All language subtitles for Valigia dei sogni, La (1953) 640p YTB-ita

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:16,380 --> 00:00:18,400 [musica] 3 00:00:21,610 --> 00:00:23,630 [musica] 5 00:00:26,860 --> 00:00:28,880 [musica] 7 00:00:32,090 --> 00:00:34,110 [musica] 9 00:00:37,340 --> 00:00:39,360 [musica] 11 00:00:41,920 --> 00:00:43,940 [musica] 13 00:00:51,090 --> 00:00:53,110 [musica] 15 00:00:56,980 --> 00:00:59,000 [musica] 17 00:01:06,160 --> 00:01:08,180 [musica] 19 00:01:12,050 --> 00:01:14,070 [musica] 21 00:01:17,290 --> 00:01:19,310 [musica] 23 00:01:21,880 --> 00:01:23,900 [musica] 25 00:01:29,080 --> 00:01:31,100 [musica] 27 00:01:38,250 --> 00:01:40,270 [musica] 29 00:01:44,150 --> 00:01:46,170 [musica] 31 00:01:48,730 --> 00:01:50,750 [musica] 33 00:01:52,160 --> 00:01:58,160 Questo è il macero delle pellicole. Qui 34 00:01:55,590 --> 00:01:58,160 35 00:01:55,600 --> 00:02:01,360 muoiono i film. Veramente sarebbe più 36 00:01:58,150 --> 00:02:01,360 37 00:01:58,160 --> 00:02:03,160 esatto dire li uccidono. Pochi sanno che 38 00:02:01,350 --> 00:02:03,160 39 00:02:01,360 --> 00:02:05,840 dopo una rapidissima carriera di 40 00:02:03,150 --> 00:02:05,840 41 00:02:03,160 --> 00:02:07,880 successi o di insuccessi, una fine 42 00:02:05,830 --> 00:02:07,880 43 00:02:05,840 --> 00:02:09,480 inesorabile attende tutte le pellicole 44 00:02:07,870 --> 00:02:09,480 45 00:02:07,880 --> 00:02:11,800 cinematografiche. 46 00:02:09,470 --> 00:02:11,800 47 00:02:09,480 --> 00:02:14,360 La celluloide e i sali d'argento che le 48 00:02:11,790 --> 00:02:14,360 49 00:02:11,800 --> 00:02:18,080 compongono sono materie troppo preziose 50 00:02:14,350 --> 00:02:18,080 51 00:02:14,360 --> 00:02:19,680 per non essere recuperate. 52 00:02:18,070 --> 00:02:19,680 53 00:02:18,080 --> 00:02:21,760 Occorre lavorarle con estrema 54 00:02:19,670 --> 00:02:21,760 55 00:02:19,680 --> 00:02:23,600 precauzione perché la celluloide è 56 00:02:21,750 --> 00:02:23,600 57 00:02:21,760 --> 00:02:27,080 infiammabilissima, brucia come un 58 00:02:23,590 --> 00:02:27,080 59 00:02:23,600 --> 00:02:30,840 esplosivo. Qui le opere del cinema si 60 00:02:27,070 --> 00:02:30,840 61 00:02:27,080 --> 00:02:30,840 valutano a peso. 63 00:02:30,880 --> 00:02:35,720 Un bagno tiepido separa la gelatina che 64 00:02:33,630 --> 00:02:35,720 65 00:02:33,640 --> 00:02:37,600 con i sali d'argento formava l'immagine 66 00:02:35,710 --> 00:02:37,600 67 00:02:35,720 --> 00:02:40,520 fotografica dal suo supporto di 68 00:02:37,590 --> 00:02:40,520 69 00:02:37,600 --> 00:02:40,520 celluloide. 71 00:02:44,520 --> 00:02:49,160 E il prezioso nastro, una volta 72 00:02:46,990 --> 00:02:49,160 73 00:02:47,000 --> 00:02:51,840 contesissimo dalle sale di proiezione, 74 00:02:49,150 --> 00:02:51,840 75 00:02:49,160 --> 00:02:54,240 esce candido e trasparente dal lavaggio. 76 00:02:51,830 --> 00:02:54,240 77 00:02:51,840 --> 00:02:56,280 Bastano pochi minuti per distruggere il 78 00:02:54,230 --> 00:02:56,280 79 00:02:54,240 --> 00:03:00,120 lavoro di mesi, talvolta di anni, che 80 00:02:56,270 --> 00:03:00,120 81 00:02:56,280 --> 00:03:02,600 costò milioni, fatica e ingegno. Così 82 00:03:00,110 --> 00:03:02,600 83 00:03:00,120 --> 00:03:05,120 sono scomparse per sempre opere che 84 00:03:02,590 --> 00:03:05,120 85 00:03:02,600 --> 00:03:06,800 magari oggi ameremmo rivedere. Anche col 86 00:03:05,110 --> 00:03:06,800 87 00:03:05,120 --> 00:03:09,880 cinema gli uomini scrivono la loro 88 00:03:06,790 --> 00:03:09,880 89 00:03:06,800 --> 00:03:12,080 storia. Purtroppo il cinema non dura, se 90 00:03:09,870 --> 00:03:12,080 91 00:03:09,880 --> 00:03:14,200 ne perde in poco tempo persino il 92 00:03:12,070 --> 00:03:14,200 93 00:03:12,080 --> 00:03:15,880 ricordo. 94 00:03:14,190 --> 00:03:15,880 95 00:03:14,200 --> 00:03:18,840 Ecco che arriva al macero un altro 96 00:03:15,870 --> 00:03:18,840 97 00:03:15,880 --> 00:03:20,080 carico. 98 00:03:18,830 --> 00:03:20,080 99 00:03:18,840 --> 00:03:21,760 Guardate quel vecchietto che si 100 00:03:20,070 --> 00:03:21,760 101 00:03:20,080 --> 00:03:26,120 intrufola nello stabilimento come un 102 00:03:21,750 --> 00:03:26,120 103 00:03:21,760 --> 00:03:27,600 ladro. È un topo di macero. Va alla 104 00:03:26,110 --> 00:03:27,600 105 00:03:26,120 --> 00:03:29,000 caccia di vecchie pellicole come il 106 00:03:27,590 --> 00:03:29,000 107 00:03:27,600 --> 00:03:31,480 botanista in cerca di fiori [musica] 108 00:03:28,990 --> 00:03:31,480 109 00:03:29,000 --> 00:03:33,320 rari. si aggira con la sua valigetta tra 110 00:03:31,470 --> 00:03:33,320 111 00:03:31,480 --> 00:03:35,560 le cataste di pellicole, sperando di 112 00:03:33,310 --> 00:03:35,560 113 00:03:33,320 --> 00:03:37,600 scoprire qualche prezioso brano da 114 00:03:35,550 --> 00:03:37,600 115 00:03:35,560 --> 00:03:39,680 mettere in salvo. Gli operai lo 116 00:03:37,590 --> 00:03:39,680 117 00:03:37,600 --> 00:03:42,320 conoscono e se lo trovano sempre tra i 118 00:03:39,670 --> 00:03:42,320 119 00:03:39,680 --> 00:03:46,040 piedi. Lo lasciano fare perché lo 120 00:03:42,310 --> 00:03:46,040 121 00:03:42,320 --> 00:03:48,000 considerano un poco pazzo ma innocuo. 122 00:03:46,030 --> 00:03:48,000 123 00:03:46,040 --> 00:03:50,240 Si chiama Ettore Omeri, anzi [musica] 124 00:03:47,990 --> 00:03:50,240 125 00:03:48,000 --> 00:03:52,720 per essere più esatti Grand Ufficial 126 00:03:50,230 --> 00:03:52,720 127 00:03:50,240 --> 00:03:54,800 Ettore Omeri, ex attore dei tempi del 128 00:03:52,710 --> 00:03:54,800 129 00:03:52,720 --> 00:03:57,240 muto, che è, come dire, la preistoria 130 00:03:54,790 --> 00:03:57,240 131 00:03:54,800 --> 00:03:58,960 del cinematografo. 132 00:03:57,230 --> 00:03:58,960 133 00:03:57,240 --> 00:04:00,880 Il direttore del macero lo ha già 134 00:03:58,950 --> 00:04:00,880 135 00:03:58,960 --> 00:04:02,240 cacciato tante volte, ma possibile che 136 00:04:00,870 --> 00:04:02,240 137 00:04:00,880 --> 00:04:04,720 non abbia ancora capito che i vecchi 138 00:04:02,230 --> 00:04:04,720 139 00:04:02,240 --> 00:04:06,440 film non possono essere salvati. Infatti 140 00:04:04,710 --> 00:04:06,440 141 00:04:04,720 --> 00:04:08,640 la loro [musica] distruzione non è solo 142 00:04:06,430 --> 00:04:08,640 143 00:04:06,440 --> 00:04:11,360 un'operazione economicamente redditizia, 144 00:04:08,630 --> 00:04:11,360 145 00:04:08,640 --> 00:04:13,360 è un assurdo obbligo contrattuale. Ma 146 00:04:11,350 --> 00:04:13,360 147 00:04:11,360 --> 00:04:16,080 Omeri supplica, scongiura, parla in nome 148 00:04:13,350 --> 00:04:16,080 149 00:04:13,360 --> 00:04:17,120 dell'arte con la maiuscola e alla fine 150 00:04:16,070 --> 00:04:17,120 151 00:04:16,080 --> 00:04:18,960 anche [musica] questa volta lo 152 00:04:17,110 --> 00:04:18,960 153 00:04:17,120 --> 00:04:20,120 accontentano. 154 00:04:18,950 --> 00:04:20,120 155 00:04:18,960 --> 00:04:22,200 un episodio della sua vita di 156 00:04:20,110 --> 00:04:22,200 157 00:04:20,120 --> 00:04:23,960 collezionista. Episodio che a un 158 00:04:22,190 --> 00:04:23,960 159 00:04:22,200 --> 00:04:26,440 dipresso [musica] è realmente accaduto 160 00:04:23,950 --> 00:04:26,440 161 00:04:23,960 --> 00:04:28,720 non molti anni fa, quando non esistevano 162 00:04:26,430 --> 00:04:28,720 163 00:04:26,440 --> 00:04:30,600 ancora le cinete, come dire, le 164 00:04:28,710 --> 00:04:30,600 165 00:04:28,720 --> 00:04:32,120 biblioteche dei film, le quali, tra 166 00:04:30,590 --> 00:04:32,120 167 00:04:30,600 --> 00:04:34,200 l'altro, sono proprio sorte [musica] 168 00:04:32,110 --> 00:04:34,200 169 00:04:32,120 --> 00:04:36,360 così, portando via dal macero qualche 170 00:04:34,190 --> 00:04:36,360 171 00:04:34,200 --> 00:04:37,520 pezzo di pellicola. 172 00:04:36,350 --> 00:04:37,520 173 00:04:36,360 --> 00:04:39,720 >> Dov'è Mariannina? 174 00:04:37,510 --> 00:04:39,720 175 00:04:37,520 --> 00:04:40,680 >> E non lo sai dov'è? Sta chiusa là dentro 176 00:04:39,710 --> 00:04:40,680 177 00:04:39,720 --> 00:04:41,960 tutto il giorno. 178 00:04:40,670 --> 00:04:41,960 179 00:04:40,680 --> 00:04:43,040 >> Non è venuto nessuno a cercarmi. 180 00:04:41,950 --> 00:04:43,040 181 00:04:41,960 --> 00:04:44,760 >> Sì, due monache. 182 00:04:43,030 --> 00:04:44,760 183 00:04:43,040 --> 00:04:45,240 >> I clienti vengono sempre quando io non 184 00:04:44,750 --> 00:04:45,240 185 00:04:44,760 --> 00:04:47,040 ci sono. 186 00:04:45,230 --> 00:04:47,040 187 00:04:45,240 --> 00:04:48,320 >> E aspetta ad arrabbiarti. Hanno parlato 188 00:04:47,030 --> 00:04:48,320 189 00:04:47,040 --> 00:04:49,000 con Mariannina e hanno detto che 190 00:04:48,310 --> 00:04:49,000 191 00:04:48,320 --> 00:04:49,600 ripasseranno 192 00:04:48,990 --> 00:04:49,600 193 00:04:49,000 --> 00:04:50,880 >> quando 194 00:04:49,590 --> 00:04:50,880 195 00:04:49,600 --> 00:04:53,880 >> questo non l'hanno detto. 196 00:04:50,870 --> 00:04:53,880 197 00:04:50,880 --> 00:04:53,880 >> Ah! 199 00:05:31,430 --> 00:05:33,450 >> [musica] 201 00:05:39,800 --> 00:05:44,480 >> Assassina, tu vuoi la mia morte? Non lo 202 00:05:42,990 --> 00:05:44,480 203 00:05:43,000 --> 00:05:46,440 sai che le pellicole sono più esplosive 204 00:05:44,470 --> 00:05:46,440 205 00:05:44,480 --> 00:05:47,640 della dinamite? 206 00:05:46,430 --> 00:05:47,640 207 00:05:46,440 --> 00:05:49,320 Un giorno all'altro tu farai saltare 208 00:05:47,630 --> 00:05:49,320 209 00:05:47,640 --> 00:05:50,840 perare tutto il deposito qua. 210 00:05:49,310 --> 00:05:50,840 211 00:05:49,320 --> 00:05:53,240 >> Ma io sto attenta. 212 00:05:50,830 --> 00:05:53,240 213 00:05:50,840 --> 00:05:56,040 >> Se ti pesco ancora a fumare ti licenzio. 214 00:05:53,230 --> 00:05:56,040 215 00:05:53,240 --> 00:05:58,080 >> No, no. 216 00:05:56,030 --> 00:05:58,080 217 00:05:56,040 --> 00:05:59,160 >> Non è venuto nessuno a cercarmi? 218 00:05:58,070 --> 00:05:59,160 219 00:05:58,080 --> 00:06:02,160 >> No, nessuno. 220 00:05:59,150 --> 00:06:02,160 221 00:05:59,160 --> 00:06:04,200 >> Nessuno? Sono venute due monache, due 222 00:06:02,150 --> 00:06:04,200 223 00:06:02,160 --> 00:06:05,480 clienti e tu non ne sai niente. Tu non 224 00:06:04,190 --> 00:06:05,480 225 00:06:04,200 --> 00:06:07,000 mi dici niente. 226 00:06:05,470 --> 00:06:07,000 227 00:06:05,480 --> 00:06:09,000 >> E se lo sai perché me lo chiedi? 228 00:06:06,990 --> 00:06:09,000 229 00:06:07,000 --> 00:06:10,440 >> E lo so perché me l'ha detto tua madre. 230 00:06:08,990 --> 00:06:10,440 231 00:06:09,000 --> 00:06:12,440 Dove ce l'hai la testa? 232 00:06:10,430 --> 00:06:12,440 233 00:06:10,440 --> 00:06:13,760 >> Qua sta 234 00:06:12,430 --> 00:06:13,760 235 00:06:12,440 --> 00:06:15,480 ce lo fa vedere il cinema. 236 00:06:13,750 --> 00:06:15,480 237 00:06:13,760 --> 00:06:17,200 >> E daje, una mezz'oretta. 238 00:06:15,470 --> 00:06:17,200 239 00:06:15,480 --> 00:06:20,240 >> Via ragazzi, levatevi di lì che non è 240 00:06:17,190 --> 00:06:20,240 241 00:06:17,200 --> 00:06:22,320 roba per voi. Via. Credo di aver trovato 242 00:06:20,230 --> 00:06:22,320 243 00:06:20,240 --> 00:06:25,160 l'ultimo rullo del romanzo di un giovane 244 00:06:22,310 --> 00:06:25,160 245 00:06:22,320 --> 00:06:26,720 povero. Così avremo un'opera completa 246 00:06:25,150 --> 00:06:26,720 247 00:06:25,160 --> 00:06:28,200 della menich e potremmo fare il 248 00:06:26,710 --> 00:06:28,200 249 00:06:26,720 --> 00:06:29,360 florilegio delle dive. 250 00:06:28,190 --> 00:06:29,360 251 00:06:28,200 --> 00:06:30,880 >> Che è lo florilegio? 252 00:06:29,350 --> 00:06:30,880 253 00:06:29,360 --> 00:06:31,560 >> Una scelta. No, come si fa un mazzo di 254 00:06:30,870 --> 00:06:31,560 255 00:06:30,880 --> 00:06:33,240 fiori? 256 00:06:31,550 --> 00:06:33,240 257 00:06:31,560 --> 00:06:33,680 >> Ah, ho capito. Fai un bouquet con le 258 00:06:33,230 --> 00:06:33,680 259 00:06:33,240 --> 00:06:35,080 attrici. 260 00:06:33,670 --> 00:06:35,080 261 00:06:33,680 --> 00:06:37,080 >> Eh, brava. Vai, vai, vai, vai. Siediti 262 00:06:35,070 --> 00:06:37,080 263 00:06:35,080 --> 00:06:41,000 lì, ripassa queste pellicole, puliscile 264 00:06:37,070 --> 00:06:41,000 265 00:06:37,080 --> 00:06:41,960 bene, fai le giunte. Ah, questi fumetti. 266 00:06:40,990 --> 00:06:41,960 267 00:06:41,000 --> 00:06:43,320 Metti i guanti. 268 00:06:41,950 --> 00:06:43,320 269 00:06:41,960 --> 00:06:45,520 >> Pure i guanti mi devo mettere per sti 270 00:06:43,310 --> 00:06:45,520 271 00:06:43,320 --> 00:06:48,680 stracci dei film. Guarda che unto. 272 00:06:45,510 --> 00:06:48,680 273 00:06:45,520 --> 00:06:48,680 Lavali col tetracloruro. 275 00:07:33,480 --> 00:07:37,440 Ah, è lei? 276 00:07:35,790 --> 00:07:37,440 277 00:07:35,800 --> 00:07:39,640 Sì, 278 00:07:37,430 --> 00:07:39,640 279 00:07:37,440 --> 00:07:41,320 è lei, 280 00:07:39,630 --> 00:07:41,320 281 00:07:39,640 --> 00:07:42,280 la Duse. 282 00:07:41,310 --> 00:07:42,280 283 00:07:41,320 --> 00:07:45,160 >> Chi? 284 00:07:42,270 --> 00:07:45,160 285 00:07:42,280 --> 00:07:46,560 Eleonora Duse, la più grande attrice del 286 00:07:45,150 --> 00:07:46,560 287 00:07:45,160 --> 00:07:49,080 teatro italiano. 288 00:07:46,550 --> 00:07:49,080 289 00:07:46,560 --> 00:07:51,920 >> Davvero? E chi la conosce? 290 00:07:49,070 --> 00:07:51,920 291 00:07:49,080 --> 00:07:54,200 >> E pensare che senza di me anche questo 292 00:07:51,910 --> 00:07:54,200 293 00:07:51,920 --> 00:07:58,400 pezzo finiva al macero, distrutto, 294 00:07:54,190 --> 00:07:58,400 295 00:07:54,200 --> 00:07:58,400 annullato per sempre. 297 00:07:58,520 --> 00:08:02,720 E fai, sagurata ladra, usi il mio 298 00:08:01,070 --> 00:08:02,720 299 00:08:01,080 --> 00:08:04,480 accatone per le tue unghie. Vattene via 300 00:08:02,710 --> 00:08:04,480 301 00:08:02,720 --> 00:08:05,960 che non ti vedo mai più qui. Via! 302 00:08:04,470 --> 00:08:05,960 303 00:08:04,480 --> 00:08:06,600 >> Uh, quante storie! Mo te lo vado a 304 00:08:05,950 --> 00:08:06,600 305 00:08:05,960 --> 00:08:08,360 ricompra. 306 00:08:06,590 --> 00:08:08,360 307 00:08:06,600 --> 00:08:11,600 >> Ti pit le unghie di rosso. Non sai chi 308 00:08:08,350 --> 00:08:11,600 309 00:08:08,360 --> 00:08:12,480 era l'onoraduse? Avanti. Chi è? 310 00:08:11,590 --> 00:08:12,480 311 00:08:11,600 --> 00:08:14,400 Si può? 312 00:08:12,470 --> 00:08:14,400 313 00:08:12,480 --> 00:08:15,200 >> Oh, loro sono quelle di prima. 314 00:08:14,390 --> 00:08:15,200 315 00:08:14,400 --> 00:08:17,520 >> Buongiorno. 316 00:08:15,190 --> 00:08:17,520 317 00:08:15,200 --> 00:08:19,800 >> Buongiorno, sorelle. Loro desiderano uno 318 00:08:17,510 --> 00:08:19,800 319 00:08:17,520 --> 00:08:20,280 spettacolo, immagino. Prego, si 320 00:08:19,790 --> 00:08:20,280 321 00:08:19,800 --> 00:08:22,320 accomodano. 322 00:08:20,270 --> 00:08:22,320 323 00:08:20,280 --> 00:08:22,600 >> Grazie, non occorre. Lei è il cavaliere 324 00:08:22,310 --> 00:08:22,600 325 00:08:22,320 --> 00:08:23,920 Mary 326 00:08:22,590 --> 00:08:23,920 327 00:08:22,600 --> 00:08:25,600 >> per servirle. 328 00:08:23,910 --> 00:08:25,600 329 00:08:23,920 --> 00:08:28,080 >> Abbiamo avuto il suo indirizzo da madre 330 00:08:25,590 --> 00:08:28,080 331 00:08:25,600 --> 00:08:29,640 Giuseppina. Lei ha dato uno spettacolo 332 00:08:28,070 --> 00:08:29,640 333 00:08:28,080 --> 00:08:30,960 all'orfanotrofio di Sant'Antonio. 334 00:08:29,630 --> 00:08:30,960 335 00:08:29,640 --> 00:08:33,680 >> Sì. E madre Giuseppina è rimasta 336 00:08:30,950 --> 00:08:33,680 337 00:08:30,960 --> 00:08:36,080 contentissima. Infatti noi siamo del 338 00:08:33,670 --> 00:08:36,080 339 00:08:33,680 --> 00:08:37,840 collegio della purificazione e domani 340 00:08:36,070 --> 00:08:37,840 341 00:08:36,080 --> 00:08:39,960 festeggiamo il compleanno della nostra 342 00:08:37,830 --> 00:08:39,960 343 00:08:37,840 --> 00:08:40,600 madre superiora. Ci saranno le dame 344 00:08:39,950 --> 00:08:40,600 345 00:08:39,960 --> 00:08:42,240 patronesse. 346 00:08:40,590 --> 00:08:42,240 347 00:08:40,600 --> 00:08:43,080 >> Così avete pensato di organizzare una 348 00:08:42,230 --> 00:08:43,080 349 00:08:42,240 --> 00:08:44,840 bella proiezione 350 00:08:43,070 --> 00:08:44,840 351 00:08:43,080 --> 00:08:46,760 >> e siamo qui appunto per questo 352 00:08:44,830 --> 00:08:46,760 353 00:08:44,840 --> 00:08:48,720 >> onoratissimo. Presenterò loro una 354 00:08:46,750 --> 00:08:48,720 355 00:08:46,760 --> 00:08:50,680 rassegna di film con forma indirizzo 356 00:08:48,710 --> 00:08:50,680 357 00:08:48,720 --> 00:08:52,560 educativo e ricreativo del collegio 358 00:08:50,670 --> 00:08:52,560 359 00:08:50,680 --> 00:08:54,800 >> e si potrebbe vedere qualche cosa? 360 00:08:52,550 --> 00:08:54,800 361 00:08:52,560 --> 00:08:56,360 >> Certamente certamente. 362 00:08:54,790 --> 00:08:56,360 363 00:08:54,800 --> 00:08:58,320 >> Luca Valier un professore dello 364 00:08:56,350 --> 00:08:58,320 365 00:08:56,360 --> 00:09:01,360 cinematografo 366 00:08:58,310 --> 00:09:01,360 367 00:08:58,320 --> 00:09:03,080 >> modestamente sono in arte da 40 anni. 368 00:09:01,350 --> 00:09:03,080 369 00:09:01,360 --> 00:09:04,560 Mariannina, chiudi le finestre, prepara 370 00:09:03,070 --> 00:09:04,560 371 00:09:03,080 --> 00:09:07,000 il gramofono, metti il solito disco e 372 00:09:04,550 --> 00:09:07,000 373 00:09:04,560 --> 00:09:09,960 quando ti faccio segno attacca. Sorelle, 374 00:09:06,990 --> 00:09:09,960 375 00:09:07,000 --> 00:09:10,480 prego, s'accomodino qui, così vedono 376 00:09:09,950 --> 00:09:10,480 377 00:09:09,960 --> 00:09:12,400 meglio. 378 00:09:10,470 --> 00:09:12,400 379 00:09:10,480 --> 00:09:13,080 >> Ma scusi, le sue non sono pellicole 380 00:09:12,390 --> 00:09:13,080 381 00:09:12,400 --> 00:09:15,160 sonore. 382 00:09:13,070 --> 00:09:15,160 383 00:09:13,080 --> 00:09:15,960 >> Son quello. 384 00:09:15,150 --> 00:09:15,960 385 00:09:15,160 --> 00:09:18,360 >> Ed il parlato 386 00:09:15,950 --> 00:09:18,360 387 00:09:15,960 --> 00:09:20,680 >> parlato al naturale, ci penso io. 388 00:09:18,350 --> 00:09:20,680 389 00:09:18,360 --> 00:09:21,320 >> Ah, se vuole posso accompagnarlo al 390 00:09:20,670 --> 00:09:21,320 391 00:09:20,680 --> 00:09:22,880 pianoforte. 392 00:09:21,310 --> 00:09:22,880 393 00:09:21,320 --> 00:09:26,720 >> Ah, grazie sorella. Ma per accompagnare 394 00:09:22,870 --> 00:09:26,720 395 00:09:22,880 --> 00:09:26,720 un film bisogna essere specialisti. 397 00:09:29,760 --> 00:09:37,040 La Omeri Film ha l'onore di presentare 398 00:09:33,390 --> 00:09:37,040 399 00:09:33,400 --> 00:09:39,400 Attraverso i secoli, ovvero si da Giulio 400 00:09:37,030 --> 00:09:39,400 401 00:09:37,040 --> 00:09:41,560 Cesare alla presa di Roma, rassegna 402 00:09:39,390 --> 00:09:41,560 403 00:09:39,400 --> 00:09:44,480 delle più gloriose e vecchie pellicole 404 00:09:41,550 --> 00:09:44,480 405 00:09:41,560 --> 00:09:46,160 storiche italiane. Questo grandioso 406 00:09:44,470 --> 00:09:46,160 407 00:09:44,480 --> 00:09:48,840 Giulio Cesare che voi vedete è stato 408 00:09:46,150 --> 00:09:48,840 409 00:09:46,160 --> 00:09:50,400 realizzato nel lontano 1913 da Enrico 410 00:09:48,830 --> 00:09:50,400 411 00:09:48,840 --> 00:09:52,040 Guazzoni. 412 00:09:50,390 --> 00:09:52,040 413 00:09:50,400 --> 00:09:54,040 Ecco le trimi di Cesare che veleggiano 414 00:09:52,030 --> 00:09:54,040 415 00:09:52,040 --> 00:09:56,200 verso la Grecia. Cesare va a combattere 416 00:09:54,030 --> 00:09:56,200 417 00:09:54,040 --> 00:09:58,560 l'ultima battaglia contro Pompeo, suo 418 00:09:56,190 --> 00:09:58,560 419 00:09:56,200 --> 00:10:00,360 odiato rivale. Cesare studia 420 00:09:58,550 --> 00:10:00,360 421 00:09:58,560 --> 00:10:02,120 accuratamente i suoi piani di guerra. 422 00:10:00,350 --> 00:10:02,120 423 00:10:00,360 --> 00:10:03,880 Eccolo sotto la sua tenda, il 424 00:10:02,110 --> 00:10:03,880 425 00:10:02,120 --> 00:10:07,250 personaggio interpretato da Amleto 426 00:10:03,870 --> 00:10:07,250 427 00:10:03,880 --> 00:10:07,250 Nobelli. [musica] 429 00:10:12,920 --> 00:10:17,400 Dopo alterne vicende i due grandi e 430 00:10:15,190 --> 00:10:17,400 431 00:10:15,200 --> 00:10:18,920 accerrimi rivali si trovano schierati 432 00:10:17,390 --> 00:10:18,920 433 00:10:17,400 --> 00:10:21,520 con i loro eserciti per la prova 434 00:10:18,910 --> 00:10:21,520 435 00:10:18,920 --> 00:10:23,960 suprema. L'esercito di Pompeo è più 436 00:10:21,510 --> 00:10:23,960 437 00:10:21,520 --> 00:10:28,040 forte. Quello di Cesare è decimato dalle 438 00:10:23,950 --> 00:10:28,040 439 00:10:23,960 --> 00:10:28,040 fatiche e dai combattimenti. 441 00:10:30,120 --> 00:10:34,400 [musica] 442 00:10:31,870 --> 00:10:34,400 443 00:10:31,880 --> 00:10:36,670 A Cesare genio della battaglia e Dio 444 00:10:34,390 --> 00:10:36,670 445 00:10:34,400 --> 00:10:38,690 della guerra sbaraglierà Pompeo. 446 00:10:36,660 --> 00:10:38,690 447 00:10:36,670 --> 00:10:38,690 >> [musica] 449 00:10:41,250 --> 00:10:43,270 [musica] 451 00:10:47,150 --> 00:10:49,170 [musica] 453 00:10:53,700 --> 00:10:55,720 [musica] 455 00:11:00,250 --> 00:11:02,270 [musica] 457 00:11:04,830 --> 00:11:08,680 [musica] 458 00:11:06,270 --> 00:11:08,680 459 00:11:06,280 --> 00:11:11,960 >> เ L'esercito 460 00:11:08,670 --> 00:11:11,960 461 00:11:08,680 --> 00:11:15,000 di Pompeo è in rotta. Cesare ha vinto e 462 00:11:11,950 --> 00:11:15,000 463 00:11:11,960 --> 00:11:18,560 Roma gli decreta il trionfo. Presto 464 00:11:14,990 --> 00:11:18,560 465 00:11:15,000 --> 00:11:18,560 l'inno del trionfo. 467 00:11:23,520 --> 00:11:29,680 Tieni. Attenta, 468 00:11:26,670 --> 00:11:29,680 469 00:11:26,680 --> 00:11:29,680 attacca. 471 00:11:34,960 --> 00:11:36,980 >> [musica] 473 00:11:40,860 --> 00:11:42,880 [musica] 475 00:11:45,120 --> 00:11:50,760 >> Ed eccoci ai fatali idi di marzo 476 00:11:47,590 --> 00:11:50,760 477 00:11:47,600 --> 00:11:53,400 dell'anno 44. 478 00:11:50,750 --> 00:11:53,400 479 00:11:50,760 --> 00:11:55,120 Cesare si reca in Senato per congedarsi 480 00:11:53,390 --> 00:11:55,120 481 00:11:53,400 --> 00:11:59,120 e alla vigilia della partenza perché 482 00:11:55,110 --> 00:11:59,120 483 00:11:55,120 --> 00:11:59,120 deve combattere i parti. 485 00:12:05,090 --> 00:12:07,110 >> [musica] 487 00:12:08,120 --> 00:12:12,280 >> Ma lo fermo una congiura ordita dai suoi 488 00:12:10,310 --> 00:12:12,280 489 00:12:10,320 --> 00:12:16,400 stessi più fidi amici che volevano 490 00:12:12,270 --> 00:12:16,400 491 00:12:12,280 --> 00:12:16,400 liberare Roma dalla sua tirannia. 493 00:12:18,190 --> 00:12:22,760 [musica] Ed è proprio bruto, considerato 494 00:12:20,190 --> 00:12:22,760 495 00:12:20,200 --> 00:12:26,000 da lui come un figlio che lo uccide. Tu 496 00:12:22,750 --> 00:12:26,000 497 00:12:22,760 --> 00:12:30,000 cuoque brut miei! Esclama il trafitto. 498 00:12:25,990 --> 00:12:30,000 499 00:12:26,000 --> 00:12:30,000 Allora cadi o Cesare! 501 00:12:30,560 --> 00:12:35,880 Il fido Marcantonio giura di vendicare 502 00:12:32,670 --> 00:12:35,880 503 00:12:32,680 --> 00:12:37,900 l'amatissimo capo. 504 00:12:35,870 --> 00:12:37,900 505 00:12:35,880 --> 00:12:37,900 [musica] 507 00:12:41,120 --> 00:12:43,140 [musica] 509 00:12:44,080 --> 00:12:49,640 Lutti, tremendi lutti per Roma. Tutto il 510 00:12:47,550 --> 00:12:49,640 511 00:12:47,560 --> 00:12:53,620 popolo tributa all'estremo saluto alla 512 00:12:49,630 --> 00:12:53,620 513 00:12:49,640 --> 00:12:53,620 gloriosa salma. [musica] 515 00:12:56,840 --> 00:13:01,400 Cittadini romani grida Marco Antonio. Lo 516 00:12:59,710 --> 00:13:01,400 517 00:12:59,720 --> 00:13:04,440 straziato corpo di Cesare chiede 518 00:13:01,390 --> 00:13:04,440 519 00:13:01,400 --> 00:13:08,880 giustizia e vendetta, ma le grida della 520 00:13:04,430 --> 00:13:08,880 521 00:13:04,440 --> 00:13:08,880 folla coprono la voce di Marcantonio. 523 00:13:09,940 --> 00:13:11,960 [musica] 525 00:13:15,830 --> 00:13:17,850 [musica] 527 00:13:21,730 --> 00:13:23,750 [musica] 529 00:13:28,040 --> 00:13:31,640 Fine del primo episodio 530 00:13:30,590 --> 00:13:31,640 531 00:13:30,600 --> 00:13:32,560 >> che ci metto? 532 00:13:31,630 --> 00:13:32,560 533 00:13:31,640 --> 00:13:34,680 >> Re dei cieli. 534 00:13:32,550 --> 00:13:34,680 535 00:13:32,560 --> 00:13:37,920 >> Pronto col re dei cieli. 536 00:13:34,670 --> 00:13:37,920 537 00:13:34,680 --> 00:13:40,640 >> Attenzione, 44 anni dopo la morte di 538 00:13:37,910 --> 00:13:40,640 539 00:13:37,920 --> 00:13:43,880 Cesare nasceva a Betlemme un bambino in 540 00:13:40,630 --> 00:13:43,880 541 00:13:40,640 --> 00:13:43,880 una stalla. 543 00:13:47,270 --> 00:13:54,880 [musica] 544 00:13:48,550 --> 00:13:54,880 545 00:13:48,560 --> 00:13:57,120 I re magi si recano sin lì per e il re. 546 00:13:54,870 --> 00:13:57,120 547 00:13:54,880 --> 00:13:59,760 Osservate [musica] la suggestiva 548 00:13:57,110 --> 00:13:59,760 549 00:13:57,120 --> 00:14:05,800 illuminazione di questa scena del film 550 00:13:59,750 --> 00:14:05,800 551 00:13:59,760 --> 00:14:05,800 Christus girata a Roma nel 1915. 553 00:14:07,040 --> 00:14:11,960 Per uccidere Gesù Erode ha ordinato lo 554 00:14:10,030 --> 00:14:11,960 555 00:14:10,040 --> 00:14:15,520 sterminio di tutti i fanciulli della 556 00:14:11,950 --> 00:14:15,520 557 00:14:11,960 --> 00:14:19,680 Galilea, ma ora gli spetri delle vittime 558 00:14:15,510 --> 00:14:19,680 559 00:14:15,520 --> 00:14:22,360 innocenti lo perseguitano. 560 00:14:19,670 --> 00:14:22,360 561 00:14:19,680 --> 00:14:25,260 La sacra famiglia è salva e si è 562 00:14:22,350 --> 00:14:25,260 563 00:14:22,360 --> 00:14:27,280 rifugiata. in Egitto. 564 00:14:25,250 --> 00:14:27,280 565 00:14:25,260 --> 00:14:27,280 [musica] 567 00:14:33,130 --> 00:14:35,150 [musica] 569 00:14:39,020 --> 00:14:41,200 [musica] 570 00:14:40,230 --> 00:14:41,200 571 00:14:40,240 --> 00:14:44,040 >> Stop! 572 00:14:41,190 --> 00:14:44,040 573 00:14:41,200 --> 00:14:45,800 >> Che dici? Ferma, metti il numero sette, 574 00:14:44,030 --> 00:14:45,800 575 00:14:44,040 --> 00:14:48,160 >> parla come Dio t' ha fatto. 576 00:14:45,790 --> 00:14:48,160 577 00:14:45,800 --> 00:14:50,960 >> E quel Gerusalemme dove Gesù venne 578 00:14:48,150 --> 00:14:50,960 579 00:14:48,160 --> 00:14:53,240 crocifisso cade in mano agli infedeli e 580 00:14:50,950 --> 00:14:53,240 581 00:14:50,960 --> 00:14:55,920 solo molti secoli più tardi verranno i 582 00:14:53,230 --> 00:14:55,920 583 00:14:53,240 --> 00:14:57,800 crociati a liberarla. 584 00:14:55,910 --> 00:14:57,800 585 00:14:55,920 --> 00:15:00,480 Ecco un episodio ispirato dal famoso 586 00:14:57,790 --> 00:15:00,480 587 00:14:57,800 --> 00:15:02,200 poema Gerusalemme liberata di Torquato 588 00:15:00,470 --> 00:15:02,200 589 00:15:00,480 --> 00:15:03,960 Tasso. 590 00:15:02,190 --> 00:15:03,960 591 00:15:02,200 --> 00:15:06,600 I crociati muovono all'assalto delle 592 00:15:03,950 --> 00:15:06,600 593 00:15:03,960 --> 00:15:08,360 mura di Gerusalemme. 594 00:15:06,590 --> 00:15:08,360 595 00:15:06,600 --> 00:15:10,200 Enricio Guazzoni, l'artefice 596 00:15:08,350 --> 00:15:10,200 597 00:15:08,360 --> 00:15:12,520 invareggiabile di tante nostre pellicole 598 00:15:10,190 --> 00:15:12,520 599 00:15:10,200 --> 00:15:15,520 storiche, ha creato quest'opera nel 600 00:15:12,510 --> 00:15:15,520 601 00:15:12,520 --> 00:15:15,520 1917. 603 00:15:17,010 --> 00:15:19,030 [musica] 605 00:15:23,560 --> 00:15:25,580 >> [musica] 607 00:15:32,730 --> 00:15:34,750 [musica] 609 00:15:39,280 --> 00:15:41,300 [musica] 611 00:15:44,520 --> 00:15:46,540 [musica] 613 00:15:49,080 --> 00:15:52,960 >> เ 614 00:15:50,350 --> 00:15:52,960 615 00:15:50,360 --> 00:15:55,080 Attenzione, quarto episodio. Il 616 00:15:52,950 --> 00:15:55,080 617 00:15:52,960 --> 00:15:57,480 Risorgimento italiano rivendica l'unità 618 00:15:55,070 --> 00:15:57,480 619 00:15:55,080 --> 00:15:59,480 e l'indipendenza dell'Italia. Tulio 620 00:15:57,470 --> 00:15:59,480 621 00:15:57,480 --> 00:16:02,240 Carminati interpreta il conteano 622 00:15:59,470 --> 00:16:02,240 623 00:15:59,480 --> 00:16:04,280 Lamberti nel film romanticismo che il 624 00:16:02,230 --> 00:16:04,280 625 00:16:02,240 --> 00:16:06,640 regista Rigo Frusta ha ricavato dal 626 00:16:04,270 --> 00:16:06,640 627 00:16:04,280 --> 00:16:08,680 dramma di Gerolamo Robetta. Siamo n 628 00:16:06,630 --> 00:16:08,680 629 00:16:06,640 --> 00:16:10,800 retrobottega della farmacia Anperti, 630 00:16:08,670 --> 00:16:10,800 631 00:16:08,680 --> 00:16:13,080 uovo dei congiurati. Il Comtel Lamberti, 632 00:16:10,790 --> 00:16:13,080 633 00:16:10,800 --> 00:16:15,720 grande patriota, si associa alla Giove 634 00:16:13,070 --> 00:16:15,720 635 00:16:13,080 --> 00:16:18,400 Italia e presta il suo giuramento. Nel 636 00:16:15,710 --> 00:16:18,400 637 00:16:15,720 --> 00:16:20,840 nome di Dio e dell'Italia, io, Vitaliano 638 00:16:18,390 --> 00:16:20,840 639 00:16:18,400 --> 00:16:23,000 Lamberti, do il mio nome alla Gen Italia 640 00:16:20,830 --> 00:16:23,000 641 00:16:20,840 --> 00:16:26,400 e giuro di essere fedele alla santa 642 00:16:22,990 --> 00:16:26,400 643 00:16:23,000 --> 00:16:26,400 causa italiana. 645 00:16:27,240 --> 00:16:33,200 Intanto al Teatro alla Scala gli 646 00:16:28,870 --> 00:16:33,200 647 00:16:28,880 --> 00:16:33,200 studenti inneggiano l'Italia. 649 00:16:33,650 --> 00:16:35,670 [musica] 651 00:16:41,840 --> 00:16:46,840 Gli ufficiali austriaci abbandonano la 652 00:16:43,830 --> 00:16:46,840 653 00:16:43,840 --> 00:16:46,840 platea. 655 00:16:47,400 --> 00:16:49,420 [musica] 657 00:16:53,300 --> 00:16:55,320 [musica] 659 00:16:56,520 --> 00:17:01,760 Giacomino, cognato di Vitaliano, sfida 660 00:16:59,510 --> 00:17:01,760 661 00:16:59,520 --> 00:17:05,000 un ufficiale austriaco e gli grida in 662 00:17:01,750 --> 00:17:05,000 663 00:17:01,760 --> 00:17:09,960 faccia: "Come mangerei volentieri questa 664 00:17:04,990 --> 00:17:09,960 665 00:17:05,000 --> 00:17:09,960 sera una bistecca di porco?" 667 00:17:10,330 --> 00:17:12,350 [musica] 669 00:17:14,260 --> 00:17:16,280 [applauso] 671 00:17:16,600 --> 00:17:21,240 Ma il traditore Ceschi, segretario del 672 00:17:18,830 --> 00:17:21,240 673 00:17:18,840 --> 00:17:25,080 Conte, tenta di sedurre la contessa 674 00:17:21,230 --> 00:17:25,080 675 00:17:21,240 --> 00:17:25,080 Anna, moglie di Lamberti. 677 00:17:29,520 --> 00:17:34,620 Questa lo respinge sdegnata. 678 00:17:32,590 --> 00:17:34,620 679 00:17:32,600 --> 00:17:34,620 [musica] 681 00:17:35,640 --> 00:17:41,880 Allora il Vile Ceschi denuncerà [musica] 682 00:17:37,630 --> 00:17:41,880 683 00:17:37,640 --> 00:17:41,880 il conteano alla polizia. 685 00:17:47,660 --> 00:17:49,680 >> [musica] 687 00:17:52,900 --> 00:17:54,920 [musica] 689 00:17:57,490 --> 00:17:59,510 [musica] 691 00:18:04,690 --> 00:18:06,710 [musica] 693 00:18:11,240 --> 00:18:13,260 [musica] 695 00:18:15,040 --> 00:18:20,040 >> Lasciate almeno. 696 00:18:16,830 --> 00:18:20,040 697 00:18:16,840 --> 00:18:23,000 Lasciate alle nostre Risorgimento 698 00:18:20,030 --> 00:18:23,000 699 00:18:20,040 --> 00:18:25,440 italiano è in marcia. Garibaldi e i 1000 700 00:18:22,990 --> 00:18:25,440 701 00:18:23,000 --> 00:18:28,640 sono sbarcati in Sicilia. Tutto il 702 00:18:25,430 --> 00:18:28,640 703 00:18:25,440 --> 00:18:30,800 popolo è insorto. Persino le donne 704 00:18:28,630 --> 00:18:30,800 705 00:18:28,640 --> 00:18:32,560 aiutano Garibaldi. Eccone [musica] una 706 00:18:30,790 --> 00:18:32,560 707 00:18:30,800 --> 00:18:35,320 che arriva con importanti notizie per 708 00:18:32,550 --> 00:18:35,320 709 00:18:32,560 --> 00:18:38,360 l'eroe dei due mondi. 710 00:18:35,310 --> 00:18:38,360 711 00:18:35,320 --> 00:18:41,430 È un film del 1912. Regista Mario 712 00:18:38,350 --> 00:18:41,430 713 00:18:38,360 --> 00:18:41,430 Caserini. [musica] 715 00:18:48,580 --> 00:18:50,600 >> [musica] 717 00:18:56,440 --> 00:18:58,460 [musica] 719 00:19:01,020 --> 00:19:03,040 [musica] 721 00:19:05,610 --> 00:19:07,630 [musica] 723 00:19:11,920 --> 00:19:14,160 >> เฮ 725 00:19:18,050 --> 00:19:20,070 >> [musica] 727 00:19:23,950 --> 00:19:25,970 [musica] 729 00:19:35,080 --> 00:19:37,100 [musica] 731 00:19:41,880 --> 00:19:43,960 >> เ 733 00:19:46,680 --> 00:19:51,160 E questa presa di Roma che conclude la 734 00:19:48,790 --> 00:19:51,160 735 00:19:48,800 --> 00:19:53,640 nostra rassegna è anche il primo film 736 00:19:51,150 --> 00:19:53,640 737 00:19:51,160 --> 00:19:57,440 italiano a soggetto realizzato in Italia 738 00:19:53,630 --> 00:19:57,440 739 00:19:53,640 --> 00:20:00,240 nel lontano 1904 da Filoteo Alberini per 740 00:19:57,430 --> 00:20:00,240 741 00:19:57,440 --> 00:20:03,200 la casa cinese di Roma. 742 00:20:00,230 --> 00:20:03,200 743 00:20:00,240 --> 00:20:05,800 20 settembre 1870. 744 00:20:03,190 --> 00:20:05,800 745 00:20:03,200 --> 00:20:08,320 Data fatidica. I bersaglieri sono alle 746 00:20:05,790 --> 00:20:08,320 747 00:20:05,800 --> 00:20:10,160 porte di Roma. Il generale Casler, 748 00:20:08,310 --> 00:20:10,160 749 00:20:08,320 --> 00:20:12,440 comandante delle truppe pontifice, 750 00:20:10,150 --> 00:20:12,440 751 00:20:10,160 --> 00:20:14,800 all'ultimatum presentatogli dal generale 752 00:20:12,430 --> 00:20:14,800 753 00:20:12,440 --> 00:20:20,320 Carchidio a nome di Raffaele Cadorna, 754 00:20:14,790 --> 00:20:20,320 755 00:20:14,800 --> 00:20:20,320 risponde con sdegno: "Niente resa". 757 00:20:30,100 --> 00:20:32,120 >> [musica] 759 00:20:36,000 --> 00:20:40,240 >> Carchidio è condotto via. Gli bendano 760 00:20:38,470 --> 00:20:40,240 761 00:20:38,480 --> 00:20:43,640 gli occhi perché deve attraversare le 762 00:20:40,230 --> 00:20:43,640 763 00:20:40,240 --> 00:20:43,640 linee nemiche. 765 00:20:46,960 --> 00:20:48,720 La marcia 766 00:20:47,750 --> 00:20:48,720 767 00:20:47,760 --> 00:20:49,440 >> e statti zitto che mi fa fai 768 00:20:48,710 --> 00:20:49,440 769 00:20:48,720 --> 00:20:51,320 imbrogliare. 770 00:20:49,430 --> 00:20:51,320 771 00:20:49,440 --> 00:20:53,160 >> I bersaglieri hanno aperto a cannonate 772 00:20:51,310 --> 00:20:53,160 773 00:20:51,320 --> 00:20:54,360 la breccia di porta via. La marcia. La 774 00:20:53,150 --> 00:20:54,360 775 00:20:53,160 --> 00:20:57,240 marcia. 776 00:20:54,350 --> 00:20:57,240 777 00:20:54,360 --> 00:21:00,200 >> Eccola. 778 00:20:57,230 --> 00:21:00,200 779 00:20:57,240 --> 00:21:03,480 Attento, 780 00:21:00,190 --> 00:21:03,480 781 00:21:00,200 --> 00:21:03,480 siè rotto 783 00:21:03,510 --> 00:21:05,530 [risate] 785 00:21:10,710 --> 00:21:12,730 [risate] 787 00:21:13,720 --> 00:21:18,840 i bersaglieri hanno fatto l'Italia. 788 00:21:15,870 --> 00:21:18,840 789 00:21:15,880 --> 00:21:21,840 L'Italia è una indivisibile. Viva 790 00:21:18,830 --> 00:21:21,840 791 00:21:18,840 --> 00:21:21,840 l'Italia! 793 00:21:30,360 --> 00:21:32,380 >> [applauso] 795 00:21:34,950 --> 00:21:36,970 [applauso] 797 00:21:42,400 --> 00:21:49,440 >> Ed ora le comiche lottatori stregati. 799 00:21:49,640 --> 00:21:52,640 เฮ 801 00:21:59,840 --> 00:22:01,860 [musica] 803 00:22:05,080 --> 00:22:07,100 [musica] 805 00:22:14,900 --> 00:22:16,920 [musica] 807 00:22:19,440 --> 00:22:22,440 เฮ 809 00:22:28,010 --> 00:22:30,030 [musica] 811 00:22:34,560 --> 00:22:36,580 [musica] 813 00:22:43,070 --> 00:22:45,090 [musica] 815 00:22:50,760 --> 00:22:56,960 E adesso la sorpresa delle sorprese. Due 816 00:22:54,310 --> 00:22:56,960 817 00:22:54,320 --> 00:22:59,920 brevi film a colori, colori di 50 anni 818 00:22:56,950 --> 00:22:59,920 819 00:22:56,960 --> 00:23:02,680 fa, dipinti a mano come si usava allora. 820 00:22:59,910 --> 00:23:02,680 821 00:22:59,920 --> 00:23:04,360 Le farfalle meravigliose. 822 00:23:02,670 --> 00:23:04,360 823 00:23:02,680 --> 00:23:06,640 Osservate il lavoro dell'anonimo 824 00:23:04,350 --> 00:23:06,640 825 00:23:04,360 --> 00:23:08,720 artigiano che ha dipinto a mano ogni 826 00:23:06,630 --> 00:23:08,720 827 00:23:06,640 --> 00:23:11,890 fotogramma di questo film con la 828 00:23:08,710 --> 00:23:11,890 829 00:23:08,720 --> 00:23:13,910 pazienza degli antichi miniaturisti. เฮ 830 00:23:11,880 --> 00:23:13,910 831 00:23:11,890 --> 00:23:13,910 [musica] 833 00:23:26,960 --> 00:23:28,980 [musica] 835 00:23:32,850 --> 00:23:34,870 [musica] 837 00:23:40,360 --> 00:23:43,390 เฮ [musica] 839 00:23:46,610 --> 00:23:48,630 [musica] 841 00:23:51,850 --> 00:23:53,870 [musica] 843 00:24:01,670 --> 00:24:03,690 [musica] 845 00:24:06,260 --> 00:24:08,280 [musica] 847 00:24:10,320 --> 00:24:13,320 Ah. 849 00:24:16,740 --> 00:24:18,760 [musica] 851 00:24:23,290 --> 00:24:25,310 >> [musica] 853 00:24:29,180 --> 00:24:31,200 [musica] 855 00:24:36,390 --> 00:24:38,410 [musica] 857 00:24:42,940 --> 00:24:44,960 [musica] 859 00:24:45,960 --> 00:24:48,440 >> Cosa [risate] fa? Ma queste sono 860 00:24:47,230 --> 00:24:48,440 861 00:24:47,240 --> 00:24:50,560 pellicole spinte, 862 00:24:48,430 --> 00:24:50,560 863 00:24:48,440 --> 00:24:53,360 >> ma tanto ingenue. Non fanno male a 864 00:24:50,550 --> 00:24:53,360 865 00:24:50,560 --> 00:24:56,360 nessuno. Bambine, chiudete gli occhi. 866 00:24:53,350 --> 00:24:56,360 867 00:24:53,360 --> 00:24:56,360 Sì. 869 00:25:01,930 --> 00:25:06,440 [musica] 870 00:25:03,430 --> 00:25:06,440 871 00:25:03,440 --> 00:25:06,440 เฮ 873 00:25:09,140 --> 00:25:11,160 [musica] 875 00:25:15,030 --> 00:25:17,050 [musica] 877 00:25:19,620 --> 00:25:21,640 [musica] 879 00:25:27,480 --> 00:25:29,500 [musica] 881 00:25:33,370 --> 00:25:35,390 >> [musica] 883 00:25:37,960 --> 00:25:39,980 [musica] 885 00:25:43,200 --> 00:25:45,220 [musica] 887 00:25:53,680 --> 00:25:55,700 [musica] 889 00:25:57,520 --> 00:26:00,940 >> Yeah. [musica] 891 00:26:04,160 --> 00:26:06,180 >> [musica] 893 00:26:10,710 --> 00:26:12,730 [musica] 895 00:26:19,220 --> 00:26:21,240 [musica] 897 00:26:45,800 --> 00:26:49,400 >> Tieni, mettilo via. 899 00:26:50,720 --> 00:26:54,680 >> Eh, si è divertita, signora? 900 00:26:52,430 --> 00:26:54,680 901 00:26:52,440 --> 00:26:56,360 >> Oh, più che divertita. Sono entusiasta. 902 00:26:54,670 --> 00:26:56,360 903 00:26:54,680 --> 00:26:58,080 Ma dove li ha scovati questi film? 904 00:26:56,350 --> 00:26:58,080 905 00:26:56,360 --> 00:26:59,360 >> Al Macero, li ho salvati. 906 00:26:58,070 --> 00:26:59,360 907 00:26:58,080 --> 00:27:01,280 >> Eh, permette una parola. 908 00:26:59,350 --> 00:27:01,280 909 00:26:59,360 --> 00:27:04,200 >> Prego, signora. Baronessa Cabrioli, 910 00:27:01,270 --> 00:27:04,200 911 00:27:01,280 --> 00:27:07,240 >> cavaliero Mary, onoratissimo. 912 00:27:04,190 --> 00:27:07,240 913 00:27:04,200 --> 00:27:08,520 >> Mi d a questi film per collegi né altri, 914 00:27:07,230 --> 00:27:08,520 915 00:27:07,240 --> 00:27:10,120 diremo così per grandi. 916 00:27:08,510 --> 00:27:10,120 917 00:27:08,520 --> 00:27:11,880 >> Maronessa, io ho cercato di salvare 918 00:27:10,110 --> 00:27:11,880 919 00:27:10,120 --> 00:27:14,120 l'essenziale della nostra antica 920 00:27:11,870 --> 00:27:14,120 921 00:27:11,880 --> 00:27:17,600 gloriosa cinematografia. 922 00:27:14,110 --> 00:27:17,600 923 00:27:14,120 --> 00:27:19,200 >> Ha dei film con intrecci? 924 00:27:17,590 --> 00:27:19,200 925 00:27:17,600 --> 00:27:19,880 Sorella, perdoni. Potrebbe favorirmi 926 00:27:19,190 --> 00:27:19,880 927 00:27:19,200 --> 00:27:21,440 un'aranciata. 928 00:27:19,870 --> 00:27:21,440 929 00:27:19,880 --> 00:27:23,840 >> Subito, baronessa. 930 00:27:21,430 --> 00:27:23,840 931 00:27:21,440 --> 00:27:26,160 >> Vorrei sapere se lei ha dei film con 932 00:27:23,830 --> 00:27:26,160 933 00:27:23,840 --> 00:27:28,200 intrecci romantici, 934 00:27:26,150 --> 00:27:28,200 935 00:27:26,160 --> 00:27:29,680 amorosi, mi comprende? Hai osservato 936 00:27:28,190 --> 00:27:29,680 937 00:27:28,200 --> 00:27:31,120 dalla distruzione le pellicole più 938 00:27:29,670 --> 00:27:31,120 939 00:27:29,680 --> 00:27:33,040 importanti della Bertini, della Borelli, 940 00:27:31,110 --> 00:27:33,040 941 00:27:31,120 --> 00:27:34,560 della Menichelli, della Manzini, 942 00:27:33,030 --> 00:27:34,560 943 00:27:33,040 --> 00:27:35,920 >> anche della Maosca. Ho avuto l'onore di 944 00:27:34,550 --> 00:27:35,920 945 00:27:34,560 --> 00:27:37,200 lavorare con lei. 946 00:27:35,910 --> 00:27:37,200 947 00:27:35,920 --> 00:27:38,600 >> Allora, quali film si potrebbero 948 00:27:37,190 --> 00:27:38,600 949 00:27:37,200 --> 00:27:41,280 proiettare a casa mia? 950 00:27:38,590 --> 00:27:41,280 951 00:27:38,600 --> 00:27:43,320 >> Malena, Assunta Spina, la donna nuda. 952 00:27:41,270 --> 00:27:43,320 953 00:27:41,280 --> 00:27:44,080 >> Va benissimo, siamo d'accordo. E della 954 00:27:43,310 --> 00:27:44,080 955 00:27:43,320 --> 00:27:46,200 Makovska? 956 00:27:44,070 --> 00:27:46,200 957 00:27:44,080 --> 00:27:46,640 >> Alcune preziose scene del fiacre numero 958 00:27:46,190 --> 00:27:46,640 959 00:27:46,200 --> 00:27:47,640 13. 960 00:27:46,630 --> 00:27:47,640 961 00:27:46,640 --> 00:27:48,760 >> Non se ne dimentichi, eh? 962 00:27:47,630 --> 00:27:48,760 963 00:27:47,640 --> 00:27:49,600 >> Oh no, certo. 964 00:27:48,750 --> 00:27:49,600 965 00:27:48,760 --> 00:27:51,400 >> E sua nipote? 966 00:27:49,590 --> 00:27:51,400 967 00:27:49,600 --> 00:27:53,960 >> È la mia aiutante per la musica. 968 00:27:51,390 --> 00:27:53,960 969 00:27:51,400 --> 00:27:55,560 >> Brava, molto brava. Per la proiezione le 970 00:27:53,950 --> 00:27:55,560 971 00:27:53,960 --> 00:27:57,640 sarò precisa. Arrivederla. 972 00:27:55,550 --> 00:27:57,640 973 00:27:55,560 --> 00:27:59,840 >> Grazie. onoratissimo. 974 00:27:57,630 --> 00:27:59,840 975 00:27:57,640 --> 00:28:02,840 >> Ciao, 976 00:27:59,830 --> 00:28:02,840 977 00:27:59,840 --> 00:28:02,840 buongiorno. 979 00:28:12,400 --> 00:28:18,800 >> Ma non sei ancora pronto? 980 00:28:15,150 --> 00:28:18,800 981 00:28:15,160 --> 00:28:21,840 >> Ma cosa ti sei messa in faccia? 982 00:28:18,790 --> 00:28:21,840 983 00:28:18,800 --> 00:28:23,800 Sembri un mascher de cri. 984 00:28:21,830 --> 00:28:23,800 985 00:28:21,840 --> 00:28:25,200 >> Ma vatti a lavare. 986 00:28:23,790 --> 00:28:25,200 987 00:28:23,800 --> 00:28:26,280 >> Tu sembri un signore, io non voglio 988 00:28:25,190 --> 00:28:26,280 989 00:28:25,200 --> 00:28:29,120 parfoncella. 990 00:28:26,270 --> 00:28:29,120 991 00:28:26,280 --> 00:28:32,360 >> Io sono un signore. Ho insegnato a 992 00:28:29,110 --> 00:28:32,360 993 00:28:29,120 --> 00:28:33,880 portare il frac a tutta una generazione. 994 00:28:32,350 --> 00:28:33,880 995 00:28:32,360 --> 00:28:36,600 >> Però sei cresciuto. 996 00:28:33,870 --> 00:28:36,600 997 00:28:33,880 --> 00:28:37,760 >> Hai fatto apposta per far vedere la 998 00:28:36,590 --> 00:28:37,760 999 00:28:36,600 --> 00:28:41,440 biancheria. 1000 00:28:37,750 --> 00:28:41,440 1001 00:28:37,760 --> 00:28:41,440 >> Uh, la macchina della baronessa. 1003 00:28:43,560 --> 00:28:45,520 >> È lui. 1004 00:28:44,470 --> 00:28:45,520 1005 00:28:44,480 --> 00:28:46,360 >> Chi? Lui 1006 00:28:45,510 --> 00:28:46,360 1007 00:28:45,520 --> 00:28:48,960 >> l'autista. 1008 00:28:46,350 --> 00:28:48,960 1009 00:28:46,360 --> 00:28:48,960 >> Ah. 1011 00:28:55,880 --> 00:28:57,880 Buonasera 1012 00:28:56,710 --> 00:28:57,880 1013 00:28:56,720 --> 00:28:58,400 >> da parte della baronessa. 1014 00:28:57,870 --> 00:28:58,400 1015 00:28:57,880 --> 00:29:01,880 >> Signor Sì, 1016 00:28:58,390 --> 00:29:01,880 1017 00:28:58,400 --> 00:29:05,960 >> c'è da caricare questo materiale. 1018 00:29:01,870 --> 00:29:05,960 1019 00:29:01,880 --> 00:29:05,960 >> Non era meglio chiamare un furgoncino? 1021 00:29:06,760 --> 00:29:10,880 >> Marianina, mi raccomando non aprir bocca 1022 00:29:08,630 --> 00:29:10,880 1023 00:29:08,640 --> 00:29:13,360 con nessuno e soprattutto non baciar la 1024 00:29:10,870 --> 00:29:13,360 1025 00:29:10,880 --> 00:29:14,480 mano. 1026 00:29:13,350 --> 00:29:14,480 1027 00:29:13,360 --> 00:29:18,080 >> E se la baciano a me? 1028 00:29:14,470 --> 00:29:18,080 1029 00:29:14,480 --> 00:29:18,080 >> Vai, vai, vai, vai, vai. 1031 00:29:24,560 --> 00:29:28,280 sigaretta. 1032 00:29:26,710 --> 00:29:28,280 1033 00:29:26,720 --> 00:29:30,680 Scusi, 1034 00:29:28,270 --> 00:29:30,680 1035 00:29:28,280 --> 00:29:32,800 Mariannina, 1036 00:29:30,670 --> 00:29:32,800 1037 00:29:30,680 --> 00:29:35,800 domanda se possiamo incominciare. 1038 00:29:32,790 --> 00:29:35,800 1039 00:29:32,800 --> 00:29:35,800 >> Sì, 1041 00:29:41,280 --> 00:29:45,960 >> signora Baronessa, il cavaliere dice che 1042 00:29:43,870 --> 00:29:45,960 1043 00:29:43,880 --> 00:29:48,200 è pronto. Possiamo incominciare? No, 1044 00:29:45,950 --> 00:29:48,200 1045 00:29:45,960 --> 00:29:48,640 aspetto ancora ospiti, darò io il via. 1046 00:29:48,190 --> 00:29:48,640 1047 00:29:48,200 --> 00:29:49,800 >> Va bene, 1048 00:29:48,630 --> 00:29:49,800 1049 00:29:48,640 --> 00:29:50,680 >> ma non siamo al completo. 1050 00:29:49,790 --> 00:29:50,680 1051 00:29:49,800 --> 00:29:51,560 >> Un po' di pazienza. 1052 00:29:50,670 --> 00:29:51,560 1053 00:29:50,680 --> 00:29:52,680 >> Ma chi aspettiamo? 1054 00:29:51,550 --> 00:29:52,680 1055 00:29:51,560 --> 00:29:54,520 >> Manca il suggeritore. 1056 00:29:52,670 --> 00:29:54,520 1057 00:29:52,680 --> 00:29:55,920 >> L'operatore non è ancora pronto. 1058 00:29:54,510 --> 00:29:55,920 1059 00:29:54,520 --> 00:29:57,560 >> Mi vuoi dire quale misterioso 1060 00:29:55,910 --> 00:29:57,560 1061 00:29:55,920 --> 00:29:58,360 personaggio hai invitato? 1062 00:29:57,550 --> 00:29:58,360 1063 00:29:57,560 --> 00:29:59,760 >> La story. 1064 00:29:58,350 --> 00:29:59,760 1065 00:29:58,360 --> 00:30:00,760 >> Ah, la vedova del produttore 1066 00:29:59,750 --> 00:30:00,760 1067 00:29:59,760 --> 00:30:02,680 cinematografico. 1068 00:30:00,750 --> 00:30:02,680 1069 00:30:00,760 --> 00:30:04,160 >> Precisamente. Ma voi non sapete chi era 1070 00:30:02,670 --> 00:30:04,160 1071 00:30:02,680 --> 00:30:05,640 la story prima di sposare? 1072 00:30:04,150 --> 00:30:05,640 1073 00:30:04,160 --> 00:30:07,720 >> Un'attrice, mi sembra, vero? 1074 00:30:05,630 --> 00:30:07,720 1075 00:30:05,640 --> 00:30:10,120 >> Proprio così. Sono stata da lei giorni 1076 00:30:07,710 --> 00:30:10,120 1077 00:30:07,720 --> 00:30:11,800 fa. Ha casa piena di fotografie e 1078 00:30:10,110 --> 00:30:11,800 1079 00:30:10,120 --> 00:30:13,960 sdraiata sui divani alla Madame 1080 00:30:11,790 --> 00:30:13,960 1081 00:30:11,800 --> 00:30:16,040 Regamier. Non mi ha parlato che dei suoi 1082 00:30:13,950 --> 00:30:16,040 1083 00:30:13,960 --> 00:30:17,320 film. [risate] Era una diva famosa. 1084 00:30:16,030 --> 00:30:17,320 1085 00:30:16,040 --> 00:30:19,610 >> Sì, dei tempi di Noè. 1086 00:30:17,310 --> 00:30:19,610 1087 00:30:17,320 --> 00:30:19,840 >> Quando eri giovane anche tu, cara. 1088 00:30:19,600 --> 00:30:19,840 1089 00:30:19,610 --> 00:30:22,160 [risate] 1090 00:30:19,830 --> 00:30:22,160 1091 00:30:19,840 --> 00:30:25,920 >> Ma come si chiamava in arte? 1092 00:30:22,150 --> 00:30:25,920 1093 00:30:22,160 --> 00:30:29,040 >> Elena Makovska. Eccola. Oh, cara Elena. 1094 00:30:25,910 --> 00:30:29,040 1095 00:30:25,920 --> 00:30:33,880 Oh, scusami, sono sempre in ritardo. 1096 00:30:29,030 --> 00:30:33,880 1097 00:30:29,040 --> 00:30:33,880 Cosa c'è? Recita. Cinema. 1099 00:30:34,200 --> 00:30:39,880 >> Allarme. La polizia. Qualcuno li ha 1100 00:30:36,870 --> 00:30:39,880 1101 00:30:36,880 --> 00:30:39,880 denunciati. 1103 00:30:46,470 --> 00:30:49,720 >> [musica] 1104 00:30:47,430 --> 00:30:49,720 1105 00:30:47,440 --> 00:30:53,960 >> Sonia, ritenuta colpevole dell'uccisione 1106 00:30:49,710 --> 00:30:53,960 1107 00:30:49,720 --> 00:30:53,960 della guardia, è arrestata. 1109 00:30:54,720 --> 00:30:58,000 Signori e signori, non ridete degli 1110 00:30:56,470 --> 00:30:58,000 1111 00:30:56,480 --> 00:31:00,120 attori di quel tempo che si muovono 1112 00:30:57,990 --> 00:31:00,120 1113 00:30:58,000 --> 00:31:02,320 velocemente. Non crediate che sia colpa 1114 00:31:00,110 --> 00:31:02,320 1115 00:31:00,120 --> 00:31:04,520 loro. Sono le macchine di proiezione che 1116 00:31:02,310 --> 00:31:04,520 1117 00:31:02,320 --> 00:31:06,840 oggi, non andando più alla velocità del 1118 00:31:04,510 --> 00:31:06,840 1119 00:31:04,520 --> 00:31:09,160 cinema muto, accelerano grottescamente 1120 00:31:06,830 --> 00:31:09,160 1121 00:31:06,840 --> 00:31:13,000 movimenti e gesti dei personaggi di quei 1122 00:31:09,150 --> 00:31:13,000 1123 00:31:09,160 --> 00:31:13,000 film. L'infelice 1125 00:31:16,320 --> 00:31:21,280 Soniagia è condannata alla deportazione 1126 00:31:18,110 --> 00:31:21,280 1127 00:31:18,120 --> 00:31:21,280 in Siberia. 1129 00:31:27,730 --> 00:31:29,750 [musica] 1131 00:31:32,600 --> 00:31:35,000 >> Ma questo è un film comico? Non dire 1132 00:31:34,270 --> 00:31:35,000 1133 00:31:34,280 --> 00:31:37,120 sciocchezze. 1134 00:31:34,990 --> 00:31:37,120 1135 00:31:35,000 --> 00:31:39,280 >> E allora perché ridono? 1136 00:31:37,110 --> 00:31:39,280 1137 00:31:37,120 --> 00:31:44,120 >> Sotto la neve, davanti alle mura del 1138 00:31:39,270 --> 00:31:44,120 1139 00:31:39,280 --> 00:31:44,120 Cremlino, parte la triste carovana. 1141 00:31:48,040 --> 00:31:50,060 [musica] 1143 00:31:53,930 --> 00:31:55,950 >> [musica] 1145 00:32:01,140 --> 00:32:03,160 [musica] 1147 00:32:08,340 --> 00:32:10,360 [musica] 1149 00:32:16,120 --> 00:32:22,150 >> Ti vendicherò, figlia mia!", grida il 1150 00:32:18,830 --> 00:32:22,150 1151 00:32:18,840 --> 00:32:22,150 padre. [musica] 1153 00:32:24,720 --> 00:32:26,740 >> [musica] 1155 00:32:32,580 --> 00:32:34,600 [musica] 1157 00:32:37,160 --> 00:32:39,180 [musica] 1159 00:32:42,400 --> 00:32:44,420 [musica] 1161 00:32:45,160 --> 00:32:51,570 >> Sonia non resiste alle fatiche del lungo 1162 00:32:47,230 --> 00:32:51,570 1163 00:32:47,240 --> 00:32:53,590 viaggio e muore nella steppa siberiana. 1164 00:32:51,560 --> 00:32:53,590 1165 00:32:51,570 --> 00:32:53,590 >> [musica] 1167 00:33:01,400 --> 00:33:03,420 [musica] 1169 00:33:07,290 --> 00:33:09,310 [musica] 1171 00:33:15,150 --> 00:33:17,170 [musica] 1173 00:33:27,080 --> 00:33:30,720 >> Il padre intanto prepara le bombe 1174 00:33:29,030 --> 00:33:30,720 1175 00:33:29,040 --> 00:33:34,200 secondo una ricetta dei nichilisti di 1176 00:33:30,710 --> 00:33:34,200 1177 00:33:30,720 --> 00:33:34,200 quel tempo. [musica] 1179 00:33:38,680 --> 00:33:45,680 La prova riesce. 1180 00:33:40,870 --> 00:33:45,680 1181 00:33:40,880 --> 00:33:45,680 Vendetta. Tremenda vendetta. 1183 00:33:46,320 --> 00:33:49,270 เฮ [musica] 1185 00:33:54,450 --> 00:33:56,470 [musica] 1187 00:33:59,690 --> 00:34:01,710 [musica] 1189 00:34:04,280 --> 00:34:06,300 [musica] 1191 00:34:09,520 --> 00:34:11,540 [musica] 1193 00:34:21,310 --> 00:34:23,330 >> [musica] 1195 00:34:25,890 --> 00:34:31,280 [musica] 1196 00:34:27,670 --> 00:34:31,280 1197 00:34:27,680 --> 00:34:31,280 >> Fine del dramma. 1199 00:34:31,320 --> 00:34:35,840 All'epoca di questi film gli attori e le 1200 00:34:33,790 --> 00:34:35,840 1201 00:34:33,800 --> 00:34:38,760 attrici erano ancora sconosciuti dal 1202 00:34:35,830 --> 00:34:38,760 1203 00:34:35,840 --> 00:34:41,760 pubblico. Pochi anni dopo sorge il 1204 00:34:38,750 --> 00:34:41,760 1205 00:34:38,760 --> 00:34:41,760 divismo. 1207 00:34:44,880 --> 00:34:50,280 Ecco Elena Vitiello, pardon, in arte 1208 00:34:47,470 --> 00:34:50,280 1209 00:34:47,480 --> 00:34:53,460 Francesca Bertini nel film Assunta 1210 00:34:50,270 --> 00:34:53,460 1211 00:34:50,280 --> 00:34:53,460 Spina. [musica] 1213 00:34:59,300 --> 00:35:01,320 >> [musica] 1215 00:35:09,120 --> 00:35:11,140 [musica] 1217 00:35:18,440 --> 00:35:22,520 >> In assunta spina Francesca Bertini 1218 00:35:20,270 --> 00:35:22,520 1219 00:35:20,280 --> 00:35:24,840 interpreta il personaggio enigmatico e 1220 00:35:22,510 --> 00:35:24,840 1221 00:35:22,520 --> 00:35:25,600 doloroso creato da Salvatore Di Giacomo. 1222 00:35:24,830 --> 00:35:25,600 1223 00:35:24,840 --> 00:35:29,000 >> [musica] 1224 00:35:25,590 --> 00:35:29,000 1225 00:35:25,600 --> 00:35:32,480 >> Il film è stato realizzato nel 1915 da 1226 00:35:28,990 --> 00:35:32,480 1227 00:35:29,000 --> 00:35:32,480 Gustavo Senato. 1229 00:35:33,000 --> 00:35:37,640 Umile stiratrice assunta si dibatte fra 1230 00:35:35,630 --> 00:35:37,640 1231 00:35:35,640 --> 00:35:40,520 due uomini ed è causa della loro 1232 00:35:37,630 --> 00:35:40,520 1233 00:35:37,640 --> 00:35:43,080 sciagura. Amante volumile suscita la 1234 00:35:40,510 --> 00:35:43,080 1235 00:35:40,520 --> 00:35:45,240 gelosia del suo fidanzato Michele Bocca 1236 00:35:43,070 --> 00:35:45,240 1237 00:35:43,080 --> 00:35:48,200 di Fuoco, interpretato dallo stesso 1238 00:35:45,230 --> 00:35:48,200 1239 00:35:45,240 --> 00:35:50,280 Gustavo Serena. 1240 00:35:48,190 --> 00:35:50,280 1241 00:35:48,200 --> 00:35:53,880 Ritenendosi tradito, Michele aspetta 1242 00:35:50,270 --> 00:35:53,880 1243 00:35:50,280 --> 00:35:53,880 assunta per vendicarsi. 1245 00:35:56,280 --> 00:35:58,300 >> [musica] 1247 00:36:02,830 --> 00:36:04,850 [musica] 1249 00:36:08,730 --> 00:36:10,750 [musica] 1251 00:36:15,930 --> 00:36:17,950 [musica] 1253 00:36:22,800 --> 00:36:24,880 >> เ 1255 00:36:25,760 --> 00:36:28,520 >> [musica] 1256 00:36:26,350 --> 00:36:28,520 1257 00:36:26,360 --> 00:36:31,760 >> Michele è stato arrestato ed ora è 1258 00:36:28,510 --> 00:36:31,760 1259 00:36:28,520 --> 00:36:34,120 processato a Castel Capuano. Assunta 1260 00:36:31,750 --> 00:36:34,120 1261 00:36:31,760 --> 00:36:38,800 accorre per essergli vicina e dirgli che 1262 00:36:34,110 --> 00:36:38,800 1263 00:36:34,120 --> 00:36:38,800 lo ama ancora e più di prima. 1265 00:36:40,820 --> 00:36:42,840 >> [musica] 1267 00:36:43,240 --> 00:36:50,480 >> Infatti il processo parla in sua difesa, 1268 00:36:47,950 --> 00:36:50,480 1269 00:36:47,960 --> 00:36:53,320 ma la corte, considerando che Michele è 1270 00:36:50,470 --> 00:36:53,320 1271 00:36:50,480 --> 00:36:57,910 recidivo del reato di spregio, lo 1272 00:36:53,310 --> 00:36:57,910 1273 00:36:53,320 --> 00:36:57,910 condanna a 2 anni di carcere. [musica] 1275 00:37:00,880 --> 00:37:04,320 Per salvare [musica] il suo amore, 1276 00:37:02,750 --> 00:37:04,320 1277 00:37:02,760 --> 00:37:07,480 Assunta si rivolge a don Federico 1278 00:37:04,310 --> 00:37:07,480 1279 00:37:04,320 --> 00:37:11,200 Funelli, cancelliere del tribunale 1280 00:37:07,470 --> 00:37:11,200 1281 00:37:07,480 --> 00:37:11,200 impenitente [musica] libertino. 1283 00:37:16,850 --> 00:37:18,870 [musica] 1285 00:37:21,430 --> 00:37:23,450 [musica] 1287 00:37:24,560 --> 00:37:29,280 Eppure di salvare Michele, assunta paga 1288 00:37:27,030 --> 00:37:29,280 1289 00:37:27,040 --> 00:37:32,440 con il suo onore il prezzo richiesto da 1290 00:37:29,270 --> 00:37:32,440 1291 00:37:29,280 --> 00:37:32,440 don Federico. 1293 00:37:35,850 --> 00:37:37,870 [musica] 1295 00:37:41,090 --> 00:37:43,110 [musica] 1297 00:37:48,950 --> 00:37:50,970 [musica] 1299 00:37:52,360 --> 00:37:58,040 Poco dopo Michele ritorna scaraccerato. 1300 00:37:55,030 --> 00:37:58,040 1301 00:37:55,040 --> 00:37:58,040 เฮ 1303 00:37:58,120 --> 00:38:00,140 [musica] 1305 00:38:05,320 --> 00:38:07,340 [musica] 1307 00:38:21,040 --> 00:38:23,060 [musica] 1309 00:38:28,250 --> 00:38:30,270 >> [musica] 1311 00:38:36,110 --> 00:38:38,130 [musica] 1313 00:38:43,970 --> 00:38:45,990 [musica] 1315 00:38:48,550 --> 00:38:50,570 [musica] 1317 00:38:55,100 --> 00:38:57,120 [musica] 1319 00:39:02,310 --> 00:39:04,330 [musica] 1321 00:39:08,200 --> 00:39:10,220 [musica] 1323 00:39:18,680 --> 00:39:20,700 [musica] 1325 00:39:29,160 --> 00:39:31,180 [musica] 1327 00:39:33,750 --> 00:39:35,770 [musica] 1329 00:39:41,610 --> 00:39:43,630 [musica] 1331 00:39:48,160 --> 00:39:50,180 [musica] 1333 00:39:51,360 --> 00:39:56,020 >> Assunta si accusa del delitto che non ha 1334 00:39:53,150 --> 00:39:56,020 1335 00:39:53,160 --> 00:39:58,040 commesso per salvare l'uomo che ama. 1336 00:39:56,010 --> 00:39:58,040 1337 00:39:56,020 --> 00:39:58,040 [musica] 1339 00:40:04,880 --> 00:40:10,960 Non ridete, per favore, è un momento 1340 00:40:07,310 --> 00:40:10,960 1341 00:40:07,320 --> 00:40:10,960 altamente drammatico. 1343 00:40:13,240 --> 00:40:20,160 Vedrete ora Pina Menichelli, attrice dai 1344 00:40:16,630 --> 00:40:20,160 1345 00:40:16,640 --> 00:40:22,760 100 volti, interprete di mille. Il suo 1346 00:40:20,150 --> 00:40:22,760 1347 00:40:20,160 --> 00:40:25,360 modo di recitare era personalissimo, 1348 00:40:22,750 --> 00:40:25,360 1349 00:40:22,760 --> 00:40:27,840 inconfondibile. Eccolo in una scena del 1350 00:40:25,350 --> 00:40:27,840 1351 00:40:25,360 --> 00:40:31,640 film La moglie di Claudio con l'attore 1352 00:40:27,830 --> 00:40:31,640 1353 00:40:27,840 --> 00:40:31,640 Cesare Rossi Pianelli. 1355 00:40:32,040 --> 00:40:34,060 [musica] 1357 00:40:34,320 --> 00:40:37,940 Osservatel in questo ardito scatto 1358 00:40:36,350 --> 00:40:37,940 1359 00:40:36,360 --> 00:40:39,960 d'amore. 1360 00:40:37,930 --> 00:40:39,960 1361 00:40:37,940 --> 00:40:39,960 [musica] 1363 00:40:40,560 --> 00:40:42,580 [risate] 1365 00:40:43,000 --> 00:40:48,600 Signori, ve ne prego, non ridete. È arte 1366 00:40:46,350 --> 00:40:48,600 1367 00:40:46,360 --> 00:40:50,360 anche questo. 1368 00:40:48,590 --> 00:40:50,360 1369 00:40:48,600 --> 00:40:52,360 Ammiratela in questo romanzo di un 1370 00:40:50,350 --> 00:40:52,360 1371 00:40:50,360 --> 00:40:54,440 giovane povero ricavato dall'omonima 1372 00:40:52,350 --> 00:40:54,440 1373 00:40:52,360 --> 00:40:58,480 commedia di Giorgonet. Lo ha messo in 1374 00:40:54,430 --> 00:40:58,480 1375 00:40:54,440 --> 00:41:00,400 scena il regista Meto Palermi nel 1920. 1376 00:40:58,470 --> 00:41:00,400 1377 00:40:58,480 --> 00:41:02,520 Il giovane odiò attore Luigi [musica] 1378 00:41:00,390 --> 00:41:02,520 1379 00:41:00,400 --> 00:41:04,480 Serventi, creduto povero ma in realtà 1380 00:41:02,510 --> 00:41:04,480 1381 00:41:02,520 --> 00:41:06,760 ricco, creduto plebeo, ma in realtà 1382 00:41:04,470 --> 00:41:06,760 1383 00:41:04,480 --> 00:41:08,720 nobile, accompagna la nobile e ricca 1384 00:41:06,750 --> 00:41:08,720 1385 00:41:06,760 --> 00:41:10,800 [musica] signorina Margherita attrice 1386 00:41:08,710 --> 00:41:10,800 1387 00:41:08,720 --> 00:41:13,000 Pinachelli in visita alla torre di 1388 00:41:10,790 --> 00:41:13,000 1389 00:41:10,800 --> 00:41:13,000 Elvin. 1391 00:41:17,240 --> 00:41:19,260 >> [musica] 1393 00:41:22,480 --> 00:41:24,500 [musica] 1395 00:41:32,960 --> 00:41:34,980 [musica] 1397 00:41:35,000 --> 00:41:40,320 >> Ritorna più tardi, dice Oddio, al 1398 00:41:36,950 --> 00:41:40,320 1399 00:41:36,960 --> 00:41:40,320 giovine pastorello. 1401 00:41:40,440 --> 00:41:44,840 Intanto si fa sera. Il pastorello non li 1402 00:41:42,790 --> 00:41:44,840 1403 00:41:42,800 --> 00:41:48,080 vede e credendoli partiti li rinchiude 1404 00:41:44,830 --> 00:41:48,080 1405 00:41:44,840 --> 00:41:48,080 nella torre. 1407 00:41:49,330 --> 00:41:51,350 [musica] 1409 00:41:55,400 --> 00:41:57,900 เฮ [musica] 1411 00:42:04,400 --> 00:42:06,420 [musica] 1413 00:42:10,950 --> 00:42:12,970 [musica] 1415 00:42:22,080 --> 00:42:24,100 [musica] 1417 00:42:29,940 --> 00:42:31,960 >> [musica] 1419 00:42:32,120 --> 00:42:38,840 >> Ci deve essere il guardiano qui intorno 1420 00:42:33,950 --> 00:42:38,840 1421 00:42:33,960 --> 00:42:38,840 su via. Chiamatelo dice Margherita. 1423 00:42:39,770 --> 00:42:41,790 [musica] 1425 00:42:46,970 --> 00:42:48,990 >> [musica] 1427 00:42:52,440 --> 00:42:56,880 >> Nessuno risponde. [musica] Ne. 1429 00:42:58,760 --> 00:43:00,780 [musica] 1431 00:43:06,620 --> 00:43:08,640 [musica] 1433 00:43:14,440 --> 00:43:19,400 Ora un terribile pensiero attraversa la 1434 00:43:17,030 --> 00:43:19,400 1435 00:43:17,040 --> 00:43:22,240 mente della donna. 1436 00:43:19,390 --> 00:43:22,240 1437 00:43:19,400 --> 00:43:25,670 che odio si sia accordato col 1438 00:43:22,230 --> 00:43:25,670 1439 00:43:22,240 --> 00:43:25,670 pastorello. [musica] 1441 00:43:29,480 --> 00:43:33,960 E Margherita gli gride il suo sdegno: 1442 00:43:31,590 --> 00:43:33,960 1443 00:43:31,600 --> 00:43:36,560 "Poi voi avete pagato quel fanciullo per 1444 00:43:33,950 --> 00:43:36,560 1445 00:43:33,960 --> 00:43:38,840 rinchiudermi in questa torre? Dio, Dio, 1446 00:43:36,550 --> 00:43:38,840 1447 00:43:36,560 --> 00:43:41,080 quale viltà! Sarò disonorata. Dovrò 1448 00:43:38,830 --> 00:43:41,080 1449 00:43:38,840 --> 00:43:45,320 essere vostro per forza. 1450 00:43:41,070 --> 00:43:45,320 1451 00:43:41,080 --> 00:43:45,320 È questo il vostro piano. 1453 00:43:45,930 --> 00:43:47,950 [musica] 1455 00:43:55,750 --> 00:43:58,760 [musica] 1456 00:43:56,510 --> 00:43:58,760 1457 00:43:56,520 --> 00:44:01,720 Basta, Margherita, il mio onore non 1458 00:43:58,750 --> 00:44:01,720 1459 00:43:58,760 --> 00:44:04,840 permette simili offese. Vi amo, vi ho 1460 00:44:01,710 --> 00:44:04,840 1461 00:44:01,720 --> 00:44:08,440 sempre amata e ne avrete la prova, anche 1462 00:44:04,830 --> 00:44:08,440 1463 00:44:04,840 --> 00:44:11,440 se non mi rivedrete mai più. 1464 00:44:08,430 --> 00:44:11,440 1465 00:44:08,440 --> 00:44:11,440 เฮ 1467 00:44:14,090 --> 00:44:16,110 [musica] 1469 00:44:19,990 --> 00:44:22,010 [musica] 1471 00:44:33,740 --> 00:44:35,760 [musica] 1473 00:44:40,290 --> 00:44:42,310 >> [musica] 1475 00:44:46,840 --> 00:44:48,860 [musica] 1477 00:44:52,740 --> 00:44:54,760 [musica] 1479 00:44:55,280 --> 00:45:00,040 >> Ma al castello di Margherita sono in 1480 00:44:57,070 --> 00:45:00,040 1481 00:44:57,080 --> 00:45:03,080 pensiero. suo zio, attore Antonio 1482 00:45:00,030 --> 00:45:03,080 1483 00:45:00,040 --> 00:45:06,080 Gandusio, vedendo arrivare Oddio, gli 1484 00:45:03,070 --> 00:45:06,080 1485 00:45:03,080 --> 00:45:06,080 chiede 1487 00:45:07,150 --> 00:45:09,170 [musica] 1489 00:45:13,700 --> 00:45:15,720 [musica] 1491 00:45:22,000 --> 00:45:27,760 Odio ha salvato Margherita. 1492 00:45:24,670 --> 00:45:27,760 1493 00:45:24,680 --> 00:45:30,720 Una di tali folgoratrici è stata Lida 1494 00:45:27,750 --> 00:45:30,720 1495 00:45:27,760 --> 00:45:32,880 Borelli, maestra nel cosiddetto cudo 1496 00:45:30,710 --> 00:45:32,880 1497 00:45:30,720 --> 00:45:34,320 fudro. De Borelli era il tipo femminile 1498 00:45:32,870 --> 00:45:34,320 1499 00:45:32,880 --> 00:45:36,400 più interessante della nostra 1500 00:45:34,310 --> 00:45:36,400 1501 00:45:34,320 --> 00:45:39,240 cinematografia, accanto alla quale ogni 1502 00:45:36,390 --> 00:45:39,240 1503 00:45:36,400 --> 00:45:42,240 uomo si sentiva amante o perlomeno 1504 00:45:39,230 --> 00:45:42,240 1505 00:45:39,240 --> 00:45:42,240 amico. 1507 00:45:52,340 --> 00:45:54,360 [musica] 1509 00:45:59,160 --> 00:46:04,080 La vedete qui accanto ad Andrea Be nella 1510 00:46:01,790 --> 00:46:04,080 1511 00:46:01,800 --> 00:46:07,200 famosa scena del carnevale del film 1512 00:46:04,070 --> 00:46:07,200 1513 00:46:04,080 --> 00:46:10,030 Falena dove agisce anche il giovanissimo 1514 00:46:07,190 --> 00:46:10,030 1515 00:46:07,200 --> 00:46:12,050 Renato Cialente. 1516 00:46:10,020 --> 00:46:12,050 1517 00:46:10,030 --> 00:46:12,050 [musica] 1519 00:46:15,270 --> 00:46:17,290 [musica] 1521 00:46:21,360 --> 00:46:25,320 >> Signore e signori, non ridete di ciò che 1522 00:46:23,350 --> 00:46:25,320 1523 00:46:23,360 --> 00:46:26,040 ieri fece palpitare i cuori di tutto il 1524 00:46:25,310 --> 00:46:26,040 1525 00:46:25,320 --> 00:46:28,040 mondo. 1526 00:46:26,030 --> 00:46:28,040 1527 00:46:26,040 --> 00:46:30,330 >> Ma noi non c'eravamo. Dovevamo ancora 1528 00:46:28,030 --> 00:46:30,330 1529 00:46:28,040 --> 00:46:32,350 nascer. 1530 00:46:30,320 --> 00:46:32,350 1531 00:46:30,330 --> 00:46:32,350 [musica] 1533 00:46:35,570 --> 00:46:37,590 [musica] 1535 00:46:42,680 --> 00:46:46,760 Non ridete di quello che è stato il 1536 00:46:44,030 --> 00:46:46,760 1537 00:46:44,040 --> 00:46:48,840 vostro passato. Pensate che fra 20 anni, 1538 00:46:46,750 --> 00:46:48,840 1539 00:46:46,760 --> 00:46:50,560 30 anni i vostri figli, i vostri nipoti 1540 00:46:48,830 --> 00:46:50,560 1541 00:46:48,840 --> 00:46:52,720 potrebbero ridere di quelle pellicole 1542 00:46:50,550 --> 00:46:52,720 1543 00:46:50,560 --> 00:46:55,160 che oggi vi mandano invisibiglio che, 1544 00:46:52,710 --> 00:46:55,160 1545 00:46:52,720 --> 00:46:56,680 credetemi, non sono migliori di queste. 1546 00:46:55,150 --> 00:46:56,680 1547 00:46:55,160 --> 00:46:58,480 >> Bravo. 1548 00:46:56,670 --> 00:46:58,480 1549 00:46:56,680 --> 00:47:00,360 Basta, c'entra. 1550 00:46:58,470 --> 00:47:00,360 1551 00:46:58,480 --> 00:47:01,640 >> Scusali, cara. 1552 00:47:00,350 --> 00:47:01,640 1553 00:47:00,360 --> 00:47:03,240 >> Li comprendo. 1554 00:47:01,630 --> 00:47:03,240 1555 00:47:01,640 --> 00:47:06,320 >> Sono giovani di oggi. 1556 00:47:03,230 --> 00:47:06,320 1557 00:47:03,240 --> 00:47:07,560 >> Sono giovani e basta. 1558 00:47:06,310 --> 00:47:07,560 1559 00:47:06,320 --> 00:47:08,160 Che ti arrabbia fa? Basta che si 1560 00:47:07,550 --> 00:47:08,160 1561 00:47:07,560 --> 00:47:10,680 divertano. 1562 00:47:08,150 --> 00:47:10,680 1563 00:47:08,160 --> 00:47:11,920 >> Zitta! Eh, state attenta che questo non 1564 00:47:10,670 --> 00:47:11,920 1565 00:47:10,680 --> 00:47:13,880 è un collegio. 1566 00:47:11,910 --> 00:47:13,880 1567 00:47:11,920 --> 00:47:16,560 >> Ed ecco Lida Borelli nella sua 1568 00:47:13,870 --> 00:47:16,560 1569 00:47:13,880 --> 00:47:19,360 interpretazione più smagliante, [musica] 1570 00:47:16,550 --> 00:47:19,360 1571 00:47:16,560 --> 00:47:21,420 La donna nuda, un film che fece epoca 1572 00:47:19,350 --> 00:47:21,420 1573 00:47:19,360 --> 00:47:23,040 nella storia della cinematografia, 1574 00:47:21,410 --> 00:47:23,040 1575 00:47:21,420 --> 00:47:25,280 [musica] tratto dalla commedia di Henry 1576 00:47:23,030 --> 00:47:25,280 1577 00:47:23,040 --> 00:47:27,440 Batai con l'interpretazione di Vanda 1578 00:47:25,270 --> 00:47:27,440 1579 00:47:25,280 --> 00:47:30,720 Capodaglio e Lamberto Picasso, Meteur 1580 00:47:27,430 --> 00:47:30,720 1581 00:47:27,440 --> 00:47:33,240 Hansen, Carmine Gallone. Il giovane 1582 00:47:30,710 --> 00:47:33,240 1583 00:47:30,720 --> 00:47:35,600 pittore Pierre, da poco assurie 1584 00:47:33,230 --> 00:47:35,600 1585 00:47:33,240 --> 00:47:37,600 dell'arte, ritrae nel suo studio 1586 00:47:35,590 --> 00:47:37,600 1587 00:47:35,600 --> 00:47:40,120 l'avvenente principessa Paola De 1588 00:47:37,590 --> 00:47:40,120 1589 00:47:37,600 --> 00:47:42,520 Chabran. Nel frattempo Lolette, la 1590 00:47:40,110 --> 00:47:42,520 1591 00:47:40,120 --> 00:47:45,400 fidanzata di Pierre, si strugge nella 1592 00:47:42,510 --> 00:47:45,400 1593 00:47:42,520 --> 00:47:48,000 più cupa gelosia. teme che l'uomo del 1594 00:47:45,390 --> 00:47:48,000 1595 00:47:45,400 --> 00:47:50,320 suo cuore la tradisca ed infatti 1596 00:47:47,990 --> 00:47:50,320 1597 00:47:48,000 --> 00:47:54,230 l'incontro d'arte si trasforma in un 1598 00:47:50,310 --> 00:47:54,230 1599 00:47:50,320 --> 00:47:54,230 incontro d'amore. Sì. [musica] 1601 00:47:58,760 --> 00:48:00,780 [musica] 1603 00:48:05,310 --> 00:48:07,330 >> [musica] 1605 00:48:12,510 --> 00:48:14,530 [musica] 1607 00:48:19,720 --> 00:48:25,480 [musica] 1608 00:48:20,790 --> 00:48:25,480 1609 00:48:20,800 --> 00:48:25,480 >> Il dramma ormai cova nell'ombra. 1611 00:48:28,230 --> 00:48:30,250 >> [musica] 1613 00:48:39,370 --> 00:48:41,390 [musica] 1615 00:48:45,260 --> 00:48:47,280 [musica] 1617 00:48:52,470 --> 00:48:54,490 [musica] 1619 00:48:56,840 --> 00:48:58,920 >> เ 1621 00:49:00,980 --> 00:49:03,000 >> [musica] 1623 00:49:07,800 --> 00:49:12,120 >> Purtroppo la riconciliazione fra Lolette 1624 00:49:09,990 --> 00:49:12,120 1625 00:49:10,000 --> 00:49:14,140 e Pierre è stata di breve durata. 1626 00:49:12,110 --> 00:49:14,140 1627 00:49:12,120 --> 00:49:14,140 [musica] 1629 00:49:14,200 --> 00:49:17,680 Il pittore infatti presente il suo 1630 00:49:15,990 --> 00:49:17,680 1631 00:49:16,000 --> 00:49:19,560 quadro ad un ricevimento in casa della 1632 00:49:17,670 --> 00:49:19,560 1633 00:49:17,680 --> 00:49:21,960 principessa [musica] Edolette che vi 1634 00:49:19,550 --> 00:49:21,960 1635 00:49:19,560 --> 00:49:24,960 partecipa, capisce di essere stata 1636 00:49:21,950 --> 00:49:24,960 1637 00:49:21,960 --> 00:49:24,960 ingannata. 1639 00:49:27,840 --> 00:49:29,860 >> [musica] 1641 00:49:35,700 --> 00:49:37,720 [musica] 1643 00:49:40,940 --> 00:49:42,960 [musica] 1645 00:49:45,720 --> 00:49:49,760 >> Ora il suo animo non ha pace. Il suo 1646 00:49:47,990 --> 00:49:49,760 1647 00:49:48,000 --> 00:49:52,440 orgoglio di donna è ferito. La sua 1648 00:49:49,750 --> 00:49:52,440 1649 00:49:49,760 --> 00:49:54,760 collera demoniaca sta per esplodere. 1650 00:49:52,430 --> 00:49:54,760 1651 00:49:52,440 --> 00:49:57,970 Osservate e ammirate, signori, questo 1652 00:49:54,750 --> 00:49:57,970 1653 00:49:54,760 --> 00:49:59,990 splendido brano di intensa drammaticità. 1654 00:49:57,960 --> 00:49:59,990 1655 00:49:57,970 --> 00:49:59,990 [musica] 1657 00:50:04,520 --> 00:50:06,540 [musica] 1659 00:50:11,070 --> 00:50:13,090 >> [musica] 1661 00:50:16,960 --> 00:50:18,980 [musica] 1663 00:50:24,170 --> 00:50:26,190 [musica] 1665 00:50:34,650 --> 00:50:36,670 [musica] 1667 00:50:36,720 --> 00:50:38,800 >> เ 1669 00:50:45,780 --> 00:50:47,800 >> [musica] 1671 00:50:52,990 --> 00:50:55,010 [musica] 1673 00:51:01,510 --> 00:51:03,530 [musica] 1675 00:51:06,740 --> 00:51:08,760 [musica] 1677 00:51:11,330 --> 00:51:13,350 [musica] 1679 00:51:17,880 --> 00:51:19,900 [musica] 1681 00:51:31,640 --> 00:51:33,660 [musica] 1683 00:51:36,320 --> 00:51:39,400 >> เ เฮ 1685 00:51:39,490 --> 00:51:41,510 [musica] 1687 00:51:44,740 --> 00:51:46,760 [musica] 1689 00:51:56,530 --> 00:51:58,550 [musica] 1691 00:52:01,760 --> 00:52:03,780 [musica] 1693 00:52:06,200 --> 00:52:09,200 เฮ 1695 00:52:10,280 --> 00:52:12,300 [musica] 1697 00:52:20,760 --> 00:52:22,780 [musica] 1699 00:52:29,280 --> 00:52:31,300 [musica] 1701 00:52:34,520 --> 00:52:36,540 [musica] 1703 00:52:42,380 --> 00:52:44,400 >> [musica] 1705 00:52:46,960 --> 00:52:48,980 [musica] 1707 00:52:52,200 --> 00:52:54,220 [musica] 1709 00:52:57,440 --> 00:52:59,460 [musica] 1711 00:53:03,340 --> 00:53:05,360 [musica] 1713 00:53:05,720 --> 00:53:08,800 >> เ เฮ 1715 00:53:16,440 --> 00:53:18,460 [musica] 1717 00:53:22,990 --> 00:53:25,010 [musica] 1719 00:53:28,880 --> 00:53:30,900 [musica] 1721 00:53:36,740 --> 00:53:38,760 >> [musica] 1723 00:53:44,600 --> 00:53:46,620 [musica] 1725 00:53:51,810 --> 00:53:53,830 [musica] 1727 00:53:57,700 --> 00:53:59,720 [musica] 1729 00:54:05,880 --> 00:54:09,550 >> B 1730 00:54:07,520 --> 00:54:09,550 1731 00:54:07,530 --> 00:54:09,550 [musica] 1733 00:54:22,590 --> 00:54:24,610 [musica] 1735 00:54:41,120 --> 00:54:45,570 2 minuti di intervallo. 1736 00:54:43,540 --> 00:54:45,570 1737 00:54:43,550 --> 00:54:45,570 [risate] 1739 00:54:47,200 --> 00:54:52,680 >> Come sono stupida. Siamo tutte commosse. 1740 00:54:50,630 --> 00:54:52,680 1741 00:54:50,640 --> 00:54:53,800 >> Ma per me è diverso. Tu lo sai che io 1742 00:54:52,670 --> 00:54:53,800 1743 00:54:52,680 --> 00:54:55,800 >> Sì, capisco. 1744 00:54:53,790 --> 00:54:55,800 1745 00:54:53,800 --> 00:54:58,040 >> Quelle risate mi hanno turbato. 1746 00:54:55,790 --> 00:54:58,040 1747 00:54:55,800 --> 00:55:01,680 >> Mi dispiace, non pensavo disperti. Ma 1748 00:54:58,030 --> 00:55:01,680 1749 00:54:58,040 --> 00:55:04,280 perché non mi hanno offesa, tutt'altro. 1750 00:55:01,670 --> 00:55:04,280 1751 00:55:01,680 --> 00:55:08,760 Mi hanno fatto comprendere tante cose e 1752 00:55:04,270 --> 00:55:08,760 1753 00:55:04,280 --> 00:55:08,760 questo è vero. Scusami cara, 1755 00:55:10,040 --> 00:55:13,080 >> sono la grazia di Dio. Signora, 1756 00:55:11,670 --> 00:55:13,080 1757 00:55:11,680 --> 00:55:14,440 >> non se la prenda, va benissimo. 1758 00:55:13,070 --> 00:55:14,440 1759 00:55:13,080 --> 00:55:15,280 >> Non ho mai trovato un pubblico più 1760 00:55:14,430 --> 00:55:15,280 1761 00:55:14,440 --> 00:55:17,280 incomprensivo, 1762 00:55:15,270 --> 00:55:17,280 1763 00:55:15,280 --> 00:55:18,040 >> ma c'è chi l'apprezza. Su, avanti con la 1764 00:55:17,270 --> 00:55:18,040 1765 00:55:17,280 --> 00:55:18,920 proiezione 1766 00:55:18,030 --> 00:55:18,920 1767 00:55:18,040 --> 00:55:20,120 >> fra poco, signora. 1768 00:55:18,910 --> 00:55:20,120 1769 00:55:18,920 --> 00:55:21,960 >> Avanti. Allora, 1770 00:55:20,110 --> 00:55:21,960 1771 00:55:20,120 --> 00:55:23,920 >> scusi, poco fa ho sentito fare il nome 1772 00:55:21,950 --> 00:55:23,920 1773 00:55:21,960 --> 00:55:24,960 della signora Makosca, ma è forse in 1774 00:55:23,910 --> 00:55:24,960 1775 00:55:23,920 --> 00:55:27,280 sala? 1776 00:55:24,950 --> 00:55:27,280 1777 00:55:24,960 --> 00:55:27,800 >> Sì, sì, c'era, ma se n'è andata subito. 1778 00:55:27,270 --> 00:55:27,800 1779 00:55:27,280 --> 00:55:28,360 Avanti, 1780 00:55:27,790 --> 00:55:28,360 1781 00:55:27,800 --> 00:55:32,320 >> scusi, 1782 00:55:28,350 --> 00:55:32,320 1783 00:55:28,360 --> 00:55:32,320 >> avanti. Spenga la luce. 1785 00:55:36,200 --> 00:55:42,560 Ed ecco per finire alcuni preziosi 1786 00:55:39,150 --> 00:55:42,560 1787 00:55:39,160 --> 00:55:44,280 frammenti del Fiatre numero 13, tratto 1788 00:55:42,550 --> 00:55:44,280 1789 00:55:42,560 --> 00:55:46,040 dall'immortale romando di Saverio di 1790 00:55:44,270 --> 00:55:46,040 1791 00:55:44,280 --> 00:55:48,080 Montepen. 1792 00:55:46,030 --> 00:55:48,080 1793 00:55:46,040 --> 00:55:50,680 Superba interpretazione di Elena 1794 00:55:48,070 --> 00:55:50,680 1795 00:55:48,080 --> 00:55:52,320 Makosca, uno dei più memorabili 1796 00:55:50,670 --> 00:55:52,320 1797 00:55:50,680 --> 00:55:54,640 avvenimenti cinematografici per 1798 00:55:52,310 --> 00:55:54,640 1799 00:55:52,320 --> 00:55:58,680 l'esordio di questa magnifica donna, 1800 00:55:54,630 --> 00:55:58,680 1801 00:55:54,640 --> 00:56:00,920 creatura regale, vera, verissimatrice 1802 00:55:58,670 --> 00:56:00,920 1803 00:55:58,680 --> 00:56:03,760 cinematografica. [musica] L'attrice che 1804 00:56:00,910 --> 00:56:03,760 1805 00:56:00,920 --> 00:56:06,280 parla agli occhi e dal cuore. Elena 1806 00:56:03,750 --> 00:56:06,280 1807 00:56:03,760 --> 00:56:08,800 Makosca, signori e signori, polacca 1808 00:56:06,270 --> 00:56:08,800 1809 00:56:06,280 --> 00:56:11,400 d'origine, portò sulle scene italiane 1810 00:56:08,790 --> 00:56:11,400 1811 00:56:08,800 --> 00:56:14,040 tutto il fuoco, il temperamento, 1812 00:56:11,390 --> 00:56:14,040 1813 00:56:11,400 --> 00:56:16,600 l'enigma dell'anima slava esuscitò i 1814 00:56:14,030 --> 00:56:16,600 1815 00:56:14,040 --> 00:56:18,520 fanatismi delle folle e le tenerezze 1816 00:56:16,590 --> 00:56:18,520 1817 00:56:16,600 --> 00:56:20,880 talvolta tragiche dei singoli 1818 00:56:18,510 --> 00:56:20,880 1819 00:56:18,520 --> 00:56:23,160 ammiratori. La contessa [musica] è in 1820 00:56:20,870 --> 00:56:23,160 1821 00:56:20,880 --> 00:56:25,520 preda una tremenda angoscia, poiché ha 1822 00:56:23,150 --> 00:56:25,520 1823 00:56:23,160 --> 00:56:27,080 ricevuto una lettera che la ricatta. 1824 00:56:25,510 --> 00:56:27,080 1825 00:56:25,520 --> 00:56:29,320 Essa è [musica] stata infatti mandante 1826 00:56:27,070 --> 00:56:29,320 1827 00:56:27,080 --> 00:56:31,520 di un fosco delitto consumato a Parigi 1828 00:56:29,310 --> 00:56:31,520 1829 00:56:29,320 --> 00:56:34,120 sul ponte di Nei, nella notte di un 1830 00:56:31,510 --> 00:56:34,120 1831 00:56:31,520 --> 00:56:37,000 tragico Natale. L'ombra di questo 1832 00:56:34,110 --> 00:56:37,000 1833 00:56:34,120 --> 00:56:41,440 passato pesa sulla sua vita, ora felice 1834 00:56:36,990 --> 00:56:41,440 1835 00:56:37,000 --> 00:56:41,440 ed essa teme per la sua bambina. 1837 00:56:43,240 --> 00:56:46,240 Durante una festa nel castello della 1838 00:56:45,230 --> 00:56:46,240 1839 00:56:45,240 --> 00:56:49,040 Contessa [musica] 1840 00:56:46,230 --> 00:56:49,040 1841 00:56:46,240 --> 00:56:51,440 si organizzano dei quadri viventi e la 1842 00:56:49,030 --> 00:56:51,440 1843 00:56:49,040 --> 00:56:54,610 contessa stessa vi appare in Madame 1844 00:56:51,430 --> 00:56:54,610 1845 00:56:51,440 --> 00:56:54,610 Ricamier. [musica] 1847 00:56:57,640 --> 00:57:02,480 Ma una tremenda sorpresa l'attende. Uno 1848 00:57:00,550 --> 00:57:02,480 1849 00:57:00,560 --> 00:57:05,480 dei quadri successivi rappresenta 1850 00:57:02,470 --> 00:57:05,480 1851 00:57:02,480 --> 00:57:07,880 proprio quel delitto del ponte di Noi 1852 00:57:05,470 --> 00:57:07,880 1853 00:57:05,480 --> 00:57:09,760 del quale [musica] essa è responsabile. 1854 00:57:07,870 --> 00:57:09,760 1855 00:57:07,880 --> 00:57:12,760 È un'oscura manovra dei suoi nemici per 1856 00:57:09,750 --> 00:57:12,760 1857 00:57:09,760 --> 00:57:12,760 smascherarla. 1859 00:57:12,890 --> 00:57:14,910 [musica] 1861 00:57:19,440 --> 00:57:21,460 >> [musica] 1863 00:57:26,650 --> 00:57:28,670 [musica] 1865 00:57:37,780 --> 00:57:39,800 [musica] 1867 00:57:43,020 --> 00:57:46,040 [musica] 1868 00:57:44,390 --> 00:57:46,040 1869 00:57:44,400 --> 00:57:47,960 >> Sentendosi perduta alla contessa, 1870 00:57:46,030 --> 00:57:47,960 1871 00:57:46,040 --> 00:57:51,720 preferisci Il suicidio ha una vita 1872 00:57:47,950 --> 00:57:51,720 1873 00:57:47,960 --> 00:57:51,720 indegna dei suoi figli. 1875 00:57:54,160 --> 00:57:56,180 [musica] 1877 00:58:02,020 --> 00:58:04,040 >> [musica] 1879 00:58:07,910 --> 00:58:09,930 [musica] 1881 00:58:18,390 --> 00:58:20,410 [musica] 1883 00:58:23,640 --> 00:58:25,660 [musica] 1885 00:58:29,530 --> 00:58:31,550 [musica] 1887 00:58:34,770 --> 00:58:40,800 [musica] 1888 00:58:36,110 --> 00:58:40,800 1889 00:58:36,120 --> 00:58:40,800 >> Elena, ma perché 1891 00:58:41,320 --> 00:58:43,340 [musica] 1893 00:58:45,400 --> 00:58:53,720 >> che hai cara? Ti senti male? 1894 00:58:47,670 --> 00:58:53,720 1895 00:58:47,680 --> 00:58:53,720 >> No, no. Proseguite, proseguite. Ferma. 1897 00:58:54,320 --> 00:58:58,400 >> Ah, ma che maleducati. 1898 00:58:55,670 --> 00:58:58,400 1899 00:58:55,680 --> 00:58:59,840 >> Sono indignata, mia cara. È un pubblico 1900 00:58:58,390 --> 00:58:59,840 1901 00:58:58,400 --> 00:59:01,520 superficiale. 1902 00:58:59,830 --> 00:59:01,520 1903 00:58:59,840 --> 00:59:03,280 >> La macosca non se n'era andata. Ho 1904 00:59:01,510 --> 00:59:03,280 1905 00:59:01,520 --> 00:59:05,120 capito il trucco. La baronessa ha voluto 1906 00:59:03,270 --> 00:59:05,120 1907 00:59:03,280 --> 00:59:06,840 divertirsi alle sue spalle e io mi sono 1908 00:59:05,110 --> 00:59:06,840 1909 00:59:05,120 --> 00:59:09,400 apprestato al suo giuoco. 1910 00:59:06,830 --> 00:59:09,400 1911 00:59:06,840 --> 00:59:10,920 >> Sono mortificata. Resta ancora un po'. 1912 00:59:09,390 --> 00:59:10,920 1913 00:59:09,400 --> 00:59:12,640 Proiettiamo una comica, ci facciamo 1914 00:59:10,910 --> 00:59:12,640 1915 00:59:10,920 --> 00:59:15,080 quattro risate. 1916 00:59:12,630 --> 00:59:15,080 1917 00:59:12,640 --> 00:59:18,880 >> No, è stato come vedere rivivere i 1918 00:59:15,070 --> 00:59:18,880 1919 00:59:15,080 --> 00:59:22,720 morti. Sono ricordi che devono dormire. 1920 00:59:18,870 --> 00:59:22,720 1921 00:59:18,880 --> 00:59:23,760 Scusami se me ne vado. È meglio. 1922 00:59:22,710 --> 00:59:23,760 1923 00:59:22,720 --> 00:59:26,440 Ti faccio accompagnare. 1924 00:59:23,750 --> 00:59:26,440 1925 00:59:23,760 --> 00:59:29,120 >> Sì. 1926 00:59:26,430 --> 00:59:29,120 1927 00:59:26,440 --> 00:59:29,120 >> Elena. 1929 00:59:32,160 --> 00:59:35,160 Beh, che fai? Hai detto che quella 1930 00:59:33,750 --> 00:59:35,160 1931 00:59:33,760 --> 00:59:36,680 pellicola è un capolavore e mo non la 1932 00:59:35,150 --> 00:59:36,680 1933 00:59:35,160 --> 00:59:39,120 vuoi vedere? 1934 00:59:36,670 --> 00:59:39,120 1935 00:59:36,680 --> 00:59:40,640 >> Stai zitta, tu non puoi capire. Dopo 1936 00:59:39,110 --> 00:59:40,640 1937 00:59:39,120 --> 00:59:43,120 quello che è successo ieri, io non so 1938 00:59:40,630 --> 00:59:43,120 1939 00:59:40,640 --> 00:59:45,040 più cosa fare. Se anche la duse dovesse 1940 00:59:43,110 --> 00:59:45,040 1941 00:59:43,120 --> 00:59:46,920 far ridere il pubblico d'oggi e allora? 1942 00:59:45,030 --> 00:59:46,920 1943 00:59:45,040 --> 00:59:48,920 >> Eh, tu sei troppo fanatico. Avanti, 1944 00:59:46,910 --> 00:59:48,920 1945 00:59:46,920 --> 00:59:49,480 fammela vedere sta duse. Giuro che non 1946 00:59:48,910 --> 00:59:49,480 1947 00:59:48,920 --> 00:59:51,840 rido. 1948 00:59:49,470 --> 00:59:51,840 1949 00:59:49,480 --> 00:59:53,240 >> No, non proietterò mai più nulla. 1950 00:59:51,830 --> 00:59:53,240 1951 00:59:51,840 --> 00:59:55,560 >> E come farai a campare? 1952 00:59:53,230 --> 00:59:55,560 1953 00:59:53,240 --> 00:59:57,200 >> M'arrangerò. 1954 00:59:55,550 --> 00:59:57,200 1955 00:59:55,560 --> 01:00:00,520 Perché non apri una sala per insegnare a 1956 00:59:57,190 --> 01:00:00,520 1957 00:59:57,200 --> 01:00:04,440 fare il cinema e così mi paro pure io. 1958 01:00:00,510 --> 01:00:04,440 1959 01:00:00,520 --> 01:00:05,560 >> Chi è? Avanti. 1960 01:00:04,430 --> 01:00:05,560 1961 01:00:04,440 --> 01:00:07,040 >> Il signor Omery. 1962 01:00:05,550 --> 01:00:07,040 1963 01:00:05,560 --> 01:00:07,960 >> Sono io. Desidera 1964 01:00:07,030 --> 01:00:07,960 1965 01:00:07,040 --> 01:00:09,320 >> A Storry. 1966 01:00:07,950 --> 01:00:09,320 1967 01:00:07,960 --> 01:00:11,320 >> In che posso? 1968 01:00:09,310 --> 01:00:11,320 1969 01:00:09,320 --> 01:00:12,440 >> Io sono Giorgio Astorry della Vulcano 1970 01:00:11,310 --> 01:00:12,440 1971 01:00:11,320 --> 01:00:13,880 Film. 1972 01:00:12,430 --> 01:00:13,880 1973 01:00:12,440 --> 01:00:15,440 >> Lei è il figlio del compianto 1974 01:00:13,870 --> 01:00:15,440 1975 01:00:13,880 --> 01:00:17,720 comendatore Astorry. 1976 01:00:15,430 --> 01:00:17,720 1977 01:00:15,440 --> 01:00:19,920 >> Precisamente suo padre è stato un 1978 01:00:17,710 --> 01:00:19,920 1979 01:00:17,720 --> 01:00:22,040 pioniere del cinematografo italiano. 1980 01:00:19,910 --> 01:00:22,040 1981 01:00:19,920 --> 01:00:23,480 >> Lo so. Lasci, lasci. È naturale che lei 1982 01:00:22,030 --> 01:00:23,480 1983 01:00:22,040 --> 01:00:24,400 lo sappia. Comunque fa piacere 1984 01:00:23,470 --> 01:00:24,400 1985 01:00:23,480 --> 01:00:25,920 ricordarlo. 1986 01:00:24,390 --> 01:00:25,920 1987 01:00:24,400 --> 01:00:28,480 >> E ass non fa cerimoni. 1988 01:00:25,910 --> 01:00:28,480 1989 01:00:25,920 --> 01:00:30,480 >> Grazie. A proposito di mio padre, lei sa 1990 01:00:28,470 --> 01:00:30,480 1991 01:00:28,480 --> 01:00:33,200 che sposò l'attrice Elena Maosca. 1992 01:00:30,470 --> 01:00:33,200 1993 01:00:30,480 --> 01:00:34,880 >> Grande, indimenticabile. Eccola là. Ho 1994 01:00:33,190 --> 01:00:34,880 1995 01:00:33,200 --> 01:00:36,040 avuto il piacere e l'onore di rivederla 1996 01:00:34,870 --> 01:00:36,040 1997 01:00:34,880 --> 01:00:39,120 ieri sera. 1998 01:00:36,030 --> 01:00:39,120 1999 01:00:36,040 --> 01:00:41,560 >> Appunto, ieri sera sono stati proiettati 2000 01:00:39,110 --> 01:00:41,560 2001 01:00:39,120 --> 01:00:43,560 in una casa privata alcuni frammenti di 2002 01:00:41,550 --> 01:00:43,560 2003 01:00:41,560 --> 01:00:47,520 film riguardanti mia madre. 2004 01:00:43,550 --> 01:00:47,520 2005 01:00:43,560 --> 01:00:50,080 >> Stano, non accadrà più. Come crede, ma 2006 01:00:47,510 --> 01:00:50,080 2007 01:00:47,520 --> 01:00:52,800 io desidero ricomprare quei frammenti. 2008 01:00:50,070 --> 01:00:52,800 2009 01:00:50,080 --> 01:00:54,800 Mio padre, quando la sposò ritirò e 2010 01:00:52,790 --> 01:00:54,800 2011 01:00:52,800 --> 01:00:56,240 distrusse tutti i suoi film. 2012 01:00:54,790 --> 01:00:56,240 2013 01:00:54,800 --> 01:00:57,920 >> Fece malissimo. 2014 01:00:56,230 --> 01:00:57,920 2015 01:00:56,240 --> 01:00:59,440 >> Lascia andare, mi favorisca quei 2016 01:00:57,910 --> 01:00:59,440 2017 01:00:57,920 --> 01:01:00,240 frammenti, li pagherò bene. 2018 01:00:59,430 --> 01:01:00,240 2019 01:00:59,440 --> 01:01:01,880 >> Mai. 2020 01:01:00,230 --> 01:01:01,880 2021 01:01:00,240 --> 01:01:04,000 >> Senta, sono al corrente di quanto è 2022 01:01:01,870 --> 01:01:04,000 2023 01:01:01,880 --> 01:01:06,320 accaduto in casa Caprioli. Mia madre ha 2024 01:01:03,990 --> 01:01:06,320 2025 01:01:04,000 --> 01:01:07,120 avuto uno shock ed è tornata a casa in 2026 01:01:06,310 --> 01:01:07,120 2027 01:01:06,320 --> 01:01:09,400 lacrime. 2028 01:01:07,110 --> 01:01:09,400 2029 01:01:07,120 --> 01:01:12,560 >> Piangeva e perché la ridevano tutti. 2030 01:01:09,390 --> 01:01:12,560 2031 01:01:09,400 --> 01:01:14,480 >> Va via. Ridevano. Il riso abbonda sulla 2032 01:01:12,550 --> 01:01:14,480 2033 01:01:12,560 --> 01:01:15,960 bocca degli stolti. Sarà, ma io non 2034 01:01:14,470 --> 01:01:15,960 2035 01:01:14,480 --> 01:01:16,600 posso permettere che si rida alle spalle 2036 01:01:15,950 --> 01:01:16,600 2037 01:01:15,960 --> 01:01:18,280 di mia madre. 2038 01:01:16,590 --> 01:01:18,280 2039 01:01:16,600 --> 01:01:20,720 >> Nessuno riderà più. 2040 01:01:18,270 --> 01:01:20,720 2041 01:01:18,280 --> 01:01:21,760 >> Bene, mi ceda la pellicola. Le darò 2042 01:01:20,710 --> 01:01:21,760 2043 01:01:20,720 --> 01:01:23,160 50.000 lire. 2044 01:01:21,750 --> 01:01:23,160 2045 01:01:21,760 --> 01:01:23,520 >> Cavaliere, che aspetti? Non farlo 2046 01:01:23,150 --> 01:01:23,520 2047 01:01:23,160 --> 01:01:24,520 stupido. 2048 01:01:23,510 --> 01:01:24,520 2049 01:01:23,520 --> 01:01:27,520 >> Vai via. 2050 01:01:24,510 --> 01:01:27,520 2051 01:01:24,520 --> 01:01:29,360 >> No, guardi, sonoissimo, ma non posso. 2052 01:01:27,510 --> 01:01:29,360 2053 01:01:27,520 --> 01:01:30,920 100.000 lire e non ne parliamo più. 2054 01:01:29,350 --> 01:01:30,920 2055 01:01:29,360 --> 01:01:31,520 >> Signore, io sono povero, ma non mi 2056 01:01:30,910 --> 01:01:31,520 2057 01:01:30,920 --> 01:01:32,720 vendo. 2058 01:01:31,510 --> 01:01:32,720 2059 01:01:31,520 --> 01:01:33,880 >> Ma lei vende un film? 2060 01:01:32,710 --> 01:01:33,880 2061 01:01:32,720 --> 01:01:35,720 >> Impossibile. 2062 01:01:33,870 --> 01:01:35,720 2063 01:01:33,880 --> 01:01:37,960 >> Ricorrerò in tribunale, le farò passare 2064 01:01:35,710 --> 01:01:37,960 2065 01:01:35,720 --> 01:01:39,640 un sacco di guai. 2066 01:01:37,950 --> 01:01:39,640 2067 01:01:37,960 --> 01:01:40,120 I diritti di queste pellicole non sono 2068 01:01:39,630 --> 01:01:40,120 2069 01:01:39,640 --> 01:01:41,920 suoi. 2070 01:01:40,110 --> 01:01:41,920 2071 01:01:40,120 --> 01:01:43,120 >> Non sono miei, ma sono dell'arte. Ed in 2072 01:01:41,910 --> 01:01:43,120 2073 01:01:41,920 --> 01:01:44,760 nome dell'arte che non venderò mai 2074 01:01:43,110 --> 01:01:44,760 2075 01:01:43,120 --> 01:01:46,360 queste pellicole per distruggerle come 2076 01:01:44,750 --> 01:01:46,360 2077 01:01:44,760 --> 01:01:48,600 lei vorrebbe. Questa la darò a qualche 2078 01:01:46,350 --> 01:01:48,600 2079 01:01:46,360 --> 01:01:49,760 museo, non a lei. Mai. 2080 01:01:48,590 --> 01:01:49,760 2081 01:01:48,600 --> 01:01:51,280 >> Ci pensi bene? 2082 01:01:49,750 --> 01:01:51,280 2083 01:01:49,760 --> 01:01:52,800 >> Se ne vada. 2084 01:01:51,270 --> 01:01:52,800 2085 01:01:51,280 --> 01:01:54,440 Ci rivedremo in tribunale. 2086 01:01:52,790 --> 01:01:54,440 2087 01:01:52,800 --> 01:01:56,000 >> Ci rivedremo in tribunale. Ci rivedremo 2088 01:01:54,430 --> 01:01:56,000 2089 01:01:54,440 --> 01:02:00,440 dove vuole lei. Ma io queste pellicole 2090 01:01:55,990 --> 01:02:00,440 2091 01:01:56,000 --> 01:02:00,440 non gliele darò mai. Mai e mai. 2093 01:02:13,560 --> 01:02:16,320 >> Senti, tu li vuoi proprio i film di 2094 01:02:15,710 --> 01:02:16,320 2095 01:02:15,720 --> 01:02:18,600 mamma tua? 2096 01:02:16,310 --> 01:02:18,600 2097 01:02:16,320 --> 01:02:20,120 >> Sicuro che li voglio e li riavrò. Ma 2098 01:02:18,590 --> 01:02:20,120 2099 01:02:18,600 --> 01:02:20,920 quello è cociuto come un muled e pure 2100 01:02:20,110 --> 01:02:20,920 2101 01:02:20,120 --> 01:02:22,800 uno poco pezzo. 2102 01:02:20,910 --> 01:02:22,800 2103 01:02:20,920 --> 01:02:24,640 >> Ci penserà il giudice a fargli passare a 2104 01:02:22,790 --> 01:02:24,640 2105 01:02:22,800 --> 01:02:26,480 pazzia quello. 2106 01:02:24,630 --> 01:02:26,480 2107 01:02:24,640 --> 01:02:28,040 >> Sei proprio li vuoi te li posso dare io. 2108 01:02:26,470 --> 01:02:28,040 2109 01:02:26,480 --> 01:02:30,480 >> Ma non scherzi? 2110 01:02:28,030 --> 01:02:30,480 2111 01:02:28,040 --> 01:02:32,480 >> Io sono una ragazza seria. 2112 01:02:30,470 --> 01:02:32,480 2113 01:02:30,480 --> 01:02:34,160 >> Va bene, portameli ed io ti farò un bel 2114 01:02:32,470 --> 01:02:34,160 2115 01:02:32,480 --> 01:02:36,480 regalo. Che cosa vorresti? 2116 01:02:34,150 --> 01:02:36,480 2117 01:02:34,160 --> 01:02:38,400 >> Niente regali. Tu mi devi fare quella 2118 01:02:36,470 --> 01:02:38,400 2119 01:02:36,480 --> 01:02:41,710 cosa che si fa nello cinematografa alle 2120 01:02:38,390 --> 01:02:41,710 2121 01:02:38,400 --> 01:02:43,400 ragazze. Come si chiama? L'ubrovino 2122 01:02:41,700 --> 01:02:43,400 2123 01:02:41,710 --> 01:02:44,360 [risate] che c'hai da ridere? So forse 2124 01:02:43,390 --> 01:02:44,360 2125 01:02:43,400 --> 01:02:46,520 un cavallo io. 2126 01:02:44,350 --> 01:02:46,520 2127 01:02:44,360 --> 01:02:47,920 >> Ma tu vuoi fare del cinema? Certo, io 2128 01:02:46,510 --> 01:02:47,920 2129 01:02:46,520 --> 01:02:49,600 c'ho la vocazione. 2130 01:02:47,910 --> 01:02:49,600 2131 01:02:47,920 --> 01:02:51,320 >> Allora, fammi avere quelle pellicole ed 2132 01:02:49,590 --> 01:02:51,320 2133 01:02:49,600 --> 01:02:53,480 io ti farò fare un provino. 2134 01:02:51,310 --> 01:02:53,480 2135 01:02:51,320 --> 01:02:55,440 >> No, tu prima mi fai il provino e poi do 2136 01:02:53,470 --> 01:02:55,440 2137 01:02:53,480 --> 01:02:57,760 il film di mamma tua. 2138 01:02:55,430 --> 01:02:57,760 2139 01:02:55,440 --> 01:02:58,880 >> Va bene, ti farò il provino. Quando vuoi 2140 01:02:57,750 --> 01:02:58,880 2141 01:02:57,760 --> 01:03:00,160 venire allo stabilimento? 2142 01:02:58,870 --> 01:03:00,160 2143 01:02:58,880 --> 01:03:00,800 >> Pure adesso, così mi faccio una bella 2144 01:03:00,150 --> 01:03:00,800 2145 01:03:00,160 --> 01:03:04,840 passeggiata. 2146 01:03:00,790 --> 01:03:04,840 2147 01:03:00,800 --> 01:03:04,840 >> Allora, andiamo. Salta su. 2149 01:03:32,800 --> 01:03:35,840 >> [musica] 2150 01:03:34,310 --> 01:03:35,840 2151 01:03:34,320 --> 01:03:38,640 >> E permesso? 2152 01:03:35,830 --> 01:03:38,640 2153 01:03:35,840 --> 01:03:42,280 Oh, Elena, tu qui. Oh, sposami in questo 2154 01:03:38,630 --> 01:03:42,280 2155 01:03:38,640 --> 01:03:46,400 stato, così sono mortificato. 2156 01:03:42,270 --> 01:03:46,400 2157 01:03:42,280 --> 01:03:48,040 >> E che sono questi i nostri capolavori 2158 01:03:46,390 --> 01:03:48,040 2159 01:03:46,400 --> 01:03:51,840 e i nostri sogni? 2160 01:03:48,030 --> 01:03:51,840 2161 01:03:48,040 --> 01:03:54,200 >> Ed io sono il povero rigtiere dei sogni. 2162 01:03:51,830 --> 01:03:54,200 2163 01:03:51,840 --> 01:03:57,280 Mai finita, non voglio esserlo più. 2164 01:03:54,190 --> 01:03:57,280 2165 01:03:54,200 --> 01:03:59,040 Basta. E perché? Perché non voglio più 2166 01:03:57,270 --> 01:03:59,040 2167 01:03:57,280 --> 01:04:01,240 che si rida di Elena Macosca, né di 2168 01:03:59,030 --> 01:04:01,240 2169 01:03:59,040 --> 01:04:01,880 Francesca Bertini, né divorelli, né di 2170 01:04:01,230 --> 01:04:01,880 2171 01:04:01,240 --> 01:04:05,200 nessuno. 2172 01:04:01,870 --> 01:04:05,200 2173 01:04:01,880 --> 01:04:06,000 >> Vuoi distruggerli? No, gli darò un 2174 01:04:05,190 --> 01:04:06,000 2175 01:04:05,200 --> 01:04:08,640 museo. 2176 01:04:05,990 --> 01:04:08,640 2177 01:04:06,000 --> 01:04:11,280 >> Hai ragione, siamo proprio diventati 2178 01:04:08,630 --> 01:04:11,280 2179 01:04:08,640 --> 01:04:13,240 roba da museo. 2180 01:04:11,270 --> 01:04:13,240 2181 01:04:11,280 --> 01:04:15,880 E pensare che mi sono procurata il tuo 2182 01:04:13,230 --> 01:04:15,880 2183 01:04:13,240 --> 01:04:19,320 indirizzo e sono arrivata fin qui per 2184 01:04:15,870 --> 01:04:19,320 2185 01:04:15,880 --> 01:04:21,270 rivedermeli tutti. Elena, in ognuno di 2186 01:04:19,310 --> 01:04:21,270 2187 01:04:19,320 --> 01:04:23,760 questi film è rimasto un po' del mio 2188 01:04:21,260 --> 01:04:23,760 2189 01:04:21,270 --> 01:04:25,120 [musica] cuore. Figuriamoci tu con che 2190 01:04:23,750 --> 01:04:25,120 2191 01:04:23,760 --> 01:04:27,040 anime hai potuto sopportare che un 2192 01:04:25,110 --> 01:04:27,040 2193 01:04:25,120 --> 01:04:27,800 pubblico stupido e privo di senso 2194 01:04:27,030 --> 01:04:27,800 2195 01:04:27,040 --> 01:04:31,080 artistico. 2196 01:04:27,790 --> 01:04:31,080 2197 01:04:27,800 --> 01:04:32,800 >> Sì, è vero. Ieri sera ho sofferto molto. 2198 01:04:31,070 --> 01:04:32,800 2199 01:04:31,080 --> 01:04:33,720 >> Anch'io. Per te soprattutto. 2200 01:04:32,790 --> 01:04:33,720 2201 01:04:32,800 --> 01:04:35,600 >> Grazie. 2202 01:04:33,710 --> 01:04:35,600 2203 01:04:33,720 --> 01:04:37,040 >> Ma io ci credo a queste pellicole e le 2204 01:04:35,590 --> 01:04:37,040 2205 01:04:35,600 --> 01:04:40,640 conserverò malgrado tutti. 2206 01:04:37,030 --> 01:04:40,640 2207 01:04:37,040 --> 01:04:42,360 >> Rivediamocele noi due soli. Sono nostre. 2208 01:04:40,630 --> 01:04:42,360 2209 01:04:40,640 --> 01:04:44,960 Vi abbiamo recitato insieme. [musica] 2210 01:04:42,350 --> 01:04:44,960 2211 01:04:42,360 --> 01:04:46,400 >> No, no. Ho capito che è come scoprire 2212 01:04:44,950 --> 01:04:46,400 2213 01:04:44,960 --> 01:04:47,240 una tomba, la tomba della nostra 2214 01:04:46,390 --> 01:04:47,240 2215 01:04:46,400 --> 01:04:50,560 giovinezza. 2216 01:04:47,230 --> 01:04:50,560 2217 01:04:47,240 --> 01:04:52,710 >> Forse hai ragione, ma hai un film in 2218 01:04:50,550 --> 01:04:52,710 2219 01:04:50,560 --> 01:04:54,730 macchina. 2220 01:04:52,700 --> 01:04:54,730 2221 01:04:52,710 --> 01:04:54,730 [musica] 2223 01:05:01,200 --> 01:05:04,550 Ah. [musica] 2225 01:05:09,740 --> 01:05:11,760 [musica] 2227 01:05:15,640 --> 01:05:17,660 >> [musica] 2229 01:05:27,430 --> 01:05:29,450 [musica] 2231 01:05:42,490 --> 01:05:44,510 [musica] 2233 01:05:57,550 --> 01:05:59,570 [musica] 2235 01:06:04,110 --> 01:06:06,130 [musica] 2237 01:06:09,340 --> 01:06:13,830 [musica] 2238 01:06:10,830 --> 01:06:13,840 2239 01:06:10,840 --> 01:06:13,840 >> เฮ 2241 01:06:16,550 --> 01:06:18,570 [musica] 2243 01:06:28,990 --> 01:06:31,010 [musica] 2245 01:06:37,510 --> 01:06:39,530 [musica] 2247 01:06:51,920 --> 01:06:53,940 >> [musica] 2249 01:06:58,470 --> 01:07:00,490 [musica] 2251 01:07:08,300 --> 01:07:10,320 [musica] 2253 01:07:10,440 --> 01:07:14,900 >> เฮ 2254 01:07:12,870 --> 01:07:14,900 2255 01:07:12,880 --> 01:07:14,900 [musica] 2257 01:07:29,910 --> 01:07:31,930 [musica] 2259 01:07:35,810 --> 01:07:37,830 [musica] 2261 01:07:49,560 --> 01:07:51,580 >> [musica] 2263 01:07:58,080 --> 01:08:00,100 [musica] 2265 01:08:04,280 --> 01:08:06,800 >> Passa un poco col 5000. 2266 01:08:05,390 --> 01:08:06,800 2267 01:08:05,400 --> 01:08:09,800 >> Beh, siamo pronti. Vogliamo andare? Sì o 2268 01:08:06,790 --> 01:08:09,800 2269 01:08:06,800 --> 01:08:09,800 no? 2271 01:08:10,080 --> 01:08:13,360 Signorina, se vuoi mettere a posto? 2272 01:08:11,510 --> 01:08:13,360 2273 01:08:11,520 --> 01:08:15,680 Andiamo, proviamo il carrello. Metti un 2274 01:08:13,350 --> 01:08:15,680 2275 01:08:13,360 --> 01:08:17,480 grigiatino col 500. 2276 01:08:15,670 --> 01:08:17,480 2277 01:08:15,680 --> 01:08:21,120 Bene, 2278 01:08:17,470 --> 01:08:21,120 2279 01:08:17,480 --> 01:08:21,120 dottore, siamo pronti. 2281 01:08:23,280 --> 01:08:25,360 Allora, hai capito? Appena squilli il 2282 01:08:24,790 --> 01:08:25,360 2283 01:08:24,800 --> 01:08:27,240 telefono. 2284 01:08:25,350 --> 01:08:27,240 2285 01:08:25,360 --> 01:08:28,880 >> E sta calmo, io corro. Credo che un 2286 01:08:27,230 --> 01:08:28,880 2287 01:08:27,240 --> 01:08:29,320 signore invece l'innamorato mio e gli 2288 01:08:28,870 --> 01:08:29,320 2289 01:08:28,880 --> 01:08:31,400 parlo. 2290 01:08:29,310 --> 01:08:31,400 2291 01:08:29,320 --> 01:08:32,920 >> Ecco, brava. E stai attenta, eh. 2292 01:08:31,390 --> 01:08:32,920 2293 01:08:31,400 --> 01:08:34,400 >> E che ci vuole a faare sta fesseria? 2294 01:08:32,910 --> 01:08:34,400 2295 01:08:32,920 --> 01:08:37,040 Coraggio. Daje, 2296 01:08:34,390 --> 01:08:37,040 2297 01:08:34,400 --> 01:08:37,720 >> Mariannina, attenta e stai calma. Stai 2298 01:08:37,030 --> 01:08:37,720 2299 01:08:37,040 --> 01:08:41,240 calma, 2300 01:08:37,710 --> 01:08:41,240 2301 01:08:37,720 --> 01:08:45,400 >> sta calmo tu. Daje, daje, non ci pensa. 2302 01:08:41,230 --> 01:08:45,400 2303 01:08:41,240 --> 01:08:48,160 Ma ma ma motore 2304 01:08:45,390 --> 01:08:48,160 2305 01:08:45,400 --> 01:08:53,200 >> provino eccellenza. Zero prima 2306 01:08:48,150 --> 01:08:53,200 2307 01:08:48,160 --> 01:08:55,280 >> azione. Sì, sì. Tocca a te. Drin drin. 2308 01:08:53,190 --> 01:08:55,280 2309 01:08:53,200 --> 01:08:58,120 >> Ah, ma tu fai pure da telefono. 2310 01:08:55,270 --> 01:08:58,120 2311 01:08:55,280 --> 01:08:59,240 >> Stop. Sì, faccio anche il telefono 2312 01:08:58,110 --> 01:08:59,240 2313 01:08:58,120 --> 01:09:01,000 adesso. L'hai capita? 2314 01:08:59,230 --> 01:09:01,000 2315 01:08:59,240 --> 01:09:03,120 >> E che m'hai presa per scema. Andiamo, 2316 01:09:00,990 --> 01:09:03,120 2317 01:09:01,000 --> 01:09:05,840 andiamo. Mo ti faccio ved' io come si fa 2318 01:09:03,110 --> 01:09:05,840 2319 01:09:03,120 --> 01:09:08,280 >> da capo. Pronti, 2320 01:09:05,830 --> 01:09:08,280 2321 01:09:05,840 --> 01:09:08,280 >> pronti. 2323 01:09:08,440 --> 01:09:09,440 Motore. 2324 01:09:09,070 --> 01:09:09,440 2325 01:09:09,080 --> 01:09:11,480 >> Cia. 2326 01:09:09,430 --> 01:09:11,480 2327 01:09:09,440 --> 01:09:15,640 >> Provino. Eccellenza. 0 seconda 2328 01:09:11,470 --> 01:09:15,640 2329 01:09:11,480 --> 01:09:17,600 >> azione. Drin drin. 2330 01:09:15,630 --> 01:09:17,600 2331 01:09:15,640 --> 01:09:19,200 Pronto? 2332 01:09:17,590 --> 01:09:19,200 2333 01:09:17,600 --> 01:09:20,840 Pronto? 2334 01:09:19,190 --> 01:09:20,840 2335 01:09:19,200 --> 01:09:22,720 Ma qua non risponde nessuno. 2336 01:09:20,830 --> 01:09:22,720 2337 01:09:20,840 --> 01:09:26,160 >> Non vuol dire fai finta. 2338 01:09:22,710 --> 01:09:26,160 2339 01:09:22,720 --> 01:09:26,160 >> Ah, se ho capito. 2341 01:09:26,200 --> 01:09:33,880 Pronto? Pronto? Chi siede lei. 2342 01:09:30,590 --> 01:09:33,880 2343 01:09:30,600 --> 01:09:36,240 Come? Ah, sei tu, Petruccio? 2344 01:09:33,870 --> 01:09:36,240 2345 01:09:33,880 --> 01:09:40,040 Petruccio del cuore mio. E come mai sei 2346 01:09:36,230 --> 01:09:40,040 2347 01:09:36,240 --> 01:09:43,080 venuto a Roma? Come? Io sto bene e al 2348 01:09:40,030 --> 01:09:43,080 2349 01:09:40,040 --> 01:09:47,480 paese no stanno bene. E la vaccarella 2350 01:09:43,070 --> 01:09:47,480 2351 01:09:43,080 --> 01:09:48,840 come sta? E luporco si è ingrassato? 2352 01:09:47,470 --> 01:09:48,840 2353 01:09:47,480 --> 01:09:49,760 Beh, si è ringraziata la Madonna 2354 01:09:48,830 --> 01:09:49,760 2355 01:09:48,840 --> 01:09:51,920 Sant'Antonio. 2356 01:09:49,750 --> 01:09:51,920 2357 01:09:49,760 --> 01:09:53,120 >> Stop. Basta così. 2358 01:09:51,910 --> 01:09:53,120 2359 01:09:51,920 --> 01:09:55,600 >> Così poco. 2360 01:09:53,110 --> 01:09:55,600 2361 01:09:53,120 --> 01:09:57,640 >> Eh, è un cannone, è bravissima. 2362 01:09:55,590 --> 01:09:57,640 2363 01:09:55,600 --> 01:09:59,040 >> Allora, me la fai la scrittura? E come 2364 01:09:57,630 --> 01:09:59,040 2365 01:09:57,640 --> 01:09:59,840 prima però mi vai a prendere quelle 2366 01:09:59,030 --> 01:09:59,840 2367 01:09:59,040 --> 01:10:03,720 cosarelle 2368 01:09:59,830 --> 01:10:03,720 2369 01:09:59,840 --> 01:10:03,720 >> subito. Aspettami qua. 2371 01:10:07,760 --> 01:10:11,160 >> Mariannina, dove sei stata? Dove vai? 2372 01:10:10,190 --> 01:10:11,160 2373 01:10:10,200 --> 01:10:12,200 Non c'è il cavaliere. 2374 01:10:11,150 --> 01:10:12,200 2375 01:10:11,160 --> 01:10:13,320 >> T'ha lasciato la chiave? 2376 01:10:12,190 --> 01:10:13,320 2377 01:10:12,200 --> 01:10:14,760 >> Sì, eccola. 2378 01:10:13,310 --> 01:10:14,760 2379 01:10:13,320 --> 01:10:16,600 >> Dammela che devo finire un lavoretto. 2380 01:10:14,750 --> 01:10:16,600 2381 01:10:14,760 --> 01:10:17,080 >> Ma fammi un po' vedere che cosa ti sei 2382 01:10:16,590 --> 01:10:17,080 2383 01:10:16,600 --> 01:10:18,280 messo 2384 01:10:17,070 --> 01:10:18,280 2385 01:10:17,080 --> 01:10:19,640 >> e dopo ti spiego. 2386 01:10:18,270 --> 01:10:19,640 2387 01:10:18,280 --> 01:10:20,960 >> Ma no, fammi un po' vedere. 2388 01:10:19,630 --> 01:10:20,960 2389 01:10:19,640 --> 01:10:23,720 >> Non ho tempo. Dov'è andato il cavaliere? 2390 01:10:20,950 --> 01:10:23,720 2391 01:10:20,960 --> 01:10:25,720 >> Ha detto che tornerà fra una mezz'ora. 2392 01:10:23,710 --> 01:10:25,720 2393 01:10:23,720 --> 01:10:27,920 Ecco questi cimeli li tenga lei, signora 2394 01:10:25,710 --> 01:10:27,920 2395 01:10:25,720 --> 01:10:29,800 direttrice. Guardi, io le regalo tutti i 2396 01:10:27,910 --> 01:10:29,800 2397 01:10:27,920 --> 01:10:32,200 miei film, basta che lei li conservi, 2398 01:10:29,790 --> 01:10:32,200 2399 01:10:29,800 --> 01:10:34,240 che li salvi dalla distruzione. Potrebbe 2400 01:10:32,190 --> 01:10:34,240 2401 01:10:32,200 --> 01:10:35,960 creare qui una sezione per il 2402 01:10:34,230 --> 01:10:35,960 2403 01:10:34,240 --> 01:10:39,160 cinematografo? Penserei io ad 2404 01:10:35,950 --> 01:10:39,160 2405 01:10:35,960 --> 01:10:41,000 organizzarla. Le chiedo soltanto questo. 2406 01:10:39,150 --> 01:10:41,000 2407 01:10:39,160 --> 01:10:42,720 >> Lei è molto gentile. Purtroppo il 2408 01:10:40,990 --> 01:10:42,720 2409 01:10:41,000 --> 01:10:43,760 regolamento prevede solo la raccolta di 2410 01:10:42,710 --> 01:10:43,760 2411 01:10:42,720 --> 01:10:46,640 opere d'arte. 2412 01:10:43,750 --> 01:10:46,640 2413 01:10:43,760 --> 01:10:49,280 >> Ma è arte anche questa, signora? 2414 01:10:46,630 --> 01:10:49,280 2415 01:10:46,640 --> 01:10:51,800 >> Eh, certo, arte figurativa, volevo dire. 2416 01:10:49,270 --> 01:10:51,800 2417 01:10:49,280 --> 01:10:52,720 Ma guardi se dico bugie, questa è la 2418 01:10:51,790 --> 01:10:52,720 2419 01:10:51,800 --> 01:10:56,400 duse. 2420 01:10:52,710 --> 01:10:56,400 2421 01:10:52,720 --> 01:10:56,400 >> Ma perché vuole privarsene? 2423 01:11:03,160 --> 01:11:07,600 >> Vedi, signore, io sono povero e vivevo 2424 01:11:05,790 --> 01:11:07,600 2425 01:11:05,800 --> 01:11:10,920 proiettando questi film che per me sono 2426 01:11:07,590 --> 01:11:10,920 2427 01:11:07,600 --> 01:11:13,160 più importanti di tutte queste statue. 2428 01:11:10,910 --> 01:11:13,160 2429 01:11:10,920 --> 01:11:15,320 Invece oggi fanno solo ridere, me ne 2430 01:11:13,150 --> 01:11:15,320 2431 01:11:13,160 --> 01:11:17,800 sono accorto l'altro giorno. Il pubblico 2432 01:11:15,310 --> 01:11:17,800 2433 01:11:15,320 --> 01:11:19,680 d'oggi crede che siano delle comiche. 2434 01:11:17,790 --> 01:11:19,680 2435 01:11:17,800 --> 01:11:21,280 Guardi, io centinaia di scatole come 2436 01:11:19,670 --> 01:11:21,280 2437 01:11:19,680 --> 01:11:23,000 questa a casa. Ho tutti i più grandi 2438 01:11:21,270 --> 01:11:23,000 2439 01:11:21,280 --> 01:11:25,000 artigi di una volta. Ho Zacconi, o 2440 01:11:22,990 --> 01:11:25,000 2441 01:11:23,000 --> 01:11:26,400 Novelli, o Labertini, o Laborelli. 2442 01:11:24,990 --> 01:11:26,400 2443 01:11:25,000 --> 01:11:28,280 >> Mi spiace di non poter far niente per 2444 01:11:26,390 --> 01:11:28,280 2445 01:11:26,400 --> 01:11:30,240 aiutarla. Vede, oltretutto i film sono 2446 01:11:28,270 --> 01:11:30,240 2447 01:11:28,280 --> 01:11:32,120 infiammabili e non saprei dove metterli. 2448 01:11:30,230 --> 01:11:32,120 2449 01:11:30,240 --> 01:11:34,280 Provi la Biblioteca Nazionale? 2450 01:11:32,110 --> 01:11:34,280 2451 01:11:32,120 --> 01:11:37,760 >> Proverò. Mi perdoni per il tempo che 2452 01:11:34,270 --> 01:11:37,760 2453 01:11:34,280 --> 01:11:37,760 l'ho fatto perdere. 2455 01:12:32,800 --> 01:12:34,920 Aiuto! Brucia tutto 2456 01:12:34,310 --> 01:12:34,920 2457 01:12:34,320 --> 01:12:37,520 >> qua brucia. 2458 01:12:34,910 --> 01:12:37,520 2459 01:12:34,920 --> 01:12:40,520 >> Chiamate i pompiere, scappate voi. Vieni 2460 01:12:37,510 --> 01:12:40,520 2461 01:12:37,520 --> 01:12:40,520 tu. 2463 01:12:46,720 --> 01:12:51,120 Che cosa c'è? Tutto i pompieri. 2465 01:12:56,800 --> 01:13:00,080 >> Non abbiamo spazio sufficiente per i 2466 01:12:58,350 --> 01:13:00,080 2467 01:12:58,360 --> 01:13:00,880 libri e lei vuole che prenda in consegna 2468 01:13:00,070 --> 01:13:00,880 2469 01:13:00,080 --> 01:13:02,000 le sue pellicole. 2470 01:13:00,870 --> 01:13:02,000 2471 01:13:00,880 --> 01:13:02,480 >> Ma guarda che queste sono opere 2472 01:13:01,990 --> 01:13:02,480 2473 01:13:02,000 --> 01:13:04,200 importanti. 2474 01:13:02,470 --> 01:13:04,200 2475 01:13:02,480 --> 01:13:05,760 >> Non insista. Sa che cosa farei a chi ha 2476 01:13:04,190 --> 01:13:05,760 2477 01:13:04,200 --> 01:13:08,160 inventato il cinematografo? Io lo 2478 01:13:05,750 --> 01:13:08,160 2479 01:13:05,760 --> 01:13:10,080 ammazzerei. Sì, perché oggi la gioventù 2480 01:13:08,150 --> 01:13:10,080 2481 01:13:08,160 --> 01:13:10,480 non studia. Va al cinema. Sono tutti 2482 01:13:10,070 --> 01:13:10,480 2483 01:13:10,080 --> 01:13:12,360 asini. 2484 01:13:10,470 --> 01:13:12,360 2485 01:13:10,480 --> 01:13:14,320 >> Ma lei saprà almeno chi è Eleonora Duse? 2486 01:13:12,350 --> 01:13:14,320 2487 01:13:12,360 --> 01:13:16,320 >> Quella di D'Annunzio. Ma non è morta. 2488 01:13:14,310 --> 01:13:16,320 2489 01:13:14,320 --> 01:13:18,560 >> Morta? Sì, lo sarebbe se non fosse qui 2490 01:13:16,310 --> 01:13:18,560 2491 01:13:16,320 --> 01:13:20,600 fissata in questa pellicola per sempre. 2492 01:13:18,550 --> 01:13:20,600 2493 01:13:18,560 --> 01:13:23,400 Guardi, 2494 01:13:20,590 --> 01:13:23,400 2495 01:13:20,600 --> 01:13:25,200 guardi. 2496 01:13:23,390 --> 01:13:25,200 2497 01:13:23,400 --> 01:13:26,760 >> Ma allora perché non fa domanda al 2498 01:13:25,190 --> 01:13:26,760 2499 01:13:25,200 --> 01:13:29,560 ministero? Può essere che glielo 2500 01:13:26,750 --> 01:13:29,560 2501 01:13:26,760 --> 01:13:32,160 accordino. Eh, già. E così tutto va a 2502 01:13:29,550 --> 01:13:32,160 2503 01:13:29,560 --> 01:13:34,120 posto, però deve avere pazienza. 2504 01:13:32,150 --> 01:13:34,120 2505 01:13:32,160 --> 01:13:35,880 >> E quanto ci vorrà? Od 2506 01:13:34,110 --> 01:13:35,880 2507 01:13:34,120 --> 01:13:38,000 >> Dio mio! un anno o due ci vorrà un 2508 01:13:35,870 --> 01:13:38,000 2509 01:13:35,880 --> 01:13:39,600 decreto, lo stanziamento di fondi. 2510 01:13:37,990 --> 01:13:39,600 2511 01:13:38,000 --> 01:13:41,400 >> Ah, ho capito. Grazie. 2512 01:13:39,590 --> 01:13:41,400 2513 01:13:39,600 --> 01:13:42,720 >> Oh, prego, dica un po' una cosa. Non 2514 01:13:41,390 --> 01:13:42,720 2515 01:13:41,400 --> 01:13:44,400 avrebbe per combinazione qualche 2516 01:13:42,710 --> 01:13:44,400 2517 01:13:42,720 --> 01:13:44,880 biglietto per il cinematografo per mia 2518 01:13:44,390 --> 01:13:44,880 2519 01:13:44,400 --> 01:13:47,400 moglie? Eh, 2520 01:13:44,870 --> 01:13:47,400 2521 01:13:44,880 --> 01:13:50,560 >> mi dispiace. Grazie ancora. Scusì. 2522 01:13:47,390 --> 01:13:50,560 2523 01:13:47,400 --> 01:13:50,560 >> Ah, grazie. 2525 01:14:18,520 --> 01:14:22,360 C'è pericolo, può scoppiare? 2526 01:14:19,910 --> 01:14:22,360 2527 01:14:19,920 --> 01:14:25,640 >> Sì, ci sono pellicole cinematografiche. 2528 01:14:22,350 --> 01:14:25,640 2529 01:14:22,360 --> 01:14:25,640 State indietro. 2531 01:14:26,880 --> 01:14:31,560 Cavaliere là brucia 2533 01:14:32,600 --> 01:14:37,160 le mie pellicole. Aiuto! 2535 01:14:37,280 --> 01:14:42,040 Le mie pellicole! Le mie pellicole! 2536 01:14:39,750 --> 01:14:42,040 2537 01:14:39,760 --> 01:14:47,120 Lasciatemi, lasciatemi! 2538 01:14:42,030 --> 01:14:47,120 2539 01:14:42,040 --> 01:14:47,120 >> Indietro, indietro! Era vostra la ditta? 2541 01:14:48,560 --> 01:14:54,720 Venite con me, siete in arresto. 2542 01:14:51,470 --> 01:14:54,720 2543 01:14:51,480 --> 01:14:54,720 Andiamo, andiamo. 2545 01:14:59,160 --> 01:15:03,120 >> Favorisci, collega. 2546 01:15:00,470 --> 01:15:03,120 2547 01:15:00,480 --> 01:15:06,120 >> Grazie. Non ho fame. 2548 01:15:03,110 --> 01:15:06,120 2549 01:15:03,120 --> 01:15:06,120 >> Male. 2551 01:15:06,640 --> 01:15:09,720 Mangia collego. Qui devo avere lo 2552 01:15:07,950 --> 01:15:09,720 2553 01:15:07,960 --> 01:15:11,760 stomaco pieno, altrimenti ti viene la 2554 01:15:09,710 --> 01:15:11,760 2555 01:15:09,720 --> 01:15:14,200 debolezza e all'interno ti fanno dire 2556 01:15:11,750 --> 01:15:14,200 2557 01:15:11,760 --> 01:15:16,240 tutto quello che vogliono. Coraggio, 2558 01:15:14,190 --> 01:15:16,240 2559 01:15:14,200 --> 01:15:18,680 collega. Collega. 2560 01:15:16,230 --> 01:15:18,680 2561 01:15:16,240 --> 01:15:21,000 Perché, scusi, anche lei è un 2562 01:15:18,670 --> 01:15:21,000 2563 01:15:18,680 --> 01:15:22,560 appassionato di cinematografo. 2564 01:15:20,990 --> 01:15:22,560 2565 01:15:21,000 --> 01:15:24,240 Appassionato? 2566 01:15:22,550 --> 01:15:24,240 2567 01:15:22,560 --> 01:15:26,160 Sai com'è, quando nel cinema ci lavora 2568 01:15:24,230 --> 01:15:26,160 2569 01:15:24,240 --> 01:15:28,000 Gina Lollo Brigid, chi è che non è 2570 01:15:26,150 --> 01:15:28,000 2571 01:15:26,160 --> 01:15:28,920 appassionato? Ma tu lavori nel 2572 01:15:27,990 --> 01:15:28,920 2573 01:15:28,000 --> 01:15:30,600 cinematografo? 2574 01:15:28,910 --> 01:15:30,600 2575 01:15:28,920 --> 01:15:31,280 >> Ho passato tutta la mia vita tra le 2576 01:15:30,590 --> 01:15:31,280 2577 01:15:30,600 --> 01:15:32,840 pellicole. 2578 01:15:31,270 --> 01:15:32,840 2579 01:15:31,280 --> 01:15:34,600 >> No, 2580 01:15:32,830 --> 01:15:34,600 2581 01:15:32,840 --> 01:15:36,320 anch'io ho provato giorni colossale 2582 01:15:34,590 --> 01:15:36,320 2583 01:15:34,600 --> 01:15:38,840 Cuovatis. Ho fatto due giorni alla 2584 01:15:36,310 --> 01:15:38,840 2585 01:15:36,320 --> 01:15:41,360 comparsa, ho fatto fuori una penna 2586 01:15:38,830 --> 01:15:41,360 2587 01:15:38,840 --> 01:15:43,400 astilografica e un orologgio. La penna 2588 01:15:41,350 --> 01:15:43,400 2589 01:15:41,360 --> 01:15:46,320 non scrive e l'orologio è scassato. 2590 01:15:43,390 --> 01:15:46,320 2591 01:15:43,400 --> 01:15:49,200 Tenga, si riprende il suo pane. Io non 2592 01:15:46,310 --> 01:15:49,200 2593 01:15:46,320 --> 01:15:51,200 sono un ladro, sono un artista. 2594 01:15:49,190 --> 01:15:51,200 2595 01:15:49,200 --> 01:15:52,680 >> Eh, scusate, commentatore, il mio è un 2596 01:15:51,190 --> 01:15:52,680 2597 01:15:51,200 --> 01:15:54,640 mestiere come gli altri. 2598 01:15:52,670 --> 01:15:54,640 2599 01:15:52,680 --> 01:15:57,120 >> Io sconto qui il mio amore per l'arte. 2600 01:15:54,630 --> 01:15:57,120 2601 01:15:54,640 --> 01:15:59,640 Beh, allora a voi buon amore e a me buon 2602 01:15:57,110 --> 01:15:59,640 2603 01:15:57,120 --> 01:16:03,240 appetito. 2604 01:15:59,630 --> 01:16:03,240 2605 01:15:59,640 --> 01:16:03,240 >> Ori al commissario. 2607 01:16:05,000 --> 01:16:07,960 Sicché tu dichiari che questa pellicola, 2608 01:16:06,990 --> 01:16:07,960 2609 01:16:07,000 --> 01:16:09,560 come pure quella distrutta 2610 01:16:07,950 --> 01:16:09,560 2611 01:16:07,960 --> 01:16:11,400 dall'incendio, non contenevano nulla di 2612 01:16:09,550 --> 01:16:11,400 2613 01:16:09,560 --> 01:16:12,400 proibito, sì, di sovversivo o di 2614 01:16:11,390 --> 01:16:12,400 2615 01:16:11,400 --> 01:16:14,000 licenzioso. 2616 01:16:12,390 --> 01:16:14,000 2617 01:16:12,400 --> 01:16:18,480 >> Signore, che dici? Queste sono pellicole 2618 01:16:13,990 --> 01:16:18,480 2619 01:16:14,000 --> 01:16:18,480 vecchie. Senti come puzzano. Senti. 2621 01:16:19,720 --> 01:16:22,880 >> Adesso lo vedremo. 2622 01:16:20,670 --> 01:16:22,880 2623 01:16:20,680 --> 01:16:24,240 >> E st attento con quella sigaretta. Te 2624 01:16:22,870 --> 01:16:24,240 2625 01:16:22,880 --> 01:16:25,600 devo dire una cosa. 2626 01:16:24,230 --> 01:16:25,600 2627 01:16:24,240 --> 01:16:27,280 >> Che cosa parla? 2628 01:16:25,590 --> 01:16:27,280 2629 01:16:25,600 --> 01:16:29,040 >> Sono stata io che appicciato il fuoco. 2630 01:16:27,270 --> 01:16:29,040 2631 01:16:27,280 --> 01:16:30,520 >> Tu e l'hai fatto apposta. 2632 01:16:29,030 --> 01:16:30,520 2633 01:16:29,040 --> 01:16:32,040 >> E che sono assassina. 2634 01:16:30,510 --> 01:16:32,040 2635 01:16:30,520 --> 01:16:34,320 >> Solo che ho lasciato la pellicola dentro 2636 01:16:32,030 --> 01:16:34,320 2637 01:16:32,040 --> 01:16:36,840 la macchina senza spegnere l'elettricità 2638 01:16:34,310 --> 01:16:36,840 2639 01:16:34,320 --> 01:16:37,520 e mi so voltato e ha preso fuoco. Ma hai 2640 01:16:36,830 --> 01:16:37,520 2641 01:16:36,840 --> 01:16:38,800 capito? 2642 01:16:37,510 --> 01:16:38,800 2643 01:16:37,520 --> 01:16:40,760 >> Ho capito, ho capito. 2644 01:16:38,790 --> 01:16:40,760 2645 01:16:38,800 --> 01:16:43,320 >> E allora arrestami e libera quell'anima 2646 01:16:40,750 --> 01:16:43,320 2647 01:16:40,760 --> 01:16:45,680 di Dio. 2648 01:16:43,310 --> 01:16:45,680 2649 01:16:43,320 --> 01:16:46,080 >> Sciagurata, tu hai distrutto la mia 2650 01:16:45,670 --> 01:16:46,080 2651 01:16:45,680 --> 01:16:48,520 vita. 2652 01:16:46,070 --> 01:16:48,520 2653 01:16:46,080 --> 01:16:50,560 >> Silenzio. È sua questa pellicola? 2654 01:16:48,510 --> 01:16:50,560 2655 01:16:48,520 --> 01:16:52,720 >> Sì, signore. 2656 01:16:50,550 --> 01:16:52,720 2657 01:16:50,560 --> 01:16:55,760 Allora, prenda. 2658 01:16:52,710 --> 01:16:55,760 2659 01:16:52,720 --> 01:17:00,720 Guarda se è arrivato l'operatore. 2660 01:16:55,750 --> 01:17:00,720 2661 01:16:55,760 --> 01:17:00,720 >> Sì, è arrivato. Venga con me. 2663 01:17:02,040 --> 01:17:04,440 >> Proietta questo. 2664 01:17:02,990 --> 01:17:04,440 2665 01:17:03,000 --> 01:17:07,680 >> No, no. 2666 01:17:04,430 --> 01:17:07,680 2667 01:17:04,440 --> 01:17:07,680 >> Come sarebbe? 2669 01:17:08,680 --> 01:17:13,960 >> Tira la tenda. Si accomodi, signor 2670 01:17:10,950 --> 01:17:13,960 2671 01:17:10,960 --> 01:17:13,960 commissario. 2673 01:17:17,440 --> 01:17:20,440 >> Piano, 2675 01:17:21,400 --> 01:17:24,400 piano. 2677 01:17:26,160 --> 01:17:29,600 >> Chiudico la porta. 2679 01:17:35,400 --> 01:17:38,400 >> Pronti? 2681 01:17:48,800 --> 01:17:52,240 Che [musica] cos'è questo? 2682 01:17:50,910 --> 01:17:52,240 2683 01:17:50,920 --> 01:17:54,000 >> Cabiria, 2684 01:17:52,230 --> 01:17:54,000 2685 01:17:52,240 --> 01:17:54,960 >> quel film di una volta. 2686 01:17:53,990 --> 01:17:54,960 2687 01:17:54,000 --> 01:17:56,320 >> Sì. 2688 01:17:54,950 --> 01:17:56,320 2689 01:17:54,960 --> 01:17:57,480 >> E dove l'ho preso? 2690 01:17:56,310 --> 01:17:57,480 2691 01:17:56,320 --> 01:17:58,480 >> Al macero. 2692 01:17:57,470 --> 01:17:58,480 2693 01:17:57,480 --> 01:18:00,880 >> Al macero? 2694 01:17:58,470 --> 01:18:00,880 2695 01:17:58,480 --> 01:18:03,640 >> I vecchi film li distruggono tutti. 2696 01:18:00,870 --> 01:18:03,640 2697 01:18:00,880 --> 01:18:07,680 Tutti. 2698 01:18:03,630 --> 01:18:07,680 2699 01:18:03,640 --> 01:18:09,280 Guardi che scene colossali. È del 1913. 2700 01:18:07,670 --> 01:18:09,280 2701 01:18:07,680 --> 01:18:11,800 Noi italiani abbiamo insegnato al mondo 2702 01:18:09,270 --> 01:18:11,800 2703 01:18:09,280 --> 01:18:15,360 come si fanno i film storici. Nessuno se 2704 01:18:11,790 --> 01:18:15,360 2705 01:18:11,800 --> 01:18:17,280 ne ricorda più oggi. 2706 01:18:15,350 --> 01:18:17,280 2707 01:18:15,360 --> 01:18:19,040 Quello è il famoso maciste che salva 2708 01:18:17,270 --> 01:18:19,040 2709 01:18:17,280 --> 01:18:20,880 Cabiria, [musica] una bambina romana che 2710 01:18:19,030 --> 01:18:20,880 2711 01:18:19,040 --> 01:18:23,880 stava per essere sacrificata al dio 2712 01:18:20,870 --> 01:18:23,880 2713 01:18:20,880 --> 01:18:23,880 Moloc. 2715 01:18:24,920 --> 01:18:26,940 [musica] 2717 01:18:29,120 --> 01:18:32,830 เฮ 2718 01:18:30,800 --> 01:18:32,830 2719 01:18:30,810 --> 01:18:32,830 [musica] 2721 01:18:40,640 --> 01:18:42,660 [musica] 2723 01:18:51,120 --> 01:18:53,140 [musica] 2725 01:18:57,010 --> 01:18:59,030 [musica] 2727 01:19:02,910 --> 01:19:04,930 >> [musica] 2729 01:19:08,150 --> 01:19:10,170 [musica] 2731 01:19:14,040 --> 01:19:16,060 [musica] 2733 01:19:20,590 --> 01:19:22,610 [musica] 2735 01:19:26,800 --> 01:19:31,780 >> Oh. 2736 01:19:29,750 --> 01:19:31,780 2737 01:19:29,760 --> 01:19:31,780 >> [musica] 2739 01:19:32,080 --> 01:19:36,440 >> E questa chi è? 2740 01:19:33,310 --> 01:19:36,440 2741 01:19:33,320 --> 01:19:38,990 >> Italia Almirante Manzini. Fu scelta da 2742 01:19:36,430 --> 01:19:38,990 2743 01:19:36,440 --> 01:19:38,990 Gabriele D'Annunzi. [musica] 2745 01:19:42,210 --> 01:19:44,230 [musica] 2747 01:19:51,380 --> 01:19:53,400 >> [musica] 2749 01:19:56,620 --> 01:19:58,640 [musica] 2751 01:20:03,820 --> 01:20:05,840 [musica] 2753 01:20:12,340 --> 01:20:14,360 [musica] 2755 01:20:17,240 --> 01:20:21,570 >> เฮ 2756 01:20:19,530 --> 01:20:21,560 2757 01:20:19,550 --> 01:20:21,570 [musica] 2759 01:20:25,440 --> 01:20:27,460 [musica] 2761 01:20:32,650 --> 01:20:34,670 [musica] 2763 01:20:41,810 --> 01:20:43,830 [musica] 2765 01:20:48,360 --> 01:20:50,380 >> [musica] 2767 01:20:54,910 --> 01:20:56,930 [musica] 2769 01:21:02,120 --> 01:21:04,140 [musica] 2771 01:21:08,020 --> 01:21:10,040 [musica] 2773 01:21:16,530 --> 01:21:18,550 [musica] 2775 01:21:27,670 --> 01:21:29,690 [musica] 2777 01:21:34,870 --> 01:21:36,890 [musica] 2779 01:21:41,420 --> 01:21:43,440 [musica] 2781 01:21:46,560 --> 01:21:48,640 >> เ 2783 01:21:51,250 --> 01:21:53,270 >> [musica] 2785 01:21:59,120 --> 01:22:03,200 >> E questo è il celebre Zacconi, il 2786 01:22:01,470 --> 01:22:03,200 2787 01:22:01,480 --> 01:22:05,000 dominatore delle platee, colui che al 2788 01:22:03,190 --> 01:22:05,000 2789 01:22:03,200 --> 01:22:07,760 sol apparire sulla scena faceva vibrare 2790 01:22:04,990 --> 01:22:07,760 2791 01:22:05,000 --> 01:22:10,400 i cuori, tremare le menti, ma [musica] 2792 01:22:07,750 --> 01:22:10,400 2793 01:22:07,760 --> 01:22:12,280 anche egli non è più e solo pochi metri 2794 01:22:10,390 --> 01:22:12,280 2795 01:22:10,400 --> 01:22:14,760 di celluloide lo possono ricordare alle 2796 01:22:12,270 --> 01:22:14,760 2797 01:22:12,280 --> 01:22:18,200 giovani generazioni. Ecco perché ho 2798 01:22:14,750 --> 01:22:18,200 2799 01:22:14,760 --> 01:22:18,200 salvato questi film. 2801 01:22:20,070 --> 01:22:22,090 >> [musica] 2803 01:22:25,960 --> 01:22:27,980 [musica] 2805 01:22:31,200 --> 01:22:33,220 [musica] 2807 01:22:37,750 --> 01:22:39,770 [musica] 2809 01:22:43,240 --> 01:22:46,960 >> Questa chi è? Eleonora Duse, 2810 01:22:45,590 --> 01:22:46,960 2811 01:22:45,600 --> 01:22:50,360 >> l'attrice famosa. 2812 01:22:46,950 --> 01:22:50,360 2813 01:22:46,960 --> 01:22:52,760 >> Sì, interpretò un unico film cenere con 2814 01:22:50,350 --> 01:22:52,760 2815 01:22:50,360 --> 01:22:54,720 Febo Mari e non lo finì mai perché il 2816 01:22:52,750 --> 01:22:54,720 2817 01:22:52,760 --> 01:22:57,200 cinematografo privo della parola le 2818 01:22:54,710 --> 01:22:57,200 2819 01:22:54,720 --> 01:22:58,840 incuteva timore. Della divina Duse. 2820 01:22:57,190 --> 01:22:58,840 2821 01:22:57,200 --> 01:23:00,600 Queste sono le uniche immagini 2822 01:22:58,830 --> 01:23:00,600 2823 01:22:58,840 --> 01:23:05,520 rimasteci. 2824 01:23:00,590 --> 01:23:05,520 2825 01:23:00,600 --> 01:23:05,520 Il film fu girato nel 1916. 2827 01:23:07,880 --> 01:23:09,900 [musica] 2829 01:23:13,120 --> 01:23:15,140 >> [musica] 2831 01:23:19,670 --> 01:23:21,690 [musica] 2833 01:23:25,570 --> 01:23:27,590 [musica] 2835 01:23:32,770 --> 01:23:34,790 [musica] 2837 01:23:38,520 --> 01:23:41,340 >> Ah. [musica] 2839 01:23:48,490 --> 01:23:51,600 [musica] เฮ 2841 01:23:55,040 --> 01:23:57,060 [musica] 2843 01:24:02,250 --> 01:24:04,270 [musica] 2845 01:24:08,800 --> 01:24:10,820 [musica] 2847 01:24:15,350 --> 01:24:17,370 [musica] 2849 01:24:22,550 --> 01:24:24,570 >> [musica] 2851 01:24:29,760 --> 01:24:31,780 [musica] 2853 01:24:36,960 --> 01:24:38,980 [musica] 2855 01:24:46,130 --> 01:24:48,150 [musica] 2857 01:24:51,370 --> 01:24:53,390 [musica] 2859 01:24:59,890 --> 01:25:01,910 [musica] 2861 01:25:03,280 --> 01:25:06,280 >> Luce 2863 01:25:07,360 --> 01:25:12,640 >> non hanno riso. 2864 01:25:09,750 --> 01:25:12,640 2865 01:25:09,760 --> 01:25:13,600 Avete visto che artisti? Ma non erano 2866 01:25:12,630 --> 01:25:13,600 2867 01:25:12,640 --> 01:25:17,480 grandi? 2868 01:25:13,590 --> 01:25:17,480 2869 01:25:13,600 --> 01:25:18,920 >> Sì, davvero erano proprio grandi artisti 2870 01:25:17,470 --> 01:25:18,920 2871 01:25:17,480 --> 01:25:20,640 e tutte le pellicole che sono andate 2872 01:25:18,910 --> 01:25:20,640 2873 01:25:18,920 --> 01:25:26,640 distrutte erano come queste 2874 01:25:20,630 --> 01:25:26,640 2875 01:25:20,640 --> 01:25:26,640 >> tutte. Peccato, proprio peccato. 2877 01:25:33,200 --> 01:25:37,640 Detenuto 345 a colloquio. 2878 01:25:35,550 --> 01:25:37,640 2879 01:25:35,560 --> 01:25:38,680 >> Chi è? Mia figlia? 2880 01:25:37,630 --> 01:25:38,680 2881 01:25:37,640 --> 01:25:41,040 >> No, l'avvocato. 2882 01:25:38,670 --> 01:25:41,040 2883 01:25:38,680 --> 01:25:42,880 >> Ma perché mia figlia non viene? Anche 2884 01:25:41,030 --> 01:25:42,880 2885 01:25:41,040 --> 01:25:44,120 lei, dunque, mi crede colpevole. 2886 01:25:42,870 --> 01:25:44,120 2887 01:25:42,880 --> 01:25:46,360 >> Andiamo, sbrighiamoci. 2888 01:25:44,110 --> 01:25:46,360 2889 01:25:44,120 --> 01:25:48,800 >> Ah, carceriere, tu non puoi capirmi. 2890 01:25:46,350 --> 01:25:48,800 2891 01:25:46,360 --> 01:25:51,040 Tutta la mia vita io ho creato, ho 2892 01:25:48,790 --> 01:25:51,040 2893 01:25:48,800 --> 01:25:53,440 sperato, ho sognato che un giorno con i 2894 01:25:51,030 --> 01:25:53,440 2895 01:25:51,040 --> 01:25:56,280 capelli bianchi avrei potuto raccogliere 2896 01:25:53,430 --> 01:25:56,280 2897 01:25:53,440 --> 01:25:59,960 i frutti di questa mia fatica. Invece 2898 01:25:56,270 --> 01:25:59,960 2899 01:25:56,280 --> 01:26:02,520 solo disprezzo e vergogna per una colpa 2900 01:25:59,950 --> 01:26:02,520 2901 01:25:59,960 --> 01:26:04,440 che io non ho commesso. 2902 01:26:02,510 --> 01:26:04,440 2903 01:26:02,520 --> 01:26:06,200 >> Stop. Buona questa. 2904 01:26:04,430 --> 01:26:06,200 2905 01:26:04,440 --> 01:26:06,520 >> Bravo. Lo vado a chiamare. 2906 01:26:06,190 --> 01:26:06,520 2907 01:26:06,200 --> 01:26:07,560 >> No, no, 2908 01:26:06,510 --> 01:26:07,560 2909 01:26:06,520 --> 01:26:09,400 >> Mariannina, 2910 01:26:07,550 --> 01:26:09,400 2911 01:26:07,560 --> 01:26:11,320 >> scusatemi. Eccomi. 2912 01:26:09,390 --> 01:26:11,320 2913 01:26:09,400 --> 01:26:12,440 >> Andiamo via. Non vuoi salutarlo, mamma? 2914 01:26:11,310 --> 01:26:12,440 2915 01:26:11,320 --> 01:26:14,800 Perché? 2916 01:26:12,430 --> 01:26:14,800 2917 01:26:12,440 --> 01:26:16,520 >> Sentimentalismi. Mi ha fatto una certa 2918 01:26:14,790 --> 01:26:16,520 2919 01:26:14,800 --> 01:26:19,480 impressione rivedere il mio vecchio 2920 01:26:16,510 --> 01:26:19,480 2921 01:26:16,520 --> 01:26:21,120 compagno d'arte al lavoro. È ancora 2922 01:26:19,470 --> 01:26:21,120 2923 01:26:19,480 --> 01:26:23,480 bravo, vero? 2924 01:26:21,110 --> 01:26:23,480 2925 01:26:21,120 --> 01:26:25,520 >> Per me basta che non mi rovini il film. 2926 01:26:23,470 --> 01:26:25,520 2927 01:26:23,480 --> 01:26:27,400 Avevate un certo modo di recitare voi a 2928 01:26:25,510 --> 01:26:27,400 2929 01:26:25,520 --> 01:26:29,640 quei tempi, ma lo sai che mi ha già 2930 01:26:27,390 --> 01:26:29,640 2931 01:26:27,400 --> 01:26:31,160 chiesto due volte un anticipo? Chissà 2932 01:26:29,630 --> 01:26:31,160 2933 01:26:29,640 --> 01:26:33,760 cosa se ne farà dei soldi. 2934 01:26:31,150 --> 01:26:33,760 2935 01:26:31,160 --> 01:26:38,200 >> Cerca di farlo lavorare. Ne ha tanto 2936 01:26:33,750 --> 01:26:38,200 2937 01:26:33,760 --> 01:26:38,200 bisogno ora che ha perso tutto. 2939 01:26:38,400 --> 01:26:41,120 >> Guarda come m'hanno combinato per la 2940 01:26:40,030 --> 01:26:41,120 2941 01:26:40,040 --> 01:26:42,800 parte della servetta. 2942 01:26:41,110 --> 01:26:42,800 2943 01:26:41,120 --> 01:26:44,760 >> E guarda come hanno combinato me per 2944 01:26:42,790 --> 01:26:44,760 2945 01:26:42,800 --> 01:26:46,520 colpa tua. O Mary, andiamo per il primo 2946 01:26:44,750 --> 01:26:46,520 2947 01:26:44,760 --> 01:26:48,800 piano. Su, non perdiamo tempo. Di metti 2948 01:26:46,510 --> 01:26:48,800 2949 01:26:46,520 --> 01:26:52,000 il 50. Sì, qui seduto. Lei aveva il 2950 01:26:48,790 --> 01:26:52,000 2951 01:26:48,800 --> 01:26:53,720 pane, no? Ecco, bene. Sì, fermo. Eccoli. 2952 01:26:51,990 --> 01:26:53,720 2953 01:26:52,000 --> 01:26:55,160 Lo sguardo a me. Eh, a me. 2954 01:26:53,710 --> 01:26:55,160 2955 01:26:53,720 --> 01:26:56,800 >> Un po' preoccupato. 2956 01:26:55,150 --> 01:26:56,800 2957 01:26:55,160 --> 01:26:59,800 >> Già, un po' preoccupato. Per forza. È in 2958 01:26:56,790 --> 01:26:59,800 2959 01:26:56,800 --> 01:26:59,800 carcere. 2961 01:27:01,060 --> 01:27:03,080 >> [musica] 2963 01:27:06,960 --> 01:27:08,980 [musica] 2965 01:27:14,820 --> 01:27:16,840 [musica] 2967 01:27:22,020 --> 01:27:26,800 [musica] 2968 01:27:24,030 --> 01:27:26,800 2969 01:27:24,040 --> 01:27:28,280 >> Il grande ufficial Ettore Omeri ha 2970 01:27:26,790 --> 01:27:28,280 2971 01:27:26,800 --> 01:27:30,560 accettato [musica] di fare l'attore nei 2972 01:27:28,270 --> 01:27:30,560 2973 01:27:28,280 --> 01:27:32,720 film parlati che si era sempre rifiutato 2974 01:27:30,550 --> 01:27:32,720 2975 01:27:30,560 --> 01:27:34,720 di andare a vedere e i soldi che 2976 01:27:32,710 --> 01:27:34,720 2977 01:27:32,720 --> 01:27:38,200 guadagna [musica] li spende di nuovo 2978 01:27:34,710 --> 01:27:38,200 2979 01:27:34,720 --> 01:27:41,320 tutti qui al Macero per salvare vecchie 2980 01:27:38,190 --> 01:27:41,320 2981 01:27:38,200 --> 01:27:43,640 pellicole e tramandarle ai posteri. La 2982 01:27:41,310 --> 01:27:43,640 2983 01:27:41,320 --> 01:27:46,560 sua passione, come tutte le vere grandi 2984 01:27:43,630 --> 01:27:46,560 2985 01:27:43,640 --> 01:27:49,080 [musica] passioni, è inguaribile. Spera 2986 01:27:46,550 --> 01:27:49,080 2987 01:27:46,560 --> 01:27:51,760 di rifare la sua collezione distrutta e 2988 01:27:49,070 --> 01:27:51,760 2989 01:27:49,080 --> 01:27:54,120 di vederla un giorno figurare degnamente 2990 01:27:51,750 --> 01:27:54,120 2991 01:27:51,760 --> 01:27:56,360 in qualche museo, come i quadri, 2992 01:27:54,110 --> 01:27:56,360 2993 01:27:54,120 --> 01:27:57,680 [musica] le statue, le stampe, i libri, 2994 01:27:56,350 --> 01:27:57,680 2995 01:27:56,360 --> 01:27:59,560 i giornali. 2996 01:27:57,670 --> 01:27:59,560 2997 01:27:57,680 --> 01:28:01,980 Non ammette che gli uomini buttino via 2998 01:27:59,550 --> 01:28:01,980 2999 01:27:59,560 --> 01:28:04,760 così a cuor leggero un documento tanto 3000 01:28:01,970 --> 01:28:04,760 3001 01:28:01,980 --> 01:28:07,240 [musica] prezioso del loro passato. 3002 01:28:04,750 --> 01:28:07,240 3003 01:28:04,760 --> 01:28:10,040 Perché non rivedere i vecchi film che ci 3004 01:28:07,230 --> 01:28:10,040 3005 01:28:07,240 --> 01:28:12,960 mostrano con tanta spietata crudezza i 3006 01:28:10,030 --> 01:28:12,960 3007 01:28:10,040 --> 01:28:14,560 gusti e le debolezze dei nostri padri? E 3008 01:28:12,950 --> 01:28:14,560 3009 01:28:12,960 --> 01:28:18,280 perché non concedere [musica] ai nostri 3010 01:28:14,550 --> 01:28:18,280 3011 01:28:14,560 --> 01:28:20,960 figli di ridere delle pellicole di oggi? 3012 01:28:18,270 --> 01:28:20,960 3013 01:28:18,280 --> 01:28:23,680 Il vecchio Mary pensa che se gli uomini 3014 01:28:20,950 --> 01:28:23,680 3015 01:28:20,960 --> 01:28:26,560 si osservassero di più e avessero meno 3016 01:28:23,670 --> 01:28:26,560 3017 01:28:23,680 --> 01:28:28,680 paura dei propri difetti, [musica] forse 3018 01:28:26,550 --> 01:28:28,680 3019 01:28:26,560 --> 01:28:31,640 commetterebbero meno errori e 3020 01:28:28,670 --> 01:28:31,640 3021 01:28:28,680 --> 01:28:33,420 probabilmente il vecchio Omeri non ha 3022 01:28:31,630 --> 01:28:33,420 3023 01:28:31,640 --> 01:28:35,440 torto. 3024 01:28:33,410 --> 01:28:35,440 3025 01:28:33,420 --> 01:28:35,440 >> [musica] 3027 01:28:41,280 --> 01:28:43,300 [musica] 3029 01:28:51,110 --> 01:28:53,130 [musica] 134646

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