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[♪]
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[TYPEWRITER KEYS CLICKING]
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[CARRIAGE RETURN BELL DINGS,CARRIAGE SLIDES]
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[♪]
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HO, HO, HO.MERRY CHRISTMAS.
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THANK YOU.
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MERRY CHRISTMAS.
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MERRY CHRISTMAS.THANK YOU.
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[IMPATIENTLY] EXCUSE ME.
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EXCUSE--EXCUSE YOU!
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MERRY CHRISTMAS.THANK YOU.
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EXCUSE ME.
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THANK YOU.MERRY CHRISTMAS.
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YOU'RE SO KIND.
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THANK YOU SO MUCH.MERRY CHRISTMAS.
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I DON'T THINK SO.[CONDESCENDING CHUCKLE]
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IT'S CAROL. GET ME KENDRA.
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[♪]
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NO, I DON'T NEED TO CHECKWITH CAROL ON THIS, ED.
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I'M THE SENIOR EDITOR,
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SECOND IN COMMANDAT SPRINGWOOD,
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AND THIS IS MY CALL,SO YOU'D BETTER START LISTENING.
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[WHISPERS]CAROL'S ON THE PHONE FOR YOU.
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THAT'S MY FINAL OFFER, ED.SO YOU'D BETTER START LISTENING.
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LET ME KNOW. [CLICK]
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THIS IS KENDRA.
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IT'S ME.
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CAROL? WHERE ARE YOU?
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WAIT,ARE YOU ON FOOT?
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TRAFFIC WAS AWFUL,
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AND SITTINGIN THE CAR SERVICE
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WAS JUST EATING THE DAY AWAY.
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I HATE THE HOLIDAYS.
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ARE YOU OKAY?
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I KNOW HOWTO WALK, KENDRA.
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LISTEN, MY CALL TO BERLINFELL THROUGH.
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I WANT TO PUSHTHE 11:00 MEETING UP.
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UH... SURE.
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WHAT TIME WERE YOU THINKING?
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NOW. HAVE EVERYONE READY.
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[DIAL TONE HUMS]
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OKAY, UH...
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FOLKS, MAY I HAVEYOUR ATTENTION,
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PLEASE?
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QUICKLY, EVERYONE,STOP WHAT YOU'RE DOING.
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IT'S IMPORTANT.
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OKAY, PEOPLE,
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TWO QUICK THINGS.
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ONE, FOR THOSE OF YOU
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WHO REQUESTEDCHRISTMAS OFF TOMORROW...
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CAROL HAS DENIEDONE, FOR YOUR REQUESTS.
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AND TWO, THE 11:00 MEETINGHAS BEEN PUSHED UP.
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DON'T WORRY,WE'LL BE READY!
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IT'S NOW.
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OH, GOD HELP US.
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[GROUP PROTESTING, PANICKING]
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OKAY, GREAT.
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[AGITATED MURMURING]
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WHICH OF THESE SUBTITLESSHOULD WE GO WITH?
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"LOSE WEIGHT FASTER"OR "GET SLIMMER QUICKER?"
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�
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OH, THEY'RE BOTH BAD.
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- THEY ARE?- YEAH.
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OH, GOD,CAROL WANTS A NEW SUBTITLE.
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WHAT SHOULD I DO?
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UH... IMPROVISE.
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IMPROVISE...
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OH, KENDRA.
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- DO YOU HAVE JUST--- NO, TANYA.
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- I REALLY WOULD JUST--- NO, TANYA.
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OH, OKAY, THANK YOU.
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SHH. QUIET!
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SHE'S COMING.
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[HIGH-HEELED FOOTSTEPSMARCHING CLOSER]
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[GASPING IN FRIGHT]
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LOOK ALIVE,PEOPLE.
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COME ON, GO, GO, GO, GO!
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OH, YOUR HAIR...
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LET'S GO. OKAY.
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BREATHE, BREATHE.
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LET'S GO.
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GOOD MORNING,MS. HUFFLER.
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WE'LL SEE.
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UM, OKAY, UM...
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CHRISTMAS NUMBERSARE GOOD,
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BUT MAINLY DUE TO A SURGEIN ONLINE SHOPPING.
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AND WHAT ABOUT RETAIL?
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THE BIG THREE AREN'T MOVINGAS MANY VOLUMES
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AS WE HAD HOPED.
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TELL THEM IF WE DON'TGET BETTER PLACEMENT,
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WE'LL PULL OUR STOCK.
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[CHUCKLES IN DISBELIEF]UH, REALLY?
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[CHUCKLES MOCKINGLY].
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YES.
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NEXT.
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UM, THE PRINCESS DOESN'T LIKEHER NEW GHOST WRITER.
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PRINCESS POPOR PRINCESS ROYALTY?
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PRINCESS ROYALTY.
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WELL, THEN,GET HER A NEW WRITER.
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BUT THIS ISTHE FOURTH ONE.
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THEN FIND HER A FIFTH.
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FRED, LET'S HEAR ITFOR THE "THE 59-SECOND WORKOUT."
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�
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[CLEARS THROAT]
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WELL, UM...
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YOU-- YOU SEE, UH...
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UH...
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WELL, UM...
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FRED?
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UM...
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DIDN'T YOU TELL ME,"FITNESS THE FAST WAY?"
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- GREAT.- YEAH--
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THEN WE CAN FOLLOW IT UPWITH THE FAST "ER"
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AND FAST "EST."
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HELL, WE CAN BUNDLE ITWITH E-BOOKS--
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"FRY YOUR LIFE AWAY,"AND THEN YOU GOT SOMETHING.
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FAT AND FITNESSAT THE SAME TIME? LOVE IT.
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ANYTHING ELSE?
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NO.
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LOVELY.
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CAROL, IF-- IF I COULD JUST--
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TANYA,I DON'T THINK THAT'S--
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MS. HUFFLER,IT JUST TAKES A MINUTE.
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THAT'S ALL I--
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YOU'VE GOT 10 SECONDS.
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- OH, UH, OKAY--- 10, NINE, EIGHT--
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OKAY, HERE IT IS.
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PAM JACOBS HAS SUBMITTED
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THE BEST DEBUT NOVELI'VE READ IN YEARS, AND...
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I THINK WE SHOULD MAKE AN OFFER.
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CORRECT ME IF I'M WRONG,
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BUT YOU'RETHE CLASSICS EDITOR, RIGHT?
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YES.
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THAT'S STRANGE.
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I WASN'T AWARE THATDEAD AUTHORS MADE SUBMISSIONS.
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IS IT A LONG-LOSTMASTERPIECE?
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[STAMMERING] UM, NO--I MEAN, NOT YET, BUT--
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SO, IT'S A NEW BOOK?
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YES--
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THEN THE LOGICALQUESTION WOULD BE,
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WHY IS SOMEONE IN CLASSICSPITCHING ME A NEW BOOK?
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BECAUSE...
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IT'S A SEMINAL WORK.
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IT'S... IT'S A ONE-OF-A-KIND.
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IT'S A TRUE VOICE.
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AND IF--
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IF YOU DON'T GIVE IT A CHANCE...
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YOU'LL BE MAKINGA... HUGE MISTAKE.
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REALLY?
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YOU HAVE TO BELIEVE ME.
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THIS BOOK IS THE REASONTHAT WE'RE ALL HERE
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DOING WHAT IT IS WE DO.
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IT'S WHAT LITERATUREIS ALL ABOUT.
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IT'S WHAT PEOPLESHOULD BE READING, AND, WELL...
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IT'S WHATWE SHOULD BE PUBLISHING.
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YOU REALLY MEAN IT, DON'T YOU?
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I DO.
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YOU'RE FIRED.
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WHAT?
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YOU BROKE THE FIRST RULEIN PUBLISHING.
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IT'S NOT ABOUTWHAT BOOKS SHOULD BE READ.
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YOIT'S ABOUT WHAT BOOKSEICAN BE SOLD..
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[STAMMERING IN INDIGNATION]WH...
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CAROL HUFFIER, YOU KNOW...
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YOU ARE A HEARTLESS TYRANT,
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AND-- AND
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YOU WOULDN'T KNOWA GOOD BOOK
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IF IT BIT YOUON THE... BUTT!
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BEAUTIFUL CHOICEOF WORDS, NO LESS.
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YOU WILL GETWHAT'S COMING TO YOU.
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I ALREADY HAVE.
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LONG LIVE THE NOVEL!
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NOT A GREAT EXIT LINE.
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TELL ME ABOUT IT.
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- SHH!- SORRY.
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ANY MORE PITCHES TODAY?
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I DIDN'T THINK SO.
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WAS THAT REALLYNECESSARY, CAROL?
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SHE'S A SINGLE MOTHER
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WITH TWO KIDS.
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I DIDN'T MAKE THAT MISTAKE.
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SHE LOVES THE BOOK.
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SHE WAS JUST FIGHTINGFOR WHAT SHE BELIEVES IN.
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[SIGHS]
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I MEANT ABOUT HAVING KIDS.
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WELL...
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UH, WAIT, KENDRA?
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"TALK TO KENDRA."
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WHAT AM I SUPPOSED TOTALK TO YOU ABOUT?
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TODAY WAS THE DAYYOU WERE GOING TO...
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MAKE YOUR DECISION.
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DECISION?
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ABOUT WHAT?
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THE TRANSFER?
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TO LONDON?
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MY BOYFRIEND, ZAC,
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HAS A TWO-YEAR CONTRACT
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IN LONDON,
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AND I REQUESTED A TRANSFER.
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WHEN?
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A YEAR AGO,
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THE DAY HE WON HIS BID.
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WE'VE HAD SEVERAL CONVERSATIONSABOUT THIS, CAROL--
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AH, AH, RIGHT, RIGHT,NO, I-- I REMEMBER,
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AND, UH...
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I'VE THOUGHT ABOUT IT A LOT.
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I JUST DON'T THINKIT'S THE RIGHT FIT FOR YOU.
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YOU KNOW I WANT TO GET INTOFOREIGN RIGHTS.
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IT'S THE PERFECT FIT.
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WHAT, YOU DON'T YOU THINKI CAN DO IT?
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WELL, IF I DID, YOU WOULD.
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LISTEN, KENDRA,
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YOU'RE MY SENIOR EDITOR,MY RIGHT-HAND WOMAN.
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EVERYTHING YOU'RE GOING TO LEARNABOUT PUBLISHING
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YOU'RE GOING TO LEARNRIGHT HERE.
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EVER SINCE EVEPASSED AWAY,
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I'VE MANAGED TO TURNTHIS PLACE AROUND,
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AND NOW I'M COUNTING ON YOUTO SUPPORT ME.
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LISTEN.
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LET ME GIVE YOUA LITTLE PIECE OF ADVICE--
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NEVER PLAN YOUR LIFELISTEN.AROUND A MAN.
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THEY'D NEVER GIVE YOUTHE SAME COURTESY.
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NEVER PLAN YOUR LIFELISTEN.[DOOR SLAMS]N.
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GLORIA, IT'S WORK.
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SOMEONE HAS TOKEEP THE LIGHTS ON.
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BUT MS. HUFFLER,IT'S CHRISTMAS.
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TRUST ME,
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MY MOTHER OF ALL PEOPLEWOULD UNDERSTAND.
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SHE WORKED EVERY HOLIDAYWHEN I WAS A KID.
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BUT IT WOULD JUST MEANSO MUCH TO HER.
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YOU MISSED LAST YEAR,AND I JUST THINK--
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GLORIA--
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[SIGHS]
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AND THERE MIGHT NOT BE THATMANY MORE CHRISTMASES LEFT.
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GLORIA!
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PLEASE, JUST STICKTO YOUR JOB DESCRIPTION,
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AND KEEP AN EYEON MY MOTHER, NOT ME.
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PLEASE, JUST STICKTO YOYOU UNDERSTAND?ION,
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YES, MA'AM.
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GOOD.
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SO, GOODBYE, GLORIA.
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MERRY CHRISTMAS,MS. HUFFLER.
243
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[SIGHS IN DISAPPOINTMENT]
244
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THIS IS MYFAVORITE MOVIE,
245
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"SCROOGE."
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I WATCH IT EVERY YEAR.
247
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AND SO DO I.
248
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YOU SHALL BEHOLD VISIONSOF A CHRISTMAS PAST,
249
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A CHRISTMAS PRESENT,DO I.
250
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AND A CHRISTMAS YET TO COME!
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EXPECT THE FIRSTWHEN THE CLOCK STRIKES MIDNIGHT.
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[♪]
253
00:10:13,253 --> 00:10:15,630
[JAZZY VERSION] ♪ OH, DASHINGTHROUGH THE SNOW ♪
254
00:10:15,630 --> 00:10:48,164
♪ IN A ONE-HORSE OPEN SLEIGH ♪
255
00:10:48,164 --> 00:10:52,043
♪ OVER THE FIELDS WE GO ♪
256
00:10:52,084 --> 00:10:55,088
♪ LAUGHING ALL THE WAY... ♪
257
00:10:55,130 --> 00:10:58,133
REMEMBER WHEN EVERAN THINGS?
258
00:10:58,216 --> 00:10:59,801
WE GOT TWO WEEKS OFFFOR THE HOLIDAYS.
259
00:10:59,885 --> 00:11:01,594
ISN'T WORKINGON CHRISTMAS ILLEGAL?
260
00:11:01,636 --> 00:11:04,264
YEAH.
261
00:11:04,306 --> 00:11:06,850
SOMEWHEREIT'S GOT TO BE.
262
00:11:06,892 --> 00:11:07,810
WELL, WHAT ARE YOUGOING TO DO?
263
00:11:07,893 --> 00:11:09,311
REVOLT.
264
00:11:09,395 --> 00:11:11,271
WELL, WHAT ARE YOUGONO, I'M SERIOUS!
265
00:11:11,271 --> 00:11:12,773
WHAT IF THE WHOLE OFFICESTAYED HOME?
266
00:11:12,815 --> 00:11:13,607
WHAT WOULD SHE DO,FIRE ALL OF US?
267
00:11:13,649 --> 00:11:15,193
YES.
268
00:11:15,234 --> 00:11:16,985
SHE'D HAVE NOTHING.
269
00:11:17,027 --> 00:11:17,945
WE'RE THE BACKBONEOF SPRINGWOOD.
270
00:11:17,986 --> 00:11:18,862
I MEAN, WE'RE THE ONESWITH THE POWER.
271
00:11:18,904 --> 00:11:20,114
WE SHOULD ORGANIZEOUR FORCES,
272
00:11:20,156 --> 00:11:21,950
GET TOGETHER, AND REBELAGAINST CAROL HUFFLER
273
00:11:22,033 --> 00:11:23,785
AND PUT AN ENDTO HER TYRANNICAL RULE.
274
00:11:23,827 --> 00:11:25,286
COME ON,WHO'S WITH ME?
275
00:11:25,369 --> 00:11:27,789
SHE'S HERE.
276
00:11:27,831 --> 00:11:29,123
YOU LOOK SPECTACULARTONIGHT, MS. HUFFLER.
277
00:11:29,165 --> 00:11:30,124
I HATE HER.
278
00:11:30,166 --> 00:11:34,087
[WENDY]: WAY TOGIVE IT TO HER, FRED.
279
00:11:36,506 --> 00:11:37,591
[QUIETLY] POWERTO THE PEOPLE.
280
00:11:37,632 --> 00:11:39,134
AMEN, SISTER.CHEERS.
281
00:11:39,218 --> 00:11:40,927
[WENDY]:YOU TOLD HER.
282
00:11:40,970 --> 00:11:42,054
[CHUCKLING QUIETLY]
283
00:11:42,096 --> 00:11:43,180
I LOVED YOUR LAST BOOK.
284
00:11:43,263 --> 00:11:45,766
WHAT WAS THE GENESIS FOR THAT?
285
00:11:51,271 --> 00:11:52,314
AND HOW MUCH INPUTDID YOUR WRITING PARTNER
286
00:11:52,356 --> 00:11:54,066
HAVE IN THIS ONE?
287
00:11:54,108 --> 00:11:56,319
KENDRA!
288
00:11:56,402 --> 00:11:57,487
THERE YOU ARE.
289
00:11:57,528 --> 00:11:59,071
OH, HI, CAROL.
290
00:11:59,155 --> 00:12:00,198
WOW, YOU LOOK BEAUTIFUL.
291
00:12:00,240 --> 00:12:02,242
THANK YOU.
292
00:12:02,325 --> 00:12:04,995
YOU LOOK BEAUTIFUL,TOO, BABY.
293
00:12:05,036 --> 00:12:05,912
CAROL, YOUREMEMBER ZAC,
294
00:12:05,954 --> 00:12:07,330
DON'T YOU?
295
00:12:07,372 --> 00:12:10,000
I, UM...
296
00:12:10,041 --> 00:12:11,585
ONE MORE TIME?
297
00:12:11,627 --> 00:12:13,545
MY BOYFRIEND?
298
00:12:13,587 --> 00:12:14,505
THE ONE WHO'SGOING TO LONDON
299
00:12:14,505 --> 00:12:16,673
FOR TWO YEARS?
300
00:12:16,757 --> 00:12:18,550
OH, RIGHT,
301
00:12:18,634 --> 00:12:20,219
THAT ONE.
302
00:12:20,302 --> 00:12:21,262
THE FOOD'S TERRIBLE.
303
00:12:21,345 --> 00:12:22,471
HAVE A WONDERFUL TRIP.
304
00:12:22,513 --> 00:12:24,348
UH, OKAY, THANKS FOR THAT.
305
00:12:24,348 --> 00:12:26,308
CAN I GET YOUANYTHING TO DRINK?
306
00:12:26,350 --> 00:12:29,145
WATER.
307
00:12:29,186 --> 00:12:31,355
NOT TOO MUCH ICE.
308
00:12:31,438 --> 00:12:32,231
GOTCHA. WATER.
309
00:12:32,314 --> 00:12:33,733
CAROL,HOW ARE YOU?
310
00:12:34,692 --> 00:12:37,153
YOU HAVEN'T RETURNEDANY OF MY CALLS.
311
00:12:38,029 --> 00:12:39,781
I'M COMING WITH YOU.
312
00:12:39,822 --> 00:12:41,366
HELLO, PAM.
313
00:12:41,366 --> 00:12:43,201
SO I HEARD YOU FIRED TANYAFOR PITCHING MY WRITER.
314
00:12:43,243 --> 00:12:44,202
IT'S NOTHINGPERSONAL.
315
00:12:44,244 --> 00:12:47,914
OH, I BELIEVE THAT.
316
00:12:47,998 --> 00:12:48,999
HOW COULD IT EVERBE PERSONAL WITH YOU?
317
00:12:49,041 --> 00:12:49,917
THERE'S A HUNDRED OTHEROHPUBLISHERS HERE TONIGHT, PAM.
318
00:12:49,917 --> 00:12:51,668
WHY DON'T YOU TALK TO ONEWHO WANTS TO LISTEN?
319
00:12:51,709 --> 00:12:54,171
BECAUSE I'M NO FOOL.
320
00:12:54,212 --> 00:12:56,048
YOU HAVETHE LARGEST MARKET SHARE,
321
00:12:56,131 --> 00:12:57,007
AND I WANT YOUTO MEET THE AUTHOR.
322
00:12:57,049 --> 00:12:59,342
OH, BEN!
323
00:12:59,384 --> 00:13:01,345
YOU BROUGHT HIMHERE TONIGHT?
324
00:13:01,387 --> 00:13:02,262
BEN WOODLEY!
325
00:13:02,346 --> 00:13:04,640
WHAT DID YOUJUST SAY?
326
00:13:04,723 --> 00:13:05,808
COME HERE.
327
00:13:05,891 --> 00:13:07,017
NOT ONLY IS HE BRILLIANT,HE'S CUTE,
328
00:13:07,059 --> 00:13:08,686
A MARKETING SLAM DUNK.
329
00:13:09,728 --> 00:13:11,147
BENJAMIN WOODLEY,CAROL HUFFLER,
330
00:13:11,189 --> 00:13:11,981
PRESIDENT OFSPRINGWOOD PUBLISHING.
331
00:13:12,023 --> 00:13:14,358
HI, CAROL.
332
00:13:14,400 --> 00:13:17,361
BEN.
333
00:13:17,403 --> 00:13:18,446
HOW ARE YOU?
334
00:13:18,446 --> 00:13:20,657
I'M GOOD.
335
00:13:20,740 --> 00:13:22,200
HOW ARE YOU?
336
00:13:22,241 --> 00:13:23,242
OKAY.
337
00:13:23,284 --> 00:13:24,828
WAIT A MINUTE, HOLD THE PHONE.
338
00:13:25,745 --> 00:13:26,455
YOU TWOALREADY KNOW EACH OTHER?
339
00:13:26,538 --> 00:13:29,040
YEAH, WE DO.
340
00:13:29,083 --> 00:13:30,417
YEAH. WE DO.
341
00:13:30,459 --> 00:13:31,585
OH.
342
00:13:31,626 --> 00:13:33,337
[AWKWARD CHUCKLE]WHO KNEW, RIGHT?
343
00:13:34,338 --> 00:13:35,130
WELL, YOU DON'T NEED ME HERETO MESS THIS UP.
344
00:13:35,214 --> 00:13:37,132
- EXCUSE ME.- PAM!
345
00:13:38,258 --> 00:13:40,510
[SIGHS AWKWARDLY]
346
00:13:40,553 --> 00:13:41,929
SO, UM...
347
00:13:41,929 --> 00:13:44,515
FUNNY SEEING YOU HERE.
348
00:13:44,599 --> 00:13:46,434
OH, I'M NOT AN IDIOT, BEN.
349
00:13:46,517 --> 00:13:48,269
I KNOW YOU PLANNEDTHIS LITTLE SURPRISE.
350
00:13:48,311 --> 00:13:49,812
WHAT ARE YOU-- WHAT?
351
00:13:49,854 --> 00:13:51,981
THIS AMBUSHSO I'D BUY YOUR BOOK.
352
00:13:52,065 --> 00:13:53,233
NO, NO. HANG-- HANG ON.
353
00:13:53,274 --> 00:13:55,110
I SPECIFICALLY ASKED PAMNOT TO SEND YOU MY BOOK.
354
00:13:55,151 --> 00:13:56,945
WHAT? THAT'S RIDICULOUS.
355
00:13:56,987 --> 00:13:59,489
YOU'D BE A FOOLNOT TO SEND IT TO ME.
356
00:13:59,572 --> 00:14:01,116
[STAMMERS]UH, EXCUSE ME?
357
00:14:01,157 --> 00:14:02,450
I THOUGHT YOU JUST SAID
358
00:14:02,533 --> 00:14:04,536
THAT YOU...
359
00:14:04,620 --> 00:14:06,121
UH, I'M CONFUSED.
360
00:14:06,162 --> 00:14:07,080
AM I STILLNOT GOOD ENOUGH FOR YOU?
361
00:14:07,122 --> 00:14:08,790
IS THAT WHATYOU'RE TRYING TO SAY?
362
00:14:08,832 --> 00:14:10,125
YOU'RE NOT GOOD ENOUGH FOR ME?
363
00:14:10,166 --> 00:14:11,460
[SCOFFS]
364
00:14:11,502 --> 00:14:13,462
LOOK, CAROL, I DON'T CARE IFYOU READ MY BOOK OR NOT, OKAY?
365
00:14:13,462 --> 00:14:14,755
OBVIOUSLY.
366
00:14:14,796 --> 00:14:17,633
I MEAN...
367
00:14:17,674 --> 00:14:19,093
LOOK, I WOULD LOVE
368
00:14:19,135 --> 00:14:20,970
FOR YOU TO READ MY BOOK, OKAY,
369
00:14:20,970 --> 00:14:23,139
BUT I DON'T EXPECT YOU TO,
370
00:14:23,180 --> 00:14:25,182
NOT AFTERWHAT WE'VE BEEN THROUGH.
371
00:14:25,266 --> 00:14:26,893
THAT'S ALL I MEANT.
372
00:14:26,934 --> 00:14:28,144
WHAT'S IT ABOUT?
373
00:14:28,227 --> 00:14:32,148
THE LAST 10 YEARS OF MY LIFE.
374
00:14:32,148 --> 00:14:34,151
STARTING THE DAY YOU LEFT?
375
00:14:34,234 --> 00:14:36,486
I LIKE TO THINK OF ITAS THE DAY YOU STAYED.
376
00:14:36,528 --> 00:14:38,030
I HAD A JOB, BEN, REMEMBER?
377
00:14:38,071 --> 00:14:42,325
SOMEBODY HAD TO KEEPTHE LIGHTS ON.
378
00:14:42,325 --> 00:14:43,827
THAT'S RIGHT. RIGHT.
379
00:14:43,911 --> 00:14:45,453
YOU KNOW, I NEVER ASKED YOUTO TAKE CARE OF ME.
380
00:14:45,495 --> 00:14:46,747
BUT I DID,BECAUSE THE WAY I REMEMBER IT,
381
00:14:46,830 --> 00:14:49,041
YOU COULDN'TTAKE CARE OF YOURSELF.
382
00:14:49,082 --> 00:14:51,460
I TURNED OUT JUST FINE,THANK YOU VERY MUCH.
383
00:14:51,502 --> 00:14:53,754
WELL, THEN, YOU'RE WELCOME.
384
00:14:54,380 --> 00:14:57,007
HOW'S OUR REUNIONCOMING ALONG?
385
00:14:57,049 --> 00:14:58,134
IT'S OVER.
386
00:14:58,176 --> 00:15:00,344
THIS WHOLEHEARTLESS THING
387
00:15:00,386 --> 00:15:01,762
IS JUST A PHASEWITH HER, RIGHT?
388
00:15:02,680 --> 00:15:04,307
YOU KNOW WHERE TO FIND ME.
389
00:15:04,348 --> 00:15:07,185
<
390
00:15:07,185 --> 00:15:09,187
[CHATTING QUIETLY]
391
00:15:09,270 --> 00:15:11,355
WHAT'S HAPPENINGOVER THERE?
392
00:15:11,397 --> 00:15:13,274
[FRED]: OH, MY...
393
00:15:13,358 --> 00:15:15,402
THIS IS GOOD.
394
00:15:17,279 --> 00:15:18,447
MM...
395
00:15:18,530 --> 00:15:19,906
SHE'S HAVINGA BAD DAY.
396
00:15:19,989 --> 00:15:21,241
- OH, MY GOODNESS.- TELL ME ABOUT IT.
397
00:15:21,241 --> 00:15:22,952
SHE'S HAVINGDID YOU SEE THOSE SHOES?.
398
00:15:23,035 --> 00:15:24,661
[SNEERING LAUGHTER]
399
00:15:24,703 --> 00:15:26,621
CHEERS.
400
00:15:26,705 --> 00:15:28,582
[SIGHS]
401
00:15:30,585 --> 00:15:33,253
YOU OKAY?
402
00:15:39,344 --> 00:15:41,429
I'M FINE.
403
00:15:41,471 --> 00:15:43,473
YOU DON'T SEEMFINE.
404
00:15:43,514 --> 00:15:45,350
THANKS. VERY NICE.
405
00:15:45,391 --> 00:15:47,936
YOU LOOK LIKE YOU COULDUSE A LITTLE HUG.
406
00:15:47,936 --> 00:15:50,605
THYOU KNOW WHAT,E.
407
00:15:50,689 --> 00:15:51,564
I'M NOT BIG ON HUGGING STRANGERSIN BATHROOMS.
408
00:15:51,648 --> 00:15:53,859
WHO SAID ANYTHINGABOUT STRANGERS?
409
00:15:53,900 --> 00:15:56,236
NOW, TURN AROUNDAND GIVE YOUR OLD BUDDY
410
00:15:56,319 --> 00:15:57,738
A LITTLE SQUEEZE.
411
00:15:57,779 --> 00:15:59,531
[GASPING IN TERROR]
412
00:15:59,573 --> 00:16:01,032
EVE?
413
00:16:02,534 --> 00:16:03,577
EVE MAILER?
414
00:16:03,619 --> 00:16:04,578
IN THE FLESH.
415
00:16:04,578 --> 00:16:06,622
WELL, MAYBE NOT IN THE FLESH,BUT YEAH, IT'S ME.
416
00:16:07,289 --> 00:16:11,002
WHAT-- WAIT, WAIT,WHAT'S GOING ON?
417
00:16:11,043 --> 00:16:14,589
IT'S OKAY.
418
00:16:14,631 --> 00:16:15,715
NO, IT'S NOT OKAY.
419
00:16:15,757 --> 00:16:17,091
YOU'RE DEAD!
420
00:16:17,133 --> 00:16:18,009
MAYBE, BUT YOU'RE RUDE.
421
00:16:18,092 --> 00:16:20,261
NO, I'M HALLUCINATING.
422
00:16:20,302 --> 00:16:22,430
IT'S FINE.
423
00:16:22,472 --> 00:16:24,432
THEY DID SAY
424
00:16:24,474 --> 00:16:25,517
THAT YOU MIGHT HAVESOME TROUBLE WITH THIS.
425
00:16:25,600 --> 00:16:27,477
THEY? WHO ARE THEY?
426
00:16:27,560 --> 00:16:30,438
MY BOSSES.
427
00:16:30,480 --> 00:16:32,190
BOSSES?
428
00:16:32,274 --> 00:16:33,233
THE SPIRITUAL ENTITIES
429
00:16:33,275 --> 00:16:35,277
WHO OVERSEETHE BALANCE OF THINGS.
430
00:16:35,360 --> 00:16:37,362
WE CALL THEM
431
00:16:37,445 --> 00:16:38,947
"THE BOARD OF CORRECTORS."
432
00:16:38,989 --> 00:16:40,908
433
00:16:40,949 --> 00:16:42,242
WHAT?
434
00:16:42,284 --> 00:16:44,537
IT-- IT'S FUNNIERIF YOU'RE DEAD.
435
00:16:44,620 --> 00:16:48,916
OH, SOMEBODY MUST HAVEPUT SOMETHING IN MY DRINK.
436
00:16:50,334 --> 00:16:51,377
YOU'RE NOT REAL.
437
00:16:51,460 --> 00:16:52,795
NONE OF THIS
438
00:16:52,795 --> 00:16:55,423
IS REAL.
439
00:16:55,423 --> 00:17:07,644
WHAT THE...E OF THIS
440
00:17:07,644 --> 00:17:09,813
[BEATBOX POUNDING]
441
00:17:13,483 --> 00:17:16,153
WHAT'S GOING ON?
442
00:17:16,153 --> 00:17:17,571
WHAT'S GOING ON?
443
00:17:18,655 --> 00:17:20,866
WHERE AM I?
444
00:17:20,908 --> 00:17:21,867
YOU GONNA THROW UP?SOME PEOPLE ACTUALLY THROW UP.
445
00:17:21,909 --> 00:17:24,662
WHY IS IT DAYTIME?
446
00:17:24,704 --> 00:17:25,496
WELL,A BETTER QUESTION MIGHT BE,
447
00:17:25,538 --> 00:17:27,498
WHY IS IT 1985?
448
00:17:27,498 --> 00:17:29,417
IT'S NOT POSSIBLE.
449
00:17:33,963 --> 00:17:36,007
NO...
450
00:17:39,427 --> 00:17:40,887
IT CAN'T BE.
451
00:17:40,971 --> 00:17:42,013
OH, MAN...
452
00:17:42,806 --> 00:17:46,142
YOU'RE GONNA VOMIT,AREN'T YOU?
453
00:17:46,184 --> 00:17:47,561
I AM GETTING THE HECKAWAY FROM YOU.
454
00:17:47,561 --> 00:17:50,105
YOU'AND DON'T YOU FOLLOW ME.AREN'TJUST LEAVE ME ALONE!
455
00:17:50,146 --> 00:17:52,691
YOU'VE GOT A LITTLE LAMPPOST
456
00:17:52,691 --> 00:18:08,249
ON YOUR FACE.
457
00:18:08,249 --> 00:18:10,292
[GASPING IN PANIC]
458
00:18:10,377 --> 00:18:11,503
LOOK, LOOK,
459
00:18:11,544 --> 00:18:12,587
YOU ARE FREAKING OUT,AND THAT IS TOTALLY NORMAL.
460
00:18:13,296 --> 00:18:14,297
YOU NEED TO STOPTALKING TO ME.
461
00:18:14,381 --> 00:18:16,466
I KNOW THIS IS HARD
462
00:18:16,508 --> 00:18:18,676
FOR YOU TO WRAPYOUR BRAIN AROUND,
463
00:18:18,718 --> 00:18:19,552
BUT IF YOU'LL JUSTGIVE YOURSELF OVER
464
00:18:19,636 --> 00:18:21,221
TO THE WHOLE EXPERIENCE--
465
00:18:21,263 --> 00:18:23,681
WHOLE EXPERIENCE?
466
00:18:23,723 --> 00:18:24,725
YOU MEAN THE FACTTHAT I'M DREAMING?
467
00:18:24,767 --> 00:18:25,684
BECAUSE THAT'S WHAT'S HAPPENINGRIGHT NOW, THAT'S IT.
468
00:18:25,726 --> 00:18:27,019
I'M DREAMING.
469
00:18:27,060 --> 00:18:28,771
THIS IS NOT A DREAM.
470
00:18:28,854 --> 00:18:29,688
YOU KNOW WHAT, YOU'RE RIGHT.
471
00:18:29,730 --> 00:18:31,148
IT'S A NIGHTMARE.
472
00:18:31,231 --> 00:18:32,608
COME TO THINK OF IT,
473
00:18:32,691 --> 00:18:34,151
MAYBE IF I STOP TALKING TO YOU,IT'LL ALL GO AWAY.
474
00:18:34,192 --> 00:18:35,193
LOOK, CAROL,YOUR LIFE IS OFF COURSE,
475
00:18:35,236 --> 00:18:38,406
AND I'M HERE TO HELP YOUGET IT BACK ON--
476
00:18:38,447 --> 00:18:40,408
[HUMMING LOUDLY IN DENIAL]
477
00:18:40,449 --> 00:18:42,201
LISTEN TO ME...
478
00:18:42,243 --> 00:18:44,578
CAROL HUFFLER!
479
00:18:44,578 --> 00:18:45,454
I'VE ONLY GOT ONE NIGHTTO MAKE THIS WORK,
480
00:18:45,496 --> 00:18:46,831
SO YOU'VE GOT TO WISE UP
481
00:18:47,623 --> 00:18:50,669
AND REALIZE IT'S TIME FOR YOUTO MAKE A CHANGE.
482
00:18:50,710 --> 00:18:51,920
LOOK, THIS COULD BETHE BEGINNING
483
00:18:51,961 --> 00:18:54,130
OF A WHOLE NEW LIFE FOR YOU,
484
00:18:54,213 --> 00:18:57,259
BUT ONLY IF YOU WANT IT.
485
00:18:57,259 --> 00:18:58,593
IN THE END,
486
00:18:58,635 --> 00:19:00,345
THE CHOICE IS YOURS,AND YOURS ALONE.
487
00:19:00,429 --> 00:19:01,221
DO YOU UNDERSTAND?
488
00:19:01,263 --> 00:19:03,432
MAYBE I'M IN A COMA.
489
00:19:03,432 --> 00:19:06,936
[MAN, OVER P.A.]:JUST A REMINDER, SHOPPERS,
490
00:19:07,770 --> 00:19:11,941
WE HAVE A SPECIAL ON LEGWARMERSON THE THIRD FLOOR--
491
00:19:17,363 --> 00:19:19,240
BUY TWO, GET ONE FREE.
492
00:19:19,282 --> 00:19:22,618
WHAT THE...?
493
00:19:22,660 --> 00:19:24,454
IS THIS...?
494
00:19:24,495 --> 00:19:25,788
I HAVEN'T THOUGHTABOUT THIS PLACE SINCE...
495
00:19:29,918 --> 00:19:31,878
1985?
496
00:19:33,672 --> 00:19:36,382
IT MUST BE AN OLD MEMORYFROM MY SUBCONSCIOUS.
497
00:19:36,467 --> 00:19:39,302
HAPPENS ALL THE TIMEIN DREAMS.1985?
498
00:19:39,302 --> 00:19:42,514
REALLY?
499
00:19:42,598 --> 00:19:44,600
I TALKED TO GLORIAABOUT MY MOTHER EARLIER,
500
00:19:44,641 --> 00:19:45,726
I MUST HAVE FALLEN ASLEEPTHINKING ABOUT HER,
501
00:19:45,767 --> 00:19:47,644
AND HERE WE ARE.
502
00:19:47,686 --> 00:19:51,482
ALL RIGHT, THEN,
503
00:19:51,482 --> 00:19:52,649
LET'S SEE HOW THISGRABS YOU, THEN.
504
00:19:52,649 --> 00:19:53,776
MOM?
505
00:19:53,818 --> 00:19:55,903
MOM!
506
00:19:58,740 --> 00:20:00,408
SHE CAN'T HEAR YOU.
507
00:20:00,492 --> 00:20:01,326
YOU'RE A SPECTATORTHIS TIME.
508
00:20:01,409 --> 00:20:03,578
[TALKING SOFTLY]
509
00:20:03,661 --> 00:20:06,789
IS THAT...
510
00:20:07,665 --> 00:20:08,875
ME?
511
00:20:08,916 --> 00:20:10,752
WELL, IT'S NOT ELVIS.
512
00:20:10,835 --> 00:20:12,670
SHE WAS A HARDWORKER, WASN'T SHE?
513
00:20:12,670 --> 00:20:16,174
SHE ALWAYS USED TO SAY,
514
00:20:20,638 --> 00:20:23,015
"WORK TO LIVE,
515
00:20:23,056 --> 00:20:25,393
DON'T LIVE TO WORK,"
516
00:20:25,476 --> 00:20:26,727
BUT SHE NEVER HADA DAY OFF.
517
00:20:26,810 --> 00:20:29,647
EXCUSE ME, MISS HUFFLER?
518
00:20:29,688 --> 00:20:31,690
YOUR SHIFT IS OVER.
519
00:20:34,485 --> 00:20:36,029
YOU CAN PUNCH OUT NOW.
520
00:20:36,112 --> 00:20:37,030
OH, IS IT TIME ALREADY?
521
00:20:37,113 --> 00:20:38,322
HERE'S YOUR FINAL CHECK,
522
00:20:38,364 --> 00:20:40,033
AND THANK YOU FOR YOUR HELPTHIS HOLIDAY SEASON.
523
00:20:40,074 --> 00:20:41,242
UM, SIR? EXCUSE ME...
524
00:20:41,284 --> 00:20:43,578
DO YOU REMEMBERLAST WEEK
525
00:20:43,662 --> 00:20:45,372
WHEN I ASKED ABOUTANY FULL-TIME POSITIONS
526
00:20:45,372 --> 00:20:46,373
OPENING UP?
527
00:20:46,456 --> 00:20:48,041
I'M SORRY, BUT THE JOBWAS TEMPORARY.
528
00:20:48,082 --> 00:20:49,168
WE DON'T HAVEANYTHING RIGHT NOW.
529
00:20:49,209 --> 00:20:50,835
OKAY, BUT IT'S JUST,
530
00:20:50,877 --> 00:20:53,338
I REALLY LOVEWORKING HERE,
531
00:20:53,380 --> 00:20:54,798
AND I'LL WORKIN ANY DEPARTMENT.
532
00:20:54,881 --> 00:20:55,840
I'M SORRY.
533
00:20:55,883 --> 00:20:58,010
COME ON, HONEY.
534
00:20:58,052 --> 00:21:00,554
LET'S GO.
535
00:21:02,723 --> 00:21:04,517
DON'T WANT TO BE LATE.
536
00:21:04,559 --> 00:21:06,477
WHERE ARE YOU GOING?
537
00:21:06,519 --> 00:21:07,853
SHE PICKED UP SHIFTS
538
00:21:07,895 --> 00:21:09,980
WAITING TABLESAT A DINER.
539
00:21:10,022 --> 00:21:11,732
HOW DOES THATMAKE YOU FEEL?
540
00:21:11,774 --> 00:21:12,942
[DISDAINFULLY]HOW DOES THAT MAKE ME FEEL?
541
00:21:13,025 --> 00:21:16,779
ANNOYED.
542
00:21:17,405 --> 00:21:19,740
YOU KNOW, THIS IS JUST A SILLY,HSAPPY, IRRELEVANT DREAM,L?
543
00:21:19,740 --> 00:21:21,534
AND YOU KNOW WHAT?
544
00:21:21,576 --> 00:21:24,663
THIS WHOLE THINGIS INSANE.
545
00:21:24,746 --> 00:21:26,582
I DON'T EVEN KNOW WHYI'M STILL TALKING TO YOU.
546
00:21:26,623 --> 00:21:28,083
WE'RE NOT DONE YET, CAROL.
547
00:21:28,124 --> 00:21:29,918
YEAH, WELL, I AM,
548
00:21:29,960 --> 00:21:31,920
SO YOU CAN DOWHATEVER THE HECK YOU WANT,
549
00:21:31,920 --> 00:21:33,339
BUT I'M OUT OF HERE.
550
00:21:33,422 --> 00:21:34,840
WHAT'S GOING ON?
551
00:21:34,923 --> 00:21:36,133
WHAT JUST HAPPENED?
552
00:21:40,762 --> 00:21:43,140
ABOUT 15 YEARS.
553
00:21:44,934 --> 00:21:45,893
OKAY, I'LL GIVE YOU THIS,
554
00:21:45,935 --> 00:21:47,353
THIS IS THE REALEST DREAMTHAT I HAVE EVER EXPERIENCED.
555
00:21:47,436 --> 00:21:49,271
HOW MANY TIMESDO I HAVE TO TELL YOU,
556
00:21:49,313 --> 00:21:52,942
THIS IS NOT--
557
00:21:53,025 --> 00:21:54,777
OH, NEVER MIND, I GIVE UP.
558
00:21:54,777 --> 00:21:56,446
WAIT A SECOND.
559
00:21:56,488 --> 00:21:59,782
IS THIS...
560
00:22:00,533 --> 00:22:01,701
JIM'S BOOKSTORE?
561
00:22:04,662 --> 00:22:06,665
HEY, IT'S YOUR DREAM.YOU TELL ME.
562
00:22:06,707 --> 00:22:08,584
I HAVEN'T THOUGHT ABOUTTHIS PLACE IN YEARS.
563
00:22:08,626 --> 00:22:10,878
WHY AM I THINKING ABOUT THIS?
564
00:22:11,629 --> 00:22:14,965
YOU USED TO LOVECOMING HERE.
565
00:22:15,007 --> 00:22:18,386
IS THAT ME?
566
00:22:18,427 --> 00:22:20,971
I LOOKED GOOD.
567
00:22:21,014 --> 00:22:22,181
THIS PLACE WASYOUR SANCTUARY.
568
00:22:22,223 --> 00:22:24,808
I MEAN, WHEN WASTHE LAST TIME
569
00:22:26,019 --> 00:22:28,938
THAT YOU GOT LOSTIN A REALLY GOOD BOOK?
570
00:22:28,980 --> 00:22:30,523
YOU KNOW, I GOT TOHAND IT TO MYSELF,
571
00:22:30,523 --> 00:22:33,693
EVEN IN MY DREAMS,
572
00:22:33,735 --> 00:22:36,655
YOU'RE STILLTHE SAME OLD EVE.
573
00:22:36,696 --> 00:22:37,739
OH, WHAT'S THATSUPPOSED TO MEAN?
574
00:22:37,781 --> 00:22:39,866
IT WAS ALWAYS ABOUT
575
00:22:39,949 --> 00:22:41,826
"GETTING LOST"IN THE PAGES OF GREAT NOVELS,
576
00:22:41,910 --> 00:22:42,827
OR GOINGON LITERARY ADVENTURES.
577
00:22:42,869 --> 00:22:45,455
YOU WERE ALWAYSSUCH A SENTIMENTALIST.
578
00:22:45,497 --> 00:22:47,666
THIS IS WHAT WE DO, CAROL.
579
00:22:47,707 --> 00:22:51,378
WE PROVIDE THE WORLDWITH THESE GREAT STORIES.
580
00:22:51,461 --> 00:22:53,463
THAT IS WHAT PUBLISHINGIS ABOUT.
581
00:22:53,505 --> 00:22:56,801
NO, IT'S NOT, EVE.
582
00:22:56,842 --> 00:22:59,178
IT'S ABOUT MONEY.
583
00:22:59,219 --> 00:23:00,930
THAT'S WHATYOU NEVER GOT.
584
00:23:01,013 --> 00:23:02,223
IT'S ABOUTMOVING PRODUCT,
585
00:23:03,015 --> 00:23:04,016
AND THAT'S HOW I TURNEDYOUR QUAINT LITTLE SHOP
586
00:23:04,016 --> 00:23:05,185
INTOTHE GLOBAL PUBLISHING EMPIRE
587
00:23:05,226 --> 00:23:07,645
THAT YOU SEE TODAY.
588
00:23:07,687 --> 00:23:09,189
BIGGER DOESN'T ALWAYSMEAN BETTER.
589
00:23:09,272 --> 00:23:10,023
REALLY?
590
00:23:10,106 --> 00:23:12,275
GIVE ME ONE EXAMPLEWHERE THAT'S THE CASE.
591
00:23:12,358 --> 00:23:13,276
JUST ONE?
592
00:23:13,359 --> 00:23:15,571
UH, TUMORS,
593
00:23:15,612 --> 00:23:17,280
HOLES IN THE ROOF,
594
00:23:17,363 --> 00:23:18,657
BUDGETS, COCKROACHES--
595
00:23:18,699 --> 00:23:19,908
OKAY, FINE.
596
00:23:19,991 --> 00:23:21,535
YOU LACKED VISION, EVE.
597
00:23:21,577 --> 00:23:22,411
IT'S THAT SIMPLE.
598
00:23:22,453 --> 00:23:23,954
I CREATED A FAMILY
599
00:23:24,037 --> 00:23:25,164
AND PEOPLE WHO CAREDABOUT EACH OTHER
600
00:23:25,206 --> 00:23:27,499
AND THE COMPANY THEY WORKED FOR.
601
00:23:27,541 --> 00:23:28,917
THAT'S VISION.
602
00:23:29,001 --> 00:23:30,752
YOU NEVER COMPETED.
603
00:23:30,794 --> 00:23:31,712
YOU NEVER PUSHED THEM
604
00:23:31,712 --> 00:23:33,172
TO BECOME ANYTHING MORETHAN THEIR AVERAGE SELVES.
605
00:23:33,214 --> 00:23:34,506
WE WERE HAPPY!
606
00:23:34,548 --> 00:23:36,884
HAPPY? HOW CAN YOU BE HAPPY
607
00:23:36,884 --> 00:23:38,553
WHEN YOUR COMPANY'SON THE BRINK OF FAILURE?
608
00:23:38,553 --> 00:23:39,679
WE HAD INTEGRITY.
609
00:23:39,721 --> 00:23:41,639
FINE, YOU DIEDWITH INTEGRITY.
610
00:23:41,723 --> 00:23:43,099
AND A MOUNTAIN OF DEBT
611
00:23:43,182 --> 00:23:44,976
THAT I'VE TURNED INTOA MOUNTAIN OF PROFIT.
612
00:23:45,059 --> 00:23:45,977
BEST THINGYOU EVER DID, EVE...
613
00:23:46,018 --> 00:23:48,396
WAS HIRE ME.
614
00:23:49,522 --> 00:23:51,191
[SCOFFS]
615
00:23:52,109 --> 00:23:53,235
I KEEP HOPING.
616
00:23:53,235 --> 00:23:54,277
SO WE'RE JUSTGOING TO SIT HERE
617
00:23:54,319 --> 00:23:55,528
AND WATCH ME READALL DAY?
618
00:23:56,697 --> 00:23:58,573
IF THIS IS YOUR SHOW,
619
00:23:58,616 --> 00:24:00,493
HOW ABOUT SHOWING ME SOMETHING?
620
00:24:00,534 --> 00:24:01,619
THIS WAS THE FIRST DAYYOU CAME HERE.
621
00:24:01,702 --> 00:24:03,537
SO WHAT?
622
00:24:05,080 --> 00:24:07,583
YOU DON'T REMEMBERWHAT HAPPENED ON THAT DAY?
623
00:24:07,625 --> 00:24:08,584
NO...
624
00:24:08,626 --> 00:24:11,629
YOU DON'T REMEMBERWHWHAT COULD BE SO IMPORTANT
625
00:24:11,629 --> 00:24:13,256
OTHER THAN...
626
00:24:13,256 --> 00:24:14,924
PICKING UP A GOOD BOOK OR...
627
00:24:14,924 --> 00:24:16,509
[ENTRY BELL JINGLES]
628
00:24:16,592 --> 00:24:20,096
HEY, MAN.
629
00:24:20,179 --> 00:24:22,974
IT'S THE FIRST DAY I MET BEN.
630
00:24:31,816 --> 00:24:32,942
HEY.
631
00:24:35,612 --> 00:24:38,824
LISTEN, YEAH,GOOD TO SEE YOU.
632
00:24:43,162 --> 00:24:43,829
HOW'S IT GOING?
633
00:24:43,913 --> 00:24:45,330
YEAH, I PICKED UP THISOLD COLLECTION OF TWAIN
634
00:24:45,414 --> 00:24:46,290
FROM THIS ENGLISHPROFESSOR AT DePAUL.ING?
635
00:24:46,290 --> 00:24:48,418
WOW.
636
00:24:48,459 --> 00:24:49,960
YEAH, IT'S ALLBOXED UP IN THE BACK
637
00:24:50,044 --> 00:24:50,795
IF YOU WANTTO TAKE A LOOK.
638
00:24:50,836 --> 00:24:52,630
- OKAY, YEAH.- YEAH? WICKED.
639
00:24:52,630 --> 00:24:53,548
- OKAY. THANKS, JIM.- CHEERS.
640
00:24:53,589 --> 00:24:54,549
WOW...
641
00:24:54,590 --> 00:24:58,386
IS HE EVER CUTE.
642
00:25:00,055 --> 00:25:01,139
HE'S AVERAGE.
643
00:25:01,139 --> 00:25:02,766
YOU DON'T KNOW WHATYOU'RE TALKING ABOUT.
644
00:25:02,808 --> 00:25:04,142
HE WAS MY BOYFRIEND.
645
00:25:04,810 --> 00:25:07,604
YES. YES, HE SURE WAS.
646
00:25:07,646 --> 00:25:09,898
HE'S THE ONLY PERSONYOU EVER LOVED.
647
00:25:09,940 --> 00:25:11,483
HE TAUGHT YOUTHE MEANING OF THE WORD.
648
00:25:11,525 --> 00:25:13,360
HE'S THE ONLY PERSONYYOU'RE RIGHT..
649
00:25:13,360 --> 00:25:15,946
HE TAUGHT METHAT IT WAS JUST A WORD.
650
00:25:16,863 --> 00:25:17,614
YOU SURE ABOUT THAT?
651
00:25:17,656 --> 00:25:20,284
HI.
652
00:25:20,326 --> 00:25:23,495
HI.
653
00:25:25,748 --> 00:25:26,749
YOU SEE THAT?
654
00:25:26,791 --> 00:25:28,334
NOW, THAT'S MAGIC.
655
00:25:30,044 --> 00:25:30,920
MAGIC?
656
00:25:31,003 --> 00:25:33,255
IT'S A CRUSH.
657
00:25:33,340 --> 00:25:34,215
A CHEMICAL REACTIONIN THE BRAIN.
658
00:25:34,257 --> 00:25:35,132
THE PERFECT STORMOF LUST, YOUTH,
659
00:25:35,174 --> 00:25:37,135
AND INEXPERIENCE
660
00:25:37,177 --> 00:25:38,886
COMINGCRASHING TOGETHER.
661
00:25:38,970 --> 00:25:40,847
WHAT DO YOU WANTFROM ME, I'M HUMAN.
662
00:25:40,930 --> 00:25:42,640
REALLY?
663
00:25:42,682 --> 00:25:45,185
'CAUSE I WAS STARTINGTO WONDER.
664
00:25:45,227 --> 00:25:45,978
GOOD BOOK.
665
00:25:46,019 --> 00:25:48,396
OH.
666
00:25:51,525 --> 00:25:52,651
IT CHANGED MY LIFE, ACTUALLY.
667
00:25:54,319 --> 00:25:55,195
UM... ME TOO.
668
00:25:55,237 --> 00:25:59,074
REALLY?
669
00:25:59,158 --> 00:26:00,368
BUT I HAVEN'TREAD IT IN YEARS.
670
00:26:00,409 --> 00:26:01,660
WELL...
671
00:26:01,702 --> 00:26:03,287
WHO ELSE DO YOU LIKE READING,
672
00:26:03,371 --> 00:26:04,413
IF YOU DON'T MIND MY ASKING?
673
00:26:06,040 --> 00:26:07,959
UH...
674
00:26:08,042 --> 00:26:09,878
IF YOU HUGO, DICKENS,ASKING?
675
00:26:09,878 --> 00:26:11,755
DOSTOYEVSKI...
676
00:26:11,838 --> 00:26:13,089
[TOGETHER]: TOLSTOY.
677
00:26:13,131 --> 00:26:15,925
[BOTH LAUGH]
678
00:26:16,009 --> 00:26:17,135
AM I THAT OBVIOUS?
679
00:26:17,218 --> 00:26:18,887
NO, NO.
680
00:26:18,970 --> 00:26:19,888
NO, I JUST, UH...
681
00:26:19,929 --> 00:26:21,306
WELL, YOU JUST LISTED
682
00:26:21,390 --> 00:26:22,974
ALL OF THE GREATEST WRITERSEVER.
683
00:26:23,016 --> 00:26:23,850
HEY, IF YOU LIKE THOSE GUYS,HAVE YOU READ THIS?
684
00:26:23,892 --> 00:26:28,022
GABRIEL GARCIA MARQUEZ,
685
00:26:30,690 --> 00:26:34,069
"ONE HUNDRED YEARSOF SOLITUDE?"
686
00:26:34,111 --> 00:26:35,029
NO.
687
00:26:35,070 --> 00:26:36,572
IT'S...
688
00:26:36,614 --> 00:26:37,948
I MEAN, TALK ABOUT ROMANTIC.
689
00:26:37,990 --> 00:26:39,074
IT'S MYSTICAL,
690
00:26:39,158 --> 00:26:40,785
KIND OF A HISTORY OF...
691
00:26:40,826 --> 00:26:42,161
A HISTORY OF...
692
00:26:42,245 --> 00:26:44,872
LIFE?I DON'T KNOW--
693
00:26:44,914 --> 00:26:46,416
[SHUDDERS IN DISGUST] UGH.
694
00:26:46,416 --> 00:26:48,584
SERIOUSLY?
695
00:26:48,626 --> 00:26:50,128
"A HISTORY OF LIFE?"
696
00:26:50,211 --> 00:26:51,712
THAT'S THE CORNIEST THINGI'VE EVER HEARD.
697
00:26:51,755 --> 00:26:53,506
DO YOU SEE THIS, HUH?
698
00:26:53,548 --> 00:26:57,010
I MEAN, WHEN WAS THE LAST TIME
699
00:27:00,180 --> 00:27:02,098
YOU HAD THAT LOOK IN YOUR EYES?
700
00:27:02,140 --> 00:27:03,725
THE LOOK OF A NAIVE GIRL?
701
00:27:03,767 --> 00:27:04,935
IT'S BEEN A WHILE.
702
00:27:05,018 --> 00:27:06,937
AND WHAT ABOUT HIM, HUH?
703
00:27:07,020 --> 00:27:09,315
CHECK OUT HOW MUCH LIFEHE HAS INSIDE HIMSELF.
704
00:27:09,398 --> 00:27:10,649
HE'S TRULY INSPIRED!
705
00:27:10,732 --> 00:27:13,778
IS THAT WHAT YOU SEE?
706
00:27:13,778 --> 00:27:16,030
BECAUSEI SEE A DREAMER
707
00:27:16,113 --> 00:27:16,989
WHO WILL NEVER BEWILLIAM FAULKNER.
708
00:27:17,031 --> 00:27:18,282
THIS IS A BOY WHO BELIEVESIN WHAT HE LOVES.
709
00:27:18,324 --> 00:27:20,535
AND THAT'S A GIRL
710
00:27:20,618 --> 00:27:23,621
WHO LOVESWHO SHE BELIEVES IN.
711
00:27:25,081 --> 00:27:25,915
[SCOFFS]
712
00:27:25,957 --> 00:27:29,127
WHO LOVESWHO SHESORRY.VES IN.
713
00:27:29,127 --> 00:27:30,545
NOT BUYIN' IT.
714
00:27:30,587 --> 00:27:31,964
AGAIN?
715
00:27:31,964 --> 00:27:33,256
COULD YOU WARN ME
716
00:27:33,256 --> 00:27:44,393
NEXT TIMEYOU'RE GONNA DO THAT?
717
00:27:44,393 --> 00:27:46,061
NO.
718
00:27:46,144 --> 00:27:46,937
WAIT A MINUTE.
719
00:27:46,979 --> 00:27:48,564
I KNOW THIS PLACE.
720
00:27:48,606 --> 00:27:50,233
THIS WAS...
721
00:27:51,859 --> 00:27:53,152
OUR FIRST APARTMENT,
722
00:27:53,194 --> 00:27:55,989
AND IT HASA HUNDRED STAIRS.
723
00:27:56,030 --> 00:27:56,865
WELL, YOU WANTED PRE-WAR,
724
00:27:56,948 --> 00:27:58,825
AND THAT MEANSNO ELEVATOR.
725
00:27:58,825 --> 00:28:00,451
I MEANT WORLD WAR II,NOT CIVIL WAR.
726
00:28:00,493 --> 00:28:01,703
SERIOUSLY?
727
00:28:01,786 --> 00:28:04,122
THERE WAS NOTHINGON THE GROUND FLOOR?
728
00:28:04,163 --> 00:28:06,165
NOPE.
729
00:28:06,207 --> 00:28:07,041
BESIDES, THEN WEWOULDN'T HAVE OUR VIEW.
730
00:28:07,083 --> 00:28:09,085
WELL...WELCOME HOME.
731
00:28:09,127 --> 00:28:09,878
SAME TO YOU.
732
00:28:09,961 --> 00:28:13,298
WHAT'S THAT?
733
00:28:13,298 --> 00:28:24,018
REMEMBER?
734
00:28:24,018 --> 00:28:26,604
I DON'T KNOW,
735
00:28:26,687 --> 00:28:29,524
MAYBE THE LAST TENANTSLEFT IT BEHIND.
736
00:28:29,524 --> 00:28:41,077
[CHUCKLING]
737
00:28:41,077 --> 00:28:43,538
WHAT IS THIS?
738
00:28:44,372 --> 00:28:45,624
DID YOU, UM...
739
00:28:45,707 --> 00:28:46,416
WHAT DID YOU DO?
740
00:28:46,499 --> 00:28:49,503
IT'S A HOUSEWARMING GIFT.
741
00:28:51,922 --> 00:28:53,507
WOW...
742
00:28:53,549 --> 00:28:56,051
REMIND ME, IS THATHOW YOU SPELL "CRUSH"?
743
00:28:56,051 --> 00:28:58,762
THANK YOU SO MUCH.
744
00:28:59,972 --> 00:29:02,516
NOW NOTHING THAT'S STOPPING YOUFROM WRITING THAT NOVEL.
745
00:29:07,521 --> 00:29:09,315
[♪]
746
00:29:09,356 --> 00:29:12,610
[LAUGHS]
747
00:29:16,948 --> 00:29:21,036
LOOK HOW GENEROUSYOU WERE.
748
00:29:21,078 --> 00:29:23,663
AND WHEN YOU GAVE BEN A GIFTTHAT CHANGED HIS LIFE,
749
00:29:23,746 --> 00:29:27,876
YOU ENCOURAGED HIMTO PURSUE HIS DREAM.
750
00:29:31,421 --> 00:29:34,800
OH, RIGHT.
751
00:29:34,800 --> 00:29:45,019
THE GLORIOUS DREAM
752
00:29:45,019 --> 00:29:47,188
OF BECOMING A POOR,UNRECOGNIZED GENIUS.
753
00:29:47,188 --> 00:30:02,496
HEY, LOOK, HE WANTEDTO BE A WRITER.
754
00:30:02,496 --> 00:30:04,789
755
00:30:04,831 --> 00:30:08,418
YOU CAN'T FAULT HIM FOR THAT.
756
00:30:08,460 --> 00:30:11,296
I FAULT HIMFOR NOT BEING REALISTIC.
757
00:30:11,338 --> 00:30:13,298
WE WERE BUILDINGA LIFE TOGETHER,
758
00:30:13,382 --> 00:30:14,258
AND HE WOULD'VE BEEN CONTENT
759
00:30:14,299 --> 00:30:17,427
LIVING LIKE A PAUPERIN SOME BOHEMIAN FANTASY.
760
00:30:17,470 --> 00:30:18,971
b
761
00:30:19,013 --> 00:30:20,931
IT'S HARDLY A FANTASY
762
00:30:20,973 --> 00:30:22,267
TO BELIEVE IN YOUR DREAM.
763
00:30:22,308 --> 00:30:24,477
WITHOUT MONEY,
764
00:30:24,519 --> 00:30:25,645
THERE'S NO POINT TO DREAMING,IS THERE?
765
00:30:25,686 --> 00:30:28,231
HEY, WHEN DID YOU LOSEYOUR SOUL,
766
00:30:28,314 --> 00:30:30,608
CAROL?
767
00:30:30,650 --> 00:30:32,193
GOODBYE, EVE.
768
00:30:32,235 --> 00:30:33,236
WHERE ARE YOUGOING?
769
00:30:33,278 --> 00:30:35,113
AWAY FROM YOU.
770
00:30:35,155 --> 00:30:37,365
AND THIS TIME,
771
00:30:37,407 --> 00:30:38,992
DON'T FOLLOW ME.
772
00:30:38,992 --> 00:30:39,993
OKAY, I WON'T.
773
00:30:39,993 --> 00:30:42,621
LOOK WHO'S HERE.
774
00:30:44,373 --> 00:30:45,499
[SLAMS DOOR]
775
00:30:45,541 --> 00:30:47,168
WHAT HAPPENED,FORGET YOUR KEYS?
776
00:30:47,168 --> 00:30:48,669
WOW,
777
00:30:48,669 --> 00:30:50,837
HAVE I MISSED YOU.
778
00:31:00,014 --> 00:31:03,350
YOU KNOW WHAT? STOP IT!
779
00:31:03,393 --> 00:31:04,561
I HAVE HAD--
780
00:31:05,144 --> 00:31:06,521
YOU KNOW,THERE'S ONE CONSTANT
781
00:31:10,442 --> 00:31:11,318
IN EVERY GOOD STORY.
782
00:31:11,359 --> 00:31:12,402
THERE'S A BEGINNINGAND A MIDDLE
783
00:31:12,444 --> 00:31:14,446
AND AN END.
784
00:31:16,531 --> 00:31:18,575
ALL I'M SAYING IS
785
00:31:22,245 --> 00:31:26,166
THERE'S PLENTY OF ROOMAT SPRINGWOOD
786
00:31:26,208 --> 00:31:27,501
FOR MORE PROFITABLE BOOKS.
787
00:31:27,543 --> 00:31:30,254
WE CAN STILL HAVEGREAT LITERATURE
788
00:31:30,296 --> 00:31:31,672
AND SELL MORE COMMERCIAL BOOKS
789
00:31:31,714 --> 00:31:32,548
THAT HAVE A BROADER APPEAL.
790
00:31:32,590 --> 00:31:35,259
WE CAN MAKE THE COMPANYMORE COMPETITIVE
791
00:31:35,343 --> 00:31:36,177
INSTEAD OF SITTINGON THE SIDELINES.OADER APPEAL.
792
00:31:36,219 --> 00:31:37,595
AND WHAT DOES EVE SAY?
793
00:31:37,678 --> 00:31:40,056
THE SAME THINGSHE ALWAYS SAYS,
794
00:31:40,098 --> 00:31:41,933
IT'LL RUINOUR REPUTATION,
795
00:31:41,933 --> 00:31:43,977
AND WE'LL LOSE THE AUTHORSWE ALREADY HAVE.
796
00:31:44,018 --> 00:31:46,145
- WELL, SHE'S GOT A POINT.- YEAH, WELL, SO DO I.
797
00:31:46,187 --> 00:31:47,105
AND I'M GOING TOTAKE THAT POINT
798
00:31:47,188 --> 00:31:48,940
TO THE BOARD OF DIRECTORSNEXT WEEK,
799
00:31:49,023 --> 00:31:51,443
WITH OR WITHOUT HER SUPPORT.
800
00:31:51,485 --> 00:31:54,904
WHAT?
801
00:31:54,946 --> 00:31:56,531
WELL, I MEAN...
802
00:31:56,573 --> 00:31:58,033
EVE'S DONESO MUCH FOR YOU,
803
00:31:58,075 --> 00:32:00,160
AND SO NOW YOU'RE JUSTGOING TO PUSH HER ASIDE?
804
00:32:00,244 --> 00:32:01,871
SPRINGWOOD CAN BARELYKEEP ITS DOORS OPEN
805
00:32:06,375 --> 00:32:07,376
BECAUSE EVE'S GOT YOU'RE JUSTHER HEAD IN THE CLOUDS.R ASIDE?
806
00:32:07,417 --> 00:32:08,335
THE COMPANY NEEDSA NEW DIRECTION,
807
00:32:08,377 --> 00:32:10,963
AND I HAVE A PLAN.
808
00:32:11,046 --> 00:32:14,133
WOW.
809
00:32:14,133 --> 00:32:17,011
IT'S BUSINESS, BEN.AND YOU WOULDN'T UNDERSTAND.
810
00:32:17,053 --> 00:32:18,554
REALLY?
811
00:32:18,596 --> 00:32:20,765
YEAH, SERIOUSLY,YOU SIT THERE IN JUDGMENT,
812
00:32:20,765 --> 00:32:23,476
BUT IT'S NOT LIKEYOU'RE THAT...
813
00:32:23,476 --> 00:32:24,394
WHAT?
814
00:32:24,435 --> 00:32:26,605
NOTHING.
815
00:32:26,647 --> 00:32:27,981
NO, SERIOUSLY, I WANT TO KNOW.
816
00:32:28,023 --> 00:32:30,567
WHAT?
817
00:32:30,609 --> 00:32:33,278
[SIGHS]
818
00:32:34,530 --> 00:32:36,448
IT'S NOT LIKEYOU'RE THAT AMBITIOUS,
819
00:32:36,490 --> 00:32:38,450
BEN.
820
00:32:38,534 --> 00:32:40,577
WRITING A NOVELYOUISN'T AMBITIOUS?US,
821
00:32:40,619 --> 00:32:42,454
NO.
822
00:32:45,332 --> 00:32:47,334
WRITING A NOVELWRITING A NOVEL ISN'T.S?US,
823
00:32:47,376 --> 00:32:50,171
GETTING ONTHE BEST-SELLER LIST IS.
824
00:32:50,171 --> 00:32:51,297
ARE YOU SERIOUS?
825
00:32:52,089 --> 00:32:53,841
THAT'S WHAT YOU THINKI SHOULD BE DOING?
826
00:32:53,841 --> 00:32:55,176
I THINK ALL AUTHORSSHOULD BE DOING THAT.
827
00:32:55,259 --> 00:32:57,094
OTHERWISE YOU'RE JUSTWALLOWING IN MEDIOCRITY.
828
00:32:57,136 --> 00:32:58,846
SO, IN YOUR MIND,
829
00:32:58,888 --> 00:32:59,889
RECOGNITION IS WHAT DEFINESA GOOD WRITER?
830
00:32:59,931 --> 00:33:01,308
|
831
00:33:01,391 --> 00:33:03,977
NO, SUCCESSDEFINES A GOOD WRITER.
832
00:33:04,019 --> 00:33:06,438
IF YOU CAN KEEP YOUR LIGHTS ON,YOU'RE DOING YOUR JOB.
833
00:33:06,479 --> 00:33:08,315
YOU KNOW, I...
834
00:33:08,315 --> 00:33:11,944
I KNOW THAT YOU HAD A ROUGH TIMEAS A KID, CAROL--
835
00:33:11,985 --> 00:33:13,153
YOUR MOM WORKINGALL THE TIME
836
00:33:13,236 --> 00:33:16,449
AND STILL NOT BEING ABLETO SCRAPE TWO NICKELS TOGETHER.
837
00:33:18,492 --> 00:33:20,328
YOU DON'T KNOWANYTHING ABOUT IT--
838
00:33:20,369 --> 00:33:24,332
NO, LISTEN.
839
00:33:24,415 --> 00:33:27,335
BUT YOU MADE A CHOICE,
840
00:33:27,418 --> 00:33:29,295
TO NEVER HAVE TOWORRY ABOUT MONEY.
841
00:33:29,337 --> 00:33:31,214
I UNDERSTAND.
842
00:33:31,297 --> 00:33:32,131
�
843
00:33:32,173 --> 00:33:34,634
I MADE THE SAME CHOICE,
844
00:33:34,676 --> 00:33:37,637
x
845
00:33:37,679 --> 00:33:38,555
BUT THE DIFFERENCEBETWEEN US IS
846
00:33:38,638 --> 00:33:42,976
THAT I DON'T NEED MONEYTO FEEL SECURE.
847
00:33:43,017 --> 00:33:44,561
I DON'T NEED MONEYTO FEEL... HAPPY.
848
00:33:44,603 --> 00:33:47,481
YOU'RE RIGHT.
849
00:33:47,522 --> 00:33:52,778
THAT'S A BIG DIFFERENCE
850
00:33:54,404 --> 00:33:56,365
BETWEEN US.
851
00:33:56,365 --> 00:33:57,575
YOU'VE CHANGED.
852
00:33:57,658 --> 00:34:00,453
IT'S CALLED GROWING UP, BEN.
853
00:34:00,536 --> 00:34:02,204
CALL IT WHAT YOU WANT,BUT I MISS WHO YOU WERE.
854
00:34:02,288 --> 00:34:04,957
I MISS THE GIRL
855
00:34:05,040 --> 00:34:10,213
WHO USED TO LOVEREADING BOOKS,
856
00:34:10,213 --> 00:34:11,172
WHO DIDN'T CARE SO MUCHABOUT PROMOTIONS
857
00:34:11,214 --> 00:34:13,967
AND BOTTOM LINES.
858
00:34:14,009 --> 00:34:17,262
I MISS THE GIRL
859
00:34:17,345 --> 00:34:19,640
WHO GAVE METHAT TYPEWRITER.
860
00:34:19,723 --> 00:34:22,058
I'M STARTING TO REGRETTHAT I EVER DID.
861
00:34:22,100 --> 00:34:26,480
GOODBYE, CAROL.
862
00:34:27,564 --> 00:34:30,067
YOU KNOW SOMETHING?
863
00:34:30,067 --> 00:34:54,051
I SHOULDN'T HAVE SAID THAT.
864
00:34:54,051 --> 00:34:56,804
WHAT?
865
00:34:58,764 --> 00:35:02,517
ABOUT REGRETTINGGIVING HIM THE REMINGTON.
866
00:35:02,601 --> 00:35:03,894
REALLY?
867
00:35:03,936 --> 00:35:05,521
WELL, THE TRUTH IS,
868
00:35:05,563 --> 00:35:08,607
IF I'D NEVER GIVEN HIMTHE TYPEWRITER,
869
00:35:08,649 --> 00:35:09,733
WE MIGHT STILL BE TOGETHER,
870
00:35:09,775 --> 00:35:10,609
AND MAYBE
871
00:35:10,651 --> 00:35:12,445
I MIGHT NOT HAVE BECOMETHE WOMAN THAT I AM TODAY.
872
00:35:12,486 --> 00:35:13,946
OH, YOU MEAN THE LONELY WOMANWITH NO FRIENDS
873
00:35:13,987 --> 00:35:16,157
AND A HOCKEY PUCK FOR A HEART?
874
00:35:16,199 --> 00:35:19,953
GOODBYE, EVE.
875
00:35:19,994 --> 00:35:24,541
WHERE ARE YOU GOING?
876
00:35:24,583 --> 00:35:27,794
TO DO WHAT I SHOULD HAVE DONEA LONG TIME AGO.
877
00:35:29,504 --> 00:35:31,298
END THIS.
878
00:35:31,298 --> 00:35:32,757
OH, COME ON.
879
00:35:32,799 --> 00:35:37,096
DO WE REALLY HAVE TOGO THROUGH THIS AGAIN, CAROL?
880
00:35:37,137 --> 00:35:38,847
YOU KNOW YOU CAN'T JUST
881
00:35:40,640 --> 00:35:41,641
WALK AWAY.
882
00:35:41,683 --> 00:35:43,477
I'M NOT WALKING THIS TIME, EVE.
883
00:35:43,560 --> 00:35:44,895
CAN'T DIE IN A DREAM, SO...SEE YOU ON THE OTHER SIDE.
884
00:35:44,979 --> 00:35:45,771
CAROL!
885
00:35:45,813 --> 00:35:47,648
IT'S BEEN...
886
00:35:47,732 --> 00:35:51,777
WELL, IT'S BEEN.
887
00:35:51,819 --> 00:35:52,862
WAIT!
888
00:35:52,903 --> 00:35:53,863
[SCREAMS, CRASHES]
889
00:35:53,904 --> 00:35:55,990
[CAT MEOWS, CAN ROLLS]
890
00:35:56,031 --> 00:35:56,907
IT WAS A DREAM.
891
00:35:56,991 --> 00:35:59,827
[♪]
892
00:35:59,869 --> 00:36:01,997
EVE MAILER.
893
00:36:06,001 --> 00:36:08,211
NOW, THEREWAS A CLASSY LADY.
894
00:36:11,840 --> 00:36:15,844
HEAR! HEAR!
895
00:36:24,854 --> 00:36:25,604
TWO WEEKS OFFFOR THE HOLIDAYS...
896
00:36:25,687 --> 00:36:27,564
A NICE LITTLE BONUSIN OUR STOCKING EVERY YEAR.
897
00:36:27,606 --> 00:36:28,733
AND SHE HADIMPECCABLE TASTE.
898
00:36:28,816 --> 00:36:30,359
MM, IT'S TRUE.
899
00:36:30,401 --> 00:36:33,320
SHE COULD PICK A BEST-SELLEROUT OF THE SLUSH PILE.
900
00:36:33,362 --> 00:36:35,532
NO, I WAS TALKINGABOUT HER WARDROBE.
901
00:36:35,573 --> 00:36:37,158
YOU KNOW, I HAVE AN EYEFOR THAT SORT OF THING.
902
00:36:37,199 --> 00:36:39,369
WHAT'S THE DIFFERENCE?
903
00:36:39,411 --> 00:36:41,204
CAROL HUFFLERIS GOING TO BE OUR BOSS FOREVER.
904
00:36:41,246 --> 00:36:43,873
NO, NOT IF WE ORGANIZE
905
00:36:45,042 --> 00:36:46,209
AND STAND UP TOTHAT STALIN IN STILETTOS.
906
00:36:46,251 --> 00:36:48,545
PLEASE STOP WITHTHE REBELLION TALK, FRED.
907
00:36:48,586 --> 00:36:49,671
I'M TRYINGTO ENJOY MY DRINK.
908
00:36:49,713 --> 00:36:52,215
LOOK,WE WORK WITH THE AUTHORS,
909
00:36:52,299 --> 00:36:53,884
NEGOTIATE THE DEALS,EDIT THE BOOKS,
910
00:36:53,967 --> 00:36:55,343
GET THEM ON THE SHELVES,
911
00:36:55,385 --> 00:36:56,679
AND THEN WHO GETSALL THE CREDIT?
912
00:36:56,720 --> 00:36:58,055
[TOGETHER] CAROL.
913
00:36:58,096 --> 00:36:59,348
EXACTLY.
914
00:36:59,390 --> 00:37:00,641
I MEAN, WHAT'S SO SPECIALABOUT HER?
915
00:37:00,724 --> 00:37:02,059
WHY DO WE EVEN NEED HER?
916
00:37:02,100 --> 00:37:02,893
TO SIGN OUR PAYCHECKS.
917
00:37:02,893 --> 00:37:04,312
WELL, WHAT IF WE SIGNEDOUR OWN PAYCHECKS?
918
00:37:04,353 --> 00:37:06,439
FORGERY ISA FELONY, FRED.
919
00:37:06,522 --> 00:37:07,648
I'M NOT TALKING ABOUT FORGERY!
920
00:37:07,731 --> 00:37:09,733
I'M TALKING ABOUTSTARTING OUR OWN COMPANY.
921
00:37:09,776 --> 00:37:11,652
DO YOU NEEDTO LIE DOWN?
922
00:37:11,695 --> 00:37:13,613
LOOK, THE AUTHORS HAVEA RELATIONSHIP WITH US,
923
00:37:13,655 --> 00:37:17,366
NOT THE COMPANY.
924
00:37:19,369 --> 00:37:20,745
THEY DON'T LIKE CAROLANY MORE THAN WE DO,
925
00:37:20,787 --> 00:37:23,707
SO WHY DON'T WE JUSTCALL THEM UP AND ASK,
926
00:37:23,748 --> 00:37:24,624
AND THEN WE CAN BE THEMASTERS OF OUR OWN FATE.
927
00:37:24,666 --> 00:37:26,210
AND RUIN CAROLIN THE PROCESS.
928
00:37:26,251 --> 00:37:28,253
HMM.
929
00:37:28,295 --> 00:37:31,924
WHAT WOULD WE CALL IT?
930
00:37:31,966 --> 00:37:34,093
REVOLUTION PUBLISHING.
931
00:37:34,176 --> 00:37:35,094
VIVA LA REVOLUCION!
932
00:37:35,135 --> 00:37:37,262
NOW WHAT?
933
00:37:38,430 --> 00:37:40,766
WE SHOUT IT FROMTHE MOUNTAIN TOPS.
934
00:37:42,602 --> 00:37:44,979
LET'S JUSTMAKE SOME CALLS.
935
00:37:51,819 --> 00:37:52,612
THAT WORKS.
936
00:37:52,612 --> 00:37:53,947
OKAY, COOL.
937
00:37:53,947 --> 00:37:55,073
HEY, J.K.
938
00:37:55,115 --> 00:37:56,616
HI, ANGELINA?
939
00:37:56,658 --> 00:37:58,619
[SIGHING IN RELIEF]
940
00:37:58,660 --> 00:37:59,620
HELLO!
941
00:37:59,661 --> 00:38:00,787
[BREATHING SHAKILY]
942
00:38:04,124 --> 00:38:06,418
OH, COME ON, NOW,DON'T FREAK OUT, PLEASE--
943
00:38:07,878 --> 00:38:08,837
DON'T FREAK OUT?ARE YOU KIDDING?
944
00:38:08,920 --> 00:38:10,214
I'M BEING HAUNTEDBY MY DEAD EX-BOSS,
945
00:38:10,297 --> 00:38:12,716
AND YOU'RE TELLING MENOT TO FREAK OUT?
946
00:38:12,758 --> 00:38:14,635
YES, BUT THE THING IS--
947
00:38:14,718 --> 00:38:16,303
PLEASE!
948
00:38:16,345 --> 00:38:18,139
I CAN'T DO THIS.
949
00:38:18,139 --> 00:38:20,057
JUST LEAVE ME ALONE.
950
00:38:20,141 --> 00:38:21,517
OH, COME ON,THE NIGHT IS STILL YOUNG.
951
00:38:21,601 --> 00:38:23,811
JUSWAIT A SECOND.NE.
952
00:38:23,895 --> 00:38:25,355
I KNOW THIS STORY.
953
00:38:25,355 --> 00:38:28,691
YES? YOU DO?
954
00:38:29,859 --> 00:38:30,902
YEAH...
955
00:38:31,653 --> 00:38:33,488
IT'S CHRISTMAS EVE,
956
00:38:33,530 --> 00:38:37,034
AND YOU'VE COMETO WARN ME
957
00:38:37,075 --> 00:38:38,827
THAT I AM SQUANDERINGMY LIFE.
958
00:38:38,869 --> 00:38:40,495
OH, WHAT'S IT CALLED, UM...
959
00:38:40,537 --> 00:38:42,998
MIRACLE ON 34th STREET?
960
00:38:43,081 --> 00:38:44,667
NO.
961
00:38:44,708 --> 00:38:46,877
IT'S AWONDERFUL LIFE?
962
00:38:46,919 --> 00:38:48,921
NO!
963
00:38:49,004 --> 00:38:49,922
NOT STAR WARS?
964
00:38:50,005 --> 00:38:51,173
NO.
965
00:38:51,257 --> 00:38:52,175
"A CHRISTMAS CAROL"
966
00:38:52,175 --> 00:38:53,217
BY CHARLES DICKENS.
967
00:38:53,217 --> 00:38:54,177
OH, WELL, YOU'RE RIGHT,
968
00:38:54,177 --> 00:38:55,469
EXCEPT IN THIS CASE,"CAROL'S CHRISTMAS."
969
00:38:55,511 --> 00:38:56,595
YOU SEE WHAT I DID THERE?
970
00:38:56,679 --> 00:38:58,556
I FLIPPED IT.
971
00:38:58,556 --> 00:39:02,518
ALL RIGHT, YOU'RE RIGHT.
972
00:39:02,601 --> 00:39:03,687
PEOPLE LIKE ME
973
00:39:03,687 --> 00:39:04,854
HAVE BEEN COMING DOWN HERETO HELP PEOPLE LIKE YOU
974
00:39:07,649 --> 00:39:09,192
FOR GENERATIONS.
975
00:39:09,192 --> 00:39:10,360
CHUCK WAS JUST THE FIRST GUYTO WRITE ABOUT IT.
976
00:39:10,360 --> 00:39:12,696
DID YOU JUST SAY CHUCK?
977
00:39:12,696 --> 00:39:13,697
AS IN DICKENS?
978
00:39:13,738 --> 00:39:16,075
INCREDIBLY SWEET GUY,
979
00:39:16,116 --> 00:39:17,784
OBVIOUSLY AWESOME WRITER.
980
00:39:17,867 --> 00:39:18,994
BUT HE JUST-- HE HAD A TENDENCYTO EMBELLISH A LITTLE BIT.
981
00:39:19,036 --> 00:39:20,829
YOU KNOW, LIKE,
982
00:39:20,871 --> 00:39:22,289
THREE GHOSTS INSTEAD OF ONE,
983
00:39:22,372 --> 00:39:26,043
AND THEN TURKEY,
984
00:39:26,043 --> 00:39:27,545
INSTEAD OF JUSTA SLAB OF MUTTON.
985
00:39:27,545 --> 00:39:30,214
YOU KNOW,LITTLE THINGS LIKE THAT,
986
00:39:30,214 --> 00:39:32,508
BUT THEY DO ADD UP.
987
00:39:32,550 --> 00:39:34,427
OKAY, WELL, FINE,
988
00:39:34,510 --> 00:39:35,720
BUT LET ME TELL YOU SOMETHING.
989
00:39:35,803 --> 00:39:36,887
I ALWAYS SAW SCROOGEAS THE VICTIM IN THAT STORY.
990
00:39:36,929 --> 00:39:38,139
MM-HMM.
991
00:39:38,181 --> 00:39:39,890
HE WAS JUST A MODEST,RESPONSIBLE BUSINESSMAN
992
00:39:39,932 --> 00:39:42,978
WHO WAS BULLIED INTO BECOMINGA SENTIMENTAL SPENDTHRIFT.
993
00:39:43,061 --> 00:39:43,979
WELL, TAKE HEART, CAROL,
994
00:39:44,062 --> 00:39:46,732
BECAUSE YOU'RE HEADEDFOR A LONELY EXISTENCE
995
00:39:46,732 --> 00:39:51,236
AND AN ETERNITY OF REGRET
996
00:39:51,277 --> 00:39:52,988
IF YOU DON'T CHANGE YOUR LIFE.
997
00:39:53,071 --> 00:39:56,074
I'LL TAKE MY CHANCES.
998
00:39:56,074 --> 00:39:58,577
LET'S GO.
999
00:39:58,660 --> 00:40:00,787
WHOA, AREN'T WEA LITTLE EAGER BEAVER NOW.
1000
00:40:00,871 --> 00:40:02,914
WELL, SINCE I'M BEING FORCED
1001
00:40:02,957 --> 00:40:04,666
TO TAKE YOUR LITTLEMAGIC CARPET RIDE WITH YOU,
1002
00:40:04,750 --> 00:40:07,669
I MIGHT AS WELLGET IT OVER WITH.
1003
00:40:07,754 --> 00:40:09,255
SO...
1004
00:40:09,296 --> 00:40:11,173
LET'S NOT WASTEANY MORE TIME, SHALL WE?
1005
00:40:11,215 --> 00:40:12,967
WHAT YEAR ARE WE HEADED TO?
1006
00:40:13,009 --> 00:40:14,636
THIS ONE.
1007
00:40:14,677 --> 00:40:16,513
JUST SECONDS AWAY.
1008
00:40:16,596 --> 00:40:18,014
[CAROL SCREAMS]
1009
00:40:18,097 --> 00:40:20,267
[SCREAM ECHOES]
1010
00:40:20,308 --> 00:40:21,518
[SCREAMING]
1011
00:40:22,769 --> 00:40:24,021
OOF!
1012
00:40:24,104 --> 00:40:25,272
[GRUNTING]
1013
00:40:25,313 --> 00:40:27,440
ARE YOU HAVING FUN?
1014
00:40:28,859 --> 00:40:30,110
A TOTAL BLAST.
1015
00:40:30,152 --> 00:40:32,863
SWEET OF YOU TO ASK, THOUGH.
1016
00:40:37,785 --> 00:40:39,328
WHERE ARE WE?
1017
00:40:40,871 --> 00:40:42,956
HERE, FOLLOW ME.
1018
00:40:43,040 --> 00:40:44,917
I GOT SOMETHINGTO SHOW YOU.
1019
00:40:46,169 --> 00:40:48,087
OH, GOSH.
1020
00:40:48,129 --> 00:40:50,131
WHOSE HOUSE IS THIS?
1021
00:40:50,214 --> 00:40:52,175
WHERE ARE WE?
1022
00:40:52,216 --> 00:40:52,967
HAVEN'T YOU EVER BEENTO TANYA'S HOUSE?
1023
00:40:53,051 --> 00:40:54,636
I DIDN'T KNOWTANYA HAD KIDS.
1024
00:40:54,636 --> 00:40:55,469
THEY'RE PRECIOUS, NO?
1025
00:40:55,511 --> 00:40:58,515
"PRECIOUS,"FROM THE LATIN "PRETIOSUS"
1026
00:41:01,267 --> 00:41:03,562
MEANING "EXPENSIVE."
1027
00:41:03,645 --> 00:41:05,104
IT'S ALSO THE LATIN ROOTFOR "PRICE,"
1028
00:41:05,147 --> 00:41:07,941
AS IN "PRICELESS."
1029
00:41:07,982 --> 00:41:08,984
OF COURSEYOU'RE SHOWING ME THIS.
1030
00:41:09,026 --> 00:41:11,987
KEEP WATCHING.
1031
00:41:12,029 --> 00:41:14,073
[CHILD]: WHAT ARE THOSE FOR?
1032
00:41:16,158 --> 00:41:17,993
WELL, SANTA'S REINDEERNEED A SNACK, TOO, RIGHT?
1033
00:41:17,993 --> 00:41:19,995
CAN YOU READ THAT?
1034
00:41:20,037 --> 00:41:21,330
"DEAR SANTA, MAKE IT GOOD."
1035
00:41:21,371 --> 00:41:26,961
[GASPS IN SHOCK]
1036
00:41:29,964 --> 00:41:31,174
KIDDING!
1037
00:41:31,174 --> 00:41:33,676
[TANYA AND KIDS LAUGH]
1038
00:41:33,676 --> 00:41:34,970
ALL RIGHT, WELL,
1039
00:41:35,011 --> 00:41:36,637
YOU NEVER KNOW WHATTIME SANTA'S COMING,
1040
00:41:36,679 --> 00:41:38,348
SO IT'S TIMEFOR BED.
1041
00:41:38,389 --> 00:41:41,184
OKAY?
1042
00:41:41,267 --> 00:41:43,269
GIVE ME A HUG.
1043
00:41:43,353 --> 00:41:45,856
I LOVE YOU GUYS.
1044
00:41:45,897 --> 00:41:48,108
OKAY, OFF YOU GO.
1045
00:41:49,776 --> 00:41:51,237
SO WHERE'S DADDY?
1046
00:41:51,320 --> 00:41:53,655
DIED IN A CAR ACCIDENTTWO YEARS AGO.
1047
00:41:53,697 --> 00:41:56,283
SO WHERE'S DADDSHE'S ALONE NOW.
1048
00:41:57,701 --> 00:42:00,913
HOW WAS ISUPPOSED TO KNOW THAT?
1049
00:42:00,913 --> 00:42:04,333
EVERYONEIN THE OFFICE KNEW,
1050
00:42:04,375 --> 00:42:05,543
BUT DON'T WORRY.
1051
00:42:06,210 --> 00:42:08,338
KENDRA COVERED FOR YOU.
1052
00:42:09,672 --> 00:42:11,258
SHE SENT FLOWERS.
1053
00:42:11,341 --> 00:42:12,300
WHAT'S SHE DOING?
1054
00:42:12,384 --> 00:42:13,426
SHE HAS TO RETURNTHEIR PRESENTS
1055
00:42:13,510 --> 00:42:15,053
TO SAVE MONEY.
1056
00:42:15,053 --> 00:42:32,405
LOOK, SHE SHOULD'VE KNOWN BETTER
1057
00:42:32,405 --> 00:42:33,197
THAN TO PITCH ME A NEW BOOK.
1058
00:42:33,239 --> 00:42:34,865
SHE WAS JUST TRYINGTO DO HER JOB.
1059
00:42:34,907 --> 00:42:35,658
THAT'S NOT HER JOB!
1060
00:42:35,699 --> 00:42:38,244
SHE SHOULD'VE BEEN HAPPY
1061
00:42:38,327 --> 00:42:39,828
WITH THE ONESHE ALREADY HAD,
1062
00:42:39,871 --> 00:42:42,040
LIKE EVERYONE ELSEWHO WORKS FOR ME.
1063
00:42:42,081 --> 00:42:43,833
WHOA, WAIT, BACK IT UP.
1064
00:42:43,875 --> 00:42:44,918
BACK IT UP.
1065
00:42:44,959 --> 00:42:46,252
YOU THINK THAT EVERYONETHAT WORKS FOR YOU IS HAPPY?
1066
00:42:46,294 --> 00:42:47,796
WHY WOULDN'T THEY BE?
1067
00:42:47,837 --> 00:42:49,213
[LAUGHS]
1068
00:42:49,255 --> 00:42:50,339
I-- WAIT.
1069
00:42:50,382 --> 00:42:53,343
I JUST--
1070
00:42:53,385 --> 00:42:55,429
I HAVE TO CAPTURE THIS LOOKOF TOTAL CLUELESSNESS.
1071
00:42:55,470 --> 00:42:57,181
HANG ON A SECOND HERE.
1072
00:42:57,931 --> 00:42:59,266
ALL RIGHT, SAY CHEESE.
1073
00:42:59,308 --> 00:43:00,309
[SHUTTER CLICKS]
1074
00:43:00,392 --> 00:43:02,311
[MUSIC AND LAUGHTER]
1075
00:43:02,394 --> 00:43:04,354
WHAT? WHAT'S THIS?
1076
00:43:04,438 --> 00:43:06,148
[ALL CHEERING] YES!
1077
00:43:06,231 --> 00:43:07,441
WAY TO GO, GIRLS!
1078
00:43:07,524 --> 00:43:11,987
SEE?THEY'RE HAVING FUN.
1079
00:43:12,071 --> 00:43:13,197
THEY'RE GETTING THERE.
1080
00:43:13,238 --> 00:43:14,282
[CELL PHONES RINGING]
1081
00:43:14,365 --> 00:43:15,825
SHH, SHH, SHH!
1082
00:43:15,866 --> 00:43:18,369
THIS IS FRED.
1083
00:43:18,411 --> 00:43:20,205
UH-HUH.
1084
00:43:20,288 --> 00:43:21,331
THE ENTIRE STAFF OFTHE CHICAGO GUARDIAN, IN!
1085
00:43:21,372 --> 00:43:22,790
[CHEERING IN TRIUMPH]
1086
00:43:22,790 --> 00:43:24,792
OH YES!
1087
00:43:24,792 --> 00:43:25,794
- ANOTHER ONE SCORED!- ANOTHER ROUND!
1088
00:43:25,794 --> 00:43:28,129
IN? IN FOR WHAT?
1089
00:43:28,171 --> 00:43:29,881
THEY'RE PLANNING A LITTLECHRISTMAS SURPRISE.
1090
00:43:29,923 --> 00:43:31,675
YOU KNOW, I NEVERTHOUGHT I'D SAY THIS,
1091
00:43:31,717 --> 00:43:32,968
TBUT I CAN'T WAIT TO SEEECTHE LOOK ON CAROL'S FACE
1092
00:43:32,968 --> 00:43:35,804
WHEN SHE COMES INTOMORROW.
1093
00:43:35,846 --> 00:43:39,683
I HOPESHE GETS A WRINKLE.
1094
00:43:39,683 --> 00:43:41,810
YES.
1095
00:43:41,852 --> 00:43:44,105
RIGHT WHEREEVERYONE CAN SEE IT!
1096
00:43:44,146 --> 00:43:46,315
RIGHT HERE.
1097
00:43:46,357 --> 00:43:49,568
VIVA LA REVOLUCION!
1098
00:43:49,651 --> 00:43:51,237
VIVA LA REVOLUCION!
1099
00:43:51,278 --> 00:43:52,822
DO YOU KNOWWHAT'S GOING ON?
1100
00:43:52,864 --> 00:43:54,323
WHEN I TOLD THE PRINCESS
1101
00:43:54,365 --> 00:43:57,159
WE WERE STARTINGOUR OWN PUBLISHING COMPANY,
1102
00:43:57,243 --> 00:44:00,162
SHE SAID,"DO ME A FAVOR
1103
00:44:00,247 --> 00:44:01,748
AND STICK ITTO CAROL FOR ME."
1104
00:44:04,584 --> 00:44:06,086
[LAUGHING]
1105
00:44:06,169 --> 00:44:08,338
THEIR OWN PUBLISHING COMPANY?
1106
00:44:08,421 --> 00:44:10,423
NO, THAT'S IMPOSSIBLE.
1107
00:44:10,465 --> 00:44:13,010
CAN YOU IMAGINE?
1108
00:44:13,051 --> 00:44:15,178
OH, SO FUNNY.
1109
00:44:15,220 --> 00:44:16,930
IS THIS A COUP?
1110
00:44:17,014 --> 00:44:18,516
I MEAN, I WON'TSTAND FOR THIS.
1111
00:44:18,516 --> 00:44:20,017
STAND FOR IT?
1112
00:44:20,017 --> 00:44:21,059
YOU'D BETTER MAKE SUREYOU CAN SURVIVE IT FIRST.
1113
00:44:21,143 --> 00:44:22,645
I WANT YOUTO TAKE ME HOME RIGHT NOW.
1114
00:44:22,686 --> 00:44:23,854
AH, CAN'T DO IT.
1115
00:44:23,854 --> 00:44:25,022
I DEMAND IT!
1116
00:44:25,063 --> 00:44:27,316
4
1117
00:44:27,358 --> 00:44:29,402
OH, YOU DEMAND IT.
1118
00:44:29,443 --> 00:44:31,362
STILL, NOT GOING TO HAPPEN.
1119
00:44:31,404 --> 00:44:32,363
HEADS UP!
1120
00:44:32,446 --> 00:44:34,866
[CORK POPS, CAROL SHRIEKS]
1121
00:44:34,866 --> 00:44:37,536
THANKS FOR COMING WITH ME.
1122
00:44:40,079 --> 00:44:40,872
ALWAYS.
1123
00:44:40,914 --> 00:44:43,625
[SIGHING]
1124
00:44:48,130 --> 00:44:50,382
OKAY, SO WHEREARE WE NOW?
1125
00:44:50,424 --> 00:44:51,383
OH, WE'RE TRYING TO SEE
1126
00:44:51,425 --> 00:44:52,968
IF ANYONE'SSTILL LEFT IN YOUR CORNER.
1127
00:44:53,010 --> 00:44:55,304
I WONDER WHY CAROLDISAPPEARED FROM THE PARTY.
1128
00:44:55,387 --> 00:44:56,638
SERIOUSLY?
1129
00:44:56,681 --> 00:44:59,058
WE'RE HAVINGA PERFECTLY NICE TIME,
1130
00:44:59,099 --> 00:45:01,018
AND YOU HAVE TO BRING UPTHE MOTHER OF SATAN.
1131
00:45:01,060 --> 00:45:03,354
SHE'S JUST--
1132
00:45:03,396 --> 00:45:05,648
I'M WORRIED ABOUT HER,THAT'S ALL.
1133
00:45:05,731 --> 00:45:07,567
WHY?
1134
00:45:07,608 --> 00:45:10,195
IT'S NOT LIKESHE CARES ABOUT YOU.
1135
00:45:10,236 --> 00:45:12,488
WHAT MAKES YOU SAY THAT?
1136
00:45:12,530 --> 00:45:14,032
UH, WELL, LET'S SEE.
1137
00:45:14,074 --> 00:45:16,576
UM, SHE TREATS YOULIKE DIRT,
1138
00:45:16,576 --> 00:45:20,581
SHE DIDN'T GIVE YOUTHE TRANSFER,
1139
00:45:20,622 --> 00:45:23,083
AND, WORST OF ALL,
1140
00:45:23,124 --> 00:45:26,169
SHE'S MET THE MAN YOU LOVEMORE THAN A DOZEN TIMES
1141
00:45:26,211 --> 00:45:28,422
AND SHE CAN'TREMEMBER MY NAME!
1142
00:45:28,422 --> 00:45:29,631
SHE'S NOTTHAT BAD, ZAC.
1143
00:45:29,715 --> 00:45:32,843
SHE'S JUSTLOOKING OUT FOR ME.
1144
00:45:32,884 --> 00:45:34,428
LOOKING OUT FOR YOU?
1145
00:45:34,428 --> 00:45:36,222
YEAH.
1146
00:45:36,263 --> 00:45:38,265
[SIGHS IN DISBELIEF]
1147
00:45:39,475 --> 00:45:41,560
LOOK, KENDRA,
1148
00:45:41,602 --> 00:45:44,063
I'M THE ONE WHO'SLOOKING OUT FOR YOU, OKAY?
1149
00:45:44,105 --> 00:45:46,608
I JUST THINK THATYOU SHOULD QUIT YOUR JOB
1150
00:45:46,649 --> 00:45:48,192
AND COME TO LONDON.
1151
00:45:48,275 --> 00:45:50,945
AND DO WHAT?
1152
00:45:51,028 --> 00:45:54,074
WRITE.
1153
00:45:54,116 --> 00:45:55,200
YOU'VE ALWAYS WANTED TO,
1154
00:45:55,283 --> 00:45:57,785
AND NOW ISTHE PERFECT TIME.
1155
00:45:57,870 --> 00:45:59,162
I DIDN'T KNOW KENDRAWANTED TO BE A WRITER.
1156
00:45:59,246 --> 00:46:00,538
THERE'S A LOTYOU DON'T KNOW ABOUT KENDRA,
1157
00:46:00,622 --> 00:46:02,415
INCLUDING HOW MUCH INFLUENCEYOU HAVE OVER HER.
1158
00:46:02,457 --> 00:46:04,877
[KENDRA]:ZAC, DON'T YOU SEE
1159
00:46:04,918 --> 00:46:07,713
THAT I'M IN THE SAME PLACECAROL WAS
1160
00:46:07,796 --> 00:46:10,132
WHEN SHE WAS MY AGE?
1161
00:46:10,173 --> 00:46:12,092
[ZAC]: BUT CAROLNEVER WANTED TO BE
1162
00:46:12,134 --> 00:46:14,094
SOMETHING ELSE, KENDRA.
1163
00:46:14,137 --> 00:46:15,263
IT'S DIFFERENT.
1164
00:46:15,304 --> 00:46:16,514
WELL...
1165
00:46:16,555 --> 00:46:18,599
THINGS CHANGE, ZAC.
1166
00:46:18,641 --> 00:46:20,268
I HAVE A FUTUREAT THE COMPANY NOW.
1167
00:46:20,309 --> 00:46:21,144
THINGS FINE.E, ZAC.
1168
00:46:21,227 --> 00:46:23,187
WHAT ABOUT OUR FUTURE?
1169
00:46:23,187 --> 00:46:25,649
I DON'T KNOW.
1170
00:46:28,067 --> 00:46:30,069
AMAZING HOW HISTORYREPEATS ITSELF.
1171
00:46:30,111 --> 00:46:31,738
YEAH, BUT THE BIGDIFFERENCE IS,
1172
00:46:35,158 --> 00:46:36,410
UNLIKE YOU,
1173
00:46:42,332 --> 00:46:45,252
I DON'T PLAN ON GETTING HITBY A BUS ANYTIME SOON.
1174
00:46:45,294 --> 00:46:46,503
I DIDN'T PLANON GETTING HIT BY A BUS.
1175
00:46:46,545 --> 00:46:47,546
YOU KNOW, I'M NOT RESPONSIBLEFOR KENDRA'S DECISION,
1176
00:46:47,630 --> 00:46:49,381
OR ANYONE ELSE'S,FOR THAT MATTER.
1177
00:46:49,381 --> 00:46:53,761
YOU KNOW,
1178
00:46:53,844 --> 00:46:58,308
LIFE IS ABOUT CHOICES,
1179
00:46:58,349 --> 00:47:00,560
AND KENDRA'SGOING TO RUIN HER LIFE,
1180
00:47:02,728 --> 00:47:03,939
IRONICALLY ENOUGH,
1181
00:47:03,980 --> 00:47:04,814
WAITING AROUNDTO BECOME YOU.
1182
00:47:04,856 --> 00:47:08,359
WELL, THEN, KENDRASHOULD CHOOSE TO DO
1183
00:47:08,359 --> 00:47:09,194
WHATEVER IT ISTHAT SHE WANTS.
1184
00:47:09,277 --> 00:47:11,362
OR YOU COULD CHOOSETO GIVE HER THE TRANSFER
1185
00:47:11,404 --> 00:47:13,073
AND LET HER BE WITH ZAC!
1186
00:47:13,156 --> 00:47:14,115
WHY SHOULD I?
1187
00:47:14,199 --> 00:47:16,368
OH, GOD, LET'S SEE.
1188
00:47:16,452 --> 00:47:17,578
OH, BECAUSE SHE'S BEENINCREDIBLY LOYAL TO YOU.
1189
00:47:17,619 --> 00:47:18,995
TO MAKE HER HAPPY.
1190
00:47:19,037 --> 00:47:20,831
OH, HAPPY. HAPPY!
1191
00:47:20,872 --> 00:47:23,667
HAPPY. WHY?
1192
00:47:23,709 --> 00:47:25,044
WHY SHOULD I TRY?
1193
00:47:25,044 --> 00:47:27,296
I TRIED TO MAKE BEN HAPPY,
1194
00:47:27,379 --> 00:47:28,172
AND LOOKWHERE IT GOT ME.
1195
00:47:28,214 --> 00:47:30,049
WHY SHOULD I BOTHERMAKING ANYONE HAPPY?
1196
00:47:30,091 --> 00:47:31,217
LET ME SHOW YOU.
1197
00:47:31,258 --> 00:47:32,301
I'M...
1198
00:47:32,343 --> 00:47:35,387
I'M SCARED.
1199
00:47:41,311 --> 00:47:42,854
[BIG THUMP]
1200
00:47:46,233 --> 00:47:48,485
I CAN'T SEE--
1201
00:47:48,568 --> 00:47:51,739
HANG ON, HANG ON,I GOT IT.
1202
00:47:51,739 --> 00:48:03,459
WHERE ARE WE?
1203
00:48:03,459 --> 00:48:04,293
- OW! THAT'S MY FOOT!- SORRY, SORRY.
1204
00:48:04,377 --> 00:48:05,419
SORRY, SORRYABOUT THE CLOSET.WHERE ARE WE?
1205
00:48:05,461 --> 00:48:06,462
I WAS NEVERTHAT GOOD OF A DRIVER.
1206
00:48:06,504 --> 00:48:07,338
ARE WE BACKIN THE PAST?
1207
00:48:07,338 --> 00:48:10,383
NO, IT'S STILL YOUR ROOM,
1208
00:48:11,092 --> 00:48:13,219
JUST THE WAYYOU LEFT IT.
1209
00:48:13,261 --> 00:48:16,097
SHE... SHE HASN'T CHANGEDA THING.
1210
00:48:16,097 --> 00:48:18,432
YOUR MOM LIKED IT THIS WAY.
1211
00:48:18,517 --> 00:48:20,309
WAIT.
1212
00:48:20,351 --> 00:48:23,062
CHECK THIS OUT.
1213
00:48:23,730 --> 00:48:26,275
SHE REMEMBERED HOW IMPORTANTIT WAS TO YOU.
1214
00:48:26,358 --> 00:48:28,943
SHE KEPT THEM ALL.
1215
00:48:29,027 --> 00:48:30,445
YOU KNOW, I REMEMBER
1216
00:48:30,445 --> 00:48:33,073
WHEN YOU FIRST CAME INFOR YOUR INTERVIEW,
1217
00:48:35,534 --> 00:48:38,287
YOAND YOU WENT ON AND ON AND ON
1218
00:48:39,580 --> 00:48:42,332
ABOUT ALL THESE BOOKSTHAT YOU LOVED.
1219
00:48:44,794 --> 00:48:46,462
WELL...
1220
00:48:46,462 --> 00:48:48,964
HERE THEY ALL ARE.
1221
00:48:49,048 --> 00:48:51,051
I HAD NO IDEASHE STILL HAD THEM.
1222
00:48:51,092 --> 00:48:53,886
THEY'RE SORT OFPIECES OF YOU, RIGHT?
1223
00:48:53,970 --> 00:48:54,762
[DISHES CLATTERING]
1224
00:48:54,804 --> 00:48:57,473
[MOM]: GLORIA, YOU CANAT LEAST LET ME HELP.
1225
00:48:59,350 --> 00:49:02,312
[GLORIA]: NO. YOU JUST STOPARGUING WITH ME.
1226
00:49:03,229 --> 00:49:05,774
YOU KNOW, I CAN MANAGEALL THIS STUFF ON MY OWN.
1227
00:49:08,402 --> 00:49:09,611
WELL, MAYBE YOU CAN,
1228
00:49:09,653 --> 00:49:12,239
BUT MAYBE I CAN'T.
1229
00:49:12,281 --> 00:49:15,492
[CHUCKLING]
1230
00:49:15,534 --> 00:49:17,286
THANK YOU.
1231
00:49:17,328 --> 00:49:18,329
IT'S BEEN A WHILE,HASN'T IT?
1232
00:49:18,412 --> 00:49:20,915
NOW, I'VE GOTEVERYTHING WE NEED
1233
00:49:20,998 --> 00:49:22,499
FOR DINNERTOMORROW NIGHT.
1234
00:49:24,210 --> 00:49:25,545
GLORIA, IT'SCHRISTMAS TOMORROW.
1235
00:49:25,628 --> 00:49:27,547
YOU'VE GOT TO GO HOMEAND BE WITH YOUR FAMILY.
1236
00:49:27,630 --> 00:49:29,466
HUSH, NOW.WE TALKED ABOUT THIS.
1237
00:49:29,507 --> 00:49:31,468
THEY'RE ALL OUT OF TOWN,AND BESIDES...
1238
00:49:31,509 --> 00:49:33,511
YOU ARE FAMILY.
1239
00:49:33,553 --> 00:49:36,223
I REALLY MISS HER, GLORIA.
1240
00:49:36,306 --> 00:49:37,515
I KNOW YOU DO, DEAR.
1241
00:49:37,599 --> 00:49:41,228
I JUST WISH SHE WOULDDROP BY TOMORROW, THAT'S ALL.
1242
00:49:41,311 --> 00:49:44,522
I KNOW.
1243
00:49:51,196 --> 00:49:52,823
BUT I UNDERSTAND.
1244
00:49:54,700 --> 00:49:56,577
SHE IS SO VERY BUSY.
1245
00:49:56,660 --> 00:50:01,790
SHE HAS SO MANYBIG THINGS GOING ON
1246
00:50:01,875 --> 00:50:03,501
AND PEOPLE TO SEE, AND...
1247
00:50:03,542 --> 00:50:04,878
I JUST MISS HER.
1248
00:50:04,961 --> 00:50:06,170
[CRYING SOFTLY]
1249
00:50:06,212 --> 00:50:10,383
OOH,
1250
00:50:10,467 --> 00:50:13,177
I ALMOST FORGOT!
1251
00:50:15,764 --> 00:50:18,475
THIS CAME FOR YOU TODAYWHILE YOU WERE OUT.
1252
00:50:19,559 --> 00:50:20,769
WHAT?
1253
00:50:20,769 --> 00:50:22,687
FROM...IS IT FROM CAROL?
1254
00:50:22,729 --> 00:50:24,481
I'M SO SORRYI FORGOT.
1255
00:50:24,564 --> 00:50:29,111
KENDRA.
1256
00:50:31,989 --> 00:50:33,408
AGAIN.
1257
00:50:33,449 --> 00:50:37,161
YOU SEE A PATTERNEMERGING AT ALL?
1258
00:50:37,245 --> 00:50:40,165
SHE'S ALWAYSLOOKING OUT FOR YOU.
1259
00:50:42,417 --> 00:50:44,377
OH...
1260
00:50:44,419 --> 00:50:46,254
OH, THAT'S...
1261
00:50:46,337 --> 00:50:49,424
OH...
1262
00:50:49,465 --> 00:50:54,763
I REMEMBER THAT CHRISTMAS.
1263
00:50:56,014 --> 00:50:57,433
YOU TWO LOOK SO HAPPY TOGETHER.
1264
00:50:57,433 --> 00:50:59,518
YEAH. YEAH.
1265
00:50:59,560 --> 00:51:02,104
YOU MISS HER,DON'T YOU?
1266
00:51:02,146 --> 00:51:04,565
OF COURSE I DO.
1267
00:51:04,606 --> 00:51:06,775
THEN WHY DON'T YOUGO SEE HER MORE OFTEN?
1268
00:51:06,817 --> 00:51:09,236
IT'S JUST BECAUSE--
1269
00:51:10,154 --> 00:51:11,280
IT COULDN'T BEBECAUSE WHEN YOU SEE HER,
1270
00:51:11,280 --> 00:51:13,032
IT'S JUSTIT REMINDS YOU
1271
00:51:13,115 --> 00:51:16,703
OF THE TOUGH TIMESYOU HAD
1272
00:51:16,786 --> 00:51:17,995
WHEN YOU WERE A KID?
1273
00:51:17,995 --> 00:51:19,956
LOOK, I JUST--I'M A BUSY WOMAN,
1274
00:51:19,956 --> 00:51:21,123
AND I...THERE'S NOT A LOT OF TIME.
1275
00:51:21,165 --> 00:51:22,959
YOU HAVE TO MAKE THE TIME
1276
00:51:22,959 --> 00:51:23,876
FOR THE PEOPLE THAT YOU LOVE.
1277
00:51:23,918 --> 00:51:26,754
WAIT A SECOND,
1278
00:51:26,796 --> 00:51:29,382
WHAT ARE YOU DOING?
1279
00:51:29,466 --> 00:51:32,219
ARE YOU TRYING TO SAYTHAT I DON'T LOVE
1280
00:51:32,260 --> 00:51:33,470
MY OWN MOTHER?
1281
00:51:33,511 --> 00:51:34,346
OF COURSE NOT--
1282
00:51:34,429 --> 00:51:36,181
BECAUSE I PAY FOR THIS HOUSE,
1283
00:51:36,223 --> 00:51:37,641
FOR THE GROCERY BILLS,
1284
00:51:37,683 --> 00:51:38,726
FOR GLORIA'S SALARY.
1285
00:51:38,809 --> 00:51:40,227
- EVERYTHING!- YEAH, THAT'S GREAT.
1286
00:51:40,268 --> 00:51:41,729
BUT YOU ALSOHAVE TO GIVE HER TIME.
1287
00:51:41,812 --> 00:51:42,688
TIME IS EXPENSIVE.
1288
00:51:42,771 --> 00:51:44,357
ACTUALLY, NO,
1289
00:51:44,357 --> 00:51:45,816
TIME DOESN'T HAVE A PRICE.
1290
00:51:45,858 --> 00:51:48,402
YOU CAN'T BUY IT,
1291
00:51:48,486 --> 00:51:49,946
AND ONCE IT'S GONE,IT'S GONE FOR GOOD.
1292
00:51:49,988 --> 00:51:50,821
OH, HERE WE GO,THE REQUISITE LECTURE
1293
00:51:50,863 --> 00:51:52,573
ANABOUT HOW TIMENE,SLIPS THROUGH YOUR FINGERS.
1294
00:51:52,656 --> 00:51:53,491
EVERY MOMENTI DON'T SPEND WORKING
1295
00:51:53,532 --> 00:51:55,368
IS MONEY LOST.
1296
00:51:55,368 --> 00:51:57,411
REMEMBERWHAT YOUR MOTHER SAID?
1297
00:51:57,453 --> 00:51:59,623
"DON'T LIVE TO WORK.YOU WORK TO LIVE."
1298
00:51:59,664 --> 00:52:01,625
ALL SHE EVER DID WAS WORK!
1299
00:52:01,666 --> 00:52:02,584
YEAH, BUT SHE DIDN'THAVE A CHOICE.
1300
00:52:02,626 --> 00:52:05,169
YOU DO.
1301
00:52:05,211 --> 00:52:07,714
WHAT ARE YOU DOING?
1302
00:52:07,797 --> 00:52:09,466
GIVE THAT BACK.
1303
00:52:09,508 --> 00:52:11,343
THAT'S MY BOOK!
1304
00:52:11,385 --> 00:52:12,427
WAIT.
1305
00:52:12,511 --> 00:52:13,512
YOU DID IT AGAIN.
1306
00:52:13,512 --> 00:52:14,638
WHERE ARE WE?
1307
00:52:14,679 --> 00:52:16,556
WE ARE ATSUSAN JOHNSON'S HOUSE.
1308
00:52:24,607 --> 00:52:26,317
I DON'T KNOW WHO THAT IS.
1309
00:52:26,359 --> 00:52:29,820
[PLAYFUL GROWLING,THUMPING]
1310
00:52:29,862 --> 00:52:31,156
GUESS WHOCAN'T SHAKE ME.
1311
00:52:31,197 --> 00:52:34,034
TOP ROPE! [GRUNTING]
1312
00:52:34,034 --> 00:52:37,078
I GOT YOU!
1313
00:52:39,748 --> 00:52:42,542
BEN?
1314
00:52:42,584 --> 00:52:45,045
WAIT. HE'S MARRIEDWITH KIDS?
1315
00:52:45,045 --> 00:52:46,087
HE IS NOT MARRIED,YOU IDIOT.
1316
00:52:46,171 --> 00:52:47,756
WELL, THEN,EXPLAIN THIS.
1317
00:52:47,798 --> 00:52:48,674
OH, YEAH?
1318
00:52:48,715 --> 00:52:53,720
LAY OFF YOUR UNCLE, BOYS,
1319
00:52:53,762 --> 00:52:56,390
HE'S AN OLD MAN NOW.
1320
00:52:56,473 --> 00:52:57,724
AW, NOT THE CHICKEN WING!
1321
00:52:57,766 --> 00:52:59,393
GO BRUSH YOUR TEETHAND GET IN BED.
1322
00:52:59,393 --> 00:53:00,895
AW, FIVE MORE MINUTES.
1323
00:53:00,895 --> 00:53:02,563
NO. NOW, PLEASE.
1324
00:53:02,647 --> 00:53:03,480
THANK YOU.
1325
00:53:03,522 --> 00:53:05,399
HEY, WHERE'S MY HUG?GOOD NIGHT.
1326
00:53:05,441 --> 00:53:07,068
- GOOD NIGHT, UNCLE BEN.- GOOD NIGHT.
1327
00:53:07,068 --> 00:53:08,069
I'LL BE UP IN A MINUTETO TUCK YOU IN.
1328
00:53:08,110 --> 00:53:09,362
- GOOD NIGHT!- GOOD NIGHT.
1329
00:53:09,404 --> 00:53:11,406
PHEW![SHE CHUCKLES]
1330
00:53:11,489 --> 00:53:13,408
FINE.
1331
00:53:13,450 --> 00:53:15,452
OR IT'S HIS SISTER.
1332
00:53:15,535 --> 00:53:17,329
LET'S MOVE ON.
1333
00:53:17,412 --> 00:53:18,871
THEY LOVEHAVING YOU AROUND.
1334
00:53:18,914 --> 00:53:20,540
SO DOES BILL.
1335
00:53:20,582 --> 00:53:22,417
HE GETS TO WAKE UP WITHOUTBLACK AND BLUE MARKS
1336
00:53:22,417 --> 00:53:24,002
ALL OVER HIS BODY.
1337
00:53:24,044 --> 00:53:25,963
THEY'RE GOOD KIDS.
1338
00:53:26,046 --> 00:53:27,089
I ENVY YOU GUYS.
1339
00:53:27,130 --> 00:53:28,757
I MEAN, WHAT GOOD IS CHRISTMASWITHOUT KIDS, HUH?
1340
00:53:28,799 --> 00:53:30,759
WELL, TRADE INTHE BACHELOR LIFESTYLE
1341
00:53:31,927 --> 00:53:33,762
I MEAN, WHAT GOOD IS CHRISTMASWITHAND HAVE SOME, THEN.
1342
00:53:33,762 --> 00:53:35,348
I'VE ALWAYS WANTEDTO BE AN AUNT.
1343
00:53:35,431 --> 00:53:38,309
GOT TO FIND THE GIRL FIRST.
1344
00:53:38,309 --> 00:53:41,437
AND YOU GOT TO GET OVERTHE OLD ONE
1345
00:53:41,520 --> 00:53:42,605
BEFORE YOU CANDO THAT.
1346
00:53:42,646 --> 00:53:44,858
COME ON, BEN.
1347
00:53:45,775 --> 00:53:48,319
I'M THE BIG SISTER.I KNOW EVERYTHING.
1348
00:53:48,361 --> 00:53:50,446
OF COURSE YOU DO.
1349
00:53:50,489 --> 00:53:52,574
I SAW HOW NERVOUS YOU WEREEARLIER TONIGHT
1350
00:53:52,616 --> 00:53:54,242
BEFORE THE PARTY, OKAY?
1351
00:53:54,283 --> 00:53:56,160
JUST THE THOUGHT OF SEEING CAROLHAD YOU ALL WORKED UP.
1352
00:53:56,245 --> 00:53:57,579
OH, COME ON.
1353
00:53:57,621 --> 00:54:00,039
YOU CAN'T LIETO ME.
1354
00:54:00,124 --> 00:54:01,583
I DON'T KNOWWHAT YOU'RE TALKING ABOUT.
1355
00:54:01,625 --> 00:54:04,169
REALLY?
1356
00:54:04,211 --> 00:54:05,963
WELL, THEN, TELL ME THIS.DID YOU SEE HER?
1357
00:54:07,798 --> 00:54:09,466
OKAY, YOU WANT TO KNOW?
1358
00:54:09,508 --> 00:54:12,678
FINE.
1359
00:54:12,720 --> 00:54:13,513
YES, I SAW HER,AND IT DIDN'T GO SO GREAT.
1360
00:54:13,596 --> 00:54:16,015
I MEAN, WE SAID HELLO,
1361
00:54:19,769 --> 00:54:21,562
AND BEFORE I KNEW IT,WE WERE FIGHTING AGAIN.
1362
00:54:21,646 --> 00:54:22,522
RIGHT BACK WHERE WE LEFT OFF.
1363
00:54:22,563 --> 00:54:25,816
WAIT, YOU GUYS DON'TSEE EACH OTHER
1364
00:54:27,568 --> 00:54:28,528
FOR WHAT, 10 YEARS,
1365
00:54:28,569 --> 00:54:31,823
AND THE FIRST THING YOU DOIS HAVE AN ARGUMENT?
1366
00:54:31,865 --> 00:54:32,991
WHY?
1367
00:54:33,074 --> 00:54:34,868
AND THEWHY? BECAUSE YOU DOITHAT'S WHAT WE DO.?
1368
00:54:34,951 --> 00:54:36,286
LOOK, YOU KNOW,IT'S...
1369
00:54:36,327 --> 00:54:38,872
IT'S FINE, OKAY?
1370
00:54:38,872 --> 00:54:39,706
SERIOUSLY.
1371
00:54:39,790 --> 00:54:41,875
IT JUST PROVES THATI WAS RIGHT TO WALK AWAY
1372
00:54:42,876 --> 00:54:45,712
IN THE FIRST PLACE.
1373
00:54:45,796 --> 00:54:47,839
DON'T.
1374
00:54:47,882 --> 00:54:49,675
YOU STILL CAREABOUT HER.
1375
00:54:49,716 --> 00:54:52,011
- HANG ON--- BEN...
1376
00:54:52,094 --> 00:54:54,305
DON'T GET ME WRONG.
1377
00:54:54,346 --> 00:54:56,348
I DON'T WANT YOU TO GET HURT,
1378
00:54:56,432 --> 00:54:59,894
BUT THE FACT IS
1379
00:54:59,936 --> 00:55:01,228
YOU GUYS WERE JUST KIDSWHEN YOU BROKE UP,
1380
00:55:01,313 --> 00:55:02,689
AND YOU DIDN'T TRY THAT HARDTO STAY TOGETHER.
1381
00:55:02,730 --> 00:55:03,856
AND IF YOU'RE STILL FIGHTINGAFTER ALL THIS TIME,
1382
00:55:03,856 --> 00:55:05,024
THERE'S FEELINGS THERE,
1383
00:55:05,108 --> 00:55:07,360
AND IF YOU'RE STILLIN LOVE WITH HER,
1384
00:55:07,402 --> 00:55:10,530
YOU'VE GOTTO TELL HER.
1385
00:55:10,572 --> 00:55:12,449
NO.
1386
00:55:12,490 --> 00:55:13,867
THE WOMAN I SAWTONIGHT
1387
00:55:13,909 --> 00:55:16,870
IS NOT THE WOMANI FELL IN LOVE WITH,
1388
00:55:16,912 --> 00:55:21,041
NOT ANYMORE.
1389
00:55:25,128 --> 00:55:27,173
SEE, NOW,I DID NOT KNOW
1390
00:55:27,215 --> 00:55:29,007
THAT HE WAS GOINGTO SAY THAT,
1391
00:55:29,050 --> 00:55:32,095
AND I'M NOT SURE
1392
00:55:32,178 --> 00:55:35,056
THAT THAT'S NECESSARILYHOW HE REALLY FEELS.
1393
00:55:35,139 --> 00:55:36,725
CAROL?
1394
00:55:36,766 --> 00:55:38,935
[ANGRILY]WHY WOULD YOU SHOW ME THAT?
1395
00:55:39,018 --> 00:55:39,894
WHERE DID YOU GO?
1396
00:55:39,894 --> 00:55:44,399
OH, IS THAT IT?
1397
00:55:45,817 --> 00:55:47,361
IS THAT WHATI'M SUPPOSED TO LEARN?
1398
00:55:48,612 --> 00:55:51,906
HMM?
1399
00:55:56,745 --> 00:56:00,750
IS THAT WHATYOU SHOW ME THAT I'M NOT ALONE,
1400
00:56:03,043 --> 00:56:06,422
TELL ME I DON'T CAREABOUT MY MOTHER,
1401
00:56:06,464 --> 00:56:09,967
AND THEN YOU SHOW ME THATBEN DOESN'T LOVE ME ANYMORE.
1402
00:56:09,967 --> 00:56:12,052
SHOW YOURSELF, YOU COWARD.
1403
00:56:12,803 --> 00:56:16,892
ANSWER ME.
1404
00:56:16,933 --> 00:56:22,230
PLEASE.
1405
00:56:22,272 --> 00:56:27,944
[LETS OUT A SHAKY BREATH]
1406
00:56:31,865 --> 00:56:34,993
OKAY,
1407
00:56:42,960 --> 00:56:45,254
WHAT'S IN STORE, EVE MAILER?
1408
00:56:45,254 --> 00:56:56,099
LET'S SEE HERE.
1409
00:56:56,099 --> 00:56:59,227
GHOST OF CHRISTMAS PAST,THAT'S OVER.
1410
00:56:59,311 --> 00:57:01,604
THEN WE'VE GOTA CHRISTMAS PRESENT.
1411
00:57:01,604 --> 00:57:16,912
A TON OF FUN.
1412
00:57:16,912 --> 00:57:17,830
SO, WHAT'S NEXT?
1413
00:57:17,913 --> 00:57:21,000
OKAY, HERE WE GO...
1414
00:57:26,464 --> 00:57:28,591
AH, CHRISTMAS FUTURE.
1415
00:57:34,305 --> 00:57:37,976
"IN THE ORIGINAL DICKENS STORYAND SUBSEQUENT VERSIONS,
1416
00:57:38,017 --> 00:57:40,729
"THE APPARITIONAPPEARS TO THE PROTAGONIST
1417
00:57:40,812 --> 00:57:44,858
"IN THE ORIGINAL DICKENS STORY"AS THE ANGEL OF DARKNESS
1418
00:57:44,858 --> 00:57:48,653
"OR THE GRIM REAPER,
1419
00:57:48,695 --> 00:57:49,905
"MORE COMMONLY KNOWN AS...
1420
00:57:50,990 --> 00:57:53,367
DEATH"?
1421
00:57:53,408 --> 00:57:56,371
[STAIR CREAKS, CAROL GASPS]
1422
00:57:56,371 --> 00:57:58,914
EVE?
1423
00:57:58,956 --> 00:58:01,459
WERE YOU SCARED?
1424
00:58:01,501 --> 00:58:03,086
TOOK YOU LONG ENOUGH.
1425
00:58:03,169 --> 00:58:06,797
I THOUGHT YOU MIGHT NEEDSOME TIME TO COOL OFF.
1426
00:58:06,882 --> 00:58:08,216
IT WAS BETTER IN REHEARSALS,BUT YOU GET THE GENERAL IDEA.
1427
00:58:08,258 --> 00:58:11,052
SO, THE FUTURE?
1428
00:58:13,138 --> 00:58:14,389
LISTEN, I DON'T WANT TO RUIN ITOR ANYTHING, BUT...
1429
00:58:14,389 --> 00:58:15,557
I KNOW I DIE IN THE END.
1430
00:58:16,892 --> 00:58:18,894
REALLY?
1431
00:58:18,935 --> 00:58:21,980
YEAH, EVERYONE DOES.
1432
00:58:24,983 --> 00:58:29,280
YOU CAN'T REALLYGET AROUND THAT ONE, CAN YOU?
1433
00:58:29,363 --> 00:58:30,656
YOU MIGHT JUSTFIND YOURSELF SURPRISED.
1434
00:58:30,739 --> 00:58:33,034
THIS DOESN'T LOOKVERY FUTURISTIC.
1435
00:58:33,075 --> 00:58:34,118
OH, YOU'RE COMING UP ON 40PRETTY QUICK, LITTLE LADY.
1436
00:58:34,160 --> 00:58:35,745
THIS IS BASICALLYNEXT WEEK FOR YOU.
1437
00:58:35,745 --> 00:58:36,913
I DIDN'T EXPECT THAT.
1438
00:58:36,954 --> 00:58:39,248
WHERE ARE WE?
1439
00:58:39,290 --> 00:58:43,711
IT'S CHRISTMAS MORNING,AND THIS IS YOUR FAMILY.
1440
00:58:52,595 --> 00:58:54,472
WHOA, WHOA, WHOA.
1441
00:58:54,556 --> 00:58:58,060
THESE ARE ALL MINE?
1442
00:58:58,101 --> 00:59:01,271
YEAH, YOU AND BENHAD THREE KIDS, AND...
1443
00:59:03,106 --> 00:59:04,775
ONE, TWO,
1444
00:59:04,775 --> 00:59:06,109
THREE GRANDKIDS SO FAR.
1445
00:59:06,151 --> 00:59:08,779
[SON]: YOU'RESPOILING THEM AGAIN.
1446
00:59:08,862 --> 00:59:10,114
WE'RE THE GRANDPARENTS.
1447
00:59:10,948 --> 00:59:13,284
IT'S IN OURJOB DESCRIPTION.
1448
00:59:13,326 --> 00:59:16,830
HOLD ON.
1449
00:59:16,913 --> 00:59:18,372
SO...
1450
00:59:18,414 --> 00:59:20,291
THIS IS MY FAMILY,
1451
00:59:20,333 --> 00:59:21,668
AND THAT...
1452
00:59:21,710 --> 00:59:23,294
THAT'S ME?
1453
00:59:23,336 --> 00:59:25,129
AND THAT'S BEN.
1454
00:59:25,171 --> 00:59:26,923
PRETTY BEAUTIFULVISION OF THE FUTURE, NO?
1455
00:59:26,965 --> 00:59:29,092
OH, MY GOD...
1456
00:59:29,133 --> 00:59:32,137
I THINK YOUR PRESENTIS THEIR FAVORITE ONE.
1457
00:59:32,179 --> 00:59:34,306
SWEET, ISN'T IT?
1458
00:59:34,348 --> 00:59:36,100
SO, WHAT DO YOU THINK?
1459
00:59:36,141 --> 00:59:37,642
1460
00:59:37,726 --> 00:59:40,020
[BOTH CAROLS TOGETHER]:NOT TOO SHABBY.
1461
00:59:40,062 --> 00:59:42,481
YEAH, NOTTOO SHABBY AT ALL.
1462
00:59:42,982 --> 00:59:44,525
[TEARING PAPER]
1463
00:59:44,567 --> 00:59:47,319
OKAY, SO WHY THREE KIDS?
1464
00:59:47,403 --> 00:59:49,697
I MEAN, DO I LIVEON A FARM NOW, OR WHAT?
1465
00:59:49,739 --> 00:59:52,158
GRANDMA, LOOK!
1466
00:59:52,242 --> 00:59:54,410
LOOK AT THIS.
1467
00:59:54,494 --> 00:59:56,204
�
1468
00:59:56,287 --> 00:59:58,081
WHERE DID YOU GET THIS, EMMA?
1469
00:59:58,123 --> 01:00:01,877
SANTA BROUGHT METHE DOLL I WANTED!
1470
01:00:01,960 --> 01:00:03,461
SANTA BROUGHT THIS TO YOU?
1471
01:00:03,503 --> 01:00:04,337
AS IN SANTA CLAUS
1472
01:00:04,379 --> 01:00:06,297
WHO DELIVERS PRESENTS
1473
01:00:06,339 --> 01:00:08,884
TO ALL THE LITTLE GIRLS AND BOYSWHO WERE GOOD LAST YEAR?
1474
01:00:08,967 --> 01:00:11,219
THEN YOU MUST HAVE BEENA VERY GOOD GIRL.
1475
01:00:12,346 --> 01:00:13,264
DOES SHE HAVEA NAME?
1476
01:00:13,305 --> 01:00:15,182
I LIKE "KATIE."
1477
01:00:15,182 --> 01:00:18,560
SO DO I, SWEETHEART.
1478
01:00:21,605 --> 01:00:24,651
AWW.
1479
01:00:25,860 --> 01:00:26,986
SHOW YOUR MOMMY.
1480
01:00:27,028 --> 01:00:29,363
WHAT HAVE YOUGOT THERE?
1481
01:00:29,447 --> 01:00:32,450
HEY, CAN ITELL YOU SOMETHING?
1482
01:00:32,534 --> 01:00:33,535
THANK YOU.
1483
01:00:33,535 --> 01:00:36,121
FOR WHAT?
1484
01:00:36,204 --> 01:00:37,205
FOR GIVING MEANOTHER SHOT.
1485
01:00:37,289 --> 01:00:38,498
AND WITHOUT MISTLETOE, FOLKS!
1486
01:00:38,540 --> 01:00:40,417
SO THAT'S IT?
1487
01:00:40,500 --> 01:00:41,376
A HAPPY ENDING?
1488
01:00:41,376 --> 01:00:44,129
WELL, YOU WERE RIGHT,BECAUSE I AM SURPRISED.
1489
01:00:46,214 --> 01:00:48,216
OH, THIS,THIS ISN'T YOUR FUTURE. ENDING?
1490
01:00:52,304 --> 01:00:53,931
YOU'RE TEASING ME?
1491
01:00:54,014 --> 01:00:56,058
THIS IS JUST ONEOF MANY POSSIBLE FUTURES.
1492
01:00:56,058 --> 01:00:59,187
THIS IS BASICALLYWHAT'S BEHIND DOOR NUMBER ONE.
1493
01:00:59,228 --> 01:01:01,397
AND I'M GUESSINGWHAT'S BEHIND DOOR NUMBER TWO
1494
01:01:01,439 --> 01:01:02,606
ISN'T GOING TO BESUCH A PARTY.
1495
01:01:02,606 --> 01:01:05,902
OH, NOT AT ALL.
1496
01:01:05,944 --> 01:01:08,071
[THUNDER RUMBLES]
1497
01:01:08,112 --> 01:01:11,825
[RAIN PATTERING]
1498
01:01:11,866 --> 01:01:13,577
WHAT NOW?
1499
01:01:13,577 --> 01:01:14,536
TURN AROUND.THIS WAY.
1500
01:01:14,578 --> 01:01:18,164
UGH.
1501
01:01:18,957 --> 01:01:20,417
NO DATE?
1502
01:01:26,131 --> 01:01:27,174
WELL, I'D TELL YOU,
1503
01:01:27,257 --> 01:01:30,344
BUT THEN I'DHAVE TO KILL YOU.
1504
01:01:30,427 --> 01:01:32,387
HEY, IT'S JUST ANOTHER DOOR.
1505
01:01:38,686 --> 01:01:40,104
WELL, LIKE I SAID,
1506
01:01:40,187 --> 01:01:41,021
EVERYONE DIES.
1507
01:01:41,063 --> 01:01:43,483
TRUE,
1508
01:01:44,317 --> 01:01:47,403
BUT EVERYONE DOESN'T NECESSARILYDIE ALONE.
1509
01:01:47,445 --> 01:01:49,614
IT'S ALREADY OVER?
1510
01:01:49,614 --> 01:01:52,117
NO ONE CAME?
1511
01:01:52,158 --> 01:01:53,827
OH, SOMEONE DID.
1512
01:01:53,869 --> 01:01:57,623
SHE JUST GOT HERE LATE.
1513
01:02:00,459 --> 01:02:04,004
HOW ABOUT THAT...
1514
01:02:04,045 --> 01:02:05,005
I DIDN'T GET YOU FLOWERS
1515
01:02:05,088 --> 01:02:07,299
BECAUSE I KNOWYOU HATE THEM, SO...
1516
01:02:07,299 --> 01:02:09,093
SHE'S THE NEW PRESIDENT
1517
01:02:09,135 --> 01:02:11,762
�
1518
01:02:12,638 --> 01:02:13,973
AND, IN HONOROF YOUR MEMORY,
1519
01:02:14,015 --> 01:02:16,475
SHE DEEMED TODAYA WORK DAY.
1520
01:02:17,309 --> 01:02:20,229
SHE THOUGHT YOU'D APPROVE.
1521
01:02:20,271 --> 01:02:22,023
I WOULD HAVE.
1522
01:02:22,106 --> 01:02:24,984
BUT I THINK YOU KNOW
1523
01:02:24,984 --> 01:02:26,694
THAT NO ONEWOULD HAVE COME ANYWAY.
1524
01:02:28,405 --> 01:02:29,656
SHE LOOKSDIFFERENT.
1525
01:02:29,697 --> 01:02:31,491
SHE LOOKS...
1526
01:02:31,533 --> 01:02:33,618
SAD?
1527
01:02:35,495 --> 01:02:37,330
[CELL PHONE RINGS]
1528
01:02:38,707 --> 01:02:39,833
THIS IS KENDRA.
1529
01:02:39,917 --> 01:02:40,959
NO, NOW WORKS. I'M JUSTWALKING OUT OF A MEETING.
1530
01:02:46,799 --> 01:02:49,843
TELL ME...
1531
01:02:52,805 --> 01:02:54,849
THEN DUMP HIM.
1532
01:02:54,891 --> 01:02:57,518
HE'S COSTING US MONEY
1533
01:02:57,560 --> 01:03:00,354
AND WE NEED TOKEEP THE LIGHTS ON.
1534
01:03:00,396 --> 01:03:02,148
I'M IN CHARGE,AND IT'S MY CALL.
1535
01:03:02,190 --> 01:03:03,149
A CHIP OFF THE OLD BLOCK,
1536
01:03:03,191 --> 01:03:04,984
HUH?
1537
01:03:05,026 --> 01:03:06,903
SO THE COMPANY SURVIVED?
1538
01:03:06,945 --> 01:03:08,530
THERE WAS NO REVOLT?
1539
01:03:08,572 --> 01:03:10,532
OH, NO, THERE WAS A REVOLT,
1540
01:03:10,574 --> 01:03:13,535
AND PEOPLE HAD A TOUGH TIMEFOR A WHILE, BUT...
1541
01:03:13,618 --> 01:03:14,369
I WON.
1542
01:03:14,411 --> 01:03:16,872
YEAH, YOU FIREDEVERYONE BUT KENDRA,
1543
01:03:16,914 --> 01:03:20,625
AND YOU ESTABLISHEDYOUR REPUTATION
1544
01:03:20,710 --> 01:03:22,544
AS A WOMAN TO BE FEARED.
1545
01:03:22,628 --> 01:03:26,549
AND IN THE END...
1546
01:03:26,591 --> 01:03:31,429
I'M ALONE.
1547
01:03:31,512 --> 01:03:33,348
IS THEREA DOOR NUMBER THREE?
1548
01:03:33,389 --> 01:03:36,892
THAT'S ENTIRELYUP TO YOU.
1549
01:03:38,144 --> 01:03:41,231
EVE?
1550
01:03:42,607 --> 01:03:46,319
EVE, WAIT.
1551
01:03:46,361 --> 01:03:49,781
EVE!
1552
01:03:55,829 --> 01:03:56,997
I DON'T WANT TO BE ALONE.
1553
01:03:59,250 --> 01:04:02,378
YOU'RE RIGHT.
1554
01:04:03,337 --> 01:04:04,255
I WANT TO CHANGE!
1555
01:04:05,631 --> 01:04:07,592
PLEASE.
1556
01:04:07,592 --> 01:04:09,343
HELP ME.
1557
01:04:09,426 --> 01:04:10,637
I DON'T KNOW HOWTO DO IT!
1558
01:04:10,678 --> 01:04:13,348
[♪]
1559
01:04:13,431 --> 01:04:15,600
♪ FOR THE "SORRIES"OH, THE "SORRIES" OF YOUR SOUL ♪
1560
01:04:15,642 --> 01:04:17,810
♪ THEY ARE YOUR WORRIESARE YOUR WORRIES ♪
1561
01:04:17,810 --> 01:04:31,950
♪ OF MY HOUSEHOLD ♪
1562
01:04:31,950 --> 01:04:35,037
♪ I HEAR THE WIND A-HOWLINGAT MY SWINGING DOOR ♪
1563
01:04:35,037 --> 01:04:45,214
♪ BUT AT YOUR HOUSETHE WEATHER'S PLEASANT ♪
1564
01:04:45,214 --> 01:04:49,010
♪ NOTHING MORE ♪
1565
01:04:49,052 --> 01:04:51,470
♪ I AM BEHIND ♪
1566
01:04:51,512 --> 01:04:53,139
♪ I AM BEHIND ♪
1567
01:04:53,139 --> 01:04:57,060
♪ NEVER MINDI WILL NOT PINE ♪
1568
01:04:57,143 --> 01:04:59,479
♪ FOR I AM MINE... ♪
1569
01:04:59,521 --> 01:05:04,443
HI. I--
1570
01:05:04,484 --> 01:05:08,447
I DON'T NEED A NUMBER.
1571
01:05:08,488 --> 01:05:11,701
COULD YOU TELL MEWHAT DAY IT IS?
1572
01:05:11,784 --> 01:05:14,453
WELL, THEN,MERRY CHRISTMAS, GOOD SIR!
1573
01:05:14,494 --> 01:05:16,664
OH, SORRY.
1574
01:05:16,706 --> 01:05:18,082
HAPPY HANUKKAH.
1575
01:05:18,123 --> 01:05:19,417
♪ YOU DECIDEDYOU WOULD EDUCATE ME ♪
1576
01:05:19,459 --> 01:05:22,920
♪ WHILE CONVERSINGOVER A NICE SPOT OF TEA ♪
1577
01:05:22,962 --> 01:05:26,174
♪ I AM BEHIND ♪
1578
01:05:26,216 --> 01:05:27,467
♪ I AM BEHIND ♪
1579
01:05:27,508 --> 01:05:30,053
♪ WELL, NEVER MIND ♪
1580
01:05:34,432 --> 01:05:38,269
♪ I WILL NOT PINEFOR I AM MINE... ♪
1581
01:05:38,353 --> 01:05:45,486
NICE ONE, EVE.
1582
01:05:45,527 --> 01:05:49,656
[LAUGHS]
1583
01:05:49,698 --> 01:05:53,327
THAT'S FUNNY.
1584
01:05:53,369 --> 01:05:54,370
♪ I AM BEHIND ♪
1585
01:05:54,411 --> 01:05:58,374
♪ NEVER MINDI WILL NOT PINE ♪
1586
01:05:58,374 --> 01:05:59,792
♪ FOR I AM MINE ♪
1587
01:05:59,834 --> 01:06:01,669
♪ I AM BEHIND ♪
1588
01:06:01,711 --> 01:06:03,212
♪ I AM BEHIND ♪
1589
01:06:03,254 --> 01:06:07,008
♪ NEVER MINDI WILL NOT PINE ♪
1590
01:06:07,049 --> 01:06:09,469
♪ FOR I AM MINE ♪
1591
01:06:09,552 --> 01:06:12,847
HI.
1592
01:06:12,890 --> 01:06:17,352
IT'S GRACE, RIGHT?
1593
01:06:17,394 --> 01:06:21,314
HOW DO YOU KNOW MY NAME?
1594
01:06:21,356 --> 01:06:24,151
UH... I, UM...
1595
01:06:24,192 --> 01:06:26,529
I'M YOUR MOMMY'S BOSS AT WORK.
1596
01:06:31,659 --> 01:06:32,743
WE WORK TOGETHER.
1597
01:06:35,246 --> 01:06:36,747
ARE YOU THE LADYWHO FIRED HER?
1598
01:06:36,789 --> 01:06:38,792
UM, WELL, I, UM--
1599
01:06:38,875 --> 01:06:40,334
[KNOCKING INSISTENTLY]
1600
01:06:40,376 --> 01:06:42,503
[KNOCKING]
1601
01:06:46,049 --> 01:06:47,300
[GASPS IN SHOCK]
1602
01:06:47,384 --> 01:06:49,928
WHAT ARE YOU DOING HERE?
1603
01:06:49,969 --> 01:06:53,014
MERRY CHRISTMAS, TANYA.
1604
01:06:56,768 --> 01:06:59,814
OH!
1605
01:07:01,023 --> 01:07:02,692
THESE ARE FORYOUR BEAUTIFUL CHILDREN,
1606
01:07:03,651 --> 01:07:05,903
AND THERE'S A LITTLE SOMETHINGIN THERE FOR YOU, TOO.
1607
01:07:05,945 --> 01:07:06,779
[KNOCKING PERSISTENTLY]
1608
01:07:06,862 --> 01:07:09,031
IT'S CHRISTMAS MORNING.
1609
01:07:09,073 --> 01:07:10,283
IS NOTHING SACRED?
1610
01:07:10,366 --> 01:07:12,618
I READ BEN'S MANUSCRIPT,
1611
01:07:12,618 --> 01:07:15,705
AND YOU WERE RIGHT.
1612
01:07:20,418 --> 01:07:21,627
IT'S...
1613
01:07:21,711 --> 01:07:23,797
IT'S AMAZING.
1614
01:07:23,839 --> 01:07:24,798
I CAME HERE TO TELL YOU THAT,
1615
01:07:24,840 --> 01:07:26,592
AND ALSO TO TELL YOU THAT...
1616
01:07:26,633 --> 01:07:27,718
I'M SORRY.
1617
01:07:27,759 --> 01:07:28,844
ARE YOU DRUNK?
1618
01:07:28,885 --> 01:07:29,803
YOU HAVEEVERY REASON, TANYA,
1619
01:07:29,845 --> 01:07:31,638
TO BE ANGRY WITH ME,
1620
01:07:31,722 --> 01:07:35,016
BUT I AM SERIOUSABOUT THIS BOOK.
1621
01:07:37,728 --> 01:07:39,021
I WANT TOPUBLISH IT IMMEDIATELY,
1622
01:07:39,105 --> 01:07:40,314
AND DO YOU WANTTO KNOW WHY?
1623
01:07:40,356 --> 01:07:41,357
BECAUSEIT DESERVES TO BE READ.
1624
01:07:41,440 --> 01:07:42,608
SO? PUBLISH IT.
1625
01:07:42,649 --> 01:07:43,609
WHAT DO I CARE?
1626
01:07:43,650 --> 01:07:45,611
BECAUSE I WAS WRONG,
1627
01:07:45,652 --> 01:07:48,030
AND I WANT TO TRYAND MAKE AMENDS.
1628
01:07:49,156 --> 01:07:51,618
[SIGHS HEAVILY]
1629
01:07:51,659 --> 01:07:53,828
I WANT YOUTO COME BACK TO WORK.
1630
01:07:53,870 --> 01:07:54,829
[SCOFFING]
1631
01:07:54,829 --> 01:07:56,456
ARE YOU KIDDING ME?
1632
01:07:56,498 --> 01:07:58,666
OKAY, LISTEN TO ME.
1633
01:07:58,666 --> 01:08:01,711
I WOKE UP THIS MORNING,AND I FELT LIKE A NEW WOMAN,
1634
01:08:03,171 --> 01:08:04,672
LIKE THIS BURDEN
1635
01:08:04,714 --> 01:08:05,632
HAD BEEN LIFTEDOFF OF MY SHOULDERS,
1636
01:08:05,673 --> 01:08:07,175
AND YOU WANT TO KNOW WHY?
1637
01:08:08,385 --> 01:08:10,679
NEW MATTRESS?
1638
01:08:10,721 --> 01:08:16,018
BECAUSE I WILL NEVER, EVER,HAVE TO WORK FOR YOU AGAIN.
1639
01:08:16,018 --> 01:08:17,478
WAIT, WAIT!
1640
01:08:17,520 --> 01:08:19,397
JUST...
1641
01:08:19,438 --> 01:08:20,523
GET OFF MY DOOR.
1642
01:08:20,523 --> 01:08:21,649
NO, WILL YOU--
1643
01:08:21,690 --> 01:08:25,569
I WILL CALL THE COPS!
1644
01:08:27,947 --> 01:08:28,907
JUST LISTEN TO ME!
1645
01:08:28,948 --> 01:08:29,824
FINE.
1646
01:08:29,866 --> 01:08:30,742
YOU'VE GOT 10 SECONDS.
1647
01:08:30,784 --> 01:08:31,785
ALL RIGHT, OKAY, 10 SECONDS.
1648
01:08:31,868 --> 01:08:32,952
NINE, EIGHT...
1649
01:08:33,036 --> 01:08:34,871
OKAY, OKAY!
1650
01:08:34,871 --> 01:08:36,623
[DEEP BREATH] HERE I GO.
1651
01:08:36,665 --> 01:08:37,957
TANYA, I WANT YOU TO BETHE EDITOR FOR THIS BOOK,
1652
01:08:38,041 --> 01:08:40,585
AND I WANT YOU TO HELP MEREBUILD SPRINGWOOD
1653
01:08:40,669 --> 01:08:42,086
INTO THE COMPANYTHAT EVE LEFT BEHIND.
1654
01:08:42,171 --> 01:08:42,962
I NEED YOU TO MAKE US BETTER.
1655
01:08:43,004 --> 01:08:47,717
I WANT A RAISE.
1656
01:08:47,759 --> 01:08:50,637
NO PROBLEM.
1657
01:08:50,679 --> 01:08:53,390
AND TWO WEEKS' VACATION.
1658
01:08:53,432 --> 01:08:56,727
YOU GOT IT.
1659
01:08:56,769 --> 01:08:58,771
AND FULL BENEFITSFOR THE WHOLE OFFICE.
1660
01:09:01,065 --> 01:09:02,066
WOW.
1661
01:09:02,107 --> 01:09:03,484
OKAY, YOU KNOW WHAT, UM...
1662
01:09:03,526 --> 01:09:04,652
WE HAVE A REALLY BIGOVERHEAD ALREADY, AND--
1663
01:09:04,735 --> 01:09:05,570
OH, HEY! WAIT.
1664
01:09:05,570 --> 01:09:07,155
DUT, DUT, DUT...
1665
01:09:07,238 --> 01:09:08,781
LOOKING FORWARD TO IT.
1666
01:09:08,864 --> 01:09:11,326
IS IT A DEAL?
1667
01:09:11,409 --> 01:09:14,079
[GIGGLES IN DISBELIEF]
1668
01:09:14,079 --> 01:09:15,538
[♪]
1669
01:09:15,580 --> 01:09:16,539
LADIES, LET'S DO THIS.
1670
01:09:16,582 --> 01:09:19,793
MERRY CHRISTMAS, GUYS.
1671
01:09:19,835 --> 01:09:21,086
KENDRA.
1672
01:09:27,426 --> 01:09:28,719
EVERYTHING OKAY?
1673
01:09:28,760 --> 01:09:32,598
NEVER BETTER.
1674
01:09:36,435 --> 01:09:39,271
WE SHOULD TELL HER.
1675
01:09:42,942 --> 01:09:45,027
SHE'LL FIND OUTSOON ENOUGH.
1676
01:09:46,613 --> 01:09:47,780
TELL ME WHAT?
1677
01:09:48,865 --> 01:09:49,991
UH, WE'RE FORMINGA NEW--
1678
01:09:50,032 --> 01:09:51,534
WENDY!
1679
01:09:51,618 --> 01:09:53,370
SHE SHOULD KNOW.SHE'S ONE OF US.
1680
01:09:53,411 --> 01:09:54,787
OKAY,WHAT'S GOING ON, GUYS?
1681
01:09:54,787 --> 01:09:56,498
WE'RE REVOLTING.
1682
01:09:56,581 --> 01:09:57,750
WAIT, THAT DIDN'TSOUND RIGHT.
1683
01:09:57,791 --> 01:09:58,541
UH, WE'RE REBELLING.
1684
01:09:58,583 --> 01:10:00,586
AGAINST?
1685
01:10:00,628 --> 01:10:01,837
UH, CAROL?
1686
01:10:01,879 --> 01:10:03,964
WE'RE FORMING A NEW COMPANY,
1687
01:10:04,047 --> 01:10:05,466
AND TAKING ALL OFSPRINGWOOD'S BUSINESS WITH US.
1688
01:10:05,549 --> 01:10:06,717
EXCUSE ME?
1689
01:10:06,800 --> 01:10:08,010
THE ONLY QUESTIONYOU NEED TO ASK, KENDRA--
1690
01:10:08,093 --> 01:10:08,969
ARE YOU WITH USOR AGAINST US?
1691
01:10:09,011 --> 01:10:10,263
UH, HOLD ONA SEC, GUYS--
1692
01:10:10,304 --> 01:10:11,972
TIME FOR TALK'S OVER, KENDRA!TIME FOR ACTION!
1693
01:10:12,014 --> 01:10:13,516
BUT--
1694
01:10:13,557 --> 01:10:14,850
VIVA LA REVOLUCION!
1695
01:10:14,934 --> 01:10:18,146
[OTHER TWO CHANT]:VIVA LA REVOLUCION!
1696
01:10:18,855 --> 01:10:19,814
CAROL HUFFLER,
1697
01:10:19,856 --> 01:10:22,859
YOUR ERA OF TYRANNY IS...
1698
01:10:22,901 --> 01:10:23,777
SHE'S NOT HERE.
1699
01:10:23,818 --> 01:10:24,653
WEIRD.
1700
01:10:24,736 --> 01:10:26,821
SHE'[SIGH]HERE.
1701
01:10:26,821 --> 01:10:27,656
HUH?WEIRD.
1702
01:10:27,656 --> 01:10:29,240
WHAT...?H]HERE.
1703
01:10:30,784 --> 01:10:31,826
MERRY CHRISTMAS, EVERYONE.
1704
01:10:31,826 --> 01:10:32,827
OH, MY GOODNESS, IS HE OKAY?
1705
01:10:32,827 --> 01:10:34,704
OH, YEAH, HE'S FINE.
1706
01:10:34,704 --> 01:10:37,332
IT HAPPENS ALL THE TIME.HE'LL JUST BE A MINUTE.
1707
01:10:37,332 --> 01:10:53,849
WAKE UP.
1708
01:10:53,849 --> 01:10:54,975
OKAY, COME ON.WAKE UP.
1709
01:10:56,186 --> 01:10:58,021
HEY, SWEETIE.
1710
01:11:00,648 --> 01:11:02,192
I DON'T WANNA GO TO SCHOOL.
1711
01:11:02,233 --> 01:11:03,359
WAKE UP!
1712
01:11:03,401 --> 01:11:05,862
NOW, I KNOW
1713
01:11:05,904 --> 01:11:06,697
YOU'RE ALLA LITTLE CONFUSED,
1714
01:11:06,738 --> 01:11:08,198
SO I'M GOING TO CUTRIGHT TO THE CHASE,
1715
01:11:08,239 --> 01:11:09,032
BECAUSE I DON'T WANT TO KEEP YOUANY LONGER THAN NECESSARY.
1716
01:11:09,115 --> 01:11:10,158
YOU'RE FREAKING US OUT.
1717
01:11:10,200 --> 01:11:11,910
BELIEVE ME WHEN I TELL YOU
1718
01:11:18,334 --> 01:11:19,376
THE CAROL HUFFLERTHAT YOU'VE COME TO KNOW...
1719
01:11:19,460 --> 01:11:20,586
AND HATE...
1720
01:11:20,627 --> 01:11:21,753
IS A THING OF THE PAST.
1721
01:11:21,837 --> 01:11:24,465
I'M TURNING OVERA NEW LEAF.
1722
01:11:24,548 --> 01:11:26,843
I'M GOING TO BEA BETTER PERSON.
1723
01:11:26,884 --> 01:11:27,969
I REALIZE THAT I'M GOING TOHAVE TO EARN YOUR TRUST,
1724
01:11:28,052 --> 01:11:31,138
BUT I'M HOPING THATTHIS CAN BE THE FIRST STEP.
1725
01:11:31,222 --> 01:11:33,891
PASS THE REST OFTHESE OUT. THANK YOU.
1726
01:11:33,975 --> 01:11:35,352
WHAT'S THIS?
1727
01:11:36,519 --> 01:11:38,771
SOMETHING THAT'S LONG OVERDUE.
1728
01:11:38,855 --> 01:11:40,607
IT'S A BONUS!
1729
01:11:40,690 --> 01:11:45,445
NOPE,
1730
01:11:45,487 --> 01:11:49,491
IT'S AIT'S PROFIT SHARING,
1731
01:11:50,993 --> 01:11:54,246
BECAUSE FROMTHIS POINT ON,
1732
01:11:54,287 --> 01:11:55,456
YOU'RE ALLBOARD MEMBERS.
1733
01:11:55,539 --> 01:11:57,333
IT'S A NEW DAY.
1734
01:11:57,416 --> 01:11:59,252
EVE MAILER FOUNDED THIS COMPANYON ONE SIMPLE CONCEPT,
1735
01:11:59,252 --> 01:12:00,211
THE LOVE OF GOOD BOOKS.
1736
01:12:00,253 --> 01:12:02,130
AND YOU ALLENTERED PUBLISHING
1737
01:12:02,213 --> 01:12:03,756
FOR THE SAME REASON.
1738
01:12:03,839 --> 01:12:05,967
SO IT'S TIMETHAT WE GO BACK TO OUR ROOTS.
1739
01:12:06,050 --> 01:12:07,218
SPRINGWOOD, FROM NOW ON,
1740
01:12:07,260 --> 01:12:11,931
WILL NOT ONLY PUBLISHBOOKS THAT SELL,
1741
01:12:12,015 --> 01:12:13,558
BUT BOOKS THAT SHOULD BE READ.
1742
01:12:13,600 --> 01:12:15,602
[ALL SIGHING IN DELIGHT]
1743
01:12:15,602 --> 01:12:16,686
I PRESENT
1744
01:12:16,728 --> 01:12:20,023
THE FOLLOWING MOTIONTO THE BOARD.
1745
01:12:20,106 --> 01:12:21,775
TWO WEEKS OF CHRISTMAS VACATION,
1746
01:12:21,858 --> 01:12:24,111
PAID,
1747
01:12:24,153 --> 01:12:26,613
EFFECTIVE IMMEDIATELY.
1748
01:12:26,655 --> 01:12:28,157
ALL IN FAVOR, SAY "AYE."
1749
01:12:28,240 --> 01:12:29,074
[EVERYONE]: AYE!
1750
01:12:29,116 --> 01:12:30,785
[CHEERING AND APPLAUSE]
1751
01:12:30,826 --> 01:12:32,703
WE WON, FRED.
1752
01:12:32,745 --> 01:12:33,746
WE WON!
1753
01:12:33,788 --> 01:12:35,706
[EMPLOYEES WHISPERING]
1754
01:12:35,790 --> 01:12:36,624
AND I PRESENTANOTHER MOTION.
1755
01:12:36,624 --> 01:12:38,000
THAT CAROL HUFFLERREMAIN THE PRESIDENT
1756
01:12:38,042 --> 01:12:40,294
OF SPRINGWOODPUBLISHING.
1757
01:12:40,335 --> 01:12:42,880
AYE!
1758
01:12:42,922 --> 01:12:44,549
OF SPRINGWOODPU[CLEARING THROAT OFFICIALLY]
1759
01:12:44,632 --> 01:12:47,468
ALL IN FAVOR?
1760
01:12:47,552 --> 01:12:50,138
AYE!
1761
01:12:50,889 --> 01:12:54,768
[EVERYONE]: AYE.
1762
01:12:54,810 --> 01:12:56,352
[APPLAUSE]
1763
01:12:56,352 --> 01:12:57,646
THANK YOU.
1764
01:12:57,646 --> 01:12:58,980
WE DID IT!
1765
01:12:58,980 --> 01:13:00,899
I PROMISEI WON'T LET YOU DOWN.
1766
01:13:00,941 --> 01:13:01,858
NOW, THERE'S A TON OF FOOD,EGG NOG,
1767
01:13:01,942 --> 01:13:03,985
COME ON IN AND JOIN.
1768
01:13:04,027 --> 01:13:04,861
MERRY CHRISTMAS.
1769
01:13:04,945 --> 01:13:06,154
[CHUCKLING AND CHATTING]
1770
01:13:07,698 --> 01:13:09,866
A LOTOF GOOD FOOD.
1771
01:13:09,950 --> 01:13:11,452
STILL A LITTLE HYPOGLYCEMIC...
1772
01:13:11,493 --> 01:13:15,331
- MERRY CHRISTMAS.- THANKS.
1773
01:13:15,414 --> 01:13:17,374
OH, LOOK AT ALL THIS FOOD.
1774
01:13:17,416 --> 01:13:18,918
[♪]
1775
01:13:19,001 --> 01:13:20,211
[SIGHING]
1776
01:13:20,252 --> 01:13:22,004
IF YOU'RE ON MEDICATIONS,
1777
01:13:22,046 --> 01:13:24,006
YOU NEED TO KEEP TAKING THEM
1778
01:13:25,967 --> 01:13:27,677
BECAUSE IF YOU SNAP OUT OF THISAND BREAK THEIR HEARTS,
1779
01:13:27,719 --> 01:13:30,847
THAT WOULD JUST BE CRUEL.
1780
01:13:30,888 --> 01:13:35,393
KENDRA, I'VE NEVERFELT BETTER IN MY LIFE,
1781
01:13:39,064 --> 01:13:41,566
AND DON'T WORRY,
1782
01:13:44,027 --> 01:13:46,029
I'M NOT GOING TODISAPPOINT THEM.
1783
01:13:46,029 --> 01:13:47,155
THIS IS GOING TOWORK OUT FOR EVERYONE,
1784
01:13:47,197 --> 01:13:50,075
SO YOU KNOW WHAT?
1785
01:13:50,117 --> 01:13:51,785
WHAT?
1786
01:13:51,869 --> 01:13:55,081
I'M LETTING YOU GO.
1787
01:13:55,123 --> 01:13:55,914
WAIT, YOU'RE FIRING ME?
1788
01:13:55,999 --> 01:13:56,958
NO, NOT FIRED.
1789
01:13:57,000 --> 01:13:59,210
OFFICIALLY,A ONE-YEAR SABBATICAL,
1790
01:13:59,210 --> 01:14:00,211
PAID.
1791
01:14:00,253 --> 01:14:01,796
I WANT YOU TO GO TO EUROPEAND START WRITING.
1792
01:14:01,838 --> 01:14:03,089
WHAT?
1793
01:14:04,048 --> 01:14:06,175
WAIT, HOW DID YOU--
1794
01:14:06,217 --> 01:14:07,218
IT'S NOT IMPORTANT HOW I KNOW.
1795
01:14:07,301 --> 01:14:10,389
WHAT'S IMPORTANTIS THAT YOU DO IT.
1796
01:14:10,430 --> 01:14:11,890
I THOUGHT I WASN'T SUPPOSED TOPLAN MY LIFE AROUND A MAN.
1797
01:14:11,931 --> 01:14:14,601
YOU'RE PLANNING A LIFEWITH YOUR MAN.
1798
01:14:16,186 --> 01:14:17,396
IT'S DIFFERENT.
1799
01:14:17,396 --> 01:14:18,272
[SIGHS HEAVILY]
1800
01:14:18,355 --> 01:14:20,900
WHY ARE YOU DOING THIS?
1801
01:14:20,941 --> 01:14:22,317
YOU'VE DONE SO MUCH FOR ME,KENDRA, OVER THE YEARS--
1802
01:14:22,359 --> 01:14:25,696
IT'S MY JOB.
1803
01:14:25,738 --> 01:14:28,240
NO, GETTING MY MOTHERA CHRISTMAS PRESENT
1804
01:14:28,282 --> 01:14:29,534
BECAUSE YOU KNEW I'D FORGET,THAT'S NOT YOUR JOB.
1805
01:14:32,412 --> 01:14:35,080
THANK YOU SO MUCH
1806
01:14:35,080 --> 01:14:36,957
FOR EVERYTHING.
1807
01:14:37,041 --> 01:14:39,502
I JUST-- I WANT TO MAKE SURE
1808
01:14:39,585 --> 01:14:40,670
YOU DON'T WIND UPANYTHING LIKE ME,
1809
01:14:40,753 --> 01:14:42,422
BECAUSE I'D NEVER BE ABLETO FORGIVE MYSELF.
1810
01:14:42,463 --> 01:14:44,590
I'M SO SORRY.
1811
01:14:46,259 --> 01:14:47,260
IT'S OKAY.
1812
01:14:47,260 --> 01:14:48,929
IT'S OKAY. THANK YOU.
1813
01:14:48,970 --> 01:14:50,556
THANK YOU.
1814
01:14:50,597 --> 01:14:52,057
NOW, IF YOU'LL EXCUSE ME...
1815
01:14:52,098 --> 01:14:55,394
WAIT. WHERE ARE YOU GOING?
1816
01:14:56,937 --> 01:14:58,355
[SIGHS]
1817
01:14:59,315 --> 01:15:01,817
TO SEE IF I CAN FIX
1818
01:15:01,900 --> 01:15:03,861
THE MOST IMPORTANT THINGIN MY LIFE.
1819
01:15:03,945 --> 01:15:05,696
[LETS OUT A BREATH]
1820
01:15:06,948 --> 01:15:09,408
IT WAS SO NICE OF THEMTO HAVE US OVER.
1821
01:15:09,450 --> 01:15:12,036
YES, IT WAS.
1822
01:15:14,997 --> 01:15:16,291
WHAT?
1823
01:15:16,291 --> 01:15:17,584
WHAT IS ALL THIS?
1824
01:15:17,625 --> 01:15:19,752
ARE WEIN THE RIGHT HOUSE?
1825
01:15:28,178 --> 01:15:29,637
HI, MOM.
1826
01:15:36,353 --> 01:15:38,188
MERRY CHRISTMAS.
1827
01:15:38,271 --> 01:15:40,441
HI, SWEETHEART.
1828
01:15:47,031 --> 01:15:49,117
I'M SO SORRY, MOM.
1829
01:15:49,158 --> 01:15:52,829
IT'S OKAY.
1830
01:15:52,871 --> 01:15:56,040
IT'S FINE.
1831
01:15:59,503 --> 01:16:00,670
YOU'RE HOME NOW.
1832
01:16:02,088 --> 01:16:04,090
AND GLORIA,
1833
01:16:04,174 --> 01:16:05,342
I'M SORRY I WAS SO AWFUL
1834
01:16:15,019 --> 01:16:17,354
BEFORE.
1835
01:16:17,396 --> 01:16:20,149
REALLY?
1836
01:16:20,190 --> 01:16:22,860
WHICH TIME?
1837
01:16:22,860 --> 01:16:24,737
[ALL CHUCKLING]
1838
01:16:27,031 --> 01:16:28,366
YOU'RE A PART OF THIS FAMILY,
1839
01:16:28,408 --> 01:16:30,118
AND THANK YOU FOR TAKINGSUCH GOOD CARE OF MY MOTHER.
1840
01:16:30,201 --> 01:16:31,619
YOU'RE WELCOME.
1841
01:16:31,702 --> 01:16:32,578
NOW, YOU TWOGET CAUGHT UP.
1842
01:16:32,620 --> 01:16:33,789
I'M GONNA GETMY KITCHEN HUMMING.
1843
01:16:35,373 --> 01:16:37,125
THE DECORATIONS ARE BEAUTIFUL.
1844
01:16:37,167 --> 01:16:38,209
I'M GLAD YOU KEPT THEM ALL.
1845
01:16:38,209 --> 01:16:41,296
WELL, I ALWAYS HOPEDI'D GIVE THEM TO YOU ONE DAY.
1846
01:16:41,379 --> 01:16:43,549
WOULD YOU... LIKE SOME TEA?
1847
01:16:49,054 --> 01:16:51,432
I'D LOVE THAT.
1848
01:16:51,515 --> 01:16:54,310
I LOVED YOUR PRESENT.
1849
01:16:57,772 --> 01:16:59,398
YEAH, ABOUT THAT--
1850
01:17:00,107 --> 01:17:01,859
NO, NO, I LOVED IT.
1851
01:17:01,901 --> 01:17:05,196
MOM, I KNOW HOW HARDYOU HAD TO WORK
1852
01:17:07,031 --> 01:17:09,242
WHEN I WAS A LITTLE GIRL.
1853
01:17:09,242 --> 01:17:11,411
HONEY, IT MUST HAVE BEENHARD FOR YOU, TOO,
1854
01:17:12,579 --> 01:17:15,540
BEING DRAGGED AROUNDFROM JOB TO JOB.
1855
01:17:15,582 --> 01:17:17,084
BUT YOU ALWAYS MADE SUREI HAD A GREAT BOOK TO READ.
1856
01:17:17,167 --> 01:17:20,796
NOW, WITHOUT MY BOOKS,
1857
01:17:23,423 --> 01:17:26,093
I WOULDN'T HAVEMY WONDERFUL LIFE.
1858
01:17:26,093 --> 01:17:27,010
I OFTEN WONDER
1859
01:17:27,094 --> 01:17:30,723
WHAT YOU MUST HAVE THOUGHTABOUT ME BACK THEN.
1860
01:17:30,764 --> 01:17:32,808
I THOUGHT YOU WEREA DEVOTED MOTHER
1861
01:17:32,850 --> 01:17:36,104
WHO LOVED ME VERY MUCH.
1862
01:17:37,188 --> 01:17:38,272
I JUST WANTED YOU TO HAVETHE OPPORTUNITIES THAT I DIDN'T.
1863
01:17:38,356 --> 01:17:40,274
AND IF I'VE NEVERSAID IT BEFORE,
1864
01:17:40,274 --> 01:17:41,650
THANK YOU.
1865
01:17:41,735 --> 01:17:43,277
[SIGHS HEAVILY]
1866
01:17:43,319 --> 01:17:45,572
I'M SORRY I HAVEN'T BEENAROUND MUCH LATELY.
1867
01:17:45,614 --> 01:17:47,365
THAT'S OKAY, HONEY.
1868
01:17:48,199 --> 01:17:51,536
YOU'VE BEEN BUSY.
1869
01:17:52,912 --> 01:17:57,126
WORK TO LIVE, MOM,NOT LIVE TO WORK.
1870
01:17:57,167 --> 01:17:58,627
THOSE WERE YOUR WORDS.
1871
01:18:01,588 --> 01:18:03,799
WISE WORDS.
1872
01:18:03,799 --> 01:18:06,719
FROM A WISE WOMAN.
1873
01:18:08,137 --> 01:18:09,639
I...
1874
01:18:09,639 --> 01:18:10,931
I HAD THE STRANGEST DREAMABOUT YOU LAST NIGHT.
1875
01:18:11,807 --> 01:18:15,228
YOU DID?
1876
01:18:15,270 --> 01:18:17,062
YEAH.
1877
01:18:17,147 --> 01:18:19,107
IT-- IT WAS YOU,BUT YOU WERE OLDER.
1878
01:18:19,149 --> 01:18:21,567
YOU WERE ABOUT MY AGE.
1879
01:18:25,238 --> 01:18:27,198
IT WAS CHRISTMAS, AND...
1880
01:18:27,282 --> 01:18:30,744
YOU HAD YOUR FAMILY
1881
01:18:30,827 --> 01:18:32,078
ALL AROUND YOU.
1882
01:18:32,162 --> 01:18:32,871
ADORING CHILDRENLOOKING UP.
1883
01:18:32,954 --> 01:18:35,457
THERE WAS A MAN.
1884
01:18:35,499 --> 01:18:38,043
HE WAS...
1885
01:18:38,126 --> 01:18:40,296
IT WAS BEN.
1886
01:18:40,337 --> 01:18:41,338
DO YOU REMEMBER BEN?
1887
01:18:41,338 --> 01:18:43,174
THAT BOYYOU USED TO DATE?
1888
01:18:43,257 --> 01:18:46,552
HE WAS SO CUTE.
1889
01:18:46,635 --> 01:18:47,636
YOU TWO SEEMED SO HAPPY.
1890
01:18:47,678 --> 01:18:51,515
WE WERE.
1891
01:18:51,558 --> 01:18:53,476
AND THEN...
1892
01:18:53,518 --> 01:18:55,186
HE LEANED OVER
1893
01:18:55,227 --> 01:18:57,314
AND WHISPERED SOMETHINGIN YOUR EAR,
1894
01:18:57,355 --> 01:18:59,982
HE LEANED OVEAND...
1895
01:19:00,024 --> 01:19:02,527
WHAT WAS IT HE SAID?
1896
01:19:04,279 --> 01:19:05,530
IT WAS, UH...
1897
01:19:08,158 --> 01:19:09,201
[♪]
1898
01:19:09,242 --> 01:19:11,244
HE THANKED ME FOR GIVING HIM
1899
01:19:11,244 --> 01:19:13,121
ANOTHER CHANCE.
1900
01:19:13,205 --> 01:19:14,497
RIGHT.
1901
01:19:14,540 --> 01:19:15,708
WELL, THEN, MAYBE YOU SHOULD.
1902
01:19:15,708 --> 01:19:17,585
I THINK IT'S TOO LATE, MOM.
1903
01:19:20,379 --> 01:19:24,300
NO, HONEY.
1904
01:19:24,383 --> 01:19:26,760
IT'S NEVER TO LATE.
1905
01:19:26,802 --> 01:19:28,596
MEN NEVER KNOW WHAT THEY WANTUNTIL YOU TELL THEM.
1906
01:19:32,308 --> 01:19:33,392
[CHUCKLES]
1907
01:19:35,103 --> 01:19:39,232
[♪]
1908
01:19:41,109 --> 01:19:42,527
[SIGHS UNEASILY]
1909
01:19:42,569 --> 01:19:44,529
OKAY.
1910
01:19:44,571 --> 01:19:46,781
ALL RIGHT.
1911
01:19:46,865 --> 01:19:49,409
I'LL BE BACK.
1912
01:19:49,451 --> 01:19:52,371
WISH ME LUCK.
1913
01:19:52,412 --> 01:19:56,959
OKAY.
1914
01:20:03,799 --> 01:20:06,594
I LOVE YOU, MOM.
1915
01:20:10,848 --> 01:20:14,435
I LOVE YOU TOO.
1916
01:20:14,477 --> 01:20:17,105
WHERE'D CAROL GO?
1917
01:20:17,105 --> 01:20:18,774
UM...
1918
01:20:18,774 --> 01:20:19,858
TO GET HER MAN.
1919
01:20:19,900 --> 01:20:20,776
[RINGS DOORBELL]
1920
01:20:20,776 --> 01:20:23,194
[SIGHS NERVOUSLY]
1921
01:20:23,278 --> 01:20:25,447
HI, SUSAN,
1922
01:20:28,116 --> 01:20:29,868
IT... IT'S ME, CAROL HUFFLER.
1923
01:20:29,951 --> 01:20:32,704
YEAH.
1924
01:20:32,788 --> 01:20:34,331
IT... II REMEMBER YOU.UFFLER.
1925
01:20:39,879 --> 01:20:41,297
UM... WHAT ARE YOU DOING HERE?
1926
01:20:41,297 --> 01:20:44,634
WELL, I...THOUGHT BEN WAS HERE.
1927
01:20:45,342 --> 01:20:46,177
HE'S NOT.
1928
01:20:46,260 --> 01:20:49,138
OH.
1929
01:20:49,138 --> 01:20:50,139
HE LEFTTHIS MORNING.
1930
01:20:50,139 --> 01:20:51,224
REALLY?
1931
01:20:51,266 --> 01:20:53,101
I-- I THOUGHT MAYBE THAT--
1932
01:20:53,143 --> 01:20:55,395
HE ALWAYSSPENDS CHRISTMAS ALONE.
1933
01:20:55,478 --> 01:20:56,563
I DIDN'T KNOW THAT.
1934
01:20:57,605 --> 01:20:58,773
WELL, HE DIDN'T ALWAYS DO IT.
1935
01:20:58,816 --> 01:21:00,483
HE...STARTED WHEN YOU GUYS...
1936
01:21:00,525 --> 01:21:01,484
WELL, YOU KNOW.
1937
01:21:01,526 --> 01:21:02,444
DO YOU KNOW WHERE HE WENT?
1938
01:21:02,485 --> 01:21:04,697
HE MIGHT BE GONE THROUGHTO THE NEW YEAR OR LONGER.
1939
01:21:05,656 --> 01:21:06,990
I COULDN'T SAY.
1940
01:21:07,032 --> 01:21:08,451
WELL...
1941
01:21:08,492 --> 01:21:11,745
THANKS.
1942
01:21:13,622 --> 01:21:16,417
IS THAT...?
1943
01:21:17,835 --> 01:21:19,003
YEAH.
1944
01:21:19,045 --> 01:21:23,257
HE, UM...
1945
01:21:23,341 --> 01:21:25,009
HE LEFT IT BEHIND.
1946
01:21:26,845 --> 01:21:28,930
SAID HE DIDN'TWANT IT ANYMORE, AND...
1947
01:21:29,013 --> 01:21:30,890
HE TOLD ME TO SELL IT.
1948
01:21:32,351 --> 01:21:34,060
MAY I?
1949
01:21:37,356 --> 01:21:38,315
OH, SURE.
1950
01:21:38,357 --> 01:21:40,150
CAN I GET YOUANYTHING?
1951
01:21:40,192 --> 01:21:41,026
NO.
1952
01:21:41,110 --> 01:21:43,612
CAN I GET YOUTHANKS. I'M FINE.G?
1953
01:21:43,653 --> 01:21:46,448
LISTEN,
1954
01:21:47,449 --> 01:21:48,492
I KNOW YOU AND BEN HAVE HADYOUR PROBLEMS IN THE PAST,
1955
01:21:48,534 --> 01:21:50,410
BUT IF I HEAR FROM HIM,
1956
01:21:59,379 --> 01:22:00,755
SHALL I TELL HIMYOU DROPPED BY?
1957
01:22:00,755 --> 01:22:01,839
NO, IT'S OKAY.
1958
01:22:01,881 --> 01:22:04,134
HE'S BETTER OFF NOT KNOWING.
1959
01:22:05,844 --> 01:22:07,387
I'LL JUST LET MYSELF OUT,
1960
01:22:07,428 --> 01:22:09,890
IF YOU WOULDN'T MIND.
1961
01:22:09,890 --> 01:22:12,183
TAKE YOUR TIME.
1962
01:22:12,225 --> 01:22:14,352
THANKS.
1963
01:22:14,395 --> 01:22:16,062
MERRY CHRISTMAS.
1964
01:22:16,104 --> 01:22:17,939
MERRY CHRISTMAS.
1965
01:22:21,902 --> 01:22:23,237
CAROL? UH...
1966
01:22:23,237 --> 01:22:25,406
I THOUGHT YOU LEFT.
1967
01:22:25,406 --> 01:22:26,866
WELL, I DID, BUT I, UH...
1968
01:22:26,908 --> 01:22:28,700
I CAME BACK.
1969
01:22:28,743 --> 01:22:30,202
WHAT FOR?
1970
01:22:30,995 --> 01:22:32,914
SOME THINGS YOU CAN'T JUSTWALK AWAY FROM.
1971
01:22:32,914 --> 01:22:56,647
BEN, I...
1972
01:22:56,647 --> 01:22:59,483
I'M SORRY.
1973
01:22:59,567 --> 01:23:00,943
I'M SORRY FOR EVERYTHING--
1974
01:23:02,611 --> 01:23:04,447
- WAIT, UH, CAROL--- LET ME TALK.
1975
01:23:04,488 --> 01:23:05,531
LISTEN TO ME.
1976
01:23:05,614 --> 01:23:07,533
I... YOU WERE RIGHT.I DID CHANGE.
1977
01:23:08,284 --> 01:23:10,494
I...
1978
01:23:10,536 --> 01:23:11,996
TURNED INTO SOMEONETHAT I'M NOT PROUD OF,
1979
01:23:12,080 --> 01:23:12,956
AND I DON'TWANT TO BE HER ANYMORE.
1980
01:23:12,956 --> 01:23:14,415
[SIGHING] LISTEN--
1981
01:23:14,457 --> 01:23:16,000
NO, I NEED TO BEA BETTER PERSON, BEN.
1982
01:23:16,084 --> 01:23:17,126
DON'T YOU SEE THAT?
1983
01:23:17,168 --> 01:23:19,504
AND I'M ASKING YOU
1984
01:23:19,546 --> 01:23:20,422
TO HELP ME GET THERE.
1985
01:23:20,464 --> 01:23:23,300
I KNOW WHO I WASAND WHERE I CAME FROM,
1986
01:23:23,383 --> 01:23:25,385
AND NOW I KNOWWHERE I WANT TO GO.
1987
01:23:25,469 --> 01:23:27,637
OH, CAROL...
1988
01:23:27,721 --> 01:23:29,806
BUT I CAN'TDO IT ALONE
1989
01:23:29,889 --> 01:23:30,933
ANYMORE, BEN.
1990
01:23:30,975 --> 01:23:32,767
WE'RE NOT MEANT TO BE ALONE.
1991
01:23:32,809 --> 01:23:34,144
I KNOW THAT NOW.
1992
01:23:34,186 --> 01:23:38,482
I PUSHED YOU AWAYWHEN YOU NEEDED ME THE MOST,
1993
01:23:38,523 --> 01:23:41,861
AND FOR THAT, I'M SO SORRY.
1994
01:23:43,112 --> 01:23:43,988
I KNOW NOW
1995
01:23:43,988 --> 01:23:44,989
SHARING LIFE IS WHATMAKES LIFE WORTH LIVING,
1996
01:23:44,989 --> 01:23:47,492
AND I WANT TO SHAREMY LIFE WITH YOU.OW NOW
1997
01:23:47,533 --> 01:23:50,996
[LETS OUT A BREATH]
1998
01:23:50,996 --> 01:23:53,164
I, UH, I THOUGHT YOU SAIDYOU COULDN'T WALK AWAY.
1999
01:23:55,708 --> 01:24:00,672
WELL, I MEANTFROM THE TYPEWRITER.
2000
01:24:00,714 --> 01:24:03,842
WHAT?
2001
01:24:03,884 --> 01:24:07,178
YEAH.
2002
01:24:07,178 --> 01:24:13,227
IN THAT CONDITION,
2003
01:24:13,269 --> 01:24:18,149
IT'S WAY TOO VALUABLEJUST TO SELL IT.
2004
01:24:20,902 --> 01:24:22,028
YOU SON-OF-A...
2005
01:24:22,069 --> 01:24:24,697
I REALLY,REALLY LIKED YOUR SPEECH.
2006
01:24:24,781 --> 01:24:27,992
[LAUGHING] YOU'RE MEAN.
2007
01:24:28,034 --> 01:24:29,452
NO, I LEARNED FROM THE BEST.
2008
01:24:29,536 --> 01:24:30,370
I READ YOUR MANUSCRIPT.
2009
01:24:30,412 --> 01:24:31,204
YEAH?
2010
01:24:31,246 --> 01:24:33,873
WHAT DID YOU THINK?
2011
01:24:34,707 --> 01:24:36,334
WELL, I THINK THAT, UM,
2012
01:24:44,885 --> 01:24:47,846
YOU NEED A COMPANY THAT CAN TAKEREALLY GOOD CARE OF YOU.
2013
01:24:47,888 --> 01:24:49,973
YOU THINKI NEED TO BE TAKEN CARE OF?
2014
01:24:50,057 --> 01:24:52,017
WE ALL DO.
2015
01:24:53,018 --> 01:24:54,645
[♪]
2016
01:24:54,728 --> 01:24:55,563
♪ AT THIS SPECIAL TIMEOF YEAR ♪
2017
01:24:55,563 --> 01:24:56,814
♪ I'M SO VERY GLADYOU'RE HERE ♪
2018
01:24:57,565 --> 01:25:00,443
♪ MERRY CHRISTMAS ♪
2019
01:25:00,526 --> 01:25:03,738
♪ MERRY CHRISTMAS ♪
2020
01:25:03,780 --> 01:25:06,074
♪ A FIELD OF FRESHLYFALLEN SNOW ♪
2021
01:25:06,115 --> 01:25:07,909
♪ AND WE'VE GOTNOWHERE ELSE TO GO ♪
2022
01:25:07,951 --> 01:25:09,410
♪ A FIELD OF FRESHLY♪ MERRY CHRISTMAS ♪
2023
01:25:09,453 --> 01:25:12,581
♪ MERRY CHRISTMAS TO YOU... ♪
2024
01:25:12,622 --> 01:25:16,376
THE BEST CHRISTMASIN A VERY LONG TIME.
2025
01:25:16,418 --> 01:25:19,546
MERRY CHRISTMAS.
2026
01:25:19,588 --> 01:25:23,217
MERRY CHRISTMAS.
2027
01:25:23,258 --> 01:25:26,636
♪ AND SONGS SUNG BY A CHOIR ♪
2028
01:25:26,636 --> 01:25:30,057
♪ IT'S SNOWINGAND IT'S BLOWING ♪
2029
01:25:30,099 --> 01:25:33,644
♪ SO LET'S STAY HEREBY THE FIRE ♪
2030
01:25:33,728 --> 01:25:40,276
♪ MISTLETOE AND A FESTIVE TREE ♪
2031
01:25:40,318 --> 01:25:43,779
♪ THERE'S NO PLACETHAT I'D RATHER BE ♪
2032
01:25:43,779 --> 01:25:44,780
♪ MERRY CHRISTMAS ♪
2033
01:25:44,780 --> 01:25:45,698
♪ MERRY CHRISTMAS TO YOU... ♪
2034
01:25:45,740 --> 01:25:47,658
[♪]
2035
01:25:47,700 --> 01:25:51,955
MERRY CHRISTMAS, BABY.
2036
01:25:52,038 --> 01:25:55,876
♪ MERRY, MERRY CHRISTMAS ♪
2037
01:25:55,917 --> 01:25:58,879
♪ MERRY CHRISTMAS TO YOU ♪
130720
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