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1
00:00:01,020 --> 00:00:05,140
Welcome to tonight's ABC Weather.
2
00:00:05,140 --> 00:00:05,740
The highlight, of course,
of the ABC every night of the week.
3
00:00:05,740 --> 00:00:09,460
Tonight we have a rather strong
gale warning up in Queensland.
4
00:00:09,460 --> 00:00:09,700
Tonight we have a rather strong
Uh, very hot down here in, uh...
5
00:00:09,700 --> 00:00:12,060
Uh, very hot down here in, uh...
6
00:00:12,060 --> 00:00:14,260
(AUDIENCE LAUGHS)
7
00:00:14,260 --> 00:00:14,500
ANNOUNCER: We interrupt the weather
(AUDIENCE LAUGHS)
8
00:00:14,500 --> 00:00:17,700
ANNOUNCER: We interrupt the weather
to bring you Countdown.
9
00:00:18,060 --> 00:00:21,740
# Countdown, Countdown
10
00:00:21,740 --> 00:00:24,580
# Countdown,
Countdown
11
00:00:24,580 --> 00:00:27,500
Welcome to Classic Countdown, 1980.
12
00:00:27,620 --> 00:00:29,100
# Countdown! #
13
00:00:29,100 --> 00:00:31,020
(GRINDER BY JUDAS PRIEST PLAYS)
14
00:00:31,020 --> 00:00:31,260
JAMES REYNE: The '80s arrived
with excitement and expectation.
(GRINDER BY JUDAS PRIEST PLAYS)
15
00:00:31,260 --> 00:00:34,340
JAMES REYNE: The '80s arrived
with excitement and expectation.
16
00:00:38,620 --> 00:00:43,220
Before long, we would
all be driving fancy new cars,
17
00:00:43,220 --> 00:00:43,460
Before long, we would
dining in the finest restaurants,
18
00:00:43,460 --> 00:00:45,900
dining in the finest restaurants,
19
00:00:45,900 --> 00:00:49,060
wearing the newest shades in make-up
20
00:00:49,060 --> 00:00:51,500
and disco dancing in the streets.
21
00:00:51,500 --> 00:00:55,380
All our problems would be
miraculously solved.
22
00:00:55,380 --> 00:00:55,620
All our problems would be
But, just when it seemed that
23
00:00:55,620 --> 00:00:56,860
But, just when it seemed that
24
00:00:56,860 --> 00:01:01,380
the new decade would keep us all
riding high,
25
00:01:01,380 --> 00:01:02,900
reality came crashing in.
26
00:01:02,900 --> 00:01:05,980
# Imagine there's no heaven. #
27
00:01:05,980 --> 00:01:08,220
John Lennon was dead.
28
00:01:08,220 --> 00:01:10,460
The day the music died
for generations of people
29
00:01:10,460 --> 00:01:12,700
who had imagined things
would be different.
30
00:01:12,700 --> 00:01:13,820
# We don't need no education... #
31
00:01:13,820 --> 00:01:18,100
The US and 64 other countries
boycotted the Olympics in Moscow.
32
00:01:18,100 --> 00:01:18,340
The US and 64 other countries
We hesitated...
33
00:01:18,340 --> 00:01:19,660
We hesitated...
34
00:01:19,660 --> 00:01:21,420
(CHEERING)
35
00:01:21,420 --> 00:01:23,140
..then went anyway.
36
00:01:23,140 --> 00:01:25,620
And when the national catchcry
of the year became,
37
00:01:25,620 --> 00:01:29,020
"A dingo's got my baby,"
we knew it was a tough year.
38
00:01:31,020 --> 00:01:32,900
But if we looked hard enough,
39
00:01:32,900 --> 00:01:35,900
there was still gold to be found
in them there hills.
40
00:01:38,060 --> 00:01:41,780
And it was certainly
a golden era in music.
41
00:01:41,780 --> 00:01:42,860
# Hey, teacher... #
42
00:01:42,860 --> 00:01:44,820
In 1980, music was the main game.
43
00:01:44,820 --> 00:01:46,500
The long and winding
yellow brick road
44
00:01:46,500 --> 00:01:46,740
The long and winding
that could lead to fame and riches.
45
00:01:46,740 --> 00:01:49,380
that could lead to fame and riches.
46
00:01:49,380 --> 00:01:49,620
Hey, this is Billy Idol,
that could lead to fame and riches.
47
00:01:49,620 --> 00:01:51,380
Hey, this is Billy Idol,
saying don't stop.
48
00:01:51,380 --> 00:01:53,540
You've got to keep dancing
with yourself.
49
00:01:53,540 --> 00:01:53,780
Musicians of all shapes and sizes
You've got to keep dancing
with yourself.
50
00:01:53,780 --> 00:01:56,060
Musicians of all shapes and sizes
51
00:01:56,060 --> 00:01:59,740
learnt a few chords
and formed a band.
52
00:01:59,740 --> 00:02:04,620
# Well, I know
the other girls in school
53
00:02:04,620 --> 00:02:06,860
# Think I'm a silly fool
54
00:02:06,860 --> 00:02:10,580
# To go for rides in your car
55
00:02:10,580 --> 00:02:12,180
# They can't see... #
56
00:02:12,180 --> 00:02:12,420
# They can't see... #
Countdown became a wall
against which
57
00:02:12,420 --> 00:02:14,340
Countdown became a wall
against which
58
00:02:14,340 --> 00:02:18,060
musical spaghetti was thrown
to see what might stick.
59
00:02:18,060 --> 00:02:18,300
# I am marching in the Kiss Army
musical spaghetti was thrown
to see what might stick.
60
00:02:18,300 --> 00:02:21,740
# I am marching in the Kiss Army
61
00:02:21,740 --> 00:02:25,580
# Breathing fiery breath, oh
62
00:02:25,580 --> 00:02:25,820
# Breathing fiery breath, oh
# I scorched my tonsils
and my tummy
63
00:02:25,820 --> 00:02:29,380
# I scorched my tonsils
and my tummy
64
00:02:29,380 --> 00:02:29,620
# I scorched my tonsils
# When I swallowed the metho... #
65
00:02:29,620 --> 00:02:33,180
# When I swallowed the metho... #
66
00:02:33,180 --> 00:02:33,420
Just about anyone could march onto
# When I swallowed the metho... #
67
00:02:33,420 --> 00:02:35,860
Just about anyone could march onto
the Countdown set
68
00:02:35,860 --> 00:02:38,980
and sing a song in any style
about, well,
69
00:02:38,980 --> 00:02:39,220
and sing a song in any style
just about anything.
70
00:02:39,220 --> 00:02:41,820
just about anything.
71
00:02:41,820 --> 00:02:42,020
# Ski-doo-be-dop, ooh
just about anything.
72
00:02:42,020 --> 00:02:44,420
# Ski-doo-be-dop, ooh
73
00:02:44,420 --> 00:02:44,660
# Ski-doo-be-dop, ooh
ooh
74
00:02:44,660 --> 00:02:47,260
# Ski-doo-be-dop,
ooh
75
00:02:47,260 --> 00:02:47,500
# We were at a party
ooh
76
00:02:47,500 --> 00:02:49,780
# We were at a party
77
00:02:49,780 --> 00:02:52,460
# His earlobe fell in the deep
78
00:02:52,460 --> 00:02:52,660
# His earlobe fell in the deep
# Someone reached in and grabbed it
79
00:02:52,660 --> 00:02:55,180
# Someone reached in and grabbed it
80
00:02:55,180 --> 00:02:58,140
# It was a rock lobster
81
00:02:58,140 --> 00:03:02,740
# Ah-ah-ah
82
00:03:02,740 --> 00:03:04,580
# Rock lobster
83
00:03:04,580 --> 00:03:08,180
# Ah-ah-ah-ah
84
00:03:08,180 --> 00:03:08,380
# Rock lobster
# Ah-ah-ah-ah
85
00:03:08,380 --> 00:03:11,140
# Rock lobster
86
00:03:30,260 --> 00:03:33,300
(PLAYS SURF GUITAR RIFF)
87
00:03:37,380 --> 00:03:41,140
# Ooh
88
00:03:41,140 --> 00:03:43,340
# We were at the beach
# Ooh
89
00:03:43,340 --> 00:03:43,580
# We were at the beach
# Everybody had matching towels
90
00:03:43,580 --> 00:03:45,980
# Everybody had matching towels
91
00:03:45,980 --> 00:03:48,380
# Somebody went under a dock
92
00:03:48,380 --> 00:03:51,140
# And there they saw a rock
93
00:03:51,140 --> 00:03:53,940
# It wasn't a rock
94
00:03:53,940 --> 00:03:56,420
# It was a rock lobster
95
00:03:56,420 --> 00:04:01,100
# Ah-ah-ah
96
00:04:01,100 --> 00:04:03,060
# Rock lobster
97
00:04:03,060 --> 00:04:06,820
# Ah-ah-ah-ah
98
00:04:06,820 --> 00:04:09,420
# Rock lobster
99
00:04:28,860 --> 00:04:33,620
(PLAYS SURF GUITAR RIFF)
100
00:04:33,620 --> 00:04:33,860
# Rock la-ah-obster
(PLAYS SURF GUITAR RIFF)
101
00:04:33,860 --> 00:04:38,620
# Rock la-ah-obster
rock la-ah-obster
102
00:04:38,620 --> 00:04:41,580
# Motion in the ocean
# Ooh-wah
103
00:04:41,580 --> 00:04:44,220
# His air hose broke
# Ooh-wah
104
00:04:44,220 --> 00:04:47,180
# Lots of trouble
# Ooh-wah
105
00:04:47,180 --> 00:04:49,620
# Lots of bubble
# Ooh-wah
106
00:04:49,620 --> 00:04:52,140
# He was in a jam
# Ooh-wah
107
00:04:52,140 --> 00:04:54,780
# Was in a giant clam
# Ooh-wah
108
00:05:00,900 --> 00:05:05,660
# Rock, rock
109
00:05:05,660 --> 00:05:09,580
# Rock lobster!
Down, down
110
00:05:33,460 --> 00:05:36,060
# Lobster
(BOTH SCREECH)
111
00:05:36,060 --> 00:05:38,980
# Rock
(BOTH SCREECH)
112
00:05:38,980 --> 00:05:41,260
# Lobster
(BOTH SCREECH)
113
00:05:41,260 --> 00:05:41,500
# Lobster
# Rock
114
00:05:41,500 --> 00:05:43,260
# Rock
115
00:05:51,980 --> 00:05:53,980
# Let's rock!
116
00:06:03,380 --> 00:06:05,860
# Boys in bikinis
117
00:06:05,860 --> 00:06:08,500
# Girls in surfboards
118
00:06:08,500 --> 00:06:11,420
# Everybody's rockin'
119
00:06:11,420 --> 00:06:13,740
# Everybody's fruggin'
120
00:06:13,740 --> 00:06:16,500
# Twisting round the fire,
having fun
121
00:06:19,180 --> 00:06:21,860
# Baking potatoes,
baking in the sun
122
00:06:24,460 --> 00:06:27,060
# Put on your nose guard
123
00:06:27,060 --> 00:06:30,060
# Put on the lifeguard
124
00:06:30,060 --> 00:06:31,940
# Pass the tanning butter
125
00:06:35,180 --> 00:06:37,700
# Here comes a stingray
# Ooh-wah, ooh-wah
126
00:06:37,700 --> 00:06:40,540
# There goes a manta ray
# Ee-ee-ee-ee
127
00:06:40,540 --> 00:06:43,140
# In walked a jellyfish
# Arrgh!
128
00:06:43,140 --> 00:06:46,100
# There goes a dogfish
# Rowr!
129
00:06:46,100 --> 00:06:48,620
# Chased by a catfish
# Wahoo!
130
00:06:48,620 --> 00:06:51,260
# In flew a sea robin
# La-la-la-la-la
131
00:06:51,260 --> 00:06:54,180
# Watch out for that piranha
# Yeh-yeh-yeh-hoo
132
00:06:54,180 --> 00:06:56,700
# There goes a narwhal
# Ee-ee-ee-ee
133
00:06:56,700 --> 00:06:56,940
# There goes a narwhal
# Here comes a bikini whale!
134
00:06:56,940 --> 00:06:59,980
# Here comes a bikini whale!
135
00:07:09,820 --> 00:07:12,340
# Rock lobster
# Ooh-ooh, rock lobster! #
136
00:07:29,540 --> 00:07:33,140
The onslaught of talent
on Countdown was considerable.
137
00:07:33,140 --> 00:07:35,060
# No, it never, never, never
really works out
138
00:07:35,060 --> 00:07:39,660
# Oh, no, like a lady-in-waiting
to a virgin queen
139
00:07:39,660 --> 00:07:39,900
# Oh, no, like a lady-in-waiting
to a virgin queen
# Look at that stupid girl
140
00:07:39,900 --> 00:07:42,340
# Look at that stupid girl
141
00:07:42,340 --> 00:07:44,820
# When she was bitching about
something
142
00:07:44,820 --> 00:07:47,060
# She had never even seen
143
00:07:47,060 --> 00:07:50,420
# Look at that stupid girl. #
144
00:07:50,420 --> 00:07:50,660
# With my cheap wine
and a three-day growth
# Look at that stupid girl. #
145
00:07:50,660 --> 00:07:55,220
# With my cheap wine
and a three-day growth
146
00:07:55,220 --> 00:07:55,460
# Cheap wine and a three-day growth
and a three-day growth
147
00:07:55,460 --> 00:07:58,540
# Cheap wine and a three-day growth
148
00:07:58,540 --> 00:08:02,580
# Come on, come on
149
00:08:02,580 --> 00:08:05,060
# Come on, come on. #
150
00:08:05,060 --> 00:08:08,420
# And he gives all the others
a shake...
151
00:08:08,420 --> 00:08:12,660
In 1980, more than 150 songs
were performed live on the show.
152
00:08:12,660 --> 00:08:12,900
In 1980, more than 150 songs
were performed live on the show.
# How he rates
153
00:08:12,900 --> 00:08:15,420
# How he rates
154
00:08:15,420 --> 00:08:15,660
# He's a classic example
# How he rates
155
00:08:15,660 --> 00:08:19,180
# He's a classic example
such a beautiful sample
156
00:08:19,180 --> 00:08:19,420
# He's a classic example
# He's my number one
157
00:08:19,420 --> 00:08:20,860
# He's my number one
158
00:08:20,860 --> 00:08:23,580
# He's her number one... #
159
00:08:23,580 --> 00:08:26,540
Video might eventually kill
the radio star,
160
00:08:26,540 --> 00:08:27,820
but it wouldn't happen this year.
161
00:08:30,300 --> 00:08:33,500
# My friends wonder why
I call you all the time
162
00:08:33,500 --> 00:08:33,740
# What can I say?
I call you all the time
163
00:08:33,740 --> 00:08:36,500
# What can I say?
164
00:08:38,460 --> 00:08:46,300
# I don't feel the need
to give such secrets away
165
00:08:46,300 --> 00:08:51,100
# You think maybe I need help,
no, I know I'm right
166
00:08:51,100 --> 00:08:51,340
# You think maybe I need help,
# Alright
167
00:08:51,340 --> 00:08:54,300
# Alright
168
00:08:54,300 --> 00:09:02,020
# I'm just better off not listening
to friends' advice
169
00:09:02,020 --> 00:09:06,300
# When they insist
on knowing my bliss
170
00:09:06,300 --> 00:09:09,140
# I tell them this
171
00:09:09,140 --> 00:09:13,460
# When they want to know
what the reason is
172
00:09:13,460 --> 00:09:17,780
# I only smile when I lie,
then I tell them why
173
00:09:17,780 --> 00:09:25,300
# Because your kiss
# Your kiss is on my list
174
00:09:25,300 --> 00:09:25,540
# Because your kiss
# Because your kiss is on my list
175
00:09:25,540 --> 00:09:28,820
# Because your kiss is on my list
176
00:09:28,820 --> 00:09:33,260
# Of the best things in life
177
00:09:33,260 --> 00:09:37,180
# Because your kiss
# Your kiss is on my list
178
00:09:37,180 --> 00:09:41,100
# Because your kiss
# Your kiss, I can't resist
179
00:09:41,100 --> 00:09:41,340
# Because your kiss is what I miss
# Because your kiss
# Your kiss, I can't resist
180
00:09:41,340 --> 00:09:44,260
# Because your kiss is what I miss
181
00:09:44,260 --> 00:09:49,100
# When I turn out the light
182
00:09:49,100 --> 00:09:54,940
# I go crazy wondering
what there is to really see
183
00:09:57,100 --> 00:10:00,060
# Did the night just take up
your time
184
00:10:00,060 --> 00:10:00,300
# Did the night just take up
# 'Cause it means more to me
185
00:10:00,300 --> 00:10:05,140
# 'Cause it means more to me
186
00:10:05,140 --> 00:10:07,780
# Sometimes I forget what I'm doing
187
00:10:07,780 --> 00:10:08,020
# I don't forget what I want,
# Sometimes I forget what I'm doing
188
00:10:08,020 --> 00:10:11,700
# I don't forget what I want,
what I want
189
00:10:13,140 --> 00:10:16,180
# Regret what I've done, regret you
190
00:10:16,180 --> 00:10:20,620
# I couldn't go on
191
00:10:20,620 --> 00:10:23,740
# But if you insist
on knowing my bliss
192
00:10:25,900 --> 00:10:28,540
# I'll tell you this
193
00:10:28,540 --> 00:10:28,780
# If you want to know
what the reason is
# I'll tell you this
194
00:10:28,780 --> 00:10:32,780
# If you want to know
what the reason is
195
00:10:32,780 --> 00:10:36,420
# I only smile when I lie,
then I'll tell you why
196
00:10:36,420 --> 00:10:40,260
# Because your kiss
# Your kiss is on my list
197
00:10:40,260 --> 00:10:40,540
# Because your kiss
# Your kiss is on my list
# Because your kiss
# Your kiss is on my list
198
00:10:40,540 --> 00:10:44,300
# Because your kiss
# Your kiss is on my list
199
00:10:44,300 --> 00:10:44,540
# Because your kiss
# Because your kiss is on my list
200
00:10:44,540 --> 00:10:47,380
# Because your kiss is on my list
201
00:10:47,380 --> 00:10:52,420
# Of the best things in life
202
00:10:52,420 --> 00:10:52,660
# Because your kiss
# Of the best things in life
203
00:10:52,660 --> 00:10:56,100
# Because your kiss
# Your kiss is on my list
204
00:10:56,100 --> 00:11:00,340
# Because your kiss
# Your kiss, I can't resist
205
00:11:00,340 --> 00:11:00,580
# Because your kiss
# Because your kiss is what I miss
206
00:11:00,580 --> 00:11:03,260
# Because your kiss is what I miss
207
00:11:03,260 --> 00:11:08,980
# When I turn out the light
208
00:11:23,740 --> 00:11:26,500
# I really miss you, babe
209
00:11:39,260 --> 00:11:40,540
# Ah
210
00:11:40,540 --> 00:11:40,780
# Ah
# Because your kiss
# Your kiss is on my list
211
00:11:40,780 --> 00:11:47,420
# Because your kiss
# Your kiss is on my list
212
00:11:47,420 --> 00:11:47,660
# Because your kiss
# Because your kiss is on my list
213
00:11:47,660 --> 00:11:50,660
# Because your kiss is on my list
214
00:11:50,660 --> 00:11:55,420
# Of the best things in life
Oh, babe
215
00:11:55,420 --> 00:11:59,780
# Because your kiss
# Your kiss is on my list
216
00:11:59,780 --> 00:12:03,180
# Because your kiss
# Your kiss, I can't resist... #
217
00:12:06,260 --> 00:12:08,060
# Countdown! #
218
00:12:08,060 --> 00:12:08,300
Hi. I'm Cherry Ripe,
Countdown's London connection.
# Countdown! #
219
00:12:08,300 --> 00:12:12,060
Hi. I'm Cherry Ripe,
Countdown's London connection.
220
00:12:12,060 --> 00:12:15,180
And I'm going to be bringing you some
great stories from here in London.
221
00:12:15,180 --> 00:12:15,460
And I'm going to be bringing you some
great stories from here in London.
Over the next few weeks,
I'll be talking to The Buggles,
222
00:12:15,460 --> 00:12:17,140
Over the next few weeks,
I'll be talking to The Buggles,
223
00:12:17,140 --> 00:12:17,380
Over the next few weeks,
The Clash and Marianne Faithfull,
224
00:12:17,380 --> 00:12:19,020
The Clash and Marianne Faithfull,
225
00:12:19,020 --> 00:12:21,140
and earlier today I spoke to
The Vapors.
226
00:12:21,140 --> 00:12:21,380
and earlier today I spoke to
They haven't yet turned Japanese,
227
00:12:21,380 --> 00:12:22,700
They haven't yet turned Japanese,
228
00:12:22,700 --> 00:12:22,940
but I asked them how it felt
They haven't yet turned Japanese,
229
00:12:22,940 --> 00:12:25,180
but I asked them how it felt
to be on Countdown
230
00:12:25,180 --> 00:12:26,420
all the way from London.
231
00:12:26,420 --> 00:12:29,500
How does it feel to be on Countdown
all the way from London?
232
00:12:29,500 --> 00:12:29,780
It's wonderful.
It's really good.
How does it feel to be on Countdown
all the way from London?
233
00:12:29,780 --> 00:12:32,100
It's wonderful.
It's really good.
234
00:12:32,100 --> 00:12:33,900
Great.
Have you heard about Countdown?
235
00:12:33,900 --> 00:12:34,140
Yeah, from you.
Have you heard about Countdown?
236
00:12:34,140 --> 00:12:35,540
Yeah, from you.
237
00:12:35,540 --> 00:12:37,380
What do you think of it?
It sounds alright.
238
00:12:37,380 --> 00:12:37,620
Something like Top Of The Pops.
It sounds alright.
239
00:12:37,620 --> 00:12:38,820
Something like Top Of The Pops.
240
00:12:38,820 --> 00:12:39,020
Something like Top Of The Pops.
JAMES: New bands had broken through.
241
00:12:39,020 --> 00:12:40,540
JAMES: New bands had broken through.
242
00:12:40,540 --> 00:12:43,020
What did you guys all do before you
got into rock'n'roll?
243
00:12:43,020 --> 00:12:45,420
The trick was to convince the public
you had the substance
244
00:12:45,420 --> 00:12:45,660
The trick was to convince the public
to keep them interested.
245
00:12:45,660 --> 00:12:47,060
to keep them interested.
246
00:12:47,060 --> 00:12:49,260
I worked as a hospital porter
for a while...
247
00:12:49,260 --> 00:12:50,220
Yeah?
248
00:12:50,220 --> 00:12:51,420
..in a hospital that wasn't open.
249
00:12:51,420 --> 00:12:54,620
And then I worked as an office boy.
250
00:12:54,620 --> 00:12:55,820
What about you, Howard?
251
00:12:55,820 --> 00:12:56,060
I worked in a shop.
What about you, Howard?
252
00:12:56,060 --> 00:12:57,660
I worked in a shop.
Yeah?
253
00:12:57,660 --> 00:13:00,500
Just a normal high-street shop,
yeah.
254
00:13:00,500 --> 00:13:00,740
Just a normal high-street shop,
I was a storeman.
255
00:13:00,740 --> 00:13:02,460
I was a storeman.
256
00:13:02,460 --> 00:13:05,380
OK.
Would you like to say,
257
00:13:05,380 --> 00:13:08,860
"Hello, this is The Vapors
here on Countdown?"
258
00:13:08,860 --> 00:13:11,100
Hello. We're The Vapors,
and I think we're on Countdown.
259
00:13:11,100 --> 00:13:13,580
Here.
Here.
260
00:13:13,580 --> 00:13:13,820
# Oh, stop playing with my heart
Here.
Here.
261
00:13:13,820 --> 00:13:17,460
# Oh, stop playing with my heart
262
00:13:17,460 --> 00:13:21,980
JAMES: Some new stars
shone brightly and briefly.
263
00:13:21,980 --> 00:13:25,460
# And I'll show you a sunset
264
00:13:25,460 --> 00:13:30,100
# If you'll stay with me
till dawn. #
265
00:13:32,620 --> 00:13:35,300
Some new bands were back
with new line-ups and attitudes.
266
00:13:35,300 --> 00:13:35,580
# As she crosses the floor,
she knows
Some new bands were back
with new line-ups and attitudes.
267
00:13:35,580 --> 00:13:38,900
# As she crosses the floor,
she knows
268
00:13:38,900 --> 00:13:40,460
# What does she know?
269
00:13:40,460 --> 00:13:44,380
# She's seen it before and she goes
270
00:13:44,380 --> 00:13:46,940
# Where does she go? #
271
00:13:46,940 --> 00:13:49,180
And, as always, some new bands
272
00:13:49,180 --> 00:13:49,420
And, as always, some new bands
to convince the masses.
273
00:13:49,420 --> 00:13:52,060
got one chance only
to convince the masses.
274
00:13:56,740 --> 00:13:59,220
# You're standing round
the bar again
275
00:13:59,220 --> 00:13:59,460
# With that nonexistent smile again
the bar again
276
00:13:59,460 --> 00:14:02,860
# With that nonexistent smile again
277
00:14:02,860 --> 00:14:05,180
# You got your hand on your hip
278
00:14:05,180 --> 00:14:05,380
# You got your hand on your hip
# You got your hand on your wallet
279
00:14:05,380 --> 00:14:07,100
# You got your hand on your wallet
280
00:14:07,100 --> 00:14:08,940
# Got your mind on your drinking
281
00:14:08,940 --> 00:14:11,060
# But your heart isn't in it,
oh, yeah
282
00:14:16,620 --> 00:14:20,420
# And you've been
stepping on my lines again
283
00:14:20,420 --> 00:14:20,660
# And you've been
# With your offbeat time again
284
00:14:20,660 --> 00:14:23,540
# With your offbeat time again
285
00:14:23,540 --> 00:14:26,220
# You got your past in your pocket
286
00:14:26,220 --> 00:14:28,100
# And your pistol in its holster
287
00:14:28,100 --> 00:14:29,580
# Your finger on the trigger
288
00:14:29,580 --> 00:14:31,780
# But you know
you'll never pull her
289
00:14:31,780 --> 00:14:32,020
# But you know
# Hit me with another double
290
00:14:32,020 --> 00:14:34,980
# Hit me with another double
291
00:14:34,980 --> 00:14:38,220
# Tonight I'm looking for
some trouble
292
00:14:38,220 --> 00:14:41,620
# You got to hit me
with another double
293
00:14:41,620 --> 00:14:44,860
# I want to go
where the music breaks me
294
00:14:44,860 --> 00:14:45,100
# I want to go
# I got to find someone to take me
295
00:14:45,100 --> 00:14:48,460
# I got to find someone to take me
296
00:14:48,460 --> 00:14:49,700
# Yeah
297
00:15:01,740 --> 00:15:05,500
# And you've been
stepping on my lines again
298
00:15:05,500 --> 00:15:05,740
# And you've been
stepping on my lines again
# With your offbeat time again
299
00:15:05,740 --> 00:15:08,620
# With your offbeat time again
300
00:15:08,620 --> 00:15:11,380
# You got your past in your pocket
301
00:15:11,380 --> 00:15:13,540
# And your pistol in its holster
302
00:15:13,540 --> 00:15:14,940
# Finger on the trigger
303
00:15:14,940 --> 00:15:17,140
# But you know
you'll never pull her
304
00:15:17,140 --> 00:15:17,380
# But you know
# Hit me with another double
305
00:15:17,380 --> 00:15:20,380
# Hit me with another double
306
00:15:20,380 --> 00:15:23,540
# Tonight I'm looking for
some trouble
307
00:15:23,540 --> 00:15:27,020
# You got to hit me
with another double
308
00:15:27,020 --> 00:15:30,220
# I want to go
where the music breaks me
309
00:15:30,220 --> 00:15:33,820
# I got to find someone
to take me
310
00:15:33,820 --> 00:15:34,060
# I got to find someone
# Yeah
311
00:15:34,060 --> 00:15:35,060
# Yeah
312
00:15:54,860 --> 00:15:58,100
# Hit me with another double
313
00:15:58,100 --> 00:16:01,100
# Tonight I'm looking for
some trouble
314
00:16:01,100 --> 00:16:04,580
# You got to hit me
with another double
315
00:16:04,580 --> 00:16:08,380
# I want to go
where the music breaks me
316
00:16:08,380 --> 00:16:11,500
# I got to find someone
to take me
317
00:16:11,500 --> 00:16:11,740
# I got to find someone
to take me
# Yeah
318
00:16:11,740 --> 00:16:12,740
# Yeah
319
00:16:12,740 --> 00:16:15,220
# Yeah-yeah-yeah, yeah-yeah-yeah
320
00:16:24,460 --> 00:16:26,220
# Hey, you
321
00:16:26,220 --> 00:16:29,060
# You're standing round
the bar again
322
00:16:29,060 --> 00:16:29,300
# You're standing round
# With that nonexistent smile again
323
00:16:29,300 --> 00:16:31,940
# With that nonexistent smile again
324
00:16:31,940 --> 00:16:34,540
# You got your hand on your hip
325
00:16:34,540 --> 00:16:36,700
# You got your hand on your wallet
326
00:16:36,700 --> 00:16:38,260
# Got your mind on your drinking
327
00:16:38,260 --> 00:16:40,740
# But your heart isn't in it,
oh, yeah
328
00:16:46,060 --> 00:16:50,260
# And you've been
stepping on my lines again
329
00:16:50,260 --> 00:16:53,060
# With your offbeat time again
330
00:16:53,060 --> 00:16:55,860
# You got your mind on a faucet
331
00:16:55,860 --> 00:16:57,660
# But her name ain't Farrah
332
00:16:57,660 --> 00:16:59,580
# You got your two for the weekend
333
00:16:59,580 --> 00:17:01,020
# 'Cause you're just a plumber
334
00:17:01,020 --> 00:17:01,220
# So, hit me with another double
# 'Cause you're just a plumber
335
00:17:01,220 --> 00:17:04,940
# So, hit me with another double
336
00:17:04,940 --> 00:17:08,140
# Tonight I'm looking for
some trouble
337
00:17:08,140 --> 00:17:11,300
# You got to hit me
with another double
338
00:17:11,300 --> 00:17:11,580
# You got to hit me
with another double
# I want to go
where the music breaks me
339
00:17:11,580 --> 00:17:14,860
# I want to go
where the music breaks me
340
00:17:14,860 --> 00:17:18,140
# I got to find someone
to take me
341
00:17:18,140 --> 00:17:21,300
# Yeah, hit me with
another double! #
342
00:17:32,060 --> 00:17:33,260
One, two, three, four.
343
00:17:33,260 --> 00:17:33,500
One, two, three, four.
Countdown!
344
00:17:33,500 --> 00:17:37,540
Dugga-dugga-dugga-dugga-dugga-dugga.
Countdown!
345
00:17:39,740 --> 00:17:41,980
One of the big questions
in the new decade -
346
00:17:41,980 --> 00:17:42,220
One of the big questions
could old-time rock'n'roll survive?
347
00:17:42,220 --> 00:17:43,860
could old-time rock'n'roll survive?
348
00:17:47,020 --> 00:17:50,940
# I don't know why everybody
is making all this fuss
349
00:17:50,940 --> 00:17:53,460
# Why don't you switch
the television on
350
00:17:53,460 --> 00:17:55,780
# I think I've had enough
351
00:17:55,780 --> 00:17:56,020
# I think I've had enough
damn dropped me
352
00:17:56,020 --> 00:17:59,900
# Back on our TV the advertising
damn dropped me
353
00:17:59,900 --> 00:18:03,380
# Here comes the music
to sell the stock
354
00:18:03,380 --> 00:18:03,620
# Here comes the music
to sell the stock
# It's just a pop song
355
00:18:03,620 --> 00:18:07,300
# It's just a pop song
356
00:18:07,300 --> 00:18:11,500
# Another pop song
357
00:18:11,500 --> 00:18:15,420
# Well, it's a pop song
358
00:18:15,420 --> 00:18:19,260
# Oh, no, no, no-no-no. #
359
00:18:19,260 --> 00:18:22,300
Um, do you think that perhaps
rock'n'roll was slightly lost
360
00:18:22,300 --> 00:18:22,540
Um, do you think that perhaps
in the mid-'70s?
361
00:18:22,540 --> 00:18:26,220
in the mid-'70s?
362
00:18:26,220 --> 00:18:26,460
No.
No?
in the mid-'70s?
363
00:18:26,460 --> 00:18:28,260
No.
No?
364
00:18:28,260 --> 00:18:30,100
I think rock'n'roll
doesn't really exist anymore.
365
00:18:30,100 --> 00:18:30,340
Yeah?
doesn't really exist anymore.
366
00:18:30,340 --> 00:18:31,300
Yeah?
367
00:18:31,300 --> 00:18:31,540
Yeah?
I mean, there's so many different
aspects of music.
368
00:18:31,540 --> 00:18:33,140
I mean, there's so many different
aspects of music.
369
00:18:33,140 --> 00:18:38,420
Like, disco? There must be a dozen
forms of disco for a start.
370
00:18:38,420 --> 00:18:41,420
Um, I wouldn't like to define
what rock'n'roll is anymore, even.
371
00:18:41,420 --> 00:18:41,660
Um, I wouldn't like to define
Yeah.
372
00:18:41,660 --> 00:18:42,620
Yeah.
373
00:18:42,620 --> 00:18:42,820
And then, all of a sudden,
Yeah.
374
00:18:42,820 --> 00:18:45,100
And then, all of a sudden,
375
00:18:45,100 --> 00:18:49,220
people like Seger, Bob Seger
and Bruce Springsteen,
376
00:18:49,220 --> 00:18:52,020
and people like that just
sort of kept pushing at it.
377
00:18:52,020 --> 00:18:52,300
and people like that just
sort of kept pushing at it.
And The Who kept pushing at it.
The Stones kept pushing at it.
378
00:18:52,300 --> 00:18:54,820
And The Who kept pushing at it.
The Stones kept pushing at it.
379
00:18:54,820 --> 00:18:55,060
And The Who kept pushing at it.
And this resurgence started,
380
00:18:55,060 --> 00:18:56,940
And this resurgence started,
381
00:18:56,940 --> 00:18:59,620
and that sort of, you know,
it sparked some people, you know?
382
00:18:59,620 --> 00:18:59,860
and that sort of, you know,
It sort of sparked myself.
383
00:18:59,860 --> 00:19:01,380
It sort of sparked myself.
384
00:19:01,380 --> 00:19:01,620
And I said,
It sort of sparked myself.
385
00:19:01,620 --> 00:19:04,460
And I said,
"Well, ah, there you go.
386
00:19:04,460 --> 00:19:06,980
"Let's go get it.
Let's go do some rock'n'roll."
387
00:19:06,980 --> 00:19:08,220
Mr Loaf was right.
388
00:19:08,220 --> 00:19:09,820
Rock'n'roll music could survive
389
00:19:09,820 --> 00:19:12,020
if it was willing to learn
from its mistakes
390
00:19:12,020 --> 00:19:14,260
or even go back to school.
391
00:19:17,500 --> 00:19:20,620
# Well, I don't care about history
392
00:19:20,620 --> 00:19:23,100
# Rock, rock,
rock'n'roll high school
393
00:19:23,100 --> 00:19:25,660
# 'Cause that's not
where I want to be
394
00:19:25,660 --> 00:19:27,900
# Rock, rock,
rock'n'roll high school
395
00:19:27,900 --> 00:19:28,140
# I just want to have some kicks
rock'n'roll high school
396
00:19:28,140 --> 00:19:30,380
# I just want to have some kicks
397
00:19:30,380 --> 00:19:32,900
# I just want to get some chicks
398
00:19:32,900 --> 00:19:33,140
# I just want to get some chicks
rock'n'roll high school
399
00:19:33,140 --> 00:19:36,900
# Rock, rock, rock, rock,
rock'n'roll high school
400
00:19:36,900 --> 00:19:40,100
# Well, the girls out there
knock me out, you know
401
00:19:40,100 --> 00:19:42,340
# Rock, rock,
rock'n'roll high school
402
00:19:42,340 --> 00:19:42,580
# Cruisin' around in my GTO
rock'n'roll high school
403
00:19:42,580 --> 00:19:45,140
# Cruisin' around in my GTO
404
00:19:45,140 --> 00:19:45,380
# Cruisin' around in my GTO
rock'n'roll high school
405
00:19:45,380 --> 00:19:47,340
# Rock, rock,
rock'n'roll high school
406
00:19:47,340 --> 00:19:49,660
# I hate the teachers
and the principal
407
00:19:49,660 --> 00:19:52,340
# Don't want to be taught
to be no fool
408
00:19:52,340 --> 00:19:57,460
# Rock, rock, rock, rock,
rock'n'roll high school
409
00:20:00,100 --> 00:20:02,500
# Fun, fun, rock'n'roll high school
410
00:20:02,500 --> 00:20:04,980
# Fun, fun,
rock'n'roll high school
411
00:20:04,980 --> 00:20:05,220
# Fun, fun, rock'n'roll high school
rock'n'roll high school
412
00:20:05,220 --> 00:20:07,500
# Fun, fun, rock'n'roll high school
413
00:20:07,500 --> 00:20:07,740
# Fun, fun, rock'n'roll high school
Fun, fun, oh, baby
414
00:20:07,740 --> 00:20:12,260
# Fun, fun, oh, baby
Fun, fun, oh, baby
415
00:20:12,260 --> 00:20:12,500
# Fun, fun, fun, fun
Fun, fun, oh, baby
416
00:20:12,500 --> 00:20:14,740
# Fun, fun, fun, fun
417
00:20:14,740 --> 00:20:22,980
# Rock, rock, rock, rock,
rock'n'roll high school
418
00:20:24,340 --> 00:20:27,180
# Well, I don't care about history
419
00:20:27,180 --> 00:20:29,660
# Rock, rock,
rock'n'roll high school
420
00:20:29,660 --> 00:20:32,060
# 'Cause that's not
where I want to be
421
00:20:32,060 --> 00:20:34,380
# Rock, rock,
rock'n'roll high school
422
00:20:34,380 --> 00:20:34,620
# Rock, rock,
# I just want to have some kicks
423
00:20:34,620 --> 00:20:36,940
# I just want to have some kicks
424
00:20:36,940 --> 00:20:39,500
# I just want to get some chicks
425
00:20:39,500 --> 00:20:44,540
# Rock, rock, rock, rock,
rock'n'roll high school
426
00:20:47,180 --> 00:20:49,700
# Fun, fun,
rock'n'roll high school
427
00:20:49,700 --> 00:20:49,940
# Fun, fun, rock'n'roll high school
rock'n'roll high school
428
00:20:49,940 --> 00:20:52,180
# Fun, fun, rock'n'roll high school
429
00:20:52,180 --> 00:20:54,700
# Fun, fun,
rock'n'roll high school
430
00:20:54,700 --> 00:20:59,420
# Fun, fun, oh, baby
Fun, fun, oh, baby
431
00:20:59,420 --> 00:20:59,660
# Fun, fun, fun, fun
Fun, fun, oh, baby
432
00:20:59,660 --> 00:21:01,900
# Fun, fun, fun, fun
433
00:21:01,900 --> 00:21:09,340
# Rock, rock, rock, rock,
rock'n'roll high school
434
00:21:09,340 --> 00:21:11,940
# Rock, rock, rock, rock,
rock'n'roll high school! #
435
00:21:15,580 --> 00:21:19,060
(CHEERING AND APPLAUSE)
436
00:21:19,060 --> 00:21:20,220
# Countdown! #
437
00:21:24,260 --> 00:21:27,260
Hello, everybody.
438
00:21:27,260 --> 00:21:29,660
It's TV time.
439
00:21:32,060 --> 00:21:34,260
Off we go.
440
00:21:37,500 --> 00:21:40,420
Early '80s music was energised
by the electronic keyboard.
441
00:21:44,860 --> 00:21:46,820
A hybrid had developed
in popular music
442
00:21:46,820 --> 00:21:48,820
that referenced both the rock
of the past
443
00:21:48,820 --> 00:21:50,700
and the electronic music
of the future.
444
00:21:50,700 --> 00:21:50,940
# Lady love... #
of the future.
445
00:21:50,940 --> 00:21:52,820
# Lady love... #
446
00:21:56,020 --> 00:21:58,260
Many rock songs were,
all of a sudden,
447
00:21:58,260 --> 00:22:00,100
dominated by hooks played
on a keyboard
448
00:22:00,100 --> 00:22:00,340
dominated by hooks played
rather than a guitar.
449
00:22:00,340 --> 00:22:01,860
rather than a guitar.
450
00:22:11,980 --> 00:22:15,060
# I turn my head around
451
00:22:15,060 --> 00:22:19,060
# And see this world in trouble. #
452
00:22:23,020 --> 00:22:24,780
Some bands simply looked and sounded
453
00:22:24,780 --> 00:22:25,020
better prepared than others
Some bands simply looked and sounded
454
00:22:25,020 --> 00:22:26,740
better prepared than others
to make the leap.
455
00:22:41,140 --> 00:22:44,940
# There must be something
we can talk about
456
00:22:47,740 --> 00:22:52,140
# And maybe there's something here
that we can do
457
00:22:54,300 --> 00:22:58,300
# No matter what your friends say,
don't go too far
458
00:22:59,300 --> 00:23:02,540
# Remember there's just one thing
459
00:23:02,540 --> 00:23:05,780
# Whenever you come this way
460
00:23:05,780 --> 00:23:08,820
# You know I wouldn't get you down
461
00:23:08,820 --> 00:23:11,700
# I just like talking to you
462
00:23:14,140 --> 00:23:18,420
# It's raining outside
I shake in my shoes downstairs
463
00:23:20,580 --> 00:23:24,580
# You never stop dancing
It don't make much sense
464
00:23:27,100 --> 00:23:31,100
# No matter what your friends say,
don't go too far
465
00:23:32,100 --> 00:23:35,460
# Remember there's just one thing
466
00:23:35,460 --> 00:23:38,980
# Whenever you come this way
467
00:23:38,980 --> 00:23:42,980
# Maybe we can get together
468
00:23:42,980 --> 00:23:45,220
# We can get together
469
00:23:45,220 --> 00:23:48,540
# You know I wouldn't get you down
470
00:23:48,540 --> 00:23:51,980
# I just like talking to you
471
00:23:51,980 --> 00:23:52,180
# Maybe we can get together
# I just like talking to you
472
00:23:52,180 --> 00:23:56,100
# Maybe we can get together
473
00:23:56,100 --> 00:24:00,060
# We can get together
Later sometime
474
00:24:01,420 --> 00:24:04,940
# You can buckle my shoes
475
00:24:04,940 --> 00:24:08,060
# You can pick up my sticks
476
00:24:08,060 --> 00:24:10,140
# You can knock at my door
477
00:24:13,220 --> 00:24:17,060
# There must be something
we can talk about
478
00:24:19,780 --> 00:24:24,060
# Maybe there's something here
that we can do
479
00:24:26,260 --> 00:24:29,900
# Don't go back home, babe,
don't go too far
480
00:24:31,500 --> 00:24:34,500
# Maybe there's one more thing
481
00:24:34,500 --> 00:24:37,980
# Whenever you come this way
482
00:24:37,980 --> 00:24:41,460
# Baby
# We can get together
483
00:24:41,460 --> 00:24:44,580
# Oh-oh
# We can get together
484
00:24:44,580 --> 00:24:47,660
# You know I wouldn't get you down
485
00:24:47,660 --> 00:24:51,100
# I just like talking to you
486
00:24:51,100 --> 00:24:55,220
# Baby, we can get together
487
00:24:55,220 --> 00:24:59,180
# We can get together
Later sometime
488
00:25:00,580 --> 00:25:03,940
# You can buckle my shoes
489
00:25:03,940 --> 00:25:07,220
# You can pick up my sticks
# We can get together
490
00:25:07,220 --> 00:25:10,340
# You can knock at my door
# We can get together
491
00:25:10,340 --> 00:25:10,580
# You know, I walk in the rain
# We can get together
492
00:25:10,580 --> 00:25:13,860
# You know, I walk in the rain
493
00:25:13,860 --> 00:25:16,980
# I said it rains in my heart
494
00:25:16,980 --> 00:25:20,340
# You ought to be in my shoes
# We can get together
495
00:25:20,340 --> 00:25:23,660
# Won't you open that door
# We can get together
496
00:25:23,660 --> 00:25:23,900
# We can get together
# We can get together
497
00:25:23,900 --> 00:25:30,540
# We can get together
498
00:25:30,540 --> 00:25:30,740
# We can get together
# Baby, we can get together
499
00:25:30,740 --> 00:25:34,820
# Baby, we can get together
500
00:25:34,820 --> 00:25:38,980
# We can get together
later sometime. #
501
00:25:40,700 --> 00:25:42,300
# Countdown! #
502
00:25:42,300 --> 00:25:42,500
# But we sometimes forget
# Countdown! #
503
00:25:42,500 --> 00:25:45,780
# But we sometimes forget
504
00:25:45,780 --> 00:25:51,980
# What it was you created us for
505
00:25:53,740 --> 00:25:55,980
# Dear God. #
506
00:25:59,020 --> 00:26:00,940
And what of the rock stars
we'd known and loved
507
00:26:00,940 --> 00:26:01,180
And what of the rock stars
through the '70s?
508
00:26:01,180 --> 00:26:02,460
through the '70s?
509
00:26:02,460 --> 00:26:05,940
Could they possibly survive
into another decade?
510
00:26:05,940 --> 00:26:09,100
Hi, Paul. Welcome to Countdown,
right across Australia.
511
00:26:09,100 --> 00:26:11,500
And Molly asked me specially
to send his regards to you.
512
00:26:11,500 --> 00:26:11,740
And Molly asked me specially
Oh, thank you very much.
513
00:26:11,740 --> 00:26:12,700
Oh, thank you very much.
514
00:26:12,700 --> 00:26:14,380
And he's hoping...
Thanks, Moll.
515
00:26:14,380 --> 00:26:16,340
..he's hoping to catch up
with you soon.
516
00:26:16,340 --> 00:26:16,620
Um, here we are today
at Abbey Road Studios,
..he's hoping to catch up
with you soon.
517
00:26:16,620 --> 00:26:18,260
Um, here we are today
at Abbey Road Studios,
518
00:26:18,260 --> 00:26:20,220
where you used to record
with The Beatles.
519
00:26:20,220 --> 00:26:20,460
Yeah.
with The Beatles.
520
00:26:20,460 --> 00:26:21,420
Yeah.
521
00:26:21,420 --> 00:26:23,180
Does that bring back
fond memories for you?
522
00:26:23,180 --> 00:26:26,100
Yeah. I've recorded here quite a lot
anyway, even without The Beatles.
523
00:26:26,100 --> 00:26:26,340
So, uh...
anyway, even without The Beatles.
524
00:26:26,340 --> 00:26:27,220
So, uh...
525
00:26:27,220 --> 00:26:27,460
So, uh...
But it is. It's, like,
one of the favourite studios.
526
00:26:27,460 --> 00:26:29,060
But it is. It's, like,
one of the favourite studios.
527
00:26:29,060 --> 00:26:34,060
This is where I made my first record
with The Beatles.
528
00:26:34,060 --> 00:26:36,620
Terrified out of my mind down there.
529
00:26:36,620 --> 00:26:38,140
Of all the things you've ever done,
530
00:26:38,140 --> 00:26:43,260
is there anything in particular
that you consider your best work?
531
00:26:43,260 --> 00:26:43,500
is there anything in particular
Um, I don't know.
532
00:26:43,500 --> 00:26:46,380
Um, I don't know.
533
00:26:46,380 --> 00:26:48,460
I don't kind of think
in those terms.
534
00:26:48,460 --> 00:26:52,740
I think it's people, like,
who analyse the music scene
535
00:26:52,740 --> 00:26:54,980
think in terms of that,
"What was his best one?"
536
00:26:54,980 --> 00:26:56,380
But I don't know.
537
00:26:56,380 --> 00:26:59,100
If I just had to answer it
for some quiz or something,
538
00:26:59,100 --> 00:27:01,460
um, I might say Sergeant Pepper,
539
00:27:01,460 --> 00:27:04,540
or I might say Yesterday,
540
00:27:04,540 --> 00:27:07,020
or I might just as easily
say something daft,
541
00:27:07,020 --> 00:27:09,660
like, uh, "She Said She Said,"
542
00:27:09,660 --> 00:27:12,060
which is, like,
just a track I like, you know.
543
00:27:12,060 --> 00:27:13,380
This one is called Emotional Rescue.
544
00:27:13,380 --> 00:27:15,140
Where did you come up with
that title?
545
00:27:15,140 --> 00:27:15,380
Where did you come up with
I don't know.
546
00:27:15,380 --> 00:27:16,340
I don't know.
547
00:27:16,340 --> 00:27:19,180
Be quiet now,
Italian restaurant people!
548
00:27:19,180 --> 00:27:19,460
We're sitting next door
to the kitchen
Be quiet now,
Italian restaurant people!
549
00:27:19,460 --> 00:27:21,460
We're sitting next door
to the kitchen
550
00:27:21,460 --> 00:27:21,700
of an Italian restaurant, actually.
to the kitchen
551
00:27:21,700 --> 00:27:23,140
of an Italian restaurant, actually.
552
00:27:23,140 --> 00:27:24,940
Sorry.
Yeah, where did we get the title?
553
00:27:24,940 --> 00:27:28,540
Well, it's rescue, right,
as in knight on a horse,
554
00:27:28,540 --> 00:27:28,780
but it's, like, mental.
as in knight on a horse,
555
00:27:28,780 --> 00:27:30,300
but it's, like, mental.
556
00:27:30,300 --> 00:27:30,540
but it's, like, mental.
Mm.
You know what I mean?
557
00:27:30,540 --> 00:27:32,500
Mm.
You know what I mean?
558
00:27:32,500 --> 00:27:35,100
So, instead of rescuing
the girl physically,
559
00:27:35,100 --> 00:27:38,660
you rescue her from
her mental traumas.
560
00:27:38,660 --> 00:27:41,180
How much longer do you think
The Stones will go on?
561
00:27:41,180 --> 00:27:46,940
Oh, a couple more years, I should
think, at least, if not more.
562
00:27:46,940 --> 00:27:48,740
Got a lot of energy left,
as far as...
563
00:27:48,740 --> 00:27:51,540
Yeah. I mean, I'm not going to stop
working because The Stones finish.
564
00:27:51,540 --> 00:27:53,860
I'm not saying they will finish,
but I mean, if they did,
565
00:27:53,860 --> 00:27:55,500
I wouldn't stop singing, you know?
566
00:27:55,500 --> 00:27:56,780
Mm-hmm.
567
00:27:56,780 --> 00:27:58,580
There's plenty of other musicians.
568
00:27:58,580 --> 00:27:58,820
MOLLY: Now, I gather that
from Space Oddity
There's plenty of other musicians.
569
00:27:58,820 --> 00:28:01,100
MOLLY: Now, I gather that
from Space Oddity
570
00:28:01,100 --> 00:28:03,660
that Major Tom
was a sort of a superhero
571
00:28:03,660 --> 00:28:05,380
to those that listened to him.
Yeah.
572
00:28:05,380 --> 00:28:10,820
Yeah, he was an aspect
of the American Dream
573
00:28:10,820 --> 00:28:11,100
Yeah, he was an aspect
of the American Dream
that took off, but,
the dream got lost on him.
574
00:28:11,100 --> 00:28:13,660
that took off, but,
the dream got lost on him.
575
00:28:13,660 --> 00:28:15,980
I mean, it wasn't resolved
at that time.
576
00:28:15,980 --> 00:28:16,220
And he was a hero, obviously.
I mean, it wasn't resolved
at that time.
577
00:28:16,220 --> 00:28:17,700
And he was a hero, obviously.
578
00:28:17,700 --> 00:28:19,540
Yeah, but to me, he was an anti...
579
00:28:19,540 --> 00:28:21,540
He was a hero to me,
but an antihero.
580
00:28:21,540 --> 00:28:24,820
He didn't have any social contacts.
(LAUGHS)
581
00:28:24,820 --> 00:28:25,100
He didn't have any social contacts.
(LAUGHS)
Bowie's fans were used to him
reinventing himself.
582
00:28:25,100 --> 00:28:26,980
Bowie's fans were used to him
reinventing himself.
583
00:28:26,980 --> 00:28:30,220
The new decade would see other
'70s superstars doing the same.
584
00:28:30,220 --> 00:28:32,740
Thanks very much.
Thank you, everybody.
585
00:28:39,620 --> 00:28:44,300
# A place where nobody dared to go
586
00:28:45,580 --> 00:28:48,420
# The love that we came to know
587
00:28:48,420 --> 00:28:51,060
# They call it Xanadu
588
00:28:51,060 --> 00:28:55,140
# It takes your breath
and it'll leave you blind
589
00:28:55,140 --> 00:29:00,220
# And now, open your eyes and see
590
00:29:00,220 --> 00:29:03,460
# What we have made is real
591
00:29:03,460 --> 00:29:05,860
# We are in Xanadu
592
00:29:05,860 --> 00:29:10,060
# A dream of it we offer you
593
00:29:10,060 --> 00:29:10,260
# A dream of it we offer you
# A million lights are dancing
594
00:29:10,260 --> 00:29:13,540
# A million lights are dancing
595
00:29:13,540 --> 00:29:17,900
# And there you are, a shooting star
596
00:29:17,900 --> 00:29:20,740
# An everlasting world
597
00:29:20,740 --> 00:29:24,820
# And you're here with me, eternally
598
00:29:27,060 --> 00:29:29,020
# Xanadu
599
00:29:30,900 --> 00:29:33,660
# Xanadu
600
00:29:33,660 --> 00:29:35,500
# Now we are here
601
00:29:35,500 --> 00:29:37,980
# In Xanadu
602
00:29:42,180 --> 00:29:43,900
# Xanadu
603
00:29:45,860 --> 00:29:48,700
# Xanadu
604
00:29:48,700 --> 00:29:50,220
# Now we are here
605
00:29:50,220 --> 00:29:53,420
# In Xanadu
606
00:29:53,420 --> 00:29:56,660
# Xanadu, your neon lights
607
00:29:56,660 --> 00:30:01,460
# Will shine for you, Xanadu
608
00:30:04,260 --> 00:30:06,460
# The love
609
00:30:06,460 --> 00:30:10,060
# The echoes of long ago
610
00:30:10,060 --> 00:30:13,300
# You needed the world to know
611
00:30:13,300 --> 00:30:15,740
# They are in Xanadu
612
00:30:15,740 --> 00:30:19,500
# With every breath you drift away
613
00:30:19,500 --> 00:30:19,740
# With every breath you drift away
# The dream that came
through a million years
614
00:30:19,740 --> 00:30:25,100
# The dream that came
through a million years
615
00:30:25,100 --> 00:30:28,420
# That lived on
through all the tears
616
00:30:28,420 --> 00:30:30,780
# It came to Xanadu
617
00:30:30,780 --> 00:30:35,420
# The dream you dream true
Well, it will happen for you
618
00:30:35,420 --> 00:30:35,660
# The dream you dream true
# A million lights are dancing
619
00:30:35,660 --> 00:30:38,300
# A million lights are dancing
620
00:30:38,300 --> 00:30:43,220
# And there you are, a shooting star
621
00:30:43,220 --> 00:30:45,540
# An everlasting world
622
00:30:45,540 --> 00:30:49,620
# And you're here with me, eternally
623
00:30:51,860 --> 00:30:53,740
# Xanadu
624
00:30:55,540 --> 00:30:58,300
# Xanadu
625
00:30:58,300 --> 00:30:59,700
# Now we are here
626
00:30:59,700 --> 00:31:02,700
# In Xanadu
627
00:31:06,900 --> 00:31:08,540
# Xanadu
628
00:31:10,540 --> 00:31:13,260
# Xanadu
629
00:31:13,260 --> 00:31:15,260
# Now we are here
630
00:31:15,260 --> 00:31:18,620
# In Xanadu
631
00:31:18,620 --> 00:31:20,500
# Now that I'm here
632
00:31:20,500 --> 00:31:23,180
# Now that you're near
633
00:31:23,180 --> 00:31:26,540
# In Xanadu
634
00:31:26,540 --> 00:31:27,940
# Now that I'm here
635
00:31:27,940 --> 00:31:30,820
# Now that you're near
636
00:31:30,820 --> 00:31:36,860
# In Xanadu
637
00:31:37,820 --> 00:31:40,900
# Xanadu. #
638
00:31:55,420 --> 00:31:57,100
# Countdown! #
639
00:31:58,780 --> 00:32:00,500
One thing was for sure.
640
00:32:00,500 --> 00:32:00,740
With the turning of the decade,
One thing was for sure.
641
00:32:00,740 --> 00:32:02,660
With the turning of the decade,
the baton of superstardom
642
00:32:02,660 --> 00:32:05,700
was being grasped
by a new generation.
643
00:32:07,660 --> 00:32:11,300
# A city penthouse
The kitchen living
644
00:32:11,300 --> 00:32:15,220
# A country home,
it's a kitsch living
645
00:32:15,220 --> 00:32:15,460
# A country home,
it's a kitsch living
# Money can buy almost anything
646
00:32:15,460 --> 00:32:18,820
# Money can buy almost anything
647
00:32:18,820 --> 00:32:22,820
# But anything's nothing
when you're dead
648
00:32:22,820 --> 00:32:26,420
# Fast car driving,
sleek and modern
649
00:32:26,420 --> 00:32:26,660
# Fast car driving,
# Public transit photos waiting
650
00:32:26,660 --> 00:32:30,100
# Public transit photos waiting
651
00:32:30,100 --> 00:32:30,340
# Blood and glass,
# Public transit photos waiting
652
00:32:30,340 --> 00:32:33,940
# Blood and glass,
three pints of rain
653
00:32:33,940 --> 00:32:34,180
# Blood and glass,
# Carpet lining, seats reclining
654
00:32:34,180 --> 00:32:37,660
# Carpet lining, seats reclining
655
00:32:37,660 --> 00:32:39,540
# Clever words
on smooth tongue talking
656
00:32:39,540 --> 00:32:41,740
# Shove it, brother,
just keep walking. #
657
00:32:44,100 --> 00:32:45,660
Young acts oozed confidence.
658
00:32:45,660 --> 00:32:47,740
It felt like anything was allowed.
659
00:32:49,900 --> 00:32:52,860
# You may as well
shout it from the roof
660
00:32:52,860 --> 00:32:53,140
# Scream it from your lungs
and spit it from you mouth
# You may as well
shout it from the roof
661
00:32:53,140 --> 00:32:56,460
# Scream it from your lungs
and spit it from you mouth
662
00:32:57,660 --> 00:33:01,340
# Hey, if it falls on deaf ears
to indulge in your fears
663
00:33:01,340 --> 00:33:01,620
# Hey, if it falls on deaf ears
to indulge in your fears
# There's a spy in the sky,
there's a noise on the wire
664
00:33:01,620 --> 00:33:05,140
# There's a spy in the sky,
there's a noise on the wire
665
00:33:05,140 --> 00:33:08,180
# There's a tap on the line
for every paranoid's desire
666
00:33:08,180 --> 00:33:12,060
# There's always someone
looking at you, oh-oh, oh-oh
667
00:33:12,060 --> 00:33:15,620
# S-S-S-Someone's looking at you,
oh-oh, oh-oh
668
00:33:15,620 --> 00:33:18,460
# They're always looking at you,
oh-oh, oh-oh
669
00:33:18,460 --> 00:33:21,820
# They're always looking at you. #
670
00:33:21,820 --> 00:33:22,020
# So, we better get together soon
# They're always looking at you. #
671
00:33:22,020 --> 00:33:24,260
# So, we better get together soon
672
00:33:24,260 --> 00:33:26,100
# Because I need you, girl
673
00:33:26,100 --> 00:33:29,780
# I can't stand the frustration
so, talk to me
674
00:33:29,780 --> 00:33:30,020
# Talk to me. #
so, talk to me
675
00:33:30,020 --> 00:33:30,980
# Talk to me. #
676
00:33:30,980 --> 00:33:31,220
# Talk to me. #
If Kiss could make it
playing soft metal
677
00:33:31,220 --> 00:33:33,620
If Kiss could make it
playing soft metal
678
00:33:33,620 --> 00:33:33,860
If Kiss could make it
dressed like bats out of hell...
679
00:33:33,860 --> 00:33:35,620
dressed like bats out of hell...
680
00:33:38,100 --> 00:33:41,540
..The Police could make it
playing spaced-out, jangly reggae.
681
00:34:02,580 --> 00:34:06,140
# Giant steps are what you take
682
00:34:06,140 --> 00:34:09,460
# Walking on the moon
683
00:34:09,460 --> 00:34:12,900
# I hope my legs don't break
684
00:34:12,900 --> 00:34:15,780
# Walking on the moon
685
00:34:15,780 --> 00:34:19,220
# We could walk forever
686
00:34:19,220 --> 00:34:22,180
# Walking on the moon
687
00:34:22,180 --> 00:34:25,620
# We could be together
688
00:34:25,620 --> 00:34:31,020
# Walking on, walking on the moon
689
00:34:41,740 --> 00:34:45,260
# Walking back from your house
690
00:34:45,260 --> 00:34:48,500
# Walking on the moon
691
00:34:48,500 --> 00:34:51,860
# Walking back from your house
692
00:34:51,860 --> 00:34:54,660
# Walking on the moon
693
00:34:54,660 --> 00:34:54,900
# Walking on the moon
# Feet, they hardly touch
the ground
694
00:34:54,900 --> 00:34:58,100
# Feet, they hardly touch
the ground
695
00:34:58,100 --> 00:34:58,340
# Feet, they hardly touch
# Walking on the moon
696
00:34:58,340 --> 00:35:00,980
# Walking on the moon
697
00:35:00,980 --> 00:35:04,620
# My feet don't hardly make no sound
698
00:35:04,620 --> 00:35:09,340
# Walking on, walking on the moon
699
00:35:10,900 --> 00:35:14,900
# Some may say
700
00:35:14,900 --> 00:35:18,860
# I'm wishing my days away
701
00:35:18,860 --> 00:35:21,620
# No way
702
00:35:21,620 --> 00:35:25,340
# And if it's the price I pay
703
00:35:25,340 --> 00:35:28,140
# Some say
704
00:35:28,140 --> 00:35:32,060
# Tomorrow's another day
705
00:35:32,060 --> 00:35:33,900
# You stay
706
00:35:33,900 --> 00:35:35,780
# I may as well play
707
00:35:50,340 --> 00:35:53,900
# Giant steps are what you take
708
00:35:53,900 --> 00:35:57,460
# Walking on the moon
709
00:35:57,460 --> 00:36:00,140
# I hope my legs don't break
710
00:36:00,140 --> 00:36:03,420
# Walking on the moon
711
00:36:03,420 --> 00:36:03,620
# Walking on the moon
# We could walk forever
712
00:36:03,620 --> 00:36:06,540
# We could walk forever
713
00:36:06,540 --> 00:36:10,020
# Walking on the moon
714
00:36:10,020 --> 00:36:13,140
# We could be together
715
00:36:13,140 --> 00:36:17,820
# Walking on, walking on the moon
716
00:36:19,620 --> 00:36:23,500
# Some may say
717
00:36:23,500 --> 00:36:27,500
# I'm wishing my days away
718
00:36:27,500 --> 00:36:30,140
# No way
719
00:36:30,140 --> 00:36:33,940
# And if it's the price I pay
720
00:36:33,940 --> 00:36:36,740
# Some say
721
00:36:36,740 --> 00:36:40,700
# Tomorrow's another day
722
00:36:40,700 --> 00:36:42,460
# You stay
723
00:36:42,460 --> 00:36:44,860
# I may as well play
724
00:37:00,060 --> 00:37:03,220
# Keep it up
725
00:37:03,220 --> 00:37:04,460
# Keep it up. #
726
00:37:17,460 --> 00:37:20,300
Australian rock musicians now had to
decide for themselves,
727
00:37:20,300 --> 00:37:20,540
Australian rock musicians now had to
"Where to from here?"
728
00:37:20,540 --> 00:37:21,940
"Where to from here?"
729
00:37:21,940 --> 00:37:22,180
# You probably thought
I was a well-adjusted boy
"Where to from here?"
730
00:37:22,180 --> 00:37:25,700
# You probably thought
I was a well-adjusted boy
731
00:37:27,500 --> 00:37:32,460
# But I'm just as lost
as everybody else
732
00:37:32,460 --> 00:37:32,740
# But I'm just as lost
as everybody else
# You might have thought
I was a well-adjusted boy
733
00:37:32,740 --> 00:37:37,300
# You might have thought
I was a well-adjusted boy
734
00:37:37,300 --> 00:37:41,860
# But I'm just as stuffed
as everybody else. #
735
00:37:46,380 --> 00:37:49,580
In Brisbane, surf music took on
a post-punk edge.
736
00:37:51,220 --> 00:37:54,340
# You know that I can't cry
tomorrow's tears
737
00:37:54,340 --> 00:37:55,780
# Tomorrow's te-e-ears
738
00:37:55,780 --> 00:37:58,780
# You know that I can't cry
tomorrow's tears
739
00:37:58,780 --> 00:37:59,020
# You know that I can't cry
# Tomorrow's tears
740
00:37:59,020 --> 00:38:00,420
# Tomorrow's tears
741
00:38:00,420 --> 00:38:03,500
# You know that I can't cry
tomorrow's tears
742
00:38:03,500 --> 00:38:03,740
# You know that I can't cry
# Tomorrow's tears
743
00:38:03,740 --> 00:38:04,820
# Tomorrow's tears
744
00:38:04,820 --> 00:38:05,060
# Today, hey-hey,
# Tomorrow's tears
745
00:38:05,060 --> 00:38:09,860
# Today, hey-hey,
today, oh-oh. #
746
00:38:10,860 --> 00:38:15,340
In Sydney, rock music added
some urban sophistication.
747
00:38:15,340 --> 00:38:15,580
In Sydney, rock music added
some urban sophistication.
# Whoa
748
00:38:15,580 --> 00:38:17,660
# Whoa
749
00:38:17,660 --> 00:38:21,220
# This is perversion
750
00:38:21,220 --> 00:38:24,820
# This is diversion
751
00:38:24,820 --> 00:38:28,580
# I'm not feeling myself
752
00:38:28,580 --> 00:38:31,300
# I should be somewhere else. #
753
00:38:31,300 --> 00:38:31,540
# When you think you're ready,
Billy
# I should be somewhere else. #
754
00:38:31,540 --> 00:38:33,820
# When you think you're ready,
Billy
755
00:38:33,820 --> 00:38:35,580
# Play that pantomime for me. #
756
00:38:35,580 --> 00:38:38,780
The next wave of Melbourne bands
dabbled in many styles,
757
00:38:38,780 --> 00:38:39,020
including ska.
dabbled in many styles,
758
00:38:39,020 --> 00:38:40,900
including ska.
759
00:38:51,220 --> 00:38:53,860
# Yeah
760
00:38:53,860 --> 00:38:58,100
In Tasmania, the '60s
pop revival was well underway.
761
00:38:58,100 --> 00:38:58,380
In Tasmania, the '60s
pop revival was well underway.
# Sooner or later
# Sooner or later
762
00:38:58,380 --> 00:39:05,300
# Sooner or later
# Sooner or later
763
00:39:05,300 --> 00:39:08,500
# Sooner or later
you're going to have to
764
00:39:08,500 --> 00:39:11,980
# Make up your mind
# Make up your mind
765
00:39:11,980 --> 00:39:12,220
# Make up your mind
# Don't waste my time
766
00:39:12,220 --> 00:39:14,820
# Don't waste my time
767
00:39:14,820 --> 00:39:17,420
# Anymore
768
00:39:17,420 --> 00:39:20,820
# Sooner or later. #
769
00:39:20,820 --> 00:39:21,060
Over in Perth, there was something
else going on altogether.
# Sooner or later. #
770
00:39:21,060 --> 00:39:24,220
Over in Perth, there was something
else going on altogether.
771
00:39:30,820 --> 00:39:32,340
# Last night
772
00:39:32,340 --> 00:39:32,580
# Last night
# You told me that you love me,
last night
773
00:39:32,580 --> 00:39:35,420
# You told me that you love me,
last night
774
00:39:35,420 --> 00:39:38,500
# You told me it was true,
last night
775
00:39:38,500 --> 00:39:41,660
# You held me in your arms,
last night
776
00:39:41,660 --> 00:39:41,900
# You held me in your arms,
# I'll be good to you
777
00:39:41,900 --> 00:39:43,100
# I'll be good to you
778
00:39:43,100 --> 00:39:43,340
# Last night,
we thanked the Lord at night
# I'll be good to you
779
00:39:43,340 --> 00:39:46,220
# Last night,
we thanked the Lord at night
780
00:39:46,220 --> 00:39:49,260
# Last night, we kissed
the crystal night
781
00:39:49,260 --> 00:39:52,380
# Last night,
we held it through the tide
782
00:39:52,380 --> 00:39:52,620
# Last night
we held it through the tide
783
00:39:52,620 --> 00:39:54,100
# Last night
784
00:39:54,100 --> 00:40:00,900
# When I made love to you
785
00:40:00,900 --> 00:40:01,140
# When I made love to you
# Never thought
it would be like this
786
00:40:01,140 --> 00:40:03,660
# Never thought
it would be like this
787
00:40:03,660 --> 00:40:03,900
# Never thought
# It all started with just a kiss
788
00:40:03,900 --> 00:40:06,660
# It all started with just a kiss
789
00:40:06,660 --> 00:40:09,660
# A strange obsession came over me
790
00:40:09,660 --> 00:40:13,140
# I lost control,
baby, can't you see
791
00:40:13,140 --> 00:40:17,420
# That it all began with last night
792
00:40:17,420 --> 00:40:19,020
# You told me that you love me
793
00:40:19,020 --> 00:40:22,060
# Last night,
you told me it was true
794
00:40:22,060 --> 00:40:25,220
# Last night,
you held me in your arms
795
00:40:25,220 --> 00:40:25,460
# Last night,
# Last night
796
00:40:25,460 --> 00:40:27,020
# Last night
797
00:40:27,020 --> 00:40:33,740
# When I made love to you
798
00:40:33,740 --> 00:40:33,980
# 24 hours on,
it's a different sun
# When I made love to you
799
00:40:33,980 --> 00:40:36,900
# 24 hours on,
it's a different sun
800
00:40:36,900 --> 00:40:40,020
# 24 hours on a distant look,
what's going on?
801
00:40:40,020 --> 00:40:43,260
# 24 hours on
who will be the first to come
802
00:40:43,260 --> 00:40:44,260
# 24 hours on
803
00:40:44,260 --> 00:40:49,260
# 'Cause I made love to you
804
00:40:49,260 --> 00:40:53,180
# Alright, last night
805
00:40:53,180 --> 00:40:53,380
# Alright, last night
# Last night
806
00:40:53,380 --> 00:41:01,860
# Last night
807
00:41:07,740 --> 00:41:10,460
# Never thought
it would be like this
808
00:41:10,460 --> 00:41:10,700
# Never thought
# It all started with just a kiss
809
00:41:10,700 --> 00:41:13,900
# It all started with just a kiss
810
00:41:13,900 --> 00:41:16,460
# A strange obsession came over me
811
00:41:16,460 --> 00:41:19,340
# I lost control,
baby, can't you see
812
00:41:19,340 --> 00:41:19,580
# I lost control,
# That it all began with
813
00:41:19,580 --> 00:41:22,940
# That it all began with
814
00:41:34,980 --> 00:41:36,660
# Last night
815
00:41:36,660 --> 00:41:38,100
# You told me that you love me
816
00:41:38,100 --> 00:41:41,220
# Last night, you told me
it was true
817
00:41:41,220 --> 00:41:44,580
# Last night,
you held me in your arms
818
00:41:44,580 --> 00:41:45,980
# Last night
819
00:41:45,980 --> 00:41:50,180
# When I made love to you. #
820
00:42:02,780 --> 00:42:04,500
# Countdown! #
821
00:42:04,500 --> 00:42:08,140
Molly must have sensed the need
for Countdown to innovate
822
00:42:08,140 --> 00:42:09,500
in order to survive.
823
00:42:09,500 --> 00:42:11,980
In 1980,
Molly may well have invented
824
00:42:11,980 --> 00:42:13,660
the walk-and-talk interview.
825
00:42:13,660 --> 00:42:15,780
It just seemed so incredible
at the start
826
00:42:15,780 --> 00:42:17,540
when he was jamming with Pink Floyd
827
00:42:17,540 --> 00:42:17,740
for you and the rest of the band
when he was jamming with Pink Floyd
828
00:42:17,740 --> 00:42:19,980
for you and the rest of the band
829
00:42:19,980 --> 00:42:22,260
to get so excited
and invite him into the band.
830
00:42:22,260 --> 00:42:24,780
Just, I mean, Pink Floyd
and Thin Lizzy don't exactly...
831
00:42:24,780 --> 00:42:26,820
Yeah, yeah.
832
00:42:26,820 --> 00:42:27,060
..gel together.
Yeah, yeah.
833
00:42:27,060 --> 00:42:28,540
..gel together.
You know what I mean?
834
00:42:28,540 --> 00:42:28,780
..gel together.
Yeah.
835
00:42:28,780 --> 00:42:29,740
Yeah.
836
00:42:29,740 --> 00:42:30,940
It's Michael's Off the Wall album.
837
00:42:30,940 --> 00:42:32,860
And if Michael Jackson
wouldn't come to Molly,
838
00:42:32,860 --> 00:42:35,140
Molly could always
give him a ring during the show.
839
00:42:35,140 --> 00:42:35,380
Molly could always
Oh, here we go. Hello, Michael?
840
00:42:35,380 --> 00:42:37,220
Oh, here we go. Hello, Michael?
841
00:42:37,220 --> 00:42:39,020
Hello.
How are you?
842
00:42:39,020 --> 00:42:41,300
Good.
That's good. Now, listen.
843
00:42:41,300 --> 00:42:45,180
First of all, congratulations
on the Off The Wall album.
844
00:42:45,180 --> 00:42:47,580
It's been an enormous success
for you here in this country,
845
00:42:47,580 --> 00:42:47,820
It's been an enormous success
and also in America, of course.
846
00:42:47,820 --> 00:42:49,420
and also in America, of course.
847
00:42:49,420 --> 00:42:52,340
How does it feel like,
to have such a successful album?
848
00:42:52,340 --> 00:42:52,620
Oh, it's a wonderful feeling,
because, uh,
How does it feel like,
to have such a successful album?
849
00:42:52,620 --> 00:42:54,940
Oh, it's a wonderful feeling,
because, uh,
850
00:42:54,940 --> 00:42:58,420
you know, I always do my best,
851
00:42:58,420 --> 00:43:01,780
and I'm very happy
that the public accept it.
852
00:43:01,780 --> 00:43:02,060
and I'm very happy
that the public accept it.
Countdown even went on the road
with Split Enz and The Sports
853
00:43:02,060 --> 00:43:04,500
Countdown even went on the road
with Split Enz and The Sports
854
00:43:04,500 --> 00:43:06,420
in its own rockumentary.
Hello?
855
00:43:06,420 --> 00:43:06,700
Ah, Frank Dunn from 2WG.
How are you, mate?
in its own rockumentary.
Hello?
856
00:43:06,700 --> 00:43:09,340
Ah, Frank Dunn from 2WG.
How are you, mate?
857
00:43:09,340 --> 00:43:11,860
Yeah. Is everything looking good
for the show up there?
858
00:43:11,860 --> 00:43:12,140
Yeah. Is everything looking good
for the show up there?
Make sure you get everyone from the
station down there to vibe along.
859
00:43:12,140 --> 00:43:14,580
Make sure you get everyone from the
station down there to vibe along.
860
00:43:14,580 --> 00:43:14,820
Make sure you get everyone from the
Good on you, mate. Bye-bye.
861
00:43:14,820 --> 00:43:17,060
Good on you, mate. Bye-bye.
862
00:43:17,060 --> 00:43:17,300
# A guy's got a strand
Good on you, mate. Bye-bye.
863
00:43:17,300 --> 00:43:21,180
# A guy's got a strand
just a-wrapped around his ear
864
00:43:21,180 --> 00:43:24,420
# He's oblivious to the traffic,
it's not really clear
865
00:43:24,420 --> 00:43:24,660
# He's oblivious to the traffic,
# It crackles... #
866
00:43:24,660 --> 00:43:26,020
# It crackles... #
867
00:43:26,020 --> 00:43:29,540
I've come in from Tarcutta,
30 miles to see the band.
868
00:43:29,540 --> 00:43:29,780
I've come in from Tarcutta,
I like the guy with the skinny face.
869
00:43:29,780 --> 00:43:32,020
I like the guy with the skinny face.
870
00:43:32,020 --> 00:43:34,580
I like the guy with the
little curly thing on his head.
871
00:43:34,580 --> 00:43:34,820
I like the guy with the
It's cute.
872
00:43:34,820 --> 00:43:36,220
It's cute.
873
00:43:36,220 --> 00:43:38,900
# I've been a fool
874
00:43:38,900 --> 00:43:43,460
# More than once, more than twice. #
875
00:43:43,460 --> 00:43:43,700
# I don't know how
# More than once, more than twice. #
876
00:43:43,700 --> 00:43:45,220
# I don't know how
to see it through
877
00:43:45,220 --> 00:43:45,460
# I don't know how
# Don't know how to see it through
878
00:43:45,460 --> 00:43:46,780
# Don't know how to see it through
879
00:43:46,780 --> 00:43:49,900
# I don't know how to say
that you... #
880
00:44:00,740 --> 00:44:04,700
A song that I loved dearly years ago
was "Seventeen."
881
00:44:04,700 --> 00:44:07,740
Yeah. (HUMS A BAR OF THE VERSE)
Great song.
882
00:44:07,740 --> 00:44:08,020
Can you sing a couple of bars?
I like that melody a lot, yeah.
Yeah. (HUMS A BAR OF THE VERSE)
Great song.
883
00:44:08,020 --> 00:44:10,740
Can you sing a couple of bars?
I like that melody a lot, yeah.
884
00:44:10,740 --> 00:44:12,540
Yeah. It's a beautiful song.
Yeah. Beautiful song.
885
00:44:12,540 --> 00:44:12,780
It won a Grammy, too, didn't it?
Yeah. Beautiful song.
886
00:44:12,780 --> 00:44:13,740
It won a Grammy, too, didn't it?
887
00:44:13,740 --> 00:44:13,980
It won a Grammy, too, didn't it?
Two Grammys?
888
00:44:13,980 --> 00:44:15,180
Yeah. It won two.
Two Grammys?
889
00:44:15,180 --> 00:44:17,340
Yeah. I walked into a store this
morning on Bourke Street
890
00:44:17,340 --> 00:44:18,900
and they were playing it.
Right.
891
00:44:18,900 --> 00:44:20,900
Have you been playing the mandolin
long, you know. You...
892
00:44:20,900 --> 00:44:21,140
Wait a minute. Just hang on.
long, you know. You...
893
00:44:21,140 --> 00:44:23,140
Wait a minute. Just hang on.
894
00:44:23,140 --> 00:44:23,380
Wait a minute. Just hang on.
What are you doing?
895
00:44:23,380 --> 00:44:24,820
Hey, hey, hey! Hey. Cut it out.
What are you doing?
896
00:44:24,820 --> 00:44:25,060
What is this?
What are you doing?
897
00:44:25,060 --> 00:44:26,020
What is this?
898
00:44:26,020 --> 00:44:26,220
What is this?
MOLLY: Who said we were feuding?
899
00:44:26,220 --> 00:44:27,420
MOLLY: Who said we were feuding?
900
00:44:27,420 --> 00:44:30,820
I don't know. It's ridiculous.
Absolutely ridiculous.
901
00:44:30,820 --> 00:44:32,620
What a lot of nonsense to...
That's right.
902
00:44:32,620 --> 00:44:34,580
Listen. Thanks again
for compering the show.
903
00:44:34,580 --> 00:44:36,140
Oh, that's alright.
Yeah, just put that down.
904
00:44:36,140 --> 00:44:40,020
Listen. You must be the most
written-about person at the moment.
905
00:44:40,020 --> 00:44:41,500
Every magazine I pick up,
906
00:44:41,500 --> 00:44:43,660
there's this big black eyes
looking out at you.
907
00:44:43,660 --> 00:44:45,660
(LAUGHS)
You have a way with words, Molly.
908
00:44:45,660 --> 00:44:45,940
Summer concerts coming up
is LRB and Charlie Daniels.
(LAUGHS)
You have a way with words, Molly.
909
00:44:45,940 --> 00:44:49,260
Summer concerts coming up
is LRB and Charlie Daniels.
910
00:44:49,260 --> 00:44:50,180
Good concert, yeah.
Yeah?
911
00:44:50,180 --> 00:44:51,380
What about Roxy Music?
Fantastic.
912
00:44:51,380 --> 00:44:53,380
How's Bryan Ferry? Do you know?
He's much better, yeah.
913
00:44:53,380 --> 00:44:53,660
How's Bryan Ferry? Do you know?
He's much better, yeah.
AC/DC?
Good concert. I mean, good band.
914
00:44:53,660 --> 00:44:55,620
AC/DC?
Good concert. I mean, good band.
915
00:44:55,620 --> 00:44:57,220
I just don't like that record.
Sorry.
916
00:44:57,220 --> 00:44:58,140
Have you seen them live?
No...
917
00:44:58,140 --> 00:44:58,380
Have you seen them live?
Apparently they're fantastic.
918
00:44:58,380 --> 00:44:59,500
Apparently they're fantastic.
919
00:44:59,500 --> 00:45:00,980
Willie Nelson?
I haven't seen him, either.
920
00:45:00,980 --> 00:45:01,220
Willie Nelson?
Mmm, once you've seen his teeth
921
00:45:01,220 --> 00:45:02,180
Mmm, once you've seen his teeth
922
00:45:02,180 --> 00:45:02,420
you'll prefer to listen to
Mmm, once you've seen his teeth
923
00:45:02,420 --> 00:45:03,580
you'll prefer to listen to
his records.
924
00:45:03,580 --> 00:45:06,660
Right. Five is The Police
on the 17th of February.
925
00:45:06,660 --> 00:45:06,900
Right. Five is The Police
Well, what can I say?
926
00:45:06,900 --> 00:45:08,140
Well, what can I say?
927
00:45:08,140 --> 00:45:11,300
Right. Rod Stewart?
Always a good live act.
928
00:45:11,300 --> 00:45:14,220
Be fair.
Fantastic, even with that nose.
929
00:45:14,220 --> 00:45:16,940
"So, Molly the Mouth,
say you're sorry
930
00:45:16,940 --> 00:45:19,460
"or I'll change my station
in such a hurry.
931
00:45:19,460 --> 00:45:22,180
"Your ratings will drop.
You'll be a disgrace.
932
00:45:22,180 --> 00:45:24,100
"And you'll be there
with egg on your face."
933
00:45:24,100 --> 00:45:25,380
Well, I don't know
about being egg...
934
00:45:25,380 --> 00:45:25,620
Well, I don't know
(AUDIENCE MEMBERS LAUGH)
935
00:45:25,620 --> 00:45:27,620
(AUDIENCE MEMBERS LAUGH)
936
00:45:28,740 --> 00:45:30,220
(CHEERING AND APPLAUSE)
937
00:45:30,220 --> 00:45:31,340
I don't know about...
938
00:45:31,340 --> 00:45:32,700
Alright.
Anybody want to say anything?
939
00:45:32,700 --> 00:45:34,700
Back to Molly!
Molly.
940
00:45:34,700 --> 00:45:34,940
Back to Molly!
Molly. Hello.
941
00:45:34,940 --> 00:45:36,700
Molly. Hello.
942
00:45:38,860 --> 00:45:41,700
Good to see that Ace
is still firing away there.
943
00:45:41,700 --> 00:45:41,940
Good old Ace,
is still firing away there.
944
00:45:41,940 --> 00:45:42,900
Good old Ace,
945
00:45:42,900 --> 00:45:43,140
Good old Ace,
who actually turned out to be
a hero after last time.
946
00:45:43,140 --> 00:45:45,220
who actually turned out to be
a hero after last time.
947
00:45:45,220 --> 00:45:48,100
And thanks, Jane, and thanks, Paul,
and thanks, Little Eric.
948
00:45:48,100 --> 00:45:48,340
And thanks, Jane, and thanks, Paul,
It'll be good to have you over here.
949
00:45:48,340 --> 00:45:49,980
It'll be good to have you over here.
950
00:45:49,980 --> 00:45:52,740
And of course, thanks...
Martha.
951
00:45:52,740 --> 00:45:54,700
Martha?
..Molly.
952
00:45:54,700 --> 00:45:56,460
Thank you. Aren't I lucky?
953
00:45:56,460 --> 00:45:57,980
Listen. It's time to say goodnight.
954
00:45:57,980 --> 00:46:00,525
Whoa!
Best of luck with the tour.
955
00:46:03,060 --> 00:46:05,860
# Looking counterclockwise
956
00:46:05,860 --> 00:46:08,340
# Knowing what could happen
957
00:46:08,340 --> 00:46:08,540
# Knowing what could happen
# Any moment, maybe you
958
00:46:08,540 --> 00:46:11,620
# Any moment, maybe you
959
00:46:11,620 --> 00:46:14,380
# Maybe even you
960
00:46:14,380 --> 00:46:17,140
# Steadfast collapse
961
00:46:17,140 --> 00:46:20,060
# Always certain any moment
962
00:46:20,060 --> 00:46:22,900
# Maybe you, maybe you
963
00:46:22,900 --> 00:46:25,820
# Maybe even you
964
00:46:25,820 --> 00:46:26,060
# Recline complete,
# Maybe even you
965
00:46:26,060 --> 00:46:30,780
# Recline complete,
dream too sweet
966
00:46:30,780 --> 00:46:31,020
# Recline complete,
# I can't do it, not with you
967
00:46:31,020 --> 00:46:34,380
# I can't do it, not with you
968
00:46:34,380 --> 00:46:36,780
# Not even with you
969
00:46:36,780 --> 00:46:39,700
# Maybe never with you
970
00:46:42,180 --> 00:46:47,100
# And I'd sell my soul
971
00:46:47,100 --> 00:46:50,140
# For total control
972
00:46:53,820 --> 00:46:58,620
# Yeah, I'd sell my soul
973
00:46:58,620 --> 00:47:02,660
# For total control
974
00:47:06,540 --> 00:47:08,340
# Over you
975
00:47:12,140 --> 00:47:14,540
# Over you
976
00:47:15,540 --> 00:47:19,300
# Total control over you
977
00:48:10,300 --> 00:48:12,820
# Street wet tonight
978
00:48:16,100 --> 00:48:18,020
# Lovers touch
979
00:48:18,020 --> 00:48:20,740
# It's pure delight
980
00:48:20,740 --> 00:48:25,460
# Always certain any moment
981
00:48:25,460 --> 00:48:27,860
# Maybe even you
982
00:48:27,860 --> 00:48:32,820
# Stay in bed stained sheets
983
00:48:32,820 --> 00:48:37,780
# My head hurts, I repeat
984
00:48:37,780 --> 00:48:38,940
# Maybe you
985
00:48:40,380 --> 00:48:42,580
# Maybe you
986
00:48:42,580 --> 00:48:46,500
# Maybe even you
987
00:48:48,660 --> 00:48:53,340
# And I'd sell my soul
988
00:48:53,340 --> 00:48:56,700
# For total control
989
00:49:00,420 --> 00:49:04,940
# Yeah, I'd sell my soul
990
00:49:04,940 --> 00:49:08,260
# For total control
991
00:49:11,820 --> 00:49:16,460
# Ooh, I'd sell my soul
992
00:49:16,460 --> 00:49:20,100
# For total control
993
00:49:20,100 --> 00:49:22,140
# Whoa-oa-oa. #
994
00:49:36,020 --> 00:49:37,180
# Countdown! #
995
00:49:37,180 --> 00:49:41,700
Complex songwriters were seeing great
success with complex songs.
996
00:49:41,700 --> 00:49:44,420
And there's so many people
that have fallen into the trap.
997
00:49:44,420 --> 00:49:47,940
If they get a formula
of A-minor, G, C,
998
00:49:47,940 --> 00:49:50,620
and from there on, every song
will be A-minor, G, C,
999
00:49:50,620 --> 00:49:50,860
because they know it works.
will be A-minor, G, C,
1000
00:49:50,860 --> 00:49:52,460
because they know it works.
1001
00:49:52,460 --> 00:49:52,700
because they know it works.
But I thought, good artists,
people like Bowie, Cliff Richard,
1002
00:49:52,700 --> 00:49:57,300
But I thought, good artists,
people like Bowie, Cliff Richard,
1003
00:49:57,300 --> 00:50:00,500
you know, the real biggies,
they keep moving.
1004
00:50:00,500 --> 00:50:03,020
And that's the important thing
about, I think, art.
1005
00:50:03,020 --> 00:50:07,260
That you don't remain stagnant.
You keep moving and pushing.
1006
00:50:07,260 --> 00:50:10,020
Australian bands fought
their own songwriting demons.
1007
00:50:10,020 --> 00:50:13,660
The Bee Gees and LRB had
made it big a few years before.
1008
00:50:13,660 --> 00:50:16,420
We could compete, as long as
our songs were world-class.
1009
00:50:16,420 --> 00:50:16,660
We could compete, as long as
G'day.
1010
00:50:16,660 --> 00:50:18,060
G'day.
1011
00:50:18,060 --> 00:50:21,340
You were saying just before that,
you get a lot of your inspirations
1012
00:50:21,340 --> 00:50:23,620
by reading newspapers
and things like that.
1013
00:50:23,620 --> 00:50:24,580
Yeah.
1014
00:50:24,580 --> 00:50:24,820
Like, let's take
a lot of your songs.
Yeah.
1015
00:50:24,820 --> 00:50:25,940
Like, let's take
a lot of your songs.
1016
00:50:25,940 --> 00:50:26,180
There's so much jail reference.
a lot of your songs.
1017
00:50:26,180 --> 00:50:27,140
There's so much jail reference.
1018
00:50:27,140 --> 00:50:29,020
You've never been in jail, have you?
1019
00:50:29,020 --> 00:50:30,700
Uh, only visiting.
Yeah?
1020
00:50:30,700 --> 00:50:32,180
So, where do you get
those ideas from?
1021
00:50:32,180 --> 00:50:32,460
So, where do you get
those ideas from?
Well, we've played
a couple of times in jails,
1022
00:50:32,460 --> 00:50:34,940
Well, we've played
a couple of times in jails,
1023
00:50:34,940 --> 00:50:39,940
and I've gone out to a jail
in Sydney a couple of times.
1024
00:50:39,940 --> 00:50:40,180
and I've gone out to a jail
Right.
1025
00:50:40,180 --> 00:50:41,340
Right.
1026
00:50:41,340 --> 00:50:41,580
And because there's some guys,
Right.
1027
00:50:41,580 --> 00:50:45,060
And because there's some guys,
producers of music out there,
1028
00:50:45,060 --> 00:50:47,020
and just have a look at
what they're doing.
1029
00:50:47,020 --> 00:50:50,060
Right. Well, let's take 'Khe Sanh'
as far as Vietnam is concerned.
1030
00:50:50,060 --> 00:50:51,540
You were never in Vietnam, either,
were you?
1031
00:50:51,540 --> 00:50:53,780
No, but I knew some guys
who were over there.
1032
00:50:53,780 --> 00:50:55,100
Right.
1033
00:50:55,100 --> 00:50:57,580
So, you sort of just accumulate
all this information,
1034
00:50:57,580 --> 00:51:01,100
and then it just sort of sometimes
comes out in your songs? Is that it?
1035
00:51:01,100 --> 00:51:03,460
Yeah, sometimes.
Photographic memory.
1036
00:51:03,460 --> 00:51:05,700
And what about yours?
Through the haze, I'd imagine.
1037
00:51:05,700 --> 00:51:06,980
Uh, no, I haven't done that.
1038
00:51:06,980 --> 00:51:09,740
I read a lot of comics. (LAUGHS)
1039
00:51:09,740 --> 00:51:12,340
(CHEERING)
1040
00:51:15,580 --> 00:51:18,220
A lot of us thought it was time
to put our own Australian stories
1041
00:51:18,220 --> 00:51:18,460
A lot of us thought it was time
into our songs.
1042
00:51:18,460 --> 00:51:21,180
into our songs.
1043
00:51:21,180 --> 00:51:21,420
# Every day
I see you wearing things
into our songs.
1044
00:51:21,420 --> 00:51:25,020
# Every day
I see you wearing things
1045
00:51:25,020 --> 00:51:25,260
# That have never been worn before
I see you wearing things
1046
00:51:25,260 --> 00:51:29,860
# That have never been worn before
1047
00:51:29,860 --> 00:51:30,100
# That have never been worn before
at the government schools
1048
00:51:30,100 --> 00:51:33,460
# While the children
at the government schools
1049
00:51:33,460 --> 00:51:33,700
# Send money for the poor
at the government schools
1050
00:51:33,700 --> 00:51:36,940
# Send money for the poor
1051
00:51:38,980 --> 00:51:42,860
# And all you buy, you bargain for
1052
00:51:42,860 --> 00:51:45,660
# With your little man
1053
00:51:46,980 --> 00:51:50,820
# So that from silks
down to your paramour
1054
00:51:50,820 --> 00:51:51,060
# So that from silks
# You're tres, tres, paragon
1055
00:51:51,060 --> 00:51:54,020
# You're tres, tres, paragon
1056
00:51:55,420 --> 00:51:59,420
# So, it's a back beach in the summer
1057
00:51:59,420 --> 00:52:02,660
# A chalet for the snow
1058
00:52:03,860 --> 00:52:07,980
# You poor
hoochie Gucci Fiorucci mama
1059
00:52:07,980 --> 00:52:11,420
# You got really no place to go
1060
00:52:12,900 --> 00:52:16,380
# Antiques flown in
from Venice fill
1061
00:52:16,380 --> 00:52:16,620
# Antiques flown in
# Your house upon the hill
1062
00:52:16,620 --> 00:52:18,660
# Your house upon the hill
1063
00:52:21,140 --> 00:52:24,700
# While your money
sold the soul of rock'n'roll
1064
00:52:24,700 --> 00:52:24,940
# While your money
# For some cheap disco thrill
1065
00:52:24,940 --> 00:52:28,020
# For some cheap disco thrill
1066
00:52:29,980 --> 00:52:33,380
# I've seen your peers
pouting over beers
1067
00:52:33,380 --> 00:52:33,620
# I've seen your peers
# The loneliness it showed
1068
00:52:33,620 --> 00:52:36,900
# The loneliness it showed
1069
00:52:38,340 --> 00:52:42,180
# Mistaking tacky sex for sensuality
1070
00:52:42,180 --> 00:52:46,260
# They bought in Toorak Road
1071
00:52:46,260 --> 00:52:46,460
# So, it's a back beach in the summer
# They bought in Toorak Road
1072
00:52:46,460 --> 00:52:50,380
# So, it's a back beach in the summer
1073
00:52:50,380 --> 00:52:53,660
# A chalet for the snow
1074
00:52:55,140 --> 00:52:58,940
# You poor
hoochie Gucci Fiorucci mama
1075
00:52:58,940 --> 00:53:02,260
# You got really no place to go
1076
00:53:03,780 --> 00:53:07,220
# Inside her empty castle
1077
00:53:07,220 --> 00:53:11,060
# Her lonely heart will dwell
1078
00:53:11,060 --> 00:53:13,460
# The life that she's been losing
1079
00:53:13,460 --> 00:53:17,540
# Is like some stony back hotel
1080
00:53:17,540 --> 00:53:17,740
# The loving that you never found
# Is like some stony back hotel
1081
00:53:17,740 --> 00:53:20,580
# The loving that you never found
1082
00:53:20,580 --> 00:53:24,180
# You don't know the reason why
1083
00:53:26,100 --> 00:53:30,620
# Oh, hoochie Gucci Fiorucci mama
1084
00:53:30,620 --> 00:53:35,260
# Don't you cry. #
1085
00:53:36,860 --> 00:53:39,500
(CHEERING AND APPLAUSE)
1086
00:53:42,980 --> 00:53:44,900
# Countdown! #
1087
00:53:44,900 --> 00:53:45,100
# You can't stop the music
# Countdown! #
1088
00:53:45,100 --> 00:53:47,900
# You can't stop the music
1089
00:53:47,900 --> 00:53:51,700
The list of number-one hits reflected
the diversity of the year in pop.
1090
00:53:51,700 --> 00:53:51,980
The list of number-one hits reflected
the diversity of the year in pop.
# Take the heat from flame
Try not feeling pain...
1091
00:53:51,980 --> 00:53:54,300
# Take the heat from flame
Try not feeling pain...
1092
00:53:54,300 --> 00:53:56,540
The Village People proved that
even in a new decade,
1093
00:53:56,540 --> 00:53:58,460
you just couldn't stop
the disco music.
1094
00:53:58,460 --> 00:53:58,700
you just couldn't stop
# No, you can't stop the music
1095
00:53:58,700 --> 00:54:02,620
# No, you can't stop the music
1096
00:54:02,620 --> 00:54:06,540
# Nobody can stop the music. #
1097
00:54:06,540 --> 00:54:06,780
Rocky Burnette hit the top with
gunslinger rockabilly disco.
# Nobody can stop the music. #
1098
00:54:06,780 --> 00:54:10,380
Rocky Burnette hit the top with
gunslinger rockabilly disco.
1099
00:54:13,060 --> 00:54:15,820
# Baby, I
1100
00:54:15,820 --> 00:54:19,700
# Tired of toeing the line
1101
00:54:19,700 --> 00:54:19,940
# Don't know why
# Tired of toeing the line
1102
00:54:19,940 --> 00:54:22,740
# Don't know why
you want to jump on me
1103
00:54:22,740 --> 00:54:25,900
# Baby, baby, baby,
it's making me cry. #
1104
00:54:25,900 --> 00:54:26,180
Joe Dolce gave us a world music/
Australiana novelty phenomenon.
# Baby, baby, baby,
it's making me cry. #
1105
00:54:26,180 --> 00:54:30,660
Joe Dolce gave us a world music/
Australiana novelty phenomenon.
1106
00:54:30,660 --> 00:54:33,300
What's that ball doing
in-a my show?
1107
00:54:46,660 --> 00:54:48,420
Hey, grazie. Boom!
1108
00:54:48,420 --> 00:54:50,900
And British new wave
was represented by The Vapors.
1109
00:54:53,740 --> 00:54:55,860
# Turning Japanese,
I think I'm turning Japanese
1110
00:54:55,860 --> 00:54:58,980
# I really think so
1111
00:54:58,980 --> 00:55:00,940
# I'm turning Japanese,
I think I'm turning Japanese
1112
00:55:00,940 --> 00:55:01,180
# I'm turning Japanese,
# I really think so. #
1113
00:55:01,180 --> 00:55:03,740
# I really think so. #
1114
00:55:03,740 --> 00:55:06,220
It was a year when
few local bands made the summit,
1115
00:55:06,220 --> 00:55:08,860
but Split Enz wrestled back
a bit of Australasian pride
1116
00:55:08,860 --> 00:55:11,380
with their instant classic,
"I Got You."
1117
00:55:11,380 --> 00:55:14,180
# I got you
1118
00:55:14,180 --> 00:55:18,260
# And that's all I want
1119
00:55:18,260 --> 00:55:18,460
# And that's all I want
# I won't forget
1120
00:55:18,460 --> 00:55:22,060
# I won't forget
1121
00:55:22,060 --> 00:55:25,740
# That's a whole lot
1122
00:55:25,740 --> 00:55:29,420
# I don't go out
1123
00:55:29,420 --> 00:55:33,500
# Not now that you're in
1124
00:55:33,500 --> 00:55:37,180
# Sometimes we shout
1125
00:55:37,180 --> 00:55:40,140
# But that's no problem
1126
00:55:40,140 --> 00:55:46,180
# I don't know why sometimes
I get frightened
1127
00:55:47,420 --> 00:55:49,220
# You can see my eyes
1128
00:55:49,220 --> 00:55:53,660
# You can tell that I'm not lying
1129
00:55:55,540 --> 00:55:58,780
# Look at you
1130
00:55:58,780 --> 00:56:02,900
# You're a pageant
1131
00:56:02,900 --> 00:56:06,460
# You're everything
1132
00:56:06,460 --> 00:56:10,220
# That I've imagined
1133
00:56:10,220 --> 00:56:13,820
# Something's wrong
1134
00:56:13,820 --> 00:56:14,020
# Something's wrong
# I feel uneasy
1135
00:56:14,020 --> 00:56:17,700
# I feel uneasy
1136
00:56:17,700 --> 00:56:21,340
# Will you show me
1137
00:56:21,340 --> 00:56:24,340
# Tell me you're not teasing
1138
00:56:24,340 --> 00:56:27,140
# Well, I don't know why
sometimes
1139
00:56:27,140 --> 00:56:27,380
# Well, I don't know why
# I get frightened
1140
00:56:27,380 --> 00:56:29,740
# I get frightened
1141
00:56:31,460 --> 00:56:33,340
# You can see my eyes
1142
00:56:33,340 --> 00:56:37,900
# You can tell that I'm not lying
1143
00:56:39,620 --> 00:56:42,420
# I don't know why sometimes
1144
00:56:42,420 --> 00:56:45,380
# I get frightened
1145
00:56:46,420 --> 00:56:48,300
# You can see my eyes
1146
00:56:48,300 --> 00:56:52,740
# You can tell me you're not lying
1147
00:57:12,580 --> 00:57:15,860
# There's no doubt
1148
00:57:15,860 --> 00:57:19,620
# Not when I'm with you
1149
00:57:19,620 --> 00:57:23,260
# When I'm without
1150
00:57:23,260 --> 00:57:27,300
# I stay in my room
1151
00:57:27,300 --> 00:57:30,940
# Where do you go?
1152
00:57:30,940 --> 00:57:34,660
# I get no answer
1153
00:57:34,660 --> 00:57:38,460
# You're always out
1154
00:57:38,460 --> 00:57:41,380
# It gets on my nerves
1155
00:57:41,380 --> 00:57:41,620
# I don't know why sometimes
I get frightened
# It gets on my nerves
1156
00:57:41,620 --> 00:57:46,300
# I don't know why sometimes
I get frightened
1157
00:57:48,460 --> 00:57:50,300
# You can see my eyes
1158
00:57:50,300 --> 00:57:54,580
# You can tell that I'm not lying
1159
00:57:56,020 --> 00:57:58,940
# Well, I don't know why
sometimes I get frightened. #
1160
00:58:09,940 --> 00:58:11,180
Without a reserved doubt,
1161
00:58:11,180 --> 00:58:13,540
I think you're the best
rock'n'roll band in the country.
1162
00:58:13,540 --> 00:58:15,420
Nice meeting and talking.
Alright?
1163
00:58:15,420 --> 00:58:17,740
Don't start on me, mate.
See you later.
1164
00:58:17,740 --> 00:58:19,740
Yep.
OK, well...
1165
00:58:19,740 --> 00:58:19,980
Yep.
OK, well...
(SPEAKS FOREIGN LANGUAGE)
1166
00:58:19,980 --> 00:58:20,940
(SPEAKS FOREIGN LANGUAGE)
1167
00:58:20,940 --> 00:58:22,540
I beg your pardon?
What does that mean?
1168
00:58:22,540 --> 00:58:23,860
Behave yourself.
1169
00:58:28,300 --> 00:58:30,580
Jimmy Barnes
just told me to behave myself.
1170
00:58:30,580 --> 00:58:33,540
Well, isn't that the pot
calling the kettle black?
1171
00:58:36,340 --> 00:58:37,740
Visit the Classic Countdown website
1172
00:58:37,740 --> 00:58:40,300
for more pictures, interviews
and behind-the-scenes information.
1173
00:58:40,300 --> 00:58:40,540
Captions by Ericsson Access Services
and behind-the-scenes information.
1174
00:58:40,540 --> 00:58:41,940
Captions by Ericsson Access Services
91868
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