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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,860 --> 00:00:04,140 Um, we're starting off Countdown for '79. 2 00:00:04,140 --> 00:00:05,700 And, this is the way we're going to begin it 3 00:00:05,700 --> 00:00:07,300 and this is the way we'll end it. Isn't that true? 4 00:00:07,300 --> 00:00:07,540 and this is the way we'll end it. That's right. One! Two... 5 00:00:07,540 --> 00:00:09,140 That's right. One! Two... 6 00:00:09,140 --> 00:00:11,140 Rascal. 7 00:00:11,140 --> 00:00:14,180 # Countdown, Countdown 8 00:00:14,180 --> 00:00:14,420 # Countdown, # Countdown, Countdown 9 00:00:14,420 --> 00:00:16,660 # Countdown, Countdown 10 00:00:16,660 --> 00:00:20,180 NARRATOR: Welcome to Classic Countdown 1979. 11 00:00:20,180 --> 00:00:20,420 NARRATOR: Welcome to # Countdown! # 12 00:00:20,420 --> 00:00:21,340 # Countdown! # 13 00:00:23,020 --> 00:00:25,060 The '70s were almost over. 14 00:00:26,100 --> 00:00:27,860 It was time to get dressed up 15 00:00:27,860 --> 00:00:30,420 and to party like it was 1979. 16 00:00:31,780 --> 00:00:35,660 When Skylab crashed into the desert in Western Australia, 17 00:00:35,660 --> 00:00:39,140 it seemed like the future had landed right in our own backyard. 18 00:00:39,140 --> 00:00:41,660 NEWS ANCHOR: Skylab's re-entry will be awesome. 19 00:00:41,660 --> 00:00:46,540 79 tonnes, boring its way into the atmosphere like a shooting star. 20 00:00:46,540 --> 00:00:50,460 There was an expectation that the '80s might bring great changes. 21 00:00:50,460 --> 00:00:52,100 They no longer costs millions of dollars 22 00:00:52,100 --> 00:00:52,340 They no longer costs millions of and they are very easy to operate. 23 00:00:52,340 --> 00:00:53,780 and they are very easy to operate. 24 00:00:58,220 --> 00:01:01,500 It also seemed that things might just stay the same. 25 00:01:01,500 --> 00:01:02,860 (APPLAUSE) 26 00:01:02,860 --> 00:01:03,060 Good evening. (APPLAUSE) 27 00:01:03,060 --> 00:01:04,060 Good evening. 28 00:01:04,060 --> 00:01:06,540 And now for something completely different, 29 00:01:06,540 --> 00:01:06,780 welcome to Countdown. different, 30 00:01:06,780 --> 00:01:07,820 welcome to Countdown. 31 00:01:08,780 --> 00:01:11,020 # And I don't want to walk and talk like 32 00:01:11,020 --> 00:01:13,260 # Everybody else # Like everybody else 33 00:01:13,260 --> 00:01:14,900 # And I don't gotta walk through life like 34 00:01:14,900 --> 00:01:15,180 # Everybody else # Like everybody else # And I don't gotta walk through life like 35 00:01:15,180 --> 00:01:16,940 # Everybody else # Like everybody else 36 00:01:16,940 --> 00:01:17,220 # Everybody else # Like everybody else # And I'm not gonna grin a grin like everybody else 37 00:01:17,220 --> 00:01:21,580 # And I'm not gonna grin a grin like everybody else 38 00:01:21,580 --> 00:01:24,380 # 'Cause I'm not like everybody else. # 39 00:01:26,860 --> 00:01:31,460 In '79, disco and rock music had been having their own tug of war, 40 00:01:31,460 --> 00:01:34,460 and it was hard to tell which side was winning. 41 00:01:34,460 --> 00:01:34,700 Disco was so infectious. and it was hard to tell which side was winning. 42 00:01:34,700 --> 00:01:35,700 Disco was so infectious. 43 00:01:35,700 --> 00:01:37,780 I mean, it brought people out to dance. 44 00:01:37,780 --> 00:01:38,020 I mean, while I was in Miami, people out to dance. 45 00:01:38,020 --> 00:01:39,180 I mean, while I was in Miami, 46 00:01:39,180 --> 00:01:41,940 it was like I'd never actually seen people dance 47 00:01:41,940 --> 00:01:42,180 it was like I'd never actually seen people dance like they were dancing down there. 48 00:01:42,180 --> 00:01:43,580 like they were dancing down there. 49 00:01:43,580 --> 00:01:45,620 It was like...I thought, "Wow." 50 00:01:45,620 --> 00:01:47,460 I mean, this isn't pussyfooting around. 51 00:01:47,460 --> 00:01:47,740 Well, I think that once people got down to the formula I mean, this isn't pussyfooting around. 52 00:01:47,740 --> 00:01:50,340 Well, I think that once people got down to the formula 53 00:01:50,340 --> 00:01:50,580 and found out what would work, down to the formula 54 00:01:50,580 --> 00:01:51,380 and found out what would work, 55 00:01:51,380 --> 00:01:54,100 they tended to get...they tended to take it too far 56 00:01:54,100 --> 00:01:54,380 they tended to get...they tended to take it too far and just, they could put out anything 57 00:01:54,380 --> 00:01:55,380 and just, they could put out anything 58 00:01:55,380 --> 00:01:55,620 and just, they could put out to a beat and it would work. 59 00:01:55,620 --> 00:01:56,380 to a beat and it would work. 60 00:01:56,380 --> 00:01:57,740 And I think that's over now. 61 00:01:57,740 --> 00:01:58,980 You have to have a good song, as well, 62 00:01:58,980 --> 00:01:59,220 You have to have that happens to be in a disco beat 63 00:01:59,220 --> 00:02:00,980 that happens to be in a disco beat 64 00:02:00,980 --> 00:02:02,740 to make it now, I think, in disco. 65 00:02:02,740 --> 00:02:05,380 Other styles of music were also staking their claim. 66 00:02:06,860 --> 00:02:10,940 We describe our music as... 67 00:02:10,940 --> 00:02:13,780 ..a road to consciousness, you know? 68 00:02:13,780 --> 00:02:14,020 ..a road to consciousness, you know? It was time to evaluate the past decade 69 00:02:14,020 --> 00:02:16,740 It was time to evaluate the past decade 70 00:02:16,740 --> 00:02:19,260 and to anticipate what might lie ahead. 71 00:02:19,260 --> 00:02:19,540 And, I think people now are much more interested and to anticipate what might lie ahead. 72 00:02:19,540 --> 00:02:22,140 And, I think people now are much more interested 73 00:02:22,140 --> 00:02:25,500 in becoming a projected image on television. 74 00:02:25,500 --> 00:02:25,780 in becoming a projected image on television. Like, a lot of people are starting to act 75 00:02:25,780 --> 00:02:27,660 Like, a lot of people are starting to act 76 00:02:27,660 --> 00:02:27,900 Like, a lot of people and use their hands and fight back. 77 00:02:27,900 --> 00:02:30,700 and use their hands and fight back. 78 00:02:30,700 --> 00:02:33,500 And a lot of lyrics are just talking about stuff 79 00:02:33,500 --> 00:02:36,020 that was never taught before, which is very good. 80 00:02:52,700 --> 00:02:53,780 # I'm bored 81 00:02:55,260 --> 00:02:57,220 # I'm the chairman of the bored 82 00:02:59,140 --> 00:03:01,580 # I'm a Lincoln monologue 83 00:03:01,580 --> 00:03:03,900 # I'm living like a dog 84 00:03:03,900 --> 00:03:04,980 # I'm bored 85 00:03:07,820 --> 00:03:11,740 # I bore myself to sleep at night 86 00:03:11,740 --> 00:03:14,660 # I bore myself in broad daylight 87 00:03:14,660 --> 00:03:15,900 # 'Cause I'm bored 88 00:03:17,580 --> 00:03:19,580 # Just another slimy bore 89 00:03:22,860 --> 00:03:26,540 # I'm free to bore my well-bought friends 90 00:03:26,540 --> 00:03:26,780 # I'm free to bore my well-bought friends # And spend my cash until the end 91 00:03:26,780 --> 00:03:29,500 # And spend my cash until the end 92 00:03:29,500 --> 00:03:31,020 # 'Cause I'm bored! 93 00:03:33,620 --> 00:03:35,180 # I'm bored 94 00:03:36,340 --> 00:03:38,540 # I'm the chairman of the bored 95 00:03:54,140 --> 00:03:55,220 # I'm sick 96 00:03:56,900 --> 00:03:58,860 # I'm sick of all my kicks 97 00:04:00,580 --> 00:04:02,420 # I'm sick of all the stiffs 98 00:04:02,420 --> 00:04:05,100 # I'm sick of all the dips 99 00:04:05,100 --> 00:04:06,140 # I'm bored 100 00:04:08,980 --> 00:04:12,580 # I bore myself to sleep at night 101 00:04:12,580 --> 00:04:15,540 # I bore myself in broad daylight 102 00:04:15,540 --> 00:04:17,300 # 'Cause I'm bored 103 00:04:19,820 --> 00:04:21,340 # I'm bored! 104 00:04:22,660 --> 00:04:24,860 # Just another dirty bore! 105 00:04:27,740 --> 00:04:30,260 # Alright, doll-face, come on and bore me! 106 00:04:43,940 --> 00:04:45,260 # I am sick 107 00:04:46,220 --> 00:04:50,180 # I am sick of all my kicks 108 00:04:50,180 --> 00:04:52,100 # I am sick of all the stiffs 109 00:04:52,100 --> 00:04:54,260 # I'm sick of all the dips 110 00:04:54,260 --> 00:04:55,820 # I'm sick! 111 00:04:58,380 --> 00:05:01,860 # I'm sick when I go to sleep at night 112 00:05:01,860 --> 00:05:05,180 # I'm still sick in the broad daylight 113 00:05:05,180 --> 00:05:05,420 # I'm still sick # 'Cause I'm bored! 114 00:05:05,420 --> 00:05:09,060 # 'Cause I'm bored! 115 00:05:09,060 --> 00:05:11,940 # I'm bored 116 00:05:11,940 --> 00:05:13,500 # I'm the chairman of the.. 117 00:05:15,100 --> 00:05:16,140 # ..bored! # 118 00:05:27,700 --> 00:05:29,940 # I feel so good about us 119 00:05:31,020 --> 00:05:33,060 # I found a shining star 120 00:05:34,660 --> 00:05:37,740 # And when I look into your eyes 121 00:05:37,740 --> 00:05:37,940 # And when I look into your eyes # It's magic 122 00:05:37,940 --> 00:05:38,780 # It's magic 123 00:05:40,980 --> 00:05:45,260 # Well, I just know this can't be a dream 124 00:05:45,260 --> 00:05:47,500 # I'm so happy, must be real 125 00:05:48,900 --> 00:05:52,100 # In every way it's getting stronger 126 00:05:52,100 --> 00:05:55,300 # Now you know it, let me show it! 127 00:05:57,620 --> 00:05:59,420 # Instant replay. # 128 00:05:59,420 --> 00:06:02,460 As musical styles danced around each other, 129 00:06:02,460 --> 00:06:06,500 discussion raged about image and corporate interference. 130 00:06:06,500 --> 00:06:06,780 And basically, before we had any commercial success, discussion raged about image and corporate interference. 131 00:06:06,780 --> 00:06:08,820 And basically, before we had any commercial success, 132 00:06:08,820 --> 00:06:10,900 we had been working for like, two or three years. 133 00:06:10,900 --> 00:06:11,140 So, I think that, you know, three years. 134 00:06:11,140 --> 00:06:12,980 So, I think that, you know, 135 00:06:12,980 --> 00:06:13,220 So, I think that, you know, commercialism is really behind the art form. 136 00:06:13,220 --> 00:06:17,020 commercialism is really behind the art form. 137 00:06:17,020 --> 00:06:17,300 If you were gonna take somebody from the '70s, you know, commercialism is really behind the art form. 138 00:06:17,300 --> 00:06:20,660 If you were gonna take somebody from the '70s, you know, 139 00:06:20,660 --> 00:06:21,700 and put 'em, like, in a... 140 00:06:22,660 --> 00:06:25,420 ..as like, in a time capsule or something, 141 00:06:25,420 --> 00:06:25,660 ..as like, in a time capsule or something, you would put Rod Stewart in there 142 00:06:25,660 --> 00:06:26,780 you would put Rod Stewart in there 143 00:06:26,780 --> 00:06:28,820 because other bands look at that as saying, 144 00:06:28,820 --> 00:06:30,500 "Well, that is the ultimate rock star." 145 00:06:30,500 --> 00:06:30,740 "Well, that is the He has every element. 146 00:06:30,740 --> 00:06:32,180 He has every element. 147 00:06:32,180 --> 00:06:35,900 Your punk bands have got the right idea with the image, 148 00:06:35,900 --> 00:06:40,220 but they're missing out on the other...on rehearsing 20 hours a day 149 00:06:40,220 --> 00:06:42,180 and getting the sound down, and getting the music down. 150 00:06:42,180 --> 00:06:43,660 Whereas, a lot of your bands, other bands, 151 00:06:43,660 --> 00:06:46,180 are great musicians and think nothing about image. 152 00:06:47,140 --> 00:06:49,380 Record companies have...began to see it like as, 153 00:06:49,380 --> 00:06:51,940 "This is a package deal and this will work. 154 00:06:51,940 --> 00:06:54,980 "You do this and you do that and you got that." 155 00:06:54,980 --> 00:06:55,220 Unfortunately, um... got that." 156 00:06:55,220 --> 00:06:56,860 Unfortunately, um... 157 00:06:58,180 --> 00:07:02,460 ..the most permanent thing in life is change. 158 00:07:03,620 --> 00:07:06,020 Hello, I'm Mike McDonald and this is Pat Simmons, 159 00:07:06,020 --> 00:07:06,300 Hello, I'm Mike McDonald and this is Pat Simmons, and when the rest of the boys are here, 160 00:07:06,300 --> 00:07:07,900 and when the rest of the boys are here, 161 00:07:07,900 --> 00:07:08,140 and when the rest of the boys are we are the Doobie Brothers. 162 00:07:08,140 --> 00:07:09,180 we are the Doobie Brothers. 163 00:07:09,180 --> 00:07:11,980 # I did not know what you were about 164 00:07:11,980 --> 00:07:12,220 # Something called love made me want to find out # I did not know what you were about 165 00:07:12,220 --> 00:07:14,860 # Something called love made me want to find out 166 00:07:14,860 --> 00:07:15,100 # Something called love made me want # Did not think you could ever care 167 00:07:15,100 --> 00:07:17,140 # Did not think you could ever care 168 00:07:17,140 --> 00:07:20,060 # But I'm outta control 'cause you're taking me there 169 00:07:21,180 --> 00:07:24,140 # I couldn't believe our love would last 170 00:07:26,700 --> 00:07:28,260 # It's coming on stronger 171 00:07:28,260 --> 00:07:31,380 # Coming on so much faster 172 00:07:31,380 --> 00:07:32,900 # Get used to it. # 173 00:07:34,620 --> 00:07:36,660 Although the decade was about to turn, 174 00:07:36,660 --> 00:07:39,220 some acts seemed set on prolonging the '70s. 175 00:07:42,060 --> 00:07:44,860 Some acts tried to nail down the future. 176 00:07:44,860 --> 00:07:47,580 # By those boys and those girls at the hop 177 00:07:50,180 --> 00:07:51,860 # Tell me what do you say 178 00:07:51,860 --> 00:07:52,060 # Tell me what do you say # Tell me what do you say 179 00:07:52,060 --> 00:07:55,660 # Tell me what do you say 180 00:07:58,780 --> 00:08:03,100 # Life begins at the hop 181 00:08:03,100 --> 00:08:06,140 # Boys and girls. # 182 00:08:08,300 --> 00:08:11,820 Some acts were content to sit back and watch it all happen. 183 00:08:11,820 --> 00:08:14,900 TOM WAITS: It always seems to be a little bit behind, you know. 184 00:08:14,900 --> 00:08:15,180 It's like any kind of a scene seems to die, TOM WAITS: It always seems to be a little bit behind, you know. 185 00:08:15,180 --> 00:08:19,220 It's like any kind of a scene seems to die, 186 00:08:19,220 --> 00:08:22,780 or begin dying at its conception, you know? 187 00:08:22,780 --> 00:08:26,380 And then, by the time you end up in a window of Bloomingdales 188 00:08:26,380 --> 00:08:26,660 And then, by the time you end up in a window of Bloomingdales with a guy in a skinny tie and small lapels and pointed shoes, 189 00:08:26,660 --> 00:08:30,500 with a guy in a skinny tie and small lapels and pointed shoes, 190 00:08:30,500 --> 00:08:33,020 you know, you can pretty well pack it in. 191 00:08:45,820 --> 00:08:49,020 # Ooh, my little pretty one, my pretty one 192 00:08:49,020 --> 00:08:49,300 # Ooh, my little pretty one, my pretty one # When you gonna give me some time, Sharona 193 00:08:49,300 --> 00:08:52,580 # When you gonna give me some time, Sharona 194 00:08:52,580 --> 00:08:55,540 # Ooh, you make my motor run, my motor run 195 00:08:55,540 --> 00:08:58,860 # Got it coming off o' the line, Sharona 196 00:08:58,860 --> 00:09:02,100 # Never gonna stop, give it up, such a dirty mind 197 00:09:02,100 --> 00:09:05,540 # I always get it up, for the touch of the younger kind 198 00:09:05,540 --> 00:09:05,780 # I always get it up, for the touch # My, my, my, aye-aye, whoo! 199 00:09:05,780 --> 00:09:08,740 # My, my, my, aye-aye, whoo! 200 00:09:09,700 --> 00:09:11,900 # M-m-m-my Sharona 201 00:09:15,100 --> 00:09:18,540 # Come a little closer, huh, a-will ya, huh 202 00:09:18,540 --> 00:09:21,700 # Close enough to look in my eyes, Sharona 203 00:09:21,700 --> 00:09:21,980 # Close enough to look in my eyes, Sharona # Keeping it a mystery, it gets to me 204 00:09:21,980 --> 00:09:24,700 # Keeping it a mystery, it gets to me 205 00:09:24,700 --> 00:09:28,300 # Running down the length of my thigh, Sharona 206 00:09:28,300 --> 00:09:31,220 # Never gonna stop, give it up, such a dirty mind 207 00:09:31,220 --> 00:09:31,500 # Never gonna stop, give it up, such a dirty mind # I always get it up, for the touch of the younger kind 208 00:09:31,500 --> 00:09:35,100 # I always get it up, for the touch of the younger kind 209 00:09:35,100 --> 00:09:38,980 # My, my, my, aye-aye, whoo! 210 00:09:38,980 --> 00:09:42,140 # M-m-m-my Sharona 211 00:09:42,140 --> 00:09:42,340 # M-m-m-my Sharona # M-m-m-my Sharona 212 00:09:42,340 --> 00:09:44,300 # M-m-m-my Sharona 213 00:10:00,980 --> 00:10:02,900 (GIRLS SCREAM) 214 00:10:22,940 --> 00:10:26,060 # When you gonna give to me, a gift to me? 215 00:10:26,060 --> 00:10:29,380 # Is it just a matter of time, Sharona? 216 00:10:29,380 --> 00:10:29,620 # Is it just a matter of time, # Is it d-d-destiny, d-destiny 217 00:10:29,620 --> 00:10:32,780 # Is it d-d-destiny, d-destiny 218 00:10:32,780 --> 00:10:36,100 # Or is it just a game in my mind, Sharona 219 00:10:36,100 --> 00:10:39,220 # Never gonna stop, give it up, such a dirty mind 220 00:10:39,220 --> 00:10:42,700 # I always get it up, for the touch of the younger kind 221 00:10:42,700 --> 00:10:42,940 # I always get it up, for the touch # My, my, my, aye-aye, whoo! 222 00:10:42,940 --> 00:10:47,220 # My, my, my, aye-aye, whoo! 223 00:10:47,220 --> 00:10:49,980 # M-m-m-m-m-m-m-my 224 00:10:49,980 --> 00:10:53,260 # My, my, aye-aye, whoo! 225 00:10:53,260 --> 00:10:55,420 # M-m-m-my Sharona 226 00:10:56,580 --> 00:10:58,620 # M-m-m-my Sharona 227 00:10:59,820 --> 00:11:01,860 # M-m-m-my Sharona 228 00:11:03,060 --> 00:11:05,260 # M-m-m-my Sharona. # 229 00:11:59,740 --> 00:12:02,860 Hi, this is Rickie Lee Jones on Countdown, 230 00:12:02,860 --> 00:12:04,340 rolling into the '80s. 231 00:12:04,340 --> 00:12:05,500 I'll meet you there. 232 00:12:06,980 --> 00:12:08,020 Can I wear your hat? 233 00:12:08,020 --> 00:12:09,780 Yeah. Oh, great. 234 00:12:09,780 --> 00:12:10,540 Want me to fix your hair? 235 00:12:10,540 --> 00:12:12,500 If you wouldn't mind. (LAUGHS) 236 00:12:12,500 --> 00:12:16,460 Countdown embraced the diversity and sophistication of the time 237 00:12:16,460 --> 00:12:20,620 and several world class acts performed on the show in '79. 238 00:12:20,620 --> 00:12:21,980 Hello, Molly. 239 00:12:21,980 --> 00:12:23,860 Thank you. Hello, Dolly. 240 00:12:23,860 --> 00:12:24,100 First of all, I've got to... Thank you. Hello, Dolly. 241 00:12:24,100 --> 00:12:25,100 First of all, I've got to... 242 00:12:25,100 --> 00:12:27,180 They're sort of rather wilted at the moment. 243 00:12:27,180 --> 00:12:27,420 They're sort of rather wilted Welcome to Countdown, for a start. 244 00:12:27,420 --> 00:12:29,020 Welcome to Countdown, for a start. 245 00:12:29,020 --> 00:12:29,260 Well, thank you. Welcome to Countdown, for a start. 246 00:12:29,260 --> 00:12:30,460 Well, thank you. This is a great audience. 247 00:12:30,460 --> 00:12:30,700 Well, thank you. This is a great audience. Hey, what about this lady? 248 00:12:30,700 --> 00:12:32,260 Hey, what about this lady? 249 00:12:32,260 --> 00:12:33,260 She's marvellous. Whoo! 250 00:12:33,260 --> 00:12:35,260 (CHEERING) (LAUGHS) 251 00:12:35,260 --> 00:12:37,500 All I can say is... They don't know what about her. 252 00:12:37,500 --> 00:12:39,020 ..all I can say is that, Western Australia, 253 00:12:39,020 --> 00:12:41,860 you may have bits of Skylab hanging all around your state, 254 00:12:41,860 --> 00:12:42,100 you may have bits of Skylab hanging but I've got Dolly Parton. 255 00:12:42,100 --> 00:12:43,300 but I've got Dolly Parton. 256 00:12:43,300 --> 00:12:44,940 And I've got Molly. 257 00:12:44,940 --> 00:12:45,180 # Who never learned to read or write so well. # And I've got Molly. 258 00:12:45,180 --> 00:12:48,900 # Who never learned to read or write so well. # 259 00:12:48,900 --> 00:12:49,980 Elton John was back 260 00:12:49,980 --> 00:12:52,460 with a rocking version of Johnny B. Goode. 261 00:12:52,460 --> 00:12:52,700 with a rocking version # Go, go 262 00:12:52,700 --> 00:12:54,700 # Go, go 263 00:12:54,700 --> 00:12:54,900 # Go, go # Go, Johnny, go, go, go 264 00:12:54,900 --> 00:12:57,140 # Go, Johnny, go, go, go 265 00:12:58,500 --> 00:13:01,140 # Go, Johnny, go, go, go 266 00:13:02,300 --> 00:13:04,820 # Go, Johnny, go, go, go 267 00:13:06,100 --> 00:13:08,500 # Go, Johnny, go, go, go 268 00:13:09,860 --> 00:13:12,300 # Go, go, Johnny B. Goode. # 269 00:13:14,300 --> 00:13:18,780 # My love, my love 270 00:13:18,780 --> 00:13:21,700 # She don't need diamonds 271 00:13:21,700 --> 00:13:22,940 # My love... 272 00:13:22,940 --> 00:13:26,220 Fellow piano player Chris Rea tickled the ivories. 273 00:13:26,220 --> 00:13:26,500 Fellow piano player Chris Rea tickled the ivories. # ..she don't need diamonds, don't need diamonds. # 274 00:13:26,500 --> 00:13:32,380 # ..she don't need diamonds, don't need diamonds. # 275 00:13:35,780 --> 00:13:38,220 # Doctor, doctor, give me the news 276 00:13:38,220 --> 00:13:41,700 # I've got a bad case of loving you. # 277 00:13:42,660 --> 00:13:45,900 Robert Palmer performed his breakthrough cover. 278 00:13:45,900 --> 00:13:46,140 Robert Palmer performed his breakthrough cover. # Bad case of loving you. # 279 00:13:46,140 --> 00:13:51,020 # Bad case of loving you. # 280 00:13:51,020 --> 00:13:55,100 There was just no telling who the kids might introduce next. 281 00:13:55,100 --> 00:13:55,340 There was just no telling And now, your host, Bob Welch! 282 00:13:55,340 --> 00:14:00,060 And now, your host, Bob Welch! 283 00:14:00,060 --> 00:14:02,100 (CHEERING AND APPLAUSE) 284 00:14:12,180 --> 00:14:16,460 # Well, have you seen that girl in the corner 285 00:14:16,460 --> 00:14:20,140 # I'd like to take her out of her chains 286 00:14:20,140 --> 00:14:24,460 # Cause if I have my way with you, baby 287 00:14:24,460 --> 00:14:28,100 # I would be changing your life today 288 00:14:29,620 --> 00:14:31,820 # Your eyes got me dreaming 289 00:14:33,980 --> 00:14:35,860 # Your eyes got me blind 290 00:14:37,900 --> 00:14:40,100 # Your eyes got me hoping 291 00:14:41,020 --> 00:14:44,780 # That I'll be holding you close tonight 292 00:14:46,180 --> 00:14:48,380 # Your eyes got me dreaming 293 00:14:50,300 --> 00:14:52,500 # Your eyes got me blind 294 00:14:54,500 --> 00:14:57,420 # Your eyes got me hoping 295 00:14:57,420 --> 00:15:00,740 # That I'll be holding you close tonight 296 00:15:09,740 --> 00:15:13,780 # She was the same as a hundred ladies 297 00:15:13,780 --> 00:15:17,900 # But when my eyes looked at her I learned 298 00:15:17,900 --> 00:15:18,140 # But when my eyes looked at her # That she was keeping a secret fire 299 00:15:18,140 --> 00:15:21,980 # That she was keeping a secret fire 300 00:15:21,980 --> 00:15:22,180 # That she was keeping a secret fire # And if I got real close I'd burn 301 00:15:22,180 --> 00:15:26,460 # And if I got real close I'd burn 302 00:15:26,460 --> 00:15:30,500 # So it looked like I had to move slowly 303 00:15:30,500 --> 00:15:30,740 # So it looked like # Like a cat at night in the trees 304 00:15:30,740 --> 00:15:34,380 # Like a cat at night in the trees 305 00:15:34,380 --> 00:15:38,620 # Cause I was waiting for her to show me 306 00:15:38,620 --> 00:15:42,180 # The way that she liked her love to feel 307 00:15:43,980 --> 00:15:46,020 # Your eyes got me dreaming 308 00:15:48,180 --> 00:15:50,140 # Your eyes got me blind 309 00:15:52,180 --> 00:15:55,180 # Your eyes got me hoping 310 00:15:55,180 --> 00:15:58,580 # That I'll be holding you close tonight 311 00:16:00,460 --> 00:16:02,860 # Your eyes got me dreaming 312 00:16:04,540 --> 00:16:06,740 # Your eyes got me blind 313 00:16:08,660 --> 00:16:11,500 # Your eyes got me hoping 314 00:16:11,500 --> 00:16:14,980 # That I'll be holding you close tonight 315 00:16:18,620 --> 00:16:20,660 # Ebony eyes 316 00:16:22,820 --> 00:16:24,820 # Ebony eyes 317 00:16:27,900 --> 00:16:30,220 # Ebony eyes 318 00:16:31,940 --> 00:16:35,180 # Ebony eyes 319 00:16:37,460 --> 00:16:39,820 # Your eyes got me dreaming 320 00:16:41,660 --> 00:16:43,980 # Your eyes got me blind 321 00:16:45,740 --> 00:16:48,740 # Your eyes got me hoping 322 00:16:48,740 --> 00:16:52,020 # That I'll be holding you close tonight 323 00:16:54,020 --> 00:16:56,220 # Your eyes got me dreaming 324 00:16:58,180 --> 00:17:00,380 # Your eyes got me blind 325 00:17:02,260 --> 00:17:05,260 # Your eyes got me hoping 326 00:17:05,260 --> 00:17:08,620 # That I'll be holding you close tonight 327 00:17:10,580 --> 00:17:12,820 # Your eyes got me dreaming 328 00:17:14,740 --> 00:17:16,940 # Your eyes got me blind. # 329 00:17:16,940 --> 00:17:18,860 (CHEERING AND APPLAUSE) 330 00:17:22,700 --> 00:17:23,740 # Countdown! # 331 00:17:24,700 --> 00:17:26,660 This is Davie Bowie for Countdown, 332 00:17:26,660 --> 00:17:29,300 we shall be talking very shortly, 333 00:17:29,300 --> 00:17:32,700 in a matter of hours, days, or weeks, 334 00:17:32,700 --> 00:17:32,940 in a matter of hours, about the 17th century 335 00:17:32,940 --> 00:17:35,820 about the 17th century 336 00:17:35,820 --> 00:17:36,060 and Pachelbel's influence about the 17th century 337 00:17:36,060 --> 00:17:39,820 and Pachelbel's influence on 1970s gardening. 338 00:17:41,020 --> 00:17:42,860 And, here's Pachelbel's garden. 339 00:17:49,180 --> 00:17:51,060 It's not really. It's Kew Gardens. 340 00:17:52,660 --> 00:17:56,300 And we'll be talking about music, actually, in the '70s. 341 00:17:56,300 --> 00:17:56,540 And we'll be talking about music, So, I suppose I've gotta be in it. 342 00:17:56,540 --> 00:17:57,820 So, I suppose I've gotta be in it. 343 00:18:00,260 --> 00:18:03,620 # You've gotta keep a putting, a booting, a running, a hiding 344 00:18:03,620 --> 00:18:04,820 # Cause it's gonna get you 345 00:18:04,820 --> 00:18:07,820 # You've gotta keep a one step, a two step, a quick step, a thick step 346 00:18:07,820 --> 00:18:08,060 # You've gotta keep a one step, a two step, a quick step, a thick step # Cause it's gonna get you. # 347 00:18:08,060 --> 00:18:09,300 # Cause it's gonna get you. # 348 00:18:09,300 --> 00:18:11,180 As well as the internationals, 349 00:18:11,180 --> 00:18:11,420 Countdown continued to support a raft As well as the internationals, 350 00:18:11,420 --> 00:18:14,620 Countdown continued to support a raft of local acts, 351 00:18:14,620 --> 00:18:14,860 Countdown continued to support a raft most of them trying to stay afloat 352 00:18:14,860 --> 00:18:16,700 most of them trying to stay afloat 353 00:18:16,700 --> 00:18:18,780 in a rapidly changing industry. 354 00:18:19,940 --> 00:18:21,900 JPY was plugging away. 355 00:18:21,900 --> 00:18:22,140 Molly! Molly! JPY was plugging away. 356 00:18:22,140 --> 00:18:24,380 Molly! Molly! And, here's this, here's this. 357 00:18:24,380 --> 00:18:24,620 Molly! Molly! And here's this, lovely. 358 00:18:24,620 --> 00:18:25,380 And here's this, lovely. 359 00:18:25,380 --> 00:18:27,020 Now, be very careful with the razor, we don't... 360 00:18:28,060 --> 00:18:30,780 Marc Hunter had gone solo... 361 00:18:30,780 --> 00:18:31,020 # Island nights You're blinded by the lights Marc Hunter had gone solo... 362 00:18:31,020 --> 00:18:34,100 # Island nights You're blinded by the lights 363 00:18:34,100 --> 00:18:34,340 # Can't shake those island nights. # You're blinded by the lights 364 00:18:34,340 --> 00:18:36,580 # Can't shake those island nights. # 365 00:18:36,580 --> 00:18:38,860 ..which meant Dragon had a new singer. 366 00:18:38,860 --> 00:18:41,980 # Oh, love's not enough for you 367 00:18:43,540 --> 00:18:45,740 # Love's not enough for you. # 368 00:18:46,740 --> 00:18:49,860 Skyhooks also signed on a new front man. 369 00:18:49,860 --> 00:18:50,100 # Get my wheels on the rails on a new front man. 370 00:18:50,100 --> 00:18:51,780 # Get my wheels on the rails 371 00:18:51,780 --> 00:18:53,300 # Over the border 372 00:18:53,300 --> 00:18:56,420 # Down to New South Wales. # 373 00:18:56,420 --> 00:18:56,660 # Down to New South Wales. # And Sherbet, with exactly the same line-up, 374 00:18:56,660 --> 00:18:59,500 And Sherbet, with exactly the same line-up, 375 00:18:59,500 --> 00:18:59,740 were now called Highway. And Sherbet, with exactly the same line-up, 376 00:18:59,740 --> 00:19:01,620 were now called Highway. 377 00:19:01,620 --> 00:19:05,460 # Smiling like she knew me 378 00:19:05,460 --> 00:19:05,700 # Smiling like she knew me The girl had threw me 379 00:19:05,700 --> 00:19:09,140 # Her eyes were shining bright The girl had threw me 380 00:19:09,140 --> 00:19:09,380 # Her eyes were shining bright The girl had threw me # I never knew it 381 00:19:09,380 --> 00:19:11,100 # I never knew it 382 00:19:11,100 --> 00:19:12,740 # Got hooked into it 383 00:19:13,700 --> 00:19:15,900 # I was ready for love 384 00:19:15,900 --> 00:19:17,700 # Ready for your love. # 385 00:19:17,700 --> 00:19:19,460 The musical times were a-changing, 386 00:19:19,460 --> 00:19:21,540 and it was hard to stay ahead of the game. 387 00:19:25,740 --> 00:19:26,780 Some Australian bands 388 00:19:26,780 --> 00:19:27,020 Some Australian bands of the punk movement on board. 389 00:19:27,020 --> 00:19:29,260 took the edginess of the punk movement on board. 390 00:19:31,020 --> 00:19:33,220 # Goodbye, Billy Joe 391 00:19:33,220 --> 00:19:35,060 # You were a real punk 392 00:19:38,740 --> 00:19:39,940 # Oh, no! # 393 00:19:39,940 --> 00:19:40,140 # Don't worry # Oh, no! # 394 00:19:40,140 --> 00:19:41,220 # Don't worry 395 00:19:41,220 --> 00:19:42,660 # It's alright 396 00:19:42,660 --> 00:19:45,820 # I'll be coming home to see you tonight 397 00:19:45,820 --> 00:19:48,620 Aussie rock music became harder and more urgent. 398 00:19:48,620 --> 00:19:48,900 Aussie rock music became harder and more urgent. # I'll be coming home to see you tonight. # 399 00:19:48,900 --> 00:19:50,620 # I'll be coming home to see you tonight. # 400 00:19:50,620 --> 00:19:50,860 # I'll be coming home to (CHEERING) 401 00:19:50,860 --> 00:19:52,660 (CHEERING) 402 00:20:00,940 --> 00:20:02,420 Out in the beer barns, 403 00:20:02,420 --> 00:20:02,660 Out in the beer barns, Oz rock anthems. 404 00:20:02,660 --> 00:20:05,700 new songs were fast becoming Oz rock anthems. 405 00:20:05,700 --> 00:20:05,940 new songs were fast becoming Oz rock anthems. # Went down to Santa Fe 406 00:20:05,940 --> 00:20:07,900 # Went down to Santa Fe 407 00:20:07,900 --> 00:20:10,340 # Where Renoir paints the walls 408 00:20:11,620 --> 00:20:13,700 # Described you clearly 409 00:20:13,700 --> 00:20:16,620 # But the sky began to fall 410 00:20:16,620 --> 00:20:20,580 # Am I ever gonna see your face again? 411 00:20:22,300 --> 00:20:26,060 # Am I ever gonna see your face again? 412 00:20:28,700 --> 00:20:30,460 # Trams, cars and taxis 413 00:20:30,460 --> 00:20:34,460 # Like little waxworks on the move 414 00:20:34,460 --> 00:20:36,580 # Carry young girls past me 415 00:20:36,580 --> 00:20:39,140 # But none of them are you 416 00:20:39,140 --> 00:20:39,380 # Am I ever gonna # But none of them are you 417 00:20:39,380 --> 00:20:43,300 # Am I ever gonna see your face again? 418 00:20:44,980 --> 00:20:48,940 # Am I ever gonna see your face again? 419 00:20:51,660 --> 00:20:54,140 # Without you near me 420 00:20:54,140 --> 00:20:55,900 # I got no place to go 421 00:20:57,460 --> 00:20:59,900 # Wait at the bar 422 00:20:59,900 --> 00:21:02,460 # Maybe you might show 423 00:21:02,460 --> 00:21:06,060 # Am I ever gonna see your face again? 424 00:21:08,060 --> 00:21:11,860 # Am I ever gonna see your face again? 425 00:21:14,580 --> 00:21:17,060 # I've got to stop these tears 426 00:21:17,060 --> 00:21:20,260 # That's falling from my eye 427 00:21:20,260 --> 00:21:22,420 # Go walk out in the rain 428 00:21:22,420 --> 00:21:25,020 # So no one sees me cry 429 00:21:25,020 --> 00:21:29,180 # Am I ever gonna see your face again? 430 00:21:30,980 --> 00:21:35,260 # Am I ever gonna see your face again? 431 00:21:46,220 --> 00:21:48,180 # Can't stop the memory 432 00:21:48,180 --> 00:21:51,940 # That goes climbing through my brain 433 00:21:51,940 --> 00:21:52,180 # That goes climbing # I get no answers 434 00:21:52,180 --> 00:21:54,180 # I get no answers 435 00:21:54,180 --> 00:21:57,020 # So the questions still remains 436 00:21:57,020 --> 00:21:57,260 # Am I ever gonna see your face again? # So the questions still remains 437 00:21:57,260 --> 00:22:01,060 # Am I ever gonna see your face again? 438 00:22:02,740 --> 00:22:06,500 # Am I ever gonna see your face again? 439 00:22:08,460 --> 00:22:12,740 # Am I ever gonna see your face again? 440 00:22:14,420 --> 00:22:18,700 # Am I ever gonna see your face again? 441 00:22:20,300 --> 00:22:23,780 # Am I ever gonna see your face again? 442 00:22:25,420 --> 00:22:29,700 # Am I ever gonna see your face again? 443 00:22:31,060 --> 00:22:35,100 # Am I ever gonna see your face again? 444 00:22:36,540 --> 00:22:40,540 # Am I ever gonna see your face again? 445 00:22:42,300 --> 00:22:45,980 # Am I ever gonna see your face again? 446 00:22:48,140 --> 00:22:52,420 # Am I ever gonna see your face again? 447 00:22:53,780 --> 00:22:57,540 # Am I ever gonna see your face again? 448 00:22:59,380 --> 00:23:03,300 # Am I ever gonna see your face again? # 449 00:23:32,940 --> 00:23:35,300 Hi. You know, without my make-up and snake, 450 00:23:35,300 --> 00:23:35,540 Hi. You know, you probably don't recognise me. 451 00:23:35,540 --> 00:23:36,900 you probably don't recognise me. 452 00:23:36,900 --> 00:23:38,260 But if you watch Countdown, 453 00:23:38,260 --> 00:23:38,500 I'll be with you, taking you into But if you watch Countdown, 454 00:23:38,500 --> 00:23:39,980 I'll be with you, taking you into the '80s. 455 00:23:39,980 --> 00:23:40,220 I'll be with you, taking you into This is Alice Cooper. 456 00:23:40,220 --> 00:23:41,540 This is Alice Cooper. 457 00:23:51,940 --> 00:23:53,180 # Countdown! # 458 00:23:55,460 --> 00:23:56,780 # Girls talk 459 00:23:56,780 --> 00:23:58,980 # And they want to know how 460 00:23:58,980 --> 00:24:00,020 # Girls talk 461 00:24:00,020 --> 00:24:02,780 # And they say it's not allowed 462 00:24:02,780 --> 00:24:02,980 # And they say it's not allowed # Girls talk 463 00:24:02,980 --> 00:24:04,020 # Girls talk 464 00:24:04,020 --> 00:24:06,460 # And they think they know how 465 00:24:06,460 --> 00:24:07,500 # Girls talk 466 00:24:07,500 --> 00:24:09,420 # If they say that it's so 467 00:24:09,420 --> 00:24:15,980 # Don't they think that I'd know by now. # 468 00:24:15,980 --> 00:24:20,060 As so-called New Wave acts performed on Countdown, 469 00:24:20,060 --> 00:24:22,860 the debate raged on about the effects of punk. 470 00:24:22,860 --> 00:24:23,100 the debate raged on But was the Sex Pistols a gimmick? 471 00:24:23,100 --> 00:24:25,380 But was the Sex Pistols a gimmick? 472 00:24:25,380 --> 00:24:26,820 It never started out as one. 473 00:24:26,820 --> 00:24:27,020 It started out as a piss-take. It never started out as one. 474 00:24:27,020 --> 00:24:29,220 It started out as a piss-take. 475 00:24:29,220 --> 00:24:30,260 A mockery of. 476 00:24:31,260 --> 00:24:33,260 Went sour, so I left. 477 00:24:34,460 --> 00:24:36,660 Um, but initially, I mean, like, 478 00:24:36,660 --> 00:24:38,860 when you had your music 479 00:24:38,860 --> 00:24:40,820 and you seemed to be deprived, at that stage, 480 00:24:40,820 --> 00:24:41,060 and you seemed to be deprived, of ever really getting it played 481 00:24:41,060 --> 00:24:42,180 of ever really getting it played 482 00:24:42,180 --> 00:24:46,140 because of all the corporations, like EMI and A&M, 483 00:24:46,140 --> 00:24:49,420 dropping...dropping you before it was released. 484 00:24:49,420 --> 00:24:50,420 Surely, Never Mind the Bollocks, 485 00:24:50,420 --> 00:24:52,380 you must have been proud of and happy with... 486 00:24:52,380 --> 00:24:52,620 you must have been proud of and ..at the time? 487 00:24:52,620 --> 00:24:53,620 ..at the time? 488 00:24:55,460 --> 00:24:57,700 It was fine for then, but so what? 489 00:24:58,660 --> 00:24:59,980 Times move on. 490 00:24:59,980 --> 00:25:01,380 You cannot live in the past. 491 00:25:01,380 --> 00:25:04,340 Only a fool looks back to last year or the year before. 492 00:25:05,660 --> 00:25:07,060 Well, so, how do you see music...? 493 00:25:07,060 --> 00:25:08,420 What's wrong with looking forward? 494 00:25:08,420 --> 00:25:10,100 Right, so, how do you see music in the '80s? 495 00:25:11,340 --> 00:25:12,900 Hopefully, getting better. 496 00:25:13,940 --> 00:25:15,100 In what way, though? 497 00:25:15,100 --> 00:25:19,020 In that many attitudes will be accepted, not just one way. 498 00:25:20,500 --> 00:25:22,300 Punk became, like, fascist. 499 00:25:23,260 --> 00:25:25,020 It has to be this way or else. 500 00:25:26,380 --> 00:25:28,540 But didn't you dictate that, to some extent? 501 00:25:28,540 --> 00:25:29,860 No, I did not. 502 00:25:29,860 --> 00:25:33,220 I've always said, music should be many attitudes. 503 00:25:33,220 --> 00:25:33,460 I've always said, All are tolerable. 504 00:25:33,460 --> 00:25:34,340 All are tolerable. 505 00:25:34,340 --> 00:25:38,900 It becomes intolerable when one particular form takes over 506 00:25:38,900 --> 00:25:40,300 and obliterates the rest. 507 00:25:40,300 --> 00:25:41,980 That is wrong. 508 00:25:41,980 --> 00:25:43,900 Didn't you feel some achievement 509 00:25:43,900 --> 00:25:45,620 of overthrowing the establishment 510 00:25:45,620 --> 00:25:48,900 and making them open the doors to young groups? 511 00:25:48,900 --> 00:25:50,940 No. The pathetic conclusion of that movement 512 00:25:50,940 --> 00:25:53,980 was one load of assholes were replaced with another load. 513 00:25:55,180 --> 00:25:56,620 Nothing was achieved. 514 00:26:00,860 --> 00:26:01,860 So, that was... 515 00:26:01,860 --> 00:26:02,860 Yeah, mate? Excuse me, mate. 516 00:26:02,860 --> 00:26:04,820 How 'bout a bit more Kiss music for Kiss fans? In Melbourne. 517 00:26:04,820 --> 00:26:06,420 Alright, then. Do you wanna see them in concert? 518 00:26:06,420 --> 00:26:08,020 Yeah, I'd love to, mate. OK, we'll try. 519 00:26:08,020 --> 00:26:09,500 There's not enough of it out here. What's your name? 520 00:26:09,500 --> 00:26:10,820 Michael Marrisay. Where are you from? 521 00:26:10,820 --> 00:26:11,060 Michael Marrisay. Moonee Ponds. 522 00:26:11,060 --> 00:26:11,820 Moonee Ponds. 523 00:26:11,820 --> 00:26:13,180 And you really like KISS? Yeah. 524 00:26:13,180 --> 00:26:14,180 Alright, we'll try to do that for you. 525 00:26:14,180 --> 00:26:15,900 OK, so there you are, Countdown in Concert. 526 00:26:15,900 --> 00:26:18,780 Right, now, we've got a group that we're really, really proud of. 527 00:26:18,780 --> 00:26:20,860 In '78, they were one of the finds for '78. 528 00:26:20,860 --> 00:26:23,340 They've crept up the charts with a couple of singles 529 00:26:23,340 --> 00:26:25,180 and then the critics started really raving. 530 00:26:25,180 --> 00:26:27,940 They won an award, a King of Pop, and deservedly so. 531 00:26:27,940 --> 00:26:29,980 This year, they're going to really hit big. 532 00:26:29,980 --> 00:26:30,220 This year, they're going to really And it's Sports, 533 00:26:30,220 --> 00:26:31,020 And it's Sports, 534 00:26:31,020 --> 00:26:33,540 and they've got a great new album out called Don't Throw Stones. 535 00:26:33,540 --> 00:26:34,700 And you should hear the new version 536 00:26:34,700 --> 00:26:36,060 of Who Listens to the Radio. 537 00:26:36,060 --> 00:26:37,500 Wow, is that something else. 538 00:26:37,500 --> 00:26:40,020 But anyhow, on Wednesday, they're leaving for England 539 00:26:40,020 --> 00:26:41,860 and they're going to tour with Graham Parker, 540 00:26:41,860 --> 00:26:42,900 so we're going to lose them for a while. 541 00:26:42,900 --> 00:26:45,700 But meanwhile, we've got a single to bide us time. 542 00:26:45,700 --> 00:26:45,940 But meanwhile, we've got a single to And here it is, Don't Throw Stones. 543 00:26:45,940 --> 00:26:47,420 And here it is, Don't Throw Stones. 544 00:26:47,420 --> 00:26:49,060 First time on television, Sports! 545 00:26:49,060 --> 00:26:50,700 (CHEERING) 546 00:26:50,700 --> 00:26:53,180 The Sports were given a New Wave label, 547 00:26:53,180 --> 00:26:56,220 but we just felt like we were doing our own thing. 548 00:26:56,220 --> 00:26:56,460 but we just felt like we were doing # I was lying in bed 549 00:26:56,460 --> 00:26:57,460 # I was lying in bed 550 00:26:57,460 --> 00:26:57,660 # Was almost fast asleep # I was lying in bed 551 00:26:57,660 --> 00:26:59,900 # Was almost fast asleep 552 00:26:59,900 --> 00:27:01,740 # About to drift off in 553 00:27:01,740 --> 00:27:02,900 # To the deep 554 00:27:02,900 --> 00:27:04,340 # Wasn't the telephone ringin' 555 00:27:04,340 --> 00:27:04,540 # Wasn't the telephone ringin' # Wasn't the doorbell 556 00:27:04,540 --> 00:27:06,140 # Wasn't the doorbell 557 00:27:06,140 --> 00:27:08,300 # Wasn't a dream as far as 558 00:27:08,300 --> 00:27:09,340 # I could tell 559 00:27:10,820 --> 00:27:12,420 # Tap tap window 560 00:27:12,420 --> 00:27:14,220 # Someone's throwing stones 561 00:27:14,220 --> 00:27:17,500 # Into somebody else's home 562 00:27:21,300 --> 00:27:22,660 # I jumped out of bed 563 00:27:22,660 --> 00:27:24,580 # I stood on a cat 564 00:27:24,580 --> 00:27:26,660 # I looked out the window at the 565 00:27:26,660 --> 00:27:27,460 # Laundromat 566 00:27:27,460 --> 00:27:30,620 # You were standing naked in your uniform 567 00:27:30,620 --> 00:27:30,860 # You were standing # The bundles of washing all 568 00:27:30,860 --> 00:27:32,660 # The bundles of washing all 569 00:27:32,660 --> 00:27:34,220 # Dirty and torn 570 00:27:35,340 --> 00:27:37,020 # Tap tap window 571 00:27:37,020 --> 00:27:38,780 # Someone's throwing stones 572 00:27:38,780 --> 00:27:42,300 # Into somebody else's home 573 00:27:42,300 --> 00:27:45,980 # Don't throw stones, don't throw stones 574 00:27:45,980 --> 00:27:48,220 # Yeah, everybody went out 575 00:27:49,500 --> 00:27:52,180 # Yeah, everybody went out 576 00:27:52,180 --> 00:27:56,580 # My window 577 00:27:59,660 --> 00:28:01,180 # I'm on my way to work 578 00:28:01,180 --> 00:28:03,260 # I stopped into your shop 579 00:28:03,260 --> 00:28:04,940 # I gave your mother my weekly 580 00:28:04,940 --> 00:28:06,020 # Laundry job 581 00:28:06,020 --> 00:28:09,380 # Always asking exactly when it'll be ready 582 00:28:09,380 --> 00:28:09,620 # Or if you're married or just be ready 583 00:28:09,620 --> 00:28:11,140 # Or if you're married or just 584 00:28:11,140 --> 00:28:13,860 # Going steady 585 00:28:13,860 --> 00:28:14,060 # Going steady # Tap tap window 586 00:28:14,060 --> 00:28:15,460 # Tap tap window 587 00:28:15,460 --> 00:28:17,340 # Someone's throwing stones 588 00:28:17,340 --> 00:28:20,740 # Into somebody else's home 589 00:28:20,740 --> 00:28:24,340 # Don't throw stones, don't throw stones 590 00:28:24,340 --> 00:28:24,580 # Don't throw stones, # Yeah, everybody went out 591 00:28:24,580 --> 00:28:26,620 # Yeah, everybody went out 592 00:28:28,220 --> 00:28:30,700 # Yeah, everybody went out 593 00:28:30,700 --> 00:28:35,020 # My window 594 00:28:36,540 --> 00:28:39,820 # My, my, oh, oh 595 00:28:39,820 --> 00:28:40,020 # My, my, oh, oh # My, my, oh, oh 596 00:28:40,020 --> 00:28:43,460 # My, my, oh, oh 597 00:28:43,460 --> 00:28:45,260 # Tap tap whoa-oh 598 00:28:45,260 --> 00:28:46,780 # Don't throw stones 599 00:28:46,780 --> 00:28:49,340 # Into other people's homes 600 00:28:50,300 --> 00:28:51,980 # Tap tap whoa-oh 601 00:28:51,980 --> 00:28:54,060 # Don't throw stones 602 00:29:00,540 --> 00:29:01,780 # Well, I'm not blind 603 00:29:01,780 --> 00:29:03,980 # So I don't read braille 604 00:29:03,980 --> 00:29:05,900 # I see your laundromat is 605 00:29:05,900 --> 00:29:06,900 # Up for sale 606 00:29:06,900 --> 00:29:07,140 # Soon you'll be moving to some new # Up for sale 607 00:29:07,140 --> 00:29:10,020 # Soon you'll be moving to some new address 608 00:29:10,020 --> 00:29:10,260 # Soon you'll be moving to some new # My heart'll be broken, my 609 00:29:10,260 --> 00:29:12,060 # My heart'll be broken, my 610 00:29:12,060 --> 00:29:13,620 # Clothes a mess 611 00:29:14,820 --> 00:29:16,540 # Tap tap window 612 00:29:16,540 --> 00:29:16,740 # Someone's throwing stones # Tap tap window 613 00:29:16,740 --> 00:29:18,260 # Someone's throwing stones 614 00:29:18,260 --> 00:29:21,700 # Into somebody else's home 615 00:29:21,700 --> 00:29:25,420 # Don't throw stones, don't throw stones 616 00:29:25,420 --> 00:29:25,660 # Yeah everybody went out don't throw stones 617 00:29:25,660 --> 00:29:27,340 # Yeah everybody went out 618 00:29:28,900 --> 00:29:31,700 # Yeah everybody went out 619 00:29:31,700 --> 00:29:31,900 # Yeah everybody went out # My window 620 00:29:31,900 --> 00:29:33,180 # My window 621 00:29:33,180 --> 00:29:35,900 # My window My window 622 00:29:35,900 --> 00:29:36,140 # My window # My, my, oh, oh 623 00:29:36,140 --> 00:29:39,420 # My, my, oh, oh 624 00:29:39,420 --> 00:29:39,660 # My, my, # My, my, oh, oh 625 00:29:39,660 --> 00:29:42,540 # My, my, oh, oh 626 00:29:42,540 --> 00:29:42,780 # My, my, # Tap tap whoa-oh 627 00:29:42,780 --> 00:29:44,300 # Tap tap whoa-oh 628 00:29:44,300 --> 00:29:46,020 # Don't throw stones 629 00:29:46,020 --> 00:29:49,500 # Into other people's homes 630 00:29:49,500 --> 00:29:51,420 # Tap tap whoa-oh 631 00:29:51,420 --> 00:29:52,940 # Don't throw stones 632 00:29:52,940 --> 00:29:56,380 # Into other people's homes 633 00:29:56,380 --> 00:29:58,140 # Tap tap whoa-oh 634 00:29:58,140 --> 00:29:59,860 # Don't throw stones 635 00:29:59,860 --> 00:30:02,340 # Into other people's homes # 636 00:30:03,300 --> 00:30:05,020 # Tap tap whoa-oh 637 00:30:05,020 --> 00:30:06,700 # Don't throw stones 638 00:30:06,700 --> 00:30:09,100 # Into other people's homes. # 639 00:30:09,100 --> 00:30:09,940 (SCREAMING) 640 00:30:09,940 --> 00:30:10,140 Pump it out! (SCREAMING) 641 00:30:10,140 --> 00:30:10,980 Pump it out! 642 00:30:10,980 --> 00:30:12,940 Pump out the power, Australia! 643 00:30:12,940 --> 00:30:15,540 Coast to coast, from Townsville to Albany! 644 00:30:15,540 --> 00:30:15,780 Coast to coast, We can do it, Australia! 645 00:30:15,780 --> 00:30:17,020 We can do it, Australia! 646 00:30:17,020 --> 00:30:17,260 We can do it, Australia! of powering the nation 647 00:30:17,260 --> 00:30:18,860 There are other ways of powering the nation 648 00:30:18,860 --> 00:30:19,100 There are other ways and rock and roll is one of them! 649 00:30:19,100 --> 00:30:20,620 and rock and roll is one of them! 650 00:30:20,620 --> 00:30:21,820 # Countdown! # 651 00:30:21,820 --> 00:30:22,060 # On the inside, the sun still shines # Countdown! # 652 00:30:22,060 --> 00:30:26,660 # On the inside, the sun still shines 653 00:30:28,580 --> 00:30:34,340 # And the rain falls down. # 654 00:30:34,340 --> 00:30:37,700 Of course, hits could still come from anywhere. 655 00:30:38,860 --> 00:30:41,620 From the theme to a TV show. 656 00:30:41,620 --> 00:30:41,820 # Midnight rendezvous # From the theme to a TV show. 657 00:30:41,820 --> 00:30:43,460 # Midnight rendezvous # 658 00:30:43,460 --> 00:30:44,300 From a TV hostess. 659 00:30:44,300 --> 00:30:46,820 # Secretly meeting you 660 00:30:46,820 --> 00:30:49,460 # Midnight rendezvous 661 00:30:49,460 --> 00:30:51,820 # I can't wait to see you. # 662 00:30:51,820 --> 00:30:54,420 # If it's love you want 663 00:30:54,420 --> 00:30:56,060 # Love you need 664 00:30:56,060 --> 00:30:59,580 And from a future Simon Townsend's Wonder World presenter. 665 00:30:59,580 --> 00:30:59,820 And from a future Simon Townsend's Wonder World presenter. # I'll be here night and day 666 00:30:59,820 --> 00:31:02,460 # I'll be here night and day 667 00:31:02,460 --> 00:31:04,500 # Anyway. # 668 00:31:05,620 --> 00:31:09,100 But the strangest novelty of 1979, 669 00:31:09,100 --> 00:31:11,380 and you wouldn't get away with it now, 670 00:31:11,380 --> 00:31:16,180 was this one by a radio DJ from Newcastle, and his band. 671 00:31:16,180 --> 00:31:16,420 # I met her on a Friday was this one by a radio DJ from Newcastle, and his band. 672 00:31:16,420 --> 00:31:17,420 # I met her on a Friday 673 00:31:17,420 --> 00:31:18,700 # Helping out an old mate 674 00:31:18,700 --> 00:31:19,940 # Waiting at the corner 675 00:31:19,940 --> 00:31:21,260 # She was dressed in black 676 00:31:21,260 --> 00:31:23,780 # There was I expecting a really tasty bird 677 00:31:23,780 --> 00:31:24,020 # He said she was good looking tasty bird 678 00:31:24,020 --> 00:31:25,020 # He said she was good looking 679 00:31:25,020 --> 00:31:25,220 # He said she was good looking # Why should I doubt his word? 680 00:31:25,220 --> 00:31:26,420 # Why should I doubt his word? 681 00:31:26,420 --> 00:31:29,580 # When I saw her there she was a real disgrace, I thought 682 00:31:29,580 --> 00:31:29,820 # When I saw her there she was a # Nice legs, shame about the face 683 00:31:29,820 --> 00:31:31,580 # Nice legs, shame about the face 684 00:31:42,300 --> 00:31:43,460 # I had to take her dancing 685 00:31:43,460 --> 00:31:44,980 # I couldn't let her down 686 00:31:44,980 --> 00:31:47,540 # So we caught a bus to the other side of town 687 00:31:47,540 --> 00:31:47,780 # So we caught a bus to the other side of town # Out upon the dance floor 688 00:31:47,780 --> 00:31:48,700 # Out upon the dance floor 689 00:31:48,700 --> 00:31:50,220 # I wasn't getting far 690 00:31:50,220 --> 00:31:50,460 # So I had a drink with me friends # I wasn't getting far 691 00:31:50,460 --> 00:31:52,780 # So I had a drink with me friends up at the bar 692 00:31:52,780 --> 00:31:53,020 # So I had a drink with me friends # I asked them what they thought 693 00:31:53,020 --> 00:31:53,900 # I asked them what they thought 694 00:31:53,900 --> 00:31:55,820 # As they fell about the place, they said 695 00:31:55,820 --> 00:31:56,060 # As they fell about # Nice legs, shame about her face 696 00:31:56,060 --> 00:31:58,060 # Nice legs, shame about her face 697 00:32:13,740 --> 00:32:15,980 # She said, could we go bowling? 698 00:32:15,980 --> 00:32:17,740 # I said that would be fine 699 00:32:18,820 --> 00:32:21,020 # But when I bought the tickets 700 00:32:21,020 --> 00:32:22,980 # She'd already changed her mind 701 00:32:23,980 --> 00:32:26,860 # She was turning out to be a real hard case 702 00:32:26,860 --> 00:32:29,700 # Nice legs, shame about the boat race 703 00:32:38,300 --> 00:32:39,740 # Well 704 00:32:39,740 --> 00:32:40,940 # She started getting bold 705 00:32:40,940 --> 00:32:42,380 # And tapped me on the shoulder 706 00:32:42,380 --> 00:32:44,900 # Whispered in my ear, it's getting kind of late 707 00:32:44,900 --> 00:32:47,860 # When I took her home, we hardly said a thing 708 00:32:47,860 --> 00:32:48,700 # I walked her to the door 709 00:32:48,700 --> 00:32:50,180 # Expecting to go in 710 00:32:50,180 --> 00:32:51,180 # She looked me up and down 711 00:32:51,180 --> 00:32:53,220 # And she put me in me place she said 712 00:32:53,220 --> 00:32:53,460 # And she put me in me place # Nice legs, shame about your face 713 00:32:53,460 --> 00:32:55,860 # Nice legs, shame about your face 714 00:32:55,860 --> 00:32:56,100 # Nice legs, # Nice legs, shame about your face 715 00:32:56,100 --> 00:32:58,140 # Nice legs, shame about your face. # 716 00:33:10,900 --> 00:33:13,940 Hi, I'm Officer Bob D'Angelo and this is Danny Warbuck. 717 00:33:13,940 --> 00:33:16,980 We're on duty in New York and it's a great town. 718 00:33:16,980 --> 00:33:20,100 And if we weren't on duty, I know what I like to be doing, 719 00:33:20,100 --> 00:33:21,820 and that's watching you on Countdown. 720 00:33:21,820 --> 00:33:22,060 and that's watching you on # She was tall 721 00:33:22,060 --> 00:33:23,420 # She was tall 722 00:33:23,420 --> 00:33:25,180 # She was lost 723 00:33:25,180 --> 00:33:25,380 # She could smile # She was lost 724 00:33:25,380 --> 00:33:27,300 # She could smile 725 00:33:27,300 --> 00:33:29,500 # And her words got crossed 726 00:33:29,500 --> 00:33:31,700 # Just another woman 727 00:33:31,700 --> 00:33:32,980 # In my life 728 00:33:32,980 --> 00:33:33,180 # In my life # Just another woman 729 00:33:33,180 --> 00:33:34,620 # Just another woman 730 00:33:34,620 --> 00:33:36,620 # Lost in the night 731 00:33:36,620 --> 00:33:38,340 # Just another woman 732 00:33:38,340 --> 00:33:40,860 # Keeping in touch with a man. # 733 00:33:46,100 --> 00:33:47,700 By the end of the decade, 734 00:33:47,700 --> 00:33:50,980 even for our own breakthrough acts, like Air Supply, 735 00:33:50,980 --> 00:33:54,220 Australia had become a regular stop on the world circuit. 736 00:33:55,380 --> 00:33:56,900 First of all, can you just tell us, Andy, 737 00:33:56,900 --> 00:33:57,140 First of all, a little bit about the group itself? 738 00:33:57,140 --> 00:33:59,380 a little bit about the group itself? 739 00:33:59,380 --> 00:34:00,660 Uh, well, there's four of us. 740 00:34:00,660 --> 00:34:01,620 Oh, no. There's one missing. 741 00:34:01,620 --> 00:34:01,860 There's three and we've been together just over two years now. Oh, no. There's one missing. 742 00:34:01,860 --> 00:34:05,620 There's three and we've been together just over two years now. 743 00:34:05,620 --> 00:34:08,660 We are having most of our success in England at the moment. 744 00:34:08,660 --> 00:34:08,900 We are having most of our success in England at the moment. But we've had success in America 745 00:34:08,900 --> 00:34:09,980 But we've had success in America 746 00:34:09,980 --> 00:34:10,220 and we're working here on tour now But we've had success in America 747 00:34:10,220 --> 00:34:14,140 and we're working here on tour now to try and consolidate. 748 00:34:14,140 --> 00:34:17,140 Was Roxanne initially structured as a single 749 00:34:17,140 --> 00:34:19,300 or was it just a track off the album? 750 00:34:19,300 --> 00:34:19,540 or was it just a track off the Initially structured as just a song 751 00:34:19,540 --> 00:34:21,020 Initially structured as just a song 752 00:34:21,020 --> 00:34:23,500 and then, we didn't actually realise its potential 753 00:34:23,500 --> 00:34:25,740 until our manager came and heard it and freaked out. 754 00:34:25,740 --> 00:34:28,140 And we were so puzzled by his sort of enthusiasm. 755 00:34:28,140 --> 00:34:29,860 And then, the more we listened, the more we thought, 756 00:34:29,860 --> 00:34:30,100 And then, the more we listened, the "God, this is good." 757 00:34:30,100 --> 00:34:31,140 "God, this is good." 758 00:34:31,140 --> 00:34:32,500 We didn't know. 759 00:34:32,500 --> 00:34:34,140 On any episode of Countdown, 760 00:34:34,140 --> 00:34:36,740 debuting locals could find themselves competing 761 00:34:36,740 --> 00:34:40,180 with the world's biggest rock and roll touring acts. 762 00:34:40,180 --> 00:34:40,420 with the world's biggest rock and # The dream police 763 00:34:40,420 --> 00:34:41,260 # The dream police 764 00:34:41,260 --> 00:34:43,420 # They live inside of my head 765 00:34:43,420 --> 00:34:43,620 # The dream police # They live inside of my head 766 00:34:43,620 --> 00:34:44,700 # The dream police 767 00:34:44,700 --> 00:34:46,900 # They come to me in my bed 768 00:34:46,900 --> 00:34:48,220 # The dream police 769 00:34:48,220 --> 00:34:50,260 # They're coming to arrest me 770 00:34:50,260 --> 00:34:50,460 # They're coming to arrest me # Oh, no 771 00:34:50,460 --> 00:34:52,180 # Oh, no 772 00:34:53,580 --> 00:34:57,060 # You know that talk is cheap 773 00:34:57,060 --> 00:34:59,060 # And those rumours ain't nice 774 00:35:00,780 --> 00:35:03,820 # And when I fall asleep 775 00:35:03,820 --> 00:35:06,420 # I don't think I'll survive 776 00:35:06,420 --> 00:35:09,700 # The night, the night 777 00:35:09,700 --> 00:35:11,540 # 'Cause they're waiting for me 778 00:35:11,540 --> 00:35:13,740 # They're looking for me 779 00:35:13,740 --> 00:35:16,620 # Every single night 780 00:35:16,620 --> 00:35:21,660 # They're driving me insane 781 00:35:23,460 --> 00:35:30,460 # Those men inside my brain 782 00:35:30,460 --> 00:35:32,060 # The dream police 783 00:35:32,060 --> 00:35:34,260 # They live inside of my head 784 00:35:34,260 --> 00:35:35,420 # The dream police 785 00:35:35,420 --> 00:35:37,660 # They come to me in my bed 786 00:35:37,660 --> 00:35:39,100 # The dream police 787 00:35:39,100 --> 00:35:40,900 # They're coming to arrest me 788 00:35:40,900 --> 00:35:42,700 # Oh, no 789 00:35:44,500 --> 00:35:47,740 # Well, I can't tell lies 790 00:35:47,740 --> 00:35:49,940 # 'Cause they're listening to me 791 00:35:51,300 --> 00:35:54,620 # And when I fall asleep 792 00:35:54,620 --> 00:35:58,580 # Bet they're spying on me tonight 793 00:35:58,580 --> 00:36:00,340 # Tonight 794 00:36:00,340 --> 00:36:02,220 # 'Cause they're waiting for me 795 00:36:02,220 --> 00:36:02,420 # They're looking for me # 'Cause they're waiting for me 796 00:36:02,420 --> 00:36:04,020 # They're looking for me 797 00:36:04,020 --> 00:36:07,100 # Every single night 798 00:36:07,100 --> 00:36:14,180 # They're driving me insane 799 00:36:14,180 --> 00:36:14,380 # They're driving me insane # Those men inside my brain 800 00:36:14,380 --> 00:36:21,100 # Those men inside my brain 801 00:36:21,980 --> 00:36:25,380 # I try to sleep, they're wide awake, they won't let me alone 802 00:36:25,380 --> 00:36:27,260 # They don't get paid to take vacations 803 00:36:27,260 --> 00:36:27,500 # They don't get paid to take # Or let me alone 804 00:36:27,500 --> 00:36:28,860 # Or let me alone 805 00:36:28,860 --> 00:36:32,540 # They spy on me, I try to hide, they won't let me alone 806 00:36:32,540 --> 00:36:33,420 # They persecute me 807 00:36:33,420 --> 00:36:35,940 # They're the judge and jury all in one 808 00:36:51,180 --> 00:36:53,380 # 'Cause they're waiting for me 809 00:36:53,380 --> 00:36:55,300 # They're looking for me 810 00:36:55,300 --> 00:36:57,940 # Every single night 811 00:36:57,940 --> 00:36:58,140 # Every single night # They're driving me insane 812 00:36:58,140 --> 00:37:05,100 # They're driving me insane 813 00:37:05,100 --> 00:37:23,380 # Those men inside my brain 814 00:37:50,300 --> 00:37:51,620 # The dream police 815 00:37:51,620 --> 00:37:51,820 # The dream police # They live inside of my head 816 00:37:51,820 --> 00:37:53,820 # They live inside of my head 817 00:37:53,820 --> 00:37:57,380 # The dream police, they come to me in my bed 818 00:37:57,380 --> 00:37:57,620 # The dream police, they come to me # The dream police 819 00:37:57,620 --> 00:37:58,580 # The dream police 820 00:37:58,580 --> 00:38:00,420 # They're coming to arrest me. # 821 00:38:21,060 --> 00:38:22,380 ANNOUNCER: Ladies and gentlemen, 822 00:38:22,380 --> 00:38:24,340 the following program is dedicated 823 00:38:24,340 --> 00:38:28,140 to every international airline and airport throughout the world. 824 00:38:28,140 --> 00:38:31,580 Believe it or not, he's back in one piece. 825 00:38:31,580 --> 00:38:33,180 That first class rock and roller... 826 00:38:33,180 --> 00:38:35,220 (CHUCKLES) ..with the economy class mouth, 827 00:38:35,220 --> 00:38:35,460 (CHUCKLES) ..with the economy class it's Molly! 828 00:38:35,460 --> 00:38:36,460 it's Molly! 829 00:38:36,460 --> 00:38:37,740 Ah! G'day, viewers. 830 00:38:37,740 --> 00:38:39,940 I tell you what, I am so glad to be home. 831 00:38:39,940 --> 00:38:41,500 Now, listen, have I missed the golf? 832 00:38:41,500 --> 00:38:43,220 I have? Far out. 833 00:38:43,220 --> 00:38:44,620 I tell you what, isn't that boring? 834 00:38:44,620 --> 00:38:46,300 And now, you're with the Countdown 835 00:38:46,300 --> 00:38:47,940 and you're with the Elton John Show now. 836 00:38:47,940 --> 00:38:49,180 I'd like to introduce you to Richard Clapton. 837 00:38:49,180 --> 00:38:49,420 I'd like to introduce you to Richard How do you...oh, it's Elton! 838 00:38:49,420 --> 00:38:50,500 How do you...oh, it's Elton! 839 00:38:50,500 --> 00:38:52,060 I thought it was Richie Clapton. 840 00:38:52,060 --> 00:38:54,540 No, I had terrible hell these last few months, darling, 841 00:38:54,540 --> 00:38:56,340 trying to conceal all this under my hat. 842 00:38:56,340 --> 00:38:57,300 (LAUGHS) 843 00:38:57,300 --> 00:38:59,980 And they said the hair transplant wasn't a success 844 00:38:59,980 --> 00:39:02,180 and look at it! It's...I'm actually worried. 845 00:39:02,180 --> 00:39:02,460 and look at it! It's...I'm actually worried. I'm thinking of having it all shaved off, actually. 846 00:39:02,460 --> 00:39:04,180 I'm thinking of having it all shaved off, actually. 847 00:39:04,180 --> 00:39:06,500 (LAUGHS) Now, listen, we've gotta get serious. 848 00:39:06,500 --> 00:39:08,100 Yeah, alright. Are you going to put your hat on? 849 00:39:08,100 --> 00:39:08,340 Yeah, alright. In a minute. When I... 850 00:39:08,340 --> 00:39:09,300 In a minute. When I... 851 00:39:09,300 --> 00:39:10,780 No, no, no. Oh, No, no, no. Well, I've... 852 00:39:10,780 --> 00:39:11,020 No, no, no. You've spoilt the surprise. 853 00:39:11,020 --> 00:39:12,300 You've spoilt the surprise. 854 00:39:12,300 --> 00:39:13,180 I'm not the dresser. 855 00:39:13,180 --> 00:39:14,180 Alright. OK. 856 00:39:14,180 --> 00:39:14,420 Alright. You should be in that outfit. 857 00:39:14,420 --> 00:39:15,420 You should be in that outfit. 858 00:39:15,420 --> 00:39:16,620 (BOTH LAUGH) 859 00:39:18,260 --> 00:39:20,620 (STAMMERS) Th-th-the toma...the toma... 860 00:39:20,620 --> 00:39:20,860 (STAMMERS) Th-th-the toma...the (SCREAMS) 861 00:39:20,860 --> 00:39:22,740 (SCREAMS) 862 00:39:22,740 --> 00:39:24,100 Oh, no! 863 00:39:24,100 --> 00:39:25,580 (LAUGHS) 864 00:39:27,940 --> 00:39:30,180 Bring on the harem girls, quickly! 865 00:39:30,180 --> 00:39:31,660 One album. Hiya, dog face! 866 00:39:31,660 --> 00:39:31,900 One album. (CHUCKLES) Iggy, how are you, mate? 867 00:39:31,900 --> 00:39:33,540 (CHUCKLES) Iggy, how are you, mate? 868 00:39:33,540 --> 00:39:35,580 G'day! G'day! Listen, welcome to the show. 869 00:39:35,580 --> 00:39:35,860 Um, the first time I saw you was in Detroit G'day! G'day! Listen, welcome to the show. 870 00:39:35,860 --> 00:39:38,180 Um, the first time I saw you was in Detroit 871 00:39:38,180 --> 00:39:38,420 a couple of years ago, Detroit 872 00:39:38,420 --> 00:39:39,460 a couple of years ago, 873 00:39:39,460 --> 00:39:41,100 um, live in concert. 874 00:39:41,100 --> 00:39:42,940 What's wrong? Don't you send me up! 875 00:39:42,940 --> 00:39:44,540 (LAUGHS) You behave yourself. 876 00:39:44,540 --> 00:39:44,820 (LAUGHS) You behave yourself. Now, listen, we've got to ask you some sensible questions. 877 00:39:44,820 --> 00:39:46,500 Now, listen, we've got to ask you some sensible questions. 878 00:39:46,500 --> 00:39:47,500 Alright. The first time, 879 00:39:47,500 --> 00:39:49,180 was a couple of weeks...er, a couple of years ago. 880 00:39:49,180 --> 00:39:50,900 Hi! Was with... 881 00:39:50,900 --> 00:39:53,140 ..Iggy, will you concentrate on the questions? 882 00:39:53,140 --> 00:39:55,060 Uh. Um, was with David Bowie. 883 00:39:55,060 --> 00:39:56,180 Yeah. Very good friend? 884 00:39:56,180 --> 00:39:57,580 No, you mean, he played piano with my band. 885 00:39:57,580 --> 00:39:57,820 No, you mean, he played piano with Yeah, um, he played a very low... 886 00:39:57,820 --> 00:39:59,660 Yeah, um, he played a very low... 887 00:39:59,660 --> 00:40:00,940 He was with me. Right. 888 00:40:00,940 --> 00:40:02,780 Now, you've worked together sort of record-wise, haven't you? 889 00:40:02,780 --> 00:40:03,020 Now, you've worked together sort of Yeah, yeah. 890 00:40:03,020 --> 00:40:03,780 Yeah, yeah. 891 00:40:03,780 --> 00:40:06,900 And on the sly, too. I know. I know. 892 00:40:06,900 --> 00:40:09,900 Now, listen, with David Bowie... Yeah. 893 00:40:09,900 --> 00:40:11,340 ..he's had a lot of influence on you, I gather. 894 00:40:11,340 --> 00:40:11,580 ..he's had a lot of influence on Yeah. Yeah. 895 00:40:11,580 --> 00:40:12,580 Yeah. Yeah. 896 00:40:12,580 --> 00:40:15,060 In what re...Can you answer these questions properly? 897 00:40:15,060 --> 00:40:15,300 In what re...Can you answer these He taught me how to compromise. 898 00:40:15,300 --> 00:40:16,380 He taught me how to compromise. 899 00:40:16,380 --> 00:40:19,380 Um, what I'm trying to sort of say is, Blondie, 900 00:40:19,380 --> 00:40:21,340 I mean Debra, um...I'm sorry. 901 00:40:21,340 --> 00:40:23,340 DEBBIE: Oh, just, could you wait just a second? 902 00:40:23,340 --> 00:40:25,140 Just a minute? Yep. That's alright. 903 00:40:25,140 --> 00:40:25,420 As you can see, this interview is getting absolutely nowhere. Just a minute? Yep. That's alright. 904 00:40:25,420 --> 00:40:28,900 As you can see, this interview is getting absolutely nowhere. 905 00:40:28,900 --> 00:40:29,180 As you can see, this interview is getting absolutely nowhere. Has anyone had an influence on the music in the '70s, 906 00:40:29,180 --> 00:40:31,500 Has anyone had an influence on the music in the '70s, 907 00:40:31,500 --> 00:40:32,820 in your mind? 908 00:40:32,820 --> 00:40:33,060 Ah, I'm trying to think of all the people in your mind? 909 00:40:33,060 --> 00:40:34,900 Ah, I'm trying to think of all the people 910 00:40:34,900 --> 00:40:36,380 that we've just spoken to recently that said 911 00:40:36,380 --> 00:40:36,620 that we were pretty good. (LAUGHS) that said 912 00:40:36,620 --> 00:40:38,140 that we were pretty good. (LAUGHS) 913 00:40:38,140 --> 00:40:39,540 (PHONE RINGS) 914 00:40:39,540 --> 00:40:39,780 (PHONE RINGS) everything again. 915 00:40:39,780 --> 00:40:42,140 Excuse me. This could change everything again. 916 00:40:42,140 --> 00:40:42,420 Excuse me. This could change everything again. Um...(LAUGHS) (LAUGHS) 917 00:40:42,420 --> 00:40:44,740 Um...(LAUGHS) (LAUGHS) 918 00:40:44,740 --> 00:40:46,260 If it's my mother, tell her I'm not home. 919 00:40:46,260 --> 00:40:48,020 And if it's John Lennon, tell him I want my book back. 920 00:40:52,300 --> 00:40:53,820 # Countdown! # 921 00:40:53,820 --> 00:40:54,020 # You've gotta be cruel to be kind # Countdown! # 922 00:40:54,020 --> 00:40:56,340 # You've gotta be cruel to be kind 923 00:40:56,340 --> 00:40:58,420 # In the right measure 924 00:40:58,420 --> 00:41:00,020 # Cruel to be kind 925 00:41:00,020 --> 00:41:02,220 # It's a very good sign 926 00:41:02,220 --> 00:41:03,700 # Cruel to be kind 927 00:41:03,700 --> 00:41:09,300 # Means that I love you, baby 928 00:41:09,300 --> 00:41:11,940 # You gotta be cruel to be kind. # 929 00:41:13,740 --> 00:41:16,700 Pop standards were high in 1979. 930 00:41:16,700 --> 00:41:20,180 Australian songwriters needed to become as sophisticated 931 00:41:20,180 --> 00:41:20,420 Australian songwriters needed to as their old world counterparts. 932 00:41:20,420 --> 00:41:22,180 as their old world counterparts. 933 00:41:22,180 --> 00:41:23,380 Unfortunately, it's so hard. 934 00:41:23,380 --> 00:41:25,180 There's so much talent, and I really mean this. 935 00:41:25,180 --> 00:41:26,380 In Australia and New Zealand, 936 00:41:26,380 --> 00:41:28,860 there is as much good talent as there is in England 937 00:41:28,860 --> 00:41:29,820 or anywhere else in the world. 938 00:41:29,820 --> 00:41:31,980 It's just, it's so difficult, geographically, 939 00:41:31,980 --> 00:41:34,340 to go and make a gamble, financially, 940 00:41:34,340 --> 00:41:38,540 to make it big time to LA, or to London, or to Europe. 941 00:41:38,540 --> 00:41:40,660 The recordings over here are up to scratch 942 00:41:40,660 --> 00:41:42,140 to anything you'll hear anywhere else. 943 00:41:52,980 --> 00:41:54,100 # Campbell lane 944 00:41:56,260 --> 00:41:59,500 # And through the window, curtain rain 945 00:42:01,140 --> 00:42:03,460 # Long night gone, yellow day 946 00:42:04,420 --> 00:42:07,500 # The speed shivers melt away 947 00:42:08,460 --> 00:42:12,700 # At six o'clock I'm goin' down 948 00:42:12,700 --> 00:42:16,860 # The coffee's hot and the toast is round 949 00:42:16,860 --> 00:42:20,420 # Hey, street sweeper, clear my way 950 00:42:20,420 --> 00:42:24,620 # Sweethearts breakfast is the best in town 951 00:42:24,620 --> 00:42:24,860 # Sweethearts breakfast is the best # Oh o-o-oh 952 00:42:24,860 --> 00:42:27,300 # Oh o-o-oh 953 00:42:28,860 --> 00:42:30,780 # Breakfast at Sweethearts 954 00:42:32,820 --> 00:42:36,900 # Oh o-o-oh 955 00:42:36,900 --> 00:42:39,300 # Breakfast at Sweethearts 956 00:42:42,420 --> 00:42:44,700 # Hey, Anne-Maria 957 00:42:46,620 --> 00:42:49,060 # It's always good to see her 958 00:42:50,660 --> 00:42:52,580 # She don't smile or flirt 959 00:42:54,300 --> 00:42:56,300 # She just wears that mini-skirt 960 00:42:58,740 --> 00:43:00,940 # Drunks come in 961 00:43:01,860 --> 00:43:05,300 # A paper bag of Brandivino 962 00:43:06,980 --> 00:43:09,180 # Dreams fly away 963 00:43:09,180 --> 00:43:11,940 # As she pulls another 964 00:43:11,940 --> 00:43:14,140 # Cappuccino 965 00:43:14,140 --> 00:43:18,420 # Six o'clock, I'm goin' down 966 00:43:18,420 --> 00:43:22,500 # The coffee's hot and the toast is round 967 00:43:22,500 --> 00:43:22,740 # Hey, street sweeper, clear my way and the toast is round 968 00:43:22,740 --> 00:43:26,140 # Hey, street sweeper, clear my way 969 00:43:26,140 --> 00:43:26,380 # Hey, street sweeper, clear my way # Sweethearts breakfast is the best in town 970 00:43:26,380 --> 00:43:29,460 # Sweethearts breakfast is the best in town 971 00:43:30,420 --> 00:43:32,900 # Oh o-o-oh 972 00:43:34,500 --> 00:43:38,420 # Breakfast at Sweethearts 973 00:43:38,420 --> 00:43:41,460 # Oh o-o-oh 974 00:43:42,660 --> 00:43:45,540 # Breakfast at Sweethearts 975 00:43:45,540 --> 00:43:46,860 # Yeah 976 00:44:11,860 --> 00:44:15,740 # At six o'clock I'm goin' down 977 00:44:15,740 --> 00:44:15,980 # The coffee's hot # At six o'clock I'm goin' down 978 00:44:15,980 --> 00:44:19,980 # The coffee's hot and the toast is round 979 00:44:19,980 --> 00:44:20,220 # Hey, street sweeper, clear my way # The coffee's hot and the toast is round 980 00:44:20,220 --> 00:44:23,820 # Hey, street sweeper, clear my way 981 00:44:23,820 --> 00:44:24,060 # Hey, street sweeper, clear my way # Sweethearts breakfast is the best in town 982 00:44:24,060 --> 00:44:28,380 # Sweethearts breakfast is the best in town 983 00:44:28,380 --> 00:44:32,340 # At six o'clock I'm goin' down 984 00:44:32,340 --> 00:44:32,580 # The coffee's hot and the toast is # At six o'clock I'm goin' down 985 00:44:32,580 --> 00:44:36,540 # The coffee's hot and the toast is round 986 00:44:36,540 --> 00:44:36,780 # The coffee's hot and the toast is # Hey, street sweeper, clear my way 987 00:44:36,780 --> 00:44:40,220 # Hey, street sweeper, clear my way 988 00:44:40,220 --> 00:44:44,740 # Sweethearts breakfast is the best in town. # 989 00:45:04,500 --> 00:45:06,780 Hi, this is Lindsay from Fleetwood Mac, 990 00:45:06,780 --> 00:45:08,420 going into the '80s with Countdown. 991 00:45:12,700 --> 00:45:13,740 That was weak. 992 00:45:15,900 --> 00:45:18,180 The musical decade was about to end 993 00:45:18,180 --> 00:45:18,420 The musical decade was about to end opinion. 994 00:45:18,420 --> 00:45:20,740 and it seemed everyone had an opinion. 995 00:45:20,740 --> 00:45:20,980 # I said beautiful people opinion. 996 00:45:20,980 --> 00:45:23,380 # I said beautiful people 997 00:45:23,380 --> 00:45:23,620 # I said beautiful people # They've got a Robert Palmer t-shirt in their travel bag 998 00:45:23,620 --> 00:45:26,860 # They've got a Robert Palmer t-shirt in their travel bag 999 00:45:26,860 --> 00:45:27,100 # They've got a Robert Palmer # Beautiful people 1000 00:45:27,100 --> 00:45:29,340 # Beautiful people 1001 00:45:29,340 --> 00:45:31,580 # They've got a price upon their head. # 1002 00:45:31,580 --> 00:45:34,860 MOLLY: What are your opinions of... 1003 00:45:34,860 --> 00:45:37,620 ..of how music has been in the '70s? 1004 00:45:37,620 --> 00:45:37,860 ..of how music has been in the '70s? The middle half of the '70s were very, very dire, I felt. 1005 00:45:37,860 --> 00:45:40,340 The middle half of the '70s were very, very dire, I felt. 1006 00:45:40,340 --> 00:45:42,500 Um... Right. Care to explain? 1007 00:45:42,500 --> 00:45:43,500 Yeah, very much so. 1008 00:45:43,500 --> 00:45:47,380 But with the rise of the new wave, from about '76 onwards, 1009 00:45:47,380 --> 00:45:47,620 But with the rise of the new wave, it's been quite an exciting time. 1010 00:45:47,620 --> 00:45:49,020 it's been quite an exciting time. 1011 00:45:49,020 --> 00:45:51,780 Can you see the future for music within the '80s, 1012 00:45:51,780 --> 00:45:52,020 Can you see the future for music say, in the first two years? 1013 00:45:52,020 --> 00:45:53,020 say, in the first two years? 1014 00:45:54,380 --> 00:45:56,300 Well, like I mentioned before, 1015 00:45:56,300 --> 00:46:00,460 the new wave things are just only starting to happen. 1016 00:46:00,460 --> 00:46:00,740 the new wave things are just only starting to happen. And I think they'll have a big influence 1017 00:46:00,740 --> 00:46:03,540 And I think they'll have a big influence 1018 00:46:03,540 --> 00:46:05,500 on the first couple of years, definitely. 1019 00:46:05,500 --> 00:46:05,740 Disco music will continue, I think. on the first couple of years, definitely. 1020 00:46:05,740 --> 00:46:07,580 Disco music will continue, I think. 1021 00:46:07,580 --> 00:46:11,260 I think that, possibly, it'll be broken into different trends, 1022 00:46:11,260 --> 00:46:14,220 like rock disco, and then there's disco for dancing, 1023 00:46:14,220 --> 00:46:14,460 like rock disco, and then there's disco for dancing, and all kinds of disco music. 1024 00:46:14,460 --> 00:46:16,420 and all kinds of disco music. 1025 00:46:16,420 --> 00:46:18,380 MOLLY: If you really have to finger anyone 1026 00:46:18,380 --> 00:46:21,380 and put it down to of who may have had an influence on the '70s, 1027 00:46:21,380 --> 00:46:21,620 and put it down to of who may have who would you say? 1028 00:46:21,620 --> 00:46:22,700 who would you say? 1029 00:46:22,700 --> 00:46:22,900 Just looking at different... who would you say? 1030 00:46:22,900 --> 00:46:24,180 Just looking at different... 1031 00:46:24,180 --> 00:46:25,500 Stevie Wonder. 1032 00:46:25,500 --> 00:46:27,420 Yeah? Some say David Bowie. 1033 00:46:27,420 --> 00:46:28,900 What is your opinion of David Bowie? 1034 00:46:28,900 --> 00:46:29,100 What is your opinion of David Bowie? Yeah, I like him. 1035 00:46:29,100 --> 00:46:30,460 Yeah, I like him. 1036 00:46:30,460 --> 00:46:31,460 Not his music? Good lad. 1037 00:46:31,460 --> 00:46:31,700 Not his music? Oh, his...as a musician? 1038 00:46:31,700 --> 00:46:32,740 Oh, his...as a musician? 1039 00:46:32,740 --> 00:46:32,980 Oh, I still like him. Oh, his...as a musician? 1040 00:46:32,980 --> 00:46:34,580 Oh, I still like him. Yeah? 1041 00:46:34,580 --> 00:46:36,220 Yeah. What about, sort of like, 1042 00:46:36,220 --> 00:46:38,300 you had your David Bowies and your Elton Johns 1043 00:46:38,300 --> 00:46:40,820 that sold a massive amount of records. 1044 00:46:40,820 --> 00:46:43,820 Why do you think that perhaps they didn't have the influence 1045 00:46:43,820 --> 00:46:46,420 that say, songwriters like yourself had in the '60s 1046 00:46:46,420 --> 00:46:46,660 that say, songwriters like yourself and carried over to the '70s? 1047 00:46:46,660 --> 00:46:48,260 and carried over to the '70s? 1048 00:46:48,260 --> 00:46:51,140 Well, tell you the truth, I don't know if they haven't. 1049 00:46:52,740 --> 00:46:53,740 I don't know, you know. 1050 00:46:53,740 --> 00:46:53,980 And, looking at it from another I don't know, you know. 1051 00:46:53,980 --> 00:46:55,460 And, looking at it from another viewpoint... 1052 00:46:56,420 --> 00:46:58,340 ..like the younger kids' viewpoint, I don't know. 1053 00:46:58,340 --> 00:47:00,180 If you ask them, I think they might say 1054 00:47:00,180 --> 00:47:02,940 they have had as big an influence, for them. 1055 00:47:02,940 --> 00:47:03,180 they have had as big an influence, I think for us, us old cronies, 1056 00:47:03,180 --> 00:47:05,820 I think for us, us old cronies, 1057 00:47:05,820 --> 00:47:08,780 I don't think it's had as much of an influence like, say, as Elvis, 1058 00:47:08,780 --> 00:47:11,660 because there's not been anyone that big for us. 1059 00:47:11,660 --> 00:47:13,660 But I suppose for them, like, for a lot of the kids, 1060 00:47:13,660 --> 00:47:16,220 the Sex Pistols was a big thing. 1061 00:47:16,220 --> 00:47:17,940 And they were a really good group. 1062 00:47:17,940 --> 00:47:18,140 I suppose we'll continue to... And they were a really good group. 1063 00:47:18,140 --> 00:47:20,380 I suppose we'll continue to... 1064 00:47:20,380 --> 00:47:24,100 ..stretch ourselves to bring out interesting sounds 1065 00:47:24,100 --> 00:47:24,340 within basic... interesting sounds 1066 00:47:24,340 --> 00:47:26,380 within basic... 1067 00:47:26,380 --> 00:47:27,900 ..you know, instruments. 1068 00:47:27,900 --> 00:47:28,140 ..you know, instruments. Right. I mean, 1069 00:47:28,140 --> 00:47:28,980 Right. I mean, 1070 00:47:28,980 --> 00:47:29,220 Right. other people prefer to... 1071 00:47:29,220 --> 00:47:31,500 other people prefer to... 1072 00:47:31,500 --> 00:47:34,100 ..use the 1980's machine, 1073 00:47:34,100 --> 00:47:38,500 but we'd rather...create something else. 1074 00:47:38,500 --> 00:47:40,740 Something that's supposedly redundant. 1075 00:47:40,740 --> 00:47:41,980 MOLLY: And the music for the '80s? 1076 00:47:41,980 --> 00:47:43,580 The first part of the '80s, how do you see it? 1077 00:47:43,580 --> 00:47:46,500 Ooh, I think it's gonna be very sci-fi. 1078 00:48:02,940 --> 00:48:06,860 # I fidget with the digit dots and cry an anxious tear 1079 00:48:06,860 --> 00:48:07,100 # I fidget with the digit dots and # As the XU-1 connects the spot 1080 00:48:07,100 --> 00:48:08,940 # As the XU-1 connects the spot 1081 00:48:08,940 --> 00:48:10,860 # But the matrix grid don't care 1082 00:48:10,860 --> 00:48:13,220 # Get a message to my mother 1083 00:48:13,220 --> 00:48:14,940 # What number would she be 1084 00:48:14,940 --> 00:48:17,060 # There's a million angry citizens 1085 00:48:17,060 --> 00:48:19,260 # Looking down their tubes at me 1086 00:48:19,260 --> 00:48:24,300 # Com-pu-pu-pu pu-pu-pu pu-pu-pu computer games! 1087 00:48:27,460 --> 00:48:31,940 # Com-pu-pu-pu pu-pu-pu pu-pu-pu computer games! 1088 00:48:51,460 --> 00:48:53,700 # There's safety in numbers, they say 1089 00:48:53,700 --> 00:48:55,660 # 'Cause the figures never lie 1090 00:48:55,660 --> 00:48:59,900 # No perfect person's ever noticed one computer die 1091 00:48:59,900 --> 00:49:01,700 # I'm programmed to a schedule 1092 00:49:01,700 --> 00:49:03,780 # What will the answer be? 1093 00:49:03,780 --> 00:49:05,820 # Is it suicide run till the work gets done? 1094 00:49:05,820 --> 00:49:06,060 # Is it suicide run till the work # 'Cause the matrix grid don't say 1095 00:49:06,060 --> 00:49:07,820 # 'Cause the matrix grid don't say 1096 00:49:07,820 --> 00:49:08,060 # Com-pu-pu-pu pu-pu-pu pu-pu-pu # 'Cause the matrix grid don't say 1097 00:49:08,060 --> 00:49:12,740 # Com-pu-pu-pu pu-pu-pu pu-pu-pu computer games! 1098 00:49:15,980 --> 00:49:20,860 # Com-pu-pu-pu pu-pu-pu pu-pu-pu computer games! 1099 00:50:13,060 --> 00:50:14,940 # Jammed up tight by red traffic lights 1100 00:50:14,940 --> 00:50:15,180 # Jammed up tight by red traffic lights # Advance one level on green 1101 00:50:15,180 --> 00:50:17,020 # Advance one level on green 1102 00:50:17,020 --> 00:50:18,900 # These opportune commuters 1103 00:50:18,900 --> 00:50:20,860 # They're blasting on their hooters 1104 00:50:20,860 --> 00:50:22,980 # I fidget with the digit dots 1105 00:50:22,980 --> 00:50:25,100 # Frustration rules out there 1106 00:50:25,100 --> 00:50:27,060 # As the XU-1 connects the spot 1107 00:50:27,060 --> 00:50:29,100 # But the matrix grid don't care 1108 00:50:29,100 --> 00:50:33,980 # Com-pu-pu-pu pu-pu-pu pu-pu-pu computer games! 1109 00:50:37,220 --> 00:50:42,020 # Com-pu-pu-pu pu-pu-pu pu-pu-pu computer games! 1110 00:50:45,300 --> 00:50:50,220 # Com-pu-pu-pu pu-pu-pu pu-pu-pu computer games! # 1111 00:51:05,740 --> 00:51:07,220 # Countdown! # 1112 00:51:07,220 --> 00:51:08,780 # Looking for some hot stuff 1113 00:51:08,780 --> 00:51:11,260 # Baby, this evening 1114 00:51:11,260 --> 00:51:11,500 Disco songs still hit the top spot in '79. # Baby, this evening 1115 00:51:11,500 --> 00:51:14,860 Disco songs still hit the top spot in '79. 1116 00:51:14,860 --> 00:51:15,100 # I want some hot stuff the top spot in '79. 1117 00:51:15,100 --> 00:51:16,740 # I want some hot stuff 1118 00:51:16,740 --> 00:51:16,940 # I want some hot stuff # Baby, this evening 1119 00:51:16,940 --> 00:51:19,860 # Baby, this evening 1120 00:51:19,860 --> 00:51:21,340 # Gotta have some hot stuff 1121 00:51:21,340 --> 00:51:24,740 # Gotta have some love tonight. # 1122 00:51:24,740 --> 00:51:24,980 It was so much fun to stay at the YMCA. # Gotta have some love tonight. # 1123 00:51:24,980 --> 00:51:28,700 It was so much fun to stay at the YMCA. 1124 00:51:28,700 --> 00:51:32,820 The Village People enjoyed an extended stay at number one. 1125 00:51:32,820 --> 00:51:33,060 # It's fun to stay at the extended stay at number one. 1126 00:51:33,060 --> 00:51:34,260 # It's fun to stay at the 1127 00:51:34,260 --> 00:51:34,460 # It's fun to stay at the # Y-M-C-A 1128 00:51:34,460 --> 00:51:36,380 # Y-M-C-A 1129 00:51:36,380 --> 00:51:38,100 # It's fun to stay at the 1130 00:51:38,100 --> 00:51:41,380 # Y-M-C-A 1131 00:51:41,380 --> 00:51:43,300 # They have everything 1132 00:51:43,300 --> 00:51:45,260 # For young men to enjoy 1133 00:51:45,260 --> 00:51:45,500 # You can hang out with all the # For young men to enjoy 1134 00:51:45,500 --> 00:51:48,100 # You can hang out with all the boys. # 1135 00:51:48,100 --> 00:51:48,340 # You can hang out with all the Along with Maggie May, 1136 00:51:48,340 --> 00:51:50,020 Along with Maggie May, 1137 00:51:50,020 --> 00:51:54,020 Australia had begun a love affair with Rod Stewart in 1970, 1138 00:51:54,020 --> 00:51:54,260 and we'd still find him sexy in '79. Australia had begun a love affair with Rod Stewart in 1970, 1139 00:51:54,260 --> 00:51:57,460 and we'd still find him sexy in '79. 1140 00:51:57,460 --> 00:51:57,700 and we'd still find him sexy in '79. with the critics was the, um... 1141 00:51:57,700 --> 00:52:00,580 MOLLY: One of the praises you've got with the critics was the, um... 1142 00:52:00,580 --> 00:52:00,860 MOLLY: One of the praises you've got with the critics was the, um... Critics hate me. What are you talking about? They hate me. 1143 00:52:00,860 --> 00:52:03,860 Critics hate me. What are you talking about? They hate me. 1144 00:52:03,860 --> 00:52:06,380 ..in Perth, was the fact that you do almost two hours, 1145 00:52:06,380 --> 00:52:08,660 non-stop, of entertainment and you've got so much energy. 1146 00:52:08,660 --> 00:52:08,900 non-stop, of entertainment and It's like my sex life. 1147 00:52:08,900 --> 00:52:09,860 It's like my sex life. 1148 00:52:09,860 --> 00:52:10,100 Yeah, so, talking It's like my sex life. 1149 00:52:10,100 --> 00:52:11,420 Yeah, so, talking about your sex life, 1150 00:52:11,420 --> 00:52:11,660 Yeah, so, talking who is it this week? 1151 00:52:11,660 --> 00:52:13,900 who is it this week? 1152 00:52:13,900 --> 00:52:15,180 Racey had two hits, 1153 00:52:15,180 --> 00:52:17,660 Some Girls and Lay Your Love On Me. 1154 00:52:17,660 --> 00:52:19,500 Boy, oh, boy! 1155 00:52:19,500 --> 00:52:19,740 Boy, oh, boy! Two Aussie songs made it to the top of the charts, both about sport. 1156 00:52:19,740 --> 00:52:24,220 Two Aussie songs made it to the top of the charts, both about sport. 1157 00:52:24,220 --> 00:52:27,380 One, the cricket anthem, Come on, Aussie, Come On. 1158 00:52:27,380 --> 00:52:31,060 And the other, a song about Australian rules footy. 1159 00:52:31,060 --> 00:52:31,300 # Get out and clear your mind And the other, a song about Australian rules footy. 1160 00:52:31,300 --> 00:52:33,340 # Get out and clear your mind 1161 00:52:33,340 --> 00:52:35,540 # Me, I like football 1162 00:52:35,540 --> 00:52:37,740 # And there's a lot of things around 1163 00:52:37,740 --> 00:52:40,140 # But when you line 'em up together 1164 00:52:40,140 --> 00:52:42,540 # The footy wins hands down 1165 00:52:47,620 --> 00:52:50,380 # Up there Cazaly 1166 00:52:50,380 --> 00:52:53,220 # In there and fight 1167 00:52:53,220 --> 00:52:56,020 # Out there and at 'em 1168 00:52:56,020 --> 00:52:58,860 # Show 'em your might 1169 00:52:58,860 --> 00:53:01,820 # Up there Cazaly 1170 00:53:01,820 --> 00:53:04,420 # Don't let 'em in 1171 00:53:04,420 --> 00:53:06,940 # Fly like an angel 1172 00:53:06,940 --> 00:53:09,340 # You're out there to win 1173 00:53:14,460 --> 00:53:17,260 # Now there's a lot more things to football 1174 00:53:17,260 --> 00:53:19,060 # Than really meets the eye 1175 00:53:19,060 --> 00:53:21,340 # There are days when you could give it up 1176 00:53:21,340 --> 00:53:21,580 # There are days when you could fly it up 1177 00:53:21,580 --> 00:53:23,820 # There are days when you could fly 1178 00:53:23,820 --> 00:53:26,060 # Now, you either love or hate it 1179 00:53:26,060 --> 00:53:28,260 # Depending on the score 1180 00:53:28,260 --> 00:53:28,500 # But when your team run out or they # Depending on the score 1181 00:53:28,500 --> 00:53:31,020 # But when your team run out or they kick a goal 1182 00:53:31,020 --> 00:53:31,260 # But when your team run out or they # How's the mighty roar 1183 00:53:31,260 --> 00:53:33,860 # How's the mighty roar 1184 00:53:33,860 --> 00:53:38,020 Hooray! Hooray! 1185 00:53:38,020 --> 00:53:40,820 # Up there Cazaly 1186 00:53:40,820 --> 00:53:43,420 # In there and fight 1187 00:53:43,420 --> 00:53:43,620 # Out there and at 'em # In there and fight 1188 00:53:43,620 --> 00:53:46,300 # Out there and at 'em 1189 00:53:46,300 --> 00:53:49,060 # Show 'em your might 1190 00:53:49,060 --> 00:53:51,820 # Up there Cazaly 1191 00:53:51,820 --> 00:53:54,740 # Don't let 'em in 1192 00:53:54,740 --> 00:53:54,940 # Don't let 'em in # Fly like an angel 1193 00:53:54,940 --> 00:53:57,180 # Fly like an angel 1194 00:53:57,180 --> 00:54:00,060 # You're out there to win 1195 00:54:00,060 --> 00:54:02,300 # Up there Cazaly 1196 00:54:02,300 --> 00:54:02,500 # You're out there to win # Up there Cazaly 1197 00:54:02,500 --> 00:54:05,540 # You're out there to win 1198 00:54:05,540 --> 00:54:08,340 # In there and at 'em 1199 00:54:08,340 --> 00:54:10,940 # Don't let 'em in 1200 00:54:10,940 --> 00:54:13,660 # Up there Cazaly 1201 00:54:13,660 --> 00:54:16,340 # Show 'em you're high 1202 00:54:16,340 --> 00:54:16,540 # Show 'em you're high # Fight like the devil 1203 00:54:16,540 --> 00:54:18,820 # Fight like the devil 1204 00:54:18,820 --> 00:54:21,220 # The crowd's on your side 1205 00:54:23,660 --> 00:54:27,180 # Ahh... 1206 00:54:27,180 --> 00:54:30,020 # Up there Cazaly 1207 00:54:30,020 --> 00:54:32,620 # In there and fight 1208 00:54:32,620 --> 00:54:32,820 # Out there and at 'em # In there and fight 1209 00:54:32,820 --> 00:54:35,340 # Out there and at 'em 1210 00:54:35,340 --> 00:54:38,020 # Show 'em your might 1211 00:54:38,020 --> 00:54:40,620 # Up there Cazaly 1212 00:54:40,620 --> 00:54:43,380 # Show 'em you're high 1213 00:54:43,380 --> 00:54:43,580 # Show 'em you're high # Fight like the devil 1214 00:54:43,580 --> 00:54:46,060 # Fight like the devil 1215 00:54:46,060 --> 00:54:48,260 # The crowd's on your side. # 1216 00:55:00,700 --> 00:55:01,980 I hope that it's a great decade 1217 00:55:01,980 --> 00:55:04,580 and I hope it's a great decade for all of you. And me too. 1218 00:55:04,580 --> 00:55:07,100 And I'm taking you into the '80s, along with Molly 1219 00:55:07,100 --> 00:55:08,060 and all the people at Countdown. 1220 00:55:08,060 --> 00:55:09,260 See ya. 1221 00:55:09,260 --> 00:55:12,500 Visit the Classic Countdown website for more pictures, 1222 00:55:12,500 --> 00:55:15,020 interviews, and behind the scenes information. 94973

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