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These are the user uploaded subtitles that are being translated: 1 00:00:01,020 --> 00:00:05,140 Welcome to tonight's ABC Weather. 2 00:00:05,140 --> 00:00:05,740 The highlight, of course, of the ABC every night of the week. 3 00:00:05,740 --> 00:00:09,460 Tonight we have a rather strong gale warning up in Queensland. 4 00:00:09,460 --> 00:00:09,700 Tonight we have a rather strong Uh, very hot down here in, uh... 5 00:00:09,700 --> 00:00:12,060 Uh, very hot down here in, uh... 6 00:00:12,060 --> 00:00:14,260 (AUDIENCE LAUGHS) 7 00:00:14,260 --> 00:00:14,500 ANNOUNCER: We interrupt the weather (AUDIENCE LAUGHS) 8 00:00:14,500 --> 00:00:17,700 ANNOUNCER: We interrupt the weather to bring you Countdown. 9 00:00:18,060 --> 00:00:21,740 # Countdown, Countdown 10 00:00:21,740 --> 00:00:24,580 # Countdown, Countdown 11 00:00:24,580 --> 00:00:27,500 Welcome to Classic Countdown, 1980. 12 00:00:27,620 --> 00:00:29,100 # Countdown! # 13 00:00:29,100 --> 00:00:31,020 (GRINDER BY JUDAS PRIEST PLAYS) 14 00:00:31,020 --> 00:00:31,260 JAMES REYNE: The '80s arrived with excitement and expectation. (GRINDER BY JUDAS PRIEST PLAYS) 15 00:00:31,260 --> 00:00:34,340 JAMES REYNE: The '80s arrived with excitement and expectation. 16 00:00:38,620 --> 00:00:43,220 Before long, we would all be driving fancy new cars, 17 00:00:43,220 --> 00:00:43,460 Before long, we would dining in the finest restaurants, 18 00:00:43,460 --> 00:00:45,900 dining in the finest restaurants, 19 00:00:45,900 --> 00:00:49,060 wearing the newest shades in make-up 20 00:00:49,060 --> 00:00:51,500 and disco dancing in the streets. 21 00:00:51,500 --> 00:00:55,380 All our problems would be miraculously solved. 22 00:00:55,380 --> 00:00:55,620 All our problems would be But, just when it seemed that 23 00:00:55,620 --> 00:00:56,860 But, just when it seemed that 24 00:00:56,860 --> 00:01:01,380 the new decade would keep us all riding high, 25 00:01:01,380 --> 00:01:02,900 reality came crashing in. 26 00:01:02,900 --> 00:01:05,980 # Imagine there's no heaven. # 27 00:01:05,980 --> 00:01:08,220 John Lennon was dead. 28 00:01:08,220 --> 00:01:10,460 The day the music died for generations of people 29 00:01:10,460 --> 00:01:12,700 who had imagined things would be different. 30 00:01:12,700 --> 00:01:13,820 # We don't need no education... # 31 00:01:13,820 --> 00:01:18,100 The US and 64 other countries boycotted the Olympics in Moscow. 32 00:01:18,100 --> 00:01:18,340 The US and 64 other countries We hesitated... 33 00:01:18,340 --> 00:01:19,660 We hesitated... 34 00:01:19,660 --> 00:01:21,420 (CHEERING) 35 00:01:21,420 --> 00:01:23,140 ..then went anyway. 36 00:01:23,140 --> 00:01:25,620 And when the national catchcry of the year became, 37 00:01:25,620 --> 00:01:29,020 "A dingo's got my baby," we knew it was a tough year. 38 00:01:31,020 --> 00:01:32,900 But if we looked hard enough, 39 00:01:32,900 --> 00:01:35,900 there was still gold to be found in them there hills. 40 00:01:38,060 --> 00:01:41,780 And it was certainly a golden era in music. 41 00:01:41,780 --> 00:01:42,860 # Hey, teacher... # 42 00:01:42,860 --> 00:01:44,820 In 1980, music was the main game. 43 00:01:44,820 --> 00:01:46,500 The long and winding yellow brick road 44 00:01:46,500 --> 00:01:46,740 The long and winding that could lead to fame and riches. 45 00:01:46,740 --> 00:01:49,380 that could lead to fame and riches. 46 00:01:49,380 --> 00:01:49,620 Hey, this is Billy Idol, that could lead to fame and riches. 47 00:01:49,620 --> 00:01:51,380 Hey, this is Billy Idol, saying don't stop. 48 00:01:51,380 --> 00:01:53,540 You've got to keep dancing with yourself. 49 00:01:53,540 --> 00:01:53,780 Musicians of all shapes and sizes You've got to keep dancing with yourself. 50 00:01:53,780 --> 00:01:56,060 Musicians of all shapes and sizes 51 00:01:56,060 --> 00:01:59,740 learnt a few chords and formed a band. 52 00:01:59,740 --> 00:02:04,620 # Well, I know the other girls in school 53 00:02:04,620 --> 00:02:06,860 # Think I'm a silly fool 54 00:02:06,860 --> 00:02:10,580 # To go for rides in your car 55 00:02:10,580 --> 00:02:12,180 # They can't see... # 56 00:02:12,180 --> 00:02:12,420 # They can't see... # Countdown became a wall against which 57 00:02:12,420 --> 00:02:14,340 Countdown became a wall against which 58 00:02:14,340 --> 00:02:18,060 musical spaghetti was thrown to see what might stick. 59 00:02:18,060 --> 00:02:18,300 # I am marching in the Kiss Army musical spaghetti was thrown to see what might stick. 60 00:02:18,300 --> 00:02:21,740 # I am marching in the Kiss Army 61 00:02:21,740 --> 00:02:25,580 # Breathing fiery breath, oh 62 00:02:25,580 --> 00:02:25,820 # Breathing fiery breath, oh # I scorched my tonsils and my tummy 63 00:02:25,820 --> 00:02:29,380 # I scorched my tonsils and my tummy 64 00:02:29,380 --> 00:02:29,620 # I scorched my tonsils # When I swallowed the metho... # 65 00:02:29,620 --> 00:02:33,180 # When I swallowed the metho... # 66 00:02:33,180 --> 00:02:33,420 Just about anyone could march onto # When I swallowed the metho... # 67 00:02:33,420 --> 00:02:35,860 Just about anyone could march onto the Countdown set 68 00:02:35,860 --> 00:02:38,980 and sing a song in any style about, well, 69 00:02:38,980 --> 00:02:39,220 and sing a song in any style just about anything. 70 00:02:39,220 --> 00:02:41,820 just about anything. 71 00:02:41,820 --> 00:02:42,020 # Ski-doo-be-dop, ooh just about anything. 72 00:02:42,020 --> 00:02:44,420 # Ski-doo-be-dop, ooh 73 00:02:44,420 --> 00:02:44,660 # Ski-doo-be-dop, ooh ooh 74 00:02:44,660 --> 00:02:47,260 # Ski-doo-be-dop, ooh 75 00:02:47,260 --> 00:02:47,500 # We were at a party ooh 76 00:02:47,500 --> 00:02:49,780 # We were at a party 77 00:02:49,780 --> 00:02:52,460 # His earlobe fell in the deep 78 00:02:52,460 --> 00:02:52,660 # His earlobe fell in the deep # Someone reached in and grabbed it 79 00:02:52,660 --> 00:02:55,180 # Someone reached in and grabbed it 80 00:02:55,180 --> 00:02:58,140 # It was a rock lobster 81 00:02:58,140 --> 00:03:02,740 # Ah-ah-ah 82 00:03:02,740 --> 00:03:04,580 # Rock lobster 83 00:03:04,580 --> 00:03:08,180 # Ah-ah-ah-ah 84 00:03:08,180 --> 00:03:08,380 # Rock lobster # Ah-ah-ah-ah 85 00:03:08,380 --> 00:03:11,140 # Rock lobster 86 00:03:30,260 --> 00:03:33,300 (PLAYS SURF GUITAR RIFF) 87 00:03:37,380 --> 00:03:41,140 # Ooh 88 00:03:41,140 --> 00:03:43,340 # We were at the beach # Ooh 89 00:03:43,340 --> 00:03:43,580 # We were at the beach # Everybody had matching towels 90 00:03:43,580 --> 00:03:45,980 # Everybody had matching towels 91 00:03:45,980 --> 00:03:48,380 # Somebody went under a dock 92 00:03:48,380 --> 00:03:51,140 # And there they saw a rock 93 00:03:51,140 --> 00:03:53,940 # It wasn't a rock 94 00:03:53,940 --> 00:03:56,420 # It was a rock lobster 95 00:03:56,420 --> 00:04:01,100 # Ah-ah-ah 96 00:04:01,100 --> 00:04:03,060 # Rock lobster 97 00:04:03,060 --> 00:04:06,820 # Ah-ah-ah-ah 98 00:04:06,820 --> 00:04:09,420 # Rock lobster 99 00:04:28,860 --> 00:04:33,620 (PLAYS SURF GUITAR RIFF) 100 00:04:33,620 --> 00:04:33,860 # Rock la-ah-obster (PLAYS SURF GUITAR RIFF) 101 00:04:33,860 --> 00:04:38,620 # Rock la-ah-obster rock la-ah-obster 102 00:04:38,620 --> 00:04:41,580 # Motion in the ocean # Ooh-wah 103 00:04:41,580 --> 00:04:44,220 # His air hose broke # Ooh-wah 104 00:04:44,220 --> 00:04:47,180 # Lots of trouble # Ooh-wah 105 00:04:47,180 --> 00:04:49,620 # Lots of bubble # Ooh-wah 106 00:04:49,620 --> 00:04:52,140 # He was in a jam # Ooh-wah 107 00:04:52,140 --> 00:04:54,780 # Was in a giant clam # Ooh-wah 108 00:05:00,900 --> 00:05:05,660 # Rock, rock 109 00:05:05,660 --> 00:05:09,580 # Rock lobster! Down, down 110 00:05:33,460 --> 00:05:36,060 # Lobster (BOTH SCREECH) 111 00:05:36,060 --> 00:05:38,980 # Rock (BOTH SCREECH) 112 00:05:38,980 --> 00:05:41,260 # Lobster (BOTH SCREECH) 113 00:05:41,260 --> 00:05:41,500 # Lobster # Rock 114 00:05:41,500 --> 00:05:43,260 # Rock 115 00:05:51,980 --> 00:05:53,980 # Let's rock! 116 00:06:03,380 --> 00:06:05,860 # Boys in bikinis 117 00:06:05,860 --> 00:06:08,500 # Girls in surfboards 118 00:06:08,500 --> 00:06:11,420 # Everybody's rockin' 119 00:06:11,420 --> 00:06:13,740 # Everybody's fruggin' 120 00:06:13,740 --> 00:06:16,500 # Twisting round the fire, having fun 121 00:06:19,180 --> 00:06:21,860 # Baking potatoes, baking in the sun 122 00:06:24,460 --> 00:06:27,060 # Put on your nose guard 123 00:06:27,060 --> 00:06:30,060 # Put on the lifeguard 124 00:06:30,060 --> 00:06:31,940 # Pass the tanning butter 125 00:06:35,180 --> 00:06:37,700 # Here comes a stingray # Ooh-wah, ooh-wah 126 00:06:37,700 --> 00:06:40,540 # There goes a manta ray # Ee-ee-ee-ee 127 00:06:40,540 --> 00:06:43,140 # In walked a jellyfish # Arrgh! 128 00:06:43,140 --> 00:06:46,100 # There goes a dogfish # Rowr! 129 00:06:46,100 --> 00:06:48,620 # Chased by a catfish # Wahoo! 130 00:06:48,620 --> 00:06:51,260 # In flew a sea robin # La-la-la-la-la 131 00:06:51,260 --> 00:06:54,180 # Watch out for that piranha # Yeh-yeh-yeh-hoo 132 00:06:54,180 --> 00:06:56,700 # There goes a narwhal # Ee-ee-ee-ee 133 00:06:56,700 --> 00:06:56,940 # There goes a narwhal # Here comes a bikini whale! 134 00:06:56,940 --> 00:06:59,980 # Here comes a bikini whale! 135 00:07:09,820 --> 00:07:12,340 # Rock lobster # Ooh-ooh, rock lobster! # 136 00:07:29,540 --> 00:07:33,140 The onslaught of talent on Countdown was considerable. 137 00:07:33,140 --> 00:07:35,060 # No, it never, never, never really works out 138 00:07:35,060 --> 00:07:39,660 # Oh, no, like a lady-in-waiting to a virgin queen 139 00:07:39,660 --> 00:07:39,900 # Oh, no, like a lady-in-waiting to a virgin queen # Look at that stupid girl 140 00:07:39,900 --> 00:07:42,340 # Look at that stupid girl 141 00:07:42,340 --> 00:07:44,820 # When she was bitching about something 142 00:07:44,820 --> 00:07:47,060 # She had never even seen 143 00:07:47,060 --> 00:07:50,420 # Look at that stupid girl. # 144 00:07:50,420 --> 00:07:50,660 # With my cheap wine and a three-day growth # Look at that stupid girl. # 145 00:07:50,660 --> 00:07:55,220 # With my cheap wine and a three-day growth 146 00:07:55,220 --> 00:07:55,460 # Cheap wine and a three-day growth and a three-day growth 147 00:07:55,460 --> 00:07:58,540 # Cheap wine and a three-day growth 148 00:07:58,540 --> 00:08:02,580 # Come on, come on 149 00:08:02,580 --> 00:08:05,060 # Come on, come on. # 150 00:08:05,060 --> 00:08:08,420 # And he gives all the others a shake... 151 00:08:08,420 --> 00:08:12,660 In 1980, more than 150 songs were performed live on the show. 152 00:08:12,660 --> 00:08:12,900 In 1980, more than 150 songs were performed live on the show. # How he rates 153 00:08:12,900 --> 00:08:15,420 # How he rates 154 00:08:15,420 --> 00:08:15,660 # He's a classic example # How he rates 155 00:08:15,660 --> 00:08:19,180 # He's a classic example such a beautiful sample 156 00:08:19,180 --> 00:08:19,420 # He's a classic example # He's my number one 157 00:08:19,420 --> 00:08:20,860 # He's my number one 158 00:08:20,860 --> 00:08:23,580 # He's her number one... # 159 00:08:23,580 --> 00:08:26,540 Video might eventually kill the radio star, 160 00:08:26,540 --> 00:08:27,820 but it wouldn't happen this year. 161 00:08:30,300 --> 00:08:33,500 # My friends wonder why I call you all the time 162 00:08:33,500 --> 00:08:33,740 # What can I say? I call you all the time 163 00:08:33,740 --> 00:08:36,500 # What can I say? 164 00:08:38,460 --> 00:08:46,300 # I don't feel the need to give such secrets away 165 00:08:46,300 --> 00:08:51,100 # You think maybe I need help, no, I know I'm right 166 00:08:51,100 --> 00:08:51,340 # You think maybe I need help, # Alright 167 00:08:51,340 --> 00:08:54,300 # Alright 168 00:08:54,300 --> 00:09:02,020 # I'm just better off not listening to friends' advice 169 00:09:02,020 --> 00:09:06,300 # When they insist on knowing my bliss 170 00:09:06,300 --> 00:09:09,140 # I tell them this 171 00:09:09,140 --> 00:09:13,460 # When they want to know what the reason is 172 00:09:13,460 --> 00:09:17,780 # I only smile when I lie, then I tell them why 173 00:09:17,780 --> 00:09:25,300 # Because your kiss # Your kiss is on my list 174 00:09:25,300 --> 00:09:25,540 # Because your kiss # Because your kiss is on my list 175 00:09:25,540 --> 00:09:28,820 # Because your kiss is on my list 176 00:09:28,820 --> 00:09:33,260 # Of the best things in life 177 00:09:33,260 --> 00:09:37,180 # Because your kiss # Your kiss is on my list 178 00:09:37,180 --> 00:09:41,100 # Because your kiss # Your kiss, I can't resist 179 00:09:41,100 --> 00:09:41,340 # Because your kiss is what I miss # Because your kiss # Your kiss, I can't resist 180 00:09:41,340 --> 00:09:44,260 # Because your kiss is what I miss 181 00:09:44,260 --> 00:09:49,100 # When I turn out the light 182 00:09:49,100 --> 00:09:54,940 # I go crazy wondering what there is to really see 183 00:09:57,100 --> 00:10:00,060 # Did the night just take up your time 184 00:10:00,060 --> 00:10:00,300 # Did the night just take up # 'Cause it means more to me 185 00:10:00,300 --> 00:10:05,140 # 'Cause it means more to me 186 00:10:05,140 --> 00:10:07,780 # Sometimes I forget what I'm doing 187 00:10:07,780 --> 00:10:08,020 # I don't forget what I want, # Sometimes I forget what I'm doing 188 00:10:08,020 --> 00:10:11,700 # I don't forget what I want, what I want 189 00:10:13,140 --> 00:10:16,180 # Regret what I've done, regret you 190 00:10:16,180 --> 00:10:20,620 # I couldn't go on 191 00:10:20,620 --> 00:10:23,740 # But if you insist on knowing my bliss 192 00:10:25,900 --> 00:10:28,540 # I'll tell you this 193 00:10:28,540 --> 00:10:28,780 # If you want to know what the reason is # I'll tell you this 194 00:10:28,780 --> 00:10:32,780 # If you want to know what the reason is 195 00:10:32,780 --> 00:10:36,420 # I only smile when I lie, then I'll tell you why 196 00:10:36,420 --> 00:10:40,260 # Because your kiss # Your kiss is on my list 197 00:10:40,260 --> 00:10:40,540 # Because your kiss # Your kiss is on my list # Because your kiss # Your kiss is on my list 198 00:10:40,540 --> 00:10:44,300 # Because your kiss # Your kiss is on my list 199 00:10:44,300 --> 00:10:44,540 # Because your kiss # Because your kiss is on my list 200 00:10:44,540 --> 00:10:47,380 # Because your kiss is on my list 201 00:10:47,380 --> 00:10:52,420 # Of the best things in life 202 00:10:52,420 --> 00:10:52,660 # Because your kiss # Of the best things in life 203 00:10:52,660 --> 00:10:56,100 # Because your kiss # Your kiss is on my list 204 00:10:56,100 --> 00:11:00,340 # Because your kiss # Your kiss, I can't resist 205 00:11:00,340 --> 00:11:00,580 # Because your kiss # Because your kiss is what I miss 206 00:11:00,580 --> 00:11:03,260 # Because your kiss is what I miss 207 00:11:03,260 --> 00:11:08,980 # When I turn out the light 208 00:11:23,740 --> 00:11:26,500 # I really miss you, babe 209 00:11:39,260 --> 00:11:40,540 # Ah 210 00:11:40,540 --> 00:11:40,780 # Ah # Because your kiss # Your kiss is on my list 211 00:11:40,780 --> 00:11:47,420 # Because your kiss # Your kiss is on my list 212 00:11:47,420 --> 00:11:47,660 # Because your kiss # Because your kiss is on my list 213 00:11:47,660 --> 00:11:50,660 # Because your kiss is on my list 214 00:11:50,660 --> 00:11:55,420 # Of the best things in life Oh, babe 215 00:11:55,420 --> 00:11:59,780 # Because your kiss # Your kiss is on my list 216 00:11:59,780 --> 00:12:03,180 # Because your kiss # Your kiss, I can't resist... # 217 00:12:06,260 --> 00:12:08,060 # Countdown! # 218 00:12:08,060 --> 00:12:08,300 Hi. I'm Cherry Ripe, Countdown's London connection. # Countdown! # 219 00:12:08,300 --> 00:12:12,060 Hi. I'm Cherry Ripe, Countdown's London connection. 220 00:12:12,060 --> 00:12:15,180 And I'm going to be bringing you some great stories from here in London. 221 00:12:15,180 --> 00:12:15,460 And I'm going to be bringing you some great stories from here in London. Over the next few weeks, I'll be talking to The Buggles, 222 00:12:15,460 --> 00:12:17,140 Over the next few weeks, I'll be talking to The Buggles, 223 00:12:17,140 --> 00:12:17,380 Over the next few weeks, The Clash and Marianne Faithfull, 224 00:12:17,380 --> 00:12:19,020 The Clash and Marianne Faithfull, 225 00:12:19,020 --> 00:12:21,140 and earlier today I spoke to The Vapors. 226 00:12:21,140 --> 00:12:21,380 and earlier today I spoke to They haven't yet turned Japanese, 227 00:12:21,380 --> 00:12:22,700 They haven't yet turned Japanese, 228 00:12:22,700 --> 00:12:22,940 but I asked them how it felt They haven't yet turned Japanese, 229 00:12:22,940 --> 00:12:25,180 but I asked them how it felt to be on Countdown 230 00:12:25,180 --> 00:12:26,420 all the way from London. 231 00:12:26,420 --> 00:12:29,500 How does it feel to be on Countdown all the way from London? 232 00:12:29,500 --> 00:12:29,780 It's wonderful. It's really good. How does it feel to be on Countdown all the way from London? 233 00:12:29,780 --> 00:12:32,100 It's wonderful. It's really good. 234 00:12:32,100 --> 00:12:33,900 Great. Have you heard about Countdown? 235 00:12:33,900 --> 00:12:34,140 Yeah, from you. Have you heard about Countdown? 236 00:12:34,140 --> 00:12:35,540 Yeah, from you. 237 00:12:35,540 --> 00:12:37,380 What do you think of it? It sounds alright. 238 00:12:37,380 --> 00:12:37,620 Something like Top Of The Pops. It sounds alright. 239 00:12:37,620 --> 00:12:38,820 Something like Top Of The Pops. 240 00:12:38,820 --> 00:12:39,020 Something like Top Of The Pops. JAMES: New bands had broken through. 241 00:12:39,020 --> 00:12:40,540 JAMES: New bands had broken through. 242 00:12:40,540 --> 00:12:43,020 What did you guys all do before you got into rock'n'roll? 243 00:12:43,020 --> 00:12:45,420 The trick was to convince the public you had the substance 244 00:12:45,420 --> 00:12:45,660 The trick was to convince the public to keep them interested. 245 00:12:45,660 --> 00:12:47,060 to keep them interested. 246 00:12:47,060 --> 00:12:49,260 I worked as a hospital porter for a while... 247 00:12:49,260 --> 00:12:50,220 Yeah? 248 00:12:50,220 --> 00:12:51,420 ..in a hospital that wasn't open. 249 00:12:51,420 --> 00:12:54,620 And then I worked as an office boy. 250 00:12:54,620 --> 00:12:55,820 What about you, Howard? 251 00:12:55,820 --> 00:12:56,060 I worked in a shop. What about you, Howard? 252 00:12:56,060 --> 00:12:57,660 I worked in a shop. Yeah? 253 00:12:57,660 --> 00:13:00,500 Just a normal high-street shop, yeah. 254 00:13:00,500 --> 00:13:00,740 Just a normal high-street shop, I was a storeman. 255 00:13:00,740 --> 00:13:02,460 I was a storeman. 256 00:13:02,460 --> 00:13:05,380 OK. Would you like to say, 257 00:13:05,380 --> 00:13:08,860 "Hello, this is The Vapors here on Countdown?" 258 00:13:08,860 --> 00:13:11,100 Hello. We're The Vapors, and I think we're on Countdown. 259 00:13:11,100 --> 00:13:13,580 Here. Here. 260 00:13:13,580 --> 00:13:13,820 # Oh, stop playing with my heart Here. Here. 261 00:13:13,820 --> 00:13:17,460 # Oh, stop playing with my heart 262 00:13:17,460 --> 00:13:21,980 JAMES: Some new stars shone brightly and briefly. 263 00:13:21,980 --> 00:13:25,460 # And I'll show you a sunset 264 00:13:25,460 --> 00:13:30,100 # If you'll stay with me till dawn. # 265 00:13:32,620 --> 00:13:35,300 Some new bands were back with new line-ups and attitudes. 266 00:13:35,300 --> 00:13:35,580 # As she crosses the floor, she knows Some new bands were back with new line-ups and attitudes. 267 00:13:35,580 --> 00:13:38,900 # As she crosses the floor, she knows 268 00:13:38,900 --> 00:13:40,460 # What does she know? 269 00:13:40,460 --> 00:13:44,380 # She's seen it before and she goes 270 00:13:44,380 --> 00:13:46,940 # Where does she go? # 271 00:13:46,940 --> 00:13:49,180 And, as always, some new bands 272 00:13:49,180 --> 00:13:49,420 And, as always, some new bands to convince the masses. 273 00:13:49,420 --> 00:13:52,060 got one chance only to convince the masses. 274 00:13:56,740 --> 00:13:59,220 # You're standing round the bar again 275 00:13:59,220 --> 00:13:59,460 # With that nonexistent smile again the bar again 276 00:13:59,460 --> 00:14:02,860 # With that nonexistent smile again 277 00:14:02,860 --> 00:14:05,180 # You got your hand on your hip 278 00:14:05,180 --> 00:14:05,380 # You got your hand on your hip # You got your hand on your wallet 279 00:14:05,380 --> 00:14:07,100 # You got your hand on your wallet 280 00:14:07,100 --> 00:14:08,940 # Got your mind on your drinking 281 00:14:08,940 --> 00:14:11,060 # But your heart isn't in it, oh, yeah 282 00:14:16,620 --> 00:14:20,420 # And you've been stepping on my lines again 283 00:14:20,420 --> 00:14:20,660 # And you've been # With your offbeat time again 284 00:14:20,660 --> 00:14:23,540 # With your offbeat time again 285 00:14:23,540 --> 00:14:26,220 # You got your past in your pocket 286 00:14:26,220 --> 00:14:28,100 # And your pistol in its holster 287 00:14:28,100 --> 00:14:29,580 # Your finger on the trigger 288 00:14:29,580 --> 00:14:31,780 # But you know you'll never pull her 289 00:14:31,780 --> 00:14:32,020 # But you know # Hit me with another double 290 00:14:32,020 --> 00:14:34,980 # Hit me with another double 291 00:14:34,980 --> 00:14:38,220 # Tonight I'm looking for some trouble 292 00:14:38,220 --> 00:14:41,620 # You got to hit me with another double 293 00:14:41,620 --> 00:14:44,860 # I want to go where the music breaks me 294 00:14:44,860 --> 00:14:45,100 # I want to go # I got to find someone to take me 295 00:14:45,100 --> 00:14:48,460 # I got to find someone to take me 296 00:14:48,460 --> 00:14:49,700 # Yeah 297 00:15:01,740 --> 00:15:05,500 # And you've been stepping on my lines again 298 00:15:05,500 --> 00:15:05,740 # And you've been stepping on my lines again # With your offbeat time again 299 00:15:05,740 --> 00:15:08,620 # With your offbeat time again 300 00:15:08,620 --> 00:15:11,380 # You got your past in your pocket 301 00:15:11,380 --> 00:15:13,540 # And your pistol in its holster 302 00:15:13,540 --> 00:15:14,940 # Finger on the trigger 303 00:15:14,940 --> 00:15:17,140 # But you know you'll never pull her 304 00:15:17,140 --> 00:15:17,380 # But you know # Hit me with another double 305 00:15:17,380 --> 00:15:20,380 # Hit me with another double 306 00:15:20,380 --> 00:15:23,540 # Tonight I'm looking for some trouble 307 00:15:23,540 --> 00:15:27,020 # You got to hit me with another double 308 00:15:27,020 --> 00:15:30,220 # I want to go where the music breaks me 309 00:15:30,220 --> 00:15:33,820 # I got to find someone to take me 310 00:15:33,820 --> 00:15:34,060 # I got to find someone # Yeah 311 00:15:34,060 --> 00:15:35,060 # Yeah 312 00:15:54,860 --> 00:15:58,100 # Hit me with another double 313 00:15:58,100 --> 00:16:01,100 # Tonight I'm looking for some trouble 314 00:16:01,100 --> 00:16:04,580 # You got to hit me with another double 315 00:16:04,580 --> 00:16:08,380 # I want to go where the music breaks me 316 00:16:08,380 --> 00:16:11,500 # I got to find someone to take me 317 00:16:11,500 --> 00:16:11,740 # I got to find someone to take me # Yeah 318 00:16:11,740 --> 00:16:12,740 # Yeah 319 00:16:12,740 --> 00:16:15,220 # Yeah-yeah-yeah, yeah-yeah-yeah 320 00:16:24,460 --> 00:16:26,220 # Hey, you 321 00:16:26,220 --> 00:16:29,060 # You're standing round the bar again 322 00:16:29,060 --> 00:16:29,300 # You're standing round # With that nonexistent smile again 323 00:16:29,300 --> 00:16:31,940 # With that nonexistent smile again 324 00:16:31,940 --> 00:16:34,540 # You got your hand on your hip 325 00:16:34,540 --> 00:16:36,700 # You got your hand on your wallet 326 00:16:36,700 --> 00:16:38,260 # Got your mind on your drinking 327 00:16:38,260 --> 00:16:40,740 # But your heart isn't in it, oh, yeah 328 00:16:46,060 --> 00:16:50,260 # And you've been stepping on my lines again 329 00:16:50,260 --> 00:16:53,060 # With your offbeat time again 330 00:16:53,060 --> 00:16:55,860 # You got your mind on a faucet 331 00:16:55,860 --> 00:16:57,660 # But her name ain't Farrah 332 00:16:57,660 --> 00:16:59,580 # You got your two for the weekend 333 00:16:59,580 --> 00:17:01,020 # 'Cause you're just a plumber 334 00:17:01,020 --> 00:17:01,220 # So, hit me with another double # 'Cause you're just a plumber 335 00:17:01,220 --> 00:17:04,940 # So, hit me with another double 336 00:17:04,940 --> 00:17:08,140 # Tonight I'm looking for some trouble 337 00:17:08,140 --> 00:17:11,300 # You got to hit me with another double 338 00:17:11,300 --> 00:17:11,580 # You got to hit me with another double # I want to go where the music breaks me 339 00:17:11,580 --> 00:17:14,860 # I want to go where the music breaks me 340 00:17:14,860 --> 00:17:18,140 # I got to find someone to take me 341 00:17:18,140 --> 00:17:21,300 # Yeah, hit me with another double! # 342 00:17:32,060 --> 00:17:33,260 One, two, three, four. 343 00:17:33,260 --> 00:17:33,500 One, two, three, four. Countdown! 344 00:17:33,500 --> 00:17:37,540 Dugga-dugga-dugga-dugga-dugga-dugga. Countdown! 345 00:17:39,740 --> 00:17:41,980 One of the big questions in the new decade - 346 00:17:41,980 --> 00:17:42,220 One of the big questions could old-time rock'n'roll survive? 347 00:17:42,220 --> 00:17:43,860 could old-time rock'n'roll survive? 348 00:17:47,020 --> 00:17:50,940 # I don't know why everybody is making all this fuss 349 00:17:50,940 --> 00:17:53,460 # Why don't you switch the television on 350 00:17:53,460 --> 00:17:55,780 # I think I've had enough 351 00:17:55,780 --> 00:17:56,020 # I think I've had enough damn dropped me 352 00:17:56,020 --> 00:17:59,900 # Back on our TV the advertising damn dropped me 353 00:17:59,900 --> 00:18:03,380 # Here comes the music to sell the stock 354 00:18:03,380 --> 00:18:03,620 # Here comes the music to sell the stock # It's just a pop song 355 00:18:03,620 --> 00:18:07,300 # It's just a pop song 356 00:18:07,300 --> 00:18:11,500 # Another pop song 357 00:18:11,500 --> 00:18:15,420 # Well, it's a pop song 358 00:18:15,420 --> 00:18:19,260 # Oh, no, no, no-no-no. # 359 00:18:19,260 --> 00:18:22,300 Um, do you think that perhaps rock'n'roll was slightly lost 360 00:18:22,300 --> 00:18:22,540 Um, do you think that perhaps in the mid-'70s? 361 00:18:22,540 --> 00:18:26,220 in the mid-'70s? 362 00:18:26,220 --> 00:18:26,460 No. No? in the mid-'70s? 363 00:18:26,460 --> 00:18:28,260 No. No? 364 00:18:28,260 --> 00:18:30,100 I think rock'n'roll doesn't really exist anymore. 365 00:18:30,100 --> 00:18:30,340 Yeah? doesn't really exist anymore. 366 00:18:30,340 --> 00:18:31,300 Yeah? 367 00:18:31,300 --> 00:18:31,540 Yeah? I mean, there's so many different aspects of music. 368 00:18:31,540 --> 00:18:33,140 I mean, there's so many different aspects of music. 369 00:18:33,140 --> 00:18:38,420 Like, disco? There must be a dozen forms of disco for a start. 370 00:18:38,420 --> 00:18:41,420 Um, I wouldn't like to define what rock'n'roll is anymore, even. 371 00:18:41,420 --> 00:18:41,660 Um, I wouldn't like to define Yeah. 372 00:18:41,660 --> 00:18:42,620 Yeah. 373 00:18:42,620 --> 00:18:42,820 And then, all of a sudden, Yeah. 374 00:18:42,820 --> 00:18:45,100 And then, all of a sudden, 375 00:18:45,100 --> 00:18:49,220 people like Seger, Bob Seger and Bruce Springsteen, 376 00:18:49,220 --> 00:18:52,020 and people like that just sort of kept pushing at it. 377 00:18:52,020 --> 00:18:52,300 and people like that just sort of kept pushing at it. And The Who kept pushing at it. The Stones kept pushing at it. 378 00:18:52,300 --> 00:18:54,820 And The Who kept pushing at it. The Stones kept pushing at it. 379 00:18:54,820 --> 00:18:55,060 And The Who kept pushing at it. And this resurgence started, 380 00:18:55,060 --> 00:18:56,940 And this resurgence started, 381 00:18:56,940 --> 00:18:59,620 and that sort of, you know, it sparked some people, you know? 382 00:18:59,620 --> 00:18:59,860 and that sort of, you know, It sort of sparked myself. 383 00:18:59,860 --> 00:19:01,380 It sort of sparked myself. 384 00:19:01,380 --> 00:19:01,620 And I said, It sort of sparked myself. 385 00:19:01,620 --> 00:19:04,460 And I said, "Well, ah, there you go. 386 00:19:04,460 --> 00:19:06,980 "Let's go get it. Let's go do some rock'n'roll." 387 00:19:06,980 --> 00:19:08,220 Mr Loaf was right. 388 00:19:08,220 --> 00:19:09,820 Rock'n'roll music could survive 389 00:19:09,820 --> 00:19:12,020 if it was willing to learn from its mistakes 390 00:19:12,020 --> 00:19:14,260 or even go back to school. 391 00:19:17,500 --> 00:19:20,620 # Well, I don't care about history 392 00:19:20,620 --> 00:19:23,100 # Rock, rock, rock'n'roll high school 393 00:19:23,100 --> 00:19:25,660 # 'Cause that's not where I want to be 394 00:19:25,660 --> 00:19:27,900 # Rock, rock, rock'n'roll high school 395 00:19:27,900 --> 00:19:28,140 # I just want to have some kicks rock'n'roll high school 396 00:19:28,140 --> 00:19:30,380 # I just want to have some kicks 397 00:19:30,380 --> 00:19:32,900 # I just want to get some chicks 398 00:19:32,900 --> 00:19:33,140 # I just want to get some chicks rock'n'roll high school 399 00:19:33,140 --> 00:19:36,900 # Rock, rock, rock, rock, rock'n'roll high school 400 00:19:36,900 --> 00:19:40,100 # Well, the girls out there knock me out, you know 401 00:19:40,100 --> 00:19:42,340 # Rock, rock, rock'n'roll high school 402 00:19:42,340 --> 00:19:42,580 # Cruisin' around in my GTO rock'n'roll high school 403 00:19:42,580 --> 00:19:45,140 # Cruisin' around in my GTO 404 00:19:45,140 --> 00:19:45,380 # Cruisin' around in my GTO rock'n'roll high school 405 00:19:45,380 --> 00:19:47,340 # Rock, rock, rock'n'roll high school 406 00:19:47,340 --> 00:19:49,660 # I hate the teachers and the principal 407 00:19:49,660 --> 00:19:52,340 # Don't want to be taught to be no fool 408 00:19:52,340 --> 00:19:57,460 # Rock, rock, rock, rock, rock'n'roll high school 409 00:20:00,100 --> 00:20:02,500 # Fun, fun, rock'n'roll high school 410 00:20:02,500 --> 00:20:04,980 # Fun, fun, rock'n'roll high school 411 00:20:04,980 --> 00:20:05,220 # Fun, fun, rock'n'roll high school rock'n'roll high school 412 00:20:05,220 --> 00:20:07,500 # Fun, fun, rock'n'roll high school 413 00:20:07,500 --> 00:20:07,740 # Fun, fun, rock'n'roll high school Fun, fun, oh, baby 414 00:20:07,740 --> 00:20:12,260 # Fun, fun, oh, baby Fun, fun, oh, baby 415 00:20:12,260 --> 00:20:12,500 # Fun, fun, fun, fun Fun, fun, oh, baby 416 00:20:12,500 --> 00:20:14,740 # Fun, fun, fun, fun 417 00:20:14,740 --> 00:20:22,980 # Rock, rock, rock, rock, rock'n'roll high school 418 00:20:24,340 --> 00:20:27,180 # Well, I don't care about history 419 00:20:27,180 --> 00:20:29,660 # Rock, rock, rock'n'roll high school 420 00:20:29,660 --> 00:20:32,060 # 'Cause that's not where I want to be 421 00:20:32,060 --> 00:20:34,380 # Rock, rock, rock'n'roll high school 422 00:20:34,380 --> 00:20:34,620 # Rock, rock, # I just want to have some kicks 423 00:20:34,620 --> 00:20:36,940 # I just want to have some kicks 424 00:20:36,940 --> 00:20:39,500 # I just want to get some chicks 425 00:20:39,500 --> 00:20:44,540 # Rock, rock, rock, rock, rock'n'roll high school 426 00:20:47,180 --> 00:20:49,700 # Fun, fun, rock'n'roll high school 427 00:20:49,700 --> 00:20:49,940 # Fun, fun, rock'n'roll high school rock'n'roll high school 428 00:20:49,940 --> 00:20:52,180 # Fun, fun, rock'n'roll high school 429 00:20:52,180 --> 00:20:54,700 # Fun, fun, rock'n'roll high school 430 00:20:54,700 --> 00:20:59,420 # Fun, fun, oh, baby Fun, fun, oh, baby 431 00:20:59,420 --> 00:20:59,660 # Fun, fun, fun, fun Fun, fun, oh, baby 432 00:20:59,660 --> 00:21:01,900 # Fun, fun, fun, fun 433 00:21:01,900 --> 00:21:09,340 # Rock, rock, rock, rock, rock'n'roll high school 434 00:21:09,340 --> 00:21:11,940 # Rock, rock, rock, rock, rock'n'roll high school! # 435 00:21:15,580 --> 00:21:19,060 (CHEERING AND APPLAUSE) 436 00:21:19,060 --> 00:21:20,220 # Countdown! # 437 00:21:24,260 --> 00:21:27,260 Hello, everybody. 438 00:21:27,260 --> 00:21:29,660 It's TV time. 439 00:21:32,060 --> 00:21:34,260 Off we go. 440 00:21:37,500 --> 00:21:40,420 Early '80s music was energised by the electronic keyboard. 441 00:21:44,860 --> 00:21:46,820 A hybrid had developed in popular music 442 00:21:46,820 --> 00:21:48,820 that referenced both the rock of the past 443 00:21:48,820 --> 00:21:50,700 and the electronic music of the future. 444 00:21:50,700 --> 00:21:50,940 # Lady love... # of the future. 445 00:21:50,940 --> 00:21:52,820 # Lady love... # 446 00:21:56,020 --> 00:21:58,260 Many rock songs were, all of a sudden, 447 00:21:58,260 --> 00:22:00,100 dominated by hooks played on a keyboard 448 00:22:00,100 --> 00:22:00,340 dominated by hooks played rather than a guitar. 449 00:22:00,340 --> 00:22:01,860 rather than a guitar. 450 00:22:11,980 --> 00:22:15,060 # I turn my head around 451 00:22:15,060 --> 00:22:19,060 # And see this world in trouble. # 452 00:22:23,020 --> 00:22:24,780 Some bands simply looked and sounded 453 00:22:24,780 --> 00:22:25,020 better prepared than others Some bands simply looked and sounded 454 00:22:25,020 --> 00:22:26,740 better prepared than others to make the leap. 455 00:22:41,140 --> 00:22:44,940 # There must be something we can talk about 456 00:22:47,740 --> 00:22:52,140 # And maybe there's something here that we can do 457 00:22:54,300 --> 00:22:58,300 # No matter what your friends say, don't go too far 458 00:22:59,300 --> 00:23:02,540 # Remember there's just one thing 459 00:23:02,540 --> 00:23:05,780 # Whenever you come this way 460 00:23:05,780 --> 00:23:08,820 # You know I wouldn't get you down 461 00:23:08,820 --> 00:23:11,700 # I just like talking to you 462 00:23:14,140 --> 00:23:18,420 # It's raining outside I shake in my shoes downstairs 463 00:23:20,580 --> 00:23:24,580 # You never stop dancing It don't make much sense 464 00:23:27,100 --> 00:23:31,100 # No matter what your friends say, don't go too far 465 00:23:32,100 --> 00:23:35,460 # Remember there's just one thing 466 00:23:35,460 --> 00:23:38,980 # Whenever you come this way 467 00:23:38,980 --> 00:23:42,980 # Maybe we can get together 468 00:23:42,980 --> 00:23:45,220 # We can get together 469 00:23:45,220 --> 00:23:48,540 # You know I wouldn't get you down 470 00:23:48,540 --> 00:23:51,980 # I just like talking to you 471 00:23:51,980 --> 00:23:52,180 # Maybe we can get together # I just like talking to you 472 00:23:52,180 --> 00:23:56,100 # Maybe we can get together 473 00:23:56,100 --> 00:24:00,060 # We can get together Later sometime 474 00:24:01,420 --> 00:24:04,940 # You can buckle my shoes 475 00:24:04,940 --> 00:24:08,060 # You can pick up my sticks 476 00:24:08,060 --> 00:24:10,140 # You can knock at my door 477 00:24:13,220 --> 00:24:17,060 # There must be something we can talk about 478 00:24:19,780 --> 00:24:24,060 # Maybe there's something here that we can do 479 00:24:26,260 --> 00:24:29,900 # Don't go back home, babe, don't go too far 480 00:24:31,500 --> 00:24:34,500 # Maybe there's one more thing 481 00:24:34,500 --> 00:24:37,980 # Whenever you come this way 482 00:24:37,980 --> 00:24:41,460 # Baby # We can get together 483 00:24:41,460 --> 00:24:44,580 # Oh-oh # We can get together 484 00:24:44,580 --> 00:24:47,660 # You know I wouldn't get you down 485 00:24:47,660 --> 00:24:51,100 # I just like talking to you 486 00:24:51,100 --> 00:24:55,220 # Baby, we can get together 487 00:24:55,220 --> 00:24:59,180 # We can get together Later sometime 488 00:25:00,580 --> 00:25:03,940 # You can buckle my shoes 489 00:25:03,940 --> 00:25:07,220 # You can pick up my sticks # We can get together 490 00:25:07,220 --> 00:25:10,340 # You can knock at my door # We can get together 491 00:25:10,340 --> 00:25:10,580 # You know, I walk in the rain # We can get together 492 00:25:10,580 --> 00:25:13,860 # You know, I walk in the rain 493 00:25:13,860 --> 00:25:16,980 # I said it rains in my heart 494 00:25:16,980 --> 00:25:20,340 # You ought to be in my shoes # We can get together 495 00:25:20,340 --> 00:25:23,660 # Won't you open that door # We can get together 496 00:25:23,660 --> 00:25:23,900 # We can get together # We can get together 497 00:25:23,900 --> 00:25:30,540 # We can get together 498 00:25:30,540 --> 00:25:30,740 # We can get together # Baby, we can get together 499 00:25:30,740 --> 00:25:34,820 # Baby, we can get together 500 00:25:34,820 --> 00:25:38,980 # We can get together later sometime. # 501 00:25:40,700 --> 00:25:42,300 # Countdown! # 502 00:25:42,300 --> 00:25:42,500 # But we sometimes forget # Countdown! # 503 00:25:42,500 --> 00:25:45,780 # But we sometimes forget 504 00:25:45,780 --> 00:25:51,980 # What it was you created us for 505 00:25:53,740 --> 00:25:55,980 # Dear God. # 506 00:25:59,020 --> 00:26:00,940 And what of the rock stars we'd known and loved 507 00:26:00,940 --> 00:26:01,180 And what of the rock stars through the '70s? 508 00:26:01,180 --> 00:26:02,460 through the '70s? 509 00:26:02,460 --> 00:26:05,940 Could they possibly survive into another decade? 510 00:26:05,940 --> 00:26:09,100 Hi, Paul. Welcome to Countdown, right across Australia. 511 00:26:09,100 --> 00:26:11,500 And Molly asked me specially to send his regards to you. 512 00:26:11,500 --> 00:26:11,740 And Molly asked me specially Oh, thank you very much. 513 00:26:11,740 --> 00:26:12,700 Oh, thank you very much. 514 00:26:12,700 --> 00:26:14,380 And he's hoping... Thanks, Moll. 515 00:26:14,380 --> 00:26:16,340 ..he's hoping to catch up with you soon. 516 00:26:16,340 --> 00:26:16,620 Um, here we are today at Abbey Road Studios, ..he's hoping to catch up with you soon. 517 00:26:16,620 --> 00:26:18,260 Um, here we are today at Abbey Road Studios, 518 00:26:18,260 --> 00:26:20,220 where you used to record with The Beatles. 519 00:26:20,220 --> 00:26:20,460 Yeah. with The Beatles. 520 00:26:20,460 --> 00:26:21,420 Yeah. 521 00:26:21,420 --> 00:26:23,180 Does that bring back fond memories for you? 522 00:26:23,180 --> 00:26:26,100 Yeah. I've recorded here quite a lot anyway, even without The Beatles. 523 00:26:26,100 --> 00:26:26,340 So, uh... anyway, even without The Beatles. 524 00:26:26,340 --> 00:26:27,220 So, uh... 525 00:26:27,220 --> 00:26:27,460 So, uh... But it is. It's, like, one of the favourite studios. 526 00:26:27,460 --> 00:26:29,060 But it is. It's, like, one of the favourite studios. 527 00:26:29,060 --> 00:26:34,060 This is where I made my first record with The Beatles. 528 00:26:34,060 --> 00:26:36,620 Terrified out of my mind down there. 529 00:26:36,620 --> 00:26:38,140 Of all the things you've ever done, 530 00:26:38,140 --> 00:26:43,260 is there anything in particular that you consider your best work? 531 00:26:43,260 --> 00:26:43,500 is there anything in particular Um, I don't know. 532 00:26:43,500 --> 00:26:46,380 Um, I don't know. 533 00:26:46,380 --> 00:26:48,460 I don't kind of think in those terms. 534 00:26:48,460 --> 00:26:52,740 I think it's people, like, who analyse the music scene 535 00:26:52,740 --> 00:26:54,980 think in terms of that, "What was his best one?" 536 00:26:54,980 --> 00:26:56,380 But I don't know. 537 00:26:56,380 --> 00:26:59,100 If I just had to answer it for some quiz or something, 538 00:26:59,100 --> 00:27:01,460 um, I might say Sergeant Pepper, 539 00:27:01,460 --> 00:27:04,540 or I might say Yesterday, 540 00:27:04,540 --> 00:27:07,020 or I might just as easily say something daft, 541 00:27:07,020 --> 00:27:09,660 like, uh, "She Said She Said," 542 00:27:09,660 --> 00:27:12,060 which is, like, just a track I like, you know. 543 00:27:12,060 --> 00:27:13,380 This one is called Emotional Rescue. 544 00:27:13,380 --> 00:27:15,140 Where did you come up with that title? 545 00:27:15,140 --> 00:27:15,380 Where did you come up with I don't know. 546 00:27:15,380 --> 00:27:16,340 I don't know. 547 00:27:16,340 --> 00:27:19,180 Be quiet now, Italian restaurant people! 548 00:27:19,180 --> 00:27:19,460 We're sitting next door to the kitchen Be quiet now, Italian restaurant people! 549 00:27:19,460 --> 00:27:21,460 We're sitting next door to the kitchen 550 00:27:21,460 --> 00:27:21,700 of an Italian restaurant, actually. to the kitchen 551 00:27:21,700 --> 00:27:23,140 of an Italian restaurant, actually. 552 00:27:23,140 --> 00:27:24,940 Sorry. Yeah, where did we get the title? 553 00:27:24,940 --> 00:27:28,540 Well, it's rescue, right, as in knight on a horse, 554 00:27:28,540 --> 00:27:28,780 but it's, like, mental. as in knight on a horse, 555 00:27:28,780 --> 00:27:30,300 but it's, like, mental. 556 00:27:30,300 --> 00:27:30,540 but it's, like, mental. Mm. You know what I mean? 557 00:27:30,540 --> 00:27:32,500 Mm. You know what I mean? 558 00:27:32,500 --> 00:27:35,100 So, instead of rescuing the girl physically, 559 00:27:35,100 --> 00:27:38,660 you rescue her from her mental traumas. 560 00:27:38,660 --> 00:27:41,180 How much longer do you think The Stones will go on? 561 00:27:41,180 --> 00:27:46,940 Oh, a couple more years, I should think, at least, if not more. 562 00:27:46,940 --> 00:27:48,740 Got a lot of energy left, as far as... 563 00:27:48,740 --> 00:27:51,540 Yeah. I mean, I'm not going to stop working because The Stones finish. 564 00:27:51,540 --> 00:27:53,860 I'm not saying they will finish, but I mean, if they did, 565 00:27:53,860 --> 00:27:55,500 I wouldn't stop singing, you know? 566 00:27:55,500 --> 00:27:56,780 Mm-hmm. 567 00:27:56,780 --> 00:27:58,580 There's plenty of other musicians. 568 00:27:58,580 --> 00:27:58,820 MOLLY: Now, I gather that from Space Oddity There's plenty of other musicians. 569 00:27:58,820 --> 00:28:01,100 MOLLY: Now, I gather that from Space Oddity 570 00:28:01,100 --> 00:28:03,660 that Major Tom was a sort of a superhero 571 00:28:03,660 --> 00:28:05,380 to those that listened to him. Yeah. 572 00:28:05,380 --> 00:28:10,820 Yeah, he was an aspect of the American Dream 573 00:28:10,820 --> 00:28:11,100 Yeah, he was an aspect of the American Dream that took off, but, the dream got lost on him. 574 00:28:11,100 --> 00:28:13,660 that took off, but, the dream got lost on him. 575 00:28:13,660 --> 00:28:15,980 I mean, it wasn't resolved at that time. 576 00:28:15,980 --> 00:28:16,220 And he was a hero, obviously. I mean, it wasn't resolved at that time. 577 00:28:16,220 --> 00:28:17,700 And he was a hero, obviously. 578 00:28:17,700 --> 00:28:19,540 Yeah, but to me, he was an anti... 579 00:28:19,540 --> 00:28:21,540 He was a hero to me, but an antihero. 580 00:28:21,540 --> 00:28:24,820 He didn't have any social contacts. (LAUGHS) 581 00:28:24,820 --> 00:28:25,100 He didn't have any social contacts. (LAUGHS) Bowie's fans were used to him reinventing himself. 582 00:28:25,100 --> 00:28:26,980 Bowie's fans were used to him reinventing himself. 583 00:28:26,980 --> 00:28:30,220 The new decade would see other '70s superstars doing the same. 584 00:28:30,220 --> 00:28:32,740 Thanks very much. Thank you, everybody. 585 00:28:39,620 --> 00:28:44,300 # A place where nobody dared to go 586 00:28:45,580 --> 00:28:48,420 # The love that we came to know 587 00:28:48,420 --> 00:28:51,060 # They call it Xanadu 588 00:28:51,060 --> 00:28:55,140 # It takes your breath and it'll leave you blind 589 00:28:55,140 --> 00:29:00,220 # And now, open your eyes and see 590 00:29:00,220 --> 00:29:03,460 # What we have made is real 591 00:29:03,460 --> 00:29:05,860 # We are in Xanadu 592 00:29:05,860 --> 00:29:10,060 # A dream of it we offer you 593 00:29:10,060 --> 00:29:10,260 # A dream of it we offer you # A million lights are dancing 594 00:29:10,260 --> 00:29:13,540 # A million lights are dancing 595 00:29:13,540 --> 00:29:17,900 # And there you are, a shooting star 596 00:29:17,900 --> 00:29:20,740 # An everlasting world 597 00:29:20,740 --> 00:29:24,820 # And you're here with me, eternally 598 00:29:27,060 --> 00:29:29,020 # Xanadu 599 00:29:30,900 --> 00:29:33,660 # Xanadu 600 00:29:33,660 --> 00:29:35,500 # Now we are here 601 00:29:35,500 --> 00:29:37,980 # In Xanadu 602 00:29:42,180 --> 00:29:43,900 # Xanadu 603 00:29:45,860 --> 00:29:48,700 # Xanadu 604 00:29:48,700 --> 00:29:50,220 # Now we are here 605 00:29:50,220 --> 00:29:53,420 # In Xanadu 606 00:29:53,420 --> 00:29:56,660 # Xanadu, your neon lights 607 00:29:56,660 --> 00:30:01,460 # Will shine for you, Xanadu 608 00:30:04,260 --> 00:30:06,460 # The love 609 00:30:06,460 --> 00:30:10,060 # The echoes of long ago 610 00:30:10,060 --> 00:30:13,300 # You needed the world to know 611 00:30:13,300 --> 00:30:15,740 # They are in Xanadu 612 00:30:15,740 --> 00:30:19,500 # With every breath you drift away 613 00:30:19,500 --> 00:30:19,740 # With every breath you drift away # The dream that came through a million years 614 00:30:19,740 --> 00:30:25,100 # The dream that came through a million years 615 00:30:25,100 --> 00:30:28,420 # That lived on through all the tears 616 00:30:28,420 --> 00:30:30,780 # It came to Xanadu 617 00:30:30,780 --> 00:30:35,420 # The dream you dream true Well, it will happen for you 618 00:30:35,420 --> 00:30:35,660 # The dream you dream true # A million lights are dancing 619 00:30:35,660 --> 00:30:38,300 # A million lights are dancing 620 00:30:38,300 --> 00:30:43,220 # And there you are, a shooting star 621 00:30:43,220 --> 00:30:45,540 # An everlasting world 622 00:30:45,540 --> 00:30:49,620 # And you're here with me, eternally 623 00:30:51,860 --> 00:30:53,740 # Xanadu 624 00:30:55,540 --> 00:30:58,300 # Xanadu 625 00:30:58,300 --> 00:30:59,700 # Now we are here 626 00:30:59,700 --> 00:31:02,700 # In Xanadu 627 00:31:06,900 --> 00:31:08,540 # Xanadu 628 00:31:10,540 --> 00:31:13,260 # Xanadu 629 00:31:13,260 --> 00:31:15,260 # Now we are here 630 00:31:15,260 --> 00:31:18,620 # In Xanadu 631 00:31:18,620 --> 00:31:20,500 # Now that I'm here 632 00:31:20,500 --> 00:31:23,180 # Now that you're near 633 00:31:23,180 --> 00:31:26,540 # In Xanadu 634 00:31:26,540 --> 00:31:27,940 # Now that I'm here 635 00:31:27,940 --> 00:31:30,820 # Now that you're near 636 00:31:30,820 --> 00:31:36,860 # In Xanadu 637 00:31:37,820 --> 00:31:40,900 # Xanadu. # 638 00:31:55,420 --> 00:31:57,100 # Countdown! # 639 00:31:58,780 --> 00:32:00,500 One thing was for sure. 640 00:32:00,500 --> 00:32:00,740 With the turning of the decade, One thing was for sure. 641 00:32:00,740 --> 00:32:02,660 With the turning of the decade, the baton of superstardom 642 00:32:02,660 --> 00:32:05,700 was being grasped by a new generation. 643 00:32:07,660 --> 00:32:11,300 # A city penthouse The kitchen living 644 00:32:11,300 --> 00:32:15,220 # A country home, it's a kitsch living 645 00:32:15,220 --> 00:32:15,460 # A country home, it's a kitsch living # Money can buy almost anything 646 00:32:15,460 --> 00:32:18,820 # Money can buy almost anything 647 00:32:18,820 --> 00:32:22,820 # But anything's nothing when you're dead 648 00:32:22,820 --> 00:32:26,420 # Fast car driving, sleek and modern 649 00:32:26,420 --> 00:32:26,660 # Fast car driving, # Public transit photos waiting 650 00:32:26,660 --> 00:32:30,100 # Public transit photos waiting 651 00:32:30,100 --> 00:32:30,340 # Blood and glass, # Public transit photos waiting 652 00:32:30,340 --> 00:32:33,940 # Blood and glass, three pints of rain 653 00:32:33,940 --> 00:32:34,180 # Blood and glass, # Carpet lining, seats reclining 654 00:32:34,180 --> 00:32:37,660 # Carpet lining, seats reclining 655 00:32:37,660 --> 00:32:39,540 # Clever words on smooth tongue talking 656 00:32:39,540 --> 00:32:41,740 # Shove it, brother, just keep walking. # 657 00:32:44,100 --> 00:32:45,660 Young acts oozed confidence. 658 00:32:45,660 --> 00:32:47,740 It felt like anything was allowed. 659 00:32:49,900 --> 00:32:52,860 # You may as well shout it from the roof 660 00:32:52,860 --> 00:32:53,140 # Scream it from your lungs and spit it from you mouth # You may as well shout it from the roof 661 00:32:53,140 --> 00:32:56,460 # Scream it from your lungs and spit it from you mouth 662 00:32:57,660 --> 00:33:01,340 # Hey, if it falls on deaf ears to indulge in your fears 663 00:33:01,340 --> 00:33:01,620 # Hey, if it falls on deaf ears to indulge in your fears # There's a spy in the sky, there's a noise on the wire 664 00:33:01,620 --> 00:33:05,140 # There's a spy in the sky, there's a noise on the wire 665 00:33:05,140 --> 00:33:08,180 # There's a tap on the line for every paranoid's desire 666 00:33:08,180 --> 00:33:12,060 # There's always someone looking at you, oh-oh, oh-oh 667 00:33:12,060 --> 00:33:15,620 # S-S-S-Someone's looking at you, oh-oh, oh-oh 668 00:33:15,620 --> 00:33:18,460 # They're always looking at you, oh-oh, oh-oh 669 00:33:18,460 --> 00:33:21,820 # They're always looking at you. # 670 00:33:21,820 --> 00:33:22,020 # So, we better get together soon # They're always looking at you. # 671 00:33:22,020 --> 00:33:24,260 # So, we better get together soon 672 00:33:24,260 --> 00:33:26,100 # Because I need you, girl 673 00:33:26,100 --> 00:33:29,780 # I can't stand the frustration so, talk to me 674 00:33:29,780 --> 00:33:30,020 # Talk to me. # so, talk to me 675 00:33:30,020 --> 00:33:30,980 # Talk to me. # 676 00:33:30,980 --> 00:33:31,220 # Talk to me. # If Kiss could make it playing soft metal 677 00:33:31,220 --> 00:33:33,620 If Kiss could make it playing soft metal 678 00:33:33,620 --> 00:33:33,860 If Kiss could make it dressed like bats out of hell... 679 00:33:33,860 --> 00:33:35,620 dressed like bats out of hell... 680 00:33:38,100 --> 00:33:41,540 ..The Police could make it playing spaced-out, jangly reggae. 681 00:34:02,580 --> 00:34:06,140 # Giant steps are what you take 682 00:34:06,140 --> 00:34:09,460 # Walking on the moon 683 00:34:09,460 --> 00:34:12,900 # I hope my legs don't break 684 00:34:12,900 --> 00:34:15,780 # Walking on the moon 685 00:34:15,780 --> 00:34:19,220 # We could walk forever 686 00:34:19,220 --> 00:34:22,180 # Walking on the moon 687 00:34:22,180 --> 00:34:25,620 # We could be together 688 00:34:25,620 --> 00:34:31,020 # Walking on, walking on the moon 689 00:34:41,740 --> 00:34:45,260 # Walking back from your house 690 00:34:45,260 --> 00:34:48,500 # Walking on the moon 691 00:34:48,500 --> 00:34:51,860 # Walking back from your house 692 00:34:51,860 --> 00:34:54,660 # Walking on the moon 693 00:34:54,660 --> 00:34:54,900 # Walking on the moon # Feet, they hardly touch the ground 694 00:34:54,900 --> 00:34:58,100 # Feet, they hardly touch the ground 695 00:34:58,100 --> 00:34:58,340 # Feet, they hardly touch # Walking on the moon 696 00:34:58,340 --> 00:35:00,980 # Walking on the moon 697 00:35:00,980 --> 00:35:04,620 # My feet don't hardly make no sound 698 00:35:04,620 --> 00:35:09,340 # Walking on, walking on the moon 699 00:35:10,900 --> 00:35:14,900 # Some may say 700 00:35:14,900 --> 00:35:18,860 # I'm wishing my days away 701 00:35:18,860 --> 00:35:21,620 # No way 702 00:35:21,620 --> 00:35:25,340 # And if it's the price I pay 703 00:35:25,340 --> 00:35:28,140 # Some say 704 00:35:28,140 --> 00:35:32,060 # Tomorrow's another day 705 00:35:32,060 --> 00:35:33,900 # You stay 706 00:35:33,900 --> 00:35:35,780 # I may as well play 707 00:35:50,340 --> 00:35:53,900 # Giant steps are what you take 708 00:35:53,900 --> 00:35:57,460 # Walking on the moon 709 00:35:57,460 --> 00:36:00,140 # I hope my legs don't break 710 00:36:00,140 --> 00:36:03,420 # Walking on the moon 711 00:36:03,420 --> 00:36:03,620 # Walking on the moon # We could walk forever 712 00:36:03,620 --> 00:36:06,540 # We could walk forever 713 00:36:06,540 --> 00:36:10,020 # Walking on the moon 714 00:36:10,020 --> 00:36:13,140 # We could be together 715 00:36:13,140 --> 00:36:17,820 # Walking on, walking on the moon 716 00:36:19,620 --> 00:36:23,500 # Some may say 717 00:36:23,500 --> 00:36:27,500 # I'm wishing my days away 718 00:36:27,500 --> 00:36:30,140 # No way 719 00:36:30,140 --> 00:36:33,940 # And if it's the price I pay 720 00:36:33,940 --> 00:36:36,740 # Some say 721 00:36:36,740 --> 00:36:40,700 # Tomorrow's another day 722 00:36:40,700 --> 00:36:42,460 # You stay 723 00:36:42,460 --> 00:36:44,860 # I may as well play 724 00:37:00,060 --> 00:37:03,220 # Keep it up 725 00:37:03,220 --> 00:37:04,460 # Keep it up. # 726 00:37:17,460 --> 00:37:20,300 Australian rock musicians now had to decide for themselves, 727 00:37:20,300 --> 00:37:20,540 Australian rock musicians now had to "Where to from here?" 728 00:37:20,540 --> 00:37:21,940 "Where to from here?" 729 00:37:21,940 --> 00:37:22,180 # You probably thought I was a well-adjusted boy "Where to from here?" 730 00:37:22,180 --> 00:37:25,700 # You probably thought I was a well-adjusted boy 731 00:37:27,500 --> 00:37:32,460 # But I'm just as lost as everybody else 732 00:37:32,460 --> 00:37:32,740 # But I'm just as lost as everybody else # You might have thought I was a well-adjusted boy 733 00:37:32,740 --> 00:37:37,300 # You might have thought I was a well-adjusted boy 734 00:37:37,300 --> 00:37:41,860 # But I'm just as stuffed as everybody else. # 735 00:37:46,380 --> 00:37:49,580 In Brisbane, surf music took on a post-punk edge. 736 00:37:51,220 --> 00:37:54,340 # You know that I can't cry tomorrow's tears 737 00:37:54,340 --> 00:37:55,780 # Tomorrow's te-e-ears 738 00:37:55,780 --> 00:37:58,780 # You know that I can't cry tomorrow's tears 739 00:37:58,780 --> 00:37:59,020 # You know that I can't cry # Tomorrow's tears 740 00:37:59,020 --> 00:38:00,420 # Tomorrow's tears 741 00:38:00,420 --> 00:38:03,500 # You know that I can't cry tomorrow's tears 742 00:38:03,500 --> 00:38:03,740 # You know that I can't cry # Tomorrow's tears 743 00:38:03,740 --> 00:38:04,820 # Tomorrow's tears 744 00:38:04,820 --> 00:38:05,060 # Today, hey-hey, # Tomorrow's tears 745 00:38:05,060 --> 00:38:09,860 # Today, hey-hey, today, oh-oh. # 746 00:38:10,860 --> 00:38:15,340 In Sydney, rock music added some urban sophistication. 747 00:38:15,340 --> 00:38:15,580 In Sydney, rock music added some urban sophistication. # Whoa 748 00:38:15,580 --> 00:38:17,660 # Whoa 749 00:38:17,660 --> 00:38:21,220 # This is perversion 750 00:38:21,220 --> 00:38:24,820 # This is diversion 751 00:38:24,820 --> 00:38:28,580 # I'm not feeling myself 752 00:38:28,580 --> 00:38:31,300 # I should be somewhere else. # 753 00:38:31,300 --> 00:38:31,540 # When you think you're ready, Billy # I should be somewhere else. # 754 00:38:31,540 --> 00:38:33,820 # When you think you're ready, Billy 755 00:38:33,820 --> 00:38:35,580 # Play that pantomime for me. # 756 00:38:35,580 --> 00:38:38,780 The next wave of Melbourne bands dabbled in many styles, 757 00:38:38,780 --> 00:38:39,020 including ska. dabbled in many styles, 758 00:38:39,020 --> 00:38:40,900 including ska. 759 00:38:51,220 --> 00:38:53,860 # Yeah 760 00:38:53,860 --> 00:38:58,100 In Tasmania, the '60s pop revival was well underway. 761 00:38:58,100 --> 00:38:58,380 In Tasmania, the '60s pop revival was well underway. # Sooner or later # Sooner or later 762 00:38:58,380 --> 00:39:05,300 # Sooner or later # Sooner or later 763 00:39:05,300 --> 00:39:08,500 # Sooner or later you're going to have to 764 00:39:08,500 --> 00:39:11,980 # Make up your mind # Make up your mind 765 00:39:11,980 --> 00:39:12,220 # Make up your mind # Don't waste my time 766 00:39:12,220 --> 00:39:14,820 # Don't waste my time 767 00:39:14,820 --> 00:39:17,420 # Anymore 768 00:39:17,420 --> 00:39:20,820 # Sooner or later. # 769 00:39:20,820 --> 00:39:21,060 Over in Perth, there was something else going on altogether. # Sooner or later. # 770 00:39:21,060 --> 00:39:24,220 Over in Perth, there was something else going on altogether. 771 00:39:30,820 --> 00:39:32,340 # Last night 772 00:39:32,340 --> 00:39:32,580 # Last night # You told me that you love me, last night 773 00:39:32,580 --> 00:39:35,420 # You told me that you love me, last night 774 00:39:35,420 --> 00:39:38,500 # You told me it was true, last night 775 00:39:38,500 --> 00:39:41,660 # You held me in your arms, last night 776 00:39:41,660 --> 00:39:41,900 # You held me in your arms, # I'll be good to you 777 00:39:41,900 --> 00:39:43,100 # I'll be good to you 778 00:39:43,100 --> 00:39:43,340 # Last night, we thanked the Lord at night # I'll be good to you 779 00:39:43,340 --> 00:39:46,220 # Last night, we thanked the Lord at night 780 00:39:46,220 --> 00:39:49,260 # Last night, we kissed the crystal night 781 00:39:49,260 --> 00:39:52,380 # Last night, we held it through the tide 782 00:39:52,380 --> 00:39:52,620 # Last night we held it through the tide 783 00:39:52,620 --> 00:39:54,100 # Last night 784 00:39:54,100 --> 00:40:00,900 # When I made love to you 785 00:40:00,900 --> 00:40:01,140 # When I made love to you # Never thought it would be like this 786 00:40:01,140 --> 00:40:03,660 # Never thought it would be like this 787 00:40:03,660 --> 00:40:03,900 # Never thought # It all started with just a kiss 788 00:40:03,900 --> 00:40:06,660 # It all started with just a kiss 789 00:40:06,660 --> 00:40:09,660 # A strange obsession came over me 790 00:40:09,660 --> 00:40:13,140 # I lost control, baby, can't you see 791 00:40:13,140 --> 00:40:17,420 # That it all began with last night 792 00:40:17,420 --> 00:40:19,020 # You told me that you love me 793 00:40:19,020 --> 00:40:22,060 # Last night, you told me it was true 794 00:40:22,060 --> 00:40:25,220 # Last night, you held me in your arms 795 00:40:25,220 --> 00:40:25,460 # Last night, # Last night 796 00:40:25,460 --> 00:40:27,020 # Last night 797 00:40:27,020 --> 00:40:33,740 # When I made love to you 798 00:40:33,740 --> 00:40:33,980 # 24 hours on, it's a different sun # When I made love to you 799 00:40:33,980 --> 00:40:36,900 # 24 hours on, it's a different sun 800 00:40:36,900 --> 00:40:40,020 # 24 hours on a distant look, what's going on? 801 00:40:40,020 --> 00:40:43,260 # 24 hours on who will be the first to come 802 00:40:43,260 --> 00:40:44,260 # 24 hours on 803 00:40:44,260 --> 00:40:49,260 # 'Cause I made love to you 804 00:40:49,260 --> 00:40:53,180 # Alright, last night 805 00:40:53,180 --> 00:40:53,380 # Alright, last night # Last night 806 00:40:53,380 --> 00:41:01,860 # Last night 807 00:41:07,740 --> 00:41:10,460 # Never thought it would be like this 808 00:41:10,460 --> 00:41:10,700 # Never thought # It all started with just a kiss 809 00:41:10,700 --> 00:41:13,900 # It all started with just a kiss 810 00:41:13,900 --> 00:41:16,460 # A strange obsession came over me 811 00:41:16,460 --> 00:41:19,340 # I lost control, baby, can't you see 812 00:41:19,340 --> 00:41:19,580 # I lost control, # That it all began with 813 00:41:19,580 --> 00:41:22,940 # That it all began with 814 00:41:34,980 --> 00:41:36,660 # Last night 815 00:41:36,660 --> 00:41:38,100 # You told me that you love me 816 00:41:38,100 --> 00:41:41,220 # Last night, you told me it was true 817 00:41:41,220 --> 00:41:44,580 # Last night, you held me in your arms 818 00:41:44,580 --> 00:41:45,980 # Last night 819 00:41:45,980 --> 00:41:50,180 # When I made love to you. # 820 00:42:02,780 --> 00:42:04,500 # Countdown! # 821 00:42:04,500 --> 00:42:08,140 Molly must have sensed the need for Countdown to innovate 822 00:42:08,140 --> 00:42:09,500 in order to survive. 823 00:42:09,500 --> 00:42:11,980 In 1980, Molly may well have invented 824 00:42:11,980 --> 00:42:13,660 the walk-and-talk interview. 825 00:42:13,660 --> 00:42:15,780 It just seemed so incredible at the start 826 00:42:15,780 --> 00:42:17,540 when he was jamming with Pink Floyd 827 00:42:17,540 --> 00:42:17,740 for you and the rest of the band when he was jamming with Pink Floyd 828 00:42:17,740 --> 00:42:19,980 for you and the rest of the band 829 00:42:19,980 --> 00:42:22,260 to get so excited and invite him into the band. 830 00:42:22,260 --> 00:42:24,780 Just, I mean, Pink Floyd and Thin Lizzy don't exactly... 831 00:42:24,780 --> 00:42:26,820 Yeah, yeah. 832 00:42:26,820 --> 00:42:27,060 ..gel together. Yeah, yeah. 833 00:42:27,060 --> 00:42:28,540 ..gel together. You know what I mean? 834 00:42:28,540 --> 00:42:28,780 ..gel together. Yeah. 835 00:42:28,780 --> 00:42:29,740 Yeah. 836 00:42:29,740 --> 00:42:30,940 It's Michael's Off the Wall album. 837 00:42:30,940 --> 00:42:32,860 And if Michael Jackson wouldn't come to Molly, 838 00:42:32,860 --> 00:42:35,140 Molly could always give him a ring during the show. 839 00:42:35,140 --> 00:42:35,380 Molly could always Oh, here we go. Hello, Michael? 840 00:42:35,380 --> 00:42:37,220 Oh, here we go. Hello, Michael? 841 00:42:37,220 --> 00:42:39,020 Hello. How are you? 842 00:42:39,020 --> 00:42:41,300 Good. That's good. Now, listen. 843 00:42:41,300 --> 00:42:45,180 First of all, congratulations on the Off The Wall album. 844 00:42:45,180 --> 00:42:47,580 It's been an enormous success for you here in this country, 845 00:42:47,580 --> 00:42:47,820 It's been an enormous success and also in America, of course. 846 00:42:47,820 --> 00:42:49,420 and also in America, of course. 847 00:42:49,420 --> 00:42:52,340 How does it feel like, to have such a successful album? 848 00:42:52,340 --> 00:42:52,620 Oh, it's a wonderful feeling, because, uh, How does it feel like, to have such a successful album? 849 00:42:52,620 --> 00:42:54,940 Oh, it's a wonderful feeling, because, uh, 850 00:42:54,940 --> 00:42:58,420 you know, I always do my best, 851 00:42:58,420 --> 00:43:01,780 and I'm very happy that the public accept it. 852 00:43:01,780 --> 00:43:02,060 and I'm very happy that the public accept it. Countdown even went on the road with Split Enz and The Sports 853 00:43:02,060 --> 00:43:04,500 Countdown even went on the road with Split Enz and The Sports 854 00:43:04,500 --> 00:43:06,420 in its own rockumentary. Hello? 855 00:43:06,420 --> 00:43:06,700 Ah, Frank Dunn from 2WG. How are you, mate? in its own rockumentary. Hello? 856 00:43:06,700 --> 00:43:09,340 Ah, Frank Dunn from 2WG. How are you, mate? 857 00:43:09,340 --> 00:43:11,860 Yeah. Is everything looking good for the show up there? 858 00:43:11,860 --> 00:43:12,140 Yeah. Is everything looking good for the show up there? Make sure you get everyone from the station down there to vibe along. 859 00:43:12,140 --> 00:43:14,580 Make sure you get everyone from the station down there to vibe along. 860 00:43:14,580 --> 00:43:14,820 Make sure you get everyone from the Good on you, mate. Bye-bye. 861 00:43:14,820 --> 00:43:17,060 Good on you, mate. Bye-bye. 862 00:43:17,060 --> 00:43:17,300 # A guy's got a strand Good on you, mate. Bye-bye. 863 00:43:17,300 --> 00:43:21,180 # A guy's got a strand just a-wrapped around his ear 864 00:43:21,180 --> 00:43:24,420 # He's oblivious to the traffic, it's not really clear 865 00:43:24,420 --> 00:43:24,660 # He's oblivious to the traffic, # It crackles... # 866 00:43:24,660 --> 00:43:26,020 # It crackles... # 867 00:43:26,020 --> 00:43:29,540 I've come in from Tarcutta, 30 miles to see the band. 868 00:43:29,540 --> 00:43:29,780 I've come in from Tarcutta, I like the guy with the skinny face. 869 00:43:29,780 --> 00:43:32,020 I like the guy with the skinny face. 870 00:43:32,020 --> 00:43:34,580 I like the guy with the little curly thing on his head. 871 00:43:34,580 --> 00:43:34,820 I like the guy with the It's cute. 872 00:43:34,820 --> 00:43:36,220 It's cute. 873 00:43:36,220 --> 00:43:38,900 # I've been a fool 874 00:43:38,900 --> 00:43:43,460 # More than once, more than twice. # 875 00:43:43,460 --> 00:43:43,700 # I don't know how # More than once, more than twice. # 876 00:43:43,700 --> 00:43:45,220 # I don't know how to see it through 877 00:43:45,220 --> 00:43:45,460 # I don't know how # Don't know how to see it through 878 00:43:45,460 --> 00:43:46,780 # Don't know how to see it through 879 00:43:46,780 --> 00:43:49,900 # I don't know how to say that you... # 880 00:44:00,740 --> 00:44:04,700 A song that I loved dearly years ago was "Seventeen." 881 00:44:04,700 --> 00:44:07,740 Yeah. (HUMS A BAR OF THE VERSE) Great song. 882 00:44:07,740 --> 00:44:08,020 Can you sing a couple of bars? I like that melody a lot, yeah. Yeah. (HUMS A BAR OF THE VERSE) Great song. 883 00:44:08,020 --> 00:44:10,740 Can you sing a couple of bars? I like that melody a lot, yeah. 884 00:44:10,740 --> 00:44:12,540 Yeah. It's a beautiful song. Yeah. Beautiful song. 885 00:44:12,540 --> 00:44:12,780 It won a Grammy, too, didn't it? Yeah. Beautiful song. 886 00:44:12,780 --> 00:44:13,740 It won a Grammy, too, didn't it? 887 00:44:13,740 --> 00:44:13,980 It won a Grammy, too, didn't it? Two Grammys? 888 00:44:13,980 --> 00:44:15,180 Yeah. It won two. Two Grammys? 889 00:44:15,180 --> 00:44:17,340 Yeah. I walked into a store this morning on Bourke Street 890 00:44:17,340 --> 00:44:18,900 and they were playing it. Right. 891 00:44:18,900 --> 00:44:20,900 Have you been playing the mandolin long, you know. You... 892 00:44:20,900 --> 00:44:21,140 Wait a minute. Just hang on. long, you know. You... 893 00:44:21,140 --> 00:44:23,140 Wait a minute. Just hang on. 894 00:44:23,140 --> 00:44:23,380 Wait a minute. Just hang on. What are you doing? 895 00:44:23,380 --> 00:44:24,820 Hey, hey, hey! Hey. Cut it out. What are you doing? 896 00:44:24,820 --> 00:44:25,060 What is this? What are you doing? 897 00:44:25,060 --> 00:44:26,020 What is this? 898 00:44:26,020 --> 00:44:26,220 What is this? MOLLY: Who said we were feuding? 899 00:44:26,220 --> 00:44:27,420 MOLLY: Who said we were feuding? 900 00:44:27,420 --> 00:44:30,820 I don't know. It's ridiculous. Absolutely ridiculous. 901 00:44:30,820 --> 00:44:32,620 What a lot of nonsense to... That's right. 902 00:44:32,620 --> 00:44:34,580 Listen. Thanks again for compering the show. 903 00:44:34,580 --> 00:44:36,140 Oh, that's alright. Yeah, just put that down. 904 00:44:36,140 --> 00:44:40,020 Listen. You must be the most written-about person at the moment. 905 00:44:40,020 --> 00:44:41,500 Every magazine I pick up, 906 00:44:41,500 --> 00:44:43,660 there's this big black eyes looking out at you. 907 00:44:43,660 --> 00:44:45,660 (LAUGHS) You have a way with words, Molly. 908 00:44:45,660 --> 00:44:45,940 Summer concerts coming up is LRB and Charlie Daniels. (LAUGHS) You have a way with words, Molly. 909 00:44:45,940 --> 00:44:49,260 Summer concerts coming up is LRB and Charlie Daniels. 910 00:44:49,260 --> 00:44:50,180 Good concert, yeah. Yeah? 911 00:44:50,180 --> 00:44:51,380 What about Roxy Music? Fantastic. 912 00:44:51,380 --> 00:44:53,380 How's Bryan Ferry? Do you know? He's much better, yeah. 913 00:44:53,380 --> 00:44:53,660 How's Bryan Ferry? Do you know? He's much better, yeah. AC/DC? Good concert. I mean, good band. 914 00:44:53,660 --> 00:44:55,620 AC/DC? Good concert. I mean, good band. 915 00:44:55,620 --> 00:44:57,220 I just don't like that record. Sorry. 916 00:44:57,220 --> 00:44:58,140 Have you seen them live? No... 917 00:44:58,140 --> 00:44:58,380 Have you seen them live? Apparently they're fantastic. 918 00:44:58,380 --> 00:44:59,500 Apparently they're fantastic. 919 00:44:59,500 --> 00:45:00,980 Willie Nelson? I haven't seen him, either. 920 00:45:00,980 --> 00:45:01,220 Willie Nelson? Mmm, once you've seen his teeth 921 00:45:01,220 --> 00:45:02,180 Mmm, once you've seen his teeth 922 00:45:02,180 --> 00:45:02,420 you'll prefer to listen to Mmm, once you've seen his teeth 923 00:45:02,420 --> 00:45:03,580 you'll prefer to listen to his records. 924 00:45:03,580 --> 00:45:06,660 Right. Five is The Police on the 17th of February. 925 00:45:06,660 --> 00:45:06,900 Right. Five is The Police Well, what can I say? 926 00:45:06,900 --> 00:45:08,140 Well, what can I say? 927 00:45:08,140 --> 00:45:11,300 Right. Rod Stewart? Always a good live act. 928 00:45:11,300 --> 00:45:14,220 Be fair. Fantastic, even with that nose. 929 00:45:14,220 --> 00:45:16,940 "So, Molly the Mouth, say you're sorry 930 00:45:16,940 --> 00:45:19,460 "or I'll change my station in such a hurry. 931 00:45:19,460 --> 00:45:22,180 "Your ratings will drop. You'll be a disgrace. 932 00:45:22,180 --> 00:45:24,100 "And you'll be there with egg on your face." 933 00:45:24,100 --> 00:45:25,380 Well, I don't know about being egg... 934 00:45:25,380 --> 00:45:25,620 Well, I don't know (AUDIENCE MEMBERS LAUGH) 935 00:45:25,620 --> 00:45:27,620 (AUDIENCE MEMBERS LAUGH) 936 00:45:28,740 --> 00:45:30,220 (CHEERING AND APPLAUSE) 937 00:45:30,220 --> 00:45:31,340 I don't know about... 938 00:45:31,340 --> 00:45:32,700 Alright. Anybody want to say anything? 939 00:45:32,700 --> 00:45:34,700 Back to Molly! Molly. 940 00:45:34,700 --> 00:45:34,940 Back to Molly! Molly. Hello. 941 00:45:34,940 --> 00:45:36,700 Molly. Hello. 942 00:45:38,860 --> 00:45:41,700 Good to see that Ace is still firing away there. 943 00:45:41,700 --> 00:45:41,940 Good old Ace, is still firing away there. 944 00:45:41,940 --> 00:45:42,900 Good old Ace, 945 00:45:42,900 --> 00:45:43,140 Good old Ace, who actually turned out to be a hero after last time. 946 00:45:43,140 --> 00:45:45,220 who actually turned out to be a hero after last time. 947 00:45:45,220 --> 00:45:48,100 And thanks, Jane, and thanks, Paul, and thanks, Little Eric. 948 00:45:48,100 --> 00:45:48,340 And thanks, Jane, and thanks, Paul, It'll be good to have you over here. 949 00:45:48,340 --> 00:45:49,980 It'll be good to have you over here. 950 00:45:49,980 --> 00:45:52,740 And of course, thanks... Martha. 951 00:45:52,740 --> 00:45:54,700 Martha? ..Molly. 952 00:45:54,700 --> 00:45:56,460 Thank you. Aren't I lucky? 953 00:45:56,460 --> 00:45:57,980 Listen. It's time to say goodnight. 954 00:45:57,980 --> 00:46:00,525 Whoa! Best of luck with the tour. 955 00:46:03,060 --> 00:46:05,860 # Looking counterclockwise 956 00:46:05,860 --> 00:46:08,340 # Knowing what could happen 957 00:46:08,340 --> 00:46:08,540 # Knowing what could happen # Any moment, maybe you 958 00:46:08,540 --> 00:46:11,620 # Any moment, maybe you 959 00:46:11,620 --> 00:46:14,380 # Maybe even you 960 00:46:14,380 --> 00:46:17,140 # Steadfast collapse 961 00:46:17,140 --> 00:46:20,060 # Always certain any moment 962 00:46:20,060 --> 00:46:22,900 # Maybe you, maybe you 963 00:46:22,900 --> 00:46:25,820 # Maybe even you 964 00:46:25,820 --> 00:46:26,060 # Recline complete, # Maybe even you 965 00:46:26,060 --> 00:46:30,780 # Recline complete, dream too sweet 966 00:46:30,780 --> 00:46:31,020 # Recline complete, # I can't do it, not with you 967 00:46:31,020 --> 00:46:34,380 # I can't do it, not with you 968 00:46:34,380 --> 00:46:36,780 # Not even with you 969 00:46:36,780 --> 00:46:39,700 # Maybe never with you 970 00:46:42,180 --> 00:46:47,100 # And I'd sell my soul 971 00:46:47,100 --> 00:46:50,140 # For total control 972 00:46:53,820 --> 00:46:58,620 # Yeah, I'd sell my soul 973 00:46:58,620 --> 00:47:02,660 # For total control 974 00:47:06,540 --> 00:47:08,340 # Over you 975 00:47:12,140 --> 00:47:14,540 # Over you 976 00:47:15,540 --> 00:47:19,300 # Total control over you 977 00:48:10,300 --> 00:48:12,820 # Street wet tonight 978 00:48:16,100 --> 00:48:18,020 # Lovers touch 979 00:48:18,020 --> 00:48:20,740 # It's pure delight 980 00:48:20,740 --> 00:48:25,460 # Always certain any moment 981 00:48:25,460 --> 00:48:27,860 # Maybe even you 982 00:48:27,860 --> 00:48:32,820 # Stay in bed stained sheets 983 00:48:32,820 --> 00:48:37,780 # My head hurts, I repeat 984 00:48:37,780 --> 00:48:38,940 # Maybe you 985 00:48:40,380 --> 00:48:42,580 # Maybe you 986 00:48:42,580 --> 00:48:46,500 # Maybe even you 987 00:48:48,660 --> 00:48:53,340 # And I'd sell my soul 988 00:48:53,340 --> 00:48:56,700 # For total control 989 00:49:00,420 --> 00:49:04,940 # Yeah, I'd sell my soul 990 00:49:04,940 --> 00:49:08,260 # For total control 991 00:49:11,820 --> 00:49:16,460 # Ooh, I'd sell my soul 992 00:49:16,460 --> 00:49:20,100 # For total control 993 00:49:20,100 --> 00:49:22,140 # Whoa-oa-oa. # 994 00:49:36,020 --> 00:49:37,180 # Countdown! # 995 00:49:37,180 --> 00:49:41,700 Complex songwriters were seeing great success with complex songs. 996 00:49:41,700 --> 00:49:44,420 And there's so many people that have fallen into the trap. 997 00:49:44,420 --> 00:49:47,940 If they get a formula of A-minor, G, C, 998 00:49:47,940 --> 00:49:50,620 and from there on, every song will be A-minor, G, C, 999 00:49:50,620 --> 00:49:50,860 because they know it works. will be A-minor, G, C, 1000 00:49:50,860 --> 00:49:52,460 because they know it works. 1001 00:49:52,460 --> 00:49:52,700 because they know it works. But I thought, good artists, people like Bowie, Cliff Richard, 1002 00:49:52,700 --> 00:49:57,300 But I thought, good artists, people like Bowie, Cliff Richard, 1003 00:49:57,300 --> 00:50:00,500 you know, the real biggies, they keep moving. 1004 00:50:00,500 --> 00:50:03,020 And that's the important thing about, I think, art. 1005 00:50:03,020 --> 00:50:07,260 That you don't remain stagnant. You keep moving and pushing. 1006 00:50:07,260 --> 00:50:10,020 Australian bands fought their own songwriting demons. 1007 00:50:10,020 --> 00:50:13,660 The Bee Gees and LRB had made it big a few years before. 1008 00:50:13,660 --> 00:50:16,420 We could compete, as long as our songs were world-class. 1009 00:50:16,420 --> 00:50:16,660 We could compete, as long as G'day. 1010 00:50:16,660 --> 00:50:18,060 G'day. 1011 00:50:18,060 --> 00:50:21,340 You were saying just before that, you get a lot of your inspirations 1012 00:50:21,340 --> 00:50:23,620 by reading newspapers and things like that. 1013 00:50:23,620 --> 00:50:24,580 Yeah. 1014 00:50:24,580 --> 00:50:24,820 Like, let's take a lot of your songs. Yeah. 1015 00:50:24,820 --> 00:50:25,940 Like, let's take a lot of your songs. 1016 00:50:25,940 --> 00:50:26,180 There's so much jail reference. a lot of your songs. 1017 00:50:26,180 --> 00:50:27,140 There's so much jail reference. 1018 00:50:27,140 --> 00:50:29,020 You've never been in jail, have you? 1019 00:50:29,020 --> 00:50:30,700 Uh, only visiting. Yeah? 1020 00:50:30,700 --> 00:50:32,180 So, where do you get those ideas from? 1021 00:50:32,180 --> 00:50:32,460 So, where do you get those ideas from? Well, we've played a couple of times in jails, 1022 00:50:32,460 --> 00:50:34,940 Well, we've played a couple of times in jails, 1023 00:50:34,940 --> 00:50:39,940 and I've gone out to a jail in Sydney a couple of times. 1024 00:50:39,940 --> 00:50:40,180 and I've gone out to a jail Right. 1025 00:50:40,180 --> 00:50:41,340 Right. 1026 00:50:41,340 --> 00:50:41,580 And because there's some guys, Right. 1027 00:50:41,580 --> 00:50:45,060 And because there's some guys, producers of music out there, 1028 00:50:45,060 --> 00:50:47,020 and just have a look at what they're doing. 1029 00:50:47,020 --> 00:50:50,060 Right. Well, let's take 'Khe Sanh' as far as Vietnam is concerned. 1030 00:50:50,060 --> 00:50:51,540 You were never in Vietnam, either, were you? 1031 00:50:51,540 --> 00:50:53,780 No, but I knew some guys who were over there. 1032 00:50:53,780 --> 00:50:55,100 Right. 1033 00:50:55,100 --> 00:50:57,580 So, you sort of just accumulate all this information, 1034 00:50:57,580 --> 00:51:01,100 and then it just sort of sometimes comes out in your songs? Is that it? 1035 00:51:01,100 --> 00:51:03,460 Yeah, sometimes. Photographic memory. 1036 00:51:03,460 --> 00:51:05,700 And what about yours? Through the haze, I'd imagine. 1037 00:51:05,700 --> 00:51:06,980 Uh, no, I haven't done that. 1038 00:51:06,980 --> 00:51:09,740 I read a lot of comics. (LAUGHS) 1039 00:51:09,740 --> 00:51:12,340 (CHEERING) 1040 00:51:15,580 --> 00:51:18,220 A lot of us thought it was time to put our own Australian stories 1041 00:51:18,220 --> 00:51:18,460 A lot of us thought it was time into our songs. 1042 00:51:18,460 --> 00:51:21,180 into our songs. 1043 00:51:21,180 --> 00:51:21,420 # Every day I see you wearing things into our songs. 1044 00:51:21,420 --> 00:51:25,020 # Every day I see you wearing things 1045 00:51:25,020 --> 00:51:25,260 # That have never been worn before I see you wearing things 1046 00:51:25,260 --> 00:51:29,860 # That have never been worn before 1047 00:51:29,860 --> 00:51:30,100 # That have never been worn before at the government schools 1048 00:51:30,100 --> 00:51:33,460 # While the children at the government schools 1049 00:51:33,460 --> 00:51:33,700 # Send money for the poor at the government schools 1050 00:51:33,700 --> 00:51:36,940 # Send money for the poor 1051 00:51:38,980 --> 00:51:42,860 # And all you buy, you bargain for 1052 00:51:42,860 --> 00:51:45,660 # With your little man 1053 00:51:46,980 --> 00:51:50,820 # So that from silks down to your paramour 1054 00:51:50,820 --> 00:51:51,060 # So that from silks # You're tres, tres, paragon 1055 00:51:51,060 --> 00:51:54,020 # You're tres, tres, paragon 1056 00:51:55,420 --> 00:51:59,420 # So, it's a back beach in the summer 1057 00:51:59,420 --> 00:52:02,660 # A chalet for the snow 1058 00:52:03,860 --> 00:52:07,980 # You poor hoochie Gucci Fiorucci mama 1059 00:52:07,980 --> 00:52:11,420 # You got really no place to go 1060 00:52:12,900 --> 00:52:16,380 # Antiques flown in from Venice fill 1061 00:52:16,380 --> 00:52:16,620 # Antiques flown in # Your house upon the hill 1062 00:52:16,620 --> 00:52:18,660 # Your house upon the hill 1063 00:52:21,140 --> 00:52:24,700 # While your money sold the soul of rock'n'roll 1064 00:52:24,700 --> 00:52:24,940 # While your money # For some cheap disco thrill 1065 00:52:24,940 --> 00:52:28,020 # For some cheap disco thrill 1066 00:52:29,980 --> 00:52:33,380 # I've seen your peers pouting over beers 1067 00:52:33,380 --> 00:52:33,620 # I've seen your peers # The loneliness it showed 1068 00:52:33,620 --> 00:52:36,900 # The loneliness it showed 1069 00:52:38,340 --> 00:52:42,180 # Mistaking tacky sex for sensuality 1070 00:52:42,180 --> 00:52:46,260 # They bought in Toorak Road 1071 00:52:46,260 --> 00:52:46,460 # So, it's a back beach in the summer # They bought in Toorak Road 1072 00:52:46,460 --> 00:52:50,380 # So, it's a back beach in the summer 1073 00:52:50,380 --> 00:52:53,660 # A chalet for the snow 1074 00:52:55,140 --> 00:52:58,940 # You poor hoochie Gucci Fiorucci mama 1075 00:52:58,940 --> 00:53:02,260 # You got really no place to go 1076 00:53:03,780 --> 00:53:07,220 # Inside her empty castle 1077 00:53:07,220 --> 00:53:11,060 # Her lonely heart will dwell 1078 00:53:11,060 --> 00:53:13,460 # The life that she's been losing 1079 00:53:13,460 --> 00:53:17,540 # Is like some stony back hotel 1080 00:53:17,540 --> 00:53:17,740 # The loving that you never found # Is like some stony back hotel 1081 00:53:17,740 --> 00:53:20,580 # The loving that you never found 1082 00:53:20,580 --> 00:53:24,180 # You don't know the reason why 1083 00:53:26,100 --> 00:53:30,620 # Oh, hoochie Gucci Fiorucci mama 1084 00:53:30,620 --> 00:53:35,260 # Don't you cry. # 1085 00:53:36,860 --> 00:53:39,500 (CHEERING AND APPLAUSE) 1086 00:53:42,980 --> 00:53:44,900 # Countdown! # 1087 00:53:44,900 --> 00:53:45,100 # You can't stop the music # Countdown! # 1088 00:53:45,100 --> 00:53:47,900 # You can't stop the music 1089 00:53:47,900 --> 00:53:51,700 The list of number-one hits reflected the diversity of the year in pop. 1090 00:53:51,700 --> 00:53:51,980 The list of number-one hits reflected the diversity of the year in pop. # Take the heat from flame Try not feeling pain... 1091 00:53:51,980 --> 00:53:54,300 # Take the heat from flame Try not feeling pain... 1092 00:53:54,300 --> 00:53:56,540 The Village People proved that even in a new decade, 1093 00:53:56,540 --> 00:53:58,460 you just couldn't stop the disco music. 1094 00:53:58,460 --> 00:53:58,700 you just couldn't stop # No, you can't stop the music 1095 00:53:58,700 --> 00:54:02,620 # No, you can't stop the music 1096 00:54:02,620 --> 00:54:06,540 # Nobody can stop the music. # 1097 00:54:06,540 --> 00:54:06,780 Rocky Burnette hit the top with gunslinger rockabilly disco. # Nobody can stop the music. # 1098 00:54:06,780 --> 00:54:10,380 Rocky Burnette hit the top with gunslinger rockabilly disco. 1099 00:54:13,060 --> 00:54:15,820 # Baby, I 1100 00:54:15,820 --> 00:54:19,700 # Tired of toeing the line 1101 00:54:19,700 --> 00:54:19,940 # Don't know why # Tired of toeing the line 1102 00:54:19,940 --> 00:54:22,740 # Don't know why you want to jump on me 1103 00:54:22,740 --> 00:54:25,900 # Baby, baby, baby, it's making me cry. # 1104 00:54:25,900 --> 00:54:26,180 Joe Dolce gave us a world music/ Australiana novelty phenomenon. # Baby, baby, baby, it's making me cry. # 1105 00:54:26,180 --> 00:54:30,660 Joe Dolce gave us a world music/ Australiana novelty phenomenon. 1106 00:54:30,660 --> 00:54:33,300 What's that ball doing in-a my show? 1107 00:54:46,660 --> 00:54:48,420 Hey, grazie. Boom! 1108 00:54:48,420 --> 00:54:50,900 And British new wave was represented by The Vapors. 1109 00:54:53,740 --> 00:54:55,860 # Turning Japanese, I think I'm turning Japanese 1110 00:54:55,860 --> 00:54:58,980 # I really think so 1111 00:54:58,980 --> 00:55:00,940 # I'm turning Japanese, I think I'm turning Japanese 1112 00:55:00,940 --> 00:55:01,180 # I'm turning Japanese, # I really think so. # 1113 00:55:01,180 --> 00:55:03,740 # I really think so. # 1114 00:55:03,740 --> 00:55:06,220 It was a year when few local bands made the summit, 1115 00:55:06,220 --> 00:55:08,860 but Split Enz wrestled back a bit of Australasian pride 1116 00:55:08,860 --> 00:55:11,380 with their instant classic, "I Got You." 1117 00:55:11,380 --> 00:55:14,180 # I got you 1118 00:55:14,180 --> 00:55:18,260 # And that's all I want 1119 00:55:18,260 --> 00:55:18,460 # And that's all I want # I won't forget 1120 00:55:18,460 --> 00:55:22,060 # I won't forget 1121 00:55:22,060 --> 00:55:25,740 # That's a whole lot 1122 00:55:25,740 --> 00:55:29,420 # I don't go out 1123 00:55:29,420 --> 00:55:33,500 # Not now that you're in 1124 00:55:33,500 --> 00:55:37,180 # Sometimes we shout 1125 00:55:37,180 --> 00:55:40,140 # But that's no problem 1126 00:55:40,140 --> 00:55:46,180 # I don't know why sometimes I get frightened 1127 00:55:47,420 --> 00:55:49,220 # You can see my eyes 1128 00:55:49,220 --> 00:55:53,660 # You can tell that I'm not lying 1129 00:55:55,540 --> 00:55:58,780 # Look at you 1130 00:55:58,780 --> 00:56:02,900 # You're a pageant 1131 00:56:02,900 --> 00:56:06,460 # You're everything 1132 00:56:06,460 --> 00:56:10,220 # That I've imagined 1133 00:56:10,220 --> 00:56:13,820 # Something's wrong 1134 00:56:13,820 --> 00:56:14,020 # Something's wrong # I feel uneasy 1135 00:56:14,020 --> 00:56:17,700 # I feel uneasy 1136 00:56:17,700 --> 00:56:21,340 # Will you show me 1137 00:56:21,340 --> 00:56:24,340 # Tell me you're not teasing 1138 00:56:24,340 --> 00:56:27,140 # Well, I don't know why sometimes 1139 00:56:27,140 --> 00:56:27,380 # Well, I don't know why # I get frightened 1140 00:56:27,380 --> 00:56:29,740 # I get frightened 1141 00:56:31,460 --> 00:56:33,340 # You can see my eyes 1142 00:56:33,340 --> 00:56:37,900 # You can tell that I'm not lying 1143 00:56:39,620 --> 00:56:42,420 # I don't know why sometimes 1144 00:56:42,420 --> 00:56:45,380 # I get frightened 1145 00:56:46,420 --> 00:56:48,300 # You can see my eyes 1146 00:56:48,300 --> 00:56:52,740 # You can tell me you're not lying 1147 00:57:12,580 --> 00:57:15,860 # There's no doubt 1148 00:57:15,860 --> 00:57:19,620 # Not when I'm with you 1149 00:57:19,620 --> 00:57:23,260 # When I'm without 1150 00:57:23,260 --> 00:57:27,300 # I stay in my room 1151 00:57:27,300 --> 00:57:30,940 # Where do you go? 1152 00:57:30,940 --> 00:57:34,660 # I get no answer 1153 00:57:34,660 --> 00:57:38,460 # You're always out 1154 00:57:38,460 --> 00:57:41,380 # It gets on my nerves 1155 00:57:41,380 --> 00:57:41,620 # I don't know why sometimes I get frightened # It gets on my nerves 1156 00:57:41,620 --> 00:57:46,300 # I don't know why sometimes I get frightened 1157 00:57:48,460 --> 00:57:50,300 # You can see my eyes 1158 00:57:50,300 --> 00:57:54,580 # You can tell that I'm not lying 1159 00:57:56,020 --> 00:57:58,940 # Well, I don't know why sometimes I get frightened. # 1160 00:58:09,940 --> 00:58:11,180 Without a reserved doubt, 1161 00:58:11,180 --> 00:58:13,540 I think you're the best rock'n'roll band in the country. 1162 00:58:13,540 --> 00:58:15,420 Nice meeting and talking. Alright? 1163 00:58:15,420 --> 00:58:17,740 Don't start on me, mate. See you later. 1164 00:58:17,740 --> 00:58:19,740 Yep. OK, well... 1165 00:58:19,740 --> 00:58:19,980 Yep. OK, well... (SPEAKS FOREIGN LANGUAGE) 1166 00:58:19,980 --> 00:58:20,940 (SPEAKS FOREIGN LANGUAGE) 1167 00:58:20,940 --> 00:58:22,540 I beg your pardon? What does that mean? 1168 00:58:22,540 --> 00:58:23,860 Behave yourself. 1169 00:58:28,300 --> 00:58:30,580 Jimmy Barnes just told me to behave myself. 1170 00:58:30,580 --> 00:58:33,540 Well, isn't that the pot calling the kettle black? 1171 00:58:36,340 --> 00:58:37,740 Visit the Classic Countdown website 1172 00:58:37,740 --> 00:58:40,300 for more pictures, interviews and behind-the-scenes information. 1173 00:58:40,300 --> 00:58:40,540 Captions by Ericsson Access Services and behind-the-scenes information. 1174 00:58:40,540 --> 00:58:41,940 Captions by Ericsson Access Services 91868

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