All language subtitles for Criminal.Minds.S15E04.iNTERNAL.720p.WEB.H264-AMRAP[eztv]_Track03

[ALARM BLARING]

[PANTING]

WOMAN: AAH!

[METAL SCRAPING]

HMM.

FBI.

[BREATHLESSLY]
DROP YOUR WEAPON.

[TRIGGER CLICKING]MMM!

OH! AND THAT'S
WHEN I WAKE UP.

IT'S BEEN THE SAME DREAM
FOR THE PAST WEEK.
WHAT DO YOU THINK?

I'VE HEARD IT BEFORE.YOU HAVE?

IT'S A VERY COMMON
ANXIETY DREAM AMONG
LAW ENFORCEMENT.

SOMETIMES SECRET SERVICE
AGENTS HAVE ONE ABOUT
NOT TAKING THE BULLET.

WHAT DO YOU THINK
IT MEANS?

THE AXE MURDERER
COMES ACROSS HAVING

SCHIZOAFFECTIVE DISORDER,
WHICH IS ODD BECAUSE OF--

SPENCER,
THAT'S A PROFILE.

WHAT DOES THE DREAM
MAKE YOU FEEL?

YOU KNOW,
WHEN WE STARTED
A FEW WEEKS AGO,

YOU SAID YOU WANTED
TO DIVE INTO
THE DEEP END,

TRYING TO RESOLVE
FEELINGS TOWARD
A CO-WORKER.

JJ AND I HAVE WORKED
THROUGH IT. WE'RE ACTUALLY--
WE'RE DOING GREAT,

ESPECIALLY AFTER WHAT
SHE'S BEEN THROUGH.
IT'S KIND OF AMAZING--

BUT WE--WE'RE NOT
TALKING ABOUT HER,

WE'RE TALKING ABOUT YOU.

YOU'VE BEEN AT THE BAU
FOR 14 YEARS?

15.
AT A JOB THAT

DOMINATES YOUR TIME
AND FOCUS.

MUST TAKE A LOT
OUT OF YOU.

SOMETIMES, BUT I
LOVE IT, THOUGH.

BUT WE ALL NEED
HEALTHY OUTLETS,

SO, WHAT ARE YOURS?

UH, WELL, I READ,
I, UM...

WHO DO YOU TALK TO?

I, UM--WELL, JJ,

ROSSI, LUKE.

WHO DO YOU TALK TO
OUTSIDE OF WORK?

NOBODY.

ALL RIGHT,
TIME'S ALMOST UP.

TAKE TODAY.
DON'T THINK
ABOUT WORK.

DON'T THINK ABOUT WORK?
WHAT DO YOU MEAN?

NOT EVEN A LITTLE BIT.

I WANT YOU TO HAVE
ONE NORMAL CONVERSATION

WITH ONE NORMAL PERSON,
THEN COME BACK AND
TELL ME ABOUT IT.

OR I COULD COME UP
WITH A PLAN ABOUT WHAT I

WAS GOING TO SAY,
YOU KNOW, BEFORE
ACTUALLY EXECUTING IT--

JUST DO IT.

OK.

THANKS.

[ELEVATOR BELL DINGS]

HI.

HI.

[WHISPERS]
Phone.

HI. SORRY. YEAH.
I'M HERE.

JUST SOME GUY
IN THE ELEVATOR.

[SIGHS]
OH.

OH, MY.

THE HOLES DON'T
LINE UP.

AND THE COLOR REALLY...

ANNOUNCES ITSELF.AND DON'T START.

I ACCIDENTALLY
ORDERED...
RED ONLINE.

IT'S CUSTOM-MADE.
THERE'S ABSOLUTELY
NO RETURNS,

SO I'M PRETENDING
TO LOVE IT.

CAN'T YOU PAINT IT
ANYTHING ELSE?
I TRIED THAT.

IT'S MADE OUT
OF SOME KIND OF,
LIKE, SOME KIND

OF SPACE-AGE POLYMER
AND THE PAINT WON'T
EVEN STICK.

OH, MAN.

THIS USED TO BE
MY OFFICE,

AND NOW I'M WORKING
AT THE KITCHEN TABLE.

WE'RE HOLDING THIS
TOGETHER WITH SCOTCH
TAPE AND BUBBLE GUM.

LOOKS LIKE WE'VE GOT
OUR WORK CUT OUT FOR US.
WHERE'S PRENTISS?

OH, I'M HERE. OOH.
BUT NOT TO WORK.

I PUT MYSELF
ON REFRESHMENT DUTY.

OH, WHAT?
IT'S MY SATURDAY, TOO.

AND DOUGHNUTS ARE
AN ANYTIME FOOD

IF YOU'VE DONE PILATES
WITH YOUR BOYFRIEND,
WHICH I HAVE.

KRISTY: ALL RIGHT.
THE KIDS ARE OFF TO
MY MOM'S. HOW CAN I HELP?

PRENTISS:
NO, YOU'RE OFF-DUTY.

ALSO, THE MORE YOU LOOK
AT THIS CRIB, THE MORE YOU
MIGHT CONSIDER A DIVORCE.

KRISTY: YEAH, I CHECKED
THE COLOR ON THE WEB SITE.

IT'S CALLED
"DADDY ISSUES RED."

I MADE
A MISTAKE, OK?

MM-HMM.

BABE, IT'S--
IT'S A GOOD CRIB.

[CELL PHONE RINGING]IT'S A GOOD CRIB.

PRENTISS.

UH, YES, I APPROVED
PENELOPE GARCIA'S USE
OF THE BAU OFFICE,

AS TODAY SHE'S HOSTING
A WEEKEND WORKSHOP ON--

WHAT?

HOW LOUD IS THE MUSIC?

[TWEET]♪ LET'S BRING THE HOUSE DOWN

YOU JUST HACKED INTO
THE HE-MAN/WOMAN-HATER WEB SITE.

IN ORDER TO RUN
YOUR PASSWORD SNIFFER,
YOU HAD TO DROP YOUR FIREWALL.

YOU HAVE BEEN BACK-HACKED!
WHAT ARE YOU GONNA DO?

SO YOU HAVE, LIKE,
30 SECONDS

BEFORE HE BROADCASTS YOUR I.P.

TO ALL HIS BOYS!

HEY, WAIT. UM, HEH!
LOOK AT THAT.

OH. YOU ARE OUT,
NUMBER 2.

THAT'S PRETTY GOOD.

THAT'S OK.

YOU'VE RUINED
EVERYTHING.

YOU TWO ARE DOING
GOOD WITH 4 HANDS.

[KNOCK ON DOOR]
WOMAN: EXCUSE ME.

HEY, NUMBER 4.
ELIZABETH, RIGHT?

YOU WERE THE FIRST ACROSS
THE FINISH LINE. YOU'RE
REALLY GOOD WITH THIS.

THANKS. THINK THE
WORKSHOP HAS HELPED.

UH, I WAS WONDERING IF
YOU COULD SHOW THE CLASS

HOW TO USE A VPN TO
MASH AN ONION ROUTER
IN, SAY, ROMANIA.

ROMANIA? YEAH, YOU'RE
NOT GONNA NEED THAT

UNLESS YOU GOT
TO HIDE YOUR SIGNAL,

I MEAN, LIKE,
HIDE-HIDE YOUR SIGNAL.

I KNOW.

WHO ARE YOU HIDING FROM?

UH, I HAVE A, YOU KNOW,
STALKER. HEH!

BUT IT'S ALL ONLINE,
SO IT'S PROBABLY FINE,
RIGHT?

MAYBE, PROBABLY, BUT...
DO YOU NEED MY HELP?

MAYBE...

PROBABLY, YEAH.

YEAH? OK. UM, LET'S
START WITH THIS.

DO YOU THINK
IT'S A STALKER

OR JUST, LIKE, A TROLL?

'CAUSE SOMETIMES
IT'S HARD TO TELL
THE DIFFERENCE.

CHECK FOR YOURSELF.

IT'S BAD....RIGHT?

UH...

YEAH. YEAH, IT'S BAD.

CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.

GARCIA: "THE ONLY REASON WHY

"WE ASK OTHER PEOPLE
HOW THEIR WEEKEND WAS

IS SO WE CAN TELL THEM
ABOUT OUR OWN WEEKEND."

-CHUCK PALAHNIUK.

I SENT THE REST
OF THE CLASS HOME.

THANK YOU, GUYS,
FOR COMING. I KNOW YOU
HAVE THE DAY OFF.

JJ: WELL, WILL TOTALLY HAS
THE SLEEPOVER COVERED,
SO I'M HAPPY TO BE HERE.

LEWIS: YEAH, AND AS LONG
AS I MAKE IT TO DINNER
WITH MY DAD, I'M GOOD.

I MEAN, WE SHOULD BE
ABLE TO KNOCK THIS OUT
BY THE END OF THE DAY.

OH. NOW, SHOULD WE BRING IN
THE REST OF THE TEAM?

BECAUSE WE DO HAVE THAT
HOLDING US UP.

DO YOU REMEMBER,
LIKE, 30 SECONDS AGO,
WHEN YOU THANKED US?

YEAH. WE WERE
SO YOUNG THEN.

ANYWAY, ELIZABETH WISE.
UH, SHE LIVES ALONE,
CURRENTLY SINGLE.

JJ: HAS SHE GONE
TO THE POLICE?

MANY TIMES, AND THEY
HAVEN'T BEEN ABLE TO FIND

WHO IS DOING IT,
LET ALONE STOP THEM.

THE VIOLENT CONTENT
OF THE MESSAGES SEEMS
TO BE ESCALATING:

"YOU RUINED
THE GOOD THING WE HAD.

YOU BANG EVERYONE ELSE,
BUT NOT ME."

SOUNDS TO ME LIKE
AN INCEL.

UGH. ICKY ONLINE CULTURE
OF THE INVOLUNTARY CELIBATE.

USUALLY THEY JUST STAY
BEHIND THE SCREEN.

THEY'RE TOO COWARDLY TO HAVE
A PERSONAL CONFRONTATION.

YEAH, THESE SURVEILLANCE
PHOTOS REALLY RAISE
THE THREAT LEVEL.

I MEAN, IF HE KNOWS
HER ROUTINE THIS WELL,

IT'S GOT TO BE
AN EX-BOYFRIEND.

I'VE COMPILED THAT LIST.

TARA, JJ,
SEE WHAT STANDS OUT.

OK.

ALVEZ WILL BE GOING WITH ME
TO ELIZABETH'S APARTMENT.

NOW, SHE SAYS
NO ONE'S BROKEN IN,
BUT I'M NOT CONVINCED,

SO LET ME GET HER KEYS
SO WE CAN CHECK IT OUT.

AND NOW WE WILL...

WHEELS UP.

WE'RE NOT GOING
ANYWHERE.

SHUT UP, SHUT UP.
JUST BECAUSE YOU
LOOK LIKE THAT

DOESN'T MEAN YOU CAN DO
WHATEVER YOU WANT WITH
THIS PART OF YOUR FACE.

HOW DOES PRENTISS
MAKE THIS LOOK EASY?
OK, COME ON! GEEZ!

MMM, HAVE FUN.

WHY ARE WE DOING ANY
OF THIS WORK?

DON'T YOU HAVE
SO MANY KIDS AT THIS POINT
THAT THE BIG ONES RAISE

THE LITTLE ONES, LIKE ON
THOSE REALITY SHOWS?

HOW MANY KIDS DO YOU
THINK WE HAVE?

[SCOFFS]
I DON'T KNOW. 15?

KRISTY: UH, EMILY,
THERE'S SOMEONE AT
THE DOOR FOR YOU.

ALL RIGHT.
HOLD MY BEER.
I GOT THIS.

HOW MUCH HAS SHE--

ROSSI: TWO GLASSES,
8 DOUGHNUTS.

PRENTISS: 7 DOUGHNUTS!

OOH.

EMILY PRENTISS?

YES.

YOU HAVE BEEN SERVED.

HEY, WAIT.
HOW'D YOU FIND ME HERE?

HA HA HA HA HA!

SO, YOUR OLD NEIGHBOR
IS SUING YOU,

EVEN THOUGH YOU HAVEN'T
LIVED NEXT DOOR TO HIM

IN YEARS?
I GUESS.

UH, HE'S NAMED ME
AND THE GOVERNMENT
AS CO-DEFENDANTS

IN A FIFTH AMENDMENT
CIVIL RIGHTS VIOLATION.

HE SAYS HE'S
BEING WATCHED.

OH, BOY.

UGH. BRIAN GARRITY.

HE...I THINK HE WORKED
AT A FISH HATCHERY.

HE HAD A WIFE WHO WAS
WAY OUT OF HIS LEAGUE.

OH, AND HE HAD
A LARGE CAT

THAT HE WOULD WALK ON
THIS LEASH-TYPE THING.

AND WHAT DO YOU WANT
TO DO ABOUT IT?

I--I...I WANT
TO UBER HOME

AND, UH, SOBER UP
AND CHANGE MY CLOTHES

AND THEN I'M GOING TO
CALL HIM IN TO QUANTICO.

I HAVE TO DEFUSE THIS
BEFORE IT GETS WORSE.

WHAT? SAY IT.

HE SOUNDS LIKE
A CONSPIRACY THEORIST,

AND WE NEED TO BE CAREFUL
OF HOW MUCH OXYGEN
WE GIVE THOSE TYPES.

[CHUCKLES]
PLEASE, DAVE,
A LITTLE CREDIT.

I'VE TALKED THE GUNS
OUT OF HANDS
OF PSYCHOPATHS.

I CAN HANDLE
ONE KOOK WHO
HIRED A LAWYER.

[CHUCKLES]

[LINE RINGS]
JJ, ON PHONE:
HEY, SPENCE.

HEY, I GOT GARCIA'S TEXT.
YOU GUYS NEED ME TO COME IN?

NO, IT'S A STALKING CASE.

I THINK WE HAVE
ENOUGH HANDS ON DECK.

ARE YOU SURE? I--I
CAN TOTALLY COME IN.

ALL YOU HAVE TO DO
IS SAY THE WORD.
YOU KNOW WHAT?

JUST SAY THAT.
JUST SAY "THE WORD"
AND I'LL--

SAY ANY WORD
AND I'LL COME IN.
WANT ME TO COME IN?

DO YOU...WANT TO COME IN?

THAT'S A STRANGE HAIRCUT.

EXCUSE ME?

I SAID THAT'S A STRANGE
HAIRCUT FOR A GROWN MAN.

IS THAT ME YOU'RE
TALKING TO?

MOST MEN DON'T HAVE
HAIR LIKE THAT.

DID YOU KNOW THAT?HEY, LET ME CALL YOU RIGHT BACK.

ARE YOU--YOU LOST?
YOU OK?

YOU HAVE A VERY
SLENDER NECK.

IT MAKES YOUR HEAD LOOK BIG.
DID YOU KNOW THAT?

THAT'S WHY I NOTICED
THE HAIRCUT.

WHERE ARE YOUR PARENTS?

CAN I TOUCH IT?

UH, YOU KNOW WHAT?
MAYBE NOT.

WOMAN: NO, NO, NO, NO.
DON'T TOUCH THIS GUY.

WE DON'T KNOW HIM.
SERIOUSLY, DUDE?

I--I WAS WORRIED
THAT HE WAS LOST.

HE ASKED
TO TOUCH MY HAIR.

I WAS TRYING TO NOT
HAVE HIM TOUCH MY HAIR.

OH, NO, NO, NO!

PLEASE, STOP,
STOP, STOP!

I WAS JUST THERE
FOR 30 SECONDS! NO!

SIGNS ARE CLEARLY POSTED,
AND ONCE THE WHEELS ARE

OFF THE PAVEMENT, IT'S
GOING TO THE IMPOUND LOT.

I, UH, I WORK
FOR THE FBI.

DO YOU THINK THERE'S
ANY CHANCE YOU COULD

MAYBE SHOW HER SOME
PROFESSIONAL COURTESY?

ARE YOU ORDERING ME
TO LET IT GO?
NO, NO.

'CAUSE IF YOU ARE,
THAT'S A VIOLATION

OF TITLE 5 CODE OF
FEDERAL RULES.

IF YOU'RE TRYING
TO INTIMIDATE ME, PAL,
THAT SHIP HAS SAILED.

LOOK, I--I'M NOT TRYING
TO INTIMIDATE YOU,
AND I COMPLETELY

UNDERSTAND THAT YOU'RE
JUST DOING YOUR JOB,
BUT, I MEAN,

IT'S A--IT'S A MOM
AND A KID.

[PANTING]
SHE'S NOT MY MOM.

SHE'S MY AUNT.
YOU DIDN'T KNOW THAT.

ADDRESS IS ON THE FORM.

[SCOFFS]

[PANTING]
WE'RE STUCK HERE!

WE'RE GONNA DIE!

LOOK, BUDDY,
JUST BREATHE, OK?
YEAH?

WE'RE GONNA BE FINE.
OK.

OK? I PROMISE YOU.
NO, NO.

YOU HAVING A PANIC
ATTACK? HERE.

LET ME SHOW YOU
SOMETHING. OH, WAIT.

BEHOLD,
AN AVERAGE PENNY--

97% ZINC, 3% COPPER.

NOW, IF YOU FOCUS
ALL OF YOUR ATTENTION
TO THE CENTER

OF MY HAND,
YOU WILL CREATE
A BEAM OF ENERGY

STRONG ENOUGH TO MAKE
THIS PENNY...

DISAPPEAR.

WHA--HOW'D YOU DO THAT?!

MAN:
WHAT THE HELL, MAN?

YOU HIT ME
WITH THIS PENNY.

I'M SORRY.

HA HA HA!

SORRY. UM...

ALL RIGHT, HONEY.
UH, SAY THANK YOU
TO THIS NICE MAN.

THANK YOU.
UM...

I DON'T KNOW.
LET'S JUST GO TO THE PARK,

AND I WILL CALL YOUR MOM,
AND THEN I WILL GET MY CAR

AND PAY FOR IT WITH MONEY
I DON'T HAVE.
WAIT.

CAN HE COME WITH US?NOPE.

UH, NO.
NO.
BOY: PLEASE!

I NEED TO KNOW HOW
YOU DID THAT!

BOY: PLEASE?

PLEASE, PLEASE?

TECHNICALLY, I DO HAVE
A FREE AFTERNOON.

YES!

UH, OK, BUT LET'S
JUST DO US BOTH
A FAVOR UP FRONT.

LET'S AGREE NOT TO EXCHANGE
NAMES OR PHONE NUMBERS,
AND THEN, WHEN HE GOES,

WE CAN JUST BOTH GO
OUR SEPARATE WAYS.
THAT SOUND GOOD TO YOU?

YES.

GREAT.
ALL RIGHT.

THE FBI HAS, LIKE, WHAT,
35,000 EMPLOYEES?

DID YOU KNOW THAT?YOU KNOW WHAT?

I ACTUALLY DID
KNOW THAT.

[DOOR OPENS AND CLOSES]

SO WHAT DO WE KNOW
ABOUT THIS GUY?

HIS NAME IS BILLY HANES.
ELIZABETH DUMPED HIM
6 MONTHS AGO.

EXACTLY WHEN THE
MESSAGES STARTED.
RIGHT,

AND HE IS
A TWITCH STREAMER,
SO HE MAKES HIS LIVING

PLAYING VIDEO GAMES
DAY AND NIGHT FOR
AN ONLINE AUDIENCE.

TECHNOLOGICALLY SAVVY,
SO HE FITS THAT PART
OF THE PROFILE.

PLUS SHE SAID
THE BREAK-UP WAS MESSY,
SO HE FITS THE WHOLE

"I'M PISSED I'M NOT
HAVING SEX" PART, TOO.

YOU WANT
TO TAG-TEAM HIM?

HO HO!
COME AT ME, SIS.

[DOOR OPENS]

WE MET IN LINE
AT THE GROCERY STORE.

SHE DROPPED A LEMON,

I PICKED IT UP,
MADE A LEMONADE JOKE.

LEWIS: SMOOTH.WHY'D YOU BREAK UP?

SHE WAS THAT SPECIAL BLEND
OF CLINGY AND BITCHY,

AND I WAS LIKE, "MAN, I'M
NOT PUTTIN' UP WITH THIS."

YEAH, THAT'S NOT
WHAT WE HEARD.

WHAT'D YOU HEAR?

YOU BOUGHT AN
ENGAGEMENT RING AFTER
3 MONTHS OF DATING,

AND IT WAS A LITTLE FAST
FOR HER, RIGHT? YEAH.

LEWIS: THAT WOULD BE
A LITTLE FAST FOR ANYBODY.

WHAT CAN I SAY?
I THOUGHT IT WAS TRUE LOVE.

IT WASN'T, SO
I MADE SURE NOT TO MAKE
THE SAME MISTAKE TWICE.

LIKE LAST NIGHT, I WAS
HAVING A THREESOME WITH
TWO FANS FROM MY CHANNEL.

MMM. OK.
CAN WE GET THEIR NAMES?

UH...I CAN GIVE YOU
THEIR USERNAMES.

NEVER GOT AROUND TO
ASKING THE REAL NAMES.

OH, BUT I GOT PHOTOS.

GREAT.

JUST GIVE US A SEC.

[DOOR OPENS]
ENJOY.

OH, YEP. YEAH.
THAT'S A--THAT'S
A THREESOME.

ALL RIGHT.
WHO WOULD DO THAT
WITH THAT GUY?

WELL, BUT HE
DOESN'T FIT
OUR PROFILE, SO--

WE'RE LOOKING
FOR AN INVOLUNTARY
CELIBATE,

AND BILLY HERE SEEMS
TO BE HAVING A LOT
OF THE SEX.

WELL, LET'S KEEP HIM ANYWAY.
HE MIGHT KNOW SOMETHING
THAT CAN HELP.

PLUS, IT'S SATURDAY;
IF WE HAVE TO STAY HERE,
SO DOES THAT GUY.

[CHUCKLES]

[DOOR OPENS]

UGH.

[SIGHS]
I DON'T KNOW WHAT
I WAS THINKING,

DONATING OUR
PERFECTLY GOOD CRIB AND
SPENDING MONEY ON THIS.

HOW DID YOU SWING IT,
FINANCIALLY?

I MEAN, YOU WERE LIVING
PAYCHECK TO PAYCHECK.

BUT I HAD
DIFFERENT PRIORITIES
THAN YOU HAVE NOW.

I DIDN'T HAVE KIDS...
THAT I KNEW OF.

[CHUCKLES]

SO HOW BAD IS IT?

NO, WE'RE GOOD,
WE'RE GOOD, FOR NOW,

BUT WE DID SOME BACK-
OF-THE-ENVELOPE MATH.

COLLEGE TUITION...
TIMES 5 KIDS.

YEAH. HMM.

WHAT DOES KRISTY
THINK?

KRISTY THINKS WE'LL
FIGURE IT OUT.

THERE'S STUDENT LOANS,
THERE'S STATE SCHOOL.

CAN I SEE IT?SEE WHAT?

WELL, THE ENVELOPE,
THE--THE NUMBERS.

NO,
ABSOLUTELY NOT.

HEY, COME ON,
COME ON, COME ON.
IT'S UNCLE DAVE.

ALL RIGHT.

[PHONE KEYS BEEP]

IS THIS A REAL NUMBER?

WHAT'S GOING ON HERE?
WHY IS EVERYONE WORKING?

OH. STALKING CASE.

I TEXTED YOU
28 MINUTES AGO.

ALVEZ AND I ARE GOING TO
THE VICTIM'S APARTMENT.

OH, YOU DID. I'M SORRY.
UH, JUST A LITTLE
DISTRACTED.

BECAUSE OF THAT GUY
IN YOUR OFFICE?

HE'S ALREADY HERE?
YEAH.

HE WAS ESCORTED IN
20 MINUTES AGO.

PRENTISS: AND WHAT IS THAT
THING HE BROUGHT WITH HIM?

HIS OWN CRIME BOARD,
AND IT IS COMPLETE
WITH CRAZY-MAN STRING.

OH, UM...

OPEN. "AH."

AH.

YOU'RE GONNA NEED THAT.
YOU HAVE WINE BREATH.

[SIGHS]

GARRITY:
WELL, WELL, WELL.

LONG TIME, NO SEE.

PLEASE, COME INTO
YOUR FBI OFFICE.

[DROPS FOLDER]GOOD LUCK, BOSS.

[SIGHS]

HOW DID HE GET
PAST THAT?

PROBABLY DIDN'T.

MY GUESS IS HE HIJACKED
AN ALREADY EXISTING
DEVICE--THE CAMERA,

LIKE, HER CELL PHONE,
OR HER COMPUTER--WHICH MEANS

THAT ELIZABETH JUST REVEALED
HER WHOLE LIFE TO HIM
WITHOUT EVEN KNOWING.

[ALARM BLARING]

HEY, THAT'S GOOD NEWS.
NO.

NO, THIS IS NOT GOOD NEWS.
THIS IS TERRIBLE NEWS.

THIS MEANS THAT HE'S
NOT PIGGYBACKING OFF
AN ALREADY EXISTING DEVICE.

THIS MEANS HE PUT
HIS OWN LISTENING THING

OR A CAMERA IN HERE.
HE WAS IN HERE.

OH, THAT MEANS
WE CAN FIND SOME
PHYSICAL EVIDENCE,

AND THAT'S
GOOD NEWS.

OK, I'LL GIVE YOU THAT.
THAT'S YOUR ONE FOR TODAY.

[ALARM BLARING]

[ALARM BLARING]

THERE'S SOMETHING
UNDER THE BED.

HELP ME MOVE THE BED.
YEAH.

[GARCIA GRUNTS]

EW. WHAT IS THAT?

OH, MY GOD.
OH, MY GOD.

HE'S BEEN STALKING
HER FROM IN HERE.

I MEAN, LET'S START
WITH THE OBVIOUS.

THIS UNSUB WOULD HAVE
TO HAVE A KEY, OR 4,

TO GET INTO ELIZABETH'S
APARTMENT AND PLANT THIS.

AND THEN TAKE PICTURES.

ELIZABETH'S BEEN LOCKED
UP TIGHT FOR 6 MONTHS.

SHE WOULD HAVE SEEN
ANYONE COMING AND GOING.

GARCIA: CORRECT,
AND WE KNOW THAT
BECAUSE OF THIS,

WHICH IS A HARD DRIVE
INSIDE A BOX WITH ITS
OWN TRANSMITTER.

ALVEZ AND I FOUND THIS
IN THAT COFFIN THING
OF THE UNSUB'S.

WITH--WHAT WAS HE
STORING ON IT?

EVERYTHING ABOUT ELIZABETH
AND BILLY'S RELATIONSHIP.

HE DOCUMENTED IT ALL:
THEIR MUNDANE MOMENTS,

THEIR FIGHTS, THEIR...

BILLY: [SIGHS]
BABE, SLOW DOWN THERE.

GARCIA: AND THIS GOES ON
FOR 23 MORE MINUTES.

GOT IT. GOT--
WE'RE GOOD. THANK YOU.

AND WHAT'S WEIRD
ON TOP OF WEIRD IS
THAT ALL THAT LISTENING

AND WATCHING, IT ABRUPTLY
STOPPED 6 MONTHS AGO.

WHEN THEY BROKE UP
FOR GOOD.

YEAH, AND THAT'S WHEN
THE VIOLENT MESSAGES STARTED.

ALVEZ: NOW, ARE WE SURE
THAT IT'S NOT BILLY?

I MEAN, THE TIMELINE
MATCHES UP PERFECTLY,

AND HE WAS IN AND OUT
OF THE APARTMENT.

GARCIA: YEAH, BUT HE'S
NOT CONNECTED TO THE
MESSAGES IN ANY WAY,

AND HE'S A GAMER,
NOT A CARPENTER.

HE COULDN'T HAVE CUT
A HOLE IN THE FLOOR
LIKE THAT.

JJ: IT SEEMS TO ME
THE UNSUB WAITED
FOR BILLY TO BE

OUT OF THE PICTURE
BEFORE HE MADE
HIMSELF KNOWN.

RIGHT, AND BECOMING MORE
AND MORE INSISTENT THAT
SHE PAY ATTENTION TO HIM.

I MEAN, LOOK, MAYBE SHE
REJECTED HIM IN SOME WAY,

SOME INNOCUOUS
INTERACTION THAT HE TOOK
AS A PERSONAL AFFRONT.

ALVEZ: YEAH,
WE NEED TO TALK
TO ELIZABETH AGAIN.

I CAN DO IT.
PLEASE, LET ME DO IT.

I CAN ASK THOSE
QUESTIONS, AND SHE'S
FREAKING OUT ALREADY.

THE LAST THING SHE NEEDS
IS SOME RANDOM PERSON
WHO WON'T UNDERSTAND,

MAKING HER FEEL BAD
ABOUT SOMETHING SHE'S
ALREADY REALLY SCARED ABOUT.

OK, SURE.

FINE.

[DRILL BUZZES]

[SIGHS]

[SIGHS]
STRIPPED THE SCREW.

GIVE ME 5 MINUTES.
I'M GONNA RUN TO
THE HARDWARE STORE.

TAKE YOUR TIME.

HEY, WHAT ARE YOU DOING?
LET ME DO THAT.

MMM. FEEL FREE,
BUT THESE ARE ALL FOR ME.

THIS BABY'S GONNA BE
CHUNKY. [CHUCKLES]

YOU KNOW,
I DON'T WANT TO PRY,

BUT I WAS JUST CURIOUS
WHAT...THIS IS.

AW, "THE SIMMONS STORIES."

I LOVE THOSE. GO AHEAD.

WHEN, UH, WHEN MATT
WOULD COME HOME FROM HIS
INTERNATIONAL TRAVELS,

HE'D TELL THE KIDS
THESE AMAZING STORIES
ABOUT EVERYTHING HE SAW.

AND I BEGGED HIM
TO WRITE THEM DOWN,

AND HE FOUGHT ME AT FIRST,
BUT THEN HE DISCOVERED

THAT THE KIDS LOVED THEM
EVEN MORE WHEN HE
READ THEM OUT LOUD.

WELL, THAT'S A GOOD DAD
RIGHT THERE.

THAT'S WHAT I FELL
IN LOVE WITH.

AND THAT DOESN'T EXPLAIN
THE TRAFFIC CAMERAS

POINTED AT ME THAT
THE FBI USES TO SURVEIL ME.

THEY ARE NOT POINTED
AT YOU.

AND YOU KNOW WHERE ELSE
I FOUND THEM?

IN MY SMART TV,

SO ANY TIME
I'M WATCHING SOMETHING,
MY TV's WATCHING ME?

CUI BONO, EMILY?

THAT'S LATIN FOR
"WHO BENEFITS?"

YES, BRIAN, I--I
KNOW WHAT IT MEANS.

AND YES, THERE ARE
CAMERAS AROUND YOU.

MM-HMM.
THEY'RE AROUND
ALL OF US,

BUT THE FBI IS
NOT WATCHING YOU
WITH THEM.

WELL, ISN'T IT INTERESTING
THAT THE MOMENT

I TAKE STEPS
TO EXPOSE THIS,

YOU DECIDE TO SIT DOWN
WITH ME? I MEAN--

I AM SITTING DOWN WITH YOU
BECAUSE YOU'RE SUING ME.

[SIGHS]
PLEASE,

HAVE A SEAT. I'M...

HOW HAVE YOU BEEN?

HOW'S PATRICIA?

NOT GOOD!

SHE LEFT ME.

SHE DID?

I'M SORRY.

YOU TWO WERE
SUCH A...COUPLE.

NOW THIS IS GONNA BE
AN ODD QUESTION.

HAVE YOU BEEN
FEELING A WEIRD,

BURNING SENSATION,
AS THOUGH YOU'RE

BEING HEATED FROM
INSIDE YOUR BODY?

YEAH, LIKE A
COUNTY FAIR CORN DOG.

HOW DO YOU KNOW THIS?

IT'S CALLED TARGETED
INDIVIDUALS.

THESE ARE MEN
AND WOMEN WHO
ARE CONVINCED

THAT THEY'RE
BEING WATCHED
ALL THE TIME, AND IT

USUALLY HAPPENS
AFTER A SUDDEN
EMOTIONAL LOSS.

I PROMISE,
YOU AREN'T.

HERE'S A QUESTION:

WHY DID YOU FAKE
YOUR OWN DEATH?

WHAT?

IN 2010, YA DIED.

I WATCHED THEM EMPTY OUT
YOUR APARTMENT.

THEN, IN 2016,
YOU'RE MAGICALLY
BACK AT THE FBI?

I, UM,
IT'S...COMPLICATED.

I JUST THOUGHT HE WAS
WATCHING ME FROM OUTSIDE.

BUT HE WAS INSIDE,
LYING UNDER MY BED

IN A HOLE THIS WHOLE TIME,
AND I HAD NO IDEA?

DON'T THINK
ABOUT THAT, OK?

YOU HAVE TO FOCUS
ON WHAT WE CAN DO
TO CATCH HIM.

DID SOMEONE
ASK YOU OUT THAT
YOU SAID NO TO?

[STAMMERING]
NO, I DON'T TALK
TO ANYONE LIKE THAT.

IT MIGHT NOT HAVE
BEEN A REJECTION
ON YOUR PART.

NO, YOU DON'T GET IT.

I DON'T TALK TO ANYONE.

I--I DON'T OPEN
MY FRONT DOOR.

I'M, LIKE, LOCKED
INSIDE MY OWN LIFE.

[CRYING]
I--I LAY AWAKE ALL NIGHT!
I HAVEN'T SLEPT IN MONTHS!

I'M UNSAFE
IN MY OWN APARTMENT,

AND I'M NOT--WHERE DO I GO?

I--I'LL TELL YOU
WHERE, OK?

THERE IS AN OFFICE
DOWN THE HALL,

AND IT'S GOT
A SUPER-COMFY COUCH

AND A REALLY WARM
BLANKET.

HE CANNOT GET
TO YOU THERE,
I PROMISE, OK?

WE ARE GONNA GO
FIND HIM,

AND YOU'RE GONNA
HANG OUT THERE AND
RELAX. SOUND GOOD?

WOMAN: SO THEN, YEAH,
I DECIDED TO PARLAY

A HIGHLY LUCRATIVE
ART HISTORY DEGREE
INTO TEACHING, SO I--

I TEACH.
ART HISTORY?

I TEACH ART,
JUST TO FIRST-
TO THIRD-GRADERS.

OH, THAT'S AMAZING.

AMAZING? REALLY?

WOULD YOU CALL TURKEYS
MADE OUT OF HANDS AMAZING?

I--I WOULD CALL
TURKEYS MADE OUT
OF HANDS AMAZING,

AND I ALSO--I THINK
THAT THE WORLD NEEDS
MORE TEACHERS.

GOOD ONES, AT LEAST.

OK, WHAT'S GOING ON HERE?

IS THIS PART OF SOME KIND
OF LONG-CON PICKUP MOVE?

NO.
NO?

OK, THEN WHAT IS IT?

I'M SUPPOSED TO HAVE
A NORMAL CONVERSATION

TODAY WITH, UH,
A NORMAL PERSON,

AND YOU STRIKE ME
AS BEING NORMAL.

WHAT? HA!

ALL RIGHT, SO LET ME
GET THIS STRAIGHT.

I'M PART
OF YOUR HOMEWORK

TO LOCATE
SOMEONE NORMAL.

WELL, IT SOUNDS WEIRD
WHEN YOU SAY IT LIKE
THAT, BUT WHAT I--I--

I'VE BEEN HAVING
THIS RECURRING, UH,
WORKPLACE DREAM--

NO. YEP. NO. STOP.

JUST--I DON'T LIKE IT
WHEN PEOPLE TALK
ABOUT THEIR DREAMS.

WELL, I WAS--I...
I WASN'T GOING TO TELL
YOU ABOUT MY DREAM.

I WAS BASICALLY
JUST, UH, TALKING
ABOUT MY DREAM

TO ILLUSTRATE THE POINT
THAT DREAMS CAN PROVIDE
A LOT OF INSIGHT.

TO YOU.

A WORKPLACE DREAM MEANS
THERE'S SOMETHING

STRESSFUL GOING ON
AT YOUR WORK, WHICH

I THINK YOU SAID WAS
THE FBI, SO YEAH.

FBI STUFF, CRIME, GO.

LET ME ASK YOU THIS:
IS IT WEIRD IF I DON'T
TELL YOU WHAT I DO?

BECAUSE THIS IS
THE FIRST CONVERSATION
I'VE HAD IN A LONG TIME

WHERE I'M NOT DEFINED
BY MY JOB, AND IT...

IS NICE.

WOMAN: MAX!

MAX?

YES, SHORT FOR MAXINE,
WHICH I HATE.

HERE YOU GO.

MOM, THIS IS
SPENCER.

THIS IS YOUR
MAGIC PENNY NOW.

AW, THANK YOU.

WHY IS MY CHILD
EXCHANGING MONEY
WITH A STRANGER?

IT'S A LONG STORY,
BUT I--I VOUCH FOR HIM.

YOUR SON IS
REMARKABLE,
BY THE WAY.

THANKS. SHE'S SINGLE,
BY THE WAY.

GOOD-BYE, MICHELLE.

IT'S OUR FATHER'S DREAM
TO MARRY HER OFF.

THERE'S A SUPER SAD DOWRY,
IF THAT SWEETENS THE POT.

GOOD-BYE, MICHELLE.

[WHISPERS]
Bye.
BYE.

I STILL DON'T KNOW
WHAT NORMAL IS, BUT...

THIS HAS BEEN NICE,
SO THANK YOU.

HEY.

THAT DREAM OF YOURS...

YEAH?

DO YOU WANT
TO TELL ME ABOUT IT?

OH...

[BREATHING HEAVILY]

I REALLY WANT TO FIND
THIS PERV, AND I DON'T
KNOW WHAT I'M MISSING.

[SIGHS]

HEY, STOP FOR A SECOND.

I KNOW YOU TAKE
OUR CASES PERSONALLY,
OK, BUT NOT LIKE THIS.

WANT TO TALK ABOUT IT?

THERE'S THIS GUY,

ALEXEI STANOVICH, AND
HE'S BEEN BOTHERING ME,

MESSAGING ME AND ASKING ME
WHY I'M NOT BAREFOOT
AND PREGNANT

AND EXPLAINING IN DETAIL
HOW HE'S GONNA KILL ME.

HEY, WHY HAVEN'T YOU
TOLD ANYONE
ABOUT THIS?

ALEXEI STANOVICH LIVES
IN ST. PETERSBURG, RUSSIA,
SO HE'S UNGETTABLE,

AND THE THING IS, IT'S
NOT EVEN THE WORST THING
I HAVE TO DEAL WITH.

LIKE, THE INTERACTIONS
I HAVE ON THE WEB, I--

IT'S JUST PART OF MY JOB.HOW IS THAT POSSIBLE?

YOU DON'T EVEN LIKE TO LOOK
AT CRIME SCENE PHOTOS.

I DON'T THINK I'VE EVER
TOLD ANYBODY THIS...

BUT THE REASON WHY
I DON'T LOOK AT
CRIME SCENE PHOTOS

IS BECAUSE I KIND OF
HAVE MY OWN VERSION.

SOMETIMES THE PLACES
ON THE WEB I NEED
TO GO ARE RIDDLED

WITH RAPE JOKES
AND RACIAL EPITHETS,

AND IF YOU CAN'T
TAKE IT, GET OUT

OF THE CHAT ROOM,
YOU STUPID, FAT B-TARD.

I CAN'T STOP
ALEXEI STANOVICH,

BUT THIS GUY...

I'M GONNA FIND THIS GUY.

PRENTISS: I CAN'T
FULLY EXPLAIN WHY I
LEFT THE FBI.

I WAS UNDERCOVER.

EMILY, I'LL MAKE IT
SIMPLE FOR YOU.
YOU HAVE TWO CHOICES.

YOU CAN TELL ME
THE TRUTH NOW OR IN COURT.

OH.

HEY. SORRY TO INTERRUPT.

UM, DO YOU HAVE A SECOND?PRENTISS: YEAH.

IF YOU'LL EXCUSE ME.

LOOK, GARCIA'S
IN A TAILSPIN

TRYING TO FIND
ELIZABETH'S STALKER.

IT LOOKS LIKE YOU
ARE, TOO. YOU OK?

NO. HE'S DUG IN.

WELL, THAT'S THE PROBLEM
WITH TARGETED INDIVIDUALS.

YOU CAN'T CONVINCE THEM
THEIR DELUSION ISN'T REAL,

AND THE ONLY STRATEGY
THAT WORKS IS JUST
TO INDULGE THEM

UNTIL THEY'RE NO LONGER
A THREAT TO THEMSELVES
OR OTHERS AND...

WHY ARE YOU LOOKING
AT ME LIKE THAT?

DID YOU NOTICE HOW HE
CHECKED YOU OUT?

YEAH, YEAH, IT FELT
LIKE I NEEDED A THICK COAT
OR SOME KIND OF TASER.

THAT'S BECAUSE YOU
LOOK LIKE HIS WIFE
WHO JUST LEFT HIM.

I LOOK LIKE THAT
MAN'S WIFE?

SOMEBODY MARRIED
THAT MAN?

IT'S MORE OF
AN ATTITUDE--STRONG,

FORTHRIGHT, CONVINCING.

NO.

TARA, HE'S GONNA SUE ME.
PLEASE?

YOU OWE ME A LOT
OF DRINKS.

[SIGHS]

LEWIS: BRIAN. HI.

I'M SSA LEWIS.
MM-HMM.

I GUESS YOU COULD
SAY I'M THE WOMAN
BEHIND THE WOMAN,

IF YOU KNOW
WHAT I MEAN.

OH, YES, I DO.

YOU KNOW,
SINCE YOU'VE
UNCOVERED SO MUCH,

I FEEL COMFORTABLE
LEVELING WITH YOU.

YOU ARE BEING
WATCHED...

I KNEW IT.

BUT NOT BY US.

THINK ABOUT IT.

CIA.

[GASPS]

NSA?

SHH.

ALL YOU NEED TO KNOW

IS THAT IT'S NOT
THE BUREAU.

BUT IF YOU MOVE
FORWARD WITH
THIS COURT CASE...

I RISK EXPOSING
THE WRONG PEOPLE.

EXACTLY.

MAN, BRIAN,
YOU ARE A SMART GUY.

SO...

LET'S YOU AND I
DISCUSS NEXT STEPS.

OH!

DON'T...DO THAT!
I'M SORRY.

I THOUGHT I COULD HELP,
MAYBE BE ANOTHER SET
OF EARS?

BUT FIRST...

OH, IT'S BEEN HOURS.
WELL...

REID: AND THEN
THE AXE COMES DOWN AND--

THANK YOU SO MUCH--
I WAKE UP.

OK, SO THE GUY WITH
THE AXE--DO YOU
RECOGNIZE HIM?

NO, IT'S LIKE
AN ANONYMOUS FACE.

ALL RIGHT, LOOK...

YOU DON'T WANT TO
TELL ME WHAT YOU DO,
AND THAT'S FINE,

BUT IT'S VERY
CLEAR TO ME THAT
SOMETHING AT WORK

IS REALLY
STRESSING YOU OUT.

I MEAN, LAST WEEK I DID
THINK THAT MY CO-WORKER
GOT BLOWN UP BY A MAIL BOMB.

THEN THE WEEK BEFORE THAT,
MY BEST FRIEND WAS SHOT
AND PUT INTO A COMA.

WEEKEND BEFORE THAT,
SHE AND I WERE IN
A HOSTAGE SITUATION,

SO...YEAH, I, UH,

I THINK YOU MIGHT
BE RIGHT ABOUT MY JOB
BEING STRESSFUL.

HEY, WHAT'S THAT,
UM, THAT HORMONE

THAT GETS RELEASED,
THE FIGHT OR FLIGHT
THING--CORTISOL.

IT SEEMS TO ME YOU
HAVE TO FIND A WAY
TO IGNORE THAT AT WORK.

REMEMBER WHEN YOU
WERE A KID?

YOU COULD JUST GET ON
YOUR BIKE AND JUST RIDE

UNTIL YOU HAD TO COME
HOME FOR DINNER?

CONCEPTUALLY, YES,
BUT PRACTICALLY, NO.

OK, BUT LOOK,
YOU UNDERSTAND THAT
PEOPLE DON'T REALLY

DO THAT ANYMORE
BECAUSE SOMEWHERE

ALONG THE WAY,
SOMETHING GOT LOST?

TRUST?

YEAH, EXACTLY.

SO TAKE TODAY,
FOR EXAMPLE.

I SEE A STRANGE MAN
TALKING TO MY NEPHEW.

BOOM! THERE GOES
THE CORTISOL:

RISK, DANGER, THREAT.

BUT THEN, YOU PERFORMED
A MAGIC TRICK.

THAT ACTUALLY--
IT WASN'T MAGIC.
I JUST--I TOOK THE PENNY

AND I THREW IT BEHIND
HIS HEAD.
NO, NOT THAT.

YOU TOOK TIME
OUT OF YOUR DAY

TO CALM DOWN
A LITTLE BOY,

A KID WHO YOU DIDN'T
KNOW, WHO YOU'D
NEVER MET BEFORE,

AND YOU KNOW
WHAT I CALL THAT?
I CALL THAT DECENCY.

THANKS.[SPRINKLERS SPURTING]

OOH. MAGIC PENNY.

WHAT DO YOU MEAN?[GRUNTS, SHRIEKS]

OH, MY GOSH!
NOT DECENT!

WORTH IT, THOUGH!
OH, MAN.

DON'T TOUCH ME!
OH, MY--OH!

[SHRIEKING]

OH! RIGHT IN THE FACE!
THERE! YOU LIKE THAT?

BILLY, ON TAPE: NO,
IT'S MY TURN...
WAIT.

WAIT, WAIT, WAIT.
DO YOU NOTICE THAT?

NOTICE WHAT?
[TYPING]

BILLY: NO, IT'S MY TURN
TO GET A BACK RUB,
NOT TO GIVE ONE.

ELIZABETH: OK, FINE.
WHERE'S THE CLICKER?
I HATE THIS SHOW.

[LOUDER]
HERE. TAKE IT.

WATCH SOMETHING
YOU WANT.

DO YOU SEE THAT?
THE AUDIO LEVELS.

AHA. IS THAT CONSISTENT
WITH THE OTHER RECORDINGS?

BILLY: BABE,
SLOW DOWN, THERE.

ELIZABETH: HMM.
I CAN'T RIGHT NOW.

GARCIA:
EVERY SINGLE ONE.

DID WE DO IT?
DID WE FIND IT?

YOU FOUND IT.
I FOUND IT.

I FOUND IT.

BILLY'S VOICE IS LOUDER
THAN ELIZABETH'S IN ALL
OF THE RECORDINGS.

COULD THAT BE
A MISTAKE, I MEAN,
A FAULTY RECORDING?

NO, ABSOLUTELY NOT.
IT'S INTENTIONAL. WHY?

'CAUSE THE MICROPHONE
IS ON BILLY'S SIDE OF
THE BED, NOT ELIZABETH'S.

IT WAS HIM HE WAS LISTENING
TO THE WHOLE TIME.

THE UNSUB WASN'T
STALKING HER,
HE WAS STALKING HIM.

HOMOPHOBIA RUNS
RAMPANT ONLINE.

IF HE WAS
DEEPLY CLOSETED,

HE COULD HAVE BEEN
TOO SCARED TO TELL
BILLY HOW HE FEELS.

BUT I'M NOT GAY.

OK, IT'S--IT'S NOT
THAT SIMPLE.

UH, THIS IS
A MUTUAL FRIEND
THAT MADE A POINT

TO STAY IN YOUR LIFE
AFTER THE BREAKUP.

SHE GOT MOST
OF THE FRIENDS.

BILLY, COME ON.
YOU DID.

GARCIA: OK, WE DON'T NEED
TO RE-LITIGATE THE BREAKUP.

THIS IS SOMEONE WHO IS GOOD
AT COMPUTERS AND LOCKS

AND CARPENTRY; THAT'S HOW
HE WAS ABLE TO DO THIS.

IF HE'S LIKE
WHAT YOU'RE SAYING,
WHY DID HE GO AFTER HER,

AND WHY NOT ME?

BECAUSE...YOU LIVE
ON THE FOURTH FLOOR.
I LIVE ON THE FIRST.

JJ: HE DID TO HER WHAT
HE COULDN'T DO TO YOU.

BILLY, WHAT IS IT?

WELL, HE WASN'T A FRIEND,
BUT...ELIZABETH HAD
THIS NEIGHBOR.

YOU REMEMBER HAYES,
ON THE SECOND FLOOR?

HE'S--HE'S HARMLESS.
HE--

NO, I THOUGHT SO, TOO.
HE WAS A LOCKSMITH.

WHEN WE STARTED DATING,
HE TOLD ME HE WAS
INTO LIVE-STREAMING,

AND I GOT THE SENSE THAT...

HE WASN'T INTO
STREAMING AS MUCH AS--

HE WAS INTO YOU.

[SIGHS]
YEAH.

I'M GOING TO TRACK DOWN
THIS HAYES.

MM-HMM.
YOU GUYS WERE RIGHT.

WE CAN'T LET OUR BABY
SLEEP IN THIS.

MM-MMM.

ACTUALLY, I WAS TALKING
TO KRISTY ABOUT YOUR

FINANCIAL SITUATION.

YOU WERE?KRISTY: UH, I--

I TOLD HIM WE DON'T
TAKE HANDOUTS.

NOW, MY IDEA IS MORE
IN THE "TEACH A MAN
TO FISH" VEIN.

I--I WAS LOOKING AT SOME
OF YOUR JOURNALS.

"THE SIMMONS STORIES"?
[CHUCKLES]

I DID THOSE AS A LARK
FOR THE KIDS.

HEY, THERE'S
A TALENT THERE,
AND THAT TALENT

COULD BE THE ANSWER
TO YOUR PROBLEMS.
HOW?

I'VE MADE A VERY GOOD LIVING
WRITING TRUE-CRIME NOVELS

FROM OUR CASES, BUT IT'S
TIME TO PASS ON THE BATON

TO YOU.

WRITE A BOOK? I--I
WOULDN'T EVEN KNOW
WHERE TO START.

THAT'S WHERE I COME IN.

YOU'D BE DOING ME
A FAVOR.

WE'D BOTH GET PAID,
AND I DON'T HAVE
TO DO HALF THE WORK.

SAY YES.

KRISTY: SAY YES.
YES.

AND THANK YOU.
THANK YOU.

ROSSI:
FANTASTICO! MWAH!

HA HA!
AND MY NAME WILL STILL
BE FIRST ON THE COVER.

OK.

KRISTY: OH! OH, MY.

WHAT IS IT?
IS THAT--

YEAH, UH,
MY WATER JUST BROKE.

YOU KNOW, I DON'T
NORMALLY WEAR STUFF
LIKE THIS,

BUT I THINK I LOOK
PRETTY COOL.

YEAH, I THINK,
UH, TRIPLE-X IS
A GOOD LOOK FOR YOU.

HEH HEH!
DO YOU FEEL NORMAL?

NO, NOT IN THE SLIGHTEST,
BUT I FEEL DECENT, SO...

[BEEPING]
SORRY.

[KEYS BEEP]

KRISTY'S IN LABOR.

WHO'S KRISTY?MY--MY FRIEND'S WIFE.

I, UH, SHOULD
PROBABLY GO.

I--LOOK, I KNOW THAT WE
SAID NO, UH, NAMES

AND NO PHONE NUMBERS,
BUT...

I WOULD REALLY LIKE
TO DO THIS AGAIN
SOMETIME,

PREFERABLY...WITH YOU.

[CHUCKLES]

SO, UH...

WHAT DO YOU DO FOR
THE FBI, FOR REAL?

I'M A PROFILER.

I USE PSYCHOLOGY
TO FIND PEOPLE.

GOOD.

FIND ME.

♪ WELL, IF THE RAINS COME
AROUND TO DROWN US DOWN ♪

♪ AND THE SUN CAN'T
BE SEEN NO MORE... ♪

LEWIS: SO DID YOU
CALL YOUR LAWYER?

YES. WE'RE DROPPING THE
CASE AGAINST THE FBI,

BUT THE NSA,
THAT'S GONNA BE
A TOUGH NUT TO CRACK.

DO YOU KNOW ANYBODY
OVER THERE, A DEEP THROAT
WHO COULD DEEP-THROAT ME?

UH, NO, UM, NO,
I DON'T,

BUT THIS IS
MY FRIEND,
DR. HOYER, AND HE

CAN DEFINITELY PUT
YOU IN TOUCH WITH
PEOPLE WHO CAN HELP.

FINALLY, SOMEONE
WHO GETS IT. HA HA HA!

LET'S TALK ABOUT
PSYCHOTRONIC WEAPONS 'CAUSE
THAT'S WHERE THEY GET YOU.

♪ THEN WE'LL HUNKER DOWN
AND WAIT IT OUT ♪

♪ AND FACE WHAT WE HAVE
IN STORE ♪
GUESS WHO.

♪ TOGETHER WE'RE BRICK

♪ OUR FLESH IS LIKE STEEL

♪ OUR HEARTS LIKE A KNIFE

HEH! I LOVE HIM.

♪ THAT OTHERS WILL FEEL

WE GOT HIM.

OH!
HA HA!

ELIZABETH: THANK YOU SO MUCH.

KRISTY: RED!

YEAH.
YOU CHOSE RED?!

WHAT DO YOU WANT?
THE CRIB, I CAN--I CAN--

I CAN PAINT IT,
I CAN DUCT-TAPE IT--

JUST BURN IT, BURN IT!OK, OK.

KRISTY, MATT,
TIME TO START PUSHING.

ANYTHING?

NO, NOT YET.

HEY, YOU.

MOI?

YOU...TOOK YOUR WHOLE
DAY OFF TO HELP ELIZABETH.

ELIZABETH.

AND THAT WAS
VERY KIND OF YOU.

[PUTS DOWN MAGAZINE]

HOW ABOUT THIS?

YOU GET A LEAD
ON ALEXEI STANOVICH,

YOU KEEP ME ON
SPEED-DIAL.

DEAL.

[BABY CRYING]

THAT FEEL GOOD?

THAT FEEL GOOD?
OH.

SIMMONS: AW.
YEAH.

IT'S A GIRL.

[ALL CHEER]

PRENTISS: WHAT'S--
WHAT'S HER NAME?

HER NAME IS
ROSE MARY SIMMONS.

CLOSEST WE COULD
GET TO ROSSI.

AH!
OH!

[KISS]
IT'S A BEAUTIFUL NAME,

AND IT GOES WITH
HER ROSE-RED CRIB.

WHEN CAN WE MEET HER?RIGHT NOW.

KRISTY CAN'T WAIT
TO SHOW HER OFF.

WAIT, WAIT, WAIT.
UM, SO THIS IS
A NEW LOOK FOR YOU.

WHAT DO YOU THINK?

I LIKE IT.

BUT WHAT DID YOU DO
ON A SATURDAY
TO GET YOU INTO IT?

JUST, UH...

I HAD
A CONVERSATION.

OH...CONVERSATION.

WELL, WHOEVER
THIS CONVERSATION
WAS WITH...

JUST PUT A SMILE ON
YOUR FACE I HAVEN'T SEEN
IN A REALLY LONG TIME.

♪ OUR HEARTS LIKE A KNIFE

♪ THAT OTHERS WILL FEEL

SO...

YOU KNOW, THERE'S ONLY
SO MANY PEOPLE THEY CAN FIT
IN THE DELIVERY ROOM,

SO...
I'LL WAIT. I, UH,

I SHOULD SAY HELLO
TO THE BABY.

AND YOU WILL, YOU KNOW,
A--A WEEK FROM NOW.

THE BABY WILL
STILL BE A BABY

AND WILL HAVE
TWO VERY TIRED PARENTS
THAT WILL WANT YOUR HELP.

YEAH?

YEAH.

GO.

[CHUCKLES]

♪ IF THE WHEELS FALL OFF
AND WE SCREECH TO A HALT ♪

♪ AND NIGHT TURNS
AGAINST US ALL ♪

♪ THEN WE'LL CIRCLE UP
AND FEND IT OFF ♪

♪ AND USE OUR BODIES AS A WALL

♪ TOGETHER WE'RE BRICK

♪ OUR FLESH IS LIKE STEEL

♪ OUR HEARTS LIKE A KNIFE

♪ THAT OTHERS WILL FEEL

♪ TOGETHER WE'RE BRICK

TOOK YOU LONG ENOUGH.

[CHUCKLES]♪ OUR FLESH IS LIKE STEEL

♪ OUR HEARTS LIKE A KNIFE

♪ THAT OTHERS WILL FEEL

STAY TUNED FOR SCENES
FROM OUR NEXT EPISODE.

CAPTIONING MADE POSSIBLE BY
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CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
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