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Um, we're starting off
Countdown for '79.
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00:00:04,140 --> 00:00:05,700
And, this is the way we're going to
begin it
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00:00:05,700 --> 00:00:07,300
and this is the way we'll end it.
Isn't that true?
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00:00:07,300 --> 00:00:07,540
and this is the way we'll end it.
That's right. One! Two...
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00:00:07,540 --> 00:00:09,140
That's right. One! Two...
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Rascal.
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# Countdown, Countdown
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# Countdown,
# Countdown, Countdown
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# Countdown,
Countdown
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NARRATOR: Welcome to
Classic Countdown 1979.
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00:00:20,180 --> 00:00:20,420
NARRATOR: Welcome to
# Countdown! #
12
00:00:20,420 --> 00:00:21,340
# Countdown! #
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00:00:23,020 --> 00:00:25,060
The '70s were almost over.
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00:00:26,100 --> 00:00:27,860
It was time to get dressed up
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00:00:27,860 --> 00:00:30,420
and to party like it was 1979.
16
00:00:31,780 --> 00:00:35,660
When Skylab crashed into the desert
in Western Australia,
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00:00:35,660 --> 00:00:39,140
it seemed like the future had landed
right in our own backyard.
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00:00:39,140 --> 00:00:41,660
NEWS ANCHOR: Skylab's re-entry will
be awesome.
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00:00:41,660 --> 00:00:46,540
79 tonnes, boring its way into the
atmosphere like a shooting star.
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There was an expectation that the
'80s might bring great changes.
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00:00:50,460 --> 00:00:52,100
They no longer costs millions of
dollars
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00:00:52,100 --> 00:00:52,340
They no longer costs millions of
and they are very easy to operate.
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00:00:52,340 --> 00:00:53,780
and they are very easy to operate.
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It also seemed that things might just
stay the same.
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00:01:01,500 --> 00:01:02,860
(APPLAUSE)
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Good evening.
(APPLAUSE)
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00:01:03,060 --> 00:01:04,060
Good evening.
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00:01:04,060 --> 00:01:06,540
And now for something completely
different,
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00:01:06,540 --> 00:01:06,780
welcome to Countdown.
different,
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00:01:06,780 --> 00:01:07,820
welcome to Countdown.
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00:01:08,780 --> 00:01:11,020
# And I don't want
to walk and talk like
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00:01:11,020 --> 00:01:13,260
# Everybody else
# Like everybody else
33
00:01:13,260 --> 00:01:14,900
# And I don't gotta walk through
life like
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00:01:14,900 --> 00:01:15,180
# Everybody else
# Like everybody else
# And I don't gotta walk through
life like
35
00:01:15,180 --> 00:01:16,940
# Everybody else
# Like everybody else
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00:01:16,940 --> 00:01:17,220
# Everybody else
# Like everybody else
# And I'm not gonna grin a grin like
everybody else
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00:01:17,220 --> 00:01:21,580
# And I'm not gonna grin a grin like
everybody else
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00:01:21,580 --> 00:01:24,380
# 'Cause I'm not like
everybody else. #
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00:01:26,860 --> 00:01:31,460
In '79, disco and rock music had been
having their own tug of war,
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00:01:31,460 --> 00:01:34,460
and it was hard to tell
which side was winning.
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00:01:34,460 --> 00:01:34,700
Disco was so infectious.
and it was hard to tell
which side was winning.
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00:01:34,700 --> 00:01:35,700
Disco was so infectious.
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00:01:35,700 --> 00:01:37,780
I mean, it brought
people out to dance.
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00:01:37,780 --> 00:01:38,020
I mean, while I was in Miami,
people out to dance.
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00:01:38,020 --> 00:01:39,180
I mean, while I was in Miami,
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00:01:39,180 --> 00:01:41,940
it was like I'd never actually seen
people dance
47
00:01:41,940 --> 00:01:42,180
it was like I'd never actually seen
people dance
like they were dancing down there.
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00:01:42,180 --> 00:01:43,580
like they were dancing down there.
49
00:01:43,580 --> 00:01:45,620
It was like...I thought, "Wow."
50
00:01:45,620 --> 00:01:47,460
I mean, this isn't pussyfooting
around.
51
00:01:47,460 --> 00:01:47,740
Well, I think that once people got
down to the formula
I mean, this isn't pussyfooting
around.
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00:01:47,740 --> 00:01:50,340
Well, I think that once people got
down to the formula
53
00:01:50,340 --> 00:01:50,580
and found out what would work,
down to the formula
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00:01:50,580 --> 00:01:51,380
and found out what would work,
55
00:01:51,380 --> 00:01:54,100
they tended to get...they tended to
take it too far
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00:01:54,100 --> 00:01:54,380
they tended to get...they tended to
take it too far
and just, they could put out
anything
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00:01:54,380 --> 00:01:55,380
and just, they could put out
anything
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00:01:55,380 --> 00:01:55,620
and just, they could put out
to a beat and it would work.
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00:01:55,620 --> 00:01:56,380
to a beat and it would work.
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00:01:56,380 --> 00:01:57,740
And I think that's over now.
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00:01:57,740 --> 00:01:58,980
You have to have
a good song, as well,
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00:01:58,980 --> 00:01:59,220
You have to have
that happens to be in a disco beat
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00:01:59,220 --> 00:02:00,980
that happens to be in a disco beat
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00:02:00,980 --> 00:02:02,740
to make it now, I think, in disco.
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00:02:02,740 --> 00:02:05,380
Other styles of music were also
staking their claim.
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00:02:06,860 --> 00:02:10,940
We describe our music as...
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00:02:10,940 --> 00:02:13,780
..a road to consciousness, you know?
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00:02:13,780 --> 00:02:14,020
..a road to consciousness, you know?
It was time to evaluate
the past decade
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00:02:14,020 --> 00:02:16,740
It was time to evaluate
the past decade
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00:02:16,740 --> 00:02:19,260
and to anticipate
what might lie ahead.
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00:02:19,260 --> 00:02:19,540
And, I think people now are much
more interested
and to anticipate
what might lie ahead.
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00:02:19,540 --> 00:02:22,140
And, I think people now are much
more interested
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00:02:22,140 --> 00:02:25,500
in becoming a projected image on
television.
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00:02:25,500 --> 00:02:25,780
in becoming a projected image on
television.
Like, a lot of people
are starting to act
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00:02:25,780 --> 00:02:27,660
Like, a lot of people
are starting to act
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00:02:27,660 --> 00:02:27,900
Like, a lot of people
and use their hands and fight back.
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00:02:27,900 --> 00:02:30,700
and use their hands and fight back.
78
00:02:30,700 --> 00:02:33,500
And a lot of lyrics are just talking
about stuff
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00:02:33,500 --> 00:02:36,020
that was never taught before, which
is very good.
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00:02:52,700 --> 00:02:53,780
# I'm bored
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00:02:55,260 --> 00:02:57,220
# I'm the chairman of the bored
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00:02:59,140 --> 00:03:01,580
# I'm a Lincoln monologue
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00:03:01,580 --> 00:03:03,900
# I'm living like a dog
84
00:03:03,900 --> 00:03:04,980
# I'm bored
85
00:03:07,820 --> 00:03:11,740
# I bore myself to sleep at night
86
00:03:11,740 --> 00:03:14,660
# I bore myself in broad daylight
87
00:03:14,660 --> 00:03:15,900
# 'Cause I'm bored
88
00:03:17,580 --> 00:03:19,580
# Just another slimy bore
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00:03:22,860 --> 00:03:26,540
# I'm free to bore my well-bought
friends
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00:03:26,540 --> 00:03:26,780
# I'm free to bore my well-bought
friends
# And spend my cash until the end
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00:03:26,780 --> 00:03:29,500
# And spend my cash until the end
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00:03:29,500 --> 00:03:31,020
# 'Cause I'm bored!
93
00:03:33,620 --> 00:03:35,180
# I'm bored
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00:03:36,340 --> 00:03:38,540
# I'm the chairman of the bored
95
00:03:54,140 --> 00:03:55,220
# I'm sick
96
00:03:56,900 --> 00:03:58,860
# I'm sick of all my kicks
97
00:04:00,580 --> 00:04:02,420
# I'm sick of all the stiffs
98
00:04:02,420 --> 00:04:05,100
# I'm sick of all the dips
99
00:04:05,100 --> 00:04:06,140
# I'm bored
100
00:04:08,980 --> 00:04:12,580
# I bore myself to sleep at night
101
00:04:12,580 --> 00:04:15,540
# I bore myself in broad daylight
102
00:04:15,540 --> 00:04:17,300
# 'Cause I'm bored
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00:04:19,820 --> 00:04:21,340
# I'm bored!
104
00:04:22,660 --> 00:04:24,860
# Just another dirty bore!
105
00:04:27,740 --> 00:04:30,260
# Alright, doll-face,
come on and bore me!
106
00:04:43,940 --> 00:04:45,260
# I am sick
107
00:04:46,220 --> 00:04:50,180
# I am sick of all my kicks
108
00:04:50,180 --> 00:04:52,100
# I am sick of all the stiffs
109
00:04:52,100 --> 00:04:54,260
# I'm sick of all the dips
110
00:04:54,260 --> 00:04:55,820
# I'm sick!
111
00:04:58,380 --> 00:05:01,860
# I'm sick when I go
to sleep at night
112
00:05:01,860 --> 00:05:05,180
# I'm still sick
in the broad daylight
113
00:05:05,180 --> 00:05:05,420
# I'm still sick
# 'Cause I'm bored!
114
00:05:05,420 --> 00:05:09,060
# 'Cause I'm bored!
115
00:05:09,060 --> 00:05:11,940
# I'm bored
116
00:05:11,940 --> 00:05:13,500
# I'm the chairman of the..
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00:05:15,100 --> 00:05:16,140
# ..bored! #
118
00:05:27,700 --> 00:05:29,940
# I feel so good about us
119
00:05:31,020 --> 00:05:33,060
# I found a shining star
120
00:05:34,660 --> 00:05:37,740
# And when I look into your eyes
121
00:05:37,740 --> 00:05:37,940
# And when I look into your eyes
# It's magic
122
00:05:37,940 --> 00:05:38,780
# It's magic
123
00:05:40,980 --> 00:05:45,260
# Well, I just know this
can't be a dream
124
00:05:45,260 --> 00:05:47,500
# I'm so happy, must be real
125
00:05:48,900 --> 00:05:52,100
# In every way it's getting stronger
126
00:05:52,100 --> 00:05:55,300
# Now you know it, let me show it!
127
00:05:57,620 --> 00:05:59,420
# Instant replay. #
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00:05:59,420 --> 00:06:02,460
As musical styles
danced around each other,
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00:06:02,460 --> 00:06:06,500
discussion raged about image
and corporate interference.
130
00:06:06,500 --> 00:06:06,780
And basically, before we had any
commercial success,
discussion raged about image
and corporate interference.
131
00:06:06,780 --> 00:06:08,820
And basically, before we had any
commercial success,
132
00:06:08,820 --> 00:06:10,900
we had been working for like, two or
three years.
133
00:06:10,900 --> 00:06:11,140
So, I think that, you know,
three years.
134
00:06:11,140 --> 00:06:12,980
So, I think that, you know,
135
00:06:12,980 --> 00:06:13,220
So, I think that, you know,
commercialism is really behind the
art form.
136
00:06:13,220 --> 00:06:17,020
commercialism is really behind the
art form.
137
00:06:17,020 --> 00:06:17,300
If you were gonna take somebody from
the '70s, you know,
commercialism is really behind the
art form.
138
00:06:17,300 --> 00:06:20,660
If you were gonna take somebody from
the '70s, you know,
139
00:06:20,660 --> 00:06:21,700
and put 'em, like, in a...
140
00:06:22,660 --> 00:06:25,420
..as like, in a time capsule or
something,
141
00:06:25,420 --> 00:06:25,660
..as like, in a time capsule or
something,
you would put Rod Stewart in there
142
00:06:25,660 --> 00:06:26,780
you would put Rod Stewart in there
143
00:06:26,780 --> 00:06:28,820
because other bands
look at that as saying,
144
00:06:28,820 --> 00:06:30,500
"Well, that is the
ultimate rock star."
145
00:06:30,500 --> 00:06:30,740
"Well, that is the
He has every element.
146
00:06:30,740 --> 00:06:32,180
He has every element.
147
00:06:32,180 --> 00:06:35,900
Your punk bands have got the right
idea with the image,
148
00:06:35,900 --> 00:06:40,220
but they're missing out on the
other...on rehearsing 20 hours a day
149
00:06:40,220 --> 00:06:42,180
and getting the sound down,
and getting the music down.
150
00:06:42,180 --> 00:06:43,660
Whereas, a lot of your bands,
other bands,
151
00:06:43,660 --> 00:06:46,180
are great musicians
and think nothing about image.
152
00:06:47,140 --> 00:06:49,380
Record companies have...began to see
it like as,
153
00:06:49,380 --> 00:06:51,940
"This is a package deal and this
will work.
154
00:06:51,940 --> 00:06:54,980
"You do this and you do that and you
got that."
155
00:06:54,980 --> 00:06:55,220
Unfortunately, um...
got that."
156
00:06:55,220 --> 00:06:56,860
Unfortunately, um...
157
00:06:58,180 --> 00:07:02,460
..the most permanent thing in life
is change.
158
00:07:03,620 --> 00:07:06,020
Hello, I'm Mike McDonald and this is
Pat Simmons,
159
00:07:06,020 --> 00:07:06,300
Hello, I'm Mike McDonald and this is
Pat Simmons,
and when the rest of the boys are
here,
160
00:07:06,300 --> 00:07:07,900
and when the rest of the boys are
here,
161
00:07:07,900 --> 00:07:08,140
and when the rest of the boys are
we are the Doobie Brothers.
162
00:07:08,140 --> 00:07:09,180
we are the Doobie Brothers.
163
00:07:09,180 --> 00:07:11,980
# I did not know what you were about
164
00:07:11,980 --> 00:07:12,220
# Something called love made me want
to find out
# I did not know what you were about
165
00:07:12,220 --> 00:07:14,860
# Something called love made me want
to find out
166
00:07:14,860 --> 00:07:15,100
# Something called love made me want
# Did not think you could ever care
167
00:07:15,100 --> 00:07:17,140
# Did not think you could ever care
168
00:07:17,140 --> 00:07:20,060
# But I'm outta control 'cause
you're taking me there
169
00:07:21,180 --> 00:07:24,140
# I couldn't believe
our love would last
170
00:07:26,700 --> 00:07:28,260
# It's coming on stronger
171
00:07:28,260 --> 00:07:31,380
# Coming on so much faster
172
00:07:31,380 --> 00:07:32,900
# Get used to it. #
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00:07:34,620 --> 00:07:36,660
Although the decade
was about to turn,
174
00:07:36,660 --> 00:07:39,220
some acts seemed set on prolonging
the '70s.
175
00:07:42,060 --> 00:07:44,860
Some acts tried to nail down
the future.
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00:07:44,860 --> 00:07:47,580
# By those boys and those girls
at the hop
177
00:07:50,180 --> 00:07:51,860
# Tell me what do you say
178
00:07:51,860 --> 00:07:52,060
# Tell me what do you say
# Tell me what do you say
179
00:07:52,060 --> 00:07:55,660
# Tell me what do you say
180
00:07:58,780 --> 00:08:03,100
# Life begins at the hop
181
00:08:03,100 --> 00:08:06,140
# Boys and girls. #
182
00:08:08,300 --> 00:08:11,820
Some acts were content to sit back
and watch it all happen.
183
00:08:11,820 --> 00:08:14,900
TOM WAITS: It always seems to be
a little bit behind, you know.
184
00:08:14,900 --> 00:08:15,180
It's like any kind of a scene seems
to die,
TOM WAITS: It always seems to be
a little bit behind, you know.
185
00:08:15,180 --> 00:08:19,220
It's like any kind of a scene seems
to die,
186
00:08:19,220 --> 00:08:22,780
or begin dying at its conception,
you know?
187
00:08:22,780 --> 00:08:26,380
And then, by the time you end up in
a window of Bloomingdales
188
00:08:26,380 --> 00:08:26,660
And then, by the time you end up in
a window of Bloomingdales
with a guy in a skinny tie and small
lapels and pointed shoes,
189
00:08:26,660 --> 00:08:30,500
with a guy in a skinny tie and small
lapels and pointed shoes,
190
00:08:30,500 --> 00:08:33,020
you know, you can pretty well pack
it in.
191
00:08:45,820 --> 00:08:49,020
# Ooh, my little pretty one,
my pretty one
192
00:08:49,020 --> 00:08:49,300
# Ooh, my little pretty one,
my pretty one
# When you gonna give me some time,
Sharona
193
00:08:49,300 --> 00:08:52,580
# When you gonna give me some time,
Sharona
194
00:08:52,580 --> 00:08:55,540
# Ooh, you make my motor run,
my motor run
195
00:08:55,540 --> 00:08:58,860
# Got it coming off o' the line,
Sharona
196
00:08:58,860 --> 00:09:02,100
# Never gonna stop, give it up,
such a dirty mind
197
00:09:02,100 --> 00:09:05,540
# I always get it up, for the touch
of the younger kind
198
00:09:05,540 --> 00:09:05,780
# I always get it up, for the touch
# My, my, my, aye-aye, whoo!
199
00:09:05,780 --> 00:09:08,740
# My, my, my, aye-aye, whoo!
200
00:09:09,700 --> 00:09:11,900
# M-m-m-my Sharona
201
00:09:15,100 --> 00:09:18,540
# Come a little closer, huh,
a-will ya, huh
202
00:09:18,540 --> 00:09:21,700
# Close enough to look in my eyes,
Sharona
203
00:09:21,700 --> 00:09:21,980
# Close enough to look in my eyes,
Sharona
# Keeping it a mystery,
it gets to me
204
00:09:21,980 --> 00:09:24,700
# Keeping it a mystery,
it gets to me
205
00:09:24,700 --> 00:09:28,300
# Running down the length of my
thigh, Sharona
206
00:09:28,300 --> 00:09:31,220
# Never gonna stop, give it up,
such a dirty mind
207
00:09:31,220 --> 00:09:31,500
# Never gonna stop, give it up,
such a dirty mind
# I always get it up, for the touch
of the younger kind
208
00:09:31,500 --> 00:09:35,100
# I always get it up, for the touch
of the younger kind
209
00:09:35,100 --> 00:09:38,980
# My, my, my, aye-aye, whoo!
210
00:09:38,980 --> 00:09:42,140
# M-m-m-my Sharona
211
00:09:42,140 --> 00:09:42,340
# M-m-m-my Sharona
# M-m-m-my Sharona
212
00:09:42,340 --> 00:09:44,300
# M-m-m-my Sharona
213
00:10:00,980 --> 00:10:02,900
(GIRLS SCREAM)
214
00:10:22,940 --> 00:10:26,060
# When you gonna give to me,
a gift to me?
215
00:10:26,060 --> 00:10:29,380
# Is it just a matter of time,
Sharona?
216
00:10:29,380 --> 00:10:29,620
# Is it just a matter of time,
# Is it d-d-destiny, d-destiny
217
00:10:29,620 --> 00:10:32,780
# Is it d-d-destiny, d-destiny
218
00:10:32,780 --> 00:10:36,100
# Or is it just a game in my mind,
Sharona
219
00:10:36,100 --> 00:10:39,220
# Never gonna stop, give it up,
such a dirty mind
220
00:10:39,220 --> 00:10:42,700
# I always get it up, for the touch
of the younger kind
221
00:10:42,700 --> 00:10:42,940
# I always get it up, for the touch
# My, my, my, aye-aye, whoo!
222
00:10:42,940 --> 00:10:47,220
# My, my, my, aye-aye, whoo!
223
00:10:47,220 --> 00:10:49,980
# M-m-m-m-m-m-m-my
224
00:10:49,980 --> 00:10:53,260
# My, my, aye-aye, whoo!
225
00:10:53,260 --> 00:10:55,420
# M-m-m-my Sharona
226
00:10:56,580 --> 00:10:58,620
# M-m-m-my Sharona
227
00:10:59,820 --> 00:11:01,860
# M-m-m-my Sharona
228
00:11:03,060 --> 00:11:05,260
# M-m-m-my Sharona. #
229
00:11:59,740 --> 00:12:02,860
Hi, this is Rickie Lee Jones on
Countdown,
230
00:12:02,860 --> 00:12:04,340
rolling into the '80s.
231
00:12:04,340 --> 00:12:05,500
I'll meet you there.
232
00:12:06,980 --> 00:12:08,020
Can I wear your hat?
233
00:12:08,020 --> 00:12:09,780
Yeah.
Oh, great.
234
00:12:09,780 --> 00:12:10,540
Want me to fix your hair?
235
00:12:10,540 --> 00:12:12,500
If you wouldn't mind. (LAUGHS)
236
00:12:12,500 --> 00:12:16,460
Countdown embraced the diversity
and sophistication of the time
237
00:12:16,460 --> 00:12:20,620
and several world class acts
performed on the show in '79.
238
00:12:20,620 --> 00:12:21,980
Hello, Molly.
239
00:12:21,980 --> 00:12:23,860
Thank you.
Hello, Dolly.
240
00:12:23,860 --> 00:12:24,100
First of all, I've got to...
Thank you.
Hello, Dolly.
241
00:12:24,100 --> 00:12:25,100
First of all, I've got to...
242
00:12:25,100 --> 00:12:27,180
They're sort of rather wilted
at the moment.
243
00:12:27,180 --> 00:12:27,420
They're sort of rather wilted
Welcome to Countdown, for a start.
244
00:12:27,420 --> 00:12:29,020
Welcome to Countdown, for a start.
245
00:12:29,020 --> 00:12:29,260
Well, thank you.
Welcome to Countdown, for a start.
246
00:12:29,260 --> 00:12:30,460
Well, thank you.
This is a great audience.
247
00:12:30,460 --> 00:12:30,700
Well, thank you.
This is a great audience.
Hey, what about this lady?
248
00:12:30,700 --> 00:12:32,260
Hey, what about this lady?
249
00:12:32,260 --> 00:12:33,260
She's marvellous. Whoo!
250
00:12:33,260 --> 00:12:35,260
(CHEERING)
(LAUGHS)
251
00:12:35,260 --> 00:12:37,500
All I can say is...
They don't know what about her.
252
00:12:37,500 --> 00:12:39,020
..all I can say is that,
Western Australia,
253
00:12:39,020 --> 00:12:41,860
you may have bits of Skylab hanging
all around your state,
254
00:12:41,860 --> 00:12:42,100
you may have bits of Skylab hanging
but I've got Dolly Parton.
255
00:12:42,100 --> 00:12:43,300
but I've got Dolly Parton.
256
00:12:43,300 --> 00:12:44,940
And I've got Molly.
257
00:12:44,940 --> 00:12:45,180
# Who never learned to read or write
so well. #
And I've got Molly.
258
00:12:45,180 --> 00:12:48,900
# Who never learned to read or write
so well. #
259
00:12:48,900 --> 00:12:49,980
Elton John was back
260
00:12:49,980 --> 00:12:52,460
with a rocking version
of Johnny B. Goode.
261
00:12:52,460 --> 00:12:52,700
with a rocking version
# Go, go
262
00:12:52,700 --> 00:12:54,700
# Go, go
263
00:12:54,700 --> 00:12:54,900
# Go, go
# Go, Johnny, go, go, go
264
00:12:54,900 --> 00:12:57,140
# Go, Johnny, go, go, go
265
00:12:58,500 --> 00:13:01,140
# Go, Johnny, go, go, go
266
00:13:02,300 --> 00:13:04,820
# Go, Johnny, go, go, go
267
00:13:06,100 --> 00:13:08,500
# Go, Johnny, go, go, go
268
00:13:09,860 --> 00:13:12,300
# Go, go, Johnny B. Goode. #
269
00:13:14,300 --> 00:13:18,780
# My love, my love
270
00:13:18,780 --> 00:13:21,700
# She don't need diamonds
271
00:13:21,700 --> 00:13:22,940
# My love...
272
00:13:22,940 --> 00:13:26,220
Fellow piano player Chris Rea
tickled the ivories.
273
00:13:26,220 --> 00:13:26,500
Fellow piano player Chris Rea
tickled the ivories.
# ..she don't need diamonds,
don't need diamonds. #
274
00:13:26,500 --> 00:13:32,380
# ..she don't need diamonds,
don't need diamonds. #
275
00:13:35,780 --> 00:13:38,220
# Doctor, doctor, give me the news
276
00:13:38,220 --> 00:13:41,700
# I've got a bad
case of loving you. #
277
00:13:42,660 --> 00:13:45,900
Robert Palmer performed
his breakthrough cover.
278
00:13:45,900 --> 00:13:46,140
Robert Palmer performed
his breakthrough cover.
# Bad case of loving you. #
279
00:13:46,140 --> 00:13:51,020
# Bad case of loving you. #
280
00:13:51,020 --> 00:13:55,100
There was just no telling
who the kids might introduce next.
281
00:13:55,100 --> 00:13:55,340
There was just no telling
And now, your host, Bob Welch!
282
00:13:55,340 --> 00:14:00,060
And now, your host, Bob Welch!
283
00:14:00,060 --> 00:14:02,100
(CHEERING AND APPLAUSE)
284
00:14:12,180 --> 00:14:16,460
# Well, have you seen that girl
in the corner
285
00:14:16,460 --> 00:14:20,140
# I'd like to take her
out of her chains
286
00:14:20,140 --> 00:14:24,460
# Cause if I have
my way with you, baby
287
00:14:24,460 --> 00:14:28,100
# I would be changing
your life today
288
00:14:29,620 --> 00:14:31,820
# Your eyes got me dreaming
289
00:14:33,980 --> 00:14:35,860
# Your eyes got me blind
290
00:14:37,900 --> 00:14:40,100
# Your eyes got me hoping
291
00:14:41,020 --> 00:14:44,780
# That I'll be holding you close
tonight
292
00:14:46,180 --> 00:14:48,380
# Your eyes got me dreaming
293
00:14:50,300 --> 00:14:52,500
# Your eyes got me blind
294
00:14:54,500 --> 00:14:57,420
# Your eyes got me hoping
295
00:14:57,420 --> 00:15:00,740
# That I'll be holding you close
tonight
296
00:15:09,740 --> 00:15:13,780
# She was the same
as a hundred ladies
297
00:15:13,780 --> 00:15:17,900
# But when my eyes looked at her
I learned
298
00:15:17,900 --> 00:15:18,140
# But when my eyes looked at her
# That she was keeping a secret fire
299
00:15:18,140 --> 00:15:21,980
# That she was keeping a secret fire
300
00:15:21,980 --> 00:15:22,180
# That she was keeping a secret fire
# And if I got real close I'd burn
301
00:15:22,180 --> 00:15:26,460
# And if I got real close I'd burn
302
00:15:26,460 --> 00:15:30,500
# So it looked like
I had to move slowly
303
00:15:30,500 --> 00:15:30,740
# So it looked like
# Like a cat at night in the trees
304
00:15:30,740 --> 00:15:34,380
# Like a cat at night in the trees
305
00:15:34,380 --> 00:15:38,620
# Cause I was waiting
for her to show me
306
00:15:38,620 --> 00:15:42,180
# The way that
she liked her love to feel
307
00:15:43,980 --> 00:15:46,020
# Your eyes got me dreaming
308
00:15:48,180 --> 00:15:50,140
# Your eyes got me blind
309
00:15:52,180 --> 00:15:55,180
# Your eyes got me hoping
310
00:15:55,180 --> 00:15:58,580
# That I'll be holding you close
tonight
311
00:16:00,460 --> 00:16:02,860
# Your eyes got me dreaming
312
00:16:04,540 --> 00:16:06,740
# Your eyes got me blind
313
00:16:08,660 --> 00:16:11,500
# Your eyes got me hoping
314
00:16:11,500 --> 00:16:14,980
# That I'll be holding you close
tonight
315
00:16:18,620 --> 00:16:20,660
# Ebony eyes
316
00:16:22,820 --> 00:16:24,820
# Ebony eyes
317
00:16:27,900 --> 00:16:30,220
# Ebony eyes
318
00:16:31,940 --> 00:16:35,180
# Ebony eyes
319
00:16:37,460 --> 00:16:39,820
# Your eyes got me dreaming
320
00:16:41,660 --> 00:16:43,980
# Your eyes got me blind
321
00:16:45,740 --> 00:16:48,740
# Your eyes got me hoping
322
00:16:48,740 --> 00:16:52,020
# That I'll be holding you close
tonight
323
00:16:54,020 --> 00:16:56,220
# Your eyes got me dreaming
324
00:16:58,180 --> 00:17:00,380
# Your eyes got me blind
325
00:17:02,260 --> 00:17:05,260
# Your eyes got me hoping
326
00:17:05,260 --> 00:17:08,620
# That I'll be holding you close
tonight
327
00:17:10,580 --> 00:17:12,820
# Your eyes got me dreaming
328
00:17:14,740 --> 00:17:16,940
# Your eyes got me blind. #
329
00:17:16,940 --> 00:17:18,860
(CHEERING AND APPLAUSE)
330
00:17:22,700 --> 00:17:23,740
# Countdown! #
331
00:17:24,700 --> 00:17:26,660
This is Davie Bowie for Countdown,
332
00:17:26,660 --> 00:17:29,300
we shall be talking very shortly,
333
00:17:29,300 --> 00:17:32,700
in a matter of hours,
days, or weeks,
334
00:17:32,700 --> 00:17:32,940
in a matter of hours,
about the 17th century
335
00:17:32,940 --> 00:17:35,820
about the 17th century
336
00:17:35,820 --> 00:17:36,060
and Pachelbel's influence
about the 17th century
337
00:17:36,060 --> 00:17:39,820
and Pachelbel's influence
on 1970s gardening.
338
00:17:41,020 --> 00:17:42,860
And, here's Pachelbel's garden.
339
00:17:49,180 --> 00:17:51,060
It's not really. It's Kew Gardens.
340
00:17:52,660 --> 00:17:56,300
And we'll be talking about music,
actually, in the '70s.
341
00:17:56,300 --> 00:17:56,540
And we'll be talking about music,
So, I suppose I've gotta be in it.
342
00:17:56,540 --> 00:17:57,820
So, I suppose I've gotta be in it.
343
00:18:00,260 --> 00:18:03,620
# You've gotta keep a putting,
a booting, a running, a hiding
344
00:18:03,620 --> 00:18:04,820
# Cause it's gonna get you
345
00:18:04,820 --> 00:18:07,820
# You've gotta keep a one step, a
two step, a quick step, a thick step
346
00:18:07,820 --> 00:18:08,060
# You've gotta keep a one step, a
two step, a quick step, a thick step
# Cause it's gonna get you. #
347
00:18:08,060 --> 00:18:09,300
# Cause it's gonna get you. #
348
00:18:09,300 --> 00:18:11,180
As well as the internationals,
349
00:18:11,180 --> 00:18:11,420
Countdown continued to support a raft
As well as the internationals,
350
00:18:11,420 --> 00:18:14,620
Countdown continued to support a raft
of local acts,
351
00:18:14,620 --> 00:18:14,860
Countdown continued to support a raft
most of them trying to stay afloat
352
00:18:14,860 --> 00:18:16,700
most of them trying to stay afloat
353
00:18:16,700 --> 00:18:18,780
in a rapidly changing industry.
354
00:18:19,940 --> 00:18:21,900
JPY was plugging away.
355
00:18:21,900 --> 00:18:22,140
Molly! Molly!
JPY was plugging away.
356
00:18:22,140 --> 00:18:24,380
Molly! Molly!
And, here's this, here's this.
357
00:18:24,380 --> 00:18:24,620
Molly! Molly!
And here's this, lovely.
358
00:18:24,620 --> 00:18:25,380
And here's this, lovely.
359
00:18:25,380 --> 00:18:27,020
Now, be very careful with the razor,
we don't...
360
00:18:28,060 --> 00:18:30,780
Marc Hunter had gone solo...
361
00:18:30,780 --> 00:18:31,020
# Island nights
You're blinded by the lights
Marc Hunter had gone solo...
362
00:18:31,020 --> 00:18:34,100
# Island nights
You're blinded by the lights
363
00:18:34,100 --> 00:18:34,340
# Can't shake those island nights. #
You're blinded by the lights
364
00:18:34,340 --> 00:18:36,580
# Can't shake those island nights. #
365
00:18:36,580 --> 00:18:38,860
..which meant
Dragon had a new singer.
366
00:18:38,860 --> 00:18:41,980
# Oh, love's not enough for you
367
00:18:43,540 --> 00:18:45,740
# Love's not enough for you. #
368
00:18:46,740 --> 00:18:49,860
Skyhooks also signed
on a new front man.
369
00:18:49,860 --> 00:18:50,100
# Get my wheels on the rails
on a new front man.
370
00:18:50,100 --> 00:18:51,780
# Get my wheels on the rails
371
00:18:51,780 --> 00:18:53,300
# Over the border
372
00:18:53,300 --> 00:18:56,420
# Down to New South Wales. #
373
00:18:56,420 --> 00:18:56,660
# Down to New South Wales. #
And Sherbet,
with exactly the same line-up,
374
00:18:56,660 --> 00:18:59,500
And Sherbet,
with exactly the same line-up,
375
00:18:59,500 --> 00:18:59,740
were now called Highway.
And Sherbet,
with exactly the same line-up,
376
00:18:59,740 --> 00:19:01,620
were now called Highway.
377
00:19:01,620 --> 00:19:05,460
# Smiling like she knew me
378
00:19:05,460 --> 00:19:05,700
# Smiling like she knew me
The girl had threw me
379
00:19:05,700 --> 00:19:09,140
# Her eyes were shining bright
The girl had threw me
380
00:19:09,140 --> 00:19:09,380
# Her eyes were shining bright
The girl had threw me
# I never knew it
381
00:19:09,380 --> 00:19:11,100
# I never knew it
382
00:19:11,100 --> 00:19:12,740
# Got hooked into it
383
00:19:13,700 --> 00:19:15,900
# I was ready for love
384
00:19:15,900 --> 00:19:17,700
# Ready for your love. #
385
00:19:17,700 --> 00:19:19,460
The musical times were a-changing,
386
00:19:19,460 --> 00:19:21,540
and it was hard to stay
ahead of the game.
387
00:19:25,740 --> 00:19:26,780
Some Australian bands
388
00:19:26,780 --> 00:19:27,020
Some Australian bands
of the punk movement on board.
389
00:19:27,020 --> 00:19:29,260
took the edginess
of the punk movement on board.
390
00:19:31,020 --> 00:19:33,220
# Goodbye, Billy Joe
391
00:19:33,220 --> 00:19:35,060
# You were a real punk
392
00:19:38,740 --> 00:19:39,940
# Oh, no! #
393
00:19:39,940 --> 00:19:40,140
# Don't worry
# Oh, no! #
394
00:19:40,140 --> 00:19:41,220
# Don't worry
395
00:19:41,220 --> 00:19:42,660
# It's alright
396
00:19:42,660 --> 00:19:45,820
# I'll be coming home
to see you tonight
397
00:19:45,820 --> 00:19:48,620
Aussie rock music became harder
and more urgent.
398
00:19:48,620 --> 00:19:48,900
Aussie rock music became harder
and more urgent.
# I'll be coming home to
see you tonight. #
399
00:19:48,900 --> 00:19:50,620
# I'll be coming home to
see you tonight. #
400
00:19:50,620 --> 00:19:50,860
# I'll be coming home to
(CHEERING)
401
00:19:50,860 --> 00:19:52,660
(CHEERING)
402
00:20:00,940 --> 00:20:02,420
Out in the beer barns,
403
00:20:02,420 --> 00:20:02,660
Out in the beer barns,
Oz rock anthems.
404
00:20:02,660 --> 00:20:05,700
new songs were fast becoming
Oz rock anthems.
405
00:20:05,700 --> 00:20:05,940
new songs were fast becoming
Oz rock anthems.
# Went down to Santa Fe
406
00:20:05,940 --> 00:20:07,900
# Went down to Santa Fe
407
00:20:07,900 --> 00:20:10,340
# Where Renoir paints the walls
408
00:20:11,620 --> 00:20:13,700
# Described you clearly
409
00:20:13,700 --> 00:20:16,620
# But the sky began to fall
410
00:20:16,620 --> 00:20:20,580
# Am I ever
gonna see your face again?
411
00:20:22,300 --> 00:20:26,060
# Am I ever
gonna see your face again?
412
00:20:28,700 --> 00:20:30,460
# Trams, cars and taxis
413
00:20:30,460 --> 00:20:34,460
# Like little waxworks on the move
414
00:20:34,460 --> 00:20:36,580
# Carry young girls past me
415
00:20:36,580 --> 00:20:39,140
# But none of them are you
416
00:20:39,140 --> 00:20:39,380
# Am I ever gonna
# But none of them are you
417
00:20:39,380 --> 00:20:43,300
# Am I ever gonna
see your face again?
418
00:20:44,980 --> 00:20:48,940
# Am I ever gonna
see your face again?
419
00:20:51,660 --> 00:20:54,140
# Without you near me
420
00:20:54,140 --> 00:20:55,900
# I got no place to go
421
00:20:57,460 --> 00:20:59,900
# Wait at the bar
422
00:20:59,900 --> 00:21:02,460
# Maybe you might show
423
00:21:02,460 --> 00:21:06,060
# Am I ever gonna
see your face again?
424
00:21:08,060 --> 00:21:11,860
# Am I ever gonna
see your face again?
425
00:21:14,580 --> 00:21:17,060
# I've got to stop these tears
426
00:21:17,060 --> 00:21:20,260
# That's falling from my eye
427
00:21:20,260 --> 00:21:22,420
# Go walk out in the rain
428
00:21:22,420 --> 00:21:25,020
# So no one sees me cry
429
00:21:25,020 --> 00:21:29,180
# Am I ever gonna
see your face again?
430
00:21:30,980 --> 00:21:35,260
# Am I ever gonna
see your face again?
431
00:21:46,220 --> 00:21:48,180
# Can't stop the memory
432
00:21:48,180 --> 00:21:51,940
# That goes climbing
through my brain
433
00:21:51,940 --> 00:21:52,180
# That goes climbing
# I get no answers
434
00:21:52,180 --> 00:21:54,180
# I get no answers
435
00:21:54,180 --> 00:21:57,020
# So the questions still remains
436
00:21:57,020 --> 00:21:57,260
# Am I ever gonna
see your face again?
# So the questions still remains
437
00:21:57,260 --> 00:22:01,060
# Am I ever gonna
see your face again?
438
00:22:02,740 --> 00:22:06,500
# Am I ever gonna
see your face again?
439
00:22:08,460 --> 00:22:12,740
# Am I ever gonna
see your face again?
440
00:22:14,420 --> 00:22:18,700
# Am I ever gonna
see your face again?
441
00:22:20,300 --> 00:22:23,780
# Am I ever gonna
see your face again?
442
00:22:25,420 --> 00:22:29,700
# Am I ever gonna
see your face again?
443
00:22:31,060 --> 00:22:35,100
# Am I ever gonna
see your face again?
444
00:22:36,540 --> 00:22:40,540
# Am I ever gonna
see your face again?
445
00:22:42,300 --> 00:22:45,980
# Am I ever gonna
see your face again?
446
00:22:48,140 --> 00:22:52,420
# Am I ever gonna
see your face again?
447
00:22:53,780 --> 00:22:57,540
# Am I ever gonna
see your face again?
448
00:22:59,380 --> 00:23:03,300
# Am I ever gonna
see your face again? #
449
00:23:32,940 --> 00:23:35,300
Hi. You know,
without my make-up and snake,
450
00:23:35,300 --> 00:23:35,540
Hi. You know,
you probably don't recognise me.
451
00:23:35,540 --> 00:23:36,900
you probably don't recognise me.
452
00:23:36,900 --> 00:23:38,260
But if you watch Countdown,
453
00:23:38,260 --> 00:23:38,500
I'll be with you, taking you into
But if you watch Countdown,
454
00:23:38,500 --> 00:23:39,980
I'll be with you, taking you into
the '80s.
455
00:23:39,980 --> 00:23:40,220
I'll be with you, taking you into
This is Alice Cooper.
456
00:23:40,220 --> 00:23:41,540
This is Alice Cooper.
457
00:23:51,940 --> 00:23:53,180
# Countdown! #
458
00:23:55,460 --> 00:23:56,780
# Girls talk
459
00:23:56,780 --> 00:23:58,980
# And they want to know how
460
00:23:58,980 --> 00:24:00,020
# Girls talk
461
00:24:00,020 --> 00:24:02,780
# And they say it's not allowed
462
00:24:02,780 --> 00:24:02,980
# And they say it's not allowed
# Girls talk
463
00:24:02,980 --> 00:24:04,020
# Girls talk
464
00:24:04,020 --> 00:24:06,460
# And they think they know how
465
00:24:06,460 --> 00:24:07,500
# Girls talk
466
00:24:07,500 --> 00:24:09,420
# If they say that it's so
467
00:24:09,420 --> 00:24:15,980
# Don't they think
that I'd know by now. #
468
00:24:15,980 --> 00:24:20,060
As so-called New Wave acts
performed on Countdown,
469
00:24:20,060 --> 00:24:22,860
the debate raged on
about the effects of punk.
470
00:24:22,860 --> 00:24:23,100
the debate raged on
But was the Sex Pistols a gimmick?
471
00:24:23,100 --> 00:24:25,380
But was the Sex Pistols a gimmick?
472
00:24:25,380 --> 00:24:26,820
It never started out as one.
473
00:24:26,820 --> 00:24:27,020
It started out as a piss-take.
It never started out as one.
474
00:24:27,020 --> 00:24:29,220
It started out as a piss-take.
475
00:24:29,220 --> 00:24:30,260
A mockery of.
476
00:24:31,260 --> 00:24:33,260
Went sour, so I left.
477
00:24:34,460 --> 00:24:36,660
Um, but initially, I mean, like,
478
00:24:36,660 --> 00:24:38,860
when you had your music
479
00:24:38,860 --> 00:24:40,820
and you seemed to be deprived,
at that stage,
480
00:24:40,820 --> 00:24:41,060
and you seemed to be deprived,
of ever really getting it played
481
00:24:41,060 --> 00:24:42,180
of ever really getting it played
482
00:24:42,180 --> 00:24:46,140
because of all the corporations,
like EMI and A&M,
483
00:24:46,140 --> 00:24:49,420
dropping...dropping you
before it was released.
484
00:24:49,420 --> 00:24:50,420
Surely, Never Mind the Bollocks,
485
00:24:50,420 --> 00:24:52,380
you must have been proud of and
happy with...
486
00:24:52,380 --> 00:24:52,620
you must have been proud of and
..at the time?
487
00:24:52,620 --> 00:24:53,620
..at the time?
488
00:24:55,460 --> 00:24:57,700
It was fine for then, but so what?
489
00:24:58,660 --> 00:24:59,980
Times move on.
490
00:24:59,980 --> 00:25:01,380
You cannot live in the past.
491
00:25:01,380 --> 00:25:04,340
Only a fool looks back to last year
or the year before.
492
00:25:05,660 --> 00:25:07,060
Well, so, how do you see music...?
493
00:25:07,060 --> 00:25:08,420
What's wrong with looking forward?
494
00:25:08,420 --> 00:25:10,100
Right, so, how do you see music in
the '80s?
495
00:25:11,340 --> 00:25:12,900
Hopefully, getting better.
496
00:25:13,940 --> 00:25:15,100
In what way, though?
497
00:25:15,100 --> 00:25:19,020
In that many attitudes
will be accepted, not just one way.
498
00:25:20,500 --> 00:25:22,300
Punk became, like, fascist.
499
00:25:23,260 --> 00:25:25,020
It has to be this way or else.
500
00:25:26,380 --> 00:25:28,540
But didn't you dictate that,
to some extent?
501
00:25:28,540 --> 00:25:29,860
No, I did not.
502
00:25:29,860 --> 00:25:33,220
I've always said,
music should be many attitudes.
503
00:25:33,220 --> 00:25:33,460
I've always said,
All are tolerable.
504
00:25:33,460 --> 00:25:34,340
All are tolerable.
505
00:25:34,340 --> 00:25:38,900
It becomes intolerable when one
particular form takes over
506
00:25:38,900 --> 00:25:40,300
and obliterates the rest.
507
00:25:40,300 --> 00:25:41,980
That is wrong.
508
00:25:41,980 --> 00:25:43,900
Didn't you feel some achievement
509
00:25:43,900 --> 00:25:45,620
of overthrowing the establishment
510
00:25:45,620 --> 00:25:48,900
and making them open the doors
to young groups?
511
00:25:48,900 --> 00:25:50,940
No. The pathetic conclusion of that
movement
512
00:25:50,940 --> 00:25:53,980
was one load of assholes were
replaced with another load.
513
00:25:55,180 --> 00:25:56,620
Nothing was achieved.
514
00:26:00,860 --> 00:26:01,860
So, that was...
515
00:26:01,860 --> 00:26:02,860
Yeah, mate?
Excuse me, mate.
516
00:26:02,860 --> 00:26:04,820
How 'bout a bit more Kiss music for
Kiss fans? In Melbourne.
517
00:26:04,820 --> 00:26:06,420
Alright, then. Do you wanna see them
in concert?
518
00:26:06,420 --> 00:26:08,020
Yeah, I'd love to, mate.
OK, we'll try.
519
00:26:08,020 --> 00:26:09,500
There's not enough of it out here.
What's your name?
520
00:26:09,500 --> 00:26:10,820
Michael Marrisay.
Where are you from?
521
00:26:10,820 --> 00:26:11,060
Michael Marrisay.
Moonee Ponds.
522
00:26:11,060 --> 00:26:11,820
Moonee Ponds.
523
00:26:11,820 --> 00:26:13,180
And you really like KISS?
Yeah.
524
00:26:13,180 --> 00:26:14,180
Alright, we'll try
to do that for you.
525
00:26:14,180 --> 00:26:15,900
OK, so there you are,
Countdown in Concert.
526
00:26:15,900 --> 00:26:18,780
Right, now, we've got a group that
we're really, really proud of.
527
00:26:18,780 --> 00:26:20,860
In '78, they were one of the finds
for '78.
528
00:26:20,860 --> 00:26:23,340
They've crept up the charts with a
couple of singles
529
00:26:23,340 --> 00:26:25,180
and then the critics
started really raving.
530
00:26:25,180 --> 00:26:27,940
They won an award, a King of Pop,
and deservedly so.
531
00:26:27,940 --> 00:26:29,980
This year, they're going to really
hit big.
532
00:26:29,980 --> 00:26:30,220
This year, they're going to really
And it's Sports,
533
00:26:30,220 --> 00:26:31,020
And it's Sports,
534
00:26:31,020 --> 00:26:33,540
and they've got a great new album
out called Don't Throw Stones.
535
00:26:33,540 --> 00:26:34,700
And you should hear the new version
536
00:26:34,700 --> 00:26:36,060
of Who Listens to the Radio.
537
00:26:36,060 --> 00:26:37,500
Wow, is that something else.
538
00:26:37,500 --> 00:26:40,020
But anyhow, on Wednesday, they're
leaving for England
539
00:26:40,020 --> 00:26:41,860
and they're going to tour with
Graham Parker,
540
00:26:41,860 --> 00:26:42,900
so we're going to
lose them for a while.
541
00:26:42,900 --> 00:26:45,700
But meanwhile, we've got a single to
bide us time.
542
00:26:45,700 --> 00:26:45,940
But meanwhile, we've got a single to
And here it is, Don't Throw Stones.
543
00:26:45,940 --> 00:26:47,420
And here it is, Don't Throw Stones.
544
00:26:47,420 --> 00:26:49,060
First time on television, Sports!
545
00:26:49,060 --> 00:26:50,700
(CHEERING)
546
00:26:50,700 --> 00:26:53,180
The Sports were given
a New Wave label,
547
00:26:53,180 --> 00:26:56,220
but we just felt like we were doing
our own thing.
548
00:26:56,220 --> 00:26:56,460
but we just felt like we were doing
# I was lying in bed
549
00:26:56,460 --> 00:26:57,460
# I was lying in bed
550
00:26:57,460 --> 00:26:57,660
# Was almost fast asleep
# I was lying in bed
551
00:26:57,660 --> 00:26:59,900
# Was almost fast asleep
552
00:26:59,900 --> 00:27:01,740
# About to drift off in
553
00:27:01,740 --> 00:27:02,900
# To the deep
554
00:27:02,900 --> 00:27:04,340
# Wasn't the telephone ringin'
555
00:27:04,340 --> 00:27:04,540
# Wasn't the telephone ringin'
# Wasn't the doorbell
556
00:27:04,540 --> 00:27:06,140
# Wasn't the doorbell
557
00:27:06,140 --> 00:27:08,300
# Wasn't a dream as far as
558
00:27:08,300 --> 00:27:09,340
# I could tell
559
00:27:10,820 --> 00:27:12,420
# Tap tap window
560
00:27:12,420 --> 00:27:14,220
# Someone's throwing stones
561
00:27:14,220 --> 00:27:17,500
# Into somebody else's home
562
00:27:21,300 --> 00:27:22,660
# I jumped out of bed
563
00:27:22,660 --> 00:27:24,580
# I stood on a cat
564
00:27:24,580 --> 00:27:26,660
# I looked out the window at the
565
00:27:26,660 --> 00:27:27,460
# Laundromat
566
00:27:27,460 --> 00:27:30,620
# You were standing
naked in your uniform
567
00:27:30,620 --> 00:27:30,860
# You were standing
# The bundles of washing all
568
00:27:30,860 --> 00:27:32,660
# The bundles of washing all
569
00:27:32,660 --> 00:27:34,220
# Dirty and torn
570
00:27:35,340 --> 00:27:37,020
# Tap tap window
571
00:27:37,020 --> 00:27:38,780
# Someone's throwing stones
572
00:27:38,780 --> 00:27:42,300
# Into somebody else's home
573
00:27:42,300 --> 00:27:45,980
# Don't throw stones,
don't throw stones
574
00:27:45,980 --> 00:27:48,220
# Yeah, everybody went out
575
00:27:49,500 --> 00:27:52,180
# Yeah, everybody went out
576
00:27:52,180 --> 00:27:56,580
# My window
577
00:27:59,660 --> 00:28:01,180
# I'm on my way to work
578
00:28:01,180 --> 00:28:03,260
# I stopped into your shop
579
00:28:03,260 --> 00:28:04,940
# I gave your mother my weekly
580
00:28:04,940 --> 00:28:06,020
# Laundry job
581
00:28:06,020 --> 00:28:09,380
# Always asking exactly when it'll
be ready
582
00:28:09,380 --> 00:28:09,620
# Or if you're married or just
be ready
583
00:28:09,620 --> 00:28:11,140
# Or if you're married or just
584
00:28:11,140 --> 00:28:13,860
# Going steady
585
00:28:13,860 --> 00:28:14,060
# Going steady
# Tap tap window
586
00:28:14,060 --> 00:28:15,460
# Tap tap window
587
00:28:15,460 --> 00:28:17,340
# Someone's throwing stones
588
00:28:17,340 --> 00:28:20,740
# Into somebody else's home
589
00:28:20,740 --> 00:28:24,340
# Don't throw stones,
don't throw stones
590
00:28:24,340 --> 00:28:24,580
# Don't throw stones,
# Yeah, everybody went out
591
00:28:24,580 --> 00:28:26,620
# Yeah, everybody went out
592
00:28:28,220 --> 00:28:30,700
# Yeah, everybody went out
593
00:28:30,700 --> 00:28:35,020
# My window
594
00:28:36,540 --> 00:28:39,820
# My, my, oh, oh
595
00:28:39,820 --> 00:28:40,020
# My, my, oh, oh
# My, my, oh, oh
596
00:28:40,020 --> 00:28:43,460
# My, my, oh, oh
597
00:28:43,460 --> 00:28:45,260
# Tap tap whoa-oh
598
00:28:45,260 --> 00:28:46,780
# Don't throw stones
599
00:28:46,780 --> 00:28:49,340
# Into other people's homes
600
00:28:50,300 --> 00:28:51,980
# Tap tap whoa-oh
601
00:28:51,980 --> 00:28:54,060
# Don't throw stones
602
00:29:00,540 --> 00:29:01,780
# Well, I'm not blind
603
00:29:01,780 --> 00:29:03,980
# So I don't read braille
604
00:29:03,980 --> 00:29:05,900
# I see your laundromat is
605
00:29:05,900 --> 00:29:06,900
# Up for sale
606
00:29:06,900 --> 00:29:07,140
# Soon you'll be moving to some new
# Up for sale
607
00:29:07,140 --> 00:29:10,020
# Soon you'll be moving to some new
address
608
00:29:10,020 --> 00:29:10,260
# Soon you'll be moving to some new
# My heart'll be broken, my
609
00:29:10,260 --> 00:29:12,060
# My heart'll be broken, my
610
00:29:12,060 --> 00:29:13,620
# Clothes a mess
611
00:29:14,820 --> 00:29:16,540
# Tap tap window
612
00:29:16,540 --> 00:29:16,740
# Someone's throwing stones
# Tap tap window
613
00:29:16,740 --> 00:29:18,260
# Someone's throwing stones
614
00:29:18,260 --> 00:29:21,700
# Into somebody else's home
615
00:29:21,700 --> 00:29:25,420
# Don't throw stones,
don't throw stones
616
00:29:25,420 --> 00:29:25,660
# Yeah everybody went out
don't throw stones
617
00:29:25,660 --> 00:29:27,340
# Yeah everybody went out
618
00:29:28,900 --> 00:29:31,700
# Yeah everybody went out
619
00:29:31,700 --> 00:29:31,900
# Yeah everybody went out
# My window
620
00:29:31,900 --> 00:29:33,180
# My window
621
00:29:33,180 --> 00:29:35,900
# My window
My window
622
00:29:35,900 --> 00:29:36,140
# My window
# My, my, oh, oh
623
00:29:36,140 --> 00:29:39,420
# My, my, oh, oh
624
00:29:39,420 --> 00:29:39,660
# My, my,
# My, my, oh, oh
625
00:29:39,660 --> 00:29:42,540
# My, my,
oh, oh
626
00:29:42,540 --> 00:29:42,780
# My, my,
# Tap tap whoa-oh
627
00:29:42,780 --> 00:29:44,300
# Tap tap whoa-oh
628
00:29:44,300 --> 00:29:46,020
# Don't throw stones
629
00:29:46,020 --> 00:29:49,500
# Into other people's homes
630
00:29:49,500 --> 00:29:51,420
# Tap tap whoa-oh
631
00:29:51,420 --> 00:29:52,940
# Don't throw stones
632
00:29:52,940 --> 00:29:56,380
# Into other people's homes
633
00:29:56,380 --> 00:29:58,140
# Tap tap whoa-oh
634
00:29:58,140 --> 00:29:59,860
# Don't throw stones
635
00:29:59,860 --> 00:30:02,340
# Into other people's homes #
636
00:30:03,300 --> 00:30:05,020
# Tap tap whoa-oh
637
00:30:05,020 --> 00:30:06,700
# Don't throw stones
638
00:30:06,700 --> 00:30:09,100
# Into other people's homes. #
639
00:30:09,100 --> 00:30:09,940
(SCREAMING)
640
00:30:09,940 --> 00:30:10,140
Pump it out!
(SCREAMING)
641
00:30:10,140 --> 00:30:10,980
Pump it out!
642
00:30:10,980 --> 00:30:12,940
Pump out the power, Australia!
643
00:30:12,940 --> 00:30:15,540
Coast to coast,
from Townsville to Albany!
644
00:30:15,540 --> 00:30:15,780
Coast to coast,
We can do it, Australia!
645
00:30:15,780 --> 00:30:17,020
We can do it, Australia!
646
00:30:17,020 --> 00:30:17,260
We can do it, Australia!
of powering the nation
647
00:30:17,260 --> 00:30:18,860
There are other ways
of powering the nation
648
00:30:18,860 --> 00:30:19,100
There are other ways
and rock and roll is one of them!
649
00:30:19,100 --> 00:30:20,620
and rock and roll is one of them!
650
00:30:20,620 --> 00:30:21,820
# Countdown! #
651
00:30:21,820 --> 00:30:22,060
# On the inside, the sun still
shines
# Countdown! #
652
00:30:22,060 --> 00:30:26,660
# On the inside, the sun still
shines
653
00:30:28,580 --> 00:30:34,340
# And the rain falls down. #
654
00:30:34,340 --> 00:30:37,700
Of course, hits could still come from
anywhere.
655
00:30:38,860 --> 00:30:41,620
From the theme to a TV show.
656
00:30:41,620 --> 00:30:41,820
# Midnight rendezvous #
From the theme to a TV show.
657
00:30:41,820 --> 00:30:43,460
# Midnight rendezvous #
658
00:30:43,460 --> 00:30:44,300
From a TV hostess.
659
00:30:44,300 --> 00:30:46,820
# Secretly meeting you
660
00:30:46,820 --> 00:30:49,460
# Midnight rendezvous
661
00:30:49,460 --> 00:30:51,820
# I can't wait to see you. #
662
00:30:51,820 --> 00:30:54,420
# If it's love you want
663
00:30:54,420 --> 00:30:56,060
# Love you need
664
00:30:56,060 --> 00:30:59,580
And from a future Simon Townsend's
Wonder World presenter.
665
00:30:59,580 --> 00:30:59,820
And from a future Simon Townsend's
Wonder World presenter.
# I'll be here night and day
666
00:30:59,820 --> 00:31:02,460
# I'll be here night and day
667
00:31:02,460 --> 00:31:04,500
# Anyway. #
668
00:31:05,620 --> 00:31:09,100
But the strangest novelty of 1979,
669
00:31:09,100 --> 00:31:11,380
and you wouldn't
get away with it now,
670
00:31:11,380 --> 00:31:16,180
was this one by a radio DJ from
Newcastle, and his band.
671
00:31:16,180 --> 00:31:16,420
# I met her on a Friday
was this one by a radio DJ from
Newcastle, and his band.
672
00:31:16,420 --> 00:31:17,420
# I met her on a Friday
673
00:31:17,420 --> 00:31:18,700
# Helping out an old mate
674
00:31:18,700 --> 00:31:19,940
# Waiting at the corner
675
00:31:19,940 --> 00:31:21,260
# She was dressed in black
676
00:31:21,260 --> 00:31:23,780
# There was I expecting a really
tasty bird
677
00:31:23,780 --> 00:31:24,020
# He said she was good looking
tasty bird
678
00:31:24,020 --> 00:31:25,020
# He said she was good looking
679
00:31:25,020 --> 00:31:25,220
# He said she was good looking
# Why should I doubt his word?
680
00:31:25,220 --> 00:31:26,420
# Why should I doubt his word?
681
00:31:26,420 --> 00:31:29,580
# When I saw her there she was a
real disgrace, I thought
682
00:31:29,580 --> 00:31:29,820
# When I saw her there she was a
# Nice legs, shame about the face
683
00:31:29,820 --> 00:31:31,580
# Nice legs, shame about the face
684
00:31:42,300 --> 00:31:43,460
# I had to take her dancing
685
00:31:43,460 --> 00:31:44,980
# I couldn't let her down
686
00:31:44,980 --> 00:31:47,540
# So we caught a bus to the other
side of town
687
00:31:47,540 --> 00:31:47,780
# So we caught a bus to the other
side of town
# Out upon the dance floor
688
00:31:47,780 --> 00:31:48,700
# Out upon the dance floor
689
00:31:48,700 --> 00:31:50,220
# I wasn't getting far
690
00:31:50,220 --> 00:31:50,460
# So I had a drink with me friends
# I wasn't getting far
691
00:31:50,460 --> 00:31:52,780
# So I had a drink with me friends
up at the bar
692
00:31:52,780 --> 00:31:53,020
# So I had a drink with me friends
# I asked them what they thought
693
00:31:53,020 --> 00:31:53,900
# I asked them what they thought
694
00:31:53,900 --> 00:31:55,820
# As they fell about
the place, they said
695
00:31:55,820 --> 00:31:56,060
# As they fell about
# Nice legs, shame about her face
696
00:31:56,060 --> 00:31:58,060
# Nice legs, shame about her face
697
00:32:13,740 --> 00:32:15,980
# She said, could we go bowling?
698
00:32:15,980 --> 00:32:17,740
# I said that would be fine
699
00:32:18,820 --> 00:32:21,020
# But when I bought the tickets
700
00:32:21,020 --> 00:32:22,980
# She'd already changed her mind
701
00:32:23,980 --> 00:32:26,860
# She was turning out to be a real
hard case
702
00:32:26,860 --> 00:32:29,700
# Nice legs,
shame about the boat race
703
00:32:38,300 --> 00:32:39,740
# Well
704
00:32:39,740 --> 00:32:40,940
# She started getting bold
705
00:32:40,940 --> 00:32:42,380
# And tapped me on the shoulder
706
00:32:42,380 --> 00:32:44,900
# Whispered in my ear, it's getting
kind of late
707
00:32:44,900 --> 00:32:47,860
# When I took her home, we hardly
said a thing
708
00:32:47,860 --> 00:32:48,700
# I walked her to the door
709
00:32:48,700 --> 00:32:50,180
# Expecting to go in
710
00:32:50,180 --> 00:32:51,180
# She looked me up and down
711
00:32:51,180 --> 00:32:53,220
# And she put me in me place
she said
712
00:32:53,220 --> 00:32:53,460
# And she put me in me place
# Nice legs, shame about your face
713
00:32:53,460 --> 00:32:55,860
# Nice legs, shame about your face
714
00:32:55,860 --> 00:32:56,100
# Nice legs,
# Nice legs, shame about your face
715
00:32:56,100 --> 00:32:58,140
# Nice legs,
shame about your face. #
716
00:33:10,900 --> 00:33:13,940
Hi, I'm Officer Bob D'Angelo and
this is Danny Warbuck.
717
00:33:13,940 --> 00:33:16,980
We're on duty in New York and
it's a great town.
718
00:33:16,980 --> 00:33:20,100
And if we weren't on duty, I know
what I like to be doing,
719
00:33:20,100 --> 00:33:21,820
and that's watching you on
Countdown.
720
00:33:21,820 --> 00:33:22,060
and that's watching you on
# She was tall
721
00:33:22,060 --> 00:33:23,420
# She was tall
722
00:33:23,420 --> 00:33:25,180
# She was lost
723
00:33:25,180 --> 00:33:25,380
# She could smile
# She was lost
724
00:33:25,380 --> 00:33:27,300
# She could smile
725
00:33:27,300 --> 00:33:29,500
# And her words got crossed
726
00:33:29,500 --> 00:33:31,700
# Just another woman
727
00:33:31,700 --> 00:33:32,980
# In my life
728
00:33:32,980 --> 00:33:33,180
# In my life
# Just another woman
729
00:33:33,180 --> 00:33:34,620
# Just another woman
730
00:33:34,620 --> 00:33:36,620
# Lost in the night
731
00:33:36,620 --> 00:33:38,340
# Just another woman
732
00:33:38,340 --> 00:33:40,860
# Keeping in touch with a man. #
733
00:33:46,100 --> 00:33:47,700
By the end of the decade,
734
00:33:47,700 --> 00:33:50,980
even for our own breakthrough acts,
like Air Supply,
735
00:33:50,980 --> 00:33:54,220
Australia had become a regular stop
on the world circuit.
736
00:33:55,380 --> 00:33:56,900
First of all,
can you just tell us, Andy,
737
00:33:56,900 --> 00:33:57,140
First of all,
a little bit about the group itself?
738
00:33:57,140 --> 00:33:59,380
a little bit about the group itself?
739
00:33:59,380 --> 00:34:00,660
Uh, well, there's four of us.
740
00:34:00,660 --> 00:34:01,620
Oh, no. There's one missing.
741
00:34:01,620 --> 00:34:01,860
There's three and we've been
together just over two years now.
Oh, no. There's one missing.
742
00:34:01,860 --> 00:34:05,620
There's three and we've been
together just over two years now.
743
00:34:05,620 --> 00:34:08,660
We are having most of our success in
England at the moment.
744
00:34:08,660 --> 00:34:08,900
We are having most of our success in
England at the moment.
But we've had success in America
745
00:34:08,900 --> 00:34:09,980
But we've had success in America
746
00:34:09,980 --> 00:34:10,220
and we're working here on tour now
But we've had success in America
747
00:34:10,220 --> 00:34:14,140
and we're working here on tour now
to try and consolidate.
748
00:34:14,140 --> 00:34:17,140
Was Roxanne initially structured as
a single
749
00:34:17,140 --> 00:34:19,300
or was it just a track off the
album?
750
00:34:19,300 --> 00:34:19,540
or was it just a track off the
Initially structured as just a song
751
00:34:19,540 --> 00:34:21,020
Initially structured as just a song
752
00:34:21,020 --> 00:34:23,500
and then, we didn't actually realise
its potential
753
00:34:23,500 --> 00:34:25,740
until our manager came and heard it
and freaked out.
754
00:34:25,740 --> 00:34:28,140
And we were so puzzled
by his sort of enthusiasm.
755
00:34:28,140 --> 00:34:29,860
And then, the more we listened, the
more we thought,
756
00:34:29,860 --> 00:34:30,100
And then, the more we listened, the
"God, this is good."
757
00:34:30,100 --> 00:34:31,140
"God, this is good."
758
00:34:31,140 --> 00:34:32,500
We didn't know.
759
00:34:32,500 --> 00:34:34,140
On any episode of Countdown,
760
00:34:34,140 --> 00:34:36,740
debuting locals could find themselves
competing
761
00:34:36,740 --> 00:34:40,180
with the world's biggest rock and
roll touring acts.
762
00:34:40,180 --> 00:34:40,420
with the world's biggest rock and
# The dream police
763
00:34:40,420 --> 00:34:41,260
# The dream police
764
00:34:41,260 --> 00:34:43,420
# They live inside of my head
765
00:34:43,420 --> 00:34:43,620
# The dream police
# They live inside of my head
766
00:34:43,620 --> 00:34:44,700
# The dream police
767
00:34:44,700 --> 00:34:46,900
# They come to me in my bed
768
00:34:46,900 --> 00:34:48,220
# The dream police
769
00:34:48,220 --> 00:34:50,260
# They're coming to arrest me
770
00:34:50,260 --> 00:34:50,460
# They're coming to arrest me
# Oh, no
771
00:34:50,460 --> 00:34:52,180
# Oh, no
772
00:34:53,580 --> 00:34:57,060
# You know that talk is cheap
773
00:34:57,060 --> 00:34:59,060
# And those rumours ain't nice
774
00:35:00,780 --> 00:35:03,820
# And when I fall asleep
775
00:35:03,820 --> 00:35:06,420
# I don't think I'll survive
776
00:35:06,420 --> 00:35:09,700
# The night, the night
777
00:35:09,700 --> 00:35:11,540
# 'Cause they're waiting for me
778
00:35:11,540 --> 00:35:13,740
# They're looking for me
779
00:35:13,740 --> 00:35:16,620
# Every single night
780
00:35:16,620 --> 00:35:21,660
# They're driving me insane
781
00:35:23,460 --> 00:35:30,460
# Those men inside my brain
782
00:35:30,460 --> 00:35:32,060
# The dream police
783
00:35:32,060 --> 00:35:34,260
# They live inside of my head
784
00:35:34,260 --> 00:35:35,420
# The dream police
785
00:35:35,420 --> 00:35:37,660
# They come to me in my bed
786
00:35:37,660 --> 00:35:39,100
# The dream police
787
00:35:39,100 --> 00:35:40,900
# They're coming to arrest me
788
00:35:40,900 --> 00:35:42,700
# Oh, no
789
00:35:44,500 --> 00:35:47,740
# Well, I can't tell lies
790
00:35:47,740 --> 00:35:49,940
# 'Cause they're listening to me
791
00:35:51,300 --> 00:35:54,620
# And when I fall asleep
792
00:35:54,620 --> 00:35:58,580
# Bet they're spying on me tonight
793
00:35:58,580 --> 00:36:00,340
# Tonight
794
00:36:00,340 --> 00:36:02,220
# 'Cause they're waiting for me
795
00:36:02,220 --> 00:36:02,420
# They're looking for me
# 'Cause they're waiting for me
796
00:36:02,420 --> 00:36:04,020
# They're looking for me
797
00:36:04,020 --> 00:36:07,100
# Every single night
798
00:36:07,100 --> 00:36:14,180
# They're driving me insane
799
00:36:14,180 --> 00:36:14,380
# They're driving me insane
# Those men inside my brain
800
00:36:14,380 --> 00:36:21,100
# Those men inside my brain
801
00:36:21,980 --> 00:36:25,380
# I try to sleep, they're wide
awake, they won't let me alone
802
00:36:25,380 --> 00:36:27,260
# They don't get paid to take
vacations
803
00:36:27,260 --> 00:36:27,500
# They don't get paid to take
# Or let me alone
804
00:36:27,500 --> 00:36:28,860
# Or let me alone
805
00:36:28,860 --> 00:36:32,540
# They spy on me, I try to hide,
they won't let me alone
806
00:36:32,540 --> 00:36:33,420
# They persecute me
807
00:36:33,420 --> 00:36:35,940
# They're the judge and jury all in
one
808
00:36:51,180 --> 00:36:53,380
# 'Cause they're waiting for me
809
00:36:53,380 --> 00:36:55,300
# They're looking for me
810
00:36:55,300 --> 00:36:57,940
# Every single night
811
00:36:57,940 --> 00:36:58,140
# Every single night
# They're driving me insane
812
00:36:58,140 --> 00:37:05,100
# They're driving me insane
813
00:37:05,100 --> 00:37:23,380
# Those men inside my brain
814
00:37:50,300 --> 00:37:51,620
# The dream police
815
00:37:51,620 --> 00:37:51,820
# The dream police
# They live inside of my head
816
00:37:51,820 --> 00:37:53,820
# They live inside of my head
817
00:37:53,820 --> 00:37:57,380
# The dream police, they come to me
in my bed
818
00:37:57,380 --> 00:37:57,620
# The dream police, they come to me
# The dream police
819
00:37:57,620 --> 00:37:58,580
# The dream police
820
00:37:58,580 --> 00:38:00,420
# They're coming to arrest me. #
821
00:38:21,060 --> 00:38:22,380
ANNOUNCER: Ladies and gentlemen,
822
00:38:22,380 --> 00:38:24,340
the following program is dedicated
823
00:38:24,340 --> 00:38:28,140
to every international airline
and airport throughout the world.
824
00:38:28,140 --> 00:38:31,580
Believe it or not,
he's back in one piece.
825
00:38:31,580 --> 00:38:33,180
That first class rock and roller...
826
00:38:33,180 --> 00:38:35,220
(CHUCKLES) ..with the economy class
mouth,
827
00:38:35,220 --> 00:38:35,460
(CHUCKLES) ..with the economy class
it's Molly!
828
00:38:35,460 --> 00:38:36,460
it's Molly!
829
00:38:36,460 --> 00:38:37,740
Ah! G'day, viewers.
830
00:38:37,740 --> 00:38:39,940
I tell you what, I am so glad to be
home.
831
00:38:39,940 --> 00:38:41,500
Now, listen, have I missed the golf?
832
00:38:41,500 --> 00:38:43,220
I have? Far out.
833
00:38:43,220 --> 00:38:44,620
I tell you what, isn't that boring?
834
00:38:44,620 --> 00:38:46,300
And now, you're with the Countdown
835
00:38:46,300 --> 00:38:47,940
and you're with the Elton John Show
now.
836
00:38:47,940 --> 00:38:49,180
I'd like to introduce you to Richard
Clapton.
837
00:38:49,180 --> 00:38:49,420
I'd like to introduce you to Richard
How do you...oh, it's Elton!
838
00:38:49,420 --> 00:38:50,500
How do you...oh, it's Elton!
839
00:38:50,500 --> 00:38:52,060
I thought it was Richie Clapton.
840
00:38:52,060 --> 00:38:54,540
No, I had terrible hell these last
few months, darling,
841
00:38:54,540 --> 00:38:56,340
trying to conceal all this
under my hat.
842
00:38:56,340 --> 00:38:57,300
(LAUGHS)
843
00:38:57,300 --> 00:38:59,980
And they said the hair transplant
wasn't a success
844
00:38:59,980 --> 00:39:02,180
and look at it!
It's...I'm actually worried.
845
00:39:02,180 --> 00:39:02,460
and look at it!
It's...I'm actually worried.
I'm thinking of having it all shaved
off, actually.
846
00:39:02,460 --> 00:39:04,180
I'm thinking of having it all shaved
off, actually.
847
00:39:04,180 --> 00:39:06,500
(LAUGHS) Now, listen, we've gotta
get serious.
848
00:39:06,500 --> 00:39:08,100
Yeah, alright.
Are you going to put your hat on?
849
00:39:08,100 --> 00:39:08,340
Yeah, alright.
In a minute. When I...
850
00:39:08,340 --> 00:39:09,300
In a minute. When I...
851
00:39:09,300 --> 00:39:10,780
No, no, no.
Oh, No, no, no. Well, I've...
852
00:39:10,780 --> 00:39:11,020
No, no, no.
You've spoilt the surprise.
853
00:39:11,020 --> 00:39:12,300
You've spoilt the surprise.
854
00:39:12,300 --> 00:39:13,180
I'm not the dresser.
855
00:39:13,180 --> 00:39:14,180
Alright.
OK.
856
00:39:14,180 --> 00:39:14,420
Alright.
You should be in that outfit.
857
00:39:14,420 --> 00:39:15,420
You should be in that outfit.
858
00:39:15,420 --> 00:39:16,620
(BOTH LAUGH)
859
00:39:18,260 --> 00:39:20,620
(STAMMERS) Th-th-the toma...the
toma...
860
00:39:20,620 --> 00:39:20,860
(STAMMERS) Th-th-the toma...the
(SCREAMS)
861
00:39:20,860 --> 00:39:22,740
(SCREAMS)
862
00:39:22,740 --> 00:39:24,100
Oh, no!
863
00:39:24,100 --> 00:39:25,580
(LAUGHS)
864
00:39:27,940 --> 00:39:30,180
Bring on the harem girls, quickly!
865
00:39:30,180 --> 00:39:31,660
One album.
Hiya, dog face!
866
00:39:31,660 --> 00:39:31,900
One album.
(CHUCKLES) Iggy, how are you, mate?
867
00:39:31,900 --> 00:39:33,540
(CHUCKLES) Iggy, how are you, mate?
868
00:39:33,540 --> 00:39:35,580
G'day! G'day!
Listen, welcome to the show.
869
00:39:35,580 --> 00:39:35,860
Um, the first time I saw you was in
Detroit
G'day! G'day!
Listen, welcome to the show.
870
00:39:35,860 --> 00:39:38,180
Um, the first time I saw you was in
Detroit
871
00:39:38,180 --> 00:39:38,420
a couple of years ago,
Detroit
872
00:39:38,420 --> 00:39:39,460
a couple of years ago,
873
00:39:39,460 --> 00:39:41,100
um, live in concert.
874
00:39:41,100 --> 00:39:42,940
What's wrong? Don't you send me up!
875
00:39:42,940 --> 00:39:44,540
(LAUGHS)
You behave yourself.
876
00:39:44,540 --> 00:39:44,820
(LAUGHS)
You behave yourself.
Now, listen, we've got to ask you
some sensible questions.
877
00:39:44,820 --> 00:39:46,500
Now, listen, we've got to ask you
some sensible questions.
878
00:39:46,500 --> 00:39:47,500
Alright.
The first time,
879
00:39:47,500 --> 00:39:49,180
was a couple of weeks...er,
a couple of years ago.
880
00:39:49,180 --> 00:39:50,900
Hi!
Was with...
881
00:39:50,900 --> 00:39:53,140
..Iggy, will you concentrate
on the questions?
882
00:39:53,140 --> 00:39:55,060
Uh.
Um, was with David Bowie.
883
00:39:55,060 --> 00:39:56,180
Yeah.
Very good friend?
884
00:39:56,180 --> 00:39:57,580
No, you mean, he played piano with
my band.
885
00:39:57,580 --> 00:39:57,820
No, you mean, he played piano with
Yeah, um, he played a very low...
886
00:39:57,820 --> 00:39:59,660
Yeah, um, he played a very low...
887
00:39:59,660 --> 00:40:00,940
He was with me.
Right.
888
00:40:00,940 --> 00:40:02,780
Now, you've worked together sort of
record-wise, haven't you?
889
00:40:02,780 --> 00:40:03,020
Now, you've worked together sort of
Yeah, yeah.
890
00:40:03,020 --> 00:40:03,780
Yeah, yeah.
891
00:40:03,780 --> 00:40:06,900
And on the sly, too.
I know. I know.
892
00:40:06,900 --> 00:40:09,900
Now, listen, with David Bowie...
Yeah.
893
00:40:09,900 --> 00:40:11,340
..he's had a lot of influence on
you, I gather.
894
00:40:11,340 --> 00:40:11,580
..he's had a lot of influence on
Yeah. Yeah.
895
00:40:11,580 --> 00:40:12,580
Yeah. Yeah.
896
00:40:12,580 --> 00:40:15,060
In what re...Can you answer these
questions properly?
897
00:40:15,060 --> 00:40:15,300
In what re...Can you answer these
He taught me how to compromise.
898
00:40:15,300 --> 00:40:16,380
He taught me how to compromise.
899
00:40:16,380 --> 00:40:19,380
Um, what I'm trying to sort of say
is, Blondie,
900
00:40:19,380 --> 00:40:21,340
I mean Debra, um...I'm sorry.
901
00:40:21,340 --> 00:40:23,340
DEBBIE: Oh, just, could you wait
just a second?
902
00:40:23,340 --> 00:40:25,140
Just a minute?
Yep. That's alright.
903
00:40:25,140 --> 00:40:25,420
As you can see, this interview is
getting absolutely nowhere.
Just a minute?
Yep. That's alright.
904
00:40:25,420 --> 00:40:28,900
As you can see, this interview is
getting absolutely nowhere.
905
00:40:28,900 --> 00:40:29,180
As you can see, this interview is
getting absolutely nowhere.
Has anyone had an influence on the
music in the '70s,
906
00:40:29,180 --> 00:40:31,500
Has anyone had an influence on the
music in the '70s,
907
00:40:31,500 --> 00:40:32,820
in your mind?
908
00:40:32,820 --> 00:40:33,060
Ah, I'm trying to
think of all the people
in your mind?
909
00:40:33,060 --> 00:40:34,900
Ah, I'm trying to
think of all the people
910
00:40:34,900 --> 00:40:36,380
that we've just spoken to recently
that said
911
00:40:36,380 --> 00:40:36,620
that we were pretty good. (LAUGHS)
that said
912
00:40:36,620 --> 00:40:38,140
that we were pretty good. (LAUGHS)
913
00:40:38,140 --> 00:40:39,540
(PHONE RINGS)
914
00:40:39,540 --> 00:40:39,780
(PHONE RINGS)
everything again.
915
00:40:39,780 --> 00:40:42,140
Excuse me. This could change
everything again.
916
00:40:42,140 --> 00:40:42,420
Excuse me. This could change
everything again.
Um...(LAUGHS)
(LAUGHS)
917
00:40:42,420 --> 00:40:44,740
Um...(LAUGHS)
(LAUGHS)
918
00:40:44,740 --> 00:40:46,260
If it's my mother,
tell her I'm not home.
919
00:40:46,260 --> 00:40:48,020
And if it's John Lennon, tell him I
want my book back.
920
00:40:52,300 --> 00:40:53,820
# Countdown! #
921
00:40:53,820 --> 00:40:54,020
# You've gotta be cruel to be kind
# Countdown! #
922
00:40:54,020 --> 00:40:56,340
# You've gotta be cruel to be kind
923
00:40:56,340 --> 00:40:58,420
# In the right measure
924
00:40:58,420 --> 00:41:00,020
# Cruel to be kind
925
00:41:00,020 --> 00:41:02,220
# It's a very good sign
926
00:41:02,220 --> 00:41:03,700
# Cruel to be kind
927
00:41:03,700 --> 00:41:09,300
# Means that I love you, baby
928
00:41:09,300 --> 00:41:11,940
# You gotta be cruel to be kind. #
929
00:41:13,740 --> 00:41:16,700
Pop standards were high in 1979.
930
00:41:16,700 --> 00:41:20,180
Australian songwriters needed to
become as sophisticated
931
00:41:20,180 --> 00:41:20,420
Australian songwriters needed to
as their old world counterparts.
932
00:41:20,420 --> 00:41:22,180
as their old world counterparts.
933
00:41:22,180 --> 00:41:23,380
Unfortunately, it's so hard.
934
00:41:23,380 --> 00:41:25,180
There's so much talent, and I really
mean this.
935
00:41:25,180 --> 00:41:26,380
In Australia and New Zealand,
936
00:41:26,380 --> 00:41:28,860
there is as much good talent as
there is in England
937
00:41:28,860 --> 00:41:29,820
or anywhere else in the world.
938
00:41:29,820 --> 00:41:31,980
It's just, it's so difficult,
geographically,
939
00:41:31,980 --> 00:41:34,340
to go and make a gamble,
financially,
940
00:41:34,340 --> 00:41:38,540
to make it big time to LA,
or to London, or to Europe.
941
00:41:38,540 --> 00:41:40,660
The recordings over here are up to
scratch
942
00:41:40,660 --> 00:41:42,140
to anything you'll hear anywhere
else.
943
00:41:52,980 --> 00:41:54,100
# Campbell lane
944
00:41:56,260 --> 00:41:59,500
# And through the window,
curtain rain
945
00:42:01,140 --> 00:42:03,460
# Long night gone, yellow day
946
00:42:04,420 --> 00:42:07,500
# The speed shivers melt away
947
00:42:08,460 --> 00:42:12,700
# At six o'clock I'm goin' down
948
00:42:12,700 --> 00:42:16,860
# The coffee's hot
and the toast is round
949
00:42:16,860 --> 00:42:20,420
# Hey, street sweeper, clear my way
950
00:42:20,420 --> 00:42:24,620
# Sweethearts breakfast is the best
in town
951
00:42:24,620 --> 00:42:24,860
# Sweethearts breakfast is the best
# Oh o-o-oh
952
00:42:24,860 --> 00:42:27,300
# Oh o-o-oh
953
00:42:28,860 --> 00:42:30,780
# Breakfast at Sweethearts
954
00:42:32,820 --> 00:42:36,900
# Oh o-o-oh
955
00:42:36,900 --> 00:42:39,300
# Breakfast at Sweethearts
956
00:42:42,420 --> 00:42:44,700
# Hey, Anne-Maria
957
00:42:46,620 --> 00:42:49,060
# It's always good to see her
958
00:42:50,660 --> 00:42:52,580
# She don't smile or flirt
959
00:42:54,300 --> 00:42:56,300
# She just wears that mini-skirt
960
00:42:58,740 --> 00:43:00,940
# Drunks come in
961
00:43:01,860 --> 00:43:05,300
# A paper bag of Brandivino
962
00:43:06,980 --> 00:43:09,180
# Dreams fly away
963
00:43:09,180 --> 00:43:11,940
# As she pulls another
964
00:43:11,940 --> 00:43:14,140
# Cappuccino
965
00:43:14,140 --> 00:43:18,420
# Six o'clock, I'm goin' down
966
00:43:18,420 --> 00:43:22,500
# The coffee's hot
and the toast is round
967
00:43:22,500 --> 00:43:22,740
# Hey, street sweeper, clear my way
and the toast is round
968
00:43:22,740 --> 00:43:26,140
# Hey, street sweeper, clear my way
969
00:43:26,140 --> 00:43:26,380
# Hey, street sweeper, clear my way
# Sweethearts breakfast
is the best in town
970
00:43:26,380 --> 00:43:29,460
# Sweethearts breakfast
is the best in town
971
00:43:30,420 --> 00:43:32,900
# Oh o-o-oh
972
00:43:34,500 --> 00:43:38,420
# Breakfast at Sweethearts
973
00:43:38,420 --> 00:43:41,460
# Oh o-o-oh
974
00:43:42,660 --> 00:43:45,540
# Breakfast at Sweethearts
975
00:43:45,540 --> 00:43:46,860
# Yeah
976
00:44:11,860 --> 00:44:15,740
# At six o'clock I'm goin' down
977
00:44:15,740 --> 00:44:15,980
# The coffee's hot
# At six o'clock I'm goin' down
978
00:44:15,980 --> 00:44:19,980
# The coffee's hot
and the toast is round
979
00:44:19,980 --> 00:44:20,220
# Hey, street sweeper, clear my way
# The coffee's hot
and the toast is round
980
00:44:20,220 --> 00:44:23,820
# Hey, street sweeper, clear my way
981
00:44:23,820 --> 00:44:24,060
# Hey, street sweeper, clear my way
# Sweethearts breakfast is the best
in town
982
00:44:24,060 --> 00:44:28,380
# Sweethearts breakfast is the best
in town
983
00:44:28,380 --> 00:44:32,340
# At six o'clock I'm goin' down
984
00:44:32,340 --> 00:44:32,580
# The coffee's hot and the toast is
# At six o'clock I'm goin' down
985
00:44:32,580 --> 00:44:36,540
# The coffee's hot and the toast is
round
986
00:44:36,540 --> 00:44:36,780
# The coffee's hot and the toast is
# Hey, street sweeper, clear my way
987
00:44:36,780 --> 00:44:40,220
# Hey, street sweeper, clear my way
988
00:44:40,220 --> 00:44:44,740
# Sweethearts breakfast
is the best in town. #
989
00:45:04,500 --> 00:45:06,780
Hi, this is Lindsay
from Fleetwood Mac,
990
00:45:06,780 --> 00:45:08,420
going into the '80s with Countdown.
991
00:45:12,700 --> 00:45:13,740
That was weak.
992
00:45:15,900 --> 00:45:18,180
The musical decade was about to end
993
00:45:18,180 --> 00:45:18,420
The musical decade was about to end
opinion.
994
00:45:18,420 --> 00:45:20,740
and it seemed everyone had an
opinion.
995
00:45:20,740 --> 00:45:20,980
# I said beautiful people
opinion.
996
00:45:20,980 --> 00:45:23,380
# I said beautiful people
997
00:45:23,380 --> 00:45:23,620
# I said beautiful people
# They've got a Robert Palmer
t-shirt in their travel bag
998
00:45:23,620 --> 00:45:26,860
# They've got a Robert Palmer
t-shirt in their travel bag
999
00:45:26,860 --> 00:45:27,100
# They've got a Robert Palmer
# Beautiful people
1000
00:45:27,100 --> 00:45:29,340
# Beautiful people
1001
00:45:29,340 --> 00:45:31,580
# They've got a price
upon their head. #
1002
00:45:31,580 --> 00:45:34,860
MOLLY: What are your opinions of...
1003
00:45:34,860 --> 00:45:37,620
..of how music has been in the '70s?
1004
00:45:37,620 --> 00:45:37,860
..of how music has been in the '70s?
The middle half of the '70s were
very, very dire, I felt.
1005
00:45:37,860 --> 00:45:40,340
The middle half of the '70s were
very, very dire, I felt.
1006
00:45:40,340 --> 00:45:42,500
Um...
Right. Care to explain?
1007
00:45:42,500 --> 00:45:43,500
Yeah, very much so.
1008
00:45:43,500 --> 00:45:47,380
But with the rise of the new wave,
from about '76 onwards,
1009
00:45:47,380 --> 00:45:47,620
But with the rise of the new wave,
it's been quite an exciting time.
1010
00:45:47,620 --> 00:45:49,020
it's been quite an exciting time.
1011
00:45:49,020 --> 00:45:51,780
Can you see the future for music
within the '80s,
1012
00:45:51,780 --> 00:45:52,020
Can you see the future for music
say, in the first two years?
1013
00:45:52,020 --> 00:45:53,020
say, in the first two years?
1014
00:45:54,380 --> 00:45:56,300
Well, like I mentioned before,
1015
00:45:56,300 --> 00:46:00,460
the new wave things are just only
starting to happen.
1016
00:46:00,460 --> 00:46:00,740
the new wave things are just only
starting to happen.
And I think they'll have a big
influence
1017
00:46:00,740 --> 00:46:03,540
And I think they'll have a big
influence
1018
00:46:03,540 --> 00:46:05,500
on the first couple of years,
definitely.
1019
00:46:05,500 --> 00:46:05,740
Disco music will continue, I think.
on the first couple of years,
definitely.
1020
00:46:05,740 --> 00:46:07,580
Disco music will continue, I think.
1021
00:46:07,580 --> 00:46:11,260
I think that, possibly, it'll be
broken into different trends,
1022
00:46:11,260 --> 00:46:14,220
like rock disco, and then there's
disco for dancing,
1023
00:46:14,220 --> 00:46:14,460
like rock disco, and then there's
disco for dancing,
and all kinds of disco music.
1024
00:46:14,460 --> 00:46:16,420
and all kinds of disco music.
1025
00:46:16,420 --> 00:46:18,380
MOLLY: If you really have to finger
anyone
1026
00:46:18,380 --> 00:46:21,380
and put it down to of who may have
had an influence on the '70s,
1027
00:46:21,380 --> 00:46:21,620
and put it down to of who may have
who would you say?
1028
00:46:21,620 --> 00:46:22,700
who would you say?
1029
00:46:22,700 --> 00:46:22,900
Just looking at different...
who would you say?
1030
00:46:22,900 --> 00:46:24,180
Just looking at different...
1031
00:46:24,180 --> 00:46:25,500
Stevie Wonder.
1032
00:46:25,500 --> 00:46:27,420
Yeah? Some say David Bowie.
1033
00:46:27,420 --> 00:46:28,900
What is your opinion of David Bowie?
1034
00:46:28,900 --> 00:46:29,100
What is your opinion of David Bowie?
Yeah, I like him.
1035
00:46:29,100 --> 00:46:30,460
Yeah, I like him.
1036
00:46:30,460 --> 00:46:31,460
Not his music?
Good lad.
1037
00:46:31,460 --> 00:46:31,700
Not his music?
Oh, his...as a musician?
1038
00:46:31,700 --> 00:46:32,740
Oh, his...as a musician?
1039
00:46:32,740 --> 00:46:32,980
Oh, I still like him.
Oh, his...as a musician?
1040
00:46:32,980 --> 00:46:34,580
Oh, I still like him.
Yeah?
1041
00:46:34,580 --> 00:46:36,220
Yeah.
What about, sort of like,
1042
00:46:36,220 --> 00:46:38,300
you had your David Bowies and your
Elton Johns
1043
00:46:38,300 --> 00:46:40,820
that sold a massive amount of
records.
1044
00:46:40,820 --> 00:46:43,820
Why do you think that perhaps they
didn't have the influence
1045
00:46:43,820 --> 00:46:46,420
that say, songwriters like yourself
had in the '60s
1046
00:46:46,420 --> 00:46:46,660
that say, songwriters like yourself
and carried over to the '70s?
1047
00:46:46,660 --> 00:46:48,260
and carried over to the '70s?
1048
00:46:48,260 --> 00:46:51,140
Well, tell you the truth,
I don't know if they haven't.
1049
00:46:52,740 --> 00:46:53,740
I don't know, you know.
1050
00:46:53,740 --> 00:46:53,980
And, looking at it from another
I don't know, you know.
1051
00:46:53,980 --> 00:46:55,460
And, looking at it from another
viewpoint...
1052
00:46:56,420 --> 00:46:58,340
..like the younger kids' viewpoint,
I don't know.
1053
00:46:58,340 --> 00:47:00,180
If you ask them,
I think they might say
1054
00:47:00,180 --> 00:47:02,940
they have had as big an influence,
for them.
1055
00:47:02,940 --> 00:47:03,180
they have had as big an influence,
I think for us, us old cronies,
1056
00:47:03,180 --> 00:47:05,820
I think for us, us old cronies,
1057
00:47:05,820 --> 00:47:08,780
I don't think it's had as much of an
influence like, say, as Elvis,
1058
00:47:08,780 --> 00:47:11,660
because there's not been
anyone that big for us.
1059
00:47:11,660 --> 00:47:13,660
But I suppose for them, like, for a
lot of the kids,
1060
00:47:13,660 --> 00:47:16,220
the Sex Pistols was a big thing.
1061
00:47:16,220 --> 00:47:17,940
And they were a really good group.
1062
00:47:17,940 --> 00:47:18,140
I suppose we'll continue to...
And they were a really good group.
1063
00:47:18,140 --> 00:47:20,380
I suppose we'll continue to...
1064
00:47:20,380 --> 00:47:24,100
..stretch ourselves to bring out
interesting sounds
1065
00:47:24,100 --> 00:47:24,340
within basic...
interesting sounds
1066
00:47:24,340 --> 00:47:26,380
within basic...
1067
00:47:26,380 --> 00:47:27,900
..you know, instruments.
1068
00:47:27,900 --> 00:47:28,140
..you know, instruments.
Right.
I mean,
1069
00:47:28,140 --> 00:47:28,980
Right.
I mean,
1070
00:47:28,980 --> 00:47:29,220
Right.
other people prefer to...
1071
00:47:29,220 --> 00:47:31,500
other people prefer to...
1072
00:47:31,500 --> 00:47:34,100
..use the 1980's machine,
1073
00:47:34,100 --> 00:47:38,500
but we'd rather...create something
else.
1074
00:47:38,500 --> 00:47:40,740
Something that's supposedly
redundant.
1075
00:47:40,740 --> 00:47:41,980
MOLLY: And the music for the '80s?
1076
00:47:41,980 --> 00:47:43,580
The first part of the '80s, how do
you see it?
1077
00:47:43,580 --> 00:47:46,500
Ooh, I think it's gonna be very
sci-fi.
1078
00:48:02,940 --> 00:48:06,860
# I fidget with the digit dots and
cry an anxious tear
1079
00:48:06,860 --> 00:48:07,100
# I fidget with the digit dots and
# As the XU-1 connects the spot
1080
00:48:07,100 --> 00:48:08,940
# As the XU-1 connects the spot
1081
00:48:08,940 --> 00:48:10,860
# But the matrix grid don't care
1082
00:48:10,860 --> 00:48:13,220
# Get a message to my mother
1083
00:48:13,220 --> 00:48:14,940
# What number would she be
1084
00:48:14,940 --> 00:48:17,060
# There's a million angry citizens
1085
00:48:17,060 --> 00:48:19,260
# Looking down their tubes at me
1086
00:48:19,260 --> 00:48:24,300
# Com-pu-pu-pu pu-pu-pu pu-pu-pu
computer games!
1087
00:48:27,460 --> 00:48:31,940
# Com-pu-pu-pu pu-pu-pu pu-pu-pu
computer games!
1088
00:48:51,460 --> 00:48:53,700
# There's safety
in numbers, they say
1089
00:48:53,700 --> 00:48:55,660
# 'Cause the figures never lie
1090
00:48:55,660 --> 00:48:59,900
# No perfect person's ever noticed
one computer die
1091
00:48:59,900 --> 00:49:01,700
# I'm programmed to a schedule
1092
00:49:01,700 --> 00:49:03,780
# What will the answer be?
1093
00:49:03,780 --> 00:49:05,820
# Is it suicide run till the work
gets done?
1094
00:49:05,820 --> 00:49:06,060
# Is it suicide run till the work
# 'Cause the matrix grid don't say
1095
00:49:06,060 --> 00:49:07,820
# 'Cause the matrix grid don't say
1096
00:49:07,820 --> 00:49:08,060
# Com-pu-pu-pu pu-pu-pu pu-pu-pu
# 'Cause the matrix grid don't say
1097
00:49:08,060 --> 00:49:12,740
# Com-pu-pu-pu pu-pu-pu pu-pu-pu
computer games!
1098
00:49:15,980 --> 00:49:20,860
# Com-pu-pu-pu pu-pu-pu pu-pu-pu
computer games!
1099
00:50:13,060 --> 00:50:14,940
# Jammed up tight by red traffic
lights
1100
00:50:14,940 --> 00:50:15,180
# Jammed up tight by red traffic
lights
# Advance one level on green
1101
00:50:15,180 --> 00:50:17,020
# Advance one level on green
1102
00:50:17,020 --> 00:50:18,900
# These opportune commuters
1103
00:50:18,900 --> 00:50:20,860
# They're blasting on their hooters
1104
00:50:20,860 --> 00:50:22,980
# I fidget with the digit dots
1105
00:50:22,980 --> 00:50:25,100
# Frustration rules out there
1106
00:50:25,100 --> 00:50:27,060
# As the XU-1 connects the spot
1107
00:50:27,060 --> 00:50:29,100
# But the matrix grid don't care
1108
00:50:29,100 --> 00:50:33,980
# Com-pu-pu-pu pu-pu-pu pu-pu-pu
computer games!
1109
00:50:37,220 --> 00:50:42,020
# Com-pu-pu-pu pu-pu-pu pu-pu-pu
computer games!
1110
00:50:45,300 --> 00:50:50,220
# Com-pu-pu-pu pu-pu-pu pu-pu-pu
computer games! #
1111
00:51:05,740 --> 00:51:07,220
# Countdown! #
1112
00:51:07,220 --> 00:51:08,780
# Looking for some hot stuff
1113
00:51:08,780 --> 00:51:11,260
# Baby, this evening
1114
00:51:11,260 --> 00:51:11,500
Disco songs still hit
the top spot in '79.
# Baby, this evening
1115
00:51:11,500 --> 00:51:14,860
Disco songs still hit
the top spot in '79.
1116
00:51:14,860 --> 00:51:15,100
# I want some hot stuff
the top spot in '79.
1117
00:51:15,100 --> 00:51:16,740
# I want some hot stuff
1118
00:51:16,740 --> 00:51:16,940
# I want some hot stuff
# Baby, this evening
1119
00:51:16,940 --> 00:51:19,860
# Baby, this evening
1120
00:51:19,860 --> 00:51:21,340
# Gotta have some hot stuff
1121
00:51:21,340 --> 00:51:24,740
# Gotta have some love tonight. #
1122
00:51:24,740 --> 00:51:24,980
It was so much fun to stay at the
YMCA.
# Gotta have some love tonight. #
1123
00:51:24,980 --> 00:51:28,700
It was so much fun to stay at the
YMCA.
1124
00:51:28,700 --> 00:51:32,820
The Village People enjoyed an
extended stay at number one.
1125
00:51:32,820 --> 00:51:33,060
# It's fun to stay at the
extended stay at number one.
1126
00:51:33,060 --> 00:51:34,260
# It's fun to stay at the
1127
00:51:34,260 --> 00:51:34,460
# It's fun to stay at the
# Y-M-C-A
1128
00:51:34,460 --> 00:51:36,380
# Y-M-C-A
1129
00:51:36,380 --> 00:51:38,100
# It's fun to stay at the
1130
00:51:38,100 --> 00:51:41,380
# Y-M-C-A
1131
00:51:41,380 --> 00:51:43,300
# They have everything
1132
00:51:43,300 --> 00:51:45,260
# For young men to enjoy
1133
00:51:45,260 --> 00:51:45,500
# You can hang out with all the
# For young men to enjoy
1134
00:51:45,500 --> 00:51:48,100
# You can hang out with all the
boys. #
1135
00:51:48,100 --> 00:51:48,340
# You can hang out with all the
Along with Maggie May,
1136
00:51:48,340 --> 00:51:50,020
Along with Maggie May,
1137
00:51:50,020 --> 00:51:54,020
Australia had begun a love affair
with Rod Stewart in 1970,
1138
00:51:54,020 --> 00:51:54,260
and we'd still find him sexy in '79.
Australia had begun a love affair
with Rod Stewart in 1970,
1139
00:51:54,260 --> 00:51:57,460
and we'd still find him sexy in '79.
1140
00:51:57,460 --> 00:51:57,700
and we'd still find him sexy in '79.
with the critics was the, um...
1141
00:51:57,700 --> 00:52:00,580
MOLLY: One of the praises you've got
with the critics was the, um...
1142
00:52:00,580 --> 00:52:00,860
MOLLY: One of the praises you've got
with the critics was the, um...
Critics hate me. What are you
talking about? They hate me.
1143
00:52:00,860 --> 00:52:03,860
Critics hate me. What are you
talking about? They hate me.
1144
00:52:03,860 --> 00:52:06,380
..in Perth, was the fact that you do
almost two hours,
1145
00:52:06,380 --> 00:52:08,660
non-stop, of entertainment and
you've got so much energy.
1146
00:52:08,660 --> 00:52:08,900
non-stop, of entertainment and
It's like my sex life.
1147
00:52:08,900 --> 00:52:09,860
It's like my sex life.
1148
00:52:09,860 --> 00:52:10,100
Yeah, so, talking
It's like my sex life.
1149
00:52:10,100 --> 00:52:11,420
Yeah, so, talking
about your sex life,
1150
00:52:11,420 --> 00:52:11,660
Yeah, so, talking
who is it this week?
1151
00:52:11,660 --> 00:52:13,900
who is it this week?
1152
00:52:13,900 --> 00:52:15,180
Racey had two hits,
1153
00:52:15,180 --> 00:52:17,660
Some Girls and Lay Your Love On Me.
1154
00:52:17,660 --> 00:52:19,500
Boy, oh, boy!
1155
00:52:19,500 --> 00:52:19,740
Boy, oh, boy!
Two Aussie songs made it to the top
of the charts, both about sport.
1156
00:52:19,740 --> 00:52:24,220
Two Aussie songs made it to the top
of the charts, both about sport.
1157
00:52:24,220 --> 00:52:27,380
One, the cricket anthem, Come on,
Aussie, Come On.
1158
00:52:27,380 --> 00:52:31,060
And the other, a song about
Australian rules footy.
1159
00:52:31,060 --> 00:52:31,300
# Get out and clear your mind
And the other, a song about
Australian rules footy.
1160
00:52:31,300 --> 00:52:33,340
# Get out and clear your mind
1161
00:52:33,340 --> 00:52:35,540
# Me, I like football
1162
00:52:35,540 --> 00:52:37,740
# And there's a lot of things around
1163
00:52:37,740 --> 00:52:40,140
# But when you line 'em up together
1164
00:52:40,140 --> 00:52:42,540
# The footy wins hands down
1165
00:52:47,620 --> 00:52:50,380
# Up there Cazaly
1166
00:52:50,380 --> 00:52:53,220
# In there and fight
1167
00:52:53,220 --> 00:52:56,020
# Out there and at 'em
1168
00:52:56,020 --> 00:52:58,860
# Show 'em your might
1169
00:52:58,860 --> 00:53:01,820
# Up there Cazaly
1170
00:53:01,820 --> 00:53:04,420
# Don't let 'em in
1171
00:53:04,420 --> 00:53:06,940
# Fly like an angel
1172
00:53:06,940 --> 00:53:09,340
# You're out there to win
1173
00:53:14,460 --> 00:53:17,260
# Now there's a lot more things to
football
1174
00:53:17,260 --> 00:53:19,060
# Than really meets the eye
1175
00:53:19,060 --> 00:53:21,340
# There are days when you could give
it up
1176
00:53:21,340 --> 00:53:21,580
# There are days when you could fly
it up
1177
00:53:21,580 --> 00:53:23,820
# There are days when you could fly
1178
00:53:23,820 --> 00:53:26,060
# Now, you either love or hate it
1179
00:53:26,060 --> 00:53:28,260
# Depending on the score
1180
00:53:28,260 --> 00:53:28,500
# But when your team run out or they
# Depending on the score
1181
00:53:28,500 --> 00:53:31,020
# But when your team run out or they
kick a goal
1182
00:53:31,020 --> 00:53:31,260
# But when your team run out or they
# How's the mighty roar
1183
00:53:31,260 --> 00:53:33,860
# How's the mighty roar
1184
00:53:33,860 --> 00:53:38,020
Hooray! Hooray!
1185
00:53:38,020 --> 00:53:40,820
# Up there Cazaly
1186
00:53:40,820 --> 00:53:43,420
# In there and fight
1187
00:53:43,420 --> 00:53:43,620
# Out there and at 'em
# In there and fight
1188
00:53:43,620 --> 00:53:46,300
# Out there and at 'em
1189
00:53:46,300 --> 00:53:49,060
# Show 'em your might
1190
00:53:49,060 --> 00:53:51,820
# Up there Cazaly
1191
00:53:51,820 --> 00:53:54,740
# Don't let 'em in
1192
00:53:54,740 --> 00:53:54,940
# Don't let 'em in
# Fly like an angel
1193
00:53:54,940 --> 00:53:57,180
# Fly like an angel
1194
00:53:57,180 --> 00:54:00,060
# You're out there to win
1195
00:54:00,060 --> 00:54:02,300
# Up there Cazaly
1196
00:54:02,300 --> 00:54:02,500
# You're out there to win
# Up there Cazaly
1197
00:54:02,500 --> 00:54:05,540
# You're out there to win
1198
00:54:05,540 --> 00:54:08,340
# In there and at 'em
1199
00:54:08,340 --> 00:54:10,940
# Don't let 'em in
1200
00:54:10,940 --> 00:54:13,660
# Up there Cazaly
1201
00:54:13,660 --> 00:54:16,340
# Show 'em you're high
1202
00:54:16,340 --> 00:54:16,540
# Show 'em you're high
# Fight like the devil
1203
00:54:16,540 --> 00:54:18,820
# Fight like the devil
1204
00:54:18,820 --> 00:54:21,220
# The crowd's on your side
1205
00:54:23,660 --> 00:54:27,180
# Ahh...
1206
00:54:27,180 --> 00:54:30,020
# Up there Cazaly
1207
00:54:30,020 --> 00:54:32,620
# In there and fight
1208
00:54:32,620 --> 00:54:32,820
# Out there and at 'em
# In there and fight
1209
00:54:32,820 --> 00:54:35,340
# Out there and at 'em
1210
00:54:35,340 --> 00:54:38,020
# Show 'em your might
1211
00:54:38,020 --> 00:54:40,620
# Up there Cazaly
1212
00:54:40,620 --> 00:54:43,380
# Show 'em you're high
1213
00:54:43,380 --> 00:54:43,580
# Show 'em you're high
# Fight like the devil
1214
00:54:43,580 --> 00:54:46,060
# Fight like the devil
1215
00:54:46,060 --> 00:54:48,260
# The crowd's on your side. #
1216
00:55:00,700 --> 00:55:01,980
I hope that it's a great decade
1217
00:55:01,980 --> 00:55:04,580
and I hope it's a great decade for
all of you. And me too.
1218
00:55:04,580 --> 00:55:07,100
And I'm taking you into the '80s,
along with Molly
1219
00:55:07,100 --> 00:55:08,060
and all the people at Countdown.
1220
00:55:08,060 --> 00:55:09,260
See ya.
1221
00:55:09,260 --> 00:55:12,500
Visit the Classic Countdown website
for more pictures,
1222
00:55:12,500 --> 00:55:15,020
interviews, and behind the scenes
information.
94973
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