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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:21,682 --> 00:01:24,752 [ Footsteps Running ] 2 00:01:25,819 --> 00:01:29,223 [ Honking ] 3 00:02:20,674 --> 00:02:23,311 [ Wings Flapping, Bird Chattering ] 4 00:02:32,653 --> 00:02:35,723 [ Groaning ] 5 00:02:38,259 --> 00:02:39,960 I SAW... 6 00:02:39,993 --> 00:02:46,166 SOMETHING NASTY IN THE WOODSHED. 7 00:02:57,311 --> 00:02:59,713 [ Thunderclap ] 8 00:03:37,518 --> 00:03:41,889 [ Man ] HELP! HELP! HELP! 9 00:04:13,921 --> 00:04:18,426 [ Man ] I'VE ALWAYS FOUND YOUR CHOICE OF HOBBY, MADAM, QUITE UNIQUE. 10 00:04:18,459 --> 00:04:21,962 YES. WHAT DO YOU THINK, SNELLER? 11 00:04:21,995 --> 00:04:24,565 NOT REALLY MY DEPARTMENT, MADAM. 12 00:04:24,598 --> 00:04:27,701 VENUS DESIGN. WABER BROTHERS, 1918. 13 00:04:27,735 --> 00:04:30,971 FAMED CORSETIERES TO THE GENTRY. AND IF YOU LOOK CAREFULLY, 14 00:04:31,004 --> 00:04:35,676 YOU'LL SEE IT'S GOT ONLY TWO ELASTIC PANELS IN FRONT INSTEAD OF THE USUAL THREE. 15 00:04:35,709 --> 00:04:37,778 SO IT HAS, MADAM. [ Car Engine Rattling ] 16 00:04:40,581 --> 00:04:43,784 IT'S MISS POSTE. OH, POOR THING. GO AND LET HER IN. 17 00:04:49,857 --> 00:04:52,092 SNELLER, HOW ARE YOU? VERY WELL, MISS. 18 00:04:52,125 --> 00:04:55,663 I'M SO SORRY TO HEAR ABOUT YOUR PARENTS. THANK YOU, SNELLER. 19 00:04:55,696 --> 00:05:00,000 DO YOU HAVE ONE AND SIX FOR THE DRIVER? I'LL SEE TO IT, MISS. 20 00:05:00,033 --> 00:05:03,971 FLORA, DARLING, WAS THE FUNERAL TOO AWFUL? 21 00:05:04,004 --> 00:05:06,674 UGH! HORRID. THOUGH I'M BOUND TO SAY... 22 00:05:06,707 --> 00:05:09,543 ALL THE LONDON RELATIVES SEEMED TO ENJOY IT NO END. 23 00:05:09,577 --> 00:05:12,513 DID ANY OF THEM ASK YOU TO GO AND LIVE WITH THEM? I MEANT TO WARN YOU. 24 00:05:12,546 --> 00:05:16,083 RELATIVES AT FUNERALS ALWAYS DO THAT. NOT ME. 25 00:05:16,116 --> 00:05:18,819 I'VE ONLY A HUNDRED POUNDS A YEAR, AND I CAN'T PLAY BRIDGE. 26 00:05:18,852 --> 00:05:21,054 AND I WAS NEVER VERY CLOSE TO MY PARENTS. 27 00:05:21,088 --> 00:05:24,492 OF COURSE YOU CAN STAY HERE AS LONG AS YOU LIKE, DARLING, 28 00:05:24,525 --> 00:05:27,060 BUT YOU'LL PROBABLY WANT TO TAKE UP SOME KIND OF WORK SOMETIME; 29 00:05:27,094 --> 00:05:29,597 EARN ENOUGH FOR A FLAT OF YOUR OWN. 30 00:05:29,630 --> 00:05:31,699 WHAT KIND OF WORK? 31 00:05:31,732 --> 00:05:34,968 IT'S AGES SINCE I DID ANY, BUT THERE MUST BE SOMETHING THAT WOULD SUIT YOU. 32 00:05:35,002 --> 00:05:38,906 BOOKKEEPING, BEEKEEPING. I CAN'T DO THAT, MARY. 33 00:05:38,939 --> 00:05:40,774 REALLY. NOW, FLORA, DON'T BE FEEBLE. 34 00:05:40,808 --> 00:05:44,578 YOU KNOW YOU'D BE MISERABLE IF YOU HAVEN'T A JOB AND ALL YOUR FRIENDS HAVE. 35 00:05:44,612 --> 00:05:49,617 BESIDES, A HUNDRED POUNDS A YEAR-- HA! HARDLY KEEP YOU IN STOCKINGS AND FANS. 36 00:05:49,650 --> 00:05:52,920 OH, THANK YOU, SNELLER. BATTENBURG! MY FAVORITE. 37 00:05:53,854 --> 00:05:55,789 YOU MUST HAVE SOME AMBITION. 38 00:05:55,823 --> 00:05:58,559 I DO. I WANT TO BE A WRITER. 39 00:05:58,592 --> 00:06:00,861 WHEN I'M 53, I MEAN TO WRITE A NOVEL... 40 00:06:00,894 --> 00:06:03,931 AS GOOD AS PERSUASION, BUT WITH A MODERN SETTING. 41 00:06:03,964 --> 00:06:08,536 WELL, HOW WILL YOU SPEND THE NEXT 30 YEARS? LIVING LIFE. 42 00:06:08,569 --> 00:06:13,006 COLLECTING MATERIAL. SURELY NO ONE CAN OBJECT TO THAT. 43 00:06:13,040 --> 00:06:17,911 I HAVE SUCH A LOT IN COMMON WITH JANE AUSTEN. NEITHER OF US COULD ENDURE A MESS. 44 00:06:17,945 --> 00:06:20,113 WHAT WILL YOU LIVE ON-- OR OFF? 45 00:06:20,147 --> 00:06:23,984 AS YOU SAID: RELATIVES. I'M PECULIARLY RICH IN THEM. 46 00:06:24,017 --> 00:06:26,153 THEY HAVEN'T ASKED YOU. THE LONDON ONES HAVEN'T, 47 00:06:26,186 --> 00:06:28,789 BUT THERE ARE PLENTY MORE ALL OVER THE COUNTRY. 48 00:06:28,822 --> 00:06:34,061 I'LL SEND OFF SOME PITEOUS LETTERS TOMORROW. WHAT SHALL WE DO TONIGHT? 49 00:06:34,094 --> 00:06:36,497 ARE ANY OF YOUR ADMIRERS BACK FROM THEIR JUNGLES? 50 00:06:36,530 --> 00:06:40,601 YOU MUST SEE THE NEW RIVER CLUB. IT'S EVER SO SMART AND SELECT. SNELLER, 51 00:06:40,634 --> 00:06:42,703 ARE ANY OF THE MEN HOME? 52 00:06:42,736 --> 00:06:47,107 I BELIEVE MR. FAIRFORD AND MR. BISCUIT. AH, BIKKI! 53 00:06:47,140 --> 00:06:50,944 CHARLES FAIRFORD? HE'S A RELATIVE, A SORT OF SECOND COUSIN. 54 00:06:50,978 --> 00:06:53,146 TELEPHONE, MADAM. 55 00:06:54,081 --> 00:06:57,451 UM, BELGRAVIA-- 56 00:06:57,485 --> 00:06:59,587 2211. 57 00:06:59,620 --> 00:07:02,756 * [ Uptempo Dance ] 58 00:07:09,497 --> 00:07:13,233 HOW WAS KENYA, BIKKI? I'VE HEARD AWFUL THINGS ABOUT IT. 59 00:07:13,266 --> 00:07:15,736 IT'S ALL TRUE. 60 00:07:15,769 --> 00:07:19,473 MORE BUBBLY? OH, JUST POUR IT, BIKKI. 61 00:07:19,507 --> 00:07:21,942 MARY SAYS YOU WANT TO LIVE WITH RELATIVES. 62 00:07:21,975 --> 00:07:25,045 OH, YOU SHOULDN'T HAVE SAID, MARY. HE MIGHT THINK I WANT TO GO AND LIVE WITH HIM... 63 00:07:25,078 --> 00:07:27,247 AND WAS ANGLING FOR AN INVITATION. 64 00:07:27,280 --> 00:07:32,753 YOU'D BE VERY WELCOME. MOTHER WOULD LOVE IT IF YOU DID. 65 00:07:32,786 --> 00:07:35,789 WHAT DO YOU DO, CHARLES? 66 00:07:35,823 --> 00:07:40,728 EMBRYO PARSON, ACTUALLY. OH, WELL, THAT REALLY MAKES IT AWKWARD. 67 00:07:40,761 --> 00:07:45,265 ANYWAY, YOU'RE NOT ENOUGH OF A CHALLENGE. I LIKE TO ORGANIZE THINGS AND TIDY UP. 68 00:07:45,298 --> 00:07:47,501 YOU SEEM TIDY ALREADY. 69 00:07:47,535 --> 00:07:50,638 BESIDES, I WANT TO LEARN ABOUT REAL LIFE. 70 00:07:50,671 --> 00:07:52,973 WHAT FOR? TO PUT IT IN BOOKS. 71 00:07:53,006 --> 00:07:55,042 OH, I SEE. 72 00:07:57,611 --> 00:07:59,780 HOW ABOUT IT, MARY? 73 00:07:59,813 --> 00:08:01,882 I THINK BIKKI WANTS TO DANCE. 74 00:08:03,751 --> 00:08:06,086 [ Man ] WHAT ABOUT THAT GAME OF GOLF? 75 00:08:06,119 --> 00:08:08,155 [ Laughing ] 76 00:08:08,188 --> 00:08:11,792 [ Man ] I SAY. 77 00:08:21,334 --> 00:08:23,303 YOU EVER THINK OF GETTING MARRIED? 78 00:08:23,336 --> 00:08:27,207 I BELIEVE IN ARRANGED MARRIAGES, DON'T YOU? RATHER OUT OF DATE. 79 00:08:27,240 --> 00:08:31,779 NOT AT ALL. I'VE ALWAYS LIKED THE PHRASE "A MARRIAGE HAS BEEN ARRANGED." 80 00:08:31,812 --> 00:08:34,582 WHEN I FEEL LIKE IT, I'LL ARRANGE ONE. 81 00:08:34,615 --> 00:08:38,285 IF YOU GET BORED, WHEREVER YOU ARE, PHONE. 82 00:08:38,318 --> 00:08:40,721 I'LL COME AND RESCUE YOU IN MY PLANE. 83 00:08:40,754 --> 00:08:45,225 HAVE YOU A PLANE, CHARLES? MMM. BELISHA BAT CALLED SPEED COP TWO. 84 00:08:45,258 --> 00:08:48,562 ARE YOU SURE AN EMBRYO PARSON SHOULD HAVE A PLANE? 85 00:08:48,596 --> 00:08:52,232 EVERYONE SHOULD HAVE A PLANE. [ Laughing ] OH, REALLY, CHARLES. 86 00:09:00,808 --> 00:09:03,777 POST, MISS POSTE. 87 00:09:03,811 --> 00:09:06,313 THERE YOU ARE. THEY'VE ALL ANSWERED. NOW YOU'LL BE SORRY. 88 00:09:06,346 --> 00:09:10,017 WELL, WAIT NOW. I'LL HAVE TO SEE WHAT THEY HAVE TO SAY. 89 00:09:10,050 --> 00:09:13,987 THEN I'LL MAKE MY CHOICE. WELL, GO ON THEN. 90 00:09:18,659 --> 00:09:21,294 "MY DEAR NIECE, SUCH A SAD LOSS--" 91 00:09:21,328 --> 00:09:24,364 BUT WE MUST ALL KEEP A STIFF UPPER LIP. 92 00:09:24,397 --> 00:09:26,333 YOU'D BE MOST WELCOME HERE. 93 00:09:26,366 --> 00:09:31,138 THE WORTHING AIR IS BRACING, AND DEAR ROSEDALE IS ALWAYS-- 94 00:09:31,171 --> 00:09:34,007 "FULL OF THE HAPPIEST OF BOARDERS. 95 00:09:34,041 --> 00:09:37,244 YOU'LL FIND A TRUE HOME ATMOSPHERE AND PLENTY OF FUN." 96 00:09:37,277 --> 00:09:41,181 AND COUSIN PEGGY, NOW ARKELA OF HER OWN TROOP, 97 00:09:41,214 --> 00:09:44,284 WOULD LOVE TO SHARE HER BEDROOM WITH YOU. 98 00:09:44,317 --> 00:09:46,353 "YOUR LOVING AUNT GWEN." 99 00:09:47,688 --> 00:09:50,891 SHARE. I COULDN'T. 100 00:09:53,827 --> 00:09:58,065 [ Man ] I WAS SHOCKED BY YOUR LETTER-- 101 00:09:58,098 --> 00:10:01,769 SO SHOCKED, MY OLD TROUBLE IS BACK. 102 00:10:01,802 --> 00:10:07,140 I AM VERY WILLING TO SHELTER YOUR WEE GIRLHOOD UNDER MY ROOF, 103 00:10:07,174 --> 00:10:11,211 EH, BUT I FEAR YOU COULD FIND IT DULL... 104 00:10:11,244 --> 00:10:16,884 WITH NO COMPANY SAVE MY POOR CHAIRBOUND SELF, 105 00:10:16,917 --> 00:10:19,186 MY MAN-- HOOTS-- 106 00:10:19,219 --> 00:10:23,857 AND MY HOUSEKEEPER, NOW TOTALLY DEAF. 107 00:10:23,891 --> 00:10:26,994 "STILL, THERE IS MARVELOUS BIRD LIFE TO BE FOUND IN THE MARSHES... 108 00:10:27,027 --> 00:10:29,663 THAT SURROUND MY RUIN ON ALL SIDES." 109 00:10:29,697 --> 00:10:32,165 [ Hacking Cough ] [ Flora Reading ] "I MUST END NOW, 110 00:10:32,199 --> 00:10:34,434 "AS MY OLD TROUBLE IS RETURNING. 111 00:10:34,467 --> 00:10:38,672 YOUR LOVING Uncle McKNAG." NO, FLORA. NO. 112 00:10:41,942 --> 00:10:46,914 [ Woman ] I'VE EXPECTED TO HEAR FROM ROBERT POSTE'S CHILD THESE 20 YEARS. 113 00:10:46,947 --> 00:10:52,052 CHILD, MY MAN ONCE DID YOUR FATHER A GREAT WRONG. 114 00:10:52,085 --> 00:10:55,823 IF YOU'LL COME HERE, I'LL DO MY BEST TO ATONE. 115 00:10:55,856 --> 00:10:59,827 BUT NEVER ASK WHAT FOR. MY LIPS ARE SEALED. 116 00:10:59,860 --> 00:11:03,030 "WE'RE NOT LIKE OTHER FOLK MAYBE, BUT THERE HAVE ALWAYS BEEN STARKADDERS... 117 00:11:03,063 --> 00:11:05,032 AT COLD COMFORT FARM." 118 00:11:05,065 --> 00:11:10,370 WILL YOU STOP IT? "AND WE WILL DO OUR BEST TO WELCOME ROBERT POSTE'S CHILD." 119 00:11:10,403 --> 00:11:13,473 CHILD, CHILD, 120 00:11:13,506 --> 00:11:15,909 IF YOU COME TO THIS DOOMED HOUSE, 121 00:11:16,944 --> 00:11:18,779 WHAT IS THERE TO SAVE YOU? 122 00:11:18,812 --> 00:11:21,314 "YOUR COUSIN, JUDITH STARKADDER." 123 00:11:21,348 --> 00:11:25,452 JUDITH STARKADDER? THE DAUGHTER OF MY GREAT-AUNT, ADA DOOM. 124 00:11:25,485 --> 00:11:27,755 WHOM MOTHER COULDN'T ABIDE. 125 00:11:27,788 --> 00:11:29,256 OH, IT SOUNDS APPALLING. 126 00:11:29,289 --> 00:11:33,293 INTERESTING AND APPALLING. THE OTHERS JUST SOUND APPALLING. 127 00:11:33,326 --> 00:11:35,295 OH, FLORA. I'M WILLING TO BET... 128 00:11:35,328 --> 00:11:38,098 THERE ARE ALSO COUSINS CALLED "SETH" AND "REUBEN." 129 00:11:38,131 --> 00:11:40,901 - WHY? - HIGHLY SEXED YOUNG MEN LIVING ON FARMS... 130 00:11:40,934 --> 00:11:43,170 ARE ALWAYS CALLED "SETH" OR "REUBEN." 131 00:11:43,203 --> 00:11:45,773 REALLY. I MEAN, THERE PROBABLY ISN'T EVEN A BATHROOM. 132 00:11:45,806 --> 00:11:48,308 IT IS SUSSEX, FOR GOODNESS' SAKE. 133 00:11:48,341 --> 00:11:52,345 WELL, IF YOU'VE REALLY MADE UP YOUR MIND TO GO, YOU'D BETTER. YOU'LL SOON TIRE OF IT ANYHOW. 134 00:11:52,379 --> 00:11:54,314 I THINK I WILL GO. 135 00:11:54,347 --> 00:11:58,318 I'M VERY KEEN TO KNOW WHAT COUSIN JUDITH MEANS BY MY "RIGHTS." 136 00:12:04,457 --> 00:12:06,860 [ Mary ] YOU HAVE TO CHANGE TRAINS FOUR TIMES AND GET OUT SOMEWHERE 137 00:12:06,894 --> 00:12:09,196 CALLED BEERSHORN HALT. 138 00:12:09,229 --> 00:12:12,365 DON'T WORRY, MARY. THERE'LL BE PLENTY OF MATERIAL FOR MY NOVEL... 139 00:12:12,399 --> 00:12:14,902 AND PERHAPS ONE OR TWO FAMILY MESSES I CAN CLEAR UP. 140 00:12:14,935 --> 00:12:16,870 SOMETHING TO TAKE TO THE COUNTRY. 141 00:12:16,904 --> 00:12:19,272 FLOWERS COME FROM THE COUNTRY, CHARLES. 142 00:12:19,306 --> 00:12:22,409 OHH. IT'S VERY KIND OF YOU. 143 00:12:23,343 --> 00:12:25,312 MAY I COME WITH YOU TO THE STATION? 144 00:12:25,345 --> 00:12:28,081 PLEASE DO. I LIKE TO GO OFF IN STYLE. 145 00:12:31,251 --> 00:12:32,752 GOOD-BYE, MY DOVE. 146 00:12:32,786 --> 00:12:36,256 I SHALL EXPECT REGULAR LETTERS FROM YOU LETTING US KNOW OF YOUR PROGRESS. 147 00:12:36,289 --> 00:12:38,291 I CAN SEND YOU THINGS. WHAT THINGS? 148 00:12:38,325 --> 00:12:41,061 OH, PROPER CLOTHES, CHEERFUL FASHION PAPERS. 149 00:12:41,094 --> 00:12:43,931 YOU'LL NEED THEM. YOU'VE NEVER LIVED IN THE COUNTRY. 150 00:12:43,964 --> 00:12:46,099 I'M SURE I'LL FIND IT VERY AMUSING. 151 00:12:47,367 --> 00:12:51,471 MIND YOU, WIRE IF YOU WANT ANY GUMBOOTS OR ANYTHING. 152 00:12:57,610 --> 00:12:59,880 [ Whistle Blowing ] 153 00:13:02,215 --> 00:13:04,151 [ Thinking ] IT WAS WINTER, 154 00:13:04,184 --> 00:13:08,588 THE GRIMMEST HOUR OF THE DARKEST DAY OF THE YEAR. 155 00:13:08,621 --> 00:13:10,858 OH, NO. 156 00:13:12,192 --> 00:13:14,227 REALLY. 157 00:13:17,264 --> 00:13:21,401 [ Thinking ] THE GOLDEN ORB HAD ALMOST DISAPPEARED... 158 00:13:21,434 --> 00:13:25,405 BEHIND THE INTERLACING FINGERS OF THE HAWTHORN. 159 00:13:32,612 --> 00:13:37,450 [ Metal Banging ] ADAM LAMBSBREATH! 160 00:13:37,484 --> 00:13:39,953 [ Banging Pail ] 161 00:13:42,255 --> 00:13:45,893 - [ Cow Bellowing ] - STEADY, GRACELESS. 162 00:13:45,926 --> 00:13:48,395 COME ON, FECKLESS. FILL 'UN UP. 163 00:13:48,428 --> 00:13:52,299 ADAM? THERE YOU ARE. 164 00:13:52,332 --> 00:13:57,304 HOW MANY PAILS TODAY? DUNNO KNOW HOW MANY, MISS JUDITH. 'TIS HARD TO TELL. 165 00:13:57,337 --> 00:14:02,209 IF POINTLESS GOT OVER HER INDIGESTION, MAYBE FOUR. IF NOT, MAYBE THREE. 166 00:14:02,242 --> 00:14:04,611 [ Giggling ] 167 00:14:05,913 --> 00:14:10,083 [ Moaning ] 168 00:14:11,451 --> 00:14:15,555 GET OUT OF THERE, SETH, YOU NO-GOOD SON OF MINE. 169 00:14:15,588 --> 00:14:19,993 GOOD DAY, MOTHER. DO YOU WANT TO BREAK MY HEART? 170 00:14:20,027 --> 00:14:24,197 - THAT'S RIGHT. - LIBERTINE. WHO'S THAT UP THERE? 171 00:14:24,231 --> 00:14:26,499 JUST LOOKIN' FOR EGGS, MISS JUDITH. 172 00:14:27,500 --> 00:14:29,536 GET BACK TO THE VICARAGE, VIOLET. 173 00:14:29,569 --> 00:14:31,471 AND ANOTHER THING, ADAM. 174 00:14:31,504 --> 00:14:34,607 YOU'LL HAVE TO TAKE THE TRAP DOWN TO BEERSHORN HALT. MEET THE TRAIN. 175 00:14:34,641 --> 00:14:38,645 ROBERT POSTE'S CHILD'S COMIN' TODAY. AFTER THE FARM, IS SHE? 176 00:14:38,678 --> 00:14:41,148 OH, MUN I, MISS JUDITH? 177 00:14:41,181 --> 00:14:44,284 CAN'T SETH GO INSTEAD OF ME? 178 00:14:44,317 --> 00:14:48,321 HOW CAN I LOOK IN HER LITTLE FLOWER FACE KNOWING WHAT I KNOWS? 179 00:14:48,355 --> 00:14:51,124 YOU REMEMBER WHAT HAPPENED WHEN HE WENT TO MEET THE NEW KITCHEN MAID. 180 00:14:51,158 --> 00:14:53,626 NO. YOU GO, ADAM. 181 00:14:53,660 --> 00:14:57,397 DON'T KNOW HOW MANY TIMES I FEARED THIS DAY WOULD COME. 182 00:14:57,430 --> 00:15:00,567 HOW WILL I KNOW THE LITTLE MAIDY? 183 00:15:00,600 --> 00:15:03,670 WHO ELSE IS GONNA GET OFF AT BEERSHORN HALT? 184 00:15:07,674 --> 00:15:13,446 [ Thinking ] THE MAN'S HUGE BODY, RUDE AS A WIND-TORTURED THORN, 185 00:15:13,480 --> 00:15:17,317 WAS PRINTED DARK AGAINST THE FLAME OF SUN THAT-- 186 00:15:17,350 --> 00:15:23,223 THAT THROBBED-- THAT THROBBED ON THE TIP OF MOCKUNCLE HILL. 187 00:15:23,256 --> 00:15:26,159 THE GOLDEN ORB-- [ Conductor ] BEERSHORN! 188 00:15:26,193 --> 00:15:28,261 OH. 189 00:15:38,005 --> 00:15:40,207 [ Blows Whistle ] [ Train Whistle Blowing ] 190 00:16:03,196 --> 00:16:05,765 UGH! HOW REVOLTING! 191 00:16:05,798 --> 00:16:08,435 DON'T YOU KNOW THIS TRAP'S FILTHY? 192 00:16:08,468 --> 00:16:11,404 [ Grunting ] 193 00:16:13,473 --> 00:16:17,010 ARE YE THE LITTLE MAIDY, ROBERT POSTE'S CHILD? 194 00:16:17,044 --> 00:16:19,079 YES, I'M THE LITTLE MAIDY. WHO ARE YOU? 195 00:16:19,112 --> 00:16:23,750 ADAM. ADAM LAMBSBREATH. 196 00:16:23,783 --> 00:16:27,487 YE GET UP. I'LL SEE TO THEM, ROBERT POSTE'S CHILD. 197 00:16:27,520 --> 00:16:32,259 MISS POSTE. OR MISS FLORA, IF YOU WANT TO BE COMPLETELY FEUDAL. 198 00:16:32,292 --> 00:16:34,327 UGH! 199 00:16:43,103 --> 00:16:46,606 [ Flora ] WHERE'S THIS? HOWLIN', ROBERT POSTE'S CHILD. 200 00:16:46,639 --> 00:16:48,808 HOWLING? ARE WE NEARLY THERE? 201 00:16:48,841 --> 00:16:52,679 ANOTHER FEW MILES YET, ROBERT POSTE'S CHILD. 202 00:16:52,712 --> 00:16:54,747 GIT ON, VIPER. 203 00:16:57,717 --> 00:17:03,090 WHAT'S THE FARM LIKE? THE SEEDS WITHER AND THE EARTH WILL NOT NOURISH 'EM. 204 00:17:03,123 --> 00:17:06,359 THE COWS ARE BARREN. THE SOWS ARE FARREN. 205 00:17:06,393 --> 00:17:10,563 ALL IS TURNED TO SOURNESS AND RUIN. OH, DEAR. 206 00:17:10,597 --> 00:17:13,133 IS THERE NO MONEY? 'TAIN'T MONEY. 207 00:17:13,166 --> 00:17:16,603 THERE'S A CURSE ON THE PLACE, ROBERT POSTE'S CHILD. 208 00:17:16,636 --> 00:17:20,107 'TIS THE STARKADDERS'S DOOM. 209 00:17:20,140 --> 00:17:23,410 [ Flora ] OH, I'M SURE IT'S NOT AS BAD AS ALL THAT. 210 00:17:23,443 --> 00:17:25,478 [ Groaning ] 211 00:17:27,547 --> 00:17:29,816 [ Adam ] VIPER. 212 00:17:30,617 --> 00:17:33,253 WHOA THERE, VIPER. 213 00:17:33,286 --> 00:17:36,689 WELL, IT IS A LITTLE GLOOMY, I AGREE. 214 00:17:45,165 --> 00:17:48,635 WHOA. WHOA, VIPER! 215 00:17:49,902 --> 00:17:54,141 GET 'E DOWN, ROBERT POSTE'S CHILD. 216 00:17:57,144 --> 00:18:00,513 OH, HOW DO YOU DO? YOU MUST BE COUSIN JUDITH. 217 00:18:00,547 --> 00:18:05,885 IT'S SO GOOD OF YOU TO HAVE ME. ISN'T IT CURIOUS WE'VE NEVER MET BEFORE? 218 00:18:05,918 --> 00:18:08,788 'TIS ROBERT POSTE'S CHILD, ALL RIGHT. [ Cow Bellowing ] 219 00:18:08,821 --> 00:18:12,192 THAT'S GRACELESS, LOOKING OUT FOR ME. 220 00:18:12,225 --> 00:18:15,162 YOU GET BACK TO YOUR COWS, ADAM. MY LUGGAGE. 221 00:18:15,195 --> 00:18:19,799 MERIAM'LL BRING IT. THIS WAY, MISS POSTE. 222 00:18:31,244 --> 00:18:34,681 I THINK, JUST FOR TONIGHT, I'LL EAT IN MY ROOM IF I MAY. 223 00:18:34,714 --> 00:18:38,785 IT'S COLD THERE. I EXPECT A FIRE WILL SOON WARM IT UP. 224 00:18:39,852 --> 00:18:42,189 OH, MY SONS'LL BE SORRY. 225 00:18:43,356 --> 00:18:45,525 THEY WANTED TO SEE THEIR LITTLE COUSIN. 226 00:18:45,558 --> 00:18:48,928 YOUR SONS? SETH AND REUBEN. 227 00:18:48,961 --> 00:18:51,264 SETH AND REUBEN. REALLY? 228 00:18:51,298 --> 00:18:54,234 WELL, I'LL SEE THEM TOMORROW, I'M SURE. 229 00:19:01,608 --> 00:19:05,778 SOMEONE HAS A HEARTY APPETITE. FOLLOW ME, MISS POSTE. 230 00:19:10,950 --> 00:19:14,454 NOBODY SHALL SAY WE DIDN'T DO RIGHT BY ROBERT POSTE'S CHILD. 231 00:19:14,487 --> 00:19:16,523 NO. QUITE. 232 00:19:17,924 --> 00:19:20,159 THANK YOU. 233 00:19:30,337 --> 00:19:32,439 [ Springs Squeaking ] 234 00:19:41,714 --> 00:19:44,817 [ Rustling ] 235 00:19:58,431 --> 00:20:00,433 HEY, ELFINE. 236 00:20:02,802 --> 00:20:07,907 MY LITTLE WATER VOLE. MY LITTLE WATER VOLE. 237 00:20:28,995 --> 00:20:31,631 [ Rooster Crowing ] 238 00:20:31,664 --> 00:20:34,467 MMM. [ Chickens Clucking ] 239 00:20:36,403 --> 00:20:38,438 OHH. 240 00:20:40,440 --> 00:20:43,376 [ Adam ] YOU'D NEVER SELL FECKLESS! [ Man ] I DO WHAT I LIKE! 241 00:20:43,410 --> 00:20:46,779 [ Adam ] WHO COULD'VE TENDED THE POOR, DUMB BEASTY BETTER NOR I? 242 00:20:46,813 --> 00:20:51,984 I KNOWS WHAT'S IN HER HEART BETTER THAN I KNOWS WHAT'S IN THE HEARTS OF SOME HUMANS. 243 00:20:52,018 --> 00:20:54,854 [ Man ] LOOK AT HER! BE HARD TO FIND A KNACKER'S MAN WHO'D TAKE HER. 244 00:20:54,887 --> 00:20:57,624 AND ANOTHER THING! I DON'T PAY YE WAGES TO COLLECT... 245 00:20:57,657 --> 00:21:00,827 CHICKEN FEATHERS AND SELL 'EM DOWN BEERSHORN FOR GOOD MONEY! 246 00:21:00,860 --> 00:21:05,298 THAT WEREN'T I! MAY I NEVER SET HAND ON PLOW AGAIN IF IT WERE! 247 00:21:05,332 --> 00:21:07,867 THAT WERE URK! I SAY. 248 00:21:07,900 --> 00:21:11,671 DO YOU THINK YOU WOULD MIND NOT TALKING QUITE SO LOUDLY, PLEASE? 249 00:21:11,704 --> 00:21:14,307 SOME OF US ARE TRYING TO SLEEP. 250 00:21:14,341 --> 00:21:16,443 OH. OHH. 251 00:22:02,855 --> 00:22:05,958 WIFE, WHERE'S ELFINE? 252 00:22:05,992 --> 00:22:08,695 NOT UP YET, I EXPECT, AMOS. 253 00:22:08,728 --> 00:22:11,864 GODLESS HABIT, LYIN' ABED OF A WORKIN' DAY. 254 00:22:11,898 --> 00:22:16,002 THE REEKIN' FIRES LIE WAITING FOR THEM AS DO. 255 00:22:16,035 --> 00:22:20,507 WHAT A FAMILY I'M CURSED WITH. 256 00:22:20,540 --> 00:22:24,043 YOU'LL FRITTER AND FRY IN HELL, THE LOT OF YOU! 257 00:22:24,076 --> 00:22:26,479 MERIAM PASSED OUT THIS MORNING. 258 00:22:26,513 --> 00:22:28,481 OH, BLESS HER. 259 00:22:28,515 --> 00:22:32,485 AH. RECKON HER TIME'S COME, EH, SETH? 260 00:22:35,988 --> 00:22:38,090 ROBERT POSTE'S CHILD HERE, INNIT SHE? 261 00:22:39,025 --> 00:22:41,461 AFTER YOUR 'HERITANCE, EH, REUBEN? 262 00:22:49,536 --> 00:22:51,604 ROBERT POSTE'S CHILD. 263 00:22:57,143 --> 00:23:00,413 WELL, SOME OF US HAS FARMIN' TO DO. 264 00:23:00,447 --> 00:23:04,817 URK, TIME THE BARREN FIELD WERE GONE OVER WITH A PRUNIN' SNOOT. 265 00:23:04,851 --> 00:23:08,988 REUBEN, GET PLOWIN' DOWN NETTLE FLITCH. SETH, 266 00:23:09,021 --> 00:23:10,990 YOU DRAIN THE WELL. 267 00:23:11,023 --> 00:23:13,092 THERE'S A NEIGHBOR MISSIN'. 268 00:23:26,906 --> 00:23:29,075 SO YOU'RE THE LITTLE LADY FROM LONDON... 269 00:23:29,108 --> 00:23:31,177 WITH YOUR SMART WAYS, EH? 270 00:23:33,480 --> 00:23:35,715 I KNOW YOUR SORT. 271 00:23:35,748 --> 00:23:38,217 DRAIN AWAY A MAN'S BLOOD SOON AS LOOK AT HIM. 272 00:23:38,250 --> 00:23:40,853 SETH, AFTER YOU'VE DONE THE WELL, 273 00:23:40,887 --> 00:23:43,856 YOU GET SCRATTLIN' UP AT TICKLEPENNY CORNER. 274 00:23:47,627 --> 00:23:51,030 COME ON, MISS POSTE. ADAM WILL GET YOU BREAKFAST. 275 00:24:02,809 --> 00:24:04,811 IS THERE ANY BREAD AND BUTTER AND SOME TEA, ADAM? 276 00:24:04,844 --> 00:24:06,779 I DON'T MUCH CARE FOR PORRIDGE. 277 00:24:06,813 --> 00:24:09,582 BREAD AND BUTTER IN THE CROCKET. TEA IN THE POT. 278 00:24:09,616 --> 00:24:14,220 NOW LEAVE ME IN PEACE. I MUN CLETTER THE DISHES, ROBERT POSTE'S CHILD. 279 00:24:17,156 --> 00:24:21,127 THAT'S A TWIG. WHAT YOU WANT IS A NICE LITTLE MOP WITH A HANDLE. 280 00:24:21,160 --> 00:24:23,796 IT WOULD GET THE DISHES CLEANER AND BE SO MUCH QUICKER TOO. 281 00:24:23,830 --> 00:24:26,232 DON'T WANT NO MOP WITH A HANDLE. I'VE CLETTERED DISHES... 282 00:24:26,265 --> 00:24:28,801 WITH AN OLD THORN TWIG NIGH ON 50 YEAR. 283 00:24:28,835 --> 00:24:31,070 AND WHAT WAS GOOD ENOUGH THEN IS GOOD ENOUGH NOW, IS IT? 284 00:24:31,103 --> 00:24:33,139 AYE. 285 00:24:33,172 --> 00:24:36,275 ADAM, I'VE BEEN THINKING ABOUT THE STARKADDERS'S DOOM. 286 00:24:36,308 --> 00:24:40,279 WHY DOESN'T COUSIN AMOS JUST SELL THIS AND BUY A FARM THAT DOESN'T HAVE A CURSE ON IT? 287 00:24:40,312 --> 00:24:43,683 IN BERKSHIRE OR DEVON, PERHAPS. NAY. 288 00:24:43,716 --> 00:24:46,853 THERE'S ALWAYS BEEN STARKADDERS AT COLD COMFORT FARM. 289 00:24:46,886 --> 00:24:49,889 'TIS IMPOSSIBLE FOR ANY OF US TO DREAM OF LEAVIN'. 290 00:24:49,922 --> 00:24:55,662 MRS. STARKADDER'S SET ON US STAYIN'. 'TIS HER LIFE-- THE VERY LIFE IN HER VEINS. 291 00:24:55,695 --> 00:24:58,565 COUSIN JUDITH, YOU MEAN? SHE DOESN'T SEEM VERY HAPPY HERE. 292 00:24:58,598 --> 00:25:02,769 NO, I MEAN THE OLD LADY, OLD MRS. STARKADDER. 293 00:25:02,802 --> 00:25:05,171 IS SHE DEAD? NO. 294 00:25:05,204 --> 00:25:07,707 [ Laughing ] 295 00:25:07,740 --> 00:25:10,643 NO, MISS, SHE'S ALIVE RIGHT ENOUGH. 296 00:25:10,677 --> 00:25:13,012 HER HAND LIES ON US LIKE IRON, 297 00:25:13,045 --> 00:25:15,715 BUT SHE NEVER LEAVES HER ROOM, 298 00:25:15,748 --> 00:25:17,917 NEVER SEES NO ONE BUT MISS JUDITH. 299 00:25:17,950 --> 00:25:21,854 AIN'T LEFT THE FARM THESE 20 YEAR. THAT BE HER TRAY-- [ Chickens Squawking ] 300 00:25:21,888 --> 00:25:24,924 OH, THERE SHE IS, MY LITTLE WENNIT. 301 00:25:28,260 --> 00:25:32,732 - GRACIOUS. WHO'S THAT? - THAT'S MY COWDLIN'. 302 00:25:32,765 --> 00:25:35,267 THAT'S ELFINE STARKADDER. 303 00:25:35,301 --> 00:25:38,237 DOES SHE ALWAYS CHARGE ABOUT LIKE THAT? 304 00:25:38,270 --> 00:25:42,108 SHE'S AS WILD AND SHY AS A PHARISEE OF THE WOODS. 305 00:25:42,141 --> 00:25:44,677 DAYS, SHE'S GONE WANDERING THE DOWNS... 306 00:25:44,711 --> 00:25:49,181 WITH ONLY THE SPYIN' MAGPIES AND LITTLE RABBITS FOR COMPANY. 307 00:25:49,215 --> 00:25:53,052 NO THOUGHT FOR THEM AS LOVED HER AND COWDLED HER IN THEIR BOSOM... 308 00:25:53,085 --> 00:25:55,021 WHEN SHE WERE A MOMMET. 309 00:25:55,054 --> 00:25:56,956 - [ Bell Ringing ] - HOW TRYING. I'LL TAKE THE TRAY, ADAM. 310 00:25:56,989 --> 00:26:00,292 OH, NO, MISS! I DOUBT SHE EVEN KNOW YOU'RE HERE. 311 00:26:00,326 --> 00:26:02,929 I UNDERSTAND WHAT TO DO. JUST LEAVE IT OUTSIDE HER DOOR. 312 00:26:02,962 --> 00:26:07,667 NO, M-- [ Bell Ringing ] 313 00:26:28,187 --> 00:26:30,690 [ Door Creaking ] 314 00:26:38,665 --> 00:26:41,734 ELFINE. WHAT DO YOU WANT? 315 00:26:41,768 --> 00:26:45,004 COUSIN JUDITH'S ROOM. BE A LAMB AND SHOW ME THE WAY. 316 00:26:45,037 --> 00:26:47,073 IT'S THAT WAY. 317 00:26:49,408 --> 00:26:53,713 DO FORGIVE ME SAYING SO, BUT I'D LOVE TO SEE YOU IN BLUE. 318 00:26:53,746 --> 00:26:56,282 SOME SHADES OF GREEN ARE GOOD, OF COURSE, BUT... 319 00:26:56,315 --> 00:26:59,051 DULL GREENS ARE VERY TRYING, I ALWAYS THINK. 320 00:26:59,085 --> 00:27:02,054 DEFINITELY BLUE. YOU TRY IT AND SEE. 321 00:27:05,057 --> 00:27:07,026 OH! WHO'S THAT? 322 00:27:07,059 --> 00:27:10,296 IT'S URK. HE'S HORRIBLE! 323 00:27:10,329 --> 00:27:13,165 HE'S AFTER ME AGAIN. GO AWAY! 324 00:27:13,199 --> 00:27:16,235 [ Cackling ] 325 00:27:20,372 --> 00:27:22,408 [ Knocking ] WHO'S THERE? 326 00:27:22,441 --> 00:27:28,014 GOOD MORNING. I'M SO SORRY TO INTERRUPT YOU WHILE YOU'RE BUSY WRITING LETTERS. 327 00:27:28,047 --> 00:27:33,285 BUSY? OH! BUSY WEAVIN' ME OWN SHROUD, BE LIKE. 328 00:27:33,319 --> 00:27:37,023 YOU CAN DO WHAT YOU PLEASE ROUND THE FARM, ROBERT POSTE'S CHILD, 329 00:27:37,056 --> 00:27:39,859 IF YOU DON'T BREAK IN ON ME LONELINESS. 330 00:27:39,892 --> 00:27:45,031 GIVE ME TIME AND I'LL ATONE FOR THE WRONG MY MAN DID YOUR FATHER. 331 00:27:45,064 --> 00:27:49,802 GIVE US ALL TIME AND WE'LL ATONE. 332 00:27:49,836 --> 00:27:53,305 I DON'T SUPPOSE YOU'D CARE TO TELL ME WHAT THE WRONG WAS. 333 00:27:53,339 --> 00:27:55,808 MY LIPS ARE SEALED, MISS POSTE. 334 00:27:55,842 --> 00:27:57,777 JUST AS YOU LIKE, COUSIN JUDITH. 335 00:27:57,810 --> 00:28:01,047 NOW, CAN WE DISCUSS MY KEEP? I HAVE A HUNDRED A YEAR. 336 00:28:01,080 --> 00:28:05,317 I WOULDN'T TOUCH A SINGLE PENNY OF ROBERT POSTE'S MONEY. 337 00:28:05,351 --> 00:28:09,321 WHILE YOU'RE HERE, YOU'RE A GUEST OF COLD COMFORT. 338 00:28:09,355 --> 00:28:13,292 EVERY MIDDOCK WILL BE PAID FOR BY OUR SWEAT. 339 00:28:13,325 --> 00:28:15,361 [ Woman Moaning ] 340 00:28:15,394 --> 00:28:17,930 WHILE I'M HERE, MIGHT I MAKE A FEW CHANGES? 341 00:28:17,964 --> 00:28:21,300 I ADORE MY BEDROOM, BUT DO YOU THINK I COULD HAVE MY CURTAINS WASHED? 342 00:28:21,333 --> 00:28:24,737 I BELIEVE THEY'RE RED, BUT I SHOULD LIKE TO MAKE SURE. 343 00:28:24,771 --> 00:28:28,775 CHILD, CHILD, IT'S YEARS SINCE SUCH TRIFLES... 344 00:28:28,808 --> 00:28:32,144 BROKE ACROSS THE WEB OF MY SOLITUDE. 345 00:28:32,178 --> 00:28:35,181 PERHAPS MERIAM COULD WASH THEM. [ Shrieking ] 346 00:28:35,214 --> 00:28:39,752 - OH, NOT NOW. HER TIME HAS COME. - SHE'S IN LABOR? WHERE? 347 00:28:42,121 --> 00:28:45,457 - IS THE DOCTOR THERE? - YOU LEAVE HER BE. 348 00:28:45,491 --> 00:28:49,295 EVERY YEAR WHEN THE SUKEBIND FLOWERS, IT'S THE SAME THING. 349 00:28:49,328 --> 00:28:52,498 'TIS THE HAND OF NATURE. WE WOMEN CAN'T ESCAPE IT. 350 00:28:52,531 --> 00:28:55,835 OF COURSE WE CAN! WHO'S RESPONSIBLE? 351 00:28:55,868 --> 00:28:58,404 OH, CURSED BE THE DAY I BROUGHT HIM FORTH... 352 00:28:58,437 --> 00:29:01,473 AND THE NOURISHMENT HE DREW FROM MY BOSOM. 353 00:29:01,507 --> 00:29:04,844 CURSED BE THE WOOING TONGUE GOD GAVE HIM... 354 00:29:04,877 --> 00:29:08,314 TO BRING DISGRACE UPON WEAK FEMALES. 355 00:29:08,347 --> 00:29:11,884 RIGHT. WELL, IF YOU'LL EXCUSE ME, COUSIN JUDITH, 356 00:29:11,918 --> 00:29:14,086 I HAVE A FEW THINGS TO ATTEND TO. 357 00:30:01,000 --> 00:30:03,202 [ Groaning ] 358 00:30:03,235 --> 00:30:05,537 WHO'S THERE? ARE YOU ALL RIGHT? 359 00:30:05,571 --> 00:30:09,275 IT'S MISS POSTE, FROM THE FARM. WHAT DO YOU WANT? 360 00:30:09,308 --> 00:30:12,178 MAY I COME IN? 361 00:30:13,645 --> 00:30:15,882 COME TO MOCK ME IN MY SHAME, MUM? 362 00:30:15,915 --> 00:30:19,118 I THOUGHT YOU WERE IN LABOR. I HEARD YOU CRY OUT. 363 00:30:19,151 --> 00:30:24,090 HAD IT LAST NIGHT. I WAS JUST MOANING A BIT. 364 00:30:24,123 --> 00:30:28,627 IT'S NOT SO BAD IF YOU KEEP YOUR SPIRITS UP AND EAT HEARTY AFOREHAND. 365 00:30:28,660 --> 00:30:32,164 IS IT YOUR FIRST? 'TIS MY FOURTH. 366 00:30:32,198 --> 00:30:35,634 AND WHO KNOWS WHAT'LL HAPPEN AGAIN WHEN THE SUKEBIND'S OUT IN THE HEDGES. 367 00:30:35,667 --> 00:30:39,638 NOW LOOK, MERIAM, NOTHING NEED HAPPEN SO LONG AS YOU USE YOUR INTELLIGENCE... 368 00:30:39,671 --> 00:30:42,008 AND SEE IT DOESN'T. 369 00:30:42,041 --> 00:30:44,643 HAVEN'T YOU HEARD OF FAMILY PLANNING? NO, MUM. 370 00:30:44,676 --> 00:30:48,647 YOU CAN PREVENT IT. ALL YOU NEED'S A LITTLE RUBBER BOWLER HAT TO STOP IT HAPPENING AGAIN. 371 00:30:48,680 --> 00:30:54,053 - THE DOCTOR CAN SHOW YOU. - WHAT WOULD I LOOK LIKE IN A RUBBER BOWLER HAT? 372 00:30:54,086 --> 00:30:59,358 - YOU WEAR IT INSIDE, MERIAM. - OH, NO, MUM. 'TIS FLYIN' AGAINST NATURE, THAT IS. 373 00:30:59,391 --> 00:31:01,928 NONSENSE. NATURE'S ALL VERY WELL IN HER PLACE, 374 00:31:01,961 --> 00:31:04,430 BUT SHE MUSTN'T BE ALLOWED TO MAKE THINGS UNTIDY. 375 00:31:04,463 --> 00:31:08,067 NOW REMEMBER, MERIAM, NO MORE SUKEBIND AND SUMMER EVENINGS... 376 00:31:08,100 --> 00:31:10,069 WITHOUT A FEW PREPARATIONS BEFOREHAND. 377 00:31:10,102 --> 00:31:12,604 IF YOU'LL WASH MY BEDROOM CURTAINS FOR ME, I'LL PAY YOU. 378 00:31:12,638 --> 00:31:16,943 THAT CAN GO TOWARDS BUYING WHATEVER IT IS YOUR CHILDREN HAVE TO EAT. 379 00:31:16,976 --> 00:31:19,245 MORNIN', MISS. 380 00:31:19,278 --> 00:31:23,950 HELLO, MOTHER. SHE WANTS ME TO WASH HER BEDROOM CURTAINS. 381 00:31:23,983 --> 00:31:28,087 WHO'S "SHE"? THE CAT'S MOTHER? YOU SPEAK PROPER TO THE YOUNG LADY. 382 00:31:28,120 --> 00:31:31,958 NEVER THOUGHT I'D HEAR ANYONE WANTING WASHING DONE AT COLD COMFORT. 383 00:31:31,991 --> 00:31:36,428 SHE'LL WASH 'EM FOR YOU, MISS. OH, HOW IS HE? 384 00:31:37,396 --> 00:31:39,999 DOIN' FINE. THEY ALWAYS DOES. 385 00:31:40,032 --> 00:31:42,134 WELL, YOU NEEDN'T SOUND AS IF YOU WISH THEY WOULDN'T. 386 00:31:42,168 --> 00:31:46,605 LORD KNOWS, NONE OF 'EM WAS VERY WELCOME, POOR LITTLE INNOCENTS. 387 00:31:46,638 --> 00:31:51,477 STILL, NOW THEY'RE HERE, WE MIGHT AS WELL LOOK AFTER 'EM RIGHT. 388 00:31:51,510 --> 00:31:55,281 COME ANOTHER FOUR YEARS, I'LL START MAKIN' USE OF 'EM. 389 00:31:55,314 --> 00:31:57,216 HOW? 390 00:31:57,249 --> 00:31:59,651 TRAIN THE FOUR OF 'EM UP FOR ONE OF THEM JAZZ BANDS. 391 00:31:59,685 --> 00:32:04,356 THEY GET SIX POUND A NIGHT PLAYIN' UP WEST IN THE NIGHTCLUBS. 392 00:32:04,390 --> 00:32:08,194 THAT'S WHY WE GOT TO LOOK AFTER 'EM RIGHT. YEAH. 393 00:32:08,227 --> 00:32:12,098 HE'S GONNA BE A TROMBONE PLAYER. LOOK AT HIS MOUTH. 394 00:32:14,400 --> 00:32:16,635 A TELEGRAM, MADAM. 395 00:32:16,668 --> 00:32:19,605 OOH, IT MUST BE FROM FLORA. 396 00:32:19,638 --> 00:32:21,707 OH, DO READ IT, SNELLER. 397 00:32:24,110 --> 00:32:29,081 "WORST FEARS REALIZED. SETH AND REUBEN TOO. 398 00:32:29,115 --> 00:32:33,252 EVERYTHING NEEDS CHANGING. SEND MAGAZINES." 399 00:32:53,705 --> 00:32:55,641 MORNING. MORNING. 400 00:32:55,674 --> 00:32:57,976 NOT SO BAD NOW, EH? NO. 401 00:33:04,383 --> 00:33:07,786 LUNCHES, DEAR? WE DO, BUT ONLY IN AUGUST. 402 00:33:07,819 --> 00:33:11,157 NOT ALWAYS THEN. YOU CAN HAVE WHAT WE'RE HAVIN'. 403 00:33:11,190 --> 00:33:13,592 GOT TO COOK MY GENTLEMAN'S DINNER. OH! 404 00:33:13,625 --> 00:33:17,029 OH, NO, MY DEAR. THAT'S MR. HAWK-MONITOR FROM UP THE HALL. 405 00:33:17,063 --> 00:33:19,398 HE'S A REAL GENTLEMAN. HE DON'T EAT HERE. 406 00:33:19,431 --> 00:33:23,569 MY GENTLEMAN'S A MR. MYBUG FROM LONDON. HE'S A BOOK WRITER. 407 00:33:23,602 --> 00:33:26,438 OH, NOT ANOTHER. THERE HE IS NOW. 408 00:33:26,472 --> 00:33:30,676 WALKS THE HIGH WEALD ALL HOURS, HE DOES. THEN COMES IN COVERED IN MUD. 409 00:33:30,709 --> 00:33:33,379 * [ Humming ] 410 00:33:36,148 --> 00:33:40,152 GOOD DAY, ALL. NICE WALK, MR. MYBUG? 411 00:33:40,186 --> 00:33:44,090 I HAVE FREELY WANDERED THE AMPLE SUCKLING BREASTS OF THE WELCOMING HILLS. 412 00:33:44,123 --> 00:33:46,458 A PINT OF CIDER, IF YOU WOULD, MRS. MURTHER. 413 00:33:46,492 --> 00:33:48,660 A YOUNG LADY ASKIN' AFTER YOU. 414 00:33:50,429 --> 00:33:52,631 HA! FLORA POSTE, ISN'T IT? 415 00:33:52,664 --> 00:33:55,501 MAY I SIT DOWN? WE MET AT THE POLSWETTS IN OCTOBER. 416 00:33:55,534 --> 00:33:58,237 DID WE, MR. MYBUG? MEYERBURG. DON'T YOU REMEMBER? 417 00:33:58,270 --> 00:34:02,374 HARRIET BELMONT SAT NAKED ON THE GRASS AND PLAYED TO US ON HER FLUTE. 418 00:34:02,408 --> 00:34:06,412 ACTUALLY, THE POLSWETTS SAID YOU WERE DOWN HERE. I RATHER HOPED I WOULD RUN INTO YOU. 419 00:34:06,445 --> 00:34:09,281 BETTER GO UP AND DRY OFF, HADN'T YOU, MR. MYBUG? 420 00:34:09,315 --> 00:34:13,152 YES, YES. DEAR ME, I DO SEEM SOMEWHAT SOAKED IN NATURE'S FECUND BLESSING. 421 00:34:13,185 --> 00:34:16,255 I SHALL SEE YOU IN A VERY FEW MOMENTS, MY DEAR MISS POSTE. 422 00:34:16,288 --> 00:34:19,391 BUT LET ME WARN YOU. I'M A QUEER, MOODY BRUTE, 423 00:34:19,425 --> 00:34:23,061 BUT THERE'S RICH SOIL IN HERE IF YOU CARE TO DIG FOR IT. 424 00:34:26,398 --> 00:34:30,236 * [ Singing ] 425 00:34:30,269 --> 00:34:34,306 MRS. MURTHER, I THINK I'LL DO WITHOUT LUNCH TODAY AFTER ALL. ALL RIGHT, DEAR. 426 00:34:35,541 --> 00:34:37,576 GOOD-BYE. 427 00:34:48,287 --> 00:34:50,789 HELLO. 428 00:34:50,822 --> 00:34:53,892 I THOUGHT I'D INTRODUCE THE CUSTOM OF AFTERNOON TEA. 429 00:34:53,925 --> 00:34:56,162 DO YOU TAKE MILK? 430 00:35:16,682 --> 00:35:20,652 I SCRANLETTED 200 FURROW COME 3:00 DOWN IN THE BUTE. 431 00:35:22,254 --> 00:35:25,191 DID YOU? AYE. 432 00:35:25,224 --> 00:35:26,925 DID TOO. 433 00:35:26,958 --> 00:35:31,463 ALL THE WAY FROM TICKLEPENNY CORNER TO NETTLE FLITCH. 434 00:35:35,434 --> 00:35:37,269 COULD YOU 'A' DONE THAT? 435 00:35:37,303 --> 00:35:39,938 NO, INDEED. I CERTAINLY COULDN'T, REUBEN. 436 00:35:39,971 --> 00:35:42,708 BUT THEN, YOU SEE, I SHOULDN'T WANT TO. 437 00:35:43,975 --> 00:35:48,514 TAKE THE FARM, PAY HIRED MEN, I'D WAGER. 438 00:35:48,547 --> 00:35:51,517 WASTE ALL THE TAKINGS. NO, I WOULDN'T. 439 00:35:51,550 --> 00:35:54,786 I WOULDN'T CARE IF TICKLEPENNY CORNER WASN'T SCRANLETTED AT ALL. 440 00:35:54,820 --> 00:35:58,724 I'D LET YOU DO IT INSTEAD. LET? LET! 441 00:36:00,226 --> 00:36:02,194 THAT'S A FINE WORD TO USE TO A MAN... 442 00:36:02,228 --> 00:36:04,863 THAT'S NURSED THIS FARM LIKE A SICK MOMMET, 443 00:36:04,896 --> 00:36:07,766 KNOWS EVERY INCH OF SOIL AND PATCH OF SUKEBIND IN THE PLACE. 444 00:36:07,799 --> 00:36:10,969 LET'S GET IT STRAIGHT, REUBEN. I DON'T WANT THE FARM. 445 00:36:11,002 --> 00:36:15,874 I'M THE LAST PERSON IN THE WORLD TO BE ANY GOOD AT SCRANLETTING. REALLY. 446 00:36:15,907 --> 00:36:19,878 I PREFER TO LEAVE IT TO PEOPLE WHO KNOW ALL ABOUT IT. LIKE YOU. 447 00:36:26,552 --> 00:36:28,687 [ Door Opening ] 448 00:36:46,738 --> 00:36:50,909 WHAT'S THAT YOU'RE MAKIN'? A BATH TOWEL, SETH. 449 00:36:50,942 --> 00:36:53,312 WOULD YOU LIKE SOME TEA? 450 00:36:54,713 --> 00:36:56,715 YOU WOMEN ARE ALL ALIKE. 451 00:36:59,718 --> 00:37:04,823 FUSSIN' OVER YOUR FAL-DE-LALS TO BEDAZE A MAN'S EYES, EH? 452 00:37:04,856 --> 00:37:07,259 AND WHAT YOU REALLY WANT IS HIS BLOOD, 453 00:37:07,293 --> 00:37:11,797 HIS PRIDE, AND THE HEART OUT OF HIS BODY. 454 00:37:11,830 --> 00:37:14,366 - REALLY? - AYE. 455 00:37:14,400 --> 00:37:19,371 AND THEN WHEN YOU GOT HIM, BOUND UP IN YOUR FAL-DE-LALS AND YOUR SOFTNESS... 456 00:37:19,405 --> 00:37:22,941 AND HE CAN'T MOVE 'CAUSE OF THE LONGIN' THAT CRIES IN HIS BLOOD, WHAT DO YOU DO THEN, EH? 457 00:37:22,974 --> 00:37:25,511 I'M AFRAID I DON'T KNOW, SETH. 458 00:37:25,544 --> 00:37:28,714 WOULD YOU MIND PASSING ME THAT REEL OF COTTON ON THE DRESSER? 459 00:37:40,759 --> 00:37:42,861 THIS WHAT YOU'RE AFTER? 460 00:37:46,031 --> 00:37:48,567 THANK YOU. 461 00:37:48,600 --> 00:37:51,703 YOU EATS HIM. 462 00:37:51,737 --> 00:37:54,973 SAME AS A HEN SPIDER EATS A COCK SPIDER. 463 00:37:56,675 --> 00:37:59,945 BUT I DON'T LET NO WOMEN EAT ME. 464 00:37:59,978 --> 00:38:02,914 I EATS THEM INSTEAD. 465 00:38:02,948 --> 00:38:07,353 YOU DON'T UNDERSTAND WHAT I'M SAYIN', DO YOU, LITTLE INNOCENT? 466 00:38:07,386 --> 00:38:09,621 YES, AND I THINK IT'S DREADFUL. 467 00:38:09,655 --> 00:38:13,892 WHAT DO YOU DO IN THE EVENINGS, SETH? WHEN YOU'RE NOT EATING PEOPLE. 468 00:38:16,995 --> 00:38:20,566 - GO OVER BEERSHORN TO THE TALKIES. - OH, YOU LIKE THE TALKIES? 469 00:38:20,599 --> 00:38:23,001 BETTER THAN ANYTHING IN THE WHOLE WORLD. 470 00:38:30,976 --> 00:38:33,512 SEVENTY-FOUR PHOTOS OF LOTTIE FUNCHAL. 471 00:38:37,148 --> 00:38:39,885 FORTY OF JENNIE CARROLL. 472 00:38:39,918 --> 00:38:43,355 FIFTY-FIVE, LAURA VALLEY. 473 00:38:44,990 --> 00:38:49,795 ALL SIGNED ONES. THAT'S WHERE I'M GOIN' NOW. 474 00:38:49,828 --> 00:38:53,098 D'YOU WANT TO COME? THEY'RE SHOWIN' STREET SINNERS. 475 00:38:53,131 --> 00:38:58,069 I SAW IT LONDON, ACTUALLY. THANK YOU, SETH. YOU'LL ENJOY IT. 476 00:39:09,815 --> 00:39:11,850 WOMEN. 477 00:39:20,626 --> 00:39:24,596 YOU'LL BE GLAD TO KNOW MY CAMPAIGN FOR TIDYING UP COLD COMFORT FARM... 478 00:39:24,630 --> 00:39:26,565 IS GOING RATHER WELL. 479 00:39:26,598 --> 00:39:30,402 "I'VE ALREADY BEGUN TO SOFTEN THE DOUR REUBEN, 480 00:39:30,436 --> 00:39:34,606 AND I THINK I'VE DISCOVERED THE REAL NATURE OF SETH'S GRAND PASSION." 481 00:39:34,640 --> 00:39:39,110 AHEM. "I'VE STARTED TEACHING THE HIRED GIRL THE PRECAUTIONARY ARTS--" 482 00:39:39,144 --> 00:39:41,480 VERY GOOD. "ALL PART OF MY MISSION... 483 00:39:41,513 --> 00:39:43,915 "TO DRAG THEM INTO THE MODERN WORLD, 484 00:39:43,949 --> 00:39:46,418 "AND I'M ALSO GETTING MY BEDROOM CURTAINS WASHED, 485 00:39:46,452 --> 00:39:49,455 "BUT I STILL HAVE TO MEET AUNT ADA DOOM, 486 00:39:49,488 --> 00:39:53,058 "AND I HAVE NO IDEA WHAT WRONG WAS DONE TO PAPA. 487 00:39:53,091 --> 00:39:55,894 PLEASE SEND THIS MONTH'S VOGUE." 488 00:39:57,863 --> 00:40:02,133 [ Thinking ] FROM THE STUBBORN INTERWOVEN STRATA OF HIS UNCONSCIOUS, 489 00:40:03,068 --> 00:40:07,105 THOUGHT SEEPED UP INTO HIS DIM... 490 00:40:07,138 --> 00:40:09,040 CONSCIOUS, 491 00:40:09,074 --> 00:40:12,010 NOT AS AN INTEGRAL PART OF THAT CONSCIOUSNESS, 492 00:40:12,043 --> 00:40:16,682 RATHER AS AN IMPALPABLE EMANATION... 493 00:40:16,715 --> 00:40:20,519 FROM THE UNSLEEPING LIFE OF THE NATURE THAT SURROUNDED HIM. 494 00:40:21,953 --> 00:40:24,690 THE GOLDEN ORB-- 495 00:40:24,723 --> 00:40:26,758 THE GOLDEN ORB-- 496 00:40:28,927 --> 00:40:30,996 OH, DEAR. 497 00:40:54,185 --> 00:40:56,955 [ Chickens Clucking ] AMOS! 498 00:40:59,558 --> 00:41:03,128 WHERE YOU GOING? PREACHIN'. AT BEERSHORN. 499 00:41:03,161 --> 00:41:05,831 AT THE CHURCH OF THE QUIVERIN' BRETHREN. 500 00:41:05,864 --> 00:41:10,869 THEY'LL ALL BURN IN HELL, AND SOMEONE'S GOTTA TELL THEM SO. 501 00:41:10,902 --> 00:41:14,840 MAY I COME WITH YOU? THINK YOU'LL ESCAPE FROM THE FIRES OF HELL... 502 00:41:14,873 --> 00:41:17,743 IF YOU COME ALONG WITH ME AND BOW DOWN AND QUIVER? 503 00:41:17,776 --> 00:41:21,680 'TIS TOO LATE, YOUNG LADY. YOU'LL BURN WITH THE REST. 504 00:41:21,713 --> 00:41:24,115 WELL, I SHOULD LIKE TO SEE IT, EVEN SO. 505 00:41:24,149 --> 00:41:26,718 WHY ARE THEY CALLED "QUIVERING BRETHREN"? 506 00:41:26,752 --> 00:41:30,622 WHY? BECAUSE THEY QUIVER WHEN THEY PREPARE FOR TORMENT. 507 00:41:30,656 --> 00:41:32,724 [ Cow Bellowing ] 508 00:41:32,758 --> 00:41:36,895 DO YOU PREPARE YOUR SERMONS BEFOREHAND OR DOES IT JUST COME? 509 00:41:36,928 --> 00:41:42,167 WORD IS NEVER PREPARED. IT FALLS ON ME MIND LIKE MANNA FROM HEAVEN. 510 00:41:43,101 --> 00:41:46,538 REALLY? HOW INTERESTING. 511 00:41:46,572 --> 00:41:49,174 THEN YOU HAVE NO IDEA WHAT YOU'RE GOING TO SAY BEFORE YOU GET THERE? 512 00:41:49,207 --> 00:41:52,143 AYE. I ALWAYS KNOW IT'LL BE SUMMAT ABOUT BURNIN'. 513 00:41:52,177 --> 00:41:54,312 AND DOES ANYONE ELSE PREACH, OR ARE YOU THE ONLY ONE? 514 00:41:54,345 --> 00:41:55,947 ONLY ME. [ Bell Ringing ] 515 00:41:55,981 --> 00:42:01,720 DEBORAH CHECKBOTTOM, SHE TRIED ONCEWAYS TO GET UP AND PREACH, BUT SHE COULDN'T. 516 00:42:01,753 --> 00:42:04,289 THE LORD WEREN'T IN HER. 517 00:42:04,322 --> 00:42:09,094 [ Congregation ] * WHATEVER SHALL WE DO O LORD * 518 00:42:09,127 --> 00:42:14,265 * WHEN GABRIEL BLOWS O'ER SEA AND RIVER * 519 00:42:14,299 --> 00:42:18,637 * FEN AND DESERT MOUNT AND FORD * 520 00:42:18,670 --> 00:42:25,110 * THE EARTH WILL BURN BUT WE WILL QUIVER * 521 00:42:26,111 --> 00:42:30,949 * WHATEVER SHALL WE DO O LORD * 522 00:42:30,982 --> 00:42:36,054 * WHEN CROPS DO FAIL AND BLOSSOMS WITHER * 523 00:42:36,087 --> 00:42:40,325 * GOD'S GREAT WRATH BE NOT IGNORED * 524 00:42:40,358 --> 00:42:48,667 * THE EARTH MAY FAIL BUT WE WILL QUIVER * 525 00:42:48,700 --> 00:42:55,273 * AMEN 526 00:43:04,916 --> 00:43:10,321 YE MISERABLE, CRAWLIN' WORMS. 527 00:43:10,355 --> 00:43:14,092 ARE YE HERE AGAIN THEN? [ Congregation ] AYE. 528 00:43:14,125 --> 00:43:18,163 HAVE YE COME LIKE NIMSHI, SON OF REHOBOAM, 529 00:43:18,196 --> 00:43:20,632 SECRETLY OUT OF YOUR DOOMED HOUSES... 530 00:43:20,666 --> 00:43:23,234 TO HEAR WHAT'S COMIN' TO YE? 531 00:43:23,268 --> 00:43:26,938 [ All ] AYE. HAVE YE COME, OLD AND YOUNG, 532 00:43:26,972 --> 00:43:31,409 SICK AND WELL, MATRONS AND VIRGINS-- 533 00:43:31,442 --> 00:43:34,713 IF THERE BE ANY VIRGINS AMONGST YOU, WHICH IS NOT LIKELY, 534 00:43:34,746 --> 00:43:37,382 THE WORLD BEING IN THE WICKED STATE THAT IT IS. 535 00:43:37,415 --> 00:43:40,886 AYE. HAVE YE COME TO HEAR ME TELL YE... 536 00:43:40,919 --> 00:43:46,725 OF THE GREAT CRIMSON, LICKING FLAMES OF HELL FIRE? 537 00:43:46,758 --> 00:43:49,194 [ All ] AYE! AYE! 538 00:43:49,227 --> 00:43:52,931 YOU'VE COME, DOZENS OF YE, 539 00:43:52,964 --> 00:43:58,269 LIKE RATS TO THE GRANARY, LIKE FIELD MICE WHEN THERE'S HARVEST HOME. 540 00:43:58,303 --> 00:44:01,439 AND WHAT GOOD WILL IT DO YE? 541 00:44:01,472 --> 00:44:03,909 YOU'RE ALL DAMNED! 542 00:44:03,942 --> 00:44:06,878 - [ Congregation Shuddering ] - [ Amos ] DAMNED! 543 00:44:06,912 --> 00:44:10,816 DO YOU EVER STOP TO THINK WHAT THAT WORD MEANS? 544 00:44:10,849 --> 00:44:14,319 [ Congregation ] NO-O-O-O. NO, YOU DON'T. IT MEANS... 545 00:44:14,352 --> 00:44:17,388 ENDLESS, HORRIFYING TORMENT. 546 00:44:17,422 --> 00:44:22,060 IT MEANS YOUR POOR, SINFUL BODIES STRETCHED OUT ON RED-HOT GRIDIRONS... 547 00:44:22,093 --> 00:44:24,362 IN THE NETHERMOST FIERY PIT OF HELL... 548 00:44:24,395 --> 00:44:29,701 AND THOSE DEMONS MOCKING YE WHILE THEY WAVES COOLING JELLIES... 549 00:44:29,735 --> 00:44:31,803 IN FRONT OF YE. 550 00:44:35,741 --> 00:44:39,477 YOU KNOW WHAT IT'S LIKE WHEN YOU BURN YOUR HAND... 551 00:44:39,510 --> 00:44:42,047 TAKIN' A CAKE OUT OF THE OVEN... 552 00:44:42,080 --> 00:44:44,916 OR LIGHTING ONE OF THEM GODLESS CIGARETTES? 553 00:44:44,950 --> 00:44:49,020 AND IT STINGS WITH A FEARFUL PAIN. AYE? 554 00:44:49,054 --> 00:44:54,192 AND YOU RUN TO CLAP A BIT OF BUTTER ON IT TO TAKE THE PAIN AWAY, AYE? 555 00:44:54,225 --> 00:44:56,361 AYE. WELL, I'LL TELL YE. 556 00:44:56,394 --> 00:45:01,900 - THERE'LL BE NO BUTTER IN HELL! - NO! 557 00:45:01,933 --> 00:45:04,736 AND YOUR BODY WILL BE BURNIN' AND STINGIN' WITH THAT TERRIBLE PAIN! 558 00:45:04,770 --> 00:45:07,906 AND YOUR BLACKENED TONGUE WILL BE STICKIN' OUT OF YOUR MOUTH, 559 00:45:07,939 --> 00:45:12,010 AND YOUR PARCHED LIPS WILL BE CRYIN' OUT FOR-- 560 00:45:12,043 --> 00:45:14,946 [ Sermon Continues, Indistinct ] 561 00:45:20,852 --> 00:45:24,089 CAKES AND AN ORANGE WITH SUGAR ON IT. THANK YOU. 562 00:45:33,799 --> 00:45:36,768 AH, MISS POSTE! MAY I JOIN YOU? 563 00:45:36,802 --> 00:45:39,905 MR. MYBUG. I SUPPOSE SO. MEYERBURG. 564 00:45:39,938 --> 00:45:43,008 I'LL HAVE WHAT SHE'S HAVING, PLEASE. VERY WELL, SIR. 565 00:45:43,041 --> 00:45:46,477 I DO LOVE EATING WITH A SPOON, DON'T YOU? 566 00:45:46,511 --> 00:45:50,181 NOW, MISS POSTE, PERHAPS YOU CAN HELP ME ON A MATTER THAT'S BEEN TROUBLING ME. 567 00:45:50,215 --> 00:45:53,351 DO YOU BELIEVE THAT WOMEN HAVE SOULS? 568 00:45:53,384 --> 00:45:55,921 I'M AFRAID I'M NOT VERY INTERESTED. QUITE. 569 00:45:55,954 --> 00:46:00,291 I DO SO AGREE. BODIES MATTER SO MUCH MORE THAN SOULS, DON'T YOU THINK? 570 00:46:00,325 --> 00:46:04,896 OR ARE YOU, ALAS, LIKE SO MANY YOUNG ENGLISHWOMEN, A PRISONER OF OUTDATED INHIBITIONS? 571 00:46:04,930 --> 00:46:09,267 DO YOU KNOW WHAT D.H. LAWRENCE SAID? I DO, ACTUALLY, YES. 572 00:46:09,300 --> 00:46:14,505 HE SAID THERE MUST ALWAYS BE A DARK, DUMB, BITTER BELLY TENSION... 573 00:46:14,539 --> 00:46:16,474 BETWEEN THE LIVING MAN AND THE LIVING WOMAN. 574 00:46:16,507 --> 00:46:19,911 MR. MYBUG, DO TELL ME ABOUT THE BOOK YOU'RE WRITING. AH. 575 00:46:19,945 --> 00:46:21,947 EXCUSE ME, SIR. WELL-- THANK YOU. 576 00:46:21,980 --> 00:46:24,182 THANK YOU, SIR. I INTEND TO PROVE... 577 00:46:24,215 --> 00:46:27,585 THAT BRANWELL BRONTE5 WROTE WUTHERING HEIGHTS... 578 00:46:27,618 --> 00:46:32,323 AND JANE EYRE AND THE TENANT OF WILDFELL HALL. 579 00:46:32,357 --> 00:46:34,960 A WORK OF FICTION, IS IT? 580 00:46:34,993 --> 00:46:38,596 YES, WELL, THAT'S ENOUGH ABOUT ME. TELL ME, MISS POSTE, DO YOU CARE ABOUT WALKING? 581 00:46:38,629 --> 00:46:41,566 WHAT ABOUT IT? I THOUGHT WE MIGHT TAKE SOME NATURE WALKS TOGETHER, 582 00:46:41,599 --> 00:46:44,836 GO ON DISCUSSING ART AND LITERATURE LIKE THIS. 583 00:46:44,870 --> 00:46:47,005 BUT I'D BETTER WARN YOU. I'M PRETTY SUSCEPTIBLE. 584 00:46:47,038 --> 00:46:50,341 WELL, THEN, PERHAPS WE SHOULD POSTPONE THE WALKS UNTIL THE WEATHER'S FINER. 585 00:46:50,375 --> 00:46:53,511 IT WOULD BE TOO BAD IF YOUR BOOK WAS HELD UP BECAUSE YOU'D CAUGHT A COLD. 586 00:46:53,544 --> 00:46:57,983 I'M TALKING ABOUT SEX, MISS POSTE! YES. YOU SEE, I BELIEVE IN UTTER FRANKNESS... 587 00:46:58,016 --> 00:47:00,018 ABOUT SEXUAL THINGS. 588 00:47:00,051 --> 00:47:03,188 AYE, YE FORNICATORS. FORNICATORS! 589 00:47:03,221 --> 00:47:08,559 [ Stammering ] NO, I ASSURE YOU. MISS POSTE AND I ARE JUST OLD FRIENDS. 590 00:47:08,593 --> 00:47:11,863 - WE MET IN LONDON. - OH, AYE, THE DEVIL'S CITY. 591 00:47:11,897 --> 00:47:15,466 THE STINKIN' PIT OF WHOREDOM. COME ON, YOUNG LADY. 592 00:47:15,500 --> 00:47:17,936 IT'S BACK TO COLD COMFORT FOR YOU! 593 00:47:26,344 --> 00:47:31,216 YE'LL FRITTER AND FRY. YE DIDN'T EVEN STAY TO HEAR THE LORD'S WORD. 594 00:47:31,249 --> 00:47:35,086 I WAS OVERWHELMED, COUSIN. YOU'RE SUCH A POWERFUL PREACHER. 595 00:47:35,120 --> 00:47:38,423 AYE, THE WORD BURNS IN ME MOUTH, 596 00:47:38,456 --> 00:47:41,626 AND I MUST BLOW IT ON THE WHOLE WORLD LIKE FLAMES. 597 00:47:41,659 --> 00:47:47,265 YOU OUGHT TO DO IT MORE WIDELY, COUSIN AMOS. WHAT DO YE MEAN? 598 00:47:47,298 --> 00:47:50,668 YOU SHOULDN'T WASTE IT ON A FEW MISERABLE SINNERS IN BEERSHORN. 599 00:47:50,701 --> 00:47:54,605 YOU COULD GO ROUND THE COUNTRY IN A FORD VAN, PREACHING ON MARKET DAYS. 600 00:47:54,639 --> 00:47:57,442 'TWOULD BE EXALTING MESELF AND PUFFIN' MESELF UP... 601 00:47:57,475 --> 00:48:00,211 IF I WENT AROUND IN ONE OF THEY VANS. 602 00:48:00,245 --> 00:48:03,481 THINKIN' OF MY GLORY 'STEAD OF THE LORD'S. 603 00:48:03,514 --> 00:48:07,953 YOU COULD SAVE THOUSANDS OF SOULS. THAT'S HOW I'D LOOK AT IT... 604 00:48:07,986 --> 00:48:10,989 IF I WERE GOING ROUND THE COUNTRY IN A FORD VAN. 605 00:48:13,992 --> 00:48:16,327 WHAT KIND OF FORD VAN? 606 00:48:35,280 --> 00:48:39,684 HAS SHE BEEN ASKIN' ABOUT ME, ROBERT POSTE'S CHILD? WHAT DOES SHE WANT? 607 00:48:39,717 --> 00:48:43,321 SHE'S BEEN HERE MORE THAN A WEEK. SHE KEEPS ASKIN' TO SEE YOU, MOTHER. 608 00:48:43,354 --> 00:48:44,990 COULDN'T YOU COME DOWN JUST ONCE AND TALK TO HER? 609 00:48:45,023 --> 00:48:50,628 YOU KNOW I NEVER COME DOWN EXCEPT FOR THE COUNTIN', NOT AFTER WHAT HAPPENED TO ME. 610 00:48:50,661 --> 00:48:53,965 SHE'S ROBERT POSTE'S CHILD. SHE HAS HER RIGHTS. 611 00:48:53,999 --> 00:48:57,135 SAW SOMETHING NASTY IN THE WOODSHED. 612 00:48:57,168 --> 00:48:59,504 I NEVER SPOKE OF IT, NOT EVEN TO MAMA. 613 00:48:59,537 --> 00:49:04,742 BUT I'VE ALWAYS REMEMBERED IT EVERY DAY OF MY LIFE. IT'S MADE ME THE WAY I AM. 614 00:49:04,775 --> 00:49:08,546 YES, MOTHER. IT'S THE FARM SHE WANTS, ISN'T IT? 615 00:49:08,579 --> 00:49:12,017 SHE'S YOUR SISTER'S GRANDCHILD. SHE'S OWED-- SHE'S OWED NOTHIN'. 616 00:49:12,050 --> 00:49:16,287 SHE SHOULD NEVER HAVE COME HERE. SHE'S PLAYIN' HER WILES ON ALL OF YOU. 617 00:49:16,321 --> 00:49:20,158 I'VE WATCHED HER. REUBEN, SETH, NOW AMOS. 618 00:49:20,191 --> 00:49:23,561 I'M NOT HAVIN' IT, GIRL. THERE'VE ALWAYS BEEN STARKADDERS... 619 00:49:23,594 --> 00:49:27,065 AT COLD COMFORT FARM. AT COLD COMFORT FARM. YES, MOTHER, DON'T UPSET YOURSELF. 620 00:49:27,098 --> 00:49:30,535 STARKADDERS! ALWAYS WERE, ALWAYS WILL BE. 621 00:49:30,568 --> 00:49:35,406 TELL HER, GIRL. TELL HER! HEAR WHAT I SAID? STARKADDERS! 622 00:51:02,560 --> 00:51:06,764 ADAM, YOU'RE NOT USING THAT NICE DISH MOP I BOUGHT YOU FOR THE CLETTERING. 623 00:51:06,797 --> 00:51:12,603 NAY. I'D NEVER PUT THAT PRETTY IN GURT-GREASY WASHING-UP WATER. 624 00:51:12,637 --> 00:51:16,741 I MUN DO THAT WITH THORN TWIGS. THEY'LL SERVE. 625 00:51:19,144 --> 00:51:22,280 'TIS PRETTIER THAN APPLE BLOOM, MY LITTLE MOP. 626 00:51:25,150 --> 00:51:28,119 IS SOMETHING WRONG, ADAM? 627 00:51:28,153 --> 00:51:31,289 'TIS MY LITTLE WENNIT. WHAT'S THE MATTER WITH HER? 628 00:51:31,322 --> 00:51:34,359 SHE'S ALWAYS PEERIN' THROUGH THE WINDOWS UP HOWCHIKER HALL... 629 00:51:34,392 --> 00:51:37,495 TO GET A SIGHT OF THAT YOUNG CHUCK-STUBBARD MASTER RICHARD. 630 00:51:37,528 --> 00:51:40,798 DICK HAWK-MONITOR? ARR! BLAST HIM... 631 00:51:40,831 --> 00:51:43,801 FOR A SETUP YEARLIN' OF A WOMANIZER. 632 00:51:43,834 --> 00:51:46,171 OH, I HEAR HE'S NICE ENOUGH. 633 00:51:46,204 --> 00:51:48,906 YOU KNOWS THE WAYS OF GENTRY. 634 00:51:48,939 --> 00:51:54,145 HIM THE YOUNG SQUIRE AND HER JUST A LITTLE WENNIT OUT OF NATURE. 635 00:51:54,179 --> 00:51:57,282 INDEED I DO KNOW THE WAYS OF GENTRY. 636 00:51:57,315 --> 00:51:59,584 I'M SURE HE MEANS NO HARM. 637 00:51:59,617 --> 00:52:03,188 THE PROBLEM IS, ELFINE'S NOT QUITE THE SORT GENTRY MARRY. 638 00:52:03,221 --> 00:52:07,325 'TIS WHAT I MEAN. LEAVE IT TO ME, ADAM. I'LL TALK TO HER. 639 00:52:09,427 --> 00:52:11,829 POOR LITTLE WENNIT. 640 00:52:13,331 --> 00:52:17,268 SISTER SUN AND BROTHER WIND, 641 00:52:17,302 --> 00:52:20,671 DANCIN' THROUGH THE WOODLAND TREES, 642 00:52:20,705 --> 00:52:23,574 THIS LITTLE ODE TO YOU I SING... 643 00:52:23,608 --> 00:52:25,943 AND WHISPER IT UPON THE BREEZE. 644 00:52:25,976 --> 00:52:29,414 REALLY, ELFINE, DON'T YOU THINK YOU SOMETIMES OVERDO IT A BIT? 645 00:52:29,447 --> 00:52:32,217 OVERDO WHAT? THIS WILL-OF-THE-WISP THING. 646 00:52:32,250 --> 00:52:33,951 WHO ENCOURAGED YOU TO BE LIKE THAT? 647 00:52:33,984 --> 00:52:36,554 MISS ASHFORD FROM THE ARTS AND CRAFTS SHOP IN BEERSHORN. 648 00:52:36,587 --> 00:52:39,857 SHE WAS SO KIND TO ME. SHE TAUGHT ME SUCH A LOT: 649 00:52:39,890 --> 00:52:43,594 HOW TO DRESS, HOW TO SPEAK BEAUTIFULLY. 650 00:52:43,628 --> 00:52:46,231 AND SHE HAD SUCH LOVELY THINGS. 651 00:52:46,264 --> 00:52:48,199 AND SHE MADE YOU READ POETRY. MMM. 652 00:52:48,233 --> 00:52:51,569 WRITE IT, TOO, PROBABLY. YES. I'M GOING TO PUBLISH A VOLUME WHEN I'M 50. 653 00:52:51,602 --> 00:52:54,639 OH. AND THAT'S WHY YOU HAVE TO BE ALONE ON THE HILLSIDES, IS IT? 654 00:52:54,672 --> 00:52:58,709 YES. SO I CAN BE WITH MY POETRY AND MY DREAMS. 655 00:53:00,445 --> 00:53:04,449 ANYWAY, I CAN'T STAND THE FARM ANOTHER MINUTE. WHY NOT? 656 00:53:04,482 --> 00:53:07,552 URK, OF COURSE. HE'S HORRIBLE. 657 00:53:07,585 --> 00:53:10,988 HE'S ALWAYS IN THE TREE OUTSIDE MY WINDOW, SPYING ON ME. 658 00:53:11,021 --> 00:53:15,426 MMM. GRANDMA DOOM SAYS I'M PROMISED TO MARRY HIM WHEN I'M 18. 659 00:53:15,460 --> 00:53:18,429 OH, NO! WHY? BECAUSE HE'S A STARKADDER. 660 00:53:18,463 --> 00:53:22,533 AND THERE HAVE ALWAYS BEEN STARKADDERS AT COLD COMFORT FARM. 661 00:53:22,567 --> 00:53:25,270 BUT THERE'S SOMEONE ELSE, ISN'T THERE? 662 00:53:25,303 --> 00:53:28,573 HOW DID YOU KNOW? THERE ALWAYS IS. 663 00:53:28,606 --> 00:53:32,243 DICK HAWK-MONITOR AT THE HALL? YES? 664 00:53:32,277 --> 00:53:36,414 ARE YOU ENGAGED TO HIM? ENGAGED? NO. 665 00:53:36,447 --> 00:53:38,883 NO, IT'S-- IT'S TOO BINDING. 666 00:53:38,916 --> 00:53:42,420 MMM. DON'T YOU THINK IT'S HORRIBLE TO BIND SOMEONE DOWN? 667 00:53:42,453 --> 00:53:48,259 I SEE. SO HE DOESN'T WANT TO MARRY YOU. 668 00:53:48,293 --> 00:53:51,296 OH, I THINK HE DOES SOMETIMES, 669 00:53:51,329 --> 00:53:53,063 BUT HE'S GOT THIS LONDON COUSIN CALLED PAMELA. 670 00:53:53,097 --> 00:53:56,934 IT'S HIS 21st BIRTHDAY PARTY NEXT MONTH. THEY'RE BOUND TO GET ENGAGED THEN. 671 00:53:56,967 --> 00:54:00,271 NEXT MONTH? WELL, THEN, IT'S QUITE SIMPLE. 672 00:54:00,305 --> 00:54:02,807 YOU MUST GO TO THIS PARTY AND WIN HIM OVER. 673 00:54:02,840 --> 00:54:06,844 I CAN'T GO TO THE PARTY. GRANDMA DOOM DOESN'T LET US ACCEPT INVITATIONS. 674 00:54:06,877 --> 00:54:09,714 ONLY TO FUNERALS AND THE CHURCHIN' OF WOMEN. 675 00:54:09,747 --> 00:54:14,285 LOOK! THERE HE IS! ISN'T HE FINE? 676 00:54:14,319 --> 00:54:17,522 [ Flora ] YES. HE SHOULD SUIT YOU VERY NICELY. 677 00:54:17,555 --> 00:54:19,990 WOULD YOU LIKE ME TO HELP YOU? 678 00:54:41,779 --> 00:54:44,749 REUBEN. MISS POSTE. 679 00:54:46,351 --> 00:54:48,786 GOIN' TO CHURCH AGAIN WITH THE OLD DEVIL? NO. 680 00:54:48,819 --> 00:54:53,658 I WAS ADVISING COUSIN AMOS TO ADDRESS HIS SERMONS TO A WIDER AUDIENCE. 681 00:54:53,691 --> 00:54:56,427 WANTS TO FRIGHTEN THE BIRDS OFF THE TREES, DOES HE? 682 00:54:56,461 --> 00:54:59,664 THINK ABOUT IT, REUBEN. IF HE WERE AWAY PREACHING, 683 00:54:59,697 --> 00:55:01,999 SOMEONE ELSE WOULD NEED TO TAKE CHARGE OF THE FARM. 684 00:55:02,032 --> 00:55:05,102 AND SO I'LL HAVE TO ONE DAY, WHEN THE OLD DEVIL DIES. 685 00:55:05,135 --> 00:55:07,472 BUT HE TALKS OF LEAVING IT TO ADAM. 686 00:55:07,505 --> 00:55:10,775 WOULDN'T IT BE BETTER IF WHOEVER TOOK CHARGE GOT A REAL GRIP ON THINGS... 687 00:55:10,808 --> 00:55:15,480 SO WHEN COUSIN AMOS CAME BACK, HE COULD SEE IT OUGHT TO BE LEFT TO THAT PERSON? 688 00:55:15,513 --> 00:55:18,082 OH, I GET IT. MEANING YOU. 689 00:55:18,115 --> 00:55:23,721 NO, REUBEN, I'VE TOLD YOU BEFORE, I DON'T WANT THE FARM. MEANIN' WHO, THEN? 690 00:55:23,754 --> 00:55:26,524 MEANING YOU, REUBEN. 691 00:55:26,557 --> 00:55:29,427 WHO, ME? AYE, THEE. 692 00:55:30,895 --> 00:55:32,830 AH, 'TIS IMPOSSIBLE. 693 00:55:32,863 --> 00:55:35,566 AUNT ADA'LL NEVER LET HIM GO. 694 00:55:37,402 --> 00:55:41,572 IF ANYONE TALKS O' LEAVIN', SHE HAS AN ATTACK. 695 00:55:41,606 --> 00:55:44,575 SHE'S ILL. HOW DOES IT SHOW? 696 00:55:44,609 --> 00:55:46,811 OH, HAS TO KNOW EVERYTHIN' AS GOES ON. 697 00:55:46,844 --> 00:55:50,080 HAS TO SEE THE MILK BOOK, CHICKEN BOOK, COW BOOK. 698 00:55:50,114 --> 00:55:52,483 WE KEEPS BACK THE BOOKS, SHE HAS AN ATTACK. 699 00:55:52,517 --> 00:55:55,453 WE ASK FOR POCKET MONEY, SHE HAS AN ATTACK. 700 00:55:55,486 --> 00:55:57,855 ANYONE WANTS TO WED, SHE HAS AN ATTACK. 701 00:55:57,888 --> 00:56:00,491 ANYONE WANT TO LEAVE COLD COMFORT-- 702 00:56:10,000 --> 00:56:13,438 SHE AIN'T LIKE OTHER PEOPLE'S GRANDMOTHERS. 703 00:56:13,471 --> 00:56:15,706 SHE'S MAD, AND THAT'S ALL. 704 00:56:15,740 --> 00:56:21,111 I SEE. WELL, JUST BECAUSE AUNT ADA IS MAD, 705 00:56:21,145 --> 00:56:25,149 THAT'S NO REASON WHY YOU SHOULDN'T PERSUADE AMOS TO GO ON HIS PREACHING TOUR. 706 00:56:30,788 --> 00:56:32,890 DANG ME IF IT DON'T. 707 00:56:48,005 --> 00:56:50,741 AUNT ADA, ISN'T IT TIME WE TALKED? 708 00:56:50,775 --> 00:56:54,044 I SAW SOMETHING NASTY. SAW SOMETHING NASTY! 709 00:56:54,078 --> 00:56:57,882 AUNT ADA! SOMETHING NASTY IN THE WOODSHED. 710 00:56:57,915 --> 00:57:00,718 GO AWAY, GIRL! [ Sighs ] 711 00:57:00,751 --> 00:57:03,053 HOW LONG HAVE YOU BEEN IN THERE, AUNT ADA? 712 00:57:05,623 --> 00:57:08,659 EVER SINCE MY JUDITH MARRIED AMOS. 713 00:57:08,693 --> 00:57:11,095 ISN'T IT LONELY? LONELY? 714 00:57:11,128 --> 00:57:15,833 I SAW SOMETHING NASTY IN THE WOODSHED. DID YOU? WHAT? 715 00:57:15,866 --> 00:57:19,436 I DON'T REMEMBER ANYMORE. I WAS LITTLE. 716 00:57:20,505 --> 00:57:22,773 SOMETHING TERRIBLE! 717 00:57:22,807 --> 00:57:25,976 AND IT WAS IN THE WOODSHED? ARE YOU SURE? 718 00:57:26,010 --> 00:57:28,078 COURSE I'M SURE. 719 00:57:31,248 --> 00:57:35,620 OR MAYBE THE POTTING SHED. OR THE BICYCLE SHED. 720 00:57:35,653 --> 00:57:37,722 OR THE TOOLSHED. 721 00:57:37,755 --> 00:57:41,191 ALL THESE YEARS, GETTING FIVE GOOD MEALS A DAY, 722 00:57:41,225 --> 00:57:44,128 RUNNING THE FARM, RULING THE ROOST, EVERYONE DOING... 723 00:57:44,161 --> 00:57:47,898 EXACTLY AS YOU SAY AND SACRIFICING THEIR LIVES TO YOURS? 724 00:57:47,932 --> 00:57:52,770 THAT'S NOT BAD, IS IT, JUST FOR SEEING SOMETHING NASTY IN THE WOODSHED? 725 00:57:52,803 --> 00:57:55,906 EVERYTHING DEPENDS ON ME. 726 00:57:57,241 --> 00:57:59,476 DOES IT? 727 00:58:10,087 --> 00:58:12,156 [ Geese Honking ] 728 00:58:21,131 --> 00:58:24,134 THE BULL'S OUT. 729 00:58:24,168 --> 00:58:26,170 BIG BUSINESS? [ Flora ] IS THAT BAD? 730 00:58:26,203 --> 00:58:28,939 THAT'S TERRIBLE. SOMEONE'LL GET HURT. URK, GET THE BULL FORK. 731 00:58:28,973 --> 00:58:30,975 ADAM, COME ON! BULL'S OUT! WHERE'S SETH? 732 00:58:31,008 --> 00:58:33,043 DANG SETH! COME ON! ALL RIGHT! 733 00:58:33,077 --> 00:58:35,212 SOMETHIN' TO DO WITH YOU, ISN'T IT? WHY ME, URK? 734 00:58:35,245 --> 00:58:38,248 I KNOW YOU'RE TRYIN' TO TAKE ELFINE AWAY FROM ME. SHE'S MINE. 735 00:58:38,282 --> 00:58:41,819 SHE WERE PROMISED ME THE DAY SHE WAS BORN. YOU HEED WHAT I SAY. 736 00:58:41,852 --> 00:58:44,755 [ Amos ] URK! WHEN THE WATER VOLES MATE THIS SUMMER, SHE BE MINE. 737 00:58:44,789 --> 00:58:47,191 BETTER HURRY, URK. THE BULL'S OUT. 738 00:58:47,224 --> 00:58:51,696 [ Indistinct Shout ] COME ON! 739 00:58:51,729 --> 00:58:53,764 [ Clucking ] 740 00:58:54,632 --> 00:58:56,601 NO, BOY! COME ON, BOY! 741 00:58:56,634 --> 00:58:58,769 [ Bull Bellowing ] [ Yelling ] 742 00:59:10,981 --> 00:59:13,050 [ Whispering ] ELFINE! 743 00:59:35,640 --> 00:59:37,875 [ Softly ] GO, VIPER. 744 00:59:54,258 --> 00:59:58,195 VOILA. NO, NO. LOW HERE? 745 00:59:58,228 --> 01:00:01,165 [ Murmuring ] [ Murmuring In French ] 746 01:00:01,198 --> 01:00:04,802 [ Mary ] OH, THAT'S LOVELY. YES, THAT'S IT. 747 01:00:04,835 --> 01:00:07,137 YOU HAPPY, DARLING? YES, I THINK THAT'S SWEET. 748 01:00:07,171 --> 01:00:09,807 RIGHT HERE. [ Murmuring ] 749 01:00:12,677 --> 01:00:15,079 ROUND NECK, I THINK. 750 01:00:15,112 --> 01:00:18,949 [ Mary ] YES, I THINK A SMALL TRAIN. AND THEN SOMEWHERE HERE, 751 01:00:18,983 --> 01:00:23,053 WE'RE NEEDING A BIT OF UPLIFT, I THINK. 752 01:00:23,087 --> 01:00:28,993 HERE WE HAVE A PRIME EXAMPLE OF E!COLE DE PARIS PAINTING. HE'S ALSO VERY KEEN... 753 01:00:29,026 --> 01:00:33,230 ON THE WHOLE CALLIGRAPHIC EFFECT OF HIS PAINTING, THE VERY LINEAR QUALITY OF IT. 754 01:00:33,263 --> 01:00:35,332 ALWAYS WITH HIS WORK, YOU FIND-- 755 01:00:40,070 --> 01:00:43,173 FLORA, WHAT DO YOU THINK? NO, PLEASE, LOOK AT THIS. 756 01:00:43,207 --> 01:00:46,176 HIGHER COMMON SENSE. VERY GOOD. VERY CLEVER. 757 01:00:46,210 --> 01:00:49,379 ESPECIALLY THE INTRODUCTION. [ Cork Popping ] 758 01:00:54,218 --> 01:00:57,855 THAT'S FOR YOU. OH, THANK YOU. 759 01:00:59,256 --> 01:01:03,093 I THINK SHE'S CHARMING. WAIT 'TIL WE'VE FINISHED. 760 01:01:03,127 --> 01:01:05,462 DO YOU LIKE YOUR NEW DRESS, ELFINE? OH, IT'S HEAVENLY. 761 01:01:05,495 --> 01:01:09,033 IT'S WHITE SATIN, STRAIGHT LINES. BETTER THAN POETRY? 762 01:01:09,066 --> 01:01:11,736 DO EXPLAIN TO HER ABOUT POETRY, MARY. 763 01:01:11,769 --> 01:01:15,172 DO I GATHER THAT YOU LOVE POETRY AND THINK THAT IF YOU TALK ABOUT IT... 764 01:01:15,205 --> 01:01:17,875 TO A YOUNG MAN LIKE DICK HAWK-MONITOR, HE'LL BE PLEASED? 765 01:01:17,908 --> 01:01:21,846 - EVERYBODY LOVES POETRY. - [ Mary ] MOST DECENT YOUNG MEN ARE TOTALLY ALARMED... 766 01:01:21,879 --> 01:01:25,282 WHEN THEY HEAR THAT A GIRL READS IT, LET ALONE WRITES IT. 767 01:01:25,315 --> 01:01:28,719 TELL HER, CHARLES. DICK HAWK-MONITOR'S A PERFECTLY NICE CHAP. 768 01:01:28,753 --> 01:01:32,156 - YOU KNOW HIM? - OF COURSE. AND HIS MOTHER. RATHER WELL, ACTUALLY. 769 01:01:32,189 --> 01:01:34,124 BUT POETRY AND DICK-- 770 01:01:34,158 --> 01:01:37,895 NO, QUITE FRANKLY. IN FACT, WHEN POETRY'S COMBINED... 771 01:01:37,928 --> 01:01:41,498 WITH ILL-GROOMED HAIR AND ECCENTRIC DRESS, IT'S GENERALLY FATAL. 772 01:01:41,531 --> 01:01:44,935 YOU'RE VERY LUCKY, ELFINE. HE MUST HAVE SEEN YOUR FINER POINTS. 773 01:01:44,969 --> 01:01:48,372 I SHALL WRITE IT SECRETLY THEN. QUITE RIGHT. 774 01:01:48,405 --> 01:01:51,041 IT'S BAD TO BE DEWY-EYED AMONG SMART PEOPLE, 775 01:01:51,075 --> 01:01:53,778 BUT YOU CAN ALWAYS SECRETLY DESPISE THEM. 776 01:01:53,811 --> 01:01:55,913 YOU SEE, ELFINE, WE TELL YOU THESE THIN S 777 01:01:55,946 --> 01:01:58,148 SO YOU'LL HAVE SOME STANDARDS INSIDE YOURSELF, 778 01:01:58,182 --> 01:02:01,986 NOW YOU'RE GOING TO MEET A NEW KIND OF LIFE. 779 01:02:05,022 --> 01:02:08,158 [ Flora ] EVERYTHING ARRANGED, CHARLES? ABSOLUTELY. 780 01:02:08,192 --> 01:02:11,195 WHAT'S ARRANGED? [ Flora ] NEVER MIND. 781 01:02:11,228 --> 01:02:13,831 CHARLES IS GOING TO HELP. I SAID I MIGHT. 782 01:02:13,864 --> 01:02:16,300 WHO'S THIS MAN MYBUG? 783 01:02:16,333 --> 01:02:19,303 OH, JUST A STRANGE LAWRENTIAN PERSON WHO SAYS HE'S IN LOVE WITH ME. 784 01:02:19,336 --> 01:02:22,773 [ Mary ] JEALOUS, CHARLES? 785 01:02:22,807 --> 01:02:26,210 GOOD. ENJOYING YOURSELF, ELFINE? 786 01:02:26,243 --> 01:02:29,914 OH, IT'S GOING TO BE SUCH FUN. NO, IT'S GOING TO BE... 787 01:02:29,947 --> 01:02:34,118 "AMUSING" OR "DIVERTING," NOT "SUCH FUN," DARLING. 788 01:02:43,928 --> 01:02:45,796 HI THERE, FLORA POSTE. 789 01:02:45,830 --> 01:02:49,099 MR. NECK! HELLO! BACK ON ONE OF YOUR LONDON TRIPS? 790 01:02:49,133 --> 01:02:51,468 YEAH, I FLEW INTO THE SAVOY THIS MORNING. 791 01:02:51,501 --> 01:02:56,073 THIS IS EARL P. NECK, THE HOLLYWOOD MOVIE CZAR. WE MET AT THE PARIS FILM CLUB. 792 01:02:56,106 --> 01:02:58,042 MY FRIEND MARY SMILING. 793 01:02:58,075 --> 01:03:01,111 MARY! [ Flora ] ELFINE. 794 01:03:01,145 --> 01:03:03,113 ELFINE! 795 01:03:03,147 --> 01:03:05,015 CHARLES. CHARLES. 796 01:03:05,049 --> 01:03:08,185 [ Mary ] WON'T YOU JOIN US? THANK YOU, THANK YOU. 797 01:03:08,218 --> 01:03:10,587 TELL ME, MR. NECK, 798 01:03:10,620 --> 01:03:13,190 WHAT EXACTLY DOES A CZAR DO? 799 01:03:13,223 --> 01:03:15,425 [ Laughing ] WHAT DO I DO? 800 01:03:15,459 --> 01:03:19,063 IMAGINE THE NIGHT SKY. WHAT DO YOU SEE? 801 01:03:20,630 --> 01:03:23,133 - CLOUDS? - YOU SEE STARS. 802 01:03:23,167 --> 01:03:25,936 AND WHAT YOU SEE UP THERE, I SPOT DOWN HERE. 803 01:03:25,970 --> 01:03:29,539 I TAKE ORDINARY PEOPLE, AND I TURN 'EM INTO ASTEROIDS. 804 01:03:29,573 --> 01:03:32,276 [ Mary ] FLORA DOES THE SAME. THIS IS HER LATEST. 805 01:03:32,309 --> 01:03:38,015 OH, SHE'S WONDERFUL! AND SO ARE YOU, MISS POSTE. YOU CARE TO RUMBA? 806 01:04:02,506 --> 01:04:05,342 SMYTHE-FORSYTHES. UH-HUH. 807 01:04:05,375 --> 01:04:08,612 SMITH-JONES, CLYDE-FORRESTERS. 808 01:04:08,645 --> 01:04:12,482 MISS GERTRUDE FORSTER. OH, THOSE UNFORTUNATE FIELD-MORRISONS. 809 01:04:12,516 --> 01:04:16,053 OH. OH! OH, AND I'VE INVITED PAMELA'S PARENTS. 810 01:04:16,086 --> 01:04:20,257 JUST IN CASE THERE'S A DOUBLE CELEBRATION. MOTHER! 811 01:04:39,576 --> 01:04:44,248 OH, FLORA, I FEEL SICK. YOU CAN'T FEEL SICK. EVERYTHING'S ARRANGED. 812 01:04:45,649 --> 01:04:47,884 [ Bell Ringing ] 813 01:04:50,054 --> 01:04:52,622 IS URK OUT THE WAY? SAW HIM DOWN TICKLEPENNY CORNER, 814 01:04:52,656 --> 01:04:54,925 TALKIN' TO THE WATER VOLES. 815 01:05:07,237 --> 01:05:09,206 [ Cow Bellowing ] 816 01:05:09,239 --> 01:05:12,109 I SAY, THIS IS ALL AWFULLY GOTHIC, ISN'T IT? 817 01:05:12,142 --> 01:05:15,612 YOU DO LOOK EXTREMELY NICE, FLORA. THE DRESS IS CHARMING. 818 01:05:15,645 --> 01:05:18,482 AND AS FOR YOUR PROTE!GE!, SHE'S QUITE BEAUTIFUL. DON'T CHATTER, CHARLES. 819 01:05:18,515 --> 01:05:20,584 JUST DRIVE QUIETLY OFF. 820 01:05:20,617 --> 01:05:23,420 OH. OH, I SAY. 821 01:05:36,133 --> 01:05:39,369 * [ Waltz ] [ Mrs. Hawk-Monitor ] ROGER! HOW LOVELY TO SEE YOU. 822 01:05:39,403 --> 01:05:43,073 OH, MY DEAR, WHAT A BEAUTIFUL DRESS! HAVE A LOVELY TIME. 823 01:05:43,107 --> 01:05:48,245 JAMES! HOW LOVELY TO SEE YOU. HELLO, JANE. HOW ARE YOU? 824 01:05:48,278 --> 01:05:52,382 HAVE FUN. CHARLES! ALL THE WAY FROM LONDON. 825 01:05:52,416 --> 01:05:56,086 YOU DIDN'T TRAVEL UP WITH PAMELA, BY ANY CHANCE. AFRAID NOT, MRS. HAWK-MONITOR. 826 01:05:56,120 --> 01:05:59,456 MAY I INTRODUCE FLORA POSTE? SHE'S STAYING LOCALLY, ACTUALLY. 827 01:05:59,489 --> 01:06:03,193 OH, WHAT A SHAME, MISS POSTE. WE HAVEN'T SEEN ANYTHING OF YOU. WHERE ARE YOU STAYING? 828 01:06:03,227 --> 01:06:06,997 I'M JUST STAYING A FEW MILES UP THE ROAD WITH RELATIVES. IT'S MY FIRST EVENING OUT. 829 01:06:07,031 --> 01:06:08,999 OH. WELL, HAVE A LOVELY EVENING. THANKS VERY MUCH. 830 01:06:09,033 --> 01:06:12,136 ALL RIGHT, THANK YOU. GOOD EVENING. WHO'S THAT? 831 01:06:34,191 --> 01:06:37,161 ELFINE. YOU LOOK INCREDIBLE. 832 01:06:51,841 --> 01:06:55,679 IS IT WORKING? I SHOULD SAY SO. 833 01:07:18,202 --> 01:07:21,371 I MUST GO DOWNSTAIRS. OH, MOTHER. 834 01:07:21,405 --> 01:07:26,243 YOU'RE MISTAKEN. 'TIS NOT THE FIRST OF MAY NOR THE SEVENTEENTH OF OCTOBER. 835 01:07:26,276 --> 01:07:29,213 YOU BIDE HERE. I TELL YOU I MUST GO DOWNSTAIRS. 836 01:07:29,246 --> 01:07:33,283 I MUST HAVE YOU ALL ROUND ME. I MUST HAVE ALL THE STARKADDERS ROUND ME. 837 01:07:33,317 --> 01:07:36,353 TO SEE IF ANYONE'S MISSING. NOBODY'S MISSING, MOTHER. 838 01:07:36,386 --> 01:07:42,859 GET ME MY LIBERTY BODICE, GIRL. AND THE ELASTIC-SIDED BOOTS. 839 01:07:42,892 --> 01:07:46,230 * [ Foxtrot ] 840 01:08:00,144 --> 01:08:04,214 I HOPE YOU'RE NOT FEELING NEGLECTED, SETH. NO, I AREN'T. 841 01:08:04,248 --> 01:08:09,186 LONDON GIRLS. THEM TOLD ME I WAS ABSOLUTELY BODY-THRILLIN'. 842 01:08:09,219 --> 01:08:13,190 SO YOU ARE, SETH. THEY'RE ALL THE SAME. 843 01:08:13,223 --> 01:08:16,260 ONLY WANT YOUR BLOOD, YOUR BREATH, THE VERY HEART OF YOUR THOUGHTS. 844 01:08:16,293 --> 01:08:19,863 I AIN'T GOT NO TIME FOR THAT. WHAT HAVE YOU GOT TIME FOR, SETH? 845 01:08:19,896 --> 01:08:24,634 MOVIES. THERE WAS A DANCE JUST LIKE THIS IN CRIMINAL LUSTS. 846 01:08:25,935 --> 01:08:28,172 SHALL WE TRY IT THEN? 847 01:08:53,297 --> 01:08:56,666 MISS POSTE. MISS POSTE! 848 01:08:56,700 --> 01:08:59,769 I LOVE YOU! MISS POSTE! 849 01:09:06,376 --> 01:09:08,378 YOU DO ENJOY YOURSELF, DON'T YOU? 850 01:09:08,412 --> 01:09:10,747 I TRY TO BRING PEOPLE ROUND TO THE HIGHER COMMON SENSE. 851 01:09:10,780 --> 01:09:14,251 OH, I SHOULDN'T LET YOU DO THAT TO ME. THINK OF ALL THE GOOD I DO. 852 01:09:14,284 --> 01:09:17,854 ELFINE'S THE BELLE OF THE BALL. DICK HAS THE GIRL HE WANTS. 853 01:09:17,887 --> 01:09:20,890 SETH'S ENJOYING HIMSELF, TEASING ALL THE LONDON DEBUTANTES. 854 01:09:20,924 --> 01:09:22,926 AND YOU'RE HAVING A LOVELY TIME WITH ME. 855 01:09:22,959 --> 01:09:25,529 TAKE YOUR DISGUSTING BOURGEOIS HANDS OFF ME! 856 01:09:25,562 --> 01:09:28,598 MISS POSTE! MISS POSTE! TELL THEM WHO I AM! 857 01:09:28,632 --> 01:09:31,435 - HE'S MR. MYBUG, A FAMOUS WRITER. - I'M SORRY, MISS. 858 01:09:31,468 --> 01:09:34,471 THIS IS A PRIVATE PARTY. COME ON, SIR. MISS POSTE! MISS POSTE! 859 01:09:34,504 --> 01:09:36,840 I'M ENGORGINGLY IN LOVE WITH YOU! 860 01:09:38,875 --> 01:09:41,945 I CAN'T HELP FEELING A BIT SORRY FOR HIM. 861 01:09:41,978 --> 01:09:44,981 NEVER MIND. WE'RE ALL PURIFIED BY SUFFERING. 862 01:09:45,014 --> 01:09:49,953 HE'S SO OBNOXIOUS. I HAVEN'T THE HEART TO TELL HIM THAT'S WHY I WON'T LET HIM KISS ME. 863 01:09:49,986 --> 01:09:55,259 HE THINKS I'M INHIBITED. I'M NOT, OF COURSE. I'M NOT OBNOXIOUS. 864 01:09:55,292 --> 01:09:59,396 NO, CHARLES. EXACTLY. SPEECH! SPEECH! 865 01:09:59,429 --> 01:10:01,531 SPEECH! 866 01:10:02,566 --> 01:10:05,835 LADIES AND GENTLEMEN, FRIENDS, 867 01:10:05,869 --> 01:10:08,505 LORD LIEUTENANT, 868 01:10:08,538 --> 01:10:10,907 I'M REALLY GLAD YOU COULD ALL COME TO MY 21st. 869 01:10:10,940 --> 01:10:12,509 [ Guests Murmuring ] 870 01:10:12,542 --> 01:10:16,846 MAMA HASN'T THROWN A BASH FOR ME LIKE THIS SINCE I WAS WEARING A CHRISTENING DRESS. 871 01:10:16,880 --> 01:10:21,017 [ Laughter ] 872 01:10:21,050 --> 01:10:26,656 - ANYWAY, THIS HAS BEEN A PARTICULARLY FINE EVENING. - [ Guests ] HEAR! HEAR! 873 01:10:26,690 --> 01:10:28,658 NO, I MEAN FOR ME. 874 01:10:28,692 --> 01:10:32,362 BECAUSE, WELL, I'VE SOMETHING TO TELL YOU ALL. 875 01:10:33,997 --> 01:10:37,934 MISS ELFINE STARKADDER AND I HAVE JUST BECOME ENGAGED. 876 01:10:37,967 --> 01:10:40,870 - ELFINE? - [ Guests Gasping, Murmuring ] 877 01:10:40,904 --> 01:10:43,740 [ Applause ] 878 01:10:43,773 --> 01:10:46,776 * [ Drum Roll, Glissando ] 879 01:10:47,844 --> 01:10:51,047 * FOR THEY ARE JOLLY GOOD FELLOWS * 880 01:10:51,080 --> 01:10:53,783 * FOR THEY ARE JOLLY GOOD FELLOWS * 881 01:10:53,817 --> 01:10:57,621 * FOR THEY ARE JOLLY GOOD FELLOWS * 882 01:10:57,654 --> 01:11:00,457 * AND SO SAY ALL OF US 883 01:11:00,490 --> 01:11:04,861 * AND SO SAY ALL OF US AND SO SAY ALL OF US * 884 01:11:04,894 --> 01:11:08,031 * FOR THEY ARE JOLLY GOOD FELLOWS * 885 01:11:08,064 --> 01:11:10,734 * FOR THEY ARE JOLLY GOOD FELLOWS * 886 01:11:10,767 --> 01:11:14,971 * FOR THEY ARE JOLLY GOOD FELLOWS * 887 01:11:15,004 --> 01:11:17,741 * AND SO SAY ALL OF US 888 01:11:17,774 --> 01:11:20,977 [ Laughter, Applause ] 889 01:11:24,781 --> 01:11:28,552 IT WAS WONDERFUL, FLORA! THE HAPPIEST NIGHT OF MY LIFE! 890 01:11:28,585 --> 01:11:32,389 YES, A BRILLIANT EVENING, FLORA. CONGRATULATIONS, ELFINE. 891 01:11:32,422 --> 01:11:35,425 JUST BETTER HOPE GRANDMA DON'T STOP IT NOW, EH? 892 01:11:45,535 --> 01:11:48,438 [ Charles ] I THOUGHT YOU TOLD ME THEY'D ALL BE IN BED. 893 01:11:48,472 --> 01:11:50,440 IT'S GRANDMA. SHE'S COME DOWNSTAIRS. 894 01:11:50,474 --> 01:11:53,510 I RECKON SHE'S HOLDING A COUNTIN'. WHAT COUNTING? 895 01:11:55,011 --> 01:11:59,115 WE A RUM LOT, US STARKADDERS. SOME OF US GOES BARMY. 896 01:11:59,148 --> 01:12:03,553 SOME OF US DIES IN CHILDHOOD. SOME OF US PUSHES OTHERS DOWN WELLS. 897 01:12:03,587 --> 01:12:08,592 SO ONCE A YEAR, GRANDMA HOLDS A LITTLE GATHERIN'... CALLED THE COUNTIN'. 898 01:12:08,625 --> 01:12:11,928 SHE MUST BE DOIN' IT EARLY FOR SOME REASON. 899 01:12:14,864 --> 01:12:17,601 CHARLES, THANK YOU. 900 01:12:19,135 --> 01:12:22,105 COME BACK TO LONDON WITH ME. NO, CHARLES. 901 01:12:22,138 --> 01:12:24,374 IT'S NOT FINISHED YET. 902 01:12:25,742 --> 01:12:27,844 I SAY, FLORA. 903 01:12:27,877 --> 01:12:30,780 WHEN AM I GOING TO GET A LOOK IN? 904 01:12:45,128 --> 01:12:50,033 'TWAS A BURNIN' NOONDAY 69 YEAR AGO, 905 01:12:50,066 --> 01:12:52,669 AND ME NO BIGGER THAN A TITTY WREN. 906 01:12:53,703 --> 01:12:55,805 AND I SAW SOMETHING NASTY... 907 01:12:55,839 --> 01:12:57,841 IN THE WOODSHED. IN THE WOODSHED. 908 01:12:57,874 --> 01:13:02,912 YOU'RE ALL WICKED AND CRUEL. I KNOW YOU ALL WANT TO GO AWAY... 909 01:13:02,946 --> 01:13:04,881 AND LEAVE ME WITH WHAT I SAW. 910 01:13:04,914 --> 01:13:06,916 BUT THERE'VE ALWAYS BEEN STARKADDERS... 911 01:13:06,950 --> 01:13:09,453 AT COLD COMFORT FARM. AT COLD COMFORT FARM. 912 01:13:09,486 --> 01:13:12,556 AND YOU'LL NEVER GO, NONE OF YOU. 913 01:13:12,589 --> 01:13:14,624 [ Door Opening ] 914 01:13:22,131 --> 01:13:25,835 [ Flora ] WELL, WELL, THE GANG'S ALL HERE, ISN'T IT? 915 01:13:26,903 --> 01:13:28,905 I DON'T SUPPOSE THERE ARE ANY SANDWICHES. 916 01:13:28,938 --> 01:13:32,709 WHO'S THAT THERE THEN? IT'S ROBERT POSTE'S CHILD. 917 01:13:32,742 --> 01:13:35,879 COME AND MEET YOUR AUNT ADA DOOM. 918 01:13:38,948 --> 01:13:41,685 HOW DO YOU DO, AUNT ADA? 919 01:13:41,718 --> 01:13:45,989 LOOK WHO'S COME TO SEE YOU, MOTHER. IT'S FLORA POSTE. 920 01:13:46,022 --> 01:13:50,059 I SAW SOMETHING NASTY IN THE WOODSHED. 921 01:13:50,093 --> 01:13:54,564 THERE'VE ALWAYS BEEN STARKADDERS AT COLD COMFORT FARM. AT COLD COMFORT FARM. 922 01:13:55,732 --> 01:13:57,734 YOU'LL STAY HERE, ALL OF YOU. 923 01:13:57,767 --> 01:14:02,138 AMOS AND JUDITH, SETH AND REUBEN, URK AND ELFINE. 924 01:14:02,171 --> 01:14:05,709 - AND RENNET. - WHO'S RENNET? 925 01:14:05,742 --> 01:14:09,713 THE ONE WHO LOOKS AS IF SHE JUST JUMPED IN THE WELL. SHE'S A KIND OF THIRD COUSIN, WE THINK. 926 01:14:09,746 --> 01:14:12,482 [ Tapping ] 927 01:14:13,883 --> 01:14:16,553 IT'S TIME TO HOLD THE COUNTIN'. 928 01:14:30,199 --> 01:14:32,135 WHERE'S MY SETH? 929 01:14:32,168 --> 01:14:34,237 HERE I BE. AH. 930 01:14:35,805 --> 01:14:40,209 - I'LL NEVER LEAVE YOU, GRANDMA. - AYE, YOU'RE MY MOMMET, MY PIPPET. 931 01:14:40,243 --> 01:14:42,879 THE LORD SEES YOUR LASCIVIOUS GLANCES. 932 01:14:42,912 --> 01:14:46,683 BUT HOW GRAND HE IS TONIGHT. AND ELFINE. 933 01:14:46,716 --> 01:14:49,719 DRESSED UP LIKE A PROPER LITTLE LADY. 934 01:14:49,753 --> 01:14:54,658 WHAT'S ALL THIS? WHAT YOU BEEN DOIN', BOY? TELL YOUR GRANNY. 935 01:14:56,893 --> 01:15:00,930 HE'S BEEN TO A DANCE AT THE HAWK-MONITORS. SO HAVE I. 936 01:15:00,964 --> 01:15:04,100 SO HAS ELFINE. AND WHAT'S MORE, AUNT ADA, 937 01:15:04,133 --> 01:15:07,203 ELFINE AND RICHARD HAWK-MONITOR ARE ENGAGED TO BE MARRIED A MONTH FROM NOW. 938 01:15:07,236 --> 01:15:11,274 - NO! MY LITTLE WATER VOLE! MY LITTLE WATER VOLE! - HEY! HEY! HEY! 939 01:15:11,307 --> 01:15:15,211 SHE B'AIN'T WORTH IT. SHE B'AIN'T WORTH NOTHIN'. I'LL GO MAD! 940 01:15:15,244 --> 01:15:18,081 ELFINE WAS PROMISED TO URK WHEN SHE WAS BORN. 941 01:15:18,114 --> 01:15:22,218 AMOS, YOU'RE THE MAN HERE. TELL THEM WHAT THEIR DUTY IS. 942 01:15:22,251 --> 01:15:25,689 I'VE GOT SOMETHIN' TO SAY, MOTHER. 943 01:15:25,722 --> 01:15:29,993 I BEEN WRESTLIN' AND PRAYIN' AND BROODIN' OVER IT, 944 01:15:30,026 --> 01:15:34,297 AND I KNOW THE LORD'S TRUTH AT LAST. 945 01:15:34,330 --> 01:15:38,635 I MUN GO ABROAD IN ONE OF THEY FORD VANS, 946 01:15:38,668 --> 01:15:41,237 PREACHIN' ALL OVER THE COUNTRYSIDE. 947 01:15:41,270 --> 01:15:44,908 AYE, LIKE THE APOSTLES OF OLD. 948 01:15:44,941 --> 01:15:48,612 I'VE HEARD MY CALL, AND I MUN FOLLOW IT. 949 01:15:48,645 --> 01:15:53,116 NO, YOU DON'T! NO ONE CAN LEAVE ME! 950 01:15:53,149 --> 01:15:58,287 I SHALL GO MAD AND DIE ALONE IN THE WOODSHED WITH NASTY THINGS PRESSIN' ON ME! 951 01:15:58,321 --> 01:16:00,790 SHE'LL GO MAD! YOU STRIKE AND TORMENT ME ALL YOU WANT. 952 01:16:00,824 --> 01:16:04,894 I HEAR THE GLAD VOICES OF THE ANGELS CALLIN' ME... 953 01:16:04,928 --> 01:16:07,330 OVER THE PLOWED FIELDS, 954 01:16:07,363 --> 01:16:10,734 AND THE LITTLE SEEDLINGS IS CLAPPING THEIR HANDS IN PRAYER. 955 01:16:10,767 --> 01:16:12,736 'TIS GOOD-BYE TO YE ALL. 956 01:16:12,769 --> 01:16:15,238 I'VE BROKEN YOUR CHAINS AT LAST, MOTHER, 957 01:16:15,271 --> 01:16:19,142 WITH THE HELP OF THE ANGELS AND THE LORD'S WORD. 958 01:16:19,175 --> 01:16:21,645 [ Sighs ] WHERE'S ME HAT? 959 01:16:21,678 --> 01:16:24,914 NO, AMOS! WHAT SHALL BECOME OF US? 960 01:16:24,948 --> 01:16:27,851 THE LORD WILL PROVIDE. 961 01:16:27,884 --> 01:16:30,253 OR NOT, ACCORDING TO HIS WHIM. 962 01:16:30,286 --> 01:16:33,022 I'LL SEND YOU A CARD FROM WHERE I'M GOING. 963 01:16:33,056 --> 01:16:35,859 I SHALL GO MAD, AMOS. I PROMISE YOU. 964 01:16:35,892 --> 01:16:38,928 I'M SORRY, MOTHER. THE LORD'S WILL. 965 01:16:40,864 --> 01:16:42,766 [ Wailing ] 966 01:16:42,799 --> 01:16:45,669 WE'RE DOOMED! [ Door Slamming ] 967 01:16:45,702 --> 01:16:49,906 URK, ELFINE'S YOURS. PROMISED THE DAY SHE WAS BORN. 968 01:16:49,939 --> 01:16:52,208 YOU TAKE HER BACK, BOY. 969 01:16:52,241 --> 01:16:56,012 URK, SHE JUST B'AIN'T WORTH IT. NO, SHE B'AIN'T. 970 01:16:56,045 --> 01:16:59,849 'AVE ME INSTEAD. DON'T YOU HAVE HIM, DUCKY, 'LESS YOU FEELS LIKE IT. 971 01:16:59,883 --> 01:17:04,220 I CAN ALWAYS MAKE HIM WASH A BIT, IF I FEELS LIKE IT. 972 01:17:06,189 --> 01:17:09,793 URK! COME ON, ME BEAUTY. 973 01:17:09,826 --> 01:17:13,162 - DIRT AS YE ARE, WE'LL SINK INTO THE MIRE TOGETHER. - URK, WAIT. DON'T YOU GO TOO. 974 01:17:13,196 --> 01:17:17,033 - I SHALL GO MAD, I TELL YOU. - [ Meriam Laughing, Squealing ] 975 01:17:17,066 --> 01:17:20,303 'SPECT THERE'LL BE ANOTHER LITTLE BEETLE SOON, NOW THE SUKEBIND'S FLOWERIN'. 976 01:17:20,336 --> 01:17:24,340 [ Door Slamming ] AMOS GONE, URK GONE. 977 01:17:25,742 --> 01:17:29,378 I'M ALL ALONE. ALL ALONE IN THE WOODSHED. 978 01:17:31,447 --> 01:17:34,150 AND WHO TOOK THEM AWAY? 979 01:17:35,852 --> 01:17:38,922 IT WAS YOU, WASN'T IT? 980 01:17:38,955 --> 01:17:42,425 YOU CHIT! YOU SCHEMING BRAT! 981 01:17:42,458 --> 01:17:45,829 IT WAS YOU, ROBERT POSTE'S CHILD! 982 01:17:45,862 --> 01:17:49,398 YOU POURED POISON INTO THEIR EARS! 983 01:17:49,432 --> 01:17:52,001 COME ON. SIT DOWN. COME ON. 984 01:18:01,510 --> 01:18:04,180 THEY'RE ALL GONE, 985 01:18:04,213 --> 01:18:08,785 AND I SAW SOMETHING NASTY IN THE WOODSHED. 986 01:18:08,818 --> 01:18:10,920 DON'T WORRY, GRANDMA. I'M STILL HERE. 987 01:18:10,954 --> 01:18:15,024 YOU'LL BREAK OUR HEARTS, TOO, YOU LIBERTINE. I KNOW IT. 988 01:18:15,058 --> 01:18:19,128 COME ALONG, MISS POSTE. 'TIS TIME YOU WERE IN BED. 989 01:18:22,065 --> 01:18:25,068 THANK YOU, REUBEN. YOU'RE AN UTTER LAMB. 990 01:18:25,101 --> 01:18:28,037 AH, YOU GOT THE OLD DEVIL OUT O' THE WAY. 991 01:18:28,071 --> 01:18:31,040 FARM'LL BE MINE NOW, WON'T IT? 992 01:18:31,074 --> 01:18:35,211 I DON'T FORGET, MISS POSTE. YES, OF COURSE, REUBEN. 993 01:18:35,244 --> 01:18:37,313 GOOD NIGHT. 994 01:19:16,352 --> 01:19:19,388 [ Cow Moos ] 995 01:19:31,367 --> 01:19:34,971 MR. NECK! MR. NECK! 996 01:19:35,004 --> 01:19:38,241 MR. NECK! 997 01:19:38,274 --> 01:19:42,178 IS THE, UH, HOUSE OF USHER OPEN? MAY I COME IN? 998 01:19:42,211 --> 01:19:46,549 MR. NECK, HOW WONDERFUL TO SEE YOU. I'LL COME DOWN. 999 01:19:49,853 --> 01:19:52,388 [ Flora ] WELL, MR. NECK, MARY SAID IN HER LAST LETTER... 1000 01:19:52,421 --> 01:19:54,958 THAT YOU WERE STILL LOOKING FOR ENGLISH FILM STARS. 1001 01:19:54,991 --> 01:19:59,295 SURE AM, BUT I DON'T WANT SISSIES. SISSIES GIVE ME A PAIN IN THE NECK. 1002 01:19:59,328 --> 01:20:03,432 THEY'RE STARTING TO GIVE THE GODDAMN AMERICAN PUBLIC A PAIN IN THE NECK TOO. 1003 01:20:03,466 --> 01:20:06,402 BELIEVE ME, IT'S RED MEAT TIME IN MOVIES. 1004 01:20:06,435 --> 01:20:09,372 WELL, THERE'S PLENTY OF RED MEAT AT COLD COMFORT FARM. 1005 01:20:09,405 --> 01:20:13,176 YOU MEAN SOMEONE LIKE TEX JONES? YEAH. TEX'S A GOOD KID. 1006 01:20:13,209 --> 01:20:16,345 HE CAN RIDE ALL RIGHT, BUT HE'S GOT NO BODY URGE. 1007 01:20:16,379 --> 01:20:19,048 I WANT A MAN TO FETCH THE WOMEN. 1008 01:20:19,082 --> 01:20:22,318 SOME BIG, HUSKY GUY THAT SMELLS OF THE GREAT OUTDOORS. 1009 01:20:22,351 --> 01:20:25,989 A GUY WHO CAN LIVE AND LOVE AND STILL HANDLE A PLOW. 1010 01:20:26,022 --> 01:20:28,224 YOU MEAN LIKE SLAKE FOUNTAIN? 1011 01:20:28,257 --> 01:20:32,561 SURE, BUT IT TAKES 20 GUYS TO PULL A BOTTLE OFF HIM BEFORE HE GETS ON SET. 1012 01:20:32,595 --> 01:20:35,498 [ Sniffing ] 1013 01:20:37,500 --> 01:20:41,905 THAT'S IT! HOLD IT THERE. WHO ARE YOU, SON? 1014 01:20:41,938 --> 01:20:46,075 OH, SETH, THERE YOU ARE. THIS IS MY COUSIN SETH STARKADDER. 1015 01:20:46,109 --> 01:20:50,346 HE'S VERY INTERESTED IN THE TALKIES. MR. NECK IS A FILM PRODUCER. 1016 01:20:50,379 --> 01:20:54,951 SETH... STARKADDER! HIT 'EM RIGHT WITH IT, EH? 1017 01:20:54,984 --> 01:20:58,955 [ Chuckling ] SO YOU'RE A FAN, SWEETHEART? 1018 01:20:58,988 --> 01:21:01,925 YOU AND ME SHOULD GET ACQUAINTED, HUH? 1019 01:21:01,958 --> 01:21:06,963 MAYBE YOU'VE THOUGHT OF BEING IN THE MOVIES YOURSELF. WHAT IF I HAD? 1020 01:21:06,996 --> 01:21:09,632 [ Cow Bellows ] 1021 01:21:09,665 --> 01:21:12,902 HE'S GOT THE FLESH. HE'S GOT THE BURR IN HIS VOICE. 1022 01:21:12,936 --> 01:21:14,670 AND HE CAN PLOW AND MOLLOCK. 1023 01:21:14,703 --> 01:21:17,606 I GOT THE WHAT? YOU JUST GOT THE BIG OFFER, SON. 1024 01:21:17,640 --> 01:21:21,644 HOW WOULD YOU LIKE TO BE IN THE MOVIES, SETH STARKADDER? 1025 01:21:21,677 --> 01:21:24,080 I'D LIKE IT MORE THAN ANYTHING ELSE IN THE WORLD. 1026 01:21:24,113 --> 01:21:28,484 AIN'T THAT DANDY! HE WANTS TO BE A MOVIE STAR, AND I WANNA MAKE HIM ONE! 1027 01:21:28,517 --> 01:21:31,620 SETH, NO! YOU CAN'T LEAVE YOUR MOTHER! 1028 01:21:31,654 --> 01:21:34,423 YOU MUSTN'T GO! OH, I KNEW IT! 1029 01:21:34,457 --> 01:21:38,227 I KNEW IT WOULD COME TO THIS! [ Sobbing ] GOT TO GO, MOTHER. 1030 01:21:38,261 --> 01:21:40,596 IT'S WHAT I WERE ALWAYS MADE FOR. 1031 01:21:40,629 --> 01:21:43,299 GOD, HE'S TERRIFIC! 1032 01:21:43,332 --> 01:21:47,203 GEE, MA'AM, I KNOW IT'S RAW. I KNOW IT'S TOUGH, BUT THAT'S LIFE, SWEETHEART. 1033 01:21:47,236 --> 01:21:50,039 GO ON, GET YOUR COAT, BOY. TIME TO BE OFF! 1034 01:21:50,073 --> 01:21:52,341 WE TAKE THE TRANSATLANTIC CLIPPER IN THE MORNING. 1035 01:21:52,375 --> 01:21:54,978 YOU CAN'T DO THIS TO ME. YOU CAN'T LEAVE YOUR MOTHER. 1036 01:21:55,011 --> 01:21:57,180 THERE'S A SPRING ONION HARVEST! 1037 01:21:57,213 --> 01:22:01,217 'TIS MAN'S WORK! OH, SETH, NO! 1038 01:22:01,250 --> 01:22:03,953 I'M A DEAD WOMAN! 1039 01:22:03,987 --> 01:22:06,522 I'D TAKE HER TOO, BUT SHE'S GLOOMY. 1040 01:22:06,555 --> 01:22:11,160 LOOK, MAMA, HE'LL BE FINE. I GOT THE PERFECT PART. 1041 01:22:11,194 --> 01:22:13,696 SETH STARKADDER IN SMALL TOWN COWBOY. 1042 01:22:13,729 --> 01:22:17,466 HE'LL SEND YOU FIVE GRAND FROM THE MOVIE, AND YOU'LL BE MAMA TO A STAR. 1043 01:22:17,500 --> 01:22:20,503 [ Wailing ] 1044 01:22:20,536 --> 01:22:24,040 [ Chickens Clucking, Squawking ] 1045 01:22:26,375 --> 01:22:30,379 GOOD-BYE, MR. NECK. I'M SURE WE'LL MEET AGAIN IN LONDON. I LOOK FORWARD TO IT. 1046 01:22:30,413 --> 01:22:34,117 AND THANKS FOR THE BOY. HE'S QUITE A FIND. 1047 01:22:34,150 --> 01:22:36,519 [ Judith ] MOTHER! MOTHER! COME ON DOWN! 1048 01:22:36,552 --> 01:22:39,122 MOTHER, HE'S TAKING MY SETH! 1049 01:22:39,155 --> 01:22:40,623 NO! OH, SETH! 1050 01:22:40,656 --> 01:22:43,559 OH, MERCY! IT'S GREAT-AUNT ADA. 1051 01:22:43,592 --> 01:22:45,761 SETH! YOU'D BETTER HURRY UP AND GO. 1052 01:22:45,794 --> 01:22:49,232 DON'T LEAVE ME! NO! I FORBID IT! 1053 01:22:49,265 --> 01:22:52,535 I SAW SOMETHING NASTY IN THE WOODSHED. 1054 01:22:52,568 --> 01:22:56,772 - SURE, YOU DID, BUT DID IT SEE YOU, BABY? - [ Cow Moos ] 1055 01:22:56,805 --> 01:23:00,009 COME ON, SETH! HOLLYWOOD'S WAITING. 1056 01:23:00,043 --> 01:23:07,350 * [ "Tara's Theme" from Gone With The Wind ] 1057 01:23:07,383 --> 01:23:10,286 OH, SETH. 1058 01:23:10,319 --> 01:23:12,488 * [ Continues ] 1059 01:23:14,557 --> 01:23:17,260 [ Inhales Loudly ] 1060 01:23:20,796 --> 01:23:24,100 - [ Ignition Starts ] - SETH, YOU CAN'T LEAVE US! 1061 01:23:24,133 --> 01:23:26,669 YOU MUSTN'T GO! [ Seth ] GOOD-BYE, MOTHER. 1062 01:23:26,702 --> 01:23:28,571 OH, SETH! 1063 01:23:28,604 --> 01:23:30,573 SETH! 1064 01:23:30,606 --> 01:23:33,242 SETH! SETH! 1065 01:23:35,411 --> 01:23:38,381 [ Sobbing ] I'M A DEAD WOMAN. 1066 01:23:38,414 --> 01:23:41,016 [ Geese Honking ] 1067 01:24:21,690 --> 01:24:23,659 [ Spits ] 1068 01:24:23,692 --> 01:24:25,728 [ Grunts ] [ Piglets Squealing ] 1069 01:24:25,761 --> 01:24:28,264 * DRIVE A PLOW 1070 01:24:28,297 --> 01:24:31,167 * OR MILK A COW 1071 01:24:31,200 --> 01:24:33,669 * OH, I CAN REAP AND MOW 1072 01:24:34,670 --> 01:24:38,107 * I'M AS FRESH AS A DAISY 1073 01:24:38,141 --> 01:24:41,177 * THAT GROWS IN THE FIELD [ Lowing ] 1074 01:24:41,210 --> 01:24:43,612 [ Bell Jangles ] * AND THEY CALLS I 1075 01:24:43,646 --> 01:24:45,748 * BUTTERCUP JOE 1076 01:25:01,197 --> 01:25:04,800 [ Pigs Squealing ] 1077 01:25:04,833 --> 01:25:07,436 [ Chuckles ] YEAH, WELL. 1078 01:25:07,470 --> 01:25:09,905 PLACE LOOK A LOT BETTER, EH, MISS POSTE? 1079 01:25:09,938 --> 01:25:13,576 MUCH BETTER, REUBEN. I KNEW YOU WERE THE ONE TO TAKE CHARGE. 1080 01:25:13,609 --> 01:25:16,812 YEAH. SHOULD PLEASE THE OLD DEVIL WHEN HE COMES BACK, EH? 1081 01:25:16,845 --> 01:25:20,749 I DON'T THINK HE IS COMING BACK. I HAD A CARD TODAY. 1082 01:25:23,319 --> 01:25:27,556 "PRAISE THE LORD. I GO TO SPREAD THE WORD AMONG THE HEATHEN AMERICANS... 1083 01:25:27,590 --> 01:25:31,460 "WITH THE REVEREND ELDERBERRY SHIFTGLASS OF CHICAGO. 1084 01:25:31,494 --> 01:25:36,165 TELL REUBEN HE CAN HAVE THE OLD PLACE. AMOS STARKADDER." 1085 01:25:40,603 --> 01:25:43,806 HAVE THE PLACE? WHAT, IT'S MINE? 1086 01:25:43,839 --> 01:25:47,543 ONE DAY. WHEN THE OLD LADY-- 1087 01:25:47,576 --> 01:25:52,681 OH, COUSIN FLORA, 'TWERE A GOOD DAY WHEN YE CAME TO COLD COMFORT. 1088 01:25:55,218 --> 01:25:57,420 HERE, 1089 01:25:57,453 --> 01:26:00,656 I DON'T SUPPOSE YOU'D MARRY ME? 1090 01:26:00,689 --> 01:26:04,627 OH, REUBEN, THAT IS NICE OF YOU. 1091 01:26:04,660 --> 01:26:07,463 OH, I MEAN IT, MISS POSTE. I LIKE YOUR PRETTY WAYS. 1092 01:26:07,496 --> 01:26:11,434 I LIKE YOURS TOO, BUT I'M AFRAID IT WOULD NEVER DO. 1093 01:26:11,467 --> 01:26:14,703 I'M NOT AT ALL THE SORT OF PERSON TO MAKE A GOOD FARMER'S WIFE. 1094 01:26:14,737 --> 01:26:18,274 AND THERE'S ENOUGH MARRIAGE JUST NOW WITH ELFINE'S WEDDING COMING UP. 1095 01:26:18,307 --> 01:26:22,611 SHE ALL RIGHT UP AT THE HALL? SHE LOVES IT, AND THEY LOVE HER. 1096 01:26:22,645 --> 01:26:25,548 THEY OUGHT TO HAVE THE WEDDING FEAST HERE AT COLD COMFORT, 1097 01:26:25,581 --> 01:26:27,816 NOW YOU'VE MADE IT SO NICE. 1098 01:26:27,850 --> 01:26:30,653 YOU'LL HAVE TO ASK AUNT ADA. 1099 01:26:30,686 --> 01:26:34,390 YES, I SUPPOSE I WILL. BUT YOU WOULDN'T MIND? 1100 01:26:34,423 --> 01:26:37,360 OH, NO, NOT AT ALL. NO. 1101 01:26:37,393 --> 01:26:39,928 THAT WERE A NO, BY THE WAY, WERE IT? 1102 01:26:39,962 --> 01:26:43,966 YES, IT WERE NO. YOU'LL FIND SOMEONE. 1103 01:26:43,999 --> 01:26:46,535 WHAT ABOUT RENNET? OH! 1104 01:26:46,569 --> 01:26:50,606 [ Chuckling ] NO ONE IN THEIR RIGHT MIND WOULD MARRY RENNET. 1105 01:26:50,639 --> 01:26:54,209 [ Chuckling ] BUT I'LL FIND SOMEONE. 1106 01:27:05,854 --> 01:27:08,924 AUNT ADA? I'VE BROUGHT YOUR LUNCH. MAY I COME IN? 1107 01:27:08,957 --> 01:27:12,695 WHO'S THERE? IT'S FLORA, ROBERT POSTE'S CHILD. 1108 01:27:23,939 --> 01:27:27,810 [ Laughing, Chattering ] 1109 01:27:28,844 --> 01:27:31,614 [ Muffled Chatter ] 1110 01:27:31,647 --> 01:27:35,784 I DON'T KNOW IF THERE'S ENOUGH MONEY FOR-- [ Laughing ] YEAH! 1111 01:27:35,818 --> 01:27:38,654 OH, DANG ME! 1112 01:27:56,339 --> 01:27:58,574 WHAT'S GOING ON? NO SUPPER? 1113 01:27:58,607 --> 01:28:00,876 I DIDN'T LIKE TO MAKE SUPPER, MASTER REUBEN. 1114 01:28:00,909 --> 01:28:05,514 MISS POSTE WENT UP TO SEE THE OLD LADY AT NOON AND HASN'T COME BACK DOWN AGAIN. 1115 01:28:05,548 --> 01:28:08,517 THEY BEEN TALKIN' ALL DAY. 1116 01:28:08,551 --> 01:28:12,421 MAYBE I OUGHT TO TAKE UP SOME SANDWICHES AND COCOA. NO, NO, MRS. BEETLE. 1117 01:28:12,455 --> 01:28:15,558 BETTER LET 'EM BE. MISS POSTE KNOWS WHAT SHE'S DOIN'. 1118 01:28:15,591 --> 01:28:18,293 SOMETHING TERRIBLE'LL COME OF IT. 1119 01:28:19,928 --> 01:28:22,798 WHAT'S HAPPENED? IS SHE ALL RIGHT, THE OLD LADY? 1120 01:28:22,831 --> 01:28:25,368 SHE'S ABSOLUTELY FINE. I'VE JUST PUT HER TO BED. 1121 01:28:25,401 --> 01:28:28,637 [ Shouts ] WHAT? 1122 01:28:37,680 --> 01:28:40,483 [ Birds Chirping ] 1123 01:28:47,089 --> 01:28:50,859 HOW'S THAT, MISS POSTE? PRETTY, INNIT? LOVELY, URK. 1124 01:28:50,893 --> 01:28:54,096 COULD YOU FETCH THE MEN? I WANT TO SET UP THE TABLES FOR THE FEAST-- 1125 01:28:54,129 --> 01:28:57,099 ONE FOR THE FARMERS, ONE FOR THE COUNTY. 1126 01:28:57,132 --> 01:28:59,568 [ Chattering In Distance ] 1127 01:28:59,602 --> 01:29:03,105 [ Mrs. Beetle ] OH! GIVE US YOUR TOES. 1128 01:29:03,138 --> 01:29:06,008 THAT'S IT. WHEW! 1129 01:29:07,610 --> 01:29:10,379 AH! 1130 01:29:10,413 --> 01:29:13,482 [ Rapid Whisking ] 1131 01:29:17,886 --> 01:29:20,823 [ Whisking Continues ] 1132 01:29:29,732 --> 01:29:32,067 COME ON, RENNET. STIR THAT DOUGH! 1133 01:29:32,100 --> 01:29:35,070 DON'T WANT 'EM EATING THEIR WEDDING BREAKFAST A WEEK AFTER THE NUPTIALS, DO WE? 1134 01:29:35,103 --> 01:29:38,707 WHO WOULD'VE THOUGHT IT? MY LITTLE WENNIT. [ Rapid Stirring ] 1135 01:29:38,741 --> 01:29:44,112 THE SEED TO THE FLOWER, THE FLOWER TO THE FRUIT, THE FRUIT TO THE BELLY. 1136 01:29:44,146 --> 01:29:48,083 URK, GRANDMA DOOM'S CHAIR, COULD YOU FIND IT AND PUT IT OUT FOR ME? 1137 01:29:48,116 --> 01:29:51,754 SHE ONLY USE THAT FOR THE COUNTIN'. JUST FIND IT, PLEASE. 1138 01:29:52,955 --> 01:29:57,493 RENNET, HERE'S A HAT FOR YOU TO WEAR TO THE CHURCH. 1139 01:29:58,694 --> 01:30:01,029 OH, COUSIN FLORA, DO YOU MIND? 1140 01:30:01,063 --> 01:30:03,966 I AIN'T USED TO THEM COLLARS. NO, OF COURSE, REUBEN. 1141 01:30:03,999 --> 01:30:06,635 SIT DOWN. 1142 01:30:23,619 --> 01:30:25,588 [ Guests Chattering ] HELLO! 1143 01:30:25,621 --> 01:30:28,557 REST IN PEACE, HUSBAND MINE. [ Church Bells Chiming ] 1144 01:30:28,591 --> 01:30:31,994 YOUR LOVING WIFE WON'T BE FAR BEHIND. 1145 01:30:32,027 --> 01:30:35,063 [ Bells Continue ] 1146 01:30:37,500 --> 01:30:40,736 HERE LIES MY DARLING GEORGE. 1147 01:30:40,769 --> 01:30:44,707 WHATEVER SHALL I DO WITHOUT YOU COME THE HARVEST? 1148 01:30:46,274 --> 01:30:49,745 COUSIN JUDITH, I'D LIKE YOU TO MEET DR. ADOLF MU$DEL FROM VIENNA. 1149 01:30:49,778 --> 01:30:52,147 LEAVE ME TO ME FATE, ROBERT POSTE'S CHILD. 1150 01:30:52,180 --> 01:30:55,117 IT'S A VERY GREAT PLEASURE TO MEET YOU, MRS. STARKADDER. 1151 01:30:55,150 --> 01:30:58,186 I HAVE HEARD SOMETHING OF YOU FROM FRAULEIN POSTE. 1152 01:30:58,220 --> 01:31:01,757 YOU MUST LEAVE ME BE. I'M A DEAD WOMAN. 1153 01:31:01,790 --> 01:31:05,628 NOW SHE'S SAFELY GATHERED IN, DELIVERED FROM THIS LIFE OF SIN. 1154 01:31:05,661 --> 01:31:08,130 YES. WELL, NEVER MIND THAT NOW. 1155 01:31:08,163 --> 01:31:11,800 POURING WITH RAIN WHEN YOUR FATHER AND I GOT MARRIED. I MUST GO IN. 1156 01:31:11,834 --> 01:31:14,269 YES. GOOD LUCK. 1157 01:31:14,302 --> 01:31:16,171 [ Woman Laughing ] HELLO. 1158 01:31:16,204 --> 01:31:19,608 FREDDIE, I WANTED TO SPEAK TO YOU ABOUT THOSE CATHEDRAL-- 1159 01:31:19,642 --> 01:31:21,910 IT IS. THANK GOODNESS. [ Chuckling ] 1160 01:31:21,944 --> 01:31:23,912 YESTERDAY-- WHY... 1161 01:31:23,946 --> 01:31:26,615 MISS POSTE! 1162 01:31:26,649 --> 01:31:28,951 WHAT A MARVELOUS DAY FOR A WEDDING! 1163 01:31:28,984 --> 01:31:32,054 DR. MU$DEL, THIS IS MR. MYBUG. UH, MEYERBURG. 1164 01:31:32,087 --> 01:31:35,023 DR. MU$DEL, YES. I KNOW YOU BY REPUTATION, OF COURSE. 1165 01:31:35,057 --> 01:31:38,527 WE'VE NEVER ACTUALLY MET. I DID ATTEND ONE OF YOUR LECTURES ONCE. 1166 01:31:38,561 --> 01:31:41,797 UM, "THE MIND AT WAR WITH ITSELF." AH, SO. 1167 01:31:41,830 --> 01:31:45,067 WEREN'T YOU THERE TOO, MISS POSTE? YES, INDEED, MR. MYBUG. 1168 01:31:45,100 --> 01:31:48,904 DR. MU$DEL, COULD I ASK YOU TO ACCOMPANY COUSIN JUDITH INTO THE CHURCH? 1169 01:31:48,937 --> 01:31:51,607 IT WILL BE MY PLEASURE. 1170 01:31:53,609 --> 01:31:57,145 TELL ME, DO YOU LIKE OLD CHURCHES? 1171 01:31:57,179 --> 01:32:00,015 AH! MR. MYBUG, WOULD YOU EXCUSE ME? 1172 01:32:00,048 --> 01:32:03,018 I'VE SPOTTED SOMEONE I SIMPLY MUST TALK TO. 1173 01:32:03,051 --> 01:32:05,087 [ Bird Cawing ] 1174 01:32:05,120 --> 01:32:08,724 * [ Organ ] [ Chattering ] 1175 01:32:14,029 --> 01:32:15,998 FLOWERS! 1176 01:32:16,031 --> 01:32:19,101 * [ Continues ] 1177 01:32:19,134 --> 01:32:22,938 * [ Organ Continues ] [ Guests Chattering, Child Crying ] 1178 01:32:24,707 --> 01:32:27,810 [ Chattering Continues Noisily ] [ Woman Laughing ] 1179 01:32:27,843 --> 01:32:31,980 STOP IT! 1180 01:32:32,014 --> 01:32:35,050 [ Noisy Chattering, Laughing Continue ] 1181 01:32:47,696 --> 01:32:50,799 * [ Organ Continues ] 1182 01:33:03,078 --> 01:33:05,347 REUBEN! DO HURRY UP, ELFINE. 1183 01:33:05,380 --> 01:33:08,316 THEY'RE ALL WAITING. OH, YOU LOOK GORGEOUS. 1184 01:33:08,350 --> 01:33:11,253 [ Organ Stops ] [ Elfine ] FLORA, DO I LOOK NICE? 1185 01:33:11,286 --> 01:33:14,356 DON'T BE NERVOUS. * [ Organ: "Wedding March" ] 1186 01:33:14,389 --> 01:33:16,859 REUBEN, MIND ME DRESS. 1187 01:33:16,892 --> 01:33:22,898 * 1188 01:33:26,168 --> 01:33:29,638 - * [ Organ Slows ] - MY LITTLE WENNET. 1189 01:33:29,672 --> 01:33:32,675 * [ Organ Dies ] ADAM! 1190 01:33:32,708 --> 01:33:35,744 OH! 1191 01:33:35,778 --> 01:33:39,047 * [ Resumes ] 1192 01:34:09,144 --> 01:34:12,014 * [ Polka ] [ Man Muttering ] 1193 01:34:13,081 --> 01:34:16,084 [ Chomping Loudly ] 1194 01:34:16,118 --> 01:34:19,221 [ Guests Chattering, Laughing, Hooting ] 1195 01:34:40,342 --> 01:34:43,378 [ Guests Hooting, Laughing ] 1196 01:34:44,747 --> 01:34:48,350 * [ Continues ] 1197 01:34:55,758 --> 01:34:58,761 OH, ABSOLUTELY FASCINATING. 1198 01:34:58,794 --> 01:35:01,263 [ Bellows ] 1199 01:35:05,200 --> 01:35:07,435 HOW KIND. I DON'T USUALLY. 1200 01:35:07,469 --> 01:35:10,773 I MUST SAY YOU'RE LOOKING SPLENDID, MRS. BEETLE. 1201 01:35:10,806 --> 01:35:13,308 OH, VICAR, THANK YOU! 1202 01:35:13,341 --> 01:35:16,144 - [ Hooting Continues ] - TELL ME, MY DEAR, 1203 01:35:16,178 --> 01:35:19,181 YOU CAN SETTLE A QUESTION THAT'S BEEN PUZZLING ME. 1204 01:35:19,214 --> 01:35:21,784 DO YOU BELIEVE THAT WOMEN HAVE SOULS? 1205 01:35:26,554 --> 01:35:29,391 A WEDDING PRESENT FOR YE, MAIDY. 1206 01:35:29,424 --> 01:35:32,895 A GIFT FOR MY OWN WILD MARSH TIGGET. 1207 01:35:32,928 --> 01:35:35,197 OH, ADAM, HOW SWEET OF YOU. 1208 01:35:35,230 --> 01:35:37,499 OH. OH. 1209 01:35:37,532 --> 01:35:41,937 PUT IT IN THY BOSOM. IT'LL MAKE YE BEAR FOUR CHILDREN. 1210 01:35:41,970 --> 01:35:45,107 THAT IT WILL. YOU'LL SEE. 1211 01:35:52,214 --> 01:35:54,516 I MUST THANK YOU, MISS POSTE. 1212 01:35:54,549 --> 01:35:58,453 DR. MU$DEL HAS ASKED ME TO STAY WITH HIM AT HIS NURSING HOME IN LONDON. 1213 01:35:58,486 --> 01:36:03,058 HE SAYS I CAN STAY WITH HIM FOR SIX MONTHS AND TALK TO HIM, PLAY SOME CHESS IF I LIKE. 1214 01:36:03,091 --> 01:36:06,194 IT'S MY ENERGY, YOU SEE. IT TURNS IN INSTEAD OF OUT. 1215 01:36:06,228 --> 01:36:09,331 HE'S GOING TO TURN IT OUT FOR ME. 1216 01:36:14,502 --> 01:36:17,105 * [ Drumroll Continues ] 1217 01:36:17,139 --> 01:36:20,275 * [ Band: "Wedding Processional" ] 1218 01:36:24,212 --> 01:36:26,982 GRANDMAMA? 1219 01:36:27,015 --> 01:36:30,185 [ Urk ] AYE, 'TIS HER! [ Meriam ] ALL DRESSED UP TO GO OUT. 1220 01:36:30,218 --> 01:36:32,154 'TIS FLYING AGAINST NATURE. 1221 01:36:32,187 --> 01:36:36,458 - LOOK AT HER! - [ Reuben ] WELL, I NEVER. GRANNY! 1222 01:36:36,491 --> 01:36:40,095 SHE MUST'VE SEEN SOME'AT NASTY IN THE WOODSHED. 1223 01:36:40,128 --> 01:36:44,032 [ Applause ] 1224 01:36:49,271 --> 01:36:53,175 WELCOME TO COLD COMFORT FARM. 1225 01:36:53,208 --> 01:36:58,480 -THERE'S ALWAYS BEEN STARKADDERS AT COLD COMFORT FARM. -[ Starkadders ] AYE! 1226 01:36:58,513 --> 01:37:01,850 BUT IT'S BEEN SOME TIME SINCE WE'VE HAD A WEDDING HERE. 1227 01:37:01,884 --> 01:37:07,122 I MUST ADMIT THAT ELFINE'S WEDDING HAS NOT TURNED OUT QUITE AS I'D PLANNED, 1228 01:37:07,155 --> 01:37:11,326 BUT I'VE NEVER SEEN HER LOOKING LOVELIER OR MORE RADIANT. 1229 01:37:11,359 --> 01:37:13,929 [ Applause ] SO-- 1230 01:37:13,962 --> 01:37:16,464 SO I GIVE IT MY BLESSING. 1231 01:37:16,498 --> 01:37:22,504 MY GREAT-NIECE FLORA HAS TOLD ME SOMETHING VERY WISE. 1232 01:37:22,537 --> 01:37:25,607 WHAT A PLEASANT LIFE-- 1233 01:37:25,640 --> 01:37:28,010 HOW'D YOU PUT IT, DEAR? 1234 01:37:28,043 --> 01:37:30,412 WHAT A PLEASANT LIFE MIGHT BE HAD IN THIS WORLD... 1235 01:37:30,445 --> 01:37:33,648 BY A HANDSOME, SENSIBLE OLD LADY OF GOOD FORTUNE, 1236 01:37:33,681 --> 01:37:36,618 BLESSED WITH A SOUND CONSTITUTION AND A FIRM WILL. 1237 01:37:36,651 --> 01:37:39,087 JANE AUSTEN. JANE AUSTEN. [ Guests ] AYE! 1238 01:37:39,121 --> 01:37:41,289 SO I'M TAKING HER ADVICE... 1239 01:37:41,323 --> 01:37:44,092 AND LEAVING FOR PARIS IN A FEW MOMENTS. 1240 01:37:44,126 --> 01:37:46,962 - PARIS? - [ Car Horn Honking ] 1241 01:37:49,364 --> 01:37:51,599 [ Ada ] OH, GOOD-BYE, DEAR. 1242 01:37:51,633 --> 01:37:54,636 GOD BLESS YOU, MUM. [ Ada ] THANK YOU VERY MUCH. THANK YOU. 1243 01:37:54,669 --> 01:37:58,340 NOW, REMEMBER, WHEN YOU GET TO NICE, ASK FOR THE HOTEL MIRAMAR. 1244 01:37:58,373 --> 01:38:02,477 I WILL, MY DEAR. I SHALL DO EXACTLY AS YOU ADVISED. 1245 01:38:02,510 --> 01:38:07,415 YOU WON'T FIND ME PLUCKING MY EYEBROWS, NOR DIETING. 1246 01:38:07,449 --> 01:38:12,087 NOR DOTING ON A BOY OF 25. 1247 01:38:12,120 --> 01:38:14,990 THERE IS JUST ONE THING, AUNT ADA, BEFORE YOU GO. 1248 01:38:15,023 --> 01:38:19,494 WHAT WAS THE WRONG AMOS DID MY FATHER? AND WHAT ARE MY RIGHTS? 1249 01:38:19,527 --> 01:38:21,997 WELL-- YES, MY DEAR? AUNT ADA. 1250 01:38:22,030 --> 01:38:25,167 ADAM WANTS TO COME TO HAUTECOUTURE HALL WITH US AND LOOK AFTER OUR COWS. 1251 01:38:25,200 --> 01:38:27,069 DO YOU MIND? 1252 01:38:27,102 --> 01:38:30,538 WHO WILL CARE FOR FECKLESS, AIMLESS, GRACELESS AND POINTLESS? 1253 01:38:30,572 --> 01:38:33,041 ADAM, YOU WOULDN'T DESERT THEM? 1254 01:38:33,075 --> 01:38:35,577 NEVER, MA'AM. TAKE 'EM WITH ME. 1255 01:38:35,610 --> 01:38:38,346 THERE'S ROOM FOR ALL AT HOWCHIKER HALL. 1256 01:38:38,380 --> 01:38:43,085 [ Chuckling ] WELL, YOU MAY TAKE 'EM IF YOU WANT TO, ADAM. 1257 01:38:43,118 --> 01:38:46,554 BLESS YE, MISS STARKADDER. YOU'ME A GOOD 'UN AFTER ALL. 1258 01:38:46,588 --> 01:38:49,357 AND BLESS YE, ROBERT POSTE'S CHILD. 1259 01:38:49,391 --> 01:38:52,727 YOU'ME LIFTED THE DOOM FROM COLD COMFORT. 1260 01:38:52,760 --> 01:38:56,231 - THREE CHEERS FOR AUNT ADA! HIP-HIP! - [ All ] HOORAY! 1261 01:38:56,264 --> 01:38:58,366 HIP-HIP! [ All ] HOORAY! 1262 01:38:58,400 --> 01:39:00,735 HIP-HIP! HOORAY! 1263 01:39:00,768 --> 01:39:05,107 [ All Cheering, Chattering ] 1264 01:39:12,547 --> 01:39:18,053 [ Thinking ] IT WAS THE LOVELIEST TIME OF THE LOVELIEST DAY OF THE YEAR. 1265 01:39:18,086 --> 01:39:21,356 THE ERMINE FLOWERS AND SILKY LEAVES... 1266 01:39:22,657 --> 01:39:25,727 AND... SATIN LEAVES-- 1267 01:39:25,760 --> 01:39:28,496 [ Thinking ] DAZZLED AGAINST AN AZURE SKY. 1268 01:39:28,530 --> 01:39:32,234 THE GAUZE-LIKE SHADOWS CREPT IN... 1269 01:39:32,267 --> 01:39:34,336 STEALTHILY. 1270 01:39:34,369 --> 01:39:37,739 [ Thinking ] THE DREAMING BIRDS BEGAN THEIR SLEEP SONG. 1271 01:39:37,772 --> 01:39:40,275 [ Rattling, Clanking ] OH. 1272 01:39:40,308 --> 01:39:43,445 [ Cowbells Clanking ] 1273 01:39:45,647 --> 01:39:48,083 [ Thinking ] GOLDEN ORB. 1274 01:39:48,116 --> 01:39:51,319 THE GOLDEN ORB-- 1275 01:39:51,353 --> 01:39:54,656 THE GOLDEN ORB-- [ Plane Engine Humming ] 1276 01:39:54,689 --> 01:39:57,125 [ Sighs ] 1277 01:40:43,305 --> 01:40:47,075 OH, CHARLES, YOU DO HAVE HEAVENLY TEETH. 1278 01:40:47,109 --> 01:40:49,411 COME ON! 1279 01:40:54,116 --> 01:40:56,751 HERE, CLAP THAT. 1280 01:41:00,455 --> 01:41:04,459 THIS IS FOREVER, ISN'T IT? OH, YES, FOREVER. 1281 01:41:04,492 --> 01:41:07,595 NOW, IS IT ALL OVER, MY DARLING? YES, CHARLES. 1282 01:41:07,629 --> 01:41:11,533 I DID IT ALL. VERY CLEVER. WHAT ABOUT THE NOVEL? 1283 01:41:11,566 --> 01:41:13,668 TO BE PERFECTLY HONEST, 1284 01:41:13,701 --> 01:41:16,471 I DON'T REALLY THINK I'M CUT OUT TO BE A NOVELIST. 1285 01:41:16,504 --> 01:41:19,707 YOU KNOW, I NEVER DID APPROVE OF YOU INTERFERING IN OTHER PEOPLE'S LIVES. 1286 01:41:19,741 --> 01:41:22,710 SO I SHAN'T BE ALLOWED TO INTERFERE IN YOURS? NO! 1287 01:41:22,744 --> 01:41:26,648 OF COURSE, YOU CAN SHARE IT, FLORA. IN FACT, I VERY MUCH HOPE YOU WILL. 1288 01:41:26,681 --> 01:41:29,284 [ Engine Starts ] 1289 01:41:29,317 --> 01:41:31,886 CHARLES, I LOVE YOU! WHAT? 1290 01:41:31,919 --> 01:41:34,722 I LOVE YOU! 1291 01:42:05,220 --> 01:42:08,790 [ Guests Shouting ] 1292 01:42:08,823 --> 01:42:11,926 GOOD-BYE! 1293 01:42:11,959 --> 01:42:14,329 FLORA! [ Sobbing ] 102309

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