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AND WE'RE WALKING.
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YEP.
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[INDISTINCT CONVERSATIONS]
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[APPLAUSE]
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Man: NICE TO MEET YOU, MR. DARIN.
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BOBBY, YOU'VE GOT AN A.P. INTERVIEW
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RIGHT AFTER THE SHOW.
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AN A.P. INTERVIEW? JESUS CHRIST.
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THIS IS SUPPOSED TO BE THE NIGHT FOR MY WIFE AND KID,
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FOR US TO EXPERIENCE IT.
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IT'S ONLY 2 MINUTES. THAT'S ALL I'M ASKING.
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MY ONE NIGHT WHERE I DON'T HAVE TO DO THAT STUPID SHIT.
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IT'S SUPPOSED TO BE MY ANNIVERSARY CELEBRATION.
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YOU MISSED THEM IN FLORIDA LAST NIGHT.
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WE CAN'T AVOID THEM.
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Man: GOOD LUCK, BOBBY!
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CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT
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[MUSIC PLAYING]
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HEY, BOBBY. HAVE A GOOD EVENING.
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THANK YOU.
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HEY, CHARLIE.
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I'LL TAKE THOSE. GIVE ME THAT.
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Announcer: AND NOW, LADIES AND GENTLEMEN,
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TONIGHT CELEBRATING HIS 10th ANNIVERSARY IN SHOW BUSINESS,
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THE COCONUT GROVE IS PROUD TO PRESENT
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THE ONE, THE ONLY... BOBBY DARIN!
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[APPLAUSE AND CHEERS]
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THANK YOU.
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3 GUESSES.
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WRONG.
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♪ OH, THE SHARK, BABE ♪
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♪ HAS SUCH TEETH, DEAR ♪
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♪ AND HE SHOWS THEM ♪
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♪ PEARLY WHITE ♪
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♪ JUST A JACKKNIFE, AH-SO, MADE A MOVE ♪
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♪ WEARS OLD MacHEATH ♪
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♪ AND HE KEEPS IT ♪
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♪ OUT OF SIGHT ♪
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♪ YOU KNOW WHEN THAT SHARK BITES ♪
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♪ WITH HIS TEETH, BABE ♪
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♪ SCARLET BILLOWS START TO SPREAD ♪
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♪ FANCY GLOVES, THOUGH, WEARS OLD MacHEATH ♪
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♪ SO THERE'S NEVER ♪
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♪ NEVER A TRACE OF RED, OH, LET THAT THING SWING ♪
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♪ ON A SIDEWALK ♪
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♪ SUNDAY MORNING, UH-HUH ♪
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♪ LIES A BODY ♪
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♪ JUST OOZING LIFE ♪
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EEE! EEE!
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♪ SOMEONE'S SNEAKING ROUND THE CORNER ♪
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♪ TELL ME, COULD THAT SOMEONE... ♪
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STOP. STOP. RICHIE, STOP. STOP!
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HOLD IT. HOLD IT.
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[AUDIENCE MURMURING]
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OK, I WANT TO START OVER. I WANT TO DO IT AGAIN.
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Man: YOU GOT TO BE KIDDING ME. THAT WAS PERFECT.
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NO, I WANT TO DO IT AGAIN. I CAN DO IT BETTER.
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YOU KNOW HOW LONG IT TAKES TO SET THIS UP?
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I DON'T KNOW HOW MUCH MORE MY CHOPS CAN TAKE TODAY, BOSS.
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WELL, MAYBE WHEN YOU START PLAYING IT RIGHT,
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WE CAN ALL CALL IT A DAY, BUT WHEN YOU PLAY IT SLOPPY,
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LIKE YOU'VE BEEN DOING ALL AFTERNOON,
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THEN WE'RE GONNA DO IT AGAIN AND AGAIN AND AGAIN
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UNTIL WE GET IT RIGHT!
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BOBBY, THE GUYS ARE GETTING TIRED, THAT'S ALL.
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HOW DO YOU THINK I FEEL? CALL IT.
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Man: OK. LADIES AND GENTLEMEN, I'M GOING TO LET YOU LEAVE
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IN A MINUTE BUT-- WHOA! WHOA! WHOA! WHOA!
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PLEASE STAY IN YOUR SEATS
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UNTIL MR. DARIN HAS LEFT THE SET.
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THANK YOU. CAN I HAVE THE BELL UP, PLEASE?
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[BELL RINGING]
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BOBBY, WE CAN'T KEEP DOING IT
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OVER AND OVER AND OVER.
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LISTEN, IF BOBBY SAYS HE CAN GET IT BETTER,
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THEN HE CAN GET IT BETTER.
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BUT WHAT THE HELL IS HE SNAPPING AT EVERYBODY FOR?
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JUST LET HIM WALK IT OFF.
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MR. DARIN, DO YOU WANT TO START FROM THE VERY TOP?
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BOBBY, YOU KNOW WE'VE GOT PRESS ON THE SET TODAY.
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CAN YOU GIVE THEM A FEW MINUTES?
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Man: OK, PEOPLE, THAT'S 10 MINUTES.
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HEY, BUT DON'T WANDER TOO FAR NOW.
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HOW ARE YOU DOING?
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I DON'T KNOW, CHARLIE.
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YOU'LL FIGURE IT OUT. COME ON.
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LET'S GO BACK UPSTAIRS.
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ALL RIGHT, PUT THOSE 2 PIECES TOGETHER.
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I'LL LOOK AT THEM AFTER LUNCH.
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YEAH.
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MR. DARIN, DAVID SAID I'D GET A FEW MINUTES TODAY.
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DO YOU MIND IF WE DO THIS NOW?
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HE'S BUSY.
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MR. DARIN, NOBODY'S EVER DONE
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SOMETHING QUITE LIKE THIS BEFORE ABOUT THEIR OWN LIFE.
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SURE THEY HAVE. IT'S A SELF-PORTRAIT ON FILM.
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DO YOU REALLY THINK
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YOU COULD BE OBJECTIVE ABOUT YOUR OWN LIFE?
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LISTEN, THIS GUY WAS RAISED
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TO ALWAYS TELL THE TRUTH,
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AND THAT'S WHAT HE'S DOING WITH THIS STORY.
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I'M SORRY. WHO ARE YOU?
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I'M HIS BROTHER-IN-LAW.
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SO YOU MESS WITH HIM, YOU MESS WITH ME!
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I'M NOT MESSING WITH ANYONE, SIR,
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BUT AS LONG AS WE'RE BEING HONEST,
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ISN'T THE REAL TRUTH HE'S TOO OLD TO PLAY THIS PART?
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HE WAS BORN TO PLAY THE PART,
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AND YOU DAMN WELL KNOW IT!
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GET OUT OF HERE!
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THANKS, CHARLIE.
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THAT'S JUST CRAP! HOW CAN YOU BE TOO OLD
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TO PLAY YOURSELF? COME ON! LET'S GET STARTED.
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OK, EVERYBODY, I WANT TO CHANGE THE OPENING.
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WHAT? WHAT? WHY, BOBBY?
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BECAUSE WE CAN'T START WITH MACK.
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WE BLOW OUR WAD TOO SOON.
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OPENING WITH MACK IS BRAVE.
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IT SAYS, "YOU WANT ME? FUCK YOU! HERE I AM."
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NO. IT'S WRONG.
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BOBBY, LET'S JUST DO HELLO, YOUNG LOVERS.
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BOBBY, WHY DON'T YOU START WHERE YOU GOT SICK?
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NINA, IT'S HIS STORY. LET HIM WORK IT OUT.
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NO. DON'T TRY AND SHUT ME UP,
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BECAUSE I KNOW WHAT'S IMPORTANT HERE.
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EVERYTHING STARTS WHEN HE GOT SICK.
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NINA, PLEASE. DON'T. DON'T. DON'T.
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NO, I ACTUALLY THINK WE SHOULD START
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WHEN THEY BOOED ME OFF THE STAGE.
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JESUS CHRIST. NOBODY'S GOING TO COME
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SEE YOU GET BOOED OFF THE STAGE.
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STICK WITH THE HITS. THAT'S WHAT SELLS.
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HOW DO YOU KNOW
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WHAT PEOPLE ARE GOING TO COME TO SEE, BOOM-BOOM?
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WHEN DID YOU BECOME THE BIG EXPERT?
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NINA. YOU TELL HIM, BOBBY.
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EXCUSE ME. AS LONG AS I'VE KNOWN YOU,
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AS FAR AS YOU'RE CONCERNED, I AM THE EXPERT.
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Boy: BULLSHIT!
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WHO'S THAT?
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THAT'S THE KID PLAYING HIM AS A KID.
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HEY, GET DOWN FROM THERE, KID!
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I'LL SORT THIS OUT. WE'RE NOT READY FOR YOU YET.
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WAIT, WAIT, GUYS. I WANT TO HEAR WHAT HE HAS TO SAY.
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JESUS CHRIST!
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WHAT DID YOU JUST SAY, KID?
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I SAID THAT'S BULLSHIT.
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WHAT'S BULLSHIT?
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THAT YOU KNOW HIM BETTER THAN ANYBODY.
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THAT'S GREAT. WE GET A MINIATURE VERSION OF YOU,
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AND HE'S A METHOD ACTOR. I NEED A DRINK.
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IT LOOKS JUST LIKE HIM.
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I KNOW. IT LOOKS LIKE HIM.
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[CHARLIE LAUGHING]
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I'LL BE BACK.
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HERE WE GO AGAIN.
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SO...YOU'RE PLAYING ME?
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I AM YOU.
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YOU THINK YOU GOT ME DOWN?
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I KNOW YOU BETTER THAN THEY DO.
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WE COULD DO THIS A HUNDRED TIMES,
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IT WOULD NEVER BE GOOD ENOUGH FOR HIM.
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IT'S ONE THING IF HE WANTS TO YELL AT ME,
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BUT WHEN HE STARTS IN ON THE GUYS, THAT'S ANOTHER.
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THEY'VE BEEN WORKING THEIR ASSES OFF FOR HIM.
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YEAH. I'VE NEVER WORKED WITH SUCH AN ARROGANT ASSHOLE.
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LISTEN, YOU PRICK.
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THERE ARE 4 PEOPLE AROUND HERE
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WHO CAN'T BE FIRED! YOU'RE NOT ONE OF THEM!
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HE MIGHT BE AN ASSHOLE...
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Together: BUT HE'S OUR ASSHOLE!
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LOOK. HE FINALLY FOUND HIMSELF.
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SO HOW DO YOU THINK WE SHOULD START?
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YOU WANT SOME TRUTH? I'LL GIVE YOU SOME TRUTH.
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[SNAP]
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[CHILDREN SHOUTING AND LAUGHING]
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Bobby, narrating: THE KID IS RIGHT.
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THIS IS HOW TO BEGIN--
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ON THE STREET WHERE I GREW UP
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WITH MY SISTER NINA, MY BROTHER-IN-LAW CHARLIE,
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AND TO ME, THE GREATEST IN THE WORLD, MY MOTHER POLLY.
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MRS. CASSOTTO, I'M SORRY TO HAVE TO TELL YOU...
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THE BOY HAS RHEUMATIC FEVER.
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WHAT IS IT?
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IT'S A STREP INFECTION.
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WHY IS IT SO PAINFUL?
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RHEUMATIC FEVER DAMAGES THE HEART.
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IT AFFECTS THE JOINTS AND THE MUSCLES, TOO.
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SO, WHAT DO WE DO, DOCTOR?
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HOW DO I MAKE HIM FEEL BETTER?
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JUST MAKE HIM AS COMFORTABLE AS POSSIBLE.
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JUST TELL US THE TRUTH.
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YOU CAN NEVER GO WRONG WITH THE TRUTH.
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EVEN WITH THE BEST MEDICAL CARE IN THE WORLD,
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THE BOY WILL BE LUCKY TO SEE HIS 15th BIRTHDAY.
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[BOY COUGHS]
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Charlie: COME SIT DOWN, DOCTOR.
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WHAT ARE YOU DOING? COME ON, BOBBY.
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THE SILLY MAN DOESN'T KNOW WHAT HE'S TALKING ABOUT.
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COME ON. LET'S GET YOU BACK INTO BED.
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MAMA, TELL ME ABOUT MY FATHER.
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YOU KNOW ALL ABOUT YOUR FATHER.
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YOU JUST REST NOW.
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BUT I'D LIKE TO HEAR YOU TELL IT.
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WELL...
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SAM CASSOTTO WAS AN IMPORTANT MAN.
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HE WAS A CABINETMAKER,
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BUT THEN HE STARTED WORKING FOR ANOTHER MAN.
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WHO WAS A GANGSTER?
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WALDEN ROBERT CASSOTTO! HE WAS A BUSINESSMAN.
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I THOUGHT YOU SAID YOU COULD NEVER
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GO WRONG WITH THE TRUTH.
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ALL RIGHT. HE WAS A GANGSTER.
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BUT HE NEVER DID ANYTHING FOR THIS FAMILY.
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BUT YOUR FATHER, SAM CASSOTTO...
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HE WAS A LOYAL AND GOOD MAN.
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AND HE WOULD HAVE BEEN SO PROUD OF YOU.
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KEEP THE NOISE DOWN, ALL RIGHT?
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I WANT IT TO BE A SURPRISE.
220
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DON'T WAKE THE KID. UNDERSTAND?
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[HORN HONKING]
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HEY, YOU WAKE MY KID,
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I'M GONNA STICK THAT HORN UP YOUR FAT ASS!
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GO CHASE YOURSELF!
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[PIANO PLAYING]
226
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♪ UP A LAZY RIVER BY THE OLD MILL RUN ♪
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♪ LAZY, LAZY RIVER IN THE NOONDAY SUN ♪
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♪ LINGER AWHILE IN THE SHADE OF THE TREE ♪
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♪ THROW AWAY YOUR TROUBLES, DREAM A DREAM OF ME ♪
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YOU KNOW, BEFORE YOUR SISTER WAS BORN,
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THIS IS WHAT YOUR MAMA DID FOR A LIVING.
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MUSIC OPENED A WHOLE NEW WORLD TO ME.
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NO MATTER HOW BAD I FEEL,
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NO MATTER HOW SAD OR SICK I AM,
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I JUST TOUCH THESE KEYS, AND POOF!
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LIKE MAGIC, I ALWAYS SEEM TO FEEL BETTER.
237
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I'VE ALWAYS KNOWN YOU HAD TALENT, BOBBY.
238
00:12:27,813 --> 00:12:32,017
THIS PIANO IS FOR YOU. CHARLIE WORKED HARD FOR IT.
239
00:12:32,017 --> 00:12:34,319
SEE, GOD WOULDN'T HAVE MADE YOU SUFFER SO MUCH
240
00:12:34,319 --> 00:12:38,056
IF HE WEREN'T GOING TO MAKE UP FOR IT LATER.
241
00:12:38,056 --> 00:12:42,227
♪ HOW HAPPY YOU CAN BE ♪
242
00:12:42,227 --> 00:12:45,831
♪ UP A LAZY RIVER ♪
243
00:12:45,831 --> 00:12:47,366
♪ WITH ME ♪
244
00:12:47,366 --> 00:12:50,869
[PLAYING NOTE]
245
00:12:50,869 --> 00:12:53,506
[PLAYING MELODY]
246
00:13:02,281 --> 00:13:05,184
Bobby, narrating: MAMA WAS RIGHT ABOUT MUSIC.
247
00:13:05,184 --> 00:13:07,986
IT OPENED A WHOLE NEW WORLD TO ME,
248
00:13:07,986 --> 00:13:10,088
OUTSIDE OF TIME AND ILLNESS,
249
00:13:10,088 --> 00:13:12,991
A WORLD I COULD LIVE IN.
250
00:13:12,991 --> 00:13:17,095
♪ THROW AWAY YOUR TROUBLES, BABY ♪
251
00:13:17,095 --> 00:13:22,968
♪ DREAM A DREAM WITH ME ♪
252
00:13:32,177 --> 00:13:36,115
♪ UP A LAZY RIVER WITH ME ♪
253
00:13:36,982 --> 00:13:38,951
I KNEW THEN IF I COULD LIVE TO 10,
254
00:13:38,951 --> 00:13:42,487
MAYBE I'D MAKE IT TO 15 AND THEN MAYBE 20.
255
00:13:42,487 --> 00:13:44,022
AND FROM THEN ON, MUSIC WAS
256
00:13:44,022 --> 00:13:46,425
THE MOST IMPORTANT THING IN MY LIFE.
257
00:13:47,860 --> 00:13:49,361
MAMA TAUGHT ME ALL THE MOVES
258
00:13:49,361 --> 00:13:51,096
AND DANCES SHE HAD LEARNED IN VAUDEVILLE
259
00:13:51,096 --> 00:13:52,464
THAT MADE THE GREATS STAND OUT.
260
00:13:52,464 --> 00:13:55,467
I WOULD SPEND MOST DAYS IN BED WITH FEVER,
261
00:13:55,467 --> 00:13:59,238
BUT WHEN I HAD THE STRENGTH, MAMA AND I WOULD PRACTICE
262
00:13:59,238 --> 00:14:01,373
AND PRACTICE AND PRACTICE
263
00:14:01,373 --> 00:14:06,345
UNTIL WE CREATED WHAT SHE CALLED A PLAN.
264
00:14:06,345 --> 00:14:10,282
[ORCHESTRA PLAYING LAZY RIVER]
265
00:14:28,634 --> 00:14:34,206
[PLAYING RANDOM NOTES]
266
00:14:35,040 --> 00:14:37,676
SOON I WOULD BE OLD ENOUGH TO HEAD TO NEW YORK,
267
00:14:37,676 --> 00:14:40,646
BUT MAMA HAD ONE MORE LESSON TO TEACH.
268
00:14:40,646 --> 00:14:43,415
FROM THE HALFWAY MARK...
269
00:14:43,415 --> 00:14:46,585
TO BE A STAR, A BIG STAR,
270
00:14:46,585 --> 00:14:49,922
YOU'VE GOT TO BE TALENTED, OBVIOUSLY,
271
00:14:49,922 --> 00:14:52,190
BUT YOU'VE GOT TO BE TENACIOUS,
272
00:14:52,190 --> 00:14:55,560
HAVE CHARISMA, BUT MOST IMPORTANTLY,
273
00:14:55,560 --> 00:14:58,463
YOU'VE GOT TO HAVE IT,
274
00:14:58,463 --> 00:15:01,300
THE GREAT INTANGIBLE.
275
00:15:01,300 --> 00:15:03,568
AND YOU'VE GOT IT ALL, BOBBY.
276
00:15:03,568 --> 00:15:06,071
YOU'RE GONNA BE BIGGER THAN SINATRA.
277
00:15:06,071 --> 00:15:08,507
I'D SETTLE FOR A LITTLE JOLSON,
278
00:15:08,507 --> 00:15:10,409
MAMA, MAMA, MAMA.
279
00:15:10,409 --> 00:15:14,713
♪ WE'LL HAVE BLUE SKIES UP ABOVE ♪
280
00:15:14,713 --> 00:15:18,650
♪ FOR AS LONG AS WE'RE IN LOVE ♪
281
00:15:18,650 --> 00:15:22,554
♪ WE'LL BE UP A LAZY RIVER ♪
282
00:15:22,554 --> 00:15:27,092
♪ UP A CRAZY, LAZY RIVER ♪
283
00:15:27,092 --> 00:15:29,995
♪ UP A LAZY RIVER ♪
284
00:15:29,995 --> 00:15:33,298
♪ I AIN'T GOING YOUR WAY ♪
285
00:15:33,298 --> 00:15:37,269
♪ GET OUT OF MY WAY ♪
286
00:15:37,269 --> 00:15:46,378
♪ UP A LAZY RIVER WITH ME ♪
287
00:15:48,747 --> 00:15:51,283
[SHOUTING EXCITEDLY]
288
00:15:54,453 --> 00:15:56,388
Bobby: SO, PART OF MAMA'S PLAN WAS--
289
00:15:56,388 --> 00:15:59,024
Young Bobby: WAIT A MINUTE. WAIT A MINUTE.
290
00:15:59,024 --> 00:16:00,025
Bobby: WHAT?
291
00:16:00,025 --> 00:16:02,327
YOU DIDN'T GO DANCING DOWN THE STREET LIKE THAT.
292
00:16:02,327 --> 00:16:06,031
I KNOW. IT'S A FANTASY SEQUENCE.
293
00:16:06,031 --> 00:16:07,566
BUT IT'S NOT REAL.
294
00:16:07,566 --> 00:16:08,467
FORGET REAL.
295
00:16:08,467 --> 00:16:12,404
LISTEN, KID. MEMORIES ARE LIKE MOONBEAMS.
296
00:16:12,404 --> 00:16:15,407
WE DO WITH THEM WHAT WE WANT.
297
00:16:15,407 --> 00:16:19,011
OH. OK, THEN. GO ON.
298
00:16:19,011 --> 00:16:22,547
I'LL BE AROUND WHEN YOU NEED ME.
299
00:16:22,547 --> 00:16:25,150
SO, PART OF MAMA'S PLAN WAS TO SURROUND MYSELF WITH THE BEST.
300
00:16:25,150 --> 00:16:28,420
SO I NOW HAD A MANAGER WHO HAD NEVER MANAGED,
301
00:16:28,420 --> 00:16:29,588
STEVE "BOOM-BOOM" BLAUNER;
302
00:16:29,588 --> 00:16:33,258
A PUBLIC RELATIONS GUY WHO HAD NEVER RELATED TO THE PUBLIC,
303
00:16:33,258 --> 00:16:34,426
DAVID GERSHENSON;
304
00:16:34,426 --> 00:16:37,629
DICK BEHRKE, WHO HAD ONLY CONDUCTED THE HIGH-SCHOOL BAND;
305
00:16:37,629 --> 00:16:43,235
AND MY BROTHER-IN-LAW CHARLIE, A GARBAGEMAN, AS MY VALET.
306
00:16:50,642 --> 00:16:53,278
NOT IN THE SCHOOL BAND NOW, HUH, BOBBY?
307
00:16:53,278 --> 00:16:55,647
LET ME TELL YOU, WHEN YOU COME FROM NOTHING
308
00:16:55,647 --> 00:16:56,648
LIKE US, LIKE HIM,
309
00:16:56,648 --> 00:16:59,418
THEN YOU'RE DESTINED TO MAKE A NAME FOR YOURSELF,
310
00:16:59,418 --> 00:17:01,787
AND WE WILL, RICHIE. WE WILL.
311
00:17:01,787 --> 00:17:02,821
DRIVE OVER THERE.
312
00:17:02,821 --> 00:17:04,589
DRIVE OVER TO THOSE FRIGGIN' GIRLS.
313
00:17:04,589 --> 00:17:06,425
GO ON! GO ON! GO ON! GO ON!
314
00:17:06,425 --> 00:17:08,293
HEY, GIRLS! YOU WANT TO SEE A REAL STAR?
315
00:17:08,293 --> 00:17:10,729
SO WHILE SINATRA WAS PLAYING A SELLOUT AT THE COPA,
316
00:17:10,729 --> 00:17:12,697
WALDEN ROBERT CASSOTTO WOULD PLAY
317
00:17:12,697 --> 00:17:14,833
ANYPLACE THAT WOULD BOOK HIM--
318
00:17:14,833 --> 00:17:16,568
BAR MITZVAHS, WEDDINGS,
319
00:17:16,568 --> 00:17:18,403
AND A FEW DIVES ON LONG ISLAND.
320
00:17:18,403 --> 00:17:20,572
♪ GOT TO JUMP DOWN, SPIN AROUND, AND PICK A BALE OF COTTON ♪
321
00:17:20,572 --> 00:17:23,208
♪ GOT TO JUMP DOWN, SPIN AROUND, AND PICK A BALE A DAY ♪
322
00:17:23,208 --> 00:17:24,643
♪ I SAW A SKEETER AROUND MY HEAD ♪
323
00:17:24,643 --> 00:17:27,212
♪ SHOOT A TIN PAIL, IT'D STILL BEEN DEAD ♪
324
00:17:27,212 --> 00:17:29,815
♪ BUT I JUMP DOWN, SPIN AROUND, AND PICK-- ♪
325
00:17:29,815 --> 00:17:31,349
YOU AIN'T NO SINATRA.
326
00:17:31,349 --> 00:17:32,383
STOP. STOP.
327
00:17:32,383 --> 00:17:34,352
THEY'RE LAZY, RICHIE! THEY DON'T LIKE TO REHEARSE!
328
00:17:34,352 --> 00:17:35,821
THEY DON'T GET BETTER WHEN THEY DO!
329
00:17:35,821 --> 00:17:37,489
THEY'RE WASTING MY GODDAMN TIME!
330
00:17:37,489 --> 00:17:38,690
IT'S ONLY THE SAFARI CLUB.
331
00:17:38,690 --> 00:17:41,226
I DON'T CARE WHERE IT IS! WE KNOW 3 SONGS.
332
00:17:41,226 --> 00:17:43,128
THEY CAN'T KEEP PACE WITH 2 OF THEM.
333
00:17:43,128 --> 00:17:44,362
BOBBY, LAST WEEK, YOU DIDN'T KNOW
334
00:17:44,362 --> 00:17:46,465
WHAT AN F-SHARP WAS. NOW YOU'RE THE BIG EXPERT?
335
00:17:46,465 --> 00:17:47,232
YEAH, I AM!
336
00:17:47,232 --> 00:17:49,101
BOBBY, YOU'RE THE ONE THAT CALLED
337
00:17:49,101 --> 00:17:50,435
THE SAFARI CLUB A DISEASE.
338
00:17:50,435 --> 00:17:51,569
I THOUGHT YOU GUYS SOUNDED GREAT.
339
00:17:51,569 --> 00:17:53,338
WE SOUNDED LIKE SHIT, AND THE AUDIENCE DESERVES BETTER.
340
00:17:53,338 --> 00:17:55,140
Bobby, narrating: SO I HAD A HOT HEAD,
341
00:17:55,140 --> 00:17:57,576
A WEAK HEART, AND AN EVEN WORSE STAGE NAME.
342
00:17:57,576 --> 00:17:59,611
WALDEN ROBERT CASSOTTO ISN'T EXACTLY A NAME
343
00:17:59,611 --> 00:18:01,313
YOU COULD SEE ON A MARQUEE.
344
00:18:01,313 --> 00:18:02,481
WELL, MAYBE FOR ONE NIGHT ONLY.
345
00:18:02,481 --> 00:18:05,317
AND ONE OF THE THINGS MOST PERFORMERS WERE DOING BACK THEN
346
00:18:05,317 --> 00:18:07,352
WAS TO FIND A GREAT STAGE NAME,
347
00:18:07,352 --> 00:18:09,287
AND THEN ONE DAY, I SAW IT,
348
00:18:09,287 --> 00:18:14,593
THE PERFECT NAME, JUST BLINKING--
349
00:18:14,593 --> 00:18:16,862
DARIN. DARIN.
350
00:18:16,862 --> 00:18:18,296
BOBBY DARIN.
351
00:18:18,296 --> 00:18:20,765
AND NO SOONER DID I CHANGE MY NAME
352
00:18:20,765 --> 00:18:23,435
THAN I GOT MY FIRST GIG ON TELEVISION.
353
00:18:23,435 --> 00:18:24,536
[GUITAR PLAYING]
354
00:18:24,536 --> 00:18:27,172
♪ ON THE ROCK ISLAND LINE, IT'S A MIGHTY GOOD ROAD ♪
355
00:18:27,172 --> 00:18:29,574
♪ ROCK ISLAND LINE IS THE ROAD TO RIDE ♪
356
00:18:29,574 --> 00:18:31,877
♪ ROCK ISLAND LINE IS A MIGHTY GOOD ROAD... ♪
357
00:18:31,877 --> 00:18:33,578
UNFORTUNATELY, I DIDN'T KNOW THE LYRICS
358
00:18:33,578 --> 00:18:35,313
TO THE SONG I'D DECIDED TO SING,
359
00:18:35,313 --> 00:18:37,215
SO I HAD TO DEVISE MY OWN METHOD
360
00:18:37,215 --> 00:18:39,584
TO GET THROUGH IT ON LIVE TELEVISION.
361
00:18:39,584 --> 00:18:40,719
♪ OOH-WEE ♪
362
00:18:40,719 --> 00:18:42,454
♪ WELL, IT'S A-B-C ♪
363
00:18:42,454 --> 00:18:43,422
♪ W-X-Y-Z ♪
364
00:18:43,422 --> 00:18:44,523
♪ CAT'S IN THE CORNER, AND HE DON'T SEE ME ♪
365
00:18:44,523 --> 00:18:48,160
♪ ON THE ROCK ISLAND LINE, IT'S A MIGHTY FINE ROAD ♪
366
00:18:48,160 --> 00:18:50,228
♪ ROCK ISLAND LINE IS THE ROAD TO RIDE ♪
367
00:18:50,228 --> 00:18:52,564
♪ ROCK ISLAND LINE, IT'S A MIGHTY FINE ROAD ♪
368
00:18:52,564 --> 00:18:54,666
♪ AND IF YOU WANT TO RIDE... ♪
369
00:18:54,666 --> 00:18:56,468
DIDN'T WIN ME MANY FANS.
370
00:18:56,468 --> 00:19:06,178
♪ ON THE ROCK ISLAND LINE ♪
371
00:19:06,178 --> 00:19:08,180
BUT IT DIDN'T FINISH ME EITHER.
372
00:19:08,180 --> 00:19:09,648
MY RECORD COMPANY WAS GIVING ME
373
00:19:09,648 --> 00:19:11,316
ONE LAST CHANCE TO MAKE A HIT.
374
00:19:11,316 --> 00:19:12,918
BOBBY, IT'S ALL ABOUT THE IMAGE, RIGHT?
375
00:19:12,918 --> 00:19:15,387
ARE YOU STARTING AGAIN? IT'S MY LAST SESSION.
376
00:19:15,387 --> 00:19:16,721
BOBBY, YOU LOOK LIKE SHIT.
377
00:19:16,721 --> 00:19:18,323
I KNOW MY HAIR IS FALLING OUT!
378
00:19:18,323 --> 00:19:19,524
I KNOW IT EVERY GODDAMN DAY.
379
00:19:19,524 --> 00:19:22,194
THE NEXT TIME YOU GO ON TELEVISION, WEAR ONE.
380
00:19:22,194 --> 00:19:23,495
IT LOOKS SO GODDAMN FAKE.
381
00:19:23,495 --> 00:19:24,296
JOHN WAYNE WEARS ONE.
382
00:19:24,296 --> 00:19:26,264
HOW MUCH MORE AUTHENTIC CAN YOU GET?
383
00:19:26,264 --> 00:19:27,131
HUMPHREY BOGART WEARS ONE.
384
00:19:27,131 --> 00:19:29,367
BOGART HAS AN ALBUM COMING OUT, DOES HE?
385
00:19:29,367 --> 00:19:30,335
SINATRA WEARS ONE.
386
00:19:30,335 --> 00:19:33,505
[AS JERRY LEWIS] ALL RIGHT, BOOM-BOOM, YOU WIN!
387
00:19:33,505 --> 00:19:35,240
NOW I HAVE TO GO BACK AND MAKING THE VINYL
388
00:19:35,240 --> 00:19:36,975
AND THE RECORDS AND PUTTING THE WAX IN THE THING
389
00:19:36,975 --> 00:19:39,978
AND MAKING IT GO. LET'S SING THE SONG AGAIN.
390
00:19:39,978 --> 00:19:40,812
HELLO.
391
00:19:40,812 --> 00:19:42,380
DOES THIS SONG MAKE ANY SENSE TO YOU?
392
00:19:42,380 --> 00:19:43,648
IT TAKES PLACE IN A TOILET.
393
00:19:43,648 --> 00:19:44,983
IT'S NOT SUPPOSED TO MAKE ANY SENSE.
394
00:19:44,983 --> 00:19:47,552
MAYBE HE SHOULD BE IN A SHOWER INSTEAD OF THE TUB.
395
00:19:47,552 --> 00:19:49,287
GUYS DON'T TAKE BATHS.
396
00:19:49,287 --> 00:19:50,388
I AGREE.
397
00:19:50,388 --> 00:19:51,990
Bobby: I PUT THE TOWEL-- NO, WAIT, WAIT.
398
00:19:51,990 --> 00:19:53,658
I WRAP THE TOWEL AROUND ME,
399
00:19:53,658 --> 00:19:55,927
AND THEN I JUMP BACK IN THE BATH...
400
00:19:55,927 --> 00:19:57,596
HOW COME HE JUMPS BACK IN THE TUB?
401
00:19:57,596 --> 00:19:58,930
DOESN'T HE KNOW THESE PEOPLE?
402
00:19:58,930 --> 00:20:01,866
WHERE ELSE DO YOU WANT HIM TO GO?
403
00:20:01,866 --> 00:20:03,868
PLAY WITH IT ALL YOU WANT.
404
00:20:03,868 --> 00:20:05,303
JUST KEEP IT TO AN HOUR.
405
00:20:05,303 --> 00:20:08,006
THAT'S ALL THE TIME WE GOT, BOBBY.
406
00:20:08,006 --> 00:20:09,708
HEY, TELL ME SOMETHING.
407
00:20:09,708 --> 00:20:11,676
WHO'S THIS GUY YOM KIPPUR
408
00:20:11,676 --> 00:20:13,745
THEY GOT BOOKED ON FRIDAY?
409
00:20:13,745 --> 00:20:16,681
♪ SPLISH SPLASH, I WAS TAKING A BATH ♪
410
00:20:16,681 --> 00:20:20,452
♪ ALONG ABOUT A SATURDAY NIGHT ♪
411
00:20:20,452 --> 00:20:22,254
[CHEERING]
412
00:20:22,254 --> 00:20:23,488
♪ JUST RELAXIN' IN THE TUB ♪
413
00:20:23,488 --> 00:20:26,024
♪ THINKIN' EVERYTHING WAS ALL RIGHT ♪
414
00:20:26,024 --> 00:20:28,793
♪ WELL, I STEPPED OUT OF THE TUB ♪
415
00:20:28,793 --> 00:20:30,362
♪ I PUT MY FEET ON THE FLOOR ♪
416
00:20:30,362 --> 00:20:32,731
Bobby, narrating: SO I FINALLY DID TOP THE CHARTS
417
00:20:32,731 --> 00:20:34,666
WITH A SONG I WROTE IN 20 MINUTES.
418
00:20:34,666 --> 00:20:36,501
NOW, LISTEN CAREFULLY TO THE LYRICS.
419
00:20:36,501 --> 00:20:39,404
THEY'RE VERY PROFOUND.
420
00:20:39,404 --> 00:20:41,806
[CHEERING]
421
00:20:41,806 --> 00:20:43,775
♪ REELIN' WITH THE FEELIN' ♪
422
00:20:43,775 --> 00:20:44,542
LOOK AT THAT!
423
00:20:44,542 --> 00:20:46,444
HE SAID HE'D DO IT, AND HE DID IT!
424
00:20:46,444 --> 00:20:49,681
♪ OOH, YEAH ♪
425
00:20:49,681 --> 00:20:51,883
[CHEERING]
426
00:20:51,883 --> 00:20:53,318
HE'S GOING TO BE
427
00:20:53,318 --> 00:20:56,622
THE BIGGEST STAR IN SHOW BUSINESS.
428
00:20:58,890 --> 00:21:02,060
♪ BING BANG, I SAW THE WHOLE GANG ♪
429
00:21:02,060 --> 00:21:06,031
♪ DANCIN' ON MY LIVING ROOM RUG ♪
430
00:21:06,031 --> 00:21:08,466
♪ FLIP FLOP, THEY WAS DOING THE BOP ♪
431
00:21:08,466 --> 00:21:11,736
MA, GET AWAY. I CAN'T SEE HIM.
432
00:21:11,736 --> 00:21:13,772
♪ THERE WAS LOLLIPOP... ♪
433
00:21:13,772 --> 00:21:15,006
WHAT'S THAT ON HIS HEAD?
434
00:21:15,006 --> 00:21:18,376
♪ GOOD GOLLY, MISS MOLLY WAS EVEN THERE, TOO ♪
435
00:21:18,376 --> 00:21:19,511
WHAT IS IT?
436
00:21:19,511 --> 00:21:22,681
IT'S A TOUPEE, ONE OF THOSE.
437
00:21:22,681 --> 00:21:23,515
[LAUGHTER]
438
00:21:23,515 --> 00:21:27,319
♪ I WAS A-SPLISHIN' AND A-SPLASHIN' ♪
439
00:21:27,319 --> 00:21:29,788
♪ I WAS A-ROLLIN' AND A-STROLLIN' ♪
440
00:21:29,788 --> 00:21:33,625
♪ YEAH! I WAS A-MOVIN' AND A-GROOVIN', WHOO! ♪
441
00:21:33,625 --> 00:21:35,560
Bobby: I WAS A TEEN IDOL FOR ABOUT A MINUTE AND A HALF,
442
00:21:35,560 --> 00:21:39,364
BUT MAMA'S PLAN WAS TO BE BIGGER THAN SINATRA.
443
00:21:39,364 --> 00:21:41,733
I WANTED TO DO THE GREAT STANDARDS,
444
00:21:41,733 --> 00:21:43,368
BUT MY PRODUCER THOUGHT I WAS NUTS
445
00:21:43,368 --> 00:21:44,969
TO TURN MY BACK ON ROCK 'N' ROLL.
446
00:21:44,969 --> 00:21:46,738
BOBBY, TEENAGERS AREN'T GOING TO BUY
447
00:21:46,738 --> 00:21:48,340
AN ALBUM OF YOU SINGING STANDARDS.
448
00:21:48,340 --> 00:21:49,941
AHMET, YOU'RE TALKING OUT OF YOUR ASS AGAIN.
449
00:21:49,941 --> 00:21:51,910
HOW DO YOU KNOW WHAT TEENAGERS ARE GOING TO BUY?
450
00:21:51,910 --> 00:21:53,678
WHAT DO YOU GOT, A CRYSTAL BALL BACK THERE?
451
00:21:53,678 --> 00:21:55,013
I'VE BEEN IN THIS BUSINESS LONG ENOUGH
452
00:21:55,013 --> 00:21:56,881
TO KNOW THAT YOU DON'T CHANGE YOUR IMAGE
453
00:21:56,881 --> 00:21:58,083
WHEN YOU'RE HOT LIKE THIS.
454
00:21:58,083 --> 00:21:59,551
OK, THEN YOU'RE RIGHT. YOU KNOW WHAT?
455
00:21:59,551 --> 00:22:01,519
I DON'T WANT TEENAGERS TO BE MY ONLY AUDIENCE.
456
00:22:01,519 --> 00:22:02,620
SO THAT'S PERFECT.
457
00:22:02,620 --> 00:22:04,522
WHY CAN'T YOU BE SATISFIED? YOU JUST DID BANDSTAND!
458
00:22:04,522 --> 00:22:06,124
BANDSTAND IS MOSTLY FOR KIDS. AHMET, I WANT THE COPA!
459
00:22:06,124 --> 00:22:07,759
WITH ROCK-AND-ROLL, THERE'S, LIKE,
460
00:22:07,759 --> 00:22:09,394
A THOUSAND OTHER GUYS OUT THERE,
461
00:22:09,394 --> 00:22:10,762
AND YOU GODDAMN WELL KNOW IT!
462
00:22:10,762 --> 00:22:12,030
I'VE GOT TO PROVE I CAN SING.
463
00:22:12,030 --> 00:22:13,565
I WANT IT ALL. I WANT THE MAJOR LEAGUES.
464
00:22:13,565 --> 00:22:15,633
I WANT NIGHTCLUBS. I WANT VEGAS, MOVIES, TV.
465
00:22:15,633 --> 00:22:17,669
THIS ALBUM WILL MAKE IT HAPPEN, ALL, FAST,
466
00:22:17,669 --> 00:22:19,137
FASTER THAN YOU CAN IMAGINE.
467
00:22:19,137 --> 00:22:21,039
YOU DON'T HAVE TO PROVE ANYTHING!
468
00:22:21,039 --> 00:22:22,640
YOU'RE A STAR ALREADY!
469
00:22:22,640 --> 00:22:24,843
IS THAT WHAT YOU THINK, AHMET?
470
00:22:24,843 --> 00:22:25,644
OF COURSE!
471
00:22:25,644 --> 00:22:28,980
HANG ON A SECOND. HEY, KID! HANG ON.
472
00:22:28,980 --> 00:22:30,014
KID! KID!
473
00:22:30,014 --> 00:22:31,483
I DON'T HAVE TIME FOR THIS, BOBBY.
474
00:22:31,483 --> 00:22:33,051
COME HERE. I JUST GOT A QUESTION.
475
00:22:33,051 --> 00:22:34,719
WILL YOU DO ME A FAVOR?
476
00:22:34,719 --> 00:22:36,521
WILL YOU LOOK AT ME?
477
00:22:36,521 --> 00:22:37,422
WHAT?
478
00:22:37,422 --> 00:22:38,723
JUST LOOK AT ME.
479
00:22:38,723 --> 00:22:40,392
DO YOU KNOW ME?
480
00:22:40,392 --> 00:22:41,025
WHAT?
481
00:22:41,025 --> 00:22:42,494
DO YOU RECOGNIZE ME?
482
00:22:42,494 --> 00:22:44,896
WHAT ARE YOU TALKING ABOUT?
483
00:22:44,896 --> 00:22:46,765
DO I LOOK FAMILIAR TO YOU?
484
00:22:46,765 --> 00:22:47,733
NO, YOU DON'T. I DON'T KNOW YOU.
485
00:22:47,733 --> 00:22:50,969
WOULD YOU LEAVE ME ALONE, YOU CRAZY BASTARDS?
486
00:22:50,969 --> 00:22:52,670
I GOT THINGS TO DO.
487
00:22:52,670 --> 00:22:54,773
THANKS, PAL.
488
00:22:57,542 --> 00:23:00,512
AHMET, WHEN THE DELIVERY GUY KNOWS ME,
489
00:23:00,512 --> 00:23:01,546
THEN I'M A STAR.
490
00:23:01,546 --> 00:23:07,452
♪ THEY FOUND LITTLE ANNIE ALL COVERED WITH ICE ♪
491
00:23:07,452 --> 00:23:12,757
♪ STILL CLUTCHING HER POOR FROZEN SHEARS ♪
492
00:23:12,757 --> 00:23:18,196
♪ AMIDST ALL THE BLOSSOMS SHE HAD FASHIONED BY HAND ♪
493
00:23:18,196 --> 00:23:23,802
♪ AND WATERED WITH ALL HER YOUNG TEARS ♪
494
00:23:23,802 --> 00:23:29,507
♪ THERE MUST BE A HEAVEN WHERE LITTLE ANNIE CAN PLAY ♪
495
00:23:29,507 --> 00:23:33,912
♪ IN HEAVENLY GARDENS AND BOWERS ♪
496
00:23:33,912 --> 00:23:37,182
♪ AND INSTEAD OF A HALO ♪
497
00:23:37,182 --> 00:23:39,717
♪ SHE'LL WEAR ROUND HER HEAD ♪
498
00:23:39,717 --> 00:23:45,023
♪ A GARLAND OF GENUINE FLOWERS ♪
499
00:23:45,023 --> 00:23:47,659
♪ NO MORE ARTIFICIAL FLOWERS ♪
500
00:23:47,659 --> 00:23:51,496
♪ THROW AWAY THOSE ARTIFICIAL FLOWERS ♪
501
00:23:51,496 --> 00:23:55,200
♪ FLOWERS FOR LADIES OF SOCIETY TO WEAR ♪
502
00:23:55,200 --> 00:23:59,737
♪ THROW AWAY THOSE ARTIFICIAL FLOWERS ♪
503
00:23:59,737 --> 00:24:02,240
♪ THOSE DUM-DUM FLOWERS ♪
504
00:24:02,240 --> 00:24:07,212
♪ FASHIONED FROM ANNIE'S ♪
505
00:24:07,212 --> 00:24:16,154
♪ FASHIONED FROM ANNIE'S DESPAIR ♪
506
00:24:19,791 --> 00:24:21,593
GIVE HER THE REAL THING.
507
00:24:21,593 --> 00:24:23,661
[APPLAUSE AND CHEERS]
508
00:24:23,661 --> 00:24:25,764
[TELEPHONE RINGING]
509
00:24:28,032 --> 00:24:31,069
Polly: CYPRESS 2672.
510
00:24:31,069 --> 00:24:34,706
BOBBY, YOU'RE TO REMEMBER THIS NUMBER.
511
00:24:34,706 --> 00:24:40,111
ANYTIME, IF YOU NEED ME, NO MATTER WHERE YOU GO,
512
00:24:40,111 --> 00:24:45,583
YOU CALL CYPRESS 2672.
513
00:24:45,583 --> 00:24:47,819
YOU HAVE TO ANSWER IT.
514
00:24:47,819 --> 00:24:49,687
YOU HAVE TO TELL WHAT HAPPENS NEXT.
515
00:24:49,687 --> 00:24:50,989
HEY, NINA, HOW'S IT GOING?
516
00:24:50,989 --> 00:24:53,958
Nina: HONEY, I'VE GOT TO TELL YOU SOMETHING.
517
00:24:53,958 --> 00:24:55,059
WHAT?
518
00:24:55,059 --> 00:24:56,160
[CRYING]
519
00:24:56,160 --> 00:24:59,064
[JAZZ BAND PLAYING UP A LAZY RIVER]
520
00:25:40,772 --> 00:25:47,646
[DRUMMER TAPPING OPENING TO SONG]
521
00:25:53,885 --> 00:25:55,920
GO AHEAD.
522
00:25:55,920 --> 00:25:58,823
YOU HAVE TO GO.
523
00:25:58,823 --> 00:26:02,226
DON'T WORRY ABOUT ME.
524
00:26:02,226 --> 00:26:03,728
I CAN'T.
525
00:26:03,728 --> 00:26:06,565
YOU HAVE TO.
526
00:26:11,936 --> 00:26:14,806
♪ OH, THE SHARK, BABE ♪
527
00:26:14,806 --> 00:26:17,742
♪ HAS SUCH TEETH, DEAR ♪
528
00:26:17,742 --> 00:26:23,114
♪ AND HE SHOWS THEM PEARLY-WHITE ♪
529
00:26:23,114 --> 00:26:25,650
♪ JUST A JACKKNIFE ♪
530
00:26:25,650 --> 00:26:29,087
♪ HAS OLD MacHEATH, BABE ♪
531
00:26:29,087 --> 00:26:33,958
♪ AND HE KEEPS IT OUT OF SIGHT ♪
532
00:26:33,958 --> 00:26:37,328
♪ YOU KNOW, WHEN THAT SHARK BITES ♪
533
00:26:37,328 --> 00:26:38,362
♪ WITH HIS TEETH, BABE ♪
534
00:26:38,362 --> 00:26:42,800
MAMA, I THINK THIS IS WHAT WE'VE BEEN LOOKING FOR.
535
00:26:42,800 --> 00:26:45,770
♪ ...START TO SPREAD ♪
536
00:26:45,770 --> 00:26:46,871
[APPLAUSE]
537
00:26:46,871 --> 00:26:53,044
Ed Sullivan: HERE IS ONE OF THE GREATEST, BOBBY DARIN!
538
00:26:53,044 --> 00:26:56,715
[APPLAUSE]
539
00:26:57,849 --> 00:27:00,652
♪ ON A SIDEWALK, HO HO ♪
540
00:27:00,652 --> 00:27:02,920
♪ SUNDAY MORNING, UH-HUH ♪
541
00:27:02,920 --> 00:27:05,256
♪ LIES A BODY ♪
542
00:27:05,256 --> 00:27:07,859
♪ JUST OOZING LIFE ♪
543
00:27:07,859 --> 00:27:08,493
EEE!
544
00:27:08,493 --> 00:27:10,995
♪ AND SOMEONE'S SNEAKING ♪
545
00:27:10,995 --> 00:27:13,331
♪ ROUND THE CORNER ♪
546
00:27:13,331 --> 00:27:15,400
BEST NEW ARTIST, BEST ALBUM...
547
00:27:15,400 --> 00:27:17,702
BOBBY DARIN.
548
00:27:17,702 --> 00:27:19,137
[APPLAUSE AND CHEERS]
549
00:27:19,137 --> 00:27:21,973
♪ OH, THERE'S A TUGBOAT ♪
550
00:27:21,973 --> 00:27:24,676
♪ DOWN BY THE RIVER, DON'T YOU KNOW? ♪
551
00:27:24,676 --> 00:27:29,347
♪ WITH CEMENT BAGS JUST A-HANGING ON DOWN ♪
552
00:27:29,347 --> 00:27:33,284
♪ OH, THAT CEMENT IS THERE ♪
553
00:27:33,284 --> 00:27:35,820
♪ STRICTLY FOR THE WEIGHT, DEAR ♪
554
00:27:35,820 --> 00:27:41,259
♪ FIVE WILL GET YOU TEN OLD MACKY'S BACK IN TOWN ♪
555
00:27:41,259 --> 00:27:44,128
♪ DID YOU HEAR ABOUT LOUIE MILLER? ♪
556
00:27:44,128 --> 00:27:46,764
♪ HE DONE DISAPPEARED, DEAR ♪
557
00:27:46,764 --> 00:27:49,901
♪ AFTER DRAWING OUT, FEELS GOOD ♪
558
00:27:49,901 --> 00:27:52,270
♪ ALL HIS HARD-EARNED CASH ♪
559
00:27:52,270 --> 00:27:55,273
♪ AND NOW MacHEATH SPENDS ♪
560
00:27:55,273 --> 00:27:58,910
♪ JUST LIKE A SAILOR ♪
561
00:27:58,910 --> 00:27:59,711
♪ COULD IT BE ♪
562
00:27:59,711 --> 00:28:03,114
♪ OUR BOY'S DONE SOMETHING RASH? ♪
563
00:28:03,114 --> 00:28:04,148
COME ON! COME ON!
564
00:28:04,148 --> 00:28:07,418
♪ NOW, JENNY DIVER, HO HO ♪
565
00:28:07,418 --> 00:28:09,721
♪ SUKEY TAWDRY ♪
566
00:28:09,721 --> 00:28:12,256
♪ HELLO, MISS LOTTE LENYA ♪
567
00:28:12,256 --> 00:28:14,726
♪ GOOD EVENING, LUCY BROWN ♪
568
00:28:14,726 --> 00:28:19,964
♪ OH, THE LINE FORMS WAY ON THE RIGHT, BABE ♪
569
00:28:19,964 --> 00:28:26,904
♪ NOW THAT MACKY'S BACK IN OLD L.A. TOWN ♪
570
00:28:26,904 --> 00:28:31,809
♪ I SAID JENNY DIVER, LOOK OUT, SUKEY TAWDRY ♪
571
00:28:31,809 --> 00:28:34,412
♪ STAY BACK, LOTTE LENYA ♪
572
00:28:34,412 --> 00:28:37,148
♪ MOVE IT OVER, LUCY BROWN ♪
573
00:28:37,148 --> 00:28:42,420
♪ OH, THE LINE FORMS WAY ON THE RIGHT, BABE ♪
574
00:28:42,420 --> 00:28:48,259
♪ NOW THAT MACKY'S ♪
575
00:28:48,259 --> 00:28:57,468
♪ BACK IN TOWN ♪
576
00:28:57,468 --> 00:29:01,038
LOOK OUT. OLD MACKY IS BACK.
577
00:29:01,038 --> 00:29:05,076
[APPLAUSE]
578
00:29:09,046 --> 00:29:12,751
LET'S GO MAKE MOVIES!
579
00:29:14,152 --> 00:29:21,059
[MAN SINGING IN FRENCH ON RECORD]
580
00:29:22,126 --> 00:29:23,861
Bobby, narrating: SO WITH SUCCESS,
581
00:29:23,861 --> 00:29:25,396
HOLLYWOOD CAME KNOCKING.
582
00:29:25,396 --> 00:29:27,298
I FLEW TO ITALY WITH CHARLIE AND NINA
583
00:29:27,298 --> 00:29:32,403
TO MAKE A MOVIE WITH ROCK HUDSON AND SANDRA DEE.
584
00:29:34,405 --> 00:29:37,074
WHAT IS WRONG WITH YOU, YOU STUPID WOP?!
585
00:29:37,074 --> 00:29:39,443
THERE ARE THINGS IN THERE THAT BREAK!
586
00:29:39,443 --> 00:29:40,277
OH, MY GOD!
587
00:29:40,277 --> 00:29:42,547
I'M SORRY, BUT-- NO, I'LL DO IT MYSELF.
588
00:29:42,547 --> 00:29:44,015
Bobby: LOOK WHO'S ON THE COVER
589
00:29:44,015 --> 00:29:46,284
OF SCREEN MAGAZINE, CHARLIE.
590
00:29:46,284 --> 00:29:47,852
Charlie: THIS IS GREAT.
591
00:29:47,852 --> 00:29:50,021
NINA, WE'RE GOING TO TAKE A WALK.
592
00:29:50,021 --> 00:29:51,522
THIS IS A MOVIE.
593
00:29:51,522 --> 00:29:53,057
YOU BET.
594
00:29:53,057 --> 00:29:53,924
CAN YOU ACT?
595
00:29:53,924 --> 00:29:56,294
CHARLIE, I'VE BEEN ACTING MY WHOLE LIFE.
596
00:29:56,294 --> 00:29:59,430
1, 2, 3. AW...
597
00:29:59,430 --> 00:30:01,566
WHAT DID YOU WISH FOR?
598
00:30:01,566 --> 00:30:04,068
OH, IT'S NOT GOOD LUCK TO TELL.
599
00:30:04,068 --> 00:30:06,304
I HOPE YOU GET WHAT YOU WANT.
600
00:30:06,304 --> 00:30:09,473
AW, THAT SURE IS SWEET OF YOU.
601
00:30:09,473 --> 00:30:11,075
CUT. GREAT.
602
00:30:11,075 --> 00:30:12,443
[BELL RINGS]
603
00:30:12,443 --> 00:30:16,013
IT'S LUNCH. WE'LL MOVE ON AFTER LUNCH.
604
00:30:16,013 --> 00:30:17,582
HEY, UH...SANDY.
605
00:30:17,582 --> 00:30:18,416
HMM?
606
00:30:18,416 --> 00:30:19,884
SANDY, WHAT DO YOU SAY
607
00:30:19,884 --> 00:30:21,519
YOU AND ME HAVE DINNER TONIGHT?
608
00:30:21,519 --> 00:30:22,320
OH, NO, THANK YOU.
609
00:30:22,320 --> 00:30:24,222
I'M GOING TO HAVE DINNER IN MY ROOM
610
00:30:24,222 --> 00:30:25,623
AND THEN GO TO BED EARLY.
611
00:30:25,623 --> 00:30:26,924
OH, MY GOODNESS GRACIOUS.
612
00:30:26,924 --> 00:30:28,326
HOW CAN YOU STAND ALL THAT EXCITEMENT?
613
00:30:28,326 --> 00:30:29,527
I'M NOT HERE FOR EXCITEMENT.
614
00:30:29,527 --> 00:30:30,928
I'M HERE TO WORK. MAYBE YOU SHOULD
615
00:30:30,928 --> 00:30:32,296
THINK ABOUT GOING TO SLEEP EARLY, TOO.
616
00:30:32,296 --> 00:30:34,332
HOW DO YOU KNOW I DON'T GO TO SLEEP EARLY?
617
00:30:34,332 --> 00:30:36,334
SANDRA DEE, HAVE YOU BEEN SPYING ON ME?
618
00:30:36,334 --> 00:30:38,569
I HAVE NEVER WORKED WITH SOMEBODY
619
00:30:38,569 --> 00:30:40,438
SO UNPROFESSIONAL IN MY LIFE.
620
00:30:40,438 --> 00:30:43,307
I MEAN, HAVE YOU EVER EVEN ACTED BEFORE?
621
00:30:43,307 --> 00:30:44,174
WELL, I'M LEARNING,
622
00:30:44,174 --> 00:30:46,277
BUT LET ME TELL YOU SOMETHING, BLONDIE.
623
00:30:46,277 --> 00:30:47,612
YOU'RE NOT EXACTLY AUDREY HEPBURN.
624
00:30:47,612 --> 00:30:51,883
Man: OK, PEOPLE. THAT'S LUNCH. ONE HOUR.
625
00:30:51,883 --> 00:30:53,584
HEY, FOOFOO. HOW YOU DOING THERE, BOY?
626
00:30:53,584 --> 00:30:57,188
THE NAME'S POMPOM, AND SHE'S A GIRL.
627
00:30:57,188 --> 00:30:59,090
SANDY, DON'T LET THAT LITTLE CUPCAKE
628
00:30:59,090 --> 00:31:00,191
RUIN YOUR MAKEUP, HMM?
629
00:31:00,191 --> 00:31:02,560
YOU KNOW, MARY, THERE'S SOMETHING
630
00:31:02,560 --> 00:31:04,428
I JUST DON'T UNDERSTAND, I'M A LITTLE STUNNED BY.
631
00:31:04,428 --> 00:31:06,898
YOU'RE GOING TO HAVE TO EXPLAIN IT TO ME.
632
00:31:06,898 --> 00:31:07,599
WHAT?
633
00:31:07,599 --> 00:31:09,400
HOW IS IT POSSIBLE THAT YOU ARE
634
00:31:09,400 --> 00:31:11,535
SANDY'S MOTHER AND NOT HER SISTER?
635
00:31:11,535 --> 00:31:14,372
OH...TSK TSK TSK.
636
00:31:14,372 --> 00:31:15,907
MR. DARIN.
637
00:31:15,907 --> 00:31:16,974
NO, I'M SERIOUS.
638
00:31:16,974 --> 00:31:18,342
I MEAN, LOOK AT THE TWO OF YOU.
639
00:31:18,342 --> 00:31:22,580
SIDE BY SIDE, YOU'RE MIRROR IMAGES OF EACH OTHER.
640
00:31:30,087 --> 00:31:31,923
AND THEN WHEN YOU SMILE,
641
00:31:31,923 --> 00:31:33,524
JUST MAKE IT A REALLY SOFT SMILE.
642
00:31:33,524 --> 00:31:35,927
KEEP THE LIPS... THAT...THAT'S GOOD.
643
00:31:35,927 --> 00:31:37,929
Bobby: THERE SHE IS, CHARLIE--
644
00:31:37,929 --> 00:31:39,497
THE GIRL I'M GOING TO MARRY.
645
00:31:39,497 --> 00:31:41,499
I WANT YOU TO FIND ME A FLORIST, A GOOD ONE.
646
00:31:41,499 --> 00:31:43,467
I WANT TO SEND 18 YELLOW ROSES
647
00:31:43,467 --> 00:31:45,436
TO HER HOTEL SUITE EVERY DAY.
648
00:31:45,436 --> 00:31:48,005
NO CARD. SHE'LL KNOW WHO THEY'RE FROM.
649
00:31:48,005 --> 00:31:49,674
I GIVE IT A WEEK, MAYBE LESS.
650
00:31:49,674 --> 00:31:51,108
IT WON'T TAKE THAT LONG
651
00:31:51,108 --> 00:31:54,045
FOR MARY TO CAVE.
652
00:31:54,045 --> 00:31:54,912
MARY?
653
00:31:54,912 --> 00:31:56,480
YOU'RE GOING TO SEND ROSES TO THE MOTHER?
654
00:31:56,480 --> 00:31:58,182
CHARLIE, YOU ALWAYS MAKE SURE
655
00:31:58,182 --> 00:31:59,450
THE MAMA DOG LIKES YOU
656
00:31:59,450 --> 00:32:01,118
BEFORE YOU GO NEAR HER PUPPY.
657
00:32:01,118 --> 00:32:04,422
HA HA HA! MARY AIN'T NO RIN TIN TIN.
658
00:32:04,422 --> 00:32:08,392
SHE'S A TOUGH BROAD WITH A STAR TO PROTECT.
659
00:32:08,392 --> 00:32:11,162
YOU'RE GONNA GET YOURSELF IN A LOT OF TROUBLE.
660
00:32:11,162 --> 00:32:13,331
CHARLIE, THIS IS TROUBLE I CAN HANDLE.
661
00:32:13,331 --> 00:32:15,333
THE FLORISTS IS GOING TO MAKE MORE MONEY
662
00:32:15,333 --> 00:32:16,567
OUT OF THIS MOVIE THAN YOU ARE.
663
00:32:16,567 --> 00:32:17,735
Mary: ALWAYS REMEMBER, I KNOW YOU WANT TO ACT
664
00:32:17,735 --> 00:32:20,438
CONVINCINGLY AND EVERYTHING, BUT IN THE FRONT OF YOUR MIND,
665
00:32:20,438 --> 00:32:22,974
THINK, "WHAT ARE MY LIPS DOING NOW?
666
00:32:22,974 --> 00:32:25,476
WHERE ARE MY TEETH?" OK?
667
00:32:25,476 --> 00:32:27,678
Bobby, narrating: SANDY AND I JUST GOT OFF ON THE WRONG FOOT.
668
00:32:27,678 --> 00:32:30,448
IF I COULD JUST GET HER AWAY FROM HER MOTHER.
669
00:32:30,448 --> 00:32:32,216
I MEAN, JUST IMAGINE...
670
00:32:32,216 --> 00:32:34,652
BOBBY DARIN AND SANDRA DEE.
671
00:32:34,652 --> 00:32:36,187
SANDY, WE HAVE A PHOTO SHOOT
672
00:32:36,187 --> 00:32:37,355
IN LESS THAN AN HOUR.
673
00:32:37,355 --> 00:32:38,589
I WANT YOU TO WEAR THE DRESS
674
00:32:38,589 --> 00:32:40,124
THE STUDIO SENT OVER FROM PARIS,
675
00:32:40,124 --> 00:32:41,459
AND DON'T FORGET THE BELT.
676
00:32:41,459 --> 00:32:44,729
THAT'S IT. I'M GOING TO START ALL OVER,
677
00:32:44,729 --> 00:32:45,797
LIKE WE'VE NEVER MET.
678
00:32:45,797 --> 00:32:49,567
ONLY THIS TIME, I'LL ROMANCE HER THE BEST WAY I KNOW.
679
00:32:49,567 --> 00:32:51,068
WELL, HELLO, SANDRA DEE.
680
00:32:51,068 --> 00:32:52,570
I'M BOBBY DARIN. I BELIEVE WE'RE
681
00:32:52,570 --> 00:32:54,338
MAKING A MOVIE TOGETHER.
682
00:32:54,338 --> 00:32:56,040
HELLO.
683
00:33:02,046 --> 00:33:04,682
♪ SOMEWHERE ♪
684
00:33:04,682 --> 00:33:07,084
♪ BEYOND THE SEA ♪
685
00:33:07,084 --> 00:33:11,389
♪ SOMEWHERE WAITING FOR ME ♪
686
00:33:11,389 --> 00:33:16,394
♪ MY LOVER STANDS ON GOLDEN SANDS ♪
687
00:33:16,394 --> 00:33:19,063
♪ AND WATCHES THE SHIPS ♪
688
00:33:19,063 --> 00:33:22,700
♪ THAT GO SAILING ♪
689
00:33:22,700 --> 00:33:25,636
♪ SOMEWHERE ♪
690
00:33:25,636 --> 00:33:27,671
♪ BEYOND THE SEA ♪
691
00:33:27,671 --> 00:33:31,609
♪ SHE'S THERE, WATCHING FOR ME ♪
692
00:33:31,609 --> 00:33:37,214
♪ IF I COULD FLY LIKE BIRDS ON HIGH ♪
693
00:33:37,214 --> 00:33:39,650
♪ THEN STRAIGHT TO HER ARMS ♪
694
00:33:39,650 --> 00:33:43,554
♪ I'D GO SAILING ♪
695
00:33:48,459 --> 00:33:53,764
♪ IT IS FAR BEYOND THE STARS ♪
696
00:33:53,764 --> 00:33:55,699
♪ IT IS NEAR ♪
697
00:33:55,699 --> 00:33:58,335
♪ BEYOND THE MOON ♪
698
00:33:58,335 --> 00:34:02,440
♪ AND I KNOW ♪
699
00:34:02,440 --> 00:34:03,808
♪ BEYOND A DOUBT, UH ♪
700
00:34:03,808 --> 00:34:10,147
♪ MY HEART WILL LEAD ME THERE SOON ♪
701
00:34:10,147 --> 00:34:12,483
♪ WE'LL MEET ♪
702
00:34:12,483 --> 00:34:15,186
♪ BEYOND THE SHORE ♪
703
00:34:15,186 --> 00:34:16,387
♪ WE'LL KISS ♪
704
00:34:16,387 --> 00:34:19,523
♪ JUST AS BEFORE ♪
705
00:34:19,523 --> 00:34:24,495
♪ HAPPY WE'LL BE BEYOND THE SEA ♪
706
00:34:24,495 --> 00:34:26,630
♪ AND NEVER AGAIN ♪
707
00:34:26,630 --> 00:34:31,369
♪ I'LL GO SAILING ♪
708
00:35:36,500 --> 00:35:39,870
♪ AND I KNOW ♪
709
00:35:39,870 --> 00:35:41,772
♪ BEYOND A DOUBT, HUH ♪
710
00:35:41,772 --> 00:35:46,777
♪ MY HEART WILL LEAD ME THERE SOON ♪
711
00:35:46,777 --> 00:35:49,780
♪ WE'LL MEET, I KNOW WE'LL MEET ♪
712
00:35:49,780 --> 00:35:51,582
♪ BEYOND THE SHORE ♪
713
00:35:51,582 --> 00:35:53,450
♪ WE'RE GONNA KISS ♪
714
00:35:53,450 --> 00:35:56,187
♪ JUST AS BEFORE ♪
715
00:35:56,187 --> 00:36:01,926
♪ AND HAPPY WE'LL BE BEYOND THE SEA ♪
716
00:36:01,926 --> 00:36:03,561
♪ AND NEVER AGAIN ♪
717
00:36:03,561 --> 00:36:05,729
♪ I'LL GO SAILING... ♪
718
00:36:05,729 --> 00:36:08,799
SANDY, WE HAVE TO GO NOW.
719
00:36:08,799 --> 00:36:11,802
I HAVE AN INTERVIEW.
720
00:36:15,272 --> 00:36:19,276
TELL THEM YOU MET BOBBY DARIN, AND HE'S GOING TO MARRY YOU.
721
00:36:19,276 --> 00:36:20,578
COME ON, POMPOM.
722
00:36:20,578 --> 00:36:22,313
NICE HAT, MR. DARIN.
723
00:36:22,313 --> 00:36:24,515
HA HA HA.
724
00:36:27,384 --> 00:36:29,653
I THINK SHE LIKES ME, CHARLIE.
725
00:36:29,653 --> 00:36:30,888
THE MOTHER?
726
00:36:30,888 --> 00:36:32,690
THAT'S A DIFFERENT STORY.
727
00:36:32,690 --> 00:36:35,359
SHE'S JUST DOING HER JOB.
728
00:36:35,359 --> 00:36:36,327
WHAT JOB IS THAT?
729
00:36:36,327 --> 00:36:38,929
STEERING HER DAUGHTER CLEAR OF GUYS LIKE YOU!
730
00:36:38,929 --> 00:36:41,398
YEAH, WELL, GUESS WHAT, CHARLIE.
731
00:36:41,398 --> 00:36:46,670
MAMA'S JOB JUST GOT A WHOLE LOT TOUGHER.
732
00:36:46,670 --> 00:36:47,805
HA HA HA! YEAH!
733
00:36:47,805 --> 00:36:51,275
♪ NO MORE SAILING ♪
734
00:36:51,275 --> 00:36:54,545
♪ SO LONG, SAILING ♪
735
00:36:54,545 --> 00:36:57,548
♪ BYE-BYE, SAILING ♪
736
00:36:57,548 --> 00:36:59,383
Mary: SO, MR. DARIN, I'VE READ
737
00:36:59,383 --> 00:37:02,753
THAT YOU THINK VERY HIGHLY OF YOURSELF.
738
00:37:02,753 --> 00:37:03,988
WELL, MISS DUVAN,
739
00:37:03,988 --> 00:37:06,457
I'M A MAN WHO WAS RAISED TO BELIEVE
740
00:37:06,457 --> 00:37:08,926
THAT YOU SHOULD HAVE A PLAN IN LIFE.
741
00:37:08,926 --> 00:37:10,661
SO ONCE I'VE SET MY MIND
742
00:37:10,661 --> 00:37:12,463
TO ACHIEVING SOMETHING,
743
00:37:12,463 --> 00:37:13,965
THAT'S IT.
744
00:37:17,901 --> 00:37:21,405
WOULD YOU EXCUSE ME FOR A SECOND?
745
00:37:23,274 --> 00:37:24,808
SHE HAS A SLIGHT COLD.
746
00:37:24,808 --> 00:37:26,944
YOU KNOW, MISS DUVAN--
747
00:37:26,944 --> 00:37:28,312
MARY...
748
00:37:28,312 --> 00:37:29,747
I JUST THINK YOUR DAUGHTER'S
749
00:37:29,747 --> 00:37:31,548
ABSOLUTELY TERRIFIC. I MEAN, I JUST THINK
750
00:37:31,548 --> 00:37:33,817
SHE'S THE MOST WONDERFUL THING ON EARTH.
751
00:37:33,817 --> 00:37:35,419
BUT SHE'S STILL ONLY A CHILD.
752
00:37:35,419 --> 00:37:36,987
WHAT YOU NEED IS AN OLDER WOMAN.
753
00:37:36,987 --> 00:37:39,590
I JUST WANT TO BE FRIENDLY WITH HER, THAT'S ALL.
754
00:37:39,590 --> 00:37:41,458
I MEAN, WE ARE DOING A MOVIE TOGETHER.
755
00:37:41,458 --> 00:37:43,360
SHE ACTS LIKE SHE DON'T EVEN LIKE ME.
756
00:37:43,360 --> 00:37:45,529
GIVE HER TIME, YOU KNOW.
757
00:37:45,529 --> 00:37:47,598
SHE'S NOT VERY COMFORTABLE AROUND STRANGERS.
758
00:37:47,598 --> 00:37:48,365
MARY, I GOT AN IDEA.
759
00:37:48,365 --> 00:37:51,035
WHY DON'T YOU LET ME TAKE HER OUT?
760
00:37:51,035 --> 00:37:52,503
ON A DATE?
761
00:37:52,503 --> 00:37:53,837
NO, FOR PUBLICITY. ONE TIME.
762
00:37:53,837 --> 00:37:56,307
I'VE NEVER LET HER DO ANYTHING LIKE THAT.
763
00:37:56,307 --> 00:37:58,642
WELL, MARY, THINK ABOUT WHAT IT WOULD
764
00:37:58,642 --> 00:38:00,010
MEAN FOR THE MOVIE.
765
00:38:00,010 --> 00:38:01,378
ONE TIME?
766
00:38:01,378 --> 00:38:03,447
ONE TIME.
767
00:38:03,647 --> 00:38:06,950
WELL, MAYBE WE CAN DO SOMETHING...
768
00:38:06,950 --> 00:38:08,819
FOR PUBLICITY.
769
00:38:08,819 --> 00:38:09,987
[CLINK]
770
00:38:09,987 --> 00:38:12,022
I SWEAR UNDYING FEALTY TO THEE,
771
00:38:12,022 --> 00:38:13,991
SANDRA DEE, QUEEN O' THE HOP.
772
00:38:13,991 --> 00:38:17,728
AND I PRONOUNCE THEE SIR SPLISH-SPLASH.
773
00:38:17,728 --> 00:38:19,697
ARISE, SIR SPLISH-SPLASH.
774
00:38:19,697 --> 00:38:22,433
HA HA HA. HOW WAS THAT, GUYS?
775
00:38:22,433 --> 00:38:24,635
[ALL TALKING AT ONCE]
776
00:38:24,635 --> 00:38:26,603
WE'VE HAD A TERRIFIC TIME. ROCK HUDSON IS GREAT.
777
00:38:26,603 --> 00:38:28,072
HE'S GREAT. ISN'T HE GREAT?
778
00:38:28,072 --> 00:38:29,740
I SAY WE DITCH THESE CLOWNS.
779
00:38:29,740 --> 00:38:31,575
AS SOON AS I SAY RUN, RUN.
780
00:38:31,575 --> 00:38:32,876
HOW DO YOU LIKE IT HERE?
781
00:38:32,876 --> 00:38:34,645
ITALY IS TERRIFIC.
782
00:38:34,645 --> 00:38:37,681
OH, MY GOD! OH, MY GOD!
783
00:38:37,681 --> 00:38:39,616
RUN! RUN!
784
00:38:39,616 --> 00:38:42,887
[SHOUTING]
785
00:38:47,858 --> 00:38:49,426
WAIT. WAIT.
786
00:38:49,426 --> 00:38:51,028
[BOTH BREATHING HEAVILY]
787
00:38:51,028 --> 00:38:52,463
HA HA HA.
788
00:38:52,463 --> 00:38:53,430
ARE YOU OK?
789
00:38:53,430 --> 00:38:56,600
I CAN'T BELIEVE I JUST DID THAT.
790
00:38:58,602 --> 00:39:01,005
GOD, YOU'RE BEAUTIFUL.
791
00:39:05,542 --> 00:39:06,910
COME ON.
792
00:39:06,910 --> 00:39:09,046
COME ON. COME ON.
793
00:39:09,046 --> 00:39:11,115
[LAUGHING]
794
00:39:14,518 --> 00:39:17,821
♪ EVERY NIGHT, I HOPE AND PRAY ♪
795
00:39:17,821 --> 00:39:22,059
♪ I DREAM YOUR LOVING WILL COME MY WAY ♪
796
00:39:22,059 --> 00:39:25,095
♪ A GIRL TO HOLD IN MY ARMS ♪
797
00:39:25,095 --> 00:39:28,599
♪ AND KNOW THE MAGIC OF HER CHARMS ♪
798
00:39:28,599 --> 00:39:31,101
♪ BECAUSE I WANT ♪
799
00:39:31,101 --> 00:39:32,970
♪ A GIRL ♪
800
00:39:32,970 --> 00:39:34,605
♪ TO CALL ♪
801
00:39:34,605 --> 00:39:36,407
♪ MY OWN ♪
802
00:39:36,407 --> 00:39:38,008
♪ I WANT A DREAM LOVER ♪
803
00:39:38,008 --> 00:39:39,977
♪ SO I DON'T HAVE TO... ♪
804
00:39:39,977 --> 00:39:43,113
YOU OK? YOU LOOK KIND OF PALE.
805
00:39:43,113 --> 00:39:43,980
OH, NO. I'M OK.
806
00:39:43,980 --> 00:39:46,617
I JUST KIND OF RUN OUT OF GAS SOMETIMES,
807
00:39:46,617 --> 00:39:48,719
THAT'S ALL.
808
00:39:50,053 --> 00:39:51,922
IT REALLY MAKES YOU THINK,
809
00:39:51,922 --> 00:39:54,057
BEING IN A PLACE THIS OLD.
810
00:39:54,057 --> 00:39:56,093
I MEAN, PEOPLE HAVE BEEN LIVING HERE
811
00:39:56,093 --> 00:39:58,695
AND LOVING HERE, STRUGGLING, DYING
812
00:39:58,695 --> 00:40:01,732
FOR THOUSANDS OF YEARS.
813
00:40:02,800 --> 00:40:06,137
AND NOW YOU AND I ARE HERE.
814
00:40:08,672 --> 00:40:09,706
SO...
815
00:40:09,706 --> 00:40:12,910
WHAT KIND OF THINGS DO YOU LIKE?
816
00:40:12,910 --> 00:40:15,946
WELL, I CAN THINK OF ONE RIGHT NOW.
817
00:40:15,946 --> 00:40:17,147
HA HA HA! REALLY.
818
00:40:17,147 --> 00:40:20,717
OH, OK. UM... LET ME THINK.
819
00:40:20,717 --> 00:40:23,787
A GREAT MELODY.
820
00:40:23,787 --> 00:40:25,622
SEEING SOMEBODY DO SOMETHING BETTER
821
00:40:25,622 --> 00:40:28,525
THAN ANYBODY ELSE IN THE WHOLE WORLD.
822
00:40:28,525 --> 00:40:29,893
ICE CREAM.
823
00:40:29,893 --> 00:40:31,595
A GOOD BOOK.
824
00:40:31,595 --> 00:40:32,496
WHAT ABOUT YOU?
825
00:40:32,496 --> 00:40:35,132
WHAT KIND OF THINGS DOES SANDRA DEE LIKE?
826
00:40:35,132 --> 00:40:38,101
UH...LONG WALKS ON THE BEACH.
827
00:40:38,101 --> 00:40:41,605
CROSSWORD PUZZLES.
828
00:40:41,605 --> 00:40:45,075
EMPTY STUDIOS.
829
00:40:45,075 --> 00:40:46,977
ELVIS.
830
00:40:46,977 --> 00:40:47,844
HEY.
831
00:40:47,844 --> 00:40:50,113
JUST MAKING SURE YOU'RE PAYING ATTENTION.
832
00:40:50,113 --> 00:40:52,583
I'M PAYING ATTENTION. TRUST ME.
833
00:40:52,583 --> 00:40:54,718
[BOTH LAUGHING]
834
00:40:55,853 --> 00:40:58,689
YOU KNOW, I WAS RIGHT ABOUT YOU.
835
00:40:58,689 --> 00:41:01,459
RIGHT ABOUT WHAT?
836
00:41:01,825 --> 00:41:05,129
YOU'RE GONNA BE EASY TO LOVE.
837
00:41:09,566 --> 00:41:13,003
♪ SOMEDAY, I DON'T KNOW HOW ♪
838
00:41:13,003 --> 00:41:16,840
♪ I HOPE THAT SHE WILL HEAR MY PLEA ♪
839
00:41:16,840 --> 00:41:20,544
♪ SOME WAY, I DON'T KNOW HOW ♪
840
00:41:20,544 --> 00:41:24,648
♪ SHE'LL BRING HER LOVE TO ME ♪
841
00:41:24,648 --> 00:41:28,519
MAY I HAVE THIS DANCE, MISS SANDRA DEE?
842
00:41:29,152 --> 00:41:31,655
I WOULD BE HONORED, BOBBY DARIN.
843
00:41:31,655 --> 00:41:34,958
♪ THAT'S THE ONLY THING TO DO ♪
844
00:41:34,958 --> 00:41:38,629
♪ TILL ALL MY LOVER'S DREAMS COME TRUE ♪
845
00:41:38,629 --> 00:41:40,631
♪ BECAUSE I WANT ♪
846
00:41:40,631 --> 00:41:42,599
♪ A GIRL ♪
847
00:41:42,599 --> 00:41:44,134
♪ TO CALL ♪
848
00:41:44,134 --> 00:41:45,702
♪ MY OWN ♪
849
00:41:45,702 --> 00:41:47,771
♪ I WANT A DREAM LOVER ♪
850
00:41:47,771 --> 00:41:52,009
♪ SO I DON'T HAVE TO DREAM ALONE ♪
851
00:41:52,009 --> 00:41:53,744
Mary: OH, YOU SON OF A BITCH!
852
00:41:53,744 --> 00:41:56,246
I FELT SORRY FOR YOU, AND YOU BETRAYED ME!
853
00:41:56,246 --> 00:41:57,981
MARY, I THINK YOU'RE OVERREACTING.
854
00:41:57,981 --> 00:41:59,283
I TOLD YOU THAT YOU COULD
855
00:41:59,283 --> 00:42:01,151
TAKE MY DAUGHTER OUT SIGHTSEEING
856
00:42:01,151 --> 00:42:02,152
FOR PUBLICITY!
857
00:42:02,152 --> 00:42:03,921
I DIDN'T SAY YOU COULD MARRY HER!
858
00:42:03,921 --> 00:42:06,156
MOTHER! WE ARE ONLY ENGAGED.
859
00:42:06,156 --> 00:42:08,091
YOU... COME WITH ME.
860
00:42:08,091 --> 00:42:10,294
♪ BECAUSE I WANT ♪
861
00:42:10,294 --> 00:42:13,797
♪ A GIRL-- ♪
862
00:42:13,797 --> 00:42:15,032
SIT!
863
00:42:15,032 --> 00:42:17,568
[POMPOM WHINES]
864
00:42:17,734 --> 00:42:19,736
YOU...YOU...YOU DON'T EVEN KNOW
865
00:42:19,736 --> 00:42:21,305
HOW TO COMB YOUR HAIR WITHOUT ME!
866
00:42:21,305 --> 00:42:23,206
YOU DON'T KNOW HOW TO DRESS WITHOUT ME!
867
00:42:23,206 --> 00:42:24,207
YOU DON'T KNOW HOW TO WALK!
868
00:42:24,207 --> 00:42:26,243
YOU DON'T KNOW HOW TO TALK TO PEOPLE WITHOUT ME!
869
00:42:26,243 --> 00:42:28,612
I'M THE ONE WHO BROUGHT YOU INTO THIS WORLD.
870
00:42:28,612 --> 00:42:29,746
I CREATED YOU!
871
00:42:29,746 --> 00:42:32,883
YOU'D FALL APART IN 15 MINUTES WITHOUT ME.
872
00:42:32,883 --> 00:42:34,151
OH, MOTHER, PLEASE.
873
00:42:34,151 --> 00:42:38,121
WHEN THE TIME IS RIGHT AND YOU'RE READY,
874
00:42:38,121 --> 00:42:40,591
WE WILL FIND A HUSBAND FOR YOU
875
00:42:40,591 --> 00:42:42,159
WHO IS SUITABLE...
876
00:42:42,159 --> 00:42:43,894
WHAT'S GOING ON?
877
00:42:43,894 --> 00:42:46,897
I LOVE HIM. I LOVE HIM WITH ALL MY HEART.
878
00:42:46,897 --> 00:42:48,131
HE'S A LOSER!
879
00:42:48,131 --> 00:42:51,001
NO, HE'S NOT! HE'S SMART, AND HE'S FUNNY.
880
00:42:51,001 --> 00:42:53,971
I WISH YOU'D CONCENTRATED MORE ON ROCK HUDSON.
881
00:42:53,971 --> 00:42:56,907
ROCK HUDSON IS A VERY NICE MAN, MOTHER,
882
00:42:56,907 --> 00:42:58,342
BUT I'M NOT IN LOVE WITH HIM.
883
00:42:58,342 --> 00:43:00,344
HE STILL WOULD HAVE BEEN A BETTER HUSBAND FOR YOU
884
00:43:00,344 --> 00:43:01,912
THAN THAT BOBBY DARIN!
885
00:43:01,912 --> 00:43:03,647
WHY CAN'T YOU, JUST FOR ONCE,
886
00:43:03,647 --> 00:43:05,148
LET ME MAKE A DECISION ON MY OWN?
887
00:43:05,148 --> 00:43:08,285
I DON'T EVEN WANT TO TALK ABOUT THIS ANY FURTHER.
888
00:43:08,285 --> 00:43:10,754
WE'RE LEAVING!
889
00:43:11,822 --> 00:43:15,025
HIM OR ME?
890
00:43:15,025 --> 00:43:17,161
[WHINES]
891
00:43:18,028 --> 00:43:19,296
FINE!
892
00:43:19,296 --> 00:43:21,632
GIVE HER TO ME.
893
00:43:21,632 --> 00:43:23,266
GIVE HER TO ME!
894
00:43:23,266 --> 00:43:25,169
[YELPS]
895
00:43:27,971 --> 00:43:28,705
Nina: MARY!
896
00:43:28,705 --> 00:43:31,708
MARY, WAIT! WAIT! WAIT A MINUTE!
897
00:43:31,708 --> 00:43:33,910
NINA, STAY OUT OF IT!
898
00:43:33,910 --> 00:43:35,078
SHUT UP, CHARLIE.
899
00:43:35,078 --> 00:43:36,680
IT'S NONE OF YOUR BUSINESS!
900
00:43:36,680 --> 00:43:38,348
MARY, I WANT TO TALK TO YOU.
901
00:43:38,348 --> 00:43:39,783
[DOOR CLOSES]
902
00:43:39,783 --> 00:43:42,786
[ALL TALKING AT ONCE]
903
00:43:45,188 --> 00:43:47,391
YOU GONNA PLAN TO HAVE ANY KIDS?
904
00:43:47,391 --> 00:43:49,426
SHOW US THE RING.
905
00:43:49,426 --> 00:43:51,028
HAVE YOU SET THE DATE YET?
906
00:43:51,028 --> 00:43:52,096
OH, MARRIAGE IS SUCH A BIG STEP.
907
00:43:52,096 --> 00:43:55,432
WE'VE DECIDED TO WAIT BEFORE RUSHING INTO ANYTHING.
908
00:43:55,432 --> 00:43:57,000
RIGHT, HONEY?
909
00:43:57,000 --> 00:43:58,301
RIGHT. ABSOLUTELY.
910
00:43:58,301 --> 00:44:00,337
WE ARE DEFINITELY GOING TO WAIT, GENTLEMEN.
911
00:44:00,337 --> 00:44:01,672
ABSOLUTELY.
912
00:44:01,672 --> 00:44:04,141
[SHOUTING]
913
00:44:04,141 --> 00:44:07,177
[WEDDING BELLS RINGING]
914
00:44:07,177 --> 00:44:08,912
OK.
915
00:44:08,912 --> 00:44:10,180
BOBBY.
916
00:44:10,180 --> 00:44:12,182
OK.
917
00:44:12,182 --> 00:44:14,084
THIS...
918
00:44:14,084 --> 00:44:17,187
IS YOUR HOME.
919
00:44:17,187 --> 00:44:18,188
NO?
920
00:44:18,188 --> 00:44:19,456
NOW, I DON'T MIND HAVING
921
00:44:19,456 --> 00:44:21,892
A FEW FRIENDS AROUND EVERY NOW AND THEN,
922
00:44:21,892 --> 00:44:23,794
AND WHEN YOUR MOTHER COMES AROUND,
923
00:44:23,794 --> 00:44:25,829
WHICH I'M SURE SHE FINALLY WILL,
924
00:44:25,829 --> 00:44:27,464
BOY, SHE'LL BE WELCOME, TOO.
925
00:44:27,464 --> 00:44:29,766
BUT FOR THE MOMENT, I THINK IT SHOULD BE
926
00:44:29,766 --> 00:44:32,269
EXCLUSIVELY US-- MR. AND MRS. BOBBY DARIN...
927
00:44:32,269 --> 00:44:34,237
AT HOME.
928
00:44:34,237 --> 00:44:36,440
SANDY?
929
00:44:37,240 --> 00:44:40,310
HEY, WHERE'D YOU GO?
930
00:44:46,717 --> 00:44:50,788
DID YOU GO IN HERE ALREADY?
931
00:44:51,455 --> 00:44:53,356
SANDUSH, WHERE ARE YOU?
932
00:44:53,356 --> 00:44:55,793
[SANDRA CRYING SOFTLY]
933
00:45:13,143 --> 00:45:15,212
HEY, BABY.
934
00:45:21,852 --> 00:45:23,053
BABY, THIS SHOULD BE
935
00:45:23,053 --> 00:45:25,756
THE HAPPIEST NIGHT OF YOUR LIFE.
936
00:45:25,756 --> 00:45:27,190
ALL RIGHT, COME ON. COME ON.
937
00:45:27,190 --> 00:45:29,893
LET'S GET OUT OF HERE. COME ON.
938
00:45:35,031 --> 00:45:36,166
I CAN'T. I CAN'T.
939
00:45:36,166 --> 00:45:38,468
I CAN'T. I CAN'T. I CAN'T. I CAN'T.
940
00:45:38,468 --> 00:45:39,903
YOU CAN'T WHAT?
941
00:45:39,903 --> 00:45:41,304
I CAN'T COME TO YOUR BED.
942
00:45:41,304 --> 00:45:42,906
OF COURSE YOU CAN, BABY.
943
00:45:42,906 --> 00:45:44,941
YOU DON'T WANT TO BE MARRIED TO ME!
944
00:45:44,941 --> 00:45:46,209
I AM MARRIED TO YOU,
945
00:45:46,209 --> 00:45:47,911
AND I'M STAYING MARRIED TO YOU
946
00:45:47,911 --> 00:45:48,979
UNTIL DEATH DO US PART.
947
00:45:48,979 --> 00:45:50,981
HOW DO YOU MARRY SOMEBODY THAT YOU DON'T EVEN KNOW?
948
00:45:50,981 --> 00:45:52,082
WHO DOESN'T KNOW WHO?
949
00:45:52,082 --> 00:45:53,817
I DON'T KNOW YOU, OR YOU DON'T KNOW ME?
950
00:45:53,817 --> 00:45:55,285
I DON'T KNOW WHETHER I KNOW YOU.
951
00:45:55,285 --> 00:45:57,020
I KNOW YOU DON'T KNOW ME!
952
00:45:57,020 --> 00:45:59,923
OH, I KNOW YOU. YOU'RE MRS. BOBBY DARIN.
953
00:45:59,923 --> 00:46:01,057
NO!
954
00:46:01,057 --> 00:46:02,192
[CRYING]
955
00:46:02,192 --> 00:46:04,227
IT'S NEVER GOING TO WORK, BOBBY!
956
00:46:04,227 --> 00:46:05,962
LET'S JUST GET OUT OF IT NOW.
957
00:46:05,962 --> 00:46:07,063
NO WAY.
958
00:46:07,063 --> 00:46:08,532
I'LL MAKE YOU MISERABLE!
959
00:46:08,532 --> 00:46:11,334
DO YOU NOT UNDERSTAND THAT?
960
00:46:11,334 --> 00:46:14,971
I DON'T WANT TO.
961
00:46:14,971 --> 00:46:19,242
I DON'T WANT TO. I CAN'T HELP IT.
962
00:46:19,242 --> 00:46:21,879
[CRYING]
963
00:46:28,852 --> 00:46:31,855
OH, MY GOD.
964
00:46:33,490 --> 00:46:35,526
WHAT?
965
00:46:37,527 --> 00:46:40,230
I LOVE YOU.
966
00:46:42,065 --> 00:46:45,102
I REALLY LOVE YOU.
967
00:46:47,070 --> 00:46:48,038
WAIT A MINUTE.
968
00:46:48,038 --> 00:46:51,975
WAIT A MINUTE. DON'T MOVE. DON'T MOVE A MUSCLE.
969
00:46:54,477 --> 00:46:58,248
OH, GOD! BOBBY, NO!
970
00:46:58,248 --> 00:47:00,183
OH, PLEASE!
971
00:47:00,183 --> 00:47:02,085
HONEY, HONEY. IT'S OK.
972
00:47:02,085 --> 00:47:06,957
I'M NOT GOING TO HURT YOU. JUST WATCH.
973
00:47:07,390 --> 00:47:13,096
MY MAMA USED TO TELL ME A STORY WHEN I WAS A KID
974
00:47:13,096 --> 00:47:15,098
THAT IN THE MIDDLE AGES...
975
00:47:15,098 --> 00:47:17,968
ONE OF THE KNIGHTS IN KING ARTHUR'S COURT,
976
00:47:17,968 --> 00:47:23,974
HE LAID DOWN HIS SWORD BETWEEN HIMSELF AND GUINEVERE,
977
00:47:23,974 --> 00:47:27,644
AND HE PROMISED THAT HE WOULD NEVER CROSS OVER
978
00:47:27,644 --> 00:47:31,348
TO THE OTHER SIDE OF THE BED.
979
00:47:31,348 --> 00:47:33,083
REALLY?
980
00:47:33,083 --> 00:47:39,022
I AM LAYING DOWN THIS SWORD BETWEEN US.
981
00:47:39,422 --> 00:47:42,025
THAT'S MY SIDE OF THE BED,
982
00:47:42,025 --> 00:47:44,027
AND THAT'S YOURS,
983
00:47:44,027 --> 00:47:51,635
AND I WILL NEVER CROSS OVER...EVER.
984
00:47:51,635 --> 00:47:56,373
I DON'T CARE IF WE DON'T TOUCH
985
00:47:56,373 --> 00:48:00,076
FOR A THOUSAND NIGHTS.
986
00:48:00,076 --> 00:48:06,250
ONLY YOU CAN CROSS OVER TO MY SIDE.
987
00:48:07,484 --> 00:48:11,355
ONLY YOU.
988
00:48:17,260 --> 00:48:22,933
♪ HOW THE BREEZE RUFFLED THROUGH HER HAIR ♪
989
00:48:22,933 --> 00:48:24,701
♪ HOW WE ALWAYS LAUGHED ♪
990
00:48:24,701 --> 00:48:28,338
♪ AS THOUGH TOMORROW WASN'T THERE ♪
991
00:48:28,338 --> 00:48:35,979
♪ WE WERE YOUNG AND DIDN'T HAVE A CARE ♪
992
00:48:35,979 --> 00:48:37,648
♪ WHERE DID IT GO? ♪
993
00:48:51,528 --> 00:48:55,265
♪ ONCE UPON A TIME ♪
994
00:48:55,265 --> 00:49:02,272
♪ THE WORLD WAS SWEETER THAN WE KNEW ♪
995
00:49:04,240 --> 00:49:08,244
♪ EVERYTHING WAS OURS ♪
996
00:49:08,244 --> 00:49:14,651
♪ HOW HAPPY WE WERE THEN ♪
997
00:49:15,185 --> 00:49:18,521
♪ BUT SOMEHOW ONCE UPON A TIME ♪
998
00:49:18,521 --> 00:49:20,991
[SWORD CLATTERS]
999
00:49:20,991 --> 00:49:28,064
♪ NEVER COMES AGAIN ♪
1000
00:49:28,064 --> 00:49:31,268
[INDISTINCT CONVERSATION]
1001
00:49:45,048 --> 00:49:46,483
HI, HONEY.
1002
00:49:46,483 --> 00:49:47,350
HEY, SWEETIE.
1003
00:49:47,350 --> 00:49:48,785
LOOK WHO'S ON THE COVER.
1004
00:49:48,785 --> 00:49:50,086
[WOLF WHISTLES]
1005
00:49:50,086 --> 00:49:55,158
HONEY, THAT'S GREAT. DID YOU SEE THIS?
1006
00:49:55,759 --> 00:49:58,361
[MEN LAUGHING]
1007
00:49:58,361 --> 00:50:00,563
"I WANT TO BE A LEGEND. "
1008
00:50:00,563 --> 00:50:02,766
I CAN'T BELIEVE YOU ACTUALLY SAID THAT.
1009
00:50:02,766 --> 00:50:05,268
Bobby: THAT'S NOT EXACTLY THE WAY I SAID IT.
1010
00:50:05,268 --> 00:50:07,404
Boom-Boom: NEXT TIME, GET HIM THE COVER.
1011
00:50:07,404 --> 00:50:08,071
YEAH!
1012
00:50:08,071 --> 00:50:09,572
COME ON. IT'S A GREAT STORY.
1013
00:50:09,572 --> 00:50:10,506
WAIT. IT GETS BETTER.
1014
00:50:10,506 --> 00:50:12,342
"BRASH, COCKY, AND ARROGANT, DARIN THEN SAYS,
1015
00:50:12,342 --> 00:50:15,612
I HOPE TO SURPASS SINATRA IN EVERYTHING HE DOES."
1016
00:50:15,612 --> 00:50:17,580
[AS ED SULLIVAN] AND NOW, LADIES AND GENTLEMEN,
1017
00:50:17,580 --> 00:50:19,549
ONE TIME ONLY ON OUR STAGE,
1018
00:50:19,549 --> 00:50:21,317
BRASH, COCKY, AND ARROGANT!
1019
00:50:21,317 --> 00:50:24,287
WE OUGHT TO OPEN WITH THAT THE NEXT TIME WE PLAY SOMEWHERE.
1020
00:50:24,287 --> 00:50:25,755
ABSOLUTELY. HEY, BOOM-BOOM, WHAT'S THE PLAN?
1021
00:50:25,755 --> 00:50:26,923
WHERE ARE WE GOING TO BE IN 5 YEARS?
1022
00:50:26,923 --> 00:50:30,760
WHO KNOWS? THE RUSSIANS MAY OWN SHOW BUSINESS IN 5 YEARS.
1023
00:50:30,760 --> 00:50:32,128
THAT'S BULLSHIT, BOOM-BOOM. FORGET 5 YEARS.
1024
00:50:32,128 --> 00:50:33,563
WHAT ABOUT NEXT WEEK, NEXT MONTH, NEXT YEAR?
1025
00:50:33,563 --> 00:50:34,664
I DON'T KNOW ABOUT NEXT YEAR,
1026
00:50:34,664 --> 00:50:37,300
BUT I CAN TELL YOU WHERE WE'RE GOING TO BE NEXT MONTH.
1027
00:50:37,300 --> 00:50:38,835
PLEASE DON'T TELL ME DETROIT.
1028
00:50:38,835 --> 00:50:41,204
YOU KNOW EVERYBODY IN SHOW BUSINESS HATES ME
1029
00:50:41,204 --> 00:50:42,372
BECAUSE OF THE DEALS I GET.
1030
00:50:42,372 --> 00:50:45,742
WHAT DO YOU THINK, GUYS? IS THAT THE REASON THEY HATE HIM?
1031
00:50:45,742 --> 00:50:48,078
WHILE WE'RE ON THE SUBJECT OF WHAT'S NEXT,
1032
00:50:48,078 --> 00:50:50,380
BOBBY, I ALMOST FORGOT TO TELL YOU.
1033
00:50:50,380 --> 00:50:51,815
WE'RE GOING TO NEED A NEW COMEDIAN
1034
00:50:51,815 --> 00:50:54,785
TO OPEN FOR YOU AT THE COPA.
1035
00:50:59,322 --> 00:51:00,790
WHAT DID YOU JUST SAY?
1036
00:51:00,790 --> 00:51:05,462
DIDN'T I TELL YOU? YOU'RE PLAYING THE COPA.
1037
00:51:06,463 --> 00:51:07,597
YOU'RE FRIGGIN' KIDDING ME.
1038
00:51:07,597 --> 00:51:09,799
I GOT THE CALL THIS MORNING, BIG SHOT.
1039
00:51:09,799 --> 00:51:14,170
NO! NO! NO! WE GOT THE COPA!
1040
00:51:14,170 --> 00:51:15,638
[ALL SHOUTING]
1041
00:51:15,638 --> 00:51:17,707
WE GOT THE--OH, GOD!
1042
00:51:17,707 --> 00:51:19,409
WE GOT THE COPA!
1043
00:51:19,409 --> 00:51:23,346
BOOM-BOOM, I'VE GOT TO KISS YOU!
1044
00:51:23,346 --> 00:51:24,714
GODDAMN LUNATIC.
1045
00:51:24,714 --> 00:51:26,516
SANDRA, I'M PLAYING-- SAN--SANDY!
1046
00:51:26,516 --> 00:51:29,285
I'M PLAYING THE COPA! I'M PLAYING THE COPA!
1047
00:51:29,285 --> 00:51:30,253
WE'RE PLAYING THE COPA!
1048
00:51:30,253 --> 00:51:33,289
MY DREAM HAS COME TRUE! I'M PLAYING THE COPA!
1049
00:51:33,289 --> 00:51:35,291
THAT'S GREAT, SWEETIE.
1050
00:51:35,291 --> 00:51:36,292
[MWAH]
1051
00:51:36,292 --> 00:51:38,728
WHAT'S THE COPA?
1052
00:51:39,596 --> 00:51:40,664
Polly: THE COPACABANA
1053
00:51:40,664 --> 00:51:43,566
IS THE MOST IMPORTANT NIGHTCLUB IN THE WHOLE WORLD.
1054
00:51:43,566 --> 00:51:45,702
EVERYBODY FAMOUS HAS PLAYED HERE.
1055
00:51:45,702 --> 00:51:48,671
ONE DAY, YOU'RE GOING TO PLAY HERE, BOBBY,
1056
00:51:48,671 --> 00:51:52,809
AND YOU'RE GOING TO BREAK ALL HIS BOX-OFFICE RECORDS.
1057
00:51:52,809 --> 00:51:56,746
YOU GOT THAT RIGHT.
1058
00:52:02,519 --> 00:52:05,555
Girls: BOBBY! BOBBY! BOBBY!
1059
00:52:05,555 --> 00:52:06,556
BOBBY! BOBBY!
1060
00:52:06,556 --> 00:52:09,459
GEORGE KIRBY IS THE FUNNIEST COMIC WORKING TODAY.
1061
00:52:09,459 --> 00:52:12,195
I NEVER SAID HE WASN'T FUNNY.
1062
00:52:12,195 --> 00:52:13,563
I SAID HE WAS A NEGRO.
1063
00:52:13,563 --> 00:52:15,198
HE'S BREAKING HOUSE RECORDS--
1064
00:52:15,198 --> 00:52:17,500
LOOK, IF THEY'RE A BIG ACT, LIKE SAMMY DAVIS,
1065
00:52:17,500 --> 00:52:18,902
THEY CAN HEADLINE HERE,
1066
00:52:18,902 --> 00:52:21,471
BUT THEY NEVER-- AND YOU KNOW THAT--
1067
00:52:21,471 --> 00:52:23,206
THEY NEVER OPEN AT THE COPA.
1068
00:52:23,206 --> 00:52:25,508
LOOK, MR. PODELL, THERE'S A FIRST TIME FOR EVERYTHING.
1069
00:52:25,508 --> 00:52:27,644
WHY NOT LET ONE OF THE GREAT COMEDIANS
1070
00:52:27,644 --> 00:52:29,412
IN THIS COUNTRY PLAY HERE?
1071
00:52:29,412 --> 00:52:30,747
BECAUSE I SAY SO.
1072
00:52:30,747 --> 00:52:32,849
YOU UNDERSTAND? IT'S POLICY.
1073
00:52:32,849 --> 00:52:34,350
SURE, I UNDERSTAND POLICY,
1074
00:52:34,350 --> 00:52:36,319
BUT FRANKLY, TO HELL WITH POLICY.
1075
00:52:36,319 --> 00:52:38,254
THIS IS 1960, NOT 1860.
1076
00:52:38,254 --> 00:52:40,523
I HEARD YOU HAD A MOUTH ON YOU, KID.
1077
00:52:40,523 --> 00:52:42,325
SAVE IT FOR SINGING.
1078
00:52:42,325 --> 00:52:43,293
Bobby: LISTEN...
1079
00:52:43,293 --> 00:52:45,895
MR. PODELL, I RESPECT THAT THIS IS YOUR CLUB.
1080
00:52:45,895 --> 00:52:46,863
I TRULY DO.
1081
00:52:46,863 --> 00:52:49,265
BUT IF YOU DON'T LET GEORGE KIRBY OPEN FOR ME,
1082
00:52:49,265 --> 00:52:51,701
I CAN'T BE RESPONSIBLE FOR THE CONSEQUENCES.
1083
00:52:51,701 --> 00:52:53,436
YOU THREATENING ME? HMM?
1084
00:52:53,436 --> 00:52:55,371
I'M CAUTIONING YOU, MR. PODELL.
1085
00:52:55,371 --> 00:52:59,309
HAVE YOU NEVER HEARD OF A SIT-IN?
1086
00:52:59,309 --> 00:53:00,210
A SIT WHAT?
1087
00:53:00,210 --> 00:53:03,313
IT'S A VERY POPULAR FORM OF PROTEST TODAY.
1088
00:53:03,313 --> 00:53:05,415
IT'S WHERE MEMBERS OF THE BLACK COMMUNITY
1089
00:53:05,415 --> 00:53:07,884
AND THE WHITE COMMUNITY-- ACTUALLY, ALL COMMUNITIES--
1090
00:53:07,884 --> 00:53:10,220
THEY COME TOGETHER TO AN ESTABLISHMENT
1091
00:53:10,220 --> 00:53:11,288
THAT THEY FEEL IS BEING...
1092
00:53:11,288 --> 00:53:14,591
WELL, FRANKLY, UNFAIR TO THEIR BROTHERS AND SISTERS,
1093
00:53:14,591 --> 00:53:17,393
AND THE MEDIA SHOWS UP, THEY HOLD HANDS,
1094
00:53:17,393 --> 00:53:19,262
THEY SIT. AND THEY SIT...
1095
00:53:19,262 --> 00:53:21,531
SOMETIMES FOR DAYS.
1096
00:53:21,531 --> 00:53:23,666
THEY SIT?
1097
00:53:23,666 --> 00:53:26,769
YEAH, THEY SIT, AND, UM...
1098
00:53:26,769 --> 00:53:29,973
AND THEY SING, YOU KNOW, SONGS LIKE...
1099
00:53:29,973 --> 00:53:34,277
WHAT'S THE...OH. WE SHALL OVERCOME.
1100
00:53:34,277 --> 00:53:39,516
OVERCOME? OVERCOME WHAT?
1101
00:53:42,652 --> 00:53:46,456
POLICY, MR. PODELL.
1102
00:53:50,994 --> 00:53:53,997
OUTDATED POLICY.
1103
00:53:56,499 --> 00:53:59,369
[APPLAUSE AND DRUM ROLL]
1104
00:54:05,475 --> 00:54:07,477
Kirby: THANK YOU SO VERY MUCH.
1105
00:54:07,477 --> 00:54:09,012
I DON'T KNOW IF YOU'VE NOTICED
1106
00:54:09,012 --> 00:54:10,747
WHAT A WONDERFUL THING TELEVISION IS TODAY.
1107
00:54:10,747 --> 00:54:13,616
I GOT HOLLYWOOD, CALIFORNIA, ON ONE OF MY CHANNELS,
1108
00:54:13,616 --> 00:54:15,818
AND OF ALL PEOPLE, I GOT LOUELLA PARSONS.
1109
00:54:15,818 --> 00:54:17,920
I'LL NEVER FORGET, SHE STARTED OUT HER PROGRAM
1110
00:54:17,920 --> 00:54:23,793
BY SAYING, "GOOD EVENING FROM HOLLYWOOD."
1111
00:54:23,793 --> 00:54:26,796
[LAUGHTER AND APPLAUSE]
1112
00:54:30,533 --> 00:54:33,470
[NINA ARGUING WITH MAN OUTSIDE]
1113
00:54:37,974 --> 00:54:40,043
Nina: DON'T PUT YOUR HANDS ON ME!
1114
00:54:40,043 --> 00:54:43,913
DON'T TELL ME WHERE I'M GOIN'!
1115
00:54:43,913 --> 00:54:47,417
I'M GOING RIGHT OVER THERE TO SEE MR. DARIN!
1116
00:54:47,417 --> 00:54:48,751
I'M HIS SISTER!
1117
00:54:48,751 --> 00:54:51,487
YOU DON'T SAY ANYTHING TO ME!
1118
00:54:51,487 --> 00:54:53,323
NINA.
1119
00:54:53,323 --> 00:54:54,490
NINA, WHAT'S GOING ON?
1120
00:54:54,490 --> 00:54:56,559
THESE GOONS WON'T LET ME BACK TO SEE YOU.
1121
00:54:56,559 --> 00:54:57,760
IS THAT RIGHT? I AM FAMILY!
1122
00:54:57,760 --> 00:54:59,796
THEY'RE TREATING ME LIKE SOME GODDAMN FAN!
1123
00:54:59,796 --> 00:55:01,497
HONEY, THEY HAVE INSTRUCTIONS
1124
00:55:01,497 --> 00:55:02,899
NOT TO LET ANYBODY BACK
1125
00:55:02,899 --> 00:55:03,900
THIS CLOSE TO THE SHOW.
1126
00:55:03,900 --> 00:55:06,602
OH, WELL, THEN I GUESS I'M JUST ANYONE THEN, HUH?
1127
00:55:06,602 --> 00:55:07,970
GUYS, GIVE ME A MOMENT, GUYS.
1128
00:55:07,970 --> 00:55:09,839
NINA, I HAVE TO PREPARE TO GO ON.
1129
00:55:09,839 --> 00:55:12,075
WHY DO YOU HAVE US SITTING IN THE BACK AGAIN?
1130
00:55:12,075 --> 00:55:13,476
WHAT ARE YOU TALKING ABOUT?
1131
00:55:13,476 --> 00:55:14,744
MY TABLE IS PRACTICALLY IN THE KITCHEN.
1132
00:55:14,744 --> 00:55:16,679
MAYBE I SHOULD BRING YOU OUT SOME COFFEE
1133
00:55:16,679 --> 00:55:17,680
WHILE I'M IN THERE.
1134
00:55:17,680 --> 00:55:19,048
JESUS CHRIST, NINA. YOU KNOW THE TABLES UP FRONT
1135
00:55:19,048 --> 00:55:20,650
ARE FOR THE BOYS I GOT TO TAKE CARE OF.
1136
00:55:20,650 --> 00:55:22,018
THEY'VE GOT SANDY SITTING RIGHT UP FRONT.
1137
00:55:22,018 --> 00:55:23,820
THAT'S WHERE THEY WANT HER--RIGHT UP FRONT.
1138
00:55:23,820 --> 00:55:25,054
WHY DON'T YOU JUST SAY IT?
1139
00:55:25,054 --> 00:55:26,789
YOU ARE EMBARRASSED BY ME AND CHARLIE.
1140
00:55:26,789 --> 00:55:28,358
I AM NOT EMBARRASSED, HONEY,
1141
00:55:28,358 --> 00:55:29,759
BUT THOSE ARE PODELL'S TABLES.
1142
00:55:29,759 --> 00:55:31,427
THAT'S BULLSHIT, AND YOU KNOW IT.
1143
00:55:31,427 --> 00:55:32,795
IT IS NOT BULLSHIT, HONEY.
1144
00:55:32,795 --> 00:55:34,030
NOW JUST GO ENJOY THE SHOW.
1145
00:55:34,030 --> 00:55:35,665
IT'S THE MOST IMPORTANT NIGHT OF MY LIFE.
1146
00:55:35,665 --> 00:55:37,734
I'LL DO MY BEST. I WON'T SEE ANYTHING.
1147
00:55:37,734 --> 00:55:38,702
HONEY--
1148
00:55:38,702 --> 00:55:42,372
MAYBE THE MAITRE D' WILL TELL ME HOW IT WENT!
1149
00:55:42,705 --> 00:55:46,809
Announcer: LADIES AND GENTLEMEN, BOBBY DARIN!
1150
00:55:46,809 --> 00:55:49,646
[BAND PLAYING FANFARE]
1151
00:55:58,054 --> 00:56:01,358
[BAND PLAYING LIVELY TUNE]
1152
00:56:02,759 --> 00:56:04,961
THANK YOU.
1153
00:56:06,996 --> 00:56:10,566
♪ HELLO, YOUNG LOVERS, WHOEVER YOU ARE ♪
1154
00:56:10,566 --> 00:56:13,603
♪ I HOPE YOUR TROUBLES ARE FEW ♪
1155
00:56:13,603 --> 00:56:16,639
♪ ALL MY GOOD WISHES GO WITH YOU TONIGHT ♪
1156
00:56:16,639 --> 00:56:18,474
♪ I'VE BEEN IN LOVE LIKE YOU ♪
1157
00:56:18,474 --> 00:56:23,112
♪ YOU BE BRAVE, YOUNG LOVERS, AND FOLLOW YOUR STARS ♪
1158
00:56:23,112 --> 00:56:25,915
♪ GREAT AND FAITHFUL AND TRUE ♪
1159
00:56:25,915 --> 00:56:29,652
♪ AND CLING VERY CLOSE TO EACH OTHER TONIGHT ♪
1160
00:56:29,652 --> 00:56:32,088
♪ I'VE BEEN IN LOVE LIKE YOU ♪
1161
00:56:32,088 --> 00:56:35,558
♪ AND I KNOW HOW IT FEELS TO HAVE WINGS ON YOUR HEELS ♪
1162
00:56:35,558 --> 00:56:38,461
♪ AND TO FLY DOWN THE STREET IN A TRANCE ♪
1163
00:56:38,461 --> 00:56:41,664
♪ YOU WING DOWN THAT STREET ON THE CHANCE THAT YOU'LL MEET ♪
1164
00:56:41,664 --> 00:56:45,134
♪ AND YOU'LL MEET, NOT BY CHANCE ♪
1165
00:56:45,134 --> 00:56:48,204
♪ DON'T CRY, YOUNG LOVERS, WHATEVER YOU DO ♪
1166
00:56:48,204 --> 00:56:51,040
♪ SAY, DON'T CRY BECAUSE I'M ALONE ♪
1167
00:56:51,040 --> 00:56:54,477
♪ ALL OF MY MEMORIES ARE HAPPY TONIGHT ♪
1168
00:56:54,477 --> 00:56:57,647
♪ I'VE HAD A LOVE OF MY OWN, HALLELUJAH ♪
1169
00:56:57,647 --> 00:57:01,017
♪ I'VE HAD A LOVE OF MY OWN LIKE YOURS ♪
1170
00:57:01,017 --> 00:57:03,986
♪ I HAVE HAD A LOVE ♪
1171
00:57:03,986 --> 00:57:09,859
♪ OF MY OWN ♪
1172
00:57:09,859 --> 00:57:11,828
[APPLAUSE]
1173
00:57:14,063 --> 00:57:16,966
THANK YOU, AND WELCOME TO THE COPACABANA.
1174
00:57:16,966 --> 00:57:20,937
HOW ABOUT RICHARD BEHRKE RIGHT THERE, LADIES AND GENTLEMEN?
1175
00:57:20,937 --> 00:57:23,173
[APPLAUSE]
1176
00:57:25,675 --> 00:57:28,778
I'M VERY HONORED TO BE HERE TONIGHT AT THE COPACABANA.
1177
00:57:28,778 --> 00:57:33,015
IT'S ALWAYS BEEN, UH... MY DREAM
1178
00:57:33,015 --> 00:57:34,784
TO PLAY THIS CLUB,
1179
00:57:34,784 --> 00:57:38,020
AND IN CONNECTION WITH THAT,
1180
00:57:38,020 --> 00:57:42,024
I WOULD LIKE TO PAY TRIBUTE TO...
1181
00:57:42,024 --> 00:57:44,927
TO 2 WOMEN IN MY LIFE.
1182
00:57:44,927 --> 00:57:47,730
MY MOTHER POLLY...
1183
00:57:47,730 --> 00:57:49,665
ALWAYS DREAMED AND BELIEVED
1184
00:57:49,665 --> 00:57:53,603
THAT ONE DAY I WOULD PLAY THE COPACABANA.
1185
00:57:53,603 --> 00:57:57,206
AND SO TONIGHT, THIS IS FOR HER, FOR MY MOM.
1186
00:57:57,206 --> 00:58:00,776
AND THE OTHER WOMAN, WHO IS HERE TONIGHT,
1187
00:58:00,776 --> 00:58:04,213
IS, OF COURSE, MY LOVELY NEW WIFE SANDRA DEE,
1188
00:58:04,213 --> 00:58:06,516
THE WOMAN YOU'RE ALL LOOKING AT
1189
00:58:06,516 --> 00:58:08,618
WHEN I'M TRYING TO WORK.
1190
00:58:08,618 --> 00:58:11,221
[APPLAUSE]
1191
00:58:13,789 --> 00:58:17,693
AH, WOULD YOU LOOK AT THAT? SHE'S BLUSHING.
1192
00:58:17,693 --> 00:58:19,061
THANK YOU FOR MAKING HER FEEL
1193
00:58:19,061 --> 00:58:20,129
SO WELCOME TONIGHT, LADIES AND GENTLEMEN,
1194
00:58:20,129 --> 00:58:22,798
AND FOR THAT, I WANT TO DO A SPECIAL NUMBER FOR HER.
1195
00:58:22,798 --> 00:58:24,901
I WANT TO DEDICATE THIS SONG...
1196
00:58:24,901 --> 00:58:26,269
COME ON. [CRYING SOFTLY]
1197
00:58:26,269 --> 00:58:28,671
I LOVE YOU, SANDRA.
1198
00:58:28,671 --> 00:58:29,705
[BAND PLAYING]
1199
00:58:29,705 --> 00:58:32,174
♪ I CAN ONLY GIVE YOU LOVE THAT LASTS FOREVER ♪
1200
00:58:32,174 --> 00:58:35,311
♪ AND THE PROMISE TO BE NEAR EACH TIME YOU CALL ♪
1201
00:58:35,311 --> 00:58:39,649
♪ AND THE ONLY HEART I OWN, FOR YOU AND YOU ALONE ♪
1202
00:58:39,649 --> 00:58:40,816
♪ THAT'S ALL ♪
1203
00:58:40,816 --> 00:58:42,184
♪ THAT'S ALL ♪
1204
00:58:42,184 --> 00:58:45,688
♪ I CAN ONLY GIVE YOU COUNTRY WALKS IN SPRINGTIME ♪
1205
00:58:45,688 --> 00:58:49,158
♪ AND A HAND TO HOLD WHEN LEAVES BEGIN TO FALL ♪
1206
00:58:49,158 --> 00:58:51,060
♪ AND A LOVE WHOSE BURNING LIGHT ♪
1207
00:58:51,060 --> 00:58:52,695
♪ WILL WARM THE WINTER NIGHT ♪
1208
00:58:52,695 --> 00:58:53,829
♪ THAT'S ALL ♪
1209
00:58:53,829 --> 00:58:54,863
♪ THAT'S ALL ♪
1210
00:58:54,863 --> 00:58:58,267
♪ THERE ARE THOSE, I AM SURE, WHO HAVE TOLD YOU ♪
1211
00:58:58,267 --> 00:59:01,804
♪ THEY WOULD GIVE YOU THE WORLD FOR A TOY ♪
1212
00:59:01,804 --> 00:59:04,840
♪ ALL I HAVE ARE THESE ARMS TO ENFOLD YOU ♪
1213
00:59:04,840 --> 00:59:07,677
♪ AND A LOVE TIME CAN NEVER DESTROY ♪
1214
00:59:07,677 --> 00:59:10,713
♪ IF YOU'RE WONDERING WHAT I'M ASKING IN RETURN, DEAR ♪
1215
00:59:10,713 --> 00:59:14,750
♪ YOU'LL BE GLAD TO KNOW THAT MY DEMANDS ARE SMALL ♪
1216
00:59:14,750 --> 00:59:16,319
♪ SAY IT'S ME THAT YOU'LL ADORE ♪
1217
00:59:16,319 --> 00:59:18,321
♪ FOR NOW AND EVERMORE ♪
1218
00:59:18,321 --> 00:59:20,690
♪ THAT'S ALL ♪
1219
00:59:20,690 --> 00:59:22,825
♪ THAT'S ALL ♪
1220
00:59:33,369 --> 00:59:35,772
[SINGING SCAT]
1221
00:59:47,783 --> 00:59:51,754
♪ THERE ARE THOSE, I AM SURE, WHO HAVE TOLD YOU ♪
1222
00:59:51,754 --> 00:59:55,124
♪ THEY WOULD GIVE YOU THE WORLD FOR A TOY ♪
1223
00:59:55,124 --> 00:59:58,227
♪ ALL I HAVE ARE THESE ARMS TO ENFOLD YOU ♪
1224
00:59:58,227 --> 01:00:01,097
♪ AND A LOVE TIME CAN NEVER DESTROY ♪
1225
01:00:01,097 --> 01:00:04,800
♪ IF YOU'RE WONDERING WHAT I'M ASKING IN RETURN, DEAR ♪
1226
01:00:04,800 --> 01:00:08,004
♪ YOU'LL BE GLAD TO KNOW THAT MY DEMANDS ARE SMALL ♪
1227
01:00:08,004 --> 01:00:10,706
♪ SAY IT'S ME THAT YOU'LL ADORE ♪
1228
01:00:10,706 --> 01:00:14,710
♪ YEAH, IT'S ME THAT YOU'LL ADORE ♪
1229
01:00:14,710 --> 01:00:18,114
♪ FOR NOW AND EVERMORE ♪
1230
01:00:18,114 --> 01:00:20,182
♪ THAT'S ALL ♪
1231
01:00:20,182 --> 01:00:21,217
[APPLAUSE]
1232
01:00:21,217 --> 01:00:22,818
Man: IN THOSE LONG-AGO YEARS,
1233
01:00:22,818 --> 01:00:24,920
IT SEEMED AS IF BOBBY DARIN AND SANDRA DEE
1234
01:00:24,920 --> 01:00:27,690
WERE THE MOST TALKED-ABOUT COUPLE ON THE PLANET.
1235
01:00:27,690 --> 01:00:30,192
AFTER THE BIRTH OF DODD MITCHELL CASSOTTO
1236
01:00:30,192 --> 01:00:32,228
ON DECEMBER 16th, THEY BOTH STAYED
1237
01:00:32,228 --> 01:00:34,130
IN LOS ANGELES TO MAKE MOVIES--
1238
01:00:34,130 --> 01:00:36,032
SANDRA IN ANOTHER TAMMY PICTURE
1239
01:00:36,032 --> 01:00:39,702
AND BOBBY IN A SUPPORTING ROLE IN CAPTAIN NEWMAN, M.D.--
1240
01:00:39,702 --> 01:00:41,737
SHH! QUIET.
1241
01:00:41,737 --> 01:00:43,039
[AHEM]
1242
01:00:43,039 --> 01:00:44,774
I'M SORRY.
1243
01:00:44,774 --> 01:00:47,143
OK. IT'S QUIET ON THE SET.
1244
01:00:47,143 --> 01:00:49,078
AND ROLLING.
1245
01:00:49,078 --> 01:00:50,713
SPEED...
1246
01:00:50,713 --> 01:00:52,048
[MARKER CLAPS]
1247
01:00:52,048 --> 01:00:54,216
AND...ACTION, BOBBY.
1248
01:00:54,216 --> 01:00:56,152
OK, BIG JIM. YOU GO ON.
1249
01:00:56,152 --> 01:01:00,322
YOU GET THIS TWO-BIT CORN-FEEDER OFF THE GROUND, HUH?
1250
01:01:00,322 --> 01:01:02,725
HA HA HA. HEY, BUCK. BUCK.
1251
01:01:02,725 --> 01:01:05,261
I THINK WE OUGHT TO GET A COUPLE OF BROADS
1252
01:01:05,261 --> 01:01:06,929
WHEN WE GET OURSELVES BACK HOME.
1253
01:01:06,929 --> 01:01:09,732
I MEAN, ONES WITH REAL BUILDS ON THEM THAT WON'T QUIT.
1254
01:01:09,732 --> 01:01:10,700
YOU KNOW WHAT I MEAN?
1255
01:01:10,700 --> 01:01:12,802
I'M TALKING ABOUT SOME REAL BALLOON SMUGGLERS.
1256
01:01:12,802 --> 01:01:14,704
YOU KNOW WHAT I MEAN? JESUS. WHAT WAS THAT?
1257
01:01:14,704 --> 01:01:19,241
WE GOT HIT? BUCK! BUCK, WE'RE GOING DOWN!
1258
01:01:19,241 --> 01:01:22,011
OH, JESUS! WE'RE GOING TO CRASH!
1259
01:01:22,011 --> 01:01:24,380
I GOT TO GET OUT. I GOT TO USE THE ESCAPE HATCH.
1260
01:01:24,380 --> 01:01:29,251
OH, COME ON! OH, NO! HE DOESN'T HAVE A HEAD!
1261
01:01:29,251 --> 01:01:30,486
OH, NO! OH, GOD!
1262
01:01:30,486 --> 01:01:34,890
PLEASE, CAN'T YOU FIX HIM THE WAY HE WAS BEFORE?
1263
01:01:34,890 --> 01:01:36,459
OH, GOD! NO!
1264
01:01:36,459 --> 01:01:39,128
AND CUT. FANTASTIC.
1265
01:01:39,128 --> 01:01:40,930
[BELL RINGING]
1266
01:01:40,930 --> 01:01:42,398
[APPLAUSE]
1267
01:01:42,398 --> 01:01:45,401
HONEY, YOU WERE WONDERFUL!
1268
01:01:45,401 --> 01:01:47,169
[MWAH]
1269
01:01:47,169 --> 01:01:48,504
OH, MY BABY.
1270
01:01:48,504 --> 01:01:50,272
BOBBY, THANKS. THAT WAS INCREDIBLE.
1271
01:01:50,272 --> 01:01:52,141
IT'S THE BEST PART I'VE EVER HAD.
1272
01:01:52,141 --> 01:01:53,342
YEAH, I TOLD YOU IT WAS A GREAT SCRIPT.
1273
01:01:53,342 --> 01:01:56,312
BUT HOW CAN YOU GO WRONG WITH GREGORY PECK AND TONY CURTIS?
1274
01:01:56,312 --> 01:01:57,346
AND ANGIE DICKINSON.
1275
01:01:57,346 --> 01:01:59,215
DON'T FORGET ANGIE. THANKS, ANGIE.
1276
01:01:59,215 --> 01:02:00,816
I'LL SEE YOU SOON.
1277
01:02:00,816 --> 01:02:02,184
SO, WHAT'S NEXT?
1278
01:02:02,184 --> 01:02:03,853
I DON'T KNOW. BOOM-BOOM, WHAT'S NEXT?
1279
01:02:03,853 --> 01:02:06,388
WE OPEN IN TAHOE FOR 3 NIGHTS ON THE 20th.
1280
01:02:06,388 --> 01:02:08,791
THEN WE GOT PHILLY, CHICAGO, AND MIAMI BEACH.
1281
01:02:08,791 --> 01:02:10,226
Man: THANK YOU. GOOD LUCK.
1282
01:02:10,226 --> 01:02:11,894
WHAT'S HE TALKING ABOUT?
1283
01:02:11,894 --> 01:02:12,661
THE TOUR, BABY.
1284
01:02:12,661 --> 01:02:14,396
I'M NOT DONE FILMING MY MOVIE YET.
1285
01:02:14,396 --> 01:02:16,899
THAT'S OK. YOU AND DODD CAN JOIN ME WHEN YOU'RE DONE.
1286
01:02:16,899 --> 01:02:18,267
I'M NOT BRINGING THE BABY ON THE ROAD.
1287
01:02:18,267 --> 01:02:20,302
THEN LEAVE HIM WITH THE NANNY. THAT'S WHY WE HIRED HER.
1288
01:02:20,302 --> 01:02:22,037
I DON'T WANT DODD TO BE RAISED BY THE NANNY.
1289
01:02:22,037 --> 01:02:23,873
HONEY, HE'S NOT GOING TO BE RAISED BY THE NANNY.
1290
01:02:23,873 --> 01:02:25,474
WHAT AM I GOING TO DO ON THE ROAD?
1291
01:02:25,474 --> 01:02:28,878
WHO AM I GOING TO SING TO IF YOU'RE NOT THERE?
1292
01:02:28,878 --> 01:02:30,412
BACK TO MY SET.
1293
01:02:30,412 --> 01:02:31,914
DON'T BE MAD.
1294
01:02:31,914 --> 01:02:33,149
I'M NOT MAD.
1295
01:02:33,149 --> 01:02:34,050
YOU LOOK MAD.
1296
01:02:34,050 --> 01:02:35,484
I'M NOT MAD. THE SOONER I FINISH MY MOVIE,
1297
01:02:35,484 --> 01:02:37,486
THE SOONER I CAN JOIN YOU.
1298
01:02:37,486 --> 01:02:38,554
MMM...
1299
01:02:38,554 --> 01:02:41,857
HONEY, YOU KNOW, YOUR TOUPEE WAS ON A LITTLE CROOKED.
1300
01:02:41,857 --> 01:02:44,527
WHAT? YOU KIDDING? SHOOT!
1301
01:02:44,527 --> 01:02:46,896
HEY, GIRLS! HOW MANY TIMES HAVE I TOLD YOU,
1302
01:02:46,896 --> 01:02:48,397
YOU'VE GOT TO WATCH MY HAIR!
1303
01:02:48,397 --> 01:02:49,565
GREAT TIMING, STEVE.
1304
01:02:49,565 --> 01:02:51,133
BE NICE TO HAVE HIM HOME FOR A WHILE.
1305
01:02:51,133 --> 01:02:54,337
IT'S A WONDER DODD EVEN KNOWS WHAT HE LOOKS LIKE.
1306
01:02:55,938 --> 01:02:58,941
GREAT HAVING THEM BOTH AT THE SAME STUDIO,
1307
01:02:58,941 --> 01:03:01,010
ISN'T IT?
1308
01:03:01,811 --> 01:03:07,550
♪ THERE ARE SO MANY FABULOUS FARAWAY PLACES TO SEE ♪
1309
01:03:07,550 --> 01:03:14,290
♪ SUCH AS MEXICO, SWEDEN, HAWAII, JAPAN, AND CAPRI ♪
1310
01:03:14,290 --> 01:03:17,560
♪ THERE'S SO MANY EXCITING AND WONDERFUL PLACES ♪
1311
01:03:17,560 --> 01:03:21,197
♪ MOUNTAINS AND JUNGLES AND DESERT OASES ♪
1312
01:03:21,197 --> 01:03:24,433
♪ PLEASANT AS HOME IS, IT ISN'T WHAT ROME IS ♪
1313
01:03:24,433 --> 01:03:26,235
♪ SO WHY STAY THERE? ♪
1314
01:03:26,235 --> 01:03:32,508
♪ WHEN THERE ARE SO MANY FABULOUS FARAWAY PLACES TO SEE ♪
1315
01:03:33,108 --> 01:03:36,011
♪ WHY SHOULD SPAIN AND TAHITI AND RIO ♪
1316
01:03:36,011 --> 01:03:39,281
♪ JUST BE ONLY NAMES TO YOU AND ME? ♪
1317
01:03:39,281 --> 01:03:43,085
♪ I FEEL CERTAIN THERE'S PEOPLE WE'D BE GLAD TO KNOW THERE ♪
1318
01:03:43,085 --> 01:03:46,255
♪ SO TELL ME, WHY DON'T WE GET UP AND JUST GO THERE? ♪
1319
01:03:46,255 --> 01:03:51,961
♪ GO TO THOSE FABULOUS PLACES WHERE WE LONG TO BE ♪
1320
01:03:51,961 --> 01:03:55,998
♪ LIKE BANGKOK AND HONG KONG AND PARIS AND VENICE ♪
1321
01:03:55,998 --> 01:03:59,368
♪ TOKYO AND CAIRO AND LISBON AND LONDON ♪
1322
01:03:59,368 --> 01:04:02,304
♪ SIAM, SIENA, VIENNA, VERONA ♪
1323
01:04:02,304 --> 01:04:05,641
♪ JAVA, JAMAICA, BOMBAY, BARCELONA ♪
1324
01:04:05,641 --> 01:04:10,379
♪ SHOW ME THOSE FABULOUS PLACES ♪
1325
01:04:10,379 --> 01:04:13,149
♪ WE'RE LONGING TO SEE ♪
1326
01:04:35,404 --> 01:04:40,576
SO, THIS IS YOUR SUITE, BOBBY AND MRS. DARIN.
1327
01:04:40,576 --> 01:04:42,244
BAR, FIRE PIT.
1328
01:04:42,244 --> 01:04:43,612
THE BATHROOM'S OVER THERE,
1329
01:04:43,612 --> 01:04:45,447
AND THE LIVING ROOM IS THIS WAY, SIR.
1330
01:04:45,447 --> 01:04:47,149
I'LL JUST PUT YOUR LUGGAGE DOWN.
1331
01:04:47,149 --> 01:04:48,150
I'LL BE BACK IN A MINUTE.
1332
01:04:48,150 --> 01:04:51,287
GREAT. THANK YOU VERY MUCH. LOOK AT THIS, BABY.
1333
01:04:51,287 --> 01:04:52,121
MM-HMM.
1334
01:04:52,121 --> 01:04:54,924
IT'S GOING TO BE A HOT NIGHT IN VEGAS.
1335
01:05:00,562 --> 01:05:02,164
Bellhop: ANYTHING ELSE I CAN DO FOR YOU?
1336
01:05:02,164 --> 01:05:04,300
NO. THAT'S ALL FOR THE MOMENT. THANK YOU VERY MUCH.
1337
01:05:04,300 --> 01:05:06,035
WOULD YOU LIKE TO HAVE SOME ICE
1338
01:05:06,035 --> 01:05:07,303
FOR A DRINK OR ANYTHING?
1339
01:05:07,303 --> 01:05:08,671
NO, I'M GREAT. THANK YOU VERY MUCH.
1340
01:05:08,671 --> 01:05:10,539
THERE YOU GO. WHERE ARE YOU FROM?
1341
01:05:10,539 --> 01:05:11,406
I'M FROM GERMANY.
1342
01:05:11,406 --> 01:05:13,542
THAT'S A TERRIFIC CITY. THANK YOU MUCH.
1343
01:05:13,542 --> 01:05:14,409
I'M A BIG FAN, MR. DARIN.
1344
01:05:14,409 --> 01:05:16,445
THAT'S VERY KIND. THANK YOU. GOOD NIGHT.
1345
01:05:16,445 --> 01:05:18,915
THANK YOU. GOOD NIGHT.
1346
01:05:20,049 --> 01:05:23,285
HEY, SANDUSH, DON'T YOU THINK
1347
01:05:23,285 --> 01:05:26,488
YOU'RE DRINKING A LITTLE BIT TOO MUCH LATELY?
1348
01:05:26,488 --> 01:05:29,124
NO. ACTUALLY, I DON'T THINK
1349
01:05:29,124 --> 01:05:31,193
I'VE HAD ENOUGH TO DRINK.
1350
01:05:31,193 --> 01:05:33,162
OK. WHAT'S THE PROBLEM?
1351
01:05:33,162 --> 01:05:35,331
I JUST WANT US TO BE TOGETHER.
1352
01:05:35,331 --> 01:05:36,532
WE ARE TOGETHER, BABY. LOOK.
1353
01:05:36,532 --> 01:05:38,634
I'M TALKING ABOUT SOME KIND OF NORMAL SCHEDULE.
1354
01:05:38,634 --> 01:05:39,668
WE HAVE A BABY NOW,
1355
01:05:39,668 --> 01:05:41,670
AND IF I DON'T SEE YOU UP ON STAGE,
1356
01:05:41,670 --> 01:05:43,272
I DON'T SEE YOU AT ALL.
1357
01:05:43,272 --> 01:05:44,506
WELL, YOU'RE HERE, TOO.
1358
01:05:44,506 --> 01:05:47,042
YEAH. RECORDING OR PERFORMING OR FILMING
1359
01:05:47,042 --> 01:05:48,377
OR MAKING APPEARANCES.
1360
01:05:48,377 --> 01:05:50,312
WHY CAN'T WE JUST STAY HOME?
1361
01:05:50,312 --> 01:05:52,414
HONEY, PERFORMING IS MY LIFE.
1362
01:05:52,414 --> 01:05:54,316
WELL, WHAT ABOUT ME?
1363
01:05:54,316 --> 01:05:56,185
WELL, YOU'RE HERE, AREN'T YOU?
1364
01:05:56,185 --> 01:05:58,220
YEAH, WITH ALL OF THEM!
1365
01:05:58,220 --> 01:05:59,655
BABY, THEY'RE A PART OF MY LIFE,
1366
01:05:59,655 --> 01:06:01,590
JUST LIKE MARY IS A PART OF YOUR LIFE
1367
01:06:01,590 --> 01:06:02,591
AND NOW A PART OF OURS.
1368
01:06:02,591 --> 01:06:04,727
THEY ARE OUR FAMILY, ALL OF THEM, LIKE IT OR NOT.
1369
01:06:04,727 --> 01:06:06,328
HONEY, I CAN'T JUST STOP WORKING
1370
01:06:06,328 --> 01:06:08,263
AND KEEP GOING ON TOUR WITH YOU.
1371
01:06:08,263 --> 01:06:09,331
YES, YOU CAN.
1372
01:06:09,331 --> 01:06:11,767
NO, I CAN'T. NO. I'M AN ACTRESS.
1373
01:06:11,767 --> 01:06:13,702
MAKING MOVIES IS WHAT I DO.
1374
01:06:13,702 --> 01:06:16,271
KISSING TROY DONAHUE IS NOT ACTING.
1375
01:06:16,271 --> 01:06:18,741
OH, YEAH? THEN YOU TRY IT.
1376
01:06:18,741 --> 01:06:20,576
I'D RATHER NOT.
1377
01:06:20,576 --> 01:06:24,347
HEY. WHAT A FACE.
1378
01:06:40,029 --> 01:06:42,064
YOU SHOULD LOCK THE DOOR.
1379
01:06:42,064 --> 01:06:42,698
WHY?
1380
01:06:42,698 --> 01:06:44,400
BEFORE SOMEONE COMES IN.
1381
01:06:44,400 --> 01:06:45,434
NOBODY'S COMING IN.
1382
01:06:45,434 --> 01:06:47,569
YESTERDAY, CHARLIE WALKED IN ON ME TAKING A SHOWER.
1383
01:06:47,569 --> 01:06:49,505
YOU'RE KIDDING. WHAT DID HE WANT?
1384
01:06:49,505 --> 01:06:53,308
HE ASKED ME IF I WANTED A CORNED BEEF SANDWICH.
1385
01:06:53,308 --> 01:06:55,310
[LAUGHS]
1386
01:06:55,310 --> 01:06:56,612
DO YOU?
1387
01:06:56,612 --> 01:06:58,747
HA HA. HMM...
1388
01:06:58,747 --> 01:07:01,083
MMM...
1389
01:07:03,218 --> 01:07:06,255
IT'S OK. IT'S JUST US.
1390
01:07:06,255 --> 01:07:07,056
[DOOR OPENS]
1391
01:07:07,056 --> 01:07:09,191
BOBBY! WHOA. SORRY. BUT I WAS RIGHT
1392
01:07:09,191 --> 01:07:11,693
ABOUT THE WAR PICTURE. GET YOUR SPEECH READY,
1393
01:07:11,693 --> 01:07:13,595
BECAUSE AS SOON AS THIS TOUR IS OVER,
1394
01:07:13,595 --> 01:07:15,497
YOU'RE GOING TO THE OSCARS, PAL.
1395
01:07:15,497 --> 01:07:17,199
YOU JUST GOT NOMINATED.
1396
01:07:17,199 --> 01:07:19,234
HALLELUJAH! YES! YES!
1397
01:07:19,234 --> 01:07:21,737
OH, CHRIST.
1398
01:07:21,737 --> 01:07:23,338
Woman: AND THE NOMINEES ARE...
1399
01:07:23,338 --> 01:07:26,542
NICK ADAMS, IN TWILIGHT OF HONOR...
1400
01:07:26,542 --> 01:07:27,443
[APPLAUSE]
1401
01:07:27,443 --> 01:07:30,679
BOBBY DARIN IN CAPTAIN NEWMAN, M.D...
1402
01:07:30,679 --> 01:07:32,247
[APPLAUSE]
1403
01:07:32,247 --> 01:07:33,816
MELVYN DOUGLAS IN HUD...
1404
01:07:33,816 --> 01:07:34,850
[APPLAUSE]
1405
01:07:34,850 --> 01:07:37,419
HUGH GRIFFITH IN TOM JONES...
1406
01:07:37,419 --> 01:07:38,754
[APPLAUSE]
1407
01:07:38,754 --> 01:07:39,588
HELLO!
1408
01:07:39,588 --> 01:07:43,292
AND JOHN HUSTON IN THE CARDINAL.
1409
01:07:43,292 --> 01:07:45,527
AND THE WINNER IS...
1410
01:07:45,527 --> 01:07:48,330
[PAPER RUSTLING]
1411
01:07:50,365 --> 01:07:52,367
MELVYN DOUGLAS! MELVYN DOUGLAS!
1412
01:07:52,367 --> 01:07:54,336
MY BLOOD IS UP THERE ON THE SCREEN,
1413
01:07:54,336 --> 01:07:56,572
AND THEY GIVE IT TO MELVYN DOUGLAS!
1414
01:07:56,572 --> 01:07:58,173
UNZIP ME, PLEASE.
1415
01:07:58,173 --> 01:08:00,209
"YOU DON'T CARE ABOUT PEOPLE, HUD.
1416
01:08:00,209 --> 01:08:04,480
YOU DON'T GIVE A DAMN ABOUT 'EM."
1417
01:08:09,585 --> 01:08:11,487
I HEARD HE WAS DYING OR SOMETHING.
1418
01:08:11,487 --> 01:08:12,754
IT'S A SYMPATHY VOTE.
1419
01:08:12,754 --> 01:08:14,289
HE'S DYING? I'M THE ONE DYING!
1420
01:08:14,289 --> 01:08:16,291
WAY BEFORE HE WAS DYING, I WAS DYING!
1421
01:08:16,291 --> 01:08:17,493
WHERE'S MY SYMPATHY?
1422
01:08:17,493 --> 01:08:18,760
YOU'RE DOING A PRETTY GOOD JOB
1423
01:08:18,760 --> 01:08:20,229
OF FEELING SORRY FOR YOURSELF ALL ALONE.
1424
01:08:20,229 --> 01:08:22,531
"STICK YOUR FINGER UP MY ASS, ALMA, AND WIGGLE IT,
1425
01:08:22,531 --> 01:08:24,333
JUST LIKE THE DOCTOR DOES. "
1426
01:08:24,333 --> 01:08:26,435
ANYWAY, IT'S AN HONOR JUST TO BE NOMINATED.
1427
01:08:26,435 --> 01:08:27,736
I'VE NEVER BEEN NOMINATED.
1428
01:08:27,736 --> 01:08:29,171
ALL YOUR GODDAMN HOLLYWOOD FRIENDS,
1429
01:08:29,171 --> 01:08:30,906
THEY'RE THE ONES WHO PROBABLY VOTED AGAINST ME.
1430
01:08:30,906 --> 01:08:32,174
I VOTED FOR YOU, BOBBY.
1431
01:08:32,174 --> 01:08:33,542
HEY, IT'S B.D. WHAT TIME'S THE CAR?
1432
01:08:33,542 --> 01:08:34,810
ALL RIGHT. I'LL SEE YOU THEN.
1433
01:08:34,810 --> 01:08:35,778
ALL THE SLAPS AND THE SMILES.
1434
01:08:35,778 --> 01:08:37,479
IN THE MEANTIME, I'M A GODDAMN JOKE OUT THERE!
1435
01:08:37,479 --> 01:08:39,548
NOT AS BIG OF A JOKE AS YOU ARE RIGHT NOW.
1436
01:08:39,548 --> 01:08:40,415
YOU KNOW WHAT IT IS?
1437
01:08:40,415 --> 01:08:41,884
WARREN BEATTY IS THERE WITH LESLIE CARON,
1438
01:08:41,884 --> 01:08:43,752
WHO'S NOMINATED FOR BEST ACTRESS,
1439
01:08:43,752 --> 01:08:45,487
AND I'M THERE WITH GIDGET!
1440
01:08:45,487 --> 01:08:47,556
LESLIE CARON IS NOT BOX-OFFICE!
1441
01:08:47,556 --> 01:08:48,757
THOSE PEOPLE DON'T CARE ABOUT BOX-OFFICE.
1442
01:08:48,757 --> 01:08:50,626
THAT'S ALL THEY GIVE A SHIT ABOUT, BOBBY!
1443
01:08:50,626 --> 01:08:52,294
ONLY PEOPLE FROM THE BRONX
1444
01:08:52,294 --> 01:08:53,762
ACTUALLY CARE ABOUT THE OSCARS.
1445
01:08:53,762 --> 01:08:55,898
MELVYN DOUGLAS IS MARRIED TO A CONGRESSWOMAN,
1446
01:08:55,898 --> 01:08:57,566
AND I'M MARRIED TO TAMMY.
1447
01:08:57,566 --> 01:08:59,601
WELL, IT TOOK MELVYN DOUGLAS 40 YEARS
1448
01:08:59,601 --> 01:09:01,236
TO GET A SUPPORTING ACTOR'S FACE.
1449
01:09:01,236 --> 01:09:04,573
YOU SHOULD BE HAPPY YOU DID IT IN JUST 2.
1450
01:09:04,573 --> 01:09:06,575
[FOOTSTEPS RECEDING]
1451
01:09:06,575 --> 01:09:09,811
YOU KNOW WHAT? MAYBE I'LL JUST GO BACK OUT ON TOUR.
1452
01:09:09,811 --> 01:09:11,446
OH, THAT'S JUST GREAT, BOBBY!
1453
01:09:11,446 --> 01:09:12,915
THAT'S JUST FUCKING GREAT!
1454
01:09:12,915 --> 01:09:14,850
LIKE USUAL, YOU LEAVE DODD AND ME BEHIND!
1455
01:09:14,850 --> 01:09:16,785
YEAH. YOU KNOW WHAT? WHEN YOU'RE ON THE BOARDS,
1456
01:09:16,785 --> 01:09:19,488
IT'S REAL. IT FEELS REAL. THE AUDIENCE IS RIGHT THERE.
1457
01:09:19,488 --> 01:09:20,522
YOU CAN FEEL THEM.
1458
01:09:20,522 --> 01:09:21,957
MAYBE MOVIE AUDIENCES ARE TOO SOBER FOR YOU THEN.
1459
01:09:21,957 --> 01:09:23,692
NO, IT'S REALITY, BABY. IT'S REALITY.
1460
01:09:23,692 --> 01:09:25,194
THE NIGHTCLUBS ARE REALITY.
1461
01:09:25,194 --> 01:09:26,695
IT'S NOT LIKE THE FRICKIN' MOVIES
1462
01:09:26,695 --> 01:09:27,963
THAT ARE ALL GODDAMN FAKE!
1463
01:09:27,963 --> 01:09:29,765
I JUST HAVE ONE THING TO SAY TO YOU,
1464
01:09:29,765 --> 01:09:31,833
MR. REALITY, MR. KING OF REALITY!
1465
01:09:31,833 --> 01:09:33,502
YOUR TOUPEE'S ON CROOKED!
1466
01:09:33,502 --> 01:09:35,237
YOU'RE ALWAYS DOING THAT TO ME!
1467
01:09:35,237 --> 01:09:36,605
YOU'RE TRYING TO UNDERMINE ME
1468
01:09:36,605 --> 01:09:37,973
EVERY TIME I GO ONSTAGE LIKE THAT!
1469
01:09:37,973 --> 01:09:39,775
TELLING ME I GOT A PIMPLE ON MY NOSE!
1470
01:09:39,775 --> 01:09:41,577
WELL, I'M GODDAMN SICK OF IT!
1471
01:09:41,577 --> 01:09:42,744
WHAT ARE YOU DOING?
1472
01:09:42,744 --> 01:09:44,513
WHAT DOES IT LOOK LIKE I'M DOING?
1473
01:09:44,513 --> 01:09:47,249
NO, YOU DON'T! OH, NO, YOU DON'T!
1474
01:09:47,249 --> 01:09:50,686
YOU DON'T LEAVE ME! I LEAVE YOU!
1475
01:09:50,686 --> 01:09:52,921
AND THE CARS AND THE CLOTHES
1476
01:09:52,921 --> 01:09:55,257
AND THE HAIR AND THE PREMIERE!
1477
01:09:55,257 --> 01:09:56,992
I'M SICK OF ALL OF IT!
1478
01:09:56,992 --> 01:09:59,394
I'M TELLING YOU, I'M OUT OF HERE!
1479
01:09:59,394 --> 01:10:00,529
YOU'RE STAYING RIGHT HERE
1480
01:10:00,529 --> 01:10:02,297
BECAUSE YOU'VE GOT TO TAKE CARE OF DODD!
1481
01:10:02,297 --> 01:10:05,567
THE NANNY'S HERE! HE'S FINE!
1482
01:10:05,567 --> 01:10:07,502
YOU HAD A CHANCE TO BE HAPPY,
1483
01:10:07,502 --> 01:10:09,838
AND YOU MESSED IT UP!
1484
01:10:11,506 --> 01:10:15,010
YOU DO NOT... COME BACK HERE!
1485
01:10:15,010 --> 01:10:17,479
[SHOUTING CONTINUES INDISTINCTLY]
1486
01:10:17,479 --> 01:10:21,617
YOU THINK IT'LL BE EASY TO FIND SOMEBODY TO LOVE YOU,
1487
01:10:21,617 --> 01:10:24,319
A BIG-NOSED, SELF-CENTERED,
1488
01:10:24,319 --> 01:10:27,623
MEAN, NASTY, BALDING LITTLE SHIT-HEAD
1489
01:10:27,623 --> 01:10:29,458
WITH A BAD HEART!
1490
01:10:29,458 --> 01:10:31,727
WELL, YOU GO FOR IT, BOBBY!
1491
01:10:31,727 --> 01:10:34,563
BECAUSE I'M THROUGH!
1492
01:10:37,032 --> 01:10:38,533
SANDY!
1493
01:10:38,533 --> 01:10:39,501
SANDY!
1494
01:10:39,501 --> 01:10:42,838
♪ I TURNED AND YOU WERE GONE ♪
1495
01:10:42,838 --> 01:10:46,341
♪ WHILE FROM THE DARKENED WINGS ♪
1496
01:10:46,341 --> 01:10:50,379
♪ THE MUSIC BOX PLAYS ON AND ON ♪
1497
01:10:50,379 --> 01:10:53,815
♪ SAD LITTLE SERENADE ♪
1498
01:10:53,815 --> 01:10:57,452
♪ A SONG OF MY HEART'S COMPOSING ♪
1499
01:10:57,452 --> 01:11:01,890
♪ I HEAR IT STILL, I GUESS I ALWAYS WILL ♪
1500
01:11:01,890 --> 01:11:05,927
♪ BEST ON THE BILL ♪
1501
01:11:05,927 --> 01:11:12,368
♪ CHARADE ♪
1502
01:11:14,036 --> 01:11:16,438
[CAR DOOR CLOSES]
1503
01:11:33,355 --> 01:11:35,824
OH, BABY.
1504
01:11:39,094 --> 01:11:40,929
MAYBE YOU'RE RIGHT. MAYBE YOU'RE RIGHT
1505
01:11:40,929 --> 01:11:44,833
ABOUT ALL THESE PEOPLE BEING AROUND US ALL THE TIME.
1506
01:11:44,833 --> 01:11:48,670
MAYBE IT SHOULD JUST BE US.
1507
01:11:48,670 --> 01:11:53,108
♪ WHATEVER YOU'VE DONE, IT'S ALL OVER ♪
1508
01:11:53,108 --> 01:11:54,943
[SCREAMING]
1509
01:11:54,943 --> 01:12:00,415
♪ WHATEVER YOU'VE BEEN IS SO STRANGE ♪
1510
01:12:00,415 --> 01:12:02,951
♪ YESTERDAY'S LONG GONE... ♪
1511
01:12:02,951 --> 01:12:05,954
DADDY, I FOUND YOUR HAIR.
1512
01:12:05,954 --> 01:12:07,122
OH, THAT'S GOOD, MOOSE,
1513
01:12:07,122 --> 01:12:11,327
BECAUSE, YOU KNOW, I LEFT IT SOMEWHERE!
1514
01:12:12,561 --> 01:12:15,597
Bobby, narrating: SO I DID STAY HOME FOR A WHILE.
1515
01:12:15,597 --> 01:12:18,433
THE 1960s RUSHED BY LIKE A LOCOMOTIVE
1516
01:12:18,433 --> 01:12:20,936
WHILE DODD GREW UP LIKE A MOOSE.
1517
01:12:20,936 --> 01:12:22,971
SANDY AND I DID A COUPLE OF MOVIES TOGETHER,
1518
01:12:22,971 --> 01:12:24,106
BUT THEY WERE ALL DOGS.
1519
01:12:24,106 --> 01:12:25,807
THE MUSIC SCENE WAS CHANGING
1520
01:12:25,807 --> 01:12:28,043
AS DRAMATICALLY AS THE COUNTRY.
1521
01:12:28,043 --> 01:12:28,910
NIGHTCLUBS WERE OUT,
1522
01:12:28,910 --> 01:12:31,480
AND BIG VENUES, LIKE STADIUMS, WERE IN.
1523
01:12:31,480 --> 01:12:33,548
I WAS SUDDENLY IRRELEVANT,
1524
01:12:33,548 --> 01:12:35,751
MY STAGE LITERALLY DISAPPEARING.
1525
01:12:35,751 --> 01:12:37,552
I TRIED TO WRITE NEW MUSIC
1526
01:12:37,552 --> 01:12:38,987
AND GOT INVOLVED IN POLITICS
1527
01:12:38,987 --> 01:12:42,057
BECAUSE WE WERE NOW A COUNTRY AT WAR.
1528
01:12:42,057 --> 01:12:45,794
BUT THE FACT WAS, I WAS A BALDING CHART SINGER
1529
01:12:45,794 --> 01:12:48,430
WHO HADN'T HAD A HIT IN YEARS
1530
01:12:48,430 --> 01:12:50,098
AND WHO SHOULD BE DEAD.
1531
01:12:50,098 --> 01:12:52,000
Man: SO, WHY KENNEDY?
1532
01:12:52,000 --> 01:12:53,635
LIKE MOST PEOPLE IN THIS COUNTRY,
1533
01:12:53,635 --> 01:12:55,036
I'M FED UP WITH ALL THE INSANITY.
1534
01:12:55,036 --> 01:12:56,905
THE ASSASSINATION OF OUR PRESIDENT,
1535
01:12:56,905 --> 01:12:57,973
VIETNAM, THE RIOTS.
1536
01:12:57,973 --> 01:13:01,176
I GUESS I'M LOOKING FOR SOME SALVATION
1537
01:13:01,176 --> 01:13:02,110
FROM ALL THE MADNESS,
1538
01:13:02,110 --> 01:13:03,845
AND THEN ALONG COMES ANOTHER GUY NAMED BOBBY.
1539
01:13:03,845 --> 01:13:05,981
NOW, HERE IS A NO-BULLSHIT GUY
1540
01:13:05,981 --> 01:13:08,150
WHO IS COMMITTED, PASSIONATE,
1541
01:13:08,150 --> 01:13:09,118
WHO REALLY CARES ABOUT PEOPLE.
1542
01:13:09,118 --> 01:13:11,686
I'VE COMPLETELY DEDICATED MYSELF TO THIS MAN.
1543
01:13:11,686 --> 01:13:15,123
I THINK HE MAY BE THIS COUNTRY'S LAST HOPE.
1544
01:13:15,123 --> 01:13:15,957
GO OUT AND VOTE.
1545
01:13:15,957 --> 01:13:17,893
Bobby, narrating: WHILE IT LOOKED LIKE
1546
01:13:17,893 --> 01:13:19,494
BOBBY KENNEDY MIGHT HEAL THE COUNTRY,
1547
01:13:19,494 --> 01:13:21,963
SANDY AND I DRIFTED FARTHER AND FARTHER APART.
1548
01:13:21,963 --> 01:13:26,769
BOBBY, WHY DO YOU SING THE SAME SONGS EVERY NIGHT?
1549
01:13:28,170 --> 01:13:29,871
ISN'T IT BORING?
1550
01:13:29,871 --> 01:13:31,473
WELL, HONEY, IT'S AN ACT.
1551
01:13:31,473 --> 01:13:32,841
WHAT DO YOU EXPECT ME TO DO,
1552
01:13:32,841 --> 01:13:33,875
SING DIFFERENT SONGS EVERY NIGHT?
1553
01:13:33,875 --> 01:13:36,711
WHY NOT? I DON'T MAKE THE SAME MOVIES EVERY TIME.
1554
01:13:36,711 --> 01:13:38,146
WELL, ACTUALLY, YOU DO.
1555
01:13:38,146 --> 01:13:39,881
SWEET LITTLE INNOCENT SANDY.
1556
01:13:39,881 --> 01:13:42,083
EXCUSE ME, BUT I THINK I KNOW
1557
01:13:42,083 --> 01:13:45,187
WHAT PEOPLE WANT IN THE MOVIES NOWADAYS, OK?
1558
01:13:45,187 --> 01:13:48,490
YOU MAY BE THE EXPERT IN MUSIC,
1559
01:13:48,490 --> 01:13:50,459
BUT I... I...
1560
01:13:50,459 --> 01:13:53,128
HAVE HAD YEARS OF MOVIE EXPERIENCE.
1561
01:13:53,128 --> 01:13:55,497
NOT BAD, SAN.
1562
01:13:55,497 --> 01:13:56,498
WOULD HAVE BEEN EVEN BETTER
1563
01:13:56,498 --> 01:13:59,568
IF YOU'D SAID IT WITHOUT THE SLUR IN YOUR VOICE.
1564
01:14:02,471 --> 01:14:04,840
Bobby, narrating: MY SISTER CAME OUT TO STAY WITH US,
1565
01:14:04,840 --> 01:14:06,541
BUT HER REAL REASON FOR COMING
1566
01:14:06,541 --> 01:14:08,210
I COULDN'T HAVE POSSIBLY IMAGINED.
1567
01:14:08,210 --> 01:14:09,911
LISTEN, BOBBY, THERE'S A REASON
1568
01:14:09,911 --> 01:14:13,715
I FELT I HAD TO COME AND STAY WITH YOU.
1569
01:14:13,715 --> 01:14:15,050
YEAH? WHAT?
1570
01:14:15,050 --> 01:14:17,519
I HEARD YOU WERE GOING INTO POLITICS.
1571
01:14:17,519 --> 01:14:19,921
YOU STILL THINKING ABOUT DOING THAT?
1572
01:14:19,921 --> 01:14:21,523
WELL, I'M CONSIDERING IT.
1573
01:14:21,523 --> 01:14:23,158
I MEAN, THEY'VE ASKED ME.
1574
01:14:23,158 --> 01:14:24,693
WELL, YOU KNOW HOW THE PAPERS
1575
01:14:24,693 --> 01:14:26,728
TRY AND SMEAR PEOPLE WITH THINGS FROM THEIR PAST
1576
01:14:26,728 --> 01:14:29,865
WHEN, YOU KNOW, THEY'RE GOING TO RUN FOR AN OFFICE.
1577
01:14:29,865 --> 01:14:32,033
YEAH. SO WHAT?
1578
01:14:32,033 --> 01:14:33,635
THERE'S SOMETHING ABOUT YOUR PAST
1579
01:14:33,635 --> 01:14:37,772
THAT I THINK IT'S FINALLY TIME FOR YOU TO KNOW.
1580
01:14:37,772 --> 01:14:39,975
WHAT ARE YOU TALKING ABOUT?
1581
01:14:39,975 --> 01:14:42,110
IT'S ABOUT POLLY.
1582
01:14:42,110 --> 01:14:44,813
SHE WASN'T WHO YOU THOUGHT SHE WAS, BOBBY.
1583
01:14:44,813 --> 01:14:46,114
SHE WAS THE BEST MOTHER
1584
01:14:46,114 --> 01:14:47,516
IN THE WHOLE GODDAMN WORLD.
1585
01:14:47,516 --> 01:14:48,517
WHAT ARE YOU TALKING ABOUT?
1586
01:14:48,517 --> 01:14:50,952
SHE WAS A GREAT MOTHER BECAUSE SHE WAS MY MOTHER.
1587
01:14:50,952 --> 01:14:51,552
SO I KNOW IT'S TRUE.
1588
01:14:51,552 --> 01:14:52,287
THEN YOU TAKE THAT BACK.
1589
01:14:52,287 --> 01:14:54,990
I KNOW SHE WAS A WONDERFUL PERSON
1590
01:14:54,990 --> 01:14:56,658
AND A WONDERFUL MOTHER, BUT WHAT I THINK
1591
01:14:56,658 --> 01:14:59,027
YOU REALLY NEED NOW IS THE TRUTH...
1592
01:14:59,027 --> 01:15:01,863
THE TRUTH ABOUT YOUR MOTHER.
1593
01:15:01,863 --> 01:15:06,234
AND THE TRUTH IS...
1594
01:15:06,234 --> 01:15:09,938
POLLY WAS NOT YOUR MOTHER.
1595
01:15:09,938 --> 01:15:13,876
SAM WAS NOT YOUR FATHER.
1596
01:15:14,910 --> 01:15:18,113
YOU AIN'T MY BROTHER, BOBBY.
1597
01:15:22,150 --> 01:15:24,853
WE SWORE WE WOULD...
1598
01:15:24,853 --> 01:15:28,590
NEVER LET YOU FIND OUT.
1599
01:15:31,793 --> 01:15:35,063
POLLY WAS MY MOTHER...
1600
01:15:36,598 --> 01:15:39,268
AND NOT YOURS.
1601
01:15:40,669 --> 01:15:45,007
SHE WAS YOUR GRANDMOTHER.
1602
01:15:46,141 --> 01:15:47,909
SWEETHEART...
1603
01:15:47,909 --> 01:15:52,748
I'M NOT YOUR SISTER.
1604
01:15:56,017 --> 01:15:59,788
BOBBY, I'M YOUR MOTHER.
1605
01:16:01,122 --> 01:16:06,795
WE MADE A PACT THAT WE WOULD NEVER TELL YOU.
1606
01:16:06,795 --> 01:16:09,030
IS SHE KIDDING?
1607
01:16:09,030 --> 01:16:12,767
SHE GOT PREGNANT WHEN SHE WAS 17.
1608
01:16:12,767 --> 01:16:13,868
IT'S TRUE, BOBBY.
1609
01:16:13,868 --> 01:16:15,637
I DIDN'T WANT YOU TO BE A BASTARD,
1610
01:16:15,637 --> 01:16:16,738
SO I GAVE YOU TO MAMA.
1611
01:16:16,738 --> 01:16:18,740
SO THAT WAY, NO ONE COULD CALL YOU ONE.
1612
01:16:18,740 --> 01:16:20,809
SHE COULDN'T GIVE YOU UP FOR ADOPTION.
1613
01:16:20,809 --> 01:16:22,777
WHEN I WENT OFF TO THE HOSPITAL,
1614
01:16:22,777 --> 01:16:24,913
WHEN IT WAS TIME FOR YOU TO BE BORN,
1615
01:16:24,913 --> 01:16:26,314
MAMA MOVED US TO THE BRONX,
1616
01:16:26,314 --> 01:16:28,216
WHERE WE DIDN'T KNOW NOBODY,
1617
01:16:28,216 --> 01:16:29,985
AND THEN WHEN I CAME BACK,
1618
01:16:29,985 --> 01:16:33,888
WE SAID THAT YOU WERE HER BABY, NOT MINE.
1619
01:16:33,888 --> 01:16:36,725
BUT THAT WAY, I COULD KEEP YOU.
1620
01:16:36,725 --> 01:16:39,394
DO YOU REALIZE WHAT YOU'RE SAYING TO ME?
1621
01:16:39,394 --> 01:16:41,930
WE DID IT TO PROTECT YOU, BOBBY.
1622
01:16:41,930 --> 01:16:43,198
YOU NEED ME NOW.
1623
01:16:43,198 --> 01:16:45,734
I CAN REALLY BE HERE FOR YOU.
1624
01:16:45,734 --> 01:16:48,903
YOU'RE LOST. YOU CAN FINALLY HAVE THE MOTHER
1625
01:16:48,903 --> 01:16:50,905
THAT YOU NEVER REALLY HAD.
1626
01:16:50,905 --> 01:16:54,943
[THE ROLLING STONES' LET IT LOOSE BEGINS]
1627
01:16:58,013 --> 01:17:02,784
Mick Jagger: ♪ WHO'S THAT WOMAN ON YOUR ARM? ♪
1628
01:17:07,989 --> 01:17:14,429
♪ ALL DRESSED UP TO DO YOU HARM ♪
1629
01:17:14,429 --> 01:17:17,766
♪ AND I'M HIP TO WHAT SHE'LL DO ♪
1630
01:17:17,766 --> 01:17:20,035
WHO WAS MY FATHER?
1631
01:17:20,035 --> 01:17:25,940
OH, BOBBY, I WAS DATING A LOT OF GUYS BACK THEN.
1632
01:17:25,940 --> 01:17:29,111
WHO WAS MY FATHER?!
1633
01:17:36,751 --> 01:17:41,323
♪ BIT OFF MORE THAN I CAN CHEW ♪
1634
01:17:44,426 --> 01:17:52,167
♪ AND I KNEW, YEAH, KNEW WHAT IT WAS LEADING TO ♪
1635
01:17:52,167 --> 01:17:56,938
♪ SOME THINGS, WELL, I CAN'T REFUSE ♪
1636
01:17:56,938 --> 01:18:01,242
♪ I CAN'T REFUSE ♪
1637
01:18:01,242 --> 01:18:02,711
♪ ONE OF THEM ♪
1638
01:18:02,711 --> 01:18:12,054
♪ ONE OF THEM THE BEDROOM BLUES ♪
1639
01:18:14,289 --> 01:18:22,997
♪ SHE DELIVERS RIGHT ON TIME ♪
1640
01:18:22,997 --> 01:18:29,337
♪ I CAN'T RESIST A CORNY LINE ♪
1641
01:18:29,337 --> 01:18:34,142
♪ BUT TAKE THE SHINE RIGHT OFF YOUR SHOES ♪
1642
01:18:34,142 --> 01:18:38,246
♪ YEAH, RIGHT OFF YOUR SHOES ♪
1643
01:18:38,246 --> 01:18:39,881
♪ CARRYIN' ♪
1644
01:18:39,881 --> 01:18:43,184
♪ CARRYIN' THE BEDROOM BLUES ♪
1645
01:18:43,184 --> 01:18:47,355
♪ OH, OH ♪
1646
01:21:00,989 --> 01:21:06,895
♪ COME SING A SIMPLE SONG OF FREEDOM ♪
1647
01:21:08,096 --> 01:21:14,469
♪ SING IT LIKE YOU'VE NEVER SUNG BEFORE ♪
1648
01:21:14,469 --> 01:21:17,205
♪ LET IT FILL THE AIR ♪
1649
01:21:17,205 --> 01:21:22,310
♪ TELL THE PEOPLE EVERYWHERE ♪
1650
01:21:22,310 --> 01:21:28,116
♪ WE, THE PEOPLE HERE, DON'T WANT A WAR ♪
1651
01:21:29,484 --> 01:21:32,253
Man, on radio: SENATOR, HOW ARE YOU GOING TO COUNTER
1652
01:21:32,253 --> 01:21:34,355
MR. HUMPHREY AND HIS BACKGROUNDING YOU
1653
01:21:34,355 --> 01:21:36,457
AS FAR AS THE DELEGATE VOTES GO?
1654
01:21:36,457 --> 01:21:39,627
Kennedy: WE'RE JUST GOING TO START TO STRUGGLE FOR IT.
1655
01:21:39,627 --> 01:21:40,394
[WOMAN SCREAMS]
1656
01:21:40,394 --> 01:21:42,263
Man: SENATOR KENNEDY HAS BEEN SHOT!
1657
01:21:42,263 --> 01:21:46,234
IS THAT POSSIBLE? IS THAT POSSIBLE?
1658
01:21:46,234 --> 01:21:47,435
[MEN SHOUTING]
1659
01:21:47,435 --> 01:21:50,004
IS IT POSSIBLE, LADIES AND GENTLEMEN?
1660
01:21:50,004 --> 01:21:52,140
IT IS POSSIBLE. HE HAS BEEN...
1661
01:21:52,140 --> 01:21:54,642
SENATOR KENNEDY. OH, MY GOD.
1662
01:21:54,642 --> 01:21:57,379
[VOICE FADES]
1663
01:22:26,641 --> 01:22:29,143
[FOOTSTEPS APPROACHING]
1664
01:22:29,143 --> 01:22:30,244
UH!
1665
01:22:30,244 --> 01:22:31,479
CHARLIE.
1666
01:22:31,479 --> 01:22:34,149
HA HA HA.
1667
01:22:40,021 --> 01:22:44,993
HOW YOU BEEN DOING? YOU OK?
1668
01:22:48,997 --> 01:22:50,431
Bobby: HOW CAN I STAND ON STAGE
1669
01:22:50,431 --> 01:22:52,767
AND SING THE SAME OLD CRAP WHEN THOUSANDS OF AMERICAN KIDS
1670
01:22:52,767 --> 01:22:54,302
ARE GETTING THEIR HEADS BLOWN OFF
1671
01:22:54,302 --> 01:22:56,137
IN SOME RICE FIELD HALF THE WORLD AWAY?
1672
01:22:56,137 --> 01:22:57,505
WE'VE BEEN LIED TO, CHARLIE.
1673
01:22:57,505 --> 01:22:58,606
THE GOVERNMENT LIES TO US EVERY DAY.
1674
01:22:58,606 --> 01:23:01,242
THERE'S NO END TO THIS WAR. THE PRESIDENT LIES TO US.
1675
01:23:01,242 --> 01:23:04,212
THE PEOPLE WE TRUST THE MOST--THEY LIE TO US.
1676
01:23:04,212 --> 01:23:05,646
YOU'RE JUST ALL WORKED UP.
1677
01:23:05,646 --> 01:23:06,480
NO, IT'S NOT THAT.
1678
01:23:06,480 --> 01:23:08,583
BOBBY KENNEDY TRIED TO TELL THE TRUTH,
1679
01:23:08,583 --> 01:23:09,517
AND LOOK WHAT THEY DID TO HIM.
1680
01:23:09,517 --> 01:23:12,387
LOOK WHAT HE DID WITH THE TIME THAT HE HAD.
1681
01:23:12,387 --> 01:23:15,189
HE DIDN'T WASTE HIS TIME.
1682
01:23:15,189 --> 01:23:17,658
WHAT ARE YOU DOING OUT HERE?
1683
01:23:17,658 --> 01:23:20,028
SANDY MISSES YOU.
1684
01:23:20,028 --> 01:23:22,664
DODD MISSES YOU.
1685
01:23:27,635 --> 01:23:30,338
WHEN DID YOU MEET NINA? WHAT YEAR?
1686
01:23:30,338 --> 01:23:31,305
WELL, I DON'T KNOW.
1687
01:23:31,305 --> 01:23:33,708
UH...NINETEEN- THIRTY-SOMETHING.
1688
01:23:33,708 --> 01:23:36,811
DO YOU KNOW WHO MY FATHER IS, CHARLIE?
1689
01:23:36,811 --> 01:23:41,016
NO, BOBBY. I DON'T KNOW.
1690
01:23:41,449 --> 01:23:44,386
I WISH I KNEW WHO HE WAS.
1691
01:23:45,119 --> 01:23:48,556
LOOK, BOBBY, I KNOW...
1692
01:23:48,556 --> 01:23:51,492
I KNOW I AIN'T NO COLLEGE BOY,
1693
01:23:51,492 --> 01:23:53,361
BUT I ALWAYS KIND OF FELT
1694
01:23:53,361 --> 01:23:55,296
LIKE I WAS YOUR FATHER.
1695
01:23:55,296 --> 01:23:58,132
CHARLIE, YOU'VE BEEN MORE THAN A FATHER TO ME.
1696
01:23:58,132 --> 01:23:59,667
YOU KNOW THAT.
1697
01:23:59,667 --> 01:24:01,169
I JUST WISH I KNEW.
1698
01:24:01,169 --> 01:24:03,204
WELL, YOU STAY OUT HERE MUCH LONGER,
1699
01:24:03,204 --> 01:24:04,539
AND DODD'S GONNA BE SAYING
1700
01:24:04,539 --> 01:24:07,141
THE SAME THING ABOUT YOU.
1701
01:24:07,141 --> 01:24:08,409
LOOK...
1702
01:24:08,409 --> 01:24:11,646
YOU MAY NOT KNOW WHO YOUR FATHER IS,
1703
01:24:11,646 --> 01:24:14,282
BUT YOU GOT 2 MOTHERS OUT OF THE DEAL,
1704
01:24:14,282 --> 01:24:15,716
AND BOTH OF THEM ARE GREAT.
1705
01:24:15,716 --> 01:24:18,686
HAVE YOU THOUGHT HOW HARD IT'S BEEN FOR HER--
1706
01:24:18,686 --> 01:24:21,255
NOT TO BE ABLE TO TELL ANYBODY
1707
01:24:21,255 --> 01:24:22,824
THAT YOU WERE HER SON?
1708
01:24:22,824 --> 01:24:24,659
YOU WANT TO FIND YOURSELF,
1709
01:24:24,659 --> 01:24:26,761
GET BACK ON THE STAGE.
1710
01:24:26,761 --> 01:24:28,396
YOU ARE BOBBY DARIN.
1711
01:24:28,396 --> 01:24:30,531
YEAH, THAT'S WHO I THOUGHT I WAS.
1712
01:24:30,531 --> 01:24:31,332
OK, OK.
1713
01:24:31,332 --> 01:24:35,169
THEN YOU'RE WALDEN ROBERT CASSOTTO.
1714
01:24:35,169 --> 01:24:37,405
NO, I'M NOT, CHARLIE.
1715
01:24:37,405 --> 01:24:38,639
I'M NOT EVEN HIM.
1716
01:24:38,639 --> 01:24:42,710
WELL, MAYBE YOU'RE BOTH.
1717
01:24:49,317 --> 01:24:52,286
Bobby: OK, BOOM-BOOM, LET'S GO. WE GOT A SHOW TO DO.
1718
01:24:52,286 --> 01:24:53,855
COME ON! GET IT ON!
1719
01:24:53,855 --> 01:24:55,189
♪ WHOO-WHOO ♪
1720
01:24:55,189 --> 01:24:58,359
♪ AH, YEAH, YEAH, YEAH, YEAH, YEAH ♪
1721
01:24:58,359 --> 01:25:00,428
♪ AH-AH-AH-AH-HA ♪
1722
01:25:00,428 --> 01:25:02,830
♪ I'LL LET THEM KNOW, YEAH ♪
1723
01:25:02,830 --> 01:25:05,433
♪ I'VE GOT NO MAMA, GOT NO PAPA ♪
1724
01:25:05,433 --> 01:25:06,701
♪ JUST GOT MYSELF ♪
1725
01:25:06,701 --> 01:25:10,438
♪ THAT'S WHAT I GO-O-O-OT, WHOO ♪
1726
01:25:10,438 --> 01:25:14,408
♪ COME AND SING A SIMPLE SONG OF FREEDOM ♪
1727
01:25:14,408 --> 01:25:16,177
[PEOPLE CHATTERING LOUDLY]
1728
01:25:16,177 --> 01:25:19,814
♪ SING IT LIKE YOU'VE NEVER SUNG BEFORE ♪
1729
01:25:19,814 --> 01:25:22,717
SING DREAM LOVER! HA HA!
1730
01:25:22,717 --> 01:25:24,685
♪ LET IT FILL THE AIR ♪
1731
01:25:24,685 --> 01:25:27,288
♪ TELL THE PEOPLE EVERYWHERE ♪
1732
01:25:27,288 --> 01:25:28,222
Man: LET'S GET OUTTA HERE.
1733
01:25:28,222 --> 01:25:33,394
♪ WE, THE PEOPLE HERE, DON'T WANT A WAR ♪
1734
01:25:34,228 --> 01:25:36,264
♪ 700 MILLION, ARE YOU LISTENING? ♪
1735
01:25:36,264 --> 01:25:40,301
Man: HEY, BOBBY! WHERE'D YOUR HAIR GO?!
1736
01:25:40,301 --> 01:25:41,269
Second man: WHAT A WASTE.
1737
01:25:41,269 --> 01:25:44,438
♪ MOST OF WHAT YOU READ IS MADE OF LIES... ♪
1738
01:25:44,438 --> 01:25:46,174
SING SPLISH SPLASH!
1739
01:25:46,174 --> 01:25:48,576
[ALL LAUGH]
1740
01:25:48,576 --> 01:25:51,312
WHAT IS THIS? HMM?
1741
01:25:51,312 --> 01:25:52,380
IS IT A JOKE?
1742
01:25:52,380 --> 01:25:54,615
♪ TO WAKE TO IN THE MORNING... ♪
1743
01:25:54,615 --> 01:25:57,785
Boom-Boom: BOBBY, YOU'RE TURNING INTO A TOTAL HIPPIE!
1744
01:25:57,785 --> 01:25:59,554
YOU KNOW, I DON'T HAVE MUCH TIME LEFT.
1745
01:25:59,554 --> 01:26:00,621
I'M A DYING MAN.
1746
01:26:00,621 --> 01:26:01,622
HEY, STOP THAT TALK.
1747
01:26:01,622 --> 01:26:02,857
I'M NOT GONNA LISTEN TO THAT SHIT!
1748
01:26:02,857 --> 01:26:04,659
IT'S NOT SHIT! IT'S THE TRUTH!
1749
01:26:04,659 --> 01:26:05,493
WE'RE ALL DYING, BOBBY.
1750
01:26:05,493 --> 01:26:07,261
NO, THAT'S NOT WHAT I'M TALKING ABOUT,
1751
01:26:07,261 --> 01:26:08,729
AND YOU KNOW IT. EVERY DAY I LIVE
1752
01:26:08,729 --> 01:26:09,630
IS A MODERN MEDICAL MIRACLE.
1753
01:26:09,630 --> 01:26:12,200
I KNOW, YOU WEREN'T SUPPOSED TO REACH 16.
1754
01:26:12,200 --> 01:26:13,501
DON'T YOU MAKE FUN OF ME, STEVE!
1755
01:26:13,501 --> 01:26:14,835
I'M NOT MAKIN' FUN OF YOU, BOBBY!
1756
01:26:14,835 --> 01:26:16,704
HOW AM I SUPPOSED TO REACT
1757
01:26:16,704 --> 01:26:18,439
WHEN YOU TELL ME THE SAME THING
1758
01:26:18,439 --> 01:26:19,574
FOR THE 2,000th TIME?
1759
01:26:19,574 --> 01:26:20,375
THEY BOOED ME OFF THE STAGE.
1760
01:26:20,375 --> 01:26:22,243
THEY BOOED ME OFF THE GODDAMN STAGE
1761
01:26:22,243 --> 01:26:23,311
LIKE I'D SWINDLED THEM
1762
01:26:23,311 --> 01:26:25,213
OUT OF THEIR LAST 15 FREAKIN' BUCKS!
1763
01:26:25,213 --> 01:26:27,515
THEY WANTED TO HEAR DREAM LOVER!
1764
01:26:27,515 --> 01:26:28,816
THEY'RE NOT READY FOR THE NEW YOU!
1765
01:26:28,816 --> 01:26:31,385
THEY OUGHT TO TAKE ME AS I AM, OR I DON'T WANT THEM!
1766
01:26:31,385 --> 01:26:34,689
BOBBY, IN 7 YEARS, YOU'VE MADE 10 FILMS,
1767
01:26:34,689 --> 01:26:38,459
WON 2 GRAMMYS, HAD 7 TOP-TEN SINGLES,
1768
01:26:38,459 --> 01:26:41,429
GOT NOMINATED FOR AN ACADEMY AWARD.
1769
01:26:41,429 --> 01:26:43,698
WHAT THE HELL MORE DO YOU WANT?
1770
01:26:43,698 --> 01:26:47,435
I JUST GOTTA FIND MYSELF, THAT'S ALL.
1771
01:26:47,435 --> 01:26:51,505
EVERYBODY ELSE SEEMS TO KNOW WHO YOU ARE.
1772
01:26:51,505 --> 01:26:54,242
BUT YOU KEEP LOOKING.
1773
01:26:54,442 --> 01:26:56,911
WHEN YOU FIND YOURSELF, GIVE ME A CALL.
1774
01:26:56,911 --> 01:26:59,480
THEN WE'LL SEE WHERE WE ARE.
1775
01:27:02,383 --> 01:27:04,419
STEVE...
1776
01:27:05,686 --> 01:27:09,257
YOU DON'T REALLY THINK I'M CRAZY?
1777
01:27:17,331 --> 01:27:20,335
MY WATCH IS SLOWING DOWN.
1778
01:27:22,637 --> 01:27:25,473
BETTER GET THIS FIXED.
1779
01:27:32,780 --> 01:27:35,783
WHAT DOES "YOUR TIME'S UP" MEAN?
1780
01:27:35,783 --> 01:27:38,619
WHAT ARE YOU TALKIN' ABOUT?
1781
01:27:38,619 --> 01:27:43,291
MY FRIEND GREGORY SAID THAT "MY TIME'S UP."
1782
01:27:43,291 --> 01:27:44,692
HEH. "TIME'S UP."
1783
01:27:44,692 --> 01:27:45,559
BULLSHIT.
1784
01:27:45,559 --> 01:27:49,597
HERE. YOU WEAR THAT WHEN YOU GET OLDER.
1785
01:27:49,597 --> 01:27:51,366
HMM?
1786
01:27:54,001 --> 01:27:56,604
I'M GONNA GET OLDER?
1787
01:27:56,604 --> 01:27:58,572
WELL, SURE, YOU ARE.
1788
01:27:58,572 --> 01:28:00,608
BUT YOU GOTTA BELIEVE IT.
1789
01:28:00,608 --> 01:28:02,877
YOU ALWAYS GOTTA BELIEVE IT, BOBBY.
1790
01:28:02,877 --> 01:28:06,514
AS LONG AS YOU REALLY BELIEVE IT,
1791
01:28:06,514 --> 01:28:08,349
IT'S TRUE.
1792
01:28:08,349 --> 01:28:11,386
[BEEPING]
1793
01:28:12,920 --> 01:28:15,590
[BEEPING]
1794
01:28:25,599 --> 01:28:27,468
HEY.
1795
01:28:27,468 --> 01:28:29,503
YOU'RE BACK.
1796
01:28:29,503 --> 01:28:30,871
HEH HEH.
1797
01:28:30,871 --> 01:28:33,908
HOW DO YOU FEEL?
1798
01:28:36,510 --> 01:28:39,847
LIKE SOMEBODY'S HAD THEIR HANDS IN MY CHEST.
1799
01:28:39,847 --> 01:28:42,350
YEAH. THEY SAID IT WENT WELL.
1800
01:28:42,350 --> 01:28:45,720
THEY REPLACED BOTH VALVES.
1801
01:28:48,756 --> 01:28:51,492
IT WON'T LAST, CHARLIE.
1802
01:28:51,492 --> 01:28:54,762
AH, THAT'S JUST THE MEDICATION TALKING.
1803
01:28:54,762 --> 01:28:56,364
YOU NEED TO EAT.
1804
01:28:56,364 --> 01:28:57,932
I NEED TO EAT?
1805
01:28:57,932 --> 01:29:00,501
YEAH. HEH HEH.
1806
01:29:00,835 --> 01:29:02,636
YOU CAN'T HAVE THIS YET,
1807
01:29:02,636 --> 01:29:06,006
BUT I WANT YOU TO HAVE SOMETHING TO LOOK FORWARD TO.
1808
01:29:06,006 --> 01:29:07,475
WELL, WHAT IS IT?
1809
01:29:07,475 --> 01:29:08,609
WELL, I GOT...
1810
01:29:08,609 --> 01:29:10,611
I GOT GOOD MANICOTTI...
1811
01:29:10,611 --> 01:29:13,114
AND NINA SENT HER SPAGHETTI
1812
01:29:13,114 --> 01:29:15,583
ALL THE WAY FROM NEW YORK.
1813
01:29:15,583 --> 01:29:16,517
NINA'S SPAGHETTI?
1814
01:29:16,517 --> 01:29:18,753
WHAT ARE YOU TRYIN' TO DO, KILL ME, CHARLIE?
1815
01:29:18,753 --> 01:29:23,057
HA HA HA HA! SHE MISSES YOU, BOBBY.
1816
01:29:25,993 --> 01:29:27,628
I'LL JUST CALL HER AND SANDY
1817
01:29:27,628 --> 01:29:31,099
AND TELL EVERYBODY THAT YOU'RE OK. OK?
1818
01:29:34,635 --> 01:29:35,903
[BLOWS]
1819
01:29:35,903 --> 01:29:37,638
[ALL CHEER]
1820
01:29:37,638 --> 01:29:39,907
Boom-Boom: 9 HOURS ON THE OPERATING TABLE,
1821
01:29:39,907 --> 01:29:40,941
AND HE KEEPS ON TICKING.
1822
01:29:40,941 --> 01:29:43,611
OH, YEAH. YOU KNOW, I JUST HAVE ONE THING TO SAY--
1823
01:29:43,611 --> 01:29:44,745
I BET OLD DR. ANDRETTI--
1824
01:29:44,745 --> 01:29:47,782
OLD DEAD DR. ANDRETTI-- WOULD SURE BE SURPRISED
1825
01:29:47,782 --> 01:29:50,017
TO SEE I MADE IT TO MY 36th BIRTHDAY.
1826
01:29:50,017 --> 01:29:50,784
OHH! OUCH!
1827
01:29:50,784 --> 01:29:53,888
[MUSIC PLAYING, PEOPLE CHATTERING]
1828
01:29:56,891 --> 01:29:59,994
DON'T STEAL THAT. IT'S NOT YOURS.
1829
01:30:05,900 --> 01:30:06,967
HA-HAPPY BIRTHDAY.
1830
01:30:06,967 --> 01:30:09,069
OH, THANK YOU, NINA. YOU LOOK GREAT.
1831
01:30:09,069 --> 01:30:10,538
THAT'S A NICE OUTFIT.
1832
01:30:10,538 --> 01:30:11,439
YOU LIKE IT? MM.
1833
01:30:11,439 --> 01:30:13,808
'CAUSE I GOT IT SPECIAL FOR YOUR BIRTHDAY.
1834
01:30:13,808 --> 01:30:14,642
I WANTED YOU TO KNOW
1835
01:30:14,642 --> 01:30:18,112
THAT YOUR MOTHER CAN BE A CLASSY LADY.
1836
01:30:19,613 --> 01:30:21,716
WHAT, BOBBY?
1837
01:30:22,116 --> 01:30:24,685
WHAT, BOBBY?
1838
01:30:24,685 --> 01:30:27,655
IT'S OK, NINA. I THINK I KNOW WHY YOU TOLD ME.
1839
01:30:27,655 --> 01:30:30,625
EXCUSE ME FOR A MINUTE.
1840
01:30:32,693 --> 01:30:34,495
HEY. DON'T HE LOOK GREAT?
1841
01:30:34,495 --> 01:30:35,763
DON'T HE LOOK GREAT?
1842
01:30:35,763 --> 01:30:36,464
HE LOOKS GREAT.
1843
01:30:36,464 --> 01:30:38,032
HE LOOKS LIKE A MILLION BUCKS.
1844
01:30:38,032 --> 01:30:40,201
HE'S GONNA LIVE TO BE 100. HE'S A SHARK.
1845
01:30:40,201 --> 01:30:41,702
HEY. HI.
1846
01:30:41,702 --> 01:30:43,504
I'VE BEEN LOOKIN' FOR YOU ALL DAY.
1847
01:30:43,504 --> 01:30:44,839
NO, YOU HAVEN'T, YOU LIAR.
1848
01:30:44,839 --> 01:30:46,907
I HAVE, I HAVE. HEH HEH.
1849
01:30:46,907 --> 01:30:48,576
YOU LOOK SO GOOD.
1850
01:30:48,576 --> 01:30:49,777
OHH, I FEEL GOOD.
1851
01:30:49,777 --> 01:30:51,178
I FEEL GREAT, PHYSICALLY.
1852
01:30:51,178 --> 01:30:54,048
I MEAN, INSOMUCH AS I CAN ACTUALLY BREATHE EASY
1853
01:30:54,048 --> 01:30:56,784
FOR THE FIRST TIME SINCE I CAN REMEMBER.
1854
01:30:56,784 --> 01:30:58,653
HEH.
1855
01:30:58,819 --> 01:31:01,989
DODD MISSES YOU BEING HOME.
1856
01:31:03,491 --> 01:31:06,060
I MISS YOU.
1857
01:31:08,062 --> 01:31:10,064
I'M PROUD OF YOU, BABY.
1858
01:31:10,064 --> 01:31:12,166
I'M REALLY TRYING, BOBBY.
1859
01:31:12,166 --> 01:31:13,767
I KNOW YOU ARE.
1860
01:31:13,767 --> 01:31:15,503
THAT'S NOT WHY YOU LEFT.
1861
01:31:15,503 --> 01:31:17,037
IT WAS MORE THAN THAT.
1862
01:31:17,037 --> 01:31:19,006
I'M NOT WHAT YOU WANT ME TO BE.
1863
01:31:19,006 --> 01:31:20,508
I'M NOT AN INTELLECTUAL,
1864
01:31:20,508 --> 01:31:21,909
I'M NOT AS SMART AS YOU.
1865
01:31:21,909 --> 01:31:25,513
YEAH, YOU'RE SMART ENOUGH FOR 10 OF ME.
1866
01:31:25,513 --> 01:31:29,250
BUT LOOK WHAT WE DID TOGETHER.
1867
01:31:31,652 --> 01:31:32,920
YOU GONNA SING AGAIN?
1868
01:31:32,920 --> 01:31:34,922
OH, I'D LOVE TO. I'M JUST NOT ENTIRELY SURE
1869
01:31:34,922 --> 01:31:38,058
I CAN GET USED TO THE IDEA OF BOOING AS A NIGHTLY RITUAL.
1870
01:31:38,058 --> 01:31:38,725
[LAUGHS]
1871
01:31:38,725 --> 01:31:40,661
HONEY, YOU CAN'T BLAME THEM.
1872
01:31:40,661 --> 01:31:41,929
THEY DON'T UNDERSTAND.
1873
01:31:41,929 --> 01:31:44,532
YOU WERE ALWAYS AHEAD OF YOUR TIME.
1874
01:31:44,532 --> 01:31:46,000
THEY'RE SO SHALLOW.
1875
01:31:46,000 --> 01:31:49,603
PEOPLE HEAR WHAT THEY SEE, ANYWAY.
1876
01:31:49,603 --> 01:31:52,907
YEAH, I KNOW, THE--
1877
01:31:53,641 --> 01:31:55,242
WHAT DID YOU JUST SAY?
1878
01:31:55,242 --> 01:31:56,109
THAT YOU CAN'T BLAME THEM--
1879
01:31:56,109 --> 01:31:59,947
NO, NO, NO. ABOUT PEOPLE HEARING...WHAT?
1880
01:31:59,947 --> 01:32:01,916
Bobby: BOOM-BOOM! BOOM-BOOM! BOOM-BOOM!
1881
01:32:01,916 --> 01:32:05,820
BOOM-BOOM! BOOM-BOOM! BOOM-BOOM...
1882
01:32:07,288 --> 01:32:09,056
BOOK ME BACK IN VEGAS.
1883
01:32:09,056 --> 01:32:11,325
HA HA HA HA HA!
1884
01:32:11,325 --> 01:32:13,027
YOU DON'T WANT TO GO BACK TO VEGAS.
1885
01:32:13,027 --> 01:32:15,095
OH, YES, I DO. I WANT TO GO BACK TO VEGAS,
1886
01:32:15,095 --> 01:32:16,931
AND I WANT TO GO BACK ON STAGE.
1887
01:32:16,931 --> 01:32:19,099
DON'T TELL ME YOU FOUND YOURSELF.
1888
01:32:19,099 --> 01:32:19,733
NO.
1889
01:32:19,733 --> 01:32:21,201
HE'S GOING BACK TO VEGAS?
1890
01:32:21,201 --> 01:32:22,235
FIRST I'VE HEARD.
1891
01:32:22,235 --> 01:32:24,338
I'M A NIGHTCLUB ANIMAL, BOOM-BOOM, AND I LOVE IT.
1892
01:32:24,338 --> 01:32:25,806
AND, QUITE FRANKLY, I THINK I DO IT BETTER
1893
01:32:25,806 --> 01:32:27,341
THAN ANYBODY ELSE IN THE WHOLE GODDAMN WORLD.
1894
01:32:27,341 --> 01:32:29,343
YOU'RE ALSO ONE OF THE MOST MODEST PEOPLE
1895
01:32:29,343 --> 01:32:30,678
I'VE EVER MET IN MY LIFE,
1896
01:32:30,678 --> 01:32:32,012
BUT I DON'T WANT YOU GOING BACK THERE.
1897
01:32:32,012 --> 01:32:34,281
IT'S GONNA WORK THIS TIME. I CAN BE WHAT I WANT,
1898
01:32:34,281 --> 01:32:37,651
I CAN SAY WHAT I WANT, I CAN SING WHAT I WANT.
1899
01:32:37,651 --> 01:32:40,754
SANDY JUST SAID IT. SHE JUST SAID IT BEAUTIFULLY.
1900
01:32:40,754 --> 01:32:42,156
WHAT?
1901
01:32:42,323 --> 01:32:45,226
"PEOPLE HEAR WHAT THEY SEE."
1902
01:32:45,659 --> 01:32:48,195
[MUSIC PLAYING]
1903
01:32:56,103 --> 01:32:59,306
Bobby: IT'S FUNNY. YOU WEREN'T A GIRL
1904
01:32:59,306 --> 01:33:01,742
A GUY LIKE ME WAS SUPPOSED TO GET.
1905
01:33:01,742 --> 01:33:04,044
I MEAN, THERE I WAS, A SINGER FROM THE BRONX,
1906
01:33:04,044 --> 01:33:08,849
AND THERE YOU WERE... A MOVIE STAR.
1907
01:33:15,089 --> 01:33:18,859
BOBBY, WHAT'S GONNA HAPPEN TO ME?
1908
01:33:19,960 --> 01:33:22,796
NO MATTER WHAT HAPPENS, BABY...
1909
01:33:22,796 --> 01:33:26,200
YOU'LL ALWAYS BE SANDRA DEE.
1910
01:33:50,891 --> 01:33:51,825
WHY CAN'T I OPEN IT?
1911
01:33:51,825 --> 01:33:53,360
BECAUSE IT'S NOT LIKE THE GIFTS
1912
01:33:53,360 --> 01:33:54,361
YOU'RE USED TO GETTING.
1913
01:33:54,361 --> 01:33:55,963
THIS ONE IS VERY, VERY SPECIAL,
1914
01:33:55,963 --> 01:33:58,732
AND NOBODY CAN KNOW YOU HAVE IT.
1915
01:33:58,732 --> 01:34:00,868
WHAT'S IN IT?
1916
01:34:01,168 --> 01:34:03,437
[IMITATING WALTER MATTHAU] $2 MILLION HARD CASH,
1917
01:34:03,437 --> 01:34:06,206
BUT UNFORTUNATELY, IT'S CONFEDERATE MONEY, SO--
1918
01:34:06,206 --> 01:34:07,741
DAD.
1919
01:34:07,741 --> 01:34:08,642
NO.
1920
01:34:08,642 --> 01:34:10,944
IT'S JUST SOME THINGS I WANT YOU TO HAVE.
1921
01:34:10,944 --> 01:34:13,313
SO NOBODY CAN KNOW I HAVE IT? NOT EVEN MOM?
1922
01:34:13,313 --> 01:34:16,083
NOT MOM, NOT CHARLIE, NOT AUNT NINA,
1923
01:34:16,083 --> 01:34:18,986
OR GRANDMA. NOBODY BUT YOU AND ME.
1924
01:34:18,986 --> 01:34:20,721
IT'S A SECRET.
1925
01:34:20,721 --> 01:34:23,224
WHEN CAN I OPEN IT?
1926
01:34:25,325 --> 01:34:27,662
WHEN I'M GONE.
1927
01:34:28,729 --> 01:34:31,265
I DON'T WANT YOU TO DIE, DAD.
1928
01:34:31,265 --> 01:34:32,433
WELL, YOU KNOW, MOOSE,
1929
01:34:32,433 --> 01:34:34,134
I'M NO DIFFERENT THAN ANYBODY ELSE.
1930
01:34:34,134 --> 01:34:36,704
MY TIME MIGHT JUST COME A LITTLE SOONER,
1931
01:34:36,704 --> 01:34:37,938
THAT'S ALL.
1932
01:34:37,938 --> 01:34:39,373
WHAT ABOUT ME?
1933
01:34:39,373 --> 01:34:40,841
WHAT ABOUT YOU?
1934
01:34:40,841 --> 01:34:43,143
YOU'RE GONNA BE JUST FINE...
1935
01:34:43,143 --> 01:34:46,046
IF YOU'RE THE MAN I THINK YOU ARE.
1936
01:34:46,046 --> 01:34:48,248
YOU KNOW, I HAD TO FIGHT MY WAY
1937
01:34:48,248 --> 01:34:49,249
OUT OF THE BRONX
1938
01:34:49,249 --> 01:34:51,385
TO MAKE SOMETHING OF MYSELF.
1939
01:34:51,385 --> 01:34:53,020
BUT NOT NEARLY AS HARD
1940
01:34:53,020 --> 01:34:54,388
AS YOU'RE GONNA HAVE TO FIGHT
1941
01:34:54,388 --> 01:34:57,992
TO GET OUT OF BEVERLY HILLS.
1942
01:35:11,839 --> 01:35:14,108
HOW YOU DOIN' IN THERE?
1943
01:35:14,108 --> 01:35:16,844
Bobby: TRYING TO FIND A HEARTBEAT.
1944
01:35:16,844 --> 01:35:18,378
THAT'S NOT FUNNY.
1945
01:35:18,378 --> 01:35:21,014
MY TUX AND TOUPEE LAID OUT?
1946
01:35:21,014 --> 01:35:22,082
YEAH.
1947
01:35:22,082 --> 01:35:25,753
YOU GOT NOTHIN' TO WORRY ABOUT.
1948
01:35:26,820 --> 01:35:28,255
YOU DON'T LOOK SO GOOD.
1949
01:35:28,255 --> 01:35:31,024
WELL, TO TELL YOU THE TRUTH, CHARLIE,
1950
01:35:31,024 --> 01:35:32,526
I DON'T FEEL SO HOT.
1951
01:35:32,526 --> 01:35:34,294
I GOTTA GO UNDER THE KNIFE AGAIN.
1952
01:35:34,294 --> 01:35:36,263
THAT'S WHY WE'RE TAKING OFF EARLY.
1953
01:35:36,263 --> 01:35:38,332
I GOT--I GOT BLOOD POISONING.
1954
01:35:38,332 --> 01:35:39,433
IT'S CATCHING UP.
1955
01:35:39,433 --> 01:35:41,468
LOOK, WE DON'T HAVE TO DO THIS.
1956
01:35:41,468 --> 01:35:43,771
WE CAN CALL IT OFF.
1957
01:35:43,771 --> 01:35:47,074
CHARLIE, I GOTTA GET READY NOW.
1958
01:35:49,109 --> 01:35:53,814
I GOTTA GO MAKE SURE NINA'S AT A GOOD TABLE.
1959
01:35:56,083 --> 01:35:59,486
CHARLIE, I WOULDN'T HAVE GONE THIS FAR WITHOUT YOU.
1960
01:35:59,486 --> 01:36:03,390
KID, YOU WERE A RUNAWAY TRAIN.
1961
01:36:03,390 --> 01:36:04,992
JUST GET THROUGH TONIGHT.
1962
01:36:04,992 --> 01:36:08,495
YEAH. ALWAYS LEAVE 'EM WANTING MORE, CHARLIE.
1963
01:36:08,495 --> 01:36:10,464
YEAH.
1964
01:36:30,517 --> 01:36:32,152
Announcer: LADIES AND GENTLEMEN,
1965
01:36:32,152 --> 01:36:35,889
WOULD YOU PLEASE WELCOME BACK TO THE FLAMINGO STAGE
1966
01:36:35,889 --> 01:36:37,057
AN OLD FRIEND,
1967
01:36:37,057 --> 01:36:40,394
ONE OF THIS COUNTRY'S GREATEST ENTERTAINERS,
1968
01:36:40,394 --> 01:36:42,262
ACADEMY AWARD-NOMINEE,
1969
01:36:42,262 --> 01:36:45,933
2-TIME GRAMMY-WINNER...
1970
01:36:45,933 --> 01:36:48,235
SING DREAM LOVER!
1971
01:36:48,235 --> 01:36:49,069
[LAUGHTER]
1972
01:36:49,069 --> 01:36:55,075
THE FLAMINGO HOTEL PROUDLY PRESENTS...
1973
01:36:56,043 --> 01:37:00,147
THE LEGENDARY BOBBY DARIN.
1974
01:37:00,147 --> 01:37:02,115
[MUSIC PLAYING]
1975
01:37:02,115 --> 01:37:04,919
[LIGHT APPLAUSE]
1976
01:37:10,624 --> 01:37:16,030
♪ COME AND SING A SIMPLE SONG OF FREEDOM ♪
1977
01:37:16,263 --> 01:37:21,468
♪ SING IT LIKE YOU'VE NEVER SUNG BEFORE ♪
1978
01:37:22,202 --> 01:37:24,204
♪ LET IT FILL THE AIR ♪
1979
01:37:24,204 --> 01:37:27,274
♪ TELL THE PEOPLE EVERYWHERE ♪
1980
01:37:27,274 --> 01:37:32,613
♪ WE, THE PEOPLE HERE, DON'T WANT A WAR ♪
1981
01:37:32,613 --> 01:37:37,317
♪ HEY, THERE, MR. BLACK MAN, CAN YOU HEAR ME? ♪
1982
01:37:37,317 --> 01:37:38,285
[LAUGHTER]
1983
01:37:38,285 --> 01:37:43,457
♪ I DON'T WANT YOUR DIAMONDS OR YOUR GAME ♪
1984
01:37:44,524 --> 01:37:46,460
♪ I JUST WANT TO BE ♪
1985
01:37:46,460 --> 01:37:49,196
♪ SOMEONE KNOWN TO YOU AS ME ♪
1986
01:37:49,196 --> 01:37:52,199
♪ AND I WILL BET MY LIFE ♪
1987
01:37:52,199 --> 01:37:55,469
♪ YOU WANT THE SAME ♪
1988
01:37:55,469 --> 01:38:01,008
♪ COME AND SING A SIMPLE SONG OF FREEDOM ♪
1989
01:38:01,008 --> 01:38:05,613
♪ SING IT LIKE YOU'VE NEVER SUNG BEFORE ♪
1990
01:38:06,580 --> 01:38:08,682
♪ LET IT FILL THE AIR ♪
1991
01:38:08,682 --> 01:38:12,019
♪ TELL THE PEOPLE EVERYWHERE ♪
1992
01:38:12,019 --> 01:38:16,490
♪ WE, THE PEOPLE HERE, DON'T WANT A WAR ♪
1993
01:38:16,490 --> 01:38:17,324
[APPLAUSE]
1994
01:38:17,324 --> 01:38:23,263
♪ 700 MILLION, ARE YOU LISTENING? ♪
1995
01:38:23,263 --> 01:38:28,168
♪ MOST OF WHAT YOU READ IS MADE OF LIES ♪
1996
01:38:29,036 --> 01:38:31,405
♪ BUT, SPEAKING ONE TO ONE ♪
1997
01:38:31,405 --> 01:38:34,174
♪ AIN'T IT EVERYBODY'S SUN ♪
1998
01:38:34,174 --> 01:38:39,413
♪ TO WAKE TO IN THE MORNING WHEN WE RISE? ♪
1999
01:38:40,047 --> 01:38:45,552
♪ COME AND SING A SIMPLE SONG OF FREEDOM ♪
2000
01:38:45,552 --> 01:38:50,925
♪ SING IT LIKE YOU'VE NEVER SUNG BEFORE ♪
2001
01:38:51,558 --> 01:38:53,427
♪ LET IT FILL THE AIR ♪
2002
01:38:53,427 --> 01:38:56,697
♪ TELL THE PEOPLE EVERYWHERE ♪
2003
01:38:56,697 --> 01:39:01,969
♪ WE, THE PEOPLE HERE, DON'T WANT A WAR ♪
2004
01:39:01,969 --> 01:39:07,074
♪ NOW, NO DOUBT SOME FOLKS ENJOY DOING BATTLE ♪
2005
01:39:07,507 --> 01:39:13,213
♪ LIKE PRESIDENTS, PRIME MINISTERS AND KINGS ♪
2006
01:39:13,213 --> 01:39:15,048
JESUS CHRIST, STEVE, WHERE THE HELL YOU BEEN?
2007
01:39:15,048 --> 01:39:16,316
TRAFFIC GETTIN' OUT OF L.A.
2008
01:39:16,316 --> 01:39:17,250
YOU GOTTA GET IN HERE.
2009
01:39:17,250 --> 01:39:18,084
WHY, WHAT THE HELL'S GOIN' ON?
2010
01:39:18,084 --> 01:39:18,985
YOU'RE NOT GONNA BELIEVE IT. HE'S BACK.
2011
01:39:18,985 --> 01:39:24,691
♪ LEAVE THE PEOPLE BE WHO LOVE TO SING ♪
2012
01:39:24,691 --> 01:39:29,329
♪ COME AND SING A SIMPLE SONG OF FREEDOM ♪
2013
01:39:29,329 --> 01:39:30,263
♪ FREEDOM ♪
2014
01:39:30,263 --> 01:39:34,701
♪ SING IT LIKE YOU'VE NEVER SUNG BEFORE ♪
2015
01:39:34,701 --> 01:39:36,169
♪ FREEDOM ♪
2016
01:39:36,169 --> 01:39:38,171
♪ LET IT FILL THE AIR ♪
2017
01:39:38,171 --> 01:39:41,508
♪ TELL THE PEOPLE EVERYWHERE ♪
2018
01:39:41,508 --> 01:39:46,446
♪ WE, THE PEOPLE HERE, DON'T WANT A WAR ♪
2019
01:39:46,446 --> 01:39:49,349
♪ I SAID, LET IT FILL THE AIR ♪
2020
01:39:49,349 --> 01:39:52,652
♪ TELL THE PEOPLE EVERYWHERE ♪
2021
01:39:52,652 --> 01:40:01,461
♪ WE, THE PEOPLE HERE, DON'T WANT A WAR ♪
2022
01:40:01,461 --> 01:40:03,597
♪ FREEDOM ♪
2023
01:40:04,231 --> 01:40:06,600
♪ FREEDOM ♪
2024
01:40:07,267 --> 01:40:09,403
♪ FREEDOM ♪
2025
01:40:09,603 --> 01:40:12,039
♪ FREEDOM ♪
2026
01:40:12,039 --> 01:40:14,274
♪ FREEDOM ♪
2027
01:40:14,274 --> 01:40:18,245
PEOPLE HEAR WHAT THEY SEE.
2028
01:40:18,445 --> 01:40:20,347
♪ FREEDOM ♪
2029
01:40:21,181 --> 01:40:23,150
♪ FREEDOM ♪
2030
01:40:23,150 --> 01:40:26,220
[ON SPEAKER] ♪ WHOA, FREEDOM ♪
2031
01:40:26,686 --> 01:40:29,023
♪ FREEDOM ♪
2032
01:40:29,256 --> 01:40:31,625
♪ FREEDOM ♪
2033
01:40:32,392 --> 01:40:34,595
♪ FREEDOM ♪
2034
01:40:35,228 --> 01:40:37,398
♪ FREEDOM ♪
2035
01:40:38,098 --> 01:40:40,234
♪ FREEDOM ♪
2036
01:40:40,667 --> 01:40:43,037
♪ FREEDOM ♪
2037
01:40:43,470 --> 01:40:45,506
♪ FREEDOM ♪
2038
01:40:46,073 --> 01:40:47,641
[ON SPEAKER] ♪ FREEDOM ♪
2039
01:40:47,641 --> 01:40:50,744
[SONG ENDS, APPLAUSE]
2040
01:40:51,812 --> 01:40:54,381
WE LOVE YOU, BOBBY!
2041
01:40:54,381 --> 01:40:56,349
YEAH, BOB!
2042
01:40:56,349 --> 01:40:58,085
YEAH!
2043
01:40:59,619 --> 01:41:00,720
THANK YOU.
2044
01:41:00,720 --> 01:41:02,756
THANK YOU.
2045
01:41:04,858 --> 01:41:07,494
THANK YOU. PLEASE SIT DOWN.
2046
01:41:08,161 --> 01:41:08,928
THANK YOU VERY MUCH.
2047
01:41:08,928 --> 01:41:09,863
YOU'VE BEEN A WONDERFUL AUDIENCE.
2048
01:41:09,863 --> 01:41:13,266
IT'S BEEN DELIGHTFUL TO BE BACK IN LAS VEGAS.
2049
01:41:13,266 --> 01:41:16,370
I HOPE YOU'VE HAD LUCK AT THE TABLES.
2050
01:41:17,537 --> 01:41:18,872
UH...
2051
01:41:18,872 --> 01:41:21,875
I MAY NOT BE PERFORMING FOR A WHILE.
2052
01:41:21,875 --> 01:41:23,643
I'M GOING TO TAKE A LITTLE BREAK.
2053
01:41:23,643 --> 01:41:26,446
AND AS A RESULT, I MAY NOT GET A CHANCE
2054
01:41:26,446 --> 01:41:29,649
TO PUBLICLY DO SOMETHING
2055
01:41:29,649 --> 01:41:34,688
THAT I'VE WANTED TO DO FOR A VERY LONG TIME...
2056
01:41:35,422 --> 01:41:37,390
AND THAT IS TO...
2057
01:41:37,390 --> 01:41:40,427
INTRODUCE TO YOU...
2058
01:41:40,427 --> 01:41:43,397
THE WOMAN WHO RAISED ME.
2059
01:41:44,498 --> 01:41:46,900
MY MOTHER...
2060
01:41:46,900 --> 01:41:49,736
NINA CASSOTTO MAFFIA.
2061
01:41:49,736 --> 01:41:52,472
PLEASE TAKE A BOW, MA.
2062
01:41:52,472 --> 01:41:54,475
TAKE A BOW.
2063
01:42:03,216 --> 01:42:05,218
THAT'S MY SON.
2064
01:42:05,218 --> 01:42:06,219
ALL RIGHT!
2065
01:42:06,219 --> 01:42:08,122
THAT'S MY SON.
2066
01:42:14,895 --> 01:42:16,396
I WANT TO DO A SONG
2067
01:42:16,396 --> 01:42:19,666
THAT HAS BEEN SPECIALLY WRITTEN FOR TONIGHT.
2068
01:42:19,666 --> 01:42:21,368
[PIANO PLAYS]
2069
01:42:21,368 --> 01:42:23,570
ITS LYRICS HAVE BEEN CHANGED.
2070
01:42:23,570 --> 01:42:26,306
IT WAS AN OLD BOB HOPE NUMBER, ACTUALLY,
2071
01:42:26,306 --> 01:42:27,941
BUT WE'D LIKE TO DO IT FOR YOU TONIGHT
2072
01:42:27,941 --> 01:42:29,409
AS OUR WAY OF CLOSING
2073
01:42:29,409 --> 01:42:30,877
AND SAYING GOOD NIGHT.
2074
01:42:30,877 --> 01:42:33,180
AS SOON AS RICHIE'S FINISHED
2075
01:42:33,180 --> 01:42:35,916
WITH THAT THING HE'S COMPOSING OVER THERE.
2076
01:42:35,916 --> 01:42:40,654
IT GOES SOMETHING LIKE THIS...
2077
01:42:44,324 --> 01:42:48,629
♪ OFF COMES THE MAKEUP ♪
2078
01:42:49,396 --> 01:42:55,402
♪ OFF COMES THE CLOWN'S DISGUISE ♪
2079
01:42:55,769 --> 01:43:00,774
♪ THE CURTAIN'S FALLIN' ♪
2080
01:43:00,774 --> 01:43:08,248
♪ THE MUSIC SOFTLY DIES ♪
2081
01:43:08,248 --> 01:43:15,789
♪ BUT I HOPE YOU'RE SMILIN' ♪
2082
01:43:16,656 --> 01:43:26,333
♪ AS YOU'RE FILING OUT THE DOOR ♪
2083
01:43:26,333 --> 01:43:31,705
♪ AS THEY SAY IN THIS BIZ ♪
2084
01:43:33,907 --> 01:43:36,643
♪ THAT'S ALL THERE IS ♪
2085
01:43:36,643 --> 01:43:42,582
♪ THERE ISN'T ANYMORE ♪
2086
01:43:42,582 --> 01:43:49,256
♪ WE'VE SHARED A MOMENT ♪
2087
01:43:50,357 --> 01:43:59,700
♪ AND AS THE MOMENT ENDS ♪
2088
01:44:00,500 --> 01:44:04,938
♪ I GOT A FUNNY FEELING ♪
2089
01:44:05,405 --> 01:44:10,277
♪ WE'RE PARTING OUT AS FRIENDS ♪
2090
01:44:16,483 --> 01:44:21,454
♪ YOUR CHEERS AND LAUGHTER ♪
2091
01:44:21,454 --> 01:44:25,859
♪ WILL LINGER AFTER ♪
2092
01:44:25,859 --> 01:44:32,799
♪ THEY'VE TORN DOWN THESE DUSTY WALLS ♪
2093
01:44:32,799 --> 01:44:39,506
♪ IF I HAD THIS TO DO AGAIN ♪
2094
01:44:39,506 --> 01:44:47,681
♪ AND THE EVENING WERE NEW AGAIN ♪
2095
01:44:47,681 --> 01:44:55,322
♪ I WOULD SPEND IT WITH YOU AGAIN ♪
2096
01:44:55,322 --> 01:45:03,430
♪ BUT NOW THE CURTAIN FALLS ♪
2097
01:45:04,097 --> 01:45:09,669
♪ YOUR CHEERS AND LAUGHTER ♪
2098
01:45:09,669 --> 01:45:14,074
♪ WILL LINGER AFTER ♪
2099
01:45:14,074 --> 01:45:20,747
♪ THEY'VE TORN DOWN ♪
2100
01:45:20,747 --> 01:45:27,821
♪ THESE DUSTY WALLS ♪
2101
01:45:28,722 --> 01:45:31,024
♪ PEOPLE SAY ♪
2102
01:45:31,024 --> 01:45:37,364
♪ I WAS MADE FOR THIS ♪
2103
01:45:37,364 --> 01:45:44,804
♪ NOTHING ELSE WOULD I TRADE FOR THIS ♪
2104
01:45:44,804 --> 01:45:46,806
♪ AND JUST THINK ♪
2105
01:45:46,806 --> 01:45:54,948
♪ I GET PAID FOR THIS ♪
2106
01:45:58,985 --> 01:46:01,821
WAIT A MINUTE. WAIT A MINUTE.
2107
01:46:01,821 --> 01:46:03,156
WHERE YOU GOING?
2108
01:46:03,156 --> 01:46:04,624
NO, THAT'S IT, KID.
2109
01:46:04,624 --> 01:46:06,960
YOU CAN'T GO. THAT'S NOT THE END.
2110
01:46:06,960 --> 01:46:09,996
LET ME TELL YOU HOW IT GOES.
2111
01:46:09,996 --> 01:46:11,698
THE MAN WE THOUGHT WAS OUR FATHER
2112
01:46:11,698 --> 01:46:13,032
TURNED OUT TO BE OUR GRANDFATHER.
2113
01:46:13,032 --> 01:46:15,602
AND THE GUY WE THOUGHT WAS OUR BROTHER-IN-LAW
2114
01:46:15,602 --> 01:46:16,836
IS REALLY OUR STEP-FATHER.
2115
01:46:16,836 --> 01:46:19,038
AND THE WOMAN WE THOUGHT WAS OUR SISTER
2116
01:46:19,038 --> 01:46:19,939
TURNED OUT TO BE OUR MOTHER.
2117
01:46:19,939 --> 01:46:22,041
AND BECAUSE SHE SLEPT WITH HALF THE BRONX,
2118
01:46:22,041 --> 01:46:23,810
GOD KNOWS WHO OUR REAL FATHER WAS.
2119
01:46:23,810 --> 01:46:25,478
RIGHT. SO NOW WE KNOW IT.
2120
01:46:25,478 --> 01:46:26,245
NOW WE'RE DONE.
2121
01:46:26,245 --> 01:46:29,616
NO, NOT YOU. I'M THE ONE WHO GOES.
2122
01:46:30,417 --> 01:46:31,151
DON'T YOU GET IT?
2123
01:46:31,151 --> 01:46:32,685
BOBBY DARIN DOESN'T DIE.
2124
01:46:32,685 --> 01:46:34,554
WHAT ARE YOU TALKING ABOUT?
2125
01:46:34,554 --> 01:46:35,688
DON'T YOU REMEMBER?
2126
01:46:35,688 --> 01:46:37,657
MEMORIES ARE LIKE MOONBEAMS.
2127
01:46:37,657 --> 01:46:40,960
WE DO WITH THEM WHAT WE WANT.
2128
01:46:40,960 --> 01:46:41,794
JUST LISTEN.
2129
01:46:41,794 --> 01:46:44,864
LISTEN, OK? IT'S NOT THE WAY IT GOES.
2130
01:46:44,864 --> 01:46:48,501
♪ AS LONG AS YOU'RE SINGIN' ♪
2131
01:46:48,501 --> 01:46:50,170
♪ THEN THE WORLD'S ALL RIGHT ♪
2132
01:46:50,170 --> 01:46:52,906
♪ AND EVERYTHING'S SWINGIN' ♪
2133
01:46:52,906 --> 01:46:57,710
♪ AS LONG AS YOU'RE SINGIN' YOUR SONG ♪
2134
01:46:57,710 --> 01:47:01,080
♪ AS LONG AS YOU'RE SINGIN' ♪
2135
01:47:01,080 --> 01:47:06,152
♪ THERE'S A BELL UP IN YOUR BRAIN THAT'S RINGIN' ♪
2136
01:47:06,152 --> 01:47:10,824
♪ MAKING' A CRAZY DING-DONG ♪
2137
01:47:10,824 --> 01:47:15,094
♪ AND IF THIS BAND DON'T DESERT US ♪
2138
01:47:15,094 --> 01:47:18,198
♪ THEN THERE'S NOTHIN' IN THE WORLD ♪
2139
01:47:18,198 --> 01:47:19,032
♪ CAN HURT US ♪
2140
01:47:19,032 --> 01:47:22,135
Together: ♪ LONG AS WE'RE SINGIN' ♪
2141
01:47:22,135 --> 01:47:26,540
♪ OUR SONG ♪
2142
01:47:28,241 --> 01:47:32,078
♪ GIVE ME TRUMPETS LEGATO ♪
2143
01:47:32,078 --> 01:47:35,081
♪ PUT SOME SAXES WITH 'EM ♪
2144
01:47:35,081 --> 01:47:38,585
♪ STRINGS PIZZICATO ♪
2145
01:47:38,585 --> 01:47:40,553
♪ ADD SOME RHYTHM ♪
2146
01:47:40,553 --> 01:47:44,724
[DRUM FILL]
2147
01:47:45,592 --> 01:47:48,695
Together: ♪ AS LONG AS WE'RE SINGIN' ♪
2148
01:47:48,695 --> 01:47:50,263
♪ THEN THE WORLD'S ALL RIGHT ♪
2149
01:47:50,263 --> 01:47:52,832
♪ AND EVERYTHING'S SWINGIN' ♪
2150
01:47:52,832 --> 01:47:55,668
♪ LONG AS WE'RE SINGIN' OUR-- ♪
2151
01:47:55,668 --> 01:47:58,671
♪ LONG AS WE'RE SINGIN' OUR-- ♪
2152
01:47:58,671 --> 01:48:03,776
♪ LONG AS WE'RE SINGIN' ♪
2153
01:48:03,776 --> 01:48:06,779
♪ OUR ♪
2154
01:48:06,779 --> 01:48:11,117
♪ SONG ♪
2155
01:49:24,023 --> 01:49:28,295
HEY, HANG ON TO THIS FOR ME.
2156
01:49:50,083 --> 01:49:53,019
♪ MAKIN' MUSIC ♪
2157
01:49:53,019 --> 01:49:55,755
♪ IS MORE TO ME THAN A PLEASURE ♪
2158
01:49:55,755 --> 01:49:57,991
♪ 'CAUSE ME AND MUSIC ♪
2159
01:49:57,991 --> 01:50:02,895
♪ WE GO TOGETHER LIKE NOTES IN A MEASURE ♪
2160
01:50:02,895 --> 01:50:05,231
♪ AS LONG AS I'M SINGIN' ♪
2161
01:50:05,231 --> 01:50:06,733
♪ THEN THE WORLD'S ALL RIGHT ♪
2162
01:50:06,733 --> 01:50:08,134
♪ AND EVERYTHING'S SWINGIN' ♪
2163
01:50:08,134 --> 01:50:10,970
♪ LONG AS I'M SINGIN' MY-- ♪
2164
01:50:10,970 --> 01:50:13,373
♪ LONG AS I'M SINGIN' MY-- ♪
2165
01:50:13,373 --> 01:50:16,976
♪ LONG AS I'M SINGIN' ♪
2166
01:50:16,976 --> 01:50:19,245
♪ MY ♪
2167
01:50:19,245 --> 01:50:28,188
♪ SONG ♪
2168
01:50:29,389 --> 01:50:33,226
[CHEERING AND APPLAUSE ]
2169
01:50:34,861 --> 01:50:38,164
♪ SOME OF THESE DAYS ♪
2170
01:50:38,164 --> 01:50:42,268
♪ YOU'RE GONNA MISS ME, BABY ♪
2171
01:50:43,169 --> 01:50:46,439
♪ SOME OF THESE DAYS ♪
2172
01:50:46,439 --> 01:50:50,710
♪ YOU'LL FEEL SO LONELY ♪
2173
01:50:50,710 --> 01:50:54,781
♪ YOU'RE GONNA MISS MY HUGGIN' ♪
2174
01:50:54,781 --> 01:50:58,785
♪ YOU'LL MISS MY KISSIN' ♪
2175
01:50:58,785 --> 01:51:02,922
♪ YOU MAY EVEN MISS ME, BABY ♪
2176
01:51:02,922 --> 01:51:07,026
♪ WHEN I'M GONE AWAY ♪
2177
01:51:07,026 --> 01:51:11,030
♪ YOU'RE GONNA FEEL LONELY ♪
2178
01:51:11,030 --> 01:51:15,034
♪ AND WANT ME ONLY ♪
2179
01:51:15,034 --> 01:51:18,404
♪ 'CAUSE YOU KNOW, HONEY ♪
2180
01:51:18,404 --> 01:51:22,842
♪ YOU ALWAYS GOT YOUR WAY ♪
2181
01:51:22,842 --> 01:51:27,180
♪ SAY, BABY, IF YOU REALLY WANT ME, OH, YEAH ♪
2182
01:51:27,180 --> 01:51:30,917
♪ YOU KNOW IT'S GONNA GRIEVE ME ♪
2183
01:51:30,917 --> 01:51:35,288
♪ YOU'RE GONNA MISS YOUR BONY LITTLE DADDY ♪
2184
01:51:35,288 --> 01:51:39,192
♪ COMES ONE OF THESE--YEAH! ♪
2185
01:51:39,192 --> 01:51:42,028
♪ SAID SOME OF THESE DAYS ♪
2186
01:51:42,028 --> 01:51:43,262
AW, DO IT, SOPHIE!
2187
01:51:43,262 --> 01:51:47,300
♪ YOU'RE GONNA MISS ME, HONEY ♪
2188
01:51:47,300 --> 01:51:51,838
♪ AND I'M TALKIN' 'BOUT DAYS ♪
2189
01:51:51,838 --> 01:51:55,842
♪ WHEN YOU FEEL ALL BLUE ♪
2190
01:51:55,842 --> 01:51:59,412
♪ YOU'RE GONNA MISS MY HUGGIN' ♪
2191
01:51:59,412 --> 01:52:03,916
♪ YOU'RE GONNA MISS MY KISSIN' ♪
2192
01:52:03,916 --> 01:52:07,920
♪ YOU MAY EVEN MISS ME, BABY ♪
2193
01:52:07,920 --> 01:52:12,191
♪ WHEN I'M LONG GONE AWAY ♪
2194
01:52:12,191 --> 01:52:16,362
♪ I HOPE YOU FEEL LONELY ♪
2195
01:52:16,362 --> 01:52:20,099
♪ AND WANT ME ONLY ♪
2196
01:52:20,099 --> 01:52:23,369
♪ 'CAUSE YOU KNOW, LOVER ♪
2197
01:52:23,369 --> 01:52:28,307
♪ YOU ALWAYS HAD YOUR WAY ♪
2198
01:52:28,307 --> 01:52:35,081
♪ AND IF-A YOU LEAVE ME ♪
2199
01:52:35,081 --> 01:52:42,789
♪ YOU KNOW IT'S GONNA GRIEVE ME ♪
2200
01:52:42,789 --> 01:52:47,827
♪ YOU'LL MISS-A YOUR BROWN-EYED DADDY ♪
2201
01:52:47,827 --> 01:52:48,427
GRAB IT NOW!
2202
01:52:48,427 --> 01:52:52,198
♪ SOME OF THESE DAYS ♪
2203
01:53:24,597 --> 01:53:27,366
CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT
2204
01:53:27,366 --> 01:53:29,402
CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--146849
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