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1
00:00:01,020 --> 00:00:04,380
(TELEPHONE RINGS)
2
00:00:04,380 --> 00:00:05,620
MAN: Hello.
3
00:00:05,620 --> 00:00:07,020
This is Daryl Braithwaite from
Sherbet.
4
00:00:07,020 --> 00:00:11,580
Listen, I just want to remind you
that next Sunday, the 7th of March,
5
00:00:11,580 --> 00:00:14,620
is the start of a
brand-new Countdown series.
6
00:00:14,620 --> 00:00:15,980
Oh, terrific!
7
00:00:15,980 --> 00:00:20,980
And there'll be such people as
John Paul Young, Ted Mulry,
8
00:00:20,980 --> 00:00:24,100
AC/DC, and
a lot of other good people.
9
00:00:24,100 --> 00:00:26,620
And it's a show
that you won't want to miss
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00:00:26,620 --> 00:00:28,140
'cause it's a
start of a brand-new year.
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00:00:28,140 --> 00:00:28,900
It's gonna be fantastic.
12
00:00:28,900 --> 00:00:32,740
Next Sunday, 7th of March, Countdown.
13
00:00:32,740 --> 00:00:33,980
I'll be watching.
14
00:00:33,980 --> 00:00:36,020
Yeah, OK. Bye.
15
00:00:38,300 --> 00:00:40,340
# Do the hustle! #
16
00:00:40,340 --> 00:00:43,580
# Countdown, Countdown
17
00:00:43,580 --> 00:00:44,780
# Countdown #
18
00:00:44,780 --> 00:00:48,460
NARRATOR: Welcome
to Classic Countdown, 1976.
19
00:00:48,460 --> 00:00:48,700
# Countdown! #
NARRATOR: Welcome
to Classic Countdown, 1976.
20
00:00:48,700 --> 00:00:49,740
# Countdown! #
21
00:00:49,740 --> 00:00:49,940
# Countdown! #
(CHEERING)
22
00:00:49,940 --> 00:00:54,780
(CHEERING)
23
00:00:58,660 --> 00:01:02,980
# There's times when I'm out,
and times when I'm down
24
00:01:02,980 --> 00:01:03,220
# Times when I'm loose
and times when I'm down
25
00:01:03,220 --> 00:01:05,180
# Times when I'm loose
26
00:01:05,180 --> 00:01:07,380
# And times when I'm bound
27
00:01:07,380 --> 00:01:11,140
# It don't bother me
'cause I let it be
28
00:01:11,140 --> 00:01:11,380
# It don't bother me
# And just keep on smiling
29
00:01:11,380 --> 00:01:13,940
# And just keep on smiling
30
00:01:13,940 --> 00:01:16,100
# Keep on smiling
31
00:01:16,100 --> 00:01:18,420
# There's times when I will
32
00:01:18,420 --> 00:01:20,620
# And times when I won't. #
33
00:01:20,620 --> 00:01:21,860
WILBUR: After the upheavals of 1975,
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the new year seemed to usher in a
period of stability in Australia.
35
00:01:26,580 --> 00:01:30,060
We knew who and what we liked, and we
would now stick with them,
36
00:01:30,060 --> 00:01:30,940
thank you very much.
37
00:01:30,940 --> 00:01:32,740
ALL: We want ABBA!
38
00:01:32,740 --> 00:01:35,420
We want ABBA!
39
00:01:35,420 --> 00:01:38,380
MOLLY: So, you're a little bit older
than some of the other people
40
00:01:38,380 --> 00:01:39,140
in the queue here.
41
00:01:39,140 --> 00:01:40,660
Yes, I'm a grandmother.
That's quite right.
42
00:01:40,660 --> 00:01:40,900
Yes, I'm a grandmother.
I'm waiting for my granddaughters.
43
00:01:40,900 --> 00:01:42,740
I'm waiting for my granddaughters.
44
00:01:42,740 --> 00:01:43,740
(CHEERING, YELLING)
45
00:01:43,740 --> 00:01:46,340
BOY: Hey, ABBA, you beauty!
46
00:01:46,340 --> 00:01:46,580
MOLLY: Well, what happens once
BOY: Hey, ABBA, you beauty!
47
00:01:46,580 --> 00:01:48,820
MOLLY: Well, what happens once
your granddaughters arrive?
48
00:01:48,820 --> 00:01:51,460
Are you going to see them to the
gate and then go home?
49
00:01:51,460 --> 00:01:53,980
Certainly not.
I'm going to see ABBA.
50
00:01:53,980 --> 00:01:55,180
(CHEERING)
51
00:01:55,180 --> 00:01:58,820
WILBUR: ABBA
notched up five top-20 hits.
52
00:01:58,820 --> 00:02:01,060
The local charts were still
home to trusty favourites,
53
00:02:01,060 --> 00:02:03,460
Sherbet, Skyhooks,
JPY and Marcia Hines.
54
00:02:04,980 --> 00:02:06,580
Here is a platinum record as well.
55
00:02:06,580 --> 00:02:08,660
So, you'll be able to
wear them as earrings, Marcia.
56
00:02:08,660 --> 00:02:11,340
(APPLAUSE)
57
00:02:11,340 --> 00:02:11,580
In politics, after the challenging
Whitlam years,
(APPLAUSE)
58
00:02:11,580 --> 00:02:14,180
In politics, after the challenging
Whitlam years,
59
00:02:14,180 --> 00:02:17,860
the electorate returned
a coalition government.
60
00:02:17,860 --> 00:02:21,020
The US elected an avuncular
Southerner as president,
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00:02:21,020 --> 00:02:21,260
The US elected an avuncular
Southerner as president,
and the Olympic Games in Montreal
62
00:02:21,260 --> 00:02:22,820
and the Olympic Games in Montreal
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00:02:22,820 --> 00:02:23,060
predicted a convincing
and the Olympic Games in Montreal
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00:02:23,060 --> 00:02:25,300
predicted a convincing
picture of world unity.
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00:02:26,940 --> 00:02:29,460
On the small screen, the public was
glued to comfortable soaps
66
00:02:29,460 --> 00:02:32,980
like The Sullivans
and The Young Doctors.
67
00:02:32,980 --> 00:02:37,900
If you switched on the TV, everything
seemed light and breezy.
68
00:02:37,900 --> 00:02:38,140
# You have the tango
If you switched on the TV, everything
seemed light and breezy.
69
00:02:38,140 --> 00:02:39,860
# You have the tango
70
00:02:39,860 --> 00:02:42,060
# Skip the fandango
71
00:02:42,060 --> 00:02:45,260
# Waltz 'round the floor
72
00:02:46,380 --> 00:02:48,420
# They get the folita
73
00:02:48,420 --> 00:02:50,620
# The Spanish monita
74
00:02:50,620 --> 00:02:52,540
# In old Mexico
75
00:02:52,540 --> 00:02:55,060
# They let themselves go
76
00:02:55,060 --> 00:02:57,020
# The continental
77
00:02:57,020 --> 00:02:59,700
# Was ever so gentle
78
00:02:59,700 --> 00:03:01,140
# The rumba was cool
79
00:03:01,140 --> 00:03:03,540
# When you kept to the rule
80
00:03:03,540 --> 00:03:05,500
# In came the conga
81
00:03:05,500 --> 00:03:07,900
# The line just got longer
82
00:03:07,900 --> 00:03:09,900
# Hiya, conga
83
00:03:09,900 --> 00:03:11,820
# Hiya,
conga
84
00:03:11,820 --> 00:03:12,060
# Do the ooh ja ja ja
# Hiya,
conga
85
00:03:12,060 --> 00:03:13,700
# Do the ooh ja ja ja
86
00:03:13,700 --> 00:03:15,740
# Do the ooh
ja ja ja
87
00:03:15,740 --> 00:03:15,980
# Do the ooh ja ja ja
ja ja ja
88
00:03:15,980 --> 00:03:20,260
# Do the ooh ja ja ja
89
00:03:20,260 --> 00:03:22,500
# Do the ooh
ja ja ja
90
00:03:22,500 --> 00:03:24,340
# Do the ooh ja ja ja
91
00:03:24,340 --> 00:03:27,540
# Do the ooh
ja ja ja
92
00:03:28,540 --> 00:03:30,580
# Ah
93
00:03:35,820 --> 00:03:38,260
# Ooh ja ja ja
94
00:03:46,060 --> 00:03:47,980
# I want the boogie
95
00:03:47,980 --> 00:03:50,380
# The shadow shoo-doogie
96
00:03:50,380 --> 00:03:50,580
# The shadow shoo-doogie
# Rock and roll jive
97
00:03:50,580 --> 00:03:52,340
# Rock and roll jive
98
00:03:52,340 --> 00:03:54,860
# Kept us alive
99
00:03:54,860 --> 00:03:56,900
# Rock it
100
00:04:03,140 --> 00:04:05,380
# You taught me how to
101
00:04:05,380 --> 00:04:07,300
# Ooh, ya, ya
102
00:04:07,300 --> 00:04:09,220
# Then you told me how
103
00:04:09,220 --> 00:04:11,860
# With your ooh ja ja
104
00:04:11,860 --> 00:04:13,420
# Ooh ja ja ja ja
105
00:04:13,420 --> 00:04:16,140
# Ooh ja ja
ja ja
106
00:04:16,140 --> 00:04:18,100
# Ooh ja ja ja ja
107
00:04:18,100 --> 00:04:19,900
# Ooh ja ja
ja ja
108
00:04:19,900 --> 00:04:20,140
# Ooh ja ja
# Do the ooh ja ja ja
109
00:04:20,140 --> 00:04:21,900
# Do the ooh ja ja ja
110
00:04:21,900 --> 00:04:24,180
# Do the ooh
ja ja ja
111
00:04:24,180 --> 00:04:24,420
# Do the ooh
# Do the ooh ja ja ja
112
00:04:24,420 --> 00:04:28,260
# Do the ooh ja ja ja
113
00:04:28,260 --> 00:04:28,500
# Do the ooh
# Do the ooh ja ja ja
114
00:04:28,500 --> 00:04:30,420
# Do the ooh
ja ja ja
115
00:04:30,420 --> 00:04:30,660
# Do the ooh
# Do the ooh ja ja ja
116
00:04:30,660 --> 00:04:32,660
# Do the ooh ja ja ja
117
00:04:32,660 --> 00:04:36,820
# Do the ooh
ja ja ja
118
00:04:36,820 --> 00:04:37,060
# Do the ooh
# Do the ooh ja ja ja
119
00:04:37,060 --> 00:04:38,900
# Do the ooh ja ja ja
120
00:04:38,900 --> 00:04:41,300
# Do the ooh
ja ja ja
121
00:04:41,300 --> 00:04:43,060
# Do the ooh ja ja ja. #
122
00:04:43,060 --> 00:04:45,100
(CHEERING)
123
00:04:57,660 --> 00:04:59,700
# Countdown! #
124
00:04:59,700 --> 00:04:59,900
Hi, this is Angus from AC/DC,
# Countdown! #
125
00:04:59,900 --> 00:05:01,860
Hi, this is Angus from AC/DC,
126
00:05:01,860 --> 00:05:04,740
reminding you that you're on the top
rock show in Australia,
127
00:05:04,740 --> 00:05:04,980
reminding you that you're on the top
rock show in Australia,
Countdown.
128
00:05:04,980 --> 00:05:06,740
Countdown.
129
00:05:06,740 --> 00:05:06,940
# Dirty deeds, done dirt cheap
Countdown.
130
00:05:06,940 --> 00:05:10,180
# Dirty deeds, done dirt cheap
131
00:05:10,180 --> 00:05:14,180
# Dirty deeds,
done dirt cheap
132
00:05:14,180 --> 00:05:17,620
# Dirty deeds, done dirt cheap
133
00:05:17,620 --> 00:05:17,860
# Dirty deeds, done dirt cheap
# Dirty deeds
and they're done dirt cheap
134
00:05:17,860 --> 00:05:20,940
# Dirty deeds
and they're done dirt cheap
135
00:05:20,940 --> 00:05:24,620
# Dirty deeds and they're done
dirt cheap. #
136
00:05:24,620 --> 00:05:27,740
WILBUR: Australia developed its own
unique style of hard rock,
137
00:05:27,740 --> 00:05:27,980
WILBUR: Australia developed its own
best expressed by one band, AC/DC.
138
00:05:27,980 --> 00:05:31,100
best expressed by one band, AC/DC.
139
00:05:31,100 --> 00:05:31,900
# Alright
140
00:05:31,900 --> 00:05:33,340
# TNT
141
00:05:33,340 --> 00:05:35,740
# Oi, oi, oi
142
00:05:35,740 --> 00:05:37,940
# TNT, oi! #
143
00:05:37,940 --> 00:05:41,580
The ABC championed
AC/DC from the beginning.
144
00:05:41,580 --> 00:05:43,100
With each performance on Countdown,
145
00:05:43,100 --> 00:05:46,460
the band fuelled the
fire of its growing reputation.
146
00:05:46,460 --> 00:05:46,700
Oh, hello.
the band fuelled the
fire of its growing reputation.
147
00:05:46,700 --> 00:05:47,460
Oh, hello.
148
00:05:47,460 --> 00:05:49,420
This is Bon from AC/DC,
149
00:05:49,420 --> 00:05:51,420
and although we're
over the seas at the moment
150
00:05:51,420 --> 00:05:53,660
and dining with
the queen, of course, you know,
151
00:05:53,660 --> 00:05:56,220
we haven't forgotten
about you, our Countdown fans.
152
00:05:56,220 --> 00:05:59,620
And here to prove it is our
brand-new single, "Jailbreak."
153
00:05:59,620 --> 00:06:03,420
And don't forget, you
see it first on Countdown.
154
00:06:03,420 --> 00:06:03,660
And don't forget, you
In '76 for AC/DC,
155
00:06:03,660 --> 00:06:05,980
In '76 for AC/DC,
156
00:06:05,980 --> 00:06:06,220
Countdown produced one
of its most famous film clips.
In '76 for AC/DC,
157
00:06:06,220 --> 00:06:09,820
Countdown produced one
of its most famous film clips.
158
00:06:09,820 --> 00:06:12,540
# There was a friend of mine on
murder
159
00:06:14,500 --> 00:06:18,100
# And the judge's gavel fell
160
00:06:18,100 --> 00:06:18,300
# And the judge's gavel fell
# Jury found him guilty
161
00:06:18,300 --> 00:06:20,940
# Jury found him guilty
162
00:06:20,940 --> 00:06:24,500
# Gave him sixteen years in hell
163
00:06:24,500 --> 00:06:27,660
# He said, I ain't
spending my life here
164
00:06:28,900 --> 00:06:32,220
# I ain't living alone
165
00:06:32,220 --> 00:06:36,500
# Ain't breaking
no rocks on the chain gang
166
00:06:36,500 --> 00:06:38,740
# I'm breakin'
out and headin' home
167
00:06:38,740 --> 00:06:38,980
# I'm breakin'
# I'm gonna make a jailbreak
168
00:06:38,980 --> 00:06:41,620
# I'm gonna make a jailbreak
169
00:06:43,100 --> 00:06:46,100
# And I'm lookin' towards the sky
170
00:06:46,100 --> 00:06:48,820
# I'm gonna make a jailbreak
171
00:06:50,060 --> 00:06:53,260
# Oh, how I wish that I could fly
172
00:06:53,260 --> 00:06:54,260
(EXPLOSION)
173
00:06:54,260 --> 00:06:57,260
# All in the name of liberty
174
00:07:01,460 --> 00:07:04,340
# All in the name of liberty
175
00:07:07,060 --> 00:07:08,460
# Got to be free
176
00:07:08,460 --> 00:07:10,460
# Jailbreak
177
00:07:12,940 --> 00:07:15,740
# Let me out of here
178
00:07:15,740 --> 00:07:17,780
# Jailbreak
179
00:07:20,380 --> 00:07:22,980
# Sixteen years
180
00:07:22,980 --> 00:07:24,820
# Jailbreak
181
00:07:27,700 --> 00:07:30,220
# Had more than I can take
182
00:07:30,220 --> 00:07:32,260
# Jailbreak
183
00:07:35,980 --> 00:07:38,580
# Yeah
184
00:07:38,580 --> 00:07:38,820
# He said he'd
seen his lady being fooled with
# Yeah
185
00:07:38,820 --> 00:07:41,620
# He said he'd
seen his lady being fooled with
186
00:07:43,860 --> 00:07:47,500
# By another man
187
00:07:47,500 --> 00:07:50,900
# She was down and he was up
188
00:07:50,900 --> 00:07:53,700
# He had a gun in his hand
189
00:07:53,700 --> 00:07:53,900
# He had a gun in his hand
# Bullets started flying everywhere
190
00:07:53,900 --> 00:07:57,660
# Bullets started flying everywhere
191
00:07:57,660 --> 00:08:01,140
# And people started to scream
192
00:08:01,140 --> 00:08:04,060
# Big man lying on the ground
193
00:08:04,060 --> 00:08:05,780
# With a hole in his body
194
00:08:05,780 --> 00:08:07,620
# Where his life had been
195
00:08:07,620 --> 00:08:11,140
# But it was all
in the name of liberty
196
00:08:15,540 --> 00:08:18,100
# All in the name of liberty
197
00:08:20,300 --> 00:08:22,540
# Oh, I got to be free
198
00:08:22,540 --> 00:08:25,020
# Jailbreak
(EXPLOSION)
199
00:08:29,820 --> 00:08:32,340
# Jailbreak
200
00:08:32,340 --> 00:08:36,060
# I got to break out
201
00:08:36,060 --> 00:08:37,060
# Out of here
202
00:08:37,060 --> 00:08:42,100
(GUITAR SOLO)
203
00:08:44,260 --> 00:08:49,300
(GUITAR SOLO CONTINUES)
204
00:08:52,700 --> 00:08:55,260
(EXPLOSION)
205
00:08:55,260 --> 00:08:55,460
# Heartbeats
(EXPLOSION)
206
00:08:55,460 --> 00:08:57,300
# Heartbeats
207
00:08:58,260 --> 00:09:00,460
# They were racin'
208
00:09:02,500 --> 00:09:05,740
# Freedom
209
00:09:05,740 --> 00:09:07,780
# He was chasin'
210
00:09:09,940 --> 00:09:13,580
# Spotlights
211
00:09:13,580 --> 00:09:17,260
# Sirens
212
00:09:17,260 --> 00:09:20,980
# Rifles firing
213
00:09:20,980 --> 00:09:24,020
# But he made it out
214
00:09:24,020 --> 00:09:26,460
(GUNSHOTS)
215
00:09:26,460 --> 00:09:28,780
# With a bullet in his back
216
00:09:28,780 --> 00:09:30,900
(GUNSHOTS)
# Jailbreak
217
00:09:36,300 --> 00:09:38,340
# Jailbreak
218
00:09:43,340 --> 00:09:45,540
# Jailbreak
219
00:09:50,460 --> 00:09:52,660
# Jailbreak
220
00:09:57,580 --> 00:09:59,780
# Jailbreak
221
00:10:04,780 --> 00:10:06,820
# Jailbreak. #
222
00:10:10,900 --> 00:10:13,540
Hi, this is Leo Sayer.
223
00:10:13,540 --> 00:10:16,300
I'm (SPEAKS GIBBERISH).
224
00:10:16,300 --> 00:10:16,540
We won't use that.
I'm (SPEAKS GIBBERISH).
225
00:10:16,540 --> 00:10:18,140
We won't use that.
Edit, edit, edit.
226
00:10:18,140 --> 00:10:18,380
We won't use that.
(SPEAKS GIBBERISH)
227
00:10:18,380 --> 00:10:21,060
(SPEAKS GIBBERISH)
228
00:10:21,060 --> 00:10:22,820
Hello, this is Leo Sayer.
229
00:10:22,820 --> 00:10:24,460
Pleased to meet you all again.
230
00:10:24,460 --> 00:10:25,940
I'm on Countdown this week on ABC.
231
00:10:25,940 --> 00:10:26,940
Make sure you watch it.
232
00:10:26,940 --> 00:10:27,940
I'll be there.
233
00:10:27,940 --> 00:10:29,180
See you then.
234
00:10:29,180 --> 00:10:31,980
(CHEERING)
235
00:10:31,980 --> 00:10:34,180
# Countdown! #
236
00:10:34,180 --> 00:10:37,020
# You go to the fields on
week days... #
237
00:10:37,020 --> 00:10:42,020
WILBUR: In '76, the Australian charts
rewarded traditional rock and pop,
238
00:10:42,020 --> 00:10:42,260
WILBUR: In '76, the Australian charts
but there was no denying
239
00:10:42,260 --> 00:10:43,700
but there was no denying
240
00:10:43,700 --> 00:10:48,060
that dance music was enjoying a
huge surge in popularity in the US,
241
00:10:48,060 --> 00:10:49,780
with disco about to explode.
242
00:10:49,780 --> 00:10:53,220
# Whoa, Nutbush
243
00:10:53,220 --> 00:10:55,260
# They call it Nutbush
city limits. #
244
00:10:59,820 --> 00:11:01,060
It's a clue to the future, really,
245
00:11:01,060 --> 00:11:01,300
It's a clue to the future, really,
this new album
246
00:11:01,300 --> 00:11:03,140
because I've just started working on
this new album
247
00:11:03,140 --> 00:11:05,900
and the first
things that we've done
248
00:11:05,900 --> 00:11:08,420
is we've cut a
couple of old Motown songs,
249
00:11:08,420 --> 00:11:09,500
would you believe it?
250
00:11:09,500 --> 00:11:13,900
"Reflections"
and the "Tears of a Clown."
251
00:11:13,900 --> 00:11:15,580
You know, I mean,
we're kind of moving away.
252
00:11:15,580 --> 00:11:17,340
I've been working with a
lot of the black musicians.
253
00:11:17,340 --> 00:11:19,860
Ray Parker, he used to play with
Stevie Wonder,
254
00:11:19,860 --> 00:11:23,020
Willie Weeks, a black bass player.
255
00:11:23,020 --> 00:11:25,540
And we've been putting down things
that sound so black.
256
00:11:25,540 --> 00:11:27,420
I mean, they could've
been put down by, I don't know,
257
00:11:27,420 --> 00:11:27,660
I mean, they could've
Tom Dowd or somebody.
258
00:11:27,660 --> 00:11:29,940
Tom Dowd or somebody.
259
00:11:29,940 --> 00:11:30,140
# You've got a cute way of talking
Tom Dowd or somebody.
260
00:11:30,140 --> 00:11:32,900
# You've got a cute way of talking
261
00:11:34,860 --> 00:11:37,500
# You got the better of me
262
00:11:39,820 --> 00:11:43,860
# Just snap your
fingers and I'm walking
263
00:11:43,860 --> 00:11:44,100
# Just snap your
# Like a dog hanging on your lead
264
00:11:44,100 --> 00:11:47,620
# Like a dog hanging on your lead
265
00:11:49,900 --> 00:11:52,300
# I'm in a spin, you know
266
00:11:52,300 --> 00:11:54,740
# Shaking on a string, you know
267
00:11:54,740 --> 00:11:58,180
# You make me feel like dancing
268
00:11:58,180 --> 00:11:59,780
# I'm gonna dance the night away
269
00:11:59,780 --> 00:12:02,860
# You make me feel like dancing
270
00:12:02,860 --> 00:12:03,060
# I'm gonna dance the night away
# You make me feel like dancing
271
00:12:03,060 --> 00:12:04,660
# I'm gonna dance the night away
272
00:12:04,660 --> 00:12:08,580
# You make feel like dancing
273
00:12:08,580 --> 00:12:10,220
# I feel like dancing
# Whoo
274
00:12:10,220 --> 00:12:11,780
# Dancing
# Whoo
275
00:12:11,780 --> 00:12:12,020
# Dance the night away
# Whoo
276
00:12:12,020 --> 00:12:13,300
# Dance the night away
277
00:12:13,300 --> 00:12:13,540
# Dance the night away
# Yeah, I feel like dancing
# Whoo
278
00:12:13,540 --> 00:12:15,820
# Yeah, I feel like dancing
# Whoo
279
00:12:15,820 --> 00:12:19,380
# Dancing, ah
280
00:12:19,380 --> 00:12:22,180
# Quarter to four in the morning
281
00:12:24,340 --> 00:12:29,540
# I ain't feeling tired,
no, no, no, no, no
282
00:12:29,540 --> 00:12:32,860
# Just hold me tight
and leave on the light
283
00:12:34,300 --> 00:12:39,300
# 'Cause I don't want to go home
284
00:12:39,300 --> 00:12:41,740
# You put a spell on me
285
00:12:41,740 --> 00:12:45,020
# I'm right where you want me to be
286
00:12:45,020 --> 00:12:47,540
# You make me feel like dancing
287
00:12:47,540 --> 00:12:49,300
# I'm gonna dance the night away
288
00:12:49,300 --> 00:12:49,500
# You make me feel like dancing,
# I'm gonna dance the night away
289
00:12:49,500 --> 00:12:52,420
# You make me feel like dancing,
290
00:12:52,420 --> 00:12:54,300
# I'm gonna dance the night away
291
00:12:54,300 --> 00:12:58,260
# You make feel like dancing
292
00:12:58,260 --> 00:12:58,500
# You make feel like dancing
# I feel like dancing
# Whoo
293
00:12:58,500 --> 00:13:00,180
# I feel like dancing
# Whoo
294
00:13:00,180 --> 00:13:01,580
# Dancing
# Whoo
295
00:13:01,580 --> 00:13:01,820
# Dancing
# Dance the night away
296
00:13:01,820 --> 00:13:03,140
# Dance the night away
297
00:13:03,140 --> 00:13:05,020
# Yeah, I feel like dancing
# Whoo
298
00:13:05,020 --> 00:13:06,420
# Dancing
# Whoo
299
00:13:06,420 --> 00:13:07,740
# Dance the night away
300
00:13:07,740 --> 00:13:09,820
# I feel like dancing
# Whoo
301
00:13:09,820 --> 00:13:11,100
# Dancing
# Whoo
302
00:13:11,100 --> 00:13:11,340
# Dancing
# Dance the night away
303
00:13:11,340 --> 00:13:12,620
# Dance the night away
304
00:13:12,620 --> 00:13:14,940
# Yeah, I feel like dancing
# Whoo
305
00:13:14,940 --> 00:13:15,820
# Dancing
# Whoo
306
00:13:15,820 --> 00:13:16,060
# Dancing
# Oh
307
00:13:16,060 --> 00:13:18,660
# Oh
308
00:13:18,660 --> 00:13:21,220
# Doo-doo-doo-doo-doo-doo, doo-doo
309
00:13:21,220 --> 00:13:23,700
# Doo-doo-doo-doo-doo-doo,
doo-doo
310
00:13:23,700 --> 00:13:26,140
# Doo-doo-doo-doo-doo-doo, doo-doo
311
00:13:26,140 --> 00:13:26,380
# Doo-doo-doo-doo-doo-doo,
# Doo-doo-doo-doo-doo-doo, doo-doo
312
00:13:26,380 --> 00:13:28,820
# Doo-doo-doo-doo-doo-doo,
doo-doo
313
00:13:28,820 --> 00:13:29,060
# Doo-doo-doo-doo-doo-doo,
# Doo-doo-doo-doo-doo-doo, doo-doo
314
00:13:29,060 --> 00:13:31,060
# Doo-doo-doo-doo-doo-doo, doo-doo
315
00:13:31,060 --> 00:13:31,300
# Doo-doo-doo-doo-doo-doo,
doo-doo
# Doo-doo-doo-doo-doo-doo, doo-doo
316
00:13:31,300 --> 00:13:33,580
# Doo-doo-doo-doo-doo-doo,
doo-doo
317
00:13:33,580 --> 00:13:36,180
# And if you'll let me stay
318
00:13:36,180 --> 00:13:38,700
# We'll dance our lives away
319
00:13:38,700 --> 00:13:41,500
# You make me feel like dancing
320
00:13:41,500 --> 00:13:41,700
# You make me feel like dancing
# I want to dance my life away
321
00:13:41,700 --> 00:13:43,460
# I want to dance my life away
322
00:13:43,460 --> 00:13:46,620
# You make me feel like dancing
323
00:13:46,620 --> 00:13:49,060
# I want to dance my life away. #
324
00:13:58,540 --> 00:14:01,100
(TELEPHONE RINGS)
325
00:14:01,100 --> 00:14:02,500
Hello.
326
00:14:02,500 --> 00:14:04,140
MAN: Hello, it's me again,
John Paul Young.
327
00:14:04,140 --> 00:14:06,660
I just thought I'd ring you and
remind you just one more time
328
00:14:06,660 --> 00:14:09,460
that we'll be
on Countdown tomorrow night.
329
00:14:09,460 --> 00:14:13,180
We meaning me, John Paul Young,
Sherbet, AC/DC,
330
00:14:13,180 --> 00:14:13,420
We meaning me, John Paul Young,
Ted Mulry, Hush,
331
00:14:13,420 --> 00:14:15,340
Ted Mulry, Hush,
332
00:14:15,340 --> 00:14:17,020
and they all say,
333
00:14:17,020 --> 00:14:19,980
"Look, Small, is she going
to be watching tomorrow night?"
334
00:14:19,980 --> 00:14:22,540
Yeah, for sure. Unreal.
335
00:14:22,540 --> 00:14:24,580
OK, bye.
336
00:14:28,460 --> 00:14:30,700
WILBUR: Molly was settling into
his job as a roving reporter.
337
00:14:30,700 --> 00:14:31,660
Well, here we are.
338
00:14:31,660 --> 00:14:33,540
Welcome to Countdown in London.
339
00:14:33,540 --> 00:14:36,700
Sent around the world
to get the big interviews.
340
00:14:36,700 --> 00:14:36,980
Soul music, I guess that kind of
associates me with soul music.
Sent around the world
to get the big interviews.
341
00:14:36,980 --> 00:14:40,420
Soul music, I guess that kind of
associates me with soul music.
342
00:14:40,420 --> 00:14:44,420
And soul music is
a natural type feeling.
343
00:14:44,420 --> 00:14:44,660
And soul music is
a natural type feeling.
It's something that's not taught.
344
00:14:44,660 --> 00:14:46,380
It's something that's not taught.
345
00:14:46,380 --> 00:14:48,900
So anyone, any person in the world
346
00:14:48,900 --> 00:14:52,020
that sits down to a musical
instrument, to a canvas,
347
00:14:52,020 --> 00:14:56,980
to a letter, whatever they're
doing and whatever their thing is,
348
00:14:56,980 --> 00:14:59,900
and they create it naturally
without have been taught
349
00:14:59,900 --> 00:15:03,380
by books and
other things, that's soul.
350
00:15:03,380 --> 00:15:03,620
by books and
And I think that's what I am.
351
00:15:03,620 --> 00:15:07,900
And I think that's what I am.
352
00:15:07,900 --> 00:15:09,460
I'm just a...
353
00:15:09,460 --> 00:15:10,500
I'm a natural.
354
00:15:10,500 --> 00:15:10,700
"Piano Man," I think,
I'm a natural.
355
00:15:10,700 --> 00:15:12,300
"Piano Man," I think,
356
00:15:12,300 --> 00:15:12,540
"Piano Man," I think,
some people were concerned.
357
00:15:12,540 --> 00:15:14,340
might have typecast me as some as
some people were concerned.
358
00:15:14,340 --> 00:15:14,580
"Oh, 'Piano Man'".
some people were concerned.
359
00:15:14,580 --> 00:15:15,340
"Oh, 'Piano Man'".
360
00:15:15,340 --> 00:15:17,140
"Well, it's a story song,
361
00:15:17,140 --> 00:15:18,900
and so that's the kind of songs
the guy does".
362
00:15:18,900 --> 00:15:19,180
and so that's the kind of songs
the guy does".
When, in fact,
the rest of the album,
363
00:15:19,180 --> 00:15:20,580
When, in fact,
the rest of the album,
364
00:15:20,580 --> 00:15:20,820
When, in fact,
there isn't another song like that.
365
00:15:20,820 --> 00:15:22,740
there isn't another song like that.
366
00:15:22,740 --> 00:15:24,020
They're all different.
367
00:15:24,020 --> 00:15:28,740
And "Street Life,"
which came after "Piano Man,"
368
00:15:28,740 --> 00:15:32,340
was kind of a rebellion
against being typecast.
369
00:15:32,340 --> 00:15:34,380
It was a whole change up in form.
370
00:15:34,380 --> 00:15:38,500
And likewise, Turnstiles,
is like the title of the album,
371
00:15:38,500 --> 00:15:41,020
Turnstiles.
I mean, there's...
372
00:15:41,020 --> 00:15:43,660
..eight different tracks and
eight different styles of music
373
00:15:43,660 --> 00:15:46,180
'cause we all like to
play different kinds of music.
374
00:15:46,180 --> 00:15:48,740
Some people in the music business
might have wanted me
375
00:15:48,740 --> 00:15:51,620
to do is like, "Why don't
you put out 'Piano Man Two'"?
376
00:15:51,620 --> 00:15:51,860
to do is like, "Why don't
You know?
377
00:15:51,860 --> 00:15:52,620
You know?
378
00:15:52,620 --> 00:15:54,340
And then "Piano Man Three,"
and so forth and so on,
379
00:15:54,340 --> 00:15:54,580
And then "Piano Man Three,"
and I don't want to do that
380
00:15:54,580 --> 00:15:55,620
and I don't want to do that
381
00:15:55,620 --> 00:15:55,860
'cause once you start imitating
and I don't want to do that
382
00:15:55,860 --> 00:15:58,340
'cause once you start imitating
yourself, you're dead.
383
00:16:03,700 --> 00:16:05,140
Hey, what are you
lot doing in the pool room
384
00:16:05,140 --> 00:16:05,380
at six o'clock on a Sunday?
lot doing in the pool room
385
00:16:05,380 --> 00:16:06,900
at six o'clock on a Sunday?
386
00:16:06,900 --> 00:16:08,860
You should be home watching
Countdown.
387
00:16:08,860 --> 00:16:09,100
You should be home watching
Countdown.
# Ooh, baby, stop me
388
00:16:09,100 --> 00:16:12,620
# Ooh, baby, stop me
389
00:16:12,620 --> 00:16:14,460
# You say that you love me. #
390
00:16:14,460 --> 00:16:15,460
Put me up.
391
00:16:15,460 --> 00:16:18,220
(CHEERING)
392
00:16:18,220 --> 00:16:19,820
WILBUR: In '75, the Bay City Rollers
393
00:16:19,820 --> 00:16:20,060
had dropped in
WILBUR: In '75, the Bay City Rollers
394
00:16:20,060 --> 00:16:22,020
had dropped in
for a promotional appearance.
395
00:16:22,020 --> 00:16:22,260
had dropped in
(FANS CHEERING)
396
00:16:22,260 --> 00:16:25,500
(FANS CHEERING)
397
00:16:25,500 --> 00:16:28,820
In 1976, the Tartan
Terrors were one of the first
398
00:16:28,820 --> 00:16:29,060
In 1976, the Tartan
in a long line of international acts
399
00:16:29,060 --> 00:16:30,540
in a long line of international acts
400
00:16:30,540 --> 00:16:34,500
to realise the value
of performing live in Studio 31.
401
00:16:36,260 --> 00:16:39,820
# I don't know what it
is that makes me love you so
402
00:16:39,820 --> 00:16:43,380
# I only know
I never want to let you go
403
00:16:43,380 --> 00:16:43,620
# I only know
I never want to let you go
# 'Cause you started something
404
00:16:43,620 --> 00:16:45,420
# 'Cause you started something
405
00:16:45,420 --> 00:16:47,300
# Can't you see?
406
00:16:47,300 --> 00:16:47,540
# And ever since we met,
# Can't you see?
407
00:16:47,540 --> 00:16:50,740
# And ever since we met,
you've had a hold on me
408
00:16:50,740 --> 00:16:50,980
# And ever since we met,
# It happens to be true
409
00:16:50,980 --> 00:16:54,300
# It happens to be true
410
00:16:54,300 --> 00:16:56,540
# I only want to be with you
411
00:17:03,260 --> 00:17:06,660
# It doesn't matter
where you go or what you do
412
00:17:06,660 --> 00:17:10,460
# I want to spend each
moment of the day with you
413
00:17:10,460 --> 00:17:10,740
# I want to spend each
moment of the day with you
# Look what has
happened with just one kiss
414
00:17:10,740 --> 00:17:13,980
# Look what has
happened with just one kiss
415
00:17:13,980 --> 00:17:17,700
# I never knew that I
could be in love like this
416
00:17:17,700 --> 00:17:17,940
# I never knew that I
# It's crazy, but it's true
417
00:17:17,940 --> 00:17:21,420
# It's crazy, but it's true
418
00:17:21,420 --> 00:17:23,460
# I only want to be with you
419
00:17:25,340 --> 00:17:28,500
# You stopped and smiled at me
420
00:17:28,500 --> 00:17:32,420
# And asked me if I cared to dance
421
00:17:32,420 --> 00:17:36,300
# I fell into your open arms
422
00:17:36,300 --> 00:17:38,100
# I didn't stand a chance
423
00:17:38,100 --> 00:17:39,300
# Now, listen, honey
424
00:17:39,300 --> 00:17:39,540
# I just want to be
beside you everywhere
# Now, listen, honey
425
00:17:39,540 --> 00:17:42,940
# I just want to be
beside you everywhere
426
00:17:42,940 --> 00:17:46,420
# As long as we're together, honey,
I don't care
427
00:17:46,420 --> 00:17:46,660
# 'Cause you started something
I don't care
428
00:17:46,660 --> 00:17:48,460
# 'Cause you started something
429
00:17:48,460 --> 00:17:50,020
# Can't you see?
430
00:17:50,020 --> 00:17:50,260
# Can't you see?
# And ever since we met,
you've had a hold on me
431
00:17:50,260 --> 00:17:53,620
# And ever since we met,
you've had a hold on me
432
00:17:53,620 --> 00:17:53,860
# And ever since we met,
# No matter what you do
433
00:17:53,860 --> 00:17:57,180
# No matter what you do
434
00:17:57,180 --> 00:17:59,580
# I only want to be with you
435
00:18:28,140 --> 00:18:31,100
# You stopped and smiled at me
436
00:18:31,100 --> 00:18:35,260
# And asked me if I cared to dance
437
00:18:35,260 --> 00:18:38,820
# I fell into your open arms
438
00:18:38,820 --> 00:18:40,940
# I didn't stand a chance
439
00:18:40,940 --> 00:18:41,940
# Now, listen, honey
440
00:18:41,940 --> 00:18:42,180
# I just want to be
# Now, listen, honey
441
00:18:42,180 --> 00:18:45,500
# I just want to be
beside you everywhere
442
00:18:45,500 --> 00:18:49,060
# And as long as we're together,
honey, I don't care
443
00:18:49,060 --> 00:18:49,300
# And as long as we're together,
# 'Cause I started something
444
00:18:49,300 --> 00:18:51,220
# 'Cause I started something
445
00:18:51,220 --> 00:18:52,740
# Can't you see?
446
00:18:52,740 --> 00:18:56,540
# And ever since we met,
you've had a hold on me
447
00:18:56,540 --> 00:18:59,860
# No matter what you do
448
00:18:59,860 --> 00:19:02,260
# I only want to be with you
449
00:19:05,380 --> 00:19:08,740
# No matter,
no matter what you do
450
00:19:08,740 --> 00:19:08,980
# I only want to be with you
no matter what you do
451
00:19:08,980 --> 00:19:12,140
# I only want to be with you
452
00:19:12,140 --> 00:19:12,340
# I only want to be with you
# Whoo
453
00:19:12,340 --> 00:19:14,260
# Whoo
454
00:19:14,260 --> 00:19:18,060
# No matter, no matter what you do
455
00:19:18,060 --> 00:19:20,140
# I only want to be with you
456
00:19:20,140 --> 00:19:23,420
# Oh, oh, oh
457
00:19:23,420 --> 00:19:26,900
# Oh, oh
458
00:19:26,900 --> 00:19:29,980
# Oh, oh, oh. #
459
00:19:29,980 --> 00:19:34,220
(CROWD CHEERS)
460
00:19:34,220 --> 00:19:36,340
ANNOUNCER: Throughout the network of
ABC Television
461
00:19:36,340 --> 00:19:40,700
on 146 stations
across Australia, this is...
462
00:19:40,700 --> 00:19:42,940
CROWD: Countdown!
463
00:19:42,940 --> 00:19:44,180
WILBUR: The successful Rollers tour
464
00:19:44,180 --> 00:19:47,620
ensured that
glam rock remained strong here.
465
00:19:47,620 --> 00:19:50,660
Its stomping beats
appearing in local hits, too.
466
00:19:50,660 --> 00:19:50,900
Its stomping beats
appearing in local hits, too.
# I hate the music
467
00:19:50,900 --> 00:19:52,620
# I hate the music
468
00:19:52,620 --> 00:19:52,860
# 'Cause every
# I hate the music
469
00:19:52,860 --> 00:19:56,020
# 'Cause every
time I hear that melody
470
00:19:58,300 --> 00:20:00,500
# It just reminds me of
471
00:20:00,500 --> 00:20:03,260
# The things we did together
472
00:20:04,660 --> 00:20:08,060
# The way we used to be
473
00:20:08,060 --> 00:20:10,500
# The way that life was better. #
474
00:20:10,500 --> 00:20:13,380
There's no doubt that glam
did take some unexpected twists
475
00:20:13,380 --> 00:20:15,940
and turns, raising
more than a few eyebrows.
476
00:20:15,940 --> 00:20:16,220
# Johnny is a guy
who can't make up his mind
and turns, raising
more than a few eyebrows.
477
00:20:16,220 --> 00:20:20,100
# Johnny is a guy
who can't make up his mind
478
00:20:20,100 --> 00:20:23,940
# He says "I like it both ways"
479
00:20:23,940 --> 00:20:27,740
# Johnny's world is inside out
480
00:20:27,740 --> 00:20:27,940
# Johnny's world is inside out
# His daddy thinks he's insane
481
00:20:27,940 --> 00:20:31,380
# His daddy thinks he's insane
482
00:20:36,180 --> 00:20:38,060
# He goes out on the town
483
00:20:38,060 --> 00:20:40,260
# Flashes around
484
00:20:40,260 --> 00:20:43,980
# Is his mind deranged?
485
00:20:43,980 --> 00:20:45,660
# Couples walk by
486
00:20:45,660 --> 00:20:47,620
# He watches them all
487
00:20:47,620 --> 00:20:50,780
# To him, they're all the same
488
00:20:56,220 --> 00:20:59,980
# I like it both ways
489
00:20:59,980 --> 00:21:03,940
# I like it
both ways
490
00:21:03,940 --> 00:21:04,180
# I like it both ways
both ways
491
00:21:04,180 --> 00:21:07,980
# I like it both ways
492
00:21:07,980 --> 00:21:08,220
# I like it both ways
# I like it
both ways
493
00:21:08,220 --> 00:21:12,100
# I like it
both ways
494
00:21:14,140 --> 00:21:15,940
# When Johnny's with Julie
495
00:21:15,940 --> 00:21:18,100
# He tells her she's his girl
496
00:21:18,100 --> 00:21:22,500
# Says "I'll love you always"
497
00:21:22,500 --> 00:21:24,180
# She got to love to find
498
00:21:24,180 --> 00:21:26,220
# Within his schizophrenic mind
499
00:21:26,220 --> 00:21:29,460
# Because he likes it both ways
500
00:21:34,700 --> 00:21:36,620
# One day, it's a rose
501
00:21:36,620 --> 00:21:38,260
# Another day, a thorn
502
00:21:38,260 --> 00:21:42,140
# He just can't make the choice
503
00:21:42,140 --> 00:21:44,340
# Like when he seems so hard to find
504
00:21:44,340 --> 00:21:46,100
# He can't make up his mind
505
00:21:46,100 --> 00:21:49,500
# Between a
high or low-pitched voice
506
00:21:54,620 --> 00:21:57,780
# I like it both ways
507
00:21:58,780 --> 00:22:02,340
# I like it
both ways
508
00:22:02,340 --> 00:22:02,580
# I like it
both ways
# I like it both ways
509
00:22:02,580 --> 00:22:06,260
# I like it both ways
510
00:22:06,260 --> 00:22:06,500
# I like it
# I like it both ways
511
00:22:06,500 --> 00:22:11,260
# I like it
both ways
512
00:22:11,260 --> 00:22:11,500
# I like it
(TELEPHONE RINGS)
513
00:22:11,500 --> 00:22:16,220
(TELEPHONE RINGS)
514
00:22:17,180 --> 00:22:20,940
# I like it both ways
515
00:22:20,940 --> 00:22:21,180
# I like it
# I like it both ways
516
00:22:21,180 --> 00:22:24,620
# I like it
both ways
517
00:22:24,620 --> 00:22:27,140
(TELEPHONE RINGS)
# I like it both ways
518
00:22:35,900 --> 00:22:37,780
# Johnny is a guy
519
00:22:37,780 --> 00:22:39,820
# Who can't make up his mind
520
00:22:39,820 --> 00:22:40,020
# Who can't make up his mind
# He says, "I like it both ways"
521
00:22:40,020 --> 00:22:44,020
# He says, "I like it both ways"
522
00:22:44,020 --> 00:22:47,940
# Johnny's world is inside out
523
00:22:47,940 --> 00:22:51,180
# His daddy thinks he's insane
524
00:22:52,580 --> 00:23:00,020
# Insane
# Insane
525
00:23:00,020 --> 00:23:00,260
# Insane
# Oh, insane
526
00:23:00,260 --> 00:23:03,340
# Oh, insane
527
00:23:03,340 --> 00:23:07,300
(GUITAR SOLO)
528
00:23:07,300 --> 00:23:09,180
# I like it both ways
529
00:23:10,420 --> 00:23:12,820
# I like it both ways
530
00:23:13,980 --> 00:23:16,620
# I like it both ways
531
00:23:18,300 --> 00:23:20,700
# I like it both ways
532
00:23:22,260 --> 00:23:24,580
# I like it both ways
533
00:23:26,020 --> 00:23:28,540
# I like it both ways
534
00:23:29,940 --> 00:23:31,980
# I like it both ways. #
535
00:23:42,860 --> 00:23:45,380
Hey, this is Phil Lynott
from Thin Lizzy,
536
00:23:45,380 --> 00:23:47,580
and you're looking at Countdown
right across Australia.
537
00:23:51,100 --> 00:23:53,980
WILBUR: Musical nostalgia
proved a force in 1976.
538
00:23:55,980 --> 00:23:59,940
# Has anybody seen Old Sid around?
539
00:24:03,140 --> 00:24:08,180
# Maybe he's
curled up on the ground
540
00:24:10,580 --> 00:24:15,620
# In a park or by the sea
541
00:24:16,940 --> 00:24:24,020
# Has anybody seen Old Sid?
542
00:24:24,020 --> 00:24:27,900
# Has anybody seen Old Sid around? #
543
00:24:31,100 --> 00:24:32,140
# Tomorrow night #
544
00:24:32,140 --> 00:24:35,260
# At the Darktown Strutter's Ball. #
545
00:24:35,260 --> 00:24:35,500
# At the Darktown Strutter's Ball. #
Even old dance hall tunes
were successfully repackaged
546
00:24:35,500 --> 00:24:38,140
Even old dance hall tunes
were successfully repackaged
547
00:24:38,140 --> 00:24:38,380
Even old dance hall tunes
and sold as pop.
548
00:24:38,380 --> 00:24:40,180
and sold as pop.
549
00:24:50,540 --> 00:24:51,540
(SCREAMING)
550
00:24:51,540 --> 00:24:54,500
With TV show
Happy Days a global phenomenon,
551
00:24:54,500 --> 00:24:57,740
audiences looked back with fondness
to the music of the '50s.
552
00:24:57,740 --> 00:24:57,980
# At daydream junior high school
to the music of the '50s.
553
00:24:57,980 --> 00:25:00,740
# At daydream junior high school
554
00:25:00,740 --> 00:25:04,580
# We used to harmonise
555
00:25:04,580 --> 00:25:07,660
# Me and Frankie and Jimmy
556
00:25:07,660 --> 00:25:07,860
# Me and Frankie and Jimmy
# And some Italian guy
557
00:25:07,860 --> 00:25:11,420
# And some Italian guy
558
00:25:11,420 --> 00:25:14,220
# We were singing oldies
559
00:25:14,220 --> 00:25:17,700
# But they were newies then
560
00:25:17,700 --> 00:25:20,900
# And today when I play my old 45's
561
00:25:20,900 --> 00:25:24,620
# I remember when
562
00:25:24,620 --> 00:25:27,580
# We practised in a subway
563
00:25:27,580 --> 00:25:31,540
# In a lobby or a hall
564
00:25:31,540 --> 00:25:34,380
# Crowded in a doorway
565
00:25:34,380 --> 00:25:37,940
# Singing doo-wops to the wall
566
00:25:37,940 --> 00:25:40,980
# And if we went to a party
567
00:25:40,980 --> 00:25:44,460
# And they wouldn't let us sing
568
00:25:44,460 --> 00:25:47,740
# We'd lock ourselves in the
bathroom
569
00:25:47,740 --> 00:25:47,980
# We'd lock ourselves in the
# And nobody could get in
570
00:25:47,980 --> 00:25:50,540
# And nobody could get in
571
00:25:50,540 --> 00:25:50,780
# 'Cause we were
# And nobody could get in
572
00:25:50,780 --> 00:25:54,340
# 'Cause we were
looking for an echo
573
00:25:54,340 --> 00:25:54,580
# 'Cause we were
# An answer to our sound
574
00:25:54,580 --> 00:25:57,940
# An answer to our sound
575
00:25:57,940 --> 00:26:01,260
# A place to be in harmony
576
00:26:01,260 --> 00:26:06,300
# A place we almost found
577
00:26:07,860 --> 00:26:11,460
# Ooh, ooh, ooh, ooh
578
00:26:11,460 --> 00:26:13,940
# And the girls
would gather 'round us
579
00:26:13,940 --> 00:26:17,740
# And our heads would really swell
580
00:26:17,740 --> 00:26:21,060
# We'd sing songs by The Moonglows
581
00:26:21,060 --> 00:26:21,260
# We'd sing songs by The Moonglows
# The Harptones and The Dells
582
00:26:21,260 --> 00:26:24,260
# The Harptones and The Dells
583
00:26:24,260 --> 00:26:27,340
# And when we sang sincerely
584
00:26:27,340 --> 00:26:30,780
# We really sang it high
585
00:26:30,780 --> 00:26:34,420
# Even though it was falsetto
586
00:26:34,420 --> 00:26:39,220
# We almost reached the sky
587
00:26:39,220 --> 00:26:44,260
# We've sung a
lot of changes since 1955
588
00:26:45,900 --> 00:26:49,020
# Had a lot of bad arrangements
589
00:26:49,020 --> 00:26:52,180
# We've tried to harmonise
590
00:26:52,180 --> 00:26:55,860
# Now we've turned into oldies
591
00:26:55,860 --> 00:26:59,220
# But they were newies then
592
00:26:59,220 --> 00:27:02,140
# And today when I play my old 45's
593
00:27:02,140 --> 00:27:05,580
# I remember when
594
00:27:05,580 --> 00:27:05,780
# We were looking for an echo
# I remember when
595
00:27:05,780 --> 00:27:09,060
# We were looking for an echo
596
00:27:09,060 --> 00:27:12,500
# An answer to our sound
597
00:27:12,500 --> 00:27:15,940
# A place to be in harmony
598
00:27:15,940 --> 00:27:20,780
# A place we almost found
599
00:27:22,940 --> 00:27:25,340
# Ooh, ooh, ooh
600
00:27:25,340 --> 00:27:28,980
# We were looking for an echo
601
00:27:28,980 --> 00:27:32,180
# An answer to our sound
602
00:27:32,180 --> 00:27:35,700
# A place to be in harmony
603
00:27:35,700 --> 00:27:40,740
# A place we almost found
604
00:27:43,300 --> 00:27:45,820
# Ooh, ooh
605
00:27:45,820 --> 00:27:46,620
# Found. #
606
00:27:46,620 --> 00:27:49,100
WILBUR: Nice jacket
on the saxophone player.
607
00:27:51,780 --> 00:27:53,740
(CROWD CHEERS)
608
00:27:53,740 --> 00:27:57,300
Even the youngest stars of the day
seemed content to continue
609
00:27:57,300 --> 00:27:59,540
the bloodline of
old time rock and roll.
610
00:27:59,540 --> 00:28:02,100
I was very, very influenced
by the music of the early '60s.
611
00:28:02,100 --> 00:28:05,180
I like Phil Spector and The Beatles
and The Beach Boys,
612
00:28:05,180 --> 00:28:07,700
and I think that
shows in my writing.
613
00:28:09,500 --> 00:28:12,700
And I, by rights, probably should've
been influenced
614
00:28:12,700 --> 00:28:17,420
by Elton John and David Bowie and
the artists of the '70s,
615
00:28:17,420 --> 00:28:22,100
which I was, but the '60s
and the early, real pop records
616
00:28:22,100 --> 00:28:23,460
were the biggest
influence on me of all.
617
00:28:23,460 --> 00:28:23,700
were the biggest
ANNOUNCER: Shaun Cassidy!
618
00:28:23,700 --> 00:28:24,820
ANNOUNCER: Shaun Cassidy!
619
00:28:24,820 --> 00:28:25,020
# Everybody
ANNOUNCER: Shaun Cassidy!
620
00:28:25,020 --> 00:28:25,820
# Everybody
621
00:28:25,820 --> 00:28:28,300
# Get down and get with it
622
00:28:28,300 --> 00:28:29,420
# Come on, everybody
623
00:28:29,420 --> 00:28:31,820
# Get down and get with it
624
00:28:31,820 --> 00:28:34,300
# Come on, everybody, get down
625
00:28:34,300 --> 00:28:36,140
# That's rock n' roll
626
00:28:38,500 --> 00:28:42,140
# It's when smokin' and the heat
627
00:28:42,140 --> 00:28:45,820
# Have got your heart
pounding right with the beat
628
00:28:45,820 --> 00:28:49,460
# Don't try to fight it,
just get excited
629
00:28:49,460 --> 00:28:49,700
# That's rock 'n' roll
# Don't try to fight it,
just get excited
630
00:28:49,700 --> 00:28:53,300
# That's rock 'n' roll
631
00:28:53,300 --> 00:28:56,780
# Now don't you
worry 'bout being a star
632
00:28:56,780 --> 00:29:00,580
# It doesn't
matter who or what you are
633
00:29:00,580 --> 00:29:04,220
# Just get the
rhythm and let it fill you
634
00:29:04,220 --> 00:29:04,460
# Just get the
rhythm and let it fill you
# That's rock 'n' roll
635
00:29:04,460 --> 00:29:08,180
# That's rock 'n' roll
636
00:29:08,180 --> 00:29:09,780
# Well, come on, everybody
637
00:29:09,780 --> 00:29:11,940
# Get down and get with it
638
00:29:11,940 --> 00:29:13,380
# Come on, everybody
639
00:29:13,380 --> 00:29:15,780
# Get down and get with it
640
00:29:15,780 --> 00:29:16,860
# Come on, everybody
641
00:29:16,860 --> 00:29:18,060
# Get down
642
00:29:18,060 --> 00:29:20,100
# That's rock 'n' roll
643
00:29:22,940 --> 00:29:27,980
(FANS SCREAM, CHEER)
644
00:29:37,460 --> 00:29:39,140
# Well, come on, everybody
645
00:29:39,140 --> 00:29:39,340
# Well, come on, everybody
# Get down and get with it
646
00:29:39,340 --> 00:29:41,300
# Get down and get with it
647
00:29:41,300 --> 00:29:42,820
# Come on, everybody
648
00:29:42,820 --> 00:29:45,180
# Get down and get with it
649
00:29:45,180 --> 00:29:46,340
# Come on, everybody
650
00:29:46,340 --> 00:29:47,340
# Get down
651
00:29:47,340 --> 00:29:49,380
# That's rock 'n' roll
652
00:29:52,060 --> 00:29:55,860
# And if you feel it,
clap your hands
653
00:29:55,860 --> 00:29:59,220
# Let's see some
sweat for the boys in the band
654
00:29:59,220 --> 00:29:59,460
# Let's see some
# Now lemme hear ya
655
00:29:59,460 --> 00:30:01,180
# Now lemme hear ya
656
00:30:01,180 --> 00:30:02,940
# Lemme hear ya
657
00:30:02,940 --> 00:30:04,460
# That's rock 'n' roll
658
00:30:04,460 --> 00:30:04,700
# Everybody get
down and get with it
# That's rock 'n' roll
659
00:30:04,700 --> 00:30:06,980
# Everybody get
down and get with it
660
00:30:06,980 --> 00:30:08,340
# Come on, everybody
661
00:30:08,340 --> 00:30:10,740
# Get down and get with it
662
00:30:10,740 --> 00:30:12,140
# Come on, everybody
663
00:30:12,140 --> 00:30:13,140
# Get down
664
00:30:13,140 --> 00:30:13,340
# Get down
# That's rock 'n' roll
665
00:30:13,340 --> 00:30:15,740
# That's rock 'n' roll
666
00:30:15,740 --> 00:30:17,660
You, all of you!
667
00:30:17,660 --> 00:30:19,540
# Well, come on, everybody
668
00:30:19,540 --> 00:30:21,660
# Get down and get with it
669
00:30:21,660 --> 00:30:23,300
# Come on, everybody
670
00:30:23,300 --> 00:30:24,100
# Get down
671
00:30:24,100 --> 00:30:25,620
# Get with it
672
00:30:25,620 --> 00:30:27,180
# Come on, everybody
673
00:30:27,180 --> 00:30:28,180
# Get down
674
00:30:28,180 --> 00:30:32,460
# That's rock 'n' roll. #
675
00:30:32,460 --> 00:30:33,780
# Countdown! #
676
00:30:33,780 --> 00:30:34,020
You must be sort of
the most wanted artist
# Countdown! #
677
00:30:34,020 --> 00:30:35,340
You must be sort of
the most wanted artist
678
00:30:35,340 --> 00:30:35,580
we've had for a long, long time,
the most wanted artist
679
00:30:35,580 --> 00:30:37,820
we've had for a long, long time,
680
00:30:37,820 --> 00:30:39,460
and we've finally
got you in Australia.
681
00:30:39,460 --> 00:30:41,340
What's it feel like,
not to be in Australia,
682
00:30:41,340 --> 00:30:41,620
What's it feel like,
not to be in Australia,
but to come such a long way with so
many hit records behind you
683
00:30:41,620 --> 00:30:46,100
but to come such a long way with so
many hit records behind you
684
00:30:46,100 --> 00:30:47,860
and have to
perform to such a reputation?
685
00:30:47,860 --> 00:30:49,300
Well, I'd rather
talk about what it's like
686
00:30:49,300 --> 00:30:52,180
being here in Australia,
and it's been fantastic.
687
00:30:52,180 --> 00:30:54,900
We came into Brisbane
and did three shows.
688
00:30:54,900 --> 00:30:57,060
Beautiful, beautiful,
beautiful people.
689
00:30:57,060 --> 00:30:57,300
Beautiful, beautiful,
And the last three shows in Sydney.
690
00:30:57,300 --> 00:30:59,020
And the last three shows in Sydney.
691
00:30:59,020 --> 00:31:00,620
And now, to open
up the Moomba Festival
692
00:31:00,620 --> 00:31:03,740
is a whole other tremendous
excitement for all of us
693
00:31:03,740 --> 00:31:06,020
and it's part of an adventure,
you know, for all of us.
694
00:31:06,020 --> 00:31:08,580
So, I'm pleased to be here
and we want to do the best show
695
00:31:08,580 --> 00:31:10,300
that we can, and that's basically
why we're here.
696
00:31:10,300 --> 00:31:11,780
We're here for music.
Do you enjoy still...
697
00:31:11,780 --> 00:31:12,020
We're here for music.
Despite what you gentlemen think.
698
00:31:12,020 --> 00:31:13,780
Despite what you gentlemen think.
699
00:31:13,780 --> 00:31:14,020
But do you enjoy
Despite what you gentlemen think.
700
00:31:14,020 --> 00:31:16,260
But do you enjoy
still performing live on stage?
701
00:31:16,260 --> 00:31:18,300
I love it.
It's my favourite thing.
702
00:31:18,300 --> 00:31:18,540
I love it.
It's fantastic.
703
00:31:18,540 --> 00:31:19,380
It's fantastic.
704
00:31:19,380 --> 00:31:20,380
There is nothing more to say
705
00:31:20,380 --> 00:31:22,460
because Neil Diamond's
music speaks for Australia.
706
00:31:22,460 --> 00:31:23,980
Thank you.
Thank you very much.
707
00:31:23,980 --> 00:31:24,220
Thank you.
I'll see you again.
708
00:31:24,220 --> 00:31:25,020
I'll see you again.
709
00:31:25,020 --> 00:31:26,260
OK, gang.
710
00:31:26,260 --> 00:31:27,780
Yes? OK.
711
00:31:27,780 --> 00:31:30,620
Yes, yeah.
712
00:31:30,620 --> 00:31:33,820
(SCREAMING)
713
00:31:33,820 --> 00:31:36,460
WILBUR: The public found solace in
safe, traditional entertainers,
714
00:31:36,460 --> 00:31:40,420
but pop music would also rely
on old-fashioned teenage lust.
715
00:31:40,420 --> 00:31:40,660
# Gonna sit down and talk to myself
but pop music would also rely
on old-fashioned teenage lust.
716
00:31:40,660 --> 00:31:43,660
# Gonna sit down and talk to myself
717
00:31:45,940 --> 00:31:50,820
# I won't let
nobody get me off my shelf
718
00:31:53,940 --> 00:31:56,420
# This time I understand
719
00:31:56,420 --> 00:32:00,940
# Gonna make it
to the promised land and
720
00:32:00,940 --> 00:32:01,180
# Gonna make it
# This time
721
00:32:01,180 --> 00:32:08,300
# This time
722
00:32:08,300 --> 00:32:12,380
# This time, gonna
head in the right direction
723
00:32:12,380 --> 00:32:12,620
# This time, gonna
# In the right direction. #
724
00:32:12,620 --> 00:32:15,220
# In the right direction. #
725
00:32:15,220 --> 00:32:15,420
Marc Hunter got pulses racing,
# In the right direction. #
726
00:32:15,420 --> 00:32:16,900
Marc Hunter got pulses racing,
727
00:32:16,900 --> 00:32:17,140
Marc Hunter got pulses racing,
enjoyed plenty of success
728
00:32:17,140 --> 00:32:19,660
but Countdown also
enjoyed plenty of success
729
00:32:19,660 --> 00:32:19,900
with Shirl 'The Curl.'
enjoyed plenty of success
730
00:32:19,900 --> 00:32:20,740
with Shirl 'The Curl.'
731
00:32:20,740 --> 00:32:24,300
# Hey
732
00:32:24,300 --> 00:32:24,500
# Hey
# Come back to me
733
00:32:24,500 --> 00:32:26,980
# Come back to me
734
00:32:26,980 --> 00:32:29,380
# Darling, you see
735
00:32:29,380 --> 00:32:32,300
# I can give you all the things
736
00:32:32,300 --> 00:32:36,140
# That you've wanted before
737
00:32:38,860 --> 00:32:43,860
# If you will stay with me
738
00:32:43,860 --> 00:32:45,780
# Yeah. #
739
00:32:45,780 --> 00:32:46,580
# Baby, if your
740
00:32:46,580 --> 00:32:46,780
And, of course, Marcia.
# Baby, if your
741
00:32:46,780 --> 00:32:47,940
And, of course, Marcia.
742
00:32:47,940 --> 00:32:52,540
# New love ever turns you down
743
00:32:52,540 --> 00:32:52,740
# New love ever turns you down
# Come back
744
00:32:52,740 --> 00:32:54,020
# Come back
745
00:32:54,020 --> 00:32:56,620
# I will be around
746
00:32:56,620 --> 00:33:00,180
# Just waiting for you
747
00:33:00,180 --> 00:33:05,220
# I don't know what else to do. #
748
00:33:08,380 --> 00:33:10,740
And speaking of
old fashioned teenage lust...
749
00:33:10,740 --> 00:33:10,980
(CHEERING, SCREAMING)
And speaking of
old fashioned teenage lust...
750
00:33:10,980 --> 00:33:15,780
(CHEERING, SCREAMING)
751
00:33:18,980 --> 00:33:23,220
# If you've ever been lonely
752
00:33:23,220 --> 00:33:25,660
# Then you'll understand
753
00:33:25,660 --> 00:33:29,860
# Why I treasure
every smile you show me
754
00:33:29,860 --> 00:33:30,100
# Why I treasure
# And every touch of your ha-and
755
00:33:30,100 --> 00:33:34,660
# And every touch of your ha-and
756
00:33:34,660 --> 00:33:34,900
# Well, I've
# And every touch of your ha-and
757
00:33:34,900 --> 00:33:38,740
# Well, I've
been waiting a long time
758
00:33:38,740 --> 00:33:38,980
# Well, I've
# For a girl like you
759
00:33:38,980 --> 00:33:41,540
# For a girl like you
760
00:33:41,540 --> 00:33:45,780
# Oh, and maybe
this will be the right time
761
00:33:45,780 --> 00:33:46,020
# Oh, and maybe
# For all my dreams to come true
762
00:33:46,020 --> 00:33:48,260
# For all my dreams to come true
763
00:33:50,860 --> 00:33:53,420
# I wanna make you my lady
764
00:33:53,420 --> 00:33:55,300
# Make you my lady
765
00:33:55,300 --> 00:33:58,340
# Love is so hard to find, girl
766
00:33:58,340 --> 00:34:00,980
# I wanna make you my lady
767
00:34:00,980 --> 00:34:01,180
# I wanna make you my lady
# Take you, my lady
768
00:34:01,180 --> 00:34:03,180
# Take you, my lady
769
00:34:03,180 --> 00:34:05,900
# Then you'll be forever mine, girl
770
00:34:08,540 --> 00:34:12,260
# Do you think I'm pretending?
771
00:34:12,260 --> 00:34:15,860
# Do you think I'd lie, lady?
772
00:34:15,860 --> 00:34:19,460
# Oh, it could be never-ending
773
00:34:19,460 --> 00:34:22,180
# If you'll give it a try
774
00:34:24,140 --> 00:34:26,540
# I wanna make you my lady
775
00:34:26,540 --> 00:34:28,940
# Make you my lady
776
00:34:28,940 --> 00:34:31,820
# Love is so hard to find, girl
777
00:34:31,820 --> 00:34:34,620
# I wanna make you my lady
778
00:34:34,620 --> 00:34:36,500
# Take you, my lady
779
00:34:36,500 --> 00:34:40,100
# Then you'll be forever mine, girl
780
00:34:41,940 --> 00:34:45,820
# Gonna fly over a rainbow
781
00:34:45,820 --> 00:34:50,020
# Gonna find a
heaven on earth we can share
782
00:34:50,020 --> 00:34:50,260
# Gonna find a
# Paradise is not far away, so
783
00:34:50,260 --> 00:34:53,140
# Paradise is not far away, so
784
00:34:53,140 --> 00:34:54,980
# Just show me you care
785
00:34:54,980 --> 00:34:58,540
# And I'll take you there
786
00:35:03,460 --> 00:35:05,820
# I wanna make you my lady
787
00:35:05,820 --> 00:35:07,740
# Take you my lady
788
00:35:07,740 --> 00:35:10,940
# Love is so hard to find, girl
789
00:35:10,940 --> 00:35:13,700
# I wanna make you my lady
790
00:35:13,700 --> 00:35:16,380
# Take you my lady
791
00:35:18,820 --> 00:35:21,460
# I'm gonna make you my lady
792
00:35:21,460 --> 00:35:23,420
# Take you my lady
793
00:35:23,420 --> 00:35:26,420
# Love is so hard to find, girl
794
00:35:26,420 --> 00:35:26,620
# Love is so hard to find, girl
# I wanna make you my lady
795
00:35:26,620 --> 00:35:28,900
# I wanna make you my lady
796
00:35:28,900 --> 00:35:31,460
# Take you my lady
797
00:35:31,460 --> 00:35:35,740
# Then you'll be forever mine. #
798
00:35:35,740 --> 00:35:37,780
(SCREAMING, CHEERING)
799
00:35:52,180 --> 00:35:55,820
(TELEPHONE RINGS)
800
00:35:55,820 --> 00:35:56,980
Hello?
801
00:35:56,980 --> 00:35:58,300
MAN: Hello.
(BEEPS)
802
00:35:58,300 --> 00:35:58,540
MAN: Hello.
Oh, sorry, I'm...
803
00:35:58,540 --> 00:36:00,060
Oh, sorry, I'm...
804
00:36:00,060 --> 00:36:02,300
Daryl Braithwaite
from Sherbet?
805
00:36:02,300 --> 00:36:03,300
Now coming to you live from Perth.
806
00:36:03,300 --> 00:36:05,300
Listen, tonight is the night
807
00:36:05,300 --> 00:36:10,140
'cause Countdown starts back on the
airwaves again, television waves.
808
00:36:10,140 --> 00:36:10,380
'cause Countdown starts back on the
Yeah, I watched it all last year.
809
00:36:10,380 --> 00:36:12,620
Yeah, I watched it all last year.
810
00:36:12,620 --> 00:36:12,860
It's a great show with ourselves,
Yeah, I watched it all last year.
811
00:36:12,860 --> 00:36:15,500
It's a great show with ourselves,
because we're on it.
812
00:36:17,260 --> 00:36:19,860
We've got John Paul Young,
Ted Mulry, AC/DC,
813
00:36:19,860 --> 00:36:23,740
and a host of other good people who
worked with me last year.
814
00:36:23,740 --> 00:36:27,420
About a year it was, and you're
gonna help make this year great.
815
00:36:27,420 --> 00:36:29,180
What are you doing after tonight?
816
00:36:29,180 --> 00:36:31,140
Switch the old channels
(SPEAKS INDISTINCTLY)...
817
00:36:31,140 --> 00:36:31,380
Switch the old channels
Unreal. Yeah, I will.
818
00:36:31,380 --> 00:36:32,780
Unreal. Yeah, I will.
819
00:36:32,780 --> 00:36:34,820
OK, bye.
820
00:36:37,740 --> 00:36:40,660
WILBUR: In the US, West Coast
rock was reaching its zenith.
821
00:36:40,660 --> 00:36:43,980
In '76, Hotel California won the
Grammy for album of the year.
822
00:36:46,540 --> 00:36:49,660
Back home, Jon English had a big hit
with a very different song
823
00:36:49,660 --> 00:36:49,900
Back home, Jon English had a big hit
about a hotel in California.
824
00:36:49,900 --> 00:36:52,180
about a hotel in California.
825
00:36:52,180 --> 00:36:52,380
# She came in one night from Omaha
about a hotel in California.
826
00:36:52,380 --> 00:36:55,020
# She came in one night from Omaha
827
00:36:55,020 --> 00:36:56,500
# Worn out
828
00:36:56,500 --> 00:36:56,740
# Worn out
# 'Cause she never
could sleep on trains
829
00:36:56,740 --> 00:36:59,020
# 'Cause she never
could sleep on trains
830
00:37:03,980 --> 00:37:07,460
# She took the bus to Hollywood
831
00:37:07,460 --> 00:37:09,940
# Lookin' for a
room in the pouring rain
832
00:37:14,780 --> 00:37:17,780
# With her hair so
blonde and her eyes so brown
833
00:37:17,780 --> 00:37:18,020
# With her hair so
# She thought she'd take this town
834
00:37:18,020 --> 00:37:19,820
# She thought she'd take this town
835
00:37:19,820 --> 00:37:22,660
# And turn it upside down
836
00:37:25,820 --> 00:37:30,100
# But I was living
in a hotel just off Sunset
837
00:37:30,100 --> 00:37:32,380
# She moved in across the hall
838
00:37:37,060 --> 00:37:39,820
# And she said
she'd be a movie star
839
00:37:39,820 --> 00:37:43,660
# And waited
every morning for a call
840
00:37:48,180 --> 00:37:50,860
# So I asked her
in to share a drink
841
00:37:50,860 --> 00:37:51,100
# So I asked her
in to share a drink
# But she hardly had the time
842
00:37:51,100 --> 00:37:53,980
# But she hardly had the time
843
00:37:53,980 --> 00:37:56,700
# A call might come tomorrow
844
00:37:56,700 --> 00:37:59,380
# She had to learn her lines
845
00:37:59,380 --> 00:38:01,940
# On Hollywood Seven, rooms to rent
846
00:38:01,940 --> 00:38:04,180
# 'Til your name goes up in
lights
847
00:38:08,780 --> 00:38:10,540
# Whoa, Hollywood Seven
848
00:38:10,540 --> 00:38:11,700
# You can dream your dream
849
00:38:11,700 --> 00:38:13,820
# For seven bucks a night
850
00:38:18,700 --> 00:38:21,460
# Well, the
months went by without a job
851
00:38:21,460 --> 00:38:25,420
# The money that
she saved was nearly spent
852
00:38:29,660 --> 00:38:33,140
# So she started
bringing strangers home
853
00:38:33,140 --> 00:38:33,420
# Trying to find
a way to pay the rent
# So she started
bringing strangers home
854
00:38:33,420 --> 00:38:35,740
# Trying to find
a way to pay the rent
855
00:38:40,580 --> 00:38:43,620
# Well, she'd sit
down and drink my coffee
856
00:38:43,620 --> 00:38:43,860
# With nothin' much to say
down and drink my coffee
857
00:38:43,860 --> 00:38:46,340
# With nothin' much to say
858
00:38:46,340 --> 00:38:46,580
# With nothin' much to say
# Just busy
rehearsing in her mind
859
00:38:46,580 --> 00:38:49,340
# Just busy
rehearsing in her mind
860
00:38:49,340 --> 00:38:49,580
# Just busy
# The scene she'd never play
861
00:38:49,580 --> 00:38:52,420
# The scene she'd never play
862
00:38:52,420 --> 00:38:54,620
# On Hollywood Seven, rooms to rent
863
00:38:54,620 --> 00:38:56,820
# 'Til your name goes up in lights
864
00:39:01,220 --> 00:39:02,900
# Oh, Hollywood Seven
865
00:39:02,900 --> 00:39:04,740
# You can dream your dreams
866
00:39:04,740 --> 00:39:06,580
# For seven bucks a night
867
00:39:16,900 --> 00:39:18,420
# Well, I found
her there one morning
868
00:39:18,420 --> 00:39:23,460
# When she didn't come
for coffee when I called
869
00:39:27,460 --> 00:39:30,500
# She'd gone and brought
the wrong one home this time
870
00:39:30,500 --> 00:39:34,180
# There were crazy lipstick
marks all over the wall
871
00:39:38,380 --> 00:39:41,300
# Now she's goin' back to Omaha
872
00:39:41,300 --> 00:39:43,860
# But not the way she'd planned
873
00:39:43,860 --> 00:39:44,100
# There'll be no
# But not the way she'd planned
874
00:39:44,100 --> 00:39:46,700
# There'll be no
crowd to cheer her on
875
00:39:46,700 --> 00:39:46,940
# There'll be no
# No welcome home, no band
876
00:39:46,940 --> 00:39:49,260
# No welcome home, no band
877
00:39:49,260 --> 00:39:50,900
# On Hollywood Seven
878
00:39:50,900 --> 00:39:51,900
# Rooms to rent
879
00:39:51,900 --> 00:39:54,100
# 'Til your name goes up in lights
880
00:39:58,460 --> 00:39:59,980
# Oh, Hollywood Seven
881
00:39:59,980 --> 00:40:01,540
# You can dream your dreams
882
00:40:01,540 --> 00:40:03,580
# For seven bucks a night
883
00:40:08,140 --> 00:40:09,700
# On Hollywood Seven
884
00:40:09,700 --> 00:40:10,700
# Dreams to rent
885
00:40:10,700 --> 00:40:14,620
# 'Til your name goes up in lights
886
00:40:14,620 --> 00:40:16,420
# Oh, Hollywood Seven
887
00:40:16,420 --> 00:40:17,660
# You can pay your dues
888
00:40:17,660 --> 00:40:20,540
# For seven bucks a night. #
889
00:40:22,940 --> 00:40:23,940
(CHEERING)
890
00:40:23,940 --> 00:40:27,540
Of course, some narrative
songs have pathos and tragedy.
891
00:40:27,540 --> 00:40:29,300
Others are just
songs about cars and girls.
892
00:40:31,100 --> 00:40:33,340
# Jump in my car
893
00:40:34,500 --> 00:40:36,700
# I want to take you home
894
00:40:38,420 --> 00:40:40,180
# Mm, jump in my car
895
00:40:41,740 --> 00:40:44,500
# It's too far to walk on your own
896
00:40:46,700 --> 00:40:48,060
# No, thank you, sir
897
00:40:48,060 --> 00:40:50,700
# Ah, come on,
I'm a trustworthy guy
898
00:40:50,700 --> 00:40:50,940
# Ah, come on,
# No, thank you, sir
899
00:40:50,940 --> 00:40:51,900
# No, thank you, sir
900
00:40:51,900 --> 00:40:54,540
# Oh, little girl,
I wouldn't tell you no lie
901
00:40:54,540 --> 00:40:54,780
# Oh, little girl,
# I know your game
902
00:40:54,780 --> 00:40:55,820
# I know your game
903
00:40:55,820 --> 00:40:56,060
# How can you say that?
# I know your game
904
00:40:56,060 --> 00:40:58,300
# How can you say that?
We only just met
905
00:40:58,300 --> 00:40:58,540
# How can you say that?
# You're all the same
906
00:40:58,540 --> 00:40:59,460
# You're all the same
907
00:40:59,460 --> 00:41:02,220
# Ooh, she's got me there,
but I'll get her yet
908
00:41:02,220 --> 00:41:02,460
# Ooh, she's got me there,
# I got you there
909
00:41:02,460 --> 00:41:03,220
# I got you there
910
00:41:03,220 --> 00:41:06,620
# No, you didn't,
I was catching my breath
911
00:41:06,620 --> 00:41:08,220
# And look, it's starting to rain
912
00:41:08,220 --> 00:41:09,780
# And baby, you'll catch your death
913
00:41:09,780 --> 00:41:10,780
# Well, I don't know
914
00:41:10,780 --> 00:41:14,020
# Ah, come on,
it costs nothing to try
915
00:41:14,020 --> 00:41:17,740
# And you'll
arrive home nice and dry
916
00:41:17,740 --> 00:41:18,660
# Mm-mm
917
00:41:18,660 --> 00:41:20,100
# Jump in my car
918
00:41:21,900 --> 00:41:23,900
# I want to take you home
919
00:41:25,340 --> 00:41:27,660
# Come on, jump in my car
920
00:41:29,380 --> 00:41:31,820
# It's too far to walk on your own
921
00:41:32,740 --> 00:41:37,780
(GUITAR SOLO)
922
00:41:52,820 --> 00:41:55,260
# Mm-mm, jump in my car
923
00:41:56,820 --> 00:41:58,700
# I want to take you home
924
00:42:00,660 --> 00:42:02,540
# Come on, jump in my car
925
00:42:04,220 --> 00:42:06,620
# It's too far
to walk on your ow-own
926
00:42:09,020 --> 00:42:10,180
# Well, maybe I will
927
00:42:10,180 --> 00:42:12,980
# Ah, that's better
Now you're talking sense
928
00:42:12,980 --> 00:42:13,220
# Jeepers, keep still
# Ah, that's better
Now you're talking sense
929
00:42:13,220 --> 00:42:13,980
# Jeepers, keep still
930
00:42:13,980 --> 00:42:16,900
# Well, if you like,
I'll just put up a fence
931
00:42:16,900 --> 00:42:17,140
# No need to get smart
I'll just put up a fence
932
00:42:17,140 --> 00:42:18,020
# No need to get smart
933
00:42:18,020 --> 00:42:18,260
# No need to get smart
we'll soon be on our way
934
00:42:18,260 --> 00:42:20,740
# Well, alright,
we'll soon be on our way
935
00:42:20,740 --> 00:42:20,980
# We better start
we'll soon be on our way
936
00:42:20,980 --> 00:42:21,900
# We better start
937
00:42:21,900 --> 00:42:22,100
# We better start
# What for?
938
00:42:22,100 --> 00:42:22,900
# What for?
939
00:42:22,900 --> 00:42:23,100
# Because it's such a long way
# What for?
940
00:42:23,100 --> 00:42:24,620
# Because it's such a long way
941
00:42:24,620 --> 00:42:24,820
# Because it's such a long way
# Well, why, where do you live?
942
00:42:24,820 --> 00:42:25,900
# Well, why, where do you live?
943
00:42:25,900 --> 00:42:26,700
# I live down south
944
00:42:26,700 --> 00:42:28,740
# It's roughly 84 miles
945
00:42:28,740 --> 00:42:29,860
# Hey, slow down
946
00:42:29,860 --> 00:42:32,340
# You must be joking
there behind that cute smile
947
00:42:32,340 --> 00:42:33,380
# Oh, no, I'm not
948
00:42:33,380 --> 00:42:33,620
# Well, if you're not,
# Oh, no, I'm not
949
00:42:33,620 --> 00:42:36,220
# Well, if you're not,
there's only one thing to say
950
00:42:36,220 --> 00:42:36,460
# Well, if you're not,
# And what's that?
951
00:42:36,460 --> 00:42:37,340
# And what's that?
952
00:42:37,340 --> 00:42:38,860
# Get out the car
953
00:42:38,860 --> 00:42:39,060
# Get on your way
# Get out the car
954
00:42:39,060 --> 00:42:40,700
# Get on your way
955
00:42:40,700 --> 00:42:40,900
# Get on your way
# Get out of my car
956
00:42:40,900 --> 00:42:42,340
# Get out of my car
957
00:42:42,340 --> 00:42:42,580
# But you just
said that you'd take me home
# Get out of my car
958
00:42:42,580 --> 00:42:44,980
# But you just
said that you'd take me home
959
00:42:44,980 --> 00:42:45,220
# Well, if it's not too far
said that you'd take me home
960
00:42:45,220 --> 00:42:45,980
# Well, if it's not too far
961
00:42:45,980 --> 00:42:48,660
# But there's no way
that I can get there alone
962
00:42:48,660 --> 00:42:48,900
# I couldn't care less
that I can get there alone
963
00:42:48,900 --> 00:42:50,260
# I couldn't care less
964
00:42:50,260 --> 00:42:50,500
# I couldn't care less
could see you next week
965
00:42:50,500 --> 00:42:52,740
# Well, maybe I
could see you next week
966
00:42:52,740 --> 00:42:53,940
# But you look a mess
967
00:42:53,940 --> 00:42:56,660
# Well, look who's talking
You got no right to speak
968
00:42:56,660 --> 00:42:56,900
# Well, look who's talking
You got no right to speak
# Get out of my car
969
00:42:56,900 --> 00:42:58,380
# Get out of my car
970
00:42:58,380 --> 00:43:00,860
# You told me that
you were a really nice guy
971
00:43:00,860 --> 00:43:02,460
# Well, I ain't
972
00:43:02,460 --> 00:43:07,180
# Well, yeah,
get out of my car, yeah
973
00:43:07,180 --> 00:43:07,420
# Well, yeah,
# Get out, get out of my car. #
974
00:43:07,420 --> 00:43:09,460
# Get out, get out of my car. #
975
00:43:09,460 --> 00:43:11,500
(CHEERING)
976
00:43:27,460 --> 00:43:28,940
# Countdown! #
977
00:43:28,940 --> 00:43:29,180
# Countdown! #
Uh, the Bay City Rollers
have had a lot of caning
978
00:43:29,180 --> 00:43:31,500
Uh, the Bay City Rollers
have had a lot of caning
979
00:43:31,500 --> 00:43:31,740
Uh, the Bay City Rollers
over the last two years,
980
00:43:31,740 --> 00:43:32,780
over the last two years,
981
00:43:32,780 --> 00:43:35,260
and a lot of people
are spreading it around
982
00:43:35,260 --> 00:43:37,180
that they don't play
their own instruments.
983
00:43:37,180 --> 00:43:38,020
Wrong, they do.
984
00:43:38,020 --> 00:43:39,900
They write a lot
of their own songs.
985
00:43:39,900 --> 00:43:40,140
They write a lot
Now, they're very young musicians.
986
00:43:40,140 --> 00:43:41,100
Now, they're very young musicians.
987
00:43:41,100 --> 00:43:44,580
They aren't in the class, of course,
like Supertramp or ELO
988
00:43:44,580 --> 00:43:47,060
or Led Zeppelin or any
of the groups like that,
989
00:43:47,060 --> 00:43:49,980
but they are very young and
they've got a long way to go.
990
00:43:49,980 --> 00:43:50,220
but they are very young and
But I tell you what,
991
00:43:50,220 --> 00:43:50,980
But I tell you what,
992
00:43:50,980 --> 00:43:54,180
with the song writing
ability of both Woody and Eric,
993
00:43:54,180 --> 00:43:56,380
I think they're going
to prove a lot of people wrong
994
00:43:56,380 --> 00:43:58,020
over the next
couple of years, alright?
995
00:43:58,020 --> 00:43:58,260
over the next
OK, now, just tell us again
996
00:43:58,260 --> 00:43:59,180
OK, now, just tell us again
997
00:43:59,180 --> 00:44:01,420
what you think of "Yesterday's
Hero" by the Bay City Rollers.
998
00:44:01,420 --> 00:44:01,660
I think it's quite...
what you think of "Yesterday's
Hero" by the Bay City Rollers.
999
00:44:01,660 --> 00:44:03,020
I think it's quite...
1000
00:44:03,020 --> 00:44:04,820
it's quite good,
but it could've been better.
1001
00:44:04,820 --> 00:44:05,580
OK.
1002
00:44:05,580 --> 00:44:06,820
'Cause they've done better things.
1003
00:44:06,820 --> 00:44:07,060
'Cause they've done better things.
Well, this is a prediction
for us, at the moment.
1004
00:44:07,060 --> 00:44:09,100
Well, this is a prediction
for us, at the moment.
1005
00:44:09,100 --> 00:44:10,780
Alright.
Alright.
1006
00:44:10,780 --> 00:44:12,580
We all know what your taste is.
(CHUCKLES)
1007
00:44:12,580 --> 00:44:13,700
When can we expect...
1008
00:44:13,700 --> 00:44:15,540
I know with this album selling and
selling and selling,
1009
00:44:15,540 --> 00:44:15,780
I know with this album selling and
why bother writing music?
1010
00:44:15,780 --> 00:44:16,620
why bother writing music?
1011
00:44:16,620 --> 00:44:18,380
When are you going to do a new one?
1012
00:44:18,380 --> 00:44:18,620
We're doing a new one in January and
February, Molly.
When are you going to do a new one?
1013
00:44:18,620 --> 00:44:20,540
We're doing a new one in January and
February, Molly.
1014
00:44:20,540 --> 00:44:22,420
It'll be out
about the 1st of April.
1015
00:44:22,420 --> 00:44:23,820
It'll be called
Cruisin' for a Bruisin'.
1016
00:44:23,820 --> 00:44:24,100
It'll be called
Cruisin' for a Bruisin'.
Cruisin' for a Bruisin'?
Yeah,
1017
00:44:24,100 --> 00:44:24,900
Cruisin' for a Bruisin'?
Yeah,
1018
00:44:24,900 --> 00:44:26,900
and that's what you'll
be, too, if you don't play it.
1019
00:44:26,900 --> 00:44:27,660
Oh, yes, OK.
1020
00:44:27,660 --> 00:44:28,700
I'll hit you so hard in the head,
1021
00:44:28,700 --> 00:44:30,540
you'll have to open your
fly to see where you're going.
1022
00:44:30,540 --> 00:44:31,860
Now, Squeak.
Yes.
1023
00:44:31,860 --> 00:44:33,380
Are you gonna
behave yourself today?
1024
00:44:33,380 --> 00:44:34,140
No way.
1025
00:44:34,140 --> 00:44:35,780
I see, alright.
We'll just look forward to that.
1026
00:44:35,780 --> 00:44:39,500
No way.
Now, number 15 of the...the...
1027
00:44:39,500 --> 00:44:39,740
No way.
Oh!
1028
00:44:39,740 --> 00:44:40,500
Oh!
1029
00:44:40,500 --> 00:44:41,820
See how they can do that?
1030
00:44:41,820 --> 00:44:44,020
That's ridiculous, isn't it?
1031
00:44:44,020 --> 00:44:45,100
I mean, look,
1032
00:44:45,100 --> 00:44:48,580
I live in terror what they're liable
to do to me next week.
1033
00:44:48,580 --> 00:44:48,820
I live in terror what they're liable
(EXPLOSION)
1034
00:44:48,820 --> 00:44:50,020
(EXPLOSION)
1035
00:44:50,020 --> 00:44:51,540
(GASPS)
1036
00:44:51,540 --> 00:44:52,940
Heavens forbid!
1037
00:44:52,940 --> 00:44:54,300
And the number one...
1038
00:44:54,300 --> 00:44:55,780
What's...what's that?
1039
00:44:55,780 --> 00:45:00,060
Well, this is a present for
you from the staff at the ABC.
1040
00:45:00,060 --> 00:45:01,620
Thanks.
They're getting desperate.
1041
00:45:01,620 --> 00:45:02,780
There's a very nice
note on there for you.
1042
00:45:02,780 --> 00:45:04,900
I bet, yes.
It's a nice note.
1043
00:45:04,900 --> 00:45:05,140
I bet, yes.
These were used before.
1044
00:45:05,140 --> 00:45:06,260
These were used before.
1045
00:45:06,260 --> 00:45:07,260
They weren't.
1046
00:45:07,260 --> 00:45:08,420
They were.
1047
00:45:08,420 --> 00:45:08,660
Look, some poor
They were.
1048
00:45:08,660 --> 00:45:11,660
Look, some poor
nun has gone blind making them.
1049
00:45:11,660 --> 00:45:13,100
I can see Mark
Holden's sweat on there!
1050
00:45:13,100 --> 00:45:14,100
(CHUCKLES)
Good heavens.
1051
00:45:14,100 --> 00:45:15,500
Have you...read the note, mate.
Come on.
1052
00:45:15,500 --> 00:45:15,740
Have you...read the note, mate.
I'm gonna read the note.
1053
00:45:15,740 --> 00:45:18,140
I'm gonna read the note.
1054
00:45:18,140 --> 00:45:18,380
"Return to props after use".
I'm gonna read the note.
1055
00:45:18,380 --> 00:45:20,620
"Return to props after use".
(CHUCKLES)
1056
00:45:22,140 --> 00:45:24,580
A little bit of Hush, please,
sweetheart.
1057
00:45:28,060 --> 00:45:29,860
Nice one, huh? Great.
1058
00:45:29,860 --> 00:45:31,260
I know!
1059
00:45:31,260 --> 00:45:31,460
# What's your dilemma?
I know!
1060
00:45:31,460 --> 00:45:32,260
# What's your dilemma?
1061
00:45:32,260 --> 00:45:34,260
# Won't you please tell me, Emma?
1062
00:45:34,260 --> 00:45:37,780
# I don't wanna lay you down
1063
00:45:37,780 --> 00:45:42,620
# Sometimes it's hard to bend
1064
00:45:43,660 --> 00:45:48,660
# Turn around,
you better start all over again
1065
00:45:50,060 --> 00:45:53,100
# Please tell me, Emma
1066
00:45:53,100 --> 00:45:54,180
# Don't get excited
1067
00:45:54,180 --> 00:45:55,180
# You'll be invited. #
1068
00:45:55,180 --> 00:45:57,780
WILBUR: As Aussie bands became
regular fixtures in the charts,
1069
00:45:57,780 --> 00:46:00,220
we cheered for
their overseas success as well.
1070
00:46:00,220 --> 00:46:01,340
You arrive in London,
1071
00:46:01,340 --> 00:46:04,340
and in America, the album
sold number 73 on the chart.
1072
00:46:04,340 --> 00:46:04,620
Well, America's
where we're confident.
and in America, the album
sold number 73 on the chart.
1073
00:46:04,620 --> 00:46:05,740
Well, America's
where we're confident.
1074
00:46:05,740 --> 00:46:09,140
I don't know about here because you
know what England's like.
1075
00:46:09,140 --> 00:46:10,940
They either like you
or they don't like you.
1076
00:46:10,940 --> 00:46:12,180
When are you back in Australia?
December?
1077
00:46:12,180 --> 00:46:13,660
DEREK: Christmas.
Early December.
1078
00:46:13,660 --> 00:46:13,940
DEREK: Christmas.
Early December.
Yeah.
Christmas time.
1079
00:46:13,940 --> 00:46:15,140
Yeah.
Christmas time.
1080
00:46:15,140 --> 00:46:17,380
I found some diamonds, dear.
They're beautiful.
1081
00:46:17,380 --> 00:46:19,180
See you soon.
Say goodbye.
1082
00:46:19,180 --> 00:46:20,580
Bye-bye, Cathy.
Bye-bye.
1083
00:46:20,580 --> 00:46:20,820
Bye-bye, Cathy.
I'm gonna go now.
1084
00:46:20,820 --> 00:46:22,740
I'm gonna go now.
1085
00:46:22,740 --> 00:46:22,940
Sweet little girl...
I'm gonna go now.
1086
00:46:22,940 --> 00:46:23,900
Sweet little girl...
1087
00:46:23,900 --> 00:46:25,100
And when a local act did succeed
1088
00:46:25,100 --> 00:46:28,020
in breaking
the tyranny of distance...
1089
00:46:28,020 --> 00:46:29,460
Yes.
1090
00:46:29,460 --> 00:46:29,660
Yes.
..we felt like we'd all succeeded.
1091
00:46:29,660 --> 00:46:31,220
..we felt like we'd all succeeded.
1092
00:46:31,220 --> 00:46:32,220
Yeah.
1093
00:46:32,220 --> 00:46:33,260
This is Air Supply with a song
1094
00:46:33,260 --> 00:46:35,540
that's taken a
long time to get up there,
1095
00:46:35,540 --> 00:46:36,460
but it's "Love And Other Bruises."
1096
00:46:36,460 --> 00:46:38,940
Fantastic.
(CHEERING)
1097
00:46:56,460 --> 00:47:01,500
# As the time
slips through your fingers
1098
00:47:04,700 --> 00:47:09,260
# 'Til it's almost time to go
1099
00:47:13,260 --> 00:47:18,260
# And the morning breaks between us
1100
00:47:21,340 --> 00:47:25,980
# And the ice melts into snow
1101
00:47:29,260 --> 00:47:34,300
# I'm alright loving you
1102
00:47:37,460 --> 00:47:44,460
# I'm alright loving you
1103
00:47:46,180 --> 00:47:50,020
# Love and other bruises
1104
00:47:50,020 --> 00:47:53,300
# Didn't have to choose us
1105
00:47:54,700 --> 00:47:58,780
# But it did and I'm alive
1106
00:47:58,780 --> 00:48:02,500
# And I'm trying to survive
1107
00:48:02,500 --> 00:48:06,540
# Love and other bruises
1108
00:48:06,540 --> 00:48:10,500
# Makes us all good losers
1109
00:48:10,500 --> 00:48:14,580
# I can't help it, talking loud
1110
00:48:14,580 --> 00:48:18,340
# It's because I'm on a cloud
1111
00:48:22,860 --> 00:48:27,900
# Won't you please take me home?
1112
00:48:31,100 --> 00:48:35,100
# Won't you please,
please take me home?
1113
00:48:39,660 --> 00:48:43,620
# I'm so mixed up over you
1114
00:48:47,820 --> 00:48:51,820
# I don't want to be alone
1115
00:48:56,020 --> 00:49:00,700
# I'm alright loving you
1116
00:49:04,660 --> 00:49:09,460
# I'm alright loving you...
1117
00:49:12,580 --> 00:49:16,460
# Love and other bruises
1118
00:49:16,460 --> 00:49:20,740
# Didn't have to choose us
1119
00:49:20,740 --> 00:49:24,780
# But it did and I'm alive
1120
00:49:24,780 --> 00:49:28,900
# And I'm trying to survive
1121
00:49:28,900 --> 00:49:33,100
# Love and other bruises
1122
00:49:33,100 --> 00:49:37,260
# Makes us all good losers
1123
00:49:37,260 --> 00:49:41,500
# I can't help it, talking loud
1124
00:49:41,500 --> 00:49:45,100
# It's because I'm on a cloud
1125
00:49:45,100 --> 00:49:45,300
# Love and other bruises
# It's because I'm on a cloud
1126
00:49:45,300 --> 00:49:48,660
# Love and other bruises
1127
00:49:48,660 --> 00:49:53,100
# Makes us all good losers
1128
00:49:53,100 --> 00:49:57,380
# I can't help it, talking loud
1129
00:49:57,380 --> 00:49:57,580
# I can't help it, talking loud
# It's because I'm on a cloud
1130
00:49:57,580 --> 00:50:01,420
# It's because I'm on a cloud
1131
00:50:01,420 --> 00:50:04,940
# Love and other bruises
1132
00:50:04,940 --> 00:50:09,380
# Makes us all good losers
1133
00:50:09,380 --> 00:50:13,420
# I can't help it, talking loud
1134
00:50:13,420 --> 00:50:15,460
# It's because... #
1135
00:50:21,060 --> 00:50:23,060
# I want to end it
1136
00:50:23,060 --> 00:50:25,460
# Mama
1137
00:50:25,460 --> 00:50:27,300
# Open up
1138
00:50:27,300 --> 00:50:29,260
# I'm coming back in
1139
00:50:29,260 --> 00:50:29,500
# I don't like
it out here no more
# I'm coming back in
1140
00:50:29,500 --> 00:50:32,780
# I don't like
it out here no more
1141
00:50:32,780 --> 00:50:33,020
# Mama, open up
it out here no more
1142
00:50:33,020 --> 00:50:36,100
# Mama, open up
1143
00:50:36,100 --> 00:50:36,300
# Mama, open up
# I'm coming back in
1144
00:50:36,300 --> 00:50:38,060
# I'm coming back in
1145
00:50:38,060 --> 00:50:42,380
# I don't like
it out here no more. #
1146
00:50:42,380 --> 00:50:45,940
By the end of '76, there were more
rumblings in the music industry.
1147
00:50:45,940 --> 00:50:49,820
Another explosion was about to
happen, this one in the UK.
1148
00:50:49,820 --> 00:50:53,500
Australian musicians would become
trailblazers in new genres,
1149
00:50:53,500 --> 00:50:53,740
Australian musicians would become
such as punk and new wave.
1150
00:50:53,740 --> 00:50:55,780
such as punk and new wave.
1151
00:50:55,780 --> 00:50:57,700
Rather than looking to the past,
1152
00:50:57,700 --> 00:51:01,780
it looked like the year ahead would
be one for ringing the changes.
1153
00:51:01,780 --> 00:51:06,180
(PHONE RINGS)
1154
00:51:06,180 --> 00:51:07,860
Hello?
1155
00:51:07,860 --> 00:51:09,260
MAN: Oh, hello.
1156
00:51:09,260 --> 00:51:10,300
This is John Paul Young.
1157
00:51:10,300 --> 00:51:12,580
I just thought I'd
ring you to let you know
1158
00:51:12,580 --> 00:51:16,540
that Countdown's gonna be on next
Sunday, the 7th of March,
1159
00:51:16,540 --> 00:51:21,540
and it's gonna be compering the show
with Sherbet.
1160
00:51:21,540 --> 00:51:26,140
We'll have Sherbet on the
show, AC/DC, Ted Mulry, Hush,
1161
00:51:26,140 --> 00:51:26,380
We'll have Sherbet on the
and lots of other people.
1162
00:51:26,380 --> 00:51:27,860
and lots of other people.
1163
00:51:27,860 --> 00:51:30,700
So, why don't you
watch on the 7th of March?
1164
00:51:30,700 --> 00:51:31,780
Countdown on the ABC.
1165
00:51:31,780 --> 00:51:33,980
Unreal.
Yeah, I'll be watching.
1166
00:51:33,980 --> 00:51:34,220
Unreal.
OK, bye.
1167
00:51:34,220 --> 00:51:36,020
OK, bye.
1168
00:51:40,220 --> 00:51:42,540
# Countdown! #
1169
00:51:42,540 --> 00:51:42,740
# She's too hot
# Countdown! #
1170
00:51:42,740 --> 00:51:45,100
# She's too hot
1171
00:51:45,100 --> 00:51:47,860
# Too hot to touch
1172
00:51:50,260 --> 00:51:52,460
# Ooh
1173
00:51:52,460 --> 00:51:56,300
# Too hot to love. #
1174
00:51:56,300 --> 00:51:59,300
WILBUR: Although the
singles of local acts got close,
1175
00:51:59,300 --> 00:51:59,580
1976 was pretty
much a two horse race.
WILBUR: Although the
singles of local acts got close,
1176
00:51:59,580 --> 00:52:02,500
1976 was pretty
much a two horse race.
1177
00:52:02,500 --> 00:52:02,740
At the start of the year,
much a two horse race.
1178
00:52:02,740 --> 00:52:03,580
At the start of the year,
1179
00:52:03,580 --> 00:52:06,500
"Bohemian Rhapsody"
had the public entranced.
1180
00:52:06,500 --> 00:52:06,780
"Bohemian Rhapsody"
had the public entranced.
MOLLY: It was "Bohemian Rhapsody,"
and A Night at the Opera.
1181
00:52:06,780 --> 00:52:10,420
MOLLY: It was "Bohemian Rhapsody,"
and A Night at the Opera.
1182
00:52:10,420 --> 00:52:12,940
I mean, that was
the absolute breaker.
1183
00:52:12,940 --> 00:52:14,220
It got us to a very different area.
1184
00:52:14,220 --> 00:52:19,220
I mean, the cross section of the
public then were so different.
1185
00:52:19,220 --> 00:52:19,460
I mean, the cross section of the
I mean, we were...then suddenly...
1186
00:52:19,460 --> 00:52:20,980
I mean, we were...then suddenly...
1187
00:52:20,980 --> 00:52:21,220
..we suddenly realised we were
I mean, we were...then suddenly...
1188
00:52:21,220 --> 00:52:23,020
..we suddenly realised we were
playing to mums and dads.
1189
00:52:23,020 --> 00:52:23,260
..we suddenly realised we were
And then there was that ABBA song.
1190
00:52:23,260 --> 00:52:24,900
And then there was that ABBA song.
1191
00:52:24,900 --> 00:52:25,100
Oh, it's a new...
And then there was that ABBA song.
1192
00:52:25,100 --> 00:52:27,340
Oh, it's a new...
1193
00:52:27,340 --> 00:52:30,420
..brand-new song which
is called "Fernando."
1194
00:52:31,620 --> 00:52:35,500
And I'm singing the lead
vocals together with Anna,
1195
00:52:35,500 --> 00:52:35,740
And I'm singing the lead
and Bjorn and Ben, of course.
1196
00:52:35,740 --> 00:52:38,060
and Bjorn and Ben, of course.
1197
00:52:38,060 --> 00:52:38,300
Australian expat, Noosha Fox, had
the number one "S-S-S-Single Bed,"
and Bjorn and Ben, of course.
1198
00:52:38,300 --> 00:52:42,220
Australian expat, Noosha Fox, had
the number one "S-S-S-Single Bed,"
1199
00:52:42,220 --> 00:52:42,460
for three weeks.
the number one "S-S-S-Single Bed,"
1200
00:52:42,460 --> 00:52:43,300
for three weeks.
1201
00:52:43,300 --> 00:52:43,540
for three weeks.
MOLLY: When did you really
first know about the fact
1202
00:52:43,540 --> 00:52:45,340
MOLLY: When did you really
first know about the fact
1203
00:52:45,340 --> 00:52:48,460
that "Single Bed" was, in
fact, a giant hit in Australia?
1204
00:52:48,460 --> 00:52:51,540
Well, first of all,
someone went to me,
1205
00:52:51,540 --> 00:52:55,740
a friend of mine went to me from
Australia and said, you know,
1206
00:52:55,740 --> 00:52:58,740
"This record's really
getting airplay there."
1207
00:52:58,740 --> 00:53:00,580
"People are
starting to listen to it."
1208
00:53:00,580 --> 00:53:02,020
"We saw you on Countdown."
1209
00:53:02,020 --> 00:53:03,620
And then the next
thing I knew, you know,
1210
00:53:03,620 --> 00:53:08,180
the record company telephoned me and
said, "It's number one."
1211
00:53:09,940 --> 00:53:13,140
But the local song
for which we remember 1976
1212
00:53:13,140 --> 00:53:15,100
is Sherbet's
cricket catchphrase song,
1213
00:53:15,100 --> 00:53:15,340
number one for a month, "Howzat."
cricket catchphrase song,
1214
00:53:15,340 --> 00:53:17,580
number one for a month, "Howzat."
1215
00:53:18,780 --> 00:53:21,500
# You told me I was the one
1216
00:53:23,180 --> 00:53:27,700
# The only one
who got your head undone
1217
00:53:27,700 --> 00:53:33,940
# And for a while,
I believed the line that you spun
1218
00:53:36,820 --> 00:53:39,460
# But I've been looking at you
1219
00:53:41,260 --> 00:53:45,620
# Looking closely
at the things you do
1220
00:53:45,620 --> 00:53:51,380
# I didn't see you
the way you wanted me to
1221
00:53:52,300 --> 00:53:54,260
# How
# How
1222
00:53:54,260 --> 00:53:56,180
# Howzat
1223
00:53:56,180 --> 00:53:57,180
# You messed about
1224
00:53:57,180 --> 00:53:58,220
# I caught you out
1225
00:53:58,220 --> 00:53:58,420
# Howzat
# I caught you out
1226
00:53:58,420 --> 00:54:00,860
# Howzat
1227
00:54:00,860 --> 00:54:04,540
# Now that I found where you're at
1228
00:54:04,540 --> 00:54:06,460
# It's goodbye
1229
00:54:06,460 --> 00:54:08,700
# Well, howzat?
1230
00:54:08,700 --> 00:54:12,100
# It's goodbye...
1231
00:54:16,380 --> 00:54:18,860
# You only came for a smile
1232
00:54:21,020 --> 00:54:25,460
# Even though
you're really not my style
1233
00:54:25,460 --> 00:54:28,900
# I didn't think
that you'd run me 'round
1234
00:54:28,900 --> 00:54:29,140
# I didn't think
# Like you do
1235
00:54:29,140 --> 00:54:31,980
# Like you do
1236
00:54:31,980 --> 00:54:33,620
# How
# How
1237
00:54:33,620 --> 00:54:35,420
# Howzat
1238
00:54:35,420 --> 00:54:36,420
# You messed about
1239
00:54:36,420 --> 00:54:37,420
# I caught you out
1240
00:54:37,420 --> 00:54:37,620
# Howzat
# I caught you out
1241
00:54:37,620 --> 00:54:40,180
# Howzat
1242
00:54:40,180 --> 00:54:44,020
# Now that I found where you're at
1243
00:54:44,020 --> 00:54:45,900
# It's goodbye
1244
00:54:45,900 --> 00:54:48,100
# Well, howzat?
1245
00:54:48,100 --> 00:54:52,340
# It's goodbye
1246
00:54:52,340 --> 00:54:52,540
# It's goodbye
# Oh, yeah
1247
00:54:52,540 --> 00:54:54,540
# Oh, yeah
1248
00:54:54,540 --> 00:54:54,740
# Oh, yeah
# Oh, yeah
1249
00:54:54,740 --> 00:54:56,980
# Oh, yeah
1250
00:55:03,860 --> 00:55:08,900
(GUITAR SOLO)
1251
00:55:33,500 --> 00:55:36,180
# Well, I've been looking at you
1252
00:55:36,180 --> 00:55:38,100
# I'll tell you what I see
1253
00:55:38,100 --> 00:55:38,340
# I'll tell you what I see
# Looking closely
at the things you do
1254
00:55:38,340 --> 00:55:40,620
# Looking closely
at the things you do
1255
00:55:40,620 --> 00:55:40,860
# Looking closely
# No, you can't fool me
1256
00:55:40,860 --> 00:55:42,660
# No, you can't fool me
1257
00:55:42,660 --> 00:55:47,660
# I didn't see it
the way you wanted me to
1258
00:55:48,740 --> 00:55:50,260
# How
# How
1259
00:55:50,260 --> 00:55:50,500
# How
# Howzat
1260
00:55:50,500 --> 00:55:52,740
# Howzat
1261
00:55:52,740 --> 00:55:53,580
# You messed about
1262
00:55:53,580 --> 00:55:54,740
# I caught you out
1263
00:55:54,740 --> 00:55:57,140
# Howzat
1264
00:55:57,140 --> 00:56:00,780
# Now that I
found where you're at
1265
00:56:00,780 --> 00:56:01,020
# Now that I
# It's goodbye...
1266
00:56:01,020 --> 00:56:05,820
# It's goodbye...
1267
00:56:07,420 --> 00:56:09,620
# Howzat
1268
00:56:09,620 --> 00:56:10,740
# You messed about
1269
00:56:10,740 --> 00:56:11,740
# I caught you out
1270
00:56:11,740 --> 00:56:14,140
# Howzat
1271
00:56:14,140 --> 00:56:17,620
# Now that I found where you're at
1272
00:56:17,620 --> 00:56:19,860
# It's goodbye
1273
00:56:19,860 --> 00:56:22,900
# Well, howzat
1274
00:56:22,900 --> 00:56:26,180
# Goodbye
1275
00:56:26,180 --> 00:56:28,180
# Oh, yeah
1276
00:56:28,180 --> 00:56:30,780
# Ooh, yeah
1277
00:56:30,780 --> 00:56:33,260
# Goodbye, goodbye, goodbye,
goodbye, goodbye
1278
00:56:33,260 --> 00:56:33,500
# Good...
goodbye, goodbye
1279
00:56:33,500 --> 00:56:36,540
# Good...
1280
00:56:38,900 --> 00:56:40,860
# Bye. #
1281
00:56:47,660 --> 00:56:48,740
(ALL LAUGH)
1282
00:56:48,740 --> 00:56:53,180
# It's a long way to the top
if you want to rock and roll! #
1283
00:56:53,180 --> 00:56:56,100
MOLLY: This could
only happen on Countdown.
1284
00:56:56,100 --> 00:56:56,340
Come home with me!
only happen on Countdown.
1285
00:56:56,340 --> 00:56:58,060
Come home with me!
1286
00:56:58,060 --> 00:56:59,620
WILBUR: Visit the
Classic Countdown website
1287
00:56:59,620 --> 00:57:02,100
for more pictures, interviews, and
behind the scenes information.
95244
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