topped the Australian charts.
958
00:51:51,100 --> 00:51:51,340
had topped the Australian charts.
for a fortnight in 1985.
959
00:51:51,340 --> 00:51:54,860
A-Ha sat atop the summit
for a fortnight in 1985.
960
00:52:18,180 --> 00:52:20,820
# We're talking away
961
00:52:20,820 --> 00:52:26,340
# I don't know what I'm to say
I'll say it anyway
962
00:52:26,340 --> 00:52:26,580
# I don't know what I'm to say
I'll say it anyway
# Today's another day to find you
963
00:52:26,580 --> 00:52:29,820
# Today's another day to find you
964
00:52:29,820 --> 00:52:32,540
# Shying away
965
00:52:32,540 --> 00:52:35,060
# I'll be coming for your love, OK?
966
00:52:35,060 --> 00:52:40,980
# Take on me
967
00:52:40,980 --> 00:52:45,420
# Take me on
968
00:52:45,420 --> 00:52:46,820
# Take on me
969
00:52:46,820 --> 00:52:51,500
# I'll be gone
970
00:52:51,500 --> 00:52:57,260
# In a day or two
971
00:52:57,860 --> 00:53:01,020
# So, needless to say
972
00:53:01,020 --> 00:53:03,020
# I'm odds and ends
973
00:53:03,020 --> 00:53:06,380
# I'll be stumbling away
974
00:53:06,380 --> 00:53:09,580
# Slowly learning that life is OK
975
00:53:09,580 --> 00:53:12,500
# Say after me
976
00:53:12,500 --> 00:53:12,740
# Say after me
# It's no better
to be safe than sorry
977
00:53:12,740 --> 00:53:15,460
# It's no better
to be safe than sorry
978
00:53:15,460 --> 00:53:21,060
# Take on me
979
00:53:21,060 --> 00:53:25,340
# Take me on
980
00:53:25,340 --> 00:53:26,980
# Take on me
981
00:53:26,980 --> 00:53:31,060
# I'll be gone
982
00:53:31,060 --> 00:53:37,380
# In a day or two
983
00:54:17,500 --> 00:54:21,020
# Oh, the things that you say
984
00:54:21,020 --> 00:54:22,260
# Is it life or
985
00:54:22,260 --> 00:54:26,180
# Just to play my worries away
986
00:54:26,180 --> 00:54:29,500
# You're all the things
I've got to remember
987
00:54:29,500 --> 00:54:29,740
# You're all the things
# You're shying away
988
00:54:29,740 --> 00:54:32,540
# You're shying away
989
00:54:32,540 --> 00:54:34,980
# I'll be coming for you anyway
990
00:54:34,980 --> 00:54:40,820
# Take on me
991
00:54:40,820 --> 00:54:45,180
# Take me on
992
00:54:45,180 --> 00:54:46,460
# Take on me
993
00:54:46,460 --> 00:54:51,140
# I'll be gone
994
00:54:51,140 --> 00:54:54,420
# In a day or two
995
00:54:54,420 --> 00:54:57,820
# Take on me
996
00:54:57,820 --> 00:55:01,860
# Take me on
997
00:55:01,860 --> 00:55:03,860
# Take on me
998
00:55:03,860 --> 00:55:08,060
# I'll be gone
999
00:55:08,060 --> 00:55:08,860
# Take on me
1000
00:55:08,860 --> 00:55:13,380
# In a day or two
# Take me on
1001
00:55:13,380 --> 00:55:14,900
# Take on me. #
1002
00:55:14,900 --> 00:55:16,900
(CHEERING, APPLAUSE)
1003
00:55:31,820 --> 00:55:34,700
# Now, the last time
I saw Molly Meldrum
1004
00:55:34,700 --> 00:55:34,940
# Now, the last time
# I was standing in his yard
1005
00:55:34,940 --> 00:55:37,180
# I was standing in his yard
1006
00:55:40,540 --> 00:55:43,260
# Molly was having a very good time
1007
00:55:43,260 --> 00:55:45,500
# But for him, that's not too hard
1008
00:55:48,940 --> 00:55:51,180
# Because he travels
around the world
1009
00:55:51,180 --> 00:55:53,420
# Speaking to pop stars like me
1010
00:55:53,420 --> 00:55:55,940
# Everybody wants a job like that
1011
00:55:55,940 --> 00:55:58,140
# I would
Me. #
1012
00:56:05,820 --> 00:56:07,020
Sorry about that.
(LAUGHTER)
1013
00:56:07,020 --> 00:56:09,540
Visit the Classic Countdown website
for more pictures,
1014
00:56:09,540 --> 00:56:12,060
interviews, and
behind-the-scenes information.
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