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1
00:00:03,940 --> 00:00:04,140
In this corner, at 180 pounds,
2
00:00:04,140 --> 00:00:06,500
Ian "Molly" Meldrum!
3
00:00:06,500 --> 00:00:09,820
(BOOING)
4
00:00:09,820 --> 00:00:14,380
And in this corner,
at 110 pounds,
5
00:00:14,380 --> 00:00:14,620
And in this corner,
Miss Samantha Bang.
6
00:00:14,620 --> 00:00:16,380
Miss Samantha Bang.
7
00:00:16,380 --> 00:00:18,420
(CHEERING)
8
00:00:26,500 --> 00:00:28,380
(CHEERING)
9
00:00:28,380 --> 00:00:30,300
Ten! Nine!
10
00:00:30,300 --> 00:00:32,260
Eight! Seven!
11
00:00:32,260 --> 00:00:33,820
Six! Five!
12
00:00:33,820 --> 00:00:35,820
Four! Three! Two! One!
13
00:00:35,820 --> 00:00:38,420
AUDIENCE: Countdown!
The winner!
14
00:00:38,420 --> 00:00:38,660
AUDIENCE: Countdown!
# Countdown!
15
00:00:38,660 --> 00:00:41,780
# Countdown!
16
00:00:41,780 --> 00:00:44,260
# Countdown! Countdown!
17
00:00:44,260 --> 00:00:47,620
ANNOUNCER: Welcome
to Classic Countdown, 1978!
18
00:00:47,620 --> 00:00:47,860
ANNOUNCER: Welcome
# Countdown! #
19
00:00:47,860 --> 00:00:49,140
# Countdown! #
20
00:00:50,860 --> 00:00:54,180
JANE: 1977 belonged
to Star Wars.
21
00:00:54,180 --> 00:00:54,460
But 1978 had
two movie blockbusters.
JANE: 1977 belonged
to Star Wars.
22
00:00:54,460 --> 00:00:57,740
But 1978 had
two movie blockbusters.
23
00:00:57,740 --> 00:00:57,980
But 1978 had
two movie blockbusters.
First came Superman.
24
00:00:57,980 --> 00:00:59,780
First came Superman.
25
00:00:59,780 --> 00:01:01,620
He is a visitor
from outer space,
26
00:01:01,620 --> 00:01:01,860
He is a visitor
but he is here, after all,
27
00:01:01,860 --> 00:01:03,460
but he is here, after all,
28
00:01:03,460 --> 00:01:03,700
fighting for truth, justice,
but he is here, after all,
29
00:01:03,700 --> 00:01:05,740
fighting for truth, justice,
and the American way.
30
00:01:05,740 --> 00:01:05,980
fighting for truth, justice,
The American way worked fine.
31
00:01:05,980 --> 00:01:08,220
The American way worked fine.
32
00:01:08,220 --> 00:01:09,740
But the second Hollywood hit
33
00:01:09,740 --> 00:01:12,380
found its heroes
here in Australia.
34
00:01:12,380 --> 00:01:12,660
You know, I'm proud
to be Australian.
found its heroes
here in Australia.
35
00:01:12,660 --> 00:01:14,700
You know, I'm proud
to be Australian.
36
00:01:14,700 --> 00:01:17,140
It'd be nice to feel that Australia
was happy for me too.
37
00:01:17,140 --> 00:01:19,420
Australians were
the flavour of the month,
38
00:01:19,420 --> 00:01:21,980
and it seemed there was
nothing we couldn't do.
39
00:01:23,300 --> 00:01:25,220
We could lure
the rest of the world
40
00:01:25,220 --> 00:01:27,860
to a rebel cricket competition.
41
00:01:27,860 --> 00:01:31,900
We could be trailblazers
in the fight for equal rights.
42
00:01:31,900 --> 00:01:36,140
We could even break
the world water speed record.
43
00:01:36,140 --> 00:01:39,780
If a new hero was needed,
we could provide.
44
00:01:39,780 --> 00:01:43,260
Molly Meldrum had become
the hero of Australian music,
45
00:01:43,260 --> 00:01:46,420
championing our songs
on the world stage.
46
00:01:46,420 --> 00:01:46,660
championing our songs
(CHEERING)
47
00:01:46,660 --> 00:01:48,300
(CHEERING)
48
00:01:50,740 --> 00:01:52,780
In 1978, Molly championed
49
00:01:52,780 --> 00:01:53,020
In 1978, Molly championed
on Countdown.
50
00:01:53,020 --> 00:01:55,700
my own band's music
on Countdown.
51
00:01:55,700 --> 00:01:58,020
And so, became
a personal hero of mine.
52
00:01:58,020 --> 00:01:58,260
He still is.
a personal hero of mine.
53
00:01:58,260 --> 00:02:00,260
He still is.
54
00:02:01,740 --> 00:02:04,740
# Goodbye, Johnny
55
00:02:04,740 --> 00:02:07,380
# See you round, so long
56
00:02:07,380 --> 00:02:09,900
# It's taken me
a long, long time
57
00:02:09,900 --> 00:02:13,380
# I can see
I had you figured wrong
58
00:02:13,380 --> 00:02:13,620
# I can see
# You talk a lot about passion
59
00:02:13,620 --> 00:02:15,580
# You talk a lot about passion
60
00:02:15,580 --> 00:02:19,060
# But you still want
to keep it cool
61
00:02:19,060 --> 00:02:20,980
# You might think I'm a fashion
62
00:02:20,980 --> 00:02:24,260
# But I know you can't keep
to your rules
63
00:02:24,260 --> 00:02:24,500
# But I know you can't keep
# Goodbye, Johnny
64
00:02:24,500 --> 00:02:27,220
# Goodbye, Johnny
65
00:02:27,220 --> 00:02:27,420
# I don't belong in your scene
# Goodbye, Johnny
66
00:02:27,420 --> 00:02:29,980
# I don't belong in your scene
67
00:02:29,980 --> 00:02:30,220
# I don't belong in your scene
pieces of bread
68
00:02:30,220 --> 00:02:32,900
# You're buttering up to me like
pieces of bread
69
00:02:32,900 --> 00:02:35,740
# You're spreading
yourself too thin
70
00:02:35,740 --> 00:02:38,700
# I found out
what it's all about
71
00:02:38,700 --> 00:02:38,940
# I found out
what it's all about
# Don't try that sympathy game
72
00:02:38,940 --> 00:02:41,700
# Don't try that sympathy game
73
00:02:41,700 --> 00:02:44,420
# I'm through with whispering and
I'm learning to shout
74
00:02:44,420 --> 00:02:47,060
# My loving can't stay the same
75
00:02:47,060 --> 00:02:48,700
# Because you're dead
in the heart
76
00:02:48,700 --> 00:02:48,940
# Because you're dead
# Dead in the head
77
00:02:48,940 --> 00:02:51,180
# Dead in the head
78
00:02:53,340 --> 00:02:56,220
# Dead in the heart,
dead in the head
79
00:02:59,900 --> 00:03:02,980
# I used to hang in the shadow
80
00:03:02,980 --> 00:03:05,380
# Waiting for the sun to shine
81
00:03:05,380 --> 00:03:07,540
# Ooh
82
00:03:07,540 --> 00:03:11,980
# I got to dance to the drum
83
00:03:11,980 --> 00:03:14,700
# I tried to read
84
00:03:14,700 --> 00:03:17,580
# Between your lines
85
00:03:17,580 --> 00:03:20,060
# But it's getting tougher
all the time
86
00:03:20,060 --> 00:03:22,300
# I don't think
I can keep on trying
87
00:03:23,340 --> 00:03:25,980
# Goodbye, Johnny
88
00:03:25,980 --> 00:03:28,820
# I can't take
no more of your jive
89
00:03:28,820 --> 00:03:31,460
# I'd gladly give you
all of my money
90
00:03:31,460 --> 00:03:34,900
# If you'd just look me
straight in the eye
91
00:03:34,900 --> 00:03:37,620
# I see through
your rented skin
92
00:03:37,620 --> 00:03:37,860
# I see through
# You can't fool me no more
93
00:03:37,860 --> 00:03:40,700
# You can't fool me no more
94
00:03:40,700 --> 00:03:40,940
# You're telling lies,
and they're wearing thin
# You can't fool me no more
95
00:03:40,940 --> 00:03:43,220
# You're telling lies,
and they're wearing thin
96
00:03:43,220 --> 00:03:46,380
# Your heart is
a padlocked door, hey
97
00:04:09,460 --> 00:04:12,140
# Dead in the heart,
dead in the head
98
00:04:14,780 --> 00:04:16,540
# Hey! Dead in the heart
99
00:04:16,540 --> 00:04:18,700
# Dead in the head
100
00:04:21,860 --> 00:04:25,300
# You brought me
diamonds and wine
101
00:04:25,300 --> 00:04:25,540
# You brought me
# Words to melt my heart
102
00:04:25,540 --> 00:04:27,540
# Words to melt my heart
103
00:04:34,180 --> 00:04:37,180
# You never told me
104
00:04:37,180 --> 00:04:39,740
# About yourself
105
00:04:39,740 --> 00:04:42,380
# But I caught up
with your press release
106
00:04:42,380 --> 00:04:42,660
# But I caught up
with your press release
# I think I'll stay
on the shelf
107
00:04:42,660 --> 00:04:44,980
# I think I'll stay
on the shelf
108
00:04:46,660 --> 00:04:50,060
# Goodbye, Johnny
109
00:04:50,060 --> 00:04:52,620
# Why don't you get out of town?
110
00:04:52,620 --> 00:04:55,420
# Take yourself out to Chunamarie
111
00:04:55,420 --> 00:04:57,900
# See if you can
get off the ground
112
00:04:58,620 --> 00:05:00,820
# Goodbye, Johnny
113
00:05:04,220 --> 00:05:06,420
# Goodbye, Johnny
114
00:05:10,060 --> 00:05:12,300
# Goodbye, Johnny. #
115
00:05:20,460 --> 00:05:22,820
This is David Bowie,
116
00:05:22,820 --> 00:05:25,820
and we're on Countdown
across Australia.
117
00:05:25,820 --> 00:05:26,060
and we're on Countdown
# Look around
118
00:05:26,060 --> 00:05:28,300
# Look around
119
00:05:30,780 --> 00:05:33,500
# Be a part
120
00:05:33,500 --> 00:05:35,980
JANE: In the first
three years of the show,
121
00:05:35,980 --> 00:05:39,300
Countdown audiences were treated to
performances
122
00:05:39,300 --> 00:05:42,580
by some of Australia's
best male vocalists.
123
00:05:42,580 --> 00:05:42,820
# And I love you best
by some of Australia's
best male vocalists.
124
00:05:42,820 --> 00:05:44,660
# And I love you best
125
00:05:46,220 --> 00:05:48,540
# You're not like the rest
126
00:05:50,540 --> 00:05:52,740
# You're there when I need you
127
00:05:52,740 --> 00:05:56,580
# You're there
when I need
128
00:05:56,580 --> 00:05:58,620
# I'm going to need you. #
129
00:05:58,620 --> 00:06:01,660
From the experienced smoothness of
Glenn Shorrock...
130
00:06:01,660 --> 00:06:01,900
From the experienced smoothness of
# They're calling to me
131
00:06:01,900 --> 00:06:04,140
# They're calling to me
132
00:06:04,140 --> 00:06:06,860
..to the silky funk
of Mark Holden...
133
00:06:06,860 --> 00:06:07,100
..to the silky funk
# In the garden of love
134
00:06:07,100 --> 00:06:09,420
# In the garden of love
135
00:06:13,780 --> 00:06:18,740
# First thing in the morning
and last thing at night
136
00:06:18,740 --> 00:06:18,980
# All is reborn into dark into light
# First thing in the morning
and last thing at night
137
00:06:18,980 --> 00:06:23,860
# All is reborn into dark into light
138
00:06:23,860 --> 00:06:28,860
# First thing in the morning
I look through the sights
139
00:06:28,860 --> 00:06:29,100
# First thing in the morning
I look through the sights
# I aim to be there. #
140
00:06:29,100 --> 00:06:31,380
# I aim to be there. #
141
00:06:31,380 --> 00:06:35,100
..and the beer band, chainsaw
massacre vocals of Jimmy Barnes.
142
00:06:35,100 --> 00:06:37,180
# I been pasted
to the telephone
143
00:06:37,180 --> 00:06:37,460
# Boxing Day break was wasted
sitting home on my own
# I been pasted
to the telephone
144
00:06:37,460 --> 00:06:41,420
# Boxing Day break was wasted
sitting home on my own
145
00:06:41,420 --> 00:06:43,260
# The beer we bought
for Christmas
146
00:06:43,260 --> 00:06:44,580
# Ran dry this afternoon
147
00:06:44,580 --> 00:06:47,620
#On the radio
it's New Year's Eve
148
00:06:47,620 --> 00:06:47,900
#On the radio
it's New Year's Eve
# What a low down time
of the year
149
00:06:47,900 --> 00:06:49,620
# What a low down time
of the year
150
00:06:49,620 --> 00:06:51,540
# to pack
your luggage and leave. #
151
00:06:51,540 --> 00:06:54,860
In 1978,
international acts showed
152
00:06:54,860 --> 00:06:55,100
they could more than compete.
In 1978,
international acts showed
153
00:06:55,100 --> 00:06:56,900
they could more than compete.
154
00:06:56,900 --> 00:06:57,140
they could more than compete.
# I got something to say
I been changing your direction
155
00:06:57,140 --> 00:06:59,900
# I got something to say
I been changing your direction
156
00:06:59,900 --> 00:07:00,140
# And we're stepping away
I been changing your direction
157
00:07:00,140 --> 00:07:02,140
# And we're stepping away
158
00:07:02,140 --> 00:07:02,380
# And we're stepping away
# I bring emotion
and I bring desire
159
00:07:02,380 --> 00:07:06,340
# I bring emotion
and I bring desire
160
00:07:06,340 --> 00:07:10,620
# And I bring a potion
to set you on fire. #
161
00:07:10,620 --> 00:07:13,460
Many male singers
first heard on Countdown
162
00:07:13,460 --> 00:07:15,980
would become the most recognisable
voices
163
00:07:15,980 --> 00:07:17,620
of the next generation.
164
00:07:17,620 --> 00:07:17,860
# Well, I been walking
the streets in the evening
of the next generation.
165
00:07:17,860 --> 00:07:21,980
# Well, I been walking
the streets in the evening
166
00:07:21,980 --> 00:07:25,460
# Racing through
the human jungles at night
167
00:07:25,460 --> 00:07:28,860
# I'm so confused,
my mind is indifferent
168
00:07:28,860 --> 00:07:29,140
# I'm so confused,
my mind is indifferent
# I'm so weak, won't somebody shut
off my light?
169
00:07:29,140 --> 00:07:32,420
# I'm so weak, won't somebody shut
off my light?
170
00:07:40,420 --> 00:07:44,180
# Electricity runs
through the video
171
00:07:44,180 --> 00:07:44,460
# Electricity runs
through the video
# And I watch it
from this hole I call home
172
00:07:44,460 --> 00:07:47,900
# And I watch it
from this hole I call home
173
00:07:47,900 --> 00:07:51,580
# All the stonies are dancing to the
radio
174
00:07:51,580 --> 00:07:54,540
# And I got
the world calling me up
175
00:07:54,540 --> 00:07:54,780
# And I got
# Tonight on the phone
176
00:07:54,780 --> 00:07:57,180
# Tonight on the phone
177
00:07:57,180 --> 00:07:57,420
# I need a lover
# Tonight on the phone
178
00:07:57,420 --> 00:08:01,060
# I need a lover
that won't drive me crazy
179
00:08:01,060 --> 00:08:04,660
# Some girl to thrill me
and then go away
180
00:08:04,660 --> 00:08:08,300
# I need a lover
that won't drive me crazy
181
00:08:08,300 --> 00:08:09,540
# Some girl that knows
the meaning of
182
00:08:09,540 --> 00:08:09,780
# Some girl that knows
# Ah, hey, hit the highway
183
00:08:09,780 --> 00:08:11,780
# Ah, hey, hit the highway
184
00:08:26,580 --> 00:08:30,460
# Well, I'm not wiped out by this
pool room life I'm living
185
00:08:30,460 --> 00:08:34,220
# I'm gonna quit this job, and go to
school, head back home
186
00:08:34,220 --> 00:08:37,980
# And I'm not asking
to be loved or be forgiven
187
00:08:37,980 --> 00:08:41,420
#Hell, I just can't face shaking in
this bedroom
188
00:08:41,420 --> 00:08:41,660
#Hell, I just can't face shaking in
# One more night alone
189
00:08:41,660 --> 00:08:43,900
# One more night alone
190
00:08:43,900 --> 00:08:47,140
# I need a lover
that won't drive me crazy
191
00:08:47,140 --> 00:08:51,060
# I need a lover that won't drive me
crazy
192
00:08:51,060 --> 00:08:55,100
# I need a lover
that won't drive me crazy
193
00:08:55,100 --> 00:08:57,140
# Some girl that knows
the meaning of
194
00:08:57,140 --> 00:08:57,380
# Some girl that knows
# Hey, hit the highway
195
00:08:57,380 --> 00:08:59,300
# Hey, hit the highway
196
00:09:13,540 --> 00:09:17,060
# I need a lover
that won't drive me crazy
197
00:09:17,060 --> 00:09:20,860
# Some girl to thrill me,
and then go away
198
00:09:20,860 --> 00:09:21,140
# Some girl to thrill me,
and then go away
# I need a lover
that won't drive me crazy
199
00:09:21,140 --> 00:09:24,300
# I need a lover
that won't drive me crazy
200
00:09:24,300 --> 00:09:25,860
#Some girl that knows
the meaning of
201
00:09:25,860 --> 00:09:26,100
#Some girl that knows
# Hey, hit the highway
202
00:09:26,100 --> 00:09:28,100
# Hey, hit the highway
203
00:09:28,100 --> 00:09:30,180
# You betcha. #
204
00:09:44,180 --> 00:09:46,660
(CHEERING)
205
00:09:46,660 --> 00:09:49,260
JANE: The female vocalists
who appeared on Countdown
206
00:09:49,260 --> 00:09:49,500
JANE: The female vocalists
in the early years
207
00:09:49,500 --> 00:09:50,740
in the early years
208
00:09:50,740 --> 00:09:52,940
were often more impressive
than the blokes.
209
00:09:52,940 --> 00:09:53,180
# I say play on
were often more impressive
than the blokes.
210
00:09:53,180 --> 00:09:56,020
# I say play on
211
00:09:56,020 --> 00:09:57,260
# Nothing you can say
212
00:09:57,260 --> 00:10:01,220
# Why don't you play on?
213
00:10:01,220 --> 00:10:01,420
# Why don't you play on?
# Come on now, play on
214
00:10:01,420 --> 00:10:03,980
# Come on now, play on
215
00:10:03,980 --> 00:10:05,420
# Nothing you can say
216
00:10:05,420 --> 00:10:08,100
# Why don't you pla-a-a-a-y
217
00:10:08,100 --> 00:10:10,180
# Nothing you can try. #
218
00:10:10,180 --> 00:10:13,860
Marcia Hines' voice had made
her Queen of Pop.
219
00:10:13,860 --> 00:10:14,140
# I don't have
no doubt about it
Marcia Hines' voice had made
her Queen of Pop.
220
00:10:14,140 --> 00:10:17,460
# I don't have
no doubt about it
221
00:10:17,460 --> 00:10:19,220
Renee Geyer would
go on to record
222
00:10:19,220 --> 00:10:22,100
with international stars
Neil Diamond, Sting,
223
00:10:22,100 --> 00:10:22,340
with international stars
Neil Diamond, Sting,
Bonnie Raitt and Joe Cocker.
224
00:10:22,340 --> 00:10:24,660
Bonnie Raitt and Joe Cocker.
225
00:10:24,660 --> 00:10:25,900
# I'm the way, yes, I am
226
00:10:25,900 --> 00:10:29,380
# I can't talk so loud about it
227
00:10:29,380 --> 00:10:32,580
# I'm so proud of you. #
228
00:10:35,980 --> 00:10:38,940
In 1978, Countdown also featured
229
00:10:38,940 --> 00:10:43,820
one of the most astounding new voices
of the era, Kate Bush.
230
00:10:46,660 --> 00:10:49,020
# You
231
00:10:49,020 --> 00:10:49,220
# Stood
# You
232
00:10:49,220 --> 00:10:51,740
# Stood
233
00:10:51,740 --> 00:10:54,900
# In the belltower
234
00:10:54,900 --> 00:10:57,580
# But now you're gone
235
00:10:57,580 --> 00:11:01,620
# So who knows
236
00:11:01,620 --> 00:11:01,820
# So who knows
# All the sights
237
00:11:01,820 --> 00:11:05,180
# All the sights
238
00:11:05,180 --> 00:11:07,300
# Of Notre Dame
239
00:11:07,300 --> 00:11:11,820
# They've got the stars
for the gallant hearts
240
00:11:11,820 --> 00:11:15,660
# I'm the replacement
for your part
241
00:11:15,660 --> 00:11:15,900
# I'm the replacement
# But all I want to do is forget
242
00:11:15,900 --> 00:11:21,580
# But all I want to do is forget
243
00:11:21,580 --> 00:11:24,500
# You friend
244
00:11:24,500 --> 00:11:28,460
# Hammer Horror
245
00:11:28,460 --> 00:11:30,900
# Won't leave it alone
246
00:11:32,620 --> 00:11:34,820
# The first time in my life
247
00:11:34,820 --> 00:11:38,820
# I keep the lights
on to ease my soul
248
00:11:40,620 --> 00:11:44,820
# Hammer Horror
249
00:11:44,820 --> 00:11:47,860
# Won't leave it alone
250
00:11:47,860 --> 00:11:48,060
# I don't know
# Won't leave it alone
251
00:11:48,060 --> 00:11:50,620
# I don't know
252
00:11:50,620 --> 00:11:53,540
# Is this
the right thing to do?
253
00:11:57,540 --> 00:12:02,020
# Rehearsing
254
00:12:02,020 --> 00:12:05,140
# In your things
255
00:12:05,140 --> 00:12:05,340
# In your things
# I feel guilty
256
00:12:05,340 --> 00:12:08,020
# I feel guilty
257
00:12:08,020 --> 00:12:11,980
# And retracing
258
00:12:11,980 --> 00:12:14,620
# All the scenes
259
00:12:14,620 --> 00:12:17,140
# Of your big hit
260
00:12:17,140 --> 00:12:21,460
# Oh, God,
you needed the leading role
261
00:12:21,460 --> 00:12:25,460
# It wasn't me
who made you go, though
262
00:12:25,460 --> 00:12:25,700
# It wasn't me
# All I want to do
263
00:12:25,700 --> 00:12:27,940
# All I want to do
264
00:12:27,940 --> 00:12:31,460
# Is forget
265
00:12:31,460 --> 00:12:33,940
# You friend
266
00:12:33,940 --> 00:12:37,900
# Hammer Horror,
Hammer Horror
267
00:12:37,900 --> 00:12:38,140
# Hammer Horror,
# Won't leave it alone
268
00:12:38,140 --> 00:12:41,820
# Won't leave it alone
269
00:12:41,820 --> 00:12:44,220
# The first time in my life
270
00:12:44,220 --> 00:12:47,780
# I keep the lights on
to ease my soul
271
00:12:49,980 --> 00:12:54,060
# Hammer Horror,
Hammer Horror
272
00:12:54,060 --> 00:12:54,300
# Hammer Horror,
# Won't leave it alone
273
00:12:54,300 --> 00:12:57,260
# Won't leave it alone
274
00:12:57,260 --> 00:12:59,860
# I don't know
275
00:12:59,860 --> 00:13:00,100
# Is this
# I don't know
276
00:13:00,100 --> 00:13:02,740
# Is this
the right thing to do?
277
00:13:06,340 --> 00:13:10,580
# Oh, oh, oh
278
00:13:10,580 --> 00:13:14,900
# Ooh-ooh-ooh
279
00:13:14,900 --> 00:13:17,460
# Oh, oh, oh, ooh
280
00:13:21,940 --> 00:13:24,140
# Who
281
00:13:24,140 --> 00:13:27,420
# Calls me
282
00:13:27,420 --> 00:13:31,300
# From the other side
283
00:13:31,300 --> 00:13:33,060
# Of the street
284
00:13:33,060 --> 00:13:34,820
# And who
285
00:13:34,820 --> 00:13:37,020
# Taps me
286
00:13:37,020 --> 00:13:40,140
# On the shoulder?
287
00:13:40,140 --> 00:13:40,340
# On the shoulder?
# I turn around
288
00:13:40,340 --> 00:13:41,620
# I turn around
289
00:13:41,620 --> 00:13:43,140
# But you're gone
290
00:13:43,140 --> 00:13:46,500
# I've got a hunch
that you're following
291
00:13:46,500 --> 00:13:46,740
# I've got a hunch
# To get your own back on me
292
00:13:46,740 --> 00:13:50,660
# To get your own back on me
293
00:13:50,660 --> 00:13:52,780
# All I want to do
294
00:13:52,780 --> 00:13:56,340
# Is forget
295
00:13:56,340 --> 00:13:59,140
# You friend
296
00:13:59,140 --> 00:14:03,020
# Hammer Horror,
Hammer Horror
297
00:14:03,020 --> 00:14:03,260
# Hammer Horror,
# Won't leave it alone
298
00:14:03,260 --> 00:14:05,700
# Won't leave it alone
299
00:14:07,060 --> 00:14:09,300
# The first time in my life
300
00:14:09,300 --> 00:14:13,060
# I keep the lights on
to ease my soul
301
00:14:14,980 --> 00:14:18,940
# Hammer Horror,
Hammer Horror
302
00:14:18,940 --> 00:14:19,180
# Hammer Horror,
# Won't leave it alone
303
00:14:19,180 --> 00:14:22,220
# Won't leave it alone
304
00:14:22,220 --> 00:14:24,780
# I don't know
305
00:14:24,780 --> 00:14:25,020
# Is this
the right thing to do? #
# I don't know
306
00:14:25,020 --> 00:14:28,540
# Is this
the right thing to do? #
307
00:14:41,140 --> 00:14:43,340
(APPLAUDING AND CHEERING)
308
00:14:44,620 --> 00:14:47,180
JANE: Proving vocal talent wasn't
everything,
309
00:14:47,180 --> 00:14:50,980
none of us could approach the
megastar status of Dame Edna.
310
00:14:50,980 --> 00:14:51,220
# Hello, little fellow
none of us could approach the
megastar status of Dame Edna.
311
00:14:51,220 --> 00:14:54,580
# Hello, little fellow
312
00:14:54,580 --> 00:14:57,380
# Snuggled in your pram
313
00:14:57,380 --> 00:14:57,620
# Snuggled in your pram
in store for you
314
00:14:57,620 --> 00:15:01,900
# What has life got
in store for you
315
00:15:01,900 --> 00:15:03,860
# Little chap?
316
00:15:05,900 --> 00:15:09,460
# Has Dame Nature
planned for you
317
00:15:09,460 --> 00:15:09,700
# Has Dame Nature
# Something very grand for you?
318
00:15:09,700 --> 00:15:13,500
# Something very grand for you?
319
00:15:13,500 --> 00:15:14,860
# Are the good things of life
320
00:15:14,860 --> 00:15:18,340
# Going to drop into your lap
321
00:15:18,340 --> 00:15:20,980
# Little lamb? #
322
00:15:23,140 --> 00:15:25,580
Already a superstar on Broadway,
323
00:15:25,580 --> 00:15:27,020
Bette Midler was on the verge
324
00:15:27,020 --> 00:15:29,940
of her screen breakthrough
role in The Rose.
325
00:15:29,940 --> 00:15:31,980
I am Molly.
Oh!
326
00:15:31,980 --> 00:15:32,220
I am Molly.
(LAUGHS)
327
00:15:32,220 --> 00:15:33,460
(LAUGHS)
328
00:15:33,460 --> 00:15:33,700
All your monster friends,
(LAUGHS)
329
00:15:33,700 --> 00:15:35,380
All your monster friends,
I suppose.
330
00:15:35,380 --> 00:15:35,620
No, the whole nation, unfortunately.
I suppose.
331
00:15:35,620 --> 00:15:37,660
No, the whole nation, unfortunately.
332
00:15:37,660 --> 00:15:37,860
No, the whole nation, unfortunately.
What do you mean unfortunately?
333
00:15:37,860 --> 00:15:39,500
What do you mean unfortunately?
334
00:15:39,500 --> 00:15:42,180
Oh, fortunately, I guess.
I should say so!
335
00:15:42,180 --> 00:15:45,620
Kiss the ground. My god!
Stay there. Really.
336
00:15:45,620 --> 00:15:47,860
Be grateful. Wasn't anything
to write home about.
337
00:15:47,860 --> 00:15:49,180
With Cher...
With Cher or shirt?
338
00:15:49,180 --> 00:15:49,460
With Cher...
With Cher or shirt?
Cher.
With Cher?
339
00:15:49,460 --> 00:15:50,940
Cher.
With Cher?
340
00:15:50,940 --> 00:15:51,220
You two are good friends.
We're very good friends.
Cher.
With Cher?
341
00:15:51,220 --> 00:15:54,260
You two are good friends.
We're very good friends.
342
00:15:54,260 --> 00:15:55,540
Still are?
Yeah, very good friends.
343
00:15:55,540 --> 00:15:55,820
Still are?
Yeah, very good friends.
She never did me any dirt.
Right.
344
00:15:55,820 --> 00:15:57,340
She never did me any dirt.
Right.
345
00:15:57,340 --> 00:15:59,460
In fact, she sends me clothes.
I get all her hand-me-downs.
346
00:15:59,460 --> 00:16:01,420
Truly, literally, really.
Yeah.
347
00:16:01,420 --> 00:16:04,380
I had nothing to wear in England for
my performance,
348
00:16:04,380 --> 00:16:06,020
my show, my party.
349
00:16:06,020 --> 00:16:08,900
And she sent me clothes.
She said, "You poor thing."
350
00:16:08,900 --> 00:16:11,060
You know? She sent me
a whole packet of clothes.
351
00:16:11,060 --> 00:16:11,300
You know? She sent me
I am Care. Care from Cher.
352
00:16:11,300 --> 00:16:13,220
I am Care. Care from Cher.
353
00:16:13,220 --> 00:16:15,260
Alright.
354
00:16:15,260 --> 00:16:17,500
Dustin Hoffman is obviously
a very good friend of yours.
355
00:16:17,500 --> 00:16:19,380
He's a nice guy, yes.
He's a very good friend.
356
00:16:19,380 --> 00:16:19,620
He's a nice guy, yes.
He's a nice man.
357
00:16:19,620 --> 00:16:20,820
He's a nice man.
358
00:16:20,820 --> 00:16:23,220
A little nya-nya, you know?
359
00:16:23,220 --> 00:16:24,620
Just to finish off now,
360
00:16:24,620 --> 00:16:25,980
of all the people
you've worked with...
361
00:16:25,980 --> 00:16:27,620
Finish off?
The interview.
362
00:16:27,620 --> 00:16:27,860
Finish off?
Oh, I see.
363
00:16:27,860 --> 00:16:29,380
Oh, I see.
364
00:16:29,380 --> 00:16:31,860
You've worked and done specials with
Neil Sedaka,
365
00:16:31,860 --> 00:16:33,780
and, as I said,
the one with Dustin,
366
00:16:33,780 --> 00:16:36,060
and you've done things
with Elton and Barbara,
367
00:16:36,060 --> 00:16:39,020
with Elton and "Chur."
Chur?
368
00:16:39,020 --> 00:16:41,300
And also one with the late
Bing Crosby that you did
369
00:16:41,300 --> 00:16:41,540
And also one with the late
playing an usherette.
370
00:16:41,540 --> 00:16:42,740
playing an usherette.
371
00:16:42,740 --> 00:16:43,940
Oh, I was so mortified.
372
00:16:43,940 --> 00:16:46,620
Oh, god. Was that mortifying?
373
00:16:46,620 --> 00:16:48,300
Yeah?
Oh, it was so hideous.
374
00:16:48,300 --> 00:16:48,540
Yeah?
It was underdressed, you know?
375
00:16:48,540 --> 00:16:50,020
It was underdressed, you know?
376
00:16:50,020 --> 00:16:50,260
And I looked like a sausage, and no
It was underdressed, you know?
377
00:16:50,260 --> 00:16:52,540
And I looked like a sausage, and no
one told me.
378
00:16:52,540 --> 00:16:52,780
And I looked like a sausage, and no
My dress sort of went "pbbt"
379
00:16:52,780 --> 00:16:54,820
My dress sort of went "pbbt"
380
00:16:54,820 --> 00:16:56,620
as I was running
down the aisle.
381
00:16:56,620 --> 00:16:59,980
And I had to stop and say,
"Button me! Help me! Help me!"
382
00:16:59,980 --> 00:17:02,940
Because I had gloves on
my hands. Oh, it was just...
383
00:17:02,940 --> 00:17:05,380
Oh, god, was that awful.
Well, look...
384
00:17:05,380 --> 00:17:08,060
And then Bing fell
into the pit!
385
00:17:08,060 --> 00:17:10,740
Oh, my god!
(LAUGHS)
386
00:17:11,500 --> 00:17:13,140
It was so awful!
387
00:17:13,140 --> 00:17:13,380
DIRECTOR: Stand-by, Ian.
It was so awful!
388
00:17:13,380 --> 00:17:15,260
DIRECTOR: Stand-by, Ian.
Quiet, please.
389
00:17:15,260 --> 00:17:15,500
DIRECTOR: Stand-by, Ian.
Stand-by, Ian.
390
00:17:15,500 --> 00:17:17,540
Stand-by, Ian.
391
00:17:17,540 --> 00:17:20,460
JANE: Thanks to Livvy,
and to her role in Grease,
392
00:17:20,460 --> 00:17:23,740
all of a sudden,
it was cool to be Australian.
393
00:17:23,740 --> 00:17:24,020
Alan Carr, who was
the producer of the movie,
all of a sudden,
it was cool to be Australian.
394
00:17:24,020 --> 00:17:26,340
Alan Carr, who was
the producer of the movie,
395
00:17:26,340 --> 00:17:29,740
sent me the album with the original
music and the script,
396
00:17:29,740 --> 00:17:31,980
and said he would like me for the
part, was I interested?
397
00:17:31,980 --> 00:17:33,940
And I read it, and had
an instinct about it
398
00:17:33,940 --> 00:17:34,180
And I read it, and had
an instinct about it
that it was right.
399
00:17:34,180 --> 00:17:35,660
that it was right.
400
00:17:35,660 --> 00:17:35,900
Then I heard that John Travolta
that it was right.
401
00:17:35,900 --> 00:17:38,460
Then I heard that John Travolta
was the leading man.
402
00:17:38,460 --> 00:17:41,660
And he, as yet,
wasn't a big film star.
403
00:17:41,660 --> 00:17:43,940
Saturday Night Fever
was not yet released.
404
00:17:43,940 --> 00:17:47,100
But I had a meeting with him, and we
got on very well,
405
00:17:47,100 --> 00:17:50,780
and did a screen test together,
and it seemed to work.
406
00:17:50,780 --> 00:17:52,500
And so that was the first step.
407
00:17:52,500 --> 00:17:54,660
And then we had
three weeks of rehearsals,
408
00:17:54,660 --> 00:17:54,900
And then we had
dancing rehearsals and stuff.
409
00:17:54,900 --> 00:17:56,860
dancing rehearsals and stuff.
410
00:17:56,860 --> 00:17:58,500
I had three months
of incredible fun.
411
00:17:58,500 --> 00:18:00,420
It was really great.
I loved it.
412
00:18:00,420 --> 00:18:02,460
IAN: And how does it feel
to come, you know, back here
413
00:18:02,460 --> 00:18:05,060
being sort of what we think is your
home city,
414
00:18:05,060 --> 00:18:05,300
being sort of what we think is your
and what you probably do too.
415
00:18:05,300 --> 00:18:06,820
and what you probably do too.
416
00:18:06,820 --> 00:18:09,300
I do. It feels very exciting,
actually.
417
00:18:09,300 --> 00:18:12,980
It's really a strange feeling
because, you know,
418
00:18:12,980 --> 00:18:14,620
when I lived here, I mean,
419
00:18:14,620 --> 00:18:16,900
I did a lot
of local TV and such.
420
00:18:16,900 --> 00:18:18,700
I used to watch
other people come through
421
00:18:18,700 --> 00:18:20,540
and get all this attention,
but I never thought
422
00:18:20,540 --> 00:18:21,980
I'd get all this attention.
423
00:18:21,980 --> 00:18:23,300
Yeah.
It's a really lovely feeling.
424
00:18:23,300 --> 00:18:23,540
Yeah.
It's the way to come home.
425
00:18:23,540 --> 00:18:25,340
It's the way to come home.
426
00:18:28,260 --> 00:18:31,300
# Well, you can tell
by the way I use my walk,
427
00:18:31,300 --> 00:18:33,540
# I'm a woman's man,
no time to talk
428
00:18:33,540 --> 00:18:36,180
JANE: The year had begun
with another movie craze
429
00:18:36,180 --> 00:18:39,340
sweeping the world,
Saturday Night Fever.
430
00:18:39,340 --> 00:18:39,580
sweeping the world,
# That's OK. #
431
00:18:39,580 --> 00:18:41,180
# That's OK. #
432
00:18:41,180 --> 00:18:44,820
With the Bee Gees' disco hits
dominating the soundtrack,
433
00:18:44,820 --> 00:18:48,140
Countdown celebrated
another Aussie success story
434
00:18:48,140 --> 00:18:52,100
with a special episode and
a national dance competition.
435
00:18:52,100 --> 00:18:52,340
with a special episode and
# I can't wait until
436
00:18:52,340 --> 00:18:53,900
# I can't wait until
437
00:18:53,900 --> 00:18:56,380
# I see you again
438
00:18:57,060 --> 00:18:58,420
# Yeah, yeah
439
00:18:58,420 --> 00:19:00,340
# Uh-huh, uh-huh
440
00:19:00,340 --> 00:19:00,540
# I want to put on
# Uh-huh, uh-huh
441
00:19:00,540 --> 00:19:02,460
# I want to put on
442
00:19:02,460 --> 00:19:04,940
# My, my, my,
my boogie shoes. #
443
00:19:04,940 --> 00:19:05,180
# My, my, my,
my boogie shoes. #
# I heard somebody say
444
00:19:05,180 --> 00:19:06,420
# I heard somebody say
445
00:19:06,420 --> 00:19:10,020
# Burn, baby, burn,
disco inferno
446
00:19:10,020 --> 00:19:10,300
# Burn, baby, burn,
burn the mother down. #
# Burn, baby, burn,
disco inferno
447
00:19:10,300 --> 00:19:13,180
# Burn, baby, burn,
burn the mother down. #
448
00:19:15,140 --> 00:19:18,580
# My baby moves at midnight
449
00:19:18,580 --> 00:19:18,820
# My baby moves at midnight
until the dawn, yeah
450
00:19:18,820 --> 00:19:22,500
# Goes right on
until the dawn, yeah
451
00:19:22,500 --> 00:19:22,740
# My woman takes me higher
until the dawn, yeah
452
00:19:22,740 --> 00:19:26,260
# My woman takes me higher
453
00:19:26,260 --> 00:19:26,460
# My woman takes me higher
# My woman keeps me warm
454
00:19:26,460 --> 00:19:28,300
# My woman keeps me warm
455
00:19:30,260 --> 00:19:33,420
# What you doing on your back?
456
00:19:33,420 --> 00:19:33,660
# What you doing on your back?
on your back?
457
00:19:33,660 --> 00:19:36,500
# Ahh, what you doing
on your back?
458
00:19:36,500 --> 00:19:36,740
# Ahh, what you doing
on your back?
# Ahh. #
459
00:19:36,740 --> 00:19:38,420
# Ahh. #
460
00:19:38,420 --> 00:19:38,660
But there could only be one winner on
this dance floor.
# Ahh. #
461
00:19:38,660 --> 00:19:40,940
But there could only be one winner on
this dance floor.
462
00:19:40,940 --> 00:19:41,220
But there could only be one winner on
this dance floor.
(IMITATING FANFARE)
The grand final.
463
00:19:41,220 --> 00:19:42,940
(IMITATING FANFARE)
The grand final.
464
00:19:42,940 --> 00:19:45,460
New South Wales.
New South Wales!
465
00:19:45,460 --> 00:19:46,900
(CHEERING)
466
00:19:46,900 --> 00:19:47,100
Oh, dear! Congratulations.
(CHEERING)
467
00:19:47,100 --> 00:19:49,380
Oh, dear! Congratulations.
468
00:19:49,380 --> 00:19:51,220
Can I have a kiss?
469
00:19:52,260 --> 00:19:55,380
# The disco lady loves to dance
470
00:19:55,380 --> 00:19:55,580
More and more local musicians
# The disco lady loves to dance
471
00:19:55,580 --> 00:19:56,820
More and more local musicians
472
00:19:56,820 --> 00:19:59,780
donned satin suits
with big lapels
473
00:19:59,780 --> 00:20:01,700
and set up
under the mirror balls.
474
00:20:01,700 --> 00:20:04,220
# She knows the cues,
she loves the band
475
00:20:04,220 --> 00:20:06,620
# She loves the grooves
476
00:20:09,340 --> 00:20:11,300
# Yeah. #
477
00:20:11,300 --> 00:20:14,140
Hey, lady, come here!
(CHEERING)
478
00:20:17,060 --> 00:20:20,380
Even JPY played the disco card.
479
00:20:20,380 --> 00:20:20,580
# Love is in the air
Even JPY played the disco card.
480
00:20:20,580 --> 00:20:22,900
# Love is in the air
481
00:20:22,900 --> 00:20:25,020
# Everywhere I look around
482
00:20:28,260 --> 00:20:30,540
# Love is in the air
483
00:20:30,540 --> 00:20:30,740
# Love is in the air
# Every sight and every sound
484
00:20:30,740 --> 00:20:33,020
# Every sight and every sound
485
00:20:35,380 --> 00:20:39,980
# And I don't know
if I'm being foolish
486
00:20:39,980 --> 00:20:40,220
# And I don't know
# Don't know if I'm being wise
487
00:20:40,220 --> 00:20:43,500
# Don't know if I'm being wise
488
00:20:43,500 --> 00:20:43,740
# But it's something
# Don't know if I'm being wise
489
00:20:43,740 --> 00:20:46,660
# But it's something
that I must believe in
490
00:20:48,180 --> 00:20:50,700
# And it's there
when I look in your eyes
491
00:20:51,580 --> 00:20:54,140
# Love is in the air
492
00:20:54,140 --> 00:20:56,460
# In the whisper of the trees
493
00:20:59,540 --> 00:21:02,020
# Love is in the air
494
00:21:02,020 --> 00:21:04,420
# In the thunder of the seas
495
00:21:06,740 --> 00:21:10,780
# And I don't know
if I'm just dreaming
496
00:21:10,780 --> 00:21:11,020
# And I don't know
# Don't know if I feel safe
497
00:21:11,020 --> 00:21:14,420
# Don't know if I feel safe
498
00:21:14,420 --> 00:21:18,580
# But it's something
that I must believe in
499
00:21:18,580 --> 00:21:22,220
# And it's there
when you call out my name
500
00:21:30,700 --> 00:21:32,740
# Love is in the air
501
00:21:34,700 --> 00:21:36,900
# Love is in the air
502
00:21:37,860 --> 00:21:39,900
# Ohh
503
00:21:49,980 --> 00:21:52,580
# Love is in the air
504
00:21:52,580 --> 00:21:54,700
# In the rising of the sun
505
00:21:57,820 --> 00:22:00,260
# Love is in the air
506
00:22:00,260 --> 00:22:00,460
# Love is in the air
# When the day is nearly done
507
00:22:00,460 --> 00:22:02,700
# When the day is nearly done
508
00:22:05,180 --> 00:22:09,460
# And I don't know
if you're an illusion
509
00:22:09,460 --> 00:22:12,540
#Don't know if I see truth
510
00:22:12,540 --> 00:22:12,780
# But you're something
#Don't know if I see truth
511
00:22:12,780 --> 00:22:16,580
# But you're something
that I must believe in
512
00:22:16,580 --> 00:22:19,940
# And you're there
when I reach out for you
513
00:22:21,100 --> 00:22:23,460
# Love is in the air
514
00:22:23,460 --> 00:22:25,580
# Everywhere I look around
515
00:22:28,820 --> 00:22:31,140
# Love is in the air
516
00:22:31,140 --> 00:22:33,180
# Every sight and every sound
517
00:22:36,100 --> 00:22:40,380
# And I don't know
if I feel foolish
518
00:22:40,380 --> 00:22:43,580
# Don't know if I feel wise
519
00:22:43,580 --> 00:22:47,380
# But it's something
that I must believe in
520
00:22:47,380 --> 00:22:51,060
# And it's there
when I look in your eyes
521
00:22:59,660 --> 00:23:01,860
# Love is in the air
522
00:23:03,500 --> 00:23:05,700
# Love is in the air
523
00:23:06,580 --> 00:23:09,220
# Ohh
524
00:23:18,460 --> 00:23:20,780
# Oh, love is in the air. #
525
00:23:39,100 --> 00:23:42,580
JANE: Countdown was about new music,
but from the beginning,
526
00:23:42,580 --> 00:23:46,100
Molly had always supported
the show's family.
527
00:23:47,260 --> 00:23:49,820
# Women in uniform
528
00:23:49,820 --> 00:23:52,700
# Sometimes they look so cold
529
00:23:52,700 --> 00:23:55,380
# Women in uniform
530
00:23:55,380 --> 00:23:58,140
# But, ooh, they feel so warm
531
00:23:58,140 --> 00:23:59,540
# Women in uniform. #
532
00:23:59,540 --> 00:24:01,420
If the Hooks were
playing one week...
533
00:24:02,260 --> 00:24:03,980
# Our time
534
00:24:03,980 --> 00:24:04,180
# Before the new
# Our time
535
00:24:04,180 --> 00:24:06,420
# Before the new
536
00:24:06,420 --> 00:24:10,020
Shirl the Curl could always
play solo the next.
537
00:24:10,020 --> 00:24:13,380
# Memories of the things
we used to do
538
00:24:16,020 --> 00:24:19,740
# So open up your hearts
and let me in
539
00:24:19,740 --> 00:24:22,860
# I'm Mr Summer,
and I thought I'd drop in
540
00:24:22,860 --> 00:24:23,100
# I'm Mr Summer,
# I'm Mr Summer,
541
00:24:23,100 --> 00:24:25,340
# I'm Mr Summer,
542
00:24:25,340 --> 00:24:28,780
# And I'm here
for another spin. #
543
00:24:32,500 --> 00:24:35,020
Daryl and Sherbet were
also welcome anytime.
544
00:24:35,020 --> 00:24:35,260
# I beg, steal or borrow
Daryl and Sherbet were
also welcome anytime.
545
00:24:35,260 --> 00:24:38,460
# I beg, steal or borrow
546
00:24:39,700 --> 00:24:41,900
# Ooh, yes, I do
547
00:24:41,900 --> 00:24:45,100
# I'm going to beg,
steal or borrow. #
548
00:24:48,820 --> 00:24:51,020
And it goes without saying -
549
00:24:51,020 --> 00:24:54,780
any ex-member of Daddy Cool
had a permanent booking.
550
00:24:54,780 --> 00:24:55,020
# Just like a savage beast
had a permanent booking.
551
00:24:55,020 --> 00:24:56,460
# Just like a savage beast
552
00:24:56,460 --> 00:24:56,700
# Just like a savage beast
# Many a man
with an axe to grind
553
00:24:56,700 --> 00:25:00,260
# Many a man
with an axe to grind
554
00:25:00,260 --> 00:25:02,980
# I leave my mark
and I feel really fine. #
555
00:25:04,500 --> 00:25:06,980
In 1978, Countdown counted
556
00:25:06,980 --> 00:25:09,540
two of the biggest stars
in the world
557
00:25:09,540 --> 00:25:09,780
two of the biggest stars
as part of its family.
558
00:25:09,780 --> 00:25:12,020
as part of its family.
559
00:25:12,020 --> 00:25:15,820
Rod Stewart and Elton John
had appeared so many times
560
00:25:15,820 --> 00:25:16,060
Rod Stewart and Elton John
that the two tussled on air
561
00:25:16,060 --> 00:25:18,300
that the two tussled on air
562
00:25:18,300 --> 00:25:20,980
like brothers after
a long Christmas lunch.
563
00:25:20,980 --> 00:25:23,980
There's a lot of songs
within his album
564
00:25:23,980 --> 00:25:24,220
There's a lot of songs
that a lot of people think,
565
00:25:24,220 --> 00:25:25,340
that a lot of people think,
566
00:25:25,340 --> 00:25:25,580
"You know, he's talking
that a lot of people think,
567
00:25:25,580 --> 00:25:26,780
"You know, he's talking
about himself."
568
00:25:26,780 --> 00:25:28,380
You know?
Yeah.
569
00:25:28,380 --> 00:25:28,620
You know?
What do you think?
570
00:25:28,620 --> 00:25:29,780
What do you think?
571
00:25:29,780 --> 00:25:30,020
I think it's definitely
about him.
What do you think?
572
00:25:30,020 --> 00:25:32,020
I think it's definitely
about him.
573
00:25:32,020 --> 00:25:34,060
I mean, having known him
for about five or six years,
574
00:25:34,060 --> 00:25:35,700
I'm sure it's about him,
Do You Think I'm Sexy?
575
00:25:35,700 --> 00:25:37,380
Who's he kidding?
Who's he written it about?
576
00:25:37,380 --> 00:25:37,620
Who's he kidding?
Who's he written it about?
I mean, I'm sure it's about him.
577
00:25:37,620 --> 00:25:38,980
I mean, I'm sure it's about him.
578
00:25:38,980 --> 00:25:40,460
I must admit, he didn't
take the last remark
579
00:25:40,460 --> 00:25:40,700
I made to him very well.
I must admit, he didn't
take the last remark
580
00:25:40,700 --> 00:25:42,220
I made to him very well.
581
00:25:42,220 --> 00:25:44,420
He phoned up and he said,
"I've made a disco album."
582
00:25:44,420 --> 00:25:45,940
I said, "You're a bit late, dear,
aren't you?"
583
00:25:45,940 --> 00:25:47,780
And I haven't heard
from him since.
584
00:25:47,780 --> 00:25:48,060
And I haven't heard
from him since.
I don't think
it's just a disco album.
585
00:25:48,060 --> 00:25:49,740
I don't think
it's just a disco album.
586
00:25:49,740 --> 00:25:51,660
I think there's a lot
of rock'n'roll on it.
587
00:25:51,660 --> 00:25:54,540
And he made
a very big disco record,
588
00:25:54,540 --> 00:25:57,620
which he stole
the tune of from Brazil,
589
00:25:57,620 --> 00:25:59,860
and had to settle out of court and
pay the money.
590
00:25:59,860 --> 00:26:00,100
and had to settle out of court and
(LAUGHING)
591
00:26:00,100 --> 00:26:02,340
(LAUGHING)
592
00:26:02,340 --> 00:26:04,740
Do You Think I'm Sexy
was stolen from something.
593
00:26:04,740 --> 00:26:06,660
We went to Rio together
to the Carnival.
594
00:26:06,660 --> 00:26:09,380
And the main thing, he bought
a record in Rio, which was
595
00:26:09,380 --> 00:26:09,620
And the main thing, he bought
# Ole, Ole. #
596
00:26:09,620 --> 00:26:11,020
# Ole, Ole. #
597
00:26:11,020 --> 00:26:11,260
No, that's the World Cup one, which
# Ole, Ole. #
598
00:26:11,260 --> 00:26:12,820
No, that's the World Cup one, which
he also stole.
599
00:26:12,820 --> 00:26:13,060
No, that's the World Cup one, which
(LAUGHING)
600
00:26:13,060 --> 00:26:14,860
(LAUGHING)
601
00:26:14,860 --> 00:26:17,340
It's da-dat-dat-dat-da,
da-dat-dat-da,
602
00:26:17,340 --> 00:26:18,980
and not many people know it,
but I have the record.
603
00:26:18,980 --> 00:26:19,220
and not many people know it,
It's by a guy called Jorge Ben.
604
00:26:19,220 --> 00:26:20,820
It's by a guy called Jorge Ben.
605
00:26:20,820 --> 00:26:21,060
So I'd rather make probably
It's by a guy called Jorge Ben.
606
00:26:21,060 --> 00:26:23,020
So I'd rather make probably
a not so big selling record,
607
00:26:23,020 --> 00:26:27,180
and actually give the writers
the right amount of money.
608
00:26:27,180 --> 00:26:29,700
If Mr Stewart's going
to have a go at that,
609
00:26:29,700 --> 00:26:32,580
then why did he steal the tune and
try and hush it up?
610
00:26:32,580 --> 00:26:34,580
MOLLY: Well, can we just sit down to
you and Elton?
611
00:26:34,580 --> 00:26:36,380
I mean, like, at one stage,
612
00:26:36,380 --> 00:26:38,220
you were throwing so many barbed
comments at each other
613
00:26:38,220 --> 00:26:39,820
that you would
think that, you know,
614
00:26:39,820 --> 00:26:41,580
you were the two worst enemies
in the world.
615
00:26:41,580 --> 00:26:43,780
Well, we still do throw comments at
each other.
616
00:26:43,780 --> 00:26:45,700
The thing is he can't take it,
you see?
617
00:26:45,700 --> 00:26:48,740
I don't mind. I think it's fun.
Hmm.
618
00:26:48,740 --> 00:26:50,980
But sometimes, a little hit below
the belt with him.
619
00:26:50,980 --> 00:26:53,500
Or on the top of the head.
I'm not sure which.
620
00:26:53,500 --> 00:26:55,020
On the top of the head, yeah.
Yeah.
621
00:26:55,020 --> 00:26:55,260
On the top of the head, yeah.
But we are best of mates now.
622
00:26:55,260 --> 00:26:57,020
But we are best of mates now.
623
00:26:57,980 --> 00:27:00,180
JANE: One thing was for sure.
624
00:27:00,180 --> 00:27:03,340
Both Rod and Elton loved soccer.
625
00:27:03,340 --> 00:27:03,580
To prove his point,
Both Rod and Elton loved soccer.
626
00:27:03,580 --> 00:27:06,820
To prove his point,
or to outdo Rod,
627
00:27:06,820 --> 00:27:07,060
To prove his point,
Elton brought the whole team in.
628
00:27:07,060 --> 00:27:09,900
Elton brought the whole team in.
629
00:27:09,900 --> 00:27:14,580
# Talking about, oh, Georgia
630
00:27:14,580 --> 00:27:18,380
# Take me to your Southlands
631
00:27:18,380 --> 00:27:20,500
# I sometimes feel
632
00:27:20,500 --> 00:27:23,780
# That life is rolling on
633
00:27:25,980 --> 00:27:29,820
# Oh, Georgia
634
00:27:29,820 --> 00:27:33,580
# Lead me through
your heartlands
635
00:27:33,580 --> 00:27:37,100
# I need to see them
one more time
636
00:27:37,100 --> 00:27:39,940
# Before they're gone. #
637
00:27:43,420 --> 00:27:47,020
This is Warren Zevon,
so-called Excitable Boy,
638
00:27:47,020 --> 00:27:49,220
speaking to you
from San Francisco.
639
00:27:49,220 --> 00:27:51,220
And you're watching Countdown.
640
00:27:51,220 --> 00:27:55,380
# Like a dog hanging
on your leash
641
00:27:55,380 --> 00:27:55,660
JANE: A seasoned music writer and
producer,
# Like a dog hanging
on your leash
642
00:27:55,660 --> 00:27:57,980
JANE: A seasoned music writer and
producer,
643
00:27:57,980 --> 00:28:00,220
Molly also recognised the allure
644
00:28:00,220 --> 00:28:02,500
of a good old
fashioned pop star.
645
00:28:02,500 --> 00:28:05,020
# You make me feel like dancing
646
00:28:05,020 --> 00:28:06,940
# I want to dance
the night away
647
00:28:06,940 --> 00:28:07,180
# I want to dance
# You make me feel like dancing
648
00:28:07,180 --> 00:28:10,140
# You make me feel like dancing
649
00:28:10,140 --> 00:28:11,940
# I'm going to dance
the night away
650
00:28:11,940 --> 00:28:12,180
# I'm going to dance
# You make me feel like dancing
651
00:28:12,180 --> 00:28:15,860
# You make me feel like dancing
652
00:28:15,860 --> 00:28:17,820
# I feel like dancing
653
00:28:17,820 --> 00:28:20,980
# Dancing, dance the night away
654
00:28:20,980 --> 00:28:22,780
# I feel like dancing
655
00:28:22,780 --> 00:28:24,980
# Dancing, ahh. #
656
00:28:26,380 --> 00:28:28,420
One singing surfer boy
in particular
657
00:28:28,420 --> 00:28:32,340
brought the teenyboppers
flocking into Studio 31.
658
00:28:32,340 --> 00:28:32,620
# You got me rolling
like a wheel on the road
brought the teenyboppers
flocking into Studio 31.
659
00:28:32,620 --> 00:28:35,380
# You got me rolling
like a wheel on the road
660
00:28:35,380 --> 00:28:35,620
# Turning round and round
like a wheel on the road
661
00:28:35,620 --> 00:28:38,100
# Turning round and round
662
00:28:38,100 --> 00:28:39,820
# Nowhere to go
663
00:28:39,820 --> 00:28:42,860
# I got to find out
if you're feeling it too
664
00:28:42,860 --> 00:28:43,140
# I got to find out
if you're feeling it too
# It's hard to tell,
so here's what I do
665
00:28:43,140 --> 00:28:46,900
# It's hard to tell,
so here's what I do
666
00:28:48,460 --> 00:28:52,340
# And every time I want more
667
00:28:52,340 --> 00:28:54,860
# I take you out on the floor
668
00:28:57,540 --> 00:29:00,300
# I was made for dancing
669
00:29:01,380 --> 00:29:04,420
# All, all, all, all night long
670
00:29:04,420 --> 00:29:07,820
# Yeah, I was made for dancing
671
00:29:08,820 --> 00:29:11,300
# All, all, all, all night long
672
00:29:20,300 --> 00:29:23,300
# The days and nights
are moving by me and you
673
00:29:23,300 --> 00:29:28,020
# You're such a crazy love,
you tear me in two
674
00:29:28,020 --> 00:29:28,300
# You're such a crazy love,
you tear me in two
# I spend my time moving
to dreams and a phase
675
00:29:28,300 --> 00:29:31,340
# I spend my time moving
to dreams and a phase
676
00:29:31,340 --> 00:29:35,180
# It's a crazy love
you can see in my face
677
00:29:36,620 --> 00:29:38,820
# And every time I want more
678
00:29:40,500 --> 00:29:43,180
# I take you out on the floor
679
00:29:46,340 --> 00:29:49,420
# I was made for dancing
680
00:29:49,420 --> 00:29:53,340
# All, all, all, all night long
681
00:29:53,340 --> 00:29:56,940
# I was made for dancing
682
00:29:56,940 --> 00:29:59,660
# All, all, all, all night long
683
00:30:08,340 --> 00:30:11,700
# I was made for dancing
684
00:30:11,700 --> 00:30:16,140
#All, all, all, all night long
685
00:30:16,140 --> 00:30:19,660
# I was made for dancing
686
00:30:19,660 --> 00:30:22,380
# All, all, all, all night long
687
00:30:34,820 --> 00:30:37,540
# Dancing
688
00:30:39,100 --> 00:30:42,060
# I was made for dancing
689
00:30:42,060 --> 00:30:44,220
# Ahh
690
00:30:47,180 --> 00:30:49,940
# I was made for dancing
691
00:30:49,940 --> 00:30:52,420
# Dancing
692
00:30:53,780 --> 00:30:56,180
# Dancing
693
00:30:57,660 --> 00:31:01,020
# I was made for dancing
694
00:31:01,020 --> 00:31:03,540
# All, all, all, all night long
695
00:31:04,580 --> 00:31:08,820
# Yes, I was made for dancing
696
00:31:08,820 --> 00:31:11,380
# All, all, all, all night long
697
00:31:12,780 --> 00:31:16,260
# I was made for dancing
698
00:31:16,260 --> 00:31:18,980
# All, all, all, all night long
699
00:31:20,260 --> 00:31:22,500
# I was made for dancing
700
00:31:22,500 --> 00:31:24,620
(CHEERING)
701
00:31:26,780 --> 00:31:29,780
JANE: In '78, a lot
of young people were rebelling
702
00:31:29,780 --> 00:31:31,340
against the bubblegum conformity
703
00:31:31,340 --> 00:31:34,300
that Leif Garrett represented.
704
00:31:34,300 --> 00:31:35,900
The local bands that emerged
705
00:31:35,900 --> 00:31:38,500
during the so-called
post punk era
706
00:31:38,500 --> 00:31:38,740
during the so-called
had a distinct attitude,
707
00:31:38,740 --> 00:31:40,460
had a distinct attitude,
708
00:31:40,460 --> 00:31:40,700
a new interpretation
had a distinct attitude,
709
00:31:40,700 --> 00:31:42,740
a new interpretation
of rock music.
710
00:31:44,900 --> 00:31:48,940
# You're just a barroom brandy
711
00:31:48,940 --> 00:31:52,940
# I want to touch you everyday
712
00:31:54,700 --> 00:31:58,580
# But you seem
to leave me all the time
713
00:32:00,220 --> 00:32:03,900
# And I'm always
asking you to stay
714
00:32:03,900 --> 00:32:08,860
# So, go, girl,
I wanna be your baby
715
00:32:10,820 --> 00:32:13,620
# And spend my time with you
716
00:32:16,100 --> 00:32:19,620
# I wanna be your baby
717
00:32:20,620 --> 00:32:23,940
# And spend my love with you
718
00:32:25,380 --> 00:32:29,140
# I remember the first time
that I met you
719
00:32:30,900 --> 00:32:35,860
# I felt that I had
to take you home
720
00:32:35,860 --> 00:32:39,420
# But your eyes weren't looking in
my direction
721
00:32:40,860 --> 00:32:44,340
# And sometimes
you make me feel so alone
722
00:32:45,300 --> 00:32:50,100
# So I wanna be your baby
723
00:32:51,540 --> 00:32:54,220
# And spend my time with you
724
00:32:56,500 --> 00:32:59,700
# I wanna be your baby
725
00:33:00,820 --> 00:33:05,060
# And spend my time with you
726
00:33:16,740 --> 00:33:19,740
# I wanna be your baby
727
00:33:21,660 --> 00:33:25,180
# And spend my time with you
728
00:33:26,740 --> 00:33:30,060
# I wanna be your baby
729
00:33:31,340 --> 00:33:34,500
# And spend my time with you
730
00:33:39,700 --> 00:33:42,540
# I wanna be your baby
731
00:33:44,540 --> 00:33:47,180
# And spend my time with you
732
00:33:49,540 --> 00:33:52,900
# I wanna be your baby
733
00:33:53,900 --> 00:33:56,700
# And spend my time with you. #
734
00:34:17,260 --> 00:34:18,900
Hi, this is Johnny Mathis.
735
00:34:18,900 --> 00:34:19,140
You're watching Countdown
Hi, this is Johnny Mathis.
736
00:34:19,140 --> 00:34:20,940
You're watching Countdown
right across Australia.
737
00:34:22,420 --> 00:34:25,300
Oh-ho-ho! Once more!
738
00:34:26,660 --> 00:34:28,700
JANE: When a country band
from New Zealand
739
00:34:28,700 --> 00:34:31,340
performed a Beatles' song
on Countdown,
740
00:34:31,340 --> 00:34:35,700
it was probably safe to assume
that cover songs were fair game.
741
00:34:35,700 --> 00:34:35,940
it was probably safe to assume
that cover songs were fair game.
# Falling
742
00:34:35,940 --> 00:34:37,940
# Falling
743
00:34:37,940 --> 00:34:41,140
# Oh, yes, I'm falling
744
00:34:41,140 --> 00:34:44,060
# But it keeps calling me
745
00:34:44,060 --> 00:34:47,340
# Back again. #
746
00:34:47,340 --> 00:34:47,540
# Stop, in the name of love
# Back again. #
747
00:34:47,540 --> 00:34:50,900
# Stop, in the name of love
748
00:34:50,900 --> 00:34:53,580
# Before you break
my heart. #
749
00:34:53,580 --> 00:34:56,380
No surprise then that a young
gentleman from Adelaide,
750
00:34:56,380 --> 00:34:56,660
No surprise then that a young
gentleman from Adelaide,
Andy Upton, performed a song made
famous by The Supremes.
751
00:34:56,660 --> 00:35:00,700
Andy Upton, performed a song made
famous by The Supremes.
752
00:35:00,700 --> 00:35:00,940
Fellow South Australians Scandal
Andy Upton, performed a song made
famous by The Supremes.
753
00:35:00,940 --> 00:35:04,300
Fellow South Australians Scandal
754
00:35:04,300 --> 00:35:07,340
revived an early '70s UK hit.
755
00:35:07,340 --> 00:35:07,540
revived an early '70s UK hit.
# Any day
756
00:35:07,540 --> 00:35:09,940
# Any day
757
00:35:09,940 --> 00:35:12,780
# How long
758
00:35:12,780 --> 00:35:14,980
# Has this been going on?
759
00:35:18,020 --> 00:35:21,140
# How long
760
00:35:21,140 --> 00:35:23,300
# Has this been going on? #
761
00:35:23,300 --> 00:35:23,500
# Wasted all my days over you
# Has this been going on? #
762
00:35:23,500 --> 00:35:27,780
# Wasted all my days over you
763
00:35:30,500 --> 00:35:33,780
Don Mclean continued his tribute to
Buddy Holly
764
00:35:33,780 --> 00:35:34,060
Don Mclean continued his tribute to
Buddy Holly
with a version
of It Doesn't Matter Anymore.
765
00:35:34,060 --> 00:35:37,740
with a version
of It Doesn't Matter Anymore.
766
00:35:37,740 --> 00:35:37,980
with a version
# I'll go mine
767
00:35:37,980 --> 00:35:40,820
# I'll go mine
768
00:35:40,820 --> 00:35:42,500
# Now and forever
769
00:35:42,500 --> 00:35:45,420
# Until the end of time
770
00:35:45,420 --> 00:35:48,740
# I'll find somebody new
771
00:35:48,740 --> 00:35:50,460
# And baby
772
00:35:50,460 --> 00:35:52,700
# We'll say we're through
773
00:35:52,700 --> 00:35:52,940
# And you won't
# We'll say we're through
774
00:35:52,940 --> 00:35:56,500
# And you won't
matter anymore. #
775
00:35:56,500 --> 00:35:56,740
# And you won't
(CHEERING)
776
00:35:56,740 --> 00:35:59,020
(CHEERING)
777
00:35:59,020 --> 00:36:01,500
But the show stopper
was this cover
778
00:36:01,500 --> 00:36:01,740
But the show stopper
of a Righteous Brothers song
779
00:36:01,740 --> 00:36:03,460
of a Righteous Brothers song
780
00:36:03,460 --> 00:36:07,180
by one of Australia's
first all female bands.
781
00:36:07,180 --> 00:36:07,460
# You've been waiting
much too long now
by one of Australia's
first all female bands.
782
00:36:07,460 --> 00:36:11,820
# You've been waiting
much too long now
783
00:36:11,820 --> 00:36:16,140
# Looks like she's
not coming home
784
00:36:16,140 --> 00:36:16,380
# Looks like she's
not coming home
# Girl
785
00:36:16,380 --> 00:36:18,660
# Girl
786
00:36:18,660 --> 00:36:23,260
# You've been loyal,
true and faithful
787
00:36:23,260 --> 00:36:26,140
# All this time with being alone
788
00:36:27,940 --> 00:36:32,260
# If I could get
that same dedication
789
00:36:32,260 --> 00:36:35,540
# I'd give you everything
in creation
790
00:36:37,340 --> 00:36:39,740
# If she doesn't come back
791
00:36:39,740 --> 00:36:43,020
# If she doesn't
come back
792
00:36:43,020 --> 00:36:43,260
# If she doesn't
# I'll be your substitute
793
00:36:43,260 --> 00:36:45,500
# I'll be your substitute
794
00:36:47,020 --> 00:36:49,500
# Whenever you want me
795
00:36:52,180 --> 00:36:54,420
# I'll be your substitute
796
00:36:56,060 --> 00:36:58,540
# Whenever you need me
797
00:37:02,140 --> 00:37:04,580
# Girl
798
00:37:04,580 --> 00:37:09,020
# Every day you waited for her
799
00:37:09,020 --> 00:37:12,220
# I've been waiting
here for you
800
00:37:13,940 --> 00:37:16,460
# Say
801
00:37:16,460 --> 00:37:21,020
# All this time
I've been lonely
802
00:37:21,020 --> 00:37:24,020
# I know what
you've been going through
803
00:37:26,060 --> 00:37:29,980
#I'll wait until
my chances are good
804
00:37:29,980 --> 00:37:33,580
# But you can't
keep relying on her
805
00:37:35,300 --> 00:37:37,740
# If she doesn't come back
806
00:37:37,740 --> 00:37:41,220
# If she doesn't
come back
807
00:37:41,220 --> 00:37:41,460
# If she doesn't
come back
#I'll be your substitute
808
00:37:41,460 --> 00:37:43,740
#I'll be your substitute
809
00:37:45,060 --> 00:37:47,420
# Whenever you want me
810
00:37:50,340 --> 00:37:52,620
# I'll be your substitute
811
00:37:54,340 --> 00:37:56,780
# Whenever you need me
812
00:38:00,500 --> 00:38:04,140
# Each day by your window
813
00:38:04,140 --> 00:38:05,740
# You sit and sigh hoping
814
00:38:05,740 --> 00:38:08,740
# To see her face
815
00:38:08,740 --> 00:38:10,700
# Oh!
816
00:38:10,700 --> 00:38:14,660
# You might as well
forget about her
817
00:38:14,660 --> 00:38:19,100
# And find someone
to take her place
818
00:38:19,100 --> 00:38:22,540
# If she doesn't come back
819
00:38:22,540 --> 00:38:22,740
# I'll be your substitute
# If she doesn't come back
820
00:38:22,740 --> 00:38:24,620
# I'll be your substitute
821
00:38:26,460 --> 00:38:28,860
# Whenever you want me
822
00:38:31,580 --> 00:38:33,780
# I'll be your substitute
823
00:38:35,820 --> 00:38:38,020
# Whenever you need me. #
824
00:38:55,100 --> 00:38:56,540
Countdown!
825
00:38:56,540 --> 00:38:57,740
Hello, how are you, Edna?
826
00:38:57,740 --> 00:38:59,220
Oh, what can I say,
but thank you
827
00:38:59,220 --> 00:39:01,100
for honouring me
with the invitation
828
00:39:01,100 --> 00:39:01,340
for honouring me
to appear on your show.
829
00:39:01,340 --> 00:39:02,620
to appear on your show.
830
00:39:02,620 --> 00:39:02,860
It's always a pleasure.
to appear on your show.
831
00:39:02,860 --> 00:39:04,300
It's always a pleasure.
It's always a pleasure.
832
00:39:04,300 --> 00:39:05,820
What do you think
of my little Edna boppers?
833
00:39:05,820 --> 00:39:07,500
Aren't they beautiful?
They're marvellous.
834
00:39:07,500 --> 00:39:07,740
Aren't they beautiful?
Where did you get them from?
835
00:39:07,740 --> 00:39:08,740
Where did you get them from?
836
00:39:08,740 --> 00:39:10,220
Oh...
Moonee Ponds?
837
00:39:10,220 --> 00:39:12,860
Alright, now. Over the last...
838
00:39:12,860 --> 00:39:14,100
This is going to be
a bit of a heavy,
839
00:39:14,100 --> 00:39:14,340
This is going to be
so every one ready for it.
840
00:39:14,340 --> 00:39:15,860
so every one ready for it.
841
00:39:15,860 --> 00:39:18,060
You may have sort
of seen an ad on...
842
00:39:18,060 --> 00:39:18,300
You may have sort
I'm talking about Melbourne now.
843
00:39:18,300 --> 00:39:19,740
I'm talking about Melbourne now.
844
00:39:19,740 --> 00:39:19,980
On commercial television for
I'm talking about Melbourne now.
845
00:39:19,980 --> 00:39:22,420
On commercial television for
3XY, with their supergroup.
846
00:39:22,420 --> 00:39:24,420
They've been advertising, etcetera,
etcetera, like that.
847
00:39:24,420 --> 00:39:24,660
They've been advertising, etcetera,
Yes, terrific.
848
00:39:24,660 --> 00:39:26,180
Yes, terrific.
849
00:39:26,180 --> 00:39:28,820
The only thing is that
it's very amusing to see this ad
850
00:39:28,820 --> 00:39:31,740
because, apart
from Darryl Cotton and Dragon,
851
00:39:31,740 --> 00:39:32,940
who feature on the ad,
852
00:39:32,940 --> 00:39:35,540
there's also Angry
from Rose Tattoo,
853
00:39:35,540 --> 00:39:38,500
there's also Cheater,
there's also Jo Jo Zep,
854
00:39:38,500 --> 00:39:40,860
there's also Ross Wilson
from Mondo Rock.
855
00:39:40,860 --> 00:39:43,100
There's also Delilah,
and there's also Keith Lamb.
856
00:39:43,100 --> 00:39:44,700
All have singles out
at the moment,
857
00:39:44,700 --> 00:39:48,300
and the oddest thing is none of them
are being played on 3XY.
858
00:39:48,300 --> 00:39:51,260
So I don't know how 3XY can say it's
their supergroup
859
00:39:51,260 --> 00:39:53,100
when they're not even going
to recognise them.
860
00:39:53,100 --> 00:39:54,380
Talking about good groups,
861
00:39:54,380 --> 00:39:56,620
Dire Straits is coming up
on the show later on.
862
00:39:56,620 --> 00:39:59,220
I believe you know
a couple of the guys.
863
00:39:59,220 --> 00:39:59,460
I actually...No, I don't.
I believe you know
a couple of the guys.
864
00:39:59,460 --> 00:40:00,860
I actually...No, I don't.
865
00:40:00,860 --> 00:40:02,500
No?
You've been...
866
00:40:02,500 --> 00:40:04,380
Misinformed?
Misinformed, yes.
867
00:40:04,380 --> 00:40:06,220
Bette Midler didn't know
them either, obviously.
868
00:40:06,220 --> 00:40:06,500
Bette Midler didn't know
them either, obviously.
Anyway, have you heard
of them anyhow?
869
00:40:06,500 --> 00:40:07,940
Anyway, have you heard
of them anyhow?
870
00:40:07,940 --> 00:40:10,460
They're a really nice group.
Yes, I have heard of them.
871
00:40:10,460 --> 00:40:12,740
They're going to be one
of the hottest around, I figure.
872
00:40:12,740 --> 00:40:15,220
But, meanwhile.
I wish you had heard of them.
873
00:40:15,220 --> 00:40:15,460
But, meanwhile.
(LAUGHING)
874
00:40:15,460 --> 00:40:16,700
(LAUGHING)
875
00:40:16,700 --> 00:40:18,420
Over the last couple
of weeks, we've had
876
00:40:18,420 --> 00:40:20,580
many, many international tours coming
through.
877
00:40:20,580 --> 00:40:23,220
We've had Boz Scaggs, Bob Dylan,
The Beach Boys.
878
00:40:23,220 --> 00:40:25,460
Some have been good,
some have been bad, right?
879
00:40:25,460 --> 00:40:25,700
Some have been good,
But I have never...
880
00:40:25,700 --> 00:40:26,860
But I have never...
881
00:40:26,860 --> 00:40:27,100
Last week, I went
on the Countdown Council
But I have never...
882
00:40:27,100 --> 00:40:29,420
Last week, I went
on the Countdown Council
883
00:40:29,420 --> 00:40:29,660
to Perth and to Adelaide,
on the Countdown Council
884
00:40:29,660 --> 00:40:31,140
to Perth and to Adelaide,
885
00:40:31,140 --> 00:40:31,380
to Perth and to Adelaide,
a day earlier.
886
00:40:31,380 --> 00:40:33,100
and you were leaving
a day earlier.
887
00:40:33,100 --> 00:40:35,420
And you'd just done
a concert that night,
888
00:40:35,420 --> 00:40:35,700
And you'd just done
a concert that night,
and in Adelaide
you'd just done a concert
889
00:40:35,700 --> 00:40:37,380
and in Adelaide
you'd just done a concert
890
00:40:37,380 --> 00:40:37,620
and in Adelaide
the night before, etcetera.
891
00:40:37,620 --> 00:40:38,900
the night before, etcetera.
892
00:40:38,900 --> 00:40:41,820
And I have never read reviews, rave
reviews,
893
00:40:41,820 --> 00:40:43,700
for any artist
than I've read for you.
894
00:40:43,700 --> 00:40:43,940
for any artist
Alright.
895
00:40:43,940 --> 00:40:45,180
Alright.
896
00:40:45,180 --> 00:40:46,980
A lot's happened.
You've grown up a lot, I think.
897
00:40:46,980 --> 00:40:48,620
Thank you.
Don't you think?
898
00:40:48,620 --> 00:40:50,900
You have to. No, actually.
Yeah. Don't be so...
899
00:40:50,900 --> 00:40:52,820
(LAUGHS)
900
00:40:52,820 --> 00:40:55,300
No, but what I'm trying to say.
Or have you?
901
00:40:55,300 --> 00:40:57,100
No, I haven't. You seem to be
maturing a lot more
902
00:40:57,100 --> 00:40:57,340
No, I haven't. You seem to be
as far as your musical outlook
903
00:40:57,340 --> 00:40:58,540
as far as your musical outlook
904
00:40:58,540 --> 00:40:58,780
and everything
as far as your musical outlook
905
00:40:58,780 --> 00:41:00,100
and everything
like that is concerned.
906
00:41:00,100 --> 00:41:00,340
and everything
You know, my voice has dropped.
907
00:41:00,340 --> 00:41:01,700
You know, my voice has dropped.
908
00:41:01,700 --> 00:41:03,460
Your voice has dropped?
(LAUGHS)
909
00:41:03,460 --> 00:41:03,700
Your voice has dropped?
You ever had a dirty weekend?
910
00:41:03,700 --> 00:41:05,100
You ever had a dirty weekend?
911
00:41:05,100 --> 00:41:07,180
(LAUGHS)
912
00:41:13,580 --> 00:41:15,980
# Take a long line
913
00:41:15,980 --> 00:41:16,180
# Take a long line
# Take a long line
914
00:41:16,180 --> 00:41:21,340
# Take a long line
915
00:41:21,340 --> 00:41:21,540
# Take a long line
# Reel him in. #
916
00:41:21,540 --> 00:41:23,380
# Reel him in. #
917
00:41:28,500 --> 00:41:31,900
JANE: In the '70s, Australians loved
rock music so much
918
00:41:31,900 --> 00:41:32,140
JANE: In the '70s, Australians loved
we even named a month after it.
919
00:41:32,140 --> 00:41:34,380
we even named a month after it.
920
00:41:34,380 --> 00:41:36,100
I'm Ronnie Sparks
from 2SM in Sydney,
921
00:41:36,100 --> 00:41:37,820
the Sydney Rocktober...
Rocktober...
922
00:41:37,820 --> 00:41:38,740
Rocktober.
Rocktober.
923
00:41:38,740 --> 00:41:38,980
Rocktober.
The Rocktober station in Perth.
924
00:41:38,980 --> 00:41:40,740
The Rocktober station in Perth.
925
00:41:40,740 --> 00:41:40,940
# We're rock and rolling, yeah
The Rocktober station in Perth.
926
00:41:40,940 --> 00:41:43,900
# We're rock and rolling, yeah
927
00:41:43,900 --> 00:41:45,740
# We're rock
and rolling, yeah. #
928
00:41:45,740 --> 00:41:46,020
# We're rock
and rolling, yeah. #
Countdown made sure that it fed the
rock'n'roll beast
929
00:41:46,020 --> 00:41:48,340
Countdown made sure that it fed the
rock'n'roll beast
930
00:41:48,340 --> 00:41:50,180
as much as possible.
931
00:41:51,660 --> 00:41:54,940
English bands had been given plenty
of air time,
932
00:41:54,940 --> 00:41:55,220
and so would the emerging
soft metal hair bands
English bands had been given plenty
of air time,
933
00:41:55,220 --> 00:41:57,260
and so would the emerging
soft metal hair bands
934
00:41:57,260 --> 00:41:58,300
from the States.
935
00:41:58,300 --> 00:41:58,500
from the States.
Ow!
936
00:41:58,500 --> 00:41:59,540
Ow!
937
00:41:59,540 --> 00:41:59,740
None of us are from California.
Ow!
938
00:41:59,740 --> 00:42:01,300
None of us are from California.
939
00:42:01,300 --> 00:42:03,260
That's how come we don't sound like
The Eagles.
940
00:42:03,260 --> 00:42:03,540
That's how come we don't sound like
The Eagles.
IAN: Obviously, you spend a lot of
time on your stage act.
941
00:42:03,540 --> 00:42:05,620
IAN: Obviously, you spend a lot of
time on your stage act.
942
00:42:05,620 --> 00:42:07,220
It's a pretty
dynamic stage act.
943
00:42:07,220 --> 00:42:09,940
Alex, can you tell us a little bit
about how that developed?
944
00:42:09,940 --> 00:42:12,460
By playing five hours,
a night five days a week
945
00:42:12,460 --> 00:42:14,860
at different bars and clubs,
sweating it out,
946
00:42:14,860 --> 00:42:18,100
and so-called
"paying your dues."
947
00:42:18,100 --> 00:42:20,340
We used to play about,
yeah, five hours
948
00:42:20,340 --> 00:42:22,900
of really hard grinding
rock'n'roll.
949
00:42:22,900 --> 00:42:23,140
of really hard grinding
No slow songs at all.
950
00:42:23,140 --> 00:42:24,820
No slow songs at all.
951
00:42:24,820 --> 00:42:28,420
And it just carried on over
to our original music.
952
00:42:28,420 --> 00:42:30,700
Right now, being, as I say,
a relatively new show,
953
00:42:30,700 --> 00:42:33,460
and having, sort of,
a lot of, sort of dynamics
954
00:42:33,460 --> 00:42:33,700
and having, sort of,
and sort of colour on stage,
955
00:42:33,700 --> 00:42:37,220
and sort of colour on stage,
956
00:42:37,220 --> 00:42:40,820
this is your first trip
to, say, Europe and England,
957
00:42:40,820 --> 00:42:43,340
what has the reaction been
like towards you?
958
00:42:43,340 --> 00:42:45,580
(ALL SCREAM)
959
00:42:45,580 --> 00:42:48,340
Hey, you scared the birds away.
960
00:42:48,340 --> 00:42:49,700
# TNT
961
00:42:49,700 --> 00:42:52,380
Oi! Oi! Oi!
962
00:42:52,380 --> 00:42:53,620
# TNT. #
963
00:42:53,620 --> 00:42:56,500
Oi! Oi! Oi!
964
00:42:56,500 --> 00:42:59,180
JANE: Viewers of Countdown knew that
no band in the world
965
00:42:59,180 --> 00:43:02,300
could let there be rock
like AC/DC.
966
00:43:02,300 --> 00:43:02,540
could let there be rock
And, in turn, Akka Dakka,
967
00:43:02,540 --> 00:43:04,860
And, in turn, Akka Dakka,
968
00:43:04,860 --> 00:43:05,100
inspired other bands
And, in turn, Akka Dakka,
969
00:43:05,100 --> 00:43:07,340
inspired other bands
to be just like them.
970
00:43:11,300 --> 00:43:14,100
A good strategy in the shadow
of AC/DC:
971
00:43:14,100 --> 00:43:14,340
get more tats and get angry.
of AC/DC:
972
00:43:14,340 --> 00:43:17,220
get more tats and get angry.
973
00:43:17,220 --> 00:43:17,420
get more tats and get angry.
# I don't need lots of people
974
00:43:17,420 --> 00:43:20,100
# I don't need lots of people
975
00:43:20,100 --> 00:43:22,340
# Telling me what to do
976
00:43:22,340 --> 00:43:25,100
# I don't need
a long-haired lady
977
00:43:25,100 --> 00:43:25,340
# I don't need
# To love me true as true
978
00:43:25,340 --> 00:43:27,980
# To love me true as true
979
00:43:27,980 --> 00:43:31,020
# All I need is
a rock'n'roll band
980
00:43:31,020 --> 00:43:33,260
# Somewhere new to play
981
00:43:33,260 --> 00:43:36,340
# And I'm on my way
982
00:43:36,340 --> 00:43:38,580
# I'm on my way
983
00:43:38,580 --> 00:43:41,180
# I'm a rock'n'roll outlaw
984
00:43:41,180 --> 00:43:43,780
# And I'm on the run
985
00:43:43,780 --> 00:43:46,260
# I'm a rock'n'roll outlaw
986
00:43:46,260 --> 00:43:48,500
# I never needed anyone
987
00:43:58,980 --> 00:44:01,660
# My life isn't easy, baby
988
00:44:01,660 --> 00:44:01,860
# My life isn't easy, baby
# It's the life that I need
989
00:44:01,860 --> 00:44:04,140
# It's the life that I need
990
00:44:04,140 --> 00:44:04,380
# I got music living
# It's the life that I need
991
00:44:04,380 --> 00:44:07,180
# I got music living
inside of me,
992
00:44:07,180 --> 00:44:07,420
# I got music living
# I gotta set it free
993
00:44:07,420 --> 00:44:09,260
# I gotta set it free
994
00:44:09,260 --> 00:44:11,780
# All I need is
a rock'n'roll band
995
00:44:11,780 --> 00:44:12,020
# All I need is
# Somewhere new to play
996
00:44:12,020 --> 00:44:14,900
# Somewhere new to play
997
00:44:14,900 --> 00:44:17,180
# And I'm on my way
998
00:44:17,180 --> 00:44:19,620
# I'm on my way
999
00:44:19,620 --> 00:44:22,100
# Because I'm
a rock'n'roll outlaw
1000
00:44:22,100 --> 00:44:24,660
# And I'm on the run
1001
00:44:24,660 --> 00:44:27,380
# I'm a rock'n'roll outlaw
1002
00:44:27,380 --> 00:44:29,980
# I never needed anyone
1003
00:44:31,500 --> 00:44:33,940
# Playing music, babe
1004
00:44:33,940 --> 00:44:36,580
# Is all I know
1005
00:44:36,580 --> 00:44:38,740
# Where it wants
to take me, honey
1006
00:45:00,660 --> 00:45:03,260
# All I want from living
1007
00:45:03,260 --> 00:45:05,860
# Is just to be left alone
1008
00:45:05,860 --> 00:45:08,660
# All I need is an open road
1009
00:45:08,660 --> 00:45:11,060
# Because I'm a rolling stone
1010
00:45:11,060 --> 00:45:13,820
# All I need is
a rock'n'roll band
1011
00:45:13,820 --> 00:45:14,060
# All I need is
# Somewhere new to play
1012
00:45:14,060 --> 00:45:16,300
# Somewhere new to play
1013
00:45:16,300 --> 00:45:18,780
# And I'm on my way
1014
00:45:18,780 --> 00:45:21,660
# I'm on my way
1015
00:45:21,660 --> 00:45:23,860
# I'm a rock'n'roll outlaw
1016
00:45:23,860 --> 00:45:26,740
# I'm on the run
1017
00:45:26,740 --> 00:45:26,940
# I'm a rock'n'roll outlaw
# I'm on the run
1018
00:45:26,940 --> 00:45:29,180
# I'm a rock'n'roll outlaw
1019
00:45:29,180 --> 00:45:31,860
# I never needed anyone
1020
00:45:35,020 --> 00:45:37,220
# Never needed
1021
00:45:42,220 --> 00:45:44,860
# I'm a rock'n'roll outlaw
1022
00:45:44,860 --> 00:45:47,260
# And I'm on the run
1023
00:45:47,260 --> 00:45:49,900
# I'm a rock'n'roll outlaw
1024
00:45:49,900 --> 00:45:52,300
# Mother, I don't need no one
1025
00:45:52,300 --> 00:45:54,700
# I'm a rock'n'roll outlaw
1026
00:45:54,700 --> 00:45:57,460
# And I'm on the run
1027
00:45:57,460 --> 00:45:59,900
# I'm a rock'n'roll outlaw
1028
00:45:59,900 --> 00:46:02,700
# I never needed anyone. #
1029
00:46:18,420 --> 00:46:22,260
JANE: Australian audiences
also embraced New Wave.
1030
00:46:22,260 --> 00:46:25,900
Graham Parker and The Rumour
became Countdown favourites.
1031
00:46:25,900 --> 00:46:26,140
# Crimson autograph
became Countdown favourites.
1032
00:46:26,140 --> 00:46:29,620
# Crimson autograph
1033
00:46:29,620 --> 00:46:29,820
# Crimson autograph
# Is what we leave behind
1034
00:46:29,820 --> 00:46:32,060
# Is what we leave behind
1035
00:46:33,700 --> 00:46:35,700
# Everywhere
1036
00:46:35,700 --> 00:46:38,860
# The man set foot
1037
00:46:38,860 --> 00:46:41,620
# Yeah
1038
00:46:41,620 --> 00:46:44,500
# War mongers laughing loud
1039
00:46:44,500 --> 00:46:47,220
# Behind a painted face
1040
00:46:48,900 --> 00:46:51,820
# Throwing titbits to the crowd
1041
00:46:51,820 --> 00:46:54,660
# Then blowing up the place
1042
00:46:54,660 --> 00:46:54,900
# Hey, Lord,
don't ask me questions
# Then blowing up the place
1043
00:46:54,900 --> 00:46:58,420
# Hey, Lord,
don't ask me questions
1044
00:46:58,420 --> 00:47:02,220
# Hey, Lord, don't
ask me questions
1045
00:47:02,220 --> 00:47:06,460
# Hey, Lord, don't ask
me questions, please
1046
00:47:09,780 --> 00:47:13,940
# Hey, Lord,
don't ask me questions
1047
00:47:13,940 --> 00:47:17,380
# Hey, Lord, don't
ask me questions
1048
00:47:17,380 --> 00:47:20,940
# Hey, Lord,
ain't no answer in me. #
1049
00:47:22,900 --> 00:47:26,500
# Well, I can hear
guitars playing
1050
00:47:26,500 --> 00:47:29,900
# Lovely tunes, oh, yeah
1051
00:47:29,900 --> 00:47:32,300
# Well, every time that you
1052
00:47:33,660 --> 00:47:35,540
# Walk in the room. #
1053
00:47:35,540 --> 00:47:38,420
The Sports toured
with The Rumour in Europe,
1054
00:47:38,420 --> 00:47:42,060
and Elvis Costello recorded
this song by Joe Camilleri.
1055
00:47:45,940 --> 00:47:48,140
# So young
1056
00:47:49,140 --> 00:47:52,100
# We've discovered
1057
00:47:52,100 --> 00:47:52,300
# We've discovered
# We've got them so confused
1058
00:47:52,300 --> 00:47:55,820
# We've got them so confused
1059
00:47:55,820 --> 00:47:59,460
# Don't mind putting
the time in
1060
00:47:59,460 --> 00:47:59,700
# Don't mind putting
# It's shocking
1061
00:47:59,700 --> 00:48:02,500
# It's shocking
1062
00:48:02,500 --> 00:48:05,620
# That's what they're
all saying now
1063
00:48:05,620 --> 00:48:09,380
# When we're walking
hand in hand
1064
00:48:09,380 --> 00:48:12,020
# As only you and I
1065
00:48:13,060 --> 00:48:15,380
# Oh, yeah
1066
00:48:15,380 --> 00:48:18,020
# Ooh, yeah, ooh, yeah,
you say it's time, babe
1067
00:48:19,580 --> 00:48:22,700
# We've got them hanging
on a string
1068
00:48:24,540 --> 00:48:27,220
# There's no time
for compromises
1069
00:48:29,020 --> 00:48:31,220
# We got that killer thing
1070
00:48:31,220 --> 00:48:33,420
# So young, so young
1071
00:48:35,100 --> 00:48:37,300
# So young, so young
1072
00:48:38,900 --> 00:48:41,140
# So young, so young
1073
00:48:42,940 --> 00:48:44,980
# So young, so young
1074
00:48:46,420 --> 00:48:48,460
# It's wrong
1075
00:48:49,620 --> 00:48:51,660
# To run for cover
1076
00:48:52,700 --> 00:48:55,580
# We've got them in a spin
1077
00:48:55,580 --> 00:48:55,820
# We've got them in a spin
the sticker in
1078
00:48:55,820 --> 00:48:58,220
# And we don't mind sticking
the sticker in
1079
00:48:59,900 --> 00:49:02,740
# It's too late
1080
00:49:02,740 --> 00:49:06,060
# That's what
they are saying now
1081
00:49:06,060 --> 00:49:06,340
# That's what
they are saying now
# About when we're walking
hand in hand
1082
00:49:06,340 --> 00:49:09,540
# About when we're walking
hand in hand
1083
00:49:09,540 --> 00:49:11,900
# The eyes are on you and I
1084
00:49:15,540 --> 00:49:18,180
# Ooh, yeah, ooh, yeah,
they say it's time, babe
1085
00:49:19,740 --> 00:49:22,860
# We've got them hanging
on a string
1086
00:49:24,700 --> 00:49:27,380
# There's no time
for patronising
1087
00:49:29,180 --> 00:49:31,060
# We got that killer thing
1088
00:49:31,060 --> 00:49:31,260
# We got that killer thing
# So young, so young
1089
00:49:31,260 --> 00:49:33,220
# So young, so young
1090
00:49:35,020 --> 00:49:37,220
# So young, so young
1091
00:49:38,820 --> 00:49:41,060
# So young, so young
1092
00:49:42,860 --> 00:49:44,900
# So young, so young
1093
00:50:02,100 --> 00:50:04,740
# Ooh, yeah, ooh, yeah,
they say it's time, babe
1094
00:50:06,300 --> 00:50:09,420
# We've got them hanging
on a string
1095
00:50:11,260 --> 00:50:13,940
# There's no time
for compromises
1096
00:50:15,380 --> 00:50:17,140
# We got that killer thing
1097
00:50:17,140 --> 00:50:17,340
# We got that killer thing
# So young, so young
1098
00:50:17,340 --> 00:50:19,300
# So young, so young
1099
00:50:21,100 --> 00:50:23,300
# So young, so young
1100
00:50:24,900 --> 00:50:27,140
# So young, so young
1101
00:50:28,940 --> 00:50:30,980
# So young, so young
1102
00:50:32,860 --> 00:50:35,060
# So young, so young
1103
00:50:36,820 --> 00:50:39,020
# So young, so young
1104
00:50:40,620 --> 00:50:42,860
# So young, so young
1105
00:50:44,660 --> 00:50:46,700
# So young, so young. #
1106
00:50:56,300 --> 00:50:59,700
JANE: After the success
of Saturday Night Fever,
1107
00:50:59,700 --> 00:51:03,700
a lot of bands were hellbent on
shaking their booties,
1108
00:51:03,700 --> 00:51:03,940
like La Belle Epoque.
shaking their booties,
1109
00:51:03,940 --> 00:51:05,780
like La Belle Epoque.
1110
00:51:05,780 --> 00:51:05,980
like La Belle Epoque.
# Because I'm-m-m-m-m
1111
00:51:05,980 --> 00:51:09,060
# Because I'm-m-m-m-m
1112
00:51:09,060 --> 00:51:10,740
# I'm feeling blue. #
1113
00:51:12,540 --> 00:51:14,260
# It's fun to stay at... #
1114
00:51:14,260 --> 00:51:17,060
The Village People
would stay at the YMCA
1115
00:51:17,060 --> 00:51:21,340
and at the pointy end
of the charts well into '79.
1116
00:51:21,340 --> 00:51:23,660
# It's a heartache
1117
00:51:25,180 --> 00:51:26,900
# Nothing but a heartache
1118
00:51:26,900 --> 00:51:27,140
# Nothing but a heartache
a big gravelly hit
1119
00:51:27,140 --> 00:51:29,540
Welsh Dynamo Bonnie Tyler had
a big gravelly hit
1120
00:51:29,540 --> 00:51:29,780
Welsh Dynamo Bonnie Tyler had
a big gravelly hit
with It's A Heartache.
1121
00:51:29,780 --> 00:51:31,180
with It's A Heartache.
1122
00:51:31,180 --> 00:51:33,260
# Break
1123
00:51:33,260 --> 00:51:35,860
# Then he lets you down. #
1124
00:51:37,620 --> 00:51:40,620
From Wuthering Heights,
the intriguing Kate Bush
1125
00:51:40,620 --> 00:51:40,900
cast a spell of her own
for three weeks.
From Wuthering Heights,
the intriguing Kate Bush
1126
00:51:40,900 --> 00:51:44,140
cast a spell of her own
for three weeks.
1127
00:51:44,140 --> 00:51:44,380
IAN: Where did you get the idea
for three weeks.
1128
00:51:44,380 --> 00:51:45,580
IAN: Where did you get the idea
1129
00:51:45,580 --> 00:51:47,260
of presenting
a number like that?
1130
00:51:47,260 --> 00:51:47,540
of presenting
a number like that?
Well, the idea of actually moving
and singing...
1131
00:51:47,540 --> 00:51:49,380
Well, the idea of actually moving
and singing...
1132
00:51:49,380 --> 00:51:50,940
Yeah, with all
those trees and that.
1133
00:51:50,940 --> 00:51:52,940
It was really due
to my teacher, Lindsay Kemp,
1134
00:51:52,940 --> 00:51:56,300
who turned me onto the idea
of movement being expression.
1135
00:51:56,300 --> 00:51:58,500
And we did it out there
because that was in context
1136
00:51:58,500 --> 00:52:00,420
with the song, you know,
on the moors.
1137
00:52:00,420 --> 00:52:00,700
You're watching Countdown
all across Australia...
with the song, you know,
on the moors.
1138
00:52:00,700 --> 00:52:02,460
You're watching Countdown
all across Australia...
1139
00:52:02,460 --> 00:52:02,700
But it really was Olivia's year.
all across Australia...
1140
00:52:02,700 --> 00:52:04,420
But it really was Olivia's year.
1141
00:52:04,420 --> 00:52:09,180
She proved that Aussies would be
no pushover in the future.
1142
00:52:09,180 --> 00:52:09,420
She proved that Aussies would be
no pushover in the future.
(LAUGHING)
1143
00:52:09,420 --> 00:52:11,700
(LAUGHING)
1144
00:52:11,700 --> 00:52:13,980
I didn't push her.
1145
00:52:13,980 --> 00:52:15,620
Honest to God,
I didn't push her.
1146
00:52:15,620 --> 00:52:15,860
Honest to God,
I stiffed up your shirt!
1147
00:52:15,860 --> 00:52:17,900
I stiffed up your shirt!
1148
00:52:19,340 --> 00:52:23,620
And local darlings Dragon
had this super catchy hit.
1149
00:52:23,620 --> 00:52:27,220
To this day, one of the nation's
favourite singalongs.
1150
00:52:27,220 --> 00:52:27,500
# Ten years in
the jailer's eyes
To this day, one of the nation's
favourite singalongs.
1151
00:52:27,500 --> 00:52:29,020
# Ten years in
the jailer's eyes
1152
00:52:29,020 --> 00:52:31,020
# And I'm thinking
about my baby
1153
00:52:31,020 --> 00:52:31,260
# Looking at my life go by
about my baby
1154
00:52:31,260 --> 00:52:34,140
# Looking at my life go by
1155
00:52:41,140 --> 00:52:43,820
# Falling in the streets
I'm broke
1156
00:52:43,820 --> 00:52:48,860
# And I'm laughing at the poor man
talking to the blind man
1157
00:52:56,780 --> 00:53:00,620
# See the lady
in the streetcar lights
1158
00:53:00,620 --> 00:53:00,860
# See the lady
# Colour a la Toulouse
1159
00:53:00,860 --> 00:53:03,100
# Colour a la Toulouse
1160
00:53:04,580 --> 00:53:08,220
# Television
and the red, red wine
1161
00:53:08,220 --> 00:53:08,460
# Television
# So won't you tell me
1162
00:53:08,460 --> 00:53:10,500
# So won't you tell me
1163
00:53:10,500 --> 00:53:13,540
# Won't you tell me the truth?
1164
00:53:13,540 --> 00:53:15,740
# Are you old enough?
1165
00:53:17,180 --> 00:53:19,540
# Are you old enough?
1166
00:53:21,060 --> 00:53:23,580
# Are you old enough?
1167
00:53:25,100 --> 00:53:28,940
# Are you old enough?
1168
00:53:28,940 --> 00:53:29,180
# Are you old enough?
Ooh, ooh
# Are you old enough?
1169
00:53:29,180 --> 00:53:32,660
# Are you old enough?
Ooh, ooh
1170
00:53:32,660 --> 00:53:35,220
# Are you old enough?
1171
00:53:43,660 --> 00:53:47,140
# Time goes and here we stand
1172
00:53:47,140 --> 00:53:47,380
# Time goes and here we stand
# Laughing at the sideshow,
sinking in the quicksand
1173
00:53:47,380 --> 00:53:51,140
# Laughing at the sideshow,
sinking in the quicksand
1174
00:53:58,740 --> 00:54:02,340
# The other side
of another world
1175
00:54:02,340 --> 00:54:06,100
# Scratch my back go
the coloured girls
1176
00:54:06,100 --> 00:54:07,900
# Yeah
1177
00:54:09,580 --> 00:54:11,780
# Oh, yeah
1178
00:54:14,620 --> 00:54:18,340
# I just wanted to kiss someone
1179
00:54:18,340 --> 00:54:18,540
# I got the moondog blues
# I just wanted to kiss someone
1180
00:54:18,540 --> 00:54:20,460
# I got the moondog blues
1181
00:54:22,380 --> 00:54:26,140
# You just happened
to be standing there
1182
00:54:26,140 --> 00:54:26,380
# So won't you tell me?
to be standing there
1183
00:54:26,380 --> 00:54:28,380
# So won't you tell me?
1184
00:54:28,380 --> 00:54:31,460
# Won't you tell me the truth?
1185
00:54:31,460 --> 00:54:31,660
# Won't you tell me the truth?
# Are you old enough?
1186
00:54:31,660 --> 00:54:33,700
# Are you old enough?
1187
00:54:34,860 --> 00:54:37,220
# Are you old enough?
1188
00:54:38,740 --> 00:54:41,260
# Are you old enough?
1189
00:54:42,780 --> 00:54:45,060
# Are you old enough?
1190
00:54:46,620 --> 00:54:50,340
# Are you old enough?
Ooh, ooh
1191
00:54:50,340 --> 00:54:52,900
# Are you old enough?
1192
00:55:16,700 --> 00:55:20,580
# See the lady
in the streetcar lights
1193
00:55:20,580 --> 00:55:20,820
# Colour a la Toulouse
in the streetcar lights
1194
00:55:20,820 --> 00:55:23,060
# Colour a la Toulouse
1195
00:55:24,500 --> 00:55:27,980
# Television
and a red, red wine
1196
00:55:27,980 --> 00:55:28,220
# So won't you tell me?
and a red, red wine
1197
00:55:28,220 --> 00:55:30,460
# So won't you tell me?
1198
00:55:30,460 --> 00:55:33,220
# Won't you tell me the truth?
1199
00:55:33,220 --> 00:55:33,420
# Won't you tell me the truth?
# Are you old enough?
1200
00:55:33,420 --> 00:55:35,660
# Are you old enough?
1201
00:55:37,060 --> 00:55:39,420
# Are you old enough?
1202
00:55:40,940 --> 00:55:43,460
# Are you old enough?
1203
00:55:44,980 --> 00:55:47,260
# Are you old enough?
1204
00:55:48,540 --> 00:55:50,740
# Are you old enough?
1205
00:55:52,300 --> 00:55:55,100
# Are you old enough? #
1206
00:56:10,780 --> 00:56:13,020
Oh, hi! I thought you
were Harry Butler.
1207
00:56:13,020 --> 00:56:14,300
It's a TV camera.
1208
00:56:14,300 --> 00:56:16,220
I just came to say, Harry,
1209
00:56:16,220 --> 00:56:17,620
that I found it.
1210
00:56:17,620 --> 00:56:19,260
But anyway, besides that.
1211
00:56:19,260 --> 00:56:19,500
But anyway, besides that.
You're watching Countdown
right throughout Australia.
1212
00:56:19,500 --> 00:56:21,220
You're watching Countdown
right throughout Australia.
1213
00:56:21,220 --> 00:56:21,460
You're watching Countdown
And this is LA.
1214
00:56:21,460 --> 00:56:22,980
And this is LA.
1215
00:56:22,980 --> 00:56:27,340
This is sort of typical
of the scenery here in LA.
1216
00:56:27,340 --> 00:56:30,020
No smog, beautiful green grass.
1217
00:56:30,020 --> 00:56:32,100
And Harry Butler knows,
when you're on a good thing...
1218
00:56:34,500 --> 00:56:35,700
..stick to it. Maybe. OK?
1219
00:56:35,700 --> 00:56:35,900
Captions by Ericsson Access Services
..stick to it. Maybe. OK?
1220
00:56:35,900 --> 00:56:37,340
Captions by Ericsson Access Services
1221
00:56:37,340 --> 00:56:37,580
Captions by Ericsson Access Services
Australian Broadcasting Corporation
1222
00:56:37,580 --> 00:56:39,100
Copyright
Australian Broadcasting Corporation
1223
00:56:39,100 --> 00:56:40,820
ANNOUNCER:
Visit the Classic Countdown website
1224
00:56:40,820 --> 00:56:41,060
for more pictures, interviews
Visit the Classic Countdown website
1225
00:56:41,060 --> 00:56:42,620
for more pictures, interviews
1226
00:56:42,620 --> 00:56:44,020
and behind the scenes information.
93116
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